International Anthem IA11 Lightweight TOTE
International Anthem IA11 Lightweight TOTE
¥2,950
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アメリカ・シカゴのジャズレーベルInternational Anthemが、2025年5月にリリースしたトートバッグです。
IA11 logo in shiny gold ink on navy lue lightweight tote.
15.75 inches high x 15.25 inches wide - approx. 240 cubic inches
Printed in Chicago.
レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira.
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Label : International Anthem
アメリカ・シカゴのジャズレーベルInternational Anthemが、2025年5月にリリースしたトートバッグです。
IA11 logo in shiny gold ink on navy lue lightweight tote.
15.75 inches high x 15.25 inches wide - approx. 240 cubic inches
Printed in Chicago.
レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira.
-------------
Label : International Anthem
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{"id":9042913001722,"title":"Alabaster DePlume \/\/ To Cy \u0026 Lee: Instrumentals Vol. 1 (IA11 Edition) LP","handle":"alabaster-deplume-to-cy-lee-instrumentals-vol-1-ia11-edition-lp","description":"\u003cp\u003eロンドンのサックス奏者Alabaster DePlumeが、2025年12月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした再発レコードです。(オリジナルは2020年リリース)\u003c\/p\u003e\n\u003cp\u003eエキゾチックな瞑想アンビエント・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2444002727\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl in heavyweight sleeve \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e+ a 12-page 11x11\" insert booklet (unique to the IA11 edition, with unpublished photos and new liner notes by Alabaster DePlume) + IARC 2025 OBI strip.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Visit Croatia 04:52\u003cbr\u003e2. What's Missing 05:05\u003cbr\u003e3. Song of the Foundling 02:55\u003cbr\u003e4. Whisky Story Time 02:19\u003cbr\u003e5. Not Now Jesus 03:40\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. If You're Sure You Want To 03:49\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. The Lucky Ones (feat. Danalogue) 06:40\u003cbr\u003e\u003c\/span\u003e8. Why Buzzardman Why 03:52\u003cbr\u003e9. Not My Ask 03:31\u003cbr\u003e10. Turpentine 02:26\u003cbr\u003e11. I Hope 05:27\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTo Cy and Lee: Instrumentals Vol. 1 is a collection of Mancunian poet, singer, saxophonist and composer Alabaster DePlume’s simple and serenely intimate wordless adventures in melodic ennui. The collection properly introduced the world to a previously under-exposed, undeniably deep dimension of DePlume who, at the time of the its release, was most known to his followers for his music with words, his poetry, and his prowess as an impassioned orator. His performances (especially those that were part of his monthly Peach residency at Total Refreshment Centre in London) were becoming legendary for blurring the boundaries between secular sermon, theatrical monologue and song, as he turned audiences into experimental large ensembles and lead full-throated shout-alongs to tunes like “Is It Enough” and “Be Nice To People” (both from his 2019 Lost Map album The Corner of a Sphere). The instrumental pieces that quietly buffered the big vocal moments of his recorded catalog, to that point, had mostly lived, quietly, in those buffers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe’re not really sure what inspired DePlume to gather all of his recorded instrumentals, add a couple new ones, and invite International Anthem to collaborate on the campaign (we had only recently been getting to know him a little deeper, after our\u003cspan class=\"bcTruncateMore\"\u003e second trip to Total Refreshment Centre in the fall of 2018 when we recorded jaimie branch’s FLY or DIE II: bird dogs of paradise). But what we do know is, not long after To Cy \u0026amp; Lee’s February 2020 release and the subsequent arrival of a global pandemic, those recordings went very far, very fast, taking on a new life as stay-at-home hits — the quiet catharsis we didn’t know we needed in the face of rapidly unfolding confusion, fear, and isolation. As the people of the world found themselves inside their small rooms, they began to search for smaller, more intentional sounds to fill them. These instrumentals carried the healing qualities we were after then, and still seek now. As we cite on the obi strip, the music is an antidote with seemingly ancient sonic characteristics, and a unique ability to embrace the core of our very being.\u003cbr\u003e\u003cbr\u003eTo Cy \u0026amp; Lee was also the first document of an ongoing collaboration between DePlume and International Anthem, which has already yielded the albums GOLD (2022), Come With Fierce Grace (2023), and A Blade Because a Blade Is Whole (2025), in addition to sundry singles and EPs. The depth of partnership between DePlume and our crew that has developed since To Cy \u0026amp; Lee, coupled with the endlessly quenching spiritual comforts the album continues to provide, makes it an absolute essential of the International Anthem catalog and a proud choice for the final three of the IA11 series.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0030LP11\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : \u003cmeta charset=\"utf-8\"\u003e5th \u003cmeta charset=\"utf-8\"\u003eDecember 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-30T13:58:18+09:00","created_at":"2025-12-30T11:07:11+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":462600,"price_min":462600,"price_max":462600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48169921020154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alabaster DePlume \/\/ To Cy \u0026 Lee: Instrumentals Vol. 1 (IA11 Edition) LP","public_title":null,"options":["Default Title"],"price":462600,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457226357","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ins1.jpg?v=1767060239","\/\/tobirarecords.com\/cdn\/shop\/files\/ins2.jpg?v=1767060239"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ins1.jpg?v=1767060239","options":["Title"],"media":[{"alt":null,"id":37931888836858,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ins1.jpg?v=1767060239"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ins1.jpg?v=1767060239","width":700},{"alt":null,"id":37931888869626,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ins2.jpg?v=1767060239"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ins2.jpg?v=1767060239","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eロンドンのサックス奏者Alabaster DePlumeが、2025年12月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした再発レコードです。(オリジナルは2020年リリース)\u003c\/p\u003e\n\u003cp\u003eエキゾチックな瞑想アンビエント・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2444002727\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl in heavyweight sleeve \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e+ a 12-page 11x11\" insert booklet (unique to the IA11 edition, with unpublished photos and new liner notes by Alabaster DePlume) + IARC 2025 OBI strip.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Visit Croatia 04:52\u003cbr\u003e2. What's Missing 05:05\u003cbr\u003e3. Song of the Foundling 02:55\u003cbr\u003e4. Whisky Story Time 02:19\u003cbr\u003e5. Not Now Jesus 03:40\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. If You're Sure You Want To 03:49\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. The Lucky Ones (feat. Danalogue) 06:40\u003cbr\u003e\u003c\/span\u003e8. Why Buzzardman Why 03:52\u003cbr\u003e9. Not My Ask 03:31\u003cbr\u003e10. Turpentine 02:26\u003cbr\u003e11. I Hope 05:27\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTo Cy and Lee: Instrumentals Vol. 1 is a collection of Mancunian poet, singer, saxophonist and composer Alabaster DePlume’s simple and serenely intimate wordless adventures in melodic ennui. The collection properly introduced the world to a previously under-exposed, undeniably deep dimension of DePlume who, at the time of the its release, was most known to his followers for his music with words, his poetry, and his prowess as an impassioned orator. His performances (especially those that were part of his monthly Peach residency at Total Refreshment Centre in London) were becoming legendary for blurring the boundaries between secular sermon, theatrical monologue and song, as he turned audiences into experimental large ensembles and lead full-throated shout-alongs to tunes like “Is It Enough” and “Be Nice To People” (both from his 2019 Lost Map album The Corner of a Sphere). The instrumental pieces that quietly buffered the big vocal moments of his recorded catalog, to that point, had mostly lived, quietly, in those buffers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe’re not really sure what inspired DePlume to gather all of his recorded instrumentals, add a couple new ones, and invite International Anthem to collaborate on the campaign (we had only recently been getting to know him a little deeper, after our\u003cspan class=\"bcTruncateMore\"\u003e second trip to Total Refreshment Centre in the fall of 2018 when we recorded jaimie branch’s FLY or DIE II: bird dogs of paradise). But what we do know is, not long after To Cy \u0026amp; Lee’s February 2020 release and the subsequent arrival of a global pandemic, those recordings went very far, very fast, taking on a new life as stay-at-home hits — the quiet catharsis we didn’t know we needed in the face of rapidly unfolding confusion, fear, and isolation. As the people of the world found themselves inside their small rooms, they began to search for smaller, more intentional sounds to fill them. These instrumentals carried the healing qualities we were after then, and still seek now. As we cite on the obi strip, the music is an antidote with seemingly ancient sonic characteristics, and a unique ability to embrace the core of our very being.\u003cbr\u003e\u003cbr\u003eTo Cy \u0026amp; Lee was also the first document of an ongoing collaboration between DePlume and International Anthem, which has already yielded the albums GOLD (2022), Come With Fierce Grace (2023), and A Blade Because a Blade Is Whole (2025), in addition to sundry singles and EPs. The depth of partnership between DePlume and our crew that has developed since To Cy \u0026amp; Lee, coupled with the endlessly quenching spiritual comforts the album continues to provide, makes it an absolute essential of the International Anthem catalog and a proud choice for the final three of the IA11 series.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0030LP11\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : \u003cmeta charset=\"utf-8\"\u003e5th \u003cmeta charset=\"utf-8\"\u003eDecember 2025\u003c\/span\u003e\u003c\/p\u003e"}
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ロンドンのサックス奏者Alabaster DePlumeが、2025年12月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした再発レコードです。(オリジナルは2020年リリース) エキゾチックな瞑想アンビエント・ジャズ11曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":9026485354746,"title":"Jeff Parker ETA IVtet + Various Artists \/\/ The Hard Way In to The Way Out of Easy LP","handle":"jeff-parker-eta-ivtet-the-hard-way-in-to-the-way-out-of-easy-lp","description":"\u003cp\u003eアメリカのジャズバンドJeff Parker ETA IVtetが、2025年12月に同国シカゴのジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e彼らがリリースした\u003ca href=\"https:\/\/tobirarecords.com\/products\/jeff-parker-eta-ivtet-the-way-out-of-easy-2xlp\"\u003e『The Way Out of Easy』\u003c\/a\u003eのリミックスを当店含む30店舗を通じて募集し、Jeff Parkerが選んだ11曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eRemixes of Jeff Parker ETA IVtet's October 2024 Album 'The Way Out Of Easy', submitted by artists from all over the world and hand-selected and sequenced by Jeff Parker himself for this special one-time release. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e1. Seprock\u003c\/span\u003e\u003cspan\u003e - Pothole Hijinx\u003cbr\u003e2. \u003c\/span\u003e\u003cspan\u003eYEHAIYAHAN\u003c\/span\u003e\u003cspan\u003e - Jazz My Life (\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eYEHAIYAHAN Remix\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eft. EDHEM)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e3. Megadead - Out Of The Way\u003cbr\u003e4. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eMaodea\u003c\/span\u003e\u003cspan\u003e - Hard Way In (Easy Way Out Remix) \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e5. Kyron - Chrome Dome (Kyron Remix)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e6. Diogo\u003c\/span\u003e\u003cspan\u003e - Chrome Dome (Diogo Remix)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e7. Andrew Connor\u003c\/span\u003e\u003cspan\u003e - EZ Way\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e8. Swimming\u003c\/span\u003e\u003cspan\u003e - 24hr IVtet Flip (interlude) \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e9. Sergio Castañeda - Tripkadelic\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e10. PRE98\u003c\/span\u003e\u003cspan\u003e - Swing Door\u003cbr\u003e\u003c\/span\u003e11. Taishiji - Flickadelic\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003e\"A month before @jeffparkersounds’ The Way Out Of Easy was released in October 2024, we distributed USB sticks containing the album tracks to record shops around the world, along with an open invitation for anyone interested in reimagining the music to pick one up, get to work, and submit a remix for potential inclusion on this limited edition LP. One month later, the portal was closed, and a whopping 77 remixes had been submitted! \u003cb\u003e\u003c\/b\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eJeff Parker reviewed all submissions - which came from every corner of the globe – and selected and sequenced the tracklist himself.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker ETA IVtet + Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARCRM89\u003c\/p\u003e\n\u003cp\u003eRelease date : 12th December 2025\u003c\/p\u003e","published_at":"2025-12-12T11:28:58+09:00","created_at":"2025-12-12T10:54:27+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp","new"],"price":496500,"price_min":496500,"price_max":496500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48100261822714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jeff Parker ETA IVtet + Various Artists \/\/ The Hard Way In to The Way Out of Easy LP","public_title":null,"options":["Default Title"],"price":496500,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5202.jpg?v=1765504553","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5211.jpg?v=1765503914","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5213.jpg?v=1765503914","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5215.jpg?v=1765503914","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5278.jpg?v=1765503915","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5302.jpg?v=1765503914"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5202.jpg?v=1765504553","options":["Title"],"media":[{"alt":null,"id":37760879755514,"position":1,"preview_image":{"aspect_ratio":1.0,"height":3024,"width":3024,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5202.jpg?v=1765504553"},"aspect_ratio":1.0,"height":3024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5202.jpg?v=1765504553","width":3024},{"alt":null,"id":37760879788282,"position":2,"preview_image":{"aspect_ratio":1.333,"height":3024,"width":4032,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5211.jpg?v=1765503914"},"aspect_ratio":1.333,"height":3024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5211.jpg?v=1765503914","width":4032},{"alt":null,"id":37760879821050,"position":3,"preview_image":{"aspect_ratio":1.333,"height":3024,"width":4032,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5213.jpg?v=1765503914"},"aspect_ratio":1.333,"height":3024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5213.jpg?v=1765503914","width":4032},{"alt":null,"id":37760879853818,"position":4,"preview_image":{"aspect_ratio":1.333,"height":3024,"width":4032,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5215.jpg?v=1765503914"},"aspect_ratio":1.333,"height":3024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5215.jpg?v=1765503914","width":4032},{"alt":null,"id":37760879886586,"position":5,"preview_image":{"aspect_ratio":1.333,"height":3024,"width":4032,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5278.jpg?v=1765503915"},"aspect_ratio":1.333,"height":3024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5278.jpg?v=1765503915","width":4032},{"alt":null,"id":37760879919354,"position":6,"preview_image":{"aspect_ratio":1.333,"height":3024,"width":4032,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5302.jpg?v=1765503914"},"aspect_ratio":1.333,"height":3024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5302.jpg?v=1765503914","width":4032}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのジャズバンドJeff Parker ETA IVtetが、2025年12月に同国シカゴのジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e彼らがリリースした\u003ca href=\"https:\/\/tobirarecords.com\/products\/jeff-parker-eta-ivtet-the-way-out-of-easy-2xlp\"\u003e『The Way Out of Easy』\u003c\/a\u003eのリミックスを当店含む30店舗を通じて募集し、Jeff Parkerが選んだ11曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eRemixes of Jeff Parker ETA IVtet's October 2024 Album 'The Way Out Of Easy', submitted by artists from all over the world and hand-selected and sequenced by Jeff Parker himself for this special one-time release. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e1. Seprock\u003c\/span\u003e\u003cspan\u003e - Pothole Hijinx\u003cbr\u003e2. \u003c\/span\u003e\u003cspan\u003eYEHAIYAHAN\u003c\/span\u003e\u003cspan\u003e - Jazz My Life (\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eYEHAIYAHAN Remix\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eft. EDHEM)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e3. Megadead - Out Of The Way\u003cbr\u003e4. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eMaodea\u003c\/span\u003e\u003cspan\u003e - Hard Way In (Easy Way Out Remix) \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e5. Kyron - Chrome Dome (Kyron Remix)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e6. Diogo\u003c\/span\u003e\u003cspan\u003e - Chrome Dome (Diogo Remix)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e7. Andrew Connor\u003c\/span\u003e\u003cspan\u003e - EZ Way\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e8. Swimming\u003c\/span\u003e\u003cspan\u003e - 24hr IVtet Flip (interlude) \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e9. Sergio Castañeda - Tripkadelic\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e10. PRE98\u003c\/span\u003e\u003cspan\u003e - Swing Door\u003cbr\u003e\u003c\/span\u003e11. Taishiji - Flickadelic\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003e\"A month before @jeffparkersounds’ The Way Out Of Easy was released in October 2024, we distributed USB sticks containing the album tracks to record shops around the world, along with an open invitation for anyone interested in reimagining the music to pick one up, get to work, and submit a remix for potential inclusion on this limited edition LP. One month later, the portal was closed, and a whopping 77 remixes had been submitted! \u003cb\u003e\u003c\/b\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eJeff Parker reviewed all submissions - which came from every corner of the globe – and selected and sequenced the tracklist himself.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker ETA IVtet + Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARCRM89\u003c\/p\u003e\n\u003cp\u003eRelease date : 12th December 2025\u003c\/p\u003e"}
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アメリカのジャズバンドJeff Parker ETA IVtetが、2025年12月に同国シカゴのジャズレーベルInternational Anthemからリリースしたレコードです。 彼らがリリースした『The Way Out of Easy』のリミックスを当店含む30店舗を通じて募集し、Jeff Parkerが選んだ11曲を収録。 レコードのみでの発表となります。 レーベルその他作品はこちら /// Click here to...
¥4,965
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{"id":9024653787386,"title":"International Anthem \/\/ Tracing The Lines | Issue #4 (IA11 Edition) ZINE","handle":"international-anthem-tracing-the-lines-issue-4-ia11-edition-zine","description":"\u003cp\u003eアメリカ・シカゴのジャズレーベルInternational Anthemが、2025年11月にリリースしたZINEです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cbr\u003e64-page annual zine by \u003cmeta charset=\"utf-8\"\u003eInternational Anthem.\u003cbr\u003e170x250mm newsprint.\u003cbr\u003ePrinted in CMYK on 77gsm stock. \u003cbr\u003e\u003cbr\u003eIncludes contributions from:\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAaron Lowell Denton, Abu-Bakaar Bacaicoa, Alabaster DePlume, Alejandro Ayala, Angel Bat Dawid, Charlie Boss, Chet Zenor, Dave Vettraino, David Allen, David Brown, Jennifer Lynn Christie, Jeremiah Chiu, Julia Dratel, Justin Vernon, Kari Skaflen, Lori Mendoza, Macie Stewart, Maren Celest, Mark Pallman, Martell Stepney, Nicole Mckenzie, Pascal Gambarte, Regina Martinez, Rob Mazurek, Sam Klickner and Scott McNiece.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eIssue #4 of Tracing The Lines is a creative exploration of International Anthem and the community that surrounds it. This fourth annual installment (the \"IA11 Edition\") focuses the lens on a celebration of the label's eleventh year. The IA11 Issue, in turn, acts as the final piece of the celebration, looking back with one eye on the future.\u003c\/span\u003e\u003c\/em\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eToday, December 2nd 2025 (our label's ACTUAL eleventh anniversary) we are very happy to release the latest edition of our zine, Tracing The Lines.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis annual publication, designed by Jeremiah Chiu and edited by David Brown, was created to explore the catalog of our label and the community that surrounds it in a creative way that is separate from the hustle of the new release cycle.\u003cbr\u003e\u003cbr\u003eThis one being the Autumn 2025 issue, it felt appropriate to focus the zine's 64 pages around stories and reflections related to the eleven \"IA11 Edition\" albums we reissued across 2025, in celebration of our label's 11th year. Hence Issue #4 of Tracing The Lines is an IA11 Edition itself – the final media entry into the IA11 series.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem \u003c\/p\u003e\n\u003cp\u003eRelease date : 2nd December 2025\u003c\/p\u003e","published_at":"2025-12-10T12:12:23+09:00","created_at":"2025-12-10T11:53:47+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","international anthem","jazz","new"],"price":148000,"price_min":148000,"price_max":148000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48088805867770,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"International Anthem \/\/ Tracing The Lines | Issue #4 (IA11 Edition) ZINE","public_title":null,"options":["Default Title"],"price":148000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-10at11.42.38am_5c2bf387-960c-4a30-8cb6-58048c5c6b59.png?v=1765335265","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-10at11.42.12am_bc3b3b70-4215-431b-bec0-4f224ba48057.png?v=1765335265","\/\/tobirarecords.com\/cdn\/shop\/files\/zine1.jpg?v=1765335248","\/\/tobirarecords.com\/cdn\/shop\/files\/zine2.jpg?v=1765335248","\/\/tobirarecords.com\/cdn\/shop\/files\/zine3.jpg?v=1765335248"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-10at11.42.38am_5c2bf387-960c-4a30-8cb6-58048c5c6b59.png?v=1765335265","options":["Title"],"media":[{"alt":null,"id":37742895169786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":558,"width":558,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-10at11.42.38am_5c2bf387-960c-4a30-8cb6-58048c5c6b59.png?v=1765335265"},"aspect_ratio":1.0,"height":558,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-10at11.42.38am_5c2bf387-960c-4a30-8cb6-58048c5c6b59.png?v=1765335265","width":558},{"alt":null,"id":37742895137018,"position":2,"preview_image":{"aspect_ratio":0.905,"height":621,"width":562,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-10at11.42.12am_bc3b3b70-4215-431b-bec0-4f224ba48057.png?v=1765335265"},"aspect_ratio":0.905,"height":621,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-10at11.42.12am_bc3b3b70-4215-431b-bec0-4f224ba48057.png?v=1765335265","width":562},{"alt":null,"id":37742895202554,"position":3,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/zine1.jpg?v=1765335248"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/zine1.jpg?v=1765335248","width":900},{"alt":null,"id":37742895235322,"position":4,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/zine2.jpg?v=1765335248"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/zine2.jpg?v=1765335248","width":900},{"alt":null,"id":37742895268090,"position":5,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/zine3.jpg?v=1765335248"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/zine3.jpg?v=1765335248","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのジャズレーベルInternational Anthemが、2025年11月にリリースしたZINEです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cbr\u003e64-page annual zine by \u003cmeta charset=\"utf-8\"\u003eInternational Anthem.\u003cbr\u003e170x250mm newsprint.\u003cbr\u003ePrinted in CMYK on 77gsm stock. \u003cbr\u003e\u003cbr\u003eIncludes contributions from:\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAaron Lowell Denton, Abu-Bakaar Bacaicoa, Alabaster DePlume, Alejandro Ayala, Angel Bat Dawid, Charlie Boss, Chet Zenor, Dave Vettraino, David Allen, David Brown, Jennifer Lynn Christie, Jeremiah Chiu, Julia Dratel, Justin Vernon, Kari Skaflen, Lori Mendoza, Macie Stewart, Maren Celest, Mark Pallman, Martell Stepney, Nicole Mckenzie, Pascal Gambarte, Regina Martinez, Rob Mazurek, Sam Klickner and Scott McNiece.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eIssue #4 of Tracing The Lines is a creative exploration of International Anthem and the community that surrounds it. This fourth annual installment (the \"IA11 Edition\") focuses the lens on a celebration of the label's eleventh year. The IA11 Issue, in turn, acts as the final piece of the celebration, looking back with one eye on the future.\u003c\/span\u003e\u003c\/em\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eToday, December 2nd 2025 (our label's ACTUAL eleventh anniversary) we are very happy to release the latest edition of our zine, Tracing The Lines.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis annual publication, designed by Jeremiah Chiu and edited by David Brown, was created to explore the catalog of our label and the community that surrounds it in a creative way that is separate from the hustle of the new release cycle.\u003cbr\u003e\u003cbr\u003eThis one being the Autumn 2025 issue, it felt appropriate to focus the zine's 64 pages around stories and reflections related to the eleven \"IA11 Edition\" albums we reissued across 2025, in celebration of our label's 11th year. Hence Issue #4 of Tracing The Lines is an IA11 Edition itself – the final media entry into the IA11 series.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem \u003c\/p\u003e\n\u003cp\u003eRelease date : 2nd December 2025\u003c\/p\u003e"}
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アメリカ・シカゴのジャズレーベルInternational Anthemが、2025年11月にリリースしたZINEです。 64-page annual zine by International Anthem.170x250mm newsprint.Printed in CMYK on 77gsm stock. Includes...
¥1,480
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{"id":9023093768442,"title":"Jeff Parker \/\/ Forfolks LP [BLACK]","handle":"jeff-parker-forfolks-lp-black","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eTortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年にInternational Anthemからリリースしたアルバム\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1759480046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlbum liner notes by Matthew Lux:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eYears ago when Jeff and I were in a band together, I always insisted that our records could not have any liner notes. I was enthralled with the idea that imparting any information beyond the music itself was heresy. As if whatever the sound didn't convey needed to be left to the listener. Somehow, I was able to hold this opinion while simultaneously voraciously consuming every record jacket, CD cover, cassette J card and whatever else I could get my hands on regarding any music that interested me. Many years and finally the making of my own album forced me to confront my cognitive dissonance and recognize context can help the audience find their place in the art that they enjoy. That context is especially necessary when the artist is as under-appreciated yet influential as Jeff Parker.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I met Jeff, he was the first adult (24 years old to my 18) whose musical taste was as broad as mine and my friends. He liked Eric Dolphy, De La Soul, ‘70s Miles, and Donny Hathaway. We first played together in the living room of my parents’ apartment. We agreed to each bring a friend to round out a group. He brought the amazing and criminally under-represented Sara P. Smith on trombone, and I brought my high school band mate Chad Taylor on drums. Chad\u003cspan class=\"bcTruncateMore\"\u003e and I were certainly outclassed that day, but nevertheless we all became fast friends. A few weeks later, at our regular jam session at the Bop Shop, I told my girlfriend (now wife) to pay attention to Jeff. \"He's going to be important,\" I said.\u003cbr\u003e\u003cbr\u003eThe Chicago that Parker had moved to was ripe with young musicians eager to push at the boundaries. There weren't many venues catering to these new attempts at mixing things up, but slowly a number of great bands coalesced out of a group of like-minded friends, mixing everyone's backgrounds whether punk, disco, jazz or whatever. I clearly remember going to see New Horizons Ensemble at the Hothouse with Jeff, then a few weeks later going to the Empty Bottle to see Tortoise. Within months he'd be in both those bands. He was instrumental in forging a link between players with different styles that helped define the sound of creative music in ‘90s Chicago.\u003cbr\u003e\u003cbr\u003eIt's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.\u003cbr\u003e\u003cbr\u003eHe has been ordering sound with an amazingly diverse array of artists and collaborators for the past three decades. While it's common for a professional musician to be versed in many styles, that normally means a succession of genre tropes deployed to ensure the listener knows exactly where they are and what's supposed to be happening. A guitarist, for example, might play a Nile Rogers type rhythm on Disco or Funk, a favorite B.B. King lick on a blues or a Wes Montgomery phrase over a standard. Parker rarely does anything this overt. While perfectly capable (Once, in the studio, at the behest of a musician we were working with, I heard him take a solo that could have been an outtake from a Steely Dan album), he eschews genre playing and chooses a painterly approach to coloring the music, maintaining a deeply personal voice without weighing down the music with obvious stylistic maneuverings. His unique approach fits so well into so many contexts precisely because SOUND is his main focus and concern. One can clearly hear the breadth of Black Music in Parker’s playing. He is part of a continuum of musicians extending back to antiquity.\u003cbr\u003e\u003cbr\u003eThe structures here challenge our preconceptions of background and foreground. ALL the layers are primary. We are presented with fully integrated sonic developments rather than accompaniment, melody, or \"soloing\". Often times a solo album is an excuse for an artist to display their virtuosity. The idea being, possibly, that unencumbered by other musicians, the soloist is free to ride off on flights of fancy. But a career spent in the practice of subtlety is thankfully apparent in every song here. On Forfolks, a standard of the Great American Songbook fits comfortably next to multi-layered improvisations, a Thelonious Monk tune, and several compositions of Parker’s own, dating back twenty-five years.\u003cbr\u003e\u003cbr\u003eMonk, I find to be an apt comparison. Both men were deeply involved in some of the most progressive musical movements of their respective generations, neither gaining much renown at the time, but both kept on doing things in their own quietly iconoclastic ways until the world caught up with them some twenty years later. I was fortunate enough to recognize the first time I heard Jeff Parker thirty years ago that I was witnessing something very special.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCat No : IARC0052LP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-09T05:55:06+09:00","created_at":"2025-12-09T05:54:08+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new"],"price":489000,"price_min":489000,"price_max":489000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48079955230970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jeff Parker \/\/ Forfolks LP [BLACK]","public_title":null,"options":["Default Title"],"price":489000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"075597912104","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771","options":["Title"],"media":[{"alt":null,"id":36463102591226,"position":1,"preview_image":{"aspect_ratio":0.993,"height":599,"width":595,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771"},"aspect_ratio":0.993,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771","width":595}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eTortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年にInternational Anthemからリリースしたアルバム\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1759480046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlbum liner notes by Matthew Lux:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eYears ago when Jeff and I were in a band together, I always insisted that our records could not have any liner notes. I was enthralled with the idea that imparting any information beyond the music itself was heresy. As if whatever the sound didn't convey needed to be left to the listener. Somehow, I was able to hold this opinion while simultaneously voraciously consuming every record jacket, CD cover, cassette J card and whatever else I could get my hands on regarding any music that interested me. Many years and finally the making of my own album forced me to confront my cognitive dissonance and recognize context can help the audience find their place in the art that they enjoy. That context is especially necessary when the artist is as under-appreciated yet influential as Jeff Parker.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I met Jeff, he was the first adult (24 years old to my 18) whose musical taste was as broad as mine and my friends. He liked Eric Dolphy, De La Soul, ‘70s Miles, and Donny Hathaway. We first played together in the living room of my parents’ apartment. We agreed to each bring a friend to round out a group. He brought the amazing and criminally under-represented Sara P. Smith on trombone, and I brought my high school band mate Chad Taylor on drums. Chad\u003cspan class=\"bcTruncateMore\"\u003e and I were certainly outclassed that day, but nevertheless we all became fast friends. A few weeks later, at our regular jam session at the Bop Shop, I told my girlfriend (now wife) to pay attention to Jeff. \"He's going to be important,\" I said.\u003cbr\u003e\u003cbr\u003eThe Chicago that Parker had moved to was ripe with young musicians eager to push at the boundaries. There weren't many venues catering to these new attempts at mixing things up, but slowly a number of great bands coalesced out of a group of like-minded friends, mixing everyone's backgrounds whether punk, disco, jazz or whatever. I clearly remember going to see New Horizons Ensemble at the Hothouse with Jeff, then a few weeks later going to the Empty Bottle to see Tortoise. Within months he'd be in both those bands. He was instrumental in forging a link between players with different styles that helped define the sound of creative music in ‘90s Chicago.\u003cbr\u003e\u003cbr\u003eIt's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.\u003cbr\u003e\u003cbr\u003eHe has been ordering sound with an amazingly diverse array of artists and collaborators for the past three decades. While it's common for a professional musician to be versed in many styles, that normally means a succession of genre tropes deployed to ensure the listener knows exactly where they are and what's supposed to be happening. A guitarist, for example, might play a Nile Rogers type rhythm on Disco or Funk, a favorite B.B. King lick on a blues or a Wes Montgomery phrase over a standard. Parker rarely does anything this overt. While perfectly capable (Once, in the studio, at the behest of a musician we were working with, I heard him take a solo that could have been an outtake from a Steely Dan album), he eschews genre playing and chooses a painterly approach to coloring the music, maintaining a deeply personal voice without weighing down the music with obvious stylistic maneuverings. His unique approach fits so well into so many contexts precisely because SOUND is his main focus and concern. One can clearly hear the breadth of Black Music in Parker’s playing. He is part of a continuum of musicians extending back to antiquity.\u003cbr\u003e\u003cbr\u003eThe structures here challenge our preconceptions of background and foreground. ALL the layers are primary. We are presented with fully integrated sonic developments rather than accompaniment, melody, or \"soloing\". Often times a solo album is an excuse for an artist to display their virtuosity. The idea being, possibly, that unencumbered by other musicians, the soloist is free to ride off on flights of fancy. But a career spent in the practice of subtlety is thankfully apparent in every song here. On Forfolks, a standard of the Great American Songbook fits comfortably next to multi-layered improvisations, a Thelonious Monk tune, and several compositions of Parker’s own, dating back twenty-five years.\u003cbr\u003e\u003cbr\u003eMonk, I find to be an apt comparison. Both men were deeply involved in some of the most progressive musical movements of their respective generations, neither gaining much renown at the time, but both kept on doing things in their own quietly iconoclastic ways until the world caught up with them some twenty years later. I was fortunate enough to recognize the first time I heard Jeff Parker thirty years ago that I was witnessing something very special.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCat No : IARC0052LP\u003c\/span\u003e\u003c\/p\u003e"}
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Tortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年にInternational Anthemからリリースしたアルバムです。 ギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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