Cool Maritime // Big Earth Energy LP
Cool Maritime // Big Earth Energy LP
¥3,350
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アメリカのポストニューエイジ・アンビエント作家／映像作家Cool Maritimeが、2022年5月に同国Western Vinylからリリースしたレコードです。
躍動感のあるポストニューエイジ・アンビエント7曲を収録。
レーベルその他作品はこちら /// Click here to see more Western Vinyl releases available at Tobira.
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Artist : Cool Maritime
Label : Western Vinyl
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{"id":8657878417658,"title":"Elori Saxl \/\/ Earth Focus (Original Score) LP","handle":"elori-saxl-earth-focus-original-score-lp","description":"\u003cp\u003e\u003cspan\u003eアメリカ・NYのアンビエント作家Elori Saxlが、2024年11月に同国老舗レーベルWestern Vinylからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカの公共放送局PBSのドキュメンタリー番組Earth Focusのサウンドトラックとして制作した、穏やかなアンビエント〜ポストニューエイジ・アンビエント14曲を収録。\u003c\/p\u003e\n\u003cp\u003eマスタリングはStephan Mathieuが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3394120278\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3394120278\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=86090666\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Concrete River\u003cbr\u003e2. How We Got Here\u003cbr\u003e3. Shorter Lifespan\u003cbr\u003e4. Architectural Plans\u003cbr\u003e5. Scale the Model\u003cbr\u003e6. What Gets Out\u003cbr\u003e7. Taking Action\u003cbr\u003e8. Grows Along the River Slow 02:06 video\u003cbr\u003e9. Grows Along the River Fast 08:50\u003cbr\u003e10. In 50 Years\u003cbr\u003e11. Love of Sea and Air\u003cbr\u003e12. Alternative Futures\u003cbr\u003e13. Changing Neighborhood\u003cbr\u003e14. Generations and Generations\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eElori Saxl's new full-length album Earth Focus consists of material Elori created to soundtrack the PBS show of the same name.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEarth Focus (the TV series) delves into the intricate connections between Southern California's natural landscapes and urban development. Each episode explores a specific location, including the Los Angeles River, Diablo Canyon Nuclear Power Plant, Joshua Tree National Park, and the Mojave Desert. Saxl's music underscores the emotional narratives of these places, emphasizing the interplay between humans and nature and the impact of human-constructed environments.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSaxl crafted the music using digitally manipulated recordings of water and wind, analog synthesizers, MIDI samples, and processed woodwinds (clarinet, bass clarinet, flute) performed by Stuart Bogie. The music loosely references the psychedelic and dreamlike sounds often associated with Los Angeles' past and present but with a twist, blending real and synthetic elements and foregrounding the artificiality of sample sounds as a way of reflecting the palpable sense of the landscape being constructed and increasingly precarious.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Elori Saxl\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWV273\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-11-05T13:50:35+09:00","created_at":"2024-11-05T11:53:04+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","post newage","recommended","western vinyl"],"price":349300,"price_min":349300,"price_max":349300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46826379575546,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Elori Saxl \/\/ Earth Focus (Original Score) LP","public_title":null,"options":["Default Title"],"price":349300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"843563177037","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/foc1.jpg?v=1730775100","\/\/tobirarecords.com\/cdn\/shop\/files\/foc2.jpg?v=1730775100"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/foc1.jpg?v=1730775100","options":["Title"],"media":[{"alt":null,"id":35151657599226,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/foc1.jpg?v=1730775100"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/foc1.jpg?v=1730775100","width":700},{"alt":null,"id":35151657631994,"position":2,"preview_image":{"aspect_ratio":1.818,"height":660,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/foc2.jpg?v=1730775100"},"aspect_ratio":1.818,"height":660,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/foc2.jpg?v=1730775100","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・NYのアンビエント作家Elori Saxlが、2024年11月に同国老舗レーベルWestern Vinylからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカの公共放送局PBSのドキュメンタリー番組Earth Focusのサウンドトラックとして制作した、穏やかなアンビエント〜ポストニューエイジ・アンビエント14曲を収録。\u003c\/p\u003e\n\u003cp\u003eマスタリングはStephan Mathieuが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3394120278\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3394120278\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=86090666\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Concrete River\u003cbr\u003e2. How We Got Here\u003cbr\u003e3. Shorter Lifespan\u003cbr\u003e4. Architectural Plans\u003cbr\u003e5. Scale the Model\u003cbr\u003e6. What Gets Out\u003cbr\u003e7. Taking Action\u003cbr\u003e8. Grows Along the River Slow 02:06 video\u003cbr\u003e9. Grows Along the River Fast 08:50\u003cbr\u003e10. In 50 Years\u003cbr\u003e11. Love of Sea and Air\u003cbr\u003e12. Alternative Futures\u003cbr\u003e13. Changing Neighborhood\u003cbr\u003e14. Generations and Generations\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eElori Saxl's new full-length album Earth Focus consists of material Elori created to soundtrack the PBS show of the same name.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEarth Focus (the TV series) delves into the intricate connections between Southern California's natural landscapes and urban development. Each episode explores a specific location, including the Los Angeles River, Diablo Canyon Nuclear Power Plant, Joshua Tree National Park, and the Mojave Desert. Saxl's music underscores the emotional narratives of these places, emphasizing the interplay between humans and nature and the impact of human-constructed environments.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSaxl crafted the music using digitally manipulated recordings of water and wind, analog synthesizers, MIDI samples, and processed woodwinds (clarinet, bass clarinet, flute) performed by Stuart Bogie. The music loosely references the psychedelic and dreamlike sounds often associated with Los Angeles' past and present but with a twist, blending real and synthetic elements and foregrounding the artificiality of sample sounds as a way of reflecting the palpable sense of the landscape being constructed and increasingly precarious.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Elori Saxl\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWV273\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYのアンビエント作家Elori Saxlが、2024年11月に同国老舗レーベルWestern Vinylからリリースしたレコードです。 アメリカの公共放送局PBSのドキュメンタリー番組Earth Focusのサウンドトラックとして制作した、穏やかなアンビエント〜ポストニューエイジ・アンビエント14曲を収録。 マスタリングはStephan Mathieuが担当しています。 レーベルその他作品はこちら /// Click here to see more Western Vinyl releases...
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{"id":8631468097786,"title":"Joseph Shabason \/\/ Welcome To Hell LP","handle":"joseph-shabason-welcome-to-hell-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eカナダ・トロントのサックス奏者Joseph Shabasonが、2023年10月にアメリカの老舗レーベルWestern Vinylからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1996年のスケートボード作品『Welcome To Hell』にインスパイアされたアンビエント・スピリチュアルジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"地獄ってどんなところ？警察官、ビジネスマン、ファーストフード店の従業員の映像の上に星条旗が脈打つようにオーバーレイされた、トイマシンスケートボードの1996年の代表的なビデオ\u003cmeta charset=\"utf-8\"\u003e『\u003cmeta charset=\"utf-8\"\u003eWelcome To Hell 』のイントロは、地獄をアメリカの例外主義の蜃気楼として描いているように見えるだろう。外見上は火と硫黄のにおいはしないが、鼻を風に向けてみれば硫黄のにおいがするような、何世紀にもわたって続く非現実。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのシーンの後に登場するのは、そのような明らかな天罰の描写から生まれた、あるいはそれにもかかわらず、文化の試金石となるものだ。最高レベルで披露されるスケートボードは、この後何十年にもわたって観客に影響を与え、愛着を抱かせるような方法で構成され、展示される。\u003cmeta charset=\"utf-8\"\u003e『\u003cmeta charset=\"utf-8\"\u003eWelcome To Hell 』では、ユニークかつ先進的なスケートボーダーたちがパッチワークのように登場するが、そのほとんどが彼らの世界でアイコン的存在となり、現代のスケートボードビデオのあり方を再定義する一助となった。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e若きJoseph Shabasonはその衝撃を感じていた。この高名なミュージシャンは、青春時代に『\u003cmeta charset=\"utf-8\"\u003eWelcome To Hell 』のVHSを何百回も巻き戻した。爽快で、即興的で、全身を使ったスケートボードの体験は、\u003cmeta charset=\"utf-8\"\u003eShabasonがジャズになぞらえたもので、ウィールと木管楽器の間には共通の言語が存在する。スケートボーダーとミュージシャンがその言語を使い分けることで、\"スタイル \"という気まぐれな概念に定義が加わる。スケーターとミュージシャンのアンサンブルは騒々しく、クリエイティブな集団だ。この関係性とトイマシンの名作を振り返ることで、\u003cmeta charset=\"utf-8\"\u003eShabasonは最終的に「地獄のサウンドとはどんなものか」と考えるようになる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eその答えは、彼のこれまでのレコードと同様、パーソナルな世界に生きるコンセプトアルバムだった。スケートボードそのものがそうであるように、\"Welcome To Hell \"の再ソロ化という新しい試みに\u003cmeta charset=\"utf-8\"\u003eShabasonは挑戦することになる。このビデオのオリジナルサウンドトラックは、ミスフィッツ、ブラックサバス、ソニックユースといったバンドのアクティブでアグレッシブな楽曲をミックスしたもので、多くの人にとって音楽の目覚めとなった。\u003cmeta charset=\"utf-8\"\u003eShabasonは、この10曲のアルバムの中で、角ばった曲やアンビエントな曲と戯れ、画面上のアクションとともに前進する大編成のメロディーを探求し、このカルチャーを定義するスケートビデオと登場するスケートボーダーに対する私たちの理解を再構築するような、微妙かつ実質的な方法でムードを変化させている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eシャバソンの本作は、27年前の名作に新たな畏敬の念を植え付ける挑発的な再映像化であり、オリジナルが最初に投げかけた「地獄が何度も戻りたくなる場所だとしたら？」という問いを示唆する。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/8UmXG0e_PpU?si=ymNJAyFATYI3o-SO\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1031436541\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3090220120\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRed \u0026amp; Black LP. Ask us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003eWhat does hell look like? The introduction of Toy Machine skateboard's seminal 1996 video “Welcome To Hell,” with its pulsing overlay of the Stars and Stripes on top footage of police officers, businessmen, and fast food service workers, would appear to paint hell as the mirage of American exceptionalism. A thick, centuries-spanning unreality that may not outwardly trade in fire and brimstone, but if you turn your nose to the wind, you’ll smell sulphur.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhat comes after that scene, born of — or despite — those apparent depictions of damnation, would become a cultural touchstone: skateboarding performed at the highest level, composed and displayed in a fashion that would influence and endear audiences for decades to come. “Welcome To Hell” features a unique and progressive patchwork of skateboarders, most of which would become icons in their world, and helped redefine what the modern skateboarding video could be.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA young Joseph Shabason felt that impact. The acclaimed musician hit rewind on his VHS copy of “Welcome To Hell” hundreds of times in his youth, each watch as thrilling as the last. That invigorating, improvisational, full-body experience of skateboarding is one that Shabason likens to jazz, where a shared language\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e exists between the wheels and woodwinds. The way the skateboarder and musician command that language is what distinguishes them, adding definition to the mercurial concept of “style.” This connection becomes most apparent in collaboration; ensembles of skaters and musicians are a noisy, creative bunch. Reflecting on this relationship and the Toy Machine classic would ultimately lead Shabason to wonder: what does hell sound like?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe answer was a concept album that, like his previous records, lives in the personal. One that, much like skateboarding itself, would push him to try something new: rescoring “Welcome To Hell.” The video’s original soundtrack served as a musical awakening for many — an active, aggressive mix of songs from bands like The Misfits, Black Sabbath, and Sonic Youth. Here, you’ll find that recontextualized, softened, yet no less energizing. Over the album’s ten songs, Shabason plays with the angular and ambient, exploring large group melodies that move forward with the on-screen action, shifting the mood in subtle and substantial ways that reframe our understanding of this culture-defining skate video and the skateboarders in it.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn Shabason’s “Hell,” quintessential “East Coast powerhouse,” Mike Maldonado is backed by a sharp, driving modal composition that calls back to 1970s Miles Davis, the melodic sensibilities of Azimuth, and stands as a fascinating complement to Maldonado’s hard-charging on-board approach. The debut of Elissa Steamer, a pioneer decades ahead of her time, is given fresh spirit with an off-kilter funk. Brian Anderson, whose virtuosic section was originally guided by a dour Pink Floyd track, now flies across the screen in jazzy fits and starts, punctuated by the joyous wail of Shabason’s saxophone. Nowhere does the fluid and improvisational intersection of skateboarding and jazz meet and swell than with Donny Barley. His easy, instinctual cool flecked with tinkling synths and bass lines that echo the natural power of Barley’s abilities.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShabason then creates what could be rightly considered an audio portrait of Ed Templeton. The celebrated visual artist, photographer, and founder of Toy Machine cuts a distinct profile, which Shabason distills with a throbbing, slanted rhythm and an eerie layering of feedback and pressuring keys. The “curtains” section in “Welcome To Hell” belongs to Jamie Thomas, whose career-defining performance here would set the stage for a decades-spanning career and a level of influence in skateboarding that is still felt today. Shabason meets Thomas’ epic with a commanding, angular rhythm that builds and flows with the momentum of his skateboarding. Airy group melodies mingle with a wonked-out vibraphone and tight percussion that lets loose in florid bursts before devolving into a finishing sequence of muscular improvisation — a fittingly bold interpretation of the work of one of skateboarding’s most daring practitioners.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFinally, as if ending with his thesis statement, the last song of Shabason’s “Welcome To Hell” is a calming vocal harmony that lies atop the video’s infamous “bail section.” A horrific collection of skateboarders falling and twisting themselves into agonizing, unnatural shapes — a Hieronymous Bosch captured on VHS. It’s the culmination of the unexpected made whole. Shabason’s album a provocative reimagining that instills a new sense of awe in the 27-year-old classic, prompting the question first posed by the original: what if hell was a place you wanted to return to again and again?\u003c\/span\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joseph Shabason\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e","published_at":"2024-09-29T12:46:50+09:00","created_at":"2024-09-29T12:46:14+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","recommended","western vinyl"],"price":394800,"price_min":394800,"price_max":394800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46698663379194,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joseph Shabason \/\/ Welcome To Hell LP","public_title":null,"options":["Default Title"],"price":394800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"843563166390","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0615333572_16.jpg?v=1696504625"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0615333572_16.jpg?v=1696504625","options":["Title"],"media":[{"alt":null,"id":32526904164602,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0615333572_16.jpg?v=1696504625"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0615333572_16.jpg?v=1696504625","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eカナダ・トロントのサックス奏者Joseph Shabasonが、2023年10月にアメリカの老舗レーベルWestern Vinylからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1996年のスケートボード作品『Welcome To Hell』にインスパイアされたアンビエント・スピリチュアルジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"地獄ってどんなところ？警察官、ビジネスマン、ファーストフード店の従業員の映像の上に星条旗が脈打つようにオーバーレイされた、トイマシンスケートボードの1996年の代表的なビデオ\u003cmeta charset=\"utf-8\"\u003e『\u003cmeta charset=\"utf-8\"\u003eWelcome To Hell 』のイントロは、地獄をアメリカの例外主義の蜃気楼として描いているように見えるだろう。外見上は火と硫黄のにおいはしないが、鼻を風に向けてみれば硫黄のにおいがするような、何世紀にもわたって続く非現実。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのシーンの後に登場するのは、そのような明らかな天罰の描写から生まれた、あるいはそれにもかかわらず、文化の試金石となるものだ。最高レベルで披露されるスケートボードは、この後何十年にもわたって観客に影響を与え、愛着を抱かせるような方法で構成され、展示される。\u003cmeta charset=\"utf-8\"\u003e『\u003cmeta charset=\"utf-8\"\u003eWelcome To Hell 』では、ユニークかつ先進的なスケートボーダーたちがパッチワークのように登場するが、そのほとんどが彼らの世界でアイコン的存在となり、現代のスケートボードビデオのあり方を再定義する一助となった。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e若きJoseph Shabasonはその衝撃を感じていた。この高名なミュージシャンは、青春時代に『\u003cmeta charset=\"utf-8\"\u003eWelcome To Hell 』のVHSを何百回も巻き戻した。爽快で、即興的で、全身を使ったスケートボードの体験は、\u003cmeta charset=\"utf-8\"\u003eShabasonがジャズになぞらえたもので、ウィールと木管楽器の間には共通の言語が存在する。スケートボーダーとミュージシャンがその言語を使い分けることで、\"スタイル \"という気まぐれな概念に定義が加わる。スケーターとミュージシャンのアンサンブルは騒々しく、クリエイティブな集団だ。この関係性とトイマシンの名作を振り返ることで、\u003cmeta charset=\"utf-8\"\u003eShabasonは最終的に「地獄のサウンドとはどんなものか」と考えるようになる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eその答えは、彼のこれまでのレコードと同様、パーソナルな世界に生きるコンセプトアルバムだった。スケートボードそのものがそうであるように、\"Welcome To Hell \"の再ソロ化という新しい試みに\u003cmeta charset=\"utf-8\"\u003eShabasonは挑戦することになる。このビデオのオリジナルサウンドトラックは、ミスフィッツ、ブラックサバス、ソニックユースといったバンドのアクティブでアグレッシブな楽曲をミックスしたもので、多くの人にとって音楽の目覚めとなった。\u003cmeta charset=\"utf-8\"\u003eShabasonは、この10曲のアルバムの中で、角ばった曲やアンビエントな曲と戯れ、画面上のアクションとともに前進する大編成のメロディーを探求し、このカルチャーを定義するスケートビデオと登場するスケートボーダーに対する私たちの理解を再構築するような、微妙かつ実質的な方法でムードを変化させている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eシャバソンの本作は、27年前の名作に新たな畏敬の念を植え付ける挑発的な再映像化であり、オリジナルが最初に投げかけた「地獄が何度も戻りたくなる場所だとしたら？」という問いを示唆する。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/8UmXG0e_PpU?si=ymNJAyFATYI3o-SO\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1031436541\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3090220120\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRed \u0026amp; Black LP. Ask us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003eWhat does hell look like? The introduction of Toy Machine skateboard's seminal 1996 video “Welcome To Hell,” with its pulsing overlay of the Stars and Stripes on top footage of police officers, businessmen, and fast food service workers, would appear to paint hell as the mirage of American exceptionalism. A thick, centuries-spanning unreality that may not outwardly trade in fire and brimstone, but if you turn your nose to the wind, you’ll smell sulphur.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhat comes after that scene, born of — or despite — those apparent depictions of damnation, would become a cultural touchstone: skateboarding performed at the highest level, composed and displayed in a fashion that would influence and endear audiences for decades to come. “Welcome To Hell” features a unique and progressive patchwork of skateboarders, most of which would become icons in their world, and helped redefine what the modern skateboarding video could be.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA young Joseph Shabason felt that impact. The acclaimed musician hit rewind on his VHS copy of “Welcome To Hell” hundreds of times in his youth, each watch as thrilling as the last. That invigorating, improvisational, full-body experience of skateboarding is one that Shabason likens to jazz, where a shared language\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e exists between the wheels and woodwinds. The way the skateboarder and musician command that language is what distinguishes them, adding definition to the mercurial concept of “style.” This connection becomes most apparent in collaboration; ensembles of skaters and musicians are a noisy, creative bunch. Reflecting on this relationship and the Toy Machine classic would ultimately lead Shabason to wonder: what does hell sound like?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe answer was a concept album that, like his previous records, lives in the personal. One that, much like skateboarding itself, would push him to try something new: rescoring “Welcome To Hell.” The video’s original soundtrack served as a musical awakening for many — an active, aggressive mix of songs from bands like The Misfits, Black Sabbath, and Sonic Youth. Here, you’ll find that recontextualized, softened, yet no less energizing. Over the album’s ten songs, Shabason plays with the angular and ambient, exploring large group melodies that move forward with the on-screen action, shifting the mood in subtle and substantial ways that reframe our understanding of this culture-defining skate video and the skateboarders in it.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn Shabason’s “Hell,” quintessential “East Coast powerhouse,” Mike Maldonado is backed by a sharp, driving modal composition that calls back to 1970s Miles Davis, the melodic sensibilities of Azimuth, and stands as a fascinating complement to Maldonado’s hard-charging on-board approach. The debut of Elissa Steamer, a pioneer decades ahead of her time, is given fresh spirit with an off-kilter funk. Brian Anderson, whose virtuosic section was originally guided by a dour Pink Floyd track, now flies across the screen in jazzy fits and starts, punctuated by the joyous wail of Shabason’s saxophone. Nowhere does the fluid and improvisational intersection of skateboarding and jazz meet and swell than with Donny Barley. His easy, instinctual cool flecked with tinkling synths and bass lines that echo the natural power of Barley’s abilities.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShabason then creates what could be rightly considered an audio portrait of Ed Templeton. The celebrated visual artist, photographer, and founder of Toy Machine cuts a distinct profile, which Shabason distills with a throbbing, slanted rhythm and an eerie layering of feedback and pressuring keys. The “curtains” section in “Welcome To Hell” belongs to Jamie Thomas, whose career-defining performance here would set the stage for a decades-spanning career and a level of influence in skateboarding that is still felt today. Shabason meets Thomas’ epic with a commanding, angular rhythm that builds and flows with the momentum of his skateboarding. Airy group melodies mingle with a wonked-out vibraphone and tight percussion that lets loose in florid bursts before devolving into a finishing sequence of muscular improvisation — a fittingly bold interpretation of the work of one of skateboarding’s most daring practitioners.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFinally, as if ending with his thesis statement, the last song of Shabason’s “Welcome To Hell” is a calming vocal harmony that lies atop the video’s infamous “bail section.” A horrific collection of skateboarders falling and twisting themselves into agonizing, unnatural shapes — a Hieronymous Bosch captured on VHS. It’s the culmination of the unexpected made whole. Shabason’s album a provocative reimagining that instills a new sense of awe in the 27-year-old classic, prompting the question first posed by the original: what if hell was a place you wanted to return to again and again?\u003c\/span\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joseph Shabason\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e"}
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カナダ・トロントのサックス奏者Joseph Shabasonが、2023年10月にアメリカの老舗レーベルWestern Vinylからリリースしたレコードです。 1996年のスケートボード作品『Welcome To Hell』にインスパイアされたアンビエント・スピリチュアルジャズ10曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "地獄ってどんなところ？警察官、ビジネスマン、ファーストフード店の従業員の映像の上に星条旗が脈打つようにオーバーレイされた、トイマシンスケートボードの1996年の代表的なビデオ『Welcome To Hell 』のイントロは、地獄をアメリカの例外主義の蜃気楼として描いているように見えるだろう。外見上は火と硫黄のにおいはしないが、鼻を風に向けてみれば硫黄のにおいがするような、何世紀にもわたって続く非現実。このシーンの後に登場するのは、そのような明らかな天罰の描写から生まれた、あるいはそれにもかかわらず、文化の試金石となるものだ。最高レベルで披露されるスケートボードは、この後何十年にもわたって観客に影響を与え、愛着を抱かせるような方法で構成され、展示される。『Welcome To Hell 』では、ユニークかつ先進的なスケートボーダーたちがパッチワークのように登場するが、そのほとんどが彼らの世界でアイコン的存在となり、現代のスケートボードビデオのあり方を再定義する一助となった。 若きJoseph...
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{"id":8630746284282,"title":"Caroline Says \/\/ The Lucky One LP","handle":"caroline-says-the-lucky-one-lp","description":"\u003cp\u003e\u003cspan\u003eアメリカ・テキサスのシンガーソングライターCaroline Saysが、2024年10月に同国老舗レーベルWestern Vinylからリリースしたレコードです。\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eインディーフォーク〜オルタナ・カントリー12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2725523920\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Lucky One\u003cbr\u003e2. Faded and Golden 03:13\u003cbr\u003e3. Actors\u003cbr\u003e4. Eyes in the Night\u003cbr\u003e5. Palm Reader\u003cbr\u003e6. Dust\u003cbr\u003e7. Always Looking Back\u003cbr\u003e8. Roses 04:11\u003cbr\u003e9. Daze\u003cbr\u003e10. Lightning\u003cbr\u003e11. Like We Do\u003cbr\u003e12. Something Good\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Western Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAlabama native Caroline Sallee, aka Caroline Says, started exploring the intricate nature of regret and the strangely persistent impact of fragments of our pasts with the release of her 2017 debut album, 50 Million Elvis Fans Can't Be Wrong. In 2018, after relocating to Austin, TX, she continued her character studies on her sophomore album, No Fool Like An Old Fool, with each song, as Pitchfork noted, evoking a sense of \"...her ghosts never quite disappearing from the rearview mirror.\" Those ghosts take center stage on her latest album, The Lucky One, on which her gaze is fixed more clearly than ever on the evocative landscapes of our memories – hometown bars, road trips, and late-night swims – and how these memories continue to shape who we are today. Throughout the writing process, an almost Dickensian triad of perspective emerged as Sallee moved from Texas back to Alabama, and then to Brooklyn, each new location informing her sense of past, present, and future. Like her previous two albums, Caroline wrote, performed, and recorded everything you hear on The Lucky One, a process that magnifies the insular clarity of her vision as she stitches together her casually sophisticated melodies and forlorn lyrics.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Caroline Says\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003eCAT No : WV265\u003c\/p\u003e","published_at":"2024-10-03T10:03:35+09:00","created_at":"2024-09-27T19:55:11+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","western vinyl"],"price":339700,"price_min":339700,"price_max":339700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46695099302138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Caroline Says \/\/ The Lucky One LP","public_title":null,"options":["Default Title"],"price":339700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"843563170076","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/one1_1fca8ebb-def4-40fc-b191-848c4782008b.jpg?v=1727434382","\/\/tobirarecords.com\/cdn\/shop\/files\/one2_c19a0d23-31a0-47db-bc66-446cd0830545.jpg?v=1727434382"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/one1_1fca8ebb-def4-40fc-b191-848c4782008b.jpg?v=1727434382","options":["Title"],"media":[{"alt":null,"id":34947357737210,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/one1_1fca8ebb-def4-40fc-b191-848c4782008b.jpg?v=1727434382"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/one1_1fca8ebb-def4-40fc-b191-848c4782008b.jpg?v=1727434382","width":700},{"alt":null,"id":34947357769978,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/one2_c19a0d23-31a0-47db-bc66-446cd0830545.jpg?v=1727434382"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/one2_c19a0d23-31a0-47db-bc66-446cd0830545.jpg?v=1727434382","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・テキサスのシンガーソングライターCaroline Saysが、2024年10月に同国老舗レーベルWestern Vinylからリリースしたレコードです。\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eインディーフォーク〜オルタナ・カントリー12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2725523920\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Lucky One\u003cbr\u003e2. Faded and Golden 03:13\u003cbr\u003e3. Actors\u003cbr\u003e4. Eyes in the Night\u003cbr\u003e5. Palm Reader\u003cbr\u003e6. Dust\u003cbr\u003e7. Always Looking Back\u003cbr\u003e8. Roses 04:11\u003cbr\u003e9. Daze\u003cbr\u003e10. Lightning\u003cbr\u003e11. Like We Do\u003cbr\u003e12. Something Good\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Western Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAlabama native Caroline Sallee, aka Caroline Says, started exploring the intricate nature of regret and the strangely persistent impact of fragments of our pasts with the release of her 2017 debut album, 50 Million Elvis Fans Can't Be Wrong. In 2018, after relocating to Austin, TX, she continued her character studies on her sophomore album, No Fool Like An Old Fool, with each song, as Pitchfork noted, evoking a sense of \"...her ghosts never quite disappearing from the rearview mirror.\" Those ghosts take center stage on her latest album, The Lucky One, on which her gaze is fixed more clearly than ever on the evocative landscapes of our memories – hometown bars, road trips, and late-night swims – and how these memories continue to shape who we are today. Throughout the writing process, an almost Dickensian triad of perspective emerged as Sallee moved from Texas back to Alabama, and then to Brooklyn, each new location informing her sense of past, present, and future. Like her previous two albums, Caroline wrote, performed, and recorded everything you hear on The Lucky One, a process that magnifies the insular clarity of her vision as she stitches together her casually sophisticated melodies and forlorn lyrics.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Caroline Says\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003eCAT No : WV265\u003c\/p\u003e"}
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アメリカ・テキサスのシンガーソングライターCaroline Saysが、2024年10月に同国老舗レーベルWestern Vinylからリリースしたレコードです。 インディーフォーク〜オルタナ・カントリー12曲を収録。 レーベルその他作品はこちら /// Click here to see more Western Vinyl releases available at Tobira. ...
¥3,397
クイックビュー
{"id":8605252419834,"title":"Chuck Johnson \/\/ Sun Glories LP","handle":"chuck-johnson-sun-glories-lp","description":"\u003cp\u003e\u003cspan\u003eアメリカ・オークランドのアンビエント作家Chuck Johnsonが、2024年8月に同国老舗レーベルWestern Vinylからリリースしたレコードです。\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eストリングスやサックスも取り入れたネオクラシカル・アンビエント〜ポストロック6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eChuck Johnson | pedal steel guitar, electric guitar, synthesizers, harmonium, organ, tapes, treatments\u003cbr\u003eRyan Jewell | drums\u003cbr\u003eClarice Jensen | cello\u003cbr\u003eEmily Packard | violin and viola\u003cbr\u003eCole Pulice | tenor saxophone and electronics \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=680281382\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Teleos 07:22\u003cbr\u003e2. Superior Mirage 04:57\u003cbr\u003e3. Hovering 07:46\u003cbr\u003e4. Sylvanshine 06:20\u003cbr\u003e5. Ground Wave 06:46\u003cbr\u003e6. Broken Spectre 07:11\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn his new album Sun Glories, Oakland-based musician, composer, and producer Chuck Johnson explores themes of time, memory, and illusion through his unique blend of pedal steel, synths, organs, strings, and drums. Opening track \"Teleos\" explores the linear and cyclical qualities of time itself through episodic sections and motifs, which evoke the bittersweet relief and nostalgia that flood the senses with the arrival of the first warm and sunny day after a long, dark, and rainy stretch of winter. According to Johnson, the piece \"took a surprising turn when I started adding guitar textures that recall the music I played and listened to when I was much younger.\" Evocative fields of guitars and pedal steel conspire to spark an intoxicating palimpsest of memories, before being ushered forward by an improvisatory and propulsive drum performance from Ryan Jewell.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe guitar-based \"Sylvanshine\" captures a moment between improvisation and nascent composition, elevated by a radiant glissandi performance by electro-acoustic saxophonist Cole Pulice. \"This track is an appreciative nod to Rachika Nayar, whose recent works have re-opened the electric guitar for me and inspired me to play that instrument again after a hiatus of several years,\" explains\u003cspan class=\"bcTruncateMore\"\u003e Johnson.\u003cbr\u003e\u003cbr\u003eOn \"Ground Wave\" Johnson revisits the composition technique of weaving a small string ensemble into clouds of pedal steel, similar to his approach on \"Red Branch Bell' from his 2021 LP The Cinder Grove. \"When the pedal steel solo comes in at about 3:30, I wanted to make it feel like the ground suddenly disappearing from under the listener’s feet.\" To achieve his vision for this piece, Johnson work with cellist Clarice Jensen (who Johnson has worked with on film scores and in live performances), and violinist Emily Packard (who Johnson knew from his time at Mills College), both of whom layered multiple parts to create a virtual chamber ensemble.\u003cbr\u003e\u003cbr\u003eThe album concludes with \"Broken Spectre,\" a play on a term describing a ghostly optical illusion caused by sunlight bending over a mountain covered in mist or clouds. Once again Johnson's gorgeous pedal steel melodies build into a hypnotic swirl, which develops an epic sense of grandeur with the addition of Ryan Jewell's anthemic drumming. As the mist clears and the sun breaks through, this final track leaves the listener with a feeling of hope and resolution.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Chuck Johnson\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003eCAT No : WV272lp\u003c\/p\u003e","published_at":"2024-08-24T07:41:08+09:00","created_at":"2024-08-23T19:10:14+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","neo classical","new","western vinyl"],"price":329000,"price_min":329000,"price_max":329000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46598562676986,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chuck Johnson \/\/ Sun Glories LP","public_title":null,"options":["Default Title"],"price":329000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/glo1.jpg?v=1724407740","\/\/tobirarecords.com\/cdn\/shop\/files\/glo2.jpg?v=1724407740"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/glo1.jpg?v=1724407740","options":["Title"],"media":[{"alt":null,"id":34763518116090,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/glo1.jpg?v=1724407740"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/glo1.jpg?v=1724407740","width":700},{"alt":null,"id":34763518148858,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/glo2.jpg?v=1724407740"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/glo2.jpg?v=1724407740","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・オークランドのアンビエント作家Chuck Johnsonが、2024年8月に同国老舗レーベルWestern Vinylからリリースしたレコードです。\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eストリングスやサックスも取り入れたネオクラシカル・アンビエント〜ポストロック6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eChuck Johnson | pedal steel guitar, electric guitar, synthesizers, harmonium, organ, tapes, treatments\u003cbr\u003eRyan Jewell | drums\u003cbr\u003eClarice Jensen | cello\u003cbr\u003eEmily Packard | violin and viola\u003cbr\u003eCole Pulice | tenor saxophone and electronics \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=680281382\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Teleos 07:22\u003cbr\u003e2. Superior Mirage 04:57\u003cbr\u003e3. Hovering 07:46\u003cbr\u003e4. Sylvanshine 06:20\u003cbr\u003e5. Ground Wave 06:46\u003cbr\u003e6. Broken Spectre 07:11\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn his new album Sun Glories, Oakland-based musician, composer, and producer Chuck Johnson explores themes of time, memory, and illusion through his unique blend of pedal steel, synths, organs, strings, and drums. Opening track \"Teleos\" explores the linear and cyclical qualities of time itself through episodic sections and motifs, which evoke the bittersweet relief and nostalgia that flood the senses with the arrival of the first warm and sunny day after a long, dark, and rainy stretch of winter. According to Johnson, the piece \"took a surprising turn when I started adding guitar textures that recall the music I played and listened to when I was much younger.\" Evocative fields of guitars and pedal steel conspire to spark an intoxicating palimpsest of memories, before being ushered forward by an improvisatory and propulsive drum performance from Ryan Jewell.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe guitar-based \"Sylvanshine\" captures a moment between improvisation and nascent composition, elevated by a radiant glissandi performance by electro-acoustic saxophonist Cole Pulice. \"This track is an appreciative nod to Rachika Nayar, whose recent works have re-opened the electric guitar for me and inspired me to play that instrument again after a hiatus of several years,\" explains\u003cspan class=\"bcTruncateMore\"\u003e Johnson.\u003cbr\u003e\u003cbr\u003eOn \"Ground Wave\" Johnson revisits the composition technique of weaving a small string ensemble into clouds of pedal steel, similar to his approach on \"Red Branch Bell' from his 2021 LP The Cinder Grove. \"When the pedal steel solo comes in at about 3:30, I wanted to make it feel like the ground suddenly disappearing from under the listener’s feet.\" To achieve his vision for this piece, Johnson work with cellist Clarice Jensen (who Johnson has worked with on film scores and in live performances), and violinist Emily Packard (who Johnson knew from his time at Mills College), both of whom layered multiple parts to create a virtual chamber ensemble.\u003cbr\u003e\u003cbr\u003eThe album concludes with \"Broken Spectre,\" a play on a term describing a ghostly optical illusion caused by sunlight bending over a mountain covered in mist or clouds. Once again Johnson's gorgeous pedal steel melodies build into a hypnotic swirl, which develops an epic sense of grandeur with the addition of Ryan Jewell's anthemic drumming. As the mist clears and the sun breaks through, this final track leaves the listener with a feeling of hope and resolution.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Chuck Johnson\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003eCAT No : WV272lp\u003c\/p\u003e"}
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アメリカ・オークランドのアンビエント作家Chuck Johnsonが、2024年8月に同国老舗レーベルWestern Vinylからリリースしたレコードです。 ストリングスやサックスも取り入れたネオクラシカル・アンビエント〜ポストロック6曲を収録。 Chuck Johnson | pedal steel guitar, electric guitar, synthesizers, harmonium,...
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