tanner menard // san francisco: an audiophony in four movements TAPE

tanner menard // san francisco: an audiophony in four movements TAPE

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知る人ぞ知る伝説のInstallなどのアンビエントレーベルから作品を発表してきたtanner menardの新作がfull spectrumよりリリース。40分以上収録。100部限定、紙ジャケ仕様です。DLコード付属

レーベルその他作品はこちら /// Click here to see more Full Spectrum Records releases available at Tobira.

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"Full Spectrum Records returns with a collection of new works from long-time label cohort tanner menard. san francisco: an audiophony in four movements serves as a sort of spiritual successor to their 2016 release, Deepest Indigo, and finds the artist returning to the hyperreal piano textures and dream-like haze that defined those earlier recordings.

Presented as a suite in four movements, san francisco was recorded between 2006 and 2009 as an extension of the conceptual “envelope” music – inspired by Ray Johnson’s work – that they were doing around the Bay Area during that time. The artist provided their friends Ping Chu and Chris Horgan with envelopes containing conceptual scores that indicated trajectories for recording locations around the San Francisco metro. These recorded found sounds and environmental performances were then mixed with sounds generated from a physically modeled 30-foot long piano, utilizing various experimental tunings by Nick Gish.

Ever the poet, tanner structured the album to roughly mirror Sonata Allegro form; hence the title, ‘an audiophony.’ Taking inspiration from Bernadette Mayer’s approach to the traditional sonnet, they sought to create a vast, experimental, recursive and barely recognizable sonic experience, achieving striking divergence from the source material through subtle changes in tuning and gradual movements from melodic signal to noise. The end result is a luxuriously dissociating album, with just a touch of romance lingering on its lips. We find ourselves in the sea, you & me... "

artist : tanner menard

label : full spectrum records

レーベルその他作品はこちら /// Click here to see more Full Spectrum Records releases available at Tobira.

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artist : tanner menard

label : full spectrum records

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Cassette in recycled cardstock case. Edition of 80. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Qom; Ay Qoyaşqa Äylände (Bit) 05:33\u003cbr\u003e2. Hin Kilgäs Bıl Yaqtarğa 05:21\u003cbr\u003e3. Ay Qoyaşqa Äylände (Lä) 08:56\u003cbr\u003e4. Yoqolarım Qasırźı 05:01\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBeacon Sound:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNew sonic reflections from HMOT (aka Stas Shärifulla)—an artist \u0026amp; researcher from Central Siberia working with sound \u0026amp; decoloniality, drawing upon his Bashqort roots to envision new liberational futures and methodologies.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by Brad Rose, Foxy Digitalis, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eRhythmic progressions blunt the immovable force, piling blown-out quray tones into a firewall that keeps us moving forward. This music is stacked. 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ロシア出身スイス在住のアンビエント作家HMOTが、2024年2月にアメリカのエレクトロニックレーベルBeacon Soundから100本限定でリリースしたカセットです。実験アンビエント〜ドローン4曲を収録。特殊紙ケース仕様です。廃盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませレーベルその他作品はこちら /// Click here to see more Beacon Sound releases available at Tobira. ...

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クイックビュー {"id":8669161652474,"title":"Hair and Space Museum \/\/ Human Presence TAPE","handle":"hair-and-space-museum-human-presence-tape","description":"\u003cp\u003eアメリカ・シアトルの\u003cspan data-mce-fragment=\"1\"\u003eアンビエントデュオHair and Space Museum\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eが、2024年9月に同国エレクトロニックレーベルBeacon Soundから100本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eロングフォームなアンビエントドローン2曲を収録。特殊紙ケース仕様です。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=226616253\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/beasou\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/beasou\"\u003ehere\u003c\/a\u003e to see more Beacon Sound releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in cardstock case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Heliosheath 23:50\u003cbr\u003e2. Passage 25:20\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBeacon Sound:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cem\u003eThe music I’ve heard feels a bit like watching the birth of humanity from space.' This is how the artist Joey Veltkamp described the first music that Emily Pothast and David Golightly released under the name Midday Veil in 2009. At the time, the duo was recording at home, primarily using vintage analog synthesizers and richly textured, often wordless vocals to weave shimmering, slow-building sonic tapestries.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile Midday Veil morphed into a rock band, Pothast and Golightly continued to work as a duo, performing long-form improvised soundscapes and creating immersive audiovisual installations under the name Hair and Space Museum. During its first decade, HaSM organized sleepover concerts, performed in a planetarium with a live laser artist, and shared stages with Hans-Joachim Roedelius, Norm Chambers, and Laraaji. Their recorded output, however, has thus far remained elusive.\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two side-long tracks on Human Presence were recorded in Seattle in 2012, the year we were promised the world would end, but it didn’t. Each was recorded in a single take with no overdubs.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first track, “Heliosheath,” was produced just as the Voyager 1 space probe became the first manmade object to pass\u003cspan class=\"bcTruncateMore\"\u003e beyond the outermost region of the solar system. The music conjures a sense of rapturous awe tinged with melancholy, both for the otherworldly aspirations embodied in this lonely little object and the equally profound misguidedness of the military-industrial culture that launched it — the irony of yearning for extraterrestrial contact while subjecting the miraculous richness of life on Earth to extractive violence in the same gesture. This recording subsequently provided the soundtrack for the Hair and Space Museum installation “Infinity Music Machine,” where audiences could listen on headphones while zoning out inside a light-tight black pyramid as an earthbound alternative to interstellar travel. \u2028\u003cbr\u003e\u003cbr\u003eA drifting galaxy of twinkling arpeggiators and diaphanous drone, “Passage” is the audio component of a multimedia installation created by HaSM for Seattle’s Bumbershoot Festival in 2012. This installation also featured a ceiling-mounted projector that generated analog video feedback in real time so that visitors entering the exhibition hall would transform the flowing, organic patterns on the floor by walking through them, creating a constantly shifting visual echo of their presence. Like “Heliosheath,” its tone is ecstatic and elegiac—an ambivalent witness to the cursed blessings of the human project.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hair and Space Museum\u003c\/p\u003e\n\u003cp\u003eLabel : Beacon Sound\u003c\/p\u003e","published_at":"2024-11-24T06:28:33+09:00","created_at":"2024-11-22T18:34:16+09:00","vendor":"Tobira Records","type":"","tags":["ambient","beacon sound","drone","new","tape"],"price":227300,"price_min":227300,"price_max":227300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46883540730106,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hair and Space Museum \/\/ Human Presence TAPE","public_title":null,"options":["Default Title"],"price":227300,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pre1_b8ace057-1c3e-4f16-a64e-f8fb4a09fdd8.jpg?v=1732267983","\/\/tobirarecords.com\/cdn\/shop\/files\/pre2_5eeffcdc-095b-4ac6-944e-5da0910f8ffd.jpg?v=1732267983","\/\/tobirarecords.com\/cdn\/shop\/files\/pre3.jpg?v=1732267983"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pre1_b8ace057-1c3e-4f16-a64e-f8fb4a09fdd8.jpg?v=1732267983","options":["Title"],"media":[{"alt":null,"id":35217671028986,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pre1_b8ace057-1c3e-4f16-a64e-f8fb4a09fdd8.jpg?v=1732267983"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pre1_b8ace057-1c3e-4f16-a64e-f8fb4a09fdd8.jpg?v=1732267983","width":700},{"alt":null,"id":35217671061754,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pre2_5eeffcdc-095b-4ac6-944e-5da0910f8ffd.jpg?v=1732267983"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pre2_5eeffcdc-095b-4ac6-944e-5da0910f8ffd.jpg?v=1732267983","width":1200},{"alt":null,"id":35217671094522,"position":3,"preview_image":{"aspect_ratio":1.326,"height":905,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pre3.jpg?v=1732267983"},"aspect_ratio":1.326,"height":905,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pre3.jpg?v=1732267983","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シアトルの\u003cspan data-mce-fragment=\"1\"\u003eアンビエントデュオHair and Space Museum\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eが、2024年9月に同国エレクトロニックレーベルBeacon Soundから100本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eロングフォームなアンビエントドローン2曲を収録。特殊紙ケース仕様です。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=226616253\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/beasou\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/beasou\"\u003ehere\u003c\/a\u003e to see more Beacon Sound releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in cardstock case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Heliosheath 23:50\u003cbr\u003e2. Passage 25:20\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBeacon Sound:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cem\u003eThe music I’ve heard feels a bit like watching the birth of humanity from space.' This is how the artist Joey Veltkamp described the first music that Emily Pothast and David Golightly released under the name Midday Veil in 2009. At the time, the duo was recording at home, primarily using vintage analog synthesizers and richly textured, often wordless vocals to weave shimmering, slow-building sonic tapestries.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile Midday Veil morphed into a rock band, Pothast and Golightly continued to work as a duo, performing long-form improvised soundscapes and creating immersive audiovisual installations under the name Hair and Space Museum. During its first decade, HaSM organized sleepover concerts, performed in a planetarium with a live laser artist, and shared stages with Hans-Joachim Roedelius, Norm Chambers, and Laraaji. Their recorded output, however, has thus far remained elusive.\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two side-long tracks on Human Presence were recorded in Seattle in 2012, the year we were promised the world would end, but it didn’t. Each was recorded in a single take with no overdubs.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first track, “Heliosheath,” was produced just as the Voyager 1 space probe became the first manmade object to pass\u003cspan class=\"bcTruncateMore\"\u003e beyond the outermost region of the solar system. The music conjures a sense of rapturous awe tinged with melancholy, both for the otherworldly aspirations embodied in this lonely little object and the equally profound misguidedness of the military-industrial culture that launched it — the irony of yearning for extraterrestrial contact while subjecting the miraculous richness of life on Earth to extractive violence in the same gesture. This recording subsequently provided the soundtrack for the Hair and Space Museum installation “Infinity Music Machine,” where audiences could listen on headphones while zoning out inside a light-tight black pyramid as an earthbound alternative to interstellar travel. \u2028\u003cbr\u003e\u003cbr\u003eA drifting galaxy of twinkling arpeggiators and diaphanous drone, “Passage” is the audio component of a multimedia installation created by HaSM for Seattle’s Bumbershoot Festival in 2012. This installation also featured a ceiling-mounted projector that generated analog video feedback in real time so that visitors entering the exhibition hall would transform the flowing, organic patterns on the floor by walking through them, creating a constantly shifting visual echo of their presence. Like “Heliosheath,” its tone is ecstatic and elegiac—an ambivalent witness to the cursed blessings of the human project.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hair and Space Museum\u003c\/p\u003e\n\u003cp\u003eLabel : Beacon Sound\u003c\/p\u003e"}

アメリカ・シアトルのチェリストLori Goldstonとカナダ・モントリオールのピアニストStefan Christoffが、2024年3月にアメリカのエレクトロニックレーベルBeacon Soundから100本限定でリリースした共作カセットです。チェロとピアノによる静謐なネオクラシカル・アンビエント11曲を収録。特殊紙ケース仕様です。廃盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませレーベルその他作品はこちら /// Click here to see more Beacon Sound releases available...

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クイックビュー {"id":8669161062650,"title":"Purple Decades \/\/ Journey Test LP","handle":"purple-decades-journey-test-lp","description":"\u003cp\u003eアメリカ・オハイオのピアニストPurple Decadesが、2023年1月に同国Beacon Soundからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eひたすらに穏やかなポストニューエイジ・ネオクラシカルアンビエント8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2949064839\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=4183770034\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2949064839\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/beasou\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/beasou\"\u003ehere\u003c\/a\u003e to see more Beacon Sound releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Forest 03:25\u003cbr\u003e2. Journey Test 03:33\u003cbr\u003e3. Sort Of Like Breathing 04:26\u003cbr\u003e4. Kagami 02:52\u003cbr\u003e5. Shinseki Main 03:43\u003cbr\u003e6. Everthus the Ether 02:37 video\u003cbr\u003e7. Pathway 07:12\u003cbr\u003e8. Strange Dream 05:07\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBeacon Sound:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003e'Journey Test' is composer and pianist Tristan Eckerson's first album under the moniker of Purple Decades, his new ambient project. While his past work has focused largely on solo piano, Purple Decades is an exploration into soundscapes, electronic textures, and hypnotic musical environments. While many tracks on the album still feature piano or keyboards in some form, the compositional approach is accompanied by extensive work with reverb, foley, and orchestral electronic arrangements, and some tracks have eschewed the piano completely, opting instead for immersive and texturally rich auditory journeys.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEach of the 8 songs on 'Journey Test' convey a sense of serene movement and cinematic scale, conjuring the horizon line of landscapes both distant and internal, a wordless dialectic between contentment and nostalgia. Tracks like the piano-driven 'Kagami' and the slow-building title track (whose crescendo brings to mind Sigur Ros) emphasize beguiling and cyclical melodies\u003cspan class=\"bcTruncateMore\"\u003e while 'Pathway' leavens the mood with a glacial sweep, all the while drinking from the same sense of wonder and openness that pervades the whole album.\u003cbr\u003e\u003cbr\u003eIn the artist's own words: \"After many years of writing nothing but music for solo piano, I was ready for something new when I began the process of creating Journey Test. I wanted to take the same vibe and overall aesthetic that I had created with my solo piano work, but really strip down the compositional approach into something that focused on the sound itself. Basically bringing the background to the forefront. And instead of traditional instruments, I wanted to use electronic sounds, but still in a way that it sounded very organic, almost to the point where you didn't know if you were listening to an orchestra or a bunch of synthesizers. I didn't use a lot of different electronic instruments for the album, but rather I focused on what each instrument could bring to the table in terms of texture, noise, organic sounds, and subtle details that could all be combined into something that was an experience. Something that took the listener on an auditory journey without them having to make an effort to get there.\"\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Purple Decades\u003c\/p\u003e\n\u003cp\u003eLabel : Beacon Sound\u003c\/p\u003e","published_at":"2024-11-23T07:09:42+09:00","created_at":"2024-11-22T18:25:09+09:00","vendor":"Tobira Records","type":"","tags":["ambient","beacon sound","lp","neo classical","new","post newage"],"price":355500,"price_min":355500,"price_max":355500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46883536077050,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Purple Decades \/\/ Journey Test LP","public_title":null,"options":["Default Title"],"price":355500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"769791982314","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3978159167_16_51840b7a-c736-44b8-b8fa-325dca47c7a1.jpg?v=1700714424"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3978159167_16_51840b7a-c736-44b8-b8fa-325dca47c7a1.jpg?v=1700714424","options":["Title"],"media":[{"alt":null,"id":32733673816314,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3978159167_16_51840b7a-c736-44b8-b8fa-325dca47c7a1.jpg?v=1700714424"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3978159167_16_51840b7a-c736-44b8-b8fa-325dca47c7a1.jpg?v=1700714424","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・オハイオのピアニストPurple Decadesが、2023年1月に同国Beacon Soundからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eひたすらに穏やかなポストニューエイジ・ネオクラシカルアンビエント8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2949064839\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=4183770034\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2949064839\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/beasou\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/beasou\"\u003ehere\u003c\/a\u003e to see more Beacon Sound releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Forest 03:25\u003cbr\u003e2. Journey Test 03:33\u003cbr\u003e3. Sort Of Like Breathing 04:26\u003cbr\u003e4. Kagami 02:52\u003cbr\u003e5. Shinseki Main 03:43\u003cbr\u003e6. Everthus the Ether 02:37 video\u003cbr\u003e7. Pathway 07:12\u003cbr\u003e8. Strange Dream 05:07\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBeacon Sound:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003e'Journey Test' is composer and pianist Tristan Eckerson's first album under the moniker of Purple Decades, his new ambient project. While his past work has focused largely on solo piano, Purple Decades is an exploration into soundscapes, electronic textures, and hypnotic musical environments. While many tracks on the album still feature piano or keyboards in some form, the compositional approach is accompanied by extensive work with reverb, foley, and orchestral electronic arrangements, and some tracks have eschewed the piano completely, opting instead for immersive and texturally rich auditory journeys.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEach of the 8 songs on 'Journey Test' convey a sense of serene movement and cinematic scale, conjuring the horizon line of landscapes both distant and internal, a wordless dialectic between contentment and nostalgia. Tracks like the piano-driven 'Kagami' and the slow-building title track (whose crescendo brings to mind Sigur Ros) emphasize beguiling and cyclical melodies\u003cspan class=\"bcTruncateMore\"\u003e while 'Pathway' leavens the mood with a glacial sweep, all the while drinking from the same sense of wonder and openness that pervades the whole album.\u003cbr\u003e\u003cbr\u003eIn the artist's own words: \"After many years of writing nothing but music for solo piano, I was ready for something new when I began the process of creating Journey Test. I wanted to take the same vibe and overall aesthetic that I had created with my solo piano work, but really strip down the compositional approach into something that focused on the sound itself. Basically bringing the background to the forefront. And instead of traditional instruments, I wanted to use electronic sounds, but still in a way that it sounded very organic, almost to the point where you didn't know if you were listening to an orchestra or a bunch of synthesizers. I didn't use a lot of different electronic instruments for the album, but rather I focused on what each instrument could bring to the table in terms of texture, noise, organic sounds, and subtle details that could all be combined into something that was an experience. Something that took the listener on an auditory journey without them having to make an effort to get there.\"\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Purple Decades\u003c\/p\u003e\n\u003cp\u003eLabel : Beacon Sound\u003c\/p\u003e"}