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{"id":8907059396858,"title":"Joan Shelley \/\/ Real Warmth LP","handle":"joan-shelley-real-warmth-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※12月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・ケンタッキーのカントリー作家Joan Shelleyが、2025年9月に同国フォークレーベルNo Quarterからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eオルタナ・カントリー13曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3828314234\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noqu\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noqu\"\u003ehere\u003c\/a\u003e to see more No Quarter releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Here in the High and Low\u003cbr\u003e2. On the Silver and Gold\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Field Guide to Wild Life\u003cbr\u003e\u003c\/span\u003e4. Wooden Boat\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. For When You Can't Sleep\u003cbr\u003e\u003c\/span\u003e6. Everybody 03:32\u003cbr\u003e7. New Anthem\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Heaven Knows\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Ever Entwine\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Give It Up, It's Too Much\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. The Orchard 04:12\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. Who Do You Want Checking in on You\u003cbr\u003e\u003c\/span\u003e13. The Hum\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eRyan Davis, July 2025 (via the label):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"[.\u003cem\u003e..]\u003cmeta charset=\"utf-8\"\u003eThere is a sense of fellowship, an unforced gentleness with which truly classic-feeling song (ie ‘On The Gold’) after truly classic-feeling song (ie ‘Everybody’) organically unfold and bloom into one another’s shared space throughout the sequence at a consistently low-boil. It’s both subjectively and objectively beautiful. But don’t get it twisted, people. This isn’t “Sunday afternoon at the ole towne fair” folk fodder for the cosplaying masses, and these certainly aren’t such sunshine-and-softball times. Sure, it’s summer now (as I write this) and I see a small child playing gleefully with her father and dog two yards over from the kitchen table at which I currently sit. But governments across her world are policy-making\/erasing her Earth’s biology into self-extinction (as I write this). Children are exploding (as I write this). This very music is not NOT about that…\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"But who belongs to rock and farm When bombing fast and loose\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eYou hear the ground below resound The cracking land abused\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe scene is sad Too sad to bear But of this world I sing\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe happy tune is spun around A world of fantasy...\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnd even at its most worn, weary, and real, Joan’s musical world is ultimately one of, if not fantasy, at least some sweetly enchanted version of what we know, who we are, where we’re from. I mentioned earlier that one can virtually feel the soil from which these songs are sprouting, as if the ground of them is running through my fingers as I lie on the floor in front of my stereo. And I know Joan no longer lives in Kentucky, and I know this album wasn’t recorded in Kentucky, and I know most of the contributors are not only not from Kentucky but are also not, in fact, American at all, but even still I’ll project; there’s something so profoundly of this place in the DNA of every note. If you squint your ears you can almost hear distant cicadas calling in the wet summer night-air, but this is surely not the only phantom sound swaying freely in the fields of “Real Warmth.” Doug Paisley’s kind and perfectly measured vocals arrive roughly halfway through the record on ‘New Anthem’ and stick around for one more on ‘Heaven Knows’ before he has to get going, as if Doug’s presence was just a visit from the ghost of an old friend. Canadian percussionist Philippe Melanson’s drums sound so effortlessly cool and uniquely “other” on these recordings that every now and then – again, if you squint your ears just right – they almost sound like a subtly mixed\/idiosyncratically programmed drum machine (Papa M’s “Live from a Shark Cage” or John Martyn’s “One World” both come to mind, for some reason), more phantoms. Real phantoms. Real people. More warmth...\"...\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joan Shelley\u003c\/p\u003e\n\u003cp\u003eLabel : No Quarter\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNOQ102lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-30T11:02:17+09:00","created_at":"2025-08-29T11:41:36+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","no quarter"],"price":358000,"price_min":358000,"price_max":358000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47666453872890,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joan Shelley \/\/ Real Warmth LP","public_title":null,"options":["Default Title"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"843563190210","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/joan1.jpg?v=1756435058","\/\/tobirarecords.com\/cdn\/shop\/files\/joan2.jpg?v=1756435058"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/joan1.jpg?v=1756435058","options":["Title"],"media":[{"alt":null,"id":36676896227578,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/joan1.jpg?v=1756435058"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/joan1.jpg?v=1756435058","width":700},{"alt":null,"id":36676896260346,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/joan2.jpg?v=1756435058"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/joan2.jpg?v=1756435058","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※12月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・ケンタッキーのカントリー作家Joan Shelleyが、2025年9月に同国フォークレーベルNo Quarterからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eオルタナ・カントリー13曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3828314234\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noqu\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noqu\"\u003ehere\u003c\/a\u003e to see more No Quarter releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Here in the High and Low\u003cbr\u003e2. On the Silver and Gold\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Field Guide to Wild Life\u003cbr\u003e\u003c\/span\u003e4. Wooden Boat\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. For When You Can't Sleep\u003cbr\u003e\u003c\/span\u003e6. Everybody 03:32\u003cbr\u003e7. New Anthem\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Heaven Knows\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Ever Entwine\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Give It Up, It's Too Much\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. The Orchard 04:12\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. Who Do You Want Checking in on You\u003cbr\u003e\u003c\/span\u003e13. The Hum\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eRyan Davis, July 2025 (via the label):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"[.\u003cem\u003e..]\u003cmeta charset=\"utf-8\"\u003eThere is a sense of fellowship, an unforced gentleness with which truly classic-feeling song (ie ‘On The Gold’) after truly classic-feeling song (ie ‘Everybody’) organically unfold and bloom into one another’s shared space throughout the sequence at a consistently low-boil. It’s both subjectively and objectively beautiful. But don’t get it twisted, people. This isn’t “Sunday afternoon at the ole towne fair” folk fodder for the cosplaying masses, and these certainly aren’t such sunshine-and-softball times. Sure, it’s summer now (as I write this) and I see a small child playing gleefully with her father and dog two yards over from the kitchen table at which I currently sit. But governments across her world are policy-making\/erasing her Earth’s biology into self-extinction (as I write this). Children are exploding (as I write this). This very music is not NOT about that…\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"But who belongs to rock and farm When bombing fast and loose\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eYou hear the ground below resound The cracking land abused\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe scene is sad Too sad to bear But of this world I sing\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe happy tune is spun around A world of fantasy...\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnd even at its most worn, weary, and real, Joan’s musical world is ultimately one of, if not fantasy, at least some sweetly enchanted version of what we know, who we are, where we’re from. I mentioned earlier that one can virtually feel the soil from which these songs are sprouting, as if the ground of them is running through my fingers as I lie on the floor in front of my stereo. And I know Joan no longer lives in Kentucky, and I know this album wasn’t recorded in Kentucky, and I know most of the contributors are not only not from Kentucky but are also not, in fact, American at all, but even still I’ll project; there’s something so profoundly of this place in the DNA of every note. If you squint your ears you can almost hear distant cicadas calling in the wet summer night-air, but this is surely not the only phantom sound swaying freely in the fields of “Real Warmth.” Doug Paisley’s kind and perfectly measured vocals arrive roughly halfway through the record on ‘New Anthem’ and stick around for one more on ‘Heaven Knows’ before he has to get going, as if Doug’s presence was just a visit from the ghost of an old friend. Canadian percussionist Philippe Melanson’s drums sound so effortlessly cool and uniquely “other” on these recordings that every now and then – again, if you squint your ears just right – they almost sound like a subtly mixed\/idiosyncratically programmed drum machine (Papa M’s “Live from a Shark Cage” or John Martyn’s “One World” both come to mind, for some reason), more phantoms. Real phantoms. Real people. More warmth...\"...\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joan Shelley\u003c\/p\u003e\n\u003cp\u003eLabel : No Quarter\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNOQ102lp\u003c\/span\u003e\u003c\/p\u003e"}
