Emmanuel Mieville // Salto do Cabrito TAPE
Emmanuel Mieville // Salto do Cabrito TAPE
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artist : Emmanuel Mieville
label : Hemisphäreの空虚
ポルトガルの音響作家Emmanuel Mievilleによる2曲入りカセット。DLコード付き。
artist : Emmanuel Mieville
label : Hemisphäreの空虚
ポルトガルの音響作家Emmanuel Mievilleによる2曲入りカセット。DLコード付き。
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{"id":8960893452538,"title":"Optiki Mousiki \/\/ Tomos 2 2xLP","handle":"optiki-mousiki-tomos-2","description":"\u003cp\u003eギリシャの実験音楽家Optiki Mousiki aka Costis Drygianakisが、\u003cspan\u003e2023年にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege傘下HEAT CRIMESからリリースした再発2枚組レコードです。(オリジナルは\u003c\/span\u003e1994年にカセットリリース)\u003c\/p\u003e\n\u003cp\u003eサイケデリックなストレンジビーツ〜エキゾチック・アンビエント〜ドローン4曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1984年から1987年まで、ギリシャ人アーティストのCostis Drygianakisと、友人や共同制作者の寄せ集めで、オプティキ・ムジキ(Optiki Mousiki)名義で数多くのレコーディングを行った。1987年にリリースされた初のフルアルバム『Tomos 1』は、初期の多作期を記録したもので、グリズリーなインダストリアル・ノイズの要素に、めくるめく電子音響実験や野性的なインストゥルメンタル・スティンギングが組み合わされている。1994年にリリースされた『Tomos 2』は、自身の音楽だけでなく、アヴァンギャルド・アートが一般的にどのような役に立つのかについて、Drygianakisが長い間自省した後に発表された。前作とはまったく異なるこのアルバムは、一般的なテイストの考え方に疑問を投げかけ、「非真面目な」音楽的アイデアを伝統的な要素と折り重ねながら、キリスト教の聖者の生活からチベット仏教、スーフィズム、ヒンドゥー教の物語まで、近くて遠い精神世界から暫定的に引用することを試みている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eDrygianakisは、ソクラティス・シノプロス、コスタス・ツィアノス、ディミトリス・ヤガス、ロス・デイリー、コンスタンティノス・カラグーニスといった共演者の演奏を録音することからこのプロセスを始めた。彼はラリッサでスタジオ・エンジニアとして働いていたが、その仕事は過酷で、金銭面でも苦しいものだった。それとは対照的に、オプティカル・ミュージックスとしての仕事は、より情熱的で深く個人的なものとなり、アルバムの制作は、彼のメランコリーとフラストレーションを、インスピレーション、衝動、欲望を溶かし合わせた4つの長いトラックに注ぎ込むという、独自の人生を歩むことになった。このプロジェクトは、シンセサイザーとコンピューターに興味を持つ\u003cmeta charset=\"utf-8\"\u003eDrygianakisによるエレクトロニック・ミュージックが中心であったため、アコースティックな世界とデジタルをつなぐ架け橋が必要だった。それは、伝説的なAkai S-1000サンプラーという画期的な機材だった。このツールによってドライギアナキスは、あらゆる音楽的スペクトラムからサウンドを引き出し、彼のニーズに合わせることができるようになり、夢のような遠く離れたサウンドと、身近に録音されたアイデアを融合させることができた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eその結果、例えばタンジェリン・ドリームの \"Zeit \"やディアマンダ・ガラスの \"The Divine Punishment \"など、影響を受けたものから創造的な空気をうまく引き出し、西洋から根を下ろすことなく東洋に向かってシグナルを発する、反抗的なまでにユニークな音の雲を形成したアルバムが生まれた。冒頭の1\/4は、しゃっくりするような電子リズムと沈んだシンセサイザーの上に華麗なストリングスが重なり、催眠術のようなヴォーカル(歌、詠唱、話し声)がアルバムの宗教的テーマを誇張することなく暗示する。第2部では、ドライギアナキスは、かすかでミニマルなピアノと、アコースティックからエレクトロニックへとゆっくりと移り変わる穏やかな雰囲気で、ニューエイジ・ミュージックの境界線を越えることなく触れている。壮大でシネマティックな第3章では濃密なインストゥルメンタル・ドローンが特徴的で、第4章と最後のセクションでは、宗教的なヴォーカル・テクニックとバルカンの弦楽器の華やかさを、焼けるようなノイズと不協和音のエレクトロ・アコースティックな慟哭に焼き変え、\u003cmeta charset=\"utf-8\"\u003eDrygianakisの最も破砕的な処理を聴かせてくれる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e約30年後に聴く『Tomos 2』は、ほとんど予言的に聴こえる。ワールド・ミュージック、ニューエイジ、アヴァンギャルドの論理に意識的に疑問を投げかけることで、\u003cmeta charset=\"utf-8\"\u003eDrygianakisは、日を追うごとに息づき続ける物語を作り上げることに成功したのだ。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3192247190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. Includes mini booklet insert.\u003c\/p\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLaunching a series of co-releases in collaboration with freshly inaugurated Athens label Untag, comes this very special album from 1994 available for the first time on digital and vinyl by Greek composer Costis Drygianakis.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFrom 1984 until 1987, Greek artist Costis Drygianakis and a ramshackle assembly of friends and collaborators produced a slew of recordings under the name Optiki Mousiki, or Optical Musics. Their first full-length \"Tomos 1\" was released in 1987 and documented a prolific early period, combining grizzly industrial noise elements with dizzying electro-acoustic experiments and wild instrumental stings. \"Tomos 2\" is a collection of work taken from the band's second epoch after a brief hiatus; released in 1994, it arrived after a long period of self-reflection from Drygianakis about not only what his own music represented, but what avant-garde art might be useful for in general. A very different album from its predecessor, it attempts to question popular ideas of taste, folding together \"non-serious\" musical ideas with traditional elements while tentatively drawing from the spiritual world both near and far, from the lives of the Christian saints to tales of Tibetan Buddhism, Sufism and Hinduism.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDrygianakis started the process by recording\u003cspan class=\"bcTruncateMore\"\u003e performances from his collaborators such as Sokratis Sinopoulos, Kostas Tsianos, Dimitris Yiagas, Ross Daly and Konstantinos Karagounis. He had been working as a studio engineer in Larissa but the work had been grueling and the financial side of the business was painful. In contrast, his work as Optical Musics became more passionate and deeply personal, and the creation of the album took on a life of its own as he channeled his melancholy and frustration into four long tracks that melted together his inspirations, impulses and desires. Since the project was primarily electronic, driven by Drygianakis's interest in synthesizers and computers, there needed to be a bridge between the acoustic world and the digital. That came from a revolutionary piece of gear: the legendary Akai S-1000 sampler. This tool allowed Drygianakis to pull sounds from across the musical spectrum and tailor it to his needs, fusing dreamy, far-off sounds with ideas recorded closer to home.\u003cbr\u003e\u003cbr\u003eThe result is an album that neatly pulls creative air from its influences - Tangerine Dream's \"Zeit\" and Diamanda Galas' \"The Divine Punishment\", for example - and forms it into defiantly unique sonic clouds that signal towards the East without uprooting themselves from the West. The opening quarter layers ornate strings over a hiccuping electronic rhythm and submerged synthesizers, allowing hypnotic vocals - sung, chanted and spoken - to suggest the album's religious themes without overstating it. On the second segment, Drygianakis reduces his sounds to a whisper, with faint, minimal piano and gentle atmospheres that slowly shift from acoustic to electronic, touching the boundaries of new age music without crossing it. Dense instrumental drones characterize the epic, cinematic third chapter, while the fourth and final section offers us Drygianakis' most crushing treatment, burning religious vocal techniques and Balkan string flourishes into searing noise and dissonant electro-acoustic wails.\u003cbr\u003e\u003cbr\u003eListening almost three decades later \"Tomos 2\" sounds almost prophetic, picking up on themes and concepts that have only become more relevant. By consciously questioning the logic of world music, new age and the avant-garde, Drygianakis managed to formulate a narrative that continues to draw breath with each passing day.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Optiki Mousiki\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e","published_at":"2025-10-20T05:58:33+09:00","created_at":"2025-10-20T05:57:38+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","heat crimes","lp","new","post newage","strange beats"],"price":453000,"price_min":453000,"price_max":453000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47840101761274,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Optiki Mousiki \/\/ Tomos 2 2xLP","public_title":null,"options":["Default Title"],"price":453000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"768558900813","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/tom1.jpg?v=1689495746","\/\/tobirarecords.com\/cdn\/shop\/files\/tom2.jpg?v=1689495746"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/tom1.jpg?v=1689495746","options":["Title"],"media":[{"alt":null,"id":32231192559866,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tom1.jpg?v=1689495746"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tom1.jpg?v=1689495746","width":700},{"alt":null,"id":32231192592634,"position":2,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tom2.jpg?v=1689495746"},"aspect_ratio":1.425,"height":842,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tom2.jpg?v=1689495746","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eギリシャの実験音楽家Optiki Mousiki aka Costis Drygianakisが、\u003cspan\u003e2023年にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege傘下HEAT CRIMESからリリースした再発2枚組レコードです。(オリジナルは\u003c\/span\u003e1994年にカセットリリース)\u003c\/p\u003e\n\u003cp\u003eサイケデリックなストレンジビーツ〜エキゾチック・アンビエント〜ドローン4曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1984年から1987年まで、ギリシャ人アーティストのCostis Drygianakisと、友人や共同制作者の寄せ集めで、オプティキ・ムジキ(Optiki Mousiki)名義で数多くのレコーディングを行った。1987年にリリースされた初のフルアルバム『Tomos 1』は、初期の多作期を記録したもので、グリズリーなインダストリアル・ノイズの要素に、めくるめく電子音響実験や野性的なインストゥルメンタル・スティンギングが組み合わされている。1994年にリリースされた『Tomos 2』は、自身の音楽だけでなく、アヴァンギャルド・アートが一般的にどのような役に立つのかについて、Drygianakisが長い間自省した後に発表された。前作とはまったく異なるこのアルバムは、一般的なテイストの考え方に疑問を投げかけ、「非真面目な」音楽的アイデアを伝統的な要素と折り重ねながら、キリスト教の聖者の生活からチベット仏教、スーフィズム、ヒンドゥー教の物語まで、近くて遠い精神世界から暫定的に引用することを試みている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eDrygianakisは、ソクラティス・シノプロス、コスタス・ツィアノス、ディミトリス・ヤガス、ロス・デイリー、コンスタンティノス・カラグーニスといった共演者の演奏を録音することからこのプロセスを始めた。彼はラリッサでスタジオ・エンジニアとして働いていたが、その仕事は過酷で、金銭面でも苦しいものだった。それとは対照的に、オプティカル・ミュージックスとしての仕事は、より情熱的で深く個人的なものとなり、アルバムの制作は、彼のメランコリーとフラストレーションを、インスピレーション、衝動、欲望を溶かし合わせた4つの長いトラックに注ぎ込むという、独自の人生を歩むことになった。このプロジェクトは、シンセサイザーとコンピューターに興味を持つ\u003cmeta charset=\"utf-8\"\u003eDrygianakisによるエレクトロニック・ミュージックが中心であったため、アコースティックな世界とデジタルをつなぐ架け橋が必要だった。それは、伝説的なAkai S-1000サンプラーという画期的な機材だった。このツールによってドライギアナキスは、あらゆる音楽的スペクトラムからサウンドを引き出し、彼のニーズに合わせることができるようになり、夢のような遠く離れたサウンドと、身近に録音されたアイデアを融合させることができた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eその結果、例えばタンジェリン・ドリームの \"Zeit \"やディアマンダ・ガラスの \"The Divine Punishment \"など、影響を受けたものから創造的な空気をうまく引き出し、西洋から根を下ろすことなく東洋に向かってシグナルを発する、反抗的なまでにユニークな音の雲を形成したアルバムが生まれた。冒頭の1\/4は、しゃっくりするような電子リズムと沈んだシンセサイザーの上に華麗なストリングスが重なり、催眠術のようなヴォーカル(歌、詠唱、話し声)がアルバムの宗教的テーマを誇張することなく暗示する。第2部では、ドライギアナキスは、かすかでミニマルなピアノと、アコースティックからエレクトロニックへとゆっくりと移り変わる穏やかな雰囲気で、ニューエイジ・ミュージックの境界線を越えることなく触れている。壮大でシネマティックな第3章では濃密なインストゥルメンタル・ドローンが特徴的で、第4章と最後のセクションでは、宗教的なヴォーカル・テクニックとバルカンの弦楽器の華やかさを、焼けるようなノイズと不協和音のエレクトロ・アコースティックな慟哭に焼き変え、\u003cmeta charset=\"utf-8\"\u003eDrygianakisの最も破砕的な処理を聴かせてくれる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e約30年後に聴く『Tomos 2』は、ほとんど予言的に聴こえる。ワールド・ミュージック、ニューエイジ、アヴァンギャルドの論理に意識的に疑問を投げかけることで、\u003cmeta charset=\"utf-8\"\u003eDrygianakisは、日を追うごとに息づき続ける物語を作り上げることに成功したのだ。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3192247190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. Includes mini booklet insert.\u003c\/p\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLaunching a series of co-releases in collaboration with freshly inaugurated Athens label Untag, comes this very special album from 1994 available for the first time on digital and vinyl by Greek composer Costis Drygianakis.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFrom 1984 until 1987, Greek artist Costis Drygianakis and a ramshackle assembly of friends and collaborators produced a slew of recordings under the name Optiki Mousiki, or Optical Musics. Their first full-length \"Tomos 1\" was released in 1987 and documented a prolific early period, combining grizzly industrial noise elements with dizzying electro-acoustic experiments and wild instrumental stings. \"Tomos 2\" is a collection of work taken from the band's second epoch after a brief hiatus; released in 1994, it arrived after a long period of self-reflection from Drygianakis about not only what his own music represented, but what avant-garde art might be useful for in general. A very different album from its predecessor, it attempts to question popular ideas of taste, folding together \"non-serious\" musical ideas with traditional elements while tentatively drawing from the spiritual world both near and far, from the lives of the Christian saints to tales of Tibetan Buddhism, Sufism and Hinduism.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDrygianakis started the process by recording\u003cspan class=\"bcTruncateMore\"\u003e performances from his collaborators such as Sokratis Sinopoulos, Kostas Tsianos, Dimitris Yiagas, Ross Daly and Konstantinos Karagounis. He had been working as a studio engineer in Larissa but the work had been grueling and the financial side of the business was painful. In contrast, his work as Optical Musics became more passionate and deeply personal, and the creation of the album took on a life of its own as he channeled his melancholy and frustration into four long tracks that melted together his inspirations, impulses and desires. Since the project was primarily electronic, driven by Drygianakis's interest in synthesizers and computers, there needed to be a bridge between the acoustic world and the digital. That came from a revolutionary piece of gear: the legendary Akai S-1000 sampler. This tool allowed Drygianakis to pull sounds from across the musical spectrum and tailor it to his needs, fusing dreamy, far-off sounds with ideas recorded closer to home.\u003cbr\u003e\u003cbr\u003eThe result is an album that neatly pulls creative air from its influences - Tangerine Dream's \"Zeit\" and Diamanda Galas' \"The Divine Punishment\", for example - and forms it into defiantly unique sonic clouds that signal towards the East without uprooting themselves from the West. The opening quarter layers ornate strings over a hiccuping electronic rhythm and submerged synthesizers, allowing hypnotic vocals - sung, chanted and spoken - to suggest the album's religious themes without overstating it. On the second segment, Drygianakis reduces his sounds to a whisper, with faint, minimal piano and gentle atmospheres that slowly shift from acoustic to electronic, touching the boundaries of new age music without crossing it. Dense instrumental drones characterize the epic, cinematic third chapter, while the fourth and final section offers us Drygianakis' most crushing treatment, burning religious vocal techniques and Balkan string flourishes into searing noise and dissonant electro-acoustic wails.\u003cbr\u003e\u003cbr\u003eListening almost three decades later \"Tomos 2\" sounds almost prophetic, picking up on themes and concepts that have only become more relevant. By consciously questioning the logic of world music, new age and the avant-garde, Drygianakis managed to formulate a narrative that continues to draw breath with each passing day.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Optiki Mousiki\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e"}
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ギリシャの実験音楽家Optiki Mousiki aka Costis Drygianakisが、2023年にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege傘下HEAT CRIMESからリリースした再発2枚組レコードです。(オリジナルは1994年にカセットリリース) サイケデリックなストレンジビーツ〜エキゾチック・アンビエント〜ドローン4曲を収録。 以下、レーベルによる解説です。 "1984年から1987年まで、ギリシャ人アーティストのCostis Drygianakisと、友人や共同制作者の寄せ集めで、オプティキ・ムジキ(Optiki Mousiki)名義で数多くのレコーディングを行った。1987年にリリースされた初のフルアルバム『Tomos 1』は、初期の多作期を記録したもので、グリズリーなインダストリアル・ノイズの要素に、めくるめく電子音響実験や野性的なインストゥルメンタル・スティンギングが組み合わされている。1994年にリリースされた『Tomos 2』は、自身の音楽だけでなく、アヴァンギャルド・アートが一般的にどのような役に立つのかについて、Drygianakisが長い間自省した後に発表された。前作とはまったく異なるこのアルバムは、一般的なテイストの考え方に疑問を投げかけ、「非真面目な」音楽的アイデアを伝統的な要素と折り重ねながら、キリスト教の聖者の生活からチベット仏教、スーフィズム、ヒンドゥー教の物語まで、近くて遠い精神世界から暫定的に引用することを試みている。Drygianakisは、ソクラティス・シノプロス、コスタス・ツィアノス、ディミトリス・ヤガス、ロス・デイリー、コンスタンティノス・カラグーニスといった共演者の演奏を録音することからこのプロセスを始めた。彼はラリッサでスタジオ・エンジニアとして働いていたが、その仕事は過酷で、金銭面でも苦しいものだった。それとは対照的に、オプティカル・ミュージックスとしての仕事は、より情熱的で深く個人的なものとなり、アルバムの制作は、彼のメランコリーとフラストレーションを、インスピレーション、衝動、欲望を溶かし合わせた4つの長いトラックに注ぎ込むという、独自の人生を歩むことになった。このプロジェクトは、シンセサイザーとコンピューターに興味を持つDrygianakisによるエレクトロニック・ミュージックが中心であったため、アコースティックな世界とデジタルをつなぐ架け橋が必要だった。それは、伝説的なAkai S-1000サンプラーという画期的な機材だった。このツールによってドライギアナキスは、あらゆる音楽的スペクトラムからサウンドを引き出し、彼のニーズに合わせることができるようになり、夢のような遠く離れたサウンドと、身近に録音されたアイデアを融合させることができた。その結果、例えばタンジェリン・ドリームの...
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{"id":8960667058426,"title":"Bardo Todol \/ Chemiefaserwerk \/ Zhu Wenbo \/\/ Floating tape ruban flottant TAPE","handle":"bardo-todol-chemiefaserwerk-zhu-wenbo-floating-tape-ruban-flottant-tape","description":"\u003cp\u003e当店物音カテゴリーではおなじみの3名による共作カセットです。\u003c\/p\u003e\n\u003cp\u003e物音コラージュ〜物音ドローン4曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2708260651\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/prepre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/prepre\"\u003ehere\u003c\/a\u003e to see more Presses Précaires releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eZhu Wenbo\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Zoomin' Night):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI have not met Anne-F Jacques before and I’m afraid it might be difficult in the next few years. We have some common friends and I believe some similar interests around music, and maybe something beyond music too. We have traded cassettes before, shipping always taking too many days.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI also run a cassette label named Zoomin’ Night in Beijing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the summer of 2021, we started talking about some possible collaborations. A collaboration between two tiny cassette label runners, I thought, could be an interesting idea.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThen, I had an idea to invite two other cassette label\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003erunner friends to join the game. For each release, two persons contribute sound materials, a third person makes\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003esome arrangements and mix (only using these materials) and the final product is released on a fourth person’s label.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe change roles each time, so each person will act twice as\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ea musician, once as a producer, and once as a publisher. And also this way, each person’s work will not be published on their own label.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnne-F suggested two friends. Pablo Picco is an Argentine musician who works under the name Bardo Todol and has just started the label Bolinga Everest this year. I always imagine him as a\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e passionate and mysterious father, living with his family in the campo faraway from any civilization (comment from Pablo: I live 50 km away from a big city, not that far away from civilization!). And Christian Schiefner aka.Chemiefaserwerk, who has been running Falt for many years. Actually we had traded cassettes before. He lives in France, but it seems he is from Berlin. So many people have released their stuff on Falt, including Pablo, Anne-F and myself. It is one of many secret links between us.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe spent days preparing, recording, mixing, asking for more materials, and thinking about a name for this project.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOne day, some old memories came back to me from the past.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen I was a teenager, in the mid-1990s, broken and loose tape could always be found in cities, even in the country. They were ripped on wire, on tree, or hidden in some corner someplace. After a breeze, some black tape would be floating in the air. No one had any interest in knowing what was recorded on those tapes. Maybe English teaching or pirated pop songs, or private messages, sound diary, radio programs…\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter the 2000s, this sight became rare and then disappeared. But now I think, “floating tape” could be a good name for our collaboration. A tape can be soft, dirty and inconspicuous. But in another imaginary, these dirty tapes can be transported by the wind, floating across the ocean, and reach another un-met friend, all in an undetected way.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThat is the whole story of “floating tape”. There will be four releases, sharing the same title but in different languages. The cassette you hold in your hand, released by Anne-F’s presses précaires, is the first one. It was performed by Chemiefaserwerk and Bardo Todol and mixed by myself. In the coming months, another 3 cassettes will come out in some other corners of the world. Hope you enjoy.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bardo Todol \/ Chemiefaserwerk \/ Zhu Wenbo\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePresses Précaires\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-19T15:55:14+09:00","created_at":"2025-10-19T15:51:56+09:00","vendor":"Tobira Records","type":"","tags":["drone","monooto","new","presses précaires","tape"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47838961008890,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bardo Todol \/ Chemiefaserwerk \/ Zhu Wenbo \/\/ Floating tape ruban flottant TAPE","public_title":null,"options":["Default Title"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fl1_341354be-cc45-46f1-bf3c-01cb62c330a6.jpg?v=1644801415","\/\/tobirarecords.com\/cdn\/shop\/products\/fl2_b2a85485-eefa-4d82-8984-9e559b41033d.jpg?v=1644801415"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fl1_341354be-cc45-46f1-bf3c-01cb62c330a6.jpg?v=1644801415","options":["Title"],"media":[{"alt":null,"id":29148909895930,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fl1_341354be-cc45-46f1-bf3c-01cb62c330a6.jpg?v=1644801415"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fl1_341354be-cc45-46f1-bf3c-01cb62c330a6.jpg?v=1644801415","width":700},{"alt":null,"id":29148909928698,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fl2_b2a85485-eefa-4d82-8984-9e559b41033d.jpg?v=1644801415"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fl2_b2a85485-eefa-4d82-8984-9e559b41033d.jpg?v=1644801415","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e当店物音カテゴリーではおなじみの3名による共作カセットです。\u003c\/p\u003e\n\u003cp\u003e物音コラージュ〜物音ドローン4曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2708260651\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/prepre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/prepre\"\u003ehere\u003c\/a\u003e to see more Presses Précaires releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eZhu Wenbo\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Zoomin' Night):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI have not met Anne-F Jacques before and I’m afraid it might be difficult in the next few years. We have some common friends and I believe some similar interests around music, and maybe something beyond music too. We have traded cassettes before, shipping always taking too many days.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI also run a cassette label named Zoomin’ Night in Beijing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the summer of 2021, we started talking about some possible collaborations. A collaboration between two tiny cassette label runners, I thought, could be an interesting idea.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThen, I had an idea to invite two other cassette label\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003erunner friends to join the game. For each release, two persons contribute sound materials, a third person makes\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003esome arrangements and mix (only using these materials) and the final product is released on a fourth person’s label.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe change roles each time, so each person will act twice as\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ea musician, once as a producer, and once as a publisher. And also this way, each person’s work will not be published on their own label.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnne-F suggested two friends. Pablo Picco is an Argentine musician who works under the name Bardo Todol and has just started the label Bolinga Everest this year. I always imagine him as a\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e passionate and mysterious father, living with his family in the campo faraway from any civilization (comment from Pablo: I live 50 km away from a big city, not that far away from civilization!). And Christian Schiefner aka.Chemiefaserwerk, who has been running Falt for many years. Actually we had traded cassettes before. He lives in France, but it seems he is from Berlin. So many people have released their stuff on Falt, including Pablo, Anne-F and myself. It is one of many secret links between us.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe spent days preparing, recording, mixing, asking for more materials, and thinking about a name for this project.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOne day, some old memories came back to me from the past.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen I was a teenager, in the mid-1990s, broken and loose tape could always be found in cities, even in the country. They were ripped on wire, on tree, or hidden in some corner someplace. After a breeze, some black tape would be floating in the air. No one had any interest in knowing what was recorded on those tapes. Maybe English teaching or pirated pop songs, or private messages, sound diary, radio programs…\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter the 2000s, this sight became rare and then disappeared. But now I think, “floating tape” could be a good name for our collaboration. A tape can be soft, dirty and inconspicuous. But in another imaginary, these dirty tapes can be transported by the wind, floating across the ocean, and reach another un-met friend, all in an undetected way.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThat is the whole story of “floating tape”. There will be four releases, sharing the same title but in different languages. The cassette you hold in your hand, released by Anne-F’s presses précaires, is the first one. It was performed by Chemiefaserwerk and Bardo Todol and mixed by myself. In the coming months, another 3 cassettes will come out in some other corners of the world. Hope you enjoy.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bardo Todol \/ Chemiefaserwerk \/ Zhu Wenbo\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePresses Précaires\u003c\/span\u003e\u003c\/p\u003e"}
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当店物音カテゴリーではおなじみの3名による共作カセットです。 物音コラージュ〜物音ドローン4曲を収録。廃盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Presses Précaires releases available at Tobira. --------------------------...
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{"id":8959179096314,"title":"Francisco Meirino \/\/ Three Realizations For Ensembles CD","handle":"francisco-meirino-three-realizations-for-ensembles-cd-1","description":"\u003cp\u003eスペイン出身スイス在住の実験音楽家Francisco Meirinoが、2025年10月に同国テキサスの実験/ノイズレーベルMisanthropic Agendaからリリースした再発CDです。(オリジナルは2019年リリース)\u003c\/p\u003e\n\u003cp\u003e題名の通りアンサンブルのために制作した物音コラージュ〜ノイズ・ドローン46分の大作です。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3655014535\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/miag\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/miag\"\u003ehere\u003c\/a\u003e to see more Misanthropic Agenda releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 4-panel digipack.\u003cbr\u003eEdition of 200. \u003cbr\u003eReissue - originally released in 2019. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Nabla 05:10\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Ghetto (Phase IV) 05:14\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Epidemic 25:41\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Francisco Meirino\u003c\/p\u003e\n\u003cp\u003eLabel : Misanthropic Agenda\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMAR052\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-18T16:42:56+09:00","created_at":"2025-10-18T08:53:09+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","Misanthropic Agenda","monooto","new","noise"],"price":218000,"price_min":218000,"price_max":218000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47834960527610,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Francisco Meirino \/\/ Three Realizations For Ensembles CD","public_title":null,"options":["Default Title"],"price":218000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/real1.jpg?v=1760745000"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/real1.jpg?v=1760745000","options":["Title"],"media":[{"alt":null,"id":37136733405434,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/real1.jpg?v=1760745000"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/real1.jpg?v=1760745000","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスペイン出身スイス在住の実験音楽家Francisco Meirinoが、2025年10月に同国テキサスの実験/ノイズレーベルMisanthropic Agendaからリリースした再発CDです。(オリジナルは2019年リリース)\u003c\/p\u003e\n\u003cp\u003e題名の通りアンサンブルのために制作した物音コラージュ〜ノイズ・ドローン46分の大作です。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3655014535\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/miag\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/miag\"\u003ehere\u003c\/a\u003e to see more Misanthropic Agenda releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 4-panel digipack.\u003cbr\u003eEdition of 200. \u003cbr\u003eReissue - originally released in 2019. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Nabla 05:10\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Ghetto (Phase IV) 05:14\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Epidemic 25:41\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Francisco Meirino\u003c\/p\u003e\n\u003cp\u003eLabel : Misanthropic Agenda\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMAR052\u003c\/span\u003e\u003c\/p\u003e"}
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クイックビュー
{"id":8957603807482,"title":"Neti-Neti \/\/ Echo of Being \/ Grace in Rot LP [COLOR]","handle":"neti-neti-echo-of-being-grace-in-rot-lp-color","description":"\u003cp\u003eアメリカの実験音楽家Amirtha KidambiとMatt EvansによるデュオNeti-Netiが、2025年10月にLAの実験レーベルDinzu Artefacts\u003cspan\u003eから100部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e声とフィードバックによる一発録音7曲を収録。DLコード付属。クリーム色盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3137994210\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" milky clear vinyl. \u003cbr\u003eEdition of 100. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 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It reclaims humanity amidst the unimaginable, offering not only a document of sound but a space for reflection, embodiment, and resilience.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Neti-Neti\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e","published_at":"2025-10-18T06:02:16+09:00","created_at":"2025-10-16T08:47:33+09:00","vendor":"Tobira Records","type":"","tags":["dinzu artefacts","drone","jazz","lp","new"],"price":454000,"price_min":454000,"price_max":454000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47827031687418,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Neti-Neti \/\/ Echo of Being \/ Grace in Rot LP [COLOR]","public_title":null,"options":["Default Title"],"price":454000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/echo1_bb3a3b81-48e5-4a95-a352-aff3f1b11df5.jpg?v=1760571960","\/\/tobirarecords.com\/cdn\/shop\/files\/echo2_5a2c4d21-0e83-497d-90e5-e1e37c923c34.jpg?v=1760571960"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/echo1_bb3a3b81-48e5-4a95-a352-aff3f1b11df5.jpg?v=1760571960","options":["Title"],"media":[{"alt":null,"id":37116428091642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/echo1_bb3a3b81-48e5-4a95-a352-aff3f1b11df5.jpg?v=1760571960"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/echo1_bb3a3b81-48e5-4a95-a352-aff3f1b11df5.jpg?v=1760571960","width":700},{"alt":null,"id":37116428124410,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/echo2_5a2c4d21-0e83-497d-90e5-e1e37c923c34.jpg?v=1760571960"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/echo2_5a2c4d21-0e83-497d-90e5-e1e37c923c34.jpg?v=1760571960","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験音楽家Amirtha KidambiとMatt EvansによるデュオNeti-Netiが、2025年10月にLAの実験レーベルDinzu Artefacts\u003cspan\u003eから100部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e声とフィードバックによる一発録音7曲を収録。DLコード付属。クリーム色盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3137994210\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" milky clear vinyl. \u003cbr\u003eEdition of 100. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 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