MARTINA LUSSI // Selected Ambient LP
MARTINA LUSSI // Selected Ambient LP
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スイスの音響作家MARTINA LUSSIの初となるLPが同国Hallow Groundからリリース。彼女はスイス・ローザンヌで毎年行われている映画祭LUFFにも出演しており、今後の活動が注目されます。2017年11月リリース。 DLコード付属。
レーベルその他作品はこちら /// Click here to see more Hallow Ground releases available at Tobira.
--------------------------------
"On the LP Selected Ambient, Martina Lussi brings together a collection of sound material from her practice to date. The material oscillates between electroacoustic composition, sound art, and live performance. The pieces are named after precious gemstones, all of which are traditionally ascribed with special powers. In using these names, the artist seems to refer to the esoteric roots of the genre invoked by the LP’s title. The compositions, however, resist the genre’s characteristically naïve re-enchantment of the world and distrust holistic esotericism’s promise of healing and restoration. Instead, they are defined much more by an interest in affective uncertainties. The gemstones don’t speak, and they don’t convey the mythical forces ascribed to them—rather, they rest in their own materiality. They don’t want to affect or influence—they simply want to exist as witnesses of/to the ultimately incommensurable reality that lives beyond our own horizon.
“Sodalith” is characterized by a melancholy sensibility; the piece is carried by a boundless synthetic surface over which a guitar melody swirls. At first, “Citrin” seems to want to unravel into orbiting, meditative qualities, but in the second part, the mood collects in the peculiarity somewhere between sustained calm and frequently disrupted rave euphoria. “Achat,” which borrows most clearly from the electroacoustic tradition, develops relatively late and unexpectedly into a subtle techno track that then repeatedly interrupts the very momentum it has engendered. Lastly, “Opal,” which was originally written for Lussi’s installation “Composition for a Circle,” writhes in seemingly stochastic contortions that lightly shake the centripetal dynamic of the piece.
In these four compositions as in other works, Lussi creates a sound world in which circling correlations raise more questions than they answer—in contrast to esotericism, which insists on imbuing its material with meaning. Lussi therefore facilitates a listening experience that refers to ambient at its best and most radical: her music represents neither a dissolution of the self in complete uncertainty nor a contemplative internal landscape, but rather a tremulous hovering over the border between the two.
Martina Lussi lives and works in Lucerne. She holds a Master of Arts in Contemporary Arts Practice. In 2014, Lussi’s debut EP, “Komposition O08”, was released on Präsens Editionen. Lussi has performed work between the disciplines of sound art and music performance at places like LUFF (Lausanne Underground Filmfestival) or the festival Oto Nove Swiss at London’s Cafe Oto. "
“Sodalith” is characterized by a melancholy sensibility; the piece is carried by a boundless synthetic surface over which a guitar melody swirls. At first, “Citrin” seems to want to unravel into orbiting, meditative qualities, but in the second part, the mood collects in the peculiarity somewhere between sustained calm and frequently disrupted rave euphoria. “Achat,” which borrows most clearly from the electroacoustic tradition, develops relatively late and unexpectedly into a subtle techno track that then repeatedly interrupts the very momentum it has engendered. Lastly, “Opal,” which was originally written for Lussi’s installation “Composition for a Circle,” writhes in seemingly stochastic contortions that lightly shake the centripetal dynamic of the piece.
In these four compositions as in other works, Lussi creates a sound world in which circling correlations raise more questions than they answer—in contrast to esotericism, which insists on imbuing its material with meaning. Lussi therefore facilitates a listening experience that refers to ambient at its best and most radical: her music represents neither a dissolution of the self in complete uncertainty nor a contemplative internal landscape, but rather a tremulous hovering over the border between the two.
Martina Lussi lives and works in Lucerne. She holds a Master of Arts in Contemporary Arts Practice. In 2014, Lussi’s debut EP, “Komposition O08”, was released on Präsens Editionen. Lussi has performed work between the disciplines of sound art and music performance at places like LUFF (Lausanne Underground Filmfestival) or the festival Oto Nove Swiss at London’s Cafe Oto. "
artist : MARTINA LUSSI
label : Hallow Ground
スイスの音響作家MARTINA LUSSIの初となるLPが同国Hallow Groundからリリース。彼女はスイス・ローザンヌで毎年行われている映画祭LUFFにも出演しており、今後の活動が注目されます。2017年11月リリース。 DLコード付属。
“Sodalith” is characterized by a melancholy sensibility; the piece is carried by a boundless synthetic surface over which a guitar melody swirls. At first, “Citrin” seems to want to unravel into orbiting, meditative qualities, but in the second part, the mood collects in the peculiarity somewhere between sustained calm and frequently disrupted rave euphoria. “Achat,” which borrows most clearly from the electroacoustic tradition, develops relatively late and unexpectedly into a subtle techno track that then repeatedly interrupts the very momentum it has engendered. Lastly, “Opal,” which was originally written for Lussi’s installation “Composition for a Circle,” writhes in seemingly stochastic contortions that lightly shake the centripetal dynamic of the piece.
In these four compositions as in other works, Lussi creates a sound world in which circling correlations raise more questions than they answer—in contrast to esotericism, which insists on imbuing its material with meaning. Lussi therefore facilitates a listening experience that refers to ambient at its best and most radical: her music represents neither a dissolution of the self in complete uncertainty nor a contemplative internal landscape, but rather a tremulous hovering over the border between the two.
Martina Lussi lives and works in Lucerne. She holds a Master of Arts in Contemporary Arts Practice. In 2014, Lussi’s debut EP, “Komposition O08”, was released on Präsens Editionen. Lussi has performed work between the disciplines of sound art and music performance at places like LUFF (Lausanne Underground Filmfestival) or the festival Oto Nove Swiss at London’s Cafe Oto. " artist : MARTINA LUSSI label : Hallow Ground
レーベルその他作品はこちら /// Click here to see more Hallow Ground releases available at Tobira.
--------------------------------
"On the LP Selected Ambient, Martina Lussi brings together a collection of sound material from her practice to date. The material oscillates between electroacoustic composition, sound art, and live performance. The pieces are named after precious gemstones, all of which are traditionally ascribed with special powers. In using these names, the artist seems to refer to the esoteric roots of the genre invoked by the LP’s title. The compositions, however, resist the genre’s characteristically naïve re-enchantment of the world and distrust holistic esotericism’s promise of healing and restoration. Instead, they are defined much more by an interest in affective uncertainties. The gemstones don’t speak, and they don’t convey the mythical forces ascribed to them—rather, they rest in their own materiality. They don’t want to affect or influence—they simply want to exist as witnesses of/to the ultimately incommensurable reality that lives beyond our own horizon.“Sodalith” is characterized by a melancholy sensibility; the piece is carried by a boundless synthetic surface over which a guitar melody swirls. At first, “Citrin” seems to want to unravel into orbiting, meditative qualities, but in the second part, the mood collects in the peculiarity somewhere between sustained calm and frequently disrupted rave euphoria. “Achat,” which borrows most clearly from the electroacoustic tradition, develops relatively late and unexpectedly into a subtle techno track that then repeatedly interrupts the very momentum it has engendered. Lastly, “Opal,” which was originally written for Lussi’s installation “Composition for a Circle,” writhes in seemingly stochastic contortions that lightly shake the centripetal dynamic of the piece.
In these four compositions as in other works, Lussi creates a sound world in which circling correlations raise more questions than they answer—in contrast to esotericism, which insists on imbuing its material with meaning. Lussi therefore facilitates a listening experience that refers to ambient at its best and most radical: her music represents neither a dissolution of the self in complete uncertainty nor a contemplative internal landscape, but rather a tremulous hovering over the border between the two.
Martina Lussi lives and works in Lucerne. She holds a Master of Arts in Contemporary Arts Practice. In 2014, Lussi’s debut EP, “Komposition O08”, was released on Präsens Editionen. Lussi has performed work between the disciplines of sound art and music performance at places like LUFF (Lausanne Underground Filmfestival) or the festival Oto Nove Swiss at London’s Cafe Oto. " artist : MARTINA LUSSI label : Hallow Ground
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LIGHTS ON AT THE CLUB 03:08\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eText written by Samuel Lamontagne, via the label\u003c\/span\u003e\u003cspan\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"HUMAN ERROR CLUB is Diego Gaeta, Jesse Justice, and Mekala Session. Two keyboardists and a drummer, longtime musician friends hailing from different corners of Los Angeles’ vast geography. They assembled in 2019 as a hotfix to a recurring dilemma: bassists are busy, often unavailable. What was meant to be a one-off for the underground series BackbeatLA turned into a regular thing. Two months later, they were in the studio, recording what would become their debut album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDiego Gaeta is a jazz-trained pianist with a restless harmonic imagination, who also produces under the alias Club Diego. 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{"id":8960893452538,"title":"Optiki Mousiki \/\/ Tomos 2 2xLP","handle":"optiki-mousiki-tomos-2","description":"\u003cp\u003eギリシャの実験音楽家Optiki Mousiki aka Costis Drygianakisが、\u003cspan\u003e2023年にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege傘下HEAT CRIMESからリリースした再発2枚組レコードです。(オリジナルは\u003c\/span\u003e1994年にカセットリリース)\u003c\/p\u003e\n\u003cp\u003eサイケデリックなストレンジビーツ〜エキゾチック・アンビエント〜ドローン4曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1984年から1987年まで、ギリシャ人アーティストのCostis Drygianakisと、友人や共同制作者の寄せ集めで、オプティキ・ムジキ(Optiki Mousiki)名義で数多くのレコーディングを行った。1987年にリリースされた初のフルアルバム『Tomos 1』は、初期の多作期を記録したもので、グリズリーなインダストリアル・ノイズの要素に、めくるめく電子音響実験や野性的なインストゥルメンタル・スティンギングが組み合わされている。1994年にリリースされた『Tomos 2』は、自身の音楽だけでなく、アヴァンギャルド・アートが一般的にどのような役に立つのかについて、Drygianakisが長い間自省した後に発表された。前作とはまったく異なるこのアルバムは、一般的なテイストの考え方に疑問を投げかけ、「非真面目な」音楽的アイデアを伝統的な要素と折り重ねながら、キリスト教の聖者の生活からチベット仏教、スーフィズム、ヒンドゥー教の物語まで、近くて遠い精神世界から暫定的に引用することを試みている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eDrygianakisは、ソクラティス・シノプロス、コスタス・ツィアノス、ディミトリス・ヤガス、ロス・デイリー、コンスタンティノス・カラグーニスといった共演者の演奏を録音することからこのプロセスを始めた。彼はラリッサでスタジオ・エンジニアとして働いていたが、その仕事は過酷で、金銭面でも苦しいものだった。それとは対照的に、オプティカル・ミュージックスとしての仕事は、より情熱的で深く個人的なものとなり、アルバムの制作は、彼のメランコリーとフラストレーションを、インスピレーション、衝動、欲望を溶かし合わせた4つの長いトラックに注ぎ込むという、独自の人生を歩むことになった。このプロジェクトは、シンセサイザーとコンピューターに興味を持つ\u003cmeta charset=\"utf-8\"\u003eDrygianakisによるエレクトロニック・ミュージックが中心であったため、アコースティックな世界とデジタルをつなぐ架け橋が必要だった。それは、伝説的なAkai S-1000サンプラーという画期的な機材だった。このツールによってドライギアナキスは、あらゆる音楽的スペクトラムからサウンドを引き出し、彼のニーズに合わせることができるようになり、夢のような遠く離れたサウンドと、身近に録音されたアイデアを融合させることができた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eその結果、例えばタンジェリン・ドリームの \"Zeit \"やディアマンダ・ガラスの \"The Divine Punishment \"など、影響を受けたものから創造的な空気をうまく引き出し、西洋から根を下ろすことなく東洋に向かってシグナルを発する、反抗的なまでにユニークな音の雲を形成したアルバムが生まれた。冒頭の1\/4は、しゃっくりするような電子リズムと沈んだシンセサイザーの上に華麗なストリングスが重なり、催眠術のようなヴォーカル(歌、詠唱、話し声)がアルバムの宗教的テーマを誇張することなく暗示する。第2部では、ドライギアナキスは、かすかでミニマルなピアノと、アコースティックからエレクトロニックへとゆっくりと移り変わる穏やかな雰囲気で、ニューエイジ・ミュージックの境界線を越えることなく触れている。壮大でシネマティックな第3章では濃密なインストゥルメンタル・ドローンが特徴的で、第4章と最後のセクションでは、宗教的なヴォーカル・テクニックとバルカンの弦楽器の華やかさを、焼けるようなノイズと不協和音のエレクトロ・アコースティックな慟哭に焼き変え、\u003cmeta charset=\"utf-8\"\u003eDrygianakisの最も破砕的な処理を聴かせてくれる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e約30年後に聴く『Tomos 2』は、ほとんど予言的に聴こえる。ワールド・ミュージック、ニューエイジ、アヴァンギャルドの論理に意識的に疑問を投げかけることで、\u003cmeta charset=\"utf-8\"\u003eDrygianakisは、日を追うごとに息づき続ける物語を作り上げることに成功したのだ。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3192247190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. Includes mini booklet insert.\u003c\/p\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLaunching a series of co-releases in collaboration with freshly inaugurated Athens label Untag, comes this very special album from 1994 available for the first time on digital and vinyl by Greek composer Costis Drygianakis.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFrom 1984 until 1987, Greek artist Costis Drygianakis and a ramshackle assembly of friends and collaborators produced a slew of recordings under the name Optiki Mousiki, or Optical Musics. Their first full-length \"Tomos 1\" was released in 1987 and documented a prolific early period, combining grizzly industrial noise elements with dizzying electro-acoustic experiments and wild instrumental stings. \"Tomos 2\" is a collection of work taken from the band's second epoch after a brief hiatus; released in 1994, it arrived after a long period of self-reflection from Drygianakis about not only what his own music represented, but what avant-garde art might be useful for in general. A very different album from its predecessor, it attempts to question popular ideas of taste, folding together \"non-serious\" musical ideas with traditional elements while tentatively drawing from the spiritual world both near and far, from the lives of the Christian saints to tales of Tibetan Buddhism, Sufism and Hinduism.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDrygianakis started the process by recording\u003cspan class=\"bcTruncateMore\"\u003e performances from his collaborators such as Sokratis Sinopoulos, Kostas Tsianos, Dimitris Yiagas, Ross Daly and Konstantinos Karagounis. He had been working as a studio engineer in Larissa but the work had been grueling and the financial side of the business was painful. In contrast, his work as Optical Musics became more passionate and deeply personal, and the creation of the album took on a life of its own as he channeled his melancholy and frustration into four long tracks that melted together his inspirations, impulses and desires. Since the project was primarily electronic, driven by Drygianakis's interest in synthesizers and computers, there needed to be a bridge between the acoustic world and the digital. That came from a revolutionary piece of gear: the legendary Akai S-1000 sampler. This tool allowed Drygianakis to pull sounds from across the musical spectrum and tailor it to his needs, fusing dreamy, far-off sounds with ideas recorded closer to home.\u003cbr\u003e\u003cbr\u003eThe result is an album that neatly pulls creative air from its influences - Tangerine Dream's \"Zeit\" and Diamanda Galas' \"The Divine Punishment\", for example - and forms it into defiantly unique sonic clouds that signal towards the East without uprooting themselves from the West. The opening quarter layers ornate strings over a hiccuping electronic rhythm and submerged synthesizers, allowing hypnotic vocals - sung, chanted and spoken - to suggest the album's religious themes without overstating it. On the second segment, Drygianakis reduces his sounds to a whisper, with faint, minimal piano and gentle atmospheres that slowly shift from acoustic to electronic, touching the boundaries of new age music without crossing it. Dense instrumental drones characterize the epic, cinematic third chapter, while the fourth and final section offers us Drygianakis' most crushing treatment, burning religious vocal techniques and Balkan string flourishes into searing noise and dissonant electro-acoustic wails.\u003cbr\u003e\u003cbr\u003eListening almost three decades later \"Tomos 2\" sounds almost prophetic, picking up on themes and concepts that have only become more relevant. By consciously questioning the logic of world music, new age and the avant-garde, Drygianakis managed to formulate a narrative that continues to draw breath with each passing day.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Optiki Mousiki\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e","published_at":"2025-10-20T05:58:33+09:00","created_at":"2025-10-20T05:57:38+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","heat crimes","lp","new","post newage","strange beats"],"price":453000,"price_min":453000,"price_max":453000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47840101761274,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Optiki Mousiki \/\/ Tomos 2 2xLP","public_title":null,"options":["Default Title"],"price":453000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"768558900813","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/tom1.jpg?v=1689495746","\/\/tobirarecords.com\/cdn\/shop\/files\/tom2.jpg?v=1689495746"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/tom1.jpg?v=1689495746","options":["Title"],"media":[{"alt":null,"id":32231192559866,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tom1.jpg?v=1689495746"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tom1.jpg?v=1689495746","width":700},{"alt":null,"id":32231192592634,"position":2,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tom2.jpg?v=1689495746"},"aspect_ratio":1.425,"height":842,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tom2.jpg?v=1689495746","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eギリシャの実験音楽家Optiki Mousiki aka Costis Drygianakisが、\u003cspan\u003e2023年にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege傘下HEAT CRIMESからリリースした再発2枚組レコードです。(オリジナルは\u003c\/span\u003e1994年にカセットリリース)\u003c\/p\u003e\n\u003cp\u003eサイケデリックなストレンジビーツ〜エキゾチック・アンビエント〜ドローン4曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1984年から1987年まで、ギリシャ人アーティストのCostis Drygianakisと、友人や共同制作者の寄せ集めで、オプティキ・ムジキ(Optiki Mousiki)名義で数多くのレコーディングを行った。1987年にリリースされた初のフルアルバム『Tomos 1』は、初期の多作期を記録したもので、グリズリーなインダストリアル・ノイズの要素に、めくるめく電子音響実験や野性的なインストゥルメンタル・スティンギングが組み合わされている。1994年にリリースされた『Tomos 2』は、自身の音楽だけでなく、アヴァンギャルド・アートが一般的にどのような役に立つのかについて、Drygianakisが長い間自省した後に発表された。前作とはまったく異なるこのアルバムは、一般的なテイストの考え方に疑問を投げかけ、「非真面目な」音楽的アイデアを伝統的な要素と折り重ねながら、キリスト教の聖者の生活からチベット仏教、スーフィズム、ヒンドゥー教の物語まで、近くて遠い精神世界から暫定的に引用することを試みている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eDrygianakisは、ソクラティス・シノプロス、コスタス・ツィアノス、ディミトリス・ヤガス、ロス・デイリー、コンスタンティノス・カラグーニスといった共演者の演奏を録音することからこのプロセスを始めた。彼はラリッサでスタジオ・エンジニアとして働いていたが、その仕事は過酷で、金銭面でも苦しいものだった。それとは対照的に、オプティカル・ミュージックスとしての仕事は、より情熱的で深く個人的なものとなり、アルバムの制作は、彼のメランコリーとフラストレーションを、インスピレーション、衝動、欲望を溶かし合わせた4つの長いトラックに注ぎ込むという、独自の人生を歩むことになった。このプロジェクトは、シンセサイザーとコンピューターに興味を持つ\u003cmeta charset=\"utf-8\"\u003eDrygianakisによるエレクトロニック・ミュージックが中心であったため、アコースティックな世界とデジタルをつなぐ架け橋が必要だった。それは、伝説的なAkai S-1000サンプラーという画期的な機材だった。このツールによってドライギアナキスは、あらゆる音楽的スペクトラムからサウンドを引き出し、彼のニーズに合わせることができるようになり、夢のような遠く離れたサウンドと、身近に録音されたアイデアを融合させることができた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eその結果、例えばタンジェリン・ドリームの \"Zeit \"やディアマンダ・ガラスの \"The Divine Punishment \"など、影響を受けたものから創造的な空気をうまく引き出し、西洋から根を下ろすことなく東洋に向かってシグナルを発する、反抗的なまでにユニークな音の雲を形成したアルバムが生まれた。冒頭の1\/4は、しゃっくりするような電子リズムと沈んだシンセサイザーの上に華麗なストリングスが重なり、催眠術のようなヴォーカル(歌、詠唱、話し声)がアルバムの宗教的テーマを誇張することなく暗示する。第2部では、ドライギアナキスは、かすかでミニマルなピアノと、アコースティックからエレクトロニックへとゆっくりと移り変わる穏やかな雰囲気で、ニューエイジ・ミュージックの境界線を越えることなく触れている。壮大でシネマティックな第3章では濃密なインストゥルメンタル・ドローンが特徴的で、第4章と最後のセクションでは、宗教的なヴォーカル・テクニックとバルカンの弦楽器の華やかさを、焼けるようなノイズと不協和音のエレクトロ・アコースティックな慟哭に焼き変え、\u003cmeta charset=\"utf-8\"\u003eDrygianakisの最も破砕的な処理を聴かせてくれる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e約30年後に聴く『Tomos 2』は、ほとんど予言的に聴こえる。ワールド・ミュージック、ニューエイジ、アヴァンギャルドの論理に意識的に疑問を投げかけることで、\u003cmeta charset=\"utf-8\"\u003eDrygianakisは、日を追うごとに息づき続ける物語を作り上げることに成功したのだ。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3192247190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. Includes mini booklet insert.\u003c\/p\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLaunching a series of co-releases in collaboration with freshly inaugurated Athens label Untag, comes this very special album from 1994 available for the first time on digital and vinyl by Greek composer Costis Drygianakis.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFrom 1984 until 1987, Greek artist Costis Drygianakis and a ramshackle assembly of friends and collaborators produced a slew of recordings under the name Optiki Mousiki, or Optical Musics. Their first full-length \"Tomos 1\" was released in 1987 and documented a prolific early period, combining grizzly industrial noise elements with dizzying electro-acoustic experiments and wild instrumental stings. \"Tomos 2\" is a collection of work taken from the band's second epoch after a brief hiatus; released in 1994, it arrived after a long period of self-reflection from Drygianakis about not only what his own music represented, but what avant-garde art might be useful for in general. A very different album from its predecessor, it attempts to question popular ideas of taste, folding together \"non-serious\" musical ideas with traditional elements while tentatively drawing from the spiritual world both near and far, from the lives of the Christian saints to tales of Tibetan Buddhism, Sufism and Hinduism.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDrygianakis started the process by recording\u003cspan class=\"bcTruncateMore\"\u003e performances from his collaborators such as Sokratis Sinopoulos, Kostas Tsianos, Dimitris Yiagas, Ross Daly and Konstantinos Karagounis. He had been working as a studio engineer in Larissa but the work had been grueling and the financial side of the business was painful. In contrast, his work as Optical Musics became more passionate and deeply personal, and the creation of the album took on a life of its own as he channeled his melancholy and frustration into four long tracks that melted together his inspirations, impulses and desires. Since the project was primarily electronic, driven by Drygianakis's interest in synthesizers and computers, there needed to be a bridge between the acoustic world and the digital. That came from a revolutionary piece of gear: the legendary Akai S-1000 sampler. This tool allowed Drygianakis to pull sounds from across the musical spectrum and tailor it to his needs, fusing dreamy, far-off sounds with ideas recorded closer to home.\u003cbr\u003e\u003cbr\u003eThe result is an album that neatly pulls creative air from its influences - Tangerine Dream's \"Zeit\" and Diamanda Galas' \"The Divine Punishment\", for example - and forms it into defiantly unique sonic clouds that signal towards the East without uprooting themselves from the West. The opening quarter layers ornate strings over a hiccuping electronic rhythm and submerged synthesizers, allowing hypnotic vocals - sung, chanted and spoken - to suggest the album's religious themes without overstating it. On the second segment, Drygianakis reduces his sounds to a whisper, with faint, minimal piano and gentle atmospheres that slowly shift from acoustic to electronic, touching the boundaries of new age music without crossing it. Dense instrumental drones characterize the epic, cinematic third chapter, while the fourth and final section offers us Drygianakis' most crushing treatment, burning religious vocal techniques and Balkan string flourishes into searing noise and dissonant electro-acoustic wails.\u003cbr\u003e\u003cbr\u003eListening almost three decades later \"Tomos 2\" sounds almost prophetic, picking up on themes and concepts that have only become more relevant. By consciously questioning the logic of world music, new age and the avant-garde, Drygianakis managed to formulate a narrative that continues to draw breath with each passing day.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Optiki Mousiki\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e"}
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ギリシャの実験音楽家Optiki Mousiki aka Costis Drygianakisが、2023年にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege傘下HEAT CRIMESからリリースした再発2枚組レコードです。(オリジナルは1994年にカセットリリース) サイケデリックなストレンジビーツ〜エキゾチック・アンビエント〜ドローン4曲を収録。 以下、レーベルによる解説です。 "1984年から1987年まで、ギリシャ人アーティストのCostis Drygianakisと、友人や共同制作者の寄せ集めで、オプティキ・ムジキ(Optiki Mousiki)名義で数多くのレコーディングを行った。1987年にリリースされた初のフルアルバム『Tomos 1』は、初期の多作期を記録したもので、グリズリーなインダストリアル・ノイズの要素に、めくるめく電子音響実験や野性的なインストゥルメンタル・スティンギングが組み合わされている。1994年にリリースされた『Tomos 2』は、自身の音楽だけでなく、アヴァンギャルド・アートが一般的にどのような役に立つのかについて、Drygianakisが長い間自省した後に発表された。前作とはまったく異なるこのアルバムは、一般的なテイストの考え方に疑問を投げかけ、「非真面目な」音楽的アイデアを伝統的な要素と折り重ねながら、キリスト教の聖者の生活からチベット仏教、スーフィズム、ヒンドゥー教の物語まで、近くて遠い精神世界から暫定的に引用することを試みている。Drygianakisは、ソクラティス・シノプロス、コスタス・ツィアノス、ディミトリス・ヤガス、ロス・デイリー、コンスタンティノス・カラグーニスといった共演者の演奏を録音することからこのプロセスを始めた。彼はラリッサでスタジオ・エンジニアとして働いていたが、その仕事は過酷で、金銭面でも苦しいものだった。それとは対照的に、オプティカル・ミュージックスとしての仕事は、より情熱的で深く個人的なものとなり、アルバムの制作は、彼のメランコリーとフラストレーションを、インスピレーション、衝動、欲望を溶かし合わせた4つの長いトラックに注ぎ込むという、独自の人生を歩むことになった。このプロジェクトは、シンセサイザーとコンピューターに興味を持つDrygianakisによるエレクトロニック・ミュージックが中心であったため、アコースティックな世界とデジタルをつなぐ架け橋が必要だった。それは、伝説的なAkai S-1000サンプラーという画期的な機材だった。このツールによってドライギアナキスは、あらゆる音楽的スペクトラムからサウンドを引き出し、彼のニーズに合わせることができるようになり、夢のような遠く離れたサウンドと、身近に録音されたアイデアを融合させることができた。その結果、例えばタンジェリン・ドリームの...
¥4,530

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{"id":8959208980730,"title":"Éliane Radigue \/\/ AMGEN (1963-64) CD","handle":"eliane-radigue-asymptote-versatile-1963-64-cd","description":"\u003cp\u003eフランスの大御所ドローン作家Éliane Radigueが、2025年10月にイギリスの\u003cspan\u003eAMGEN\u003c\/span\u003eからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e彼女が1963-1964年に制作した幻の楽曲『\u003cspan\u003eAMGEN』を、イギリスのハープ奏者Rhodri Davies率いるアンサンブルが\u003c\/span\u003e2023年Huddersfield現代音楽フェスティバルで演奏したライブ録音です。8面デジパック、シュリンク仕様。ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1101783840\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003cbr\u003eIncludes\u003cspan\u003e booklet in French and English - i\u003c\/span\u003e\u003cspan\u003entroduction by Rhodri Davies and Julia Eckhardt.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Asymptote Versatile 43:43\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cem\u003eThis is a live concert recording of the world premier performed at the Huddersfield Contemporary Music Festival.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecorded by Simon Reynell at Huddersfield Town Hall, on the 26th of November 2023.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eXavier Charles: clarinet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAngharad Davies: violin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRhodri Davies: harp\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJulia Eckhardt: viola\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBertrand Gauguet: alto saxophone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSusan Geaney: bass flute\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDominic Lash: double bass\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThierry Madiot: \u003c\/span\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003ebass trombone\u003cbr\u003eAonghus\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e\u003cspan\u003e \u003c\/span\u003eMcEvoy: guitar\u003cbr\u003eHannah Miller: french horn\u003cbr\u003eAilbhe Nic Oireachtaigh: viola\u003cbr\u003eCarol Robinson: bass clarinet\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Éliane Radigue\u003c\/p\u003e\n\u003cp\u003eLabel : Amgen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAMGEN 012\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-21T19:46:18+09:00","created_at":"2025-10-18T09:37:14+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","new"],"price":313000,"price_min":313000,"price_max":313000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47835031798010,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Éliane Radigue \/\/ AMGEN (1963-64) CD","public_title":null,"options":["Default Title"],"price":313000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/elian1.jpg?v=1760747671","\/\/tobirarecords.com\/cdn\/shop\/files\/elian2.jpg?v=1760747671","\/\/tobirarecords.com\/cdn\/shop\/files\/elian3.jpg?v=1760747671"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/elian1.jpg?v=1760747671","options":["Title"],"media":[{"alt":null,"id":37136834429178,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/elian1.jpg?v=1760747671"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/elian1.jpg?v=1760747671","width":700},{"alt":null,"id":37136834461946,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/elian2.jpg?v=1760747671"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/elian2.jpg?v=1760747671","width":1200},{"alt":null,"id":37136834494714,"position":3,"preview_image":{"aspect_ratio":1.775,"height":676,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/elian3.jpg?v=1760747671"},"aspect_ratio":1.775,"height":676,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/elian3.jpg?v=1760747671","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの大御所ドローン作家Éliane Radigueが、2025年10月にイギリスの\u003cspan\u003eAMGEN\u003c\/span\u003eからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e彼女が1963-1964年に制作した幻の楽曲『\u003cspan\u003eAMGEN』を、イギリスのハープ奏者Rhodri Davies率いるアンサンブルが\u003c\/span\u003e2023年Huddersfield現代音楽フェスティバルで演奏したライブ録音です。8面デジパック、シュリンク仕様。ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1101783840\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003cbr\u003eIncludes\u003cspan\u003e booklet in French and English - i\u003c\/span\u003e\u003cspan\u003entroduction by Rhodri Davies and Julia Eckhardt.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Asymptote Versatile 43:43\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cem\u003eThis is a live concert recording of the world premier performed at the Huddersfield Contemporary Music Festival.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecorded by Simon Reynell at Huddersfield Town Hall, on the 26th of November 2023.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eXavier Charles: clarinet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAngharad Davies: violin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRhodri Davies: harp\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJulia Eckhardt: viola\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBertrand Gauguet: alto saxophone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSusan Geaney: bass flute\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDominic Lash: double bass\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThierry Madiot: \u003c\/span\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003ebass trombone\u003cbr\u003eAonghus\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e\u003cspan\u003e \u003c\/span\u003eMcEvoy: guitar\u003cbr\u003eHannah Miller: french horn\u003cbr\u003eAilbhe Nic Oireachtaigh: viola\u003cbr\u003eCarol Robinson: bass clarinet\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Éliane Radigue\u003c\/p\u003e\n\u003cp\u003eLabel : Amgen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAMGEN 012\u003c\/span\u003e\u003c\/p\u003e"}
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フランスの大御所ドローン作家Éliane Radigueが、2025年10月にイギリスのAMGENからリリースしたCDです。 彼女が1963-1964年に制作した幻の楽曲『AMGEN』を、イギリスのハープ奏者Rhodri Davies率いるアンサンブルが2023年Huddersfield現代音楽フェスティバルで演奏したライブ録音です。8面デジパック、シュリンク仕様。ブックレット付属。 ----------------------------------------------------- CD in digipack.Includes booklet in French and English -...
¥3,130

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{"id":8959208816890,"title":"Kory Reeder \/ Apartment House \/\/ Codex Vivere CD","handle":"kory-reeder-apartment-house-codex-vivere-cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・テキサスの作曲家Kory Reederの作品を\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eApartment Houseが演奏したアルバムです。ネオクラシカル・アンビエントリスナーにもおすすめの一枚です。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2625146727\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA 72-minute work in nine movements composed by Kory Reeder and played by Apartment House, for whom it was written\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kory Reeder\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e","published_at":"2025-10-18T09:32:18+09:00","created_at":"2025-10-18T09:31:50+09:00","vendor":"Tobira Records","type":"","tags":["ambient","another timbre","cd","contemporary \/ sound poetry","neo classical","new"],"price":249000,"price_min":249000,"price_max":249000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47835030257914,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kory Reeder \/ Apartment House \/\/ Codex Vivere CD","public_title":null,"options":["Default Title"],"price":249000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/co2_edbeadc0-fbce-432e-9f50-e7dc4b6514db.jpg?v=1760747502","\/\/tobirarecords.com\/cdn\/shop\/products\/co1_7a8578de-c803-4977-85ab-f7fb657f74f6.jpg?v=1760747502"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_edbeadc0-fbce-432e-9f50-e7dc4b6514db.jpg?v=1760747502","options":["Title"],"media":[{"alt":null,"id":30187227939066,"position":1,"preview_image":{"aspect_ratio":1.084,"height":1107,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_edbeadc0-fbce-432e-9f50-e7dc4b6514db.jpg?v=1760747502"},"aspect_ratio":1.084,"height":1107,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_edbeadc0-fbce-432e-9f50-e7dc4b6514db.jpg?v=1760747502","width":1200},{"alt":null,"id":30187214799098,"position":2,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_7a8578de-c803-4977-85ab-f7fb657f74f6.jpg?v=1760747502"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_7a8578de-c803-4977-85ab-f7fb657f74f6.jpg?v=1760747502","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・テキサスの作曲家Kory Reederの作品を\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eApartment Houseが演奏したアルバムです。ネオクラシカル・アンビエントリスナーにもおすすめの一枚です。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2625146727\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA 72-minute work in nine movements composed by Kory Reeder and played by Apartment House, for whom it was written\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kory Reeder\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e"}
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