Ruby Haunt // Between Heavens LP
Ruby Haunt // Between Heavens LP
¥5,280
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アメリカ・LAのドリームポップ〜スローコアデュオRuby Hauntの自主リリース諸作を入荷しました。
本作は、彼らが2023年9月に200部限定でリリースしたレコードです。
切なくエモーショナルなドリームポップ〜スローコア11曲を収録。DLコード付属。
アーティストその他作品はこちら /// Click here to see more releases from Ruby Haunt available at Tobira.
----------------------
Includes DL code. 12" black vinyl. Edition of 200.
Tracklist:
- Between Heavens 04:28
- Fallen Air 03:47
- Second Wind 01:46
- Nightjar 03:15
- Cold Front 03:12
- Rainbird 04:11
- Dizzy 03:28
- Ornament 03:40
- Dark Start 02:59
- Flood 04:19
- Carousel 03:50
Artist : Ruby Haunt
Label : Self-released
アメリカ・LAのドリームポップ〜スローコアデュオRuby Hauntの自主リリース諸作を入荷しました。
本作は、彼らが2023年9月に200部限定でリリースしたレコードです。
切なくエモーショナルなドリームポップ〜スローコア11曲を収録。DLコード付属。
アーティストその他作品はこちら /// Click here to see more releases from Ruby Haunt available at Tobira.
----------------------
Includes DL code. 12" black vinyl. Edition of 200.
Tracklist:
- Between Heavens 04:28
- Fallen Air 03:47
- Second Wind 01:46
- Nightjar 03:15
- Cold Front 03:12
- Rainbird 04:11
- Dizzy 03:28
- Ornament 03:40
- Dark Start 02:59
- Flood 04:19
- Carousel 03:50
Artist : Ruby Haunt
Label : Self-released
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イタリアのネオクラシカル作家Bruno Bavotaが、2025年9月にドイツのネオクラシカルレーベルOscarsonからリリースしたレコードです。 ピアノをメインソースにしたネオクラシカル・アンビエント12曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Oscarson releases available at Tobira. --------------------------------------- Includes...
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Angle of the Bowstring\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Seven Cane 04:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Zuyua\u003cbr\u003e\u003c\/span\u003e4. Auilix's Place 07:26\u003cbr\u003e5. Mirror Side\u003cbr\u003e6. Middle of the Plain\u003cbr\u003e7. Laughing Falcon\u003cbr\u003e8. Bearer, Begetter 04:47\u003cbr\u003e9. 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Angle of the Bowstring\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Seven Cane 04:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Zuyua\u003cbr\u003e\u003c\/span\u003e4. Auilix's Place 07:26\u003cbr\u003e5. Mirror Side\u003cbr\u003e6. Middle of the Plain\u003cbr\u003e7. Laughing Falcon\u003cbr\u003e8. Bearer, Begetter 04:47\u003cbr\u003e9. Lake-Sea\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLove All Day:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSecular Music Group returns to Love All Day with Volume Two, a long-playing and exceedingly strong follow-up which both condenses and expands the vision they began to lay out on last years acclaimed Volume One (recently reissued by Spanish label, 2 Headed Deer). Presenting a slightly rearranged cast of musicians, as guitarist Ted Morcaldi was unable to attend the sessions (but thankfully contributed a composition to the album), they were joined by multi-instrumentalist Will Berman (MGMT) stepping in as the fourth member of the ensemble, alongside Greg LaPine, Yannis Panos, and Chris Ruggiero. Recorded live to 4-track analog tape with exclusively 1970s-era technology over just three days in the studio, with a final track, “Lake-Sea”, laid down live at the beach near the home of member and lead audio-engineer, Ruggiero. You can hear the waves lapping at the shore in the background, the tidal motion of the water acting as the ‘conductor’ of the piece. The songs in general this time around are much more tightly structured, having somewhat abandoned the free-form minimalism of Volume One for a heavier emphasis on rhythm and melody. Piano is more foregrounded throughout, with a subtle and introspective sounding spiritual jazz element characterizing the horn arrangements. Still drawing\u003cspan class=\"bcTruncateMore\"\u003e influence from 1970s French and Italian library music, there’s also now a lilting and haunting folkloric quality that’s been introduced to the Secular Music Group sound world —the through line from the previous work being a highly intentional and thoughtfully interior approach to improvisation where the meticulous set-up of the studio and audio capture almost becomes a fifth member of the ensemble. As great as we find Volume One (and we find it very great indeed), by any measure Volume Two is a great leap, more immediate than its predecessor, more lived-in, the ideas more fully developed and flawlessly executed at every turn, where despite any 1970s touchstones and influences the end result feels both startlingly contemporary and timeless.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Secular Music Group\u003c\/p\u003e\n\u003cp\u003eLabel : Love All Day\u003c\/p\u003e\n\u003cp\u003ecat no : LAD 032\u003c\/p\u003e"}
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アメリカのジャズバンドSecular Music Groupが、2025年9月に同国Love All Dayからリリースしたレコードです。 スピリチュアル・ジャズ〜アンビエント・ジャズ9曲を収録。 ------------------------------------------------- 12" black vinyl. Tracklist: 1. Angle of...
¥4,950
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{"id":8950984114426,"title":"Weirs \/\/ Diamond Grove LP","handle":"weirs-diamond-grove-lp","description":"\u003cp\u003eアメリカ・ノースカロライナの実験フォークバンドWeirsが、2025年10月に同国フォークレーベルDeal Lifeからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eトラディショナル・フォーク〜アメリカーナ〜讃美歌8曲を収録。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3389696467\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003ehere\u003c\/a\u003e to see more Dear Life releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Want to Die Easy 02:48\u003cbr\u003e2. Lord Randall 09:14\u003cbr\u003e3. Everlasting 03:51\u003cbr\u003e4. Edward 07:14\u003cbr\u003e5. Doxology (I) 01:12\u003cbr\u003e6. (A Still, Small Voice) 02:57\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Lord Bateman 20:45\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Doxology (II) 00:35\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Dear Life:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e[...] \u003cmeta charset=\"utf-8\"\u003eWeirs is an experimental collective grown out of central North Carolina’s music scene––one that is equal parts old-time and DIY noise. Non-hierarchical in form, past Weirs performances have included anywhere from two to twelve people. In September 2023, nine traveled up US-58 to pack into the living and\u003cspan class=\"bcTruncateMore\"\u003e dining rooms of the dairy farm main house, still in the family of band member and organizer Oliver Child-Lanning, whose relatives have been there for centuries. This Weirs lineup—neither definitive nor precious—includes Child-Lanning; Justin Morris and Libby Rodenbough (his collaborators in Sluice); Evan Morgan, Courtney Werner, and Mike DeVito of Magic Tuber Stringband; and stalwarts Andy McLeod, Alli Rogers, and Oriana Messer who played deep into those late-summer evenings. What resulted are the nine tracks of Diamond Grove, recorded with an ad hoc signal chain assembled from a greater-community’s worth of borrowed gear.\u003cbr\u003e\u003cbr\u003eThe Weirs project began as tape experiments on traditional tunes Child-Lanning made under the name Pluviôse in winter 2019. This evolved into the first Weirs record, Prepare to Meet God, which was self-released in July 2020 and was a collaboration between Child-Lanning and Morris during COVID. The strange conditions of that debut—a communal tradition of live songs recorded apart in isolation—are undone by Diamond Grove, a record rooted in the unrepeatable convergence of people, place, and time. On the new record, Weirs continue their search for how best to forward, uphold, and unshackle so-called “traditional” music. They are songcatchers, gathering tunes on the verge of obscure death. Their wild, centuries-spanning repertoire plays like an avant-call-the-tune session—a kind of Real Book for a scene fluent in porch jams, Big Blood, Amps for Christ, and Jean Ritchie. Weirs catch songs whose interpretive canon still feels ajar—open enough to stand next to but never above those who’ve sung them before. These aren’t attempts at definitive versions. The recordings on Diamond Grove feel like visitations rather than revisions. And the question Weirs asks on this record is not how to simply continue the tradition of their forebears, but how traditional music could sound today.\u003cbr\u003e\u003cbr\u003eFor Weirs, the history of this tradition could be taken less from the folk revival than from musique concrète; less from pristine old master recordings than something like The Shadow Ring if they’d come from the evangelical South. One listen to “(A Still, Small Voice)” and you’ll hear the power of the hymn give way to its equal: the floorboards, fire crackle, dinners made and eaten. This tension between preservation and degradation is the inner light of Diamond Grove. Take “Doxology I”: the melody of “Old Hundred”, a hymn from the Sacred Harp tradition, is converted to MIDI, played through iPhone speakers, and re-recorded in the September air. To some revivalists, this hymn sung with all the glory of fake auto-tuned voices might sound sacreligious. But ears attuned, say, to the hyperpop production of the last few decades will immediately understand the tense beauty of hearing digitally-artifacted shape-note singing. This same tension animates “I Want to Die Easy.” Weirs’ version draws from A Golden Ring of Gospel’s recording, monumentalized in the Folkways collection Sharon Mountain Harmony. The melodies, words, structure are largely unchanged. But the “pure” clarity of voice in the early recording is gone. In its place, we hear the distancing sound of the dairy farm silo where Weirs recorded their version, its natural two-second reverb replacing pristine proximity. In this way, the sound of the recording site itself becomes equal to the traditional performance. [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Weirs\u003c\/p\u003e\n\u003cp\u003eLabel : Dear Life\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLR064lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-11T10:11:27+09:00","created_at":"2025-10-09T09:53:54+09:00","vendor":"Tobira Records","type":"","tags":["dear life records","field recording","folk \/ left-field pop","lp","new"],"price":306000,"price_min":306000,"price_max":306000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47805554262266,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Weirs \/\/ Diamond Grove LP","public_title":null,"options":["Default Title"],"price":306000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"617308104349","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/weir1.jpg?v=1759971102","\/\/tobirarecords.com\/cdn\/shop\/files\/weir2.jpg?v=1759971102"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/weir1.jpg?v=1759971102","options":["Title"],"media":[{"alt":null,"id":37042463179002,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/weir1.jpg?v=1759971102"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/weir1.jpg?v=1759971102","width":700},{"alt":null,"id":37042463211770,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/weir2.jpg?v=1759971102"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/weir2.jpg?v=1759971102","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ノースカロライナの実験フォークバンドWeirsが、2025年10月に同国フォークレーベルDeal Lifeからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eトラディショナル・フォーク〜アメリカーナ〜讃美歌8曲を収録。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3389696467\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003ehere\u003c\/a\u003e to see more Dear Life releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Want to Die Easy 02:48\u003cbr\u003e2. Lord Randall 09:14\u003cbr\u003e3. Everlasting 03:51\u003cbr\u003e4. Edward 07:14\u003cbr\u003e5. Doxology (I) 01:12\u003cbr\u003e6. (A Still, Small Voice) 02:57\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Lord Bateman 20:45\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Doxology (II) 00:35\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Dear Life:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e[...] \u003cmeta charset=\"utf-8\"\u003eWeirs is an experimental collective grown out of central North Carolina’s music scene––one that is equal parts old-time and DIY noise. Non-hierarchical in form, past Weirs performances have included anywhere from two to twelve people. In September 2023, nine traveled up US-58 to pack into the living and\u003cspan class=\"bcTruncateMore\"\u003e dining rooms of the dairy farm main house, still in the family of band member and organizer Oliver Child-Lanning, whose relatives have been there for centuries. This Weirs lineup—neither definitive nor precious—includes Child-Lanning; Justin Morris and Libby Rodenbough (his collaborators in Sluice); Evan Morgan, Courtney Werner, and Mike DeVito of Magic Tuber Stringband; and stalwarts Andy McLeod, Alli Rogers, and Oriana Messer who played deep into those late-summer evenings. What resulted are the nine tracks of Diamond Grove, recorded with an ad hoc signal chain assembled from a greater-community’s worth of borrowed gear.\u003cbr\u003e\u003cbr\u003eThe Weirs project began as tape experiments on traditional tunes Child-Lanning made under the name Pluviôse in winter 2019. This evolved into the first Weirs record, Prepare to Meet God, which was self-released in July 2020 and was a collaboration between Child-Lanning and Morris during COVID. The strange conditions of that debut—a communal tradition of live songs recorded apart in isolation—are undone by Diamond Grove, a record rooted in the unrepeatable convergence of people, place, and time. On the new record, Weirs continue their search for how best to forward, uphold, and unshackle so-called “traditional” music. They are songcatchers, gathering tunes on the verge of obscure death. Their wild, centuries-spanning repertoire plays like an avant-call-the-tune session—a kind of Real Book for a scene fluent in porch jams, Big Blood, Amps for Christ, and Jean Ritchie. Weirs catch songs whose interpretive canon still feels ajar—open enough to stand next to but never above those who’ve sung them before. These aren’t attempts at definitive versions. The recordings on Diamond Grove feel like visitations rather than revisions. And the question Weirs asks on this record is not how to simply continue the tradition of their forebears, but how traditional music could sound today.\u003cbr\u003e\u003cbr\u003eFor Weirs, the history of this tradition could be taken less from the folk revival than from musique concrète; less from pristine old master recordings than something like The Shadow Ring if they’d come from the evangelical South. One listen to “(A Still, Small Voice)” and you’ll hear the power of the hymn give way to its equal: the floorboards, fire crackle, dinners made and eaten. This tension between preservation and degradation is the inner light of Diamond Grove. Take “Doxology I”: the melody of “Old Hundred”, a hymn from the Sacred Harp tradition, is converted to MIDI, played through iPhone speakers, and re-recorded in the September air. To some revivalists, this hymn sung with all the glory of fake auto-tuned voices might sound sacreligious. But ears attuned, say, to the hyperpop production of the last few decades will immediately understand the tense beauty of hearing digitally-artifacted shape-note singing. This same tension animates “I Want to Die Easy.” Weirs’ version draws from A Golden Ring of Gospel’s recording, monumentalized in the Folkways collection Sharon Mountain Harmony. The melodies, words, structure are largely unchanged. But the “pure” clarity of voice in the early recording is gone. In its place, we hear the distancing sound of the dairy farm silo where Weirs recorded their version, its natural two-second reverb replacing pristine proximity. In this way, the sound of the recording site itself becomes equal to the traditional performance. [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Weirs\u003c\/p\u003e\n\u003cp\u003eLabel : Dear Life\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLR064lp\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・ノースカロライナの実験フォークバンドWeirsが、2025年10月に同国フォークレーベルDeal Lifeからリリースしたレコードです。 トラディショナル・フォーク〜アメリカーナ〜讃美歌8曲を収録。 レーベルその他作品はこちら /// Click here to see more Dear Life releases available at Tobira. ----------------------------------------------...
¥3,060
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{"id":8952931549434,"title":"funcionário \/\/ horizonte LP","handle":"funcionario-horizonte-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※10\/25発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eポルトガル・セトゥーバルのアンビエント作家funcionárioが、2025年10月に同国リスボンの実験レーベルHoluzamからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエント9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=424508454\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=424508454\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3358010027\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003ehere\u003c\/a\u003e to see more Holuzam releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. nascer 03:54\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. pássaros 04:01\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. o caminho da estrela 03:52\u003cbr\u003e\u003c\/span\u003e4. planalto (ouro) 07:19\u003cbr\u003e5. renascer 05:44\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. asa 02:32\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. corrente 02:22\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. o caminho do regresso 06:07\u003cbr\u003e\u003c\/span\u003e9. fantasma 04:46\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHoluzam:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003efuncionário delights in the freedom of creating freeform music for the first time in his career. On “horizonte”, he loosens the reins, his sound follows a wavy, organic structure rather than a rigid, formal one. If it feels freer and more colourful, that’s because it truly is.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEight years ago, when we first encountered his work, he was composing soundtracks for imaginary video games and crafting sonic landscapes that felt like destinations for sci-fi anime characters. With “Cavalcante” (2022), he broke away from that past. It marked a turning point, he was ready to explore a “fourth world” in both sound and concept. The feedback was overwhelming.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThree years later, “horizonte” marks another evolution. He sends us music regularly, but this album stood out immediately. It felt right: more synth-driven, more open to improvisation. As he put it: “It’s like using oil pastels for the first time and discovering new possibilities. In a way, I’ve found new ways of creating using the same colours.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eListening to \"horizonte\" is like waking up from a dream. Again and again. The opening track, “nascer”, suggests a new dawn, but it’s in “pássaros” that the vision fully takes flight: less processed, more raw, yet still detailed and expansive.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFinding new ways with the same colours has been his\u003cspan class=\"bcTruncateMore\"\u003e quiet mission all along. What’s new here aren't the tools, but the feeling. The movement. The invitation to travel with him. You can hear - and feel - his sense of wonder. Every sound radiates joy. Every moment sparks a new thought. The music moves quickly, but breathes slowly.\u003cbr\u003e\u003cbr\u003eTracks like “renascer” and “o caminho do regresso” echo the spirit of late-70s\/early-80s Vangelis, in deep reverence. And just as you approach the end, “fantasma” arrives - a stunning closer, reminiscent of Eno’s “An Ending”. By then, it’s clear: the “fourth world” is behind him. funcionário has moved on. To where? We’re about to discover.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : funcionário\u003c\/p\u003e\n\u003cp\u003eLabel : Holuzam\u003c\/p\u003e","published_at":"2025-10-11T11:36:35+09:00","created_at":"2025-10-11T10:59:21+09:00","vendor":"Tobira Records","type":"","tags":["ambient","holuzam","lp","new","recommended"],"price":417600,"price_min":417600,"price_max":417600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47811566993658,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"funcionário \/\/ horizonte LP","public_title":null,"options":["Default Title"],"price":417600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fun1_98c12924-bbab-4bc8-b053-9914e855521b.jpg?v=1760147591","\/\/tobirarecords.com\/cdn\/shop\/files\/fun2_33d369a0-c865-44b0-93cb-2f71eced93c7.jpg?v=1760147591"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fun1_98c12924-bbab-4bc8-b053-9914e855521b.jpg?v=1760147591","options":["Title"],"media":[{"alt":null,"id":37060093837562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fun1_98c12924-bbab-4bc8-b053-9914e855521b.jpg?v=1760147591"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fun1_98c12924-bbab-4bc8-b053-9914e855521b.jpg?v=1760147591","width":700},{"alt":null,"id":37060093870330,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fun2_33d369a0-c865-44b0-93cb-2f71eced93c7.jpg?v=1760147591"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fun2_33d369a0-c865-44b0-93cb-2f71eced93c7.jpg?v=1760147591","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※10\/25発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eポルトガル・セトゥーバルのアンビエント作家funcionárioが、2025年10月に同国リスボンの実験レーベルHoluzamからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエント9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=424508454\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=424508454\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3358010027\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003ehere\u003c\/a\u003e to see more Holuzam releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. nascer 03:54\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. pássaros 04:01\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. o caminho da estrela 03:52\u003cbr\u003e\u003c\/span\u003e4. planalto (ouro) 07:19\u003cbr\u003e5. renascer 05:44\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. asa 02:32\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. corrente 02:22\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. o caminho do regresso 06:07\u003cbr\u003e\u003c\/span\u003e9. fantasma 04:46\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHoluzam:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003efuncionário delights in the freedom of creating freeform music for the first time in his career. On “horizonte”, he loosens the reins, his sound follows a wavy, organic structure rather than a rigid, formal one. If it feels freer and more colourful, that’s because it truly is.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEight years ago, when we first encountered his work, he was composing soundtracks for imaginary video games and crafting sonic landscapes that felt like destinations for sci-fi anime characters. With “Cavalcante” (2022), he broke away from that past. It marked a turning point, he was ready to explore a “fourth world” in both sound and concept. The feedback was overwhelming.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThree years later, “horizonte” marks another evolution. He sends us music regularly, but this album stood out immediately. It felt right: more synth-driven, more open to improvisation. As he put it: “It’s like using oil pastels for the first time and discovering new possibilities. In a way, I’ve found new ways of creating using the same colours.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eListening to \"horizonte\" is like waking up from a dream. Again and again. The opening track, “nascer”, suggests a new dawn, but it’s in “pássaros” that the vision fully takes flight: less processed, more raw, yet still detailed and expansive.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFinding new ways with the same colours has been his\u003cspan class=\"bcTruncateMore\"\u003e quiet mission all along. What’s new here aren't the tools, but the feeling. The movement. The invitation to travel with him. You can hear - and feel - his sense of wonder. Every sound radiates joy. Every moment sparks a new thought. The music moves quickly, but breathes slowly.\u003cbr\u003e\u003cbr\u003eTracks like “renascer” and “o caminho do regresso” echo the spirit of late-70s\/early-80s Vangelis, in deep reverence. And just as you approach the end, “fantasma” arrives - a stunning closer, reminiscent of Eno’s “An Ending”. By then, it’s clear: the “fourth world” is behind him. funcionário has moved on. To where? We’re about to discover.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : funcionário\u003c\/p\u003e\n\u003cp\u003eLabel : Holuzam\u003c\/p\u003e"}
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※10/25発送開始します ポルトガル・セトゥーバルのアンビエント作家funcionárioが、2025年10月に同国リスボンの実験レーベルHoluzamからリリースしたレコードです。 ポストニューエイジ・アンビエント9曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Holuzam releases available at Tobira. ------------------------------------------...
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