Retribution Body // Baphomet CD
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過去にGlisteting ExpamplesやTypeから発表しているアメリカ・ロードアイランドのドローン作家Retribution Bodyが、2022年3月に同国実験レーベルFull SpectrumからリリースしたCDです。
コンサートホールで演奏したミニマルなドゥーム・ドローン4曲を収録。
レーベルその他作品はこちら /// Click here to see more Full Spectrum Records releases available at Tobira.
--------------------------------
Edition of 200.
Full Spectrum Records:
" As winter gives way to the spring thaw, Full Spectrum Records welcomes Matthew Azevedo’s Retribution Body into the fold, who graces us with their immense new work, ‘Baphomet.’ The official follow-up, of sorts, to releases for Glistening Examples and Type Records, ‘Baphomet’ stands tall as a roaring statement of intent, all visceral sturm und drang, utterly enveloping drone, and infrasonic frisson.
Drawing a direct line between the acoustic sensibilities of Pauline Oliveros, with whom Azevedo studied at Rensselaer Polytechnic in 2010, and the earth shattering sonics of doom titans SUNN O))), the focus of the Retribution Body ethos has always been centered on the behavior of physical sound in space, combining eurorack synthesis with a custom backline amplification rig dubbed the “Siege Tower.” This behemoth system is capable of putting out a clean 117 dB sine wave at 20 Hz and thus far has proven indestructible, despite Azevedo’s most deliberate efforts.
Where albums like ‘Enemy of the Good,’ ‘Aokigahara,’ and ‘Self-Destruction’ aimed to capture the effectively physical experience of Azevedo’s live performances to varying degrees of success – an early master of ‘Self-Destruction,’ in fact, carried so much low frequency information that it produced virtually no sound whatsoever on common consumer-grade speakers – they set out to create a more expressly listening-focused work. After being brought in to handle some acoustical consulting at Methuen Memorial Music Hall and hearing their 160 year old Great Organ, replete with 85 stops, 6,088 pipes and a frequency range that extends down to 16 Hz, and the hall’s natural four-second reverberation, Azevedo knew that this would be the birthplace of ‘Baphomet.’
After capturing several hours’ worth of material, Azevedo set about whittling this raw mass of sonic material in a coherent whole. During this process, they kept returning to the image of Baphomet, the idol of the Knights Templar’s heretical mystery religion that was given modern form in the illustration of Eliphas Levi’s 1856 book ‘Rituel de la Haute Magie.’ Often misappropriated in popular culture as a symbol of Satan, Baphomet’s true nature is one of universal duality – human / animal, male / female, light / dark, above / below. As a nonbinary-identifying, neurodivergent person, this symbolism resonated deeply with Matthew and reflected what they heard in this music – sound / vibration, acoustic / electric, loud / inaudible – culminating in the pairing of their modern electronic synthesizer and the Memorial Music Hall’s Great Organ. A fitting symbol for this monumental work. "
Artist : Retribution Body
Label : Full Spectrum Records
過去にGlisteting ExpamplesやTypeから発表しているアメリカ・ロードアイランドのドローン作家Retribution Bodyが、2022年3月に同国実験レーベルFull SpectrumからリリースしたCDです。
コンサートホールで演奏したミニマルなドゥーム・ドローン4曲を収録。
レーベルその他作品はこちら /// Click here to see more Full Spectrum Records releases available at Tobira.
--------------------------------
Edition of 200.
Full Spectrum Records:
" As winter gives way to the spring thaw, Full Spectrum Records welcomes Matthew Azevedo’s Retribution Body into the fold, who graces us with their immense new work, ‘Baphomet.’ The official follow-up, of sorts, to releases for Glistening Examples and Type Records, ‘Baphomet’ stands tall as a roaring statement of intent, all visceral sturm und drang, utterly enveloping drone, and infrasonic frisson.
Drawing a direct line between the acoustic sensibilities of Pauline Oliveros, with whom Azevedo studied at Rensselaer Polytechnic in 2010, and the earth shattering sonics of doom titans SUNN O))), the focus of the Retribution Body ethos has always been centered on the behavior of physical sound in space, combining eurorack synthesis with a custom backline amplification rig dubbed the “Siege Tower.” This behemoth system is capable of putting out a clean 117 dB sine wave at 20 Hz and thus far has proven indestructible, despite Azevedo’s most deliberate efforts.
Where albums like ‘Enemy of the Good,’ ‘Aokigahara,’ and ‘Self-Destruction’ aimed to capture the effectively physical experience of Azevedo’s live performances to varying degrees of success – an early master of ‘Self-Destruction,’ in fact, carried so much low frequency information that it produced virtually no sound whatsoever on common consumer-grade speakers – they set out to create a more expressly listening-focused work. After being brought in to handle some acoustical consulting at Methuen Memorial Music Hall and hearing their 160 year old Great Organ, replete with 85 stops, 6,088 pipes and a frequency range that extends down to 16 Hz, and the hall’s natural four-second reverberation, Azevedo knew that this would be the birthplace of ‘Baphomet.’
After capturing several hours’ worth of material, Azevedo set about whittling this raw mass of sonic material in a coherent whole. During this process, they kept returning to the image of Baphomet, the idol of the Knights Templar’s heretical mystery religion that was given modern form in the illustration of Eliphas Levi’s 1856 book ‘Rituel de la Haute Magie.’ Often misappropriated in popular culture as a symbol of Satan, Baphomet’s true nature is one of universal duality – human / animal, male / female, light / dark, above / below. As a nonbinary-identifying, neurodivergent person, this symbolism resonated deeply with Matthew and reflected what they heard in this music – sound / vibration, acoustic / electric, loud / inaudible – culminating in the pairing of their modern electronic synthesizer and the Memorial Music Hall’s Great Organ. A fitting symbol for this monumental work. "
Artist : Retribution Body
Label : Full Spectrum Records
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