Stegonaute // Stegonaute LP
![Gia Margaret // Romantic Piano LP [COLOR]](//tobirarecords.com/cdn/shop/files/rom1_medium.jpg?v=1686227556)
Stegonaute // Stegonaute LP
¥4,584
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フランスのシンセ奏者Stegonauteが、2026年1月にアメリカ・ラスベガスのアンビエントレーベルMystery Circlesから50本限定でリリースしたカセットです。（オリジナルは2024年カセットリリース）
シネマティックなIDM〜ネオクラシカル・アンビエント10曲を収録。DLコード付属。
レーベルその他作品はこちら /// Click here to see more Mystery Circles releases available at Tobira.
---------------------
Includes DL code.
12" black vinyl.
Vinyl edition of 100 copies.
Tracklist:
1. Ombres 02:08
2. Rozkolora 05:02
3. Failures 04:51
4. Billebins 03:17
5. Sparks 03:01
6. Lofimily 02:47
7. Insondable 04:24
8. Carbone & Silicium 04:32
9. Cretaceous Spleen 04:13
10. Extinct Species 04:38
Artist : Stegonaute
Label : Mystery Circles
CAT No : MC085
Release date : 5th April 2024
フランスのシンセ奏者Stegonauteが、2026年1月にアメリカ・ラスベガスのアンビエントレーベルMystery Circlesから50本限定でリリースしたカセットです。（オリジナルは2024年カセットリリース）
シネマティックなIDM〜ネオクラシカル・アンビエント10曲を収録。DLコード付属。
レーベルその他作品はこちら /// Click here to see more Mystery Circles releases available at Tobira.
---------------------
Includes DL code.
12" black vinyl.
Vinyl edition of 100 copies.
Tracklist:
1. Ombres 02:08
2. Rozkolora 05:02
3. Failures 04:51
4. Billebins 03:17
5. Sparks 03:01
6. Lofimily 02:47
7. Insondable 04:24
8. Carbone & Silicium 04:32
9. Cretaceous Spleen 04:13
10. Extinct Species 04:38
Artist : Stegonaute
Label : Mystery Circles
CAT No : MC085
Release date : 5th April 2024
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![Gia Margaret // Romantic Piano LP [COLOR]](http://tobirarecords.com/cdn/shop/files/rom1_medium.jpg?v=1686227556)
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{"id":9081371853050,"title":"Gia Margaret \/\/ Romantic Piano LP [COLOR]","handle":"gia-margaret-romantic-piano-lp-color","description":"\u003cp\u003eアメリカ・シカゴのベッドルームフォーク作家Gia Margaretが、2023年5月に同国インディアナのインディーレーベルJagjaguwarからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・ドリームポップ〜ネオクラシカル・アンビエントフォーク12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"「私は役に立つ音楽を作りたかったんです」とMargaretは言う。Romantic Pianoは、好奇心旺盛で、落ち着きがあり、忍耐強く、信じられないほど感動的だ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMargaretのデビュー作There's Always Glimmerは叙情的で素晴らしいものだったが、ツアー中の病気で歌えなくなった彼女は、アンビエントアルバムMia Gargaret（これまたチーキーなタイトル！）を制作。\u003cmeta charset=\"utf-8\"\u003eRomantic Pianoも、ほとんど言葉がない。「インストゥルメンタルミュージックの作曲は、一般的に、叙情的な曲作りよりもずっと楽しい作業なのです。そのプロセスが最終的に私の作曲に影響を与えるのです」。\u003cmeta charset=\"utf-8\"\u003eMargaretはソングライター的な作品を発表しているが、本作Romantic Pianoは彼女を作曲家として確固たるものにしている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eMargaretはもともと作曲の学位取得を目指していたが、途中で音楽学校を中退した。「オーケストラで演奏するのが本当に嫌だったんです。それから、ソングライターになることにますます集中するようになりました。Romantic Pianoは古くからの痒いところに手が届くような音楽でした。」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eRomantic Pianoは、しばしば映画だけに許される、芸術における稀有な感覚に確かに触れている - 存在に対する広角レンズの畏敬の念と、私たちの頭蓋骨の中に取り残されたような、言語化された後の親密な内なるモノローグとが同時に。なんともロマンティックだ！\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2253572455\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2253572455\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=897202870\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2253572455\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=401947155\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2253572455\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2736109388\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/jgjgr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/jgjgr\"\u003ehere\u003c\/a\u003e to see more Jagjaguar releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl, 12\" 'Seaglass Wave' translucent color vinyl, or 12\" 'hinoki cypress' fluorescent green vinyl. \u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eJagjaguar:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAt first, Gia Margaret called her new album ‘Romantic Piano’ to be a bit cheeky. Its spare, gentle piano works share more spirit with Erik Satie, Emahoy Tsegué-Maryam Guébrou and the ‘Marginalia’ releases of Masakatsu Takagi than they do with, say, a cozy and candlelit date night. But in that cheekiness lies hidden intention: across the gorgeous set, “Romantic” is suggested in a more classic sense, what the Germans call waldeinsamkeit. Its compositions conjure the sublime themes of the Romantic poets: solitude in nature; nature’s ability to heal and to teach; a sense of contented melancholy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"I wanted to make music that was useful,” says Margaret, vastly understating the power of the record. ‘Romantic Piano’ is curious, calming, patient and incredibly moving — but it doesn’t overstay its welcome for more than a second.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMargaret’s debut, ‘There’s Always Glimmer,’ was a lyrical wonder, but when an illness on tour left her unable to sing, she made her ambient album ‘Mia Gargaret’ (another cheeky title!) which revealed a keen intuition for arrangement and composition not fully shown on ‘There’s Always Glimmer’s lyrical songs. ‘Romantic Piano’, too, is almost totally without words. “Writing instrumental music, in general, is a much more joyful process than I find in lyrical songwriting\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e,” she says. “The process ultimately effects my songwriting.” And while Margaret has more songwriterly material on the way, ‘Romantic Piano’ solidifies her as a compositional force.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOriginally pursuing a degree in composition, Margaret dropped out of music school halfway through. “I really didn’t want to play in an orchestra,” she said of her decision, “I really just wanted to write movie scores. Then, I started to focus more and more on being a songwriter. ‘Romantic Piano’ scratched an old itch.” ‘Romantic Piano’ does indeed touch on a rare feeling in art often only reserved for the cinema — a simultaneous wide-lens awe of existence and the post-language intimate inner monologue of being marooned in these skulls of ours. How very Romantic!\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Gia Margaret\u003c\/p\u003e\n\u003cp\u003eLabel : Jagjaguar\u003c\/p\u003e","published_at":"2026-02-15T07:30:31+09:00","created_at":"2026-02-15T07:29:57+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","jagjaguar","lp","neo classical","new","recommended"],"price":398400,"price_min":398400,"price_max":398400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48323131375866,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gia Margaret \/\/ Romantic Piano LP [COLOR]","public_title":null,"options":["Default Title"],"price":398400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"656605244891","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/rom1.jpg?v=1686227556","\/\/tobirarecords.com\/cdn\/shop\/files\/gia1.jpg?v=1702370145"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/rom1.jpg?v=1686227556","options":["Title"],"media":[{"alt":null,"id":32092852125946,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rom1.jpg?v=1686227556"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rom1.jpg?v=1686227556","width":700},{"alt":null,"id":32827998961914,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gia1.jpg?v=1702370145"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gia1.jpg?v=1702370145","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのベッドルームフォーク作家Gia Margaretが、2023年5月に同国インディアナのインディーレーベルJagjaguwarからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・ドリームポップ〜ネオクラシカル・アンビエントフォーク12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"「私は役に立つ音楽を作りたかったんです」とMargaretは言う。Romantic Pianoは、好奇心旺盛で、落ち着きがあり、忍耐強く、信じられないほど感動的だ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMargaretのデビュー作There's Always Glimmerは叙情的で素晴らしいものだったが、ツアー中の病気で歌えなくなった彼女は、アンビエントアルバムMia Gargaret（これまたチーキーなタイトル！）を制作。\u003cmeta charset=\"utf-8\"\u003eRomantic Pianoも、ほとんど言葉がない。「インストゥルメンタルミュージックの作曲は、一般的に、叙情的な曲作りよりもずっと楽しい作業なのです。そのプロセスが最終的に私の作曲に影響を与えるのです」。\u003cmeta charset=\"utf-8\"\u003eMargaretはソングライター的な作品を発表しているが、本作Romantic Pianoは彼女を作曲家として確固たるものにしている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eMargaretはもともと作曲の学位取得を目指していたが、途中で音楽学校を中退した。「オーケストラで演奏するのが本当に嫌だったんです。それから、ソングライターになることにますます集中するようになりました。Romantic Pianoは古くからの痒いところに手が届くような音楽でした。」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eRomantic Pianoは、しばしば映画だけに許される、芸術における稀有な感覚に確かに触れている - 存在に対する広角レンズの畏敬の念と、私たちの頭蓋骨の中に取り残されたような、言語化された後の親密な内なるモノローグとが同時に。なんともロマンティックだ！\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2253572455\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2253572455\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=897202870\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2253572455\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=401947155\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2253572455\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2736109388\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/jgjgr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/jgjgr\"\u003ehere\u003c\/a\u003e to see more Jagjaguar releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl, 12\" 'Seaglass Wave' translucent color vinyl, or 12\" 'hinoki cypress' fluorescent green vinyl. \u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eJagjaguar:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAt first, Gia Margaret called her new album ‘Romantic Piano’ to be a bit cheeky. Its spare, gentle piano works share more spirit with Erik Satie, Emahoy Tsegué-Maryam Guébrou and the ‘Marginalia’ releases of Masakatsu Takagi than they do with, say, a cozy and candlelit date night. But in that cheekiness lies hidden intention: across the gorgeous set, “Romantic” is suggested in a more classic sense, what the Germans call waldeinsamkeit. Its compositions conjure the sublime themes of the Romantic poets: solitude in nature; nature’s ability to heal and to teach; a sense of contented melancholy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"I wanted to make music that was useful,” says Margaret, vastly understating the power of the record. ‘Romantic Piano’ is curious, calming, patient and incredibly moving — but it doesn’t overstay its welcome for more than a second.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMargaret’s debut, ‘There’s Always Glimmer,’ was a lyrical wonder, but when an illness on tour left her unable to sing, she made her ambient album ‘Mia Gargaret’ (another cheeky title!) which revealed a keen intuition for arrangement and composition not fully shown on ‘There’s Always Glimmer’s lyrical songs. ‘Romantic Piano’, too, is almost totally without words. “Writing instrumental music, in general, is a much more joyful process than I find in lyrical songwriting\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e,” she says. “The process ultimately effects my songwriting.” And while Margaret has more songwriterly material on the way, ‘Romantic Piano’ solidifies her as a compositional force.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOriginally pursuing a degree in composition, Margaret dropped out of music school halfway through. “I really didn’t want to play in an orchestra,” she said of her decision, “I really just wanted to write movie scores. Then, I started to focus more and more on being a songwriter. ‘Romantic Piano’ scratched an old itch.” ‘Romantic Piano’ does indeed touch on a rare feeling in art often only reserved for the cinema — a simultaneous wide-lens awe of existence and the post-language intimate inner monologue of being marooned in these skulls of ours. How very Romantic!\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Gia Margaret\u003c\/p\u003e\n\u003cp\u003eLabel : Jagjaguar\u003c\/p\u003e"}
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アメリカ・シカゴのベッドルームフォーク作家Gia Margaretが、2023年5月に同国インディアナのインディーレーベルJagjaguwarからリリースしたレコードです。 ベッドルーム・ドリームポップ〜ネオクラシカル・アンビエントフォーク12曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "「私は役に立つ音楽を作りたかったんです」とMargaretは言う。Romantic Pianoは、好奇心旺盛で、落ち着きがあり、忍耐強く、信じられないほど感動的だ。Margaretのデビュー作There's Always Glimmerは叙情的で素晴らしいものだったが、ツアー中の病気で歌えなくなった彼女は、アンビエントアルバムMia Gargaret（これまたチーキーなタイトル！）を制作。Romantic Pianoも、ほとんど言葉がない。「インストゥルメンタルミュージックの作曲は、一般的に、叙情的な曲作りよりもずっと楽しい作業なのです。そのプロセスが最終的に私の作曲に影響を与えるのです」。Margaretはソングライター的な作品を発表しているが、本作Romantic Pianoは彼女を作曲家として確固たるものにしている。Margaretはもともと作曲の学位取得を目指していたが、途中で音楽学校を中退した。「オーケストラで演奏するのが本当に嫌だったんです。それから、ソングライターになることにますます集中するようになりました。Romantic Pianoは古くからの痒いところに手が届くような音楽でした。」 Romantic...
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{"id":9081362743546,"title":"Hour \/\/ Ease the Work TAPE","handle":"hour-ease-the-work-tape","description":"\u003cp\u003eアメリカ・ペンシルベニアの12人編成スローコアバンドHourが、2024年4月に同国インディーレーベルDeal Lifeからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカルリスナーにもアプローチするスローコア〜アンビエント・フォーク19曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003eマスタリングはJack Callahanが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QUQO2s-m1uo?si=3aguesZ_u3gNV9I1\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4284078380\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3622427371\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003ehere\u003c\/a\u003e to see more Dear Life releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJason Calhoun - synth\u003cbr\u003eMichael Cormier-O’Leary - electric guitar, classical guitar, percussion\u003cbr\u003eEm Downing - violin\u003cbr\u003eMatt Fox - viola\u003cbr\u003eElisabeth Fuchsia - violin\u003cbr\u003ePeter Gill - bass\u003cbr\u003eLucas Knapp - radio effects, field recordings, piano\u003cbr\u003eEvan McGonagill - cello\u003cbr\u003ePeter McLaughlin - drums, percussion\u003cbr\u003eKeith J. Nelson - bass clarinet, clarinet\u003cbr\u003eErika Nininger - piano, rhodes\u003cbr\u003eAbi Reimold - electric guitar \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eDan Wriggins\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003e\"Immediate, passionate, occasionally dissonant, open, open, open, and very often sublime, Ease the Work is an undeniably grand statement from the instrumental ensemble Hour. Conceived by composer, producer, and multi-instrumentalist Michael Cormier-O’Leary (Friendship, 2nd Grade, Dear Life Records) and delivered live by nine musicians in early 2023, Ease the Work is where breathy timbre and cinematic swoon factor meet in communion. Atmosphere and old school melody shake hands. Nice seeing you again. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTo record Ease the Work, the crew traveled via ferry with an entire studio’s worth of equipment to an old theater on Peaks Island in Maine, months before the first tourists would show up. The week-long session started with an island-wide power outage that halted recording on the first day, and ended with twelve songs that walk steadily between longing and contentment, sentimentality and subtlety, the lift of harmony and the compulsion of a melody you wish would play forever. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFormed in the flourishing underground of West Philadelphia in the latter half of the 2010s, Hour has fluctuated in size and scope around Cormier-O’Leary’s clear yet open-ended harmonic\u003cspan class=\"bcTruncateMore\"\u003e framework and ambitious ear. Ease the Work builds on the bedrock of Hour’s first two records, Tiny Houses and Anemone Red, and represents the group at its most expansive in sound and membership. Ten musicians, heads from punk, experimental, and classical scenes up and down the east coast, made up the band at Hour’s August ‘23 residency in Queens, New York. The stage wasn’t big enough. The string section had to set up on the floor. Cormier-O’Leary has contributed notably across the landscape of independent music, and Hour is living, breathing, deep listening proof of his community-minded ethos. \u003cbr\u003e\u003cbr\u003eHour’s music cuts a broad pathway, and remains hard to classify or compare. Perhaps most at home beside work from Bill Frisell, Eiko Ishibashi, ECM Records, or the Louisville experimental chamber group Rachel’s, Ease the Work shows us life on the boundary of composition and improvisation. It reaches for the sweeping gestures and inspired pacing of classic film scores, Frank Sinatra ballads, and Scott Walker’s pop orchestra. It also retains the arresting intimacy of the band’s early work. Strings swell and harmonize in counterpoint with electric guitar, clarinet, and piano, while drums, synth pads, and field recordings complete the aural world. Cormier-O’Leary says, “it isn’t a soundtrack. If it was, there would be a movie.” Ease the Work might be its own movie. The protagonist walking. A gorgeous day darkening. A cat in the window. Always strange, always familiar. Sometimes struggling. Sometimes eroding into disorder. Sometimes pressing on, lifting up. Never quite into heaven. Always into beauty. \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hour\u003c\/p\u003e\n\u003cp\u003eLabel : Dear Life x Lily Tapes \u0026amp; Discs\u003c\/p\u003e","published_at":"2026-02-15T07:26:42+09:00","created_at":"2026-02-15T07:24:18+09:00","vendor":"Tobira Records","type":"","tags":["ambient","dear life records","folk \/ left-field pop","neo classical","new","tape"],"price":214500,"price_min":214500,"price_max":214500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48323119874298,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hour \/\/ Ease the Work TAPE","public_title":null,"options":["Default Title"],"price":214500,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0544394865_16.jpg?v=1711686394","\/\/tobirarecords.com\/cdn\/shop\/files\/0035020232_10.jpg?v=1711686394"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0544394865_16.jpg?v=1711686394","options":["Title"],"media":[{"alt":null,"id":33488486924538,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0544394865_16.jpg?v=1711686394"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0544394865_16.jpg?v=1711686394","width":700},{"alt":null,"id":33488485810426,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035020232_10.jpg?v=1711686394"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035020232_10.jpg?v=1711686394","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ペンシルベニアの12人編成スローコアバンドHourが、2024年4月に同国インディーレーベルDeal Lifeからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカルリスナーにもアプローチするスローコア〜アンビエント・フォーク19曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003eマスタリングはJack Callahanが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QUQO2s-m1uo?si=3aguesZ_u3gNV9I1\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4284078380\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3622427371\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003ehere\u003c\/a\u003e to see more Dear Life releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJason Calhoun - synth\u003cbr\u003eMichael Cormier-O’Leary - electric guitar, classical guitar, percussion\u003cbr\u003eEm Downing - violin\u003cbr\u003eMatt Fox - viola\u003cbr\u003eElisabeth Fuchsia - violin\u003cbr\u003ePeter Gill - bass\u003cbr\u003eLucas Knapp - radio effects, field recordings, piano\u003cbr\u003eEvan McGonagill - cello\u003cbr\u003ePeter McLaughlin - drums, percussion\u003cbr\u003eKeith J. Nelson - bass clarinet, clarinet\u003cbr\u003eErika Nininger - piano, rhodes\u003cbr\u003eAbi Reimold - electric guitar \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eDan Wriggins\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003e\"Immediate, passionate, occasionally dissonant, open, open, open, and very often sublime, Ease the Work is an undeniably grand statement from the instrumental ensemble Hour. Conceived by composer, producer, and multi-instrumentalist Michael Cormier-O’Leary (Friendship, 2nd Grade, Dear Life Records) and delivered live by nine musicians in early 2023, Ease the Work is where breathy timbre and cinematic swoon factor meet in communion. Atmosphere and old school melody shake hands. Nice seeing you again. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTo record Ease the Work, the crew traveled via ferry with an entire studio’s worth of equipment to an old theater on Peaks Island in Maine, months before the first tourists would show up. The week-long session started with an island-wide power outage that halted recording on the first day, and ended with twelve songs that walk steadily between longing and contentment, sentimentality and subtlety, the lift of harmony and the compulsion of a melody you wish would play forever. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFormed in the flourishing underground of West Philadelphia in the latter half of the 2010s, Hour has fluctuated in size and scope around Cormier-O’Leary’s clear yet open-ended harmonic\u003cspan class=\"bcTruncateMore\"\u003e framework and ambitious ear. Ease the Work builds on the bedrock of Hour’s first two records, Tiny Houses and Anemone Red, and represents the group at its most expansive in sound and membership. Ten musicians, heads from punk, experimental, and classical scenes up and down the east coast, made up the band at Hour’s August ‘23 residency in Queens, New York. The stage wasn’t big enough. The string section had to set up on the floor. Cormier-O’Leary has contributed notably across the landscape of independent music, and Hour is living, breathing, deep listening proof of his community-minded ethos. \u003cbr\u003e\u003cbr\u003eHour’s music cuts a broad pathway, and remains hard to classify or compare. Perhaps most at home beside work from Bill Frisell, Eiko Ishibashi, ECM Records, or the Louisville experimental chamber group Rachel’s, Ease the Work shows us life on the boundary of composition and improvisation. It reaches for the sweeping gestures and inspired pacing of classic film scores, Frank Sinatra ballads, and Scott Walker’s pop orchestra. It also retains the arresting intimacy of the band’s early work. Strings swell and harmonize in counterpoint with electric guitar, clarinet, and piano, while drums, synth pads, and field recordings complete the aural world. Cormier-O’Leary says, “it isn’t a soundtrack. If it was, there would be a movie.” Ease the Work might be its own movie. The protagonist walking. A gorgeous day darkening. A cat in the window. Always strange, always familiar. Sometimes struggling. Sometimes eroding into disorder. Sometimes pressing on, lifting up. Never quite into heaven. Always into beauty. \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hour\u003c\/p\u003e\n\u003cp\u003eLabel : Dear Life x Lily Tapes \u0026amp; Discs\u003c\/p\u003e"}
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アメリカ・ペンシルベニアの12人編成スローコアバンドHourが、2024年4月に同国インディーレーベルDeal Lifeからリリースしたアルバムです。 ネオクラシカルリスナーにもアプローチするスローコア〜アンビエント・フォーク19曲を収録。DLコード付属。 マスタリングはJack Callahanが担当しています。 レーベルその他作品はこちら /// Click here to see more Dear Life releases available...
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{"id":9081358319866,"title":"Hour \/\/ Ease the Work LP [BLACK]","handle":"hour-ease-the-work-lp-black","description":"\u003cp\u003eアメリカ・ペンシルベニアの12人編成スローコアバンドHourが、2024年4月に同国インディーレーベルDeal Lifeからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカルリスナーにもアプローチするスローコア〜アンビエント・フォーク19曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003eマスタリングはJack Callahanが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QUQO2s-m1uo?si=3aguesZ_u3gNV9I1\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4284078380\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3622427371\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003ehere\u003c\/a\u003e to see more Dear Life releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available in black and opaque red 12\" vinyl, tape, and cd.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJason Calhoun - synth\u003cbr\u003eMichael Cormier-O’Leary - electric guitar, classical guitar, percussion\u003cbr\u003eEm Downing - violin\u003cbr\u003eMatt Fox - viola\u003cbr\u003eElisabeth Fuchsia - violin\u003cbr\u003ePeter Gill - bass\u003cbr\u003eLucas Knapp - radio effects, field recordings, piano\u003cbr\u003eEvan McGonagill - cello\u003cbr\u003ePeter McLaughlin - drums, percussion\u003cbr\u003eKeith J. Nelson - bass clarinet, clarinet\u003cbr\u003eErika Nininger - piano, rhodes\u003cbr\u003eAbi Reimold - electric guitar \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eDan Wriggins\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003e\"Immediate, passionate, occasionally dissonant, open, open, open, and very often sublime, Ease the Work is an undeniably grand statement from the instrumental ensemble Hour. Conceived by composer, producer, and multi-instrumentalist Michael Cormier-O’Leary (Friendship, 2nd Grade, Dear Life Records) and delivered live by nine musicians in early 2023, Ease the Work is where breathy timbre and cinematic swoon factor meet in communion. Atmosphere and old school melody shake hands. Nice seeing you again. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTo record Ease the Work, the crew traveled via ferry with an entire studio’s worth of equipment to an old theater on Peaks Island in Maine, months before the first tourists would show up. The week-long session started with an island-wide power outage that halted recording on the first day, and ended with twelve songs that walk steadily between longing and contentment, sentimentality and subtlety, the lift of harmony and the compulsion of a melody you wish would play forever. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFormed in the flourishing underground of West Philadelphia in the latter half of the 2010s, Hour has fluctuated in size and scope around Cormier-O’Leary’s clear yet open-ended harmonic\u003cspan class=\"bcTruncateMore\"\u003e framework and ambitious ear. Ease the Work builds on the bedrock of Hour’s first two records, Tiny Houses and Anemone Red, and represents the group at its most expansive in sound and membership. Ten musicians, heads from punk, experimental, and classical scenes up and down the east coast, made up the band at Hour’s August ‘23 residency in Queens, New York. The stage wasn’t big enough. The string section had to set up on the floor. Cormier-O’Leary has contributed notably across the landscape of independent music, and Hour is living, breathing, deep listening proof of his community-minded ethos. \u003cbr\u003e\u003cbr\u003eHour’s music cuts a broad pathway, and remains hard to classify or compare. Perhaps most at home beside work from Bill Frisell, Eiko Ishibashi, ECM Records, or the Louisville experimental chamber group Rachel’s, Ease the Work shows us life on the boundary of composition and improvisation. It reaches for the sweeping gestures and inspired pacing of classic film scores, Frank Sinatra ballads, and Scott Walker’s pop orchestra. It also retains the arresting intimacy of the band’s early work. Strings swell and harmonize in counterpoint with electric guitar, clarinet, and piano, while drums, synth pads, and field recordings complete the aural world. Cormier-O’Leary says, “it isn’t a soundtrack. If it was, there would be a movie.” Ease the Work might be its own movie. The protagonist walking. A gorgeous day darkening. A cat in the window. Always strange, always familiar. Sometimes struggling. Sometimes eroding into disorder. Sometimes pressing on, lifting up. Never quite into heaven. Always into beauty. \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hour\u003c\/p\u003e\n\u003cp\u003eLabel : Dear Life x Lily Tapes \u0026amp; Discs\u003c\/p\u003e","published_at":"2026-02-15T07:23:25+09:00","created_at":"2026-02-15T07:21:33+09:00","vendor":"Tobira Records","type":"","tags":["ambient","dear life records","folk \/ left-field pop","lp","neo classical","new"],"price":349000,"price_min":349000,"price_max":349000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48323115319546,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hour \/\/ Ease the Work LP [BLACK]","public_title":null,"options":["Default Title"],"price":349000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"644110492913","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0544394865_16.jpg?v=1711686394","\/\/tobirarecords.com\/cdn\/shop\/files\/0035098580_10.jpg?v=1711686394"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0544394865_16.jpg?v=1711686394","options":["Title"],"media":[{"alt":null,"id":33488486924538,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0544394865_16.jpg?v=1711686394"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0544394865_16.jpg?v=1711686394","width":700},{"alt":null,"id":33488487809274,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035098580_10.jpg?v=1711686394"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035098580_10.jpg?v=1711686394","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ペンシルベニアの12人編成スローコアバンドHourが、2024年4月に同国インディーレーベルDeal Lifeからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカルリスナーにもアプローチするスローコア〜アンビエント・フォーク19曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003eマスタリングはJack Callahanが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QUQO2s-m1uo?si=3aguesZ_u3gNV9I1\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4284078380\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3622427371\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003ehere\u003c\/a\u003e to see more Dear Life releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available in black and opaque red 12\" vinyl, tape, and cd.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJason Calhoun - synth\u003cbr\u003eMichael Cormier-O’Leary - electric guitar, classical guitar, percussion\u003cbr\u003eEm Downing - violin\u003cbr\u003eMatt Fox - viola\u003cbr\u003eElisabeth Fuchsia - violin\u003cbr\u003ePeter Gill - bass\u003cbr\u003eLucas Knapp - radio effects, field recordings, piano\u003cbr\u003eEvan McGonagill - cello\u003cbr\u003ePeter McLaughlin - drums, percussion\u003cbr\u003eKeith J. Nelson - bass clarinet, clarinet\u003cbr\u003eErika Nininger - piano, rhodes\u003cbr\u003eAbi Reimold - electric guitar \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eDan Wriggins\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003e\"Immediate, passionate, occasionally dissonant, open, open, open, and very often sublime, Ease the Work is an undeniably grand statement from the instrumental ensemble Hour. Conceived by composer, producer, and multi-instrumentalist Michael Cormier-O’Leary (Friendship, 2nd Grade, Dear Life Records) and delivered live by nine musicians in early 2023, Ease the Work is where breathy timbre and cinematic swoon factor meet in communion. Atmosphere and old school melody shake hands. Nice seeing you again. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTo record Ease the Work, the crew traveled via ferry with an entire studio’s worth of equipment to an old theater on Peaks Island in Maine, months before the first tourists would show up. The week-long session started with an island-wide power outage that halted recording on the first day, and ended with twelve songs that walk steadily between longing and contentment, sentimentality and subtlety, the lift of harmony and the compulsion of a melody you wish would play forever. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFormed in the flourishing underground of West Philadelphia in the latter half of the 2010s, Hour has fluctuated in size and scope around Cormier-O’Leary’s clear yet open-ended harmonic\u003cspan class=\"bcTruncateMore\"\u003e framework and ambitious ear. Ease the Work builds on the bedrock of Hour’s first two records, Tiny Houses and Anemone Red, and represents the group at its most expansive in sound and membership. Ten musicians, heads from punk, experimental, and classical scenes up and down the east coast, made up the band at Hour’s August ‘23 residency in Queens, New York. The stage wasn’t big enough. The string section had to set up on the floor. Cormier-O’Leary has contributed notably across the landscape of independent music, and Hour is living, breathing, deep listening proof of his community-minded ethos. \u003cbr\u003e\u003cbr\u003eHour’s music cuts a broad pathway, and remains hard to classify or compare. Perhaps most at home beside work from Bill Frisell, Eiko Ishibashi, ECM Records, or the Louisville experimental chamber group Rachel’s, Ease the Work shows us life on the boundary of composition and improvisation. It reaches for the sweeping gestures and inspired pacing of classic film scores, Frank Sinatra ballads, and Scott Walker’s pop orchestra. It also retains the arresting intimacy of the band’s early work. Strings swell and harmonize in counterpoint with electric guitar, clarinet, and piano, while drums, synth pads, and field recordings complete the aural world. Cormier-O’Leary says, “it isn’t a soundtrack. If it was, there would be a movie.” Ease the Work might be its own movie. The protagonist walking. A gorgeous day darkening. A cat in the window. Always strange, always familiar. Sometimes struggling. Sometimes eroding into disorder. Sometimes pressing on, lifting up. Never quite into heaven. Always into beauty. \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hour\u003c\/p\u003e\n\u003cp\u003eLabel : Dear Life x Lily Tapes \u0026amp; Discs\u003c\/p\u003e"}
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アメリカ・ペンシルベニアの12人編成スローコアバンドHourが、2024年4月に同国インディーレーベルDeal Lifeからリリースしたアルバムです。 ネオクラシカルリスナーにもアプローチするスローコア〜アンビエント・フォーク19曲を収録。DLコード付属。 マスタリングはJack Callahanが担当しています。 レーベルその他作品はこちら /// Click here to see more Dear Life releases available...
¥3,490
クイックビュー
{"id":9081349800186,"title":"HUMAN ERROR CLUB \u0026 Kenny Segal \/\/ HUMAN ERROR CLUB AT KENNY’S HOUSE LP","handle":"human-error-club-kenny-segal-human-error-club-at-kenny-s-house-lp","description":"\u003cp\u003eアメリカ・LAのジャズトリオHUMAN ERROR CLUBとプロデューサーKenny Segalが、2025年10月にNYのヒップホップレーベルBackwoodzStudiozからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eキーボード奏者2名とドラマー1名によるインプロセッションをKenny Segalがミックスした14\u003c\/span\u003e\u003cspan\u003e曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3189466308\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2300873136\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3189466308\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bws\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bws\"\u003ehere\u003c\/a\u003e to see more Backwoodz Studioz releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. TITLE SCREEN 00:31\u003cbr\u003e2. NOT HECN AROUND 03:15\u003cbr\u003e3. THIS 00:26\u003cbr\u003e4. TURING COMPLETE 02:30\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. DUMPLINGS 01:58\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. OOO WHAT’S THAT ft. Quelle Chris \u0026amp; Cavalier 02:49\u003cbr\u003e\u003c\/span\u003e7. FROGTOWN 01:47\u003cbr\u003e8. NIGHT TIME ft. E L U C I D 03:10\u003cbr\u003e9. JOCELYN 02:50\u003cbr\u003e10. DRAGONCURVE ft. k-the-i??? 02:37\u003cbr\u003e11. ORANGE TREE 04:12\u003cbr\u003e12. YEAHYEAH ft. Pink Siifu 02:45\u003cbr\u003e13. THE CENTER ft. Moor Mother \u0026amp; billy woods 07:24\u003cbr\u003e14. LIGHTS ON AT THE CLUB 03:08\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eText written by Samuel Lamontagne, via the label\u003c\/span\u003e\u003cspan\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"HUMAN ERROR CLUB is Diego Gaeta, Jesse Justice, and Mekala Session. Two keyboardists and a drummer, longtime musician friends hailing from different corners of Los Angeles’ vast geography. They assembled in 2019 as a hotfix to a recurring dilemma: bassists are busy, often unavailable. What was meant to be a one-off for the underground series BackbeatLA turned into a regular thing. Two months later, they were in the studio, recording what would become their debut album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDiego Gaeta is a jazz-trained pianist with a restless harmonic imagination, who also produces under the alias Club Diego. Jesse Justice honed his chops making beats, before trading his MPC for a Fender Rhodes, maintaining his producer ear for texture and detail. Mekala Session, raised in Leimert Park, studied under the legendary drummer Billy Higgins, and also leads the Pan Afrikan Peoples Arkestra.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHUMAN ERROR CLUB AT KENNY'S HOUSE is the group’s first release on Backwoodz Studioz. The project emerged from three recording sessions that took place at Kenny Segal’s laboratory between 2021 and 2024. Segal, a mainstay in underground hip hop, opened not just his space but his full arsenal of gear and toys\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e to the trio. The result is an album that bears Segal’s sonic fingerprints while allowing HUMAN ERROR CLUB to do what they do, all in the best interest of the music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sessions were pure improvisation, the trio’s defining compositional approach. Out of this comes a project grounded in exploration, bound by trust, mutual respect, and a shared musical vocabulary. A free take on hip hop, beats gone live; electronic-textured spiritual jazz; sound experiments bridging and pushing creative lineages forward.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBeyond just hosting, Kenny Segal engineered and produced, cutting roughly ten hours of raw improvised material into this album. He’s also the link to a constellation of features from the Backwoodz universe, the crème of the crop of underground rappers. These collaborations extend HUMAN ERROR CLUB’s musical family, each folding into the trio’s explorations. This synthy wild ride captures a band in motion; improvisation as method, not format; built on generative tension and honest craft.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : HUMAN ERROR CLUB \u0026amp; Kenny Segal\u003c\/p\u003e\n\u003cp\u003eLabel : Backwoodz Studioz\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBWZ810lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-02-15T07:17:09+09:00","created_at":"2026-02-15T07:16:39+09:00","vendor":"Tobira Records","type":"","tags":["ambient","BackwoodzStudioz","hiphop \/ funk","jazz","lp","new"],"price":545200,"price_min":545200,"price_max":545200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48323104243962,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"HUMAN ERROR CLUB \u0026 Kenny Segal \/\/ HUMAN ERROR CLUB AT KENNY’S HOUSE LP","public_title":null,"options":["Default Title"],"price":545200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"850063560252","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hum1_9543a92e-3d7f-43a5-af64-23bfd66ae6b4.jpg?v=1760923206","\/\/tobirarecords.com\/cdn\/shop\/files\/hum2_31aa6454-c24b-4c52-9c56-2e8f208acb9c.jpg?v=1760923206"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hum1_9543a92e-3d7f-43a5-af64-23bfd66ae6b4.jpg?v=1760923206","options":["Title"],"media":[{"alt":null,"id":37161007382778,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hum1_9543a92e-3d7f-43a5-af64-23bfd66ae6b4.jpg?v=1760923206"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hum1_9543a92e-3d7f-43a5-af64-23bfd66ae6b4.jpg?v=1760923206","width":700},{"alt":null,"id":37161007415546,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hum2_31aa6454-c24b-4c52-9c56-2e8f208acb9c.jpg?v=1760923206"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hum2_31aa6454-c24b-4c52-9c56-2e8f208acb9c.jpg?v=1760923206","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのジャズトリオHUMAN ERROR CLUBとプロデューサーKenny Segalが、2025年10月にNYのヒップホップレーベルBackwoodzStudiozからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eキーボード奏者2名とドラマー1名によるインプロセッションをKenny Segalがミックスした14\u003c\/span\u003e\u003cspan\u003e曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3189466308\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2300873136\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3189466308\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bws\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bws\"\u003ehere\u003c\/a\u003e to see more Backwoodz Studioz releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. TITLE SCREEN 00:31\u003cbr\u003e2. NOT HECN AROUND 03:15\u003cbr\u003e3. THIS 00:26\u003cbr\u003e4. TURING COMPLETE 02:30\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. DUMPLINGS 01:58\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. OOO WHAT’S THAT ft. Quelle Chris \u0026amp; Cavalier 02:49\u003cbr\u003e\u003c\/span\u003e7. FROGTOWN 01:47\u003cbr\u003e8. NIGHT TIME ft. E L U C I D 03:10\u003cbr\u003e9. JOCELYN 02:50\u003cbr\u003e10. DRAGONCURVE ft. k-the-i??? 02:37\u003cbr\u003e11. ORANGE TREE 04:12\u003cbr\u003e12. YEAHYEAH ft. Pink Siifu 02:45\u003cbr\u003e13. THE CENTER ft. Moor Mother \u0026amp; billy woods 07:24\u003cbr\u003e14. LIGHTS ON AT THE CLUB 03:08\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eText written by Samuel Lamontagne, via the label\u003c\/span\u003e\u003cspan\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"HUMAN ERROR CLUB is Diego Gaeta, Jesse Justice, and Mekala Session. Two keyboardists and a drummer, longtime musician friends hailing from different corners of Los Angeles’ vast geography. They assembled in 2019 as a hotfix to a recurring dilemma: bassists are busy, often unavailable. What was meant to be a one-off for the underground series BackbeatLA turned into a regular thing. Two months later, they were in the studio, recording what would become their debut album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDiego Gaeta is a jazz-trained pianist with a restless harmonic imagination, who also produces under the alias Club Diego. Jesse Justice honed his chops making beats, before trading his MPC for a Fender Rhodes, maintaining his producer ear for texture and detail. Mekala Session, raised in Leimert Park, studied under the legendary drummer Billy Higgins, and also leads the Pan Afrikan Peoples Arkestra.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHUMAN ERROR CLUB AT KENNY'S HOUSE is the group’s first release on Backwoodz Studioz. The project emerged from three recording sessions that took place at Kenny Segal’s laboratory between 2021 and 2024. Segal, a mainstay in underground hip hop, opened not just his space but his full arsenal of gear and toys\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e to the trio. The result is an album that bears Segal’s sonic fingerprints while allowing HUMAN ERROR CLUB to do what they do, all in the best interest of the music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sessions were pure improvisation, the trio’s defining compositional approach. Out of this comes a project grounded in exploration, bound by trust, mutual respect, and a shared musical vocabulary. A free take on hip hop, beats gone live; electronic-textured spiritual jazz; sound experiments bridging and pushing creative lineages forward.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBeyond just hosting, Kenny Segal engineered and produced, cutting roughly ten hours of raw improvised material into this album. He’s also the link to a constellation of features from the Backwoodz universe, the crème of the crop of underground rappers. These collaborations extend HUMAN ERROR CLUB’s musical family, each folding into the trio’s explorations. This synthy wild ride captures a band in motion; improvisation as method, not format; built on generative tension and honest craft.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : HUMAN ERROR CLUB \u0026amp; Kenny Segal\u003c\/p\u003e\n\u003cp\u003eLabel : Backwoodz Studioz\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBWZ810lp\u003c\/span\u003e\u003c\/p\u003e"}
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