Instant Noodles // Fractured Frequencies 12"
![Gwenifer Raymond // Last Night I Heard The Dog Star Bark LP [COLOR]](//tobirarecords.com/cdn/shop/files/he_8bc00e07-4723-47a7-a8ea-dbe5ce901a91_medium.jpg?v=1754276319)
Instant Noodles // Fractured Frequencies 12"
¥2,290
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ドイツのテクノ作家Instant Noodlesが、2024年4月にWeSA Studio & Few Soundからリリースした12"です。
レフトフィールド・ディープテクノ4曲を収録。
-----------------------------------
12" black vinyl.
Tracklist:
A1. Static
A2. Discordant
B1. Erratic
B2. Broken
Artist : Instant Noodles
Label : WeSA Studio & Few Sounds
CAT No.: FEW005
ドイツのテクノ作家Instant Noodlesが、2024年4月にWeSA Studio & Few Soundからリリースした12"です。
レフトフィールド・ディープテクノ4曲を収録。
-----------------------------------
12" black vinyl.
Tracklist:
A1. Static
A2. Discordant
B1. Erratic
B2. Broken
Artist : Instant Noodles
Label : WeSA Studio & Few Sounds
CAT No.: FEW005
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As a result he steps forward on Everything Is Possible with more melodic and virtuosic moments.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFlugelhornist Dalton Lam and saxophonist Paul Gutheil’s lyrical playing sounds as though they’ve found comfort in each other’s company. They share exchanges like great conversationalists, and at times prove that silence is peak communication. Across the album, drummer Mike Thievin sits notably more present. His\u003cspan class=\"bcTruncateMore\"\u003e playing is restrained and subtle, but deceptively intricate as he anchors Travis Packer’s wayfaring electric bass.\u003cbr\u003e\u003cbr\u003eThe album was once again produced and mixed by ambient artist Michael Scott Dawson who contributes mazy guitars and electronics to the project. Dawson’s studio as an instrument approach lends a human touch to the affected and atmospheric elements. The result is as indebted to Tortoise in ‘99 as it is to Keith Jarrett in ‘75.\u003cbr\u003e\u003cbr\u003eEverything Is Possible takes its name from a novelty tee shirt Dawson misread one bleary morning while racing through an airport.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Peace Flag Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e","published_at":"2025-10-06T11:16:40+09:00","created_at":"2025-10-06T11:16:13+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","recommended","we are busy bodies"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47796434993402,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Peace Flag Ensemble \/\/ Everything Is Possible LP","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/poss1_f2421f4a-60bc-4eec-99d5-8b92c9a4ebb7.jpg?v=1738900942","\/\/tobirarecords.com\/cdn\/shop\/files\/poss2_9739afa4-5778-4d13-88a1-d7e892243a3f.jpg?v=1738900942"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/poss1_f2421f4a-60bc-4eec-99d5-8b92c9a4ebb7.jpg?v=1738900942","options":["Title"],"media":[{"alt":null,"id":35527671382266,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/poss1_f2421f4a-60bc-4eec-99d5-8b92c9a4ebb7.jpg?v=1738900942"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/poss1_f2421f4a-60bc-4eec-99d5-8b92c9a4ebb7.jpg?v=1738900942","width":700},{"alt":null,"id":35527671415034,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/poss2_9739afa4-5778-4d13-88a1-d7e892243a3f.jpg?v=1738900942"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/poss2_9739afa4-5778-4d13-88a1-d7e892243a3f.jpg?v=1738900942","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・サスカチュワンの5人組ジャズバンドPeace Flag Ensembleが、2025年2月に同国トロントのオールジャンルレーベルWe Are Busy Bodiesから500部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・スピリチュアルジャズ〜フリージャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003eプロデュースとミキシングはMaichael Scott Dawsonが担当しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Peace Flag Ensembleは、よりシャープな焦点と広いレンズを持って3枚目のLPをリリースした。このアルバムは、最もカノーラスで親しみやすい。このアンビエント・フリージャズ集団の初期のレコーディングは、ピアノを控えめにし、追加楽器のテクスチャーを多用した、パーカッションのないゴージャスなものだったが、『Everything Is Possible』では、6人の各メンバーが輝ける場所を見つけると同時に、お互いを高め合っている。希望、驚き、心配。悲しみ、愛、怒り。喜び、ロマンス、タイムトラベル。...すべてが可能なのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのアルバムは、ピアニスト、ジョン・ネーハーの即興演奏を中心に構成されている。ドイツで短期間の公演を行なった後、ネーハーは新譜を形作るある観察に衝撃を受けた。彼の楽器は、ライブでは後景に退いていたが、その必要はなかった。その結果、『Everything Is Possible』では、よりメロディアスでヴィルトゥオーゾ的な場面で一歩前進した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eフリューゲルホーン奏者のダルトン・ラムとサックス奏者のポール・グザイルの叙情的な演奏は、まるでお互いが心地よさを見出しているかのようだ。彼らは偉大な会話者のようにやり取りを共有し、時には沈黙こそが最高のコミュニケーションであることを証明する。アルバム全体を通して、ドラマーのマイク・ティーヴィンの存在感が際立っている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e彼のプレイは控えめで繊細だが、トラヴィス・パッカーが弾きまくるエレクトリック・ベースを支えるように、惑わされるほど複雑だ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアルバムのプロデュースとミックスは、アンビエントアーティストのマイケル・スコット・ドーソンが担当。楽器としてのドーソンのスタジオアプローチは、影響を受けたアトモスフェリックな要素に人間味を与えている。その結果は、99年のトータスや75年のキースジャレットに似ている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEverything Is Possibleの名前は、ある朝、ドーソンが空港を走っているときに見間違えたノベルティのTシャツに由来する。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3306521071\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3306521071\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2571240833\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Paint Drying\u003cbr\u003e2. The Past Is What Changes Most 03:45\u003cbr\u003e3. Hot Mic 05:04\u003cbr\u003e4. Le Souvenir\u003cbr\u003e5. Ann Hodges Asleep on The Sofa\u003cbr\u003e6. General Strike\u003cbr\u003e7. Ley Lines\u003cbr\u003e8. Raised Among Catalogs\u003cbr\u003e9. Flamingo Heights\u003cbr\u003e10. Lover's Spat\u003cbr\u003e11. I Am Not The Gaugin I Used To Be\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWe Are Busy Bodies:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003ePeace Flag Ensemble return on their third LP with sharper focus and a wider lens. The record is their most canorous and their most accessible. 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As a result he steps forward on Everything Is Possible with more melodic and virtuosic moments.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFlugelhornist Dalton Lam and saxophonist Paul Gutheil’s lyrical playing sounds as though they’ve found comfort in each other’s company. They share exchanges like great conversationalists, and at times prove that silence is peak communication. Across the album, drummer Mike Thievin sits notably more present. His\u003cspan class=\"bcTruncateMore\"\u003e playing is restrained and subtle, but deceptively intricate as he anchors Travis Packer’s wayfaring electric bass.\u003cbr\u003e\u003cbr\u003eThe album was once again produced and mixed by ambient artist Michael Scott Dawson who contributes mazy guitars and electronics to the project. Dawson’s studio as an instrument approach lends a human touch to the affected and atmospheric elements. The result is as indebted to Tortoise in ‘99 as it is to Keith Jarrett in ‘75.\u003cbr\u003e\u003cbr\u003eEverything Is Possible takes its name from a novelty tee shirt Dawson misread one bleary morning while racing through an airport.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Peace Flag Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e"}
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カナダ・サスカチュワンの5人組ジャズバンドPeace Flag Ensembleが、2025年2月に同国トロントのオールジャンルレーベルWe Are Busy Bodiesから500部限定でリリースしたレコードです。 アンビエント・スピリチュアルジャズ〜フリージャズ11曲を収録。 プロデュースとミキシングはMaichael Scott Dawsonが担当しています。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "Peace Flag...
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Banjo Players of Aleph One\u003cbr\u003e2. Jack Parsons Blues 03:37\u003cbr\u003e3. Champion Ivy\u003cbr\u003e4. Bliws Afon Tâf\u003cbr\u003e5. Bonfire of the Billionaires\u003cbr\u003e6. Dreams of Rhiannon's Birds\u003cbr\u003e7. Last Night I Heard The Dog Star Bark 06:08\u003cbr\u003e8. Cattywomp\u003cbr\u003e9. Bleak Night In Rabbit's Wood\u003cbr\u003e10. One Day You'll Lie Here But Everything Will Have Changed\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWe Are Busy Bodies:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLast Night I Heard the Dog Star Bark is a hybrid of the ancient and the futuristic, where the arcane etchings of occult folk horror fuse with the unfathomable equations of the cosmos. A big bang, yes, but also an atom cleaved. On her latest album, this celebrated new champion of the finger-picked guitar looks upwards, outwards. somewhere beyond. Now the landscape is mapped – its knotted woodlands, its aurora-crowned mountains, its tangled undergrowth – Gwenifer Raymond hears the stars call.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLast Night I Heard the Dog Star Bark is a natural evolution for such an intensely questing, personally excavating artist. The album is Raymond’s first since 2020’s Strange Lights Over Garth Mountain, which drew widespread acclaim for its repurposing of Mississippi blues and John Fahey’s intricate Americana to embody Raymond’s roots in rural South Wales and her interests in folk horror and the avant garde, a new form dubbed Welsh Primitive. Now, on her forthcoming album, Raymond finds herself conjuring the work of pioneering rocket scientists, the words of fictional hobo prophets and the concepts of mathematical infinity.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHaving toured Europe, the US and Canada with the likes of Michael Chapman, Michael Hurley, The Handsome Family, Lankum\u003cspan class=\"bcTruncateMore\"\u003e, Charlie Parr, Richard Dawson, Ryley Walker and Squid, and played festivals including WOMAD, Green Man, End of the Road and Transmusicales in France, Raymond began recording Last Night I Heard the Dog Star Bark; exploring textures and following threads alone in her flat’s home studio, trying to get a sonic grip on a world spinning out of control.\u003cbr\u003e\u003cbr\u003eSci-fi and scientific readings provided a strange, objective clarity. One key reference was Tom O’Bedlam, an insane homeless mystic from Grant Morrison’s comic book series The Invisibles who sees holy words in street signs reflected from the city’s wet concrete, hidden meanings within the modern chaos. “The world seems to have been taking on an increasingly surrealistic tilt,” Raymond says, “and ol’ Tom makes more and more sense.”\u003cbr\u003e\u003cbr\u003e“I’ve always been a big sci-fi reader,” she says, listing Phillip K Dick, Kurt Vonnegut and Ray Bradbury amongst the authors she read avidly as a child from her parents’ extensive sci-fi collection. Raymond would go on to complete a PhD in Astrophysics at Cardiff University, before moving to Brighton to become an AI and video game programmer.\u003cbr\u003e\u003cbr\u003eMidway through writing her third album, then, she was drawn to the pulp sci-fi corners of Brighton market, picking up and devouring second hand tomes of strange science and the mystique of eternities. “A bunch of the stuff I was reading had these themes about the nature of infinity, and tying this into concepts about the afterlife,” she says. “Those thoughts were running in my mind a lot, especially when I was creating some of the droney sounds that book-end the album. The album enters from the cosmic void and exits through the galactic plane. Maybe you’re exiting out of hyperdrive into some strange planet where the album lives, then you zip out to find whatever is next.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gwenifer Raymond\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e","published_at":"2025-08-05T14:22:23+09:00","created_at":"2025-08-04T12:01:06+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","we are busy bodies"],"price":427800,"price_min":427800,"price_max":427800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47580082536698,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gwenifer Raymond \/\/ Last Night I Heard The Dog Star Bark LP [COLOR]","public_title":null,"options":["Default Title"],"price":427800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/he_8bc00e07-4723-47a7-a8ea-dbe5ce901a91.jpg?v=1754276319","\/\/tobirarecords.com\/cdn\/shop\/files\/0041354161_10.jpg?v=1764227463"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/he_8bc00e07-4723-47a7-a8ea-dbe5ce901a91.jpg?v=1754276319","options":["Title"],"media":[{"alt":null,"id":36473548144890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he_8bc00e07-4723-47a7-a8ea-dbe5ce901a91.jpg?v=1754276319"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he_8bc00e07-4723-47a7-a8ea-dbe5ce901a91.jpg?v=1754276319","width":700},{"alt":null,"id":37627828732154,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0041354161_10.jpg?v=1764227463"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0041354161_10.jpg?v=1764227463","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eウェールズ出身イギリス在住のギタリストGwenifer Raymondが、2025年9月にカナダ・トロントのオールジャンルレーベルWe Are Busy Bodiesからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアメリカーナ〜ブルース10曲を収録。緑盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=295900436\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" green vinyl.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Banjo Players of Aleph One\u003cbr\u003e2. Jack Parsons Blues 03:37\u003cbr\u003e3. Champion Ivy\u003cbr\u003e4. Bliws Afon Tâf\u003cbr\u003e5. Bonfire of the Billionaires\u003cbr\u003e6. Dreams of Rhiannon's Birds\u003cbr\u003e7. Last Night I Heard The Dog Star Bark 06:08\u003cbr\u003e8. Cattywomp\u003cbr\u003e9. Bleak Night In Rabbit's Wood\u003cbr\u003e10. One Day You'll Lie Here But Everything Will Have Changed\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWe Are Busy Bodies:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLast Night I Heard the Dog Star Bark is a hybrid of the ancient and the futuristic, where the arcane etchings of occult folk horror fuse with the unfathomable equations of the cosmos. A big bang, yes, but also an atom cleaved. On her latest album, this celebrated new champion of the finger-picked guitar looks upwards, outwards. somewhere beyond. Now the landscape is mapped – its knotted woodlands, its aurora-crowned mountains, its tangled undergrowth – Gwenifer Raymond hears the stars call.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLast Night I Heard the Dog Star Bark is a natural evolution for such an intensely questing, personally excavating artist. The album is Raymond’s first since 2020’s Strange Lights Over Garth Mountain, which drew widespread acclaim for its repurposing of Mississippi blues and John Fahey’s intricate Americana to embody Raymond’s roots in rural South Wales and her interests in folk horror and the avant garde, a new form dubbed Welsh Primitive. Now, on her forthcoming album, Raymond finds herself conjuring the work of pioneering rocket scientists, the words of fictional hobo prophets and the concepts of mathematical infinity.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHaving toured Europe, the US and Canada with the likes of Michael Chapman, Michael Hurley, The Handsome Family, Lankum\u003cspan class=\"bcTruncateMore\"\u003e, Charlie Parr, Richard Dawson, Ryley Walker and Squid, and played festivals including WOMAD, Green Man, End of the Road and Transmusicales in France, Raymond began recording Last Night I Heard the Dog Star Bark; exploring textures and following threads alone in her flat’s home studio, trying to get a sonic grip on a world spinning out of control.\u003cbr\u003e\u003cbr\u003eSci-fi and scientific readings provided a strange, objective clarity. One key reference was Tom O’Bedlam, an insane homeless mystic from Grant Morrison’s comic book series The Invisibles who sees holy words in street signs reflected from the city’s wet concrete, hidden meanings within the modern chaos. “The world seems to have been taking on an increasingly surrealistic tilt,” Raymond says, “and ol’ Tom makes more and more sense.”\u003cbr\u003e\u003cbr\u003e“I’ve always been a big sci-fi reader,” she says, listing Phillip K Dick, Kurt Vonnegut and Ray Bradbury amongst the authors she read avidly as a child from her parents’ extensive sci-fi collection. Raymond would go on to complete a PhD in Astrophysics at Cardiff University, before moving to Brighton to become an AI and video game programmer.\u003cbr\u003e\u003cbr\u003eMidway through writing her third album, then, she was drawn to the pulp sci-fi corners of Brighton market, picking up and devouring second hand tomes of strange science and the mystique of eternities. “A bunch of the stuff I was reading had these themes about the nature of infinity, and tying this into concepts about the afterlife,” she says. “Those thoughts were running in my mind a lot, especially when I was creating some of the droney sounds that book-end the album. The album enters from the cosmic void and exits through the galactic plane. Maybe you’re exiting out of hyperdrive into some strange planet where the album lives, then you zip out to find whatever is next.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gwenifer Raymond\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e"}
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ウェールズ出身イギリス在住のギタリストGwenifer Raymondが、2025年9月にカナダ・トロントのオールジャンルレーベルWe Are Busy Bodiesからリリースしたレコードです。 アメリカーナ〜ブルース10曲を収録。緑盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more We Are Busy...
¥4,278
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{"id":8660947075322,"title":"Michael Scott Dawson \/\/ Find Yourself Lost LP","handle":"michael-scott-dawson-find-yourself-lost-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eカナダのアンビエント作家Michael Scott Dawsonが、2023年5月に同国トロントのオールジャンルレーベルWe Are Busy Bodiesから300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e牧歌的なアンビエント・カントリーフォーク〜アメリカーナ・ドローン10曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003eOld Sawファンの方におすすめします。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3999722857\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 300. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eWe Are Busy Bodies:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMichael Scott Dawson is a Canadian producer and sound artist. Anchored by frayed melodies, tape loops, and pastoral field recordings he has crafted a body of tender and nostalgic ambient work.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn his third solo LP, Find Yourself Lost, Dawson veers toward the fringes of country and western. Although ‘cosmic’ has become catchall descriptor in both country and ambient music, Dawson reaches for something more earthly. Something more grounded. Ribboning miles of pedal steel nestle into hushed tones and gossamer textures. Reflecting on the process he states, “It took some time to find myself in it. The first few pieces I made were embarrassingly twangy. I love spaghetti and I love western but never the two shall twain.” Instead, Dawson began to experiment with alternate tunings and granular guitar. He recorded and mixed a full album, and then called upon a handful of friends and kindred peers to improvise on top of it. Treating their contributions like found sounds or samples he stole little moments, manipulated passages, and dismantled his original recordings in the process.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePerhaps it’s not surprising that Dawson was drawn in a country-adjacent direction, he literally grew up adjacent\u003cspan class=\"bcTruncateMore\"\u003e to country. His childhood home was a block from the rodeo grounds in a town where everyone wore cowboy boots to weddings and funerals. Throughout the album he draws from memories of his youth, like time spent on the family farm where John Wayne movies played on an endless loop and a velvet painting of an outlaw with an eyepatch hung above the television.\u003cbr\u003e\u003cbr\u003eFind Yourself Lost marks the first time Dawson has been joined by other musicians. He’s a member of the free jazz outfit Peace Flag Ensemble and an avid collaborator, but his own records have been solitarily affairs. “I love the act of collaboration. There’s a joy to be found in responding to someone else’s creativity or ensuring that your ideas serve the greater good.” Dawson notes, “With my own material I’ve been more selfish. Every song is a love note to myself. They are reminders to practice patience, to allow space for growth, to embrace imperfection, and to always remain open to change. But I’d neglected an incredibly important sentiment... You are not alone and it’s okay to ask for help.”\u003cbr\u003e\u003cbr\u003eFind Yourself Lost features excerpts of pedal steel by Ettiene Soulodre, flugelhorn by Dalton Lam, additional guitars by Bryce Lewis, dobro by Aaron Kapinka, and baritone guitar by Gage McGuire. It also contains audio from an unlabeled garage sale cassette of someone’s home-dubbed line dancing.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Michael Scott Dawson\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e","published_at":"2024-11-10T07:06:59+09:00","created_at":"2024-11-10T07:04:57+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","we are busy bodies"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46843563639034,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Michael Scott Dawson \/\/ Find Yourself Lost LP","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fi1_e2e02bd6-49d1-4bb3-8953-5ed6a4092da2.jpg?v=1687778302","\/\/tobirarecords.com\/cdn\/shop\/files\/fi2_df00a17c-3448-462d-87b9-aa8991874e25.jpg?v=1687778302"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fi1_e2e02bd6-49d1-4bb3-8953-5ed6a4092da2.jpg?v=1687778302","options":["Title"],"media":[{"alt":null,"id":32156882632954,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fi1_e2e02bd6-49d1-4bb3-8953-5ed6a4092da2.jpg?v=1687778302"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fi1_e2e02bd6-49d1-4bb3-8953-5ed6a4092da2.jpg?v=1687778302","width":700},{"alt":null,"id":32156882665722,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fi2_df00a17c-3448-462d-87b9-aa8991874e25.jpg?v=1687778302"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fi2_df00a17c-3448-462d-87b9-aa8991874e25.jpg?v=1687778302","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eカナダのアンビエント作家Michael Scott Dawsonが、2023年5月に同国トロントのオールジャンルレーベルWe Are Busy Bodiesから300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e牧歌的なアンビエント・カントリーフォーク〜アメリカーナ・ドローン10曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003eOld Sawファンの方におすすめします。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3999722857\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 300. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eWe Are Busy Bodies:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMichael Scott Dawson is a Canadian producer and sound artist. Anchored by frayed melodies, tape loops, and pastoral field recordings he has crafted a body of tender and nostalgic ambient work.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn his third solo LP, Find Yourself Lost, Dawson veers toward the fringes of country and western. Although ‘cosmic’ has become catchall descriptor in both country and ambient music, Dawson reaches for something more earthly. Something more grounded. Ribboning miles of pedal steel nestle into hushed tones and gossamer textures. Reflecting on the process he states, “It took some time to find myself in it. The first few pieces I made were embarrassingly twangy. I love spaghetti and I love western but never the two shall twain.” Instead, Dawson began to experiment with alternate tunings and granular guitar. He recorded and mixed a full album, and then called upon a handful of friends and kindred peers to improvise on top of it. Treating their contributions like found sounds or samples he stole little moments, manipulated passages, and dismantled his original recordings in the process.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePerhaps it’s not surprising that Dawson was drawn in a country-adjacent direction, he literally grew up adjacent\u003cspan class=\"bcTruncateMore\"\u003e to country. His childhood home was a block from the rodeo grounds in a town where everyone wore cowboy boots to weddings and funerals. Throughout the album he draws from memories of his youth, like time spent on the family farm where John Wayne movies played on an endless loop and a velvet painting of an outlaw with an eyepatch hung above the television.\u003cbr\u003e\u003cbr\u003eFind Yourself Lost marks the first time Dawson has been joined by other musicians. He’s a member of the free jazz outfit Peace Flag Ensemble and an avid collaborator, but his own records have been solitarily affairs. “I love the act of collaboration. There’s a joy to be found in responding to someone else’s creativity or ensuring that your ideas serve the greater good.” Dawson notes, “With my own material I’ve been more selfish. Every song is a love note to myself. They are reminders to practice patience, to allow space for growth, to embrace imperfection, and to always remain open to change. But I’d neglected an incredibly important sentiment... You are not alone and it’s okay to ask for help.”\u003cbr\u003e\u003cbr\u003eFind Yourself Lost features excerpts of pedal steel by Ettiene Soulodre, flugelhorn by Dalton Lam, additional guitars by Bryce Lewis, dobro by Aaron Kapinka, and baritone guitar by Gage McGuire. It also contains audio from an unlabeled garage sale cassette of someone’s home-dubbed line dancing.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Michael Scott Dawson\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e"}
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カナダのアンビエント作家Michael Scott Dawsonが、2023年5月に同国トロントのオールジャンルレーベルWe Are Busy Bodiesから300部限定でリリースしたレコードです。 牧歌的なアンビエント・カントリーフォーク〜アメリカーナ・ドローン10曲を収録。DLコード付属。 Old Sawファンの方におすすめします。 レーベルその他作品はこちら /// Click here to see more We...
¥3,990
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{"id":8878264385786,"title":"Ken-ichiro Isoda \/\/ Beach of the Pliocene 2xLP","handle":"ken-ichiro-isoda-beach-of-the-pliocene-2xlp","description":"\u003cp\u003e1990年から活動している日本のニューエイジ作家Ken-ichiro Isodaが、2025年9月にカナダ・トロントのオールジャンルレーベルWe Are Busy Bodiesからリリースする再発2枚組レコードです。（オリジナルは1990年にCDリリース）\u003c\/p\u003e\n\u003cp\u003e穏やかな時間を演出するニューエイジ・アンビエント8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/OAaWjyFPicE?si=twz3bfNJEyArFp2Q\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes OBI + English and Japanese liner notes.\u003c\/span\u003e\u003cbr\u003eEdition of \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e500 copies.\u003cbr\u003e\u003cbr\u003eReissue - originally recorded in 1990.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eBeach of the Pliocene\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA2\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eGiovanni's Sadness\u003cbr\u003e\u003c\/span\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eBlue Magic Lantern\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eGauche's Night\u003cbr\u003eC1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eThe Birth of a Star\u003cbr\u003eC2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEve of the Visitarian Festival\u003cbr\u003eD1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSparkle of Space Time\u003cbr\u003eD2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eA Tender Hourglass\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWe Are Busy Bodies:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"We Are Busy Bodies announces a double LP compilation of Japanese ambient composer Ken-ichiro Isoda out on September 26. The double LP set is a compilation of 8 tracks from Isoda’s 6 CD albums released in 1990 and 1991, selected, edited, and reconstructed by himself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSide A contains two songs from the album “Beach of the Pliocene”, Side B contains two songs from the album “Meditation of Clammbon”, Side C contains two songs from the album “Majel's Star”, and Side D contains two songs from the album \"Sparkle of Space Time\".\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIsoda’s music has seen reissues on CD reissues in the past, this is the first time any of the tracks have been released on vinyl. Following” Oscillation Circuit” (2023) and “Majel's Slumber” (2024).\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrom the artist:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“\u003cem\u003eIn writing the liner notes, I re-read the old liner notes I wrote in 1990 and found that although I was a bit self-conscious due to my youth, I was able to fully describe the compositional process and my thinking at the time, even though they were short. I still believe that the basic content of the notes is as I wrote them.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Design of Silence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI have kept these pioneers in mind throughout this work\u003cspan class=\"bcTruncateMore\"\u003e. Of course, this work is not intended to be a “design for silence” in the strict sense of the word. For example, I was trying to create music that would serve as a “sonic air freshener for living spaces” or a “sonic remedy for tired ears”.\u003cbr\u003e\u003cbr\u003eHowever, I had in my mind the sounds and ideas of my predecessors. Erik Satie, John Cage, Brian Eno, Satoshi Ashikawa. I was always thinking about them. Even though I rarely followed their techniques in the purely musical sense.\u003cbr\u003e\u003cbr\u003ePlain, almost undeveloped motifs. Infinitely repeatable sound patterns. Sound colors that change very little in between.\u003cbr\u003e\u003cbr\u003eThese things are recorded here in a classical, live instrument-centered performance. I considered this to be the most important element of this work. The sounds of historical instruments have been refined and perfected into the most pleasing sounds through countless human ears. I aspired to record the subtle rhythmic swings and tonal changes that develop using these sounds in a live performance.\u003cbr\u003e\u003cbr\u003eThe repetitive sounds here can never be all equal quality. These truly microscopic, delicate changes are what I considered so important in this work.\u003cbr\u003e\u003cbr\u003eAny time, any space. Reading, cooling down, waiting for sleep, recalling memories, or whatever. I would be honored and delighted if these sounds could bring even a little bit of color to the listener's life.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ken-ichiro Isoda\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e","published_at":"2025-08-05T06:06:30+09:00","created_at":"2025-08-04T11:53:32+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","post newage","we are busy bodies"],"price":478000,"price_min":478000,"price_max":478000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47580072968442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ken-ichiro Isoda \/\/ Beach of the Pliocene 2xLP","public_title":null,"options":["Default Title"],"price":478000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457220546","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ken1_15d45bb0-d506-4e48-9e48-acd44ee04805.jpg?v=1754275669","\/\/tobirarecords.com\/cdn\/shop\/files\/ken2_d1c2e6d4-48b9-42d3-ba34-37785dc2a7ad.jpg?v=1754275669"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ken1_15d45bb0-d506-4e48-9e48-acd44ee04805.jpg?v=1754275669","options":["Title"],"media":[{"alt":null,"id":36473530384634,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ken1_15d45bb0-d506-4e48-9e48-acd44ee04805.jpg?v=1754275669"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ken1_15d45bb0-d506-4e48-9e48-acd44ee04805.jpg?v=1754275669","width":700},{"alt":null,"id":36473530417402,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ken2_d1c2e6d4-48b9-42d3-ba34-37785dc2a7ad.jpg?v=1754275669"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ken2_d1c2e6d4-48b9-42d3-ba34-37785dc2a7ad.jpg?v=1754275669","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1990年から活動している日本のニューエイジ作家Ken-ichiro Isodaが、2025年9月にカナダ・トロントのオールジャンルレーベルWe Are Busy Bodiesからリリースする再発2枚組レコードです。（オリジナルは1990年にCDリリース）\u003c\/p\u003e\n\u003cp\u003e穏やかな時間を演出するニューエイジ・アンビエント8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/OAaWjyFPicE?si=twz3bfNJEyArFp2Q\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes OBI + English and Japanese liner notes.\u003c\/span\u003e\u003cbr\u003eEdition of \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e500 copies.\u003cbr\u003e\u003cbr\u003eReissue - originally recorded in 1990.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eBeach of the Pliocene\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA2\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eGiovanni's Sadness\u003cbr\u003e\u003c\/span\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eBlue Magic Lantern\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eGauche's Night\u003cbr\u003eC1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eThe Birth of a Star\u003cbr\u003eC2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEve of the Visitarian Festival\u003cbr\u003eD1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSparkle of Space Time\u003cbr\u003eD2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eA Tender Hourglass\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWe Are Busy Bodies:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"We Are Busy Bodies announces a double LP compilation of Japanese ambient composer Ken-ichiro Isoda out on September 26. The double LP set is a compilation of 8 tracks from Isoda’s 6 CD albums released in 1990 and 1991, selected, edited, and reconstructed by himself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSide A contains two songs from the album “Beach of the Pliocene”, Side B contains two songs from the album “Meditation of Clammbon”, Side C contains two songs from the album “Majel's Star”, and Side D contains two songs from the album \"Sparkle of Space Time\".\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIsoda’s music has seen reissues on CD reissues in the past, this is the first time any of the tracks have been released on vinyl. Following” Oscillation Circuit” (2023) and “Majel's Slumber” (2024).\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrom the artist:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“\u003cem\u003eIn writing the liner notes, I re-read the old liner notes I wrote in 1990 and found that although I was a bit self-conscious due to my youth, I was able to fully describe the compositional process and my thinking at the time, even though they were short. I still believe that the basic content of the notes is as I wrote them.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Design of Silence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI have kept these pioneers in mind throughout this work\u003cspan class=\"bcTruncateMore\"\u003e. Of course, this work is not intended to be a “design for silence” in the strict sense of the word. For example, I was trying to create music that would serve as a “sonic air freshener for living spaces” or a “sonic remedy for tired ears”.\u003cbr\u003e\u003cbr\u003eHowever, I had in my mind the sounds and ideas of my predecessors. Erik Satie, John Cage, Brian Eno, Satoshi Ashikawa. I was always thinking about them. Even though I rarely followed their techniques in the purely musical sense.\u003cbr\u003e\u003cbr\u003ePlain, almost undeveloped motifs. Infinitely repeatable sound patterns. Sound colors that change very little in between.\u003cbr\u003e\u003cbr\u003eThese things are recorded here in a classical, live instrument-centered performance. I considered this to be the most important element of this work. The sounds of historical instruments have been refined and perfected into the most pleasing sounds through countless human ears. I aspired to record the subtle rhythmic swings and tonal changes that develop using these sounds in a live performance.\u003cbr\u003e\u003cbr\u003eThe repetitive sounds here can never be all equal quality. These truly microscopic, delicate changes are what I considered so important in this work.\u003cbr\u003e\u003cbr\u003eAny time, any space. Reading, cooling down, waiting for sleep, recalling memories, or whatever. I would be honored and delighted if these sounds could bring even a little bit of color to the listener's life.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ken-ichiro Isoda\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e"}
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1990年から活動している日本のニューエイジ作家Ken-ichiro Isodaが、2025年9月にカナダ・トロントのオールジャンルレーベルWe Are Busy Bodiesからリリースする再発2枚組レコードです。（オリジナルは1990年にCDリリース） 穏やかな時間を演出するニューエイジ・アンビエント8曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more We Are Busy...
¥4,780