contemporary / sound poetry
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{"id":7508722155770,"title":"Pauline Oliveros \/\/ Tara's Room TAPE","handle":"pauline-oliveros-taras-room-cd","description":"\u003cp\u003eアメリカの大御所実験音楽家Pauline Oliverosが、1987年に自主リリースしたカセットの再発盤です。アコーディオンによるネオクラシカル25分、声をソースとしたコラージュ27分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/633329610\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/imprec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/imprec\"\u003ehere\u003c\/a\u003e to see more Important Records (Imprec) releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTwo Meditations on Transition and Change\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eReleased on Deep Listening as DL-22-2004\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist bio :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\"This LP features two long sides of infinite depth and sensitivity. Oliveros performs these pieces using a Just Intonation accordion and her Expanded Instrument System in order to bend both time and pitch.\u003cbr\u003e\u003cbr\u003ePauline Oliveros, composer, performer and humanitarian is an important pioneer in American Music. Acclaimed internationally, for four decades she has explored sound - forging new ground for herself and others. Through improvisation, electronic music, ritual, teaching and meditation she has created a body of work with such breadth of vision that it profoundly effects those who experience it, and eludes many who try to write about it. Oliveros has been honored with awards, grants and concerts internationally. Whether performing at the John F. Kennedy Center in Washington D.C., in an underground cavern, or in the studios of West German Radio, Oliveros' commitment to interaction with the moment is unchanged. She can make the sound of a sweeping siren into another instrument of the ensemble.\"\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pauline Oliveros\u003c\/p\u003e\n\u003cp\u003eLabel : Deep Listening\u003c\/p\u003e","published_at":"2022-01-07T20:12:39+09:00","created_at":"2022-01-06T17:26:09+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","neo classical","tape"],"price":156000,"price_min":156000,"price_max":156000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282840719610,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Pauline Oliveros \/\/ Tara's Room TAPE","public_title":null,"options":["Default Title"],"price":156000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pa_1164ed1f-d972-4cee-8aba-fddb24e0df28.jpg?v=1642209852"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa_1164ed1f-d972-4cee-8aba-fddb24e0df28.jpg?v=1642209852","options":["Title"],"media":[{"alt":null,"id":29005116834042,"position":1,"preview_image":{"aspect_ratio":1.333,"height":360,"width":480,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa_1164ed1f-d972-4cee-8aba-fddb24e0df28.jpg?v=1642209852"},"aspect_ratio":1.333,"height":360,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa_1164ed1f-d972-4cee-8aba-fddb24e0df28.jpg?v=1642209852","width":480}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの大御所実験音楽家Pauline Oliverosが、1987年に自主リリースしたカセットの再発盤です。アコーディオンによるネオクラシカル25分、声をソースとしたコラージュ27分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/633329610\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/imprec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/imprec\"\u003ehere\u003c\/a\u003e to see more Important Records (Imprec) releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTwo Meditations on Transition and Change\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eReleased on Deep Listening as DL-22-2004\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist bio :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\"This LP features two long sides of infinite depth and sensitivity. Oliveros performs these pieces using a Just Intonation accordion and her Expanded Instrument System in order to bend both time and pitch.\u003cbr\u003e\u003cbr\u003ePauline Oliveros, composer, performer and humanitarian is an important pioneer in American Music. Acclaimed internationally, for four decades she has explored sound - forging new ground for herself and others. Through improvisation, electronic music, ritual, teaching and meditation she has created a body of work with such breadth of vision that it profoundly effects those who experience it, and eludes many who try to write about it. Oliveros has been honored with awards, grants and concerts internationally. Whether performing at the John F. Kennedy Center in Washington D.C., in an underground cavern, or in the studios of West German Radio, Oliveros' commitment to interaction with the moment is unchanged. She can make the sound of a sweeping siren into another instrument of the ensemble.\"\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pauline Oliveros\u003c\/p\u003e\n\u003cp\u003eLabel : Deep Listening\u003c\/p\u003e"}
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アメリカの大御所実験音楽家Pauline Oliverosが、1987年に自主リリースしたカセットの再発盤です。アコーディオンによるネオクラシカル25分、声をソースとしたコラージュ27分を収録。 レーベルその他作品はこちら /// Click here to see more Important Records (Imprec) releases available at Tobira. -------------------------------...
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{"id":7508720025850,"title":"Pauline Oliveros \/\/ Ghost Dance CD","handle":"pauline-oliveros-ghost-dance-cd","description":"\u003cp\u003eアメリカの大御所実験音楽家Pauline Oliverosが1998年にリリースしたアルバムをデッドストック入荷しました。ダンサーとのコラボレーション作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3513114119\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eShame File Music:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The long awaited soundtrack of the Ghostdance music and dance collaboration between Oliveros and Paula Josa-Jones. The Expanded Instrument System (EIS) used in this recording is an evolving electronic sound processing environment dedicated to providing improvising musicians control over various interesting parameters of electronic transformation of their acoustic instruments. Performers each have their own setup which includes their delay and ambience processors, microphones, signal routing and mixing, and a computer which translates and displays control information from foot pedals and switches.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pauline Oliveros\u003c\/p\u003e\n\u003cp\u003eLabel : Self released\u003c\/p\u003e","published_at":"2022-01-07T20:39:55+09:00","created_at":"2022-01-06T17:22:26+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry"],"price":195000,"price_min":195000,"price_max":195000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282803429626,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Pauline Oliveros \/\/ Ghost Dance CD","public_title":null,"options":["Default Title"],"price":195000,"weight":0,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0947770671_16.jpg?v=1641555459"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0947770671_16.jpg?v=1641555459","options":["Title"],"media":[{"alt":null,"id":28971868422394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0947770671_16.jpg?v=1641555459"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0947770671_16.jpg?v=1641555459","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの大御所実験音楽家Pauline Oliverosが1998年にリリースしたアルバムをデッドストック入荷しました。ダンサーとのコラボレーション作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3513114119\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eShame File Music:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The long awaited soundtrack of the Ghostdance music and dance collaboration between Oliveros and Paula Josa-Jones. The Expanded Instrument System (EIS) used in this recording is an evolving electronic sound processing environment dedicated to providing improvising musicians control over various interesting parameters of electronic transformation of their acoustic instruments. Performers each have their own setup which includes their delay and ambience processors, microphones, signal routing and mixing, and a computer which translates and displays control information from foot pedals and switches.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pauline Oliveros\u003c\/p\u003e\n\u003cp\u003eLabel : Self released\u003c\/p\u003e"}
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アメリカの大御所実験音楽家Pauline Oliverosが1998年にリリースしたアルバムをデッドストック入荷しました。ダンサーとのコラボレーション作品です。 レーベルその他作品はこちら /// Click here to see more Shame File Music releases available at Tobira. -----------------------...
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{"id":7508696891642,"title":"Marina Rosenfeld \/\/ Teenage Lontano LP","handle":"marina-rosenfeld-teenage-lontano-lp","description":"\u003cp\u003e過去にShelter PressやiDEALなどから発表しているアメリカの音響作家Marina Rosenfeldが、2021年10月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Teenage Lontano \"と \"roygbiv\u0026amp;b \"は、それぞれ2008年と2011年の作品で、作曲家でありアーティストであるMarina Rosenfeldの2つの主要作品から構成されています。両作品は、10代の若者のために想像され、演じられた合唱曲です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eニューヨークの巨大なパーク・アヴェニュー・アーモリーで初演された『ティーンエイジ・ロンターノ』は、ハンガリーの作曲家ギョルジ・リゲティの1960年代の名作をローゼンフェルドが「カバーバージョン」でオーケストラ用に作曲した画期的な作品です。ティーンエイジ・ロンターノは、ヘッドフォンをつけたティーンエイジャーの列によって二分される没入型サウンド環境として再構築されています。33 1\/3回転のラウドスピーカーの下で、10代の若者たちの声が、リゲティの不協和音の多和音を、心にしみるほど弱々しく響かせます。ティーンエイジ・ロンターノは3大陸で上演されており、2020年にはムジカ・ストラスブールの一環としてフランスで初演される予定です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eroygbiv\u0026amp;b』では、非同期で時に騒々しい歌の断片の呪文が、ROYGBIVという頭字語の意図的な聞き間違いを中心にゆるやかに構成されて、うねったり消えたりする。ローゼンフェルドのバージョンでは、「r」が「are」（「あなたはあの誰か？ ローゼンフェルドのバージョンでは、「r」は「are」（「Are you that somebody...」）、「o」は「oh」（「Oh, oh, oh...」）、「y」は「why」（「Why should my heart...」）、「g」は「je (sus)」 などと、「are」を連想させる。タイトルにある「b」は、R\u0026amp;Bの「blue(s)」へのオマージュです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eローゼンフェルドの洒落たスペクタクルな構成は、2011年に近代美術館で初演された。このエディションに収録された録音は、2014年にサウス・ロンドン・ギャラリーで行われたもので、地元サウス・ロンドンの人々によって実現され、録音は彼らのスタイルとジャンルへの帰属を強調するものとなっています。両作品とも、これまで未発表のままでした。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1879783853\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTeenage Lontano and roygbiv\u0026amp;b, from 2008 and 2011 respectively, comprise two key works by composer and artist Marina Rosenfeld. Both works are choral compositions imagined for and enacted by teenagers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePremiered in New York’s immense Park Avenue Armory, Teenage Lontano is Rosenfeld’s groundbreaking \"cover version\" of Hungarian composer György Ligeti’s 1960s classic for orchestra. Teenage Lontano is reimagined as an immersive sound environment bisected by a column of teenagers in headphones. Beneath a loudspeaker rotating at the phonographic speed of 33 1\/3 rpm, the teens' collective voices produce a hauntingly vulnerable account of Ligeti’s dissonant polychords. Teenage Lontano has been performed on three continents, including a French premiere in 2020 as part of Musica Strasbourg.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn roygbiv\u0026amp;b, asynchronous, sometimes raucous incantations of song fragments swell and dissipate, loosely organized around a purposeful mis-hearing of the acronym ROYGBIV: in Rosenfeld’s version, “r” evokes ‘are' (as in, \"Are you that somebody...”);, o is 'oh' (“Oh, oh, oh…”); y becomes 'why' (“Why should my heart...); g is 'je (sus)', and so on. The extra 'b' in the work’s title pays homage to the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e ‘blue(s)’ of r\u0026amp;b.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRosenfeld’s punning, spectral composition had its debut performance at the Museum of Modern Art in 2011. The recording featured on this edition took place at the South London Gallery in 2014 realised by local south Londoners, the recording highlighting their style and genre affiliations. Both works have remained unpublished until now.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marina Rosenfeld\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-01-06T16:10:58+09:00","created_at":"2022-01-06T15:32:00+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","room40"],"price":298000,"price_min":298000,"price_max":298000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282475913466,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Marina Rosenfeld \/\/ Teenage Lontano LP","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/te1_eac446ca-e15c-44c2-ab2c-e8a8bd30b328.jpg?v=1641450721","\/\/tobirarecords.com\/cdn\/shop\/products\/te2_e6de1829-1381-45da-b3e1-5b8f554707a7.jpg?v=1641450721"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_eac446ca-e15c-44c2-ab2c-e8a8bd30b328.jpg?v=1641450721","options":["Title"],"media":[{"alt":null,"id":28965879415034,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_eac446ca-e15c-44c2-ab2c-e8a8bd30b328.jpg?v=1641450721"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_eac446ca-e15c-44c2-ab2c-e8a8bd30b328.jpg?v=1641450721","width":700},{"alt":null,"id":28965879447802,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te2_e6de1829-1381-45da-b3e1-5b8f554707a7.jpg?v=1641450721"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te2_e6de1829-1381-45da-b3e1-5b8f554707a7.jpg?v=1641450721","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にShelter PressやiDEALなどから発表しているアメリカの音響作家Marina Rosenfeldが、2021年10月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Teenage Lontano \"と \"roygbiv\u0026amp;b \"は、それぞれ2008年と2011年の作品で、作曲家でありアーティストであるMarina Rosenfeldの2つの主要作品から構成されています。両作品は、10代の若者のために想像され、演じられた合唱曲です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eニューヨークの巨大なパーク・アヴェニュー・アーモリーで初演された『ティーンエイジ・ロンターノ』は、ハンガリーの作曲家ギョルジ・リゲティの1960年代の名作をローゼンフェルドが「カバーバージョン」でオーケストラ用に作曲した画期的な作品です。ティーンエイジ・ロンターノは、ヘッドフォンをつけたティーンエイジャーの列によって二分される没入型サウンド環境として再構築されています。33 1\/3回転のラウドスピーカーの下で、10代の若者たちの声が、リゲティの不協和音の多和音を、心にしみるほど弱々しく響かせます。ティーンエイジ・ロンターノは3大陸で上演されており、2020年にはムジカ・ストラスブールの一環としてフランスで初演される予定です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eroygbiv\u0026amp;b』では、非同期で時に騒々しい歌の断片の呪文が、ROYGBIVという頭字語の意図的な聞き間違いを中心にゆるやかに構成されて、うねったり消えたりする。ローゼンフェルドのバージョンでは、「r」が「are」（「あなたはあの誰か？ ローゼンフェルドのバージョンでは、「r」は「are」（「Are you that somebody...」）、「o」は「oh」（「Oh, oh, oh...」）、「y」は「why」（「Why should my heart...」）、「g」は「je (sus)」 などと、「are」を連想させる。タイトルにある「b」は、R\u0026amp;Bの「blue(s)」へのオマージュです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eローゼンフェルドの洒落たスペクタクルな構成は、2011年に近代美術館で初演された。このエディションに収録された録音は、2014年にサウス・ロンドン・ギャラリーで行われたもので、地元サウス・ロンドンの人々によって実現され、録音は彼らのスタイルとジャンルへの帰属を強調するものとなっています。両作品とも、これまで未発表のままでした。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1879783853\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTeenage Lontano and roygbiv\u0026amp;b, from 2008 and 2011 respectively, comprise two key works by composer and artist Marina Rosenfeld. Both works are choral compositions imagined for and enacted by teenagers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePremiered in New York’s immense Park Avenue Armory, Teenage Lontano is Rosenfeld’s groundbreaking \"cover version\" of Hungarian composer György Ligeti’s 1960s classic for orchestra. Teenage Lontano is reimagined as an immersive sound environment bisected by a column of teenagers in headphones. Beneath a loudspeaker rotating at the phonographic speed of 33 1\/3 rpm, the teens' collective voices produce a hauntingly vulnerable account of Ligeti’s dissonant polychords. Teenage Lontano has been performed on three continents, including a French premiere in 2020 as part of Musica Strasbourg.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn roygbiv\u0026amp;b, asynchronous, sometimes raucous incantations of song fragments swell and dissipate, loosely organized around a purposeful mis-hearing of the acronym ROYGBIV: in Rosenfeld’s version, “r” evokes ‘are' (as in, \"Are you that somebody...”);, o is 'oh' (“Oh, oh, oh…”); y becomes 'why' (“Why should my heart...); g is 'je (sus)', and so on. The extra 'b' in the work’s title pays homage to the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e ‘blue(s)’ of r\u0026amp;b.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRosenfeld’s punning, spectral composition had its debut performance at the Museum of Modern Art in 2011. The recording featured on this edition took place at the South London Gallery in 2014 realised by local south Londoners, the recording highlighting their style and genre affiliations. Both works have remained unpublished until now.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marina Rosenfeld\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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過去にShelter PressやiDEALなどから発表しているアメリカの音響作家Marina Rosenfeldが、2021年10月にオーストラリア・ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースしたレコードです。 以下、レーベルによる解説です。 "Teenage Lontano "と "roygbiv&b "は、それぞれ2008年と2011年の作品で、作曲家でありアーティストであるMarina Rosenfeldの2つの主要作品から構成されています。両作品は、10代の若者のために想像され、演じられた合唱曲です。ニューヨークの巨大なパーク・アヴェニュー・アーモリーで初演された『ティーンエイジ・ロンターノ』は、ハンガリーの作曲家ギョルジ・リゲティの1960年代の名作をローゼンフェルドが「カバーバージョン」でオーケストラ用に作曲した画期的な作品です。ティーンエイジ・ロンターノは、ヘッドフォンをつけたティーンエイジャーの列によって二分される没入型サウンド環境として再構築されています。33 1/3回転のラウドスピーカーの下で、10代の若者たちの声が、リゲティの不協和音の多和音を、心にしみるほど弱々しく響かせます。ティーンエイジ・ロンターノは3大陸で上演されており、2020年にはムジカ・ストラスブールの一環としてフランスで初演される予定です。roygbiv&b』では、非同期で時に騒々しい歌の断片の呪文が、ROYGBIVという頭字語の意図的な聞き間違いを中心にゆるやかに構成されて、うねったり消えたりする。ローゼンフェルドのバージョンでは、「r」が「are」（「あなたはあの誰か？ ローゼンフェルドのバージョンでは、「r」は「are」（「Are you...
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{"id":7508695286010,"title":"Magda Mayas \u0026 Tina Douglas \/\/ Objects Of Interest CD + BOOKLET","handle":"magda-mayas-tina-douglas-objects-of-interest-cd-booklet","description":"\u003cp\u003e過去に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre\u003c\/span\u003eなどから発表しているオーストラリア・メルボルンの音響作家Magda MayasとTina Douglasが、2021年11月に同国ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースした共作です。ブックレットにはスコアと対話、写真が掲載されています。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003e「ティナとは10年ほど前、メルボルンで共通のミュージシャン仲間を通じて知り合いました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eティナは様々な場面で私の演奏を聴き、私は彼女のスタジオを訪れ、何度も彼女の演奏を見てきました。すぐに個人的な、そして美的なつながりができ、何年にもわたる会話の中で、仕事のやり方を共有していることが明らかになりました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e私たちは二人とも即興的で直感的なプロセスに惹かれ、個性的なオブジェや道具を使って作品を作り、それらと密接な関係を築いています。モノがアイデアを生み出し、私の行動を制限し、作品を根本的に構成してくれるのです。ティナの楽譜は非常に彫刻的で触覚的です。ピアノと私のオブジェとその中の準備も同様に、彫刻的、触覚的、体現的な感じがします。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eティナの楽譜に反応するために音楽を録音し始めたとき、私は物事をスローダウンさせ、ある種の脆さや不完全さを露出させ、一つのメロディー、一つのコード、一つの小さな音で十分でありたいという願いがあったのです。ピアノでは、オーケストラのようなアプローチも可能で、私もよくそうします。しかし、今回のコラボレーションでは、このような複雑さは必要ないと感じました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのプロジェクトや楽譜には、私が好きなある種の壊れやすさがあります。薄い紙の楽譜で、オーストラリアからベルリンまで運んだこと、切り抜きなど、すべてが非常に壊れやすくて美しく、音楽もそのようにしたいと感じたのです。」\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088593411\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatte laminated and embossed CD with insert card plus extensive book featuring an in conversation between Magda Mayas and Tina Douglas, plus scores, documentation and photographs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement by Magda Mayas:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Tina and I met around 10 years ago in Melbourne through mutual musician friends.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTina has heard me perform in various context and I have visited her studio and seen her perform on multiple occasions. There was an immediate personal and aesthetic connection and conversations over the years revealed shared ways of working - a collaboration seemed natural and exciting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe are both drawn to improvisational and intuitive processes and we both use individualised objects or tools to create and develop close relationships with these. For me, it’s a symbiotic process: the objects generate ideas, they afford and limit what I do and structure a piece in a fundamental way. Tina’s scores are very sculptural and tactile - the piano and my objects and preparations in them likewise feel sculptural, tactile, embodied -objects, materials and relationships crossing over.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I started recording music to respond to Tina’s scores, I had a wish to slowing things down, to expose a certain fragility or imperfection and to let one melody or one chord or one little noise be enough. With the piano you can have such an orchestral\u003cspan class=\"bcTruncateMore\"\u003e approach, and I often do that, but with this collaboration I didn’t feel like I wanted this kind of complexity.\u003cbr\u003e\u003cbr\u003eThere is a certain fragility that I like about the project and the scores: the fact that they are thin paper scores and I transported them from Australia to Berlin, the cut-outs… it’s all very fragile and beautiful and I kind of felt that I wanted to allow the music to be like that too.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Magda Mayas \u0026amp; Tina Douglas\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-01-06T16:08:41+09:00","created_at":"2022-01-06T15:21:15+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","room40"],"price":285000,"price_min":285000,"price_max":285000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282467885306,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Magda Mayas \u0026 Tina Douglas \/\/ Objects Of Interest CD + BOOKLET","public_title":null,"options":["Default Title"],"price":285000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ob1_e7f28225-7c4a-4fc7-b64d-c0d7ea34e1be.jpg?v=1641450077","\/\/tobirarecords.com\/cdn\/shop\/products\/ob2_b3995e9b-6046-4126-a4b3-47dd4d1e4c10.jpg?v=1641450077","\/\/tobirarecords.com\/cdn\/shop\/products\/ob3_3a811b1e-ff61-45c1-8e0d-9b5e65d294fe.jpg?v=1641450077","\/\/tobirarecords.com\/cdn\/shop\/products\/ob4.jpg?v=1641450077"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob1_e7f28225-7c4a-4fc7-b64d-c0d7ea34e1be.jpg?v=1641450077","options":["Title"],"media":[{"alt":null,"id":28965867225338,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob1_e7f28225-7c4a-4fc7-b64d-c0d7ea34e1be.jpg?v=1641450077"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob1_e7f28225-7c4a-4fc7-b64d-c0d7ea34e1be.jpg?v=1641450077","width":700},{"alt":null,"id":28965867258106,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob2_b3995e9b-6046-4126-a4b3-47dd4d1e4c10.jpg?v=1641450077"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob2_b3995e9b-6046-4126-a4b3-47dd4d1e4c10.jpg?v=1641450077","width":1200},{"alt":null,"id":28965867290874,"position":3,"preview_image":{"aspect_ratio":2.878,"height":417,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob3_3a811b1e-ff61-45c1-8e0d-9b5e65d294fe.jpg?v=1641450077"},"aspect_ratio":2.878,"height":417,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob3_3a811b1e-ff61-45c1-8e0d-9b5e65d294fe.jpg?v=1641450077","width":1200},{"alt":null,"id":28965867323642,"position":4,"preview_image":{"aspect_ratio":2.878,"height":417,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob4.jpg?v=1641450077"},"aspect_ratio":2.878,"height":417,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob4.jpg?v=1641450077","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre\u003c\/span\u003eなどから発表しているオーストラリア・メルボルンの音響作家Magda MayasとTina Douglasが、2021年11月に同国ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースした共作です。ブックレットにはスコアと対話、写真が掲載されています。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003e「ティナとは10年ほど前、メルボルンで共通のミュージシャン仲間を通じて知り合いました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eティナは様々な場面で私の演奏を聴き、私は彼女のスタジオを訪れ、何度も彼女の演奏を見てきました。すぐに個人的な、そして美的なつながりができ、何年にもわたる会話の中で、仕事のやり方を共有していることが明らかになりました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e私たちは二人とも即興的で直感的なプロセスに惹かれ、個性的なオブジェや道具を使って作品を作り、それらと密接な関係を築いています。モノがアイデアを生み出し、私の行動を制限し、作品を根本的に構成してくれるのです。ティナの楽譜は非常に彫刻的で触覚的です。ピアノと私のオブジェとその中の準備も同様に、彫刻的、触覚的、体現的な感じがします。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eティナの楽譜に反応するために音楽を録音し始めたとき、私は物事をスローダウンさせ、ある種の脆さや不完全さを露出させ、一つのメロディー、一つのコード、一つの小さな音で十分でありたいという願いがあったのです。ピアノでは、オーケストラのようなアプローチも可能で、私もよくそうします。しかし、今回のコラボレーションでは、このような複雑さは必要ないと感じました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのプロジェクトや楽譜には、私が好きなある種の壊れやすさがあります。薄い紙の楽譜で、オーストラリアからベルリンまで運んだこと、切り抜きなど、すべてが非常に壊れやすくて美しく、音楽もそのようにしたいと感じたのです。」\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088593411\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatte laminated and embossed CD with insert card plus extensive book featuring an in conversation between Magda Mayas and Tina Douglas, plus scores, documentation and photographs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement by Magda Mayas:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Tina and I met around 10 years ago in Melbourne through mutual musician friends.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTina has heard me perform in various context and I have visited her studio and seen her perform on multiple occasions. There was an immediate personal and aesthetic connection and conversations over the years revealed shared ways of working - a collaboration seemed natural and exciting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe are both drawn to improvisational and intuitive processes and we both use individualised objects or tools to create and develop close relationships with these. For me, it’s a symbiotic process: the objects generate ideas, they afford and limit what I do and structure a piece in a fundamental way. Tina’s scores are very sculptural and tactile - the piano and my objects and preparations in them likewise feel sculptural, tactile, embodied -objects, materials and relationships crossing over.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I started recording music to respond to Tina’s scores, I had a wish to slowing things down, to expose a certain fragility or imperfection and to let one melody or one chord or one little noise be enough. With the piano you can have such an orchestral\u003cspan class=\"bcTruncateMore\"\u003e approach, and I often do that, but with this collaboration I didn’t feel like I wanted this kind of complexity.\u003cbr\u003e\u003cbr\u003eThere is a certain fragility that I like about the project and the scores: the fact that they are thin paper scores and I transported them from Australia to Berlin, the cut-outs… it’s all very fragile and beautiful and I kind of felt that I wanted to allow the music to be like that too.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Magda Mayas \u0026amp; Tina Douglas\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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過去にAnother Timbreなどから発表しているオーストラリア・メルボルンの音響作家Magda MayasとTina Douglasが、2021年11月に同国ブリスベンの音響作家Lawrence English主宰レーベルroom40からリリースした共作です。ブックレットにはスコアと対話、写真が掲載されています。 以下、作家本人による解説です。 「ティナとは10年ほど前、メルボルンで共通のミュージシャン仲間を通じて知り合いました。ティナは様々な場面で私の演奏を聴き、私は彼女のスタジオを訪れ、何度も彼女の演奏を見てきました。すぐに個人的な、そして美的なつながりができ、何年にもわたる会話の中で、仕事のやり方を共有していることが明らかになりました。私たちは二人とも即興的で直感的なプロセスに惹かれ、個性的なオブジェや道具を使って作品を作り、それらと密接な関係を築いています。モノがアイデアを生み出し、私の行動を制限し、作品を根本的に構成してくれるのです。ティナの楽譜は非常に彫刻的で触覚的です。ピアノと私のオブジェとその中の準備も同様に、彫刻的、触覚的、体現的な感じがします。ティナの楽譜に反応するために音楽を録音し始めたとき、私は物事をスローダウンさせ、ある種の脆さや不完全さを露出させ、一つのメロディー、一つのコード、一つの小さな音で十分でありたいという願いがあったのです。ピアノでは、オーケストラのようなアプローチも可能で、私もよくそうします。しかし、今回のコラボレーションでは、このような複雑さは必要ないと感じました。このプロジェクトや楽譜には、私が好きなある種の壊れやすさがあります。薄い紙の楽譜で、オーストラリアからベルリンまで運んだこと、切り抜きなど、すべてが非常に壊れやすくて美しく、音楽もそのようにしたいと感じたのです。」 レーベルその他作品はこちら /// Click here to see more Room40 releases available...
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{"id":7508694663418,"title":"Steve Roden \/\/ Oionos CD + BOOKLET","handle":"steve-roden-oionos-cd-booklet","description":"\u003cp\u003eアメリカの音響作家Steve Rodenが、2022年1月にリリースする最新作です。\u003c\/p\u003e\n\u003cp\u003e本作は、ギリシャのアテネで開催された展覧会「The Grand Promenade」のために制作したインスタレーション作品です。ブックレットにはエッセイが掲載されています。以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの展覧会は、アテネ中心部のさまざまな遺跡や歴史的な場所で開催され、サイトスペシフィックな現代作品が歴史的な環境と対話する状況を作り出しました。\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u2028当初は候補地として提示されていませんでしたが、私はキュレーターに懇願し、グランドプロムナードのメインパスから徒歩10分ほどのところにある建築家ディミトリス・ピキオニスの聖ディミトリス・ルンバルディアディス教会で作品を制作することを許可してもらいました。ピキオニスが設計したオリジナルのプロムナードは、今でもいくつかのエリアで見ることができますが、2004年のオリンピック前の「修復」の際に、このエリアのオリジナルのデザインの多くが変更されています。教会に続く小道は、プロムナード全体に対するピキオニスのビジョンをより強く印象づけるものであり、私は自分の作品を通じて、見る人、聴く人を彼の世界に引き込みたいと思いました。\u2028\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e初めてこの小さな教会を見たとき、私はすっかり息を呑み、すぐに、この教会と共鳴し合いながら、しかしそれを邪魔しないような作品を考え始めました。教会自体はまだ使われているので、そこで礼拝をする人たちの邪魔にならないような、優しい作品にしたいと思いました。そこで、教会の正面にある大きな木を使って、視覚的な存在感と、虫の音やこの辺りの静けさと調和するような音を出す吊り下げ型の作品にすることにしました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u2028\u2028オーディオは、フィールドレコーディングと、ブリキの口笛やおもちゃのハーモニカなど、小さな「貧しい」ものから作られました。これらの「楽器」は、アテネの楽器博物館から提案されたもので、ちゃんとした楽器が博物館の大部分を占めていますが、地下には音楽のおもちゃや宗教的なもの、その他楽器とみなされない音の出る装置などが素晴らしい展示ケースに収められています。こうした素朴なものが、ピキオニスの建築や工芸に関する考え方や、土着文化と知的・近代的な文化との関連に関心を寄せていることに関係していると感じたのです。関係がありそうな気がしたのです。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/639776243?h=1b348e4b00\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1889487145\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMonochrome, matte laminate and embossed jacket with insert card plus perfect bound book including artworks, images, documents and texts from Steve, as well as an essay from his long time collaborator Stephen Vitiello. The edition also features an interview conducted by Robert Crouch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement Steve Roden on Oionos:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Oionos was created for the exhibition The Grand Promenade, in Athens, Greece.\u2028\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe exhibition took place in various archaeological and historical sites in central Athens, creating a situation for contemporary site specific works to be in dialogue with their historical surroundings.\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u2028While it was not originally offered as a possible site, I pleaded with the curator to allow me to work with architect Dimitris Pikionis’s Church of St. Dimitris Loumbardiardis, about a 10-minute walk from the main path of the Grand Promenade. Pikionis designed the original promenade which is still visible in several areas, but much of the area’s original designs were altered during the “restoration” before the 2004 Olympics. The small path that leads to the church gives a much stronger impression of Pikionis’s vision for the entire promenade as it was; so i wanted to use my work to draw viewers\/listeners into his world.\u2028\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I first saw the small church it totally took my breath away, and I immediately began to think about a work that could exist in resonance with it — but not distract from it. The church itself is still in use, and I wanted to the work to be gentle and out of the way of the\u003cspan class=\"bcTruncateMore\"\u003e people who worship there. I decided to use the large tree in the front of the church for a hanging work that would a little bit of visual presence as well as sound which could blend with all of the insect noises and the overall quiet of the area.\u003cbr\u003e\u003cbr\u003e\u2028\u2028The audio was built from field recordings and small “poor” objects such as tin whistles, toy harmonicas, and the like. These “instruments” suggested by the museum of musical instruments in Athens, where the proper instruments take up most of the museum, but there is a wonderful display case in the basement with musical toys, religious objects, and other sounding devices not considered musical instruments. I felt that these simple things related to Pikionis’s ideas about architecture and craft, and his interests in indigenous culture in conjunction with intellectual and modern culture. I felt there could be a relationship.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : steve roden\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-01-06T16:11:31+09:00","created_at":"2022-01-06T15:15:10+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","monooto","room40"],"price":285000,"price_min":285000,"price_max":285000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282461724922,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Steve Roden \/\/ Oionos CD + BOOKLET","public_title":null,"options":["Default Title"],"price":285000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/oi1_6817163a-cba4-483f-a80b-e3e394c65cb2.jpg?v=1641449713","\/\/tobirarecords.com\/cdn\/shop\/products\/oi2_a5ec851e-fa51-46dd-8d1d-bdce59cd8d46.jpg?v=1641449712","\/\/tobirarecords.com\/cdn\/shop\/products\/oi3.jpg?v=1641449712","\/\/tobirarecords.com\/cdn\/shop\/products\/oi4.jpg?v=1641449712"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/oi1_6817163a-cba4-483f-a80b-e3e394c65cb2.jpg?v=1641449713","options":["Title"],"media":[{"alt":null,"id":28965852315898,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/oi1_6817163a-cba4-483f-a80b-e3e394c65cb2.jpg?v=1641449713"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/oi1_6817163a-cba4-483f-a80b-e3e394c65cb2.jpg?v=1641449713","width":700},{"alt":null,"id":28965852348666,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/oi2_a5ec851e-fa51-46dd-8d1d-bdce59cd8d46.jpg?v=1641449712"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/oi2_a5ec851e-fa51-46dd-8d1d-bdce59cd8d46.jpg?v=1641449712","width":1200},{"alt":null,"id":28965852381434,"position":3,"preview_image":{"aspect_ratio":3.0,"height":400,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/oi3.jpg?v=1641449712"},"aspect_ratio":3.0,"height":400,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/oi3.jpg?v=1641449712","width":1200},{"alt":null,"id":28965852414202,"position":4,"preview_image":{"aspect_ratio":3.0,"height":400,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/oi4.jpg?v=1641449712"},"aspect_ratio":3.0,"height":400,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/oi4.jpg?v=1641449712","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの音響作家Steve Rodenが、2022年1月にリリースする最新作です。\u003c\/p\u003e\n\u003cp\u003e本作は、ギリシャのアテネで開催された展覧会「The Grand Promenade」のために制作したインスタレーション作品です。ブックレットにはエッセイが掲載されています。以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの展覧会は、アテネ中心部のさまざまな遺跡や歴史的な場所で開催され、サイトスペシフィックな現代作品が歴史的な環境と対話する状況を作り出しました。\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u2028当初は候補地として提示されていませんでしたが、私はキュレーターに懇願し、グランドプロムナードのメインパスから徒歩10分ほどのところにある建築家ディミトリス・ピキオニスの聖ディミトリス・ルンバルディアディス教会で作品を制作することを許可してもらいました。ピキオニスが設計したオリジナルのプロムナードは、今でもいくつかのエリアで見ることができますが、2004年のオリンピック前の「修復」の際に、このエリアのオリジナルのデザインの多くが変更されています。教会に続く小道は、プロムナード全体に対するピキオニスのビジョンをより強く印象づけるものであり、私は自分の作品を通じて、見る人、聴く人を彼の世界に引き込みたいと思いました。\u2028\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e初めてこの小さな教会を見たとき、私はすっかり息を呑み、すぐに、この教会と共鳴し合いながら、しかしそれを邪魔しないような作品を考え始めました。教会自体はまだ使われているので、そこで礼拝をする人たちの邪魔にならないような、優しい作品にしたいと思いました。そこで、教会の正面にある大きな木を使って、視覚的な存在感と、虫の音やこの辺りの静けさと調和するような音を出す吊り下げ型の作品にすることにしました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u2028\u2028オーディオは、フィールドレコーディングと、ブリキの口笛やおもちゃのハーモニカなど、小さな「貧しい」ものから作られました。これらの「楽器」は、アテネの楽器博物館から提案されたもので、ちゃんとした楽器が博物館の大部分を占めていますが、地下には音楽のおもちゃや宗教的なもの、その他楽器とみなされない音の出る装置などが素晴らしい展示ケースに収められています。こうした素朴なものが、ピキオニスの建築や工芸に関する考え方や、土着文化と知的・近代的な文化との関連に関心を寄せていることに関係していると感じたのです。関係がありそうな気がしたのです。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/639776243?h=1b348e4b00\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1889487145\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMonochrome, matte laminate and embossed jacket with insert card plus perfect bound book including artworks, images, documents and texts from Steve, as well as an essay from his long time collaborator Stephen Vitiello. The edition also features an interview conducted by Robert Crouch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement Steve Roden on Oionos:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Oionos was created for the exhibition The Grand Promenade, in Athens, Greece.\u2028\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe exhibition took place in various archaeological and historical sites in central Athens, creating a situation for contemporary site specific works to be in dialogue with their historical surroundings.\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u2028While it was not originally offered as a possible site, I pleaded with the curator to allow me to work with architect Dimitris Pikionis’s Church of St. Dimitris Loumbardiardis, about a 10-minute walk from the main path of the Grand Promenade. Pikionis designed the original promenade which is still visible in several areas, but much of the area’s original designs were altered during the “restoration” before the 2004 Olympics. The small path that leads to the church gives a much stronger impression of Pikionis’s vision for the entire promenade as it was; so i wanted to use my work to draw viewers\/listeners into his world.\u2028\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I first saw the small church it totally took my breath away, and I immediately began to think about a work that could exist in resonance with it — but not distract from it. The church itself is still in use, and I wanted to the work to be gentle and out of the way of the\u003cspan class=\"bcTruncateMore\"\u003e people who worship there. I decided to use the large tree in the front of the church for a hanging work that would a little bit of visual presence as well as sound which could blend with all of the insect noises and the overall quiet of the area.\u003cbr\u003e\u003cbr\u003e\u2028\u2028The audio was built from field recordings and small “poor” objects such as tin whistles, toy harmonicas, and the like. These “instruments” suggested by the museum of musical instruments in Athens, where the proper instruments take up most of the museum, but there is a wonderful display case in the basement with musical toys, religious objects, and other sounding devices not considered musical instruments. I felt that these simple things related to Pikionis’s ideas about architecture and craft, and his interests in indigenous culture in conjunction with intellectual and modern culture. I felt there could be a relationship.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : steve roden\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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アメリカの音響作家Steve Rodenが、2022年1月にリリースする最新作です。 本作は、ギリシャのアテネで開催された展覧会「The Grand Promenade」のために制作したインスタレーション作品です。ブックレットにはエッセイが掲載されています。以下、作家本人による解説です。 この展覧会は、アテネ中心部のさまざまな遺跡や歴史的な場所で開催され、サイトスペシフィックな現代作品が歴史的な環境と対話する状況を作り出しました。
当初は候補地として提示されていませんでしたが、私はキュレーターに懇願し、グランドプロムナードのメインパスから徒歩10分ほどのところにある建築家ディミトリス・ピキオニスの聖ディミトリス・ルンバルディアディス教会で作品を制作することを許可してもらいました。ピキオニスが設計したオリジナルのプロムナードは、今でもいくつかのエリアで見ることができますが、2004年のオリンピック前の「修復」の際に、このエリアのオリジナルのデザインの多くが変更されています。教会に続く小道は、プロムナード全体に対するピキオニスのビジョンをより強く印象づけるものであり、私は自分の作品を通じて、見る人、聴く人を彼の世界に引き込みたいと思いました。
初めてこの小さな教会を見たとき、私はすっかり息を呑み、すぐに、この教会と共鳴し合いながら、しかしそれを邪魔しないような作品を考え始めました。教会自体はまだ使われているので、そこで礼拝をする人たちの邪魔にならないような、優しい作品にしたいと思いました。そこで、教会の正面にある大きな木を使って、視覚的な存在感と、虫の音やこの辺りの静けさと調和するような音を出す吊り下げ型の作品にすることにしました。
オーディオは、フィールドレコーディングと、ブリキの口笛やおもちゃのハーモニカなど、小さな「貧しい」ものから作られました。これらの「楽器」は、アテネの楽器博物館から提案されたもので、ちゃんとした楽器が博物館の大部分を占めていますが、地下には音楽のおもちゃや宗教的なもの、その他楽器とみなされない音の出る装置などが素晴らしい展示ケースに収められています。こうした素朴なものが、ピキオニスの建築や工芸に関する考え方や、土着文化と知的・近代的な文化との関連に関心を寄せていることに関係していると感じたのです。関係がありそうな気がしたのです。 レーベルその他作品はこちら /// Click here to see more Room40 releases available...
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{"id":7508694499578,"title":"Maria Moles \/\/ For Leolanda CD","handle":"maria-moles-for-leolanda-cd","description":"\u003cp\u003e過去にNice Musicから発表しているオーストラリア・メルボルンのパーカッショニストMaria Molesが、2022年1月に同国アンビエント作家Lawrence English主宰レーベルRoom40からリリースする最新作です。全4曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「For Leolanda」は、2020年のメルボルンでのロックダウンの際に制作されました。音楽を聴き、作ることで癒され、その間に制作できたことにとても感謝しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e作品のほとんどは、フィリピンのクリンタン音楽を聴いてインスピレーションを受けたもので、シンセサイザー、パーカッション、テープループ、ドラムキットの組み合わせに作曲のテクニックを応用しているものもあります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn Pan-as という名前は、私の母が定期的に演奏していたピラールの祖父の農場にちなんでいます。ドラムキットのパートは、美しいアルバム「Muranao Kakolintang - Philippine Gong Music」で聴いたリズムをアレンジしたものです。この曲の最初のインスピレーションは、母との電話での会話の中で、突然、母が亡くなった後、母の遺灰を農園のパンに撒いてほしいと言われたことでした。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eそして、自分にとって最も大切な人の人生を祝うために、どのような儀式を行えばよいのだろうかと考えました。この曲のようなリズムで踊れば、きっとしっくりくるだろうと思ったんです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMansakaはコンポステラ・バレーのマンサカ族にインスパイアされた曲で、彼らの音楽を聴いて好きになりました。この曲は、まったく別のもの、私らしいものに発展しました。ドラマーである私は、通常ドラムキットを起点に作曲しますが、このアルバムはシンギングボウル、ボウイングシンバル、ベルからの倍音を調和させ、シンセサイザーで作曲することを試みました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムは、私の母、レオランダに捧げます。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Tj4l9W6lKgg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement from Maria Moles\u2028\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"'\u003cem\u003eFor Leolanda' was created during the lockdown in Melbourne 2020. Listening to and making music was healing and I'm very grateful I was able to create during that time.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMost of the pieces are inspired by listening to Kulintang music of the Philippines; some of the compositional techniques are applied to the combination of synthesizer, percussion, tape loops, and drum kit.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe name 'In Pan-as' refers to my grandfather's farm in Pilar that my mum regularly played at. The drum kit part is adapted from a rhythm I heard on a beautiful album 'Muranao Kakolintang - Philippine Gong Music'. The initial inspiration for this track struck me after a conversation on the phone with my mum, during which, out of the blue, she requested I spread her ashes on the farm Pan-as after she passed.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI realised I would never really know how that would feel until it happened, and I wondered what kind of ritual I would perform to help me celebrate the life of one of the dearest people to me. I thought that perhaps dancing to rhythms similar to this one would feel right. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe track 'Mansaka' was inspired by the Mansaka tribe in Compostela Valley, I fell in love with the music I heard\u003cspan class=\"bcTruncateMore\"\u003e from them. The piece developed into something entirely different, something that felt like me. Being a drummer, I usually compose from the drum kit as a starting point, but this album was an attempt at composing on the synthesizer and harmonically matching the overtones from singing bowls, bowed cymbals, and bells.\u003cbr\u003e\u003cbr\u003eThe album is dedicated to my mother, Leolanda.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Maria Moles\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-01-06T16:10:19+09:00","created_at":"2022-01-06T15:12:38+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","monooto","room40","sale22","strange beats"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42282461167866,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Maria Moles \/\/ For Leolanda CD","public_title":null,"options":["Default Title"],"price":198000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/le1_a0271f4a-d864-4a68-b925-eca7de0cbb74.jpg?v=1641449560","\/\/tobirarecords.com\/cdn\/shop\/products\/le2_ea62b756-aa3d-4c15-9283-136e5b0d9904.jpg?v=1641449560"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/le1_a0271f4a-d864-4a68-b925-eca7de0cbb74.jpg?v=1641449560","options":["Title"],"media":[{"alt":null,"id":28965850153210,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/le1_a0271f4a-d864-4a68-b925-eca7de0cbb74.jpg?v=1641449560"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/le1_a0271f4a-d864-4a68-b925-eca7de0cbb74.jpg?v=1641449560","width":700},{"alt":null,"id":28965850185978,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/le2_ea62b756-aa3d-4c15-9283-136e5b0d9904.jpg?v=1641449560"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/le2_ea62b756-aa3d-4c15-9283-136e5b0d9904.jpg?v=1641449560","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にNice Musicから発表しているオーストラリア・メルボルンのパーカッショニストMaria Molesが、2022年1月に同国アンビエント作家Lawrence English主宰レーベルRoom40からリリースする最新作です。全4曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「For Leolanda」は、2020年のメルボルンでのロックダウンの際に制作されました。音楽を聴き、作ることで癒され、その間に制作できたことにとても感謝しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e作品のほとんどは、フィリピンのクリンタン音楽を聴いてインスピレーションを受けたもので、シンセサイザー、パーカッション、テープループ、ドラムキットの組み合わせに作曲のテクニックを応用しているものもあります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn Pan-as という名前は、私の母が定期的に演奏していたピラールの祖父の農場にちなんでいます。ドラムキットのパートは、美しいアルバム「Muranao Kakolintang - Philippine Gong Music」で聴いたリズムをアレンジしたものです。この曲の最初のインスピレーションは、母との電話での会話の中で、突然、母が亡くなった後、母の遺灰を農園のパンに撒いてほしいと言われたことでした。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eそして、自分にとって最も大切な人の人生を祝うために、どのような儀式を行えばよいのだろうかと考えました。この曲のようなリズムで踊れば、きっとしっくりくるだろうと思ったんです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMansakaはコンポステラ・バレーのマンサカ族にインスパイアされた曲で、彼らの音楽を聴いて好きになりました。この曲は、まったく別のもの、私らしいものに発展しました。ドラマーである私は、通常ドラムキットを起点に作曲しますが、このアルバムはシンギングボウル、ボウイングシンバル、ベルからの倍音を調和させ、シンセサイザーで作曲することを試みました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムは、私の母、レオランダに捧げます。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Tj4l9W6lKgg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement from Maria Moles\u2028\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"'\u003cem\u003eFor Leolanda' was created during the lockdown in Melbourne 2020. Listening to and making music was healing and I'm very grateful I was able to create during that time.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMost of the pieces are inspired by listening to Kulintang music of the Philippines; some of the compositional techniques are applied to the combination of synthesizer, percussion, tape loops, and drum kit.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe name 'In Pan-as' refers to my grandfather's farm in Pilar that my mum regularly played at. The drum kit part is adapted from a rhythm I heard on a beautiful album 'Muranao Kakolintang - Philippine Gong Music'. The initial inspiration for this track struck me after a conversation on the phone with my mum, during which, out of the blue, she requested I spread her ashes on the farm Pan-as after she passed.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI realised I would never really know how that would feel until it happened, and I wondered what kind of ritual I would perform to help me celebrate the life of one of the dearest people to me. I thought that perhaps dancing to rhythms similar to this one would feel right. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe track 'Mansaka' was inspired by the Mansaka tribe in Compostela Valley, I fell in love with the music I heard\u003cspan class=\"bcTruncateMore\"\u003e from them. The piece developed into something entirely different, something that felt like me. Being a drummer, I usually compose from the drum kit as a starting point, but this album was an attempt at composing on the synthesizer and harmonically matching the overtones from singing bowls, bowed cymbals, and bells.\u003cbr\u003e\u003cbr\u003eThe album is dedicated to my mother, Leolanda.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Maria Moles\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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過去にNice Musicから発表しているオーストラリア・メルボルンのパーカッショニストMaria Molesが、2022年1月に同国アンビエント作家Lawrence English主宰レーベルRoom40からリリースする最新作です。全4曲を収録。 以下、作家本人による解説です。 「For Leolanda」は、2020年のメルボルンでのロックダウンの際に制作されました。音楽を聴き、作ることで癒され、その間に制作できたことにとても感謝しています。作品のほとんどは、フィリピンのクリンタン音楽を聴いてインスピレーションを受けたもので、シンセサイザー、パーカッション、テープループ、ドラムキットの組み合わせに作曲のテクニックを応用しているものもあります。In Pan-as という名前は、私の母が定期的に演奏していたピラールの祖父の農場にちなんでいます。ドラムキットのパートは、美しいアルバム「Muranao Kakolintang - Philippine Gong Music」で聴いたリズムをアレンジしたものです。この曲の最初のインスピレーションは、母との電話での会話の中で、突然、母が亡くなった後、母の遺灰を農園のパンに撒いてほしいと言われたことでした。そして、自分にとって最も大切な人の人生を祝うために、どのような儀式を行えばよいのだろうかと考えました。この曲のようなリズムで踊れば、きっとしっくりくるだろうと思ったんです。Mansakaはコンポステラ・バレーのマンサカ族にインスパイアされた曲で、彼らの音楽を聴いて好きになりました。この曲は、まったく別のもの、私らしいものに発展しました。ドラマーである私は、通常ドラムキットを起点に作曲しますが、このアルバムはシンギングボウル、ボウイングシンバル、ベルからの倍音を調和させ、シンセサイザーで作曲することを試みました。このアルバムは、私の母、レオランダに捧げます。...
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{"id":7505117839610,"title":"Taku Sugimoto \/\/ Snare Drum + TAPE","handle":"taku-sugimoto-snare-drum-tape","description":"\u003cp\u003e東京の実験音楽家Taku Sugimotoが、2021年6月に中国の実験レーベルZoomin Nightからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eスネアを叩いた直後に別の楽器を奏でるというコンセプチュアルな作品です。DLコード付属。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/1FDOW6rsukM\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2185512557\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eZoomin' Nightその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Zoomin' Night releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eZoomin Night:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eSnare Drum + is the latest piece by legend composer\/guitarist Taku Sugimoto in 2021, containing some variations of his snare drum solo piece which was written in 2011. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn Snare Drum +, three or more additional performers try to follow the sound of snare drum as immediately as possible with percussion instruments or objects which decay quickly, while walking around the snare drum. In the recordings, different walking routes were used for each take.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e~\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ecomposed by Taku Sugimoto 杉本拓\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eperformed by Takeshi Ikeda 池田武史 (snare drum), Katsuaki iida 飯田克明 (found objects), Yuka Yasukawa 安川有果 (found objects), and Ikuhiro Yamagata 山形育弘 (found objects).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003erecorded by Taku Sugimoto under Inagi-Ohashi Bridge 稲城大橋 on March 22, 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Taku Sugimoto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eZoomin' Night\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-01-02T17:42:04+09:00","created_at":"2021-12-30T15:17:30+09:00","vendor":"Tobira Records","type":"","tags":["asia","contemporary \/ sound poetry","monooto","tape","Zoomin’ night"],"price":145000,"price_min":145000,"price_max":145000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42261172584698,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Taku Sugimoto \/\/ Snare Drum + TAPE","public_title":null,"options":["Default Title"],"price":145000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/dr1_20a7b599-adfc-486a-8c49-a77b6b23f36c.jpg?v=1640845052","\/\/tobirarecords.com\/cdn\/shop\/products\/dr2_2b16b4ef-77e6-4612-9168-c15c54c3aadd.jpg?v=1640845052"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/dr1_20a7b599-adfc-486a-8c49-a77b6b23f36c.jpg?v=1640845052","options":["Title"],"media":[{"alt":null,"id":28940106039546,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/dr1_20a7b599-adfc-486a-8c49-a77b6b23f36c.jpg?v=1640845052"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/dr1_20a7b599-adfc-486a-8c49-a77b6b23f36c.jpg?v=1640845052","width":700},{"alt":null,"id":28940106072314,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/dr2_2b16b4ef-77e6-4612-9168-c15c54c3aadd.jpg?v=1640845052"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/dr2_2b16b4ef-77e6-4612-9168-c15c54c3aadd.jpg?v=1640845052","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京の実験音楽家Taku Sugimotoが、2021年6月に中国の実験レーベルZoomin Nightからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eスネアを叩いた直後に別の楽器を奏でるというコンセプチュアルな作品です。DLコード付属。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/1FDOW6rsukM\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2185512557\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eZoomin' Nightその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Zoomin' Night releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eZoomin Night:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eSnare Drum + is the latest piece by legend composer\/guitarist Taku Sugimoto in 2021, containing some variations of his snare drum solo piece which was written in 2011. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn Snare Drum +, three or more additional performers try to follow the sound of snare drum as immediately as possible with percussion instruments or objects which decay quickly, while walking around the snare drum. In the recordings, different walking routes were used for each take.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e~\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ecomposed by Taku Sugimoto 杉本拓\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eperformed by Takeshi Ikeda 池田武史 (snare drum), Katsuaki iida 飯田克明 (found objects), Yuka Yasukawa 安川有果 (found objects), and Ikuhiro Yamagata 山形育弘 (found objects).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003erecorded by Taku Sugimoto under Inagi-Ohashi Bridge 稲城大橋 on March 22, 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Taku Sugimoto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eZoomin' Night\u003c\/span\u003e\u003c\/p\u003e"}
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東京の実験音楽家Taku Sugimotoが、2021年6月に中国の実験レーベルZoomin Nightからリリースしたカセットです。 スネアを叩いた直後に別の楽器を奏でるというコンセプチュアルな作品です。DLコード付属。 Zoomin' Nightその他作品はこちら /// Click here to see more Zoomin' Night releases available at...
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{"id":7503657861370,"title":"Máquina Magnética \/\/ Máquina Magnética CD","handle":"maquina-magnetica-maquina-magnetica-cd","description":"\u003cp\u003eポルトガルのエレクトロアコースティックバンドMáquina Magnéticaが、2021年11月に同国実験レーベルCronicaからリリースしたデビューアルバムです。\u003c\/p\u003e\n\u003cp\u003eパーカッションと2台のコンピューター、インタラクティブな映像によるストレンジビーツ〜エレクトロアコースティック・ドローン6曲を収録。デジパック、シュリンク仕様です。12ページのブックレットが付属。\u003c\/p\u003e\n\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/583345455?h=1ca96b1e7f\" allowfullscreen=\"\" allow=\"autoplay; fullscreen; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/583345455\"\u003eMáquina Mágnetica\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/visiophone\"\u003evisiophone\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\"\u003eVimeo\u003c\/a\u003e.\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=57823785\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cronica\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cronica\"\u003ehere\u003c\/a\u003e to see more Cronica releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCD includes a 12-page booklet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCronica:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eMáquina Magnética was born from the meeting of four experimental artists with consolidated practices across both solo and collective work: Gustavo Costa, drummer, percussionist, and one of the heads of the Sonoscopia collective, on acoustic and electro-mechanic percussion; Pedro Tudela and Miguel Carvalhais, of the @c project and the Crónica label, on computers; and Rodrigo Carvalho, of the Openfield and Boris Chimp 504 collectives, on generative visuals and interactive lights.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMáquina Magnética explores the synergies and boundaries of each artist’s territory, intersecting the organic, the mechanical and the synthetic; studio and live recordings; free improvisation and composition; musical gestures and acousmatic sounds; audiovisual performance and visual music. These tensions build a cathartic space for performance developed across six pieces in an album recorded and mixed between two live settings — O’culto da Ajuda in Lisbon and gnration in Braga — and two studios — Sonoscopia and Crónica, both in Porto — in an ongoing creative process.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Máquina Magnética\u003c\/p\u003e\n\u003cp\u003eLabel : Cronica\u003c\/p\u003e","published_at":"2021-12-31T13:25:37+09:00","created_at":"2021-12-28T13:55:22+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","cronica","drone","monooto","strange beats"],"price":148000,"price_min":148000,"price_max":148000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42252455182586,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Máquina Magnética \/\/ Máquina Magnética CD","public_title":null,"options":["Default Title"],"price":148000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_609ab3c4-d6da-493d-a747-ded926d7aae3.jpg?v=1640667324","\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_32d08268-37eb-4606-9a5e-7d1ae17076f5.jpg?v=1640667324"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_609ab3c4-d6da-493d-a747-ded926d7aae3.jpg?v=1640667324","options":["Title"],"media":[{"alt":null,"id":28932256727290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_609ab3c4-d6da-493d-a747-ded926d7aae3.jpg?v=1640667324"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_609ab3c4-d6da-493d-a747-ded926d7aae3.jpg?v=1640667324","width":700},{"alt":null,"id":28932256760058,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_32d08268-37eb-4606-9a5e-7d1ae17076f5.jpg?v=1640667324"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_32d08268-37eb-4606-9a5e-7d1ae17076f5.jpg?v=1640667324","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポルトガルのエレクトロアコースティックバンドMáquina Magnéticaが、2021年11月に同国実験レーベルCronicaからリリースしたデビューアルバムです。\u003c\/p\u003e\n\u003cp\u003eパーカッションと2台のコンピューター、インタラクティブな映像によるストレンジビーツ〜エレクトロアコースティック・ドローン6曲を収録。デジパック、シュリンク仕様です。12ページのブックレットが付属。\u003c\/p\u003e\n\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/583345455?h=1ca96b1e7f\" allowfullscreen=\"\" allow=\"autoplay; fullscreen; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/583345455\"\u003eMáquina Mágnetica\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/visiophone\"\u003evisiophone\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\"\u003eVimeo\u003c\/a\u003e.\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=57823785\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cronica\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cronica\"\u003ehere\u003c\/a\u003e to see more Cronica releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCD includes a 12-page booklet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCronica:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eMáquina Magnética was born from the meeting of four experimental artists with consolidated practices across both solo and collective work: Gustavo Costa, drummer, percussionist, and one of the heads of the Sonoscopia collective, on acoustic and electro-mechanic percussion; Pedro Tudela and Miguel Carvalhais, of the @c project and the Crónica label, on computers; and Rodrigo Carvalho, of the Openfield and Boris Chimp 504 collectives, on generative visuals and interactive lights.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMáquina Magnética explores the synergies and boundaries of each artist’s territory, intersecting the organic, the mechanical and the synthetic; studio and live recordings; free improvisation and composition; musical gestures and acousmatic sounds; audiovisual performance and visual music. These tensions build a cathartic space for performance developed across six pieces in an album recorded and mixed between two live settings — O’culto da Ajuda in Lisbon and gnration in Braga — and two studios — Sonoscopia and Crónica, both in Porto — in an ongoing creative process.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Máquina Magnética\u003c\/p\u003e\n\u003cp\u003eLabel : Cronica\u003c\/p\u003e"}
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ポルトガルのエレクトロアコースティックバンドMáquina Magnéticaが、2021年11月に同国実験レーベルCronicaからリリースしたデビューアルバムです。 パーカッションと2台のコンピューター、インタラクティブな映像によるストレンジビーツ〜エレクトロアコースティック・ドローン6曲を収録。デジパック、シュリンク仕様です。12ページのブックレットが付属。 Máquina Mágnetica from visiophone on Vimeo. レーベルその他作品はこちら /// Click here to see more Cronica...
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{"id":7499417518330,"title":"Bridget Ferrill \/\/ Only TAPE","handle":"bridget-ferrill-only-tape","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eドイツ・ベルリンの実験音楽家／サウンドエンジニアBridget Ferrillが、2021年12月にenmossed x psychic liberationから120本限定でリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003eブクラとハープ、チター、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eヴィオラ・ダ・ガンバ\u003c\/span\u003eの楽器の音色を最大限引き出したアレンジ4曲を収録。アンビエント的にも楽しめる一本です。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1879883425\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emsd\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/emsd\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emsd\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/emsd\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Enmossed releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003erecycled heavyweight paper j-cards\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ehot foil stamped artwork\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003erecycled plastic cassette shells + cases\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eduplicated at a carbon-neutral facility\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText and artist bio by Enmossed:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eComposed during a whirlwind period of touring and sound engineering in 2019, 𝑂𝑛𝑙𝑦 functions as both a tranquil refuge and as a heartfelt appreciation for the source instruments' timbres. Berlin-based Bridget Ferrill crystallizes her professional recording experience and artist residencies into a singular focus on Buchla modular, harp, zither, and viola da gamba. Rather than an exercise in technical mastery, Ferrill's careful arrangements invite us to linger with each instrument; in her words, fulfilling the longing to \"listen a little longer, a little slower\". Every contour of the instruments is lovingly traced, a warm invite for us to join her in the exuberance of exploring their inner life.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e---\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBridget Ferrill (USA\/DE) is a producer and composer of electronic music whose work plays between pattern and noise, exploring augmented instruments, handmade electronics, and experimental computer music. She has participated in residencies at EMS in Stockholm, LungA in Iceland, and the Dirt Palace in Providence, Rhode Island. Recent projects include composing for Staatstheater Cottbus, engineering and performing electronics for Bendik Giske’s live show, designing the Anglerfish drone synthesizer\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e for Common Ground, and creating multimedia installations with composer Áslaug Magnúsdóttir.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFerrill is also a live and studio engineer with experience working in studios and venues such as Greenhouse Studios in Reykjavik, Machines with Magnets in Providence RI, and at Real Surreal, her own mixing and mastering studio in Berlin.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bridget Ferrill\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnmossed\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-12-20T14:51:41+09:00","created_at":"2021-12-20T11:26:57+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","drone","enmossed","monooto","Psychic Liberation","recommended","tape","techno \/ house"],"price":215000,"price_min":215000,"price_max":215000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42223901802746,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Bridget Ferrill \/\/ Only TAPE","public_title":null,"options":["Default Title"],"price":215000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/on1_19a113db-0e89-485c-ae8d-2b84aad5c075.jpg?v=1639967218","\/\/tobirarecords.com\/cdn\/shop\/products\/on2_15e8eb58-6241-4223-8e06-61bb9ed70615.jpg?v=1639967218"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_19a113db-0e89-485c-ae8d-2b84aad5c075.jpg?v=1639967218","options":["Title"],"media":[{"alt":null,"id":28898576728314,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_19a113db-0e89-485c-ae8d-2b84aad5c075.jpg?v=1639967218"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_19a113db-0e89-485c-ae8d-2b84aad5c075.jpg?v=1639967218","width":700},{"alt":null,"id":28898576761082,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on2_15e8eb58-6241-4223-8e06-61bb9ed70615.jpg?v=1639967218"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on2_15e8eb58-6241-4223-8e06-61bb9ed70615.jpg?v=1639967218","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eドイツ・ベルリンの実験音楽家／サウンドエンジニアBridget Ferrillが、2021年12月にenmossed x psychic liberationから120本限定でリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003eブクラとハープ、チター、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eヴィオラ・ダ・ガンバ\u003c\/span\u003eの楽器の音色を最大限引き出したアレンジ4曲を収録。アンビエント的にも楽しめる一本です。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1879883425\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emsd\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/emsd\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emsd\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/emsd\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Enmossed releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003erecycled heavyweight paper j-cards\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ehot foil stamped artwork\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003erecycled plastic cassette shells + cases\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eduplicated at a carbon-neutral facility\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText and artist bio by Enmossed:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eComposed during a whirlwind period of touring and sound engineering in 2019, 𝑂𝑛𝑙𝑦 functions as both a tranquil refuge and as a heartfelt appreciation for the source instruments' timbres. Berlin-based Bridget Ferrill crystallizes her professional recording experience and artist residencies into a singular focus on Buchla modular, harp, zither, and viola da gamba. Rather than an exercise in technical mastery, Ferrill's careful arrangements invite us to linger with each instrument; in her words, fulfilling the longing to \"listen a little longer, a little slower\". Every contour of the instruments is lovingly traced, a warm invite for us to join her in the exuberance of exploring their inner life.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e---\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBridget Ferrill (USA\/DE) is a producer and composer of electronic music whose work plays between pattern and noise, exploring augmented instruments, handmade electronics, and experimental computer music. She has participated in residencies at EMS in Stockholm, LungA in Iceland, and the Dirt Palace in Providence, Rhode Island. Recent projects include composing for Staatstheater Cottbus, engineering and performing electronics for Bendik Giske’s live show, designing the Anglerfish drone synthesizer\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e for Common Ground, and creating multimedia installations with composer Áslaug Magnúsdóttir.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFerrill is also a live and studio engineer with experience working in studios and venues such as Greenhouse Studios in Reykjavik, Machines with Magnets in Providence RI, and at Real Surreal, her own mixing and mastering studio in Berlin.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bridget Ferrill\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnmossed\u003c\/span\u003e\u003c\/p\u003e"}
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ドイツ・ベルリンの実験音楽家／サウンドエンジニアBridget Ferrillが、2021年12月にenmossed x psychic liberationから120本限定でリリースした最新作です。 ブクラとハープ、チター、ヴィオラ・ダ・ガンバの楽器の音色を最大限引き出したアレンジ4曲を収録。アンビエント的にも楽しめる一本です。DLコード付属。廃盤です。 レーベルその他作品はこちら /// Click here to see more Enmossed releases available at...
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{"id":7494960414970,"title":"René Margraff \/\/ Just\/Just Birds TAPE","handle":"rene-margraff-just-just-birds-tape","description":"\u003cp\u003eギリシャの物音作家\u003cspan data-mce-fragment=\"1\"\u003eSavvas Metaxas主宰レーベルDasa Tapesの2021年10月最新バッチを入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、過去に12kやPatient Soundsなどから発表しているpillowdiver aka René Margraffが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e50本限定で\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eリリースした最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eフルートやバイオリン、ヴィオラなどのアコースティック楽器とフィールドレコーディングをミックスしたエレクトロアコースティック2曲を収録。\u003c\/p\u003e\n\u003cp\u003eDLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1534520804\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dasa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dasa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dasa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dasa\"\u003ehere\u003c\/a\u003e to see more Dasa Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJust birds contains field recordings of birds during sunrise, captured in Warnemünde in June 2020\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eArtist notes:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Just\" (Strings \u0026amp; Flute - Side A)“ was created in June 2019 during “Composing with Intonations: Microtonal Sound\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWorkshop“ led by Marc Sabat at ACUD MACHT NEU, Berlin.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Just (Strings \u0026amp; Flute)“ is a dialogue between “pure“ but beating sinewaves and acoustic instruments (Abigail Toll - flute, Thomas Nicholson – violin, Marc Sabat – viola, Cenk Ergün – recording) and other recordings (closely miced fermentation, a distant washing machine, a “frozen“ guitar chord recorded in a room with squeaky floor boards.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJust Birds (Side B) was created with the same setup but\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e no acoustic instruments were harmed, the birds woke me so early on a trip to Warnemünde. I only manipulated the speed of the recording. At the same time I noticed lots of negative discussions of \"too many birdsounds in \"ambient\" music\" and thought, the problem might just be the music. I enjoyed the dialogue between the sines and how the birdsounds are just opening everything up so much more.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the tradition of Flying Saucer Attack I consider this album as an end of \"phase 3\u003c\/em\u003e\".\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : René Margraff\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDasa Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-12-15T13:32:00+09:00","created_at":"2021-12-15T11:11:27+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","dasa tapes","drone","tape"],"price":169500,"price_min":169500,"price_max":169500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42201116213498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"René Margraff \/\/ Just\/Just Birds TAPE","public_title":null,"options":["Default Title"],"price":169500,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bi1_c37b3bb3-6e3a-4f0e-b31f-e4cdce516a96.jpg?v=1639534288"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bi1_c37b3bb3-6e3a-4f0e-b31f-e4cdce516a96.jpg?v=1639534288","options":["Title"],"media":[{"alt":null,"id":28872975024378,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bi1_c37b3bb3-6e3a-4f0e-b31f-e4cdce516a96.jpg?v=1639534288"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bi1_c37b3bb3-6e3a-4f0e-b31f-e4cdce516a96.jpg?v=1639534288","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eギリシャの物音作家\u003cspan data-mce-fragment=\"1\"\u003eSavvas Metaxas主宰レーベルDasa Tapesの2021年10月最新バッチを入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、過去に12kやPatient Soundsなどから発表しているpillowdiver aka René Margraffが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e50本限定で\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eリリースした最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eフルートやバイオリン、ヴィオラなどのアコースティック楽器とフィールドレコーディングをミックスしたエレクトロアコースティック2曲を収録。\u003c\/p\u003e\n\u003cp\u003eDLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1534520804\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dasa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dasa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dasa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dasa\"\u003ehere\u003c\/a\u003e to see more Dasa Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJust birds contains field recordings of birds during sunrise, captured in Warnemünde in June 2020\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eArtist notes:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Just\" (Strings \u0026amp; Flute - Side A)“ was created in June 2019 during “Composing with Intonations: Microtonal Sound\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWorkshop“ led by Marc Sabat at ACUD MACHT NEU, Berlin.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Just (Strings \u0026amp; Flute)“ is a dialogue between “pure“ but beating sinewaves and acoustic instruments (Abigail Toll - flute, Thomas Nicholson – violin, Marc Sabat – viola, Cenk Ergün – recording) and other recordings (closely miced fermentation, a distant washing machine, a “frozen“ guitar chord recorded in a room with squeaky floor boards.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJust Birds (Side B) was created with the same setup but\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e no acoustic instruments were harmed, the birds woke me so early on a trip to Warnemünde. I only manipulated the speed of the recording. At the same time I noticed lots of negative discussions of \"too many birdsounds in \"ambient\" music\" and thought, the problem might just be the music. I enjoyed the dialogue between the sines and how the birdsounds are just opening everything up so much more.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the tradition of Flying Saucer Attack I consider this album as an end of \"phase 3\u003c\/em\u003e\".\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : René Margraff\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDasa Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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ギリシャの物音作家Savvas Metaxas主宰レーベルDasa Tapesの2021年10月最新バッチを入荷しました。 本作は、過去に12kやPatient Soundsなどから発表しているpillowdiver aka René Margraffが、50本限定でリリースした最新作です。 フルートやバイオリン、ヴィオラなどのアコースティック楽器とフィールドレコーディングをミックスしたエレクトロアコースティック2曲を収録。 DLコード付属。廃盤です。 レーベルその他作品はこちら /// Click here to see more Dasa...
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{"id":7488466845946,"title":"Julian Sartorius \/\/ Locked Grooves LP","handle":"julian-sartorius-locked-grooves-lp","description":"\u003cp\u003eスイスのパーカッション奏者Julian Sartoriusが、2021年7月にリリースしたロックド・グルーブ集です。\u003c\/p\u003e\n\u003cp\u003e1.8秒という制約の中で探究したループ溝112種を収録。サンプリングネタにもどうぞ。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=718011821\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003eText and artist bio by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e-OUS:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e«These highly condensed compositions can be explored like land-scapes: distinct places defined by the forces at play.» - Julian Sartorius\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJulian Sartorius aims to test infinity. Focussing on reduction and repetition, the versatile artist, drummer, and percussionist has recorded an album capable of suspending time. Exploring the potential of a repertoire performed under rigorous conditions and regulated by a loop length of 1.8 seconds, Sartorius responds with a disciplined focus on tonal nuances, micro expressions and shifting time signatures.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe 112 locked grooves of this album — or 112 one-minute loops on the digital release — unveil an abundance of rhythmic forms, some vigorous, some frail, others impulsive, alluring, and adrift. Sartorius’ precise, multi-layered rhythmical patterns are incisive excursions into the hidden tones of found objects and prepared instruments, concise arrangements which bridge the gap between sound art and the vocabulary of (experimental) electronic music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn ‘Locked Grooves’ Sartorius interrogates the idea of a ‘static’ groove, unfurling an endless, meticulously gradated percussive suite. This is the point at which intangible structures materialize\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, becoming four-dimensional, sculptural, solid. Sartorius explains: «I hope listeners will experience these compositions like they would explore a painting at a museum - letting the work unfold in depth, revealing layer after layer.»\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJulian Sartorius has made a name for himself with a series of extraordinary conceptual projects: «Morph» was a 7.5 year-long series of 8-second audio loops combined with handmade imagery, eventually incorporated into a 5-hour film, while the 12” LP box set «Beat Diary» comprised 365 beat tracks, each of them recorded daily, irrespective of any surrounding circumstances.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJulian Sartorius has collaborated with a diverse, illustrious circle of musicians and producers, including the likes of Sophie Hunger, Valentina Magaletti (Tomaga, Vanishing Twin), Matthew Herbert, Sylvie Courvoisier, Gyda Valtysdottir, Dimlite, Shahzad Ismaily and Dan Carey (Speedy Wunderground).\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Julian Sartorius\u003c\/p\u003e\n\u003cp\u003eLabel : -OUS\u003c\/p\u003e","published_at":"2021-12-13T19:23:55+09:00","created_at":"2021-12-10T11:41:20+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","strange beats"],"price":289000,"price_min":289000,"price_max":289000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42171097153786,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Julian Sartorius \/\/ Locked Grooves LP","public_title":null,"options":["Default Title"],"price":289000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_9d03ab7f-b447-43c1-8798-ad7f97b98959.jpg?v=1639104082","\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_b6bc4b5b-9e10-466f-a65d-ba5b47338125.jpg?v=1639104082"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_9d03ab7f-b447-43c1-8798-ad7f97b98959.jpg?v=1639104082","options":["Title"],"media":[{"alt":null,"id":28846025867514,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_9d03ab7f-b447-43c1-8798-ad7f97b98959.jpg?v=1639104082"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_9d03ab7f-b447-43c1-8798-ad7f97b98959.jpg?v=1639104082","width":700},{"alt":null,"id":28846025900282,"position":2,"preview_image":{"aspect_ratio":1.444,"height":831,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_b6bc4b5b-9e10-466f-a65d-ba5b47338125.jpg?v=1639104082"},"aspect_ratio":1.444,"height":831,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_b6bc4b5b-9e10-466f-a65d-ba5b47338125.jpg?v=1639104082","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスイスのパーカッション奏者Julian Sartoriusが、2021年7月にリリースしたロックド・グルーブ集です。\u003c\/p\u003e\n\u003cp\u003e1.8秒という制約の中で探究したループ溝112種を収録。サンプリングネタにもどうぞ。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=718011821\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003eText and artist bio by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e-OUS:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e«These highly condensed compositions can be explored like land-scapes: distinct places defined by the forces at play.» - Julian Sartorius\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJulian Sartorius aims to test infinity. Focussing on reduction and repetition, the versatile artist, drummer, and percussionist has recorded an album capable of suspending time. Exploring the potential of a repertoire performed under rigorous conditions and regulated by a loop length of 1.8 seconds, Sartorius responds with a disciplined focus on tonal nuances, micro expressions and shifting time signatures.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe 112 locked grooves of this album — or 112 one-minute loops on the digital release — unveil an abundance of rhythmic forms, some vigorous, some frail, others impulsive, alluring, and adrift. 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Sartorius explains: «I hope listeners will experience these compositions like they would explore a painting at a museum - letting the work unfold in depth, revealing layer after layer.»\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJulian Sartorius has made a name for himself with a series of extraordinary conceptual projects: «Morph» was a 7.5 year-long series of 8-second audio loops combined with handmade imagery, eventually incorporated into a 5-hour film, while the 12” LP box set «Beat Diary» comprised 365 beat tracks, each of them recorded daily, irrespective of any surrounding circumstances.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJulian Sartorius has collaborated with a diverse, illustrious circle of musicians and producers, including the likes of Sophie Hunger, Valentina Magaletti (Tomaga, Vanishing Twin), Matthew Herbert, Sylvie Courvoisier, Gyda Valtysdottir, Dimlite, Shahzad Ismaily and Dan Carey (Speedy Wunderground).\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Julian Sartorius\u003c\/p\u003e\n\u003cp\u003eLabel : -OUS\u003c\/p\u003e"}
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{"id":7472074490106,"title":"Georgia Rodgers \/\/ September CD","handle":"georgia-rodgers-september-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの作曲家／音響学者Georgia Rodgersが、2021年11月に同国コンテンポラリーレーベルAnother TimbreからリリースしたCD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eApartment House、\u003cmeta charset=\"utf-8\"\u003eZubin Kanga、そして彼女自身が演奏した楽曲8曲を収録。ネオクラシカルリスナーにもおすすめします。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=467200093\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------- \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e8 chamber works by Georgia Rodgers, six pieces performed by Apartment House, one by Zubin Kanga, and one by the composer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Georgia Rodgers\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e","published_at":"2021-11-29T10:30:14+09:00","created_at":"2021-11-29T10:04:51+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","neo classical"],"price":205000,"price_min":205000,"price_max":205000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42120789295354,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Georgia Rodgers \/\/ September CD","public_title":null,"options":["Default Title"],"price":205000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/se2_01dbfd35-037b-4597-a256-b3461885375a.jpg?v=1638149723","\/\/tobirarecords.com\/cdn\/shop\/products\/se1_40a2358f-560c-4fe6-96d4-bf59fc13110c.jpg?v=1638149723"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/se2_01dbfd35-037b-4597-a256-b3461885375a.jpg?v=1638149723","options":["Title"],"media":[{"alt":null,"id":28762680197370,"position":1,"preview_image":{"aspect_ratio":0.928,"height":1200,"width":1114,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/se2_01dbfd35-037b-4597-a256-b3461885375a.jpg?v=1638149723"},"aspect_ratio":0.928,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/se2_01dbfd35-037b-4597-a256-b3461885375a.jpg?v=1638149723","width":1114},{"alt":null,"id":28762680164602,"position":2,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/se1_40a2358f-560c-4fe6-96d4-bf59fc13110c.jpg?v=1638149723"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/se1_40a2358f-560c-4fe6-96d4-bf59fc13110c.jpg?v=1638149723","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの作曲家／音響学者Georgia Rodgersが、2021年11月に同国コンテンポラリーレーベルAnother TimbreからリリースしたCD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eApartment House、\u003cmeta charset=\"utf-8\"\u003eZubin Kanga、そして彼女自身が演奏した楽曲8曲を収録。ネオクラシカルリスナーにもおすすめします。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=467200093\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------- \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e8 chamber works by Georgia Rodgers, six pieces performed by Apartment House, one by Zubin Kanga, and one by the composer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Georgia Rodgers\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e"}
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イギリスの作曲家／音響学者Georgia Rodgersが、2021年11月に同国コンテンポラリーレーベルAnother TimbreからリリースしたCDです。 Apartment House、Zubin Kanga、そして彼女自身が演奏した楽曲8曲を収録。ネオクラシカルリスナーにもおすすめします。 レーベルその他作品はこちら /// Click here to see more Another Timbre releases available...
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{"id":7450461208826,"title":"Iannis Xenakis \/\/ GRM Works 1957-1962 LP","handle":"iannis-xenakis-grm-works-1957-1962-lp","description":"\u003cp\u003eコンクレート音楽では最重要作家の一人Iannis Xenakisの1957-1962年楽曲の復刻盤です。現在のマスタリングを通して聴くと新たな発見があります。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=602786264\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eInfo about each track:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConcret PH, 1958 (2'41)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBrussels World Fair, 1958 : The industrialist Philips commissioned Le Corbusier's famous \"Philips Pavilion\": \"I'll create an electronic poem for you, he said. Everything will happen inside: sound, light, colour and rhythm.\" Iannis Xenakis designed the architectural blueprint and composed \"Concret PH\", meant to psychologically prepare the public to the show created inside, accompanied by a musical piece by Varese.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe 400 speakers that lined the inner shell were meant to fill the space through the sound sparkles of \"Concret PH\" and achieve a joint emanation of architecture and music, conceived as a whole: the roughness of the concrete and its internal friction coefficient found an echo in the timbre of the sparkles.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOrient-Occident, 1960 (11'10)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe work was originally composed for a film by Enrico Fulchignoni for UNESCO. The film describes a visit to the museum suggesting to compare artefacts produced by various cultures and highlighting their interaction that dates back to the most ancient times.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom an abstract point of view, the composer regards this\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e work as a solution to the problem of finding highly diversified means of transition, meant to link a type of material to another. One indeed witnesses a varied gradation of mutations, interplays, overlaps, cross-fading, sudden shifts and hidden junction points.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDiamorphoses, 1957-58 (7'00)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eContinuity and discontinuity within evolution, here are two aspects of the being, whether in opposition or in communion. In \"Diamorphoses\" this antithesis was worked on in the sections of some sounds strongly opposed to others, and particularly in organisations of continuous variations of average or \"statistical\" heights.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBohor, 1962 (21'50)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBohor (referring to Bors the Younger, Lancelot's cousin), is a character from the medieval cycle of King Arthur and the Knights of the Round Table. “Bohor” is dedicated to Pierre Schaeffer. The author deliberately abstained from giving and descriptive information on his piece, letting the listener choose an imaginary route for himself. For this release, we have chosen the 1968 version, revised by Iannis Xenakis himself and as yet not made available to the public.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Iannis Xenakis\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-17T09:13:15+09:00","created_at":"2021-11-15T16:31:13+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","shelter press"],"price":315000,"price_min":315000,"price_max":315000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057985786106,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Iannis Xenakis \/\/ GRM Works 1957-1962 LP","public_title":null,"options":["Default Title"],"price":315000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/wo1_ebc845b8-b8ec-4097-b2b0-2af2d6d63e3c.jpg?v=1636961475","\/\/tobirarecords.com\/cdn\/shop\/products\/wo2_74f7a1c7-bc0f-4c6f-85fe-6e4a4caa32af.jpg?v=1636961475"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/wo1_ebc845b8-b8ec-4097-b2b0-2af2d6d63e3c.jpg?v=1636961475","options":["Title"],"media":[{"alt":null,"id":26931309936890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wo1_ebc845b8-b8ec-4097-b2b0-2af2d6d63e3c.jpg?v=1636961475"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wo1_ebc845b8-b8ec-4097-b2b0-2af2d6d63e3c.jpg?v=1636961475","width":700},{"alt":null,"id":26931309969658,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wo2_74f7a1c7-bc0f-4c6f-85fe-6e4a4caa32af.jpg?v=1636961475"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wo2_74f7a1c7-bc0f-4c6f-85fe-6e4a4caa32af.jpg?v=1636961475","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eコンクレート音楽では最重要作家の一人Iannis Xenakisの1957-1962年楽曲の復刻盤です。現在のマスタリングを通して聴くと新たな発見があります。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=602786264\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eInfo about each track:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConcret PH, 1958 (2'41)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBrussels World Fair, 1958 : The industrialist Philips commissioned Le Corbusier's famous \"Philips Pavilion\": \"I'll create an electronic poem for you, he said. Everything will happen inside: sound, light, colour and rhythm.\" Iannis Xenakis designed the architectural blueprint and composed \"Concret PH\", meant to psychologically prepare the public to the show created inside, accompanied by a musical piece by Varese.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe 400 speakers that lined the inner shell were meant to fill the space through the sound sparkles of \"Concret PH\" and achieve a joint emanation of architecture and music, conceived as a whole: the roughness of the concrete and its internal friction coefficient found an echo in the timbre of the sparkles.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOrient-Occident, 1960 (11'10)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe work was originally composed for a film by Enrico Fulchignoni for UNESCO. The film describes a visit to the museum suggesting to compare artefacts produced by various cultures and highlighting their interaction that dates back to the most ancient times.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom an abstract point of view, the composer regards this\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e work as a solution to the problem of finding highly diversified means of transition, meant to link a type of material to another. One indeed witnesses a varied gradation of mutations, interplays, overlaps, cross-fading, sudden shifts and hidden junction points.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDiamorphoses, 1957-58 (7'00)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eContinuity and discontinuity within evolution, here are two aspects of the being, whether in opposition or in communion. In \"Diamorphoses\" this antithesis was worked on in the sections of some sounds strongly opposed to others, and particularly in organisations of continuous variations of average or \"statistical\" heights.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBohor, 1962 (21'50)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBohor (referring to Bors the Younger, Lancelot's cousin), is a character from the medieval cycle of King Arthur and the Knights of the Round Table. “Bohor” is dedicated to Pierre Schaeffer. The author deliberately abstained from giving and descriptive information on his piece, letting the listener choose an imaginary route for himself. For this release, we have chosen the 1968 version, revised by Iannis Xenakis himself and as yet not made available to the public.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Iannis Xenakis\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e\u003c\/p\u003e"}
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コンクレート音楽では最重要作家の一人Iannis Xenakisの1957-1962年楽曲の復刻盤です。現在のマスタリングを通して聴くと新たな発見があります。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases available at...
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{"id":7450459865338,"title":"Bernard Parmegiani \/\/ Violostries LP","handle":"bernard-parmegiani-violostries-lp","description":"\u003cp\u003eフランスの実験音楽家Bernard Parmegianiの再発レコードです。（オリジナルは1969年リリース）\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=606170898\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eSong by song information:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViolostries (1963\/64), 16'39\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePremiered and recorded in April 1965 at the Royan Festival - France, by Devy Erlih (violin) \u0026amp; Bernard Parmegiani (sound projection).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eViolostries represents the intersection of several musical research directions, presented as two simultaneous dialogues - composer\/performer and instrument\/orchestra.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter a short introduction tutti very spatialized:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e1. Pulsion\/Miroirs: multiplied by itself, the violin is projected into the four corners of the sound space.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2. Jeu de cellules: concertante piece for violin and audio medium, the latter being made up of very tightly woven microsounds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e3. Végétal: slow and invisible development following a continuous time, resulting from an internal and permanent processing of the matter.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCapture éphémère (1967, 1988 version), 11'48\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis work was composed in four tracks in 1967 for quadraphonic diffusion.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRemixed in stereo in 1988.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePremiered at the Studio 105 of the Maison de la Radio, Paris\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e, May 1967.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSounds - noises that circulate as time unfolds - continue to exist despite our recording them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBreaths, fluttering wings: ephemeral microsonic sounds streaking space, sound scratches, landslides, bounces, vertigo of solid objects falling into an abyssal void, multiple snapshots forever frozen in their fall. As many symbols leave inside us the permanent trace of their ephemeral brushing against our ear.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSome day, a desert, a sound, then never again....\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSomewhere, in my head and body something still resonates... resonance, what could be more ephemeral.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eLa Roue Ferris (1971), 10'45\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePremiered at the Festival des chantiers navals, Menton, on August 26, 1971.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSound projection: Bernard Parmegiani.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLa Roue Ferris (Ferris wheel) spins, merging with its own resonance, stubbornly perpetuating its variations. It only sketches a regularly evolving movement around a constant axis. Each of its towers generates thick sonic layers that penetrate each other, producing a very fluid interweaving. The crackling of the origin eventually metamorphoses into sonic threads whose lightness recalls high-altitude clouds, cirrus clouds, haunted by the cries of swifts twirling in the warm air. The wondrous arises and dies off, leaving us with an illusion of duration.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bernard Parmegiani\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-02-11T11:28:42+09:00","created_at":"2021-11-15T16:29:03+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","shelter press"],"price":348000,"price_min":348000,"price_max":348000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057984180474,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Bernard Parmegiani \/\/ Violostries LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_7208ca89-556f-4cf6-9057-bee64e9cbac8.jpg?v=1636961344","\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_a9c452e8-37f1-4bb2-a075-f1abfd80e71c.jpg?v=1636961344"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_7208ca89-556f-4cf6-9057-bee64e9cbac8.jpg?v=1636961344","options":["Title"],"media":[{"alt":null,"id":26931303186682,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_7208ca89-556f-4cf6-9057-bee64e9cbac8.jpg?v=1636961344"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_7208ca89-556f-4cf6-9057-bee64e9cbac8.jpg?v=1636961344","width":700},{"alt":null,"id":26931303219450,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_a9c452e8-37f1-4bb2-a075-f1abfd80e71c.jpg?v=1636961344"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_a9c452e8-37f1-4bb2-a075-f1abfd80e71c.jpg?v=1636961344","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの実験音楽家Bernard Parmegianiの再発レコードです。（オリジナルは1969年リリース）\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=606170898\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eSong by song information:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViolostries (1963\/64), 16'39\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePremiered and recorded in April 1965 at the Royan Festival - France, by Devy Erlih (violin) \u0026amp; Bernard Parmegiani (sound projection).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eViolostries represents the intersection of several musical research directions, presented as two simultaneous dialogues - composer\/performer and instrument\/orchestra.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter a short introduction tutti very spatialized:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e1. Pulsion\/Miroirs: multiplied by itself, the violin is projected into the four corners of the sound space.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2. Jeu de cellules: concertante piece for violin and audio medium, the latter being made up of very tightly woven microsounds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e3. Végétal: slow and invisible development following a continuous time, resulting from an internal and permanent processing of the matter.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCapture éphémère (1967, 1988 version), 11'48\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis work was composed in four tracks in 1967 for quadraphonic diffusion.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRemixed in stereo in 1988.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePremiered at the Studio 105 of the Maison de la Radio, Paris\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e, May 1967.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSounds - noises that circulate as time unfolds - continue to exist despite our recording them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBreaths, fluttering wings: ephemeral microsonic sounds streaking space, sound scratches, landslides, bounces, vertigo of solid objects falling into an abyssal void, multiple snapshots forever frozen in their fall. As many symbols leave inside us the permanent trace of their ephemeral brushing against our ear.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSome day, a desert, a sound, then never again....\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSomewhere, in my head and body something still resonates... resonance, what could be more ephemeral.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eLa Roue Ferris (1971), 10'45\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePremiered at the Festival des chantiers navals, Menton, on August 26, 1971.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSound projection: Bernard Parmegiani.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLa Roue Ferris (Ferris wheel) spins, merging with its own resonance, stubbornly perpetuating its variations. It only sketches a regularly evolving movement around a constant axis. Each of its towers generates thick sonic layers that penetrate each other, producing a very fluid interweaving. The crackling of the origin eventually metamorphoses into sonic threads whose lightness recalls high-altitude clouds, cirrus clouds, haunted by the cries of swifts twirling in the warm air. The wondrous arises and dies off, leaving us with an illusion of duration.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bernard Parmegiani\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e\u003c\/p\u003e"}
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フランスの実験音楽家Bernard Parmegianiの再発レコードです。（オリジナルは1969年リリース） レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases available at...
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{"id":7444629979386,"title":"Yves Charuest \/ Benedict Taylor \/\/ Knotted Threads CD","handle":"yves-charuest-benedict-taylor-knotted-threads-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eカナダのサックス奏者Yves Charuestと、イギリスのバイオリニストBenedict Taylorが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年6月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eガチンコインプロ〜フリージャズ5曲を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1564565378\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\"\u003cem\u003eI met Benedict Taylor in London in 2017 where I was doing a six month residency thanks to the Conseil des arts et lettres du Québec. I heard Benedict perform in ensemble and solo contexts and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e rapidly felt a strong connection with some of my musical concerns. I was particularly caught by his ability to listen to what sound elicits or suggests as he articulates and shapes it; a dynamic interplay of sensitivity and agency, at times yielding pretty surprising results. We managed to meet for a few private sessions and one short set at Mopomoso. Those encounters confirmed our determination to further explore this connection.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBack in Montréal, I invited Benedict in 2019 to perform with me and another duo partner of mine, Montréal-based dancer Alanna Kraaijeveld with whom I explore the kinetic quality and fragility\/instability of movement and sonic threads in improvised dance and music. Around the rehearsals and performances, Benedict and I recorded the music presented on this album, a most rewarding session for both of us that we are happy to share here, especially in these times when world events force us to wait for the possibility to meet in person again and discover new threads to tie. I am grateful to Benedict for his enthusiastic response to my invitation and for sharing music, ideas, friendship, whisky and craft beer...\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e~\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Benedict Taylor:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\"I met Yves in 2017 at a concert at Iklectik, London where I was playing at The Horse Improvised Music Club. After my set we chatted about the nature of our work, his background and ongoing work and research in London. We got along and felt it would be a good thing to meet and make some music together in a private setting. Yves invited me to his space where he was living and working as a part of his residency with the Quebec Arts Council.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe connected quickly as both friends and musicians. It was clear to me from the outset that this man had an extraordinary talent as a saxophonist, and a huge pair of ears as a musician, collaborator and a human. A superb listener and playing partner, and importantly a deeply questioning and challenging collaborator.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe knew it would be a good thing to continue working together in some way, though, as is often the case with connections within our musical sphere, we had to figure out some challenging logistics – in this case the Atlantic Ocean. That said after some time talking over distance, discussing ideas and attempts at regrouping – in Berlin, in London, in Canada – Yves was able to invite me for a project in Montreal in the Winter of 2019, playing and recording together as a duo, and collaborating as a trio with the wonderful contemporary dancer Alanna Kraaijeveld.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis album is part of our ongoing dialogue. The continuing musical thread. A knot for us to hold on to for a moment as we prepare to jump back in, and keep weaving.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e~\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eArtist bio:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eCanadian saxophonist Yves Charuest (1960) has been active since the 1980s on the local improvised music scene, and now, his solo work has recently gained renewed momentum. He has always devoted his creative energy to improvisation in varying forms and contexts: free improvisation, encounters between improvisation and notated material – conventional and graphic notation, verbal instructions –, and ensembles with more apparent stylistic links to free jazz. His approach is characterized by his sense of form and his attention to the sonic properties.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLondon-based violist Benedict Taylor (1982) is one of the leading figures within contemporary composition, modern string performance and improvised music in the British and European new music world. The central focus of his work is in new composition for live performance, film, theatre, contemporary dance, art installation and electro-acoustic composition. In performance, he predominantly works within improvisation, new composition and 20-21. century music. His improvisational works have been released by labels such as Confront, Raw Tonk or Weekertoft.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Yves Charuest \/ Benedict Taylor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions \u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-12T16:21:25+09:00","created_at":"2021-11-12T11:15:46+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","Inexhaustible Editions","jazz"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42043531526394,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Yves Charuest \/ Benedict Taylor \/\/ Knotted Threads CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/th1_5372d3bd-8edc-4811-a12b-9506b700f9b7.jpg?v=1636683348","\/\/tobirarecords.com\/cdn\/shop\/products\/th2_067cc683-e6a1-4e4b-adcb-c287fd680e88.jpg?v=1636683348"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/th1_5372d3bd-8edc-4811-a12b-9506b700f9b7.jpg?v=1636683348","options":["Title"],"media":[{"alt":null,"id":26906566197498,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th1_5372d3bd-8edc-4811-a12b-9506b700f9b7.jpg?v=1636683348"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th1_5372d3bd-8edc-4811-a12b-9506b700f9b7.jpg?v=1636683348","width":700},{"alt":null,"id":26906566230266,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th2_067cc683-e6a1-4e4b-adcb-c287fd680e88.jpg?v=1636683348"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th2_067cc683-e6a1-4e4b-adcb-c287fd680e88.jpg?v=1636683348","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eカナダのサックス奏者Yves Charuestと、イギリスのバイオリニストBenedict Taylorが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年6月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eガチンコインプロ〜フリージャズ5曲を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1564565378\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\"\u003cem\u003eI met Benedict Taylor in London in 2017 where I was doing a six month residency thanks to the Conseil des arts et lettres du Québec. I heard Benedict perform in ensemble and solo contexts and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e rapidly felt a strong connection with some of my musical concerns. I was particularly caught by his ability to listen to what sound elicits or suggests as he articulates and shapes it; a dynamic interplay of sensitivity and agency, at times yielding pretty surprising results. We managed to meet for a few private sessions and one short set at Mopomoso. Those encounters confirmed our determination to further explore this connection.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBack in Montréal, I invited Benedict in 2019 to perform with me and another duo partner of mine, Montréal-based dancer Alanna Kraaijeveld with whom I explore the kinetic quality and fragility\/instability of movement and sonic threads in improvised dance and music. Around the rehearsals and performances, Benedict and I recorded the music presented on this album, a most rewarding session for both of us that we are happy to share here, especially in these times when world events force us to wait for the possibility to meet in person again and discover new threads to tie. I am grateful to Benedict for his enthusiastic response to my invitation and for sharing music, ideas, friendship, whisky and craft beer...\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e~\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Benedict Taylor:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\"I met Yves in 2017 at a concert at Iklectik, London where I was playing at The Horse Improvised Music Club. After my set we chatted about the nature of our work, his background and ongoing work and research in London. We got along and felt it would be a good thing to meet and make some music together in a private setting. Yves invited me to his space where he was living and working as a part of his residency with the Quebec Arts Council.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe connected quickly as both friends and musicians. It was clear to me from the outset that this man had an extraordinary talent as a saxophonist, and a huge pair of ears as a musician, collaborator and a human. A superb listener and playing partner, and importantly a deeply questioning and challenging collaborator.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe knew it would be a good thing to continue working together in some way, though, as is often the case with connections within our musical sphere, we had to figure out some challenging logistics – in this case the Atlantic Ocean. That said after some time talking over distance, discussing ideas and attempts at regrouping – in Berlin, in London, in Canada – Yves was able to invite me for a project in Montreal in the Winter of 2019, playing and recording together as a duo, and collaborating as a trio with the wonderful contemporary dancer Alanna Kraaijeveld.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis album is part of our ongoing dialogue. The continuing musical thread. A knot for us to hold on to for a moment as we prepare to jump back in, and keep weaving.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e~\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eArtist bio:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eCanadian saxophonist Yves Charuest (1960) has been active since the 1980s on the local improvised music scene, and now, his solo work has recently gained renewed momentum. He has always devoted his creative energy to improvisation in varying forms and contexts: free improvisation, encounters between improvisation and notated material – conventional and graphic notation, verbal instructions –, and ensembles with more apparent stylistic links to free jazz. His approach is characterized by his sense of form and his attention to the sonic properties.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLondon-based violist Benedict Taylor (1982) is one of the leading figures within contemporary composition, modern string performance and improvised music in the British and European new music world. The central focus of his work is in new composition for live performance, film, theatre, contemporary dance, art installation and electro-acoustic composition. In performance, he predominantly works within improvisation, new composition and 20-21. century music. His improvisational works have been released by labels such as Confront, Raw Tonk or Weekertoft.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Yves Charuest \/ Benedict Taylor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions \u003c\/span\u003e\u003c\/p\u003e"}
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カナダのサックス奏者Yves Charuestと、イギリスのバイオリニストBenedict Taylorが、2021年6月にスロベニアのインプロレーベルInexhaustible Editionsからリリースした共作CDです。 ガチンコインプロ〜フリージャズ5曲を収録。6面デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Inexhaustable Editions releases available at...
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{"id":7444530200826,"title":"Peter Ablinger \/\/ An den Mond CD","handle":"peter-ablinger-an-den-mond-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストリアの実験音楽家／ピアニストPeter Ablingerが、\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年9月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible EditionsからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eブルガリアのバイオリニスト\u003cmeta charset=\"utf-8\"\u003eBiliana Voutchkovaが声とバイオリンで演奏したコンテンポラリー・ドローン作品です\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e。デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2952563781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eThe composition “An den Mond \/ To the Moon” consists of 16 short items, magic spells, for voice and violin, most of them layered (up to 31 layers; and in item 9 also an old zither plays a role).\u003cbr\u003e\u003cbr\u003eArtist statement by Peter Ablinger:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eIt was winter in Berlin, in the midst of the dark days of the Covid pandemic, a period of intense lockdown. Globally, we were learning how to adapt, to remain flexible, how to preserve our health and spirits. Laszlo and I were in touch regarding something unrelated to this release when he mentioned Peter Ablinger. He knew that we had worked together on multiple occasions, and asked me “…by any chance, do you have anything recorded from the time you were playing the music of Peter Ablinger? I would be extremely interested…” Such perfect timing, as Peter and I had been considering a new collaboration, the creation of a solo piece, this time for violin and voice. I visited him in his studio and, quite naturally, we confirmed our mutual interest to start the work and plan the recording of the new composition in April. We reserved the entire month for us, and Peter prepared this amazing self-made recording booth where, without my knowing it, I was going to be playing and chanting magic spells. By the end of March, the microphones and accompanying equipment were in place and we looked forward to beginning the process. Just a few days before our first meeting, I fell ill. Being conscious of avoiding contact was a must, so sadly, I had to postpone our beginning. Covid thoughts were in the air, and although I wasn’t diagnosed with the virus, it was clear we’d have to wait. Soon after, my son contracted the disease, fortunately, in a light form. Two weeks passed slowly by, half of our designated working time. It was an insular period of care, reflection, acceptance, of longing to reach the other side. And finally, with the illness behind, we began the long awaited process of creation. Peter surprised me with the idea of chanting his realtime, improvised, magic spells. Each day on arrival, he would write them on small scraps of paper. We’d exchange ideas and suggestions, prior to my peacefully playing and chanting for hours in the recording booth. This sequence of short pieces was completed on the day of the so-called “super moon” and, as it has been from the very beginning, clearly we were in symbiosis with a form of intuited universal order. The name of the completed piece, suggested by Peter, came easily to him. I had nothing more to add but smile and embrace “An den Mond” – magic spells for a healthier life.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eArtist bio by Biliana Voutchkova:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003ePeter Ablinger (1959) belongs to the group of contemporary composers who are always searching for the new and unusual in their work and do not understand music as an insular system. Born in Schwanenstadt in Upper Austria, he first attended a school for higher technical education in Linz before he decided to study jazz piano in Graz. A central component of the work of Ablinger, who has been working since 1992 at various universities and institutes as a visiting lecturer-professor, is formed by 'investigation of basic conditions of listening'. Currently he lives in Berlin.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eViolinist Biliana Voutchkova (1972) is a devoted interdisciplinary performer, composer, improviser and curator. Her constant creative research spans the widest possible range of sound, movement and vision. Her extended sonic, technical and physical capacities evolved into the development of a highly individual artistic language. Based between Berlin and her rural residency on the Black Sea coast of Bulgaria, she works internationally as a soloist, in group and collaborative settings, and with renowned ensembles such as Ensemble Modern or Zeitkratzer.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Peter Ablinger\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-12T16:15:33+09:00","created_at":"2021-11-12T10:46:39+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","Inexhaustible Editions","jazz","recommended"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42043323646202,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Peter Ablinger \/\/ An den Mond CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/an1_83308c77-cd0c-4a6f-9aa2-f3f2a04210d9.jpg?v=1636681601","\/\/tobirarecords.com\/cdn\/shop\/products\/an2_734c2b3d-631b-4070-ae9b-92f5ea22d1d3.jpg?v=1636681602"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/an1_83308c77-cd0c-4a6f-9aa2-f3f2a04210d9.jpg?v=1636681601","options":["Title"],"media":[{"alt":null,"id":26906268664058,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an1_83308c77-cd0c-4a6f-9aa2-f3f2a04210d9.jpg?v=1636681601"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an1_83308c77-cd0c-4a6f-9aa2-f3f2a04210d9.jpg?v=1636681601","width":700},{"alt":null,"id":26906268696826,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an2_734c2b3d-631b-4070-ae9b-92f5ea22d1d3.jpg?v=1636681602"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an2_734c2b3d-631b-4070-ae9b-92f5ea22d1d3.jpg?v=1636681602","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストリアの実験音楽家／ピアニストPeter Ablingerが、\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年9月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible EditionsからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eブルガリアのバイオリニスト\u003cmeta charset=\"utf-8\"\u003eBiliana Voutchkovaが声とバイオリンで演奏したコンテンポラリー・ドローン作品です\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e。デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2952563781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eThe composition “An den Mond \/ To the Moon” consists of 16 short items, magic spells, for voice and violin, most of them layered (up to 31 layers; and in item 9 also an old zither plays a role).\u003cbr\u003e\u003cbr\u003eArtist statement by Peter Ablinger:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eIt was winter in Berlin, in the midst of the dark days of the Covid pandemic, a period of intense lockdown. Globally, we were learning how to adapt, to remain flexible, how to preserve our health and spirits. Laszlo and I were in touch regarding something unrelated to this release when he mentioned Peter Ablinger. He knew that we had worked together on multiple occasions, and asked me “…by any chance, do you have anything recorded from the time you were playing the music of Peter Ablinger? I would be extremely interested…” Such perfect timing, as Peter and I had been considering a new collaboration, the creation of a solo piece, this time for violin and voice. I visited him in his studio and, quite naturally, we confirmed our mutual interest to start the work and plan the recording of the new composition in April. We reserved the entire month for us, and Peter prepared this amazing self-made recording booth where, without my knowing it, I was going to be playing and chanting magic spells. By the end of March, the microphones and accompanying equipment were in place and we looked forward to beginning the process. Just a few days before our first meeting, I fell ill. Being conscious of avoiding contact was a must, so sadly, I had to postpone our beginning. Covid thoughts were in the air, and although I wasn’t diagnosed with the virus, it was clear we’d have to wait. Soon after, my son contracted the disease, fortunately, in a light form. Two weeks passed slowly by, half of our designated working time. It was an insular period of care, reflection, acceptance, of longing to reach the other side. And finally, with the illness behind, we began the long awaited process of creation. Peter surprised me with the idea of chanting his realtime, improvised, magic spells. Each day on arrival, he would write them on small scraps of paper. We’d exchange ideas and suggestions, prior to my peacefully playing and chanting for hours in the recording booth. This sequence of short pieces was completed on the day of the so-called “super moon” and, as it has been from the very beginning, clearly we were in symbiosis with a form of intuited universal order. The name of the completed piece, suggested by Peter, came easily to him. I had nothing more to add but smile and embrace “An den Mond” – magic spells for a healthier life.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eArtist bio by Biliana Voutchkova:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003ePeter Ablinger (1959) belongs to the group of contemporary composers who are always searching for the new and unusual in their work and do not understand music as an insular system. Born in Schwanenstadt in Upper Austria, he first attended a school for higher technical education in Linz before he decided to study jazz piano in Graz. A central component of the work of Ablinger, who has been working since 1992 at various universities and institutes as a visiting lecturer-professor, is formed by 'investigation of basic conditions of listening'. Currently he lives in Berlin.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eViolinist Biliana Voutchkova (1972) is a devoted interdisciplinary performer, composer, improviser and curator. Her constant creative research spans the widest possible range of sound, movement and vision. Her extended sonic, technical and physical capacities evolved into the development of a highly individual artistic language. Based between Berlin and her rural residency on the Black Sea coast of Bulgaria, she works internationally as a soloist, in group and collaborative settings, and with renowned ensembles such as Ensemble Modern or Zeitkratzer.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Peter Ablinger\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e"}
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オーストリアの実験音楽家／ピアニストPeter Ablingerが、2021年9月にスロベニアのインプロレーベルInexhaustible EditionsからリリースしたCDです。 ブルガリアのバイオリニストBiliana Voutchkovaが声とバイオリンで演奏したコンテンポラリー・ドローン作品です。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Inexhaustable Editions releases available at...
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{"id":7444488454394,"title":"Judith Wegmann \/ Bruno Duplant \/\/ Univers Parallèles CD","handle":"judith-wegmann-bruno-duplant-univers-paralleles-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスイスのピアニストJudith Wegmannと、フランスのドローン作家Bruno Duplantが、\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年8月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eピアノとドローンが融和した23分のセット2曲を収録。6面デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=707752903\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eJudith Wegmann: piano\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBruno Duplant: sounds and electronics\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSwiss pianist Judith Wegmann (1975) started to play the piano at the age of six. As a classical player she performs on stage on a regular basis and in different chamber music formations. Her ability to switch between different genres allows her to engage in classical, contemporary as well as improvisation-based projects. She frequently conceptualizes concert programs, taking management responsibilities from the early stages of planning to the public performance\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Her first three critically acclaimed solo piano releases were issued by hat[now]ART\/ezz-thetics.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor prolific composer, improviser and multi-instrumentalist Bruno Duplant (1968) composing, improvising and playing music is similar to imagining, creating, and sometimes decomposing new spaces\/realities and new entities. But it is also a reflection on memory, not the historic one, but memories of things, spaces and moments. His music – strongly inspired by writings of Gaston Bachelard and Francis Ponge, and by composers such as Cage, Luc Ferrari, Eliane Radigue or Rolf Julius – is imbued with sweet melancholy. For some time, his photographic practice and poetry join his musical practice – in many crossings, for many exchanges.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Judith Wegmann \/ Bruno Duplant\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-12T15:55:50+09:00","created_at":"2021-11-12T10:38:31+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","Inexhaustible Editions","jazz"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42043250278650,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Judith Wegmann \/ Bruno Duplant \/\/ Univers Parallèles CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_5a86ea5e-c88e-4818-92f0-0cf90c6cb5c1.jpg?v=1636681113","\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_c1a7ef62-160c-4214-8225-a5b73c71533a.jpg?v=1636681114","\/\/tobirarecords.com\/cdn\/shop\/products\/pa3_a5351cbc-8d5c-4e4b-a035-84f764fa89b5.jpg?v=1636681113"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_5a86ea5e-c88e-4818-92f0-0cf90c6cb5c1.jpg?v=1636681113","options":["Title"],"media":[{"alt":null,"id":26906218070266,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_5a86ea5e-c88e-4818-92f0-0cf90c6cb5c1.jpg?v=1636681113"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_5a86ea5e-c88e-4818-92f0-0cf90c6cb5c1.jpg?v=1636681113","width":700},{"alt":null,"id":26906218103034,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_c1a7ef62-160c-4214-8225-a5b73c71533a.jpg?v=1636681114"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_c1a7ef62-160c-4214-8225-a5b73c71533a.jpg?v=1636681114","width":1200},{"alt":null,"id":26906218135802,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa3_a5351cbc-8d5c-4e4b-a035-84f764fa89b5.jpg?v=1636681113"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa3_a5351cbc-8d5c-4e4b-a035-84f764fa89b5.jpg?v=1636681113","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスイスのピアニストJudith Wegmannと、フランスのドローン作家Bruno Duplantが、\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年8月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eピアノとドローンが融和した23分のセット2曲を収録。6面デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=707752903\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eJudith Wegmann: piano\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBruno Duplant: sounds and electronics\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSwiss pianist Judith Wegmann (1975) started to play the piano at the age of six. As a classical player she performs on stage on a regular basis and in different chamber music formations. Her ability to switch between different genres allows her to engage in classical, contemporary as well as improvisation-based projects. She frequently conceptualizes concert programs, taking management responsibilities from the early stages of planning to the public performance\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Her first three critically acclaimed solo piano releases were issued by hat[now]ART\/ezz-thetics.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor prolific composer, improviser and multi-instrumentalist Bruno Duplant (1968) composing, improvising and playing music is similar to imagining, creating, and sometimes decomposing new spaces\/realities and new entities. But it is also a reflection on memory, not the historic one, but memories of things, spaces and moments. His music – strongly inspired by writings of Gaston Bachelard and Francis Ponge, and by composers such as Cage, Luc Ferrari, Eliane Radigue or Rolf Julius – is imbued with sweet melancholy. For some time, his photographic practice and poetry join his musical practice – in many crossings, for many exchanges.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Judith Wegmann \/ Bruno Duplant\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e"}
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スイスのピアニストJudith Wegmannと、フランスのドローン作家Bruno Duplantが、2021年8月にスロベニアのインプロレーベルInexhaustible Editionsからリリースした共作CD。 ピアノとドローンが融和した23分のセット2曲を収録。6面デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Inexhaustable Editions releases available at...
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{"id":7440173203706,"title":"Of Habit \/\/ Viable Device LP","handle":"of-habit-viable-device-lp","description":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルIndex Clean作品を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、過去にEntr'acteなどから発表しているイギリスの音響作家Of Habit\u003cspan data-mce-fragment=\"1\"\u003eが、2019年に100部限定でリリースしたレコードです\u003c\/span\u003e。\u003c\/p\u003e\n\u003cp\u003eスポークンワード〜コラージュドローン・テクノ11曲を収録。DLコード付属。マスタリングはJoe Taliaが担当しています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=451216620\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003ehere\u003c\/a\u003e to see more Index Clean releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e2017-18 work from Gary Myles (Spoils \u0026amp; Relics). Viable Device follows Extended Technique (Entr’acte 2017) and Empty Gesture (in collaboration with Dane Law) (Opal Tapes 2018). Cover art by Kieron Piercy. Mastered by Joe Talia. 12\" regular weight black vinyl.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Of Habit\u003c\/p\u003e\n\u003cp\u003eLabel :\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e Index Clean\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-10T15:16:26+09:00","created_at":"2021-11-10T13:01:50+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","index clean","lp","monooto","techno \/ house"],"price":328000,"price_min":328000,"price_max":328000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42031780299002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Of Habit \/\/ Viable Device LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/de1_039f8e6c-2465-4513-b8b9-efc833cc2823.jpg?v=1636516911","\/\/tobirarecords.com\/cdn\/shop\/products\/de2_ac97728c-e99c-4e0d-9bee-61643cd523a0.jpg?v=1636516912"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_039f8e6c-2465-4513-b8b9-efc833cc2823.jpg?v=1636516911","options":["Title"],"media":[{"alt":null,"id":26890728931578,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_039f8e6c-2465-4513-b8b9-efc833cc2823.jpg?v=1636516911"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_039f8e6c-2465-4513-b8b9-efc833cc2823.jpg?v=1636516911","width":700},{"alt":null,"id":26890728964346,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_ac97728c-e99c-4e0d-9bee-61643cd523a0.jpg?v=1636516912"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_ac97728c-e99c-4e0d-9bee-61643cd523a0.jpg?v=1636516912","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルIndex Clean作品を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、過去にEntr'acteなどから発表しているイギリスの音響作家Of Habit\u003cspan data-mce-fragment=\"1\"\u003eが、2019年に100部限定でリリースしたレコードです\u003c\/span\u003e。\u003c\/p\u003e\n\u003cp\u003eスポークンワード〜コラージュドローン・テクノ11曲を収録。DLコード付属。マスタリングはJoe Taliaが担当しています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=451216620\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003ehere\u003c\/a\u003e to see more Index Clean releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e2017-18 work from Gary Myles (Spoils \u0026amp; Relics). Viable Device follows Extended Technique (Entr’acte 2017) and Empty Gesture (in collaboration with Dane Law) (Opal Tapes 2018). Cover art by Kieron Piercy. Mastered by Joe Talia. 12\" regular weight black vinyl.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Of Habit\u003c\/p\u003e\n\u003cp\u003eLabel :\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e Index Clean\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":7440166093050,"title":"Red Wine and Sugar \/\/ Donkeys Are Led by Donkeys 10\"","handle":"red-wine-and-sugar-donkeys-are-led-by-donkeys-lp","description":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルIndex Clean作品を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、レーベルオーナーMark Grovesと音響作家Samaan Fieckによる物音スポークンワードデュオRed Wine and Sugarが\u003cspan data-mce-fragment=\"1\"\u003e、2021年7月にリリースした10\"です\u003c\/span\u003e。\u003c\/p\u003e\n\u003cp\u003eスポークンワード・コラージュドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1160467595\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003ehere\u003c\/a\u003e to see more Index Clean releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNew work from the duo of Samaan Fieck and Mark Groves, generated during Victoria's extended COVID-19 lockdowns in 2020. 'Donkeys Are Led by Donkeys' is mixed and manipulated on the B-side by Mattias Gustafsson (Altar of Flies).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e_____\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Red Wine and Sugar is the collaborative project of Samaan Fieck (music\/sound) and Mark Groves (voice\/text). Both have been active as part of innumerable projects in the Australian underground music scene for many years: Groves as frontman for noise punks True Radical Miracle, in power electronics projects such as Dead Boomers and Absoluten Calfeutrail, and, most recently, in the woozy tape loops and colloquial soliloquies of his solo project Absurd Cosmos Late Nite; Fieck as a shadowy presence on guitar and sundries, shaping the explosive noise outbursts of Smash Tennis, the post-Dead C basement jams of outfits such as Ghost Gums, and the deconstructed rock moves of Where Were You at Lunch.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs gratifying as these projects have been, Red Wine and Sugar is where Fieck and Groves follow their respective muses furthest down the rabbit hole, occasionally surfacing to offer up another slice of their radically idiosyncratic combination of drily delivered\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e text and concrète sound. Groves’ close-miked voice delivers a fragmentary litany of closely-observed suburban aperçus, touching on diets quickly abandoned, insomnia, peak-hour commutes, and the anxiety of the everyday. Occupying an uncomfortable position somewhere between ironic distance and earnest confession, his words capture the lowest rung of a ‘general all-purpose experience – like those stretch socks that fit all sizes’ (John Ashbery). These words are woven into Fieck’s intricate sound works, meticulously edited and detail-rich environments that touch on classic electroacoustic techniques, gritty tape-trader underground moves, and distant strains of drum machines and synth that pay tribute to the great works of 80’s art pop (Kate Bush, Peter Gabriel, Jane Siberry).\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e-Francis Plagne\u003cbr\u003eSeptember 2019\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Red Wine and Sugar\u003c\/p\u003e\n\u003cp\u003eLabel : Index Clean\u003c\/p\u003e","published_at":"2021-11-10T15:25:06+09:00","created_at":"2021-11-10T12:53:22+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","index clean","lp","monooto"],"price":228000,"price_min":228000,"price_max":228000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42031771713786,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Red Wine and Sugar \/\/ Donkeys Are Led by Donkeys 10\"","public_title":null,"options":["Default Title"],"price":228000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/do1_c43039f4-d14a-4196-9a77-ca09a50b46ea.jpg?v=1636516404","\/\/tobirarecords.com\/cdn\/shop\/products\/do2_afa52245-4fd6-4a21-9783-41c0cd62b0b6.jpg?v=1636516404"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_c43039f4-d14a-4196-9a77-ca09a50b46ea.jpg?v=1636516404","options":["Title"],"media":[{"alt":null,"id":26890683384058,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_c43039f4-d14a-4196-9a77-ca09a50b46ea.jpg?v=1636516404"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_c43039f4-d14a-4196-9a77-ca09a50b46ea.jpg?v=1636516404","width":700},{"alt":null,"id":26890683416826,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do2_afa52245-4fd6-4a21-9783-41c0cd62b0b6.jpg?v=1636516404"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do2_afa52245-4fd6-4a21-9783-41c0cd62b0b6.jpg?v=1636516404","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルIndex Clean作品を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、レーベルオーナーMark Grovesと音響作家Samaan Fieckによる物音スポークンワードデュオRed Wine and Sugarが\u003cspan data-mce-fragment=\"1\"\u003e、2021年7月にリリースした10\"です\u003c\/span\u003e。\u003c\/p\u003e\n\u003cp\u003eスポークンワード・コラージュドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1160467595\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003ehere\u003c\/a\u003e to see more Index Clean releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNew work from the duo of Samaan Fieck and Mark Groves, generated during Victoria's extended COVID-19 lockdowns in 2020. 'Donkeys Are Led by Donkeys' is mixed and manipulated on the B-side by Mattias Gustafsson (Altar of Flies).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e_____\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Red Wine and Sugar is the collaborative project of Samaan Fieck (music\/sound) and Mark Groves (voice\/text). Both have been active as part of innumerable projects in the Australian underground music scene for many years: Groves as frontman for noise punks True Radical Miracle, in power electronics projects such as Dead Boomers and Absoluten Calfeutrail, and, most recently, in the woozy tape loops and colloquial soliloquies of his solo project Absurd Cosmos Late Nite; Fieck as a shadowy presence on guitar and sundries, shaping the explosive noise outbursts of Smash Tennis, the post-Dead C basement jams of outfits such as Ghost Gums, and the deconstructed rock moves of Where Were You at Lunch.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs gratifying as these projects have been, Red Wine and Sugar is where Fieck and Groves follow their respective muses furthest down the rabbit hole, occasionally surfacing to offer up another slice of their radically idiosyncratic combination of drily delivered\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e text and concrète sound. Groves’ close-miked voice delivers a fragmentary litany of closely-observed suburban aperçus, touching on diets quickly abandoned, insomnia, peak-hour commutes, and the anxiety of the everyday. Occupying an uncomfortable position somewhere between ironic distance and earnest confession, his words capture the lowest rung of a ‘general all-purpose experience – like those stretch socks that fit all sizes’ (John Ashbery). These words are woven into Fieck’s intricate sound works, meticulously edited and detail-rich environments that touch on classic electroacoustic techniques, gritty tape-trader underground moves, and distant strains of drum machines and synth that pay tribute to the great works of 80’s art pop (Kate Bush, Peter Gabriel, Jane Siberry).\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e-Francis Plagne\u003cbr\u003eSeptember 2019\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Red Wine and Sugar\u003c\/p\u003e\n\u003cp\u003eLabel : Index Clean\u003c\/p\u003e"}
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オーストラリア・メルボルンの実験レーベルIndex Clean作品を入荷しました。 本作は、レーベルオーナーMark Grovesと音響作家Samaan Fieckによる物音スポークンワードデュオRed Wine and Sugarが、2021年7月にリリースした10"です。 スポークンワード・コラージュドローン2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Index...
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{"id":7348777910522,"title":"Roberta Lazo Valenzuela \/\/ Indoors TAPE","handle":"roberta-lazo-valenzuela-indoors-tape","description":"\u003cp\u003eチリの実験音楽家Roberta Lazo Valenzuelaが、2021年10月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eノルウェー・オスロの実験レーベルBreton Cassetteから\u003c\/span\u003e30部限定でリリースした最新カセット。\u003c\/p\u003e\n\u003cp\u003e身近な生活用品や声などを用いた物音〜コンテンポラリー9曲を収録。\u003c\/p\u003e\n\u003cp\u003e一点一点異なる\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e彫刻作品\u003c\/span\u003e、 木箱、DLコードが付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※作品の形状上、佐川急便（550円)での発送となります。レコードやカセット、CD等いくら追加いただいても同額にて発送いたします。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=19466081\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/breton\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/breton\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eBreton Cassette releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“Indoors” comes in a limited edition of 30. The cassette slides into the slot of a hand-made wooden box, which exposes through a cavity in the backside a small sculpture. Each sculpture and wooden box is unique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003eBreton Cassette:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e“Indoors” is a sight for the eye and a good listen for the ears! The release consists of a 9 track cassette and a hand-made wooden box containing a unique sculpture. The tracks alternate between voice pieces and field recordings, where we are immersed in Roberta’s inner and outer world.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile listening to washing machines, walks in the garden and kitchen sounds, the music transports us to different rooms in a home. Abruptly, the thick and yet fragile masses of voices take over and we are taken out of this state and into an abstract train of thoughts. “Indoors” deals with this inner and outer world, jumping from one to the other in an intimate sound experience that encourages us to connect with our own routine and the inner-self.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRoberta is a Chilean composer and visual artist living in Austria. Her studies include: bachelor's degree in composition in Chile, a master's degree in Composition in Linz, a master's degree in TransArts in Vienna, and exchange semester in Oslo. It was during the exchange semester at the Oslo Academy of the Arts that we met and started working\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e together.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRoberta works with music, sound art, installation, video, animation, paper art, painting and collage. She is interested in the relationship with the self, our background and the context we live in. In her research she is concerned with the things that are hidden in the repetitive and trivial of everyday life activities. The subtlety of everyday events: moments, daily routines and activities give her motives for her diverse practice where intertwining events provides inspiration for images and sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Indoors” comes in a limited edition of 30. The cassette slides into the slot of a hand-made wooden box, which exposes through a cavity in the backside a small sculpture. Each sculpture and wooden box is unique.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Roberta Lazo Valenzuela\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBreton Cassette\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-10-30T18:17:05+09:00","created_at":"2021-10-30T10:41:04+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Breton Cassette","contemporary \/ sound poetry","monooto","recommended","tape"],"price":598000,"price_min":598000,"price_max":598000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41938701910266,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Roberta Lazo Valenzuela \/\/ Indoors TAPE","public_title":null,"options":["Default Title"],"price":598000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/in1_aeae5e47-6f8a-47ea-abc5-c3d971707f95.jpg?v=1635558066","\/\/tobirarecords.com\/cdn\/shop\/products\/in2_58da7391-2d9e-4036-befe-76af564ad167.jpg?v=1635558066","\/\/tobirarecords.com\/cdn\/shop\/products\/in3_91106b0a-e9f0-4f04-a9ab-8cea1baa8657.jpg?v=1635558065","\/\/tobirarecords.com\/cdn\/shop\/products\/in4.jpg?v=1635558065"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_aeae5e47-6f8a-47ea-abc5-c3d971707f95.jpg?v=1635558066","options":["Title"],"media":[{"alt":null,"id":25550188904698,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_aeae5e47-6f8a-47ea-abc5-c3d971707f95.jpg?v=1635558066"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_aeae5e47-6f8a-47ea-abc5-c3d971707f95.jpg?v=1635558066","width":700},{"alt":null,"id":25550188937466,"position":2,"preview_image":{"aspect_ratio":0.667,"height":1200,"width":800,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_58da7391-2d9e-4036-befe-76af564ad167.jpg?v=1635558066"},"aspect_ratio":0.667,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_58da7391-2d9e-4036-befe-76af564ad167.jpg?v=1635558066","width":800},{"alt":null,"id":25550188970234,"position":3,"preview_image":{"aspect_ratio":0.667,"height":1200,"width":800,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in3_91106b0a-e9f0-4f04-a9ab-8cea1baa8657.jpg?v=1635558065"},"aspect_ratio":0.667,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in3_91106b0a-e9f0-4f04-a9ab-8cea1baa8657.jpg?v=1635558065","width":800},{"alt":null,"id":25550189003002,"position":4,"preview_image":{"aspect_ratio":0.667,"height":1200,"width":800,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in4.jpg?v=1635558065"},"aspect_ratio":0.667,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in4.jpg?v=1635558065","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eチリの実験音楽家Roberta Lazo Valenzuelaが、2021年10月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eノルウェー・オスロの実験レーベルBreton Cassetteから\u003c\/span\u003e30部限定でリリースした最新カセット。\u003c\/p\u003e\n\u003cp\u003e身近な生活用品や声などを用いた物音〜コンテンポラリー9曲を収録。\u003c\/p\u003e\n\u003cp\u003e一点一点異なる\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e彫刻作品\u003c\/span\u003e、 木箱、DLコードが付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※作品の形状上、佐川急便（550円)での発送となります。レコードやカセット、CD等いくら追加いただいても同額にて発送いたします。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=19466081\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/breton\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/breton\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eBreton Cassette releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“Indoors” comes in a limited edition of 30. The cassette slides into the slot of a hand-made wooden box, which exposes through a cavity in the backside a small sculpture. Each sculpture and wooden box is unique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003eBreton Cassette:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e“Indoors” is a sight for the eye and a good listen for the ears! The release consists of a 9 track cassette and a hand-made wooden box containing a unique sculpture. The tracks alternate between voice pieces and field recordings, where we are immersed in Roberta’s inner and outer world.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile listening to washing machines, walks in the garden and kitchen sounds, the music transports us to different rooms in a home. Abruptly, the thick and yet fragile masses of voices take over and we are taken out of this state and into an abstract train of thoughts. “Indoors” deals with this inner and outer world, jumping from one to the other in an intimate sound experience that encourages us to connect with our own routine and the inner-self.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRoberta is a Chilean composer and visual artist living in Austria. Her studies include: bachelor's degree in composition in Chile, a master's degree in Composition in Linz, a master's degree in TransArts in Vienna, and exchange semester in Oslo. It was during the exchange semester at the Oslo Academy of the Arts that we met and started working\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e together.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRoberta works with music, sound art, installation, video, animation, paper art, painting and collage. She is interested in the relationship with the self, our background and the context we live in. In her research she is concerned with the things that are hidden in the repetitive and trivial of everyday life activities. The subtlety of everyday events: moments, daily routines and activities give her motives for her diverse practice where intertwining events provides inspiration for images and sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Indoors” comes in a limited edition of 30. The cassette slides into the slot of a hand-made wooden box, which exposes through a cavity in the backside a small sculpture. Each sculpture and wooden box is unique.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Roberta Lazo Valenzuela\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBreton Cassette\u003c\/span\u003e\u003c\/p\u003e"}
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チリの実験音楽家Roberta Lazo Valenzuelaが、2021年10月にノルウェー・オスロの実験レーベルBreton Cassetteから30部限定でリリースした最新カセット。 身近な生活用品や声などを用いた物音〜コンテンポラリー9曲を収録。 一点一点異なる彫刻作品、 木箱、DLコードが付属。廃盤です。 ※作品の形状上、佐川急便（550円)での発送となります。レコードやカセット、CD等いくら追加いただいても同額にて発送いたします。 レーベルその他作品はこちら /// Click here to see more Breton Cassette releases...
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{"id":7348557218042,"title":"Dj Marcelle \/ Another Nice Mess \/\/ European Union Discussing Vaccine Distribution TAPE+3D PRINT","handle":"djmar","description":"\u003cp\u003eオランダ・アムステルダムの鬼才DJ Marcelle \/ Another Nice Messが、2021年9月にドイツ・フランクフルトの新生レーベルWheel Of Fortuneからリリースしたミックステープ。\u003c\/p\u003e\n\u003cp\u003eターンテーブル3台とオープンリール1台で一発録りした激ヤバミックスです。コラージュからノイズ〜サウンドポエトリーへと変な音楽が紡がれていく60分を収録。DLコード付属。特殊3Dプリントケース仕様です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e※ケースの形状上、佐川急便（550円)での発送となります。レコードやCD、カセットいくらでも同梱可能ですのでまとめ買いがおトクです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1150138828\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec4\" href=\"https:\/\/soundcloud.com\/user-249530843\" target=\"_blank\"\u003etobirec4\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Djmarpreview\" href=\"https:\/\/soundcloud.com\/user-249530843\/djmarpreview\" target=\"_blank\"\u003eDjmarpreview\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecorded in one take with three turntables and one reel-to-reel machine.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA comissioned work for \"Tonfunktion - Festival für Gebrauchsmusik\" Mousonturm Frankfurt, 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Dj Marcelle \/ Another Nice Mess\u003c\/p\u003e\n\u003cp\u003elabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWheel Of Fortune\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-10-29T19:26:51+09:00","created_at":"2021-10-29T19:19:46+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","monooto","strange beats","tape"],"price":195000,"price_min":195000,"price_max":195000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41937645666554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Dj Marcelle \/ Another Nice Mess \/\/ European Union Discussing Vaccine Distribution TAPE+3D PRINT","public_title":null,"options":["Default Title"],"price":195000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2503530062_16.jpg?v=1635502788","\/\/tobirarecords.com\/cdn\/shop\/products\/0026156513_10.jpg?v=1635502788"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2503530062_16.jpg?v=1635502788","options":["Title"],"media":[{"alt":null,"id":25547496423674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2503530062_16.jpg?v=1635502788"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2503530062_16.jpg?v=1635502788","width":700},{"alt":null,"id":25547496456442,"position":2,"preview_image":{"aspect_ratio":2.0,"height":600,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0026156513_10.jpg?v=1635502788"},"aspect_ratio":2.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0026156513_10.jpg?v=1635502788","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダ・アムステルダムの鬼才DJ Marcelle \/ Another Nice Messが、2021年9月にドイツ・フランクフルトの新生レーベルWheel Of Fortuneからリリースしたミックステープ。\u003c\/p\u003e\n\u003cp\u003eターンテーブル3台とオープンリール1台で一発録りした激ヤバミックスです。コラージュからノイズ〜サウンドポエトリーへと変な音楽が紡がれていく60分を収録。DLコード付属。特殊3Dプリントケース仕様です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e※ケースの形状上、佐川急便（550円)での発送となります。レコードやCD、カセットいくらでも同梱可能ですのでまとめ買いがおトクです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1150138828\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec4\" href=\"https:\/\/soundcloud.com\/user-249530843\" target=\"_blank\"\u003etobirec4\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Djmarpreview\" href=\"https:\/\/soundcloud.com\/user-249530843\/djmarpreview\" target=\"_blank\"\u003eDjmarpreview\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecorded in one take with three turntables and one reel-to-reel machine.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA comissioned work for \"Tonfunktion - Festival für Gebrauchsmusik\" Mousonturm Frankfurt, 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Dj Marcelle \/ Another Nice Mess\u003c\/p\u003e\n\u003cp\u003elabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWheel Of Fortune\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":7342588690682,"title":"The Gerogerigegege \/\/ 直美のオナニーと若草寮案内 TAPE (IN WOODEN BOX)","handle":"the-gerogerigegege-直美のオナニーと若草寮案内-tape","description":"\u003cp\u003e ※ボックスの形状上、佐川急便（550円)での発送となります。レコード何枚でも同額にて発送いたします。\u003c\/p\u003e\n\u003cp\u003e東京の大御所ノイズ〜ロック作家The Gerogerigegegeによる幻の作品をイタリアのノイズレーベルUrashimaがカセットで再発。既成のエロテープをほぼ加工無しで使用しているそうですが、彼のサウンドになっているのはその卑猥さのせいかもしれません。\u003c\/p\u003e\n\u003cp\u003e レーザー彫刻入りの木製ボックスにEIJI YAGINUMAによる英語\u0026amp;日本語ライナーノートが付属。ナンバリング入り。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eUrashimaその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/urashima\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/urashima\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/urashima\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/urashima\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eUrashima releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200. \u003cbr\u003eSingle side C-60 cassette comes inside an elegant black wooden box with laser engraving and magnetic closure with numbered certificate. Includes extensive liner notes in English and Japanese by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEiji Yaginuma and a double face A4 insert.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by Urashima:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eAlways ahead of the curve, bringing seminal lost works back into centre of our consciousness, we have done it again. A true joy in listening and historically as important as they come, their first ever reissue of \u003cstrong data-mce-fragment=\"1\"\u003eThe Gerogerigegege\u003c\/strong\u003e, 直美のオナニーと若草寮案内 RE-ISSUE'' (\"Naomi's Masturbation and Wakakusa Dormitory Guide RE-ISSUE'), turns everything on its head (and not only that) and is not to be missed. This carelessness and the unintentionally time-deteriorated, rough sound quality, all of these barbaric elements, are inevitably related and composed in an orderly manner.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is where I find the perfection of this form of expression. There is no doubt that this work is filled with the creepiness and stench that can appear only because there is no artifice, intentional design, manipulation of information, or any unnaturalness at all.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘’The sound source for this album was pre-existing ero cassettes. Apparently, Yamanouchi did not change the sound of the cassettes at all, and yet the sound of the album is the sound of GeroGeri. The first reason is that the ‘obscenity’ that can be felt in Gerogeri's worldview and the obscene worldview of the ero cassette are very similar. As we look over Gerogeri's catalogue of past work, it is clear that obscenity is one of the major elements that make up Gerogeri's world. The many empty and meaningless sounds contained in the ero cassettes are also distorted by the 'noise' that is a byproduct of poor recording conditions. In addition, the mental pictures conjured by 'closed rooms' and 'men and women' combine to transform the sound into something mysterious and obscene.’’ Eiji Yaginuma 2021\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis single side C-60 cassette is conveniently placed in a foam rubber seat and comes inside an elegant black wooden box with laser engraving and magnetic closure with a numbered certificate in 200 copies, two folding with extensive liner notes in English and Japanese by Eiji Yaginuma and a doble face A4 insert. A seminal document, writhing with energy and often primeval animalistic energy, stayed by the control of the narrator, that offers a crucial insight into \u003cstrong data-mce-fragment=\"1\"\u003eGero\u003c\/strong\u003e’s early actions, whether in practice or source, when it can not be easily defined.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Gerogerigegege\u003c\/p\u003e\n\u003cp\u003eLabel : Urashima\u003c\/p\u003e","published_at":"2021-10-23T15:59:25+09:00","created_at":"2021-10-23T15:09:48+09:00","vendor":"Tobira Records","type":"","tags":["asia","contemporary \/ sound poetry","field recording","tape","urashima"],"price":615800,"price_min":615800,"price_max":615800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41913402491130,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"The Gerogerigegege \/\/ 直美のオナニーと若草寮案内 TAPE (IN WOODEN BOX)","public_title":null,"options":["Default Title"],"price":615800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ge1_73033ee5-688c-4107-98d8-11532b669b6c.jpg?v=1634969390","\/\/tobirarecords.com\/cdn\/shop\/products\/ge2_fc3e5205-9162-42d8-9fd5-228ae0b8fe97.jpg?v=1634969390","\/\/tobirarecords.com\/cdn\/shop\/products\/ge3_44d12c0f-e5d9-4870-bfa5-3de1680efd75.jpg?v=1634969390"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ge1_73033ee5-688c-4107-98d8-11532b669b6c.jpg?v=1634969390","options":["Title"],"media":[{"alt":null,"id":25333326807290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1654,"width":1654,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ge1_73033ee5-688c-4107-98d8-11532b669b6c.jpg?v=1634969390"},"aspect_ratio":1.0,"height":1654,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ge1_73033ee5-688c-4107-98d8-11532b669b6c.jpg?v=1634969390","width":1654},{"alt":null,"id":25333326840058,"position":2,"preview_image":{"aspect_ratio":1.333,"height":450,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ge2_fc3e5205-9162-42d8-9fd5-228ae0b8fe97.jpg?v=1634969390"},"aspect_ratio":1.333,"height":450,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ge2_fc3e5205-9162-42d8-9fd5-228ae0b8fe97.jpg?v=1634969390","width":600},{"alt":null,"id":25333326872826,"position":3,"preview_image":{"aspect_ratio":1.333,"height":450,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ge3_44d12c0f-e5d9-4870-bfa5-3de1680efd75.jpg?v=1634969390"},"aspect_ratio":1.333,"height":450,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ge3_44d12c0f-e5d9-4870-bfa5-3de1680efd75.jpg?v=1634969390","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e ※ボックスの形状上、佐川急便（550円)での発送となります。レコード何枚でも同額にて発送いたします。\u003c\/p\u003e\n\u003cp\u003e東京の大御所ノイズ〜ロック作家The Gerogerigegegeによる幻の作品をイタリアのノイズレーベルUrashimaがカセットで再発。既成のエロテープをほぼ加工無しで使用しているそうですが、彼のサウンドになっているのはその卑猥さのせいかもしれません。\u003c\/p\u003e\n\u003cp\u003e レーザー彫刻入りの木製ボックスにEIJI YAGINUMAによる英語\u0026amp;日本語ライナーノートが付属。ナンバリング入り。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eUrashimaその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/urashima\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/urashima\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/urashima\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/urashima\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eUrashima releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200. \u003cbr\u003eSingle side C-60 cassette comes inside an elegant black wooden box with laser engraving and magnetic closure with numbered certificate. Includes extensive liner notes in English and Japanese by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEiji Yaginuma and a double face A4 insert.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by Urashima:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eAlways ahead of the curve, bringing seminal lost works back into centre of our consciousness, we have done it again. A true joy in listening and historically as important as they come, their first ever reissue of \u003cstrong data-mce-fragment=\"1\"\u003eThe Gerogerigegege\u003c\/strong\u003e, 直美のオナニーと若草寮案内 RE-ISSUE'' (\"Naomi's Masturbation and Wakakusa Dormitory Guide RE-ISSUE'), turns everything on its head (and not only that) and is not to be missed. This carelessness and the unintentionally time-deteriorated, rough sound quality, all of these barbaric elements, are inevitably related and composed in an orderly manner.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is where I find the perfection of this form of expression. There is no doubt that this work is filled with the creepiness and stench that can appear only because there is no artifice, intentional design, manipulation of information, or any unnaturalness at all.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘’The sound source for this album was pre-existing ero cassettes. Apparently, Yamanouchi did not change the sound of the cassettes at all, and yet the sound of the album is the sound of GeroGeri. The first reason is that the ‘obscenity’ that can be felt in Gerogeri's worldview and the obscene worldview of the ero cassette are very similar. As we look over Gerogeri's catalogue of past work, it is clear that obscenity is one of the major elements that make up Gerogeri's world. The many empty and meaningless sounds contained in the ero cassettes are also distorted by the 'noise' that is a byproduct of poor recording conditions. In addition, the mental pictures conjured by 'closed rooms' and 'men and women' combine to transform the sound into something mysterious and obscene.’’ Eiji Yaginuma 2021\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis single side C-60 cassette is conveniently placed in a foam rubber seat and comes inside an elegant black wooden box with laser engraving and magnetic closure with a numbered certificate in 200 copies, two folding with extensive liner notes in English and Japanese by Eiji Yaginuma and a doble face A4 insert. A seminal document, writhing with energy and often primeval animalistic energy, stayed by the control of the narrator, that offers a crucial insight into \u003cstrong data-mce-fragment=\"1\"\u003eGero\u003c\/strong\u003e’s early actions, whether in practice or source, when it can not be easily defined.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Gerogerigegege\u003c\/p\u003e\n\u003cp\u003eLabel : Urashima\u003c\/p\u003e"}
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※ボックスの形状上、佐川急便（550円)での発送となります。レコード何枚でも同額にて発送いたします。 東京の大御所ノイズ〜ロック作家The Gerogerigegegeによる幻の作品をイタリアのノイズレーベルUrashimaがカセットで再発。既成のエロテープをほぼ加工無しで使用しているそうですが、彼のサウンドになっているのはその卑猥さのせいかもしれません。 レーザー彫刻入りの木製ボックスにEIJI YAGINUMAによる英語&日本語ライナーノートが付属。ナンバリング入り。 Urashimaその他作品はこちら /// Click here to see more Urashima releases available at Tobira. ...
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{"id":7340967231738,"title":"Joseph Nechvatal \/\/ Selected Sound Works (1981-2021) TAPE","handle":"joseph-nechvatal-selected-sound-works-1981-2021-tape","description":"\u003cp\u003eアメリカ・NYの音響作家Guido Gamboa主宰レーベルPentimentsの2021年10月最新作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国シカゴの重鎮作家Joseph Nechvatalが過去30年で制作したコラージュ30曲を収録したベストアルバムです。100本限定。DLコード付属。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rNPGoXa0lq4\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/0lXuuz2WRFU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003ehere\u003c\/a\u003e to see more Pentiments releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------ \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 100. F\u003cspan data-mce-fragment=\"1\"\u003eeaturing extensive track notes by Nechvatal and liner notes by Laurent Fairon. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eLaurent Fairon, 2021:\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eThis is an overview of post-conceptual and multimedia artist Joseph Nechvatal’s sound collages and experimental music, from 1980s tape experiments to 21\u003csup\u003est\u003c\/sup\u003e century polymorphous, digital endeavors. Born in Chicago in 1951, Nechvatal studied art and philosophy before relocating to New York City in 1975. During the 1980s, he co-founded the non-profit cultural space ABC NO Rio and avantgarde music series Tellus Audio Cassette Magazine, and took part in many experimental cassette compilations, installation projects and avant-garde live events taking place seemingly everywhere in Lower Manhattan at the time.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e I got interested around 2005, collecting Tellus Audio Cassettes and later archiving and documenting them on Ubuweb and Wikipedia, as well as on my own blog—eventually meeting Joseph personally in Paris around 2008, where he now lives. In retrospect, Nechvatal’s artistic career seems to have been a long tight-rope walk over a variety of epidemics, from AIDS-ridden NYC in the 1980s, to his viractuality concept coined at the end of the century, to today’s COVID-19 catastrophe. It is perhaps only natural, then, that his art deals with viruses, and his music with aural degeneration and sonic necrosis—his own personal view, perhaps, of the transient state of life on Earth.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e The 1980s were a time of joyous, multifarious sound experiments for Nechvatal, from no wave guitar explorations (Dalychtocracy, 1985), to analog synth music (TRUE and FALSE, 1985), onto multiple tape collages. While all three genres are documented in this anthology, it is in rebus-like, caustic sound collages that Nechvatal reveled and found a vehicle for the shit-loads of flotsam sound detritus in his immediate vicinity. Whether coming from records, radio broadcasts, TV commercials, or political speech, for Nechvatal these aural excreta deserved to be transmogrified and dignified through sound art, just like Antonin Artaud elevated caca, or shit, to mythical, ontological status in his writings from the 1930s and ’40s. It is in this sound art Nigredo—the dark, alchemical art of transmutation, according to Carl Jung—that we might find a key to approach Nechvatal’s recent digital sound works as well.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e During the 1992–2002 period, Nechvatal launched his Computer Virus Project for multimedia works created with programming code and auto-generative routines, which led him to exhibit corrupted data as art. From then on, all his work is deemed viral, being based on data manipulation, data corruption and cellular automata. First applied to computer-assisted paintings and video animations, his viractuality concept also ultimately found its way into his music after 2000, with some sound works merely consisting of the sound of a computer virus at work.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e In 21\u003csup\u003est\u003c\/sup\u003e century works, Joseph Nechvatal’s sound art gained density and complexity as he composed longer and increasingly ambitious works. In this respect, the first version of the viral symphOny in 2006 acted as a manifesto and a blueprint for things to come. The viral symphOny is a vast collage of recycled sounds and corrupted audio data given a life of its own by cellular automata procedures and de-generative algorithms, assembled into a constantly shape-shifting, multisonant sound work. A first version was published on CD in 2006, then reworked and reprocessed at various stages in subsequent years, and finally given a complete reshuffle in 2020 under the title OrlandO et la tempête viral symphOny redux suite. During this long incubation period, a team of programmers, AI specialists and sound engineers contributed to the elaboration of the music, which appears to have been cultivated in a sonic Petri dish of some sort, rather than composed in a traditional way.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e The spoken word is also a common fixture in Nechvatal’s sound works from later years, be it found sounds, text-to-speech readings by an automaton, or collaboration with readers in the flesh. Texts include his own space-filling prose poetry, his own cut-and-paste word collages, and excerpts from Classical literature, from Ancient Greek authors to Virginia Woolf and Antonin Artaud. The last few years have also seen a renewed interest in sound collage in association with found sounds and computer viruses, culminating in pour finir avec le jugement de dieu viral symphOny plague in 2021, a brilliant sonic transmutation of Antonin Artaud’s 1947 suppressed radio art piece. For Joseph Nechvatal, there is still a lot of shit to turn into gold, and the dark art of Nigredo remains a never-ending sonic process.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joseph Nechvatal\u003c\/p\u003e\n\u003cp\u003eLabel : Pentiments\u003c\/p\u003e","published_at":"2021-10-22T15:55:27+09:00","created_at":"2021-10-22T14:06:02+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","monooto","Pentiments","tape"],"price":169000,"price_min":169000,"price_max":169000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41910058385658,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Joseph Nechvatal \/\/ Selected Sound Works (1981-2021) TAPE","public_title":null,"options":["Default Title"],"price":169000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_38c485d9-efbd-495b-b1f8-5d54e5ee27cb.jpg?v=1634879164","\/\/tobirarecords.com\/cdn\/shop\/products\/0026414717_10.jpg?v=1634886487"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_38c485d9-efbd-495b-b1f8-5d54e5ee27cb.jpg?v=1634879164","options":["Title"],"media":[{"alt":null,"id":25328777855226,"position":1,"preview_image":{"aspect_ratio":1.634,"height":940,"width":1536,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_38c485d9-efbd-495b-b1f8-5d54e5ee27cb.jpg?v=1634879164"},"aspect_ratio":1.634,"height":940,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_38c485d9-efbd-495b-b1f8-5d54e5ee27cb.jpg?v=1634879164","width":1536},{"alt":null,"id":25329051500794,"position":2,"preview_image":{"aspect_ratio":1.148,"height":1045,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0026414717_10.jpg?v=1634886487"},"aspect_ratio":1.148,"height":1045,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0026414717_10.jpg?v=1634886487","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYの音響作家Guido Gamboa主宰レーベルPentimentsの2021年10月最新作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国シカゴの重鎮作家Joseph Nechvatalが過去30年で制作したコラージュ30曲を収録したベストアルバムです。100本限定。DLコード付属。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rNPGoXa0lq4\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/0lXuuz2WRFU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003ehere\u003c\/a\u003e to see more Pentiments releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------ \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 100. F\u003cspan data-mce-fragment=\"1\"\u003eeaturing extensive track notes by Nechvatal and liner notes by Laurent Fairon. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eLaurent Fairon, 2021:\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eThis is an overview of post-conceptual and multimedia artist Joseph Nechvatal’s sound collages and experimental music, from 1980s tape experiments to 21\u003csup\u003est\u003c\/sup\u003e century polymorphous, digital endeavors. Born in Chicago in 1951, Nechvatal studied art and philosophy before relocating to New York City in 1975. During the 1980s, he co-founded the non-profit cultural space ABC NO Rio and avantgarde music series Tellus Audio Cassette Magazine, and took part in many experimental cassette compilations, installation projects and avant-garde live events taking place seemingly everywhere in Lower Manhattan at the time.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e I got interested around 2005, collecting Tellus Audio Cassettes and later archiving and documenting them on Ubuweb and Wikipedia, as well as on my own blog—eventually meeting Joseph personally in Paris around 2008, where he now lives. In retrospect, Nechvatal’s artistic career seems to have been a long tight-rope walk over a variety of epidemics, from AIDS-ridden NYC in the 1980s, to his viractuality concept coined at the end of the century, to today’s COVID-19 catastrophe. It is perhaps only natural, then, that his art deals with viruses, and his music with aural degeneration and sonic necrosis—his own personal view, perhaps, of the transient state of life on Earth.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e The 1980s were a time of joyous, multifarious sound experiments for Nechvatal, from no wave guitar explorations (Dalychtocracy, 1985), to analog synth music (TRUE and FALSE, 1985), onto multiple tape collages. While all three genres are documented in this anthology, it is in rebus-like, caustic sound collages that Nechvatal reveled and found a vehicle for the shit-loads of flotsam sound detritus in his immediate vicinity. Whether coming from records, radio broadcasts, TV commercials, or political speech, for Nechvatal these aural excreta deserved to be transmogrified and dignified through sound art, just like Antonin Artaud elevated caca, or shit, to mythical, ontological status in his writings from the 1930s and ’40s. It is in this sound art Nigredo—the dark, alchemical art of transmutation, according to Carl Jung—that we might find a key to approach Nechvatal’s recent digital sound works as well.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e During the 1992–2002 period, Nechvatal launched his Computer Virus Project for multimedia works created with programming code and auto-generative routines, which led him to exhibit corrupted data as art. From then on, all his work is deemed viral, being based on data manipulation, data corruption and cellular automata. First applied to computer-assisted paintings and video animations, his viractuality concept also ultimately found its way into his music after 2000, with some sound works merely consisting of the sound of a computer virus at work.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e In 21\u003csup\u003est\u003c\/sup\u003e century works, Joseph Nechvatal’s sound art gained density and complexity as he composed longer and increasingly ambitious works. In this respect, the first version of the viral symphOny in 2006 acted as a manifesto and a blueprint for things to come. The viral symphOny is a vast collage of recycled sounds and corrupted audio data given a life of its own by cellular automata procedures and de-generative algorithms, assembled into a constantly shape-shifting, multisonant sound work. A first version was published on CD in 2006, then reworked and reprocessed at various stages in subsequent years, and finally given a complete reshuffle in 2020 under the title OrlandO et la tempête viral symphOny redux suite. During this long incubation period, a team of programmers, AI specialists and sound engineers contributed to the elaboration of the music, which appears to have been cultivated in a sonic Petri dish of some sort, rather than composed in a traditional way.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e The spoken word is also a common fixture in Nechvatal’s sound works from later years, be it found sounds, text-to-speech readings by an automaton, or collaboration with readers in the flesh. Texts include his own space-filling prose poetry, his own cut-and-paste word collages, and excerpts from Classical literature, from Ancient Greek authors to Virginia Woolf and Antonin Artaud. The last few years have also seen a renewed interest in sound collage in association with found sounds and computer viruses, culminating in pour finir avec le jugement de dieu viral symphOny plague in 2021, a brilliant sonic transmutation of Antonin Artaud’s 1947 suppressed radio art piece. For Joseph Nechvatal, there is still a lot of shit to turn into gold, and the dark art of Nigredo remains a never-ending sonic process.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joseph Nechvatal\u003c\/p\u003e\n\u003cp\u003eLabel : Pentiments\u003c\/p\u003e"}
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アメリカ・NYの音響作家Guido Gamboa主宰レーベルPentimentsの2021年10月最新作を入荷しました。 本作は、同国シカゴの重鎮作家Joseph Nechvatalが過去30年で制作したコラージュ30曲を収録したベストアルバムです。100本限定。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Pentiments releases available at Tobira. ------------------------------ ...
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{"id":7339579343098,"title":"Rene Kita \/\/ Rheingold TAPE","handle":"rene-kita-rheingold-tape","description":"\u003cp\u003eフィンランド孤高のサウンドポエトリー作家Rene Kitaが、2021年9月に70本限定でリリースしたカセットです。キューキュー鳴るおもちゃとの対峙作品です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1120739006\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/artsy\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/artsy\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eArtsy Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLimited edition of 70 cassettes. Two cover art variations: \"serious\" and \"psychedelic\".\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eAn improvised rendition for voice and squeaky toys of the libretto to Rheingold by Richard Wagner. Recorded ten years ago, this was found at last on a back-up disk. Originally released as a digital album by the artist in March 2021.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rene Kita\u003c\/p\u003e\n\u003cp\u003eLabel : Artsy Records\u003c\/p\u003e","published_at":"2021-12-13T06:52:19+09:00","created_at":"2021-10-19T11:07:53+09:00","vendor":"Tobira Records","type":"","tags":["artsy records","contemporary \/ sound poetry","tape"],"price":128000,"price_min":128000,"price_max":128000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41900704760058,"title":"psychedelic (blue\/purple)","option1":"psychedelic (blue\/purple)","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Rene Kita \/\/ Rheingold TAPE - psychedelic (blue\/purple)","public_title":"psychedelic (blue\/purple)","options":["psychedelic (blue\/purple)"],"price":128000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":41900704792826,"title":"serious (grey\/orange)","option1":"serious (grey\/orange)","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Rene Kita \/\/ Rheingold TAPE - serious (grey\/orange)","public_title":"serious (grey\/orange)","options":["serious (grey\/orange)"],"price":128000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/rh1_a5532d98-6b22-4e7c-ac14-fb44cf1a88e8.jpg?v=1634609275","\/\/tobirarecords.com\/cdn\/shop\/products\/rh2_a728e885-ee8f-4fe6-a4b1-e216faec1d6e.jpg?v=1634609275"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/rh1_a5532d98-6b22-4e7c-ac14-fb44cf1a88e8.jpg?v=1634609275","options":["Color"],"media":[{"alt":null,"id":25319948583162,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/rh1_a5532d98-6b22-4e7c-ac14-fb44cf1a88e8.jpg?v=1634609275"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/rh1_a5532d98-6b22-4e7c-ac14-fb44cf1a88e8.jpg?v=1634609275","width":700},{"alt":null,"id":25319948615930,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/rh2_a728e885-ee8f-4fe6-a4b1-e216faec1d6e.jpg?v=1634609275"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/rh2_a728e885-ee8f-4fe6-a4b1-e216faec1d6e.jpg?v=1634609275","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランド孤高のサウンドポエトリー作家Rene Kitaが、2021年9月に70本限定でリリースしたカセットです。キューキュー鳴るおもちゃとの対峙作品です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1120739006\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/artsy\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/artsy\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eArtsy Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLimited edition of 70 cassettes. Two cover art variations: \"serious\" and \"psychedelic\".\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eAn improvised rendition for voice and squeaky toys of the libretto to Rheingold by Richard Wagner. Recorded ten years ago, this was found at last on a back-up disk. Originally released as a digital album by the artist in March 2021.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rene Kita\u003c\/p\u003e\n\u003cp\u003eLabel : Artsy Records\u003c\/p\u003e"}
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フィンランド孤高のサウンドポエトリー作家Rene Kitaが、2021年9月に70本限定でリリースしたカセットです。キューキュー鳴るおもちゃとの対峙作品です。 レーベルその他作品はこちら /// Click here to see more Artsy Records releases available at Tobira. ------------------------ Limited edition...
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{"id":7094882992293,"title":"Alvin Curran \/\/ The Works LP","handle":"alvin-curran-the-works-lp","description":"\u003cp\u003eアメリカの大御所実験音楽家Alvin Curranの1980年発表激レア作品が、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年5月に\u003c\/span\u003eドイツのOur Swimmerよりレコードで再発されました。\u003c\/p\u003e\n\u003cp\u003e声やピアノ、シンセなどによるミニマルな作品です。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/hdVsVoJGwwo\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cem\u003e---------------------------\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e'The Works' -- one of the most famous pieces by brilliant American composer Alvin Curran -- was not created by will and direct purpose but, as the composer himself states, as a \"providential accident\" which is to say quite organically. Combining piano and voice with found sound and a custom-built Serge modular synthesizer, 'The Works' is a slowly developing piece where space and ambient tape are eventually overtaken by raga-esque chanting and frenetic piano playing, where synthesizer washes become full-on workouts all leading to a coda where the listener is \"finally carried off on the wheels of the Berlin U-Bahn.\" Curran -- whose initial training and musical education was as a pianist -- had been living in Roma, Italy, in the mid-70s returning to his roots and performing regularly in cocktail lounges on Via Veneto. It was this return to piano and vocals that became the genesis for \u003cu\u003eThe Works\u003c\/u\u003e. In relearning the piano, a five-note \"motive\" took hold. Added to this was \"a recording I had made of our 14 year old dachshund Caspar just before he died. It was, in fact, a love song which he persisted in singing all day after meeting a lovely bitch in heat in Piazza Navona. This I knew would be the beginning of the piece.\" As the piece expands further the listener will hear \"cows munching grass, the Rome-Florence express train, a horse-fly caught against a window pane, my footsteps approaching a Roman fountain and later going up the steps of my old studio, cicadas, an Amsterdam calliope, a tin can being kicked, and a series of sounds from La Serra di Lerici.\" Though 'The Works' has been performed in many incarnations over the years, it's this performance -- captured on February 24, 1980, and originally released that same year by the short-lived Italian avant-garde label Fore -- that is the definitive version, and one of the finest recordings ever made by the celebrated composer.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eArtist : Alvin Curran\u003c\/p\u003e\n\u003cp\u003eLabel : Our Swimmer\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","published_at":"2021-10-11T19:30:54+09:00","created_at":"2021-10-10T10:33:12+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto"],"price":319500,"price_min":319500,"price_max":319500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40963129409701,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Alvin Curran \/\/ The Works LP","public_title":null,"options":["Default Title"],"price":319500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/wo1_5349b498-a36f-44d6-b662-d65f67b42865.jpg?v=1633829595"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/wo1_5349b498-a36f-44d6-b662-d65f67b42865.jpg?v=1633829595","options":["Title"],"media":[{"alt":null,"id":24002055798949,"position":1,"preview_image":{"aspect_ratio":1.0,"height":300,"width":300,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wo1_5349b498-a36f-44d6-b662-d65f67b42865.jpg?v=1633829595"},"aspect_ratio":1.0,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wo1_5349b498-a36f-44d6-b662-d65f67b42865.jpg?v=1633829595","width":300}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの大御所実験音楽家Alvin Curranの1980年発表激レア作品が、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年5月に\u003c\/span\u003eドイツのOur Swimmerよりレコードで再発されました。\u003c\/p\u003e\n\u003cp\u003e声やピアノ、シンセなどによるミニマルな作品です。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/hdVsVoJGwwo\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cem\u003e---------------------------\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e'The Works' -- one of the most famous pieces by brilliant American composer Alvin Curran -- was not created by will and direct purpose but, as the composer himself states, as a \"providential accident\" which is to say quite organically. Combining piano and voice with found sound and a custom-built Serge modular synthesizer, 'The Works' is a slowly developing piece where space and ambient tape are eventually overtaken by raga-esque chanting and frenetic piano playing, where synthesizer washes become full-on workouts all leading to a coda where the listener is \"finally carried off on the wheels of the Berlin U-Bahn.\" Curran -- whose initial training and musical education was as a pianist -- had been living in Roma, Italy, in the mid-70s returning to his roots and performing regularly in cocktail lounges on Via Veneto. It was this return to piano and vocals that became the genesis for \u003cu\u003eThe Works\u003c\/u\u003e. In relearning the piano, a five-note \"motive\" took hold. Added to this was \"a recording I had made of our 14 year old dachshund Caspar just before he died. It was, in fact, a love song which he persisted in singing all day after meeting a lovely bitch in heat in Piazza Navona. This I knew would be the beginning of the piece.\" As the piece expands further the listener will hear \"cows munching grass, the Rome-Florence express train, a horse-fly caught against a window pane, my footsteps approaching a Roman fountain and later going up the steps of my old studio, cicadas, an Amsterdam calliope, a tin can being kicked, and a series of sounds from La Serra di Lerici.\" Though 'The Works' has been performed in many incarnations over the years, it's this performance -- captured on February 24, 1980, and originally released that same year by the short-lived Italian avant-garde label Fore -- that is the definitive version, and one of the finest recordings ever made by the celebrated composer.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eArtist : Alvin Curran\u003c\/p\u003e\n\u003cp\u003eLabel : Our Swimmer\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e"}
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アメリカの大御所実験音楽家Alvin Curranの1980年発表激レア作品が、2021年5月にドイツのOur Swimmerよりレコードで再発されました。 声やピアノ、シンセなどによるミニマルな作品です。 --------------------------- 'The Works' -- one of the most famous pieces by...
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{"id":7062746923173,"title":"Pamela Z \/\/ A Secret Code CD","handle":"pamela-z-a-secret-code-cd","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1338356602\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEveryday experience is never far from Pamela Z’s musical world. Whether it be a typewriter, birdcall, checking in at the airport, or a mess on the street, her creatively quirky imagination transforms it into a moment of profound questioning and wonder. From sonic trifles to complex numbers, the works on A Secret Code – only her third solo album after Echolocation (1988), and A Delay is Better (2004) – span two decades of redefining song.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs fellow composer Annea Lockwood writes in the album notes, “I have long treasured Pamela Z’s work for its vigor, inexhaustible ideas, fluid intricacy of texture, and for its sheer joyousness. An infectious, often surreal humor runs through the whole album, brilliantly upending everyday experience. The letter she is typing disintegrates, flare stains on a road become animate, and in Unknown Person even the TSA’s mundane but weighted questions are subverted, and disintegrate in the hilarious list of packed garments and hopes which follows. Voice, the most intimate of instruments, is a shape-shifter in her hands, transformed by gestural control and electronics in her performances and mutating, time-stretched and compressed as Timepiece Triptych, and throughout her work, with a dazzling compositional virtuosity.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIncluding works made for dance, for Kronos Quartet, as\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e well as for Z’s own live-sampled concert performance with bel canto, bubblewrap, and tuning fork options, A Secret Code is not as esoteric as it may sound. Besides, as the ever-philosophical TSA so often asks, “What is the purpose of your travel?”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSan Francisco-based composer\/performer and media artist Pamela Z works primarily with voice, live electronic processing, sampled sound, and video. A pioneer of live digital looping techniques, she processes her voice in real time to create dense, complex sonic layers. Her solo works combine experimental extended vocal techniques, operatic bel canto, found objects, text, digital processing, and wireless MIDI controllers that allow her to manipulate sound with physical gestures\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pamela Z\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-24T17:39:38+09:00","created_at":"2021-09-24T15:46:12+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","neuma records"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868341055653,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Pamela Z \/\/ A Secret Code CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_a31bdcb9-4a97-478f-84e7-a529b871a1e1.jpg?v=1632465974","\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_4a20a8a8-9a77-4d49-a1a0-2ad35c5094a5.jpg?v=1632465974"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_a31bdcb9-4a97-478f-84e7-a529b871a1e1.jpg?v=1632465974","options":["Title"],"media":[{"alt":null,"id":23819387928741,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_a31bdcb9-4a97-478f-84e7-a529b871a1e1.jpg?v=1632465974"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_a31bdcb9-4a97-478f-84e7-a529b871a1e1.jpg?v=1632465974","width":700},{"alt":null,"id":23819387961509,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_4a20a8a8-9a77-4d49-a1a0-2ad35c5094a5.jpg?v=1632465974"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_4a20a8a8-9a77-4d49-a1a0-2ad35c5094a5.jpg?v=1632465974","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1338356602\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEveryday experience is never far from Pamela Z’s musical world. Whether it be a typewriter, birdcall, checking in at the airport, or a mess on the street, her creatively quirky imagination transforms it into a moment of profound questioning and wonder. From sonic trifles to complex numbers, the works on A Secret Code – only her third solo album after Echolocation (1988), and A Delay is Better (2004) – span two decades of redefining song.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs fellow composer Annea Lockwood writes in the album notes, “I have long treasured Pamela Z’s work for its vigor, inexhaustible ideas, fluid intricacy of texture, and for its sheer joyousness. An infectious, often surreal humor runs through the whole album, brilliantly upending everyday experience. 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レーベルその他作品はこちら /// Click here to see more Neuma Records releases available at Tobira. -------------------------------- Text by Neuma...
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{"id":7062746136741,"title":"Juraj Kojs \/\/ Imagine CD","handle":"juraj-kojs-imagine-cd","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1966164947\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJuraj Kojš’s musical imagination is as wide ranging as his life journey, from his native Slovakia through Denmark, Virginia, and Miami, where he now lives, makes music and art, and teaches. In Imagine – this album of three far-reaching, exploratory ensemble works – traditional, contemporary and experimental ideas converge in a musical amalgam.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFeaturing an eclectic array of performers including Eric Umble (clarinet), Adam Marks (piano), [Switch~ Ensemble], Splinter Reeds, and Kojš himself (electronics and spoken word), and with its easy lines interweaving through complex structures, the music traverses a range of Postmodern and Postclassical expressions. Recounting imaginary stories based on reality, reinterpreting field recordings and enabling open platforms for performers to become creators, the composer’s transformational processes are reminiscent of Magical Realism, in which writers knit their narratives with reality-derived – yet often fantastic – characters, situations, and places.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs Kojš puts it, “I wrote this music out of pure love for life, nature, people, and music itself. From the Hawaiian soundscape instrumentale to original poetry scores and Peter-and-the-Wolf-like storytelling, the music demanded visiting some\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e far outposts of expression. Each piece exhibits its own multiple time structures, expanding spheres of pitch, and timbral ecosystems. Some music was scored with utmost precision and some invited extensive decision-making from the performers. Thus, my collaborators were essential in creating this labyrinth of connected threads and pulses; a true living sonic organism: unique, sacred and real.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eImagine is dedicated to pianist Adam Marks, a long-time friend, collaborator and musician per excellence who passed over suddenly in May 2021.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eFace Forward. Hawaii “reflects the subtle nuances present in the fantastical ecology of Hawaii.”\u003c\/em\u003e– Adam Marks, pianist\u003cbr\u003e\u003cbr\u003e“\u003cem\u003eThe ecological inspiration for the work [Face Forward. Hawaii] and its sonic results provide both performer and audience the opportunity to reflect on the human experience juxtaposed and intertwined with our natural world.”\u003c\/em\u003e – Eric Umble, clarinetist\u003cbr\u003e\u003cbr\u003e“\u003cem\u003eThe performance [of under the blanket of your lullabies] was one of those special moments that lingers in one’s memory long after the last note.”\u003c\/em\u003e – Zach Sheets, flutist, [Switch~ Ensemble]\u003cbr\u003e\u003cbr\u003e“\u003cem\u003e…his whimsical Where You Are takes the listener through a programmatic tale that is neither fact nor fiction.”\u003c\/em\u003e – Dana Jessen, bassoonist, Splinter Reeds.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Juraj Kojs\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-24T17:40:04+09:00","created_at":"2021-09-24T15:44:16+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","neuma records"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868336828581,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Juraj Kojs \/\/ Imagine CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/im1_fb2c97bd-a5d6-4ea8-8f21-5ff6abc01820.jpg?v=1632465858","\/\/tobirarecords.com\/cdn\/shop\/products\/im2_4388de6f-aa2f-4bc2-935d-b2ff45ed32b6.jpg?v=1632465858"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/im1_fb2c97bd-a5d6-4ea8-8f21-5ff6abc01820.jpg?v=1632465858","options":["Title"],"media":[{"alt":null,"id":23819362140325,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/im1_fb2c97bd-a5d6-4ea8-8f21-5ff6abc01820.jpg?v=1632465858"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/im1_fb2c97bd-a5d6-4ea8-8f21-5ff6abc01820.jpg?v=1632465858","width":700},{"alt":null,"id":23819362173093,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/im2_4388de6f-aa2f-4bc2-935d-b2ff45ed32b6.jpg?v=1632465858"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/im2_4388de6f-aa2f-4bc2-935d-b2ff45ed32b6.jpg?v=1632465858","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1966164947\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJuraj Kojš’s musical imagination is as wide ranging as his life journey, from his native Slovakia through Denmark, Virginia, and Miami, where he now lives, makes music and art, and teaches. In Imagine – this album of three far-reaching, exploratory ensemble works – traditional, contemporary and experimental ideas converge in a musical amalgam.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFeaturing an eclectic array of performers including Eric Umble (clarinet), Adam Marks (piano), [Switch~ Ensemble], Splinter Reeds, and Kojš himself (electronics and spoken word), and with its easy lines interweaving through complex structures, the music traverses a range of Postmodern and Postclassical expressions. Recounting imaginary stories based on reality, reinterpreting field recordings and enabling open platforms for performers to become creators, the composer’s transformational processes are reminiscent of Magical Realism, in which writers knit their narratives with reality-derived – yet often fantastic – characters, situations, and places.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs Kojš puts it, “I wrote this music out of pure love for life, nature, people, and music itself. From the Hawaiian soundscape instrumentale to original poetry scores and Peter-and-the-Wolf-like storytelling, the music demanded visiting some\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e far outposts of expression. Each piece exhibits its own multiple time structures, expanding spheres of pitch, and timbral ecosystems. Some music was scored with utmost precision and some invited extensive decision-making from the performers. Thus, my collaborators were essential in creating this labyrinth of connected threads and pulses; a true living sonic organism: unique, sacred and real.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eImagine is dedicated to pianist Adam Marks, a long-time friend, collaborator and musician per excellence who passed over suddenly in May 2021.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eFace Forward. Hawaii “reflects the subtle nuances present in the fantastical ecology of Hawaii.”\u003c\/em\u003e– Adam Marks, pianist\u003cbr\u003e\u003cbr\u003e“\u003cem\u003eThe ecological inspiration for the work [Face Forward. Hawaii] and its sonic results provide both performer and audience the opportunity to reflect on the human experience juxtaposed and intertwined with our natural world.”\u003c\/em\u003e – Eric Umble, clarinetist\u003cbr\u003e\u003cbr\u003e“\u003cem\u003eThe performance [of under the blanket of your lullabies] was one of those special moments that lingers in one’s memory long after the last note.”\u003c\/em\u003e – Zach Sheets, flutist, [Switch~ Ensemble]\u003cbr\u003e\u003cbr\u003e“\u003cem\u003e…his whimsical Where You Are takes the listener through a programmatic tale that is neither fact nor fiction.”\u003c\/em\u003e – Dana Jessen, bassoonist, Splinter Reeds.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Juraj Kojs\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e"}
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レーベルその他作品はこちら /// Click here to see more Neuma Records releases available at Tobira. -------------------------------- Text by Neuma...
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{"id":7062741024933,"title":"David Dunn \/\/ Verdant CD","handle":"david-dunn-verdant-cd","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1015851558\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"As a composer, David Dunn is probably best known for his interdisciplinary work that crosses the boundaries between art and science. This has included the fields of acoustic ecology, bioacoustics, interspecies communication and scientific sonification while creating a body of innovative sound work that has contributed to projects as diverse as sensory enhancement of healthcare environments and intervention strategies for forest and agricultural pests. He has invented microphones to record such phenomena as the sounds of bark beetles in trees, underwater invertebrates in freshwater ponds, and the ultrasonic communication of bats.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn Verdant, Dunn has returned to some of his more traditional musical roots to compose an exploration much closer to home, literally his backyard in Santa Fe, New Mexico. The aural complexity of this urban soundscape is ordinarily masked by layers of ambient city noise but the combination of the Easter Sunday holiday and Covid-19 pandemic shutdown allowed otherwise suppressed sounds to become readily audible. On top of this semi-wild soundscape (recorded at very high resolution), multiple sonic layers have been added that explore and accentuate the unedited ambient recording. Electronic drones and melodies are combined with\u003cspan class=\"bcTruncateMore\"\u003e harmonically rich patterns played by two electric violins. This creates a dense aural fabric interwoven with the prerecorded soundscape as distinct time streams move at different rates but interact with each other through shifting foreground\/background dynamics.\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003e\u003cbr\u003eOn its surface Verdant probably seems, in its extreme embrace of tonality, reminiscent of much late 20th century music (Tenney, Riley, Oliveros, Behrman, Budd, Feldman, etc.) and many popular “ambient” genres. However, beneath this veneer there are possibly some other, less familiar ideas. The intent may have more to do with the idyllic and elegiac affect sought by the English Pastoral composers after the violence of World War I and not merely a Post-modern conceit. While the motivation for Verdant was largely a response to the dark circumstances of 2020, it hopefully speaks to a more optimistic future and the favorable attention to that which we might otherwise take for granted. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Dunn\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-24T17:43:38+09:00","created_at":"2021-09-24T15:34:50+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","neuma records"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868303012005,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"David Dunn \/\/ Verdant CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ve1_ffc87cb5-1115-486f-8787-17cd11c11ed8.jpg?v=1632465291","\/\/tobirarecords.com\/cdn\/shop\/products\/ve2_f2d7fe47-4ce5-494d-902b-b7630f057b9d.jpg?v=1632465291"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ve1_ffc87cb5-1115-486f-8787-17cd11c11ed8.jpg?v=1632465291","options":["Title"],"media":[{"alt":null,"id":23819253055653,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ve1_ffc87cb5-1115-486f-8787-17cd11c11ed8.jpg?v=1632465291"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ve1_ffc87cb5-1115-486f-8787-17cd11c11ed8.jpg?v=1632465291","width":700},{"alt":null,"id":23819253088421,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ve2_f2d7fe47-4ce5-494d-902b-b7630f057b9d.jpg?v=1632465291"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ve2_f2d7fe47-4ce5-494d-902b-b7630f057b9d.jpg?v=1632465291","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1015851558\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"As a composer, David Dunn is probably best known for his interdisciplinary work that crosses the boundaries between art and science. This has included the fields of acoustic ecology, bioacoustics, interspecies communication and scientific sonification while creating a body of innovative sound work that has contributed to projects as diverse as sensory enhancement of healthcare environments and intervention strategies for forest and agricultural pests. He has invented microphones to record such phenomena as the sounds of bark beetles in trees, underwater invertebrates in freshwater ponds, and the ultrasonic communication of bats.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn Verdant, Dunn has returned to some of his more traditional musical roots to compose an exploration much closer to home, literally his backyard in Santa Fe, New Mexico. The aural complexity of this urban soundscape is ordinarily masked by layers of ambient city noise but the combination of the Easter Sunday holiday and Covid-19 pandemic shutdown allowed otherwise suppressed sounds to become readily audible. On top of this semi-wild soundscape (recorded at very high resolution), multiple sonic layers have been added that explore and accentuate the unedited ambient recording. Electronic drones and melodies are combined with\u003cspan class=\"bcTruncateMore\"\u003e harmonically rich patterns played by two electric violins. This creates a dense aural fabric interwoven with the prerecorded soundscape as distinct time streams move at different rates but interact with each other through shifting foreground\/background dynamics.\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003e\u003cbr\u003eOn its surface Verdant probably seems, in its extreme embrace of tonality, reminiscent of much late 20th century music (Tenney, Riley, Oliveros, Behrman, Budd, Feldman, etc.) and many popular “ambient” genres. However, beneath this veneer there are possibly some other, less familiar ideas. The intent may have more to do with the idyllic and elegiac affect sought by the English Pastoral composers after the violence of World War I and not merely a Post-modern conceit. While the motivation for Verdant was largely a response to the dark circumstances of 2020, it hopefully speaks to a more optimistic future and the favorable attention to that which we might otherwise take for granted. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Dunn\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e"}
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レーベルその他作品はこちら /// Click here to see more Neuma Records releases available at Tobira. -------------------------------- "As a...
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{"id":7041717698725,"title":"David Toop, Akio Suzuki, Lawrence English \/\/ Breathing Spirit Forms CD+POSTER","handle":"dvasle","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eイギリスの大御所実験音楽家David Toop、日本の大御所実験音楽家Akio Suzuki、そしてオーストラリアの老舗実験レーベルRoom 40主宰Lawrence English3名が、2013年に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリアのタンボリンマウンテンにて録音した共作CD。自然と呼応するような抑制をきかせた演奏です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e24ページのブックレットには、David Toopによるエッセイ、鈴木昭男によるドローイング、Lawrence Englishによる写真が掲載されています。ポスター付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e「ローレンス・イングリッシュに招かれてブリスベンに飛んだのは、2013年のこと。ロンドンからは、デイビッド・トゥープが呼ばれていた。そして、ローレンスとの三人で深い森を散策し、音遊びをしたりくつろいだりのコテージ住まいが始まった。ディビッドは、ビーガンなので、クッキング上手な彼に台所を任せたところ、素晴らしいディナーになったのを覚えている。その時、ぼくが子供時代からずっと気にかかっていた話をした。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e 母に連れられて町の手相見を訪ねたことがあったけれど、そのおじさんが当時 11歳のぼくを見るなり「おまえさんは、72歳の夏に死ぬ !」と占ったのだ。「それが、とても気がかりでネ」と言うぼくに、「アキオ、ここは南半球で、今は冬なんだから、もう通り過ぎたじゃないか」と、デイビッド。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e この音を聴いていると、清々しく過ごした日々が蘇ってくる。」-\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e鈴木昭男\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDavid Toop - Flutes, sticks\u003cbr\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003cbr\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3871965128\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDavid Toop - Flutes, sticks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom Lawrence English\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\"I am ceaselessly fascinated by how memory operates and, I’m regularly struck by how individually subjective a collective experience can be when recalled by its participants. Lynch’s Lost Highway comes to mind here, specifically Bill Pullman’s character Fred Madison who says “I like to remember things my own way. How I remembered them, not necessarily the way they happened.” Like Madison, I can’t help but sense that memory takes shape through an accumulative process that reflects how each of us have lived (and maybe even wanted to live) up to that point in time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGoing back to listen again to these recordings of which I was a part with David and Akio, I was surprised by what elements had stayed with me and what others had slipped into the eternal greying of my mind. I have vivid recollections of listening to a Lyre bird before recording the pieces together at Witches Falls. I remember both Akio and David finding musicality in decaying palm fronds. I remember Akio’s voice, amplified through his Analpos, bouncing off the stones and trees. I remember David’s flute, so quiet in the pitch black of the night forest as to appear like a hushed tone of wind or a distant animal calling. I also remember trying to match my\u003cspan class=\"bcTruncateMore\"\u003e modest hand held electronics with the pulsing and pitching of the insects around me.\u003cbr\u003e\u003cbr\u003eReading David’s text, which is included in the book published alongside this edition, he recounts several things I had forgotten. Conversations about memory, ironically enough, had vanished from my mind until reading his words. I also didn’t really remember my role as tick surgeon, removing a living insect from David’s ear. I do remember his cooking though, as does Akio (captured aptly in his drawings), no doubt a testament to David’s improvisational culinary expertise.\u003cbr\u003e\u003cbr\u003eBreathing Spirit Forms represents a distinctive exchange between friends and collaborators. Tamborine commands a special presence and encourages a deep patience from those who are willing to give time to its varied environments. For the three of us, we were fortunate to share these moments together, fleeting in our lives as they might be, to sense the mountain’s unique qualities, to respond to them through our exchanges and to form memories (as disparate as they might be) we carry forward with us in time.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Toop, Akio Suzuki, Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-09-12T17:03:59+09:00","created_at":"2021-09-12T17:03:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","drone","field recording","monooto","room40"],"price":299000,"price_min":299000,"price_max":299000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40796730523813,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"David Toop, Akio Suzuki, Lawrence English \/\/ Breathing Spirit Forms CD+POSTER","public_title":null,"options":["Default Title"],"price":299000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0762176011_16.jpg?v=1631433880","\/\/tobirarecords.com\/cdn\/shop\/products\/0025366781_10.jpg?v=1631433880","\/\/tobirarecords.com\/cdn\/shop\/products\/0025366782_10.jpg?v=1631433880","\/\/tobirarecords.com\/cdn\/shop\/products\/0025366784_10.jpg?v=1631433880"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0762176011_16.jpg?v=1631433880","options":["Title"],"media":[{"alt":null,"id":23687561904293,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0762176011_16.jpg?v=1631433880"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0762176011_16.jpg?v=1631433880","width":700},{"alt":null,"id":23687560888485,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366781_10.jpg?v=1631433880"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366781_10.jpg?v=1631433880","width":1200},{"alt":null,"id":23687560724645,"position":3,"preview_image":{"aspect_ratio":3.0,"height":400,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366782_10.jpg?v=1631433880"},"aspect_ratio":3.0,"height":400,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366782_10.jpg?v=1631433880","width":1200},{"alt":null,"id":23687560822949,"position":4,"preview_image":{"aspect_ratio":3.0,"height":400,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366784_10.jpg?v=1631433880"},"aspect_ratio":3.0,"height":400,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366784_10.jpg?v=1631433880","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eイギリスの大御所実験音楽家David Toop、日本の大御所実験音楽家Akio Suzuki、そしてオーストラリアの老舗実験レーベルRoom 40主宰Lawrence English3名が、2013年に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリアのタンボリンマウンテンにて録音した共作CD。自然と呼応するような抑制をきかせた演奏です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e24ページのブックレットには、David Toopによるエッセイ、鈴木昭男によるドローイング、Lawrence Englishによる写真が掲載されています。ポスター付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e「ローレンス・イングリッシュに招かれてブリスベンに飛んだのは、2013年のこと。ロンドンからは、デイビッド・トゥープが呼ばれていた。そして、ローレンスとの三人で深い森を散策し、音遊びをしたりくつろいだりのコテージ住まいが始まった。ディビッドは、ビーガンなので、クッキング上手な彼に台所を任せたところ、素晴らしいディナーになったのを覚えている。その時、ぼくが子供時代からずっと気にかかっていた話をした。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e 母に連れられて町の手相見を訪ねたことがあったけれど、そのおじさんが当時 11歳のぼくを見るなり「おまえさんは、72歳の夏に死ぬ !」と占ったのだ。「それが、とても気がかりでネ」と言うぼくに、「アキオ、ここは南半球で、今は冬なんだから、もう通り過ぎたじゃないか」と、デイビッド。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e この音を聴いていると、清々しく過ごした日々が蘇ってくる。」-\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e鈴木昭男\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDavid Toop - Flutes, sticks\u003cbr\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003cbr\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3871965128\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDavid Toop - Flutes, sticks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom Lawrence English\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\"I am ceaselessly fascinated by how memory operates and, I’m regularly struck by how individually subjective a collective experience can be when recalled by its participants. Lynch’s Lost Highway comes to mind here, specifically Bill Pullman’s character Fred Madison who says “I like to remember things my own way. How I remembered them, not necessarily the way they happened.” Like Madison, I can’t help but sense that memory takes shape through an accumulative process that reflects how each of us have lived (and maybe even wanted to live) up to that point in time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGoing back to listen again to these recordings of which I was a part with David and Akio, I was surprised by what elements had stayed with me and what others had slipped into the eternal greying of my mind. I have vivid recollections of listening to a Lyre bird before recording the pieces together at Witches Falls. I remember both Akio and David finding musicality in decaying palm fronds. I remember Akio’s voice, amplified through his Analpos, bouncing off the stones and trees. I remember David’s flute, so quiet in the pitch black of the night forest as to appear like a hushed tone of wind or a distant animal calling. I also remember trying to match my\u003cspan class=\"bcTruncateMore\"\u003e modest hand held electronics with the pulsing and pitching of the insects around me.\u003cbr\u003e\u003cbr\u003eReading David’s text, which is included in the book published alongside this edition, he recounts several things I had forgotten. Conversations about memory, ironically enough, had vanished from my mind until reading his words. I also didn’t really remember my role as tick surgeon, removing a living insect from David’s ear. I do remember his cooking though, as does Akio (captured aptly in his drawings), no doubt a testament to David’s improvisational culinary expertise.\u003cbr\u003e\u003cbr\u003eBreathing Spirit Forms represents a distinctive exchange between friends and collaborators. Tamborine commands a special presence and encourages a deep patience from those who are willing to give time to its varied environments. For the three of us, we were fortunate to share these moments together, fleeting in our lives as they might be, to sense the mountain’s unique qualities, to respond to them through our exchanges and to form memories (as disparate as they might be) we carry forward with us in time.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Toop, Akio Suzuki, Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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イギリスの大御所実験音楽家David Toop、日本の大御所実験音楽家Akio Suzuki、そしてオーストラリアの老舗実験レーベルRoom 40主宰Lawrence English3名が、2013年にオーストラリアのタンボリンマウンテンにて録音した共作CD。自然と呼応するような抑制をきかせた演奏です。 24ページのブックレットには、David Toopによるエッセイ、鈴木昭男によるドローイング、Lawrence Englishによる写真が掲載されています。ポスター付属。 「ローレンス・イングリッシュに招かれてブリスベンに飛んだのは、2013年のこと。ロンドンからは、デイビッド・トゥープが呼ばれていた。そして、ローレンスとの三人で深い森を散策し、音遊びをしたりくつろいだりのコテージ住まいが始まった。ディビッドは、ビーガンなので、クッキング上手な彼に台所を任せたところ、素晴らしいディナーになったのを覚えている。その時、ぼくが子供時代からずっと気にかかっていた話をした。 母に連れられて町の手相見を訪ねたことがあったけれど、そのおじさんが当時 11歳のぼくを見るなり「おまえさんは、72歳の夏に死ぬ !」と占ったのだ。「それが、とても気がかりでネ」と言うぼくに、「アキオ、ここは南半球で、今は冬なんだから、もう通り過ぎたじゃないか」と、デイビッド。 この音を聴いていると、清々しく過ごした日々が蘇ってくる。」-鈴木昭男 David Toop -...
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{"id":7036850634917,"title":"Illuminated Paths \/\/ Okinawa Rycom Crystal Hotel Late Night Cable Guide 1989 TAPE","handle":"illuminated-paths-okinawa-rycom-crystal-hotel-late-night-cable-guide-1989-tape","description":"\u003cp\u003eアメリカ・フロリダのヒップホップ〜ヴェイパーウェーブレーベルIlluminated Pathsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、当レーベルによる25本限定ヴェイパースクリュー作品です。コピーライトなんて関係ない180曲を収録。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e※リサイクルケースを使用するコンセプチュアルレーベルのため、ケースに多少のダメージがあるものもございます。ご了承くださいませ。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1275770565\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/illpat\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/illpat\"\u003ehere\u003c\/a\u003e to see more Illuminated Paths releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 25.\u003c\/p\u003e\n\u003cp\u003eArtist : Illuminated Paths\u003c\/p\u003e\n\u003cp\u003eLabel : Illuminated Paths\u003c\/p\u003e","published_at":"2021-09-10T16:31:39+09:00","created_at":"2021-09-09T17:04:28+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","hiphop \/ funk","illuminated paths","tape"],"price":148000,"price_min":148000,"price_max":148000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40780584091813,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Illuminated Paths \/\/ Okinawa Rycom Crystal Hotel Late Night Cable Guide 1989 TAPE","public_title":null,"options":["Default Title"],"price":148000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ok1.jpg?v=1631174669","\/\/tobirarecords.com\/cdn\/shop\/products\/ok2.jpg?v=1631174670"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ok1.jpg?v=1631174669","options":["Title"],"media":[{"alt":null,"id":23660845269157,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ok1.jpg?v=1631174669"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ok1.jpg?v=1631174669","width":700},{"alt":null,"id":23660845301925,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ok2.jpg?v=1631174670"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ok2.jpg?v=1631174670","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・フロリダのヒップホップ〜ヴェイパーウェーブレーベルIlluminated Pathsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、当レーベルによる25本限定ヴェイパースクリュー作品です。コピーライトなんて関係ない180曲を収録。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e※リサイクルケースを使用するコンセプチュアルレーベルのため、ケースに多少のダメージがあるものもございます。ご了承くださいませ。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1275770565\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/illpat\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/illpat\"\u003ehere\u003c\/a\u003e to see more Illuminated Paths releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 25.\u003c\/p\u003e\n\u003cp\u003eArtist : Illuminated Paths\u003c\/p\u003e\n\u003cp\u003eLabel : Illuminated Paths\u003c\/p\u003e"}
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アメリカ・フロリダのヒップホップ〜ヴェイパーウェーブレーベルIlluminated Pathsを大量入荷しました。 本作は、当レーベルによる25本限定ヴェイパースクリュー作品です。コピーライトなんて関係ない180曲を収録。DLコード付属。 ※リサイクルケースを使用するコンセプチュアルレーベルのため、ケースに多少のダメージがあるものもございます。ご了承くださいませ。 レーベルその他作品はこちら /// Click here to see more Illuminated Paths releases available at Tobira. ...
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{"id":6986893099173,"title":"Elizabeth Chin, Anetude \"Zaza\" Geffrard, Casey Anderson \/\/ yon ti vizit 12\"","handle":"elizabeth-chin-anetude-zaza-geffrard-casey-anderson-yon-ti-vizit-lp","description":"\u003cp\u003eアメリカ・LAの実験レーベルA Wave Press主宰のサウンドアーティストCasey Andersonが、\u003cspan data-mce-fragment=\"1\"\u003eカリブ海に浮かぶ島ハイチ・ゴナーブ島に継承されるヴードゥー教の霊媒儀式を収録したフィールドレコーディング作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eB面はエッチングが施されている、180g重量レッドヴァイナルです。不思議な魅力を感じるミステリアスな一枚。DLコード付属。以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2019年7月、ハイチのラ・ゴナヴェ島の小さな村、マテヌワで、エリザベス・チンと私は友人のアネチュード・\"ザザ\"・ゲフラールの家で、パーティーが始まるのを待っているところです。このパーティーには地元のヴードゥー・ドラマーが参加しているので、彼らの演奏を録音しようと思ってフィールドレコーダーを持ってきたのです。祖父の家はクモの巣に覆われていて、彼女の家の裏手にあります。私たちは、彼女の娘（ロザリンダ）と幼い息子（ビリー・グラハム、収録の冒頭で泣いている子）を連れて、薄い木の扉から家に入った。子供たちが追い払われた後、ザザは自分の祭壇を見せたいと言って、祭壇の前で祈りを始める。その後すぐに精霊（Ogou Feray）が彼女のところにやってきて、ちょっとしたお参りをする (Yon ti vizit)”\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2093205976\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/awp\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/awp\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/awp\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/awp\"\u003ehere\u003c\/a\u003e to see more A Wave Press releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e----------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEdition of 300.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDeluxe single-sided LP pressed on 180g red vinyl in a red 12\" jacket. A-side is the recording, B-side features etchings designed by Steven Ziadie. \u003cstrong\u003eNote: do not try to play the B-side on your turntable!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e----\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eDesription by \u003cmeta charset=\"utf-8\"\u003eA Wave Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIt's July, 2019 in Matènwa, a small village on the island of La Gonâve, Haiti, and Elizabeth Chin and I are hanging out at our friend Anetude \"Zaza\" Geffrard's house while we wait for a party to start. This party involves local voudou drummers so I'm carrying my field recorder in the hopes of recording some of their performance later. As we wait Zaza asks us if we want to see her Grandfather's house, an older structure covered in cobwebs tucked behind hers that we didn't know was there. We walk over with her daughter (Rosalinda) and infant son (Billy Graham, crying at the beginning of the recording) and enter the two room house through a thin, wooden door. Once inside, and after the kids have been shooed away, Zaza says she wants to show us her altar and begins praying in front of it. Shortly thereafter a spirit (Ogou Feray) comes to her and we have a little visit (yon ti vizit).\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Elizabeth Chin, Anetude \"Zaza\" Geffrard, Casey Anderson\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Wave Press\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-19T11:06:33+09:00","created_at":"2021-08-19T10:05:17+09:00","vendor":"Tobira Records","type":"","tags":["a wave press","contemporary \/ sound poetry","field recording","lp","monooto"],"price":485000,"price_min":485000,"price_max":485000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40611541811365,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Elizabeth Chin, Anetude \"Zaza\" Geffrard, Casey Anderson \/\/ yon ti vizit 12\"","public_title":null,"options":["Default Title"],"price":485000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/yo1_80dd631a-126a-4667-8aa9-5fdbc8178c86.jpg?v=1629335119","\/\/tobirarecords.com\/cdn\/shop\/products\/yo2_db97f8dd-b11b-483d-962b-f9156d2f8535.jpg?v=1629335119","\/\/tobirarecords.com\/cdn\/shop\/products\/yo3.jpg?v=1629335121"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo1_80dd631a-126a-4667-8aa9-5fdbc8178c86.jpg?v=1629335119","options":["Title"],"media":[{"alt":null,"id":23411330547877,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo1_80dd631a-126a-4667-8aa9-5fdbc8178c86.jpg?v=1629335119"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo1_80dd631a-126a-4667-8aa9-5fdbc8178c86.jpg?v=1629335119","width":700},{"alt":null,"id":23411330580645,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo2_db97f8dd-b11b-483d-962b-f9156d2f8535.jpg?v=1629335119"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo2_db97f8dd-b11b-483d-962b-f9156d2f8535.jpg?v=1629335119","width":1200},{"alt":null,"id":23411330613413,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo3.jpg?v=1629335121"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo3.jpg?v=1629335121","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAの実験レーベルA Wave Press主宰のサウンドアーティストCasey Andersonが、\u003cspan data-mce-fragment=\"1\"\u003eカリブ海に浮かぶ島ハイチ・ゴナーブ島に継承されるヴードゥー教の霊媒儀式を収録したフィールドレコーディング作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eB面はエッチングが施されている、180g重量レッドヴァイナルです。不思議な魅力を感じるミステリアスな一枚。DLコード付属。以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2019年7月、ハイチのラ・ゴナヴェ島の小さな村、マテヌワで、エリザベス・チンと私は友人のアネチュード・\"ザザ\"・ゲフラールの家で、パーティーが始まるのを待っているところです。このパーティーには地元のヴードゥー・ドラマーが参加しているので、彼らの演奏を録音しようと思ってフィールドレコーダーを持ってきたのです。祖父の家はクモの巣に覆われていて、彼女の家の裏手にあります。私たちは、彼女の娘（ロザリンダ）と幼い息子（ビリー・グラハム、収録の冒頭で泣いている子）を連れて、薄い木の扉から家に入った。子供たちが追い払われた後、ザザは自分の祭壇を見せたいと言って、祭壇の前で祈りを始める。その後すぐに精霊（Ogou Feray）が彼女のところにやってきて、ちょっとしたお参りをする (Yon ti vizit)”\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2093205976\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/awp\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/awp\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/awp\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/awp\"\u003ehere\u003c\/a\u003e to see more A Wave Press releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e----------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEdition of 300.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDeluxe single-sided LP pressed on 180g red vinyl in a red 12\" jacket. A-side is the recording, B-side features etchings designed by Steven Ziadie. \u003cstrong\u003eNote: do not try to play the B-side on your turntable!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e----\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eDesription by \u003cmeta charset=\"utf-8\"\u003eA Wave Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIt's July, 2019 in Matènwa, a small village on the island of La Gonâve, Haiti, and Elizabeth Chin and I are hanging out at our friend Anetude \"Zaza\" Geffrard's house while we wait for a party to start. This party involves local voudou drummers so I'm carrying my field recorder in the hopes of recording some of their performance later. As we wait Zaza asks us if we want to see her Grandfather's house, an older structure covered in cobwebs tucked behind hers that we didn't know was there. We walk over with her daughter (Rosalinda) and infant son (Billy Graham, crying at the beginning of the recording) and enter the two room house through a thin, wooden door. Once inside, and after the kids have been shooed away, Zaza says she wants to show us her altar and begins praying in front of it. Shortly thereafter a spirit (Ogou Feray) comes to her and we have a little visit (yon ti vizit).\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Elizabeth Chin, Anetude \"Zaza\" Geffrard, Casey Anderson\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Wave Press\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・LAの実験レーベルA Wave Press主宰のサウンドアーティストCasey Andersonが、カリブ海に浮かぶ島ハイチ・ゴナーブ島に継承されるヴードゥー教の霊媒儀式を収録したフィールドレコーディング作品です。 B面はエッチングが施されている、180g重量レッドヴァイナルです。不思議な魅力を感じるミステリアスな一枚。DLコード付属。以下、レーベル解説です。 "2019年7月、ハイチのラ・ゴナヴェ島の小さな村、マテヌワで、エリザベス・チンと私は友人のアネチュード・"ザザ"・ゲフラールの家で、パーティーが始まるのを待っているところです。このパーティーには地元のヴードゥー・ドラマーが参加しているので、彼らの演奏を録音しようと思ってフィールドレコーダーを持ってきたのです。祖父の家はクモの巣に覆われていて、彼女の家の裏手にあります。私たちは、彼女の娘（ロザリンダ）と幼い息子（ビリー・グラハム、収録の冒頭で泣いている子）を連れて、薄い木の扉から家に入った。子供たちが追い払われた後、ザザは自分の祭壇を見せたいと言って、祭壇の前で祈りを始める。その後すぐに精霊（Ogou Feray）が彼女のところにやってきて、ちょっとしたお参りをする (Yon ti vizit)” レーベルその他作品はこちら /// Click here to see more...
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{"id":6983067304101,"title":"Teletopa \/\/ Tokyo 1972 3xLP","handle":"teletopa-tokyo-1972-3xlp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・シドニーの実験音楽家\u003cmeta charset=\"utf-8\"\u003eDavid Ahern率いる即興グループTeletopaの秘蔵音源が40年の月日を経て初めて3枚組レコードにてリリース。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDavid AhernはドイツにてStockhausenに師事し、Cornelius CardewとともにLa Monte Youngの演奏を行った人物で、70年代オーストラリアの実験音楽シーンに多大な影響をもたらしました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、NHKにて行われたインプロパフォーマンスを収録した特大ボリュームの3枚組レコードです。インサート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3548018686\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more - releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------\u003c\/p\u003e\n\u003cp\u003eAccompanying descrition by Splitrec:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 1968 the young Sydney composer David Ahern studied in Germany with Stockhausen where he met Cornelius Cardew. The next year he travelled onto London attending Cardew’s classes in ‘Experimental Music’ at Morley College and – in a mammoth seven-hour concert at the Roundhouse on 4 May – participated (with Cardew) in performances of La Monte Young’s String Trio and also took part in the realisation of Paragraph 2 of Cardew’s The Great Learning which proved to be the catalyst for the formation of the Scratch Orchestra. These were revolutionary and defining moments in C20th music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eReturning to Sydney in 1970, one of his aims was to set up an electro-acoustic improvisation group - Teletopa was founded in Sydney in late 1970 by Ahern, Peter Evans and Roger Frampton.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTokyo 1972 - The Triple LP or Double CD release - features two 50min improvisations from a radio session at NHK studios Tokyo. The group was Ahern, Frampton, Evans and Geoffrey Collins and they were completing a 1972 world tour. The group broke up on their return to Sydney. Only a small example of their work has ever been released before.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLiner notes are a manifesto by Ahern from a 1971 pamphlet, and a newly penned Potted History of Teletopa by Geoffrey\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Barnard, who had been a member of the group from September 1971 until July 1972.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe tapes have sat in boxes for 42 years - with this release we can hear that Sydney in the early 1970's had a group at the forefront of musical experimentation with a unique take on free improvisation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis document is not just important for Australian music – it should establish them posthumously as one of the most interesting developments in experimental music anywhere in the world at this time.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e------\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eA Potted History of Teletopa:\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"The electro-acoustic improvisation group Teletopa was founded in Sydney in late 1970 by David Ahern, Peter Evans and Roger Frampton and was one of two sub-groups to emerge out of the parent organisation AZ Music during the period 1970-72. (The other group was the Sunday Ensemble which was formed in mid-1971 comprised of both ‘trained’ and ‘untrained’ musicians, initially to perform such works by Cornelius Cardew as Treatise and Schooltime Special.)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePhillip L Ryan came up with the name ‘Teletopa’ for the group: ‘topa’, from the Greek tópos, meaning ‘the place of the origin of ideas’; ‘tele’, meaning ‘far, distant, an openness to any ideas whatsoever’.1 In this regard, Ryan contended that the activities of the group could (potentially) extend beyond music,2 while Ahern averred that the prefix ‘tele’ was indicative of the group’s willingness to use sound materials which may be found ‘in every corner of the globe.’3 More recently, Ryan has recalled that, at the time he decided upon the name ‘Teletopa’, he was reading the work of the Japanese philosopher Kitaro Nishida and that the name of the group essentially means ‘distant field’, ‘field’ being apposite for the sound of Teletopa.4\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAhern had been in London in 1969 where he attended Cardew’s classes in ‘Experimental Music’ at Morley College and – in a mammoth seven-hour concert at the Roundhouse on 4 May – participated (with Cardew) in performances of La Monte Young’s String Trio and Terry Jennings’ String Quartet and also took part in the realisation of Paragraph 2 of Cardew’s The Great Learning which proved to be the catalyst for the formation of the Scratch Orchestra.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDuring his stint in London, Ahern had the opportunity to hear the English group AMM (the membership of which then comprised Cardew, Lou Gare, Christopher Hobbs, Eddie Prévost and Keith Rowe). In comparison with other improvisation groups which were formed during the 1960s – in particular the Gruppo di Improvvisazione Nuova Consonanza and Musica Elettronica Viva (Rome) and the Taj Mahal Travellers (Tokyo) – AMM was the clear prototype for Teletopa, not only in regard to the type of improvisation Teletopa promulgated, but to the general ethos of the group as well. In fact, much of what has been said about AMM could apply equally to Teletopa. As Michael Nyman has pointed out, the membership of MEV, for instance, ‘frequently changed according to who happened to be around at any time; other musicians sat in and played with the hard-core members (Frederic Rzewski, Richard Teitelbaum, Alvin Curran, Allan Bryant) and were welcomed more openly than they were by AMM, extremely self-contained and private, basically hostile to “outsiders”.’5\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe membership of Teletopa was no less hostile to ‘outsiders’ than was that of AMM. In this way, the group was able to cultivate an identity which developed over time in which that of each of the individual players was subsumed. As a consequence, a viable, open form of music-making came about which hinged on a strong sense of communality and mutual aid within the group, what John Tilbury has referred to (in relation to AMM) as ‘a uniquely collectivist mode of playing.’6\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile Ahern, Evans and Frampton were the founder members, Linda Wilson also played with the group for the first three months, mostly on bowed cymbal. This culminated in a performance by Teletopa at the Sydney Town Hall on 16 February 1971, simultaneously with a realisation of Paragraph 2 of The Great Learning by an augmented AZ Music Ensemble, as part of that year’s Prom concert series. As local critic Frank Harris reported, the performance ‘was a disaster. Hundreds walked out in the first fifteen minutes and then the mob took over in a howling opposition which turned the concert into a near-riot.’7\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom May 1971 until August that year, Ryan was a member of the group, and on 10 August the line-up of Ahern, Evans, Frampton and Ryan performed at the University of Melbourne’s Melba Hall as part of ‘The State of the Art of Electronic Music in Australia’, the first national seminar on electronic music to be held in Australia. Frampton recalled Ryan’s contribution to the group’s overall sound in glowing terms, stipulating that he ‘was a virtuoso of the radio. His playing of this instrument was stimulating, challenging and confront- ing. His “secret” was his ability to memorise the Radio Guide and to tune in to an appropriate station at just the right time.’8\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn September, I joined the group, primarily to replace Peter Evans, who was about to head off to work in Calgary, Canada for the next ten months in his capacity as a computer programmer; then in March 1972, Geoffrey Collins was added as a member. From 15 to 18 May, the group conducted music workshops at the Australian National University in Canberra in conjunction with the UNESCO seminar on ‘Youth and the Arts: Culture and Counter-Culture’. On 22 July, just prior to setting off on an overseas tour, Teletopa (Ahern, Collins, Frampton and myself) performed in Sydney for the last time at the Cell Block Theatre – two fifteen-minute ‘fragments’ of improvisation – in a concert (‘Action Music Theatre’) organised by the English composer and percussionist Bernard Rands, which also featured a realisation of Cardew’s Memories of You by Roger Frampton.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt virtually the same time that Teletopa was formed, the Inhibodress Gallery was established in the inner-Sydney suburb of Woolloomooloo. Inhibodress was the first artist-run space in Australia, initiated, financed and maintained solely by artists,9 and became the primary venue for post-object art10 in Sydney.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom the outset, the members of Teletopa were financial members of the Inhibodress co-operative, contributing on a weekly basis towards rent and other overheads. Consequently, for nearly two years, Teletopa played in the gallery virtually every Monday night. Though these improvisatory sessions were private, conducted behind closed doors, in no sense were they rehearsals of any sort; in spite of the absence of an audience, they were nevertheless full-fledged performances. As Cardew maintained, ‘improvisation cannot be rehearsed. Training is substituted for rehearsal, and a certain moral discipline is an essential part of this training.’11\u003cbr data-mce-fragment=\"1\"\u003eIn an essay Ahern wrote prior to the formation of Teletopa, he insisted that ‘music is now able to be not so much “listened to” but “existed in”. One walks into a set of situations (art) just as one walks down the street (life).’12 While this conviction had obvious implications for developments in the areas of sound environments and installations, it was also directly relevant to the type of improvisation Teletopa propagated: the group would invariably play for at least ninety minutes, often longer, at a fairly high level of amplification,13 with audience members free to come and go as they pleased.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s important to bear in mind that Teletopa utilised no electronic technology in performance other than contact microphones, which were used to amplify all sound sources. These sound sources ranged from conventional instruments such as violin (Ahern), saxophone (Frampton) and flute (Collins), to percussive devices such as cymbal (usually bowed or scraped), sheets of tin and masonite, plates of glass, various implements made of plastic, metal or wood and short-wave radio. On his way to Inhibodress, Frampton often collected objects he found lying in the street which he would then use in performance, necessitating the invention of playing methods for these objects. For a time during 1971, Frampton would attach an old alto saxophone to an Electrolux vacuum cleaner and allow the resulting sounds to issue forth unimpededly. In effect, this configuration of saxophone and vacuum cleaner was akin to the addition of another player. The sounds produced ‘were some of the loudest’ Frampton had ever heard. ‘They were completely unpredictable and totally fascinating.’14\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTeletopa’s quest for new or unknown sounds was often fraught with danger, yet such precariousness is an intrinsic part of the very fabric of free improvisation. In a review of Teletopa’s performance at Melba Hall, the Australian composer Ernie Gallagher was compelled to remark that ‘the importance of Teletopa sounds lie not so much with their life but with the nature of their death, their relevancy being moulded by the context in which they are created.\u003cbr data-mce-fragment=\"1\"\u003eThat is, for its purposes, the sound dies after its having been performed – otherwise it would no longer be Improvisation, no longer sound created “at the Instant of Now”.’15\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA little over a week after performing in the concert organised by Rands at the Cell Block Theatre, Teletopa embarked on a two-month overseas tour. The group had been invited by Stanley Lunetta and Arthur Woodbury, editors of the American new music journal SOURCE: music of the avant garde, to participate in ICES, the International Carnival of Experimental Sound, which was held in the UK from 13 to 27 August. However, the group first went to Manila, then to Rome, before linking up with Peter Evans in London, his duties in Calgary having concluded. Teletopa also had non-playing commitments in late August and early September in Munich, Cologne, Kassel, Hamburg and Amsterdam, interacting with composers such as Rzewski, Karlheinz Stockhausen16 and Mauricio Kagel during this time. The group returned to Sydney from Amsterdam via New York and Tokyo.\u003cbr data-mce-fragment=\"1\"\u003eWhile in Manila, Teletopa functioned more as a contemporary ensemble than an improvisation group per se: in a concert at the CCP Little Theatre on 3 August, the group gave performances of Christian Wolff’s Duo for Pianists II and Steve Reich’s Piano Phase (Collins and Frampton, pianos), Ahern’s Stereo\/Mono (Frampton, wind soloist), Frampton’s Things to do for Musicians and Stockhausen’s Set Sail for the Sun (from Aus den Sieben Tagen), in addition to an extended improvisation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the UK, Teletopa performed at the Cambridge Union on 16 August and the Round- house on 23 August and also took part in events aboard the ‘Music Train’, an actual train which left King’s Cross Station on 21 August en route to Edinburgh with 600 musicians and artists on board. Regrettably, during the group’s time in England, marked tensions developed between Ahern and Frampton. According to Frampton, Ahern wanted to predetermine how the improvisations should flow, whereas he and Evans ‘felt obligated to improvise without regard to “standards”. We felt it was an inherent risk that improvisation would sometimes be more successful than at other times. David wanted to exercise more control, whereas Peter and I deliberately sabotaged David’s attempts to steer the music in a certain direction. Eventually these differences came to a head and Peter and I decided to leave the group on our return to Australia.’17\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTeletopa was in Tokyo from 14 to 26 September. Of major significance during the time spent there were the two studio improvisations featured on this double CD set, along with a performance by Collins and Frampton of Piano Phase, which were recorded by NHK Radio. Just prior to returning to Sydney, the group played in a ‘pub restaurant’, again in its guise as a contemporary ensemble, with realisations of Set Sail for the Sun, Cardew’s Treatise and How to Play the Piano (Frampton, piano solo) by the Australian composer Robert Irving. Sadly, these were the final performances ever given by Teletopa, with the group disbanding upon its return to Sydney.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1 Phillip L Ryan, in Barry Lowe, ‘Interview with Teletopa’, in Music Now vol 2, no 1 (April 1972), p 21. 2 Ibid. 3 David Ahern, ‘Teletopa’, in Music Now vol 2, no 1 (April 1972), p 20. 4 Ryan, letter to Geoffrey Barnard, 25 October 2011.\u003cbr data-mce-fragment=\"1\"\u003e5 Michael Nyman, Experimental Music: Cage and beyond (London: Studio Vista, 1974), p 109.\u003cbr data-mce-fragment=\"1\"\u003e6 John Tilbury, Cornelius Cardew (1936-1981): a life unfinished (Matching Tye, UK: Copula, 2008), p 289, original emphasis.\u003cbr data-mce-fragment=\"1\"\u003e7 Frank Harris, ‘“Mods” Took a Thrashing’, in The Daily Mirror, Wednesday, 17 February 1971, p 24.\u003cbr data-mce-fragment=\"1\"\u003e8 Roger Frampton, ‘Teletopa, AZ Music, Free Kata and Free Improvised Music in Australia: an Autobiographical Perspective’, in Sounds Australian: Journal of Australian Music no 32 (Summer 1991-92), p 22.\u003cbr data-mce-fragment=\"1\"\u003e9 See David Bromfield, Identities: A Critical Study of the Work of Mike Parr 1970-1990 (Nedlands WA: University of Western Australia Press, 1991), pp 8-9.\u003cbr data-mce-fragment=\"1\"\u003e10 The term ‘post-object art’ is used here to encompass a diverse range of artistic activity, including conceptual art, process art, installations, mixed-media performance, indeterminate composition, free improvisation, concrete and sound poetry, etc.\u003cbr data-mce-fragment=\"1\"\u003e11 Cornelius Cardew, ‘Towards an Ethic of Improvisation’, in Treatise Handbook (London, Frankfurt and New York: Edition Peters, 1971), p xvii, added emphasis.\u003cbr data-mce-fragment=\"1\"\u003e12 David Ahern, ‘Notes on Expansion’, in Other Voices vol1, no 2 (August\/September 1970), p 35.\u003cbr data-mce-fragment=\"1\"\u003e13 The Australian improviser Jim Denley claims that, at the time, it was the loudest music he had experienced: see Jim Denley, ‘Networks, playfulness and collectivity: Improv in Australia, 1972-2007’, in Gail Priest (ed), Experimental Music: Audio Explorations in Australia (Sydney: UNSW Press, 2009), p 137.\u003cbr data-mce-fragment=\"1\"\u003e14 Frampton, op cit, p 22.\u003cbr data-mce-fragment=\"1\"\u003e15 Ernest Gallagher, ‘The State of the Art: Electronic Music Seminar’, in Music Maker (October 1971), p 28. 16 Ahern had studied with Stockhausen in 1968 at his International New Music Courses in Darmstadt (the Musik für ein Haus project) and Cologne New Music courses. 17 Frampton, op cit, p 23.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Teletopa\u003c\/p\u003e\n\u003cp\u003eLabel : Splitrec\u003c\/p\u003e","published_at":"2021-08-18T17:44:13+09:00","created_at":"2021-08-17T10:43:49+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto"],"price":548000,"price_min":548000,"price_max":548000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40598287548581,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Teletopa \/\/ Tokyo 1972 3xLP","public_title":null,"options":["Default Title"],"price":548000,"weight":580,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/to1_fc4908f7-8ac0-4722-98ae-2b26a0f06913.jpg?v=1629164631"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/to1_fc4908f7-8ac0-4722-98ae-2b26a0f06913.jpg?v=1629164631","options":["Title"],"media":[{"alt":null,"id":23384621318309,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/to1_fc4908f7-8ac0-4722-98ae-2b26a0f06913.jpg?v=1629164631"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/to1_fc4908f7-8ac0-4722-98ae-2b26a0f06913.jpg?v=1629164631","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・シドニーの実験音楽家\u003cmeta charset=\"utf-8\"\u003eDavid Ahern率いる即興グループTeletopaの秘蔵音源が40年の月日を経て初めて3枚組レコードにてリリース。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDavid AhernはドイツにてStockhausenに師事し、Cornelius CardewとともにLa Monte Youngの演奏を行った人物で、70年代オーストラリアの実験音楽シーンに多大な影響をもたらしました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、NHKにて行われたインプロパフォーマンスを収録した特大ボリュームの3枚組レコードです。インサート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3548018686\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more - releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------\u003c\/p\u003e\n\u003cp\u003eAccompanying descrition by Splitrec:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 1968 the young Sydney composer David Ahern studied in Germany with Stockhausen where he met Cornelius Cardew. The next year he travelled onto London attending Cardew’s classes in ‘Experimental Music’ at Morley College and – in a mammoth seven-hour concert at the Roundhouse on 4 May – participated (with Cardew) in performances of La Monte Young’s String Trio and also took part in the realisation of Paragraph 2 of Cardew’s The Great Learning which proved to be the catalyst for the formation of the Scratch Orchestra. These were revolutionary and defining moments in C20th music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eReturning to Sydney in 1970, one of his aims was to set up an electro-acoustic improvisation group - Teletopa was founded in Sydney in late 1970 by Ahern, Peter Evans and Roger Frampton.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTokyo 1972 - The Triple LP or Double CD release - features two 50min improvisations from a radio session at NHK studios Tokyo. The group was Ahern, Frampton, Evans and Geoffrey Collins and they were completing a 1972 world tour. The group broke up on their return to Sydney. Only a small example of their work has ever been released before.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLiner notes are a manifesto by Ahern from a 1971 pamphlet, and a newly penned Potted History of Teletopa by Geoffrey\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Barnard, who had been a member of the group from September 1971 until July 1972.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe tapes have sat in boxes for 42 years - with this release we can hear that Sydney in the early 1970's had a group at the forefront of musical experimentation with a unique take on free improvisation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis document is not just important for Australian music – it should establish them posthumously as one of the most interesting developments in experimental music anywhere in the world at this time.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e------\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eA Potted History of Teletopa:\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"The electro-acoustic improvisation group Teletopa was founded in Sydney in late 1970 by David Ahern, Peter Evans and Roger Frampton and was one of two sub-groups to emerge out of the parent organisation AZ Music during the period 1970-72. (The other group was the Sunday Ensemble which was formed in mid-1971 comprised of both ‘trained’ and ‘untrained’ musicians, initially to perform such works by Cornelius Cardew as Treatise and Schooltime Special.)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePhillip L Ryan came up with the name ‘Teletopa’ for the group: ‘topa’, from the Greek tópos, meaning ‘the place of the origin of ideas’; ‘tele’, meaning ‘far, distant, an openness to any ideas whatsoever’.1 In this regard, Ryan contended that the activities of the group could (potentially) extend beyond music,2 while Ahern averred that the prefix ‘tele’ was indicative of the group’s willingness to use sound materials which may be found ‘in every corner of the globe.’3 More recently, Ryan has recalled that, at the time he decided upon the name ‘Teletopa’, he was reading the work of the Japanese philosopher Kitaro Nishida and that the name of the group essentially means ‘distant field’, ‘field’ being apposite for the sound of Teletopa.4\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAhern had been in London in 1969 where he attended Cardew’s classes in ‘Experimental Music’ at Morley College and – in a mammoth seven-hour concert at the Roundhouse on 4 May – participated (with Cardew) in performances of La Monte Young’s String Trio and Terry Jennings’ String Quartet and also took part in the realisation of Paragraph 2 of Cardew’s The Great Learning which proved to be the catalyst for the formation of the Scratch Orchestra.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDuring his stint in London, Ahern had the opportunity to hear the English group AMM (the membership of which then comprised Cardew, Lou Gare, Christopher Hobbs, Eddie Prévost and Keith Rowe). In comparison with other improvisation groups which were formed during the 1960s – in particular the Gruppo di Improvvisazione Nuova Consonanza and Musica Elettronica Viva (Rome) and the Taj Mahal Travellers (Tokyo) – AMM was the clear prototype for Teletopa, not only in regard to the type of improvisation Teletopa promulgated, but to the general ethos of the group as well. In fact, much of what has been said about AMM could apply equally to Teletopa. As Michael Nyman has pointed out, the membership of MEV, for instance, ‘frequently changed according to who happened to be around at any time; other musicians sat in and played with the hard-core members (Frederic Rzewski, Richard Teitelbaum, Alvin Curran, Allan Bryant) and were welcomed more openly than they were by AMM, extremely self-contained and private, basically hostile to “outsiders”.’5\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe membership of Teletopa was no less hostile to ‘outsiders’ than was that of AMM. In this way, the group was able to cultivate an identity which developed over time in which that of each of the individual players was subsumed. As a consequence, a viable, open form of music-making came about which hinged on a strong sense of communality and mutual aid within the group, what John Tilbury has referred to (in relation to AMM) as ‘a uniquely collectivist mode of playing.’6\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile Ahern, Evans and Frampton were the founder members, Linda Wilson also played with the group for the first three months, mostly on bowed cymbal. This culminated in a performance by Teletopa at the Sydney Town Hall on 16 February 1971, simultaneously with a realisation of Paragraph 2 of The Great Learning by an augmented AZ Music Ensemble, as part of that year’s Prom concert series. As local critic Frank Harris reported, the performance ‘was a disaster. Hundreds walked out in the first fifteen minutes and then the mob took over in a howling opposition which turned the concert into a near-riot.’7\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom May 1971 until August that year, Ryan was a member of the group, and on 10 August the line-up of Ahern, Evans, Frampton and Ryan performed at the University of Melbourne’s Melba Hall as part of ‘The State of the Art of Electronic Music in Australia’, the first national seminar on electronic music to be held in Australia. Frampton recalled Ryan’s contribution to the group’s overall sound in glowing terms, stipulating that he ‘was a virtuoso of the radio. His playing of this instrument was stimulating, challenging and confront- ing. His “secret” was his ability to memorise the Radio Guide and to tune in to an appropriate station at just the right time.’8\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn September, I joined the group, primarily to replace Peter Evans, who was about to head off to work in Calgary, Canada for the next ten months in his capacity as a computer programmer; then in March 1972, Geoffrey Collins was added as a member. From 15 to 18 May, the group conducted music workshops at the Australian National University in Canberra in conjunction with the UNESCO seminar on ‘Youth and the Arts: Culture and Counter-Culture’. On 22 July, just prior to setting off on an overseas tour, Teletopa (Ahern, Collins, Frampton and myself) performed in Sydney for the last time at the Cell Block Theatre – two fifteen-minute ‘fragments’ of improvisation – in a concert (‘Action Music Theatre’) organised by the English composer and percussionist Bernard Rands, which also featured a realisation of Cardew’s Memories of You by Roger Frampton.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt virtually the same time that Teletopa was formed, the Inhibodress Gallery was established in the inner-Sydney suburb of Woolloomooloo. Inhibodress was the first artist-run space in Australia, initiated, financed and maintained solely by artists,9 and became the primary venue for post-object art10 in Sydney.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom the outset, the members of Teletopa were financial members of the Inhibodress co-operative, contributing on a weekly basis towards rent and other overheads. Consequently, for nearly two years, Teletopa played in the gallery virtually every Monday night. Though these improvisatory sessions were private, conducted behind closed doors, in no sense were they rehearsals of any sort; in spite of the absence of an audience, they were nevertheless full-fledged performances. As Cardew maintained, ‘improvisation cannot be rehearsed. Training is substituted for rehearsal, and a certain moral discipline is an essential part of this training.’11\u003cbr data-mce-fragment=\"1\"\u003eIn an essay Ahern wrote prior to the formation of Teletopa, he insisted that ‘music is now able to be not so much “listened to” but “existed in”. One walks into a set of situations (art) just as one walks down the street (life).’12 While this conviction had obvious implications for developments in the areas of sound environments and installations, it was also directly relevant to the type of improvisation Teletopa propagated: the group would invariably play for at least ninety minutes, often longer, at a fairly high level of amplification,13 with audience members free to come and go as they pleased.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s important to bear in mind that Teletopa utilised no electronic technology in performance other than contact microphones, which were used to amplify all sound sources. These sound sources ranged from conventional instruments such as violin (Ahern), saxophone (Frampton) and flute (Collins), to percussive devices such as cymbal (usually bowed or scraped), sheets of tin and masonite, plates of glass, various implements made of plastic, metal or wood and short-wave radio. On his way to Inhibodress, Frampton often collected objects he found lying in the street which he would then use in performance, necessitating the invention of playing methods for these objects. For a time during 1971, Frampton would attach an old alto saxophone to an Electrolux vacuum cleaner and allow the resulting sounds to issue forth unimpededly. In effect, this configuration of saxophone and vacuum cleaner was akin to the addition of another player. The sounds produced ‘were some of the loudest’ Frampton had ever heard. ‘They were completely unpredictable and totally fascinating.’14\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTeletopa’s quest for new or unknown sounds was often fraught with danger, yet such precariousness is an intrinsic part of the very fabric of free improvisation. In a review of Teletopa’s performance at Melba Hall, the Australian composer Ernie Gallagher was compelled to remark that ‘the importance of Teletopa sounds lie not so much with their life but with the nature of their death, their relevancy being moulded by the context in which they are created.\u003cbr data-mce-fragment=\"1\"\u003eThat is, for its purposes, the sound dies after its having been performed – otherwise it would no longer be Improvisation, no longer sound created “at the Instant of Now”.’15\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA little over a week after performing in the concert organised by Rands at the Cell Block Theatre, Teletopa embarked on a two-month overseas tour. The group had been invited by Stanley Lunetta and Arthur Woodbury, editors of the American new music journal SOURCE: music of the avant garde, to participate in ICES, the International Carnival of Experimental Sound, which was held in the UK from 13 to 27 August. However, the group first went to Manila, then to Rome, before linking up with Peter Evans in London, his duties in Calgary having concluded. Teletopa also had non-playing commitments in late August and early September in Munich, Cologne, Kassel, Hamburg and Amsterdam, interacting with composers such as Rzewski, Karlheinz Stockhausen16 and Mauricio Kagel during this time. The group returned to Sydney from Amsterdam via New York and Tokyo.\u003cbr data-mce-fragment=\"1\"\u003eWhile in Manila, Teletopa functioned more as a contemporary ensemble than an improvisation group per se: in a concert at the CCP Little Theatre on 3 August, the group gave performances of Christian Wolff’s Duo for Pianists II and Steve Reich’s Piano Phase (Collins and Frampton, pianos), Ahern’s Stereo\/Mono (Frampton, wind soloist), Frampton’s Things to do for Musicians and Stockhausen’s Set Sail for the Sun (from Aus den Sieben Tagen), in addition to an extended improvisation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the UK, Teletopa performed at the Cambridge Union on 16 August and the Round- house on 23 August and also took part in events aboard the ‘Music Train’, an actual train which left King’s Cross Station on 21 August en route to Edinburgh with 600 musicians and artists on board. Regrettably, during the group’s time in England, marked tensions developed between Ahern and Frampton. According to Frampton, Ahern wanted to predetermine how the improvisations should flow, whereas he and Evans ‘felt obligated to improvise without regard to “standards”. We felt it was an inherent risk that improvisation would sometimes be more successful than at other times. David wanted to exercise more control, whereas Peter and I deliberately sabotaged David’s attempts to steer the music in a certain direction. Eventually these differences came to a head and Peter and I decided to leave the group on our return to Australia.’17\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTeletopa was in Tokyo from 14 to 26 September. Of major significance during the time spent there were the two studio improvisations featured on this double CD set, along with a performance by Collins and Frampton of Piano Phase, which were recorded by NHK Radio. Just prior to returning to Sydney, the group played in a ‘pub restaurant’, again in its guise as a contemporary ensemble, with realisations of Set Sail for the Sun, Cardew’s Treatise and How to Play the Piano (Frampton, piano solo) by the Australian composer Robert Irving. Sadly, these were the final performances ever given by Teletopa, with the group disbanding upon its return to Sydney.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1 Phillip L Ryan, in Barry Lowe, ‘Interview with Teletopa’, in Music Now vol 2, no 1 (April 1972), p 21. 2 Ibid. 3 David Ahern, ‘Teletopa’, in Music Now vol 2, no 1 (April 1972), p 20. 4 Ryan, letter to Geoffrey Barnard, 25 October 2011.\u003cbr data-mce-fragment=\"1\"\u003e5 Michael Nyman, Experimental Music: Cage and beyond (London: Studio Vista, 1974), p 109.\u003cbr data-mce-fragment=\"1\"\u003e6 John Tilbury, Cornelius Cardew (1936-1981): a life unfinished (Matching Tye, UK: Copula, 2008), p 289, original emphasis.\u003cbr data-mce-fragment=\"1\"\u003e7 Frank Harris, ‘“Mods” Took a Thrashing’, in The Daily Mirror, Wednesday, 17 February 1971, p 24.\u003cbr data-mce-fragment=\"1\"\u003e8 Roger Frampton, ‘Teletopa, AZ Music, Free Kata and Free Improvised Music in Australia: an Autobiographical Perspective’, in Sounds Australian: Journal of Australian Music no 32 (Summer 1991-92), p 22.\u003cbr data-mce-fragment=\"1\"\u003e9 See David Bromfield, Identities: A Critical Study of the Work of Mike Parr 1970-1990 (Nedlands WA: University of Western Australia Press, 1991), pp 8-9.\u003cbr data-mce-fragment=\"1\"\u003e10 The term ‘post-object art’ is used here to encompass a diverse range of artistic activity, including conceptual art, process art, installations, mixed-media performance, indeterminate composition, free improvisation, concrete and sound poetry, etc.\u003cbr data-mce-fragment=\"1\"\u003e11 Cornelius Cardew, ‘Towards an Ethic of Improvisation’, in Treatise Handbook (London, Frankfurt and New York: Edition Peters, 1971), p xvii, added emphasis.\u003cbr data-mce-fragment=\"1\"\u003e12 David Ahern, ‘Notes on Expansion’, in Other Voices vol1, no 2 (August\/September 1970), p 35.\u003cbr data-mce-fragment=\"1\"\u003e13 The Australian improviser Jim Denley claims that, at the time, it was the loudest music he had experienced: see Jim Denley, ‘Networks, playfulness and collectivity: Improv in Australia, 1972-2007’, in Gail Priest (ed), Experimental Music: Audio Explorations in Australia (Sydney: UNSW Press, 2009), p 137.\u003cbr data-mce-fragment=\"1\"\u003e14 Frampton, op cit, p 22.\u003cbr data-mce-fragment=\"1\"\u003e15 Ernest Gallagher, ‘The State of the Art: Electronic Music Seminar’, in Music Maker (October 1971), p 28. 16 Ahern had studied with Stockhausen in 1968 at his International New Music Courses in Darmstadt (the Musik für ein Haus project) and Cologne New Music courses. 17 Frampton, op cit, p 23.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Teletopa\u003c\/p\u003e\n\u003cp\u003eLabel : Splitrec\u003c\/p\u003e"}
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オーストラリア・シドニーの実験音楽家David Ahern率いる即興グループTeletopaの秘蔵音源が40年の月日を経て初めて3枚組レコードにてリリース。 David AhernはドイツにてStockhausenに師事し、Cornelius CardewとともにLa Monte Youngの演奏を行った人物で、70年代オーストラリアの実験音楽シーンに多大な影響をもたらしました。 本作は、NHKにて行われたインプロパフォーマンスを収録した特大ボリュームの3枚組レコードです。インサート付属。 レーベルその他作品はこちら /// Click here to see more - releases...
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{"id":6969865175205,"title":"Gintas K \/\/ Variations In A-Moll For A Granular Synthesis CD","handle":"gintas-k-variations-in-a-moll-for-a-granular-synthesis-cd","description":"\u003cp\u003e1994年から活動しているリトアニアの大御所サウンドアーティストGintas Kが、2019年12月にCronicaからリリースしたCD。\u003c\/p\u003e\n\u003cp\u003eタイトルの通り、グラニュラーシンセシスでのイ短調6曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3152021911\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eDescription and bio by Esc.rec.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eVariations in a-moll for a granular synthesis' was created by Gintas K in 2016, during an art residency in MoKS\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e, Estonia. The album uses a classical variation form in a-moll and is an extremely overpowering listening experience. Stunning and surprisingly melodic harmonies keep emerging from the granulated and continuously shifting computer generated sounds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGintas K (Gintas Kraptavičius) is a Lithuanian sound artist and composer living and working in Lithuania. He has been a part of the Lithuanian experimental music scene since 1994 and was a core member of the first Lithuanian industrial electronic music band 'Modus'. Later Kraptavičius became known for his sound actions, theatrical performances and conceptual art in the manner of Fluxus.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNowadays Gintas K is exploring experimental, electroacoustic, electronic, computer music aesthetics: from overloaded massive structures, static and physically overwhelming frequencies to melodic ambiences, voice and field recordings. His compositions are based on granulated sounds, improv, new hard digital computer music and small melodies.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGintas K has released numerous records on other labels such as Cronica, Baskaru, Con-v, Copy for Your Records\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, Bolt, Creative Sources and Sub Rosa. He took part in various international festivals and symposiums of new media art and sound art (Transmediale, ISEA, ISSTA, IRCAM, xCoAx, ICMC, ICMC-NYCEMF). Winner of the International Sound-Art Contest Broadcasting Art 2010 in Spain and the USF New-Music Consortium International Call for Scores \/ electronic composition category, 2019 USA.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e-----\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eReview by SSK in Vital Weekly:\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003e\"Two things before we dive into the musical subject matter at hand. First: the stellar cover art by Harco Rutgers featuring a deftly shimmering glissando of muted but brightly shining pink into greenish hues cut through with subtle white wave form-like lines. With the inner panels and the disc itself following this tone of visuals closely, Variations... is one heck of a CD with quite the luxurious feel to it, a must-have you want to hold and cherish and give prime place of pride on display in your collection, around the stereo.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAnd secondly, come to speak of stereo: on the sleeve, it doesn't say so, but this album needs to be cranked up to be fully appreciated in all nuance. Just so you know. Often ambient-esque synthesizer experimentation tends to be all hush-hush Feldman volume, but no way with this one, please. The granular synthesis opens up the full level of intensity on myriads of layers of sound processing when the amp gets a thorough workout and the speakers are fed with all the right power to project the microscopic detail(s) across the room. Also: I tried, but cannot think this is supposed to work with headphones, for some reason I prefer the room filling up with sound matter, instead of the head alone and boy does Gintas K deliver here.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEstonian composer Gintas Kraptavičius presents his variations on the classical form in a-moll not to showcase the possibilities of his machines in this most classical of forms and formats per se, but to take the concept and push beyond with the help of intense granular synthesis; beyond that is, into the realm of deeply immerse en impressive listening experiences. Gintas K doesn't let up, doesn't do a second of ease or peace: his granulated fragments and shifting patterns divide, merge, splinter, coalesce with an unrelenting forward and deep-diving motion, although he manages to keep overpowering blunt force trauma at bay, in fact: Variations... turns out to be – above all – surprisingly melodic and harmonic.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVariations... is massive – feels like a ton of steel or concrete in a way, but then again, it is light and airy... maybe best described as sweltering heat mixed with a punishing downpour of torrential rains with rather heavy winds too... While that doesn't sound too appealing, it's exactly the push-back from the music, the up-front an centre stage of the forceful projections of exquisite tones that makes for a wall-like focal point against which the listener can lean as we came to know from the best practices from My Bloody Valentine back in the shoegaze days of yonder. Far from unpleasant, that is, in fact: you're hit with blast after blast and still there is air to breathe, moving air that is sound-pressured.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGintas K doesn't do easy listening, but his Variations... is one of those CD's that keeps rewarding the listener spin after spin. It's not as 'wild' as Mark Fell and\/or Gabór Lazar, but you'd be hard-pressed to remember melodic lines or phrases. This CD doesn't do comfort zone – doesn't allow for the newspaper to be read alongside or a novel. This a full-on attention-grabbing beast, but when you let yourself be hauled into its filigree maelstrom the aural vistas Gintas presents left, right, centre, above as below are all sparkling gems of unfiltered but extremely detailed brilliance. One album not to forget, to be put on the Long List for the 2020 Year lists.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gintas K\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec. \u003c\/p\u003e","published_at":"2021-08-12T12:30:22+09:00","created_at":"2021-08-12T11:48:22+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","esc.rec.","monooto"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40561388421285,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Gintas K \/\/ Variations In A-Moll For A Granular Synthesis CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/va1_56e377c9-caf8-49b6-ae24-7d588a0d9a50.jpg?v=1628736503","\/\/tobirarecords.com\/cdn\/shop\/products\/va3_c61be616-82d6-48bc-99b4-e198cb4c96c0.jpg?v=1628736503","\/\/tobirarecords.com\/cdn\/shop\/products\/va4.jpg?v=1628736504"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/va1_56e377c9-caf8-49b6-ae24-7d588a0d9a50.jpg?v=1628736503","options":["Title"],"media":[{"alt":null,"id":23317509275813,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/va1_56e377c9-caf8-49b6-ae24-7d588a0d9a50.jpg?v=1628736503"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/va1_56e377c9-caf8-49b6-ae24-7d588a0d9a50.jpg?v=1628736503","width":700},{"alt":null,"id":23317509308581,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/va3_c61be616-82d6-48bc-99b4-e198cb4c96c0.jpg?v=1628736503"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/va3_c61be616-82d6-48bc-99b4-e198cb4c96c0.jpg?v=1628736503","width":1200},{"alt":null,"id":23317509341349,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/va4.jpg?v=1628736504"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/va4.jpg?v=1628736504","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1994年から活動しているリトアニアの大御所サウンドアーティストGintas Kが、2019年12月にCronicaからリリースしたCD。\u003c\/p\u003e\n\u003cp\u003eタイトルの通り、グラニュラーシンセシスでのイ短調6曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3152021911\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eDescription and bio by Esc.rec.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eVariations in a-moll for a granular synthesis' was created by Gintas K in 2016, during an art residency in MoKS\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e, Estonia. The album uses a classical variation form in a-moll and is an extremely overpowering listening experience. Stunning and surprisingly melodic harmonies keep emerging from the granulated and continuously shifting computer generated sounds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGintas K (Gintas Kraptavičius) is a Lithuanian sound artist and composer living and working in Lithuania. He has been a part of the Lithuanian experimental music scene since 1994 and was a core member of the first Lithuanian industrial electronic music band 'Modus'. Later Kraptavičius became known for his sound actions, theatrical performances and conceptual art in the manner of Fluxus.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNowadays Gintas K is exploring experimental, electroacoustic, electronic, computer music aesthetics: from overloaded massive structures, static and physically overwhelming frequencies to melodic ambiences, voice and field recordings. His compositions are based on granulated sounds, improv, new hard digital computer music and small melodies.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGintas K has released numerous records on other labels such as Cronica, Baskaru, Con-v, Copy for Your Records\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, Bolt, Creative Sources and Sub Rosa. He took part in various international festivals and symposiums of new media art and sound art (Transmediale, ISEA, ISSTA, IRCAM, xCoAx, ICMC, ICMC-NYCEMF). Winner of the International Sound-Art Contest Broadcasting Art 2010 in Spain and the USF New-Music Consortium International Call for Scores \/ electronic composition category, 2019 USA.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e-----\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eReview by SSK in Vital Weekly:\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003e\"Two things before we dive into the musical subject matter at hand. First: the stellar cover art by Harco Rutgers featuring a deftly shimmering glissando of muted but brightly shining pink into greenish hues cut through with subtle white wave form-like lines. With the inner panels and the disc itself following this tone of visuals closely, Variations... is one heck of a CD with quite the luxurious feel to it, a must-have you want to hold and cherish and give prime place of pride on display in your collection, around the stereo.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAnd secondly, come to speak of stereo: on the sleeve, it doesn't say so, but this album needs to be cranked up to be fully appreciated in all nuance. Just so you know. Often ambient-esque synthesizer experimentation tends to be all hush-hush Feldman volume, but no way with this one, please. The granular synthesis opens up the full level of intensity on myriads of layers of sound processing when the amp gets a thorough workout and the speakers are fed with all the right power to project the microscopic detail(s) across the room. Also: I tried, but cannot think this is supposed to work with headphones, for some reason I prefer the room filling up with sound matter, instead of the head alone and boy does Gintas K deliver here.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEstonian composer Gintas Kraptavičius presents his variations on the classical form in a-moll not to showcase the possibilities of his machines in this most classical of forms and formats per se, but to take the concept and push beyond with the help of intense granular synthesis; beyond that is, into the realm of deeply immerse en impressive listening experiences. Gintas K doesn't let up, doesn't do a second of ease or peace: his granulated fragments and shifting patterns divide, merge, splinter, coalesce with an unrelenting forward and deep-diving motion, although he manages to keep overpowering blunt force trauma at bay, in fact: Variations... turns out to be – above all – surprisingly melodic and harmonic.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVariations... is massive – feels like a ton of steel or concrete in a way, but then again, it is light and airy... maybe best described as sweltering heat mixed with a punishing downpour of torrential rains with rather heavy winds too... While that doesn't sound too appealing, it's exactly the push-back from the music, the up-front an centre stage of the forceful projections of exquisite tones that makes for a wall-like focal point against which the listener can lean as we came to know from the best practices from My Bloody Valentine back in the shoegaze days of yonder. Far from unpleasant, that is, in fact: you're hit with blast after blast and still there is air to breathe, moving air that is sound-pressured.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGintas K doesn't do easy listening, but his Variations... is one of those CD's that keeps rewarding the listener spin after spin. It's not as 'wild' as Mark Fell and\/or Gabór Lazar, but you'd be hard-pressed to remember melodic lines or phrases. This CD doesn't do comfort zone – doesn't allow for the newspaper to be read alongside or a novel. This a full-on attention-grabbing beast, but when you let yourself be hauled into its filigree maelstrom the aural vistas Gintas presents left, right, centre, above as below are all sparkling gems of unfiltered but extremely detailed brilliance. One album not to forget, to be put on the Long List for the 2020 Year lists.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gintas K\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec. \u003c\/p\u003e"}
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1994年から活動しているリトアニアの大御所サウンドアーティストGintas Kが、2019年12月にCronicaからリリースしたCD。 タイトルの通り、グラニュラーシンセシスでのイ短調6曲を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Esc.rec. releases available at Tobira. ------------------------- Edition...
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{"id":6961049403557,"title":"Bernard Parmegiani \/\/ Stries (Mode 328) CD","handle":"bernard-parmegiani-stries-mode-328-cd","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3047596344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eBernard Parmegiani (1927–2013), the grand old man of French electroacoustic music, did not write much music for tape with live performers. Among them is “Stries” for the unusual combi- nation of three live synthesizer players and tape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eUntil recently, “Stries” had not been played live for some 30 years. This is the first complete recording, only part of it had been previously released on LP on the INA\/GRM label.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Stries” was written for the three synthesizer players of the Paris- based electroacoustic trio TM+, Yann Geslin, Laurent Cuniot and Denis Dufour, founded at the INA\/GRM. Over the span of the ensem- ble’s lifetime, TM+ used a range of different instruments — analog synthesizers in the late 1970s and early digital synthesizers in the mid-1980s — and amassed a repertoire of about 40 compositions written especially for them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFortunately, Yann Geslin, of the INA\/GRM, archived the original score by Parmegiani, as well as the parts for the instrumentalists. Also in GRM’s archives was the original analog reel-to-reel tape for the piece, as well as the analog 8-track recordings from the recording session.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eArmed with this material, the electronic music trio of Colette Broeckaert, Martin Lorenz and Sebastian Berweck\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, together with Yann Geslin, recreated the piece with the aim of bringing it back to the stage as well as producing generic scores that could help get the piece into the repertoire of many instrumentalists. Their work is real- ized on this release.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Stries” (1980) is a work in three parts based on the tapes of Parmegiani’s “Violostries” for violin \u0026amp; tape from 1963. The tape part is derived completely from recordings of the violin which Parmegiani masterfully alters to create an at times extremely dense, at other times pointillist piece of music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe first part, “Strilento,” is a piece for tape solo and can as such be played alone, while the second and third movements — “Strio” and the eponymous “Stries” — make direct usage of the old tapes and the analog synthesizers of the players.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSebastian Berweck’s liner notes detail the reconstruction of “Stries” for both performance and this recording.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : Bernard Parmegiani\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eLabel : Mode Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-10T13:07:59+09:00","created_at":"2021-08-08T12:07:14+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","mode"],"price":228000,"price_min":228000,"price_max":228000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40528781836453,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Bernard Parmegiani \/\/ Stries (Mode 328) CD","public_title":null,"options":["Default Title"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/st1_71736b6b-d899-4051-9bc7-ccef7831d905.jpg?v=1628392036"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_71736b6b-d899-4051-9bc7-ccef7831d905.jpg?v=1628392036","options":["Title"],"media":[{"alt":null,"id":23256472879269,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_71736b6b-d899-4051-9bc7-ccef7831d905.jpg?v=1628392036"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_71736b6b-d899-4051-9bc7-ccef7831d905.jpg?v=1628392036","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3047596344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eBernard Parmegiani (1927–2013), the grand old man of French electroacoustic music, did not write much music for tape with live performers. Among them is “Stries” for the unusual combi- nation of three live synthesizer players and tape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eUntil recently, “Stries” had not been played live for some 30 years. This is the first complete recording, only part of it had been previously released on LP on the INA\/GRM label.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Stries” was written for the three synthesizer players of the Paris- based electroacoustic trio TM+, Yann Geslin, Laurent Cuniot and Denis Dufour, founded at the INA\/GRM. Over the span of the ensem- ble’s lifetime, TM+ used a range of different instruments — analog synthesizers in the late 1970s and early digital synthesizers in the mid-1980s — and amassed a repertoire of about 40 compositions written especially for them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFortunately, Yann Geslin, of the INA\/GRM, archived the original score by Parmegiani, as well as the parts for the instrumentalists. Also in GRM’s archives was the original analog reel-to-reel tape for the piece, as well as the analog 8-track recordings from the recording session.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eArmed with this material, the electronic music trio of Colette Broeckaert, Martin Lorenz and Sebastian Berweck\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, together with Yann Geslin, recreated the piece with the aim of bringing it back to the stage as well as producing generic scores that could help get the piece into the repertoire of many instrumentalists. Their work is real- ized on this release.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Stries” (1980) is a work in three parts based on the tapes of Parmegiani’s “Violostries” for violin \u0026amp; tape from 1963. The tape part is derived completely from recordings of the violin which Parmegiani masterfully alters to create an at times extremely dense, at other times pointillist piece of music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe first part, “Strilento,” is a piece for tape solo and can as such be played alone, while the second and third movements — “Strio” and the eponymous “Stries” — make direct usage of the old tapes and the analog synthesizers of the players.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSebastian Berweck’s liner notes detail the reconstruction of “Stries” for both performance and this recording.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : Bernard Parmegiani\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eLabel : Mode Records\u003c\/span\u003e\u003c\/p\u003e"}
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レーベルその他作品はこちら /// Click here to see more Mode releases available at Tobira. ---------------------------- Description by Mode: ...
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{"id":6960124493989,"title":"TD \u0026 SS \/\/ Viva! The Downtown Sound TAPE","handle":"td-ss-viva-the-downtown-sound","description":"\u003cp\u003e2000年代後期のアメリカ地下アンビエントシーンを牽引したレーベルの一つEkhein主宰Matthew Sullivanが新レーベルStaighreを始動しました。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e本作は、VitrineやMore Marsなどから発表しているデュオTD \u0026amp; SSの最新作です。15分のコラージュ〜スポークンワード2曲、約40分を収録。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1082199628\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/staighre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/staighre\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Staighre releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : TD \u0026amp; SS \u003c\/p\u003e\n\u003cp\u003eLabel : Staighre\u003c\/p\u003e","published_at":"2021-08-08T09:53:05+09:00","created_at":"2021-08-07T11:26:55+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","monooto","staighre","tape"],"price":168000,"price_min":168000,"price_max":168000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40523767414949,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"TD \u0026 SS \/\/ Viva! The Downtown Sound TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2021-08-07at11.25.51am.png?v=1628303217"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2021-08-07at11.25.51am.png?v=1628303217","options":["Title"],"media":[{"alt":null,"id":23243992137893,"position":1,"preview_image":{"aspect_ratio":0.988,"height":342,"width":338,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2021-08-07at11.25.51am.png?v=1628303217"},"aspect_ratio":0.988,"height":342,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2021-08-07at11.25.51am.png?v=1628303217","width":338}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e2000年代後期のアメリカ地下アンビエントシーンを牽引したレーベルの一つEkhein主宰Matthew Sullivanが新レーベルStaighreを始動しました。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e本作は、VitrineやMore Marsなどから発表しているデュオTD \u0026amp; SSの最新作です。15分のコラージュ〜スポークンワード2曲、約40分を収録。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1082199628\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/staighre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/staighre\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Staighre releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : TD \u0026amp; SS \u003c\/p\u003e\n\u003cp\u003eLabel : Staighre\u003c\/p\u003e"}
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2000年代後期のアメリカ地下アンビエントシーンを牽引したレーベルの一つEkhein主宰Matthew Sullivanが新レーベルStaighreを始動しました。 本作は、VitrineやMore Marsなどから発表しているデュオTD & SSの最新作です。15分のコラージュ〜スポークンワード2曲、約40分を収録。 レーベルその他作品はこちら /// Click here to see more Staighre releases available at...
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{"id":6957543882917,"title":"Cody Brant \/ Thomas LaRoche \/\/ Pathological Demand Avoidance CDr","handle":"cody-brant-thomas-laroche-pathological-demand-avoidance-cdr","description":"\u003cp\u003e過去にchocolate monkなどから発表しており、TNBとも共作を重ねるアメリカ・ラスベガスの実験音楽家Cody Brantと、イギリスの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eResearch Laboratories主宰\u003c\/span\u003eThomas LaRocheが、2021年8月に35部限定でリリースしたスプリットCDRです。\u003c\/p\u003e\n\u003cp\u003eコラージュ〜スカム・コンクレート8曲を収録。廃盤です。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/w5EibaZTPZM\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eResearch Laboratories releases available at Tobira. \n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This is a collection of audio recordings from found cassettes, found all over the country. Collected from late 90's til 2015.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cody Brant\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eResearch Laboratories\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-06T12:13:41+09:00","created_at":"2021-08-06T12:13:41+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","monooto","research laboratories"],"price":178000,"price_min":178000,"price_max":178000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40516499243173,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Cody Brant \/ Thomas LaRoche \/\/ Pathological Demand Avoidance CDr","public_title":null,"options":["Default Title"],"price":178000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_3770.jpg?v=1628219763","\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_3771.jpg?v=1628219708"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_3770.jpg?v=1628219763","options":["Title"],"media":[{"alt":null,"id":23225091358885,"position":1,"preview_image":{"aspect_ratio":0.968,"height":3032,"width":2934,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_3770.jpg?v=1628219763"},"aspect_ratio":0.968,"height":3032,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_3770.jpg?v=1628219763","width":2934},{"alt":null,"id":23225091326117,"position":2,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_3771.jpg?v=1628219708"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_3771.jpg?v=1628219708","width":3024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にchocolate monkなどから発表しており、TNBとも共作を重ねるアメリカ・ラスベガスの実験音楽家Cody Brantと、イギリスの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eResearch Laboratories主宰\u003c\/span\u003eThomas LaRocheが、2021年8月に35部限定でリリースしたスプリットCDRです。\u003c\/p\u003e\n\u003cp\u003eコラージュ〜スカム・コンクレート8曲を収録。廃盤です。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/w5EibaZTPZM\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eResearch Laboratories releases available at Tobira. \n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This is a collection of audio recordings from found cassettes, found all over the country. Collected from late 90's til 2015.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cody Brant\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eResearch Laboratories\u003c\/span\u003e\u003c\/p\u003e"}
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過去にchocolate monkなどから発表しており、TNBとも共作を重ねるアメリカ・ラスベガスの実験音楽家Cody Brantと、イギリスの実験レーベルResearch Laboratories主宰Thomas LaRocheが、2021年8月に35部限定でリリースしたスプリットCDRです。 コラージュ〜スカム・コンクレート8曲を収録。廃盤です。 レーベルその他作品はこちら /// Click here to see more Research Laboratories releases available at...
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{"id":6957521633445,"title":"Andy Heck Boyd \/\/ One Hour Report (incomplete) TAPE","handle":"andy-heck-boyd-one-hour-report-incomplete-tape","description":"\u003cp\u003eアメリカ・ケンタッキーの実験音楽家Andy Heck Boydが、2021年4月にイギリスの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eResearch Laboratoriesから\u003c\/span\u003e25本限定でリリースしたカセットです。スポークンワード・コラージュ2曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3016353112\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eResearch Laboratories releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 25.\u003c\/p\u003e\n\u003cp\u003eArtist : Andy Heck Boyd\u003c\/p\u003e\n\u003cp\u003eLabel : Research Laboratories\u003c\/p\u003e","published_at":"2021-08-06T12:03:54+09:00","created_at":"2021-08-06T12:03:54+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","monooto","research laboratories","tape"],"price":148000,"price_min":148000,"price_max":148000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40516383670437,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Andy Heck Boyd \/\/ One Hour Report (incomplete) TAPE","public_title":null,"options":["Default Title"],"price":148000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/tumblr_ce8cc1de12675194116158a4b3b6e7ed_21c73577_1280.jpg?v=1628219200"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/tumblr_ce8cc1de12675194116158a4b3b6e7ed_21c73577_1280.jpg?v=1628219200","options":["Title"],"media":[{"alt":null,"id":23224964219045,"position":1,"preview_image":{"aspect_ratio":1.111,"height":1152,"width":1280,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tumblr_ce8cc1de12675194116158a4b3b6e7ed_21c73577_1280.jpg?v=1628219200"},"aspect_ratio":1.111,"height":1152,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tumblr_ce8cc1de12675194116158a4b3b6e7ed_21c73577_1280.jpg?v=1628219200","width":1280}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ケンタッキーの実験音楽家Andy Heck Boydが、2021年4月にイギリスの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eResearch Laboratoriesから\u003c\/span\u003e25本限定でリリースしたカセットです。スポークンワード・コラージュ2曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3016353112\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eResearch Laboratories releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 25.\u003c\/p\u003e\n\u003cp\u003eArtist : Andy Heck Boyd\u003c\/p\u003e\n\u003cp\u003eLabel : Research Laboratories\u003c\/p\u003e"}
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アメリカ・ケンタッキーの実験音楽家Andy Heck Boydが、2021年4月にイギリスの実験レーベルResearch Laboratoriesから25本限定でリリースしたカセットです。スポークンワード・コラージュ2曲を収録。 レーベルその他作品はこちら /// Click here to see more Research Laboratories releases available at Tobira. ...
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{"id":6957513867429,"title":"Cody Brant \/\/ Found Cassettes Volume 2 TAPE","handle":"cody-brant-found-cassettes-volume-2-tape","description":"\u003cp\u003e過去にchocolate monkなどから発表しており、TNBとも共作を重ねるアメリカ・ラスベガスの実験音楽家Cody Brantが20本限定でリリースしたカセット。アメリカ全土から収集したプライベート録音カセットをコラージュした作品です。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/w2aSD7f3V9c\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eResearch Laboratories releases available at Tobira. \n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This is a collection of audio recordings from found cassettes, found all over the country. Collected from late 90's til 2015.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cody Brant\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eResearch Laboratories\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-06T12:00:14+09:00","created_at":"2021-08-06T12:00:14+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","monooto","research laboratories","tape"],"price":149000,"price_min":149000,"price_max":149000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40516361027749,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Cody Brant \/\/ Found Cassettes Volume 2 TAPE","public_title":null,"options":["Default Title"],"price":149000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_3769.jpg?v=1628218904"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_3769.jpg?v=1628218904","options":["Title"],"media":[{"alt":null,"id":23224898289829,"position":1,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_3769.jpg?v=1628218904"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_3769.jpg?v=1628218904","width":3024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にchocolate monkなどから発表しており、TNBとも共作を重ねるアメリカ・ラスベガスの実験音楽家Cody Brantが20本限定でリリースしたカセット。アメリカ全土から収集したプライベート録音カセットをコラージュした作品です。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/w2aSD7f3V9c\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eResearch Laboratories releases available at Tobira. \n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This is a collection of audio recordings from found cassettes, found all over the country. Collected from late 90's til 2015.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cody Brant\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eResearch Laboratories\u003c\/span\u003e\u003c\/p\u003e"}
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過去にchocolate monkなどから発表しており、TNBとも共作を重ねるアメリカ・ラスベガスの実験音楽家Cody Brantが20本限定でリリースしたカセット。アメリカ全土から収集したプライベート録音カセットをコラージュした作品です。 レーベルその他作品はこちら /// Click here to see more Research Laboratories releases available at Tobira. -------------------------- "This...
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{"id":6957424181413,"title":"Bruce Lacey \/\/ The Spacey Bruce Lacey - Film Music And Improvisations Vol. 2 LP","handle":"bruce-lacey-the-spacey-bruce-lacey-film-music-and-improvisations-vol-2-2xlp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e50年代より映画音楽やメディアアートなどの分野で特異な存在となった\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBruce Laceyの音源集。奇想天外な音が飛び出す、今聴いても新鮮な作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ZMkxL_JivCk\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eTrunk Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003eJonny Trunk, Trunk Records (2014):\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBruce Lacey is everywhere and nowhere. He’s there only if you’re prepared to dig about deep enough. You’ll find him through every decade since the 1950s, in all the important places doing all sorts of interesting things with all the interesting people. A true artist and eccentric, he only appeared in my life properly after a tip-off from a Trunk records collector and musician, Ben Reed. Ben had called me and said I should start listening to Bruce Lacey music. He told me it featured a lot on his films, it was raw, strange, honest, involved naked people and sex and that it was all very “Trunk”. So I watched and listened. And two years on we have all this (two Bruce Lacey LPs and one Bruce Lacey CD) which really needs to be heard and, dare I say, “experienced”. It’s music from his art films and music improvised for his self-released tapes.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs you will discover, Bruce is an extraordinary man, an inspiring, inventive genius. I went to see him and when we started digging about in his various barns and archives we came across bits of the monophonic synth he’d used in the 1970s. This is the synth you will hear throughout many of these recordings. Bruce bought it from an advert in the back of Exchange \u0026amp; Mart. The seller was a schoolboy who’d made the synth using instructions and kits from Practical Electronics magazine. A week later, Bruce bought a keyboard from another advert in Exchange \u0026amp; Mart from a different schoolboy who’d made it using other instructions from Practical Electronics. Over the next few years Lacey set about improving and expanding this monophonic monster, improvising switch matrix systems, new noise generators, oscillators and filters using items scrounged or bought from electronic retailers or government surplus stores such as Proops in Tottenham Court Road. In the mid 1970s Brian Eno (a friend of Lacey’s daughter’s boyfriend at the time) visited the Lacey studio, which was in an old shoe factory in Hackney. Lacey recalls Eno’s thoughts about his synth at the time: “Eno told me that when he switches on his VCS3, it is silent. But when he turns on my synth it is alive, it bubbles”.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLacey also recalls selling tapes of his music at the Acme Gallery in 1979. He sold a tape of Earth Spirit to a punk (from a local boutique), who later came back to buy another. The music then turned up in the 1979 Arena documentary “Who Is Poly Styrene”, playing in the van as X-Ray Spex travel between gigs. Poly Styrene compared the music to Tangerine Dream. Lacey still has no idea who Tangerine Dream are or what they sound like.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs well as the homemade synth and regular electronic improvisations, Lacey had also dabbled with alternative recording techniques and concrète principles. For his soundtrack to Everybody’s Nobody in 1960 he used a Ferrograph tape machine, beer bottles, children’s rattles, a typewriter and wetted corks as his sound palette. On other recordings he often played his monophonic synth at the same time as manipulating his voice through sound boxes and connecting new technology to old. The improvised music from Ancient Forces, Earth Spirit and Cycles Of The Serpent are all influenced by Lacey’s stone circle visits. The electronic squeaking soundtrack to Funky Dance is based on Lacey’s x-wife scratching balloons into positive film.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat I found fascinating talking to Bruce about his improvised music was that he could never play live. That’s because the way he makes music is quite clearly defined: he goes to his studio. He sits. He waits for The Muse to descend. As and when she does he will turn on the TEAC tape machine and begin to play. When The Muse leaves him, he finishes playing and turns the tape off. There is no telling if and when The Muse will even appear, so playing live would always be impossible, especially when you consider the pressure an audience would put on such a personal interaction. On a visit to Virgin Records in the late 1970s, Lacey played one of his tapes to an A\u0026amp;R man. The music made a good impression, but when questioned whether the music could be re-created live in a studio Lacey confessed he could not, and any pending record deal promptly flew out of the window.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI will leave a fuller and more fascinating story of Bruce now to William Fowler of the BFI (and The Flip Side), who is a true Lacey fan and expert.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThanks for listening as always\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bruce Lacey\u003c\/p\u003e\n\u003cp\u003eLabel : Trunk Records\u003c\/p\u003e","published_at":"2021-08-06T17:52:48+09:00","created_at":"2021-08-06T11:19:50+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","trunk records"],"price":318000,"price_min":318000,"price_max":318000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40515987046565,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Bruce Lacey \/\/ The Spacey Bruce Lacey - Film Music And Improvisations Vol. 2 LP","public_title":null,"options":["Default Title"],"price":318000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2021-08-06at11.15.09am.png?v=1628216392"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2021-08-06at11.15.09am.png?v=1628216392","options":["Title"],"media":[{"alt":null,"id":23224280514725,"position":1,"preview_image":{"aspect_ratio":0.995,"height":396,"width":394,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2021-08-06at11.15.09am.png?v=1628216392"},"aspect_ratio":0.995,"height":396,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2021-08-06at11.15.09am.png?v=1628216392","width":394}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e50年代より映画音楽やメディアアートなどの分野で特異な存在となった\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBruce Laceyの音源集。奇想天外な音が飛び出す、今聴いても新鮮な作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ZMkxL_JivCk\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eTrunk Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003eJonny Trunk, Trunk Records (2014):\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBruce Lacey is everywhere and nowhere. He’s there only if you’re prepared to dig about deep enough. You’ll find him through every decade since the 1950s, in all the important places doing all sorts of interesting things with all the interesting people. A true artist and eccentric, he only appeared in my life properly after a tip-off from a Trunk records collector and musician, Ben Reed. Ben had called me and said I should start listening to Bruce Lacey music. He told me it featured a lot on his films, it was raw, strange, honest, involved naked people and sex and that it was all very “Trunk”. So I watched and listened. And two years on we have all this (two Bruce Lacey LPs and one Bruce Lacey CD) which really needs to be heard and, dare I say, “experienced”. It’s music from his art films and music improvised for his self-released tapes.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs you will discover, Bruce is an extraordinary man, an inspiring, inventive genius. I went to see him and when we started digging about in his various barns and archives we came across bits of the monophonic synth he’d used in the 1970s. This is the synth you will hear throughout many of these recordings. Bruce bought it from an advert in the back of Exchange \u0026amp; Mart. The seller was a schoolboy who’d made the synth using instructions and kits from Practical Electronics magazine. A week later, Bruce bought a keyboard from another advert in Exchange \u0026amp; Mart from a different schoolboy who’d made it using other instructions from Practical Electronics. Over the next few years Lacey set about improving and expanding this monophonic monster, improvising switch matrix systems, new noise generators, oscillators and filters using items scrounged or bought from electronic retailers or government surplus stores such as Proops in Tottenham Court Road. In the mid 1970s Brian Eno (a friend of Lacey’s daughter’s boyfriend at the time) visited the Lacey studio, which was in an old shoe factory in Hackney. Lacey recalls Eno’s thoughts about his synth at the time: “Eno told me that when he switches on his VCS3, it is silent. But when he turns on my synth it is alive, it bubbles”.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLacey also recalls selling tapes of his music at the Acme Gallery in 1979. He sold a tape of Earth Spirit to a punk (from a local boutique), who later came back to buy another. The music then turned up in the 1979 Arena documentary “Who Is Poly Styrene”, playing in the van as X-Ray Spex travel between gigs. Poly Styrene compared the music to Tangerine Dream. Lacey still has no idea who Tangerine Dream are or what they sound like.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs well as the homemade synth and regular electronic improvisations, Lacey had also dabbled with alternative recording techniques and concrète principles. For his soundtrack to Everybody’s Nobody in 1960 he used a Ferrograph tape machine, beer bottles, children’s rattles, a typewriter and wetted corks as his sound palette. On other recordings he often played his monophonic synth at the same time as manipulating his voice through sound boxes and connecting new technology to old. The improvised music from Ancient Forces, Earth Spirit and Cycles Of The Serpent are all influenced by Lacey’s stone circle visits. The electronic squeaking soundtrack to Funky Dance is based on Lacey’s x-wife scratching balloons into positive film.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat I found fascinating talking to Bruce about his improvised music was that he could never play live. That’s because the way he makes music is quite clearly defined: he goes to his studio. He sits. He waits for The Muse to descend. As and when she does he will turn on the TEAC tape machine and begin to play. When The Muse leaves him, he finishes playing and turns the tape off. There is no telling if and when The Muse will even appear, so playing live would always be impossible, especially when you consider the pressure an audience would put on such a personal interaction. On a visit to Virgin Records in the late 1970s, Lacey played one of his tapes to an A\u0026amp;R man. The music made a good impression, but when questioned whether the music could be re-created live in a studio Lacey confessed he could not, and any pending record deal promptly flew out of the window.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI will leave a fuller and more fascinating story of Bruce now to William Fowler of the BFI (and The Flip Side), who is a true Lacey fan and expert.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThanks for listening as always\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bruce Lacey\u003c\/p\u003e\n\u003cp\u003eLabel : Trunk Records\u003c\/p\u003e"}
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50年代より映画音楽やメディアアートなどの分野で特異な存在となったBruce Laceyの音源集。奇想天外な音が飛び出す、今聴いても新鮮な作品です。 レーベルその他作品はこちら /// Click here to see more Trunk Records releases available at Tobira. ------------------------------ Description by Jonny...
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{"id":6957419069605,"title":"Bruce Lacey \/\/ The Spacey Bruce Lacey - Film Music And Improvisations Vol. 1 LP","handle":"bruce-lacey-the-spacey-bruce-lacey-film-music-and-improvisations-vol-1-lp","description":"\u003cp\u003e50年代より映画音楽やメディアアートなどの分野で特異な存在となったBruce Laceyの音源集。奇想天外な音が飛び出す、今聴いても新鮮な作品です。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/kLW4OaqBZmY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eTrunk Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eJonny Trunk, Trunk Records (2014):\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Bruce Lacey is everywhere and nowhere. He’s there only if you’re prepared to dig about deep enough. You’ll find him through every decade since the 1950s, in all the important places doing all sorts of interesting things with all the interesting people. A true artist and eccentric, he only appeared in my life properly after a tip-off from a Trunk records collector and musician, Ben Reed. Ben had called me and said I should start listening to Bruce Lacey music. He told me it featured a lot on his films, it was raw, strange, honest, involved naked people and sex and that it was all very “Trunk”. So I watched and listened. And two years on we have all this (two Bruce Lacey LPs and one Bruce Lacey CD) which really needs to be heard and, dare I say, “experienced”. It’s music from his art films and music improvised for his self-released tapes.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs you will discover, Bruce is an extraordinary man, an inspiring, inventive genius. I went to see him and when we started digging about in his various barns and archives we came across bits of the monophonic synth he’d used in the 1970s. This is the synth you will hear throughout many of these recordings. Bruce bought it from an advert in the back of Exchange \u0026amp; Mart. The seller was a schoolboy who’d made the synth using instructions and kits from Practical Electronics magazine. A week later, Bruce bought a keyboard from another advert in Exchange \u0026amp; Mart from a different schoolboy who’d made it using other instructions from Practical Electronics. Over the next few years Lacey set about improving and expanding this monophonic monster, improvising switch matrix systems, new noise generators, oscillators and filters using items scrounged or bought from electronic retailers or government surplus stores such as Proops in Tottenham Court Road. In the mid 1970s Brian Eno (a friend of Lacey’s daughter’s boyfriend at the time) visited the Lacey studio, which was in an old shoe factory in Hackney. Lacey recalls Eno’s thoughts about his synth at the time: “Eno told me that when he switches on his VCS3, it is silent. But when he turns on my synth it is alive, it bubbles”.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLacey also recalls selling tapes of his music at the Acme Gallery in 1979. He sold a tape of Earth Spirit to a punk (from a local boutique), who later came back to buy another. The music then turned up in the 1979 Arena documentary “Who Is Poly Styrene”, playing in the van as X-Ray Spex travel between gigs. Poly Styrene compared the music to Tangerine Dream. Lacey still has no idea who Tangerine Dream are or what they sound like.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs well as the homemade synth and regular electronic improvisations, Lacey had also dabbled with alternative recording techniques and concrète principles. For his soundtrack to Everybody’s Nobody in 1960 he used a Ferrograph tape machine, beer bottles, children’s rattles, a typewriter and wetted corks as his sound palette. On other recordings he often played his monophonic synth at the same time as manipulating his voice through sound boxes and connecting new technology to old. The improvised music from Ancient Forces, Earth Spirit and Cycles Of The Serpent are all influenced by Lacey’s stone circle visits. The electronic squeaking soundtrack to Funky Dance is based on Lacey’s x-wife scratching balloons into positive film.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat I found fascinating talking to Bruce about his improvised music was that he could never play live. That’s because the way he makes music is quite clearly defined: he goes to his studio. He sits. He waits for The Muse to descend. As and when she does he will turn on the TEAC tape machine and begin to play. When The Muse leaves him, he finishes playing and turns the tape off. There is no telling if and when The Muse will even appear, so playing live would always be impossible, especially when you consider the pressure an audience would put on such a personal interaction. On a visit to Virgin Records in the late 1970s, Lacey played one of his tapes to an A\u0026amp;R man. The music made a good impression, but when questioned whether the music could be re-created live in a studio Lacey confessed he could not, and any pending record deal promptly flew out of the window.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI will leave a fuller and more fascinating story of Bruce now to William Fowler of the BFI (and The Flip Side), who is a true Lacey fan and expert.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThanks for listening as always\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bruce Lacey\u003c\/p\u003e\n\u003cp\u003eLabel : TRUNK\u003c\/p\u003e","published_at":"2021-08-06T17:52:03+09:00","created_at":"2021-08-06T11:15:17+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","trunk records"],"price":318000,"price_min":318000,"price_max":318000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40515966009509,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Bruce Lacey \/\/ The Spacey Bruce Lacey - Film Music And Improvisations Vol. 1 LP","public_title":null,"options":["Default Title"],"price":318000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sp1_b1ceef36-12cf-4bf4-b1ea-e25b0912f8e1.jpg?v=1628216448"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sp1_b1ceef36-12cf-4bf4-b1ea-e25b0912f8e1.jpg?v=1628216448","options":["Title"],"media":[{"alt":null,"id":23224288936101,"position":1,"preview_image":{"aspect_ratio":1.0,"height":200,"width":200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sp1_b1ceef36-12cf-4bf4-b1ea-e25b0912f8e1.jpg?v=1628216448"},"aspect_ratio":1.0,"height":200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sp1_b1ceef36-12cf-4bf4-b1ea-e25b0912f8e1.jpg?v=1628216448","width":200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e50年代より映画音楽やメディアアートなどの分野で特異な存在となったBruce Laceyの音源集。奇想天外な音が飛び出す、今聴いても新鮮な作品です。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/kLW4OaqBZmY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eTrunk Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eJonny Trunk, Trunk Records (2014):\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Bruce Lacey is everywhere and nowhere. He’s there only if you’re prepared to dig about deep enough. You’ll find him through every decade since the 1950s, in all the important places doing all sorts of interesting things with all the interesting people. A true artist and eccentric, he only appeared in my life properly after a tip-off from a Trunk records collector and musician, Ben Reed. Ben had called me and said I should start listening to Bruce Lacey music. He told me it featured a lot on his films, it was raw, strange, honest, involved naked people and sex and that it was all very “Trunk”. So I watched and listened. And two years on we have all this (two Bruce Lacey LPs and one Bruce Lacey CD) which really needs to be heard and, dare I say, “experienced”. It’s music from his art films and music improvised for his self-released tapes.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs you will discover, Bruce is an extraordinary man, an inspiring, inventive genius. I went to see him and when we started digging about in his various barns and archives we came across bits of the monophonic synth he’d used in the 1970s. This is the synth you will hear throughout many of these recordings. Bruce bought it from an advert in the back of Exchange \u0026amp; Mart. The seller was a schoolboy who’d made the synth using instructions and kits from Practical Electronics magazine. A week later, Bruce bought a keyboard from another advert in Exchange \u0026amp; Mart from a different schoolboy who’d made it using other instructions from Practical Electronics. Over the next few years Lacey set about improving and expanding this monophonic monster, improvising switch matrix systems, new noise generators, oscillators and filters using items scrounged or bought from electronic retailers or government surplus stores such as Proops in Tottenham Court Road. In the mid 1970s Brian Eno (a friend of Lacey’s daughter’s boyfriend at the time) visited the Lacey studio, which was in an old shoe factory in Hackney. Lacey recalls Eno’s thoughts about his synth at the time: “Eno told me that when he switches on his VCS3, it is silent. But when he turns on my synth it is alive, it bubbles”.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLacey also recalls selling tapes of his music at the Acme Gallery in 1979. He sold a tape of Earth Spirit to a punk (from a local boutique), who later came back to buy another. The music then turned up in the 1979 Arena documentary “Who Is Poly Styrene”, playing in the van as X-Ray Spex travel between gigs. Poly Styrene compared the music to Tangerine Dream. Lacey still has no idea who Tangerine Dream are or what they sound like.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs well as the homemade synth and regular electronic improvisations, Lacey had also dabbled with alternative recording techniques and concrète principles. For his soundtrack to Everybody’s Nobody in 1960 he used a Ferrograph tape machine, beer bottles, children’s rattles, a typewriter and wetted corks as his sound palette. On other recordings he often played his monophonic synth at the same time as manipulating his voice through sound boxes and connecting new technology to old. The improvised music from Ancient Forces, Earth Spirit and Cycles Of The Serpent are all influenced by Lacey’s stone circle visits. The electronic squeaking soundtrack to Funky Dance is based on Lacey’s x-wife scratching balloons into positive film.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat I found fascinating talking to Bruce about his improvised music was that he could never play live. That’s because the way he makes music is quite clearly defined: he goes to his studio. He sits. He waits for The Muse to descend. As and when she does he will turn on the TEAC tape machine and begin to play. When The Muse leaves him, he finishes playing and turns the tape off. There is no telling if and when The Muse will even appear, so playing live would always be impossible, especially when you consider the pressure an audience would put on such a personal interaction. On a visit to Virgin Records in the late 1970s, Lacey played one of his tapes to an A\u0026amp;R man. The music made a good impression, but when questioned whether the music could be re-created live in a studio Lacey confessed he could not, and any pending record deal promptly flew out of the window.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI will leave a fuller and more fascinating story of Bruce now to William Fowler of the BFI (and The Flip Side), who is a true Lacey fan and expert.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThanks for listening as always\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bruce Lacey\u003c\/p\u003e\n\u003cp\u003eLabel : TRUNK\u003c\/p\u003e"}
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50年代より映画音楽やメディアアートなどの分野で特異な存在となったBruce Laceyの音源集。奇想天外な音が飛び出す、今聴いても新鮮な作品です。 レーベルその他作品はこちら /// Click here to see more Trunk Records releases available at Tobira. ------------------------------ Text...
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{"id":6957377093797,"title":"Cody Brant \/\/ Found Cassettes Volume 1 TAPE","handle":"cody-brant-found-cassettes-volume-1-tape","description":"\u003cp\u003e過去にchocolate monkなどから発表しており、TNBとも共作を重ねるアメリカ・ラスベガスの実験音楽家Cody Brantが20本限定でリリースしたカセット。アメリカ全土から収集したプライベート録音カセットをコラージュした作品です。廃盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2443951575\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eResearch Laboratories releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This is a collection of audio recordings from found cassettes, found all over the country. Collected from late 90's til 2015.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cody Brant\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eResearch Laboratories\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-06T11:54:53+09:00","created_at":"2021-08-06T10:34:34+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","monooto","research laboratories","tape"],"price":145000,"price_min":145000,"price_max":145000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40515766091941,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Cody Brant \/\/ Found Cassettes Volume 1 TAPE","public_title":null,"options":["Default Title"],"price":145000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_c5abc099-ff62-49b6-a7a9-348de6d5af29.jpg?v=1628213676"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_c5abc099-ff62-49b6-a7a9-348de6d5af29.jpg?v=1628213676","options":["Title"],"media":[{"alt":null,"id":23223839916197,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_c5abc099-ff62-49b6-a7a9-348de6d5af29.jpg?v=1628213676"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_c5abc099-ff62-49b6-a7a9-348de6d5af29.jpg?v=1628213676","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にchocolate monkなどから発表しており、TNBとも共作を重ねるアメリカ・ラスベガスの実験音楽家Cody Brantが20本限定でリリースしたカセット。アメリカ全土から収集したプライベート録音カセットをコラージュした作品です。廃盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2443951575\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eResearch Laboratories releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This is a collection of audio recordings from found cassettes, found all over the country. Collected from late 90's til 2015.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cody Brant\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eResearch Laboratories\u003c\/span\u003e\u003c\/p\u003e"}
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過去にchocolate monkなどから発表しており、TNBとも共作を重ねるアメリカ・ラスベガスの実験音楽家Cody Brantが20本限定でリリースしたカセット。アメリカ全土から収集したプライベート録音カセットをコラージュした作品です。廃盤です。 レーベルその他作品はこちら /// Click here to see more Research Laboratories releases available at Tobira. -------------------------- "This...
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{"id":6957374931109,"title":"Josh Peterson \/\/ Katzen Memos (An Improvised Novella In 52 Voice Messages) TAPE","handle":"josh-peterson-katzen-memos-an-improvised-novella-in-52-voice-messages-tape","description":"\u003cp\u003eアメリカのアウトサイダー詩人家Josh Petersonが2021年に35本限定でリリースしたカセット。52通りのボイスメッセージが収録。廃盤です。 \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eResearch Laboratories releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 35.\u003c\/p\u003e\n\u003cp\u003eArtist : Josh Peterson\u003c\/p\u003e\n\u003cp\u003eLabel : Research Laboratories\u003c\/p\u003e","published_at":"2021-08-06T11:38:16+09:00","created_at":"2021-08-06T10:32:17+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","monooto","research laboratories","tape"],"price":145000,"price_min":145000,"price_max":145000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40515755671717,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Josh Peterson \/\/ Katzen Memos (An Improvised Novella In 52 Voice Messages) TAPE","public_title":null,"options":["Default Title"],"price":145000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_ed5d08c5-cb6b-4604-90c2-278c365d25aa.jpg?v=1628213539","\/\/tobirarecords.com\/cdn\/shop\/products\/jo2_030c5cf1-641c-4609-a8b3-2c0fbabac0fc.jpg?v=1628213539"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_ed5d08c5-cb6b-4604-90c2-278c365d25aa.jpg?v=1628213539","options":["Title"],"media":[{"alt":null,"id":23223815635109,"position":1,"preview_image":{"aspect_ratio":0.777,"height":1647,"width":1280,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_ed5d08c5-cb6b-4604-90c2-278c365d25aa.jpg?v=1628213539"},"aspect_ratio":0.777,"height":1647,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_ed5d08c5-cb6b-4604-90c2-278c365d25aa.jpg?v=1628213539","width":1280},{"alt":null,"id":23223815667877,"position":2,"preview_image":{"aspect_ratio":1.276,"height":1003,"width":1280,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo2_030c5cf1-641c-4609-a8b3-2c0fbabac0fc.jpg?v=1628213539"},"aspect_ratio":1.276,"height":1003,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo2_030c5cf1-641c-4609-a8b3-2c0fbabac0fc.jpg?v=1628213539","width":1280}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのアウトサイダー詩人家Josh Petersonが2021年に35本限定でリリースしたカセット。52通りのボイスメッセージが収録。廃盤です。 \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eResearch Laboratories releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 35.\u003c\/p\u003e\n\u003cp\u003eArtist : Josh Peterson\u003c\/p\u003e\n\u003cp\u003eLabel : Research Laboratories\u003c\/p\u003e"}
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アメリカのアウトサイダー詩人家Josh Petersonが2021年に35本限定でリリースしたカセット。52通りのボイスメッセージが収録。廃盤です。 レーベルその他作品はこちら /// Click here to see more Research Laboratories releases available at Tobira. -------------------------- Edition...
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{"id":6950275055781,"title":"Bob Bellerue \/\/ Radioactive Desire 2xCD","handle":"bob-bellerue-radioactive-desire-2xcd","description":"\u003cp\u003e過去にNo RentやiDEALなどから発表しているアメリカ・NYの大御所実験音楽家Bob Bellerueが、2021年8月に同国テキサス老舗実験レーベルElevator Bathよりリリースした最新2枚組CD。スピーカーと楽器の間に生じるフィードバックをコンセプトに制作したアコースティックドローンアルバムです。8面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3310425282\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/elevator-bath\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/elevator-bath\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eElevator Bath releases available at Tobira.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e-----------------------------\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cp\u003eDescription by Elevator Bath:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eRadioactive Desire exists at the intersection of modern composition, drone, free improvisation, and harsh noise. Bob Bellerue is the impetus behind the project but the \u003cspan class=\"gmail_default\"\u003eall-star\u003c\/span\u003e lineup of participants, each an accomplished composer\/performer, ensures that this is a robust, fully formed collection of ideas and abilities. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe pieces are in large part simple ideas that are made into a form by the musicians. Many of the works involve improvisation in previously unknown processes and contexts. As a first-time instrumental composer, Bellerue had no idea how it would go, but he knew he could trust the skills of the performers to create something awesome within the loose focus of his scores. Ultimately, the brilliance of the individual playing is something he could never have articulated in advance.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecording took place on July 29 \u0026amp; 30, 2020 at the First Unitarian Church of Brooklyn Heights. Mixing and editing took place throughout the remainder of 2020 and into Spring 2021. Some sections benefited from re-amping the recordings (pumping sound into speakers on timpani, snare drums, and metal objects) to create additional textures and resonant harmonics. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis is a project borne of feedback between speakers and instruments, but the context in which it came to fruition demonstrated the deep interconnections between people and systems of communication\/transportation. For the performers, working with these sounds and processes provided substance for working through these difficult times.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBob Bellerue is a sound artist, experimental musician, sound\/video curator, and creative technician based in Ridgewood NY. Over the last 30+ years he has been involved in creating and presenting a wide range of sonic activities – experimental music, sound art, noise, junk metal percussion ensembles, soundtracks for dance\/ theater\/ video\/ performance art, and sound \/ video installations. Bob’s electronic sound work is focused on resonant feedback systems, using amplified instruments, objects, recordings, and spaces, in combination with electronics and software written in the Supercollider audio synthesis programming language.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBob works as an audio engineer and technical director, working presently for Issue Project Room, and a handful of clients in the NYC area once the coast is clear.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Radioactive Desire\" is made possible, in part, with funds from MAAF, a regrant partnership of NYSCA Electronic Media\/Film and Wave Farm, with the support of Governor Andrew Cuomo and the New York State Legislature.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBOB BELLERUE \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Elevator Bath\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-06T18:32:45+09:00","created_at":"2021-08-02T16:07:28+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","elevator bath"],"price":248000,"price_min":248000,"price_max":248000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40489438740645,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Bob Bellerue \/\/ Radioactive Desire 2xCD","public_title":null,"options":["Default Title"],"price":248000,"weight":150,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_b66a9066-10c2-43bb-a70d-4749a0406ee7.jpg?v=1627888050","\/\/tobirarecords.com\/cdn\/shop\/products\/bo2_f640ac20-9864-4d90-ae1b-0bf3a20a6ee3.jpg?v=1627888050","\/\/tobirarecords.com\/cdn\/shop\/products\/bo3.jpg?v=1627888050"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_b66a9066-10c2-43bb-a70d-4749a0406ee7.jpg?v=1627888050","options":["Title"],"media":[{"alt":null,"id":23173332828325,"position":1,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_b66a9066-10c2-43bb-a70d-4749a0406ee7.jpg?v=1627888050"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_b66a9066-10c2-43bb-a70d-4749a0406ee7.jpg?v=1627888050","width":1200},{"alt":null,"id":23173332861093,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo2_f640ac20-9864-4d90-ae1b-0bf3a20a6ee3.jpg?v=1627888050"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo2_f640ac20-9864-4d90-ae1b-0bf3a20a6ee3.jpg?v=1627888050","width":1200},{"alt":null,"id":23173332893861,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo3.jpg?v=1627888050"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo3.jpg?v=1627888050","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にNo RentやiDEALなどから発表しているアメリカ・NYの大御所実験音楽家Bob Bellerueが、2021年8月に同国テキサス老舗実験レーベルElevator Bathよりリリースした最新2枚組CD。スピーカーと楽器の間に生じるフィードバックをコンセプトに制作したアコースティックドローンアルバムです。8面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3310425282\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/elevator-bath\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/elevator-bath\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eElevator Bath releases available at Tobira.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e-----------------------------\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cp\u003eDescription by Elevator Bath:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eRadioactive Desire exists at the intersection of modern composition, drone, free improvisation, and harsh noise. Bob Bellerue is the impetus behind the project but the \u003cspan class=\"gmail_default\"\u003eall-star\u003c\/span\u003e lineup of participants, each an accomplished composer\/performer, ensures that this is a robust, fully formed collection of ideas and abilities. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe pieces are in large part simple ideas that are made into a form by the musicians. Many of the works involve improvisation in previously unknown processes and contexts. As a first-time instrumental composer, Bellerue had no idea how it would go, but he knew he could trust the skills of the performers to create something awesome within the loose focus of his scores. Ultimately, the brilliance of the individual playing is something he could never have articulated in advance.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecording took place on July 29 \u0026amp; 30, 2020 at the First Unitarian Church of Brooklyn Heights. Mixing and editing took place throughout the remainder of 2020 and into Spring 2021. Some sections benefited from re-amping the recordings (pumping sound into speakers on timpani, snare drums, and metal objects) to create additional textures and resonant harmonics. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis is a project borne of feedback between speakers and instruments, but the context in which it came to fruition demonstrated the deep interconnections between people and systems of communication\/transportation. For the performers, working with these sounds and processes provided substance for working through these difficult times.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBob Bellerue is a sound artist, experimental musician, sound\/video curator, and creative technician based in Ridgewood NY. Over the last 30+ years he has been involved in creating and presenting a wide range of sonic activities – experimental music, sound art, noise, junk metal percussion ensembles, soundtracks for dance\/ theater\/ video\/ performance art, and sound \/ video installations. Bob’s electronic sound work is focused on resonant feedback systems, using amplified instruments, objects, recordings, and spaces, in combination with electronics and software written in the Supercollider audio synthesis programming language.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBob works as an audio engineer and technical director, working presently for Issue Project Room, and a handful of clients in the NYC area once the coast is clear.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Radioactive Desire\" is made possible, in part, with funds from MAAF, a regrant partnership of NYSCA Electronic Media\/Film and Wave Farm, with the support of Governor Andrew Cuomo and the New York State Legislature.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBOB BELLERUE \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Elevator Bath\u003c\/span\u003e\u003c\/p\u003e"}
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過去にNo RentやiDEALなどから発表しているアメリカ・NYの大御所実験音楽家Bob Bellerueが、2021年8月に同国テキサス老舗実験レーベルElevator Bathよりリリースした最新2枚組CD。スピーカーと楽器の間に生じるフィードバックをコンセプトに制作したアコースティックドローンアルバムです。8面デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Elevator Bath releases available at Tobira....
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{"id":6949989154981,"title":"Andrew Weathers \/\/ Catalogs: Sound Pieces with Text and 10 Unrealized Scores TAPE","handle":"andrew-weathers-catalogs-sound-pieces-with-text-and-10-unrealized-scores-2xtape","description":"\u003cp\u003eアメリカ・テキサスの実験／アンビエントレーベルFull Spectrum主宰Andrew Weathersが2021年7月にリリースした最新アルバム。\u003c\/p\u003e\n\u003cp\u003e過去作とは打って変わって、本作ではフィールドレコーディングをメインソースとして使用し、素材を録音した場所についての解説などをミックスしている意欲作です。4曲、100分以上を収録。10枚のグラフィックスコアとテキスト（指示通り録音した音源は作家に直接お送りいただけます）とDLコードが付属。\u003c\/p\u003e\n\u003cp\u003e※ケースの形状上、佐川急便（550円)での発送となりますので、レコードなどとご購入いただけますとお得です\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2102396490\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003ehere\u003c\/a\u003e to see more Full Spectrum Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eDescription by Andrew Weathers \/ Full Spectrum Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe release features\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ea tape, 10 text \u0026amp; graphic scores, the product of Andrew’s experiments with Land Art music from the past few years, a significant break with Andrew’s previous methods of work, a rich indicator of future creative concepts \u0026amp; approaches\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music is made from\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003efield recordings, synths, spoken text components, heavy sonic processing\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFeatures sounds recorded on location in\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethe Big Bend Region, Dickens Spring [on the edge of the Llano Estacado], Mesa Verde National Park, the city of Cactus, Texas\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe spoken texts include\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ea dream journal, a modified trail guide, a list of markers seen on a particular trip, a list of notable historical figures \u0026amp; location coordinates relevant to a place\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis work\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e confronts\u003cbr data-mce-fragment=\"1\"\u003eRural Situationism, fantastical aural maps of places \u0026amp; space, the score as functional guide to exploring one’s own psychogeographic experience of place through sound-oriented approaches\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt sounds like\u003cbr data-mce-fragment=\"1\"\u003ethe river that runs through us all, the ever-present hum of the Earth Grid, the tuning of the desert at night\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andrew Weathers\u003c\/p\u003e\n\u003cp\u003eLabel : Full Spectrum Records\u003c\/p\u003e","published_at":"2021-08-02T15:13:09+09:00","created_at":"2021-08-02T11:55:46+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","field recording","Full Spectrum Records","monooto","tape"],"price":235000,"price_min":235000,"price_max":235000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40488507605157,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Andrew Weathers \/\/ Catalogs: Sound Pieces with Text and 10 Unrealized Scores TAPE","public_title":null,"options":["Default Title"],"price":235000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_b1e36520-3b1e-4b09-880f-222cb0acfa95.jpg?v=1627872948","\/\/tobirarecords.com\/cdn\/shop\/products\/ca2_b9765e5b-4db3-4795-817b-03ad111a3c37.jpg?v=1627872948"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_b1e36520-3b1e-4b09-880f-222cb0acfa95.jpg?v=1627872948","options":["Title"],"media":[{"alt":null,"id":23172122771621,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_b1e36520-3b1e-4b09-880f-222cb0acfa95.jpg?v=1627872948"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_b1e36520-3b1e-4b09-880f-222cb0acfa95.jpg?v=1627872948","width":700},{"alt":null,"id":23172122804389,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca2_b9765e5b-4db3-4795-817b-03ad111a3c37.jpg?v=1627872948"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca2_b9765e5b-4db3-4795-817b-03ad111a3c37.jpg?v=1627872948","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・テキサスの実験／アンビエントレーベルFull Spectrum主宰Andrew Weathersが2021年7月にリリースした最新アルバム。\u003c\/p\u003e\n\u003cp\u003e過去作とは打って変わって、本作ではフィールドレコーディングをメインソースとして使用し、素材を録音した場所についての解説などをミックスしている意欲作です。4曲、100分以上を収録。10枚のグラフィックスコアとテキスト（指示通り録音した音源は作家に直接お送りいただけます）とDLコードが付属。\u003c\/p\u003e\n\u003cp\u003e※ケースの形状上、佐川急便（550円)での発送となりますので、レコードなどとご購入いただけますとお得です\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2102396490\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003ehere\u003c\/a\u003e to see more Full Spectrum Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eDescription by Andrew Weathers \/ Full Spectrum Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe release features\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ea tape, 10 text \u0026amp; graphic scores, the product of Andrew’s experiments with Land Art music from the past few years, a significant break with Andrew’s previous methods of work, a rich indicator of future creative concepts \u0026amp; approaches\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music is made from\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003efield recordings, synths, spoken text components, heavy sonic processing\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFeatures sounds recorded on location in\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethe Big Bend Region, Dickens Spring [on the edge of the Llano Estacado], Mesa Verde National Park, the city of Cactus, Texas\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe spoken texts include\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ea dream journal, a modified trail guide, a list of markers seen on a particular trip, a list of notable historical figures \u0026amp; location coordinates relevant to a place\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis work\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e confronts\u003cbr data-mce-fragment=\"1\"\u003eRural Situationism, fantastical aural maps of places \u0026amp; space, the score as functional guide to exploring one’s own psychogeographic experience of place through sound-oriented approaches\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt sounds like\u003cbr data-mce-fragment=\"1\"\u003ethe river that runs through us all, the ever-present hum of the Earth Grid, the tuning of the desert at night\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andrew Weathers\u003c\/p\u003e\n\u003cp\u003eLabel : Full Spectrum Records\u003c\/p\u003e"}
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アメリカ・テキサスの実験／アンビエントレーベルFull Spectrum主宰Andrew Weathersが2021年7月にリリースした最新アルバム。 過去作とは打って変わって、本作ではフィールドレコーディングをメインソースとして使用し、素材を録音した場所についての解説などをミックスしている意欲作です。4曲、100分以上を収録。10枚のグラフィックスコアとテキスト（指示通り録音した音源は作家に直接お送りいただけます）とDLコードが付属。 ※ケースの形状上、佐川急便（550円)での発送となりますので、レコードなどとご購入いただけますとお得です レーベルその他作品はこちら /// Click here to see more Full Spectrum Records releases available...
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{"id":6941173285029,"title":"Moody Alien \/\/ Nations of I LP","handle":"moody-alien-nations-of-i-lp","description":"\u003cp\u003eギリシャの実験レーベルThirsty Leavesを主宰し、MAGAM名義でも作品を発表しているMoody Alienが2021年5月にリリースした最新作。マリンバやビブラフォンを用いたコンポジション9曲を収録。音色が涼しげなのでアンビエント的にも聴けます。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3220333025\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/thirle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/thirle\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/thirle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/thirle\"\u003ehere\u003c\/a\u003e to see more Thirsty Leaves releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 250.\u003c\/p\u003e\n\u003cp\u003eAccompanying description:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u0026gt;\u0026gt; 𝐈 : (1) The ninth letter of the Latin alphabet as well as the Roman numeral for the number 1. (2) The first-person singular nominative case personal pronoun in Modern English, which is used to refer to one's self and is capitalized –although other pronouns, such as he or she, are not. (3) One of its homophones is \"eye\"...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u0026gt;\u0026gt; 𝐧𝐚𝐭𝐢𝐨𝐧 : (1) Wikipedia: \"a stable community of people formed on the basis of a common language, territory, history, ethnicity or culture\", (2) Benedict Anderson: an \"imagined community\", (3) Kurt Vonnegut: a \"granfalloon\", a \"false karass\", i.e. a group of people who affect a shared identity or purpose, but whose mutual association is meaningless...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e....................................................................................\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music on this album sprang out of my work for the MAGAM project and consists of 3 suites –2 of which have, in earlier stages, been used for a butoh and a dance performance respectively– that cover the distance from aleatoric to improvised to composed music... What I like most about it is its playfulness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album title was initially inspired by Kurt Vonnegut's concept of \"a nation of two\" (in \"Mother Night\", 1962):\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“[...] 𝘢 𝘱𝘢𝘪𝘳 𝘰𝘧 𝘭𝘰𝘷𝘦𝘳𝘴 𝘪𝘯 𝘢 𝘸𝘰𝘳𝘭𝘥 𝘨𝘰𝘯𝘦 𝘮𝘢𝘥 𝘤𝘰𝘶𝘭𝘥 𝘴𝘶𝘳𝘷𝘪𝘷𝘦 𝘣𝘺 𝘣𝘦𝘪𝘯𝘨 𝘭𝘰𝘺𝘢𝘭\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e 𝘰𝘯𝘭𝘺 𝘵𝘰 𝘢 𝘯𝘢𝘵𝘪𝘰𝘯 𝘤𝘰𝘮𝘱𝘰𝘴𝘦𝘥 𝘰𝘧 𝘵𝘩𝘦𝘮𝘴𝘦𝘭𝘷𝘦𝘴 –𝘢 𝘯𝘢𝘵𝘪𝘰𝘯 𝘰𝘧 𝘵𝘸𝘰.”\u003cbr data-mce-fragment=\"1\"\u003e“𝘖𝘯𝘭𝘺 𝘰𝘯𝘦 𝘵𝘩𝘪𝘯𝘨 𝘤𝘰𝘶𝘯𝘵𝘦𝘥 –𝘵𝘩𝘦 𝘯𝘢𝘵𝘪𝘰𝘯 𝘰𝘧 𝘵𝘸𝘰. 𝘈𝘯𝘥 𝘸𝘩𝘦𝘯 𝘵𝘩𝘢𝘵 𝘯𝘢𝘵𝘪𝘰𝘯 𝘤𝘦𝘢𝘴𝘦𝘥 𝘵𝘰 𝘣𝘦, 𝘐 𝘣𝘦𝘤𝘢𝘮𝘦 𝘸𝘩𝘢𝘵 𝘐 𝘢𝘮 𝘵𝘰𝘥𝘢𝘺 𝘢𝘯𝘥 𝘸𝘩𝘢𝘵 𝘐 𝘢𝘭𝘸𝘢𝘺𝘴 𝘸𝘪𝘭𝘭 𝘣𝘦, 𝘢 𝘴𝘵𝘢𝘵𝘦𝘭𝘦𝘴𝘴 𝘱𝘦𝘳𝘴𝘰𝘯.”\u003cbr data-mce-fragment=\"1\"\u003e....................................................................................\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : moody alien\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThirsty Leaves\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-07-30T17:25:07+09:00","created_at":"2021-07-28T12:18:50+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","monooto","thirsty leaves"],"price":258000,"price_min":258000,"price_max":258000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40456655470757,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Moody Alien \/\/ Nations of I LP","public_title":null,"options":["Default Title"],"price":258000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/na1_067bced0-b364-49e9-b84f-8ec07d714897.jpg?v=1627442332","\/\/tobirarecords.com\/cdn\/shop\/products\/na2_6e7ac710-5e32-4e70-b5fa-dfd649f93487.jpg?v=1627442332"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/na1_067bced0-b364-49e9-b84f-8ec07d714897.jpg?v=1627442332","options":["Title"],"media":[{"alt":null,"id":23123208732837,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/na1_067bced0-b364-49e9-b84f-8ec07d714897.jpg?v=1627442332"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/na1_067bced0-b364-49e9-b84f-8ec07d714897.jpg?v=1627442332","width":700},{"alt":null,"id":23123208765605,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/na2_6e7ac710-5e32-4e70-b5fa-dfd649f93487.jpg?v=1627442332"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/na2_6e7ac710-5e32-4e70-b5fa-dfd649f93487.jpg?v=1627442332","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eギリシャの実験レーベルThirsty Leavesを主宰し、MAGAM名義でも作品を発表しているMoody Alienが2021年5月にリリースした最新作。マリンバやビブラフォンを用いたコンポジション9曲を収録。音色が涼しげなのでアンビエント的にも聴けます。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3220333025\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/thirle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/thirle\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/thirle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/thirle\"\u003ehere\u003c\/a\u003e to see more Thirsty Leaves releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 250.\u003c\/p\u003e\n\u003cp\u003eAccompanying description:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u0026gt;\u0026gt; 𝐈 : (1) The ninth letter of the Latin alphabet as well as the Roman numeral for the number 1. (2) The first-person singular nominative case personal pronoun in Modern English, which is used to refer to one's self and is capitalized –although other pronouns, such as he or she, are not. (3) One of its homophones is \"eye\"...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u0026gt;\u0026gt; 𝐧𝐚𝐭𝐢𝐨𝐧 : (1) Wikipedia: \"a stable community of people formed on the basis of a common language, territory, history, ethnicity or culture\", (2) Benedict Anderson: an \"imagined community\", (3) Kurt Vonnegut: a \"granfalloon\", a \"false karass\", i.e. a group of people who affect a shared identity or purpose, but whose mutual association is meaningless...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e....................................................................................\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music on this album sprang out of my work for the MAGAM project and consists of 3 suites –2 of which have, in earlier stages, been used for a butoh and a dance performance respectively– that cover the distance from aleatoric to improvised to composed music... What I like most about it is its playfulness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album title was initially inspired by Kurt Vonnegut's concept of \"a nation of two\" (in \"Mother Night\", 1962):\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“[...] 𝘢 𝘱𝘢𝘪𝘳 𝘰𝘧 𝘭𝘰𝘷𝘦𝘳𝘴 𝘪𝘯 𝘢 𝘸𝘰𝘳𝘭𝘥 𝘨𝘰𝘯𝘦 𝘮𝘢𝘥 𝘤𝘰𝘶𝘭𝘥 𝘴𝘶𝘳𝘷𝘪𝘷𝘦 𝘣𝘺 𝘣𝘦𝘪𝘯𝘨 𝘭𝘰𝘺𝘢𝘭\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e 𝘰𝘯𝘭𝘺 𝘵𝘰 𝘢 𝘯𝘢𝘵𝘪𝘰𝘯 𝘤𝘰𝘮𝘱𝘰𝘴𝘦𝘥 𝘰𝘧 𝘵𝘩𝘦𝘮𝘴𝘦𝘭𝘷𝘦𝘴 –𝘢 𝘯𝘢𝘵𝘪𝘰𝘯 𝘰𝘧 𝘵𝘸𝘰.”\u003cbr data-mce-fragment=\"1\"\u003e“𝘖𝘯𝘭𝘺 𝘰𝘯𝘦 𝘵𝘩𝘪𝘯𝘨 𝘤𝘰𝘶𝘯𝘵𝘦𝘥 –𝘵𝘩𝘦 𝘯𝘢𝘵𝘪𝘰𝘯 𝘰𝘧 𝘵𝘸𝘰. 𝘈𝘯𝘥 𝘸𝘩𝘦𝘯 𝘵𝘩𝘢𝘵 𝘯𝘢𝘵𝘪𝘰𝘯 𝘤𝘦𝘢𝘴𝘦𝘥 𝘵𝘰 𝘣𝘦, 𝘐 𝘣𝘦𝘤𝘢𝘮𝘦 𝘸𝘩𝘢𝘵 𝘐 𝘢𝘮 𝘵𝘰𝘥𝘢𝘺 𝘢𝘯𝘥 𝘸𝘩𝘢𝘵 𝘐 𝘢𝘭𝘸𝘢𝘺𝘴 𝘸𝘪𝘭𝘭 𝘣𝘦, 𝘢 𝘴𝘵𝘢𝘵𝘦𝘭𝘦𝘴𝘴 𝘱𝘦𝘳𝘴𝘰𝘯.”\u003cbr data-mce-fragment=\"1\"\u003e....................................................................................\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : moody alien\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThirsty Leaves\u003c\/span\u003e\u003c\/p\u003e"}
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ギリシャの実験レーベルThirsty Leavesを主宰し、MAGAM名義でも作品を発表しているMoody Alienが2021年5月にリリースした最新作。マリンバやビブラフォンを用いたコンポジション9曲を収録。音色が涼しげなのでアンビエント的にも聴けます。 レーベルその他作品はこちら /// Click here to see more Thirsty Leaves releases available at Tobira. ----------------------------...
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{"id":6941155950757,"title":"Christian Vasseur \/\/ Barreaux Dans Le Ciel CDR","handle":"christian-vasseur-barreaux-dans-le-ciel-cd","description":"\u003cp\u003eフランスの音楽家Christian Vasseurが2018年にリリースしたCD。ギターやピアノの独奏からスポークンワード、フィールドレコーディングまで23曲を収録した日記のような作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2343297665\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/thirle\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/thirle\"\u003ehere\u003c\/a\u003e to see more Thirsty Leaves releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eChristian composed, improvised, recorded \u0026amp; mixed these tracks during a 4-month residency (February-May 2017) in the north of France, where he worked with many people, among which (disabled) pupils \u0026amp; prisoners. He asked them to read, write \u0026amp; record haiku poems. The sound of their voices became the basis of this music project.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christian Vasseur\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThirsty Leaves\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-09T09:47:07+09:00","created_at":"2021-07-28T11:52:08+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","jazz","monooto","neo classical","thirsty leaves"],"price":148000,"price_min":148000,"price_max":148000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40456503623845,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Christian Vasseur \/\/ Barreaux Dans Le Ciel CDR","public_title":null,"options":["Default Title"],"price":148000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ba1_5d91cac6-b020-4f57-bfc8-2f3920b56601.jpg?v=1627440729","\/\/tobirarecords.com\/cdn\/shop\/products\/ba2_e519ec83-5291-45be-94a5-3f688f94588b.jpg?v=1627440730"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba1_5d91cac6-b020-4f57-bfc8-2f3920b56601.jpg?v=1627440729","options":["Title"],"media":[{"alt":null,"id":23123006587045,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba1_5d91cac6-b020-4f57-bfc8-2f3920b56601.jpg?v=1627440729"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba1_5d91cac6-b020-4f57-bfc8-2f3920b56601.jpg?v=1627440729","width":700},{"alt":null,"id":23123006619813,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba2_e519ec83-5291-45be-94a5-3f688f94588b.jpg?v=1627440730"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba2_e519ec83-5291-45be-94a5-3f688f94588b.jpg?v=1627440730","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの音楽家Christian Vasseurが2018年にリリースしたCD。ギターやピアノの独奏からスポークンワード、フィールドレコーディングまで23曲を収録した日記のような作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2343297665\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/thirle\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/thirle\"\u003ehere\u003c\/a\u003e to see more Thirsty Leaves releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eChristian composed, improvised, recorded \u0026amp; mixed these tracks during a 4-month residency (February-May 2017) in the north of France, where he worked with many people, among which (disabled) pupils \u0026amp; prisoners. He asked them to read, write \u0026amp; record haiku poems. The sound of their voices became the basis of this music project.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christian Vasseur\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThirsty Leaves\u003c\/span\u003e\u003c\/p\u003e"}
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フランスの音楽家Christian Vasseurが2018年にリリースしたCD。ギターやピアノの独奏からスポークンワード、フィールドレコーディングまで23曲を収録した日記のような作品です。 レーベルその他作品はこちら /// Click here to see more Thirsty Leaves releases available at Tobira. ---------------------------- Edition...
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{"id":6941140287653,"title":"Christian Vasseur \/\/ Un Amour Infini CDR","handle":"christian-vasseur-un-amour-infini-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスの音楽家Christian Vasseurが2019年にリリースしたCD。ギターやピアノの独奏からスポークンワード、フィールドレコーディングまで12曲を収録した日記のような作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=478904344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/thirle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/thirle\"\u003ehere\u003c\/a\u003e to see more Thirsty Leaves releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by Thirsty Leaves:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eChristian composed, improvised, recorded \u0026amp; mixed these tracks during a 4-month residency (February-May 2017) in the north of France, where he worked with many people, among which (disabled) pupils \u0026amp; prisoners. 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{"id":6937715703973,"title":"Alvin Curran \u0026 Reinier van Houdt \/\/ Dead Beats 2xCD","handle":"alvin-curran-reinier-van-houdt-dead-beats-2xcd","description":"\u003cp\u003e大御所実験音楽家Alvin CurranがピアニストReinier van Houdtのために書き下ろしたピアノ作品集2枚組CD。6曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3825469918\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mfr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mfr\"\u003ehere\u003c\/a\u003e to see more Moving Furniture Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMoving Furniture Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe piano has always been at the core of Alvin Curran's oeuvre. Granted, you'd expect a statement like that from the liner notes to a collection of his piano pieces. In this case, however, he's said so himself, in a candid interview with sound artist Andrew Liles: \"It’s the focal point and kind of a totem for all my work in music.\" Certainly, thanks in part to a cycle like \"Inner Cities\", which spans twenty years of his career, it has become a sort of constant in a catalogue with very few constants, the perfect tool for a composer who likes to think beyond tools. Still, the bond between Curran and the piano has always been one of attraction and repulsion....\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alvin Curran \u0026amp; Reinier van Houdt\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMoving Furniture Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-07-30T16:34:06+09:00","created_at":"2021-07-26T10:51:38+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","moving furniture records","neo classical"],"price":248000,"price_min":248000,"price_max":248000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40443078246565,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Alvin Curran \u0026 Reinier van Houdt \/\/ Dead Beats 2xCD","public_title":null,"options":["Default Title"],"price":248000,"weight":0,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/de1_ff2448cf-084b-45f6-9ece-3b5df2d48b8c.jpg?v=1627264299","\/\/tobirarecords.com\/cdn\/shop\/products\/de2_b6d1f8b1-1f44-4282-925b-7d45976c92b8.jpg?v=1627264299"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_ff2448cf-084b-45f6-9ece-3b5df2d48b8c.jpg?v=1627264299","options":["Title"],"media":[{"alt":null,"id":23102033494181,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_ff2448cf-084b-45f6-9ece-3b5df2d48b8c.jpg?v=1627264299"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_ff2448cf-084b-45f6-9ece-3b5df2d48b8c.jpg?v=1627264299","width":700},{"alt":null,"id":23102033526949,"position":2,"preview_image":{"aspect_ratio":1.598,"height":751,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_b6d1f8b1-1f44-4282-925b-7d45976c92b8.jpg?v=1627264299"},"aspect_ratio":1.598,"height":751,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_b6d1f8b1-1f44-4282-925b-7d45976c92b8.jpg?v=1627264299","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e大御所実験音楽家Alvin CurranがピアニストReinier van Houdtのために書き下ろしたピアノ作品集2枚組CD。6曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3825469918\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mfr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mfr\"\u003ehere\u003c\/a\u003e to see more Moving Furniture Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMoving Furniture Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe piano has always been at the core of Alvin Curran's oeuvre. Granted, you'd expect a statement like that from the liner notes to a collection of his piano pieces. In this case, however, he's said so himself, in a candid interview with sound artist Andrew Liles: \"It’s the focal point and kind of a totem for all my work in music.\" Certainly, thanks in part to a cycle like \"Inner Cities\", which spans twenty years of his career, it has become a sort of constant in a catalogue with very few constants, the perfect tool for a composer who likes to think beyond tools. Still, the bond between Curran and the piano has always been one of attraction and repulsion....\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alvin Curran \u0026amp; Reinier van Houdt\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMoving Furniture Records\u003c\/span\u003e\u003c\/p\u003e"}
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大御所実験音楽家Alvin CurranがピアニストReinier van Houdtのために書き下ろしたピアノ作品集2枚組CD。6曲を収録。 レーベルその他作品はこちら /// Click here to see more Moving Furniture Records releases available at...
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{"id":6933492760741,"title":"Marco Paltrinieri \/\/ Entroterra TAPE","handle":"marco-paltrinieri-entroterra-tape","description":"\u003cp\u003e\u003cspan\u003eギリシャ物音レーベルGranny Recordsの2021年6月バッチを入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e本作は、過去にCanti Magneticiなどから発表している実験音楽家Marco Paltrinieriが60本限定でリリースしたカセットです。スポークンワードや物音ドローンで構成された2曲を収録。\u003c\/span\u003e\u003cspan\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=12433056\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/granny\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/granny\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/granny\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/granny\"\u003ehere\u003c\/a\u003e to see more Granny Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 60.\u003c\/p\u003e\n\u003cp\u003eArtist : Marco Paltrinieri\u003c\/p\u003e\n\u003cp\u003eLabel : Granny Records\u003c\/p\u003e","published_at":"2021-08-13T13:51:41+09:00","created_at":"2021-07-24T15:27:04+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","granny records","monooto","tape"],"price":189100,"price_min":189100,"price_max":189100,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40429600506021,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Marco Paltrinieri \/\/ Entroterra TAPE","public_title":null,"options":["Default Title"],"price":189100,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/en1_7a05cbd3-eda7-48c0-990a-53d9a53821c6.jpg?v=1627108026"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/en1_7a05cbd3-eda7-48c0-990a-53d9a53821c6.jpg?v=1627108026","options":["Title"],"media":[{"alt":null,"id":23084295225509,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/en1_7a05cbd3-eda7-48c0-990a-53d9a53821c6.jpg?v=1627108026"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/en1_7a05cbd3-eda7-48c0-990a-53d9a53821c6.jpg?v=1627108026","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eギリシャ物音レーベルGranny Recordsの2021年6月バッチを入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e本作は、過去にCanti Magneticiなどから発表している実験音楽家Marco Paltrinieriが60本限定でリリースしたカセットです。スポークンワードや物音ドローンで構成された2曲を収録。\u003c\/span\u003e\u003cspan\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=12433056\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/granny\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/granny\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/granny\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/granny\"\u003ehere\u003c\/a\u003e to see more Granny Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 60.\u003c\/p\u003e\n\u003cp\u003eArtist : Marco Paltrinieri\u003c\/p\u003e\n\u003cp\u003eLabel : Granny Records\u003c\/p\u003e"}
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