Orindal Records
クイックビュー
{"id":9402418462970,"title":"Sand Duney \/\/ Plant Material TAPE","handle":"sand-duney-plant-material-tape","description":"\u003cp\u003eアメリカ・ポートランドのシンガーソングライターSand Duneyが、2026年9月にシカゴのインディーレーベルOrindal Recordsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eベッドルームポップ〜インディーフォーク10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2807566131\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1463899790\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2807566131\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 100 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Spring \u003cbr\u003e2. Out On A Dune \u003cbr\u003e3. Pages \u003cbr\u003e4. Saw You In The Roses 02:17 \u003cbr\u003e5. Silo \u003cbr\u003e6. Tilth \u003cbr\u003e7. Jacaranda 04:21 \u003cbr\u003e8. What To Make Of This World \u003cbr\u003e9. Deadnettle \u003cbr\u003e10. Mycelium\u003c\/p\u003e\n\u003cp\u003eArtist : Sand Duney\u003c\/p\u003e\n\u003cp\u003eLabel : Anything Bagel x Bud Tapes x Orindal Records\u003c\/p\u003e\n\u003cp\u003eRelease date : 4th September 2026\u003c\/p\u003e","published_at":"2026-09-04T07:08:39+09:00","created_at":"2026-09-03T15:23:02+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","new","orindal","tape"],"price":235000,"price_min":235000,"price_max":235000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50219942150394,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sand Duney \/\/ Plant Material TAPE","public_title":null,"options":["Default Title"],"price":235000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/plan1_896a8863-d8ec-4497-97a5-3482af42e9cc.jpg?v=1788416522","\/\/tobirarecords.com\/cdn\/shop\/files\/plan2_3693b0ef-5d88-4101-b5dc-a25b740ea703.jpg?v=1788416522"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/plan1_896a8863-d8ec-4497-97a5-3482af42e9cc.jpg?v=1788416522","options":["Title"],"media":[{"alt":null,"id":40865678229754,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/plan1_896a8863-d8ec-4497-97a5-3482af42e9cc.jpg?v=1788416522"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/plan1_896a8863-d8ec-4497-97a5-3482af42e9cc.jpg?v=1788416522","width":350},{"alt":null,"id":40865678262522,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/plan2_3693b0ef-5d88-4101-b5dc-a25b740ea703.jpg?v=1788416522"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/plan2_3693b0ef-5d88-4101-b5dc-a25b740ea703.jpg?v=1788416522","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ポートランドのシンガーソングライターSand Duneyが、2026年9月にシカゴのインディーレーベルOrindal Recordsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eベッドルームポップ〜インディーフォーク10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2807566131\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1463899790\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2807566131\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 100 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Spring \u003cbr\u003e2. Out On A Dune \u003cbr\u003e3. Pages \u003cbr\u003e4. Saw You In The Roses 02:17 \u003cbr\u003e5. Silo \u003cbr\u003e6. Tilth \u003cbr\u003e7. Jacaranda 04:21 \u003cbr\u003e8. What To Make Of This World \u003cbr\u003e9. Deadnettle \u003cbr\u003e10. Mycelium\u003c\/p\u003e\n\u003cp\u003eArtist : Sand Duney\u003c\/p\u003e\n\u003cp\u003eLabel : Anything Bagel x Bud Tapes x Orindal Records\u003c\/p\u003e\n\u003cp\u003eRelease date : 4th September 2026\u003c\/p\u003e"}
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アメリカ・ポートランドのシンガーソングライターSand Duneyが、2026年9月にシカゴのインディーレーベルOrindal Recordsからリリースしたカセットです。 ベッドルームポップ〜インディーフォーク10曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ...
¥2,350
クイックビュー
{"id":9402392903930,"title":"Lisa\/Liza \/\/ Deserts of Youth CD","handle":"lisa-liza-deserts-of-youth-cd","description":"\u003cp\u003eアメリカ・メイン州のシンガーソングライターLisa\/Lizaが、2016年にシカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアコースティックギターと声によるシンプルな構成のベッドルーム・フォーク7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\"『Deserts of Youth』は、私たちの内に残る過去の断片について描いたアルバムだ。失われたものや、もはや頼りにも道にもならないものについて思いを巡らすのではなく、自分自身を認識しつつ、そうした風景を訪ねることをテーマにしている。これは、過去と向き合い、それを放棄するのではなく、自分のものとして受け入れることについて描かれたものだ。砂漠を、荒廃した場所として見ることもあれば、必要な内省の場として、生命と力に満ちた場所として捉えることもできる、という考えが込められている。\"\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2020059776\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1108856318\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2020059776\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD version of Lisa\/Liza's debut album released via Orindal. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Century Woods 06:13 \u003cbr\u003e2. Another Window 05:47 \u003cbr\u003e3. Lady Day on the Radio 07:35 \u003cbr\u003e4. Wander 04:36 \u003cbr\u003e5. Red Pine 04:47 \u003cbr\u003e6. Prospect St. 04:43 \u003cbr\u003e7. Deserts of Youth 05:16\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrom the label:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Lisa\/Liza is the lo-fi, psych-folk recording project of Maine-based guitarist, singer and songwriter Liza Victoria. Deserts of Youth is her debut LP, after numerous limited edition cassette and CDr releases. Deserts of Youth is an intimate collection of seven original songs, recorded at home by Victoria, using just her voice and her acoustic guitar.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrom the artist:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eDeserts of Youth is an album about the parts of our past that remain within us, and visiting these landscapes with recognition of ourselves instead of a meditation on what has been lost, or is no longer a resource or a path we can use. It is about meeting the past and facing it with a sense of ownership instead of abandon; the idea that one can see a desert as a place of desolation or a place of needed reflection, full of life, and strength.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lisa\/Liza\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD23\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : September 2016 \u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-09-04T06:54:01+09:00","created_at":"2026-09-03T15:18:30+09:00","vendor":"Tobira Records","type":"","tags":["cd","folk \/ left-field pop","new","orindal"],"price":235000,"price_min":235000,"price_max":235000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50219892179194,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lisa\/Liza \/\/ Deserts of Youth CD","public_title":null,"options":["Default Title"],"price":235000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/des1_007e1926-5486-4581-b5e5-f2442da84c32.jpg?v=1788416354"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/des1_007e1926-5486-4581-b5e5-f2442da84c32.jpg?v=1788416354","options":["Title"],"media":[{"alt":null,"id":40865587953914,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/des1_007e1926-5486-4581-b5e5-f2442da84c32.jpg?v=1788416354"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/des1_007e1926-5486-4581-b5e5-f2442da84c32.jpg?v=1788416354","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・メイン州のシンガーソングライターLisa\/Lizaが、2016年にシカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアコースティックギターと声によるシンプルな構成のベッドルーム・フォーク7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\"『Deserts of Youth』は、私たちの内に残る過去の断片について描いたアルバムだ。失われたものや、もはや頼りにも道にもならないものについて思いを巡らすのではなく、自分自身を認識しつつ、そうした風景を訪ねることをテーマにしている。これは、過去と向き合い、それを放棄するのではなく、自分のものとして受け入れることについて描かれたものだ。砂漠を、荒廃した場所として見ることもあれば、必要な内省の場として、生命と力に満ちた場所として捉えることもできる、という考えが込められている。\"\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2020059776\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1108856318\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2020059776\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD version of Lisa\/Liza's debut album released via Orindal. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Century Woods 06:13 \u003cbr\u003e2. Another Window 05:47 \u003cbr\u003e3. Lady Day on the Radio 07:35 \u003cbr\u003e4. Wander 04:36 \u003cbr\u003e5. Red Pine 04:47 \u003cbr\u003e6. Prospect St. 04:43 \u003cbr\u003e7. Deserts of Youth 05:16\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrom the label:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Lisa\/Liza is the lo-fi, psych-folk recording project of Maine-based guitarist, singer and songwriter Liza Victoria. Deserts of Youth is her debut LP, after numerous limited edition cassette and CDr releases. Deserts of Youth is an intimate collection of seven original songs, recorded at home by Victoria, using just her voice and her acoustic guitar.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrom the artist:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eDeserts of Youth is an album about the parts of our past that remain within us, and visiting these landscapes with recognition of ourselves instead of a meditation on what has been lost, or is no longer a resource or a path we can use. It is about meeting the past and facing it with a sense of ownership instead of abandon; the idea that one can see a desert as a place of desolation or a place of needed reflection, full of life, and strength.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lisa\/Liza\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD23\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : September 2016 \u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・メイン州のシンガーソングライターLisa/Lizaが、2016年にシカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。 アコースティックギターと声によるシンプルな構成のベッドルーム・フォーク7曲を収録。 以下、作家本人による解説です。 "『Deserts of Youth』は、私たちの内に残る過去の断片について描いたアルバムだ。失われたものや、もはや頼りにも道にもならないものについて思いを巡らすのではなく、自分自身を認識しつつ、そうした風景を訪ねることをテーマにしている。これは、過去と向き合い、それを放棄するのではなく、自分のものとして受け入れることについて描かれたものだ。砂漠を、荒廃した場所として見ることもあれば、必要な内省の場として、生命と力に満ちた場所として捉えることもできる、という考えが込められている。" レーベルその他作品はこちら /// Click here to see more Orindal Records releases...
¥2,350
クイックビュー
{"id":9402391855354,"title":"Lisa\/Liza \/\/ Deserts of Youth LP","handle":"lisa-liza-deserts-of-youth-lp","description":"\u003cp\u003eアメリカ・メイン州のシンガーソングライターLisa\/Lizaが、2016年にシカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアコースティックギターと声によるシンプルな構成のベッドルーム・フォーク7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\"『Deserts of Youth』は、私たちの内に残る過去の断片について描いたアルバムだ。失われたものや、もはや頼りにも道にもならないものについて思いを巡らすのではなく、自分自身を認識しつつ、そうした風景を訪ねることをテーマにしている。これは、過去と向き合い、それを放棄するのではなく、自分のものとして受け入れることについて描かれたものだ。砂漠を、荒廃した場所として見ることもあれば、必要な内省の場として、生命と力に満ちた場所として捉えることもできる、という考えが込められている。\"\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2020059776\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1108856318\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2020059776\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eLisa\/Liza's debut album released via Orindal. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Century Woods 06:13 \u003cbr\u003e2. Another Window 05:47 \u003cbr\u003e3. Lady Day on the Radio 07:35 \u003cbr\u003e4. Wander 04:36 \u003cbr\u003e5. Red Pine 04:47 \u003cbr\u003e6. Prospect St. 04:43 \u003cbr\u003e7. Deserts of Youth 05:16\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrom the label:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Lisa\/Liza is the lo-fi, psych-folk recording project of Maine-based guitarist, singer and songwriter Liza Victoria. Deserts of Youth is her debut LP, after numerous limited edition cassette and CDr releases. Deserts of Youth is an intimate collection of seven original songs, recorded at home by Victoria, using just her voice and her acoustic guitar.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrom the artist:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eDeserts of Youth is an album about the parts of our past that remain within us, and visiting these landscapes with recognition of ourselves instead of a meditation on what has been lost, or is no longer a resource or a path we can use. It is about meeting the past and facing it with a sense of ownership instead of abandon; the idea that one can see a desert as a place of desolation or a place of needed reflection, full of life, and strength.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lisa\/Liza\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD23\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : September 2016 \u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-09-04T06:52:59+09:00","created_at":"2026-09-03T15:18:11+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","orindal"],"price":369000,"price_min":369000,"price_max":369000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50219891065082,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lisa\/Liza \/\/ Deserts of Youth LP","public_title":null,"options":["Default Title"],"price":369000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/des1_ca846f17-ee7f-4e33-95c7-a9c8d76f3282.jpg?v=1788416176"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/des1_ca846f17-ee7f-4e33-95c7-a9c8d76f3282.jpg?v=1788416176","options":["Title"],"media":[{"alt":null,"id":40865494368506,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/des1_ca846f17-ee7f-4e33-95c7-a9c8d76f3282.jpg?v=1788416176"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/des1_ca846f17-ee7f-4e33-95c7-a9c8d76f3282.jpg?v=1788416176","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・メイン州のシンガーソングライターLisa\/Lizaが、2016年にシカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアコースティックギターと声によるシンプルな構成のベッドルーム・フォーク7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\"『Deserts of Youth』は、私たちの内に残る過去の断片について描いたアルバムだ。失われたものや、もはや頼りにも道にもならないものについて思いを巡らすのではなく、自分自身を認識しつつ、そうした風景を訪ねることをテーマにしている。これは、過去と向き合い、それを放棄するのではなく、自分のものとして受け入れることについて描かれたものだ。砂漠を、荒廃した場所として見ることもあれば、必要な内省の場として、生命と力に満ちた場所として捉えることもできる、という考えが込められている。\"\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2020059776\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1108856318\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2020059776\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eLisa\/Liza's debut album released via Orindal. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Century Woods 06:13 \u003cbr\u003e2. Another Window 05:47 \u003cbr\u003e3. Lady Day on the Radio 07:35 \u003cbr\u003e4. Wander 04:36 \u003cbr\u003e5. Red Pine 04:47 \u003cbr\u003e6. Prospect St. 04:43 \u003cbr\u003e7. Deserts of Youth 05:16\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrom the label:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Lisa\/Liza is the lo-fi, psych-folk recording project of Maine-based guitarist, singer and songwriter Liza Victoria. Deserts of Youth is her debut LP, after numerous limited edition cassette and CDr releases. Deserts of Youth is an intimate collection of seven original songs, recorded at home by Victoria, using just her voice and her acoustic guitar.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrom the artist:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eDeserts of Youth is an album about the parts of our past that remain within us, and visiting these landscapes with recognition of ourselves instead of a meditation on what has been lost, or is no longer a resource or a path we can use. It is about meeting the past and facing it with a sense of ownership instead of abandon; the idea that one can see a desert as a place of desolation or a place of needed reflection, full of life, and strength.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lisa\/Liza\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD23\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : September 2016 \u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・メイン州のシンガーソングライターLisa/Lizaが、2016年にシカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。 アコースティックギターと声によるシンプルな構成のベッドルーム・フォーク7曲を収録。DLコード付属。 以下、作家本人による解説です。 "『Deserts of Youth』は、私たちの内に残る過去の断片について描いたアルバムだ。失われたものや、もはや頼りにも道にもならないものについて思いを巡らすのではなく、自分自身を認識しつつ、そうした風景を訪ねることをテーマにしている。これは、過去と向き合い、それを放棄するのではなく、自分のものとして受け入れることについて描かれたものだ。砂漠を、荒廃した場所として見ることもあれば、必要な内省の場として、生命と力に満ちた場所として捉えることもできる、という考えが込められている。" レーベルその他作品はこちら /// Click here to see more Orindal Records releases...
¥3,690
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{"id":9402350108922,"title":"Gordon Ashworth \/\/ S.T.L.A. CD","handle":"gordon-ashworth-s-t-l-a-cd","description":"\u003cp\u003eアメリカの実験音楽家Gordon Ashworthが、2014年にシカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・フォーク〜アンビエントドローン5曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、Brad Roseによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\"\u003c\/i\u003e\u003cem\u003eここ数年間、Gordon Ashworthにとっては長く、奇妙な旅路だった。オレゴン州ポートランド在住の彼は、20カ国以上で演奏を行い、Concern、Oscillating Innards、CAENなど、さまざまなソロ名義で数え切れないほどの作品をリリースしてきた。また、ブラック／デスメタル・バンド『Knelt Rote』のメンバーでもある。しかし、Concernを解散した後、新たな音の風景が形を成した。『S.T.L.A.』はAshworthの真骨頂を披露する作品であり、メロディックと抽象の境界線を跨ぐ独自のプリズムを通して、密度の高い楽曲を紡ぎ出している。フォーク音楽やコンクレート、アコースマティック作品といった根源的な影響が、『S.T.L.A.』の広大な世界観の中に聴き取れる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eオープニング曲「Norma」が舞台を整える。厳粛なバンジョーの弾き語りが、内省を誘うミニマルな音色の変化の雲の下で響き渡り、やがて「Upbringing」のゆっくりとした、微妙なグラインドへと溶け込んでいく。これは忍び寄る音楽だ。それが這うように進むにつれ、光の欠片が、濁った不気味な音の広がりに滲み込んでくる。『S.T.L.A.』全体を通して、Ashworthが夜間のタクシー運転手として働いていた際や、2010年後半の3ヶ月間にわたる公共交通機関での旅の途中で収録したフィールドレコーディングにより、豊かさと質感が増している。これらの奇妙でざらついた音の多くは、冬のヨーロッパの都市で道に迷った際に収録されたものであり、音楽にさらなる荒涼感を加えている。その迫力は圧倒的だ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかし、『S.T.L.A.』の中盤こそが、このアルバムの要だ。「Suite For Broken Sex」はカタルシスを存分に味わい、歪んだドローンの層の下で歪む絶望的なピアノの和音の中に、安らぎと希望を見出している。大音量で聴くと、それはすべてを包み込み、まるで逃げ場のないブラックホールのような感覚だ。優れた対位法がそうであるように、「To Be The Man I Want To Be」は層を剥ぎ取り、最も素朴な本質まで突き詰めている。疾走感あふれるバンジョーの奔流と、断片的なフィールドレコーディングの中で、感情がむき出しになる。この曲のすべては時代を超越しており、アメリカン・プリミティブへの露骨なオマージュから、初期のアパラチアやアフリカの影響に至るまで、親しみやすさと意外性の絶妙なバランスを見出している。遠い記憶の中に迷い込んだかのように、不安や孤立感を呼び起こしつつ、混沌とした世界の中で動きの感覚を生み出している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAshworthは『S.T.L.A.』を通じて、Concernを離れたことが正しい決断だったことを示している。前作に見られた抑制は依然として感じられるものの、境界を押し広げ、テープループやアコースマティック・ミュージックの最も暗い隅々を探求する新たな自由感が生まれている。明かりを消して、『S.T.L.A.』の世界に身を委ねてみよう。\u003c\/em\u003e\u003ci\u003e\"\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2591731630\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003cbr\u003eCD edition of 300 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Norma 03:35 \u003cbr\u003e2. Upbringing 04:28 \u003cbr\u003e3. Suite for Broken Sex 11:39 \u003cbr\u003e4. To Be the Man I Want to Be 10:24 \u003cbr\u003e5. Desperate and Indebted 08:57\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eBrad Rose, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"It's been a long, strange journey for Gordon Ashworth over the past few years. The Portland, Oregon resident has played in over 20 countries and released countless artifacts under his various solo guises: Concern, Oscillating Innards, CAEN, and others. He is also a member of the black\/death metal band, Knelt Rote. After retiring Concern, however, a new aural picture has taken shape. S.T.L.A. showcases Ashworth at his absolute best, pressing dense compositions through a unique prism that straddles the line between melodic and abstract. Elemental influences of folk music as well as musique concrete and acousmatic works are audible within the sprawling confines of S.T.L.A.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpener \"Norma\" sets the stage. Solemn banjo plucks resonate underneath clouds of minimal tonal shifts that evoke inner contemplation until bleeding into the slow, subtle grind of \"Upbringing.\" This is music that creeps. As it crawls along, shards of light seep into the murky, haunting sonic expanse. Richness and texture are added throughout S.T.L.A. via Ashworth's field recordings made while working at night as a taxi driver and during a three month public transit tour in late 2010. Many of these strange, scratchy sounds are the result of getting lost in European cities in\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e the winter and it adds another layer of desolation to the music. It's powerful.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe middle of S.T.L.A. is the anchor point of this record, though. \"Suite For Broken Sex\" revels in its catharsis, finding solace and hope in desperate piano chords that bend underneath layers of distorted drones. At high volumes it is all encompassing, like a black hole from which there is no escape. Like all good counterpoints do, \"To Be The Man I Want To Be\" strips the layers down to their barest point. Emotions run raw on rapid fire banjo excursions and discrete field recordings. Everything about the song is timeless, from the overt nods to American primitive to early Appalachian and African influences, finds the sweet spot between familiarity and the unexpected. Lost in distant memories it evokes feelings of trepidation and isolation while creating a sense of movement within a chaotic world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGordon Ashworth shows with S.T.L.A. that leaving Concern behind was the right decision. While the restraint of his previous work is still apparent, there's a newfound sense of freedom to push boundaries and explore the darkest corners of tape loop and acousmatic music. Turn off the lights and get lost inside S.T.L.A.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gordon Ashworth\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD07\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2014\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-09-04T07:02:27+09:00","created_at":"2026-09-03T15:10:10+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","new","orindal"],"price":235000,"price_min":235000,"price_max":235000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50219812061434,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gordon Ashworth \/\/ S.T.L.A. CD","public_title":null,"options":["Default Title"],"price":235000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gor1_481ce310-a7df-4fd1-9d72-3968e1bf75f6.jpg?v=1788415864","\/\/tobirarecords.com\/cdn\/shop\/files\/go3_37fe2ad0-fb81-44a8-adf2-f39349e831e5.jpg?v=1788415864"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gor1_481ce310-a7df-4fd1-9d72-3968e1bf75f6.jpg?v=1788415864","options":["Title"],"media":[{"alt":null,"id":40865335312634,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gor1_481ce310-a7df-4fd1-9d72-3968e1bf75f6.jpg?v=1788415864"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gor1_481ce310-a7df-4fd1-9d72-3968e1bf75f6.jpg?v=1788415864","width":350},{"alt":null,"id":40865335279866,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/go3_37fe2ad0-fb81-44a8-adf2-f39349e831e5.jpg?v=1788415864"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/go3_37fe2ad0-fb81-44a8-adf2-f39349e831e5.jpg?v=1788415864","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験音楽家Gordon Ashworthが、2014年にシカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・フォーク〜アンビエントドローン5曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、Brad Roseによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\"\u003c\/i\u003e\u003cem\u003eここ数年間、Gordon Ashworthにとっては長く、奇妙な旅路だった。オレゴン州ポートランド在住の彼は、20カ国以上で演奏を行い、Concern、Oscillating Innards、CAENなど、さまざまなソロ名義で数え切れないほどの作品をリリースしてきた。また、ブラック／デスメタル・バンド『Knelt Rote』のメンバーでもある。しかし、Concernを解散した後、新たな音の風景が形を成した。『S.T.L.A.』はAshworthの真骨頂を披露する作品であり、メロディックと抽象の境界線を跨ぐ独自のプリズムを通して、密度の高い楽曲を紡ぎ出している。フォーク音楽やコンクレート、アコースマティック作品といった根源的な影響が、『S.T.L.A.』の広大な世界観の中に聴き取れる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eオープニング曲「Norma」が舞台を整える。厳粛なバンジョーの弾き語りが、内省を誘うミニマルな音色の変化の雲の下で響き渡り、やがて「Upbringing」のゆっくりとした、微妙なグラインドへと溶け込んでいく。これは忍び寄る音楽だ。それが這うように進むにつれ、光の欠片が、濁った不気味な音の広がりに滲み込んでくる。『S.T.L.A.』全体を通して、Ashworthが夜間のタクシー運転手として働いていた際や、2010年後半の3ヶ月間にわたる公共交通機関での旅の途中で収録したフィールドレコーディングにより、豊かさと質感が増している。これらの奇妙でざらついた音の多くは、冬のヨーロッパの都市で道に迷った際に収録されたものであり、音楽にさらなる荒涼感を加えている。その迫力は圧倒的だ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかし、『S.T.L.A.』の中盤こそが、このアルバムの要だ。「Suite For Broken Sex」はカタルシスを存分に味わい、歪んだドローンの層の下で歪む絶望的なピアノの和音の中に、安らぎと希望を見出している。大音量で聴くと、それはすべてを包み込み、まるで逃げ場のないブラックホールのような感覚だ。優れた対位法がそうであるように、「To Be The Man I Want To Be」は層を剥ぎ取り、最も素朴な本質まで突き詰めている。疾走感あふれるバンジョーの奔流と、断片的なフィールドレコーディングの中で、感情がむき出しになる。この曲のすべては時代を超越しており、アメリカン・プリミティブへの露骨なオマージュから、初期のアパラチアやアフリカの影響に至るまで、親しみやすさと意外性の絶妙なバランスを見出している。遠い記憶の中に迷い込んだかのように、不安や孤立感を呼び起こしつつ、混沌とした世界の中で動きの感覚を生み出している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAshworthは『S.T.L.A.』を通じて、Concernを離れたことが正しい決断だったことを示している。前作に見られた抑制は依然として感じられるものの、境界を押し広げ、テープループやアコースマティック・ミュージックの最も暗い隅々を探求する新たな自由感が生まれている。明かりを消して、『S.T.L.A.』の世界に身を委ねてみよう。\u003c\/em\u003e\u003ci\u003e\"\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2591731630\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003cbr\u003eCD edition of 300 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Norma 03:35 \u003cbr\u003e2. Upbringing 04:28 \u003cbr\u003e3. Suite for Broken Sex 11:39 \u003cbr\u003e4. To Be the Man I Want to Be 10:24 \u003cbr\u003e5. Desperate and Indebted 08:57\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eBrad Rose, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"It's been a long, strange journey for Gordon Ashworth over the past few years. The Portland, Oregon resident has played in over 20 countries and released countless artifacts under his various solo guises: Concern, Oscillating Innards, CAEN, and others. He is also a member of the black\/death metal band, Knelt Rote. After retiring Concern, however, a new aural picture has taken shape. S.T.L.A. showcases Ashworth at his absolute best, pressing dense compositions through a unique prism that straddles the line between melodic and abstract. Elemental influences of folk music as well as musique concrete and acousmatic works are audible within the sprawling confines of S.T.L.A.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpener \"Norma\" sets the stage. Solemn banjo plucks resonate underneath clouds of minimal tonal shifts that evoke inner contemplation until bleeding into the slow, subtle grind of \"Upbringing.\" This is music that creeps. As it crawls along, shards of light seep into the murky, haunting sonic expanse. Richness and texture are added throughout S.T.L.A. via Ashworth's field recordings made while working at night as a taxi driver and during a three month public transit tour in late 2010. Many of these strange, scratchy sounds are the result of getting lost in European cities in\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e the winter and it adds another layer of desolation to the music. It's powerful.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe middle of S.T.L.A. is the anchor point of this record, though. \"Suite For Broken Sex\" revels in its catharsis, finding solace and hope in desperate piano chords that bend underneath layers of distorted drones. At high volumes it is all encompassing, like a black hole from which there is no escape. Like all good counterpoints do, \"To Be The Man I Want To Be\" strips the layers down to their barest point. Emotions run raw on rapid fire banjo excursions and discrete field recordings. Everything about the song is timeless, from the overt nods to American primitive to early Appalachian and African influences, finds the sweet spot between familiarity and the unexpected. Lost in distant memories it evokes feelings of trepidation and isolation while creating a sense of movement within a chaotic world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGordon Ashworth shows with S.T.L.A. that leaving Concern behind was the right decision. While the restraint of his previous work is still apparent, there's a newfound sense of freedom to push boundaries and explore the darkest corners of tape loop and acousmatic music. Turn off the lights and get lost inside S.T.L.A.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gordon Ashworth\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD07\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2014\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカの実験音楽家Gordon Ashworthが、2014年にシカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。 アンビエント・フォーク〜アンビエントドローン5曲を収録。 以下、Brad Roseによる解説です。 "ここ数年間、Gordon Ashworthにとっては長く、奇妙な旅路だった。オレゴン州ポートランド在住の彼は、20カ国以上で演奏を行い、Concern、Oscillating Innards、CAENなど、さまざまなソロ名義で数え切れないほどの作品をリリースしてきた。また、ブラック／デスメタル・バンド『Knelt Rote』のメンバーでもある。しかし、Concernを解散した後、新たな音の風景が形を成した。『S.T.L.A.』はAshworthの真骨頂を披露する作品であり、メロディックと抽象の境界線を跨ぐ独自のプリズムを通して、密度の高い楽曲を紡ぎ出している。フォーク音楽やコンクレート、アコースマティック作品といった根源的な影響が、『S.T.L.A.』の広大な世界観の中に聴き取れる。 オープニング曲「Norma」が舞台を整える。厳粛なバンジョーの弾き語りが、内省を誘うミニマルな音色の変化の雲の下で響き渡り、やがて「Upbringing」のゆっくりとした、微妙なグラインドへと溶け込んでいく。これは忍び寄る音楽だ。それが這うように進むにつれ、光の欠片が、濁った不気味な音の広がりに滲み込んでくる。『S.T.L.A.』全体を通して、Ashworthが夜間のタクシー運転手として働いていた際や、2010年後半の3ヶ月間にわたる公共交通機関での旅の途中で収録したフィールドレコーディングにより、豊かさと質感が増している。これらの奇妙でざらついた音の多くは、冬のヨーロッパの都市で道に迷った際に収録されたものであり、音楽にさらなる荒涼感を加えている。その迫力は圧倒的だ。 しかし、『S.T.L.A.』の中盤こそが、このアルバムの要だ。「Suite For Broken...
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{"id":9402348634362,"title":"Gordon Ashworth \/\/ S.T.L.A. LP","handle":"gordon-ashworth-s-t-l-a-lp","description":"\u003cp\u003eアメリカの実験音楽家Gordon Ashworthが、2019年にシカゴのインディーレーベルOrindal Recordsからリリースした再発レコードです。（オリジナルは2014年リリース）\u003c\/p\u003e\n\u003cp\u003eアンビエント・フォーク〜アンビエントドローン5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、Brad Roseによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\"\u003c\/i\u003e\u003cem\u003eここ数年間、Gordon Ashworthにとっては長く、奇妙な旅路だった。オレゴン州ポートランド在住の彼は、20カ国以上で演奏を行い、Concern、Oscillating Innards、CAENなど、さまざまなソロ名義で数え切れないほどの作品をリリースしてきた。また、ブラック／デスメタル・バンド『Knelt Rote』のメンバーでもある。しかし、Concernを解散した後、新たな音の風景が形を成した。『S.T.L.A.』はAshworthの真骨頂を披露する作品であり、メロディックと抽象の境界線を跨ぐ独自のプリズムを通して、密度の高い楽曲を紡ぎ出している。フォーク音楽やコンクレート、アコースマティック作品といった根源的な影響が、『S.T.L.A.』の広大な世界観の中に聴き取れる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eオープニング曲「Norma」が舞台を整える。厳粛なバンジョーの弾き語りが、内省を誘うミニマルな音色の変化の雲の下で響き渡り、やがて「Upbringing」のゆっくりとした、微妙なグラインドへと溶け込んでいく。これは忍び寄る音楽だ。それが這うように進むにつれ、光の欠片が、濁った不気味な音の広がりに滲み込んでくる。『S.T.L.A.』全体を通して、Ashworthが夜間のタクシー運転手として働いていた際や、2010年後半の3ヶ月間にわたる公共交通機関での旅の途中で収録したフィールドレコーディングにより、豊かさと質感が増している。これらの奇妙でざらついた音の多くは、冬のヨーロッパの都市で道に迷った際に収録されたものであり、音楽にさらなる荒涼感を加えている。その迫力は圧倒的だ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかし、『S.T.L.A.』の中盤こそが、このアルバムの要だ。「Suite For Broken Sex」はカタルシスを存分に味わい、歪んだドローンの層の下で歪む絶望的なピアノの和音の中に、安らぎと希望を見出している。大音量で聴くと、それはすべてを包み込み、まるで逃げ場のないブラックホールのような感覚だ。優れた対位法がそうであるように、「To Be The Man I Want To Be」は層を剥ぎ取り、最も素朴な本質まで突き詰めている。疾走感あふれるバンジョーの奔流と、断片的なフィールドレコーディングの中で、感情がむき出しになる。この曲のすべては時代を超越しており、アメリカン・プリミティブへの露骨なオマージュから、初期のアパラチアやアフリカの影響に至るまで、親しみやすさと意外性の絶妙なバランスを見出している。遠い記憶の中に迷い込んだかのように、不安や孤立感を呼び起こしつつ、混沌とした世界の中で動きの感覚を生み出している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAshworthは『S.T.L.A.』を通じて、Concernを離れたことが正しい決断だったことを示している。前作に見られた抑制は依然として感じられるものの、境界を押し広げ、テープループやアコースマティック・ミュージックの最も暗い隅々を探求する新たな自由感が生まれている。明かりを消して、『S.T.L.A.』の世界に身を委ねてみよう。\u003c\/em\u003e\u003ci\u003e\"\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2591731630\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003e2019 vinyl repress - originally released in 2014. \u003cbr\u003eVinyl edition of 175 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Norma 03:35 \u003cbr\u003e2. Upbringing 04:28 \u003cbr\u003e3. Suite for Broken Sex 11:39 \u003cbr\u003e4. To Be the Man I Want to Be 10:24 \u003cbr\u003e5. Desperate and Indebted 08:57\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eBrad Rose, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"It's been a long, strange journey for Gordon Ashworth over the past few years. The Portland, Oregon resident has played in over 20 countries and released countless artifacts under his various solo guises: Concern, Oscillating Innards, CAEN, and others. He is also a member of the black\/death metal band, Knelt Rote. After retiring Concern, however, a new aural picture has taken shape. S.T.L.A. showcases Ashworth at his absolute best, pressing dense compositions through a unique prism that straddles the line between melodic and abstract. Elemental influences of folk music as well as musique concrete and acousmatic works are audible within the sprawling confines of S.T.L.A.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpener \"Norma\" sets the stage. Solemn banjo plucks resonate underneath clouds of minimal tonal shifts that evoke inner contemplation until bleeding into the slow, subtle grind of \"Upbringing.\" This is music that creeps. As it crawls along, shards of light seep into the murky, haunting sonic expanse. Richness and texture are added throughout S.T.L.A. via Ashworth's field recordings made while working at night as a taxi driver and during a three month public transit tour in late 2010. Many of these strange, scratchy sounds are the result of getting lost in European cities in\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e the winter and it adds another layer of desolation to the music. It's powerful.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe middle of S.T.L.A. is the anchor point of this record, though. \"Suite For Broken Sex\" revels in its catharsis, finding solace and hope in desperate piano chords that bend underneath layers of distorted drones. At high volumes it is all encompassing, like a black hole from which there is no escape. Like all good counterpoints do, \"To Be The Man I Want To Be\" strips the layers down to their barest point. Emotions run raw on rapid fire banjo excursions and discrete field recordings. Everything about the song is timeless, from the overt nods to American primitive to early Appalachian and African influences, finds the sweet spot between familiarity and the unexpected. Lost in distant memories it evokes feelings of trepidation and isolation while creating a sense of movement within a chaotic world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGordon Ashworth shows with S.T.L.A. that leaving Concern behind was the right decision. While the restraint of his previous work is still apparent, there's a newfound sense of freedom to push boundaries and explore the darkest corners of tape loop and acousmatic music. Turn off the lights and get lost inside S.T.L.A.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gordon Ashworth\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD07\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2019 (repress)\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-09-04T07:01:01+09:00","created_at":"2026-09-03T15:09:49+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","orindal"],"price":374300,"price_min":374300,"price_max":374300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50219810554106,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gordon Ashworth \/\/ S.T.L.A. LP","public_title":null,"options":["Default Title"],"price":374300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gor1.jpg?v=1788415688","\/\/tobirarecords.com\/cdn\/shop\/files\/gor.jpg?v=1788415688"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gor1.jpg?v=1788415688","options":["Title"],"media":[{"alt":null,"id":40865238712570,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gor1.jpg?v=1788415688"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gor1.jpg?v=1788415688","width":350},{"alt":null,"id":40865238679802,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gor.jpg?v=1788415688"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gor.jpg?v=1788415688","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験音楽家Gordon Ashworthが、2019年にシカゴのインディーレーベルOrindal Recordsからリリースした再発レコードです。（オリジナルは2014年リリース）\u003c\/p\u003e\n\u003cp\u003eアンビエント・フォーク〜アンビエントドローン5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、Brad Roseによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\"\u003c\/i\u003e\u003cem\u003eここ数年間、Gordon Ashworthにとっては長く、奇妙な旅路だった。オレゴン州ポートランド在住の彼は、20カ国以上で演奏を行い、Concern、Oscillating Innards、CAENなど、さまざまなソロ名義で数え切れないほどの作品をリリースしてきた。また、ブラック／デスメタル・バンド『Knelt Rote』のメンバーでもある。しかし、Concernを解散した後、新たな音の風景が形を成した。『S.T.L.A.』はAshworthの真骨頂を披露する作品であり、メロディックと抽象の境界線を跨ぐ独自のプリズムを通して、密度の高い楽曲を紡ぎ出している。フォーク音楽やコンクレート、アコースマティック作品といった根源的な影響が、『S.T.L.A.』の広大な世界観の中に聴き取れる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eオープニング曲「Norma」が舞台を整える。厳粛なバンジョーの弾き語りが、内省を誘うミニマルな音色の変化の雲の下で響き渡り、やがて「Upbringing」のゆっくりとした、微妙なグラインドへと溶け込んでいく。これは忍び寄る音楽だ。それが這うように進むにつれ、光の欠片が、濁った不気味な音の広がりに滲み込んでくる。『S.T.L.A.』全体を通して、Ashworthが夜間のタクシー運転手として働いていた際や、2010年後半の3ヶ月間にわたる公共交通機関での旅の途中で収録したフィールドレコーディングにより、豊かさと質感が増している。これらの奇妙でざらついた音の多くは、冬のヨーロッパの都市で道に迷った際に収録されたものであり、音楽にさらなる荒涼感を加えている。その迫力は圧倒的だ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかし、『S.T.L.A.』の中盤こそが、このアルバムの要だ。「Suite For Broken Sex」はカタルシスを存分に味わい、歪んだドローンの層の下で歪む絶望的なピアノの和音の中に、安らぎと希望を見出している。大音量で聴くと、それはすべてを包み込み、まるで逃げ場のないブラックホールのような感覚だ。優れた対位法がそうであるように、「To Be The Man I Want To Be」は層を剥ぎ取り、最も素朴な本質まで突き詰めている。疾走感あふれるバンジョーの奔流と、断片的なフィールドレコーディングの中で、感情がむき出しになる。この曲のすべては時代を超越しており、アメリカン・プリミティブへの露骨なオマージュから、初期のアパラチアやアフリカの影響に至るまで、親しみやすさと意外性の絶妙なバランスを見出している。遠い記憶の中に迷い込んだかのように、不安や孤立感を呼び起こしつつ、混沌とした世界の中で動きの感覚を生み出している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAshworthは『S.T.L.A.』を通じて、Concernを離れたことが正しい決断だったことを示している。前作に見られた抑制は依然として感じられるものの、境界を押し広げ、テープループやアコースマティック・ミュージックの最も暗い隅々を探求する新たな自由感が生まれている。明かりを消して、『S.T.L.A.』の世界に身を委ねてみよう。\u003c\/em\u003e\u003ci\u003e\"\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2591731630\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003e2019 vinyl repress - originally released in 2014. \u003cbr\u003eVinyl edition of 175 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Norma 03:35 \u003cbr\u003e2. Upbringing 04:28 \u003cbr\u003e3. Suite for Broken Sex 11:39 \u003cbr\u003e4. To Be the Man I Want to Be 10:24 \u003cbr\u003e5. Desperate and Indebted 08:57\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eBrad Rose, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"It's been a long, strange journey for Gordon Ashworth over the past few years. The Portland, Oregon resident has played in over 20 countries and released countless artifacts under his various solo guises: Concern, Oscillating Innards, CAEN, and others. He is also a member of the black\/death metal band, Knelt Rote. After retiring Concern, however, a new aural picture has taken shape. S.T.L.A. showcases Ashworth at his absolute best, pressing dense compositions through a unique prism that straddles the line between melodic and abstract. Elemental influences of folk music as well as musique concrete and acousmatic works are audible within the sprawling confines of S.T.L.A.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpener \"Norma\" sets the stage. Solemn banjo plucks resonate underneath clouds of minimal tonal shifts that evoke inner contemplation until bleeding into the slow, subtle grind of \"Upbringing.\" This is music that creeps. As it crawls along, shards of light seep into the murky, haunting sonic expanse. Richness and texture are added throughout S.T.L.A. via Ashworth's field recordings made while working at night as a taxi driver and during a three month public transit tour in late 2010. Many of these strange, scratchy sounds are the result of getting lost in European cities in\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e the winter and it adds another layer of desolation to the music. It's powerful.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe middle of S.T.L.A. is the anchor point of this record, though. \"Suite For Broken Sex\" revels in its catharsis, finding solace and hope in desperate piano chords that bend underneath layers of distorted drones. At high volumes it is all encompassing, like a black hole from which there is no escape. Like all good counterpoints do, \"To Be The Man I Want To Be\" strips the layers down to their barest point. Emotions run raw on rapid fire banjo excursions and discrete field recordings. Everything about the song is timeless, from the overt nods to American primitive to early Appalachian and African influences, finds the sweet spot between familiarity and the unexpected. Lost in distant memories it evokes feelings of trepidation and isolation while creating a sense of movement within a chaotic world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGordon Ashworth shows with S.T.L.A. that leaving Concern behind was the right decision. While the restraint of his previous work is still apparent, there's a newfound sense of freedom to push boundaries and explore the darkest corners of tape loop and acousmatic music. Turn off the lights and get lost inside S.T.L.A.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gordon Ashworth\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD07\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2019 (repress)\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカの実験音楽家Gordon Ashworthが、2019年にシカゴのインディーレーベルOrindal Recordsからリリースした再発レコードです。（オリジナルは2014年リリース） アンビエント・フォーク〜アンビエントドローン5曲を収録。DLコード付属。 以下、Brad Roseによる解説です。 "ここ数年間、Gordon Ashworthにとっては長く、奇妙な旅路だった。オレゴン州ポートランド在住の彼は、20カ国以上で演奏を行い、Concern、Oscillating Innards、CAENなど、さまざまなソロ名義で数え切れないほどの作品をリリースしてきた。また、ブラック／デスメタル・バンド『Knelt Rote』のメンバーでもある。しかし、Concernを解散した後、新たな音の風景が形を成した。『S.T.L.A.』はAshworthの真骨頂を披露する作品であり、メロディックと抽象の境界線を跨ぐ独自のプリズムを通して、密度の高い楽曲を紡ぎ出している。フォーク音楽やコンクレート、アコースマティック作品といった根源的な影響が、『S.T.L.A.』の広大な世界観の中に聴き取れる。 オープニング曲「Norma」が舞台を整える。厳粛なバンジョーの弾き語りが、内省を誘うミニマルな音色の変化の雲の下で響き渡り、やがて「Upbringing」のゆっくりとした、微妙なグラインドへと溶け込んでいく。これは忍び寄る音楽だ。それが這うように進むにつれ、光の欠片が、濁った不気味な音の広がりに滲み込んでくる。『S.T.L.A.』全体を通して、Ashworthが夜間のタクシー運転手として働いていた際や、2010年後半の3ヶ月間にわたる公共交通機関での旅の途中で収録したフィールドレコーディングにより、豊かさと質感が増している。これらの奇妙でざらついた音の多くは、冬のヨーロッパの都市で道に迷った際に収録されたものであり、音楽にさらなる荒涼感を加えている。その迫力は圧倒的だ。 しかし、『S.T.L.A.』の中盤こそが、このアルバムの要だ。「Suite For Broken...
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{"id":9383735460090,"title":"Ruth Garbus \/\/ Profound CD","handle":"ruth-garbus-profound-cd","description":"\u003cp\u003eアメリカ・バーモントのシンガーソングライターRuth Garbusが、2026年6月に同国シカゴのインディーレーベルOrindal Recordからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・ポップ10曲を収録。カードストックスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e『Profound』は、バーモント州ブラトルボロ出身のシンガーソングライターRuth GarbusがOrindalからリリースした3枚目のスタジオアルバムのタイトルだ。このソングライターの過去の作品をよく知るリスナーなら、Garbusの作品が、控えめな哀愁だけでなく、私たちの精神や海を満たす泥沼を直視した、生き生きとして文学的な歌詞で知られていることを知っているだろう。しかし『Profound』では、Garbusは明らかに以前より明るい。また、自身の音楽や、その音楽を作り出す立場に対しても、より自信を持っている。冒頭の曲、その名も『I Think I'm Ready Now』で、Garbusはこう歌う。「ピンクに包まれた環境の中で、恥を捨て去ることができる／失敗というレモンドロップはすべて溶けていく／そして、甘ったるい偽りにうんざりしている人は、ただガーゼのベールに過ぎない」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Profound』は、40代の女性であることの意味をGarbusが熟考する場面で始まり、終わる。44歳となった彼女は、ホルモンの変化に伴い、自身が「『絶滅の爆発』的な生殖能力の周期的な渇望」と呼ぶものを経験していると説明する。冒頭のトラック、前述の「I Think I'm Ready Now」では、彼女は「血に満たされた女性が感じ得る限り、リラックスしている」状態にある。そして同時に、最後の甘美なポップ・トラック「Tall Face」では、「贅沢なシワが蔦のように」自分の「背の高い顔」を巻きついていると歌い、リスナーを魅了する。このように、『Profound』は、自分自身を受け入れ、これからどんな自分になれるかを探求する準備ができているアーティストの肖像である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGarbusは『Profound』というタイトルにふさわしい存在となったが、依然として探求を続けている――人生の大きな問いへの答えを、そして自身のスタイルとサウンドを見つけるために。『Profound』の制作の多くは、彼女のトリオ（ニック・ビスチェリアとエリー・マカフィー＝ハーン）とのコラボレーション、スクール・オブ・ソングで受講した「ソングライターのためのピアノ」クラス、そしてブラトルボロ・ミュージック・センターでの渡辺純子によるボーカル指導のおかげだと彼女は語っている。渡辺の指導のもと、Garbusはフランスのロマン派作曲家ガブリエル・フォーレの楽曲を学び、原語のフランス語で歌ったが、アルバム収録のため、そのうちの2曲――『月の光』と『夜想曲』――を翻訳した。『Profound』は、バーモント州ノースイースト・キングダムにある、Garbusの長年の友人であり共同制作者でもあるカイル・トーマス（別名キング・タフ）のホームスタジオで、ニック（ギター）とエリー（キーボード）と共に1\/4インチテープに録音された。『Profound』は、長年にわたる音楽活動とコラボレーションの歴史の上に築かれている。Garbusは、ロサンゼルスの前衛サックス奏者サム・ゲンデルと、独創的なトロントのパーカッショニスト、フィル・メランソンとのトリオ「アース・フラワー」で演奏したほか、 実験的な即興クインテット・スーパーグループ『Gloyd』；さらにさかのぼれば、バーモントのフリーク・フォーク・バンド『Feathers』やフリーク・ポップ・バンド『Happy Birthday』でも演奏してきた。コラボレーションを通じて、Garbusは常に自身の楽曲や歌声、音楽性をさらに高めているようだ。ドラムマシン、キーボード、そして独創的に加工されたギターの絶え間ない活用が、『Profound』を新たな音響的高みへと導いている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGarbusは、おそらくこれまでで最も幸福感に満ちた楽曲「Sunny Summer Guy」の中で、「日焼け止めのボトル」を手に取り、「風車模様の帽子」をかぶってビーチへ向かう、のんきで陽気な男を思い描いている。「ただ、とにかくクソほど幸せだったの。あの2曲は本当に幸せな曲だ」とGarbusは振り返り、『Tip of the Hat to Yellow Fleur』と『Sunny Summer Guy』に込められた感情的な転機について語った。彼女はこれを、人生を変えるようなうつ病や不安障害の治療薬を飲み始めたことにも一部起因していると述べている。「生き物たちは小さなギターに耳を傾ける／穏やかで魔法のようでありながら、アヴァンギャルドだ」と、Garbusは『Tip of the Hat to Yellow Fleur』で歌う。この曲は、長年のパートナーであり、同じく先見の明を持つブラトルボロ出身のソングライター、クリス・ワイズマンへの陽気なラブソングで、洗練されたヴィンテージのドラムマシンと雰囲気たっぷりのディストーション・キーボードがバックに流れている。ここでGarbusはこう思いを巡らせる。「愛が本物であることを証明する方法はあるのか／白衣と顕微鏡は『ある』と言う」。\u003c\/em\u003e\"\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4023024979\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=217480617\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4023024979\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 4-panel cardstock sleeve.\u003cbr\u003eCD edition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. I Think I'm Ready Now 03:13 \u003cbr\u003e2. The Lost Soul 03:33 \u003cbr\u003e3. Clair De Lune 05:19 \u003cbr\u003e4. Nothing and Everything 04:10 \u003cbr\u003e5. 500 01:55 \u003cbr\u003e6. Sunny Summer Guy 03:35 \u003cbr\u003e7. Tip of the Hat to Fleur 03:54 \u003cbr\u003e8. Nocturne 02:42 \u003cbr\u003e9. All E-Lone 04:40 \u003cbr\u003e10. Tall Face 01:47\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eProfound is the title of Brattleboro, Vermont, singer-songwriter Ruth Garbus' third studio album for Orindal Records. Listeners of the songwriter's deeper catalog know Garbus' work not only for its minimal melancholy but for vibrant, literate lyrics that take stock of the sludge that fills our psyches and oceans. But on Profound, Garbus is admittedly happier. She is also more self-assured in her music and her place making it. On the opening track, aptly titled, \"I Think I'm Ready Now,\" Garbus sings, \"In the pink of your surroundings you can let go of shame \/ The lemon drops of failure all dissolve \/ And the sick of sweet pretending just a veil of gauze.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eProfound begins and ends with Garbus weighing what it means to be a woman in her forties. At age forty-four, she explains that as her hormones change, she experiences what she calls \"the cyclical yearn of 'extinction burst' fertility.\" On the first track, the aforementioned \"I Think I'm Ready Now,\" she's \"as relaxed as a woman can be when she's filled with blood.\" And at the same time, on the final luscious pop track \"Tall Face,\" she leaves listeners, singing that her \"luxurious wrinkles wind like a vine\" around her \"tall face.\" In this way, Profound is a portrait of an artist who is comfortable with who she is and ready to explore who she might\u003cspan class=\"bcTruncateMore\"\u003e become.\u003cbr\u003e\u003cbr\u003eGarbus has earned her Profound title, yet remains searching—for answers to life's big questions, to find her style and her sound. She credits much of the development of Profound to collaboration with her Trio (Nick Bisceglia and elie mcafee-hahn), a Piano for Songwriters class she took with School of Song, and vocal coaching from Junko Watanabe at the Brattleboro Music Center. Under the auspices of Watanabe's instruction, Garbus learned music by the French Romantic composer Gabriel Fauré, singing it in its original French, but she translated two of these works—\"Clair de Lune\" and \"Nocturne\"—for the album. Profound was recorded at the home studio of Garbus' longtime friend and collaborator Kyle Thomas, aka King Tuff, in the Northeast Kingdom of Vermont to quarter-inch tape along with Nick (guitars) and elie (keyboards). Profound builds on a deep history of musical participation and collaboration; Garbus has played in Earth Flower, a trio with avant-garde LA saxophonist Sam Gendel and inventive Toronto percussionist Phil Melanson; Gloyd, an experimental improvisational quintet super-group; and in the more distant past in Vermont freak-folk band Feathers and freak-pop band Happy Birthday. Through collaboration, Garbus seems to always be pushing her songs, her voice, and her musicality further. The continued adaptation of drum machines, keyboard, and creatively processed guitar bring Profound to new sonic heights.\u003cbr\u003e\u003cbr\u003eGarbus conjures a happy-go-lucky guy who grabs his \"sunscreen bottle\" and puts on his \"pinwheel hat\" to go to the beach in her perhaps most contented song to date, \"Sunny Summer Guy.\" \"And I was just fucking happier and those two songs are really happy songs,\" Garbus recalled, describing the emotional break for “Tip of the Hat to Yellow Fleur” and “Sunny Summer Guy,” something she credits in part to starting life-changing medication for depression and anxiety. \"Creatures listen to the small guitar \/ Gentle and magical yet avant-garde,\" Garbus sings on \"Tip of the Hat to Yellow Fleur,\" an upbeat love song to her longtime partner, fellow visionary Brattleboro songsmith Chris Weisman, over a slick vintage drum machine and vibey distorted keyboards. Here, Garbus muses: \"Is there a way to prove that love is real \/ Lab coats and microscopes say yes.\" This playful pondering is just as rich as Garbus' spellbinding melodies and complexly moving chordal changes that create the ingredients for a sound that is, in fact, \"gentle and magical yet avant-garde.\"\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ruth Garbus\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD91\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 12th June 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-08-23T14:57:37+09:00","created_at":"2026-08-23T12:35:16+09:00","vendor":"Tobira Records","type":"","tags":["cd","folk \/ left-field pop","new","orindal"],"price":257000,"price_min":257000,"price_max":257000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50151064535290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ruth Garbus \/\/ Profound CD","public_title":null,"options":["Default Title"],"price":257000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pro1_3f817458-2a3d-4986-bfcb-2349f739bfaa.jpg?v=1787456183","\/\/tobirarecords.com\/cdn\/shop\/files\/pr4o.jpg?v=1787456183"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pro1_3f817458-2a3d-4986-bfcb-2349f739bfaa.jpg?v=1787456183","options":["Title"],"media":[{"alt":null,"id":40706542371066,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pro1_3f817458-2a3d-4986-bfcb-2349f739bfaa.jpg?v=1787456183"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pro1_3f817458-2a3d-4986-bfcb-2349f739bfaa.jpg?v=1787456183","width":350},{"alt":null,"id":40706542338298,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pr4o.jpg?v=1787456183"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pr4o.jpg?v=1787456183","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・バーモントのシンガーソングライターRuth Garbusが、2026年6月に同国シカゴのインディーレーベルOrindal Recordからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・ポップ10曲を収録。カードストックスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e『Profound』は、バーモント州ブラトルボロ出身のシンガーソングライターRuth GarbusがOrindalからリリースした3枚目のスタジオアルバムのタイトルだ。このソングライターの過去の作品をよく知るリスナーなら、Garbusの作品が、控えめな哀愁だけでなく、私たちの精神や海を満たす泥沼を直視した、生き生きとして文学的な歌詞で知られていることを知っているだろう。しかし『Profound』では、Garbusは明らかに以前より明るい。また、自身の音楽や、その音楽を作り出す立場に対しても、より自信を持っている。冒頭の曲、その名も『I Think I'm Ready Now』で、Garbusはこう歌う。「ピンクに包まれた環境の中で、恥を捨て去ることができる／失敗というレモンドロップはすべて溶けていく／そして、甘ったるい偽りにうんざりしている人は、ただガーゼのベールに過ぎない」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Profound』は、40代の女性であることの意味をGarbusが熟考する場面で始まり、終わる。44歳となった彼女は、ホルモンの変化に伴い、自身が「『絶滅の爆発』的な生殖能力の周期的な渇望」と呼ぶものを経験していると説明する。冒頭のトラック、前述の「I Think I'm Ready Now」では、彼女は「血に満たされた女性が感じ得る限り、リラックスしている」状態にある。そして同時に、最後の甘美なポップ・トラック「Tall Face」では、「贅沢なシワが蔦のように」自分の「背の高い顔」を巻きついていると歌い、リスナーを魅了する。このように、『Profound』は、自分自身を受け入れ、これからどんな自分になれるかを探求する準備ができているアーティストの肖像である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGarbusは『Profound』というタイトルにふさわしい存在となったが、依然として探求を続けている――人生の大きな問いへの答えを、そして自身のスタイルとサウンドを見つけるために。『Profound』の制作の多くは、彼女のトリオ（ニック・ビスチェリアとエリー・マカフィー＝ハーン）とのコラボレーション、スクール・オブ・ソングで受講した「ソングライターのためのピアノ」クラス、そしてブラトルボロ・ミュージック・センターでの渡辺純子によるボーカル指導のおかげだと彼女は語っている。渡辺の指導のもと、Garbusはフランスのロマン派作曲家ガブリエル・フォーレの楽曲を学び、原語のフランス語で歌ったが、アルバム収録のため、そのうちの2曲――『月の光』と『夜想曲』――を翻訳した。『Profound』は、バーモント州ノースイースト・キングダムにある、Garbusの長年の友人であり共同制作者でもあるカイル・トーマス（別名キング・タフ）のホームスタジオで、ニック（ギター）とエリー（キーボード）と共に1\/4インチテープに録音された。『Profound』は、長年にわたる音楽活動とコラボレーションの歴史の上に築かれている。Garbusは、ロサンゼルスの前衛サックス奏者サム・ゲンデルと、独創的なトロントのパーカッショニスト、フィル・メランソンとのトリオ「アース・フラワー」で演奏したほか、 実験的な即興クインテット・スーパーグループ『Gloyd』；さらにさかのぼれば、バーモントのフリーク・フォーク・バンド『Feathers』やフリーク・ポップ・バンド『Happy Birthday』でも演奏してきた。コラボレーションを通じて、Garbusは常に自身の楽曲や歌声、音楽性をさらに高めているようだ。ドラムマシン、キーボード、そして独創的に加工されたギターの絶え間ない活用が、『Profound』を新たな音響的高みへと導いている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGarbusは、おそらくこれまでで最も幸福感に満ちた楽曲「Sunny Summer Guy」の中で、「日焼け止めのボトル」を手に取り、「風車模様の帽子」をかぶってビーチへ向かう、のんきで陽気な男を思い描いている。「ただ、とにかくクソほど幸せだったの。あの2曲は本当に幸せな曲だ」とGarbusは振り返り、『Tip of the Hat to Yellow Fleur』と『Sunny Summer Guy』に込められた感情的な転機について語った。彼女はこれを、人生を変えるようなうつ病や不安障害の治療薬を飲み始めたことにも一部起因していると述べている。「生き物たちは小さなギターに耳を傾ける／穏やかで魔法のようでありながら、アヴァンギャルドだ」と、Garbusは『Tip of the Hat to Yellow Fleur』で歌う。この曲は、長年のパートナーであり、同じく先見の明を持つブラトルボロ出身のソングライター、クリス・ワイズマンへの陽気なラブソングで、洗練されたヴィンテージのドラムマシンと雰囲気たっぷりのディストーション・キーボードがバックに流れている。ここでGarbusはこう思いを巡らせる。「愛が本物であることを証明する方法はあるのか／白衣と顕微鏡は『ある』と言う」。\u003c\/em\u003e\"\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4023024979\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=217480617\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4023024979\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 4-panel cardstock sleeve.\u003cbr\u003eCD edition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. I Think I'm Ready Now 03:13 \u003cbr\u003e2. The Lost Soul 03:33 \u003cbr\u003e3. Clair De Lune 05:19 \u003cbr\u003e4. Nothing and Everything 04:10 \u003cbr\u003e5. 500 01:55 \u003cbr\u003e6. Sunny Summer Guy 03:35 \u003cbr\u003e7. Tip of the Hat to Fleur 03:54 \u003cbr\u003e8. Nocturne 02:42 \u003cbr\u003e9. All E-Lone 04:40 \u003cbr\u003e10. Tall Face 01:47\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eProfound is the title of Brattleboro, Vermont, singer-songwriter Ruth Garbus' third studio album for Orindal Records. Listeners of the songwriter's deeper catalog know Garbus' work not only for its minimal melancholy but for vibrant, literate lyrics that take stock of the sludge that fills our psyches and oceans. But on Profound, Garbus is admittedly happier. She is also more self-assured in her music and her place making it. On the opening track, aptly titled, \"I Think I'm Ready Now,\" Garbus sings, \"In the pink of your surroundings you can let go of shame \/ The lemon drops of failure all dissolve \/ And the sick of sweet pretending just a veil of gauze.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eProfound begins and ends with Garbus weighing what it means to be a woman in her forties. At age forty-four, she explains that as her hormones change, she experiences what she calls \"the cyclical yearn of 'extinction burst' fertility.\" On the first track, the aforementioned \"I Think I'm Ready Now,\" she's \"as relaxed as a woman can be when she's filled with blood.\" And at the same time, on the final luscious pop track \"Tall Face,\" she leaves listeners, singing that her \"luxurious wrinkles wind like a vine\" around her \"tall face.\" In this way, Profound is a portrait of an artist who is comfortable with who she is and ready to explore who she might\u003cspan class=\"bcTruncateMore\"\u003e become.\u003cbr\u003e\u003cbr\u003eGarbus has earned her Profound title, yet remains searching—for answers to life's big questions, to find her style and her sound. She credits much of the development of Profound to collaboration with her Trio (Nick Bisceglia and elie mcafee-hahn), a Piano for Songwriters class she took with School of Song, and vocal coaching from Junko Watanabe at the Brattleboro Music Center. Under the auspices of Watanabe's instruction, Garbus learned music by the French Romantic composer Gabriel Fauré, singing it in its original French, but she translated two of these works—\"Clair de Lune\" and \"Nocturne\"—for the album. Profound was recorded at the home studio of Garbus' longtime friend and collaborator Kyle Thomas, aka King Tuff, in the Northeast Kingdom of Vermont to quarter-inch tape along with Nick (guitars) and elie (keyboards). Profound builds on a deep history of musical participation and collaboration; Garbus has played in Earth Flower, a trio with avant-garde LA saxophonist Sam Gendel and inventive Toronto percussionist Phil Melanson; Gloyd, an experimental improvisational quintet super-group; and in the more distant past in Vermont freak-folk band Feathers and freak-pop band Happy Birthday. Through collaboration, Garbus seems to always be pushing her songs, her voice, and her musicality further. The continued adaptation of drum machines, keyboard, and creatively processed guitar bring Profound to new sonic heights.\u003cbr\u003e\u003cbr\u003eGarbus conjures a happy-go-lucky guy who grabs his \"sunscreen bottle\" and puts on his \"pinwheel hat\" to go to the beach in her perhaps most contented song to date, \"Sunny Summer Guy.\" \"And I was just fucking happier and those two songs are really happy songs,\" Garbus recalled, describing the emotional break for “Tip of the Hat to Yellow Fleur” and “Sunny Summer Guy,” something she credits in part to starting life-changing medication for depression and anxiety. \"Creatures listen to the small guitar \/ Gentle and magical yet avant-garde,\" Garbus sings on \"Tip of the Hat to Yellow Fleur,\" an upbeat love song to her longtime partner, fellow visionary Brattleboro songsmith Chris Weisman, over a slick vintage drum machine and vibey distorted keyboards. Here, Garbus muses: \"Is there a way to prove that love is real \/ Lab coats and microscopes say yes.\" This playful pondering is just as rich as Garbus' spellbinding melodies and complexly moving chordal changes that create the ingredients for a sound that is, in fact, \"gentle and magical yet avant-garde.\"\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ruth Garbus\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD91\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 12th June 2026\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・バーモントのシンガーソングライターRuth Garbusが、2026年6月に同国シカゴのインディーレーベルOrindal Recordからリリースしたアルバムです。 ベッドルーム・ポップ10曲を収録。カードストックスリーブ、シュリンク仕様です。 以下、レーベルによる解説です。 "『Profound』は、バーモント州ブラトルボロ出身のシンガーソングライターRuth GarbusがOrindalからリリースした3枚目のスタジオアルバムのタイトルだ。このソングライターの過去の作品をよく知るリスナーなら、Garbusの作品が、控えめな哀愁だけでなく、私たちの精神や海を満たす泥沼を直視した、生き生きとして文学的な歌詞で知られていることを知っているだろう。しかし『Profound』では、Garbusは明らかに以前より明るい。また、自身の音楽や、その音楽を作り出す立場に対しても、より自信を持っている。冒頭の曲、その名も『I Think I'm Ready Now』で、Garbusはこう歌う。「ピンクに包まれた環境の中で、恥を捨て去ることができる／失敗というレモンドロップはすべて溶けていく／そして、甘ったるい偽りにうんざりしている人は、ただガーゼのベールに過ぎない」 『Profound』は、40代の女性であることの意味をGarbusが熟考する場面で始まり、終わる。44歳となった彼女は、ホルモンの変化に伴い、自身が「『絶滅の爆発』的な生殖能力の周期的な渇望」と呼ぶものを経験していると説明する。冒頭のトラック、前述の「I Think I'm...
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{"id":9374552785146,"title":"Duffy x Uhlmann \/\/ Hot Creek TAPE","handle":"duffy-x-uhlmann-hot-creek-tape","description":"\u003cp\u003ePerfume GeniusやHand Habitsのバックバンドメンバーとして共演してきたアメリカのギタリストDuffy x Uhlmannが、2026年8月に同国シカゴのインディーレーベルOrindal Recordからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eギター2本によるアンビエント・フォーク〜アンビエント・ジャズ13曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Hot Creek』は、Meg DuffyとGregory Uhlmannによるプロジェクト『Duffy x Uhlmann』の2作目のアルバムであり、詩人エイドリアン・リッチが「共通言語の夢」と呼んだ精神に則って展開される。カリフォルニア州モノ郡を流れる地熱泉「ホット・クリーク」を指針となるメタファーとして、DuffyとUhlmannの旋律的な対話は、川床を刻み出しつつ、急流、渦、洪水といった水のあらゆる時間性をそこに満たしていく。この音響的な地図において、水路は、文法が言語を支えるのと同じように、せせらぎのような即興演奏を支えている。それは、必然的にその枠を超えざるを得ないものを包み込む容器なのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの絶妙かつ実存的なコラボレーションの展開において、DuffyとUhlmannはデビューアルバム『Doubles』で築き始めた共通の構文をさらに発展させている。たった2本のギターだけで構成された『Hot Creek』は、1作目の荒削りで都会的なサウンドスケープから一線を画し、自然界へと足を踏み入れ、異なる夢を探求している。「同じ川に二度足を踏み入れることはできない」という古代ギリシャの哲学者ヘラクレイトスのよく知られた格言のように、これらの楽曲は絶え間ない変化、喪失、そして発見を描き出し、場所や空間の静止性を排している。『Hot Creek』は――いたずら心と悲しみの両方を帯びて――無常という事実や言葉の滑りを横断し、失われたものと見出されたもの、そして繰り返しの進化を通じて新たに生まれ変わったものを等しく尊ぶ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eオープニングトラック「Doing It for Me」は、コラボレーションという事実へのウインクだ。互いに手を伸ばし合う二人の個人が織りなす、パリンプセストのような集合体である。ここでは、タイムラプスで花が咲くような感覚を与えるリズミカルな基盤を築き、渦巻くような疾走感で締めくくり、泡立つようなギターリフを徐々に導入する。そのリフはピルエットを踊るように舞い、やがて内輪のジョークや移り変わるムードのアンサンブルの一部となっていく。「To Be a Good Friend」は、近づいては遠ざかる足音とくぐもった声で始まり、終わる。優れた会話家たちと同様、DuffyとUhlmannはクレッシェンドの技法を極めているが、同時に、言葉を途切れさせる技法も極めている。言い換えれば、真のつながりと、他者の根源的な謎との間の空間に耐え抜く術を極めているのだ。続く「Plumeria」は、軽快で甘美なスタッカートが、明るく心地よい休止によって区切られている。リフとリフの間の空白に、多くのことが語られているのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこうした休止点を通じて、このアルバムはあらゆる発話と、それが覆い隠すものとの関係性をテーマにしている。「Sewering」は私たちを地下へと誘い、錆びたパイプを反響する水滴の音が跳ね回り、暗闇の中でコオロギが鳴く。地下から聴く「Public Life」は、見ることと見られることによる、心地よいメランコリックな間奏曲であり、その下を流れる潮流をほのめかしている。この控えめな子守唄は、タイトル曲「Hot Creek」と「The Source」のトワンという音色で最高潮に達し、すべてをほぼ催眠的な静止状態へと緩やかに導きつつ、原点へと目を大きく見開く。それは、曲が予め決められた意味へと固まる前に、その歌を聴くという驚異そのものに焦点を当てているのだ。これは音楽という言語が誕生する瞬間であり、私たちに「水はどこから来るのか？」「愛はどこへ行くのか？」と問いかける。これらの問いに答えるべく、アルバムは『Finding Methuselah』で「深い時間」へと広がり、インヨー郡の丘陵で痛みに耐える樹齢4000年の木と、天の川そのものとの間で、音符が跳ね返り、反響する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDuffyとUhlmannの『Hot Creek』は、共通の言語が生まれる瞬間をリアルタイムで聴くという贈り物を私たちに与えてくれる。彼らのメロディーとリズムは、地熱水とその地上のインフラ全体が紡ぐ甘美な方言とともに動き、コラボレーションだけがもたらす「非作者性」という深遠な可能性を実現しつつ、リッチの言葉を借りれば、彼らなりの方法で「ごくありふれたこと」を成し遂げているのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2369499514\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Doing It for Me 01:45 \u003cbr\u003e2. To Be a Good Friend 01:15 \u003cbr\u003e3. Plumeria 01:47 \u003cbr\u003e4. Sewering 02:19 \u003cbr\u003e5. Public Life 03:03 \u003cbr\u003e6. Hot Creek 02:22 \u003cbr\u003e7. The Source 03:50 \u003cbr\u003e8. May Doe 03:29 \u003cbr\u003e9. Finding Methuselah 02:44 \u003cbr\u003e10. Nylon Waiting Room 00:51 \u003cbr\u003e11. If I To Choose 05:03 \u003cbr\u003e12. Crystal Geyser 02:12 \u003cbr\u003e13. One for Joseph 01:50\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eRosie Stockton, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Hot Creek, the second album from Meg Duffy and Gregory Uhlmann’s project Duffy x Uhlmann, unspools in the spirit of what poet Adrienne Rich called “a dream of a common language.” Taking Hot Creek, the geothermal spring that courses through Mono County, California, as its guiding metaphor, Duffy and Uhlmann’s melodic conversation both carves out a streambed and fills it with all temporalities of water: rapid, eddy, flood. In this sonic cartography, the waterway holds the trickling improvisations in the same way that grammar holds language, a container for what inevitably exceeds containment.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn this exquisite and existential elaboration of their collaboration, Duffy and Uhlmann develop the shared syntax initiated in their debut album Doubles. With only two guitars, Hot Creek departs\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e from the first album’s gritty, urban soundscape, touching down in the natural world to explore a different dream. Like the ancient Greek philosopher Heraclitus’s well worn adage that you can’t step in the same river twice, these songs chart constant change, loss, and discovery, eschewing staticness of place and space. Hot Creek traverses – with both mischievousness and grief – the fact of impermanence, slips of the tongue, valuing equally what is lost and what is found, and what is made new through evolutions of repetition.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe opening track, “Doing It for Me,” winks at the fact of collaboration: a palimpsest-like collective of two individuals trying to reach each other. Here, they establish a rhythmic base that feels like a time-lapse bloom and ends with a swirling gallop, and slowly introduce bubbling guitar riffs that pirouette before becoming part of the ensemble of inside jokes and shifting moods. “To Be a Good Friend” opens and closes with the sound of footsteps and muffled voices approaching and receding. Like any good conversationalist, Duffy and Uhlmann have mastered the art of crescendo, but also the art of trailing off. In other words, the art of withstanding the space between true connection and fundamental mysteriousness of the other. “Plumeria” follows with agile and sweet staccato, punctuated by bright and soothing pauses: so much is said in the space between the riffs.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFrom these caesuras, the album thematizes the relationship between any utterance and what it obscures. “Sewering” drops us underground, where echoing drips ricochet through rusted pipes and crickets sing in the dark. We listen to “Public Life” from below, a soothing melancholic interlude of seeing and being seen that alludes to the currents underneath. This tentative lullaby culminates with the twang of the title track, “Hot Creek” and “The Source,” which slow everything to a near-hypnotic suspension, all while turning wide-eyed toward origin, centering the wonder of hearing a song before it hardens into predetermined meaning. This is musical language getting born, leading us to ask where does the water come from? Where does the love go? To answer these questions, the album widens into deep time with “Finding Methuselah,” which ricochets and reverbs notes between a four thousand year old tree aching on a hillside in Inyo County and the Milky Way itself.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDuffy and Uhlmann’s Hot Creek gives us the gift of listening to the birth of a common language in real time. Their melodies and rhythms move with the sweet vernacular of geothermic water and all its earthly infrastructures, accomplishing the profound potential of nonauthorship only collaboration allows, while also in Rich’s words, doing something very common, in their own way.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Duffy x Uhlmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD-82\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 14th August 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-08-19T07:25:29+09:00","created_at":"2026-08-17T10:40:03+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","new","orindal","recommended","tape"],"price":257000,"price_min":257000,"price_max":257000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50081935196410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Duffy x Uhlmann \/\/ Hot Creek TAPE","public_title":null,"options":["Default Title"],"price":257000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cree1_d216c6f8-a818-4528-9f82-c905f6dfec87.jpg?v=1786930829","\/\/tobirarecords.com\/cdn\/shop\/files\/cree4.jpg?v=1786930829"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cree1_d216c6f8-a818-4528-9f82-c905f6dfec87.jpg?v=1786930829","options":["Title"],"media":[{"alt":null,"id":40618683629818,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cree1_d216c6f8-a818-4528-9f82-c905f6dfec87.jpg?v=1786930829"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cree1_d216c6f8-a818-4528-9f82-c905f6dfec87.jpg?v=1786930829","width":350},{"alt":null,"id":40618683662586,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cree4.jpg?v=1786930829"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cree4.jpg?v=1786930829","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003ePerfume GeniusやHand Habitsのバックバンドメンバーとして共演してきたアメリカのギタリストDuffy x Uhlmannが、2026年8月に同国シカゴのインディーレーベルOrindal Recordからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eギター2本によるアンビエント・フォーク〜アンビエント・ジャズ13曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Hot Creek』は、Meg DuffyとGregory Uhlmannによるプロジェクト『Duffy x Uhlmann』の2作目のアルバムであり、詩人エイドリアン・リッチが「共通言語の夢」と呼んだ精神に則って展開される。カリフォルニア州モノ郡を流れる地熱泉「ホット・クリーク」を指針となるメタファーとして、DuffyとUhlmannの旋律的な対話は、川床を刻み出しつつ、急流、渦、洪水といった水のあらゆる時間性をそこに満たしていく。この音響的な地図において、水路は、文法が言語を支えるのと同じように、せせらぎのような即興演奏を支えている。それは、必然的にその枠を超えざるを得ないものを包み込む容器なのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの絶妙かつ実存的なコラボレーションの展開において、DuffyとUhlmannはデビューアルバム『Doubles』で築き始めた共通の構文をさらに発展させている。たった2本のギターだけで構成された『Hot Creek』は、1作目の荒削りで都会的なサウンドスケープから一線を画し、自然界へと足を踏み入れ、異なる夢を探求している。「同じ川に二度足を踏み入れることはできない」という古代ギリシャの哲学者ヘラクレイトスのよく知られた格言のように、これらの楽曲は絶え間ない変化、喪失、そして発見を描き出し、場所や空間の静止性を排している。『Hot Creek』は――いたずら心と悲しみの両方を帯びて――無常という事実や言葉の滑りを横断し、失われたものと見出されたもの、そして繰り返しの進化を通じて新たに生まれ変わったものを等しく尊ぶ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eオープニングトラック「Doing It for Me」は、コラボレーションという事実へのウインクだ。互いに手を伸ばし合う二人の個人が織りなす、パリンプセストのような集合体である。ここでは、タイムラプスで花が咲くような感覚を与えるリズミカルな基盤を築き、渦巻くような疾走感で締めくくり、泡立つようなギターリフを徐々に導入する。そのリフはピルエットを踊るように舞い、やがて内輪のジョークや移り変わるムードのアンサンブルの一部となっていく。「To Be a Good Friend」は、近づいては遠ざかる足音とくぐもった声で始まり、終わる。優れた会話家たちと同様、DuffyとUhlmannはクレッシェンドの技法を極めているが、同時に、言葉を途切れさせる技法も極めている。言い換えれば、真のつながりと、他者の根源的な謎との間の空間に耐え抜く術を極めているのだ。続く「Plumeria」は、軽快で甘美なスタッカートが、明るく心地よい休止によって区切られている。リフとリフの間の空白に、多くのことが語られているのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこうした休止点を通じて、このアルバムはあらゆる発話と、それが覆い隠すものとの関係性をテーマにしている。「Sewering」は私たちを地下へと誘い、錆びたパイプを反響する水滴の音が跳ね回り、暗闇の中でコオロギが鳴く。地下から聴く「Public Life」は、見ることと見られることによる、心地よいメランコリックな間奏曲であり、その下を流れる潮流をほのめかしている。この控えめな子守唄は、タイトル曲「Hot Creek」と「The Source」のトワンという音色で最高潮に達し、すべてをほぼ催眠的な静止状態へと緩やかに導きつつ、原点へと目を大きく見開く。それは、曲が予め決められた意味へと固まる前に、その歌を聴くという驚異そのものに焦点を当てているのだ。これは音楽という言語が誕生する瞬間であり、私たちに「水はどこから来るのか？」「愛はどこへ行くのか？」と問いかける。これらの問いに答えるべく、アルバムは『Finding Methuselah』で「深い時間」へと広がり、インヨー郡の丘陵で痛みに耐える樹齢4000年の木と、天の川そのものとの間で、音符が跳ね返り、反響する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDuffyとUhlmannの『Hot Creek』は、共通の言語が生まれる瞬間をリアルタイムで聴くという贈り物を私たちに与えてくれる。彼らのメロディーとリズムは、地熱水とその地上のインフラ全体が紡ぐ甘美な方言とともに動き、コラボレーションだけがもたらす「非作者性」という深遠な可能性を実現しつつ、リッチの言葉を借りれば、彼らなりの方法で「ごくありふれたこと」を成し遂げているのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2369499514\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Doing It for Me 01:45 \u003cbr\u003e2. To Be a Good Friend 01:15 \u003cbr\u003e3. Plumeria 01:47 \u003cbr\u003e4. Sewering 02:19 \u003cbr\u003e5. Public Life 03:03 \u003cbr\u003e6. Hot Creek 02:22 \u003cbr\u003e7. The Source 03:50 \u003cbr\u003e8. May Doe 03:29 \u003cbr\u003e9. Finding Methuselah 02:44 \u003cbr\u003e10. Nylon Waiting Room 00:51 \u003cbr\u003e11. If I To Choose 05:03 \u003cbr\u003e12. Crystal Geyser 02:12 \u003cbr\u003e13. One for Joseph 01:50\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eRosie Stockton, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Hot Creek, the second album from Meg Duffy and Gregory Uhlmann’s project Duffy x Uhlmann, unspools in the spirit of what poet Adrienne Rich called “a dream of a common language.” Taking Hot Creek, the geothermal spring that courses through Mono County, California, as its guiding metaphor, Duffy and Uhlmann’s melodic conversation both carves out a streambed and fills it with all temporalities of water: rapid, eddy, flood. In this sonic cartography, the waterway holds the trickling improvisations in the same way that grammar holds language, a container for what inevitably exceeds containment.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn this exquisite and existential elaboration of their collaboration, Duffy and Uhlmann develop the shared syntax initiated in their debut album Doubles. With only two guitars, Hot Creek departs\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e from the first album’s gritty, urban soundscape, touching down in the natural world to explore a different dream. Like the ancient Greek philosopher Heraclitus’s well worn adage that you can’t step in the same river twice, these songs chart constant change, loss, and discovery, eschewing staticness of place and space. Hot Creek traverses – with both mischievousness and grief – the fact of impermanence, slips of the tongue, valuing equally what is lost and what is found, and what is made new through evolutions of repetition.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe opening track, “Doing It for Me,” winks at the fact of collaboration: a palimpsest-like collective of two individuals trying to reach each other. Here, they establish a rhythmic base that feels like a time-lapse bloom and ends with a swirling gallop, and slowly introduce bubbling guitar riffs that pirouette before becoming part of the ensemble of inside jokes and shifting moods. “To Be a Good Friend” opens and closes with the sound of footsteps and muffled voices approaching and receding. Like any good conversationalist, Duffy and Uhlmann have mastered the art of crescendo, but also the art of trailing off. In other words, the art of withstanding the space between true connection and fundamental mysteriousness of the other. “Plumeria” follows with agile and sweet staccato, punctuated by bright and soothing pauses: so much is said in the space between the riffs.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFrom these caesuras, the album thematizes the relationship between any utterance and what it obscures. “Sewering” drops us underground, where echoing drips ricochet through rusted pipes and crickets sing in the dark. We listen to “Public Life” from below, a soothing melancholic interlude of seeing and being seen that alludes to the currents underneath. This tentative lullaby culminates with the twang of the title track, “Hot Creek” and “The Source,” which slow everything to a near-hypnotic suspension, all while turning wide-eyed toward origin, centering the wonder of hearing a song before it hardens into predetermined meaning. This is musical language getting born, leading us to ask where does the water come from? Where does the love go? To answer these questions, the album widens into deep time with “Finding Methuselah,” which ricochets and reverbs notes between a four thousand year old tree aching on a hillside in Inyo County and the Milky Way itself.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDuffy and Uhlmann’s Hot Creek gives us the gift of listening to the birth of a common language in real time. Their melodies and rhythms move with the sweet vernacular of geothermic water and all its earthly infrastructures, accomplishing the profound potential of nonauthorship only collaboration allows, while also in Rich’s words, doing something very common, in their own way.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Duffy x Uhlmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD-82\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 14th August 2026\u003c\/span\u003e\u003c\/p\u003e"}
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Perfume GeniusやHand Habitsのバックバンドメンバーとして共演してきたアメリカのギタリストDuffy x Uhlmannが、2026年8月に同国シカゴのインディーレーベルOrindal Recordからリリースした共作アルバムです。 ギター2本によるアンビエント・フォーク〜アンビエント・ジャズ13曲を収録。DLコード付属。 以下、Rosie Stocktonによる解説です。 "『Hot Creek』は、Meg DuffyとGregory Uhlmannによるプロジェクト『Duffy x...
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{"id":9374551015674,"title":"Duffy x Uhlmann \/\/ Hot Creek LP [COLOR]","handle":"duffy-x-uhlmann-hot-creek-lp-color","description":"\u003cp\u003ePerfume GeniusやHand Habitsのバックバンドメンバーとして共演してきたアメリカのギタリストDuffy x Uhlmannが、2026年8月に同国シカゴのインディーレーベルOrindal Recordからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eギター2本によるアンビエント・フォーク〜アンビエント・ジャズ13曲を収録。DLコード付属。クリア盤です。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Hot Creek』は、Meg DuffyとGregory Uhlmannによるプロジェクト『Duffy x Uhlmann』の2作目のアルバムであり、詩人エイドリアン・リッチが「共通言語の夢」と呼んだ精神に則って展開される。カリフォルニア州モノ郡を流れる地熱泉「ホット・クリーク」を指針となるメタファーとして、DuffyとUhlmannの旋律的な対話は、川床を刻み出しつつ、急流、渦、洪水といった水のあらゆる時間性をそこに満たしていく。この音響的な地図において、水路は、文法が言語を支えるのと同じように、せせらぎのような即興演奏を支えている。それは、必然的にその枠を超えざるを得ないものを包み込む容器なのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの絶妙かつ実存的なコラボレーションの展開において、DuffyとUhlmannはデビューアルバム『Doubles』で築き始めた共通の構文をさらに発展させている。たった2本のギターだけで構成された『Hot Creek』は、1作目の荒削りで都会的なサウンドスケープから一線を画し、自然界へと足を踏み入れ、異なる夢を探求している。「同じ川に二度足を踏み入れることはできない」という古代ギリシャの哲学者ヘラクレイトスのよく知られた格言のように、これらの楽曲は絶え間ない変化、喪失、そして発見を描き出し、場所や空間の静止性を排している。『Hot Creek』は――いたずら心と悲しみの両方を帯びて――無常という事実や言葉の滑りを横断し、失われたものと見出されたもの、そして繰り返しの進化を通じて新たに生まれ変わったものを等しく尊ぶ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eオープニングトラック「Doing It for Me」は、コラボレーションという事実へのウインクだ。互いに手を伸ばし合う二人の個人が織りなす、パリンプセストのような集合体である。ここでは、タイムラプスで花が咲くような感覚を与えるリズミカルな基盤を築き、渦巻くような疾走感で締めくくり、泡立つようなギターリフを徐々に導入する。そのリフはピルエットを踊るように舞い、やがて内輪のジョークや移り変わるムードのアンサンブルの一部となっていく。「To Be a Good Friend」は、近づいては遠ざかる足音とくぐもった声で始まり、終わる。優れた会話家たちと同様、DuffyとUhlmannはクレッシェンドの技法を極めているが、同時に、言葉を途切れさせる技法も極めている。言い換えれば、真のつながりと、他者の根源的な謎との間の空間に耐え抜く術を極めているのだ。続く「Plumeria」は、軽快で甘美なスタッカートが、明るく心地よい休止によって区切られている。リフとリフの間の空白に、多くのことが語られているのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこうした休止点を通じて、このアルバムはあらゆる発話と、それが覆い隠すものとの関係性をテーマにしている。「Sewering」は私たちを地下へと誘い、錆びたパイプを反響する水滴の音が跳ね回り、暗闇の中でコオロギが鳴く。地下から聴く「Public Life」は、見ることと見られることによる、心地よいメランコリックな間奏曲であり、その下を流れる潮流をほのめかしている。この控えめな子守唄は、タイトル曲「Hot Creek」と「The Source」のトワンという音色で最高潮に達し、すべてをほぼ催眠的な静止状態へと緩やかに導きつつ、原点へと目を大きく見開く。それは、曲が予め決められた意味へと固まる前に、その歌を聴くという驚異そのものに焦点を当てているのだ。これは音楽という言語が誕生する瞬間であり、私たちに「水はどこから来るのか？」「愛はどこへ行くのか？」と問いかける。これらの問いに答えるべく、アルバムは『Finding Methuselah』で「深い時間」へと広がり、インヨー郡の丘陵で痛みに耐える樹齢4000年の木と、天の川そのものとの間で、音符が跳ね返り、反響する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDuffyとUhlmannの『Hot Creek』は、共通の言語が生まれる瞬間をリアルタイムで聴くという贈り物を私たちに与えてくれる。彼らのメロディーとリズムは、地熱水とその地上のインフラ全体が紡ぐ甘美な方言とともに動き、コラボレーションだけがもたらす「非作者性」という深遠な可能性を実現しつつ、リッチの言葉を借りれば、彼らなりの方法で「ごくありふれたこと」を成し遂げているのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2369499514\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" 'creek water clear' color vinyl.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Doing It for Me 01:45 \u003cbr\u003e2. To Be a Good Friend 01:15 \u003cbr\u003e3. Plumeria 01:47 \u003cbr\u003e4. Sewering 02:19 \u003cbr\u003e5. Public Life 03:03 \u003cbr\u003e6. Hot Creek 02:22 \u003cbr\u003e7. The Source 03:50 \u003cbr\u003e8. May Doe 03:29 \u003cbr\u003e9. Finding Methuselah 02:44 \u003cbr\u003e10. Nylon Waiting Room 00:51 \u003cbr\u003e11. If I To Choose 05:03 \u003cbr\u003e12. Crystal Geyser 02:12 \u003cbr\u003e13. One for Joseph 01:50\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eRosie Stockton, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Hot Creek, the second album from Meg Duffy and Gregory Uhlmann’s project Duffy x Uhlmann, unspools in the spirit of what poet Adrienne Rich called “a dream of a common language.” Taking Hot Creek, the geothermal spring that courses through Mono County, California, as its guiding metaphor, Duffy and Uhlmann’s melodic conversation both carves out a streambed and fills it with all temporalities of water: rapid, eddy, flood. In this sonic cartography, the waterway holds the trickling improvisations in the same way that grammar holds language, a container for what inevitably exceeds containment.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn this exquisite and existential elaboration of their collaboration, Duffy and Uhlmann develop the shared syntax initiated in their debut album Doubles. With only two guitars, Hot Creek departs\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e from the first album’s gritty, urban soundscape, touching down in the natural world to explore a different dream. Like the ancient Greek philosopher Heraclitus’s well worn adage that you can’t step in the same river twice, these songs chart constant change, loss, and discovery, eschewing staticness of place and space. Hot Creek traverses – with both mischievousness and grief – the fact of impermanence, slips of the tongue, valuing equally what is lost and what is found, and what is made new through evolutions of repetition.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe opening track, “Doing It for Me,” winks at the fact of collaboration: a palimpsest-like collective of two individuals trying to reach each other. Here, they establish a rhythmic base that feels like a time-lapse bloom and ends with a swirling gallop, and slowly introduce bubbling guitar riffs that pirouette before becoming part of the ensemble of inside jokes and shifting moods. “To Be a Good Friend” opens and closes with the sound of footsteps and muffled voices approaching and receding. Like any good conversationalist, Duffy and Uhlmann have mastered the art of crescendo, but also the art of trailing off. In other words, the art of withstanding the space between true connection and fundamental mysteriousness of the other. “Plumeria” follows with agile and sweet staccato, punctuated by bright and soothing pauses: so much is said in the space between the riffs.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFrom these caesuras, the album thematizes the relationship between any utterance and what it obscures. “Sewering” drops us underground, where echoing drips ricochet through rusted pipes and crickets sing in the dark. We listen to “Public Life” from below, a soothing melancholic interlude of seeing and being seen that alludes to the currents underneath. This tentative lullaby culminates with the twang of the title track, “Hot Creek” and “The Source,” which slow everything to a near-hypnotic suspension, all while turning wide-eyed toward origin, centering the wonder of hearing a song before it hardens into predetermined meaning. This is musical language getting born, leading us to ask where does the water come from? Where does the love go? To answer these questions, the album widens into deep time with “Finding Methuselah,” which ricochets and reverbs notes between a four thousand year old tree aching on a hillside in Inyo County and the Milky Way itself.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDuffy and Uhlmann’s Hot Creek gives us the gift of listening to the birth of a common language in real time. Their melodies and rhythms move with the sweet vernacular of geothermic water and all its earthly infrastructures, accomplishing the profound potential of nonauthorship only collaboration allows, while also in Rich’s words, doing something very common, in their own way.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Duffy x Uhlmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD-82\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 14th August 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-08-19T07:24:37+09:00","created_at":"2026-08-17T10:39:03+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","orindal","recommended"],"price":419000,"price_min":419000,"price_max":419000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50081907966202,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Duffy x Uhlmann \/\/ Hot Creek LP [COLOR]","public_title":null,"options":["Default Title"],"price":419000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cree1_1905f2f3-3ae8-4513-8d4b-1811bbe1947a.jpg?v=1786930781","\/\/tobirarecords.com\/cdn\/shop\/files\/cree3_c020c7b4-dde8-4c2e-995e-00d4fa39b18e.jpg?v=1786930782"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cree1_1905f2f3-3ae8-4513-8d4b-1811bbe1947a.jpg?v=1786930781","options":["Title"],"media":[{"alt":null,"id":40618670162170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cree1_1905f2f3-3ae8-4513-8d4b-1811bbe1947a.jpg?v=1786930781"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cree1_1905f2f3-3ae8-4513-8d4b-1811bbe1947a.jpg?v=1786930781","width":350},{"alt":null,"id":40618670194938,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cree3_c020c7b4-dde8-4c2e-995e-00d4fa39b18e.jpg?v=1786930782"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cree3_c020c7b4-dde8-4c2e-995e-00d4fa39b18e.jpg?v=1786930782","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003ePerfume GeniusやHand Habitsのバックバンドメンバーとして共演してきたアメリカのギタリストDuffy x Uhlmannが、2026年8月に同国シカゴのインディーレーベルOrindal Recordからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eギター2本によるアンビエント・フォーク〜アンビエント・ジャズ13曲を収録。DLコード付属。クリア盤です。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Hot Creek』は、Meg DuffyとGregory Uhlmannによるプロジェクト『Duffy x Uhlmann』の2作目のアルバムであり、詩人エイドリアン・リッチが「共通言語の夢」と呼んだ精神に則って展開される。カリフォルニア州モノ郡を流れる地熱泉「ホット・クリーク」を指針となるメタファーとして、DuffyとUhlmannの旋律的な対話は、川床を刻み出しつつ、急流、渦、洪水といった水のあらゆる時間性をそこに満たしていく。この音響的な地図において、水路は、文法が言語を支えるのと同じように、せせらぎのような即興演奏を支えている。それは、必然的にその枠を超えざるを得ないものを包み込む容器なのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの絶妙かつ実存的なコラボレーションの展開において、DuffyとUhlmannはデビューアルバム『Doubles』で築き始めた共通の構文をさらに発展させている。たった2本のギターだけで構成された『Hot Creek』は、1作目の荒削りで都会的なサウンドスケープから一線を画し、自然界へと足を踏み入れ、異なる夢を探求している。「同じ川に二度足を踏み入れることはできない」という古代ギリシャの哲学者ヘラクレイトスのよく知られた格言のように、これらの楽曲は絶え間ない変化、喪失、そして発見を描き出し、場所や空間の静止性を排している。『Hot Creek』は――いたずら心と悲しみの両方を帯びて――無常という事実や言葉の滑りを横断し、失われたものと見出されたもの、そして繰り返しの進化を通じて新たに生まれ変わったものを等しく尊ぶ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eオープニングトラック「Doing It for Me」は、コラボレーションという事実へのウインクだ。互いに手を伸ばし合う二人の個人が織りなす、パリンプセストのような集合体である。ここでは、タイムラプスで花が咲くような感覚を与えるリズミカルな基盤を築き、渦巻くような疾走感で締めくくり、泡立つようなギターリフを徐々に導入する。そのリフはピルエットを踊るように舞い、やがて内輪のジョークや移り変わるムードのアンサンブルの一部となっていく。「To Be a Good Friend」は、近づいては遠ざかる足音とくぐもった声で始まり、終わる。優れた会話家たちと同様、DuffyとUhlmannはクレッシェンドの技法を極めているが、同時に、言葉を途切れさせる技法も極めている。言い換えれば、真のつながりと、他者の根源的な謎との間の空間に耐え抜く術を極めているのだ。続く「Plumeria」は、軽快で甘美なスタッカートが、明るく心地よい休止によって区切られている。リフとリフの間の空白に、多くのことが語られているのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこうした休止点を通じて、このアルバムはあらゆる発話と、それが覆い隠すものとの関係性をテーマにしている。「Sewering」は私たちを地下へと誘い、錆びたパイプを反響する水滴の音が跳ね回り、暗闇の中でコオロギが鳴く。地下から聴く「Public Life」は、見ることと見られることによる、心地よいメランコリックな間奏曲であり、その下を流れる潮流をほのめかしている。この控えめな子守唄は、タイトル曲「Hot Creek」と「The Source」のトワンという音色で最高潮に達し、すべてをほぼ催眠的な静止状態へと緩やかに導きつつ、原点へと目を大きく見開く。それは、曲が予め決められた意味へと固まる前に、その歌を聴くという驚異そのものに焦点を当てているのだ。これは音楽という言語が誕生する瞬間であり、私たちに「水はどこから来るのか？」「愛はどこへ行くのか？」と問いかける。これらの問いに答えるべく、アルバムは『Finding Methuselah』で「深い時間」へと広がり、インヨー郡の丘陵で痛みに耐える樹齢4000年の木と、天の川そのものとの間で、音符が跳ね返り、反響する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDuffyとUhlmannの『Hot Creek』は、共通の言語が生まれる瞬間をリアルタイムで聴くという贈り物を私たちに与えてくれる。彼らのメロディーとリズムは、地熱水とその地上のインフラ全体が紡ぐ甘美な方言とともに動き、コラボレーションだけがもたらす「非作者性」という深遠な可能性を実現しつつ、リッチの言葉を借りれば、彼らなりの方法で「ごくありふれたこと」を成し遂げているのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2369499514\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" 'creek water clear' color vinyl.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Doing It for Me 01:45 \u003cbr\u003e2. To Be a Good Friend 01:15 \u003cbr\u003e3. Plumeria 01:47 \u003cbr\u003e4. Sewering 02:19 \u003cbr\u003e5. Public Life 03:03 \u003cbr\u003e6. Hot Creek 02:22 \u003cbr\u003e7. The Source 03:50 \u003cbr\u003e8. May Doe 03:29 \u003cbr\u003e9. Finding Methuselah 02:44 \u003cbr\u003e10. Nylon Waiting Room 00:51 \u003cbr\u003e11. If I To Choose 05:03 \u003cbr\u003e12. Crystal Geyser 02:12 \u003cbr\u003e13. One for Joseph 01:50\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eRosie Stockton, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Hot Creek, the second album from Meg Duffy and Gregory Uhlmann’s project Duffy x Uhlmann, unspools in the spirit of what poet Adrienne Rich called “a dream of a common language.” Taking Hot Creek, the geothermal spring that courses through Mono County, California, as its guiding metaphor, Duffy and Uhlmann’s melodic conversation both carves out a streambed and fills it with all temporalities of water: rapid, eddy, flood. In this sonic cartography, the waterway holds the trickling improvisations in the same way that grammar holds language, a container for what inevitably exceeds containment.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn this exquisite and existential elaboration of their collaboration, Duffy and Uhlmann develop the shared syntax initiated in their debut album Doubles. With only two guitars, Hot Creek departs\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e from the first album’s gritty, urban soundscape, touching down in the natural world to explore a different dream. Like the ancient Greek philosopher Heraclitus’s well worn adage that you can’t step in the same river twice, these songs chart constant change, loss, and discovery, eschewing staticness of place and space. Hot Creek traverses – with both mischievousness and grief – the fact of impermanence, slips of the tongue, valuing equally what is lost and what is found, and what is made new through evolutions of repetition.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe opening track, “Doing It for Me,” winks at the fact of collaboration: a palimpsest-like collective of two individuals trying to reach each other. Here, they establish a rhythmic base that feels like a time-lapse bloom and ends with a swirling gallop, and slowly introduce bubbling guitar riffs that pirouette before becoming part of the ensemble of inside jokes and shifting moods. “To Be a Good Friend” opens and closes with the sound of footsteps and muffled voices approaching and receding. Like any good conversationalist, Duffy and Uhlmann have mastered the art of crescendo, but also the art of trailing off. In other words, the art of withstanding the space between true connection and fundamental mysteriousness of the other. “Plumeria” follows with agile and sweet staccato, punctuated by bright and soothing pauses: so much is said in the space between the riffs.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFrom these caesuras, the album thematizes the relationship between any utterance and what it obscures. “Sewering” drops us underground, where echoing drips ricochet through rusted pipes and crickets sing in the dark. We listen to “Public Life” from below, a soothing melancholic interlude of seeing and being seen that alludes to the currents underneath. This tentative lullaby culminates with the twang of the title track, “Hot Creek” and “The Source,” which slow everything to a near-hypnotic suspension, all while turning wide-eyed toward origin, centering the wonder of hearing a song before it hardens into predetermined meaning. This is musical language getting born, leading us to ask where does the water come from? Where does the love go? To answer these questions, the album widens into deep time with “Finding Methuselah,” which ricochets and reverbs notes between a four thousand year old tree aching on a hillside in Inyo County and the Milky Way itself.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDuffy and Uhlmann’s Hot Creek gives us the gift of listening to the birth of a common language in real time. Their melodies and rhythms move with the sweet vernacular of geothermic water and all its earthly infrastructures, accomplishing the profound potential of nonauthorship only collaboration allows, while also in Rich’s words, doing something very common, in their own way.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Duffy x Uhlmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD-82\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 14th August 2026\u003c\/span\u003e\u003c\/p\u003e"}
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Perfume GeniusやHand Habitsのバックバンドメンバーとして共演してきたアメリカのギタリストDuffy x Uhlmannが、2026年8月に同国シカゴのインディーレーベルOrindal Recordからリリースした共作アルバムです。 ギター2本によるアンビエント・フォーク〜アンビエント・ジャズ13曲を収録。DLコード付属。クリア盤です。 以下、Rosie Stocktonによる解説です。 "『Hot Creek』は、Meg DuffyとGregory Uhlmannによるプロジェクト『Duffy x...
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{"id":9374550262010,"title":"Duffy x Uhlmann \/\/ Hot Creek LP [BLACK]","handle":"duffy-x-uhlmann-hot-creek-lp-black","description":"\u003cp\u003ePerfume GeniusやHand Habitsのバックバンドメンバーとして共演してきたアメリカのギタリストDuffy x Uhlmannが、2026年8月に同国シカゴのインディーレーベルOrindal Recordからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eギター2本によるアンビエント・フォーク〜アンビエント・ジャズ13曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Hot Creek』は、Meg DuffyとGregory Uhlmannによるプロジェクト『Duffy x Uhlmann』の2作目のアルバムであり、詩人エイドリアン・リッチが「共通言語の夢」と呼んだ精神に則って展開される。カリフォルニア州モノ郡を流れる地熱泉「ホット・クリーク」を指針となるメタファーとして、DuffyとUhlmannの旋律的な対話は、川床を刻み出しつつ、急流、渦、洪水といった水のあらゆる時間性をそこに満たしていく。この音響的な地図において、水路は、文法が言語を支えるのと同じように、せせらぎのような即興演奏を支えている。それは、必然的にその枠を超えざるを得ないものを包み込む容器なのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの絶妙かつ実存的なコラボレーションの展開において、DuffyとUhlmannはデビューアルバム『Doubles』で築き始めた共通の構文をさらに発展させている。たった2本のギターだけで構成された『Hot Creek』は、1作目の荒削りで都会的なサウンドスケープから一線を画し、自然界へと足を踏み入れ、異なる夢を探求している。「同じ川に二度足を踏み入れることはできない」という古代ギリシャの哲学者ヘラクレイトスのよく知られた格言のように、これらの楽曲は絶え間ない変化、喪失、そして発見を描き出し、場所や空間の静止性を排している。『Hot Creek』は――いたずら心と悲しみの両方を帯びて――無常という事実や言葉の滑りを横断し、失われたものと見出されたもの、そして繰り返しの進化を通じて新たに生まれ変わったものを等しく尊ぶ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eオープニングトラック「Doing It for Me」は、コラボレーションという事実へのウインクだ。互いに手を伸ばし合う二人の個人が織りなす、パリンプセストのような集合体である。ここでは、タイムラプスで花が咲くような感覚を与えるリズミカルな基盤を築き、渦巻くような疾走感で締めくくり、泡立つようなギターリフを徐々に導入する。そのリフはピルエットを踊るように舞い、やがて内輪のジョークや移り変わるムードのアンサンブルの一部となっていく。「To Be a Good Friend」は、近づいては遠ざかる足音とくぐもった声で始まり、終わる。優れた会話家たちと同様、DuffyとUhlmannはクレッシェンドの技法を極めているが、同時に、言葉を途切れさせる技法も極めている。言い換えれば、真のつながりと、他者の根源的な謎との間の空間に耐え抜く術を極めているのだ。続く「Plumeria」は、軽快で甘美なスタッカートが、明るく心地よい休止によって区切られている。リフとリフの間の空白に、多くのことが語られているのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこうした休止点を通じて、このアルバムはあらゆる発話と、それが覆い隠すものとの関係性をテーマにしている。「Sewering」は私たちを地下へと誘い、錆びたパイプを反響する水滴の音が跳ね回り、暗闇の中でコオロギが鳴く。地下から聴く「Public Life」は、見ることと見られることによる、心地よいメランコリックな間奏曲であり、その下を流れる潮流をほのめかしている。この控えめな子守唄は、タイトル曲「Hot Creek」と「The Source」のトワンという音色で最高潮に達し、すべてをほぼ催眠的な静止状態へと緩やかに導きつつ、原点へと目を大きく見開く。それは、曲が予め決められた意味へと固まる前に、その歌を聴くという驚異そのものに焦点を当てているのだ。これは音楽という言語が誕生する瞬間であり、私たちに「水はどこから来るのか？」「愛はどこへ行くのか？」と問いかける。これらの問いに答えるべく、アルバムは『Finding Methuselah』で「深い時間」へと広がり、インヨー郡の丘陵で痛みに耐える樹齢4000年の木と、天の川そのものとの間で、音符が跳ね返り、反響する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDuffyとUhlmannの『Hot Creek』は、共通の言語が生まれる瞬間をリアルタイムで聴くという贈り物を私たちに与えてくれる。彼らのメロディーとリズムは、地熱水とその地上のインフラ全体が紡ぐ甘美な方言とともに動き、コラボレーションだけがもたらす「非作者性」という深遠な可能性を実現しつつ、リッチの言葉を借りれば、彼らなりの方法で「ごくありふれたこと」を成し遂げているのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2369499514\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Doing It for Me 01:45 \u003cbr\u003e2. To Be a Good Friend 01:15 \u003cbr\u003e3. Plumeria 01:47 \u003cbr\u003e4. Sewering 02:19 \u003cbr\u003e5. Public Life 03:03 \u003cbr\u003e6. Hot Creek 02:22 \u003cbr\u003e7. The Source 03:50 \u003cbr\u003e8. May Doe 03:29 \u003cbr\u003e9. Finding Methuselah 02:44 \u003cbr\u003e10. Nylon Waiting Room 00:51 \u003cbr\u003e11. If I To Choose 05:03 \u003cbr\u003e12. Crystal Geyser 02:12 \u003cbr\u003e13. One for Joseph 01:50\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eRosie Stockton, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Hot Creek, the second album from Meg Duffy and Gregory Uhlmann’s project Duffy x Uhlmann, unspools in the spirit of what poet Adrienne Rich called “a dream of a common language.” Taking Hot Creek, the geothermal spring that courses through Mono County, California, as its guiding metaphor, Duffy and Uhlmann’s melodic conversation both carves out a streambed and fills it with all temporalities of water: rapid, eddy, flood. In this sonic cartography, the waterway holds the trickling improvisations in the same way that grammar holds language, a container for what inevitably exceeds containment.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn this exquisite and existential elaboration of their collaboration, Duffy and Uhlmann develop the shared syntax initiated in their debut album Doubles. With only two guitars, Hot Creek departs\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e from the first album’s gritty, urban soundscape, touching down in the natural world to explore a different dream. Like the ancient Greek philosopher Heraclitus’s well worn adage that you can’t step in the same river twice, these songs chart constant change, loss, and discovery, eschewing staticness of place and space. Hot Creek traverses – with both mischievousness and grief – the fact of impermanence, slips of the tongue, valuing equally what is lost and what is found, and what is made new through evolutions of repetition.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe opening track, “Doing It for Me,” winks at the fact of collaboration: a palimpsest-like collective of two individuals trying to reach each other. Here, they establish a rhythmic base that feels like a time-lapse bloom and ends with a swirling gallop, and slowly introduce bubbling guitar riffs that pirouette before becoming part of the ensemble of inside jokes and shifting moods. “To Be a Good Friend” opens and closes with the sound of footsteps and muffled voices approaching and receding. Like any good conversationalist, Duffy and Uhlmann have mastered the art of crescendo, but also the art of trailing off. In other words, the art of withstanding the space between true connection and fundamental mysteriousness of the other. “Plumeria” follows with agile and sweet staccato, punctuated by bright and soothing pauses: so much is said in the space between the riffs.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFrom these caesuras, the album thematizes the relationship between any utterance and what it obscures. “Sewering” drops us underground, where echoing drips ricochet through rusted pipes and crickets sing in the dark. We listen to “Public Life” from below, a soothing melancholic interlude of seeing and being seen that alludes to the currents underneath. This tentative lullaby culminates with the twang of the title track, “Hot Creek” and “The Source,” which slow everything to a near-hypnotic suspension, all while turning wide-eyed toward origin, centering the wonder of hearing a song before it hardens into predetermined meaning. This is musical language getting born, leading us to ask where does the water come from? Where does the love go? To answer these questions, the album widens into deep time with “Finding Methuselah,” which ricochets and reverbs notes between a four thousand year old tree aching on a hillside in Inyo County and the Milky Way itself.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDuffy and Uhlmann’s Hot Creek gives us the gift of listening to the birth of a common language in real time. Their melodies and rhythms move with the sweet vernacular of geothermic water and all its earthly infrastructures, accomplishing the profound potential of nonauthorship only collaboration allows, while also in Rich’s words, doing something very common, in their own way.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Duffy x Uhlmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD-82\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 14th August 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-08-19T07:23:04+09:00","created_at":"2026-08-17T10:38:40+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","orindal","recommended"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50081891909882,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Duffy x Uhlmann \/\/ Hot Creek LP [BLACK]","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cree1_84a14adf-a9a4-4203-80f7-f983ee349c8e.jpg?v=1786930628","\/\/tobirarecords.com\/cdn\/shop\/files\/cree2_e0ff8feb-0b40-4852-bdc4-e847b87d0765.jpg?v=1786930628"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cree1_84a14adf-a9a4-4203-80f7-f983ee349c8e.jpg?v=1786930628","options":["Title"],"media":[{"alt":null,"id":40618647027962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cree1_84a14adf-a9a4-4203-80f7-f983ee349c8e.jpg?v=1786930628"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cree1_84a14adf-a9a4-4203-80f7-f983ee349c8e.jpg?v=1786930628","width":350},{"alt":null,"id":40618647060730,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cree2_e0ff8feb-0b40-4852-bdc4-e847b87d0765.jpg?v=1786930628"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cree2_e0ff8feb-0b40-4852-bdc4-e847b87d0765.jpg?v=1786930628","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003ePerfume GeniusやHand Habitsのバックバンドメンバーとして共演してきたアメリカのギタリストDuffy x Uhlmannが、2026年8月に同国シカゴのインディーレーベルOrindal Recordからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eギター2本によるアンビエント・フォーク〜アンビエント・ジャズ13曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Hot Creek』は、Meg DuffyとGregory Uhlmannによるプロジェクト『Duffy x Uhlmann』の2作目のアルバムであり、詩人エイドリアン・リッチが「共通言語の夢」と呼んだ精神に則って展開される。カリフォルニア州モノ郡を流れる地熱泉「ホット・クリーク」を指針となるメタファーとして、DuffyとUhlmannの旋律的な対話は、川床を刻み出しつつ、急流、渦、洪水といった水のあらゆる時間性をそこに満たしていく。この音響的な地図において、水路は、文法が言語を支えるのと同じように、せせらぎのような即興演奏を支えている。それは、必然的にその枠を超えざるを得ないものを包み込む容器なのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの絶妙かつ実存的なコラボレーションの展開において、DuffyとUhlmannはデビューアルバム『Doubles』で築き始めた共通の構文をさらに発展させている。たった2本のギターだけで構成された『Hot Creek』は、1作目の荒削りで都会的なサウンドスケープから一線を画し、自然界へと足を踏み入れ、異なる夢を探求している。「同じ川に二度足を踏み入れることはできない」という古代ギリシャの哲学者ヘラクレイトスのよく知られた格言のように、これらの楽曲は絶え間ない変化、喪失、そして発見を描き出し、場所や空間の静止性を排している。『Hot Creek』は――いたずら心と悲しみの両方を帯びて――無常という事実や言葉の滑りを横断し、失われたものと見出されたもの、そして繰り返しの進化を通じて新たに生まれ変わったものを等しく尊ぶ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eオープニングトラック「Doing It for Me」は、コラボレーションという事実へのウインクだ。互いに手を伸ばし合う二人の個人が織りなす、パリンプセストのような集合体である。ここでは、タイムラプスで花が咲くような感覚を与えるリズミカルな基盤を築き、渦巻くような疾走感で締めくくり、泡立つようなギターリフを徐々に導入する。そのリフはピルエットを踊るように舞い、やがて内輪のジョークや移り変わるムードのアンサンブルの一部となっていく。「To Be a Good Friend」は、近づいては遠ざかる足音とくぐもった声で始まり、終わる。優れた会話家たちと同様、DuffyとUhlmannはクレッシェンドの技法を極めているが、同時に、言葉を途切れさせる技法も極めている。言い換えれば、真のつながりと、他者の根源的な謎との間の空間に耐え抜く術を極めているのだ。続く「Plumeria」は、軽快で甘美なスタッカートが、明るく心地よい休止によって区切られている。リフとリフの間の空白に、多くのことが語られているのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこうした休止点を通じて、このアルバムはあらゆる発話と、それが覆い隠すものとの関係性をテーマにしている。「Sewering」は私たちを地下へと誘い、錆びたパイプを反響する水滴の音が跳ね回り、暗闇の中でコオロギが鳴く。地下から聴く「Public Life」は、見ることと見られることによる、心地よいメランコリックな間奏曲であり、その下を流れる潮流をほのめかしている。この控えめな子守唄は、タイトル曲「Hot Creek」と「The Source」のトワンという音色で最高潮に達し、すべてをほぼ催眠的な静止状態へと緩やかに導きつつ、原点へと目を大きく見開く。それは、曲が予め決められた意味へと固まる前に、その歌を聴くという驚異そのものに焦点を当てているのだ。これは音楽という言語が誕生する瞬間であり、私たちに「水はどこから来るのか？」「愛はどこへ行くのか？」と問いかける。これらの問いに答えるべく、アルバムは『Finding Methuselah』で「深い時間」へと広がり、インヨー郡の丘陵で痛みに耐える樹齢4000年の木と、天の川そのものとの間で、音符が跳ね返り、反響する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDuffyとUhlmannの『Hot Creek』は、共通の言語が生まれる瞬間をリアルタイムで聴くという贈り物を私たちに与えてくれる。彼らのメロディーとリズムは、地熱水とその地上のインフラ全体が紡ぐ甘美な方言とともに動き、コラボレーションだけがもたらす「非作者性」という深遠な可能性を実現しつつ、リッチの言葉を借りれば、彼らなりの方法で「ごくありふれたこと」を成し遂げているのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2369499514\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Doing It for Me 01:45 \u003cbr\u003e2. To Be a Good Friend 01:15 \u003cbr\u003e3. Plumeria 01:47 \u003cbr\u003e4. Sewering 02:19 \u003cbr\u003e5. Public Life 03:03 \u003cbr\u003e6. Hot Creek 02:22 \u003cbr\u003e7. The Source 03:50 \u003cbr\u003e8. May Doe 03:29 \u003cbr\u003e9. Finding Methuselah 02:44 \u003cbr\u003e10. Nylon Waiting Room 00:51 \u003cbr\u003e11. If I To Choose 05:03 \u003cbr\u003e12. Crystal Geyser 02:12 \u003cbr\u003e13. One for Joseph 01:50\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eRosie Stockton, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Hot Creek, the second album from Meg Duffy and Gregory Uhlmann’s project Duffy x Uhlmann, unspools in the spirit of what poet Adrienne Rich called “a dream of a common language.” Taking Hot Creek, the geothermal spring that courses through Mono County, California, as its guiding metaphor, Duffy and Uhlmann’s melodic conversation both carves out a streambed and fills it with all temporalities of water: rapid, eddy, flood. In this sonic cartography, the waterway holds the trickling improvisations in the same way that grammar holds language, a container for what inevitably exceeds containment.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn this exquisite and existential elaboration of their collaboration, Duffy and Uhlmann develop the shared syntax initiated in their debut album Doubles. With only two guitars, Hot Creek departs\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e from the first album’s gritty, urban soundscape, touching down in the natural world to explore a different dream. Like the ancient Greek philosopher Heraclitus’s well worn adage that you can’t step in the same river twice, these songs chart constant change, loss, and discovery, eschewing staticness of place and space. Hot Creek traverses – with both mischievousness and grief – the fact of impermanence, slips of the tongue, valuing equally what is lost and what is found, and what is made new through evolutions of repetition.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe opening track, “Doing It for Me,” winks at the fact of collaboration: a palimpsest-like collective of two individuals trying to reach each other. Here, they establish a rhythmic base that feels like a time-lapse bloom and ends with a swirling gallop, and slowly introduce bubbling guitar riffs that pirouette before becoming part of the ensemble of inside jokes and shifting moods. “To Be a Good Friend” opens and closes with the sound of footsteps and muffled voices approaching and receding. Like any good conversationalist, Duffy and Uhlmann have mastered the art of crescendo, but also the art of trailing off. In other words, the art of withstanding the space between true connection and fundamental mysteriousness of the other. “Plumeria” follows with agile and sweet staccato, punctuated by bright and soothing pauses: so much is said in the space between the riffs.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFrom these caesuras, the album thematizes the relationship between any utterance and what it obscures. “Sewering” drops us underground, where echoing drips ricochet through rusted pipes and crickets sing in the dark. We listen to “Public Life” from below, a soothing melancholic interlude of seeing and being seen that alludes to the currents underneath. This tentative lullaby culminates with the twang of the title track, “Hot Creek” and “The Source,” which slow everything to a near-hypnotic suspension, all while turning wide-eyed toward origin, centering the wonder of hearing a song before it hardens into predetermined meaning. This is musical language getting born, leading us to ask where does the water come from? Where does the love go? To answer these questions, the album widens into deep time with “Finding Methuselah,” which ricochets and reverbs notes between a four thousand year old tree aching on a hillside in Inyo County and the Milky Way itself.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDuffy and Uhlmann’s Hot Creek gives us the gift of listening to the birth of a common language in real time. Their melodies and rhythms move with the sweet vernacular of geothermic water and all its earthly infrastructures, accomplishing the profound potential of nonauthorship only collaboration allows, while also in Rich’s words, doing something very common, in their own way.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Duffy x Uhlmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD-82\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 14th August 2026\u003c\/span\u003e\u003c\/p\u003e"}
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Perfume GeniusやHand Habitsのバックバンドメンバーとして共演してきたアメリカのギタリストDuffy x Uhlmannが、2026年8月に同国シカゴのインディーレーベルOrindal Recordからリリースした共作アルバムです。 ギター2本によるアンビエント・フォーク〜アンビエント・ジャズ13曲を収録。DLコード付属。 以下、Rosie Stocktonによる解説です。 "『Hot Creek』は、Meg DuffyとGregory Uhlmannによるプロジェクト『Duffy x...
¥3,990
![Lisa/Liza // Shelter of a Song LP [COLOR]](http://tobirarecords.com/cdn/shop/products/so1_01a0ed45-17cd-4656-87ed-d88ca27e86b4_medium.jpg?v=1655701882)
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{"id":9372712730874,"title":"Lisa\/Liza \/\/ Shelter of a Song LP [COLOR]","handle":"lisa-liza-shelter-of-a-song-lp-color","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカ・メイン州のシンガーソングライターLisa\/Lizaが、2020年に同国フォークレーベルOrindalからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアコースティックギターと声によるシンプルな構成のベッドルーム・フォーク8曲を収録。DLコード付属。ティールグリーン盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3685904032\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eTeal marble vinyl edition of 200. Includes DL code.\u003cbr\u003e\u003cspan\u003e8 tracks, 43 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Orindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Lisa\/Liza is the songwriting project of Portland, ME singer and guitarist Liza Victoria. Throughout her new album, Shelter of a Song, Liza affirms the value of music and songwriting in her life, providing her comfort through illness and isolation, and helping her to hold onto cherished memories through the poetry she sings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eShelter of a Song was recorded in the kitchen of a Central Maine studio apartment with engineering assistance from Peter Herman. All takes were recorded live, capturing the immediacy and quiet power of Liza’s hushed vocals and fingerstyle acoustic guitar. The album’s eight original songs are gentle meditations on joy, pain, human relationships and the natural world that stretch out slowly like long shadows.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLiza explains:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“These songs were written while dealing with chronic illness. When I was actively writing in these last two years, it\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e was often in my strongest moments of healing, which has made this album a different process for me than others before it. The times when I felt well enough to sit with music allowed me a new kind of joy, because of these struggles with health. My vision and hope for this collection of songs is they would allow room for the listener to find their own interpretations, similar to how someone might make a quilt where each piece holds personal connection but in its use it takes on additional shape.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLiza’s lyrics conjure vivid images of everyday beauty: a dog rolling in the grass on a nice day; walking down a darkened street to meet the sunrise; robins filling up a field. The natural world holds a strong place in these songs, providing much of the album’s optimism as bright and dreamlike descriptions of flora, fauna and celestial bodies are plainsung over muted strums and arpeggiated guitar patterns.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'I had been spending a lot of my down times on hikes and walks,” Liza continues. “Nature became something vital to my heart both in healing and health. I always enjoy writing about what surrounds me as a way to preserve memory or draw out memory from my past. Perhaps in preserving these memories in song, I’m allowed some small agency to let them go, as I know I can come back to them again. Writing these songs helped me to affirm moments of peace and resolution. Writing music is a place of great comfort for me, and it has only become more apparent to me how great a companion it is.'\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lisa\/Liza\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2026-08-15T13:45:34+09:00","created_at":"2026-08-15T13:44:08+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","orindal"],"price":419000,"price_min":419000,"price_max":419000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50074964328698,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lisa\/Liza \/\/ Shelter of a Song LP [COLOR]","public_title":null,"options":["Default Title"],"price":419000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/so1_01a0ed45-17cd-4656-87ed-d88ca27e86b4.jpg?v=1655701882","\/\/tobirarecords.com\/cdn\/shop\/files\/0021546128_10.jpg?v=1786769160"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/so1_01a0ed45-17cd-4656-87ed-d88ca27e86b4.jpg?v=1655701882","options":["Title"],"media":[{"alt":null,"id":29933770768634,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/so1_01a0ed45-17cd-4656-87ed-d88ca27e86b4.jpg?v=1655701882"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/so1_01a0ed45-17cd-4656-87ed-d88ca27e86b4.jpg?v=1655701882","width":700},{"alt":null,"id":40598089826554,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0021546128_10.jpg?v=1786769160"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0021546128_10.jpg?v=1786769160","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカ・メイン州のシンガーソングライターLisa\/Lizaが、2020年に同国フォークレーベルOrindalからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアコースティックギターと声によるシンプルな構成のベッドルーム・フォーク8曲を収録。DLコード付属。ティールグリーン盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3685904032\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eTeal marble vinyl edition of 200. Includes DL code.\u003cbr\u003e\u003cspan\u003e8 tracks, 43 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Orindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Lisa\/Liza is the songwriting project of Portland, ME singer and guitarist Liza Victoria. Throughout her new album, Shelter of a Song, Liza affirms the value of music and songwriting in her life, providing her comfort through illness and isolation, and helping her to hold onto cherished memories through the poetry she sings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eShelter of a Song was recorded in the kitchen of a Central Maine studio apartment with engineering assistance from Peter Herman. All takes were recorded live, capturing the immediacy and quiet power of Liza’s hushed vocals and fingerstyle acoustic guitar. The album’s eight original songs are gentle meditations on joy, pain, human relationships and the natural world that stretch out slowly like long shadows.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLiza explains:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“These songs were written while dealing with chronic illness. When I was actively writing in these last two years, it\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e was often in my strongest moments of healing, which has made this album a different process for me than others before it. The times when I felt well enough to sit with music allowed me a new kind of joy, because of these struggles with health. My vision and hope for this collection of songs is they would allow room for the listener to find their own interpretations, similar to how someone might make a quilt where each piece holds personal connection but in its use it takes on additional shape.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLiza’s lyrics conjure vivid images of everyday beauty: a dog rolling in the grass on a nice day; walking down a darkened street to meet the sunrise; robins filling up a field. The natural world holds a strong place in these songs, providing much of the album’s optimism as bright and dreamlike descriptions of flora, fauna and celestial bodies are plainsung over muted strums and arpeggiated guitar patterns.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'I had been spending a lot of my down times on hikes and walks,” Liza continues. “Nature became something vital to my heart both in healing and health. I always enjoy writing about what surrounds me as a way to preserve memory or draw out memory from my past. Perhaps in preserving these memories in song, I’m allowed some small agency to let them go, as I know I can come back to them again. Writing these songs helped me to affirm moments of peace and resolution. Writing music is a place of great comfort for me, and it has only become more apparent to me how great a companion it is.'\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lisa\/Liza\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。 本作は、アメリカ・メイン州のシンガーソングライターLisa/Lizaが、2020年に同国フォークレーベルOrindalからリリースしたアルバムです。 アコースティックギターと声によるシンプルな構成のベッドルーム・フォーク8曲を収録。DLコード付属。ティールグリーン盤です。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ...
¥4,190
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{"id":9279627067642,"title":"Lisa\/Liza \/\/ Momentary Glance LP","handle":"lisa-liza-momentary-glance-lp","description":"\u003cp\u003eアメリカ・メインのフォーク作家Lisa\/Lizaが、2018年に同国シカゴのインディーレーベルOrindal Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・フォーク6曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=724027190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eHigh quality, 150g black vinyl LPs in extra heavyweight, full color photo jackets with original art by Kyle FIeld (of Little Wings) \u0026amp; a printed innersleeve with handwritten album lyrics. Package design by Jessica Jones. \u003cbr\u003e6 tracks, 41 minutes.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOrindal:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eLisa\/Liza is the recording project of Liza (pronounced Lisa) Victoria, a singer, songwriter \u0026amp; guitarist from Portland, Maine’s D.I.Y. folk scene. Momentary Glance is her second album for Orindal Records, following 2016’s home-recorded solo acoustic collection, Deserts of Youth.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMomentary Glance is Lisa\/Liza’s first album of electric guitar recordings, half of which feature the recording debut of her live band (comprised of fellow Mainers Jonathan Downs, Devin Ivy \u0026amp;\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePete Swegart). Momentary Glance was recorded \u0026amp; mixed by Efrim Manuel Menuck (of Godspeed! You Black Emperor \u0026amp; Thee Silver Mt. Zion Memorial Orchestra) at his hotel2tango studio in Montreal, with the exception of the song “Tea Kettle,” which was recorded \u0026amp; mixed by Colby Nathan at New Fruit Collective in Portland, Maine.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe six songs that make up Momentary Glance are expansive \u0026amp; trance-like, slowly unfurling over the course of forty-two minutes. The deep, natural reverb of hotel2tango \u0026amp; added atmospherics of Liza’s band mates create immersive environs for her patient guitar\u003cspan class=\"bcTruncateMore\"\u003e work \u0026amp; uniquely vulnerable vocals. Liza’s dreamlike lyrics often return to themes of winter, animals, nature as a source of reflection and the unwritten letter.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e***\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eArtist statement:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003e“\u003cem\u003eMomentary Glance was recorded in the very coldest part of winter. We were told by friends in Montreal that even with the heat all the way up the wind still got through enough cracks in the walls, that jackets were needed inside their homes. We would walk to the coffee shop with full face gear to keep the wind from freezing our faces. Jonathan wore ski-goggles, and we traded mismatched gloves around (“you can wear them for now, I'll wear them later”). I remember being concerned for my vocal chords getting too cold and keeping a scarf wrapped around my neck \u0026amp; warm beverages near. The album was recorded in just three days, much to the thanks of Efrim, who persevered in the sound room, kept our spirits light despite the chill. I was fully grieving while I recorded this album. My friends and band mates stayed by my side, they took the trash out of the Airb\u0026amp;b, they let me wake up at all hours of the night to cry, or to feel despair, and never suggested once that it was too much, always believing that we could create, that I could create, despite my state. And that’s what made this record. I am still in disbelief that it is here.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“This album was made in the most difficult time of my life to date, if the album represents anything for me, it is finding strength in showing up for your fears, because many days that’s all we can do. During the Fall of 2017, I experienced the loss of a friend due to suicide. I worked on this record in the hours that I had strength to be around people (all songs were previously written before this loss). When I first heard the final mixes, my first thought was that I wished this person could hear it, more than any other person. There is nothing I can say or make to express this heartbreak, but I knew I had to record this record then, just to keep myself playing music and moving forward, and I’m more than grateful for those who care to listen.” \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lisa\/Liza\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2026-06-26T13:59:05+09:00","created_at":"2026-06-26T13:58:44+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","orindal"],"price":369000,"price_min":369000,"price_max":369000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":49076700840186,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lisa\/Liza \/\/ Momentary Glance LP","public_title":null,"options":["Default Title"],"price":369000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_f0482509-81e9-4c43-92b0-815976dee971.jpg?v=1655610199","\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_51835965-9c6f-4529-94c2-b2e7e623da08.jpg?v=1655610199"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_f0482509-81e9-4c43-92b0-815976dee971.jpg?v=1655610199","options":["Title"],"media":[{"alt":null,"id":29930198958330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_f0482509-81e9-4c43-92b0-815976dee971.jpg?v=1655610199"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_f0482509-81e9-4c43-92b0-815976dee971.jpg?v=1655610199","width":700},{"alt":null,"id":29930198991098,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_51835965-9c6f-4529-94c2-b2e7e623da08.jpg?v=1655610199"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_51835965-9c6f-4529-94c2-b2e7e623da08.jpg?v=1655610199","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・メインのフォーク作家Lisa\/Lizaが、2018年に同国シカゴのインディーレーベルOrindal Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・フォーク6曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=724027190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eHigh quality, 150g black vinyl LPs in extra heavyweight, full color photo jackets with original art by Kyle FIeld (of Little Wings) \u0026amp; a printed innersleeve with handwritten album lyrics. Package design by Jessica Jones. \u003cbr\u003e6 tracks, 41 minutes.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOrindal:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eLisa\/Liza is the recording project of Liza (pronounced Lisa) Victoria, a singer, songwriter \u0026amp; guitarist from Portland, Maine’s D.I.Y. folk scene. Momentary Glance is her second album for Orindal Records, following 2016’s home-recorded solo acoustic collection, Deserts of Youth.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMomentary Glance is Lisa\/Liza’s first album of electric guitar recordings, half of which feature the recording debut of her live band (comprised of fellow Mainers Jonathan Downs, Devin Ivy \u0026amp;\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePete Swegart). Momentary Glance was recorded \u0026amp; mixed by Efrim Manuel Menuck (of Godspeed! You Black Emperor \u0026amp; Thee Silver Mt. Zion Memorial Orchestra) at his hotel2tango studio in Montreal, with the exception of the song “Tea Kettle,” which was recorded \u0026amp; mixed by Colby Nathan at New Fruit Collective in Portland, Maine.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe six songs that make up Momentary Glance are expansive \u0026amp; trance-like, slowly unfurling over the course of forty-two minutes. The deep, natural reverb of hotel2tango \u0026amp; added atmospherics of Liza’s band mates create immersive environs for her patient guitar\u003cspan class=\"bcTruncateMore\"\u003e work \u0026amp; uniquely vulnerable vocals. Liza’s dreamlike lyrics often return to themes of winter, animals, nature as a source of reflection and the unwritten letter.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e***\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eArtist statement:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003e“\u003cem\u003eMomentary Glance was recorded in the very coldest part of winter. We were told by friends in Montreal that even with the heat all the way up the wind still got through enough cracks in the walls, that jackets were needed inside their homes. We would walk to the coffee shop with full face gear to keep the wind from freezing our faces. Jonathan wore ski-goggles, and we traded mismatched gloves around (“you can wear them for now, I'll wear them later”). I remember being concerned for my vocal chords getting too cold and keeping a scarf wrapped around my neck \u0026amp; warm beverages near. The album was recorded in just three days, much to the thanks of Efrim, who persevered in the sound room, kept our spirits light despite the chill. I was fully grieving while I recorded this album. My friends and band mates stayed by my side, they took the trash out of the Airb\u0026amp;b, they let me wake up at all hours of the night to cry, or to feel despair, and never suggested once that it was too much, always believing that we could create, that I could create, despite my state. And that’s what made this record. I am still in disbelief that it is here.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“This album was made in the most difficult time of my life to date, if the album represents anything for me, it is finding strength in showing up for your fears, because many days that’s all we can do. During the Fall of 2017, I experienced the loss of a friend due to suicide. I worked on this record in the hours that I had strength to be around people (all songs were previously written before this loss). When I first heard the final mixes, my first thought was that I wished this person could hear it, more than any other person. There is nothing I can say or make to express this heartbreak, but I knew I had to record this record then, just to keep myself playing music and moving forward, and I’m more than grateful for those who care to listen.” \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lisa\/Liza\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・メインのフォーク作家Lisa/Lizaが、2018年に同国シカゴのインディーレーベルOrindal Recordsからリリースしたレコードです。 ベッドルーム・フォーク6曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ----------------------------...
¥3,690
クイックビュー
{"id":9279621988602,"title":"Nicholas Krgovich \/\/ ON CAHUENGA LP","handle":"nicholas-krgovich-on-cahuenga-lp","description":"\u003cp\u003eカナダ・バンクーバーのポップ作家Nicholas Krgovichが、2015年にアメリカ・シカゴのポップレーベルOrindalからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eしっとりと歌い上げるアダルトなポップ10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2557011056\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Backlot 03:15\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Along the PCH on Oscar Night 04:03\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Cosmic Vision 03:56\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Let's Take the Car Out 04:09\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. City of Night 03:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Rock's Dream 03:53\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. You're Through 04:22\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. The Mansion 03:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. At Pershing Sq. 03:54\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Moon's Soft Glow 04:50\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn Cahuenga is a companion album to another Nicholas Krgovich album, On Sunset (out now on Tin Angel Records\/NK World Service). The two albums have nearly identical track listings, but the performances \u0026amp; arrangements on each album are completely unique.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn On Cahuenga, Vancouver, BC singer\/songwriter\/visionary\/recluse Nicholas Krgovich (No Kids, P:ano, Gigi) performs solo electric piano \u0026amp; vocal renditions of lovelorn, Hollywood-obsessed torch songs from his solo debut, On Sunset. Eschewing big budget orchestration \u0026amp; programmed electro rhythms for a more direct, bare-bones aesthetic, On Cahuenga plays like a series of strange screen tests for the widescreen panorama of On Sunset. Recorded live to tape by Phil Elverum (The Microphones, Mount Eerie) in a single April afternoon, Krgovich's exceptional musicianship \u0026amp; subtle songcraft are in crisp focus throughout these ten tracks.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nicholas Krgovich\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD09\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 27th January 2015\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-06-26T13:57:07+09:00","created_at":"2026-06-26T13:56:44+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","orindal"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":49076691730682,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nicholas Krgovich \/\/ ON CAHUENGA LP","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cah1_d06b24cb-0a69-452a-b864-7da53ba51dea.jpg?v=1764379575","\/\/tobirarecords.com\/cdn\/shop\/files\/cah2.jpg?v=1764379575"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cah1_d06b24cb-0a69-452a-b864-7da53ba51dea.jpg?v=1764379575","options":["Title"],"media":[{"alt":null,"id":37647585902842,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cah1_d06b24cb-0a69-452a-b864-7da53ba51dea.jpg?v=1764379575"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cah1_d06b24cb-0a69-452a-b864-7da53ba51dea.jpg?v=1764379575","width":700},{"alt":null,"id":37647585935610,"position":2,"preview_image":{"aspect_ratio":1.778,"height":675,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cah2.jpg?v=1764379575"},"aspect_ratio":1.778,"height":675,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cah2.jpg?v=1764379575","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・バンクーバーのポップ作家Nicholas Krgovichが、2015年にアメリカ・シカゴのポップレーベルOrindalからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eしっとりと歌い上げるアダルトなポップ10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2557011056\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Backlot 03:15\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Along the PCH on Oscar Night 04:03\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Cosmic Vision 03:56\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Let's Take the Car Out 04:09\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. City of Night 03:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Rock's Dream 03:53\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. You're Through 04:22\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. The Mansion 03:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. At Pershing Sq. 03:54\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Moon's Soft Glow 04:50\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn Cahuenga is a companion album to another Nicholas Krgovich album, On Sunset (out now on Tin Angel Records\/NK World Service). The two albums have nearly identical track listings, but the performances \u0026amp; arrangements on each album are completely unique.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn On Cahuenga, Vancouver, BC singer\/songwriter\/visionary\/recluse Nicholas Krgovich (No Kids, P:ano, Gigi) performs solo electric piano \u0026amp; vocal renditions of lovelorn, Hollywood-obsessed torch songs from his solo debut, On Sunset. Eschewing big budget orchestration \u0026amp; programmed electro rhythms for a more direct, bare-bones aesthetic, On Cahuenga plays like a series of strange screen tests for the widescreen panorama of On Sunset. Recorded live to tape by Phil Elverum (The Microphones, Mount Eerie) in a single April afternoon, Krgovich's exceptional musicianship \u0026amp; subtle songcraft are in crisp focus throughout these ten tracks.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nicholas Krgovich\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD09\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 27th January 2015\u003c\/span\u003e\u003c\/p\u003e"}
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カナダ・バンクーバーのポップ作家Nicholas Krgovichが、2015年にアメリカ・シカゴのポップレーベルOrindalからリリースしたレコードです。 しっとりと歌い上げるアダルトなポップ10曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ----------------------------...
¥3,990
![Lisa/Liza // Breaking and Mending LP [COLOR]](http://tobirarecords.com/cdn/shop/files/a2811739301_16_a54b2012-592b-41d7-9414-598e7aef41b5_medium.jpg?v=1687863131)
クイックビュー
{"id":9229491568890,"title":"Lisa\/Liza \/\/ Breaking and Mending LP [COLOR]","handle":"lisa-liza-breaking-and-mending-lp-color","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・メインのフォーク作家Lisa\/Lizaが、2023年6月に同国シカゴのインディーレーベルOrindal Recordsから200部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアコースティックギターとボーカルというシンプルな構成でしっとりと紡ぐインディーフォーク8曲を収録。DLコードと歌詞インサート付属。赤盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1672011041\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1608350764\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1672011041\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1221812976\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1672011041\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3415490205\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" red vinyl in an edition of 200 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e160g vinyl LPs with black \u0026amp; white labels packaged in extra heavyweight, full color photo jackets with 11x11 Risograph-printed lyric sheets. 8 tracks, 32 minutes.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003eArtist : Lisa\/Liza\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2026-05-18T11:42:04+09:00","created_at":"2026-05-18T11:41:35+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","orindal"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48900765810938,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lisa\/Liza \/\/ Breaking and Mending LP [COLOR]","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a2811739301_16_a54b2012-592b-41d7-9414-598e7aef41b5.jpg?v=1687863131","\/\/tobirarecords.com\/cdn\/shop\/files\/0031731497_10_18a69380-2568-48ed-9e17-b3eaf2b9e278.jpg?v=1754009673"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2811739301_16_a54b2012-592b-41d7-9414-598e7aef41b5.jpg?v=1687863131","options":["Title"],"media":[{"alt":null,"id":32160221888762,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2811739301_16_a54b2012-592b-41d7-9414-598e7aef41b5.jpg?v=1687863131"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2811739301_16_a54b2012-592b-41d7-9414-598e7aef41b5.jpg?v=1687863131","width":700},{"alt":null,"id":36463003992314,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031731497_10_18a69380-2568-48ed-9e17-b3eaf2b9e278.jpg?v=1754009673"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031731497_10_18a69380-2568-48ed-9e17-b3eaf2b9e278.jpg?v=1754009673","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・メインのフォーク作家Lisa\/Lizaが、2023年6月に同国シカゴのインディーレーベルOrindal Recordsから200部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアコースティックギターとボーカルというシンプルな構成でしっとりと紡ぐインディーフォーク8曲を収録。DLコードと歌詞インサート付属。赤盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1672011041\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1608350764\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1672011041\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1221812976\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1672011041\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3415490205\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" red vinyl in an edition of 200 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e160g vinyl LPs with black \u0026amp; white labels packaged in extra heavyweight, full color photo jackets with 11x11 Risograph-printed lyric sheets. 8 tracks, 32 minutes.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003eArtist : Lisa\/Liza\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・メインのフォーク作家Lisa/Lizaが、2023年6月に同国シカゴのインディーレーベルOrindal Recordsから200部限定でリリースしたレコードです。 アコースティックギターとボーカルというシンプルな構成でしっとりと紡ぐインディーフォーク8曲を収録。DLコードと歌詞インサート付属。赤盤です。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ----------------------------...
¥3,990
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{"id":9195373003002,"title":"bobbie \/\/ Lessons TAPE","handle":"bobbie-lessons-tape","description":"\u003cp\u003eアメリカ・マサチューセッツのアンビエント・ポップ作家bobbieが、2026年3月に同国シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ドリームポップ9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2955963933\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case. \u003cbr\u003eCassette edition of 100 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Cloud Vision 03:38\u003cbr\u003e2. Love Everything 02:48\u003cbr\u003e3. To My Core I'm a Lover 03:06\u003cbr\u003e4. Learned The Hard Way 04:27\u003cbr\u003e5. Gut's No Good 04:34\u003cbr\u003e6. I Could Call You 04:27\u003cbr\u003e7. Lessons 04:41\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Rhododendron 02:48\u003cbr\u003e\u003c\/span\u003e9. I Don't Wanna Stay 06:11\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLessons is the new record from bobbie. This is their first release with Orindal Records. bobbie lives in Western Massachusetts, where they alchemize dream pop ethereality, twinkly ambient abstraction and intimate vocal clarity into their unmistakable sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDistorted Omnichord autoharp looping, layers of drone-y synthesizers and low, reverberating guitar crack open into a wide sonic landscape. bobbie architects this atmosphere then introduces rhythm (often just Omnichord pre-set drum beats but also live drums from Lessons engineer, Felix Walworth) and then adds the lyrical presence. The songs are deeply layered and spatial but with a clear vocal throughline. There is harmony and dimensionality to this assemblage.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ebobbie evokes the ambient qualities of Enya, Brian Eno and Cocteau Twins as well as the pop-y poetic vibes of Dear Nora and Frankie Cosmos. Influences range widely from artists such as Laraaji, Beach House, Arthur Russell, Bill Callahan, Beverly-Glenn Copeland, Alice Coltrane, Astrud Gilberto, to projects like Plantasia and to recurring dreams + visions. When they wake up in the morning, bobbie often records themself dictating and attempting to make\u003cspan class=\"bcTruncateMore\"\u003e meaning of the previous night’s dream. Much of their album’s imagery comes from this practice.\u003cbr\u003e\u003cbr\u003eLessons flows from one song to the next with a few of the tracks playing directly into the following without a pause. The drones and loops come in and out of focus like reminders, waves or breathing, bringing songs back to themselves over and over again.\u003cbr\u003e\u003cbr\u003eLessons is about loving people. Lessons is about loving people\/things as they are, orienting towards the world with acceptance, trying to see the whole of a thing and also staying open to the fact that it’s kind of impossible to really do that.\u003cbr\u003e\u003cbr\u003eLessons was recorded in April 2025 in Brooklyn, New York. The album was written and produced by bobbie. Album engineered and produced by Felix Walworth. Guitar, Omnichord, voice and synths by bobbie. Drums and synths by Walworth. Mastered by Josh Bonati.\u003cbr\u003e\u003cbr\u003eIn 2023, they released their first full-length album, Rhododendron, on Flower Sounds, a label based in Greenfield, MA. Before that they put out several home-recorded projects. bobbie is also a baker.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : bobbie\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD89\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 6th March 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-20T07:36:39+09:00","created_at":"2026-04-19T10:13:51+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","new","orindal","tape"],"price":235000,"price_min":235000,"price_max":235000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48696260133114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"bobbie \/\/ Lessons TAPE","public_title":null,"options":["Default Title"],"price":235000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/less1_acc8244e-ac38-48e2-8aed-accbebb53d1a.jpg?v=1776561272","\/\/tobirarecords.com\/cdn\/shop\/files\/less4.jpg?v=1776561272"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/less1_acc8244e-ac38-48e2-8aed-accbebb53d1a.jpg?v=1776561272","options":["Title"],"media":[{"alt":null,"id":39083064819962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/less1_acc8244e-ac38-48e2-8aed-accbebb53d1a.jpg?v=1776561272"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/less1_acc8244e-ac38-48e2-8aed-accbebb53d1a.jpg?v=1776561272","width":350},{"alt":null,"id":39083064852730,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/less4.jpg?v=1776561272"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/less4.jpg?v=1776561272","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・マサチューセッツのアンビエント・ポップ作家bobbieが、2026年3月に同国シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ドリームポップ9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2955963933\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case. \u003cbr\u003eCassette edition of 100 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Cloud Vision 03:38\u003cbr\u003e2. Love Everything 02:48\u003cbr\u003e3. To My Core I'm a Lover 03:06\u003cbr\u003e4. Learned The Hard Way 04:27\u003cbr\u003e5. Gut's No Good 04:34\u003cbr\u003e6. I Could Call You 04:27\u003cbr\u003e7. Lessons 04:41\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Rhododendron 02:48\u003cbr\u003e\u003c\/span\u003e9. I Don't Wanna Stay 06:11\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLessons is the new record from bobbie. This is their first release with Orindal Records. bobbie lives in Western Massachusetts, where they alchemize dream pop ethereality, twinkly ambient abstraction and intimate vocal clarity into their unmistakable sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDistorted Omnichord autoharp looping, layers of drone-y synthesizers and low, reverberating guitar crack open into a wide sonic landscape. bobbie architects this atmosphere then introduces rhythm (often just Omnichord pre-set drum beats but also live drums from Lessons engineer, Felix Walworth) and then adds the lyrical presence. The songs are deeply layered and spatial but with a clear vocal throughline. There is harmony and dimensionality to this assemblage.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ebobbie evokes the ambient qualities of Enya, Brian Eno and Cocteau Twins as well as the pop-y poetic vibes of Dear Nora and Frankie Cosmos. Influences range widely from artists such as Laraaji, Beach House, Arthur Russell, Bill Callahan, Beverly-Glenn Copeland, Alice Coltrane, Astrud Gilberto, to projects like Plantasia and to recurring dreams + visions. When they wake up in the morning, bobbie often records themself dictating and attempting to make\u003cspan class=\"bcTruncateMore\"\u003e meaning of the previous night’s dream. Much of their album’s imagery comes from this practice.\u003cbr\u003e\u003cbr\u003eLessons flows from one song to the next with a few of the tracks playing directly into the following without a pause. The drones and loops come in and out of focus like reminders, waves or breathing, bringing songs back to themselves over and over again.\u003cbr\u003e\u003cbr\u003eLessons is about loving people. Lessons is about loving people\/things as they are, orienting towards the world with acceptance, trying to see the whole of a thing and also staying open to the fact that it’s kind of impossible to really do that.\u003cbr\u003e\u003cbr\u003eLessons was recorded in April 2025 in Brooklyn, New York. The album was written and produced by bobbie. Album engineered and produced by Felix Walworth. Guitar, Omnichord, voice and synths by bobbie. Drums and synths by Walworth. Mastered by Josh Bonati.\u003cbr\u003e\u003cbr\u003eIn 2023, they released their first full-length album, Rhododendron, on Flower Sounds, a label based in Greenfield, MA. Before that they put out several home-recorded projects. bobbie is also a baker.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : bobbie\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD89\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 6th March 2026\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・マサチューセッツのアンビエント・ポップ作家bobbieが、2026年3月に同国シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。 アンビエント・ドリームポップ9曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ----------------------------...
¥2,350
![bobbie // Lessons LP [BLACK]](http://tobirarecords.com/cdn/shop/files/less1_75944c43-b5c9-4cc1-90cf-840353c2a100_medium.jpg?v=1776561174)
クイックビュー
{"id":9195371954426,"title":"bobbie \/\/ Lessons LP [BLACK]","handle":"bobbie-lessons-lp-black","description":"\u003cp\u003eアメリカ・マサチューセッツのアンビエント・ポップ作家bobbieが、2026年3月に同国シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ドリームポップ9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2955963933\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eBlack vinyl edition of 200 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Cloud Vision 03:38\u003cbr\u003e2. Love Everything 02:48\u003cbr\u003e3. To My Core I'm a Lover 03:06\u003cbr\u003e4. Learned The Hard Way 04:27\u003cbr\u003e5. Gut's No Good 04:34\u003cbr\u003e6. I Could Call You 04:27\u003cbr\u003e7. Lessons 04:41\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Rhododendron 02:48\u003cbr\u003e\u003c\/span\u003e9. I Don't Wanna Stay 06:11\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLessons is the new record from bobbie. This is their first release with Orindal Records. bobbie lives in Western Massachusetts, where they alchemize dream pop ethereality, twinkly ambient abstraction and intimate vocal clarity into their unmistakable sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDistorted Omnichord autoharp looping, layers of drone-y synthesizers and low, reverberating guitar crack open into a wide sonic landscape. bobbie architects this atmosphere then introduces rhythm (often just Omnichord pre-set drum beats but also live drums from Lessons engineer, Felix Walworth) and then adds the lyrical presence. The songs are deeply layered and spatial but with a clear vocal throughline. There is harmony and dimensionality to this assemblage.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ebobbie evokes the ambient qualities of Enya, Brian Eno and Cocteau Twins as well as the pop-y poetic vibes of Dear Nora and Frankie Cosmos. Influences range widely from artists such as Laraaji, Beach House, Arthur Russell, Bill Callahan, Beverly-Glenn Copeland, Alice Coltrane, Astrud Gilberto, to projects like Plantasia and to recurring dreams + visions. When they wake up in the morning, bobbie often records themself dictating and attempting to make\u003cspan class=\"bcTruncateMore\"\u003e meaning of the previous night’s dream. Much of their album’s imagery comes from this practice.\u003cbr\u003e\u003cbr\u003eLessons flows from one song to the next with a few of the tracks playing directly into the following without a pause. The drones and loops come in and out of focus like reminders, waves or breathing, bringing songs back to themselves over and over again.\u003cbr\u003e\u003cbr\u003eLessons is about loving people. Lessons is about loving people\/things as they are, orienting towards the world with acceptance, trying to see the whole of a thing and also staying open to the fact that it’s kind of impossible to really do that.\u003cbr\u003e\u003cbr\u003eLessons was recorded in April 2025 in Brooklyn, New York. The album was written and produced by bobbie. Album engineered and produced by Felix Walworth. Guitar, Omnichord, voice and synths by bobbie. Drums and synths by Walworth. Mastered by Josh Bonati.\u003cbr\u003e\u003cbr\u003eIn 2023, they released their first full-length album, Rhododendron, on Flower Sounds, a label based in Greenfield, MA. Before that they put out several home-recorded projects. bobbie is also a baker.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : bobbie\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD89\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 6th March 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-20T07:35:11+09:00","created_at":"2026-04-19T10:12:33+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","lp","new","orindal"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48696258363642,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"bobbie \/\/ Lessons LP [BLACK]","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/less1_75944c43-b5c9-4cc1-90cf-840353c2a100.jpg?v=1776561174","\/\/tobirarecords.com\/cdn\/shop\/files\/less3.jpg?v=1776561174"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/less1_75944c43-b5c9-4cc1-90cf-840353c2a100.jpg?v=1776561174","options":["Title"],"media":[{"alt":null,"id":39083062001914,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/less1_75944c43-b5c9-4cc1-90cf-840353c2a100.jpg?v=1776561174"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/less1_75944c43-b5c9-4cc1-90cf-840353c2a100.jpg?v=1776561174","width":350},{"alt":null,"id":39083062034682,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/less3.jpg?v=1776561174"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/less3.jpg?v=1776561174","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・マサチューセッツのアンビエント・ポップ作家bobbieが、2026年3月に同国シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ドリームポップ9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2955963933\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eBlack vinyl edition of 200 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Cloud Vision 03:38\u003cbr\u003e2. Love Everything 02:48\u003cbr\u003e3. To My Core I'm a Lover 03:06\u003cbr\u003e4. Learned The Hard Way 04:27\u003cbr\u003e5. Gut's No Good 04:34\u003cbr\u003e6. I Could Call You 04:27\u003cbr\u003e7. Lessons 04:41\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Rhododendron 02:48\u003cbr\u003e\u003c\/span\u003e9. I Don't Wanna Stay 06:11\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLessons is the new record from bobbie. This is their first release with Orindal Records. bobbie lives in Western Massachusetts, where they alchemize dream pop ethereality, twinkly ambient abstraction and intimate vocal clarity into their unmistakable sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDistorted Omnichord autoharp looping, layers of drone-y synthesizers and low, reverberating guitar crack open into a wide sonic landscape. bobbie architects this atmosphere then introduces rhythm (often just Omnichord pre-set drum beats but also live drums from Lessons engineer, Felix Walworth) and then adds the lyrical presence. The songs are deeply layered and spatial but with a clear vocal throughline. There is harmony and dimensionality to this assemblage.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ebobbie evokes the ambient qualities of Enya, Brian Eno and Cocteau Twins as well as the pop-y poetic vibes of Dear Nora and Frankie Cosmos. Influences range widely from artists such as Laraaji, Beach House, Arthur Russell, Bill Callahan, Beverly-Glenn Copeland, Alice Coltrane, Astrud Gilberto, to projects like Plantasia and to recurring dreams + visions. When they wake up in the morning, bobbie often records themself dictating and attempting to make\u003cspan class=\"bcTruncateMore\"\u003e meaning of the previous night’s dream. Much of their album’s imagery comes from this practice.\u003cbr\u003e\u003cbr\u003eLessons flows from one song to the next with a few of the tracks playing directly into the following without a pause. The drones and loops come in and out of focus like reminders, waves or breathing, bringing songs back to themselves over and over again.\u003cbr\u003e\u003cbr\u003eLessons is about loving people. Lessons is about loving people\/things as they are, orienting towards the world with acceptance, trying to see the whole of a thing and also staying open to the fact that it’s kind of impossible to really do that.\u003cbr\u003e\u003cbr\u003eLessons was recorded in April 2025 in Brooklyn, New York. The album was written and produced by bobbie. Album engineered and produced by Felix Walworth. Guitar, Omnichord, voice and synths by bobbie. Drums and synths by Walworth. Mastered by Josh Bonati.\u003cbr\u003e\u003cbr\u003eIn 2023, they released their first full-length album, Rhododendron, on Flower Sounds, a label based in Greenfield, MA. Before that they put out several home-recorded projects. bobbie is also a baker.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : bobbie\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD89\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 6th March 2026\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・マサチューセッツのアンビエント・ポップ作家bobbieが、2026年3月に同国シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。 アンビエント・ドリームポップ9曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ----------------------------...
¥3,990
![bobbie // Lessons LP [COLOR]](http://tobirarecords.com/cdn/shop/files/less1_6c8a2596-e137-4f13-a81f-5689c5b28290_medium.jpg?v=1776560968)
クイックビュー
{"id":9195371004154,"title":"bobbie \/\/ Lessons LP [COLOR]","handle":"bobbie-lessons-lp-color","description":"\u003cp\u003eアメリカ・マサチューセッツのアンビエント・ポップ作家bobbieが、2026年3月に同国シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ドリームポップ9曲を収録。紫盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2955963933\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" purple vinyl.\u003cbr\u003eColor vinyl edition of 200 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Cloud Vision 03:38\u003cbr\u003e2. Love Everything 02:48\u003cbr\u003e3. To My Core I'm a Lover 03:06\u003cbr\u003e4. Learned The Hard Way 04:27\u003cbr\u003e5. Gut's No Good 04:34\u003cbr\u003e6. I Could Call You 04:27\u003cbr\u003e7. Lessons 04:41\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Rhododendron 02:48\u003cbr\u003e\u003c\/span\u003e9. I Don't Wanna Stay 06:11\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLessons is the new record from bobbie. This is their first release with Orindal Records. bobbie lives in Western Massachusetts, where they alchemize dream pop ethereality, twinkly ambient abstraction and intimate vocal clarity into their unmistakable sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDistorted Omnichord autoharp looping, layers of drone-y synthesizers and low, reverberating guitar crack open into a wide sonic landscape. bobbie architects this atmosphere then introduces rhythm (often just Omnichord pre-set drum beats but also live drums from Lessons engineer, Felix Walworth) and then adds the lyrical presence. The songs are deeply layered and spatial but with a clear vocal throughline. There is harmony and dimensionality to this assemblage.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ebobbie evokes the ambient qualities of Enya, Brian Eno and Cocteau Twins as well as the pop-y poetic vibes of Dear Nora and Frankie Cosmos. Influences range widely from artists such as Laraaji, Beach House, Arthur Russell, Bill Callahan, Beverly-Glenn Copeland, Alice Coltrane, Astrud Gilberto, to projects like Plantasia and to recurring dreams + visions. When they wake up in the morning, bobbie often records themself dictating and attempting to make\u003cspan class=\"bcTruncateMore\"\u003e meaning of the previous night’s dream. Much of their album’s imagery comes from this practice.\u003cbr\u003e\u003cbr\u003eLessons flows from one song to the next with a few of the tracks playing directly into the following without a pause. The drones and loops come in and out of focus like reminders, waves or breathing, bringing songs back to themselves over and over again.\u003cbr\u003e\u003cbr\u003eLessons is about loving people. Lessons is about loving people\/things as they are, orienting towards the world with acceptance, trying to see the whole of a thing and also staying open to the fact that it’s kind of impossible to really do that.\u003cbr\u003e\u003cbr\u003eLessons was recorded in April 2025 in Brooklyn, New York. The album was written and produced by bobbie. Album engineered and produced by Felix Walworth. Guitar, Omnichord, voice and synths by bobbie. Drums and synths by Walworth. Mastered by Josh Bonati.\u003cbr\u003e\u003cbr\u003eIn 2023, they released their first full-length album, Rhododendron, on Flower Sounds, a label based in Greenfield, MA. Before that they put out several home-recorded projects. bobbie is also a baker.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : bobbie\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD89\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 6th March 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-20T07:33:59+09:00","created_at":"2026-04-19T10:11:05+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","lp","new","orindal"],"price":428000,"price_min":428000,"price_max":428000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48696256659706,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"bobbie \/\/ Lessons LP [COLOR]","public_title":null,"options":["Default Title"],"price":428000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/less1_6c8a2596-e137-4f13-a81f-5689c5b28290.jpg?v=1776560968","\/\/tobirarecords.com\/cdn\/shop\/files\/less2_d2e5a3ad-bf57-4063-bc0d-562d5ad9a16c.jpg?v=1776560968"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/less1_6c8a2596-e137-4f13-a81f-5689c5b28290.jpg?v=1776560968","options":["Title"],"media":[{"alt":null,"id":39083057185018,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/less1_6c8a2596-e137-4f13-a81f-5689c5b28290.jpg?v=1776560968"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/less1_6c8a2596-e137-4f13-a81f-5689c5b28290.jpg?v=1776560968","width":350},{"alt":null,"id":39083057217786,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/less2_d2e5a3ad-bf57-4063-bc0d-562d5ad9a16c.jpg?v=1776560968"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/less2_d2e5a3ad-bf57-4063-bc0d-562d5ad9a16c.jpg?v=1776560968","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・マサチューセッツのアンビエント・ポップ作家bobbieが、2026年3月に同国シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ドリームポップ9曲を収録。紫盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2955963933\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" purple vinyl.\u003cbr\u003eColor vinyl edition of 200 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Cloud Vision 03:38\u003cbr\u003e2. Love Everything 02:48\u003cbr\u003e3. To My Core I'm a Lover 03:06\u003cbr\u003e4. Learned The Hard Way 04:27\u003cbr\u003e5. Gut's No Good 04:34\u003cbr\u003e6. I Could Call You 04:27\u003cbr\u003e7. Lessons 04:41\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Rhododendron 02:48\u003cbr\u003e\u003c\/span\u003e9. I Don't Wanna Stay 06:11\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLessons is the new record from bobbie. This is their first release with Orindal Records. bobbie lives in Western Massachusetts, where they alchemize dream pop ethereality, twinkly ambient abstraction and intimate vocal clarity into their unmistakable sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDistorted Omnichord autoharp looping, layers of drone-y synthesizers and low, reverberating guitar crack open into a wide sonic landscape. bobbie architects this atmosphere then introduces rhythm (often just Omnichord pre-set drum beats but also live drums from Lessons engineer, Felix Walworth) and then adds the lyrical presence. The songs are deeply layered and spatial but with a clear vocal throughline. There is harmony and dimensionality to this assemblage.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ebobbie evokes the ambient qualities of Enya, Brian Eno and Cocteau Twins as well as the pop-y poetic vibes of Dear Nora and Frankie Cosmos. Influences range widely from artists such as Laraaji, Beach House, Arthur Russell, Bill Callahan, Beverly-Glenn Copeland, Alice Coltrane, Astrud Gilberto, to projects like Plantasia and to recurring dreams + visions. When they wake up in the morning, bobbie often records themself dictating and attempting to make\u003cspan class=\"bcTruncateMore\"\u003e meaning of the previous night’s dream. Much of their album’s imagery comes from this practice.\u003cbr\u003e\u003cbr\u003eLessons flows from one song to the next with a few of the tracks playing directly into the following without a pause. The drones and loops come in and out of focus like reminders, waves or breathing, bringing songs back to themselves over and over again.\u003cbr\u003e\u003cbr\u003eLessons is about loving people. Lessons is about loving people\/things as they are, orienting towards the world with acceptance, trying to see the whole of a thing and also staying open to the fact that it’s kind of impossible to really do that.\u003cbr\u003e\u003cbr\u003eLessons was recorded in April 2025 in Brooklyn, New York. The album was written and produced by bobbie. Album engineered and produced by Felix Walworth. Guitar, Omnichord, voice and synths by bobbie. Drums and synths by Walworth. Mastered by Josh Bonati.\u003cbr\u003e\u003cbr\u003eIn 2023, they released their first full-length album, Rhododendron, on Flower Sounds, a label based in Greenfield, MA. Before that they put out several home-recorded projects. bobbie is also a baker.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : bobbie\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD89\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 6th March 2026\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・マサチューセッツのアンビエント・ポップ作家bobbieが、2026年3月に同国シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。 アンビエント・ドリームポップ9曲を収録。紫盤です。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ----------------------------...
¥4,280
クイックビュー
{"id":9195370348794,"title":"Greg Jamie \/\/ Across a Violet Pasture TAPE","handle":"greg-jamie-across-a-violet-pasture-tape","description":"\u003cp\u003eアメリカ・メインのフォーク作家bobbieが、2025年10月に同国シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・フォーク10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2416476118\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2460099245\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2416476118\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I'd Get Away 03:44\u003cbr\u003e2. Beautiful Place 04:56\u003cbr\u003e3. Sunny 03:19\u003cbr\u003e4. Time Has a Way 02:36\u003cbr\u003e5. Wanna Live 03:27\u003cbr\u003e6. When I Die 03:59\u003cbr\u003e7. What Is the Answer 02:45\u003cbr\u003e8. Heartbeat 04:27\u003cbr\u003e9. I Wanted More 05:42\u003cbr\u003e10. Distant Shore 02:22\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn established devotee of dark weirdness, Greg Jamie brings forth his second solo album on Orindal: Across a Violet Pasture. Over ten songs, Jamie journeys to the strange, enchanted center of his personal vision. This is a space between sleeping and waking, where Jamie’s woodsy, weary voice guides us forward.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s no surprise that the latest from the Maine-based musician and visual artist aims to haunt, but this experimental folk pop does it in a way that’s more playful than funereal. It lays a shimmering floor over the abyss.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAcross a Violet Pasture evokes, on different tracks — a sea shanty, a cowboy song, and lounge music for a David Lynch film. A beaten-up vintage drum machine provides the pulse for one song, while another conjures the cavernous panic of Suicide. But the album doesn’t adhere too strictly to any gesture or influence. This is Jamie’s unique blend...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Greg Jamie\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD86\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRellease date :10th October 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-22T15:38:32+09:00","created_at":"2026-04-19T10:06:49+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","new","orindal","tape"],"price":235000,"price_min":235000,"price_max":235000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48696252956922,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Greg Jamie \/\/ Across a Violet Pasture TAPE","public_title":null,"options":["Default Title"],"price":235000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/greg1_41112812-26bf-4433-b8f5-0ca2f21edb20.jpg?v=1776560840","\/\/tobirarecords.com\/cdn\/shop\/files\/greg3_a9160d2a-4bea-4443-a07e-54b460eb9680.jpg?v=1776560840"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/greg1_41112812-26bf-4433-b8f5-0ca2f21edb20.jpg?v=1776560840","options":["Title"],"media":[{"alt":null,"id":39083055677690,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/greg1_41112812-26bf-4433-b8f5-0ca2f21edb20.jpg?v=1776560840"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/greg1_41112812-26bf-4433-b8f5-0ca2f21edb20.jpg?v=1776560840","width":350},{"alt":null,"id":39083055710458,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/greg3_a9160d2a-4bea-4443-a07e-54b460eb9680.jpg?v=1776560840"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/greg3_a9160d2a-4bea-4443-a07e-54b460eb9680.jpg?v=1776560840","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・メインのフォーク作家bobbieが、2025年10月に同国シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・フォーク10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2416476118\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2460099245\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2416476118\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I'd Get Away 03:44\u003cbr\u003e2. Beautiful Place 04:56\u003cbr\u003e3. Sunny 03:19\u003cbr\u003e4. Time Has a Way 02:36\u003cbr\u003e5. Wanna Live 03:27\u003cbr\u003e6. When I Die 03:59\u003cbr\u003e7. What Is the Answer 02:45\u003cbr\u003e8. Heartbeat 04:27\u003cbr\u003e9. I Wanted More 05:42\u003cbr\u003e10. Distant Shore 02:22\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn established devotee of dark weirdness, Greg Jamie brings forth his second solo album on Orindal: Across a Violet Pasture. Over ten songs, Jamie journeys to the strange, enchanted center of his personal vision. This is a space between sleeping and waking, where Jamie’s woodsy, weary voice guides us forward.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s no surprise that the latest from the Maine-based musician and visual artist aims to haunt, but this experimental folk pop does it in a way that’s more playful than funereal. It lays a shimmering floor over the abyss.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAcross a Violet Pasture evokes, on different tracks — a sea shanty, a cowboy song, and lounge music for a David Lynch film. A beaten-up vintage drum machine provides the pulse for one song, while another conjures the cavernous panic of Suicide. But the album doesn’t adhere too strictly to any gesture or influence. This is Jamie’s unique blend...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Greg Jamie\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD86\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRellease date :10th October 2025\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・メインのフォーク作家bobbieが、2025年10月に同国シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。 レフトフィールド・フォーク10曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ----------------------------...
¥2,350
クイックビュー
{"id":9195370283258,"title":"Greg Jamie \/\/ Across a Violet Pasture LP","handle":"greg-jamie-across-a-violet-pasture-lp","description":"\u003cp\u003eアメリカ・メインのフォーク作家bobbieが、2025年10月に同国シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・フォーク10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2416476118\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2460099245\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2416476118\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I'd Get Away 03:44\u003cbr\u003e2. Beautiful Place 04:56\u003cbr\u003e3. Sunny 03:19\u003cbr\u003e4. Time Has a Way 02:36\u003cbr\u003e5. Wanna Live 03:27\u003cbr\u003e6. When I Die 03:59\u003cbr\u003e7. What Is the Answer 02:45\u003cbr\u003e8. Heartbeat 04:27\u003cbr\u003e9. I Wanted More 05:42\u003cbr\u003e10. Distant Shore 02:22\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn established devotee of dark weirdness, Greg Jamie brings forth his second solo album on Orindal: Across a Violet Pasture. Over ten songs, Jamie journeys to the strange, enchanted center of his personal vision. This is a space between sleeping and waking, where Jamie’s woodsy, weary voice guides us forward.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s no surprise that the latest from the Maine-based musician and visual artist aims to haunt, but this experimental folk pop does it in a way that’s more playful than funereal. It lays a shimmering floor over the abyss.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAcross a Violet Pasture evokes, on different tracks — a sea shanty, a cowboy song, and lounge music for a David Lynch film. A beaten-up vintage drum machine provides the pulse for one song, while another conjures the cavernous panic of Suicide. But the album doesn’t adhere too strictly to any gesture or influence. This is Jamie’s unique blend...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Greg Jamie\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD86\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRellease date :10th October 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-22T15:38:08+09:00","created_at":"2026-04-19T10:06:29+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","orindal"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48696252694778,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Greg Jamie \/\/ Across a Violet Pasture LP","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/greg1_a9f6dbe5-4fce-4de2-a9d0-ca3c4b70f6c7.jpg?v=1776560679","\/\/tobirarecords.com\/cdn\/shop\/files\/greg2_2c0770fd-2599-440d-8ea8-450d91c22970.jpg?v=1776560679"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/greg1_a9f6dbe5-4fce-4de2-a9d0-ca3c4b70f6c7.jpg?v=1776560679","options":["Title"],"media":[{"alt":null,"id":39083053711610,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/greg1_a9f6dbe5-4fce-4de2-a9d0-ca3c4b70f6c7.jpg?v=1776560679"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/greg1_a9f6dbe5-4fce-4de2-a9d0-ca3c4b70f6c7.jpg?v=1776560679","width":350},{"alt":null,"id":39083053744378,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/greg2_2c0770fd-2599-440d-8ea8-450d91c22970.jpg?v=1776560679"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/greg2_2c0770fd-2599-440d-8ea8-450d91c22970.jpg?v=1776560679","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・メインのフォーク作家bobbieが、2025年10月に同国シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・フォーク10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2416476118\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2460099245\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2416476118\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I'd Get Away 03:44\u003cbr\u003e2. Beautiful Place 04:56\u003cbr\u003e3. Sunny 03:19\u003cbr\u003e4. Time Has a Way 02:36\u003cbr\u003e5. Wanna Live 03:27\u003cbr\u003e6. When I Die 03:59\u003cbr\u003e7. What Is the Answer 02:45\u003cbr\u003e8. Heartbeat 04:27\u003cbr\u003e9. I Wanted More 05:42\u003cbr\u003e10. Distant Shore 02:22\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn established devotee of dark weirdness, Greg Jamie brings forth his second solo album on Orindal: Across a Violet Pasture. Over ten songs, Jamie journeys to the strange, enchanted center of his personal vision. This is a space between sleeping and waking, where Jamie’s woodsy, weary voice guides us forward.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s no surprise that the latest from the Maine-based musician and visual artist aims to haunt, but this experimental folk pop does it in a way that’s more playful than funereal. It lays a shimmering floor over the abyss.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAcross a Violet Pasture evokes, on different tracks — a sea shanty, a cowboy song, and lounge music for a David Lynch film. A beaten-up vintage drum machine provides the pulse for one song, while another conjures the cavernous panic of Suicide. But the album doesn’t adhere too strictly to any gesture or influence. This is Jamie’s unique blend...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Greg Jamie\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD86\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRellease date :10th October 2025\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・メインのフォーク作家bobbieが、2025年10月に同国シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。 レフトフィールド・フォーク10曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ----------------------------...
¥3,990
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{"id":9052451864826,"title":"Lisa\/Liza \/\/ Ocean Path TAPE","handle":"lisa-liza-ocean-path-tape","description":"\u003cp\u003eアメリカ・メインのフォーク作家Lisa\/Lizaが、2025年6月に同国シカゴのインディーレーベルOrindal Recordsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e彼女が10代から20代前半に制作したベッドルーム・フォーク5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ocean Path は、私が10代から20代前半にかけて初めて作った曲を振り返ったもので、「Gamble 」のような初めてのレコーディングも含まれている。私にとっては、若き日の自分からの手紙でもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのカセットは、記憶の道をたどり、私たちが常に自分らしく、そしてこれからあるべき姿になり、成長していることを思い出させてくれる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e今、これらの曲をカセットという形で保管し、居場所を与えることには、安らぎと誇りがある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私はミュージシャンになりたかったし、自分の内なる世界を他の人たちと分かち合いたかった。そして今、それが私をどこへ導いてくれたのかがわかり、目の前に示された道に感謝の気持ちを感じている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1536222709\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Includes DL code. \u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eSummer's Dust 06:29\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLooking Glass 05:59\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGamble 02:51\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eShark's Teeth 06:10\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eThen You Shall See 05:49 \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eLiza Victoria:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ocean Path is a look back at the first songs I made in my teens and early twenties, including some of my very first recordings, such as “Gamble.” For me, it is a letter from my younger self.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis cassette leads down paths of memory, reminding me we are always becoming and growing into who we are and what will be.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThere is a peace and sense of pride in holding these songs now in the form of a curated cassette, giving them a place to be.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI wanted to be a musician, I wanted to share my inner world with others. And now I see where that lead me and feel gratitude for the path set out before me.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEach song holds time between it, at least a year between each, love and memory, and different worlds of view, threads between them.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs much as I hope this cassette shares a small piece of me with others, it is also a little sign on the road that says “keep going.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eKnowing all there is that encourages the path to roll forward, friends, different lives, and loves met along the way, encouraging me to hit record and to sing a little louder. It feels hopeful and is a feeling of being held.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003eArtist : Lisa\/Liza\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003eCat No : ORD85\u003c\/p\u003e","published_at":"2026-01-09T05:58:48+09:00","created_at":"2026-01-09T05:58:22+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","new","orindal","tape"],"price":227400,"price_min":227400,"price_max":227400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48203153965306,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lisa\/Liza \/\/ Ocean Path TAPE","public_title":null,"options":["Default Title"],"price":227400,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1587219387_16_58c805f1-fbcb-4ae9-a205-3aaf2b7a265c.jpg?v=1754047213","\/\/tobirarecords.com\/cdn\/shop\/files\/0039891187_10.jpg?v=1754047213"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1587219387_16_58c805f1-fbcb-4ae9-a205-3aaf2b7a265c.jpg?v=1754047213","options":["Title"],"media":[{"alt":null,"id":36464889004282,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1587219387_16_58c805f1-fbcb-4ae9-a205-3aaf2b7a265c.jpg?v=1754047213"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1587219387_16_58c805f1-fbcb-4ae9-a205-3aaf2b7a265c.jpg?v=1754047213","width":700},{"alt":null,"id":36464886939898,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0039891187_10.jpg?v=1754047213"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0039891187_10.jpg?v=1754047213","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・メインのフォーク作家Lisa\/Lizaが、2025年6月に同国シカゴのインディーレーベルOrindal Recordsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e彼女が10代から20代前半に制作したベッドルーム・フォーク5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ocean Path は、私が10代から20代前半にかけて初めて作った曲を振り返ったもので、「Gamble 」のような初めてのレコーディングも含まれている。私にとっては、若き日の自分からの手紙でもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのカセットは、記憶の道をたどり、私たちが常に自分らしく、そしてこれからあるべき姿になり、成長していることを思い出させてくれる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e今、これらの曲をカセットという形で保管し、居場所を与えることには、安らぎと誇りがある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私はミュージシャンになりたかったし、自分の内なる世界を他の人たちと分かち合いたかった。そして今、それが私をどこへ導いてくれたのかがわかり、目の前に示された道に感謝の気持ちを感じている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1536222709\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Includes DL code. \u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eSummer's Dust 06:29\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLooking Glass 05:59\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGamble 02:51\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eShark's Teeth 06:10\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eThen You Shall See 05:49 \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eLiza Victoria:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ocean Path is a look back at the first songs I made in my teens and early twenties, including some of my very first recordings, such as “Gamble.” For me, it is a letter from my younger self.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis cassette leads down paths of memory, reminding me we are always becoming and growing into who we are and what will be.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThere is a peace and sense of pride in holding these songs now in the form of a curated cassette, giving them a place to be.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI wanted to be a musician, I wanted to share my inner world with others. And now I see where that lead me and feel gratitude for the path set out before me.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEach song holds time between it, at least a year between each, love and memory, and different worlds of view, threads between them.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs much as I hope this cassette shares a small piece of me with others, it is also a little sign on the road that says “keep going.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eKnowing all there is that encourages the path to roll forward, friends, different lives, and loves met along the way, encouraging me to hit record and to sing a little louder. It feels hopeful and is a feeling of being held.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003eArtist : Lisa\/Liza\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003eCat No : ORD85\u003c\/p\u003e"}
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![Robert Stillman // Reality (U.S.) LP [COLOR]](http://tobirarecords.com/cdn/shop/products/st1_bab9dc0a-d534-4ef8-9699-ce5c773a4f95_medium.jpg?v=1655700173)
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{"id":9052449734906,"title":"Robert Stillman \/\/ Reality (U.S.) LP [COLOR]","handle":"robert-stillman-reality-u-s-lp","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカ・メイン出身イギリス在住のマルチ奏者Robert Stillmanが、2019年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ8曲を収録。DLコード付属。白盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3157731056\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2609850205\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3157731056\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eEdition of 300 'opaque natural' color vinyl. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e7 tracks, 43 minutes.\u003cbr\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e11x11 full color photo inserts featuring photography by Jason Evans \u0026amp; design by Thomas Watt.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eReality is the new album from Maine-born, UK-based composer and multi-instrumentalist Robert Stillman.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStillman's catalogue on Orindal Records chronicles a singular musical voice traversing diverse stylistic territories: the intricate layered arrangements of 'cosmic jazz' on his 2016 LP Rainbow, the ambient experimental textures of his 2016 EP Time of Waves, and the minimal repetitions of his 2017 tape of electric piano meditations, Portals. Each of these sound worlds are reflected in the eight tracks of Reality, but in a looser, more improvised form which, for Stillman, represents a return to his formative, early influences in the recordings of John and Alice Coltrane, Ornette Coleman, and Albert Ayler.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese luminary voices serve as relevant reference points for an album that Stillman made as an attempt to, as he articulates it, \"draw attention to, and unconditionally praise, the directly experienced world.\" For Stillman, (and for Jason Evans, whose photographs feature on the album cover art) this is the 'reality' sensed in small scale, momentary perceptions of beauty (read: \"is\u003cspan class=\"bcTruncateMore\"\u003e-ness\") that reveal themselves when we are awake to the present. These moments represent the well from which this album's music draws its energy and purpose.\u003cbr\u003e\u003cbr\u003eThe album's title also references what music writer Virgil Moorefield calls the \"Reality of Illusion,\" that of Stillman's solo, multi-tracked ensemble of one, in which he plays saxophone, clarinets, drums, and piano. In contrast to past albums in which the layered recordings are used to realise predetermined compositions, the music on Reality often finds Stillman's multiples engaged in more spontaneous interaction, producing the uncanny sound of one mind in multi-voiced conversation with itself. The subject of these discourses is often a single melody, repeated and developed across different voices in an elaborated chant form.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Robert Stillman\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2026-01-09T05:55:13+09:00","created_at":"2026-01-09T05:54:07+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","orindal"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48203147608314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Robert Stillman \/\/ Reality (U.S.) LP [COLOR]","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/st1_bab9dc0a-d534-4ef8-9699-ce5c773a4f95.jpg?v=1655700173","\/\/tobirarecords.com\/cdn\/shop\/products\/st2_0e78393a-f71f-471c-8e32-b40e4ecaf08d.jpg?v=1655700173","\/\/tobirarecords.com\/cdn\/shop\/products\/st2_915f2f37-49e6-45d4-ab33-af096eeaa115.jpg?v=1655700173"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_bab9dc0a-d534-4ef8-9699-ce5c773a4f95.jpg?v=1655700173","options":["Title"],"media":[{"alt":null,"id":29933740851450,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_bab9dc0a-d534-4ef8-9699-ce5c773a4f95.jpg?v=1655700173"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_bab9dc0a-d534-4ef8-9699-ce5c773a4f95.jpg?v=1655700173","width":700},{"alt":null,"id":29933740884218,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st2_0e78393a-f71f-471c-8e32-b40e4ecaf08d.jpg?v=1655700173"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st2_0e78393a-f71f-471c-8e32-b40e4ecaf08d.jpg?v=1655700173","width":1200},{"alt":null,"id":29933740916986,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st2_915f2f37-49e6-45d4-ab33-af096eeaa115.jpg?v=1655700173"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st2_915f2f37-49e6-45d4-ab33-af096eeaa115.jpg?v=1655700173","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカ・メイン出身イギリス在住のマルチ奏者Robert Stillmanが、2019年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ8曲を収録。DLコード付属。白盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3157731056\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2609850205\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3157731056\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eEdition of 300 'opaque natural' color vinyl. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e7 tracks, 43 minutes.\u003cbr\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e11x11 full color photo inserts featuring photography by Jason Evans \u0026amp; design by Thomas Watt.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eReality is the new album from Maine-born, UK-based composer and multi-instrumentalist Robert Stillman.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStillman's catalogue on Orindal Records chronicles a singular musical voice traversing diverse stylistic territories: the intricate layered arrangements of 'cosmic jazz' on his 2016 LP Rainbow, the ambient experimental textures of his 2016 EP Time of Waves, and the minimal repetitions of his 2017 tape of electric piano meditations, Portals. Each of these sound worlds are reflected in the eight tracks of Reality, but in a looser, more improvised form which, for Stillman, represents a return to his formative, early influences in the recordings of John and Alice Coltrane, Ornette Coleman, and Albert Ayler.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese luminary voices serve as relevant reference points for an album that Stillman made as an attempt to, as he articulates it, \"draw attention to, and unconditionally praise, the directly experienced world.\" For Stillman, (and for Jason Evans, whose photographs feature on the album cover art) this is the 'reality' sensed in small scale, momentary perceptions of beauty (read: \"is\u003cspan class=\"bcTruncateMore\"\u003e-ness\") that reveal themselves when we are awake to the present. These moments represent the well from which this album's music draws its energy and purpose.\u003cbr\u003e\u003cbr\u003eThe album's title also references what music writer Virgil Moorefield calls the \"Reality of Illusion,\" that of Stillman's solo, multi-tracked ensemble of one, in which he plays saxophone, clarinets, drums, and piano. In contrast to past albums in which the layered recordings are used to realise predetermined compositions, the music on Reality often finds Stillman's multiples engaged in more spontaneous interaction, producing the uncanny sound of one mind in multi-voiced conversation with itself. The subject of these discourses is often a single melody, repeated and developed across different voices in an elaborated chant form.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Robert Stillman\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。 本作は、アメリカ・メイン出身イギリス在住のマルチ奏者Robert Stillmanが、2019年にリリースしたアルバムです。 コンテンポラリー・ジャズ〜アンビエント・ジャズ8曲を収録。DLコード付属。白盤です。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at...
¥3,990
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{"id":9050242515194,"title":"Robert Stillman \/\/ 10,000 Rivers LP","handle":"robert-stillman-10-000-rivers-lp","description":"\u003cp\u003eアメリカ出身イギリス在住のマルチ奏者Robert Stillmanが、2026年1月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスムースジャズ〜アンビエント・ジャズ〜インディーポップ7曲を収録。DLコードと歌詞インサート付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2292754845\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3562264742\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2292754845\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eIncludes insert.\u003cbr\u003eEdition of 400.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 10,000 Rivers (Jobs)\u003cbr\u003e2. Reality Distortion Field 04:01\u003cbr\u003e3. The Zentrepreneur (Carrots)\u003cbr\u003e4. Knowledge Is Free! (Woz)\u003cbr\u003e5. If You Knew Him Like I Know Him (Ive)\u003cbr\u003e6. The California Ideology (A Walking Meeting) 06:01\u003cbr\u003e7. No Off 06:26\u003cbr\u003e8. To Be Loved By You (Kids)\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eRobert Stillman didn’t set out to make a concept album about Steve Jobs. But as a composer and improviser whose music asks questions about his relationship with reality, a curiosity about the promises and follies of technology took him there.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowing an intuitive path from James Bridle’s acclaimed book on non-human intelligence Ways of Being to the seminal 1995 essay “The California Ideology”, Stillman arrived at Walter Isaacson’s biography of Apple founder Steve Jobs – and what would become the catalyst for his new album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“10,000 Rivers points to an alternative narrative about a man who is tormented by the instability of his reality, so tries to invent his way out of it,” Stillman explains. “Ultimately, his tech designs become expressions of his will to replace the messy, disordered, temporary nature of the world with something that strives to be barely physical: streamlined, symmetrical, uncomplicated, and deathless.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHighly original, wholly unclassifiable, 10,000 Rivers is part cultural critique, part sonic biography and takes the form of a series of songs, instrumentals and abstract soundscapes that respond directly to moments or paradigms from Jobs’ life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStylistically, it leans on Stillman’s relationship with\u003cspan class=\"bcTruncateMore\"\u003e the smooth music of Billy Ocean, Gloria Estefan and 10cc from the ‘80s and early ‘90s, made at what he calls “the knife’s edge between the human and the digital.”\u003cbr\u003e\u003cbr\u003e“A lot of this music, coincidentally, was contemporary with Jobs’ heyday and the mainstream adoption of his first personal computers,” Stillman continues, revelling in the playful deconstruction of their aspirational and anodyne qualities.\u003cbr\u003e\u003cbr\u003eTwinkling, synthetic arpeggios sit alongside tumbledown acoustic improvisation – think Mort Garson meets Moondog – fragments of ambient sound collapse into queasy auto-tuned lullabies, the melancholy paradise of Brian Wilson-esque California dreaming dismantled into uncanny free jazz freakouts.\u003cbr\u003e\u003cbr\u003eRecorded to ½-inch 8 track tape and mixed down in real-time to give it a live, performative quality, the result is a speculative, genreless soundtrack to a man’s life and the wider societal values it came to define.\u003cbr\u003e\u003cbr\u003eDrawing on his recent collaborations with Thom Yorke, Jonny Greenwood and Tom Skinner as touring support and live band-member for The Smile, Stillman’s work has long resisted categorisation, and been presented in a range of media, including installations, performance lectures and 12 solo albums, the most recent of which What Does It Mean to Be American? takes a similarly conceptual scalpel to complex notions of US identity.\u003cbr\u003e\u003cbr\u003eOne of Stillman’s most ambitious and idiosyncratic projects to date, 10,000 Rivers is an elegy for the hubris of a humankind trying to design its way to immortality as it falls apart at the seams.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Robert Stillman\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003eRelease date :\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e9th January 2026\u003c\/p\u003e","published_at":"2026-01-09T05:52:24+09:00","created_at":"2026-01-08T12:04:32+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","jazz","lp","new","orindal","recommended"],"price":413500,"price_min":413500,"price_max":413500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48196663116026,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Robert Stillman \/\/ 10,000 Rivers LP","public_title":null,"options":["Default Title"],"price":413500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/rob1_37f93b02-7d2d-4ab7-97e0-83bcf74b3118.jpg?v=1767841329","\/\/tobirarecords.com\/cdn\/shop\/files\/rob2_2ca0fcbf-6d8d-4441-aeca-4294920c073e.jpg?v=1767841329"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/rob1_37f93b02-7d2d-4ab7-97e0-83bcf74b3118.jpg?v=1767841329","options":["Title"],"media":[{"alt":null,"id":38013443309818,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rob1_37f93b02-7d2d-4ab7-97e0-83bcf74b3118.jpg?v=1767841329"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rob1_37f93b02-7d2d-4ab7-97e0-83bcf74b3118.jpg?v=1767841329","width":700},{"alt":null,"id":38013443342586,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rob2_2ca0fcbf-6d8d-4441-aeca-4294920c073e.jpg?v=1767841329"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rob2_2ca0fcbf-6d8d-4441-aeca-4294920c073e.jpg?v=1767841329","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ出身イギリス在住のマルチ奏者Robert Stillmanが、2026年1月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスムースジャズ〜アンビエント・ジャズ〜インディーポップ7曲を収録。DLコードと歌詞インサート付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2292754845\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3562264742\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2292754845\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eIncludes insert.\u003cbr\u003eEdition of 400.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 10,000 Rivers (Jobs)\u003cbr\u003e2. Reality Distortion Field 04:01\u003cbr\u003e3. The Zentrepreneur (Carrots)\u003cbr\u003e4. Knowledge Is Free! (Woz)\u003cbr\u003e5. If You Knew Him Like I Know Him (Ive)\u003cbr\u003e6. The California Ideology (A Walking Meeting) 06:01\u003cbr\u003e7. No Off 06:26\u003cbr\u003e8. To Be Loved By You (Kids)\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eRobert Stillman didn’t set out to make a concept album about Steve Jobs. But as a composer and improviser whose music asks questions about his relationship with reality, a curiosity about the promises and follies of technology took him there.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowing an intuitive path from James Bridle’s acclaimed book on non-human intelligence Ways of Being to the seminal 1995 essay “The California Ideology”, Stillman arrived at Walter Isaacson’s biography of Apple founder Steve Jobs – and what would become the catalyst for his new album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“10,000 Rivers points to an alternative narrative about a man who is tormented by the instability of his reality, so tries to invent his way out of it,” Stillman explains. “Ultimately, his tech designs become expressions of his will to replace the messy, disordered, temporary nature of the world with something that strives to be barely physical: streamlined, symmetrical, uncomplicated, and deathless.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHighly original, wholly unclassifiable, 10,000 Rivers is part cultural critique, part sonic biography and takes the form of a series of songs, instrumentals and abstract soundscapes that respond directly to moments or paradigms from Jobs’ life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStylistically, it leans on Stillman’s relationship with\u003cspan class=\"bcTruncateMore\"\u003e the smooth music of Billy Ocean, Gloria Estefan and 10cc from the ‘80s and early ‘90s, made at what he calls “the knife’s edge between the human and the digital.”\u003cbr\u003e\u003cbr\u003e“A lot of this music, coincidentally, was contemporary with Jobs’ heyday and the mainstream adoption of his first personal computers,” Stillman continues, revelling in the playful deconstruction of their aspirational and anodyne qualities.\u003cbr\u003e\u003cbr\u003eTwinkling, synthetic arpeggios sit alongside tumbledown acoustic improvisation – think Mort Garson meets Moondog – fragments of ambient sound collapse into queasy auto-tuned lullabies, the melancholy paradise of Brian Wilson-esque California dreaming dismantled into uncanny free jazz freakouts.\u003cbr\u003e\u003cbr\u003eRecorded to ½-inch 8 track tape and mixed down in real-time to give it a live, performative quality, the result is a speculative, genreless soundtrack to a man’s life and the wider societal values it came to define.\u003cbr\u003e\u003cbr\u003eDrawing on his recent collaborations with Thom Yorke, Jonny Greenwood and Tom Skinner as touring support and live band-member for The Smile, Stillman’s work has long resisted categorisation, and been presented in a range of media, including installations, performance lectures and 12 solo albums, the most recent of which What Does It Mean to Be American? takes a similarly conceptual scalpel to complex notions of US identity.\u003cbr\u003e\u003cbr\u003eOne of Stillman’s most ambitious and idiosyncratic projects to date, 10,000 Rivers is an elegy for the hubris of a humankind trying to design its way to immortality as it falls apart at the seams.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Robert Stillman\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003eRelease date :\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e9th January 2026\u003c\/p\u003e"}
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アメリカ出身イギリス在住のマルチ奏者Robert Stillmanが、2026年1月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたレコードです。 スムースジャズ〜アンビエント・ジャズ〜インディーポップ7曲を収録。DLコードと歌詞インサート付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ...
¥4,135
クイックビュー
{"id":9045958033658,"title":"Robert Stillman \/\/ What Does It Mean to Be American? LP","handle":"robert-stillman-what-does-it-mean-to-be-american-lp","description":"\u003cp\u003eイギリスのマルチ奏者Robert Stillmanが、2022年1月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ジャズ〜アンビエント・ジャズ〜アンビエント・フォーク7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=490302768\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=898210106\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=490302768\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2666609134\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=490302768\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2502885088\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack vinyl edition of 500. Includes DL code.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e7 tracks, 35 minutes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by Orindal:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhat Does it Mean to Be American? is the eighth solo album by Margate, UK based composer \u0026amp; multi-instrumentalist Robert Stillman. Performed, recorded \u0026amp; mixed almost entirely by Stillman, the seven tracks on What Does it Mean to Be American? are experimental in the purest sense of the word; Stillman's composition \u0026amp; recording techniques rely heavily on improvisation, which often sends his music in surprising directions. Elements of jazz, drone, funk, blues, psychedelia, new age \u0026amp; chamber music are referenced, often subconsciously, but Stillman's music ultimately defies adherence to any particular genre.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStillman explains:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'The musical content of this work is varied, partly due to its having been recorded over a long period of time, and also due to the attitude I brought to curating the work, i.e. removing any sense of filter on the creative impetus. Much of this work was made very quickly and intuitively; the idea was to remove as many barriers as possible between gut-level expressions and the sound result, to essentially dream these tracks directly into existence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'This music, like much of my other recorded output, is the product of a solo studio process that involves extensive layering of\u003cspan class=\"bcTruncateMore\"\u003e multi-track recordings of me playing various instruments (tenor saxophone, clarinet, bass clarinet, piano and drums).\"\u003cbr\u003e\u003cbr\u003eWhat Does it Mean to Be American?'s one guest performance comes from Anders Holst (Stillman's collaborator in the Bog Bodies project), who contributes acoustic guitar to the album's closing track, \"No Good Old Days.\"\u003cbr\u003e\u003cbr\u003eWhile What Does it Mean to Be American? is a mostly instrumental work (only the opening track, \"Cherry Ocean,\" features Stillman's singing voice), a strong narrative carries through the album, namely Stillman's examination of his nationality.\u003cbr\u003e\u003cbr\u003eFrom Stillman:\u003cbr\u003e\u003cbr\u003e'I was born and raised in America, and identify as an American. However, I have lived in the UK for over a decade, and this has given me the opportunity to consider what being 'American' means outside the day-to-day experience of being American and has created a space for me to consider the concept of American 'identity\" as someone no longer living there. In the position of ex-patriot, it is tempting to claim one's favorite trappings of 'American' and disassociate from the rest, but this is unacceptable to me.\u003cbr\u003e\u003cbr\u003e\"Part of growing up into an adult has meant coming to terms with the American Identity in total. In other words, recognising that to selectively claim aspects of American identity is a narcissistic game of illusion. To worship aestheticized, revisionist imaginations of Americanness (read 'Americana') plays a role in this. In this record I wish to share my insight that to 'be' American is to claim everything within that specification: historical, cultural, social, stereotypical, experiential, heroic, villainous. In this model of Americanness, there is nothing 'American' that lives outside of the 'American' identity. In the context of some of the most difficult, embarrassing, uncomfortable years of being American, I feel that doubling down on the identity in total represents a gesture of radical acceptance of reality that opens the space for positive action, be it personal or political, as a corrective to the inertia of denial and delusion.\u003cbr\u003e\u003cbr\u003e'The music on this album adopts a similar attitude of 'radical acceptance' in the sense that, to as great an extent as I could, I tried not to let 'aesthetics' get in the way of intuition. The process was geared toward letting in musical impulses before I had the chance to critically examine them. The end result is that the music is more varied and technically rough-edged than other work I've made, and the musical languages are more varied. It is a more direct expression of the thoughts, emotions, dreams, and beliefs that are the 'prime movers' of my work.'\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : ROBERT STILLMAN\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2026-01-04T07:07:36+09:00","created_at":"2026-01-04T07:05:30+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","orindal"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48183211589882,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Robert Stillman \/\/ What Does It Mean to Be American? LP","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/am1_bc710f68-29ed-410d-9f73-faab1f6eafaf.jpg?v=1655702923","\/\/tobirarecords.com\/cdn\/shop\/files\/0026882630_10_e461f8a3-fc70-47bf-9891-e36198af88cd.jpg?v=1767905319"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_bc710f68-29ed-410d-9f73-faab1f6eafaf.jpg?v=1655702923","options":["Title"],"media":[{"alt":null,"id":29933808681210,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_bc710f68-29ed-410d-9f73-faab1f6eafaf.jpg?v=1655702923"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_bc710f68-29ed-410d-9f73-faab1f6eafaf.jpg?v=1655702923","width":700},{"alt":null,"id":38027200299258,"position":2,"preview_image":{"aspect_ratio":1.354,"height":886,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0026882630_10_e461f8a3-fc70-47bf-9891-e36198af88cd.jpg?v=1767905319"},"aspect_ratio":1.354,"height":886,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0026882630_10_e461f8a3-fc70-47bf-9891-e36198af88cd.jpg?v=1767905319","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのマルチ奏者Robert Stillmanが、2022年1月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ジャズ〜アンビエント・ジャズ〜アンビエント・フォーク7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=490302768\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=898210106\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=490302768\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2666609134\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=490302768\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2502885088\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack vinyl edition of 500. Includes DL code.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e7 tracks, 35 minutes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by Orindal:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhat Does it Mean to Be American? is the eighth solo album by Margate, UK based composer \u0026amp; multi-instrumentalist Robert Stillman. Performed, recorded \u0026amp; mixed almost entirely by Stillman, the seven tracks on What Does it Mean to Be American? are experimental in the purest sense of the word; Stillman's composition \u0026amp; recording techniques rely heavily on improvisation, which often sends his music in surprising directions. Elements of jazz, drone, funk, blues, psychedelia, new age \u0026amp; chamber music are referenced, often subconsciously, but Stillman's music ultimately defies adherence to any particular genre.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStillman explains:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'The musical content of this work is varied, partly due to its having been recorded over a long period of time, and also due to the attitude I brought to curating the work, i.e. removing any sense of filter on the creative impetus. Much of this work was made very quickly and intuitively; the idea was to remove as many barriers as possible between gut-level expressions and the sound result, to essentially dream these tracks directly into existence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'This music, like much of my other recorded output, is the product of a solo studio process that involves extensive layering of\u003cspan class=\"bcTruncateMore\"\u003e multi-track recordings of me playing various instruments (tenor saxophone, clarinet, bass clarinet, piano and drums).\"\u003cbr\u003e\u003cbr\u003eWhat Does it Mean to Be American?'s one guest performance comes from Anders Holst (Stillman's collaborator in the Bog Bodies project), who contributes acoustic guitar to the album's closing track, \"No Good Old Days.\"\u003cbr\u003e\u003cbr\u003eWhile What Does it Mean to Be American? is a mostly instrumental work (only the opening track, \"Cherry Ocean,\" features Stillman's singing voice), a strong narrative carries through the album, namely Stillman's examination of his nationality.\u003cbr\u003e\u003cbr\u003eFrom Stillman:\u003cbr\u003e\u003cbr\u003e'I was born and raised in America, and identify as an American. However, I have lived in the UK for over a decade, and this has given me the opportunity to consider what being 'American' means outside the day-to-day experience of being American and has created a space for me to consider the concept of American 'identity\" as someone no longer living there. In the position of ex-patriot, it is tempting to claim one's favorite trappings of 'American' and disassociate from the rest, but this is unacceptable to me.\u003cbr\u003e\u003cbr\u003e\"Part of growing up into an adult has meant coming to terms with the American Identity in total. In other words, recognising that to selectively claim aspects of American identity is a narcissistic game of illusion. To worship aestheticized, revisionist imaginations of Americanness (read 'Americana') plays a role in this. In this record I wish to share my insight that to 'be' American is to claim everything within that specification: historical, cultural, social, stereotypical, experiential, heroic, villainous. In this model of Americanness, there is nothing 'American' that lives outside of the 'American' identity. In the context of some of the most difficult, embarrassing, uncomfortable years of being American, I feel that doubling down on the identity in total represents a gesture of radical acceptance of reality that opens the space for positive action, be it personal or political, as a corrective to the inertia of denial and delusion.\u003cbr\u003e\u003cbr\u003e'The music on this album adopts a similar attitude of 'radical acceptance' in the sense that, to as great an extent as I could, I tried not to let 'aesthetics' get in the way of intuition. The process was geared toward letting in musical impulses before I had the chance to critically examine them. The end result is that the music is more varied and technically rough-edged than other work I've made, and the musical languages are more varied. It is a more direct expression of the thoughts, emotions, dreams, and beliefs that are the 'prime movers' of my work.'\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : ROBERT STILLMAN\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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イギリスのマルチ奏者Robert Stillmanが、2022年1月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたレコードです。 実験ジャズ〜アンビエント・ジャズ〜アンビエント・フォーク7曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ...
¥3,990
クイックビュー
{"id":9045956755706,"title":"Robert Stillman \/\/ What Does It Mean to Be American? TAPE","handle":"robert-stillman-what-does-it-mean-to-be-american-tape","description":"\u003cp\u003eイギリスのマルチ奏者Robert Stillmanが、2022年1月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e実験ジャズ〜アンビエント・ジャズ〜アンビエント・フォーク7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=490302768\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=898210106\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=490302768\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2666609134\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=490302768\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2502885088\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eTape edition of 100. Includes DL code.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e7 tracks, 35 minutes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by Orindal:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhat Does it Mean to Be American? is the eighth solo album by Margate, UK based composer \u0026amp; multi-instrumentalist Robert Stillman. Performed, recorded \u0026amp; mixed almost entirely by Stillman, the seven tracks on What Does it Mean to Be American? are experimental in the purest sense of the word; Stillman's composition \u0026amp; recording techniques rely heavily on improvisation, which often sends his music in surprising directions. Elements of jazz, drone, funk, blues, psychedelia, new age \u0026amp; chamber music are referenced, often subconsciously, but Stillman's music ultimately defies adherence to any particular genre.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStillman explains:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'The musical content of this work is varied, partly due to its having been recorded over a long period of time, and also due to the attitude I brought to curating the work, i.e. removing any sense of filter on the creative impetus. Much of this work was made very quickly and intuitively; the idea was to remove as many barriers as possible between gut-level expressions and the sound result, to essentially dream these tracks directly into existence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'This music, like much of my other recorded output, is the product of a solo studio process that involves extensive layering of\u003cspan class=\"bcTruncateMore\"\u003e multi-track recordings of me playing various instruments (tenor saxophone, clarinet, bass clarinet, piano and drums).\"\u003cbr\u003e\u003cbr\u003eWhat Does it Mean to Be American?'s one guest performance comes from Anders Holst (Stillman's collaborator in the Bog Bodies project), who contributes acoustic guitar to the album's closing track, \"No Good Old Days.\"\u003cbr\u003e\u003cbr\u003eWhile What Does it Mean to Be American? is a mostly instrumental work (only the opening track, \"Cherry Ocean,\" features Stillman's singing voice), a strong narrative carries through the album, namely Stillman's examination of his nationality.\u003cbr\u003e\u003cbr\u003eFrom Stillman:\u003cbr\u003e\u003cbr\u003e'I was born and raised in America, and identify as an American. However, I have lived in the UK for over a decade, and this has given me the opportunity to consider what being 'American' means outside the day-to-day experience of being American and has created a space for me to consider the concept of American 'identity\" as someone no longer living there. In the position of ex-patriot, it is tempting to claim one's favorite trappings of 'American' and disassociate from the rest, but this is unacceptable to me.\u003cbr\u003e\u003cbr\u003e\"Part of growing up into an adult has meant coming to terms with the American Identity in total. In other words, recognising that to selectively claim aspects of American identity is a narcissistic game of illusion. To worship aestheticized, revisionist imaginations of Americanness (read 'Americana') plays a role in this. In this record I wish to share my insight that to 'be' American is to claim everything within that specification: historical, cultural, social, stereotypical, experiential, heroic, villainous. In this model of Americanness, there is nothing 'American' that lives outside of the 'American' identity. In the context of some of the most difficult, embarrassing, uncomfortable years of being American, I feel that doubling down on the identity in total represents a gesture of radical acceptance of reality that opens the space for positive action, be it personal or political, as a corrective to the inertia of denial and delusion.\u003cbr\u003e\u003cbr\u003e'The music on this album adopts a similar attitude of 'radical acceptance' in the sense that, to as great an extent as I could, I tried not to let 'aesthetics' get in the way of intuition. The process was geared toward letting in musical impulses before I had the chance to critically examine them. The end result is that the music is more varied and technically rough-edged than other work I've made, and the musical languages are more varied. It is a more direct expression of the thoughts, emotions, dreams, and beliefs that are the 'prime movers' of my work.'\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : ROBERT STILLMAN\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2026-01-04T06:59:37+09:00","created_at":"2026-01-04T06:58:05+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","new","orindal","tape"],"price":235000,"price_min":235000,"price_max":235000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48183206772986,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Robert Stillman \/\/ What Does It Mean to Be American? TAPE","public_title":null,"options":["Default Title"],"price":235000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/am1_bc710f68-29ed-410d-9f73-faab1f6eafaf.jpg?v=1655702923","\/\/tobirarecords.com\/cdn\/shop\/products\/am3_b1a034a8-b5a5-42d0-b16f-2d846e5548c5.jpg?v=1655702923"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_bc710f68-29ed-410d-9f73-faab1f6eafaf.jpg?v=1655702923","options":["Title"],"media":[{"alt":null,"id":29933808681210,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_bc710f68-29ed-410d-9f73-faab1f6eafaf.jpg?v=1655702923"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_bc710f68-29ed-410d-9f73-faab1f6eafaf.jpg?v=1655702923","width":700},{"alt":null,"id":29933808746746,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am3_b1a034a8-b5a5-42d0-b16f-2d846e5548c5.jpg?v=1655702923"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am3_b1a034a8-b5a5-42d0-b16f-2d846e5548c5.jpg?v=1655702923","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのマルチ奏者Robert Stillmanが、2022年1月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e実験ジャズ〜アンビエント・ジャズ〜アンビエント・フォーク7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=490302768\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=898210106\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=490302768\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2666609134\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=490302768\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2502885088\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eTape edition of 100. Includes DL code.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e7 tracks, 35 minutes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by Orindal:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhat Does it Mean to Be American? is the eighth solo album by Margate, UK based composer \u0026amp; multi-instrumentalist Robert Stillman. Performed, recorded \u0026amp; mixed almost entirely by Stillman, the seven tracks on What Does it Mean to Be American? are experimental in the purest sense of the word; Stillman's composition \u0026amp; recording techniques rely heavily on improvisation, which often sends his music in surprising directions. Elements of jazz, drone, funk, blues, psychedelia, new age \u0026amp; chamber music are referenced, often subconsciously, but Stillman's music ultimately defies adherence to any particular genre.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStillman explains:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'The musical content of this work is varied, partly due to its having been recorded over a long period of time, and also due to the attitude I brought to curating the work, i.e. removing any sense of filter on the creative impetus. Much of this work was made very quickly and intuitively; the idea was to remove as many barriers as possible between gut-level expressions and the sound result, to essentially dream these tracks directly into existence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'This music, like much of my other recorded output, is the product of a solo studio process that involves extensive layering of\u003cspan class=\"bcTruncateMore\"\u003e multi-track recordings of me playing various instruments (tenor saxophone, clarinet, bass clarinet, piano and drums).\"\u003cbr\u003e\u003cbr\u003eWhat Does it Mean to Be American?'s one guest performance comes from Anders Holst (Stillman's collaborator in the Bog Bodies project), who contributes acoustic guitar to the album's closing track, \"No Good Old Days.\"\u003cbr\u003e\u003cbr\u003eWhile What Does it Mean to Be American? is a mostly instrumental work (only the opening track, \"Cherry Ocean,\" features Stillman's singing voice), a strong narrative carries through the album, namely Stillman's examination of his nationality.\u003cbr\u003e\u003cbr\u003eFrom Stillman:\u003cbr\u003e\u003cbr\u003e'I was born and raised in America, and identify as an American. However, I have lived in the UK for over a decade, and this has given me the opportunity to consider what being 'American' means outside the day-to-day experience of being American and has created a space for me to consider the concept of American 'identity\" as someone no longer living there. In the position of ex-patriot, it is tempting to claim one's favorite trappings of 'American' and disassociate from the rest, but this is unacceptable to me.\u003cbr\u003e\u003cbr\u003e\"Part of growing up into an adult has meant coming to terms with the American Identity in total. In other words, recognising that to selectively claim aspects of American identity is a narcissistic game of illusion. To worship aestheticized, revisionist imaginations of Americanness (read 'Americana') plays a role in this. In this record I wish to share my insight that to 'be' American is to claim everything within that specification: historical, cultural, social, stereotypical, experiential, heroic, villainous. In this model of Americanness, there is nothing 'American' that lives outside of the 'American' identity. In the context of some of the most difficult, embarrassing, uncomfortable years of being American, I feel that doubling down on the identity in total represents a gesture of radical acceptance of reality that opens the space for positive action, be it personal or political, as a corrective to the inertia of denial and delusion.\u003cbr\u003e\u003cbr\u003e'The music on this album adopts a similar attitude of 'radical acceptance' in the sense that, to as great an extent as I could, I tried not to let 'aesthetics' get in the way of intuition. The process was geared toward letting in musical impulses before I had the chance to critically examine them. The end result is that the music is more varied and technically rough-edged than other work I've made, and the musical languages are more varied. It is a more direct expression of the thoughts, emotions, dreams, and beliefs that are the 'prime movers' of my work.'\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : ROBERT STILLMAN\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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イギリスのマルチ奏者Robert Stillmanが、2022年1月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたカセットです。 実験ジャズ〜アンビエント・ジャズ〜アンビエント・フォーク7曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ...
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{"id":9045955084538,"title":"Annie Hart \/\/ Everything Pale Blue LP","handle":"annie-hart-everything-pale-blue-lp","description":"\u003cp\u003eアメリカ・NYのアンビエント作家Annie Hartが、2021年5月にシカゴのインディーレーベルOrindal Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eあたたかいシンセアンビエント4曲を収録。DLコード付属。ペールブルー盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3822556957\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4236076427\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003ePale blue vinyl edition of 300. Includes DL code.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e4 tracks, 37 minutes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Orindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEverything Pale Blue is the first collection of ambient music by New York City-based composer and Au Revoir Simone keyboardist Annie Hart. Performed on analog synthesizers and processed through daisy chains of delay, reverb and loop effects, Everything Pale Blue’s warm, sonorous tones and trance-like, minimalist arrangements recall the work of pioneering electronic music composers Wendy Carlos, Éliane Radigue and Brian Eno, as well as German Kosmische Musik groups of the 70’s like Kraftwerk, Cluster and Tangerine Dream.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThroughout Everything Pale Blue, Hart’s gentle arpeggios and playful melodic figures echo the harmonies and rhythms of our natural world, from the cycles of flora, fauna and weather patterns to the orbits of celestial bodies. Everything Pale Blue’s four gorgeously expansive instrumental tracks reward patient listeners seeking calm, melody and meditation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnnie Hart explains:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'I began composing Everything Pale Blue in November 2020 at an artist’s residency near Oneonta, New York called Aunt Karen’s Farm, which was funded through a grant from the Sustainable Arts Foundation, whose mission is to support arts created by people with children. Normally, it’s a hub of activity, but due to COVID, it\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e was just me, and for part of the time, my family, sharing an open, empty farm space; a true retreat. At first I was a bit bored by the same scenery every day in such a gloomy, wet, gray season, but after a while I started seeing the minute daily changes in the nature around me. Every day I went on walks through fallow fields spiked with mown straw, sometimes wet with mud, sometimes caked with snow, and on some magical days, encased in crystalline ice. I started seeing the trees around the farm as individuals, with their own personalities. I saw the leaves change on the ground from yellow and brown, to dry brown blowing ones, to wet, dark brown precursors to soil that would then nurture the same trees they came from. Obviously, in New York City, we see trees every day, but it is incredibly rare to witness their symbioses with each other and the soil and animals. I started noticing the differences in the bird songs of each species and their various moods.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'At the start of my residency, I visited Green Toad Bookstore in Oneonta where I was drawn to the 33 1\/3 book on Another Green World by Geeta Dayal. She’s a great writer and laid Eno’s processes and philosophies out in an incredibly tangible way. I savored that book and bought AGW on iTunes and would listen on repeat while I ate my suppers. I had intended to use my time at the farm to finish recording a pop record, but I soon started sliding out of the typical song structure mentality and sliding into a playing\/listening mentality. And I mean “play” in the childish sense. I brought my Oblique Strategies cards that I got for my birthday and I started just going to the recording studio I’d set up in the farmhouse’s living room and doing wild experiments.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'I’d brought along a few of my analog synthesizers (a Minimoog Model D, a Sequential Prophet-6, a Yamaha CP-20) plus some delay, reverb and loop effects. I started to think about just how meditative, playful and creative I could be within small parameters. I composed “Somebody Moves, Nobody Talks” like that, with the idea of how to make my own version of Eno’s studio with tape going around the room, looped on pencils.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'It was incredible to see the shift in my mentality over the time at the farm. To go from gripping and holding to just playing; allowing myself the freedom to create without guilt or responsibility, to see the shifts in my abilities as a composer and musician. It was absolutely magical and I consider that month an incredibly formative one that I am so lucky to have been able to attend and appreciate.'\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Annie Hart\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2026-01-04T06:53:51+09:00","created_at":"2026-01-04T06:50:34+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","orindal"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48183204118778,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Annie Hart \/\/ Everything Pale Blue LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ev1_d39db1a9-5546-4e33-8709-b87abb4dada4.jpg?v=1655702772","\/\/tobirarecords.com\/cdn\/shop\/products\/ev2_f71426fa-583d-482f-a293-6a187a1ceaab.jpg?v=1655702772"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev1_d39db1a9-5546-4e33-8709-b87abb4dada4.jpg?v=1655702772","options":["Title"],"media":[{"alt":null,"id":29933800194298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev1_d39db1a9-5546-4e33-8709-b87abb4dada4.jpg?v=1655702772"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev1_d39db1a9-5546-4e33-8709-b87abb4dada4.jpg?v=1655702772","width":700},{"alt":null,"id":29933800227066,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev2_f71426fa-583d-482f-a293-6a187a1ceaab.jpg?v=1655702772"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev2_f71426fa-583d-482f-a293-6a187a1ceaab.jpg?v=1655702772","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのアンビエント作家Annie Hartが、2021年5月にシカゴのインディーレーベルOrindal Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eあたたかいシンセアンビエント4曲を収録。DLコード付属。ペールブルー盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3822556957\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4236076427\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003ePale blue vinyl edition of 300. Includes DL code.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e4 tracks, 37 minutes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Orindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEverything Pale Blue is the first collection of ambient music by New York City-based composer and Au Revoir Simone keyboardist Annie Hart. Performed on analog synthesizers and processed through daisy chains of delay, reverb and loop effects, Everything Pale Blue’s warm, sonorous tones and trance-like, minimalist arrangements recall the work of pioneering electronic music composers Wendy Carlos, Éliane Radigue and Brian Eno, as well as German Kosmische Musik groups of the 70’s like Kraftwerk, Cluster and Tangerine Dream.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThroughout Everything Pale Blue, Hart’s gentle arpeggios and playful melodic figures echo the harmonies and rhythms of our natural world, from the cycles of flora, fauna and weather patterns to the orbits of celestial bodies. Everything Pale Blue’s four gorgeously expansive instrumental tracks reward patient listeners seeking calm, melody and meditation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnnie Hart explains:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'I began composing Everything Pale Blue in November 2020 at an artist’s residency near Oneonta, New York called Aunt Karen’s Farm, which was funded through a grant from the Sustainable Arts Foundation, whose mission is to support arts created by people with children. Normally, it’s a hub of activity, but due to COVID, it\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e was just me, and for part of the time, my family, sharing an open, empty farm space; a true retreat. At first I was a bit bored by the same scenery every day in such a gloomy, wet, gray season, but after a while I started seeing the minute daily changes in the nature around me. Every day I went on walks through fallow fields spiked with mown straw, sometimes wet with mud, sometimes caked with snow, and on some magical days, encased in crystalline ice. I started seeing the trees around the farm as individuals, with their own personalities. I saw the leaves change on the ground from yellow and brown, to dry brown blowing ones, to wet, dark brown precursors to soil that would then nurture the same trees they came from. Obviously, in New York City, we see trees every day, but it is incredibly rare to witness their symbioses with each other and the soil and animals. I started noticing the differences in the bird songs of each species and their various moods.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'At the start of my residency, I visited Green Toad Bookstore in Oneonta where I was drawn to the 33 1\/3 book on Another Green World by Geeta Dayal. She’s a great writer and laid Eno’s processes and philosophies out in an incredibly tangible way. I savored that book and bought AGW on iTunes and would listen on repeat while I ate my suppers. I had intended to use my time at the farm to finish recording a pop record, but I soon started sliding out of the typical song structure mentality and sliding into a playing\/listening mentality. And I mean “play” in the childish sense. I brought my Oblique Strategies cards that I got for my birthday and I started just going to the recording studio I’d set up in the farmhouse’s living room and doing wild experiments.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'I’d brought along a few of my analog synthesizers (a Minimoog Model D, a Sequential Prophet-6, a Yamaha CP-20) plus some delay, reverb and loop effects. I started to think about just how meditative, playful and creative I could be within small parameters. I composed “Somebody Moves, Nobody Talks” like that, with the idea of how to make my own version of Eno’s studio with tape going around the room, looped on pencils.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'It was incredible to see the shift in my mentality over the time at the farm. To go from gripping and holding to just playing; allowing myself the freedom to create without guilt or responsibility, to see the shifts in my abilities as a composer and musician. It was absolutely magical and I consider that month an incredibly formative one that I am so lucky to have been able to attend and appreciate.'\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Annie Hart\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・NYのアンビエント作家Annie Hartが、2021年5月にシカゴのインディーレーベルOrindal Recordsからリリースしたレコードです。 あたたかいシンセアンビエント4曲を収録。DLコード付属。ペールブルー盤です。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ...
¥3,980
![Robert Stillman // Something About Living LP [COLOR]](http://tobirarecords.com/cdn/shop/files/som1_5e05f164-7a1e-4c54-afda-150740e99afa_medium.jpg?v=1731824856)
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{"id":9014182314234,"title":"Robert Stillman \/\/ Something About Living LP [COLOR]","handle":"robert-stillman-something-about-living-lp-color","description":"\u003cp\u003eアメリカ出身イギリス在住のアンビエント・ジャズ作家Robert Stillmanが、2024年10月にアメリカ・シカゴのインディーレーベルOrindal Recordから500部限定でリリースしたライブ録音レコードです。\u003c\/p\u003e\n\u003cp\u003eThe Smile（トム・ヨーク、ジョニー・グリーンウッド、トム・スキナー）のツアー60公演の前座を務めたセットの中から抜粋した6曲を収録。DLコード付属。コークボトルクリア盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/robert-stillman-rainbow-u-s-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Something About Livingは、実験的ジャズ作曲家／マルチ・インストゥルメンタリストRobert Stillmanのライヴ録音アルバムである。この音楽は、StillmanがThe Smile（トム・ヨーク、ジョニー・グリーンウッド、トム・スキナー）のソロサポートアクトを務めていた期間に収められたものだ。このアルバムは、北米ツアーで行われた様々な劇場やアリーナ公演からの抜粋をシームレスな全体の中に織り込み、変貌を続けるStillmanのライブセットの拡大版とも言える40分のプログラムを作り上げている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSomething About Livingは、EU、イギリス、アメリカ、カナダ、メキシコでThe Smileのオープニングを務めた約60公演の間に起こった、ステージ上での着実な進化の産物である。しかし、このセットの創造的な起源は、パンデミックの間、Stillmanのマルチメディア・インスタレーション『Unseen Forces』や、マーゲイト・ラジオでの月1回の放送といったプロジェクトを通して、比較的孤立した状態で始まった。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4232609153\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or 12\" coke bottle clear vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Time of Waves (Live in Miami FL) 07:18\u003cbr\u003e2. What Does it Mean to be American (Live in Forest Hills NY) 06:43\u003cbr\u003e3. The Dream of Waking (Live in St Augustine FL) 04:10 video\u003cbr\u003e4. Something About Living (Live in Richmond VA) 06:59 video\u003cbr\u003e5. What I Owe (Live in Chesterfield MO) 06:55\u003cbr\u003e6. Renaissance 2.0 (Live in Chesterfield MO) 04:43\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Orindal Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Something About Living is an album of live recordings by experimental jazz composer\/multi-instrumentalist Robert Stillman. The music was captured over the course of Stillman’s time as the solo support act for The Smile (Thom Yorke, Jonny Greenwood, Tom Skinner). The album weaves excerpts from various theater and arena shows along the tour’s North American routing into a seamless whole, creating a 40-minute program that represents an expanded version of Stillman’s ever-transforming live set.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSomething About Living is the product of a steady, on-stage evolution that happened over the course of the nearly 60 shows opening for the Smile across the EU, UK, US, Canada and Mexico. However, the creative origins of the set began in relative isolation during the pandemic, through Stillman’s work on projects like his multi-media installation Unseen Forces and his monthly broadcast for Margate Radio, both of which drew upon solo improvisation using saxophone, cassettes, Yamaha DX7 synthesizer, and effects.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : ROBERT STILLMAN\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD79\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-29T10:34:05+09:00","created_at":"2025-11-29T10:32:34+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","orindal"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48025854869754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Robert Stillman \/\/ Something About Living LP [COLOR]","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/som1_5e05f164-7a1e-4c54-afda-150740e99afa.jpg?v=1731824856","\/\/tobirarecords.com\/cdn\/shop\/files\/som2_8cf8b3e1-d521-4915-be71-b92a8694c87b.jpg?v=1731824856"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/som1_5e05f164-7a1e-4c54-afda-150740e99afa.jpg?v=1731824856","options":["Title"],"media":[{"alt":null,"id":35198095196410,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/som1_5e05f164-7a1e-4c54-afda-150740e99afa.jpg?v=1731824856"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/som1_5e05f164-7a1e-4c54-afda-150740e99afa.jpg?v=1731824856","width":700},{"alt":null,"id":35198095229178,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/som2_8cf8b3e1-d521-4915-be71-b92a8694c87b.jpg?v=1731824856"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/som2_8cf8b3e1-d521-4915-be71-b92a8694c87b.jpg?v=1731824856","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ出身イギリス在住のアンビエント・ジャズ作家Robert Stillmanが、2024年10月にアメリカ・シカゴのインディーレーベルOrindal Recordから500部限定でリリースしたライブ録音レコードです。\u003c\/p\u003e\n\u003cp\u003eThe Smile（トム・ヨーク、ジョニー・グリーンウッド、トム・スキナー）のツアー60公演の前座を務めたセットの中から抜粋した6曲を収録。DLコード付属。コークボトルクリア盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/robert-stillman-rainbow-u-s-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Something About Livingは、実験的ジャズ作曲家／マルチ・インストゥルメンタリストRobert Stillmanのライヴ録音アルバムである。この音楽は、StillmanがThe Smile（トム・ヨーク、ジョニー・グリーンウッド、トム・スキナー）のソロサポートアクトを務めていた期間に収められたものだ。このアルバムは、北米ツアーで行われた様々な劇場やアリーナ公演からの抜粋をシームレスな全体の中に織り込み、変貌を続けるStillmanのライブセットの拡大版とも言える40分のプログラムを作り上げている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSomething About Livingは、EU、イギリス、アメリカ、カナダ、メキシコでThe Smileのオープニングを務めた約60公演の間に起こった、ステージ上での着実な進化の産物である。しかし、このセットの創造的な起源は、パンデミックの間、Stillmanのマルチメディア・インスタレーション『Unseen Forces』や、マーゲイト・ラジオでの月1回の放送といったプロジェクトを通して、比較的孤立した状態で始まった。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4232609153\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or 12\" coke bottle clear vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Time of Waves (Live in Miami FL) 07:18\u003cbr\u003e2. What Does it Mean to be American (Live in Forest Hills NY) 06:43\u003cbr\u003e3. The Dream of Waking (Live in St Augustine FL) 04:10 video\u003cbr\u003e4. Something About Living (Live in Richmond VA) 06:59 video\u003cbr\u003e5. What I Owe (Live in Chesterfield MO) 06:55\u003cbr\u003e6. Renaissance 2.0 (Live in Chesterfield MO) 04:43\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Orindal Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Something About Living is an album of live recordings by experimental jazz composer\/multi-instrumentalist Robert Stillman. The music was captured over the course of Stillman’s time as the solo support act for The Smile (Thom Yorke, Jonny Greenwood, Tom Skinner). The album weaves excerpts from various theater and arena shows along the tour’s North American routing into a seamless whole, creating a 40-minute program that represents an expanded version of Stillman’s ever-transforming live set.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSomething About Living is the product of a steady, on-stage evolution that happened over the course of the nearly 60 shows opening for the Smile across the EU, UK, US, Canada and Mexico. However, the creative origins of the set began in relative isolation during the pandemic, through Stillman’s work on projects like his multi-media installation Unseen Forces and his monthly broadcast for Margate Radio, both of which drew upon solo improvisation using saxophone, cassettes, Yamaha DX7 synthesizer, and effects.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : ROBERT STILLMAN\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD79\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ出身イギリス在住のアンビエント・ジャズ作家Robert Stillmanが、2024年10月にアメリカ・シカゴのインディーレーベルOrindal Recordから500部限定でリリースしたライブ録音レコードです。 The Smile（トム・ヨーク、ジョニー・グリーンウッド、トム・スキナー）のツアー60公演の前座を務めたセットの中から抜粋した6曲を収録。DLコード付属。コークボトルクリア盤です。 前作もオススメです。 以下、レーベルによる解説です。 "Something About Livingは、実験的ジャズ作曲家／マルチ・インストゥルメンタリストRobert Stillmanのライヴ録音アルバムである。この音楽は、StillmanがThe Smile（トム・ヨーク、ジョニー・グリーンウッド、トム・スキナー）のソロサポートアクトを務めていた期間に収められたものだ。このアルバムは、北米ツアーで行われた様々な劇場やアリーナ公演からの抜粋をシームレスな全体の中に織り込み、変貌を続けるStillmanのライブセットの拡大版とも言える40分のプログラムを作り上げている。 Something About...
¥3,990
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{"id":9014166323450,"title":"Matt Bachmann \/\/ Compost Karaoke TAPE","handle":"matt-bachmann-compost-karaoke-tape","description":"\u003cp\u003eアメリカ・NYのマルチ奏者Matt Bachmannが、2025年9月にシカゴのインディーフォークレーベルOrindalから150本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・アンビエントジャズ10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/matt-bachmann-dream-logic-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003eMatt Bachmann - Synths\u003cbr\u003eDerek Baron - Flute\u003cbr\u003eJeff Tobias - Alto Saxophone\u003cbr\u003eKyle Boston - Guitar, Tuning Forks \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2539480991\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2539480991\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3413389500\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2539480991\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2659331773\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCassette in norelco case. \u003cbr\u003eCassette edition of 50. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Summer's Last Gasp 00:33\u003cbr\u003e2. Autumnal Cycle 05:58\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Heavy Step 02:04\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Jazz Mateo 02:27\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. TIAGDTD 05:17\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Holy Holy Holy 00:55\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Compost Karaoke 03:08\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Out the Door 06:31\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Dark Flute Reprise 02:05\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Long Road 02:57\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMatt Bachmann has grown obsessed with listening to film scores–getting lost in their striking themes and the incidental pieces that bring the listener from point A to B. It’s no wonder his latest record, Compost Karaoke, sounds like a soundtrack to a film that has yet to be made, like some kind of imaginary documentary of natural decomposition. Weaving elements of propulsive jazz, bedroom chamber music, and 80s Japanese synthwork, Bachmann tells a story that’s as dramatic as it is intimate, beautiful as it is bombastic. Cinematic in sound and structure, Compost Karaoke unfolds like a journey through a honeycomb – each track a unique chamber connected by sonic fibers to the whole. Compact vignettes act as connective tissue, scaffolding the longer repetitive thematic pillars.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCompost Karaoke is Bachmann’s fourth release with Orindal Records and his first release since becoming a licensed social worker in New York. For Bachmann, Compost Karaoke translates to “songs of change,” marking a transition from past years dominated by touring as the bassist of Mega Bog and his own music to rooting in new work. He explains:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“At the heart of this transition was a personal struggle between the ‘clouds’ (art) and the ‘earth’ (the systemic\u003cspan class=\"bcTruncateMore\"\u003e problems of New York\/US\/world). Doing this more earthly work and having less time for the clouds changed my relationship to music. I had been so inside the music world that I had become blind to its generosity– the way it brings us together and allows us to collectively feel, dream, and escape. Making this record was a lifeline– an opportunity to put my sometimes isolating earthly work aside, and dream a bit with friends.”\u003cbr\u003e\u003cbr\u003eRiding this renewed spirit of collaboration, Bachmann leaned heavier on his oldest creative confidants. He enlisted Derek Baron (Reading Group Records) to write woodwind arrangements for the skeletal piano sketches and recorded Baron on drums during an overnight session at the Bunker Studio in Brooklyn; Jeff Tobias (Modern Nature, Sunwatchers) expanded on Baron’s arrangements in moments of improvised rapture on alto saxophone and bass clarinet; and James Krichenia (Big Thief) gummed up the groove with hand drums and percussion. Decorated with synths, vibraphones, and guitar pedal sonic reimagining, Compost Karaoke is a musical habitat wholly unique, yet nodding to Bachmann’s guiding stars—Ryuichi Sakamoto, Natural Information Society, and RJ Miller, to name a few.\u003cbr\u003e\u003cbr\u003eTo achieve a healthy compost, you need both greens (food scraps) and browns (dead leaves, cardboard, etc.). Compost Karaoke is Bachmann’s attempt to strike a balance; the score to his latest life transition. For the listener, the imaginative movies that play along in their heads are endless.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matt Bachmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD87\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 12th September 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-29T13:58:06+09:00","created_at":"2025-11-29T09:23:03+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","new","orindal","tape"],"price":235000,"price_min":235000,"price_max":235000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48025788842234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Matt Bachmann \/\/ Compost Karaoke TAPE","public_title":null,"options":["Default Title"],"price":235000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/com1_ed152414-40e3-466f-8548-7f64decea331.jpg?v=1764375675","\/\/tobirarecords.com\/cdn\/shop\/files\/com2_8f8b1431-e864-4d55-b4bf-93de2c77da78.jpg?v=1764375675"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_ed152414-40e3-466f-8548-7f64decea331.jpg?v=1764375675","options":["Title"],"media":[{"alt":null,"id":37647036416250,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_ed152414-40e3-466f-8548-7f64decea331.jpg?v=1764375675"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_ed152414-40e3-466f-8548-7f64decea331.jpg?v=1764375675","width":700},{"alt":null,"id":37647036449018,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com2_8f8b1431-e864-4d55-b4bf-93de2c77da78.jpg?v=1764375675"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com2_8f8b1431-e864-4d55-b4bf-93de2c77da78.jpg?v=1764375675","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのマルチ奏者Matt Bachmannが、2025年9月にシカゴのインディーフォークレーベルOrindalから150本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・アンビエントジャズ10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/matt-bachmann-dream-logic-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003eMatt Bachmann - Synths\u003cbr\u003eDerek Baron - Flute\u003cbr\u003eJeff Tobias - Alto Saxophone\u003cbr\u003eKyle Boston - Guitar, Tuning Forks \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2539480991\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2539480991\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3413389500\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2539480991\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2659331773\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCassette in norelco case. \u003cbr\u003eCassette edition of 50. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Summer's Last Gasp 00:33\u003cbr\u003e2. Autumnal Cycle 05:58\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Heavy Step 02:04\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Jazz Mateo 02:27\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. TIAGDTD 05:17\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Holy Holy Holy 00:55\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Compost Karaoke 03:08\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Out the Door 06:31\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Dark Flute Reprise 02:05\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Long Road 02:57\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMatt Bachmann has grown obsessed with listening to film scores–getting lost in their striking themes and the incidental pieces that bring the listener from point A to B. It’s no wonder his latest record, Compost Karaoke, sounds like a soundtrack to a film that has yet to be made, like some kind of imaginary documentary of natural decomposition. Weaving elements of propulsive jazz, bedroom chamber music, and 80s Japanese synthwork, Bachmann tells a story that’s as dramatic as it is intimate, beautiful as it is bombastic. Cinematic in sound and structure, Compost Karaoke unfolds like a journey through a honeycomb – each track a unique chamber connected by sonic fibers to the whole. Compact vignettes act as connective tissue, scaffolding the longer repetitive thematic pillars.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCompost Karaoke is Bachmann’s fourth release with Orindal Records and his first release since becoming a licensed social worker in New York. For Bachmann, Compost Karaoke translates to “songs of change,” marking a transition from past years dominated by touring as the bassist of Mega Bog and his own music to rooting in new work. He explains:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“At the heart of this transition was a personal struggle between the ‘clouds’ (art) and the ‘earth’ (the systemic\u003cspan class=\"bcTruncateMore\"\u003e problems of New York\/US\/world). Doing this more earthly work and having less time for the clouds changed my relationship to music. I had been so inside the music world that I had become blind to its generosity– the way it brings us together and allows us to collectively feel, dream, and escape. Making this record was a lifeline– an opportunity to put my sometimes isolating earthly work aside, and dream a bit with friends.”\u003cbr\u003e\u003cbr\u003eRiding this renewed spirit of collaboration, Bachmann leaned heavier on his oldest creative confidants. He enlisted Derek Baron (Reading Group Records) to write woodwind arrangements for the skeletal piano sketches and recorded Baron on drums during an overnight session at the Bunker Studio in Brooklyn; Jeff Tobias (Modern Nature, Sunwatchers) expanded on Baron’s arrangements in moments of improvised rapture on alto saxophone and bass clarinet; and James Krichenia (Big Thief) gummed up the groove with hand drums and percussion. Decorated with synths, vibraphones, and guitar pedal sonic reimagining, Compost Karaoke is a musical habitat wholly unique, yet nodding to Bachmann’s guiding stars—Ryuichi Sakamoto, Natural Information Society, and RJ Miller, to name a few.\u003cbr\u003e\u003cbr\u003eTo achieve a healthy compost, you need both greens (food scraps) and browns (dead leaves, cardboard, etc.). Compost Karaoke is Bachmann’s attempt to strike a balance; the score to his latest life transition. For the listener, the imaginative movies that play along in their heads are endless.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matt Bachmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD87\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 12th September 2025\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYのマルチ奏者Matt Bachmannが、2025年9月にシカゴのインディーフォークレーベルOrindalから150本限定でリリースしたカセットです。 ベッドルーム・アンビエントジャズ10曲を収録。DLコード付属。 前作もオススメです。 Matt Bachmann - SynthsDerek Baron - FluteJeff Tobias - Alto...
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クイックビュー
{"id":9014165668090,"title":"herbal tea \/\/ Hear as the Mirror Echoes TAPE","handle":"herbal-tea-hear-as-the-mirror-echoes-tape","description":"\u003cp\u003eイギリス・ブリストルのドリームポップ作家herbal teaが、2025年8月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eドリームポップ〜スローコア9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eレーベルメイトのGia Margaretが好きな方にオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2178386334\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1719856470\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3373290741\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=871850480\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCassette in norelco case. \u003cbr\u003eCassette edition of 50. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Seventeen 06:31\u003cbr\u003e2. Grounded 06:03\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Kitchen Floor (4 A.M.) 03:40\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Submarine 03:31\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Driving Slow 04:05\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Garden 04:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Frank 04:08\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Sundown 02:57\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Kara 05:56\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBritish artist herbal tea's debut album Hear as the Mirror Echoes drifts in and out like a half-remembered dream. Shaped slowly by songwriter\/producer Helena Walker from late-night demos that gradually bloomed into expansive arrangements.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDrawing on dream pop, ambient folk, and lo-fi production, and citing influences from Sparklehorse to Sharon Van Etten, there's an otherworldly quality in the way it softly reimagines the familiar. From the ethereal slowcore of \"Seventeen\" to the 70s folk-inspired \"Driving Slow\", each track belongs to its own distinct world. The songs swell with ambient textures and bursts of distortion, building into cinematic crescendos before folding back into quiet moments of sparse piano and lo-fi dissonance. Helena's vocals, often recorded at the time of writing, are ghostly with an undercurrent of gravity, submerged within layers of rich harmonies. Themes of impermanence, dissociation, and emotional transience run throughout, with lyrics lifted from dreams, old diaries, and moments of stream-of-consciousness.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCo-produced with longtime collaborator and childhood friend Henry C Sharpe, the record was mixed and mastered entirely DIY in makeshift setups in living rooms and bedrooms, though a few details were finalised in the basement studio of Bristol’s The\u003cspan class=\"bcTruncateMore\"\u003e Louisiana with entrusted friend Jonny Allan (of Happyness).\u003cbr\u003e\u003cbr\u003eOver time, herbal tea’s music has spread quietly, passed between artists and listeners without much promotion. She has been invited to open for musicians she deeply admires, including Gia Margaret and Elena Tonra, and her music continues to find an audience through word-of-mouth, admired for its emotional weight and rare sense of atmosphere. “I’ve always felt like a bit of an outsider, and making music is my escape.” Helena says. “I hope this album can be that escape for someone else.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : herbal tea\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD78\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 29th August 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-29T10:29:44+09:00","created_at":"2025-11-29T09:17:43+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","new","orindal","recommended","tape"],"price":235000,"price_min":235000,"price_max":235000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48025787433210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"herbal tea \/\/ Hear as the Mirror Echoes TAPE","public_title":null,"options":["Default Title"],"price":235000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/he1_bbf872d7-104e-46f2-bae0-78600f428c13.jpg?v=1764375527","\/\/tobirarecords.com\/cdn\/shop\/files\/he3_1ea6960b-92be-4826-95cd-6a2ba3cad5fa.jpg?v=1764375528"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/he1_bbf872d7-104e-46f2-bae0-78600f428c13.jpg?v=1764375527","options":["Title"],"media":[{"alt":null,"id":37647025078522,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he1_bbf872d7-104e-46f2-bae0-78600f428c13.jpg?v=1764375527"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he1_bbf872d7-104e-46f2-bae0-78600f428c13.jpg?v=1764375527","width":700},{"alt":null,"id":37647025111290,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he3_1ea6960b-92be-4826-95cd-6a2ba3cad5fa.jpg?v=1764375528"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he3_1ea6960b-92be-4826-95cd-6a2ba3cad5fa.jpg?v=1764375528","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ブリストルのドリームポップ作家herbal teaが、2025年8月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eドリームポップ〜スローコア9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eレーベルメイトのGia Margaretが好きな方にオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2178386334\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1719856470\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3373290741\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=871850480\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCassette in norelco case. \u003cbr\u003eCassette edition of 50. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Seventeen 06:31\u003cbr\u003e2. Grounded 06:03\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Kitchen Floor (4 A.M.) 03:40\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Submarine 03:31\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Driving Slow 04:05\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Garden 04:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Frank 04:08\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Sundown 02:57\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Kara 05:56\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBritish artist herbal tea's debut album Hear as the Mirror Echoes drifts in and out like a half-remembered dream. Shaped slowly by songwriter\/producer Helena Walker from late-night demos that gradually bloomed into expansive arrangements.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDrawing on dream pop, ambient folk, and lo-fi production, and citing influences from Sparklehorse to Sharon Van Etten, there's an otherworldly quality in the way it softly reimagines the familiar. From the ethereal slowcore of \"Seventeen\" to the 70s folk-inspired \"Driving Slow\", each track belongs to its own distinct world. The songs swell with ambient textures and bursts of distortion, building into cinematic crescendos before folding back into quiet moments of sparse piano and lo-fi dissonance. Helena's vocals, often recorded at the time of writing, are ghostly with an undercurrent of gravity, submerged within layers of rich harmonies. Themes of impermanence, dissociation, and emotional transience run throughout, with lyrics lifted from dreams, old diaries, and moments of stream-of-consciousness.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCo-produced with longtime collaborator and childhood friend Henry C Sharpe, the record was mixed and mastered entirely DIY in makeshift setups in living rooms and bedrooms, though a few details were finalised in the basement studio of Bristol’s The\u003cspan class=\"bcTruncateMore\"\u003e Louisiana with entrusted friend Jonny Allan (of Happyness).\u003cbr\u003e\u003cbr\u003eOver time, herbal tea’s music has spread quietly, passed between artists and listeners without much promotion. She has been invited to open for musicians she deeply admires, including Gia Margaret and Elena Tonra, and her music continues to find an audience through word-of-mouth, admired for its emotional weight and rare sense of atmosphere. “I’ve always felt like a bit of an outsider, and making music is my escape.” Helena says. “I hope this album can be that escape for someone else.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : herbal tea\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD78\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 29th August 2025\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・ブリストルのドリームポップ作家herbal teaが、2025年8月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたカセットです。 ドリームポップ〜スローコア9曲を収録。DLコード付属。 レーベルメイトのGia Margaretが好きな方にオススメです。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available...
¥2,350
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{"id":9014165635322,"title":"herbal tea \/\/ Hear as the Mirror Echoes LP [COLOR]","handle":"herbal-tea-hear-as-the-mirror-echoes-lp-color","description":"\u003cp\u003eイギリス・ブリストルのドリームポップ作家herbal teaが、2025年8月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eドリームポップ〜スローコア9曲を収録。マーブルカラー盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eレーベルメイトのGia Margaretが好きな方にオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2178386334\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1719856470\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3373290741\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=871850480\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" 'pastoral swirl' color vinyl. ('Pastoral Swirl'\u003cspan\u003e is a unique mixture of clear, coke bottle clear, light green \u0026amp; neutral opaque shades - each vinyl is unique).\u003cbr\u003eVinyl edition of 500. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Seventeen 06:31\u003cbr\u003e2. Grounded 06:03\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Kitchen Floor (4 A.M.) 03:40\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Submarine 03:31\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Driving Slow 04:05\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Garden 04:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Frank 04:08\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Sundown 02:57\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Kara 05:56\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBritish artist herbal tea's debut album Hear as the Mirror Echoes drifts in and out like a half-remembered dream. Shaped slowly by songwriter\/producer Helena Walker from late-night demos that gradually bloomed into expansive arrangements.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDrawing on dream pop, ambient folk, and lo-fi production, and citing influences from Sparklehorse to Sharon Van Etten, there's an otherworldly quality in the way it softly reimagines the familiar. From the ethereal slowcore of \"Seventeen\" to the 70s folk-inspired \"Driving Slow\", each track belongs to its own distinct world. The songs swell with ambient textures and bursts of distortion, building into cinematic crescendos before folding back into quiet moments of sparse piano and lo-fi dissonance. Helena's vocals, often recorded at the time of writing, are ghostly with an undercurrent of gravity, submerged within layers of rich harmonies. Themes of impermanence, dissociation, and emotional transience run throughout, with lyrics lifted from dreams, old diaries, and moments of stream-of-consciousness.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCo-produced with longtime collaborator and childhood friend Henry C Sharpe, the record was mixed and mastered entirely DIY in makeshift setups in living rooms and bedrooms, though a few details were finalised in the basement studio of Bristol’s The\u003cspan class=\"bcTruncateMore\"\u003e Louisiana with entrusted friend Jonny Allan (of Happyness).\u003cbr\u003e\u003cbr\u003eOver time, herbal tea’s music has spread quietly, passed between artists and listeners without much promotion. She has been invited to open for musicians she deeply admires, including Gia Margaret and Elena Tonra, and her music continues to find an audience through word-of-mouth, admired for its emotional weight and rare sense of atmosphere. “I’ve always felt like a bit of an outsider, and making music is my escape.” Helena says. “I hope this album can be that escape for someone else.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : herbal tea\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD78\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 29th August 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-29T10:28:24+09:00","created_at":"2025-11-29T09:17:06+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","orindal","recommended"],"price":394000,"price_min":394000,"price_max":394000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48025787400442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"herbal tea \/\/ Hear as the Mirror Echoes LP [COLOR]","public_title":null,"options":["Default Title"],"price":394000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/he1_20968773-e9cd-4a36-8b69-baccfea48bd2.jpg?v=1764375253","\/\/tobirarecords.com\/cdn\/shop\/files\/he2_b0a720c2-c8d5-4fc6-bb3e-31c153d1c22a.jpg?v=1764375253"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/he1_20968773-e9cd-4a36-8b69-baccfea48bd2.jpg?v=1764375253","options":["Title"],"media":[{"alt":null,"id":37646991393018,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he1_20968773-e9cd-4a36-8b69-baccfea48bd2.jpg?v=1764375253"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he1_20968773-e9cd-4a36-8b69-baccfea48bd2.jpg?v=1764375253","width":700},{"alt":null,"id":37646991425786,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he2_b0a720c2-c8d5-4fc6-bb3e-31c153d1c22a.jpg?v=1764375253"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he2_b0a720c2-c8d5-4fc6-bb3e-31c153d1c22a.jpg?v=1764375253","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ブリストルのドリームポップ作家herbal teaが、2025年8月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eドリームポップ〜スローコア9曲を収録。マーブルカラー盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eレーベルメイトのGia Margaretが好きな方にオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2178386334\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1719856470\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3373290741\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=871850480\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" 'pastoral swirl' color vinyl. ('Pastoral Swirl'\u003cspan\u003e is a unique mixture of clear, coke bottle clear, light green \u0026amp; neutral opaque shades - each vinyl is unique).\u003cbr\u003eVinyl edition of 500. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Seventeen 06:31\u003cbr\u003e2. Grounded 06:03\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Kitchen Floor (4 A.M.) 03:40\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Submarine 03:31\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Driving Slow 04:05\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Garden 04:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Frank 04:08\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Sundown 02:57\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Kara 05:56\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBritish artist herbal tea's debut album Hear as the Mirror Echoes drifts in and out like a half-remembered dream. Shaped slowly by songwriter\/producer Helena Walker from late-night demos that gradually bloomed into expansive arrangements.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDrawing on dream pop, ambient folk, and lo-fi production, and citing influences from Sparklehorse to Sharon Van Etten, there's an otherworldly quality in the way it softly reimagines the familiar. From the ethereal slowcore of \"Seventeen\" to the 70s folk-inspired \"Driving Slow\", each track belongs to its own distinct world. The songs swell with ambient textures and bursts of distortion, building into cinematic crescendos before folding back into quiet moments of sparse piano and lo-fi dissonance. Helena's vocals, often recorded at the time of writing, are ghostly with an undercurrent of gravity, submerged within layers of rich harmonies. Themes of impermanence, dissociation, and emotional transience run throughout, with lyrics lifted from dreams, old diaries, and moments of stream-of-consciousness.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCo-produced with longtime collaborator and childhood friend Henry C Sharpe, the record was mixed and mastered entirely DIY in makeshift setups in living rooms and bedrooms, though a few details were finalised in the basement studio of Bristol’s The\u003cspan class=\"bcTruncateMore\"\u003e Louisiana with entrusted friend Jonny Allan (of Happyness).\u003cbr\u003e\u003cbr\u003eOver time, herbal tea’s music has spread quietly, passed between artists and listeners without much promotion. She has been invited to open for musicians she deeply admires, including Gia Margaret and Elena Tonra, and her music continues to find an audience through word-of-mouth, admired for its emotional weight and rare sense of atmosphere. “I’ve always felt like a bit of an outsider, and making music is my escape.” Helena says. “I hope this album can be that escape for someone else.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : herbal tea\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD78\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 29th August 2025\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・ブリストルのドリームポップ作家herbal teaが、2025年8月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたレコードです。 ドリームポップ〜スローコア9曲を収録。マーブルカラー盤です。DLコード付属。 レーベルメイトのGia Margaretが好きな方にオススメです。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available...
¥3,940
![Advance Base // Wall of Tears & Other Songs I Didn't Write LP [COLOR]](http://tobirarecords.com/cdn/shop/files/wall1_eefd6aeb-855a-431a-a4d5-ea26cbc518c7_medium.jpg?v=1764374987)
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{"id":9014163931386,"title":"Advance Base \/\/ Wall of Tears \u0026 Other Songs I Didn't Write LP [COLOR]","handle":"advance-base-wall-of-tears-other-songs-i-didnt-write-lp-color","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Records主宰Advance Baseが、2025年8月にリリースした再発レコードです。（オリジナルは2021年リリース）\u003c\/p\u003e\n\u003cp\u003eベッドルーム・インディーフォーク10曲を収録。DLコード付属。ピンク盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2146934131\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3108139758\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2146934131\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" pink vinyl.\u003cbr\u003ePink vinyl edition of 250. \u003cbr\u003e2025 reissue - originally released in 2021. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Wall of Tears 03:27\u003cbr\u003e2. Sweet Old World 04:04\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Love at the Five \u0026amp; Dime 04:25\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. How Can You Live If You Can't Love How Can You If You Do 02:49\u003cbr\u003e\u003c\/span\u003e5. Easy's Gettin' Harder Every Day 04:35\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. One Red Rose 02:15\u003cbr\u003e\u003c\/span\u003e7. Unwed Fathers 03:35\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Come Back To Us Barbara Lewis Hare Krishna Beauregard 03:49\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Mr. Chill 03:35\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Solid Heart 03:44\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAside from playing Advance Base shows, the form of musical expression I’ve most desperately missed during our current era of social isolation is singing karaoke. I have a great affection for the tiny communities that come together in any dive bar or pizzeria willing to invest in a modest PA \u0026amp; karaoke license, united by a common compulsion to earnestly sing their favorite pop songs in front of friends \u0026amp; strangers, accompanied by the artifice of prerecorded electronic instrumental arrangement. Wall of Tears \u0026amp; Other Songs I Didn’t Write is my ode to karaoke bars \u0026amp; karaoke singers. Consider it an album-length karaoke performance by me, Owen Ashworth.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe ten songs on this album were written by some of my very favorite songwriters, including a few I’m lucky enough to call friends. The original recordings of these songs have been constant companions in recent years, accompanying me on late night walks \u0026amp; aimless drives around Chicago \u0026amp; its suburbs. They have all made me cry at various points as I imagined how good it would feel to sing them at karaoke.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe instrumental arrangements were performed \u0026amp; recorded in my Oak Park, IL basement using electronic keyboards, samplers \u0026amp; drum machines with the single exception of the pedal steel solo on “Love at the Five \u0026amp; Dime,” which was performed \u0026amp; recorded by\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e Xandy Chelmis from the Asheville, NC band Wednesday. Nicholas Krgovich sang \u0026amp; recorded the backing vocals for that same song, \u0026amp; the backing vocals on “Wall of Tears” were provided by Rebecca Clay Cole, two dear friends who share my love for these songs’ original recordings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe guitar-like tones on “Wall of Tears,” “How Can You Live…,” “Solid Heart” \u0026amp; “Love at the Five \u0026amp; Dime” (other than Xandy’s pedal steel solo) were performed on a little Korg sampling keyboard loaded with single-note recordings I made by plucking the strings of an Oscar Schmidt autoharp, run through a chain of guitar effect pedals. I call this instrument an “Oscartron.” As much as I love guitar music, I have never been a guitar player, but I have come to love the sound of the Oscartron’s eerie approximation.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Advance Base\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD64\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 1st August 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-01T10:13:05+09:00","created_at":"2025-11-29T09:11:48+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","orindal"],"price":394000,"price_min":394000,"price_max":394000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48025784680698,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Advance Base \/\/ Wall of Tears \u0026 Other Songs I Didn't Write LP [COLOR]","public_title":null,"options":["Default Title"],"price":394000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wall1_eefd6aeb-855a-431a-a4d5-ea26cbc518c7.jpg?v=1764374987","\/\/tobirarecords.com\/cdn\/shop\/files\/wall2_bbb276a2-cf3d-4e84-9163-e5db0c36531c.jpg?v=1764374987"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wall1_eefd6aeb-855a-431a-a4d5-ea26cbc518c7.jpg?v=1764374987","options":["Title"],"media":[{"alt":null,"id":37646959739130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wall1_eefd6aeb-855a-431a-a4d5-ea26cbc518c7.jpg?v=1764374987"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wall1_eefd6aeb-855a-431a-a4d5-ea26cbc518c7.jpg?v=1764374987","width":700},{"alt":null,"id":37646959771898,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wall2_bbb276a2-cf3d-4e84-9163-e5db0c36531c.jpg?v=1764374987"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wall2_bbb276a2-cf3d-4e84-9163-e5db0c36531c.jpg?v=1764374987","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Records主宰Advance Baseが、2025年8月にリリースした再発レコードです。（オリジナルは2021年リリース）\u003c\/p\u003e\n\u003cp\u003eベッドルーム・インディーフォーク10曲を収録。DLコード付属。ピンク盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2146934131\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3108139758\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2146934131\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" pink vinyl.\u003cbr\u003ePink vinyl edition of 250. \u003cbr\u003e2025 reissue - originally released in 2021. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Wall of Tears 03:27\u003cbr\u003e2. Sweet Old World 04:04\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Love at the Five \u0026amp; Dime 04:25\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. How Can You Live If You Can't Love How Can You If You Do 02:49\u003cbr\u003e\u003c\/span\u003e5. Easy's Gettin' Harder Every Day 04:35\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. One Red Rose 02:15\u003cbr\u003e\u003c\/span\u003e7. Unwed Fathers 03:35\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Come Back To Us Barbara Lewis Hare Krishna Beauregard 03:49\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Mr. Chill 03:35\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Solid Heart 03:44\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAside from playing Advance Base shows, the form of musical expression I’ve most desperately missed during our current era of social isolation is singing karaoke. I have a great affection for the tiny communities that come together in any dive bar or pizzeria willing to invest in a modest PA \u0026amp; karaoke license, united by a common compulsion to earnestly sing their favorite pop songs in front of friends \u0026amp; strangers, accompanied by the artifice of prerecorded electronic instrumental arrangement. Wall of Tears \u0026amp; Other Songs I Didn’t Write is my ode to karaoke bars \u0026amp; karaoke singers. Consider it an album-length karaoke performance by me, Owen Ashworth.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe ten songs on this album were written by some of my very favorite songwriters, including a few I’m lucky enough to call friends. The original recordings of these songs have been constant companions in recent years, accompanying me on late night walks \u0026amp; aimless drives around Chicago \u0026amp; its suburbs. They have all made me cry at various points as I imagined how good it would feel to sing them at karaoke.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe instrumental arrangements were performed \u0026amp; recorded in my Oak Park, IL basement using electronic keyboards, samplers \u0026amp; drum machines with the single exception of the pedal steel solo on “Love at the Five \u0026amp; Dime,” which was performed \u0026amp; recorded by\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e Xandy Chelmis from the Asheville, NC band Wednesday. Nicholas Krgovich sang \u0026amp; recorded the backing vocals for that same song, \u0026amp; the backing vocals on “Wall of Tears” were provided by Rebecca Clay Cole, two dear friends who share my love for these songs’ original recordings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe guitar-like tones on “Wall of Tears,” “How Can You Live…,” “Solid Heart” \u0026amp; “Love at the Five \u0026amp; Dime” (other than Xandy’s pedal steel solo) were performed on a little Korg sampling keyboard loaded with single-note recordings I made by plucking the strings of an Oscar Schmidt autoharp, run through a chain of guitar effect pedals. I call this instrument an “Oscartron.” As much as I love guitar music, I have never been a guitar player, but I have come to love the sound of the Oscartron’s eerie approximation.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Advance Base\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD64\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 1st August 2025\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Records主宰Advance Baseが、2025年8月にリリースした再発レコードです。（オリジナルは2021年リリース） ベッドルーム・インディーフォーク10曲を収録。DLコード付属。ピンク盤です。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ...
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{"id":9008455647482,"title":"Little Kid \/\/ A Million Easy Payments TAPE","handle":"little-kid-a-million-easy-payments-tape","description":"\u003cp\u003eカナダ・トロントのシンガーソングライターKenny Boothby率いるフォーク・ロックバンドLittle Kidが、2024年2月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eギターやバンジョー、フルート、チェロ、ペダルスティールとクレバーな歌詞によるインディー・フォークロック8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"カメラは被写体に群がることなくズームインする。他人のダメージを歌った歌は、自分のダメージを理解する助けとなり、新たな謎へと導いてくれる。星は砂粒のように見える。Little Kidのニューアルバムであり、Orindalでのデビュー作である『A Million Easy Payments』では、Kenny Boothbyの声の切迫感が、あらゆる角度や露出から人生に迫ってくる壮大なバラードや回想、自己反省の限界に突き進み、それを少し超えるような歌詞の賭けとマッチしている。バンドの軽快なフォーク・ロック・アレンジがKenny Boothbyの物語を支え、時折、チェロのサンプル、ペダルスティール、フルート、エレクトリックピアノが飛び交い、物語を空高く持ち上げる。信心深さに煮詰まることもなく、痛みを美化することもない、鬱屈とフラストレーションのレコードである。壊れやすく、豊かで、血の通ったレコードだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eミニマリズムの作曲、エミリー・ディキンソンの詩、フランケンサーラーの絵画、初期のスフジャン・スティーヴンス、あるいはLittle Kidの新しいレーベルメイトであるOrindalの曲のように、『A Million Easy Payments』は、シンプルという外見的なイメージの下に、質感と意味がちりばめられている点で素晴らしい。羊の皮をかぶった孔雀だ。その叙情的で音楽的な密度は、決して明瞭さや印象的なメロディーを犠牲にしていない。お気に入りの映画や小説のように、『A Million Easy Payments』を何度も読み返すのは、その美しさを楽しむためであると同時に、毎回新たな発見があるからだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBoothbyの文章は、愛、不在、停滞、そして変化に満ちており、しばしばキリスト教思想のレンズを通して屈折し、友人、元恋人、日常の人々、そして聖書の登場人物たちによって経験される。Bad Energyの後半では、Boothbyが「12人の男と仲良くしていても、頬にキスされただけで殺されるかもしれない」と冗談を言う。Eggshell（卵の殻）」では、幽霊が未亡人に自分の死を振り返る： 救急車がやってきて／ハイウェイを鳴り響くサイレンを鳴らしながら／君の人生に微笑みの沈黙を残していったよ、ベイビー。下降するメロディーに織り込まれた \"I \"の音。Boothbyの軽やかなテナー。ギターの2車線。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e『A Million Easy Payments』全体を通して、Boothbyの器用さ、リズム、内韻の巧みさ、詩的な響きを聴き取る耳は、彼の物語のペーソスに匹敵する。熟練を誇示するためではなく、苦労して得た発見を分かち合うために、言葉は意図的に作られている。自己を文脈の中で、間近で見ようとすること、そしてその探求が無駄であり重要であることを証明すること。神を探し求める。プールは濁っている。期待したほどには反映されていない。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/SROle0DiiAQ?si=DRgS6oRkRtQFICbF\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9w4lYrKBug8?si=rH7x7JpWCRi7OKcX\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Something to Say 04:07\u003cbr\u003e2. Bad Energy 07:29\u003cbr\u003e3. Beside Myself 04:43\u003cbr\u003e4. Always Change 05:57\u003cbr\u003e5. Eggshell 03:03\u003cbr\u003e6. Somewhere In Between 04:31\u003cbr\u003e7. Nothing at All 04:21\u003cbr\u003e8. What Qualifies as Silence 09:49\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eDan Wriggins\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"A camera zooms in without crowding its subject. A song about someone else’s damage helps you understand your own, and puts you on to new mysteries. Stars look like grains of sand. On Little Kid’s new album and Orindal Records debut A Million Easy Payments, the urgency in Kenny Boothby’s voice matches the stakes of his lyrics, epic ballads and reveries that come at life from all angles and exposures, driving at and a little over the limits of self-reflection. The band’s lilting folk rock arrangements carry Boothby’s stories, occasionally lifting them skyward with flurries of cello samples, pedal steel, flute, and electric piano. It’s a record of depression and frustration that doesn’t stew in piety or aestheticize pain, that also explodes with life. Fragile and abundant. It’s a record with blood in its veins. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLittle Kid is a Toronto-based collaborative project that has existed in some form since 2009, and is currently comprised of Brodie Germain (drums, guitar), Paul Vroom (bass), Megan Lunn (vocals, banjo, keyboard), Liam Cole (drums, percussion), and Kenny Boothby (vocals, guitar, piano, keyboards). A Million Easy Payments, like the three Little Kid releases before it, was tracked, engineered, and mastered by Vroom. Vroom’s work renders a portrait of\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Little Kid’s twin musical strengths — as a live act, a straight-ahead folk rock outfit, and as a group of creative, independent producers who want to mess things up. To that end, the record features several guest instruments: Eliza Niemi’s cello, Anh Phung’s flute, Seth Engel’s percussion, Peter Gill’s pedal steel, and Aaron Powell’s voice. Every so often, the boundaries fray. Chaotic flute layers transport the outro to “Beside Myself.” Banjo careens off the edge of “Something to Say.” The kick drum in “Bad Energy” is more than a heartbeat. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLike a minimalist composition, an Emily Dickinson poem, a Frankenthaler painting, early Sufjan Stevens, or the songs of many of Little Kid’s new labelmates at Orindal, A Million Easy Payments is brilliant insofar as it teems with texture and meaning under an outward image of simplicity. A peacock in sheep’s clothing. Its lyrical and musical density never comes at the expense of clarity or striking melodies. Like your favorite movie or novel, you come back to A Million Easy Payments again and again for the pleasure of its beauty, but also because it reveals something new every time. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLittle Kid has always centered around Boothby’s songwriting, and A Million Easy Payments proves his enormous skill many times over. He tackles the extended ballad tradition, zooming in and out with mind-bending control on “Bad Energy”: \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd now your engine burns remains of ancient birds \u003cbr data-mce-fragment=\"1\"\u003eGo into town to drive around and then leave \u003cbr data-mce-fragment=\"1\"\u003eYou tore a gash right clear through the atmosphere \u003cbr data-mce-fragment=\"1\"\u003eAnd now there’s nothing that can buffer the heat \u003cbr data-mce-fragment=\"1\"\u003eBut the sun is shining and your love is smiling \u003cbr data-mce-fragment=\"1\"\u003eIn a moment getting warmed by a beam \u003cbr data-mce-fragment=\"1\"\u003eOf bad energy \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBoothby’s writing is charged with love, absence, stagnation and change, often refracted through the lens of Christian thought, experienced by friends, exes, everyday people and Biblical characters. Later on in “Bad Energy,” Boothby jokes “if you’re only friendly with a dozen men\/ one might still kill you with a kiss on the cheek.” In “Eggshell,” a ghost reflects on his own death to his widow, a story based on the death of Boothby’s father: “ambulances came\/ weaving a whining siren down the highway\/ leaving a smiling silence in your life, babe.” The “I” sound woven in descending melodies. Two lanes of Boothby’s airy tenor. Two lanes of guitar. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAcross A Million Easy Payments, Boothby’s dexterity, rhythm, internal rhyming prowess, and ear for poetic sound are matched only by the pathos of his stories. The words are crafted deliberately, not to show off mastery, but to share hard-earned findings. To try and see the self in context and up close, and to prove the inquiry to be both futile and crucial. To dig around for God. The pool is murky. Not as reflective as we’d hoped. \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Little Kid\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2025-11-21T09:41:57+09:00","created_at":"2025-11-21T09:40:48+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","new","orindal","tape"],"price":235000,"price_min":235000,"price_max":235000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47992867782906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Little Kid \/\/ A Million Easy Payments TAPE","public_title":null,"options":["Default Title"],"price":235000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3211041672_16.jpg?v=1713430850","\/\/tobirarecords.com\/cdn\/shop\/files\/0035268151_10.jpg?v=1713430841","\/\/tobirarecords.com\/cdn\/shop\/files\/0035268155_10.jpg?v=1713430843"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3211041672_16.jpg?v=1713430850","options":["Title"],"media":[{"alt":null,"id":33779423150330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3211041672_16.jpg?v=1713430850"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3211041672_16.jpg?v=1713430850","width":700},{"alt":null,"id":33779430228218,"position":2,"preview_image":{"aspect_ratio":1.001,"height":1199,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035268151_10.jpg?v=1713430841"},"aspect_ratio":1.001,"height":1199,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035268151_10.jpg?v=1713430841","width":1200},{"alt":null,"id":33779430654202,"position":3,"preview_image":{"aspect_ratio":0.999,"height":1200,"width":1199,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035268155_10.jpg?v=1713430843"},"aspect_ratio":0.999,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035268155_10.jpg?v=1713430843","width":1199}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・トロントのシンガーソングライターKenny Boothby率いるフォーク・ロックバンドLittle Kidが、2024年2月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eギターやバンジョー、フルート、チェロ、ペダルスティールとクレバーな歌詞によるインディー・フォークロック8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"カメラは被写体に群がることなくズームインする。他人のダメージを歌った歌は、自分のダメージを理解する助けとなり、新たな謎へと導いてくれる。星は砂粒のように見える。Little Kidのニューアルバムであり、Orindalでのデビュー作である『A Million Easy Payments』では、Kenny Boothbyの声の切迫感が、あらゆる角度や露出から人生に迫ってくる壮大なバラードや回想、自己反省の限界に突き進み、それを少し超えるような歌詞の賭けとマッチしている。バンドの軽快なフォーク・ロック・アレンジがKenny Boothbyの物語を支え、時折、チェロのサンプル、ペダルスティール、フルート、エレクトリックピアノが飛び交い、物語を空高く持ち上げる。信心深さに煮詰まることもなく、痛みを美化することもない、鬱屈とフラストレーションのレコードである。壊れやすく、豊かで、血の通ったレコードだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eミニマリズムの作曲、エミリー・ディキンソンの詩、フランケンサーラーの絵画、初期のスフジャン・スティーヴンス、あるいはLittle Kidの新しいレーベルメイトであるOrindalの曲のように、『A Million Easy Payments』は、シンプルという外見的なイメージの下に、質感と意味がちりばめられている点で素晴らしい。羊の皮をかぶった孔雀だ。その叙情的で音楽的な密度は、決して明瞭さや印象的なメロディーを犠牲にしていない。お気に入りの映画や小説のように、『A Million Easy Payments』を何度も読み返すのは、その美しさを楽しむためであると同時に、毎回新たな発見があるからだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBoothbyの文章は、愛、不在、停滞、そして変化に満ちており、しばしばキリスト教思想のレンズを通して屈折し、友人、元恋人、日常の人々、そして聖書の登場人物たちによって経験される。Bad Energyの後半では、Boothbyが「12人の男と仲良くしていても、頬にキスされただけで殺されるかもしれない」と冗談を言う。Eggshell（卵の殻）」では、幽霊が未亡人に自分の死を振り返る： 救急車がやってきて／ハイウェイを鳴り響くサイレンを鳴らしながら／君の人生に微笑みの沈黙を残していったよ、ベイビー。下降するメロディーに織り込まれた \"I \"の音。Boothbyの軽やかなテナー。ギターの2車線。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e『A Million Easy Payments』全体を通して、Boothbyの器用さ、リズム、内韻の巧みさ、詩的な響きを聴き取る耳は、彼の物語のペーソスに匹敵する。熟練を誇示するためではなく、苦労して得た発見を分かち合うために、言葉は意図的に作られている。自己を文脈の中で、間近で見ようとすること、そしてその探求が無駄であり重要であることを証明すること。神を探し求める。プールは濁っている。期待したほどには反映されていない。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/SROle0DiiAQ?si=DRgS6oRkRtQFICbF\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9w4lYrKBug8?si=rH7x7JpWCRi7OKcX\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Something to Say 04:07\u003cbr\u003e2. Bad Energy 07:29\u003cbr\u003e3. Beside Myself 04:43\u003cbr\u003e4. Always Change 05:57\u003cbr\u003e5. Eggshell 03:03\u003cbr\u003e6. Somewhere In Between 04:31\u003cbr\u003e7. Nothing at All 04:21\u003cbr\u003e8. What Qualifies as Silence 09:49\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eDan Wriggins\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"A camera zooms in without crowding its subject. A song about someone else’s damage helps you understand your own, and puts you on to new mysteries. Stars look like grains of sand. On Little Kid’s new album and Orindal Records debut A Million Easy Payments, the urgency in Kenny Boothby’s voice matches the stakes of his lyrics, epic ballads and reveries that come at life from all angles and exposures, driving at and a little over the limits of self-reflection. The band’s lilting folk rock arrangements carry Boothby’s stories, occasionally lifting them skyward with flurries of cello samples, pedal steel, flute, and electric piano. It’s a record of depression and frustration that doesn’t stew in piety or aestheticize pain, that also explodes with life. Fragile and abundant. It’s a record with blood in its veins. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLittle Kid is a Toronto-based collaborative project that has existed in some form since 2009, and is currently comprised of Brodie Germain (drums, guitar), Paul Vroom (bass), Megan Lunn (vocals, banjo, keyboard), Liam Cole (drums, percussion), and Kenny Boothby (vocals, guitar, piano, keyboards). A Million Easy Payments, like the three Little Kid releases before it, was tracked, engineered, and mastered by Vroom. Vroom’s work renders a portrait of\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Little Kid’s twin musical strengths — as a live act, a straight-ahead folk rock outfit, and as a group of creative, independent producers who want to mess things up. To that end, the record features several guest instruments: Eliza Niemi’s cello, Anh Phung’s flute, Seth Engel’s percussion, Peter Gill’s pedal steel, and Aaron Powell’s voice. Every so often, the boundaries fray. Chaotic flute layers transport the outro to “Beside Myself.” Banjo careens off the edge of “Something to Say.” The kick drum in “Bad Energy” is more than a heartbeat. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLike a minimalist composition, an Emily Dickinson poem, a Frankenthaler painting, early Sufjan Stevens, or the songs of many of Little Kid’s new labelmates at Orindal, A Million Easy Payments is brilliant insofar as it teems with texture and meaning under an outward image of simplicity. A peacock in sheep’s clothing. Its lyrical and musical density never comes at the expense of clarity or striking melodies. Like your favorite movie or novel, you come back to A Million Easy Payments again and again for the pleasure of its beauty, but also because it reveals something new every time. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLittle Kid has always centered around Boothby’s songwriting, and A Million Easy Payments proves his enormous skill many times over. He tackles the extended ballad tradition, zooming in and out with mind-bending control on “Bad Energy”: \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd now your engine burns remains of ancient birds \u003cbr data-mce-fragment=\"1\"\u003eGo into town to drive around and then leave \u003cbr data-mce-fragment=\"1\"\u003eYou tore a gash right clear through the atmosphere \u003cbr data-mce-fragment=\"1\"\u003eAnd now there’s nothing that can buffer the heat \u003cbr data-mce-fragment=\"1\"\u003eBut the sun is shining and your love is smiling \u003cbr data-mce-fragment=\"1\"\u003eIn a moment getting warmed by a beam \u003cbr data-mce-fragment=\"1\"\u003eOf bad energy \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBoothby’s writing is charged with love, absence, stagnation and change, often refracted through the lens of Christian thought, experienced by friends, exes, everyday people and Biblical characters. Later on in “Bad Energy,” Boothby jokes “if you’re only friendly with a dozen men\/ one might still kill you with a kiss on the cheek.” In “Eggshell,” a ghost reflects on his own death to his widow, a story based on the death of Boothby’s father: “ambulances came\/ weaving a whining siren down the highway\/ leaving a smiling silence in your life, babe.” The “I” sound woven in descending melodies. Two lanes of Boothby’s airy tenor. Two lanes of guitar. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAcross A Million Easy Payments, Boothby’s dexterity, rhythm, internal rhyming prowess, and ear for poetic sound are matched only by the pathos of his stories. The words are crafted deliberately, not to show off mastery, but to share hard-earned findings. To try and see the self in context and up close, and to prove the inquiry to be both futile and crucial. To dig around for God. The pool is murky. Not as reflective as we’d hoped. \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Little Kid\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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カナダ・トロントのシンガーソングライターKenny Boothby率いるフォーク・ロックバンドLittle Kidが、2024年2月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。 ギターやバンジョー、フルート、チェロ、ペダルスティールとクレバーな歌詞によるインディー・フォークロック8曲を収録。DLコード付属。 以下、Rosie Stocktonによる解説です。 "カメラは被写体に群がることなくズームインする。他人のダメージを歌った歌は、自分のダメージを理解する助けとなり、新たな謎へと導いてくれる。星は砂粒のように見える。Little Kidのニューアルバムであり、Orindalでのデビュー作である『A Million Easy Payments』では、Kenny Boothbyの声の切迫感が、あらゆる角度や露出から人生に迫ってくる壮大なバラードや回想、自己反省の限界に突き進み、それを少し超えるような歌詞の賭けとマッチしている。バンドの軽快なフォーク・ロック・アレンジがKenny Boothbyの物語を支え、時折、チェロのサンプル、ペダルスティール、フルート、エレクトリックピアノが飛び交い、物語を空高く持ち上げる。信心深さに煮詰まることもなく、痛みを美化することもない、鬱屈とフラストレーションのレコードである。壊れやすく、豊かで、血の通ったレコードだ。...
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{"id":9001189736698,"title":"Robert Stillman \/\/ Portals LP","handle":"robert-stillman-portals-lp-color","description":"\u003cp\u003eアメリカのポストニューエイジ作家Robert Stillmanが、2022年にイギリスのアンビエント〜アウトサイダーポップレーベルKitからリリースした再発レコードです。（オリジナルは2016年リリース）\u003c\/p\u003e\n\u003cp\u003eミニマルで瞑想的なアンビエント9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3262978115\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003ehere\u003c\/a\u003e to see more Kit Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of \u003cspan\u003e250 copies on black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOrindal Records \/ Kit Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003ePortals is an album of minimal electric piano improvisations by UK-based multi-instrumentalist \u0026amp; composer Robert Stillman. Inspired by American ‘new-age’ luminaries like Laraaji, Iasos, and Stephen Halpern, Stillman’s layers of playful, meditative electric piano figures, saturated by warm tape hiss \u0026amp; psychedelic delay effects, are occasionally accompanied by “found sound” field recordings, creating a compelling yet calming listening experience.\u003cbr\u003e\u003cbr\u003ePortals was recorded at home in Broadstairs, Kent during the winter of 2016-2017 \u0026amp; originally released on cassette in December 2017 by Orindal Records. Three subsequent represses followed, \u0026amp; Portals became the most repressed cassette release in Orindal’s 11 year history. This new vinyl edition, co-released by UK label KIT Records, is remastered by Matt Barnhart \u0026amp; includes bonus track “Portal 8 (The\u003cbr\u003eStranger).”\u003cbr\u003e\u003cbr\u003eHere’s Robert Stillman’s original statement on the original cassette release of Portals:\u003cbr\u003e\u003cbr\u003ePortals is an album of multi-tracked improvisations on Fender Rhodes electric piano. The music’s repetitive structure is intended to encourage a state of ‘no-mind’ in the listener, acting as a gateway out of thoughts and into the present moment\u003cspan class=\"bcTruncateMore\"\u003e. Headphones are recommended for the ideal listening experience.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : ROBERT STILLMAN\u003c\/p\u003e\n\u003cp\u003eLabel : Kit Records x Orindal Records\u003c\/p\u003e","published_at":"2025-11-14T13:22:57+09:00","created_at":"2025-11-14T13:22:25+09:00","vendor":"Tobira Records","type":"","tags":["ambient","kit records","lp","new","orindal","post newage"],"price":418700,"price_min":418700,"price_max":418700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47957735866618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Robert Stillman \/\/ Portals LP","public_title":null,"options":["Default Title"],"price":418700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/po1_258731b9-86cc-4062-b21a-658b70d0c885.jpg?v=1656307505"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/po1_258731b9-86cc-4062-b21a-658b70d0c885.jpg?v=1656307505","options":["Title"],"media":[{"alt":null,"id":29995001610490,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po1_258731b9-86cc-4062-b21a-658b70d0c885.jpg?v=1656307505"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po1_258731b9-86cc-4062-b21a-658b70d0c885.jpg?v=1656307505","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのポストニューエイジ作家Robert Stillmanが、2022年にイギリスのアンビエント〜アウトサイダーポップレーベルKitからリリースした再発レコードです。（オリジナルは2016年リリース）\u003c\/p\u003e\n\u003cp\u003eミニマルで瞑想的なアンビエント9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3262978115\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003ehere\u003c\/a\u003e to see more Kit Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of \u003cspan\u003e250 copies on black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOrindal Records \/ Kit Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003ePortals is an album of minimal electric piano improvisations by UK-based multi-instrumentalist \u0026amp; composer Robert Stillman. Inspired by American ‘new-age’ luminaries like Laraaji, Iasos, and Stephen Halpern, Stillman’s layers of playful, meditative electric piano figures, saturated by warm tape hiss \u0026amp; psychedelic delay effects, are occasionally accompanied by “found sound” field recordings, creating a compelling yet calming listening experience.\u003cbr\u003e\u003cbr\u003ePortals was recorded at home in Broadstairs, Kent during the winter of 2016-2017 \u0026amp; originally released on cassette in December 2017 by Orindal Records. Three subsequent represses followed, \u0026amp; Portals became the most repressed cassette release in Orindal’s 11 year history. This new vinyl edition, co-released by UK label KIT Records, is remastered by Matt Barnhart \u0026amp; includes bonus track “Portal 8 (The\u003cbr\u003eStranger).”\u003cbr\u003e\u003cbr\u003eHere’s Robert Stillman’s original statement on the original cassette release of Portals:\u003cbr\u003e\u003cbr\u003ePortals is an album of multi-tracked improvisations on Fender Rhodes electric piano. The music’s repetitive structure is intended to encourage a state of ‘no-mind’ in the listener, acting as a gateway out of thoughts and into the present moment\u003cspan class=\"bcTruncateMore\"\u003e. Headphones are recommended for the ideal listening experience.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : ROBERT STILLMAN\u003c\/p\u003e\n\u003cp\u003eLabel : Kit Records x Orindal Records\u003c\/p\u003e"}
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アメリカのポストニューエイジ作家Robert Stillmanが、2022年にイギリスのアンビエント〜アウトサイダーポップレーベルKitからリリースした再発レコードです。（オリジナルは2016年リリース） ミニマルで瞑想的なアンビエント9曲を収録。 レーベルその他作品はこちら /// Click here to see more Kit Records releases available at Tobira. ----------------------------...
¥4,187
![Moontype // I Let The Wind Push Down On Me LP [COLOR]](http://tobirarecords.com/cdn/shop/files/a0061997849_16_b8268e82-1164-4f35-ab2e-a6354ec5c535_medium.jpg?v=1754049522)
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{"id":8875774148858,"title":"Moontype \/\/ I Let The Wind Push Down On Me LP [COLOR]","handle":"moontype-i-let-the-wind-push-down-on-me-lp-color","description":"\u003cp\u003eアメリカ・シカゴのインディ〜バンドMoontypeが、2025年5月にシカゴのインディーレーベルOrindal Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eインディーロック〜エモ・ロック11曲を収録。オレンジ盤です。DLコードと歌詞カード、ポスターが付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=474388678\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3059307125\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" Coral Wonder vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. How I Used to Dance 03:25\u003cbr\u003e2. Let Me Cry 03:57\u003cbr\u003e3. Long Country 04:16\u003cbr\u003e4. Four Hands ii 03:39\u003cbr\u003e5. Walking in the Woods 04:58\u003cbr\u003e6. Crushed 05:30\u003cbr\u003e7. Anymore 04:05\u003cbr\u003e8. Four Hands i 03:30\u003cbr\u003e9. Click Clack 01:04\u003cbr\u003e10. Starry Eyed 06:28\u003cbr\u003e11. Let Me Be 04:55 \u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003eOrindal Records\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"So much of Moontype’s life-affirming magic is from the evolving confidence and relentless creative playfulness of its lead singer and bassist Margaret McCarthy. As the leader of the Chicago indie rock outfit, her music tackles soft and vulnerable emotions with striking clarity and immersive, unorthodox melodies. Their second album, I Let The Wind Push Down On Me, serves as a reinvention for the band—not just for their new and expanded lineup—but for how McCarthy navigates the changes in her own life and the messy feelings she sings about. Out May 23 via Orindal Records, the LP is a patient document of feeling things out, being easy on yourself, and finding the beauty in small moments. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowing the 2021 release of Bodies of Water, Moontype’s critically acclaimed first album, the band underwent a recharging period of major and minor transformations. “I have gotten better at being alone, and found ways to feel strong and powerful in myself,” says McCarthy. “I'm better at having the relationships I want to have and setting the boundaries I want to set. For this record, I didn't shy away from dark or hard things, like loneliness, sadness, anger, and disconnection.” During that time, the band’s lineup grew with the additions of Patter’s Joe Suihkonen, whose other\u003cspan class=\"bcTruncateMore\"\u003e band the Deals has featured collaborations from McCarthy and Moontype drummer Emerson Hunton, and Andrew Clinkman of Spirits Having Fun. “Getting asked to join this band was a beautiful thing for me,” says Clinkman. “It was exciting to be able to play with what was my favorite band already.” \u003cbr\u003e\u003cbr\u003eThe first show the new lineup played with NNAMDÏ at Metro in 2022 found them gelling instantly. “Immediately it felt like this is what it was supposed to be,” says McCarthy. Adding an extra guitar brought muscle and endless possibilities to their sound too. Still, the band wanted to nurture this newfound energy so they decided to skip tours and regular live shows for weekly jam sessions and practices. “The most important thing about this band is how we work on music in fleshing out a song together,” says Hunton. “With Joe and Andrew, once we realized that Margaret could just still bring in a shell of a track, we’d play it, not talk about it, and see where things land, there was a feeling that everything would work out.” These frequent meetups allowed everyone to get comfortable with each other and with playing music without hesitation. As Suihkonen puts it, “Writing songs with Moontype feels freer than any other band I've ever been in.” \u003cbr\u003e\u003cbr\u003eOne of the earlier songs is the lead single “Long Country,” which connects the sonic and emotional threads between the first iteration of Moontype and this new one. Over glistening guitars, McCarthy coos, “I wanna feel good every hour of the day.” Eventually, the track curls into something more menacing and eerie. The tempo slows and guitars leisurely strum as she sings, “The truth will hurt too much, the walls you built are strong enough \/ Nothing can set you free, so steel yourself, go forward blindly.” It eventually peaks into a blistering wall of sound and throughout, it’s unpredictable and thrilling—a testament to McCarthy’s vivacious melodic sensibilities. “There's something special about having Margaret’s bass and vocals as a starting point for a song,” says Clinkman. “It creates this inherent counterpoint to the song. That middle textural ground is so open to fill in, and provides an amazing opportunity for the rest of us to flesh that space out.” \u003cbr\u003e\u003cbr\u003e“All of these songs span from my twenties,” says McCarthy. “There are changes that happen during every time of life, but definitely that one was full of upheaval.” Opener “How I Used to Dance” finds her reflecting on a younger version of herself. Over a flutter of strings, she sings, “Oh, how I used to dance \/ in my room, before I went to bed” reminiscing on nighttime walks in a small town and late nights with her best friend. “It’s a song about missing the past and grappling with how things have changed,” she says. “I had so many rituals for myself–small emotional moments that made me feel better. That era was kind of the beginning of me understanding what it feels like to feel good being alone. Now, it’s just a lot more comfortable for me.” Even when I Let the Wind Push Down On Me hones in on the mundane, McCarthy’s observant lyrics know where to find the light. \u003cbr\u003e\u003cbr\u003eAs McCarthy became more at ease with herself and her writing, the songs came together seamlessly. Even tracks that initially presented challenges, like the yearning single “Four Hands ii,” turned into North Stars once the band figured out where it should go. This ineffable creative rhythm gave them the confidence to hit the studio. First was a session in Chicago at Jamdek Studios where they’d track each tune as straightforwardly as possible. “This was our “Rock Band” session,” jokes Hunton. Then, they intentionally gave themselves a few months to sit with the material before they decamped to Maryland and New York to record with Katie Von Schleicher and Nate Mendelsohn. There, they worked on overdubs, vocals, and tweaking the arrangements. The distance between the two sessions allowed them to reimagine and recontextualize the material. “We made a record in Chicago. Then we went to Maryland and broke it,” says Suihkonen. \u003cbr\u003e\u003cbr\u003eI Let the Wind Push Down On Me is an album of confronting dark emotions and coming out stronger. Where their debut Bodies of Water concerned itself with the healing powers of nature, this LP creates a colder world. On “Starry-Eyed,” McCarthy sings, “Borrowing a bottle I take sips \/ till I forget \/ What I started for \/ Oh \/ Why do I keep opening that door? \/ Every time I think it’s closed, there’s more.” While the song with its shoegaze-inflected riffs captures how things can feel heavy on your chest, it’s sung with such a lightness that it feels like a relief. “For that song, I took myself on a writing retreat, sat there, and wrote for a week, and that song actually came out of that.” \u003cbr\u003e\u003cbr\u003eWhile so much of McCarthy’s writing came from periods of solitude, she found power through the creative process and her bandmates. “Writing songs can be a lonely endeavor, but I have these amazing bandmates,” she says. “When we’re together, it becomes something different and more powerful than when I was alone. The power that I'm trying to feel in my own self can be multiplied when we're all playing together. It feels like an extension of myself.”\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Moontype\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003eCat No : ORD84\u003c\/p\u003e","published_at":"2025-08-01T21:01:19+09:00","created_at":"2025-08-01T21:00:28+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","orindal"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47573151809786,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Moontype \/\/ I Let The Wind Push Down On Me LP [COLOR]","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0061997849_16_b8268e82-1164-4f35-ab2e-a6354ec5c535.jpg?v=1754049522","\/\/tobirarecords.com\/cdn\/shop\/files\/0038783016_10.jpg?v=1754049688"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0061997849_16_b8268e82-1164-4f35-ab2e-a6354ec5c535.jpg?v=1754049522","options":["Title"],"media":[{"alt":null,"id":36464914202874,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0061997849_16_b8268e82-1164-4f35-ab2e-a6354ec5c535.jpg?v=1754049522"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0061997849_16_b8268e82-1164-4f35-ab2e-a6354ec5c535.jpg?v=1754049522","width":700},{"alt":null,"id":36464920854778,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0038783016_10.jpg?v=1754049688"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0038783016_10.jpg?v=1754049688","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディ〜バンドMoontypeが、2025年5月にシカゴのインディーレーベルOrindal Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eインディーロック〜エモ・ロック11曲を収録。オレンジ盤です。DLコードと歌詞カード、ポスターが付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=474388678\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3059307125\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" Coral Wonder vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. How I Used to Dance 03:25\u003cbr\u003e2. Let Me Cry 03:57\u003cbr\u003e3. Long Country 04:16\u003cbr\u003e4. Four Hands ii 03:39\u003cbr\u003e5. Walking in the Woods 04:58\u003cbr\u003e6. Crushed 05:30\u003cbr\u003e7. Anymore 04:05\u003cbr\u003e8. Four Hands i 03:30\u003cbr\u003e9. Click Clack 01:04\u003cbr\u003e10. Starry Eyed 06:28\u003cbr\u003e11. Let Me Be 04:55 \u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003eOrindal Records\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"So much of Moontype’s life-affirming magic is from the evolving confidence and relentless creative playfulness of its lead singer and bassist Margaret McCarthy. As the leader of the Chicago indie rock outfit, her music tackles soft and vulnerable emotions with striking clarity and immersive, unorthodox melodies. Their second album, I Let The Wind Push Down On Me, serves as a reinvention for the band—not just for their new and expanded lineup—but for how McCarthy navigates the changes in her own life and the messy feelings she sings about. Out May 23 via Orindal Records, the LP is a patient document of feeling things out, being easy on yourself, and finding the beauty in small moments. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowing the 2021 release of Bodies of Water, Moontype’s critically acclaimed first album, the band underwent a recharging period of major and minor transformations. “I have gotten better at being alone, and found ways to feel strong and powerful in myself,” says McCarthy. “I'm better at having the relationships I want to have and setting the boundaries I want to set. For this record, I didn't shy away from dark or hard things, like loneliness, sadness, anger, and disconnection.” During that time, the band’s lineup grew with the additions of Patter’s Joe Suihkonen, whose other\u003cspan class=\"bcTruncateMore\"\u003e band the Deals has featured collaborations from McCarthy and Moontype drummer Emerson Hunton, and Andrew Clinkman of Spirits Having Fun. “Getting asked to join this band was a beautiful thing for me,” says Clinkman. “It was exciting to be able to play with what was my favorite band already.” \u003cbr\u003e\u003cbr\u003eThe first show the new lineup played with NNAMDÏ at Metro in 2022 found them gelling instantly. “Immediately it felt like this is what it was supposed to be,” says McCarthy. Adding an extra guitar brought muscle and endless possibilities to their sound too. Still, the band wanted to nurture this newfound energy so they decided to skip tours and regular live shows for weekly jam sessions and practices. “The most important thing about this band is how we work on music in fleshing out a song together,” says Hunton. “With Joe and Andrew, once we realized that Margaret could just still bring in a shell of a track, we’d play it, not talk about it, and see where things land, there was a feeling that everything would work out.” These frequent meetups allowed everyone to get comfortable with each other and with playing music without hesitation. As Suihkonen puts it, “Writing songs with Moontype feels freer than any other band I've ever been in.” \u003cbr\u003e\u003cbr\u003eOne of the earlier songs is the lead single “Long Country,” which connects the sonic and emotional threads between the first iteration of Moontype and this new one. Over glistening guitars, McCarthy coos, “I wanna feel good every hour of the day.” Eventually, the track curls into something more menacing and eerie. The tempo slows and guitars leisurely strum as she sings, “The truth will hurt too much, the walls you built are strong enough \/ Nothing can set you free, so steel yourself, go forward blindly.” It eventually peaks into a blistering wall of sound and throughout, it’s unpredictable and thrilling—a testament to McCarthy’s vivacious melodic sensibilities. “There's something special about having Margaret’s bass and vocals as a starting point for a song,” says Clinkman. “It creates this inherent counterpoint to the song. That middle textural ground is so open to fill in, and provides an amazing opportunity for the rest of us to flesh that space out.” \u003cbr\u003e\u003cbr\u003e“All of these songs span from my twenties,” says McCarthy. “There are changes that happen during every time of life, but definitely that one was full of upheaval.” Opener “How I Used to Dance” finds her reflecting on a younger version of herself. Over a flutter of strings, she sings, “Oh, how I used to dance \/ in my room, before I went to bed” reminiscing on nighttime walks in a small town and late nights with her best friend. “It’s a song about missing the past and grappling with how things have changed,” she says. “I had so many rituals for myself–small emotional moments that made me feel better. That era was kind of the beginning of me understanding what it feels like to feel good being alone. Now, it’s just a lot more comfortable for me.” Even when I Let the Wind Push Down On Me hones in on the mundane, McCarthy’s observant lyrics know where to find the light. \u003cbr\u003e\u003cbr\u003eAs McCarthy became more at ease with herself and her writing, the songs came together seamlessly. Even tracks that initially presented challenges, like the yearning single “Four Hands ii,” turned into North Stars once the band figured out where it should go. This ineffable creative rhythm gave them the confidence to hit the studio. First was a session in Chicago at Jamdek Studios where they’d track each tune as straightforwardly as possible. “This was our “Rock Band” session,” jokes Hunton. Then, they intentionally gave themselves a few months to sit with the material before they decamped to Maryland and New York to record with Katie Von Schleicher and Nate Mendelsohn. There, they worked on overdubs, vocals, and tweaking the arrangements. The distance between the two sessions allowed them to reimagine and recontextualize the material. “We made a record in Chicago. Then we went to Maryland and broke it,” says Suihkonen. \u003cbr\u003e\u003cbr\u003eI Let the Wind Push Down On Me is an album of confronting dark emotions and coming out stronger. Where their debut Bodies of Water concerned itself with the healing powers of nature, this LP creates a colder world. On “Starry-Eyed,” McCarthy sings, “Borrowing a bottle I take sips \/ till I forget \/ What I started for \/ Oh \/ Why do I keep opening that door? \/ Every time I think it’s closed, there’s more.” While the song with its shoegaze-inflected riffs captures how things can feel heavy on your chest, it’s sung with such a lightness that it feels like a relief. “For that song, I took myself on a writing retreat, sat there, and wrote for a week, and that song actually came out of that.” \u003cbr\u003e\u003cbr\u003eWhile so much of McCarthy’s writing came from periods of solitude, she found power through the creative process and her bandmates. “Writing songs can be a lonely endeavor, but I have these amazing bandmates,” she says. “When we’re together, it becomes something different and more powerful than when I was alone. The power that I'm trying to feel in my own self can be multiplied when we're all playing together. It feels like an extension of myself.”\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Moontype\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003eCat No : ORD84\u003c\/p\u003e"}
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アメリカ・シカゴのインディ〜バンドMoontypeが、2025年5月にシカゴのインディーレーベルOrindal Recordsからリリースしたレコードです。 インディーロック〜エモ・ロック11曲を収録。オレンジ盤です。DLコードと歌詞カード、ポスターが付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ----------------------------...
¥3,980
クイックビュー
{"id":8875736301818,"title":"Moontype \/\/ I Let The Wind Push Down On Me LP","handle":"moontype-i-let-the-wind-push-down-on-me-lp","description":"\u003cp\u003eアメリカ・シカゴのインディ〜バンドMoontypeが、2025年5月にシカゴのインディーレーベルOrindal Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eインディーロック〜エモ・ロック11曲を収録。DLコードと歌詞カード、ポスターが付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=474388678\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3059307125\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. How I Used to Dance 03:25\u003cbr\u003e2. Let Me Cry 03:57\u003cbr\u003e3. Long Country 04:16\u003cbr\u003e4. Four Hands ii 03:39\u003cbr\u003e5. Walking in the Woods 04:58\u003cbr\u003e6. Crushed 05:30\u003cbr\u003e7. Anymore 04:05\u003cbr\u003e8. Four Hands i 03:30\u003cbr\u003e9. Click Clack 01:04\u003cbr\u003e10. Starry Eyed 06:28\u003cbr\u003e11. Let Me Be 04:55 \u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003eOrindal Records\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"So much of Moontype’s life-affirming magic is from the evolving confidence and relentless creative playfulness of its lead singer and bassist Margaret McCarthy. As the leader of the Chicago indie rock outfit, her music tackles soft and vulnerable emotions with striking clarity and immersive, unorthodox melodies. Their second album, I Let The Wind Push Down On Me, serves as a reinvention for the band—not just for their new and expanded lineup—but for how McCarthy navigates the changes in her own life and the messy feelings she sings about. Out May 23 via Orindal Records, the LP is a patient document of feeling things out, being easy on yourself, and finding the beauty in small moments. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowing the 2021 release of Bodies of Water, Moontype’s critically acclaimed first album, the band underwent a recharging period of major and minor transformations. “I have gotten better at being alone, and found ways to feel strong and powerful in myself,” says McCarthy. “I'm better at having the relationships I want to have and setting the boundaries I want to set. For this record, I didn't shy away from dark or hard things, like loneliness, sadness, anger, and disconnection.” During that time, the band’s lineup grew with the additions of Patter’s Joe Suihkonen, whose other\u003cspan class=\"bcTruncateMore\"\u003e band the Deals has featured collaborations from McCarthy and Moontype drummer Emerson Hunton, and Andrew Clinkman of Spirits Having Fun. “Getting asked to join this band was a beautiful thing for me,” says Clinkman. “It was exciting to be able to play with what was my favorite band already.” \u003cbr\u003e\u003cbr\u003eThe first show the new lineup played with NNAMDÏ at Metro in 2022 found them gelling instantly. “Immediately it felt like this is what it was supposed to be,” says McCarthy. Adding an extra guitar brought muscle and endless possibilities to their sound too. Still, the band wanted to nurture this newfound energy so they decided to skip tours and regular live shows for weekly jam sessions and practices. “The most important thing about this band is how we work on music in fleshing out a song together,” says Hunton. “With Joe and Andrew, once we realized that Margaret could just still bring in a shell of a track, we’d play it, not talk about it, and see where things land, there was a feeling that everything would work out.” These frequent meetups allowed everyone to get comfortable with each other and with playing music without hesitation. As Suihkonen puts it, “Writing songs with Moontype feels freer than any other band I've ever been in.” \u003cbr\u003e\u003cbr\u003eOne of the earlier songs is the lead single “Long Country,” which connects the sonic and emotional threads between the first iteration of Moontype and this new one. Over glistening guitars, McCarthy coos, “I wanna feel good every hour of the day.” Eventually, the track curls into something more menacing and eerie. The tempo slows and guitars leisurely strum as she sings, “The truth will hurt too much, the walls you built are strong enough \/ Nothing can set you free, so steel yourself, go forward blindly.” It eventually peaks into a blistering wall of sound and throughout, it’s unpredictable and thrilling—a testament to McCarthy’s vivacious melodic sensibilities. “There's something special about having Margaret’s bass and vocals as a starting point for a song,” says Clinkman. “It creates this inherent counterpoint to the song. That middle textural ground is so open to fill in, and provides an amazing opportunity for the rest of us to flesh that space out.” \u003cbr\u003e\u003cbr\u003e“All of these songs span from my twenties,” says McCarthy. “There are changes that happen during every time of life, but definitely that one was full of upheaval.” Opener “How I Used to Dance” finds her reflecting on a younger version of herself. Over a flutter of strings, she sings, “Oh, how I used to dance \/ in my room, before I went to bed” reminiscing on nighttime walks in a small town and late nights with her best friend. “It’s a song about missing the past and grappling with how things have changed,” she says. “I had so many rituals for myself–small emotional moments that made me feel better. That era was kind of the beginning of me understanding what it feels like to feel good being alone. Now, it’s just a lot more comfortable for me.” Even when I Let the Wind Push Down On Me hones in on the mundane, McCarthy’s observant lyrics know where to find the light. \u003cbr\u003e\u003cbr\u003eAs McCarthy became more at ease with herself and her writing, the songs came together seamlessly. Even tracks that initially presented challenges, like the yearning single “Four Hands ii,” turned into North Stars once the band figured out where it should go. This ineffable creative rhythm gave them the confidence to hit the studio. First was a session in Chicago at Jamdek Studios where they’d track each tune as straightforwardly as possible. “This was our “Rock Band” session,” jokes Hunton. Then, they intentionally gave themselves a few months to sit with the material before they decamped to Maryland and New York to record with Katie Von Schleicher and Nate Mendelsohn. There, they worked on overdubs, vocals, and tweaking the arrangements. The distance between the two sessions allowed them to reimagine and recontextualize the material. “We made a record in Chicago. Then we went to Maryland and broke it,” says Suihkonen. \u003cbr\u003e\u003cbr\u003eI Let the Wind Push Down On Me is an album of confronting dark emotions and coming out stronger. Where their debut Bodies of Water concerned itself with the healing powers of nature, this LP creates a colder world. On “Starry-Eyed,” McCarthy sings, “Borrowing a bottle I take sips \/ till I forget \/ What I started for \/ Oh \/ Why do I keep opening that door? \/ Every time I think it’s closed, there’s more.” While the song with its shoegaze-inflected riffs captures how things can feel heavy on your chest, it’s sung with such a lightness that it feels like a relief. “For that song, I took myself on a writing retreat, sat there, and wrote for a week, and that song actually came out of that.” \u003cbr\u003e\u003cbr\u003eWhile so much of McCarthy’s writing came from periods of solitude, she found power through the creative process and her bandmates. “Writing songs can be a lonely endeavor, but I have these amazing bandmates,” she says. “When we’re together, it becomes something different and more powerful than when I was alone. The power that I'm trying to feel in my own self can be multiplied when we're all playing together. It feels like an extension of myself.”\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Moontype\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003eCat No : ORD84\u003c\/p\u003e","published_at":"2025-08-01T20:58:41+09:00","created_at":"2025-08-01T20:41:43+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","orindal"],"price":373300,"price_min":373300,"price_max":373300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47573111046394,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Moontype \/\/ I Let The Wind Push Down On Me LP","public_title":null,"options":["Default Title"],"price":373300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0061997849_16_b8268e82-1164-4f35-ab2e-a6354ec5c535.jpg?v=1754049522","\/\/tobirarecords.com\/cdn\/shop\/files\/0038783040_10.jpg?v=1754049522"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0061997849_16_b8268e82-1164-4f35-ab2e-a6354ec5c535.jpg?v=1754049522","options":["Title"],"media":[{"alt":null,"id":36464914202874,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0061997849_16_b8268e82-1164-4f35-ab2e-a6354ec5c535.jpg?v=1754049522"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0061997849_16_b8268e82-1164-4f35-ab2e-a6354ec5c535.jpg?v=1754049522","width":700},{"alt":null,"id":36464905683194,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0038783040_10.jpg?v=1754049522"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0038783040_10.jpg?v=1754049522","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディ〜バンドMoontypeが、2025年5月にシカゴのインディーレーベルOrindal Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eインディーロック〜エモ・ロック11曲を収録。DLコードと歌詞カード、ポスターが付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=474388678\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3059307125\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. How I Used to Dance 03:25\u003cbr\u003e2. Let Me Cry 03:57\u003cbr\u003e3. Long Country 04:16\u003cbr\u003e4. Four Hands ii 03:39\u003cbr\u003e5. Walking in the Woods 04:58\u003cbr\u003e6. Crushed 05:30\u003cbr\u003e7. Anymore 04:05\u003cbr\u003e8. Four Hands i 03:30\u003cbr\u003e9. Click Clack 01:04\u003cbr\u003e10. Starry Eyed 06:28\u003cbr\u003e11. Let Me Be 04:55 \u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003eOrindal Records\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"So much of Moontype’s life-affirming magic is from the evolving confidence and relentless creative playfulness of its lead singer and bassist Margaret McCarthy. As the leader of the Chicago indie rock outfit, her music tackles soft and vulnerable emotions with striking clarity and immersive, unorthodox melodies. Their second album, I Let The Wind Push Down On Me, serves as a reinvention for the band—not just for their new and expanded lineup—but for how McCarthy navigates the changes in her own life and the messy feelings she sings about. Out May 23 via Orindal Records, the LP is a patient document of feeling things out, being easy on yourself, and finding the beauty in small moments. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowing the 2021 release of Bodies of Water, Moontype’s critically acclaimed first album, the band underwent a recharging period of major and minor transformations. “I have gotten better at being alone, and found ways to feel strong and powerful in myself,” says McCarthy. “I'm better at having the relationships I want to have and setting the boundaries I want to set. For this record, I didn't shy away from dark or hard things, like loneliness, sadness, anger, and disconnection.” During that time, the band’s lineup grew with the additions of Patter’s Joe Suihkonen, whose other\u003cspan class=\"bcTruncateMore\"\u003e band the Deals has featured collaborations from McCarthy and Moontype drummer Emerson Hunton, and Andrew Clinkman of Spirits Having Fun. “Getting asked to join this band was a beautiful thing for me,” says Clinkman. “It was exciting to be able to play with what was my favorite band already.” \u003cbr\u003e\u003cbr\u003eThe first show the new lineup played with NNAMDÏ at Metro in 2022 found them gelling instantly. “Immediately it felt like this is what it was supposed to be,” says McCarthy. Adding an extra guitar brought muscle and endless possibilities to their sound too. Still, the band wanted to nurture this newfound energy so they decided to skip tours and regular live shows for weekly jam sessions and practices. “The most important thing about this band is how we work on music in fleshing out a song together,” says Hunton. “With Joe and Andrew, once we realized that Margaret could just still bring in a shell of a track, we’d play it, not talk about it, and see where things land, there was a feeling that everything would work out.” These frequent meetups allowed everyone to get comfortable with each other and with playing music without hesitation. As Suihkonen puts it, “Writing songs with Moontype feels freer than any other band I've ever been in.” \u003cbr\u003e\u003cbr\u003eOne of the earlier songs is the lead single “Long Country,” which connects the sonic and emotional threads between the first iteration of Moontype and this new one. Over glistening guitars, McCarthy coos, “I wanna feel good every hour of the day.” Eventually, the track curls into something more menacing and eerie. The tempo slows and guitars leisurely strum as she sings, “The truth will hurt too much, the walls you built are strong enough \/ Nothing can set you free, so steel yourself, go forward blindly.” It eventually peaks into a blistering wall of sound and throughout, it’s unpredictable and thrilling—a testament to McCarthy’s vivacious melodic sensibilities. “There's something special about having Margaret’s bass and vocals as a starting point for a song,” says Clinkman. “It creates this inherent counterpoint to the song. That middle textural ground is so open to fill in, and provides an amazing opportunity for the rest of us to flesh that space out.” \u003cbr\u003e\u003cbr\u003e“All of these songs span from my twenties,” says McCarthy. “There are changes that happen during every time of life, but definitely that one was full of upheaval.” Opener “How I Used to Dance” finds her reflecting on a younger version of herself. Over a flutter of strings, she sings, “Oh, how I used to dance \/ in my room, before I went to bed” reminiscing on nighttime walks in a small town and late nights with her best friend. “It’s a song about missing the past and grappling with how things have changed,” she says. “I had so many rituals for myself–small emotional moments that made me feel better. That era was kind of the beginning of me understanding what it feels like to feel good being alone. Now, it’s just a lot more comfortable for me.” Even when I Let the Wind Push Down On Me hones in on the mundane, McCarthy’s observant lyrics know where to find the light. \u003cbr\u003e\u003cbr\u003eAs McCarthy became more at ease with herself and her writing, the songs came together seamlessly. Even tracks that initially presented challenges, like the yearning single “Four Hands ii,” turned into North Stars once the band figured out where it should go. This ineffable creative rhythm gave them the confidence to hit the studio. First was a session in Chicago at Jamdek Studios where they’d track each tune as straightforwardly as possible. “This was our “Rock Band” session,” jokes Hunton. Then, they intentionally gave themselves a few months to sit with the material before they decamped to Maryland and New York to record with Katie Von Schleicher and Nate Mendelsohn. There, they worked on overdubs, vocals, and tweaking the arrangements. The distance between the two sessions allowed them to reimagine and recontextualize the material. “We made a record in Chicago. Then we went to Maryland and broke it,” says Suihkonen. \u003cbr\u003e\u003cbr\u003eI Let the Wind Push Down On Me is an album of confronting dark emotions and coming out stronger. Where their debut Bodies of Water concerned itself with the healing powers of nature, this LP creates a colder world. On “Starry-Eyed,” McCarthy sings, “Borrowing a bottle I take sips \/ till I forget \/ What I started for \/ Oh \/ Why do I keep opening that door? \/ Every time I think it’s closed, there’s more.” While the song with its shoegaze-inflected riffs captures how things can feel heavy on your chest, it’s sung with such a lightness that it feels like a relief. “For that song, I took myself on a writing retreat, sat there, and wrote for a week, and that song actually came out of that.” \u003cbr\u003e\u003cbr\u003eWhile so much of McCarthy’s writing came from periods of solitude, she found power through the creative process and her bandmates. “Writing songs can be a lonely endeavor, but I have these amazing bandmates,” she says. “When we’re together, it becomes something different and more powerful than when I was alone. The power that I'm trying to feel in my own self can be multiplied when we're all playing together. It feels like an extension of myself.”\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Moontype\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003eCat No : ORD84\u003c\/p\u003e"}
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アメリカ・シカゴのインディ〜バンドMoontypeが、2025年5月にシカゴのインディーレーベルOrindal Recordsからリリースしたレコードです。 インディーロック〜エモ・ロック11曲を収録。DLコードと歌詞カード、ポスターが付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ----------------------------...
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{"id":8875062427898,"title":"Nicholas Krgovich \/\/ Ducks LP","handle":"nicholas-krgovich-ducks-lp","description":"\u003cp\u003eカナダ・バンクーバーのポップ作家Nicholas Krgovichが、2023年3月にアメリカ・シカゴのポップレーベルOrindalからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eしっとりと歌い上げるアダルトなポップ11曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=240664451\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 500. 12\" black vinyl + risograph printed lyric sheets.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eMarianna Ritchey\u003c\/span\u003e:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eUrsula Le Guin’s short story, “Solitude,” describes a society rooted in the absolute autonomy of the individual. In the world she constructs, people do almost everything alone, and they learn to savor this condition through close, deep observation of all the minutiae surrounding them in the woods, the dirt, the sky. A favored pastime is for a person to spend the night alone on a hill top, watching the patterns of stars wheeling overhead without letting their attention wander; another is to pursue long solo journeys into new landscapes whose unfamiliarity intensifies the pleasure of solitary contemplation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNicholas Krgovich’s new album, Ducks, similarly explores the rich experience of solitude, and the many quiet revelations that are available in even the most mundane moments. Each of the album’s eleven songs presents a closely-observed vignette of simply being alive and sentient in such moments: Krgovich describes himself mailing a letter, waking up on a hot day, combing the beach for shells, mowing the lawn, and noticing his own thoughts and feelings about these activities along the way. The album’s vibe of radical presence is emphasized both lyrically and in its production. Each song has a kind of meditative quality, a pulse that guides the ear down a straight path, moving while somehow also staying rooted in place\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e. Airy guitar noodling drifts above simple percussion, often consisting of just a couple of sounds. An egg shaker comes in and out with great precision. The surprising chord progressions that characterize much of Krgovich’s previous music are here as well, and this combination—unexpected harmonic changes on top of the other elements’ regularity—feels like a wordless evocation of the lyrics’ theme: that there are revelations to be found even within the regular and daily. We can always be surprised by ourselves and\/in the world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI hear Ducks as an extremely middle-aged album, which I mean as a compliment. Track 1, “Front Stoop 2,” opens with a proclamation of loneliness—“For years and years I guess I was lonely, but refused to call it so”—tempered with the pleasing realization that acknowledging this fact might be a sign of maturity: “I could say a thousand other things but why\/to answer a plain question with a plain reply\/feels new to me and good.” The exhausting melodrama of youth is gone now, as is the younger person’s sometimes charming, sometimes obnoxious lack of self awareness. Krgovich has attained a certain age, and is now comfortable with himself and with the things he knows and feels. He is even comfortable with discomfort, as we hear on the final song, “Eating Last Year’s Apples in July,” where he repetitively intones “there was love in this house for a time\/you brought it in.” This simple acknowledgment of the inevitable passage of time—and the losses it often wreaks—is certainly melancholy, and yet it doesn’t swamp him as it might have done in earlier, angstier times. Krgovich’s vocal delivery throughout the album emphasizes this middle-aged quality. His uninflected voice never rages or wails, never gets louder or softer, except when it falls down too deep for his vocal range to follow, and trails off in a raspy whisper, like no big deal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s hard not to hear Ducks through the frame of loneliness suggested by its first and last songs, and yet elsewhere the narrator is enmeshed in a thrumming web of sociality within which he seems content. This too feels like a manifestation of middle-aged wisdom. Sometimes a thoughtful life calls for quiet reflections on loneliness, but other times it demands recognition of the pleasures of togetherness. This latter mode is probably most evident on the titular song “Ducks,” which teems with life. Opening via a quiet old-school Casio beat, the song soon blossoms, as thick-strummed acoustic guitar and sustained synth chords fill the space. Here we are shown a glimpse of “A fine day in the sun\/for everyone,” replete with dogs playing and ducks swimming. Of the titular ducks, he sings “What they know seems real.” This evocation of the “realness” of everything, the inclusion of ducks and dogs in the word “everyone,” feels wholesome and radical.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe way such non-human animals run and play through so many of these songs is also part of what gives Ducks its strongly seasonal, earthy aspect. The cold freshness of “Spring Rain” gives way to the fine summer day of “Ducks” and the hot sun and sweat of “Return.” A few songs later it’s Halloween, and the house is “lit like a pumpkin.” Meanwhile in “Scorpio Rising” it’s the narrator’s birthday, and he eats “the last of the sweet summer plums,” as single keyboard notes softly echo his voice like the first freak snowflakes of autumn. As with Le Guin’s short story, one comes away from Ducks with a strong impression of the depth and beauty of even the simplest aspects of terrestrial life—its seasons, its tastes, its blades of grass—as well as the pleasures of a closely-observed solitude and the cosmic loneliness that is so often such solitude’s companion.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : NICHOLAS KRGOVICH\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2025-08-01T09:49:43+09:00","created_at":"2025-08-01T09:48:17+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","orindal"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47571090374906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nicholas Krgovich \/\/ Ducks LP","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/du1_048b5d0c-1535-405d-b6a7-09cc19c99df8.jpg?v=1678849481","\/\/tobirarecords.com\/cdn\/shop\/products\/du2_381efd38-4b79-460b-ad8b-a8bfe407b157.jpg?v=1678849481"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/du1_048b5d0c-1535-405d-b6a7-09cc19c99df8.jpg?v=1678849481","options":["Title"],"media":[{"alt":null,"id":31684051927290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/du1_048b5d0c-1535-405d-b6a7-09cc19c99df8.jpg?v=1678849481"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/du1_048b5d0c-1535-405d-b6a7-09cc19c99df8.jpg?v=1678849481","width":700},{"alt":null,"id":31684051960058,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/du2_381efd38-4b79-460b-ad8b-a8bfe407b157.jpg?v=1678849481"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/du2_381efd38-4b79-460b-ad8b-a8bfe407b157.jpg?v=1678849481","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・バンクーバーのポップ作家Nicholas Krgovichが、2023年3月にアメリカ・シカゴのポップレーベルOrindalからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eしっとりと歌い上げるアダルトなポップ11曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=240664451\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 500. 12\" black vinyl + risograph printed lyric sheets.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eMarianna Ritchey\u003c\/span\u003e:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eUrsula Le Guin’s short story, “Solitude,” describes a society rooted in the absolute autonomy of the individual. In the world she constructs, people do almost everything alone, and they learn to savor this condition through close, deep observation of all the minutiae surrounding them in the woods, the dirt, the sky. A favored pastime is for a person to spend the night alone on a hill top, watching the patterns of stars wheeling overhead without letting their attention wander; another is to pursue long solo journeys into new landscapes whose unfamiliarity intensifies the pleasure of solitary contemplation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNicholas Krgovich’s new album, Ducks, similarly explores the rich experience of solitude, and the many quiet revelations that are available in even the most mundane moments. Each of the album’s eleven songs presents a closely-observed vignette of simply being alive and sentient in such moments: Krgovich describes himself mailing a letter, waking up on a hot day, combing the beach for shells, mowing the lawn, and noticing his own thoughts and feelings about these activities along the way. The album’s vibe of radical presence is emphasized both lyrically and in its production. Each song has a kind of meditative quality, a pulse that guides the ear down a straight path, moving while somehow also staying rooted in place\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e. Airy guitar noodling drifts above simple percussion, often consisting of just a couple of sounds. An egg shaker comes in and out with great precision. The surprising chord progressions that characterize much of Krgovich’s previous music are here as well, and this combination—unexpected harmonic changes on top of the other elements’ regularity—feels like a wordless evocation of the lyrics’ theme: that there are revelations to be found even within the regular and daily. We can always be surprised by ourselves and\/in the world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI hear Ducks as an extremely middle-aged album, which I mean as a compliment. Track 1, “Front Stoop 2,” opens with a proclamation of loneliness—“For years and years I guess I was lonely, but refused to call it so”—tempered with the pleasing realization that acknowledging this fact might be a sign of maturity: “I could say a thousand other things but why\/to answer a plain question with a plain reply\/feels new to me and good.” The exhausting melodrama of youth is gone now, as is the younger person’s sometimes charming, sometimes obnoxious lack of self awareness. Krgovich has attained a certain age, and is now comfortable with himself and with the things he knows and feels. He is even comfortable with discomfort, as we hear on the final song, “Eating Last Year’s Apples in July,” where he repetitively intones “there was love in this house for a time\/you brought it in.” This simple acknowledgment of the inevitable passage of time—and the losses it often wreaks—is certainly melancholy, and yet it doesn’t swamp him as it might have done in earlier, angstier times. Krgovich’s vocal delivery throughout the album emphasizes this middle-aged quality. His uninflected voice never rages or wails, never gets louder or softer, except when it falls down too deep for his vocal range to follow, and trails off in a raspy whisper, like no big deal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s hard not to hear Ducks through the frame of loneliness suggested by its first and last songs, and yet elsewhere the narrator is enmeshed in a thrumming web of sociality within which he seems content. This too feels like a manifestation of middle-aged wisdom. Sometimes a thoughtful life calls for quiet reflections on loneliness, but other times it demands recognition of the pleasures of togetherness. This latter mode is probably most evident on the titular song “Ducks,” which teems with life. Opening via a quiet old-school Casio beat, the song soon blossoms, as thick-strummed acoustic guitar and sustained synth chords fill the space. Here we are shown a glimpse of “A fine day in the sun\/for everyone,” replete with dogs playing and ducks swimming. Of the titular ducks, he sings “What they know seems real.” This evocation of the “realness” of everything, the inclusion of ducks and dogs in the word “everyone,” feels wholesome and radical.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe way such non-human animals run and play through so many of these songs is also part of what gives Ducks its strongly seasonal, earthy aspect. The cold freshness of “Spring Rain” gives way to the fine summer day of “Ducks” and the hot sun and sweat of “Return.” A few songs later it’s Halloween, and the house is “lit like a pumpkin.” Meanwhile in “Scorpio Rising” it’s the narrator’s birthday, and he eats “the last of the sweet summer plums,” as single keyboard notes softly echo his voice like the first freak snowflakes of autumn. As with Le Guin’s short story, one comes away from Ducks with a strong impression of the depth and beauty of even the simplest aspects of terrestrial life—its seasons, its tastes, its blades of grass—as well as the pleasures of a closely-observed solitude and the cosmic loneliness that is so often such solitude’s companion.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : NICHOLAS KRGOVICH\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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カナダ・バンクーバーのポップ作家Nicholas Krgovichが、2023年3月にアメリカ・シカゴのポップレーベルOrindalからリリースしたレコードです。 しっとりと歌い上げるアダルトなポップ11曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ----------------------------...
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{"id":8875061084410,"title":"Robert Stillman \/\/ Rainbow (U.S.) LP","handle":"robert-stillman-rainbow-u-s-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ出身イギリス在住のアンビエント・ジャズ作家Robert Stillmanが、2023年9月にアメリカ・シカゴのインディーレーベルOrindal Recordから500部限定でリリースした再発レコードです。（オリジナルは2016年リリース）\u003c\/p\u003e\n\u003cp\u003eテナーサックスやパーカッションによるアンビエント・ジャズ6曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e『Rainbow』はRobert Stillmanのニューアルバムである。音楽、特に言葉を持たない音楽が人生を描写することができる限りにおいて、\u003cmeta charset=\"utf-8\"\u003e『Rainbow』はRobert Stillman自身の過去4年間を映し出す窓の役割を果たしている。\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムは、妻のアンナ、亡き娘のルースと次女のロミリー、イースト・ケントにある養家の風景、そして青いステーションワゴンのウォーレンに捧げる言葉によって構成されている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e自身のアンサンブル、アルカイック・フューチャー・プレイヤーズとの最近の2つのプロジェクト（『Station Wagon Interior Perspective』、『Leap of Death』）の後、『Rainbow』は、2011年の『Machine Song』での一匹狼的な作業方法への回帰を表している。また『Rainbow』では、2006年のデビュー作『Robert Stillman's Horses』以来、\u003cmeta charset=\"utf-8\"\u003eRobert Stillmanの音楽で重要な役割を担っていなかったテナーサックスが復活している。これらの信頼できる手法と道具を駆使して、\u003cmeta charset=\"utf-8\"\u003eRobert Stillmanは新たな文体の領域を開拓し、ミルトン・ナシメントのブラジリアン・サイケデリアとオーネット・コールマンの奔放な詩学、ハリー・スミスのフォークウェイズ・アンソロジーの「ソーシャル・ミュージック」とハーバート・アイマートの初期エレクトロニック・クラングシュトゥーディなど、異質な影響を調和させている。また、\u003cmeta charset=\"utf-8\"\u003eRobert Stillman\u003c\/em\u003e\u003cspan\u003e\u003cem\u003eの歌声も、歌詞に登場する野原を娘と散歩したときの録音で初めて聴くことができる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムに収録された音楽の多様性は、間違いなく\u003cmeta charset=\"utf-8\"\u003eRobert Stillmanの多彩な音楽人生の産物である。ジャズを学ぶために18歳でボストンに移り住んだことで、後にグラス・ゴースト、ダーティ・プロジェクターズ、ケイブマン、ヒア・ウィー・ゴー・マジックといったバンドのメンバーとなる、志を同じくする仲間たちと知り合う。2001年にニューヨークに移住すると、この輪はさらに広がり、ルーク・テンプル、クリス＆カート・ワイズマン、グリズリー・ベアーのメンバーといった新たなコラボレーターが加わった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eキャリアを通じて、ピアノとフット・パーカッションのソロ「ワンマン・バンド」として、また様々な楽器のアンサンブルと様々な場所で演奏し、広範囲にツアーを行ってきた。また、ディアフーフ、ヨ・ラ・テンゴ、ダーティー・プロジェクターズ、カシオトーン・フォー・ザ・ペインフリー・アローンなどのアクトをサポートしている。\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1572823116\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 500 copies.\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Rainbow is the new album by Robert Stillman. To the extent that music, especially that which is wordless, can describe life, Rainbow serves as a window into the past four years of Stillman’s own: a time of birth, death, love, and learning, and through these things, a new willingness to look the world in the eye.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album is structured around dedications: to his wife, Anna; to his late daughter Ruth, and his second-born daughter Romilly; to the landscape of his adopted home in East Kent; and to his blue station wagon, Warren.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter two recent projects with his ensemble The Archaic Future Players (Station Wagon Interior Perspective; Leap of Death), Rainbow represents a return to the loner working methods of 2011’s Machine Song, with Stillman building up intricate arrangements from multi-tracked recordings of himself on all instruments. Rainbow also marks the return of Stillman’s tenor saxophone, a sound not heard in such a prominent role in his music since his 2006 debut, Robert Stillman’s Horses. With these trusted methods and tools, Stillman explores new stylistic territory, reconciling influences as disparate as the Brazilian psychedelia of Milton Nascimento with the uninhibited poetics of Ornette Coleman, the “Social Music” volume of Harry\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Smith’s Folkways anthology with the early electronic Klangstudie of Herbert Eimert. Stillman’s singing voice is also heard for the first time, in a recording made during a walk with his daughter through the field described in the song’s lyrics.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe musical diversity on this album is no doubt a product of Stillman’s varied musical life, which started with saxophone lessons in his native Portland, Maine. A move to Boston at age 18 to study jazz introduced him to the like-minded colleagues with whom he’d later move to New York, including future members of bands such as Glass Ghost, Dirty Projectors, Caveman, and Here We Go Magic. Upon moving to New York in 2001, this circle was widened further to include new collaborators such as Luke Temple, Chris and Kurt Weisman, and members of the band Grizzly Bear; since relocating to England, Stillman has worked in bands led by Kit Downes and Tom Skinner.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOver the course of his career, Stillman has toured extensively, playing a variety of venues both as a solo “one-man band” of piano and foot-percussion, and with ensembles of various instrumentations, and he has supported acts such as Deerhoof, Yo La Tengo, Dirty Projectors, and Casiotone for the Painfully Alone.\u003c\/span\u003e \"\u003c\/em\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003eArtist : Robert Stillman\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2025-08-01T09:45:45+09:00","created_at":"2025-08-01T09:44:54+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","orindal"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47571084837114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Robert Stillman \/\/ Rainbow (U.S.) LP","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3441510679_16.jpg?v=1695635486","\/\/tobirarecords.com\/cdn\/shop\/files\/0031301165_10.jpg?v=1695635488"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3441510679_16.jpg?v=1695635486","options":["Title"],"media":[{"alt":null,"id":32495125856506,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3441510679_16.jpg?v=1695635486"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3441510679_16.jpg?v=1695635486","width":700},{"alt":null,"id":32495125889274,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031301165_10.jpg?v=1695635488"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031301165_10.jpg?v=1695635488","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ出身イギリス在住のアンビエント・ジャズ作家Robert Stillmanが、2023年9月にアメリカ・シカゴのインディーレーベルOrindal Recordから500部限定でリリースした再発レコードです。（オリジナルは2016年リリース）\u003c\/p\u003e\n\u003cp\u003eテナーサックスやパーカッションによるアンビエント・ジャズ6曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e『Rainbow』はRobert Stillmanのニューアルバムである。音楽、特に言葉を持たない音楽が人生を描写することができる限りにおいて、\u003cmeta charset=\"utf-8\"\u003e『Rainbow』はRobert Stillman自身の過去4年間を映し出す窓の役割を果たしている。\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムは、妻のアンナ、亡き娘のルースと次女のロミリー、イースト・ケントにある養家の風景、そして青いステーションワゴンのウォーレンに捧げる言葉によって構成されている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e自身のアンサンブル、アルカイック・フューチャー・プレイヤーズとの最近の2つのプロジェクト（『Station Wagon Interior Perspective』、『Leap of Death』）の後、『Rainbow』は、2011年の『Machine Song』での一匹狼的な作業方法への回帰を表している。また『Rainbow』では、2006年のデビュー作『Robert Stillman's Horses』以来、\u003cmeta charset=\"utf-8\"\u003eRobert Stillmanの音楽で重要な役割を担っていなかったテナーサックスが復活している。これらの信頼できる手法と道具を駆使して、\u003cmeta charset=\"utf-8\"\u003eRobert Stillmanは新たな文体の領域を開拓し、ミルトン・ナシメントのブラジリアン・サイケデリアとオーネット・コールマンの奔放な詩学、ハリー・スミスのフォークウェイズ・アンソロジーの「ソーシャル・ミュージック」とハーバート・アイマートの初期エレクトロニック・クラングシュトゥーディなど、異質な影響を調和させている。また、\u003cmeta charset=\"utf-8\"\u003eRobert Stillman\u003c\/em\u003e\u003cspan\u003e\u003cem\u003eの歌声も、歌詞に登場する野原を娘と散歩したときの録音で初めて聴くことができる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムに収録された音楽の多様性は、間違いなく\u003cmeta charset=\"utf-8\"\u003eRobert Stillmanの多彩な音楽人生の産物である。ジャズを学ぶために18歳でボストンに移り住んだことで、後にグラス・ゴースト、ダーティ・プロジェクターズ、ケイブマン、ヒア・ウィー・ゴー・マジックといったバンドのメンバーとなる、志を同じくする仲間たちと知り合う。2001年にニューヨークに移住すると、この輪はさらに広がり、ルーク・テンプル、クリス＆カート・ワイズマン、グリズリー・ベアーのメンバーといった新たなコラボレーターが加わった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eキャリアを通じて、ピアノとフット・パーカッションのソロ「ワンマン・バンド」として、また様々な楽器のアンサンブルと様々な場所で演奏し、広範囲にツアーを行ってきた。また、ディアフーフ、ヨ・ラ・テンゴ、ダーティー・プロジェクターズ、カシオトーン・フォー・ザ・ペインフリー・アローンなどのアクトをサポートしている。\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1572823116\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 500 copies.\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Rainbow is the new album by Robert Stillman. To the extent that music, especially that which is wordless, can describe life, Rainbow serves as a window into the past four years of Stillman’s own: a time of birth, death, love, and learning, and through these things, a new willingness to look the world in the eye.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album is structured around dedications: to his wife, Anna; to his late daughter Ruth, and his second-born daughter Romilly; to the landscape of his adopted home in East Kent; and to his blue station wagon, Warren.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter two recent projects with his ensemble The Archaic Future Players (Station Wagon Interior Perspective; Leap of Death), Rainbow represents a return to the loner working methods of 2011’s Machine Song, with Stillman building up intricate arrangements from multi-tracked recordings of himself on all instruments. Rainbow also marks the return of Stillman’s tenor saxophone, a sound not heard in such a prominent role in his music since his 2006 debut, Robert Stillman’s Horses. With these trusted methods and tools, Stillman explores new stylistic territory, reconciling influences as disparate as the Brazilian psychedelia of Milton Nascimento with the uninhibited poetics of Ornette Coleman, the “Social Music” volume of Harry\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Smith’s Folkways anthology with the early electronic Klangstudie of Herbert Eimert. Stillman’s singing voice is also heard for the first time, in a recording made during a walk with his daughter through the field described in the song’s lyrics.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe musical diversity on this album is no doubt a product of Stillman’s varied musical life, which started with saxophone lessons in his native Portland, Maine. A move to Boston at age 18 to study jazz introduced him to the like-minded colleagues with whom he’d later move to New York, including future members of bands such as Glass Ghost, Dirty Projectors, Caveman, and Here We Go Magic. Upon moving to New York in 2001, this circle was widened further to include new collaborators such as Luke Temple, Chris and Kurt Weisman, and members of the band Grizzly Bear; since relocating to England, Stillman has worked in bands led by Kit Downes and Tom Skinner.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOver the course of his career, Stillman has toured extensively, playing a variety of venues both as a solo “one-man band” of piano and foot-percussion, and with ensembles of various instrumentations, and he has supported acts such as Deerhoof, Yo La Tengo, Dirty Projectors, and Casiotone for the Painfully Alone.\u003c\/span\u003e \"\u003c\/em\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003eArtist : Robert Stillman\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ出身イギリス在住のアンビエント・ジャズ作家Robert Stillmanが、2023年9月にアメリカ・シカゴのインディーレーベルOrindal Recordから500部限定でリリースした再発レコードです。（オリジナルは2016年リリース） テナーサックスやパーカッションによるアンビエント・ジャズ6曲を収録。DLコード付属。 以下、レーベルによる解説です。 『Rainbow』はRobert Stillmanのニューアルバムである。音楽、特に言葉を持たない音楽が人生を描写することができる限りにおいて、『Rainbow』はRobert Stillman自身の過去4年間を映し出す窓の役割を果たしている。このアルバムは、妻のアンナ、亡き娘のルースと次女のロミリー、イースト・ケントにある養家の風景、そして青いステーションワゴンのウォーレンに捧げる言葉によって構成されている。自身のアンサンブル、アルカイック・フューチャー・プレイヤーズとの最近の2つのプロジェクト（『Station Wagon Interior Perspective』、『Leap of Death』）の後、『Rainbow』は、2011年の『Machine Song』での一匹狼的な作業方法への回帰を表している。また『Rainbow』では、2006年のデビュー作『Robert...
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![Tara Jane O'Neil // The Cool Cloud of Okayness LP [COLOR]](http://tobirarecords.com/cdn/shop/files/cool1_medium.jpg?v=1713494853)
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{"id":8870263488762,"title":"Tara Jane O'Neil \/\/ The Cool Cloud of Okayness LP [COLOR]","handle":"tara-jane-oneil-the-cool-cloud-of-okayness-lp-color","description":"\u003cp\u003eアメリカのベテランシンガーソングライター／マルチ奏者Tara Jane O'Neilが、2024年4月に同国シカゴのインディーレーベルOrindal Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサイケデリックでミニマルなインディーロック〜インディーフォーク9曲を収録。歌詞インサートとDLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"変容とは、以前と以後の間の蝶番で起こるものだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e家は焼け落ち、再び建て直され、人は精神となり、既知の世界はバラバラになり、再びひとつになる。タラ・ジェーン・オニールのニュー・アルバム『The Cool Cloud of Okayness』は、彼女のセルフ・タイトル・アルバムから7年という小競り合いと変化の中で書かれた。TJOがカリフォルニア州アッパー・オハイの自宅スタジオで録音したもので、トーマス火災で消失した自宅の灰の上に建てられたスタジオである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Cool Cloud of Okaynessの9曲の多くは、山火事と再建の間、閉鎖と再開の間に開発された。TJOと彼女のパートナー（ダンサー、振付師、頻繁なコラボレーター）であるジェイミー・ジェイムズ・キッドと彼らの犬は、南カリフォルニアの高地砂漠と、ケンタッキー州ルイビルの深い郊外で嵐から身を守った。これらの土地で、キッドのダンスに即興でベース・ギターのフィギュアを発見し、パンデミックによる隔離の間に歌へと変化させ、ドラマー／パーカッショニストのシェリダン・ライリー（アルヴェイズのメンバー）、マルチ・インストゥルメンタリストのウォルト・マクレメンツ、そしてカップルでギタリストのメグ・ダフィー（ハンド・ハビッツのメンバー）のアンサンブルに持ち込んだ。彼らは構築し、嬉々として破壊し、また再構築する。このアンサンブルが共有するクィア・アイデンティティーには喜びがある。このアルバムもまた、安易なジャンルや定義に挑戦している。このレコードは彫刻であり、過ぎ去った時間と愛する人の肖像画である。スピリチュアルであり、サイケデリックでもある。TJOの巧みなプロダクションと揺るぎないベースが中心を支え、彼女の妖艶なギターと歌声がメッセージを伝える。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e涼しい雲は、時に約束のように、時にマントラのように歌う。私たちは火のように明るい。喜びもまた、戦うための手段なのだ。\" 持続するリズムの中で、すべての繰り返しが挑戦のように感じられる。太陽の周りを何周するのか？毎回何が変わるのか？人はどれだけの喪失を受け入れることができるのか？悲しみは、延々と続くフィードバック・ループとなる。しかし、耳を澄ませば、希望が芽生え、小さな苗木が泥の中を突き進む音が聞こえてきそうだ。悲嘆を変容させ、松明を運び、松明は明るい。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/elFGCsjN-sA?si=-ViyTMQB32QBawEF\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rkmddGQFvr4?si=DlxNeazaF4zjaQm4\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available on 12\" cloud 140gram vinyl (edition of 250) or 12\" black 140gram vinyl (edition of 250). \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCool Cloud of Okayness\u003c\/li\u003e\n\u003cli\u003eSeeing Glass\u003c\/li\u003e\n\u003cli\u003eTwo Stones\u003c\/li\u003e\n\u003cli\u003eWe Bright\u003c\/li\u003e\n\u003cli\u003eA Dash\u003c\/li\u003e\n\u003cli\u003eGlass Island 05:41\u003c\/li\u003e\n\u003cli\u003eCurling 05:32\u003c\/li\u003e\n\u003cli\u003eFresh End\u003c\/li\u003e\n\u003cli\u003eKaichan Kitchen\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eTransformation is what happens in the hinge between before\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e and after.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA house burns down and is rebuilt again, persons become spirit, known worlds break apart and fall together again. Tara Jane O’Neil’s new album, The Cool Cloud of Okayness, was written amidst the skirmishes and shuffle of the seven years since her self-titled album (although there has been a fascinating array of collaborations, tributes, rarities, and experiments released in the interim). Recorded by TJO at her home studio in Upper Ojai, California, a studio built on the ashes of the home lost to the Thomas Fire.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMany of The Cool Cloud of Okayness’s nine tracks were developed in the time between the wildfire and the rebuilding, between lockdown and reopening. TJO, her partner (dancer, choreographer and frequent collaborator) Jmy James Kidd and their dog sheltered from the storms in the high desert of Southern California and the deep suburbs of Louisville, KY. In these locales were discovered the improvised bass guitar figures to Kidd’s dance which transformed into songs during pandemic isolation, then brought to the ensemble of drummer\/percussionist Sheridan Riley (of Alvvays), multi-instrumentalist Walt McClements, and on a couple, guitarist Meg Duffy (of Hand Habits). They build and gleefully destroy and rebuild again. There is joy in the ensemble’s shared queer identity- an identity that refuses to be agreed upon. This record too challenges any easy genre or definition. This record is sculpture and portrait of times and loved ones gone past. It is spiritual and it is psychedelic. TJO’s deft production and rock-solid bass playing hold the center, and her spectral guitar and singing voice carry the message.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Cool Cloud of Okayness sings sometimes like a promise, sometimes like a mantra. It says “We are bright, like the fire. Joy too can be a way of fighting.” In the persistent rhythms, every repetition feels like a challenge. How many times around the sun? What changes every time? How much loss can someone take? Grief becomes a feedback loop that drones on and on, yet if we listen closely one can almost hear the hope sprouting up, little seedlings pushing through the mud. The Cool Cloud of Okayness is both a celebration and a requiem, it transforms grief, it carries a torch, and the torch is bright.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tara Jane O'Neil\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eORD 75\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-07-27T08:37:44+09:00","created_at":"2025-07-27T08:36:49+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","orindal"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47553271038202,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tara Jane O'Neil \/\/ The Cool Cloud of Okayness LP [COLOR]","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cool1.jpg?v=1713494853","\/\/tobirarecords.com\/cdn\/shop\/files\/cool2.jpg?v=1713494853"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cool1.jpg?v=1713494853","options":["Title"],"media":[{"alt":null,"id":33784289296634,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cool1.jpg?v=1713494853"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cool1.jpg?v=1713494853","width":700},{"alt":null,"id":33784289329402,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cool2.jpg?v=1713494853"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cool2.jpg?v=1713494853","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのベテランシンガーソングライター／マルチ奏者Tara Jane O'Neilが、2024年4月に同国シカゴのインディーレーベルOrindal Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサイケデリックでミニマルなインディーロック〜インディーフォーク9曲を収録。歌詞インサートとDLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"変容とは、以前と以後の間の蝶番で起こるものだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e家は焼け落ち、再び建て直され、人は精神となり、既知の世界はバラバラになり、再びひとつになる。タラ・ジェーン・オニールのニュー・アルバム『The Cool Cloud of Okayness』は、彼女のセルフ・タイトル・アルバムから7年という小競り合いと変化の中で書かれた。TJOがカリフォルニア州アッパー・オハイの自宅スタジオで録音したもので、トーマス火災で消失した自宅の灰の上に建てられたスタジオである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Cool Cloud of Okaynessの9曲の多くは、山火事と再建の間、閉鎖と再開の間に開発された。TJOと彼女のパートナー（ダンサー、振付師、頻繁なコラボレーター）であるジェイミー・ジェイムズ・キッドと彼らの犬は、南カリフォルニアの高地砂漠と、ケンタッキー州ルイビルの深い郊外で嵐から身を守った。これらの土地で、キッドのダンスに即興でベース・ギターのフィギュアを発見し、パンデミックによる隔離の間に歌へと変化させ、ドラマー／パーカッショニストのシェリダン・ライリー（アルヴェイズのメンバー）、マルチ・インストゥルメンタリストのウォルト・マクレメンツ、そしてカップルでギタリストのメグ・ダフィー（ハンド・ハビッツのメンバー）のアンサンブルに持ち込んだ。彼らは構築し、嬉々として破壊し、また再構築する。このアンサンブルが共有するクィア・アイデンティティーには喜びがある。このアルバムもまた、安易なジャンルや定義に挑戦している。このレコードは彫刻であり、過ぎ去った時間と愛する人の肖像画である。スピリチュアルであり、サイケデリックでもある。TJOの巧みなプロダクションと揺るぎないベースが中心を支え、彼女の妖艶なギターと歌声がメッセージを伝える。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e涼しい雲は、時に約束のように、時にマントラのように歌う。私たちは火のように明るい。喜びもまた、戦うための手段なのだ。\" 持続するリズムの中で、すべての繰り返しが挑戦のように感じられる。太陽の周りを何周するのか？毎回何が変わるのか？人はどれだけの喪失を受け入れることができるのか？悲しみは、延々と続くフィードバック・ループとなる。しかし、耳を澄ませば、希望が芽生え、小さな苗木が泥の中を突き進む音が聞こえてきそうだ。悲嘆を変容させ、松明を運び、松明は明るい。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/elFGCsjN-sA?si=-ViyTMQB32QBawEF\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rkmddGQFvr4?si=DlxNeazaF4zjaQm4\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available on 12\" cloud 140gram vinyl (edition of 250) or 12\" black 140gram vinyl (edition of 250). \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCool Cloud of Okayness\u003c\/li\u003e\n\u003cli\u003eSeeing Glass\u003c\/li\u003e\n\u003cli\u003eTwo Stones\u003c\/li\u003e\n\u003cli\u003eWe Bright\u003c\/li\u003e\n\u003cli\u003eA Dash\u003c\/li\u003e\n\u003cli\u003eGlass Island 05:41\u003c\/li\u003e\n\u003cli\u003eCurling 05:32\u003c\/li\u003e\n\u003cli\u003eFresh End\u003c\/li\u003e\n\u003cli\u003eKaichan Kitchen\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eTransformation is what happens in the hinge between before\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e and after.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA house burns down and is rebuilt again, persons become spirit, known worlds break apart and fall together again. Tara Jane O’Neil’s new album, The Cool Cloud of Okayness, was written amidst the skirmishes and shuffle of the seven years since her self-titled album (although there has been a fascinating array of collaborations, tributes, rarities, and experiments released in the interim). Recorded by TJO at her home studio in Upper Ojai, California, a studio built on the ashes of the home lost to the Thomas Fire.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMany of The Cool Cloud of Okayness’s nine tracks were developed in the time between the wildfire and the rebuilding, between lockdown and reopening. TJO, her partner (dancer, choreographer and frequent collaborator) Jmy James Kidd and their dog sheltered from the storms in the high desert of Southern California and the deep suburbs of Louisville, KY. In these locales were discovered the improvised bass guitar figures to Kidd’s dance which transformed into songs during pandemic isolation, then brought to the ensemble of drummer\/percussionist Sheridan Riley (of Alvvays), multi-instrumentalist Walt McClements, and on a couple, guitarist Meg Duffy (of Hand Habits). They build and gleefully destroy and rebuild again. There is joy in the ensemble’s shared queer identity- an identity that refuses to be agreed upon. This record too challenges any easy genre or definition. This record is sculpture and portrait of times and loved ones gone past. It is spiritual and it is psychedelic. TJO’s deft production and rock-solid bass playing hold the center, and her spectral guitar and singing voice carry the message.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Cool Cloud of Okayness sings sometimes like a promise, sometimes like a mantra. It says “We are bright, like the fire. Joy too can be a way of fighting.” In the persistent rhythms, every repetition feels like a challenge. How many times around the sun? What changes every time? How much loss can someone take? Grief becomes a feedback loop that drones on and on, yet if we listen closely one can almost hear the hope sprouting up, little seedlings pushing through the mud. The Cool Cloud of Okayness is both a celebration and a requiem, it transforms grief, it carries a torch, and the torch is bright.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tara Jane O'Neil\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eORD 75\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカのベテランシンガーソングライター／マルチ奏者Tara Jane O'Neilが、2024年4月に同国シカゴのインディーレーベルOrindal Recordsからリリースしたレコードです。 サイケデリックでミニマルなインディーロック〜インディーフォーク9曲を収録。歌詞インサートとDLコード付属。 以下、レーベルによる解説です。 "変容とは、以前と以後の間の蝶番で起こるものだ。家は焼け落ち、再び建て直され、人は精神となり、既知の世界はバラバラになり、再びひとつになる。タラ・ジェーン・オニールのニュー・アルバム『The Cool Cloud of Okayness』は、彼女のセルフ・タイトル・アルバムから7年という小競り合いと変化の中で書かれた。TJOがカリフォルニア州アッパー・オハイの自宅スタジオで録音したもので、トーマス火災で消失した自宅の灰の上に建てられたスタジオである。 The Cool Cloud...
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{"id":8869849432314,"title":"Lisa\/Liza \/\/ Shelter of a Song LP [BLACK]","handle":"lisa-liza-shelter-of-a-song-lp","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003eアメリカ・メイン州のシンガーソングライターLisa\/Lizaが、2020年に同国フォークレーベルOrindalからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアコースティックギターと声によるシンプルな構成のベッドルーム・フォーク8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3685904032\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack vinyl edition of 300. Includes DL code.\u003cbr\u003e\u003cspan\u003e8 tracks, 43 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Orindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Lisa\/Liza is the songwriting project of Portland, ME singer and guitarist Liza Victoria. Throughout her new album, Shelter of a Song, Liza affirms the value of music and songwriting in her life, providing her comfort through illness and isolation, and helping her to hold onto cherished memories through the poetry she sings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eShelter of a Song was recorded in the kitchen of a Central Maine studio apartment with engineering assistance from Peter Herman. All takes were recorded live, capturing the immediacy and quiet power of Liza’s hushed vocals and fingerstyle acoustic guitar. The album’s eight original songs are gentle meditations on joy, pain, human relationships and the natural world that stretch out slowly like long shadows.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLiza explains:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“These songs were written while dealing with chronic illness. When I was actively writing in these last two years, it\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e was often in my strongest moments of healing, which has made this album a different process for me than others before it. The times when I felt well enough to sit with music allowed me a new kind of joy, because of these struggles with health. My vision and hope for this collection of songs is they would allow room for the listener to find their own interpretations, similar to how someone might make a quilt where each piece holds personal connection but in its use it takes on additional shape.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLiza’s lyrics conjure vivid images of everyday beauty: a dog rolling in the grass on a nice day; walking down a darkened street to meet the sunrise; robins filling up a field. The natural world holds a strong place in these songs, providing much of the album’s optimism as bright and dreamlike descriptions of flora, fauna and celestial bodies are plainsung over muted strums and arpeggiated guitar patterns.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'I had been spending a lot of my down times on hikes and walks,” Liza continues. “Nature became something vital to my heart both in healing and health. I always enjoy writing about what surrounds me as a way to preserve memory or draw out memory from my past. Perhaps in preserving these memories in song, I’m allowed some small agency to let them go, as I know I can come back to them again. Writing these songs helped me to affirm moments of peace and resolution. Writing music is a place of great comfort for me, and it has only become more apparent to me how great a companion it is.'\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lisa\/Liza\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2025-07-26T12:02:35+09:00","created_at":"2025-07-26T12:01:59+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","orindal"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47550293803258,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lisa\/Liza \/\/ Shelter of a Song LP [BLACK]","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/so1_01a0ed45-17cd-4656-87ed-d88ca27e86b4.jpg?v=1655701882","\/\/tobirarecords.com\/cdn\/shop\/products\/so2_16f78ea5-9552-4b6b-b61e-b69499423c68.jpg?v=1655701882"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/so1_01a0ed45-17cd-4656-87ed-d88ca27e86b4.jpg?v=1655701882","options":["Title"],"media":[{"alt":null,"id":29933770768634,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/so1_01a0ed45-17cd-4656-87ed-d88ca27e86b4.jpg?v=1655701882"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/so1_01a0ed45-17cd-4656-87ed-d88ca27e86b4.jpg?v=1655701882","width":700},{"alt":null,"id":29933770801402,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/so2_16f78ea5-9552-4b6b-b61e-b69499423c68.jpg?v=1655701882"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/so2_16f78ea5-9552-4b6b-b61e-b69499423c68.jpg?v=1655701882","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003eアメリカ・メイン州のシンガーソングライターLisa\/Lizaが、2020年に同国フォークレーベルOrindalからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアコースティックギターと声によるシンプルな構成のベッドルーム・フォーク8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3685904032\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack vinyl edition of 300. Includes DL code.\u003cbr\u003e\u003cspan\u003e8 tracks, 43 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Orindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Lisa\/Liza is the songwriting project of Portland, ME singer and guitarist Liza Victoria. Throughout her new album, Shelter of a Song, Liza affirms the value of music and songwriting in her life, providing her comfort through illness and isolation, and helping her to hold onto cherished memories through the poetry she sings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eShelter of a Song was recorded in the kitchen of a Central Maine studio apartment with engineering assistance from Peter Herman. All takes were recorded live, capturing the immediacy and quiet power of Liza’s hushed vocals and fingerstyle acoustic guitar. The album’s eight original songs are gentle meditations on joy, pain, human relationships and the natural world that stretch out slowly like long shadows.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLiza explains:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“These songs were written while dealing with chronic illness. When I was actively writing in these last two years, it\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e was often in my strongest moments of healing, which has made this album a different process for me than others before it. The times when I felt well enough to sit with music allowed me a new kind of joy, because of these struggles with health. My vision and hope for this collection of songs is they would allow room for the listener to find their own interpretations, similar to how someone might make a quilt where each piece holds personal connection but in its use it takes on additional shape.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLiza’s lyrics conjure vivid images of everyday beauty: a dog rolling in the grass on a nice day; walking down a darkened street to meet the sunrise; robins filling up a field. The natural world holds a strong place in these songs, providing much of the album’s optimism as bright and dreamlike descriptions of flora, fauna and celestial bodies are plainsung over muted strums and arpeggiated guitar patterns.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'I had been spending a lot of my down times on hikes and walks,” Liza continues. “Nature became something vital to my heart both in healing and health. I always enjoy writing about what surrounds me as a way to preserve memory or draw out memory from my past. Perhaps in preserving these memories in song, I’m allowed some small agency to let them go, as I know I can come back to them again. Writing these songs helped me to affirm moments of peace and resolution. Writing music is a place of great comfort for me, and it has only become more apparent to me how great a companion it is.'\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lisa\/Liza\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。 アメリカ・メイン州のシンガーソングライターLisa/Lizaが、2020年に同国フォークレーベルOrindalからリリースしたアルバムです。 アコースティックギターと声によるシンプルな構成のベッドルーム・フォーク8曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ...
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{"id":8869847499002,"title":"Little Kid \/\/ A Million Easy Payments LP [COLOR]","handle":"little-kid-a-million-easy-payments-lp-color","description":"\u003cp\u003eカナダ・トロントのシンガーソングライターKenny Boothby率いるフォーク・ロックバンドLittle Kidが、2024年2月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eギターやバンジョー、フルート、チェロ、ペダルスティールとクレバーな歌詞によるインディー・フォークロック8曲を収録。DLコード付属。オレンジ盤です。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"カメラは被写体に群がることなくズームインする。他人のダメージを歌った歌は、自分のダメージを理解する助けとなり、新たな謎へと導いてくれる。星は砂粒のように見える。Little Kidのニューアルバムであり、Orindalでのデビュー作である『A Million Easy Payments』では、Kenny Boothbyの声の切迫感が、あらゆる角度や露出から人生に迫ってくる壮大なバラードや回想、自己反省の限界に突き進み、それを少し超えるような歌詞の賭けとマッチしている。バンドの軽快なフォーク・ロック・アレンジがKenny Boothbyの物語を支え、時折、チェロのサンプル、ペダルスティール、フルート、エレクトリックピアノが飛び交い、物語を空高く持ち上げる。信心深さに煮詰まることもなく、痛みを美化することもない、鬱屈とフラストレーションのレコードである。壊れやすく、豊かで、血の通ったレコードだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eミニマリズムの作曲、エミリー・ディキンソンの詩、フランケンサーラーの絵画、初期のスフジャン・スティーヴンス、あるいはLittle Kidの新しいレーベルメイトであるOrindalの曲のように、『A Million Easy Payments』は、シンプルという外見的なイメージの下に、質感と意味がちりばめられている点で素晴らしい。羊の皮をかぶった孔雀だ。その叙情的で音楽的な密度は、決して明瞭さや印象的なメロディーを犠牲にしていない。お気に入りの映画や小説のように、『A Million Easy Payments』を何度も読み返すのは、その美しさを楽しむためであると同時に、毎回新たな発見があるからだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBoothbyの文章は、愛、不在、停滞、そして変化に満ちており、しばしばキリスト教思想のレンズを通して屈折し、友人、元恋人、日常の人々、そして聖書の登場人物たちによって経験される。Bad Energyの後半では、Boothbyが「12人の男と仲良くしていても、頬にキスされただけで殺されるかもしれない」と冗談を言う。Eggshell（卵の殻）」では、幽霊が未亡人に自分の死を振り返る： 救急車がやってきて／ハイウェイを鳴り響くサイレンを鳴らしながら／君の人生に微笑みの沈黙を残していったよ、ベイビー。下降するメロディーに織り込まれた \"I \"の音。Boothbyの軽やかなテナー。ギターの2車線。\u003cbr\u003e\u003cbr\u003e『A Million Easy Payments』全体を通して、Boothbyの器用さ、リズム、内韻の巧みさ、詩的な響きを聴き取る耳は、彼の物語のペーソスに匹敵する。熟練を誇示するためではなく、苦労して得た発見を分かち合うために、言葉は意図的に作られている。自己を文脈の中で、間近で見ようとすること、そしてその探求が無駄であり重要であることを証明すること。神を探し求める。プールは濁っている。期待したほどには反映されていない。\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/SROle0DiiAQ?si=DRgS6oRkRtQFICbF\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/9w4lYrKBug8?si=rH7x7JpWCRi7OKcX\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" orange vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Something to Say 04:07\u003cbr\u003e2. Bad Energy 07:29\u003cbr\u003e3. Beside Myself 04:43\u003cbr\u003e4. Always Change 05:57\u003cbr\u003e5. Eggshell 03:03\u003cbr\u003e6. Somewhere In Between 04:31\u003cbr\u003e7. Nothing at All 04:21\u003cbr\u003e8. What Qualifies as Silence 09:49\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003eDan Wriggins\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"A camera zooms in without crowding its subject. A song about someone else’s damage helps you understand your own, and puts you on to new mysteries. Stars look like grains of sand. On Little Kid’s new album and Orindal Records debut A Million Easy Payments, the urgency in Kenny Boothby’s voice matches the stakes of his lyrics, epic ballads and reveries that come at life from all angles and exposures, driving at and a little over the limits of self-reflection. The band’s lilting folk rock arrangements carry Boothby’s stories, occasionally lifting them skyward with flurries of cello samples, pedal steel, flute, and electric piano. It’s a record of depression and frustration that doesn’t stew in piety or aestheticize pain, that also explodes with life. Fragile and abundant. It’s a record with blood in its veins. \u003cbr\u003e\u003cbr\u003eLittle Kid is a Toronto-based collaborative project that has existed in some form since 2009, and is currently comprised of Brodie Germain (drums, guitar), Paul Vroom (bass), Megan Lunn (vocals, banjo, keyboard), Liam Cole (drums, percussion), and Kenny Boothby (vocals, guitar, piano, keyboards). A Million Easy Payments, like the three Little Kid releases before it, was tracked, engineered, and mastered by Vroom. Vroom’s work renders a portrait of\u003cspan class=\"bcTruncateMore\"\u003e Little Kid’s twin musical strengths — as a live act, a straight-ahead folk rock outfit, and as a group of creative, independent producers who want to mess things up. To that end, the record features several guest instruments: Eliza Niemi’s cello, Anh Phung’s flute, Seth Engel’s percussion, Peter Gill’s pedal steel, and Aaron Powell’s voice. Every so often, the boundaries fray. Chaotic flute layers transport the outro to “Beside Myself.” Banjo careens off the edge of “Something to Say.” The kick drum in “Bad Energy” is more than a heartbeat. \u003cbr\u003e\u003cbr\u003eLike a minimalist composition, an Emily Dickinson poem, a Frankenthaler painting, early Sufjan Stevens, or the songs of many of Little Kid’s new labelmates at Orindal, A Million Easy Payments is brilliant insofar as it teems with texture and meaning under an outward image of simplicity. A peacock in sheep’s clothing. Its lyrical and musical density never comes at the expense of clarity or striking melodies. Like your favorite movie or novel, you come back to A Million Easy Payments again and again for the pleasure of its beauty, but also because it reveals something new every time. \u003cbr\u003e\u003cbr\u003eLittle Kid has always centered around Boothby’s songwriting, and A Million Easy Payments proves his enormous skill many times over. He tackles the extended ballad tradition, zooming in and out with mind-bending control on “Bad Energy”: \u003cbr\u003e\u003cbr\u003eAnd now your engine burns remains of ancient birds \u003cbr\u003eGo into town to drive around and then leave \u003cbr\u003eYou tore a gash right clear through the atmosphere \u003cbr\u003eAnd now there’s nothing that can buffer the heat \u003cbr\u003eBut the sun is shining and your love is smiling \u003cbr\u003eIn a moment getting warmed by a beam \u003cbr\u003eOf bad energy \u003cbr\u003e\u003cbr\u003eBoothby’s writing is charged with love, absence, stagnation and change, often refracted through the lens of Christian thought, experienced by friends, exes, everyday people and Biblical characters. Later on in “Bad Energy,” Boothby jokes “if you’re only friendly with a dozen men\/ one might still kill you with a kiss on the cheek.” In “Eggshell,” a ghost reflects on his own death to his widow, a story based on the death of Boothby’s father: “ambulances came\/ weaving a whining siren down the highway\/ leaving a smiling silence in your life, babe.” The “I” sound woven in descending melodies. Two lanes of Boothby’s airy tenor. Two lanes of guitar. \u003cbr\u003e\u003cbr\u003eAcross A Million Easy Payments, Boothby’s dexterity, rhythm, internal rhyming prowess, and ear for poetic sound are matched only by the pathos of his stories. The words are crafted deliberately, not to show off mastery, but to share hard-earned findings. To try and see the self in context and up close, and to prove the inquiry to be both futile and crucial. To dig around for God. The pool is murky. Not as reflective as we’d hoped. \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Little Kid\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2025-07-26T11:55:40+09:00","created_at":"2025-07-26T11:55:10+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","orindal"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47550279811322,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Little Kid \/\/ A Million Easy Payments LP [COLOR]","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3211041672_16.jpg?v=1713430850","\/\/tobirarecords.com\/cdn\/shop\/files\/0034848069_10.jpg?v=1713430850","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_6001.jpg?v=1713502865"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3211041672_16.jpg?v=1713430850","options":["Title"],"media":[{"alt":null,"id":33779423150330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3211041672_16.jpg?v=1713430850"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3211041672_16.jpg?v=1713430850","width":700},{"alt":null,"id":33779422757114,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034848069_10.jpg?v=1713430850"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034848069_10.jpg?v=1713430850","width":1200},{"alt":null,"id":33785784762618,"position":3,"preview_image":{"aspect_ratio":1.442,"height":1985,"width":2862,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_6001.jpg?v=1713502865"},"aspect_ratio":1.442,"height":1985,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_6001.jpg?v=1713502865","width":2862}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・トロントのシンガーソングライターKenny Boothby率いるフォーク・ロックバンドLittle Kidが、2024年2月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eギターやバンジョー、フルート、チェロ、ペダルスティールとクレバーな歌詞によるインディー・フォークロック8曲を収録。DLコード付属。オレンジ盤です。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"カメラは被写体に群がることなくズームインする。他人のダメージを歌った歌は、自分のダメージを理解する助けとなり、新たな謎へと導いてくれる。星は砂粒のように見える。Little Kidのニューアルバムであり、Orindalでのデビュー作である『A Million Easy Payments』では、Kenny Boothbyの声の切迫感が、あらゆる角度や露出から人生に迫ってくる壮大なバラードや回想、自己反省の限界に突き進み、それを少し超えるような歌詞の賭けとマッチしている。バンドの軽快なフォーク・ロック・アレンジがKenny Boothbyの物語を支え、時折、チェロのサンプル、ペダルスティール、フルート、エレクトリックピアノが飛び交い、物語を空高く持ち上げる。信心深さに煮詰まることもなく、痛みを美化することもない、鬱屈とフラストレーションのレコードである。壊れやすく、豊かで、血の通ったレコードだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eミニマリズムの作曲、エミリー・ディキンソンの詩、フランケンサーラーの絵画、初期のスフジャン・スティーヴンス、あるいはLittle Kidの新しいレーベルメイトであるOrindalの曲のように、『A Million Easy Payments』は、シンプルという外見的なイメージの下に、質感と意味がちりばめられている点で素晴らしい。羊の皮をかぶった孔雀だ。その叙情的で音楽的な密度は、決して明瞭さや印象的なメロディーを犠牲にしていない。お気に入りの映画や小説のように、『A Million Easy Payments』を何度も読み返すのは、その美しさを楽しむためであると同時に、毎回新たな発見があるからだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBoothbyの文章は、愛、不在、停滞、そして変化に満ちており、しばしばキリスト教思想のレンズを通して屈折し、友人、元恋人、日常の人々、そして聖書の登場人物たちによって経験される。Bad Energyの後半では、Boothbyが「12人の男と仲良くしていても、頬にキスされただけで殺されるかもしれない」と冗談を言う。Eggshell（卵の殻）」では、幽霊が未亡人に自分の死を振り返る： 救急車がやってきて／ハイウェイを鳴り響くサイレンを鳴らしながら／君の人生に微笑みの沈黙を残していったよ、ベイビー。下降するメロディーに織り込まれた \"I \"の音。Boothbyの軽やかなテナー。ギターの2車線。\u003cbr\u003e\u003cbr\u003e『A Million Easy Payments』全体を通して、Boothbyの器用さ、リズム、内韻の巧みさ、詩的な響きを聴き取る耳は、彼の物語のペーソスに匹敵する。熟練を誇示するためではなく、苦労して得た発見を分かち合うために、言葉は意図的に作られている。自己を文脈の中で、間近で見ようとすること、そしてその探求が無駄であり重要であることを証明すること。神を探し求める。プールは濁っている。期待したほどには反映されていない。\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/SROle0DiiAQ?si=DRgS6oRkRtQFICbF\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/9w4lYrKBug8?si=rH7x7JpWCRi7OKcX\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" orange vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Something to Say 04:07\u003cbr\u003e2. Bad Energy 07:29\u003cbr\u003e3. Beside Myself 04:43\u003cbr\u003e4. Always Change 05:57\u003cbr\u003e5. Eggshell 03:03\u003cbr\u003e6. Somewhere In Between 04:31\u003cbr\u003e7. Nothing at All 04:21\u003cbr\u003e8. What Qualifies as Silence 09:49\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003eDan Wriggins\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"A camera zooms in without crowding its subject. A song about someone else’s damage helps you understand your own, and puts you on to new mysteries. Stars look like grains of sand. On Little Kid’s new album and Orindal Records debut A Million Easy Payments, the urgency in Kenny Boothby’s voice matches the stakes of his lyrics, epic ballads and reveries that come at life from all angles and exposures, driving at and a little over the limits of self-reflection. The band’s lilting folk rock arrangements carry Boothby’s stories, occasionally lifting them skyward with flurries of cello samples, pedal steel, flute, and electric piano. It’s a record of depression and frustration that doesn’t stew in piety or aestheticize pain, that also explodes with life. Fragile and abundant. It’s a record with blood in its veins. \u003cbr\u003e\u003cbr\u003eLittle Kid is a Toronto-based collaborative project that has existed in some form since 2009, and is currently comprised of Brodie Germain (drums, guitar), Paul Vroom (bass), Megan Lunn (vocals, banjo, keyboard), Liam Cole (drums, percussion), and Kenny Boothby (vocals, guitar, piano, keyboards). A Million Easy Payments, like the three Little Kid releases before it, was tracked, engineered, and mastered by Vroom. Vroom’s work renders a portrait of\u003cspan class=\"bcTruncateMore\"\u003e Little Kid’s twin musical strengths — as a live act, a straight-ahead folk rock outfit, and as a group of creative, independent producers who want to mess things up. To that end, the record features several guest instruments: Eliza Niemi’s cello, Anh Phung’s flute, Seth Engel’s percussion, Peter Gill’s pedal steel, and Aaron Powell’s voice. Every so often, the boundaries fray. Chaotic flute layers transport the outro to “Beside Myself.” Banjo careens off the edge of “Something to Say.” The kick drum in “Bad Energy” is more than a heartbeat. \u003cbr\u003e\u003cbr\u003eLike a minimalist composition, an Emily Dickinson poem, a Frankenthaler painting, early Sufjan Stevens, or the songs of many of Little Kid’s new labelmates at Orindal, A Million Easy Payments is brilliant insofar as it teems with texture and meaning under an outward image of simplicity. A peacock in sheep’s clothing. Its lyrical and musical density never comes at the expense of clarity or striking melodies. Like your favorite movie or novel, you come back to A Million Easy Payments again and again for the pleasure of its beauty, but also because it reveals something new every time. \u003cbr\u003e\u003cbr\u003eLittle Kid has always centered around Boothby’s songwriting, and A Million Easy Payments proves his enormous skill many times over. He tackles the extended ballad tradition, zooming in and out with mind-bending control on “Bad Energy”: \u003cbr\u003e\u003cbr\u003eAnd now your engine burns remains of ancient birds \u003cbr\u003eGo into town to drive around and then leave \u003cbr\u003eYou tore a gash right clear through the atmosphere \u003cbr\u003eAnd now there’s nothing that can buffer the heat \u003cbr\u003eBut the sun is shining and your love is smiling \u003cbr\u003eIn a moment getting warmed by a beam \u003cbr\u003eOf bad energy \u003cbr\u003e\u003cbr\u003eBoothby’s writing is charged with love, absence, stagnation and change, often refracted through the lens of Christian thought, experienced by friends, exes, everyday people and Biblical characters. Later on in “Bad Energy,” Boothby jokes “if you’re only friendly with a dozen men\/ one might still kill you with a kiss on the cheek.” In “Eggshell,” a ghost reflects on his own death to his widow, a story based on the death of Boothby’s father: “ambulances came\/ weaving a whining siren down the highway\/ leaving a smiling silence in your life, babe.” The “I” sound woven in descending melodies. Two lanes of Boothby’s airy tenor. Two lanes of guitar. \u003cbr\u003e\u003cbr\u003eAcross A Million Easy Payments, Boothby’s dexterity, rhythm, internal rhyming prowess, and ear for poetic sound are matched only by the pathos of his stories. The words are crafted deliberately, not to show off mastery, but to share hard-earned findings. To try and see the self in context and up close, and to prove the inquiry to be both futile and crucial. To dig around for God. The pool is murky. Not as reflective as we’d hoped. \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Little Kid\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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カナダ・トロントのシンガーソングライターKenny Boothby率いるフォーク・ロックバンドLittle Kidが、2024年2月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。 ギターやバンジョー、フルート、チェロ、ペダルスティールとクレバーな歌詞によるインディー・フォークロック8曲を収録。DLコード付属。オレンジ盤です。 以下、Rosie Stocktonによる解説です。 "カメラは被写体に群がることなくズームインする。他人のダメージを歌った歌は、自分のダメージを理解する助けとなり、新たな謎へと導いてくれる。星は砂粒のように見える。Little Kidのニューアルバムであり、Orindalでのデビュー作である『A Million Easy Payments』では、Kenny Boothbyの声の切迫感が、あらゆる角度や露出から人生に迫ってくる壮大なバラードや回想、自己反省の限界に突き進み、それを少し超えるような歌詞の賭けとマッチしている。バンドの軽快なフォーク・ロック・アレンジがKenny Boothbyの物語を支え、時折、チェロのサンプル、ペダルスティール、フルート、エレクトリックピアノが飛び交い、物語を空高く持ち上げる。信心深さに煮詰まることもなく、痛みを美化することもない、鬱屈とフラストレーションのレコードである。壊れやすく、豊かで、血の通ったレコードだ。...
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{"id":8759633936634,"title":"Macie Stewart \/\/ Mouth Full of Glass LP","handle":"macie-stewart-mouth-full-of-glass-lp","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordsから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、シカゴのシンガーソングライターMacie Stewartが、2021年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eシネマティックなベッドルームフォーク8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2413155235\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=2651\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eArtist : Macie Stewart\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2025-04-09T05:16:32+09:00","created_at":"2025-04-09T05:15:29+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","orindal"],"price":348000,"price_min":348000,"price_max":348000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47245249315066,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Macie Stewart \/\/ Mouth Full of Glass LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/gl1_cfd5e86d-99f0-4571-8d05-f363f3569704.jpg?v=1655703619"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/gl1_cfd5e86d-99f0-4571-8d05-f363f3569704.jpg?v=1655703619","options":["Title"],"media":[{"alt":null,"id":29933845545210,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gl1_cfd5e86d-99f0-4571-8d05-f363f3569704.jpg?v=1655703619"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gl1_cfd5e86d-99f0-4571-8d05-f363f3569704.jpg?v=1655703619","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordsから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、シカゴのシンガーソングライターMacie Stewartが、2021年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eシネマティックなベッドルームフォーク8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2413155235\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=2651\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eArtist : Macie Stewart\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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{"id":8705946517754,"title":"Gia Margaret \/\/ There's Always Glimmer TAPE","handle":"gia-margaret-theres-always-glimmer-tape","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Records諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国シカゴのインディーフォーク作家Gia Margaretが、2018年にリリースしたデビューアルバムです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・ドリームポップ〜アンビエント・フォーク12曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Ls1KpW_omiI\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=83205102\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=642\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=83205102\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=642\/tracklist=false\/artwork=small\/track=2492209161\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAll songs written, performed and produced by Gia Margaret\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRecorded and mixed by Nicholas Papaleo and Gia Margaret at Inside Voice, in Gia's bedroom and at Decade Studios\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSmoke and West recorded and mixed by Doug Saltzman\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSugar recorded by Scott Jacobson at Soundhole Studios\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAdditional musicians:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBrendan Losch — additional guitar + backing vocals (2)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJohn Morton — backing vocals (2), drums (2, 3)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eScott Jacobson — additional guitar (10)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIvan Pyzow — trumpet (3)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eQuinn Tsan — additional vocals (7)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBob Buckstaff — bass (2, 5)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNicholas Papaleo — bass (6, 10), additional keys (2, 5, 10)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMolly Rife — cello (4)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDoug Saltzman — drum production (4, 12)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChris Dye — drum production (10)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gia Margaret\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2025-01-22T06:59:20+09:00","created_at":"2025-01-22T06:58:34+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","new","orindal","recommended","tape"],"price":235000,"price_min":235000,"price_max":235000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47068645851386,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gia Margaret \/\/ There's Always Glimmer TAPE","public_title":null,"options":["Default Title"],"price":235000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/al1_002307aa-aea6-4002-87ad-ab4f65ff06ee.jpg?v=1706230462","\/\/tobirarecords.com\/cdn\/shop\/files\/2024-01-269.53.37_c240b92d-630d-4539-b389-9b0cab0ba78e.png?v=1706230462"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_002307aa-aea6-4002-87ad-ab4f65ff06ee.jpg?v=1706230462","options":["Title"],"media":[{"alt":null,"id":33059071918330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_002307aa-aea6-4002-87ad-ab4f65ff06ee.jpg?v=1706230462"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_002307aa-aea6-4002-87ad-ab4f65ff06ee.jpg?v=1706230462","width":700},{"alt":null,"id":33059071951098,"position":2,"preview_image":{"aspect_ratio":0.667,"height":944,"width":630,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/2024-01-269.53.37_c240b92d-630d-4539-b389-9b0cab0ba78e.png?v=1706230462"},"aspect_ratio":0.667,"height":944,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/2024-01-269.53.37_c240b92d-630d-4539-b389-9b0cab0ba78e.png?v=1706230462","width":630}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Records諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国シカゴのインディーフォーク作家Gia Margaretが、2018年にリリースしたデビューアルバムです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・ドリームポップ〜アンビエント・フォーク12曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Ls1KpW_omiI\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=83205102\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=642\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=83205102\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=642\/tracklist=false\/artwork=small\/track=2492209161\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAll songs written, performed and produced by Gia Margaret\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRecorded and mixed by Nicholas Papaleo and Gia Margaret at Inside Voice, in Gia's bedroom and at Decade Studios\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSmoke and West recorded and mixed by Doug Saltzman\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSugar recorded by Scott Jacobson at Soundhole Studios\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAdditional musicians:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBrendan Losch — additional guitar + backing vocals (2)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJohn Morton — backing vocals (2), drums (2, 3)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eScott Jacobson — additional guitar (10)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIvan Pyzow — trumpet (3)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eQuinn Tsan — additional vocals (7)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBob Buckstaff — bass (2, 5)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNicholas Papaleo — bass (6, 10), additional keys (2, 5, 10)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMolly Rife — cello (4)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDoug Saltzman — drum production (4, 12)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChris Dye — drum production (10)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gia Margaret\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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クイックビュー
{"id":8705943699706,"title":"Gia Margaret \/\/ There's Always Glimmer LP [COLOR]","handle":"gia-margaret-theres-always-glimmer-lp","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Records諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国シカゴのインディーフォーク作家Gia Margaretが、2018年にリリースしたデビューアルバムです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・ドリームポップ〜アンビエント・フォーク12曲を収録。DLコード付属。クリアグリーン盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Ls1KpW_omiI\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=83205102\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=642\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=83205102\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=642\/tracklist=false\/artwork=small\/track=2492209161\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAll songs written, performed and produced by Gia Margaret\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRecorded and mixed by Nicholas Papaleo and Gia Margaret at Inside Voice, in Gia's bedroom and at Decade Studios\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSmoke and West recorded and mixed by Doug Saltzman\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSugar recorded by Scott Jacobson at Soundhole Studios\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAdditional musicians:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBrendan Losch — additional guitar + backing vocals (2)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJohn Morton — backing vocals (2), drums (2, 3)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eScott Jacobson — additional guitar (10)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIvan Pyzow — trumpet (3)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eQuinn Tsan — additional vocals (7)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBob Buckstaff — bass (2, 5)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNicholas Papaleo — bass (6, 10), additional keys (2, 5, 10)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMolly Rife — cello (4)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDoug Saltzman — drum production (4, 12)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChris Dye — drum production (10)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gia Margaret\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2025-01-22T06:56:36+09:00","created_at":"2025-01-22T06:52:16+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","orindal","recommended"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47068632121594,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gia Margaret \/\/ There's Always Glimmer LP [COLOR]","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/al1_002307aa-aea6-4002-87ad-ab4f65ff06ee.jpg?v=1706230462","\/\/tobirarecords.com\/cdn\/shop\/files\/5-gia-margaret-there-s-always-glimmer.webp?v=1737496485"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_002307aa-aea6-4002-87ad-ab4f65ff06ee.jpg?v=1706230462","options":["Title"],"media":[{"alt":null,"id":33059071918330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_002307aa-aea6-4002-87ad-ab4f65ff06ee.jpg?v=1706230462"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_002307aa-aea6-4002-87ad-ab4f65ff06ee.jpg?v=1706230462","width":700},{"alt":null,"id":35458293793018,"position":2,"preview_image":{"aspect_ratio":1.0,"height":475,"width":475,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/5-gia-margaret-there-s-always-glimmer.webp?v=1737496485"},"aspect_ratio":1.0,"height":475,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/5-gia-margaret-there-s-always-glimmer.webp?v=1737496485","width":475}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Records諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国シカゴのインディーフォーク作家Gia Margaretが、2018年にリリースしたデビューアルバムです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・ドリームポップ〜アンビエント・フォーク12曲を収録。DLコード付属。クリアグリーン盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Ls1KpW_omiI\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=83205102\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=642\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=83205102\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=642\/tracklist=false\/artwork=small\/track=2492209161\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAll songs written, performed and produced by Gia Margaret\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRecorded and mixed by Nicholas Papaleo and Gia Margaret at Inside Voice, in Gia's bedroom and at Decade Studios\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSmoke and West recorded and mixed by Doug Saltzman\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSugar recorded by Scott Jacobson at Soundhole Studios\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAdditional musicians:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBrendan Losch — additional guitar + backing vocals (2)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJohn Morton — backing vocals (2), drums (2, 3)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eScott Jacobson — additional guitar (10)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIvan Pyzow — trumpet (3)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eQuinn Tsan — additional vocals (7)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBob Buckstaff — bass (2, 5)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNicholas Papaleo — bass (6, 10), additional keys (2, 5, 10)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMolly Rife — cello (4)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDoug Saltzman — drum production (4, 12)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChris Dye — drum production (10)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gia Margaret\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Records諸作を入荷しました。 本作は、同国シカゴのインディーフォーク作家Gia Margaretが、2018年にリリースしたデビューアルバムです。 ベッドルーム・ドリームポップ〜アンビエント・フォーク12曲を収録。DLコード付属。クリアグリーン盤です。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at...
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{"id":8704221774074,"title":"Gia Margaret \/\/ Mia Gargaret TAPE","handle":"gia-margaret-mia-gargaret-tape","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Records諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国シカゴのインディーフォーク作家Gia Margaretが、病気のため歌うことができなかった期間に制作し、2020年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなアンビエント・フォーク〜\u003cspan\u003eアンビエント\u003c\/span\u003e11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人とレーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"「病気でツアーをキャンセルした後、私は1年の半分近く歌うことができませんでした。そのため、自分の殻に閉じこもっているような気分になり、慰めを求めてシンセサイザーに頼りました。これらの作曲は、音楽制作者としてのアイデンティティを持ち続けるのに役立ちました。時にはこの音楽が、セラピーや他のどんなものよりも私の不安を和らげてくれました。」\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e歌や歌詞に焦点を奪われることなく、Mia Gargaretのインストゥルメンタル・トラックは、Gia Margaretのミュージシャン、作曲家、プロデューサーとしてのスキルに光を当てています。シンセサイザー、ピアノ、アコースティック・ギターによる控えめだが没入感のあるアレンジは、同時に痛みや癒しを与え、まるで車窓の風景のように感情の風景を作り上げます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「希望に満ちたサウンドを作りたかったのです。私は自分を癒すために音楽を作っていました。アパートの中を歩き回りながらシンセのループをかけ、自分自身の毎日のサウンドトラックを形成していました。」\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMia GargaretはGia Margaretの自己治癒を記録しています。アルバムのオープニングを飾るapathyには、彼女が実際に行ったボーカル・セラピーのエクササイズからの抜粋が含まれています。bodyではイギリスの哲学者アラン・ワッツの講義をサンプリングしています。(このサンプルの使用は、故講師の息子であるマーク・ワッツが、父親についてのドキュメンタリー映画で \"body \"を使用することと引き換えに、個人的に許可したものである）。他のトラックには、足音、教会の鐘の音、パチパチと燃える焚き火の音、湖の波の音など、Giaの日々のフィールドレコーディングが使われていいます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「人生の中で本当に不思議な時間を過ごした時の感覚を、完全に忘れてしまいたいと思いながらも捉えたかったのです。このプロセスは、自分自身について何かを理解するのに役立ちました。」\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eMia Gargaretは、Giaの歌声をフィーチャーしたアルバム唯一の曲、lessonで終わります。この短い曲は、2021年に予定されている、より伝統的なソングライティングに回帰したGia Margaretの次のアルバムに期待できることを予告しています。それまでの間、Mia Gargaretは、ゴージャスな実験作として、また音楽の癒しの力についての記憶に残る瞑想曲として聴くことができます。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=none\/track=217592702\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=none\/track=2253347094\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=none\/track=588464783\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by Orindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eMia Gargaret is an ambient, (mostly) instrumental album by Chicago, IL singer, songwriter, multi-instrumentalist \u0026amp; producer Gia Margaret.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMia Gargaret was not the follow-up album that Gia intended to release after the critical success of her 2018 debut, There’s Always Glimmer. But after she suddenly found herself without use of her primary instrument, she had to rethink her methods, at least temporarily.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGia explains:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“After having to cancel tours because of illness, I was unable to sing for nearly half of the year. This left me feeling like a shell of myself, so I turned to my synthesizer for comfort. These compositions helped me hold onto my identity as a music maker. At times this music helped soothe my anxiety more than therapy or anything else could.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWithout singing or lyrics to steal the focus, the instrumental tracks on Mia Gargaret shine a light on Gia Margaret’s skills as a musician, composer \u0026amp; producer. Spare but immersive arrangements of synthesizer, piano \u0026amp; acoustic guitar simultaneously ache \u0026amp; soothe, building emotional landscapes that rise \u0026amp; recede like scenery through a train window.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I wanted to make something that sounded hopeful, which\u003cspan class=\"bcTruncateMore\"\u003e is a little ironic because I felt essentially hopeless during the entire process. I was making music to self-soothe. I had synth loops going while I walked around my apartment, forming my own daily soundtrack.”\u003cbr\u003e\u003cbr\u003eMia Gargaret documents Gia Margaret’s self-healing. Album opener “apathy” includes an excerpt from her actual vocal therapy exercises. “body” samples a lecture from British philosopher Alan Watts, a continuous source of comfort \u0026amp; perspective for Gia in times of confusion. (Permission to use the sample was personally granted by Mark Watts, son of the late lecturer, in exchange for the use of “body” in his documentary film about his father.) Other tracks feature the sounds of footsteps, church bells, crackling fires, lake waves \u0026amp; other field recordings from Gia’s day-to-day.\u003cbr\u003e\u003cbr\u003e“I wanted to capture the feeling of a truly strange time in my life, even though I would prefer to forget it altogether. This process helped me understand something about myself, \u0026amp; hopefully it can help others, too.”\u003cbr\u003e\u003cbr\u003eMia Gargaret ends with “lesson,” the album’s only track to feature Gia’s singing voice. The short song teases at what we can expect from the next Gia Margaret album, a return to more traditional forms of songwriting, due in 2021. In the meantime, Mia Gargaret stands as a gorgeous experiment \u0026amp; a memorable meditation on the healing power of music.\u003cbr\u003e\u003cbr\u003eMia Gargaret was composed, performed \u0026amp; recorded at home by Gia Margaret during the summer \u0026amp; fall of 2019, with guest performances by Emily Cross (clarinet on “ash”), Stephen Steinbrink (vocals, organ \u0026amp; guitar on “lesson”) \u0026amp; There’s Always Glimmer collaborator Doug Saltzman (electronic drum production to on “body” \u0026amp; “lesson”).\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gia Margaret\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2025-01-19T08:24:48+09:00","created_at":"2025-01-19T08:23:37+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","new","orindal","recommended","tape"],"price":235000,"price_min":235000,"price_max":235000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47061987557626,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gia Margaret \/\/ Mia Gargaret TAPE","public_title":null,"options":["Default Title"],"price":235000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gi1_dab51cde-2826-4b2a-a4da-ee11db31fd07.jpg?v=1713429768","\/\/tobirarecords.com\/cdn\/shop\/files\/ashiuhs.webp?v=1737242702"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gi1_dab51cde-2826-4b2a-a4da-ee11db31fd07.jpg?v=1713429768","options":["Title"],"media":[{"alt":null,"id":33779119849722,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gi1_dab51cde-2826-4b2a-a4da-ee11db31fd07.jpg?v=1713429768"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gi1_dab51cde-2826-4b2a-a4da-ee11db31fd07.jpg?v=1713429768","width":700},{"alt":null,"id":35445341257978,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ashiuhs.webp?v=1737242702"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ashiuhs.webp?v=1737242702","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Records諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国シカゴのインディーフォーク作家Gia Margaretが、病気のため歌うことができなかった期間に制作し、2020年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなアンビエント・フォーク〜\u003cspan\u003eアンビエント\u003c\/span\u003e11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人とレーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"「病気でツアーをキャンセルした後、私は1年の半分近く歌うことができませんでした。そのため、自分の殻に閉じこもっているような気分になり、慰めを求めてシンセサイザーに頼りました。これらの作曲は、音楽制作者としてのアイデンティティを持ち続けるのに役立ちました。時にはこの音楽が、セラピーや他のどんなものよりも私の不安を和らげてくれました。」\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e歌や歌詞に焦点を奪われることなく、Mia Gargaretのインストゥルメンタル・トラックは、Gia Margaretのミュージシャン、作曲家、プロデューサーとしてのスキルに光を当てています。シンセサイザー、ピアノ、アコースティック・ギターによる控えめだが没入感のあるアレンジは、同時に痛みや癒しを与え、まるで車窓の風景のように感情の風景を作り上げます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「希望に満ちたサウンドを作りたかったのです。私は自分を癒すために音楽を作っていました。アパートの中を歩き回りながらシンセのループをかけ、自分自身の毎日のサウンドトラックを形成していました。」\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMia GargaretはGia Margaretの自己治癒を記録しています。アルバムのオープニングを飾るapathyには、彼女が実際に行ったボーカル・セラピーのエクササイズからの抜粋が含まれています。bodyではイギリスの哲学者アラン・ワッツの講義をサンプリングしています。(このサンプルの使用は、故講師の息子であるマーク・ワッツが、父親についてのドキュメンタリー映画で \"body \"を使用することと引き換えに、個人的に許可したものである）。他のトラックには、足音、教会の鐘の音、パチパチと燃える焚き火の音、湖の波の音など、Giaの日々のフィールドレコーディングが使われていいます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「人生の中で本当に不思議な時間を過ごした時の感覚を、完全に忘れてしまいたいと思いながらも捉えたかったのです。このプロセスは、自分自身について何かを理解するのに役立ちました。」\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eMia Gargaretは、Giaの歌声をフィーチャーしたアルバム唯一の曲、lessonで終わります。この短い曲は、2021年に予定されている、より伝統的なソングライティングに回帰したGia Margaretの次のアルバムに期待できることを予告しています。それまでの間、Mia Gargaretは、ゴージャスな実験作として、また音楽の癒しの力についての記憶に残る瞑想曲として聴くことができます。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=none\/track=217592702\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=none\/track=2253347094\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=none\/track=588464783\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by Orindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eMia Gargaret is an ambient, (mostly) instrumental album by Chicago, IL singer, songwriter, multi-instrumentalist \u0026amp; producer Gia Margaret.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMia Gargaret was not the follow-up album that Gia intended to release after the critical success of her 2018 debut, There’s Always Glimmer. But after she suddenly found herself without use of her primary instrument, she had to rethink her methods, at least temporarily.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGia explains:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“After having to cancel tours because of illness, I was unable to sing for nearly half of the year. This left me feeling like a shell of myself, so I turned to my synthesizer for comfort. These compositions helped me hold onto my identity as a music maker. At times this music helped soothe my anxiety more than therapy or anything else could.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWithout singing or lyrics to steal the focus, the instrumental tracks on Mia Gargaret shine a light on Gia Margaret’s skills as a musician, composer \u0026amp; producer. Spare but immersive arrangements of synthesizer, piano \u0026amp; acoustic guitar simultaneously ache \u0026amp; soothe, building emotional landscapes that rise \u0026amp; recede like scenery through a train window.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I wanted to make something that sounded hopeful, which\u003cspan class=\"bcTruncateMore\"\u003e is a little ironic because I felt essentially hopeless during the entire process. I was making music to self-soothe. I had synth loops going while I walked around my apartment, forming my own daily soundtrack.”\u003cbr\u003e\u003cbr\u003eMia Gargaret documents Gia Margaret’s self-healing. Album opener “apathy” includes an excerpt from her actual vocal therapy exercises. “body” samples a lecture from British philosopher Alan Watts, a continuous source of comfort \u0026amp; perspective for Gia in times of confusion. (Permission to use the sample was personally granted by Mark Watts, son of the late lecturer, in exchange for the use of “body” in his documentary film about his father.) Other tracks feature the sounds of footsteps, church bells, crackling fires, lake waves \u0026amp; other field recordings from Gia’s day-to-day.\u003cbr\u003e\u003cbr\u003e“I wanted to capture the feeling of a truly strange time in my life, even though I would prefer to forget it altogether. This process helped me understand something about myself, \u0026amp; hopefully it can help others, too.”\u003cbr\u003e\u003cbr\u003eMia Gargaret ends with “lesson,” the album’s only track to feature Gia’s singing voice. The short song teases at what we can expect from the next Gia Margaret album, a return to more traditional forms of songwriting, due in 2021. In the meantime, Mia Gargaret stands as a gorgeous experiment \u0026amp; a memorable meditation on the healing power of music.\u003cbr\u003e\u003cbr\u003eMia Gargaret was composed, performed \u0026amp; recorded at home by Gia Margaret during the summer \u0026amp; fall of 2019, with guest performances by Emily Cross (clarinet on “ash”), Stephen Steinbrink (vocals, organ \u0026amp; guitar on “lesson”) \u0026amp; There’s Always Glimmer collaborator Doug Saltzman (electronic drum production to on “body” \u0026amp; “lesson”).\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gia Margaret\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Records諸作を入荷しました。 本作は、同国シカゴのインディーフォーク作家Gia Margaretが、病気のため歌うことができなかった期間に制作し、2020年にリリースしたアルバムです。 ドリーミーなアンビエント・フォーク〜アンビエント11曲を収録。DLコード付属。 以下、作家本人とレーベルによる解説です。 "「病気でツアーをキャンセルした後、私は1年の半分近く歌うことができませんでした。そのため、自分の殻に閉じこもっているような気分になり、慰めを求めてシンセサイザーに頼りました。これらの作曲は、音楽制作者としてのアイデンティティを持ち続けるのに役立ちました。時にはこの音楽が、セラピーや他のどんなものよりも私の不安を和らげてくれました。」歌や歌詞に焦点を奪われることなく、Mia Gargaretのインストゥルメンタル・トラックは、Gia Margaretのミュージシャン、作曲家、プロデューサーとしてのスキルに光を当てています。シンセサイザー、ピアノ、アコースティック・ギターによる控えめだが没入感のあるアレンジは、同時に痛みや癒しを与え、まるで車窓の風景のように感情の風景を作り上げます。「希望に満ちたサウンドを作りたかったのです。私は自分を癒すために音楽を作っていました。アパートの中を歩き回りながらシンセのループをかけ、自分自身の毎日のサウンドトラックを形成していました。」Mia GargaretはGia Margaretの自己治癒を記録しています。アルバムのオープニングを飾るapathyには、彼女が実際に行ったボーカル・セラピーのエクササイズからの抜粋が含まれています。bodyではイギリスの哲学者アラン・ワッツの講義をサンプリングしています。(このサンプルの使用は、故講師の息子であるマーク・ワッツが、父親についてのドキュメンタリー映画で "body "を使用することと引き換えに、個人的に許可したものである）。他のトラックには、足音、教会の鐘の音、パチパチと燃える焚き火の音、湖の波の音など、Giaの日々のフィールドレコーディングが使われていいます。「人生の中で本当に不思議な時間を過ごした時の感覚を、完全に忘れてしまいたいと思いながらも捉えたかったのです。このプロセスは、自分自身について何かを理解するのに役立ちました。」Mia Gargaretは、Giaの歌声をフィーチャーしたアルバム唯一の曲、lessonで終わります。この短い曲は、2021年に予定されている、より伝統的なソングライティングに回帰したGia...
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{"id":8704221708538,"title":"Gia Margaret \/\/ Mia Gargaret LP [COLOR]","handle":"gia-margaret-mia-gargaret-lp-color","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Records諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国シカゴのインディーフォーク作家Gia Margaretが、病気のため歌うことができなかった期間に制作し、2020年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなアンビエント・フォーク〜\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eアンビエント\u003c\/span\u003e11曲を収録。DLコード付属。クリアグリーン盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/gia-margaret-singing-lp-color-tobira-exclusive\"\u003e最新作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人とレーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"「病気でツアーをキャンセルした後、私は1年の半分近く歌うことができませんでした。そのため、自分の殻に閉じこもっているような気分になり、慰めを求めてシンセサイザーに頼りました。これらの作曲は、音楽制作者としてのアイデンティティを持ち続けるのに役立ちました。時にはこの音楽が、セラピーや他のどんなものよりも私の不安を和らげてくれました。」\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e歌や歌詞に焦点を奪われることなく、Mia Gargaretのインストゥルメンタル・トラックは、Gia Margaretのミュージシャン、作曲家、プロデューサーとしてのスキルに光を当てています。シンセサイザー、ピアノ、アコースティック・ギターによる控えめだが没入感のあるアレンジは、同時に痛みや癒しを与え、まるで車窓の風景のように感情の風景を作り上げます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「希望に満ちたサウンドを作りたかったのです。私は自分を癒すために音楽を作っていました。アパートの中を歩き回りながらシンセのループをかけ、自分自身の毎日のサウンドトラックを形成していました。」\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMia GargaretはGia Margaretの自己治癒を記録しています。アルバムのオープニングを飾るapathyには、彼女が実際に行ったボーカル・セラピーのエクササイズからの抜粋が含まれています。bodyではイギリスの哲学者アラン・ワッツの講義をサンプリングしています。(このサンプルの使用は、故講師の息子であるマーク・ワッツが、父親についてのドキュメンタリー映画で \"body \"を使用することと引き換えに、個人的に許可したものである）。他のトラックには、足音、教会の鐘の音、パチパチと燃える焚き火の音、湖の波の音など、Giaの日々のフィールドレコーディングが使われていいます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「人生の中で本当に不思議な時間を過ごした時の感覚を、完全に忘れてしまいたいと思いながらも捉えたかったのです。このプロセスは、自分自身について何かを理解するのに役立ちました。」\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eMia Gargaretは、Giaの歌声をフィーチャーしたアルバム唯一の曲、lessonで終わります。この短い曲は、2021年に予定されている、より伝統的なソングライティングに回帰したGia Margaretの次のアルバムに期待できることを予告しています。それまでの間、Mia Gargaretは、ゴージャスな実験作として、また音楽の癒しの力についての記憶に残る瞑想曲として聴くことができます。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=none\/track=217592702\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=none\/track=2253347094\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=none\/track=588464783\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" clear green vinyl.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by Orindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eMia Gargaret is an ambient, (mostly) instrumental album by Chicago, IL singer, songwriter, multi-instrumentalist \u0026amp; producer Gia Margaret.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMia Gargaret was not the follow-up album that Gia intended to release after the critical success of her 2018 debut, There’s Always Glimmer. But after she suddenly found herself without use of her primary instrument, she had to rethink her methods, at least temporarily.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGia explains:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“After having to cancel tours because of illness, I was unable to sing for nearly half of the year. This left me feeling like a shell of myself, so I turned to my synthesizer for comfort. These compositions helped me hold onto my identity as a music maker. At times this music helped soothe my anxiety more than therapy or anything else could.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWithout singing or lyrics to steal the focus, the instrumental tracks on Mia Gargaret shine a light on Gia Margaret’s skills as a musician, composer \u0026amp; producer. Spare but immersive arrangements of synthesizer, piano \u0026amp; acoustic guitar simultaneously ache \u0026amp; soothe, building emotional landscapes that rise \u0026amp; recede like scenery through a train window.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I wanted to make something that sounded hopeful, which\u003cspan class=\"bcTruncateMore\"\u003e is a little ironic because I felt essentially hopeless during the entire process. I was making music to self-soothe. I had synth loops going while I walked around my apartment, forming my own daily soundtrack.”\u003cbr\u003e\u003cbr\u003eMia Gargaret documents Gia Margaret’s self-healing. Album opener “apathy” includes an excerpt from her actual vocal therapy exercises. “body” samples a lecture from British philosopher Alan Watts, a continuous source of comfort \u0026amp; perspective for Gia in times of confusion. (Permission to use the sample was personally granted by Mark Watts, son of the late lecturer, in exchange for the use of “body” in his documentary film about his father.) Other tracks feature the sounds of footsteps, church bells, crackling fires, lake waves \u0026amp; other field recordings from Gia’s day-to-day.\u003cbr\u003e\u003cbr\u003e“I wanted to capture the feeling of a truly strange time in my life, even though I would prefer to forget it altogether. This process helped me understand something about myself, \u0026amp; hopefully it can help others, too.”\u003cbr\u003e\u003cbr\u003eMia Gargaret ends with “lesson,” the album’s only track to feature Gia’s singing voice. The short song teases at what we can expect from the next Gia Margaret album, a return to more traditional forms of songwriting, due in 2021. In the meantime, Mia Gargaret stands as a gorgeous experiment \u0026amp; a memorable meditation on the healing power of music.\u003cbr\u003e\u003cbr\u003eMia Gargaret was composed, performed \u0026amp; recorded at home by Gia Margaret during the summer \u0026amp; fall of 2019, with guest performances by Emily Cross (clarinet on “ash”), Stephen Steinbrink (vocals, organ \u0026amp; guitar on “lesson”) \u0026amp; There’s Always Glimmer collaborator Doug Saltzman (electronic drum production to on “body” \u0026amp; “lesson”).\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gia Margaret\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2025-01-19T08:23:18+09:00","created_at":"2025-01-19T08:21:49+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","lp","new","orindal","recommended"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47061986771194,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gia Margaret \/\/ Mia Gargaret LP [COLOR]","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"5060685310073","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gi1_dab51cde-2826-4b2a-a4da-ee11db31fd07.jpg?v=1713429768","\/\/tobirarecords.com\/cdn\/shop\/files\/gi2_da5947e2-27ec-4675-961d-615338cba96b.jpg?v=1713429768"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gi1_dab51cde-2826-4b2a-a4da-ee11db31fd07.jpg?v=1713429768","options":["Title"],"media":[{"alt":null,"id":33779119849722,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gi1_dab51cde-2826-4b2a-a4da-ee11db31fd07.jpg?v=1713429768"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gi1_dab51cde-2826-4b2a-a4da-ee11db31fd07.jpg?v=1713429768","width":700},{"alt":null,"id":33779119915258,"position":2,"preview_image":{"aspect_ratio":1.667,"height":720,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gi2_da5947e2-27ec-4675-961d-615338cba96b.jpg?v=1713429768"},"aspect_ratio":1.667,"height":720,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gi2_da5947e2-27ec-4675-961d-615338cba96b.jpg?v=1713429768","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Records諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国シカゴのインディーフォーク作家Gia Margaretが、病気のため歌うことができなかった期間に制作し、2020年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなアンビエント・フォーク〜\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eアンビエント\u003c\/span\u003e11曲を収録。DLコード付属。クリアグリーン盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/gia-margaret-singing-lp-color-tobira-exclusive\"\u003e最新作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人とレーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"「病気でツアーをキャンセルした後、私は1年の半分近く歌うことができませんでした。そのため、自分の殻に閉じこもっているような気分になり、慰めを求めてシンセサイザーに頼りました。これらの作曲は、音楽制作者としてのアイデンティティを持ち続けるのに役立ちました。時にはこの音楽が、セラピーや他のどんなものよりも私の不安を和らげてくれました。」\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e歌や歌詞に焦点を奪われることなく、Mia Gargaretのインストゥルメンタル・トラックは、Gia Margaretのミュージシャン、作曲家、プロデューサーとしてのスキルに光を当てています。シンセサイザー、ピアノ、アコースティック・ギターによる控えめだが没入感のあるアレンジは、同時に痛みや癒しを与え、まるで車窓の風景のように感情の風景を作り上げます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「希望に満ちたサウンドを作りたかったのです。私は自分を癒すために音楽を作っていました。アパートの中を歩き回りながらシンセのループをかけ、自分自身の毎日のサウンドトラックを形成していました。」\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMia GargaretはGia Margaretの自己治癒を記録しています。アルバムのオープニングを飾るapathyには、彼女が実際に行ったボーカル・セラピーのエクササイズからの抜粋が含まれています。bodyではイギリスの哲学者アラン・ワッツの講義をサンプリングしています。(このサンプルの使用は、故講師の息子であるマーク・ワッツが、父親についてのドキュメンタリー映画で \"body \"を使用することと引き換えに、個人的に許可したものである）。他のトラックには、足音、教会の鐘の音、パチパチと燃える焚き火の音、湖の波の音など、Giaの日々のフィールドレコーディングが使われていいます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「人生の中で本当に不思議な時間を過ごした時の感覚を、完全に忘れてしまいたいと思いながらも捉えたかったのです。このプロセスは、自分自身について何かを理解するのに役立ちました。」\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eMia Gargaretは、Giaの歌声をフィーチャーしたアルバム唯一の曲、lessonで終わります。この短い曲は、2021年に予定されている、より伝統的なソングライティングに回帰したGia Margaretの次のアルバムに期待できることを予告しています。それまでの間、Mia Gargaretは、ゴージャスな実験作として、また音楽の癒しの力についての記憶に残る瞑想曲として聴くことができます。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=none\/track=217592702\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=none\/track=2253347094\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3074600684\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=979\/tracklist=false\/artwork=none\/track=588464783\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" clear green vinyl.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by Orindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eMia Gargaret is an ambient, (mostly) instrumental album by Chicago, IL singer, songwriter, multi-instrumentalist \u0026amp; producer Gia Margaret.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMia Gargaret was not the follow-up album that Gia intended to release after the critical success of her 2018 debut, There’s Always Glimmer. But after she suddenly found herself without use of her primary instrument, she had to rethink her methods, at least temporarily.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGia explains:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“After having to cancel tours because of illness, I was unable to sing for nearly half of the year. This left me feeling like a shell of myself, so I turned to my synthesizer for comfort. These compositions helped me hold onto my identity as a music maker. At times this music helped soothe my anxiety more than therapy or anything else could.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWithout singing or lyrics to steal the focus, the instrumental tracks on Mia Gargaret shine a light on Gia Margaret’s skills as a musician, composer \u0026amp; producer. Spare but immersive arrangements of synthesizer, piano \u0026amp; acoustic guitar simultaneously ache \u0026amp; soothe, building emotional landscapes that rise \u0026amp; recede like scenery through a train window.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I wanted to make something that sounded hopeful, which\u003cspan class=\"bcTruncateMore\"\u003e is a little ironic because I felt essentially hopeless during the entire process. I was making music to self-soothe. I had synth loops going while I walked around my apartment, forming my own daily soundtrack.”\u003cbr\u003e\u003cbr\u003eMia Gargaret documents Gia Margaret’s self-healing. Album opener “apathy” includes an excerpt from her actual vocal therapy exercises. “body” samples a lecture from British philosopher Alan Watts, a continuous source of comfort \u0026amp; perspective for Gia in times of confusion. (Permission to use the sample was personally granted by Mark Watts, son of the late lecturer, in exchange for the use of “body” in his documentary film about his father.) Other tracks feature the sounds of footsteps, church bells, crackling fires, lake waves \u0026amp; other field recordings from Gia’s day-to-day.\u003cbr\u003e\u003cbr\u003e“I wanted to capture the feeling of a truly strange time in my life, even though I would prefer to forget it altogether. This process helped me understand something about myself, \u0026amp; hopefully it can help others, too.”\u003cbr\u003e\u003cbr\u003eMia Gargaret ends with “lesson,” the album’s only track to feature Gia’s singing voice. The short song teases at what we can expect from the next Gia Margaret album, a return to more traditional forms of songwriting, due in 2021. In the meantime, Mia Gargaret stands as a gorgeous experiment \u0026amp; a memorable meditation on the healing power of music.\u003cbr\u003e\u003cbr\u003eMia Gargaret was composed, performed \u0026amp; recorded at home by Gia Margaret during the summer \u0026amp; fall of 2019, with guest performances by Emily Cross (clarinet on “ash”), Stephen Steinbrink (vocals, organ \u0026amp; guitar on “lesson”) \u0026amp; There’s Always Glimmer collaborator Doug Saltzman (electronic drum production to on “body” \u0026amp; “lesson”).\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gia Margaret\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Records諸作を入荷しました。 本作は、同国シカゴのインディーフォーク作家Gia Margaretが、病気のため歌うことができなかった期間に制作し、2020年にリリースしたアルバムです。 ドリーミーなアンビエント・フォーク〜アンビエント11曲を収録。DLコード付属。クリアグリーン盤です。 最新作もオススメです。 以下、作家本人とレーベルによる解説です。 "「病気でツアーをキャンセルした後、私は1年の半分近く歌うことができませんでした。そのため、自分の殻に閉じこもっているような気分になり、慰めを求めてシンセサイザーに頼りました。これらの作曲は、音楽制作者としてのアイデンティティを持ち続けるのに役立ちました。時にはこの音楽が、セラピーや他のどんなものよりも私の不安を和らげてくれました。」歌や歌詞に焦点を奪われることなく、Mia Gargaretのインストゥルメンタル・トラックは、Gia Margaretのミュージシャン、作曲家、プロデューサーとしてのスキルに光を当てています。シンセサイザー、ピアノ、アコースティック・ギターによる控えめだが没入感のあるアレンジは、同時に痛みや癒しを与え、まるで車窓の風景のように感情の風景を作り上げます。「希望に満ちたサウンドを作りたかったのです。私は自分を癒すために音楽を作っていました。アパートの中を歩き回りながらシンセのループをかけ、自分自身の毎日のサウンドトラックを形成していました。」Mia GargaretはGia Margaretの自己治癒を記録しています。アルバムのオープニングを飾るapathyには、彼女が実際に行ったボーカル・セラピーのエクササイズからの抜粋が含まれています。bodyではイギリスの哲学者アラン・ワッツの講義をサンプリングしています。(このサンプルの使用は、故講師の息子であるマーク・ワッツが、父親についてのドキュメンタリー映画で "body "を使用することと引き換えに、個人的に許可したものである）。他のトラックには、足音、教会の鐘の音、パチパチと燃える焚き火の音、湖の波の音など、Giaの日々のフィールドレコーディングが使われていいます。「人生の中で本当に不思議な時間を過ごした時の感覚を、完全に忘れてしまいたいと思いながらも捉えたかったのです。このプロセスは、自分自身について何かを理解するのに役立ちました。」Mia...
¥3,990
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{"id":7989963817210,"title":"Young Moon \/\/ Triggered by Sunsets LP","handle":"young-moon-triggered-by-sunsets-lp","description":"\u003cp\u003eニュージーランド・アオテアロアのベッドルームポップ作家Young Moonが、2023年6月にアメリカ・シカゴのインディーレーベルOrindal Recordからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・ドリームポップ〜シューゲイズ・ポップ11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2643174189\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cspan\u003e12\" black 160g vinyl.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e11 tracks, 38 minutes. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Matt Hellriegel via Orindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e'On Triggered By Sunsets, the exquisite third LP from Bay Area expat Young Moon, small affirmations hit like weather events. Songs burn like generational amulets. Mercy opens the window to let a little air in.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAt the end of 2019, following the suicide of a treasured friend, Young Moon’s Trevor Montgomery packed up his life in San Francisco and shifted halfway around the globe to Nelson, New Zealand. He arrived in his new home – a seaside town, known for its galleries and good weather – just as the global pandemic took hold. Without a close community to moor himself to, Montgomery dove into work; he began renting an empty masonic temple, built a recording studio inside, and tore into a fresh batch of songs.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePerhaps accordingly, Triggered By Sunsets plays like the optimistic closing of a rough chapter. Opener, “Dance Yer Sadness”, sets dayglow synths and buoyant instrumentation against Montgomery’s tender and wary baritone. “Paint your world late at night, any colour you want is right” he offers over gold-hued drum machine whoomph. It’s a song about dark spells in the hinterland and the art of falling back in love with life, and, while much of the material here deals with interpersonal relationships (saved\/severed, take your pick) Triggered By Sunsets feels primarily like an ode to the wonders\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e of the natural world. Across these eleven tracks Montgomery’s love of bargain bin new-age music, of breath work and big sky thinking, collide with his dogeared pop sensibilities. “Deep Ecology” shares a sonic footprint with The Cure’s 1989 mood- suite Disintegration, but where that album found seduction in the dank underworld, “Deep Ecology” shines a light out of the abyss. The album’s two instrumental cuts, “The Practice Of Repeating” and “Supposed Dreamer”, gleam like pale-blue glaciers on a cold, clear night; their cosmic themes displaying perfectly the illuminating production throughout. But Montgomery’s true power has always been in his radical vulnerability, and once again he’s turned his own heart inside- out, luminescent as it is.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Young Moon\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2023-06-28T18:30:19+09:00","created_at":"2023-06-28T14:47:15+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","orindal"],"price":348000,"price_min":348000,"price_max":348000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44302438498554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Young Moon \/\/ Triggered by Sunsets LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/moo1_1b85beb9-5c8f-4d50-8a9b-5343e2b30760.jpg?v=1687931237","\/\/tobirarecords.com\/cdn\/shop\/files\/moo2_745010af-2f66-4a73-abfa-9d4dd312ecb0.jpg?v=1687931237"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/moo1_1b85beb9-5c8f-4d50-8a9b-5343e2b30760.jpg?v=1687931237","options":["Title"],"media":[{"alt":null,"id":32163504226554,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moo1_1b85beb9-5c8f-4d50-8a9b-5343e2b30760.jpg?v=1687931237"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moo1_1b85beb9-5c8f-4d50-8a9b-5343e2b30760.jpg?v=1687931237","width":700},{"alt":null,"id":32163504259322,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moo2_745010af-2f66-4a73-abfa-9d4dd312ecb0.jpg?v=1687931237"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moo2_745010af-2f66-4a73-abfa-9d4dd312ecb0.jpg?v=1687931237","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eニュージーランド・アオテアロアのベッドルームポップ作家Young Moonが、2023年6月にアメリカ・シカゴのインディーレーベルOrindal Recordからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・ドリームポップ〜シューゲイズ・ポップ11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2643174189\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cspan\u003e12\" black 160g vinyl.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e11 tracks, 38 minutes. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Matt Hellriegel via Orindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e'On Triggered By Sunsets, the exquisite third LP from Bay Area expat Young Moon, small affirmations hit like weather events. Songs burn like generational amulets. Mercy opens the window to let a little air in.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAt the end of 2019, following the suicide of a treasured friend, Young Moon’s Trevor Montgomery packed up his life in San Francisco and shifted halfway around the globe to Nelson, New Zealand. He arrived in his new home – a seaside town, known for its galleries and good weather – just as the global pandemic took hold. Without a close community to moor himself to, Montgomery dove into work; he began renting an empty masonic temple, built a recording studio inside, and tore into a fresh batch of songs.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePerhaps accordingly, Triggered By Sunsets plays like the optimistic closing of a rough chapter. Opener, “Dance Yer Sadness”, sets dayglow synths and buoyant instrumentation against Montgomery’s tender and wary baritone. “Paint your world late at night, any colour you want is right” he offers over gold-hued drum machine whoomph. It’s a song about dark spells in the hinterland and the art of falling back in love with life, and, while much of the material here deals with interpersonal relationships (saved\/severed, take your pick) Triggered By Sunsets feels primarily like an ode to the wonders\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e of the natural world. Across these eleven tracks Montgomery’s love of bargain bin new-age music, of breath work and big sky thinking, collide with his dogeared pop sensibilities. “Deep Ecology” shares a sonic footprint with The Cure’s 1989 mood- suite Disintegration, but where that album found seduction in the dank underworld, “Deep Ecology” shines a light out of the abyss. The album’s two instrumental cuts, “The Practice Of Repeating” and “Supposed Dreamer”, gleam like pale-blue glaciers on a cold, clear night; their cosmic themes displaying perfectly the illuminating production throughout. But Montgomery’s true power has always been in his radical vulnerability, and once again he’s turned his own heart inside- out, luminescent as it is.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Young Moon\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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¥3,480
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{"id":7903848792314,"title":"Orindal Records CAP","handle":"orindal-records-cap","description":"\u003cp\u003eアメリカ・シカゴのインディーレーベルOrindal Recordsの綿100%黒色キャップです。\u003c\/p\u003e\n\u003cp\u003eサイズ調整可能です。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack, 100% cotton, 6-panel, unstructured ball caps with the Orindal banner embroidered in white \u0026amp; black across the front. Adjustable velcro closure.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2023-01-23T12:27:42+09:00","created_at":"2023-01-23T11:38:26+09:00","vendor":"Tobira Records","type":"","tags":["ambient","books \/ clothing \/ others","folk \/ left-field pop","orindal"],"price":419000,"price_min":419000,"price_max":419000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43929198362874,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Orindal Records CAP","public_title":null,"options":["Default Title"],"price":419000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/or1_86b43f92-0e13-4024-8f28-307334cd6af7.jpg?v=1754011296"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/or1_86b43f92-0e13-4024-8f28-307334cd6af7.jpg?v=1754011296","options":["Title"],"media":[{"alt":null,"id":31420828287226,"position":1,"preview_image":{"aspect_ratio":1.0,"height":300,"width":300,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/or1_86b43f92-0e13-4024-8f28-307334cd6af7.jpg?v=1754011296"},"aspect_ratio":1.0,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/or1_86b43f92-0e13-4024-8f28-307334cd6af7.jpg?v=1754011296","width":300}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーレーベルOrindal Recordsの綿100%黒色キャップです。\u003c\/p\u003e\n\u003cp\u003eサイズ調整可能です。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack, 100% cotton, 6-panel, unstructured ball caps with the Orindal banner embroidered in white \u0026amp; black across the front. Adjustable velcro closure.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーレーベルOrindal Recordsの綿100%黒色キャップです。 サイズ調整可能です。 Black, 100% cotton, 6-panel, unstructured ball caps with the Orindal...
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{"id":7647779160314,"title":"Karima Walker \/\/ demos TAPE","handle":"karima-walker-demos-tape","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国アリゾナのシンガーソングライター作家Karima Walkerが、2022年4月に150本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアコースティックギターと声をメインソースとした素朴なベッドルームフォーク〜コラージュ8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=351251647\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e8 tracks, 22 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOrindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"On demos, Tucson, AZ singer, songwriter \u0026amp; sound designer Karima Walker shares early, home-recorded versions of songs from her critically acclaimed 2021 folk\/ambient album Waking the Dreaming Body, alongside illuminating sketches and ambient pieces. The demo versions of “Softer,” “Window I” and “Reconstellated” feature alternate lyrics and intimate acoustic arrangements that highlight the power of Walker’s voice and musicianship, while ambient pieces like \"thunder interlude\" and \"earth into air\" plumb deeper depths of tension.\"\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I first notice how vulnerable it feels, to hear certain lyrics sticking out, different from the words that finally stuck. But I do like returning to these songs, remembering why words shifted and settled as the songs took shape, and remembering that so many of these did not appear as immediately apparent and whole.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003eThey’re a lot more like my everyday life, revealing itself in time, while I try to let things register in my body... Then I go back in and push things around and figure out what I’m doing… Others are knit together from other projects, pieces and fragments that inspired the emotional timbre of the record, and in some cases were woven directly into it. Some here did appear complete and whole\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e, but I either forgot about them, lost them or saw them as outliers. Either way, I like how the pieces hang together as a simpler account of the time from which the record finally came, and I hope you do too.” \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Karima Walker\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2022-06-21T14:51:44+09:00","created_at":"2022-06-20T14:45:56+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","orindal","tape"],"price":175000,"price_min":175000,"price_max":175000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42897154277626,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Karima Walker \/\/ demos TAPE","public_title":null,"options":["Default Title"],"price":175000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/de1_efe9a456-a915-49ba-be3f-3585c79deef2.jpg?v=1655703958","\/\/tobirarecords.com\/cdn\/shop\/products\/de2_15e391ef-fea0-434f-9e11-fc2b0c06fc5f.jpg?v=1655703958"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_efe9a456-a915-49ba-be3f-3585c79deef2.jpg?v=1655703958","options":["Title"],"media":[{"alt":null,"id":29933856686330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_efe9a456-a915-49ba-be3f-3585c79deef2.jpg?v=1655703958"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_efe9a456-a915-49ba-be3f-3585c79deef2.jpg?v=1655703958","width":700},{"alt":null,"id":29933856719098,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_15e391ef-fea0-434f-9e11-fc2b0c06fc5f.jpg?v=1655703958"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_15e391ef-fea0-434f-9e11-fc2b0c06fc5f.jpg?v=1655703958","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国アリゾナのシンガーソングライター作家Karima Walkerが、2022年4月に150本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアコースティックギターと声をメインソースとした素朴なベッドルームフォーク〜コラージュ8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=351251647\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e8 tracks, 22 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOrindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"On demos, Tucson, AZ singer, songwriter \u0026amp; sound designer Karima Walker shares early, home-recorded versions of songs from her critically acclaimed 2021 folk\/ambient album Waking the Dreaming Body, alongside illuminating sketches and ambient pieces. The demo versions of “Softer,” “Window I” and “Reconstellated” feature alternate lyrics and intimate acoustic arrangements that highlight the power of Walker’s voice and musicianship, while ambient pieces like \"thunder interlude\" and \"earth into air\" plumb deeper depths of tension.\"\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I first notice how vulnerable it feels, to hear certain lyrics sticking out, different from the words that finally stuck. But I do like returning to these songs, remembering why words shifted and settled as the songs took shape, and remembering that so many of these did not appear as immediately apparent and whole.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003eThey’re a lot more like my everyday life, revealing itself in time, while I try to let things register in my body... Then I go back in and push things around and figure out what I’m doing… Others are knit together from other projects, pieces and fragments that inspired the emotional timbre of the record, and in some cases were woven directly into it. Some here did appear complete and whole\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e, but I either forgot about them, lost them or saw them as outliers. Either way, I like how the pieces hang together as a simpler account of the time from which the record finally came, and I hope you do too.” \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Karima Walker\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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クイックビュー
{"id":7647755632890,"title":"Advance Base \/\/ Live at Home LP \/ CD","handle":"advance-base-live-at-home-lp","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、レーベルオーナーAdvance Baseが、2020年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e自宅で行ったライブの録音盤です。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2037460498\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eLP edition of 500. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePackage includes Risograph-printed 11x11 lyric sheet insert. \u003cbr\u003eCD edition of 300.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e12 tracks, 43 minutes.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003eOwen Ashworth:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"The last Advance Base show in front of a live audience was in Portland, Oregon on March 11, 2020, four days into a west coast tour with Claire Cronin \u0026amp; Ruth Garbus. The following day, the COVID-19 pandemic overwhelmed the public consciousness, my professional life as a touring musician ended, \u0026amp; I began the long drive back home to Oak Park, Illinois, where I’ve sheltered in place with my wife \u0026amp; kids ever since. Occasionally, I’ve broadcast live sets over the internet from my basement rehearsal space as a means to keep myself in practice \u0026amp; to maintain a connection to the outside world. The songs on this album were collected from those livestream broadcasts. I've included three songs from each of the three Advance Base “studio” albums, plus three songs from my former music project, Casiotone for the Painfully Alone. I don’t know if or when I’ll be able to tour again, but I’m grateful to have these live versions recorded as a document of what an Advance Base show sounded like in 2020. Thanks for listening.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOwen Ashworth- pianos, synthesizers, samplers, sequencers, drum loops \u0026amp; singing\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eAll songs performed \u0026amp; mixed live at home for various livestream concert broadcasts between April \u0026amp; July 2020\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Advance Base\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2022-06-22T16:55:56+09:00","created_at":"2022-06-20T14:20:37+09:00","vendor":"Tobira Records","type":"","tags":["cd","folk \/ left-field pop","lp","orindal"],"price":188000,"price_min":188000,"price_max":328000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42897064198394,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37358507360506,"product_id":7647755632890,"position":2,"created_at":"2022-06-20T14:20:38+09:00","updated_at":"2022-06-20T14:20:39+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho2_13d9b953-e8a9-4437-b00d-e5fb762b6aee.jpg?v=1655702439","variant_ids":[42897064198394]},"available":true,"name":"Advance Base \/\/ Live at Home LP \/ CD - LP","public_title":"LP","options":["LP"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":29933788365050,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho2_13d9b953-e8a9-4437-b00d-e5fb762b6aee.jpg?v=1655702439"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":42897064165626,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37358507294970,"product_id":7647755632890,"position":4,"created_at":"2022-06-20T14:20:38+09:00","updated_at":"2022-06-20T14:20:39+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho4_ac01f9dd-d5e9-47ef-861b-688e3b06c256.jpg?v=1655702439","variant_ids":[42897064165626]},"available":false,"name":"Advance Base \/\/ Live at Home LP \/ CD - CD","public_title":"CD","options":["CD"],"price":188000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":29933788430586,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho4_ac01f9dd-d5e9-47ef-861b-688e3b06c256.jpg?v=1655702439"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_cd1f6297-11df-480a-a00a-ca9a22e6f2ad.jpg?v=1655702439","\/\/tobirarecords.com\/cdn\/shop\/products\/ho2_13d9b953-e8a9-4437-b00d-e5fb762b6aee.jpg?v=1655702439","\/\/tobirarecords.com\/cdn\/shop\/products\/ho3_951f7f18-bd37-47f4-81dc-376689e1263c.jpg?v=1655702440","\/\/tobirarecords.com\/cdn\/shop\/products\/ho4_ac01f9dd-d5e9-47ef-861b-688e3b06c256.jpg?v=1655702439"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_cd1f6297-11df-480a-a00a-ca9a22e6f2ad.jpg?v=1655702439","options":["format"],"media":[{"alt":null,"id":29933788332282,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_cd1f6297-11df-480a-a00a-ca9a22e6f2ad.jpg?v=1655702439"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_cd1f6297-11df-480a-a00a-ca9a22e6f2ad.jpg?v=1655702439","width":700},{"alt":null,"id":29933788365050,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho2_13d9b953-e8a9-4437-b00d-e5fb762b6aee.jpg?v=1655702439"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho2_13d9b953-e8a9-4437-b00d-e5fb762b6aee.jpg?v=1655702439","width":1200},{"alt":null,"id":29933788397818,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho3_951f7f18-bd37-47f4-81dc-376689e1263c.jpg?v=1655702440"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho3_951f7f18-bd37-47f4-81dc-376689e1263c.jpg?v=1655702440","width":1200},{"alt":null,"id":29933788430586,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho4_ac01f9dd-d5e9-47ef-861b-688e3b06c256.jpg?v=1655702439"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho4_ac01f9dd-d5e9-47ef-861b-688e3b06c256.jpg?v=1655702439","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、レーベルオーナーAdvance Baseが、2020年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e自宅で行ったライブの録音盤です。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2037460498\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eLP edition of 500. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePackage includes Risograph-printed 11x11 lyric sheet insert. \u003cbr\u003eCD edition of 300.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e12 tracks, 43 minutes.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003eOwen Ashworth:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"The last Advance Base show in front of a live audience was in Portland, Oregon on March 11, 2020, four days into a west coast tour with Claire Cronin \u0026amp; Ruth Garbus. The following day, the COVID-19 pandemic overwhelmed the public consciousness, my professional life as a touring musician ended, \u0026amp; I began the long drive back home to Oak Park, Illinois, where I’ve sheltered in place with my wife \u0026amp; kids ever since. Occasionally, I’ve broadcast live sets over the internet from my basement rehearsal space as a means to keep myself in practice \u0026amp; to maintain a connection to the outside world. The songs on this album were collected from those livestream broadcasts. I've included three songs from each of the three Advance Base “studio” albums, plus three songs from my former music project, Casiotone for the Painfully Alone. I don’t know if or when I’ll be able to tour again, but I’m grateful to have these live versions recorded as a document of what an Advance Base show sounded like in 2020. Thanks for listening.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOwen Ashworth- pianos, synthesizers, samplers, sequencers, drum loops \u0026amp; singing\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eAll songs performed \u0026amp; mixed live at home for various livestream concert broadcasts between April \u0026amp; July 2020\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Advance Base\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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¥1,880
クイックビュー
{"id":7647754289402,"title":"Matt Bachmann \/\/ Dream Logic LP","handle":"matt-bachmann-dream-logic-lp","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、NYのベッドルームポップ作家Matt Bachmannが、2021年6月に300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e針を落とした瞬間にマイナスイオンが部屋中に充満するインディーポップ〜清涼アンビエント11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e実験レーベルReading Group主宰Derek Baronも参加しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=916543100\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. Includes DL code.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e11 tracks, 39 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by Orindal Records:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIn a modest home studio in Brooklyn, Matt is soundtracking memories. Swelling guitars and layers of synthesizers fill the room, searching for a recreation of exactly how the feelings once felt. With the twist of a knob, he finds it. “Fuck yeah,” he mutters to himself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDream Logic is Matt Bachmann’s newest album— a hypnotic blend of teary ambient-pop songs and cinematic instrumentals. Its 11 tracks stretch and experiment with genre while holding true to a natural flow. Fans of Bachmann’s last two (and vastly different) Orindal releases— Walking Preference (2019) and Unconditional Love (2018)—will appreciate the way Dream Logic manages to expand on both. “Up until this record, I had carefully contained my musical styles into neat collections— recording songwriting material under the moniker ‘Big Eater,’ recording jazz-oriented instrumental music under the moniker ‘Pachanga,’ and recording repetitive melodic drone music under my own name,” says Bachmann. “The guiding principle behind Dream Logic was to integrate these modalities of music making, allowing whatever was going to come out to come out, and not worry if it made sense.” The album was recorded mostly alone, with Bachmann shaping sounds with guitar pedals or his cassette console’s Varispeed functions, slowing down or speeding up tracks to interesting results. Influenced by his years playing bass and recording with Mega Bog, Bachmann enlisted a large cast of players to fill out the record with decorative charms. Kyle Boston (Guitar) and Brady Custis (Production\/Guitar) helped lay the foundation for Dream Logic’s textual roux before Boggers Derek Baron (Drums), Will Murdoch (Synths), James Krivchenia (Percussion), and others added their signature spices to the sonic cauldron.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMatt is sprawled on his back, fully clothed, on top of the sheets of his bed. Light beams streaming through the window highlight the hovering dust particles. A looping instrumental track plays from an iPhone speaker placed right beside Matt’s left ear. His body trembles a bit as he tries to minimize resistance on the brain to mouth highway, singing any image that comes to mind: a park bench, the 1997 NBA slam dunk competition, a cardamom seed, a bug bite. He scribbles these last two in a notebook.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eThough lyrically sparse, Bachmann makes what is uttered on Dream Logic count. His sad reflections and hazy rearview images indirectly illuminate some of the more difficult moments from his life— in particular, the loss of his father in 2013 to Lou Gehrig’s disease. The exuberant, vibraphone-heavy single “Apple Pie” is a tribute to his father’s baking hobby that he continued even as his mind began to deteriorate; “My Dad and His Boat” references a story repeatedly told by Bachmann’s grandmother that may or may not have been colored by her growing dementia. Each of these memories is presented as a fragment from some subconscious association, causing a muscle to tense up before flying away as quickly as it came. All are mindfully followed by the space to reflect—or zone out—as one sees fit.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matt Bachmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2022-06-20T14:26:55+09:00","created_at":"2022-06-20T14:18:44+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","jazz","lp","orindal"],"price":378000,"price_min":378000,"price_max":378000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42897050927354,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Matt Bachmann \/\/ Dream Logic LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_5fe4af83-dfb8-439f-82f9-b881ec72f204.jpg?v=1655702326","\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_519cf5d2-1d51-4b86-bed2-801b879d1fdd.jpg?v=1655702326"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_5fe4af83-dfb8-439f-82f9-b881ec72f204.jpg?v=1655702326","options":["Title"],"media":[{"alt":null,"id":29933782040826,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_5fe4af83-dfb8-439f-82f9-b881ec72f204.jpg?v=1655702326"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_5fe4af83-dfb8-439f-82f9-b881ec72f204.jpg?v=1655702326","width":700},{"alt":null,"id":29933782073594,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_519cf5d2-1d51-4b86-bed2-801b879d1fdd.jpg?v=1655702326"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_519cf5d2-1d51-4b86-bed2-801b879d1fdd.jpg?v=1655702326","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、NYのベッドルームポップ作家Matt Bachmannが、2021年6月に300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e針を落とした瞬間にマイナスイオンが部屋中に充満するインディーポップ〜清涼アンビエント11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e実験レーベルReading Group主宰Derek Baronも参加しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=916543100\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. Includes DL code.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e11 tracks, 39 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by Orindal Records:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIn a modest home studio in Brooklyn, Matt is soundtracking memories. Swelling guitars and layers of synthesizers fill the room, searching for a recreation of exactly how the feelings once felt. With the twist of a knob, he finds it. “Fuck yeah,” he mutters to himself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDream Logic is Matt Bachmann’s newest album— a hypnotic blend of teary ambient-pop songs and cinematic instrumentals. Its 11 tracks stretch and experiment with genre while holding true to a natural flow. Fans of Bachmann’s last two (and vastly different) Orindal releases— Walking Preference (2019) and Unconditional Love (2018)—will appreciate the way Dream Logic manages to expand on both. “Up until this record, I had carefully contained my musical styles into neat collections— recording songwriting material under the moniker ‘Big Eater,’ recording jazz-oriented instrumental music under the moniker ‘Pachanga,’ and recording repetitive melodic drone music under my own name,” says Bachmann. “The guiding principle behind Dream Logic was to integrate these modalities of music making, allowing whatever was going to come out to come out, and not worry if it made sense.” The album was recorded mostly alone, with Bachmann shaping sounds with guitar pedals or his cassette console’s Varispeed functions, slowing down or speeding up tracks to interesting results. Influenced by his years playing bass and recording with Mega Bog, Bachmann enlisted a large cast of players to fill out the record with decorative charms. Kyle Boston (Guitar) and Brady Custis (Production\/Guitar) helped lay the foundation for Dream Logic’s textual roux before Boggers Derek Baron (Drums), Will Murdoch (Synths), James Krivchenia (Percussion), and others added their signature spices to the sonic cauldron.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMatt is sprawled on his back, fully clothed, on top of the sheets of his bed. Light beams streaming through the window highlight the hovering dust particles. A looping instrumental track plays from an iPhone speaker placed right beside Matt’s left ear. His body trembles a bit as he tries to minimize resistance on the brain to mouth highway, singing any image that comes to mind: a park bench, the 1997 NBA slam dunk competition, a cardamom seed, a bug bite. He scribbles these last two in a notebook.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eThough lyrically sparse, Bachmann makes what is uttered on Dream Logic count. His sad reflections and hazy rearview images indirectly illuminate some of the more difficult moments from his life— in particular, the loss of his father in 2013 to Lou Gehrig’s disease. The exuberant, vibraphone-heavy single “Apple Pie” is a tribute to his father’s baking hobby that he continued even as his mind began to deteriorate; “My Dad and His Boat” references a story repeatedly told by Bachmann’s grandmother that may or may not have been colored by her growing dementia. Each of these memories is presented as a fragment from some subconscious association, causing a muscle to tense up before flying away as quickly as it came. All are mindfully followed by the space to reflect—or zone out—as one sees fit.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matt Bachmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。 本作は、NYのベッドルームポップ作家Matt Bachmannが、2021年6月に300部限定でリリースしたレコードです。 針を落とした瞬間にマイナスイオンが部屋中に充満するインディーポップ〜清涼アンビエント11曲を収録。DLコード付属。 実験レーベルReading Group主宰Derek Baronも参加しています。 レーベルその他作品はこちら /// Click here to see more Orindal Records...
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{"id":7647741608186,"title":"Boduf Songs \/\/ Abyss Versions LP","handle":"boduf-songs-abyss-versions-lp","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国オハイオのスローコア作家Boduf Songsが、2019年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e物悲しいスローコア8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2231423272\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200 'abyss black' vinyl. \u003c\/p\u003e\n\u003cp\u003eText by Orindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBoduf Songs’ seventh album and first on Orindal Records marks the Ohio-via-Southampton home recording project’s most detailed production yet, voyaging into deeper recesses than ever before. Abyss Versions will see the light of day on October 4, 2019.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMat Sweet, the solitary figure behind Boduf Songs, has spent the better part of fifteen years cultivating an idiosyncratic strain of quiet menace, augmenting library-hushed vocals and brooding guitars with psychedelic flourishes from processed loops, field recordings, and distant, subliminal atmospheres.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSubtly acknowledging Boduf Songs’ beginnings, Abyss Versions echoes motifs from the first Boduf Songs album (2005’s Boduf Songs on Kranky Records), forming its own secret, circular path, encapsulating the journey from there to here. Sweet’s background in doom metal still seeps into the quiet, pensive world of Boduf Songs via mood and tone, balanced by shades of the fingerpicking mysticism of his first four albums. As always, the music of Boduf Songs is steeped in a palpable sense of darkness and dread, offset by a gorgeous and discreet sonic beauty. There is much prettiness here, albeit within an inescapably unsettling frame.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThroughout the album, sonorous melodies mix with the\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e grind of drum machines, esoteric bleeps and bloops, and reversed tape experiments, all in counterpoint to the morphine-addled guitar and grimdark velvet vocals. There are haunting, dreamlike elements, the aching time\/no-time uncanny sad-charms of some far off Gene Vincent\/Chet Baker number never recorded from an alternate Lynchian universe. Sounds emerge into the light then fade back into the darkness as repetition and hypnotic drone play against the movement. Forward and upward, we move without moving.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhilst a different beast, Abyss Versions eight tracks retain Boduf Songs’ trademark austere minimalism: “Black Nails” is comprised almost entirely of only the patient, painstaking thrum of hard-panned guitar and vocals, until cavernous cosmic reverberations bring balance, then rise into a soft crescendo with piano and cymbal swells.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Unseen Forces and How to Use Them” employs an ancient drum machine as heartbeat, over which a delicate falsetto chorus rises to incant “Black holes, glass jaws, everywhere we go, streetlights, lost roads, everywhere we go” before surrendering to an insistent riff; crisp and clean, which could easily be repurposed as a doom anthem.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe bass in “Behold, I Have Graven Thee Upon The Palms of My Hands; Thy Walls Are Continually Before Me” thuds along, as a lonesome artificial voice crackles out through arcane burps in a electronic ritual that might just summon something out of the ether.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAbyss Versions is full of love, and the expanse of things outside of us, the slow, elegiac stir of echoes, the mixed blessing of memory, the sensation of rot and longing. A letting go. A refusal to let go. The static that carries you off, the swell of feeling that is delicately tuned away, the whisper of consciousness, snuffed gently out. An opium dream, curling smoke spiraling into the blackness of a dimmed room's ceiling, meditations on mortality and the void for those who travel by night.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Boduf Songs\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2022-06-23T07:59:32+09:00","created_at":"2022-06-20T13:50:53+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","orindal"],"price":289000,"price_min":289000,"price_max":289000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42897008263418,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Boduf Songs \/\/ Abyss Versions LP","public_title":null,"options":["Default Title"],"price":289000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ab1_ba41e603-b11d-46b0-8d51-481465b659bf.jpg?v=1655700654","\/\/tobirarecords.com\/cdn\/shop\/products\/ab2_3039e745-5aed-41c1-babe-02fefff75985.jpg?v=1655700654"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ab1_ba41e603-b11d-46b0-8d51-481465b659bf.jpg?v=1655700654","options":["Title"],"media":[{"alt":null,"id":29933747273978,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ab1_ba41e603-b11d-46b0-8d51-481465b659bf.jpg?v=1655700654"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ab1_ba41e603-b11d-46b0-8d51-481465b659bf.jpg?v=1655700654","width":700},{"alt":null,"id":29933747306746,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ab2_3039e745-5aed-41c1-babe-02fefff75985.jpg?v=1655700654"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ab2_3039e745-5aed-41c1-babe-02fefff75985.jpg?v=1655700654","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国オハイオのスローコア作家Boduf Songsが、2019年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e物悲しいスローコア8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2231423272\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200 'abyss black' vinyl. \u003c\/p\u003e\n\u003cp\u003eText by Orindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBoduf Songs’ seventh album and first on Orindal Records marks the Ohio-via-Southampton home recording project’s most detailed production yet, voyaging into deeper recesses than ever before. Abyss Versions will see the light of day on October 4, 2019.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMat Sweet, the solitary figure behind Boduf Songs, has spent the better part of fifteen years cultivating an idiosyncratic strain of quiet menace, augmenting library-hushed vocals and brooding guitars with psychedelic flourishes from processed loops, field recordings, and distant, subliminal atmospheres.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSubtly acknowledging Boduf Songs’ beginnings, Abyss Versions echoes motifs from the first Boduf Songs album (2005’s Boduf Songs on Kranky Records), forming its own secret, circular path, encapsulating the journey from there to here. Sweet’s background in doom metal still seeps into the quiet, pensive world of Boduf Songs via mood and tone, balanced by shades of the fingerpicking mysticism of his first four albums. As always, the music of Boduf Songs is steeped in a palpable sense of darkness and dread, offset by a gorgeous and discreet sonic beauty. There is much prettiness here, albeit within an inescapably unsettling frame.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThroughout the album, sonorous melodies mix with the\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e grind of drum machines, esoteric bleeps and bloops, and reversed tape experiments, all in counterpoint to the morphine-addled guitar and grimdark velvet vocals. There are haunting, dreamlike elements, the aching time\/no-time uncanny sad-charms of some far off Gene Vincent\/Chet Baker number never recorded from an alternate Lynchian universe. Sounds emerge into the light then fade back into the darkness as repetition and hypnotic drone play against the movement. Forward and upward, we move without moving.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhilst a different beast, Abyss Versions eight tracks retain Boduf Songs’ trademark austere minimalism: “Black Nails” is comprised almost entirely of only the patient, painstaking thrum of hard-panned guitar and vocals, until cavernous cosmic reverberations bring balance, then rise into a soft crescendo with piano and cymbal swells.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Unseen Forces and How to Use Them” employs an ancient drum machine as heartbeat, over which a delicate falsetto chorus rises to incant “Black holes, glass jaws, everywhere we go, streetlights, lost roads, everywhere we go” before surrendering to an insistent riff; crisp and clean, which could easily be repurposed as a doom anthem.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe bass in “Behold, I Have Graven Thee Upon The Palms of My Hands; Thy Walls Are Continually Before Me” thuds along, as a lonesome artificial voice crackles out through arcane burps in a electronic ritual that might just summon something out of the ether.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAbyss Versions is full of love, and the expanse of things outside of us, the slow, elegiac stir of echoes, the mixed blessing of memory, the sensation of rot and longing. A letting go. A refusal to let go. The static that carries you off, the swell of feeling that is delicately tuned away, the whisper of consciousness, snuffed gently out. An opium dream, curling smoke spiraling into the blackness of a dimmed room's ceiling, meditations on mortality and the void for those who travel by night.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Boduf Songs\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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{"id":7647251005690,"title":"Matt Bachmann \/\/ Unconditional Love TAPE","handle":"matt-bachmann-unconditional-love-tape","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、NYのベッドルームポップ作家Matt Bachmannが、2018年にリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eベッドルームポップ\u003c\/span\u003e10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e当店おなじみの実験レーベルReading Group主宰Derek Baronも参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3062771284\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePackage includes a full color, 4-panel j-card with original cover art by Vanessa Haddad.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOrindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMatt Bachmann (b. 1988, Chicago) is a musician\/composer\/songwriter based in New York. Maybe best known for his bass plucking in Mega Bog, the Seattle-New York-anywhere fresh music nest of Erin Birgy, Matt’s also spent time on the road with Hand Habits, Happy You, and iji.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn 2015, Matt released In Between on Help Yourself Records under the name Big Eater, the name under which much of Matt’s recorded and performed song-oriented music has been collected up until now. In 2016, Matt released Salt and Love Shape on his own label, Left Door Tapes, this time eschewing the song-writing moniker of Big Eater and releasing the albums under the name. These two 2016 albums show another side of Matt’s musical output: repetitive, patient drone music that explore unconventional, seemingly rootless harmonies. 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The steady, unhurried tarrying with these feelings pays off in the final part of the record, which opens up into the joyful positivity of the mutual support, the family ties, and the friendships with which we build our lives.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matt Bachmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2022-06-20T08:54:45+09:00","created_at":"2022-06-19T12:38:27+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","orindal","tape"],"price":149000,"price_min":149000,"price_max":149000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42894945845498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Matt Bachmann \/\/ Unconditional Love TAPE","public_title":null,"options":["Default Title"],"price":149000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_92d175cd-4387-499f-9d53-8fe79c1340c7.jpg?v=1655609909","\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_0b0cacec-a31b-4ac0-b57e-b406911485ac.jpg?v=1655609909"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_92d175cd-4387-499f-9d53-8fe79c1340c7.jpg?v=1655609909","options":["Title"],"media":[{"alt":null,"id":29930190766330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_92d175cd-4387-499f-9d53-8fe79c1340c7.jpg?v=1655609909"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_92d175cd-4387-499f-9d53-8fe79c1340c7.jpg?v=1655609909","width":700},{"alt":null,"id":29930190799098,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_0b0cacec-a31b-4ac0-b57e-b406911485ac.jpg?v=1655609909"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_0b0cacec-a31b-4ac0-b57e-b406911485ac.jpg?v=1655609909","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、NYのベッドルームポップ作家Matt Bachmannが、2018年にリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eベッドルームポップ\u003c\/span\u003e10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e当店おなじみの実験レーベルReading Group主宰Derek Baronも参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3062771284\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePackage includes a full color, 4-panel j-card with original cover art by Vanessa Haddad.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOrindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMatt Bachmann (b. 1988, Chicago) is a musician\/composer\/songwriter based in New York. 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