contemporary / sound poetry
クイックビュー
{"id":8073100755194,"title":"Fabio Perletta \/\/ Nessun Legame con la Polvere CD","handle":"fabio-perletta-nessun-legame-con-la-polvere-cd","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e※11\/19のTobira x Void企画に出演します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eイタリアの実験音楽家Fabio Perlettaが、2023年11月にオーストラリアの実験レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eピアノと物音による実験アンビエント〜ドローン7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このリリースのタイトル「Nessun Legame con la Polvere（埃に執着しない）」は、禅の物語と、私のプロジェクト「I Fiori Non Vedono Mai I Propri Semi（花は自分の種を見ない）」の10個の彫刻のうちの1つである小さな木箱から引用している。この作品は2020年、イタリアのポリナリアの森でAequusol Autumnus MMXXの一環として展示された。この展覧会には音がなかった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e生命、私たちが構成する物質、そして私たちが毎日使用する物体は、それ自体で実体として考えることはできず、むしろこれらの物事の間の関係、それらが互いに影響し合う方法として考えるべきであることは、今や明らかである。それ自体のもつれや特殊な性質でさえも、それらが他のものに影響を与え、作用する方法にほかならない。これは量子物理学が長年採用してきた視点であり、私たちの生物学や感情の基礎でもある。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e世界を認識するとき、私たちは厳密に局所化された視点を確立する。『Nessun Legame con la Polvere』は、相互影響の網の目である。永遠に行ったり来たりする出会い、予測不可能な方法で他と交差する音、時間の経過とともに沈殿し、再浮上する断片、知らず知らずのうちに舵を別のコースではなく、あるコースに向けた個人的な出来事。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Nessun Legame con la Polvere』は、失われた友人、死、そしてそれと対をなす生命の並外れた力についての瞑想である。この作品のタイトルは、私がこれまで述べてきたことを裏切っているようだが、私はその逆説的で奇妙な謎解きの中で、物事の価値を本当に理解することを学んだ。私は、目的、私たちの存在に対する答え、意味や神を求めることなく、より広い意味で人生の複雑さを熟考する視点を受け入れた。塵に執着しないことは、可能性を開き、可能性を歓迎する。\u003cbr\u003e\u003cbr\u003eこの作品が、耳を傾けながら何らかの光を生み出し、あなたと世界の影、その波紋や小さな隙間、限りなく小さなものと得体の知れない広大な宇宙との間に新たな関係を生み出すことを願っている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=521671964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD includes fold-out booklet. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSenza Titolo I\u003c\/li\u003e\n\u003cli\u003eSenza Titolo II\u003c\/li\u003e\n\u003cli\u003eSenza Titolo III\u003c\/li\u003e\n\u003cli\u003eSenza Titolo IV 04:28\u003c\/li\u003e\n\u003cli\u003eSenza Titolo V\u003c\/li\u003e\n\u003cli\u003eSenza Titolo VI\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e++\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eArtist statement by Fabio Perletta:\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\"This release borrows its title ‘Nessun Legame con la Polvere’ (No Attachment To Dust) from a Zen story as well as from a small wooden box, namely one of ten sculptures of my project ‘I Fiori Non Vedono Mai I Propri Semi’ (Flowers Don't Ever See Their Own Seeds). This artwork was exhibited in 2020 at Pollinaria’s forest, Italy as part of Aequusol Autumnus MMXX. The exhibition had no sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt is now clear that life, the matter we are made of, and the objects we use every day cannot be considered entities in their own right but rather as relationships between these things, the way they affect each other. Even their own tangibility and particular properties are nothing but the way they influence and act on other things. It is a perspective that quantum physics has adopted for many years, but also the basis of our biology, of our feelings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen we perceive the world we establish a strictly localised perspective which in turn can generate a more extended and widespread resonance within and around us. ‘Nessun Legame con la Polvere’ is a web of mutual influences; encounters that come and go forever; sounds that intersect with others in unpredictable ways, fragments sedimented over time and resurfaced\u003cspan class=\"bcTruncateMore\"\u003e, personal happenings that unwittingly steered the rudder towards one course rather than another.\u003cbr\u003e\u003cbr\u003e‘Nessun Legame con la Polvere’ is a meditation on lost friends, death and its counterpart, the extraordinary force of life. Although the title of this work seems to betray what I have stated so far, it is in its paradoxical, bizarre riddle that I learnt to really appreciate the value of things. I embraced a perspective that contemplates life's complexity in a broader sense, without looking for a purpose, an alleged answer to our existence, a meaning or God. Having no attachment to dust opens up to possibilities, it welcomes likelihoods.\u003cbr\u003e\u003cbr\u003eI hope that this work can generate some light while listening, and create new relationships between you and the shadows of the world, their ripples and little openings, between the infinitely small and the unknowable vastness of the universe.\u003c\/span\u003e \"\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Fabio Perletta\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-11-09T17:31:07+09:00","created_at":"2023-11-08T10:35:56+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","monooto","new","room40"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44745064120570,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Fabio Perletta \/\/ Nessun Legame con la Polvere CD","public_title":null,"options":["Default Title"],"price":215000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ne1_cf645b00-7263-4e04-97dd-290c0fd0acae.jpg?v=1699407358","\/\/tobirarecords.com\/cdn\/shop\/files\/ne2_f155c899-fd37-4cf7-81fb-92014d574f12.jpg?v=1699407358"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne1_cf645b00-7263-4e04-97dd-290c0fd0acae.jpg?v=1699407358","options":["Title"],"media":[{"alt":null,"id":32655530655994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne1_cf645b00-7263-4e04-97dd-290c0fd0acae.jpg?v=1699407358"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne1_cf645b00-7263-4e04-97dd-290c0fd0acae.jpg?v=1699407358","width":700},{"alt":null,"id":32655530688762,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne2_f155c899-fd37-4cf7-81fb-92014d574f12.jpg?v=1699407358"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne2_f155c899-fd37-4cf7-81fb-92014d574f12.jpg?v=1699407358","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e※11\/19のTobira x Void企画に出演します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eイタリアの実験音楽家Fabio Perlettaが、2023年11月にオーストラリアの実験レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eピアノと物音による実験アンビエント〜ドローン7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このリリースのタイトル「Nessun Legame con la Polvere（埃に執着しない）」は、禅の物語と、私のプロジェクト「I Fiori Non Vedono Mai I Propri Semi（花は自分の種を見ない）」の10個の彫刻のうちの1つである小さな木箱から引用している。この作品は2020年、イタリアのポリナリアの森でAequusol Autumnus MMXXの一環として展示された。この展覧会には音がなかった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e生命、私たちが構成する物質、そして私たちが毎日使用する物体は、それ自体で実体として考えることはできず、むしろこれらの物事の間の関係、それらが互いに影響し合う方法として考えるべきであることは、今や明らかである。それ自体のもつれや特殊な性質でさえも、それらが他のものに影響を与え、作用する方法にほかならない。これは量子物理学が長年採用してきた視点であり、私たちの生物学や感情の基礎でもある。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e世界を認識するとき、私たちは厳密に局所化された視点を確立する。『Nessun Legame con la Polvere』は、相互影響の網の目である。永遠に行ったり来たりする出会い、予測不可能な方法で他と交差する音、時間の経過とともに沈殿し、再浮上する断片、知らず知らずのうちに舵を別のコースではなく、あるコースに向けた個人的な出来事。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Nessun Legame con la Polvere』は、失われた友人、死、そしてそれと対をなす生命の並外れた力についての瞑想である。この作品のタイトルは、私がこれまで述べてきたことを裏切っているようだが、私はその逆説的で奇妙な謎解きの中で、物事の価値を本当に理解することを学んだ。私は、目的、私たちの存在に対する答え、意味や神を求めることなく、より広い意味で人生の複雑さを熟考する視点を受け入れた。塵に執着しないことは、可能性を開き、可能性を歓迎する。\u003cbr\u003e\u003cbr\u003eこの作品が、耳を傾けながら何らかの光を生み出し、あなたと世界の影、その波紋や小さな隙間、限りなく小さなものと得体の知れない広大な宇宙との間に新たな関係を生み出すことを願っている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=521671964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD includes fold-out booklet. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSenza Titolo I\u003c\/li\u003e\n\u003cli\u003eSenza Titolo II\u003c\/li\u003e\n\u003cli\u003eSenza Titolo III\u003c\/li\u003e\n\u003cli\u003eSenza Titolo IV 04:28\u003c\/li\u003e\n\u003cli\u003eSenza Titolo V\u003c\/li\u003e\n\u003cli\u003eSenza Titolo VI\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e++\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eArtist statement by Fabio Perletta:\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\"This release borrows its title ‘Nessun Legame con la Polvere’ (No Attachment To Dust) from a Zen story as well as from a small wooden box, namely one of ten sculptures of my project ‘I Fiori Non Vedono Mai I Propri Semi’ (Flowers Don't Ever See Their Own Seeds). This artwork was exhibited in 2020 at Pollinaria’s forest, Italy as part of Aequusol Autumnus MMXX. The exhibition had no sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt is now clear that life, the matter we are made of, and the objects we use every day cannot be considered entities in their own right but rather as relationships between these things, the way they affect each other. Even their own tangibility and particular properties are nothing but the way they influence and act on other things. It is a perspective that quantum physics has adopted for many years, but also the basis of our biology, of our feelings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen we perceive the world we establish a strictly localised perspective which in turn can generate a more extended and widespread resonance within and around us. ‘Nessun Legame con la Polvere’ is a web of mutual influences; encounters that come and go forever; sounds that intersect with others in unpredictable ways, fragments sedimented over time and resurfaced\u003cspan class=\"bcTruncateMore\"\u003e, personal happenings that unwittingly steered the rudder towards one course rather than another.\u003cbr\u003e\u003cbr\u003e‘Nessun Legame con la Polvere’ is a meditation on lost friends, death and its counterpart, the extraordinary force of life. Although the title of this work seems to betray what I have stated so far, it is in its paradoxical, bizarre riddle that I learnt to really appreciate the value of things. I embraced a perspective that contemplates life's complexity in a broader sense, without looking for a purpose, an alleged answer to our existence, a meaning or God. Having no attachment to dust opens up to possibilities, it welcomes likelihoods.\u003cbr\u003e\u003cbr\u003eI hope that this work can generate some light while listening, and create new relationships between you and the shadows of the world, their ripples and little openings, between the infinitely small and the unknowable vastness of the universe.\u003c\/span\u003e \"\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Fabio Perletta\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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※11/19のTobira x Void企画に出演します イタリアの実験音楽家Fabio Perlettaが、2023年11月にオーストラリアの実験レーベルroom40からリリースしたCDです。 ピアノと物音による実験アンビエント〜ドローン7曲を収録。 以下、作家本人による解説です。 "このリリースのタイトル「Nessun Legame con la Polvere（埃に執着しない）」は、禅の物語と、私のプロジェクト「I Fiori Non...
¥2,150
クイックビュー
{"id":8072342438138,"title":"Timo van Luijk \u0026 Frederik Croene \/\/ Ipnopedion LP","handle":"timo-van-luijk-frederik-croene-ipnopedion-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eベルギーの実験／ドローンレーベル\u003cmeta charset=\"utf-8\"\u003eLa Scie Doree主宰Timo van Luijkと、同国ピアニストFrederik Croeneが、2023年11月に45部限定でリリースした再発共作レコードです。（オリジナルは2020年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e今にも消えてなくなりそうな朧げなピアノとサウンドポエトリーによるコンテンポラリー2曲を収録。インサートとDLコード付属。 シルクスクリーン仕様のスリーブです。\u003c\/p\u003e\n\u003cp\u003eオリジナル盤も若干数在庫ございます。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/skQgbS8wWhs\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more La Scie Doree releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003esecond, numbered edition of 45 copies on ‘smoke vinyl’ with silkscreened sleeve, insert and download code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ethe first edition is also available.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eLa Scie Doree:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"On the frigid moonless night of December 6th, 1978, a 26 year-old night watchman named Pier Zanfretta was on a routine patrol in the village of Torriglia, where he stumbled into a horrifying encounter with aliens from Taetonia. In order to get more clarity about what happened that night Pier Zanfretta agreed to undergo hypnosis, to let his subconscious speak about his abduction by these aliens.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs his discours under hypnosis sounded uncannily musical and mesmerizing, even without understanding the words, it became the basis of this Ipnopedion album.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFor the recording of the title track ‘Ipnopedion’ (side 1) Zanfretta’s speech was played back on headphones, then phonetically reproduced by FC and TVL, lying down in darkness as being hypnotised. Apart from this transposed text only piano and a few hypnosis inducing atmospherics and spatialisations were added.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe ‘Taetonia’ track (side 2) opens with a naieve and enticing piano play slowly being beamed into a vacuum void towards Taetonia. As Zanfretta’s words were vague it remained unclear what happened in Taetonia but things certainly had changed…\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIpnopedion became a ritual invitation to withdraw from the concrete world, returning to it as uncanonical aliens from Taetonia.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eSide 1 : Ipnopedion\u003cbr\u003ePremiere live performance of commissioned composition for the ‘In Dreams’ Event, at Kunstencentrum nona in Mechelen, June 1, 2018.\u003cbr\u003eCurated by Philippe Cortens.\u003cbr\u003eFrederik Croene: piano\u003cbr\u003eTimo van Luijk: synthesizer, sound projection\u003cbr\u003e\u003cbr\u003eSide 2 : Taetonia\u003cbr\u003eRecorded and mixed at Kulta Saha 2019\u003cbr\u003eFrederik Croene: piano, organ\u003cbr\u003eTimo van Luijk: synthesizer, organ, atmospherics\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : Timo van Luijk \u0026amp; Frederik Croene\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : La Scie Doree\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-11-07T14:13:40+09:00","created_at":"2023-11-07T14:10:00+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","drone","La Scie Doree","lp","new"],"price":398000,"price_min":398000,"price_max":698000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44741912625402,"title":"silkscreened black sleeve","option1":"silkscreened black sleeve","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":40006442844410,"product_id":8072342438138,"position":6,"created_at":"2023-11-07T14:12:30+09:00","updated_at":"2023-11-07T14:12:30+09:00","alt":null,"width":768,"height":754,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/image-768x754.jpg?v=1699333950","variant_ids":[44741912625402]},"available":true,"name":"Timo van Luijk \u0026 Frederik Croene \/\/ Ipnopedion LP - silkscreened black sleeve","public_title":"silkscreened black sleeve","options":["silkscreened black sleeve"],"price":698000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":32651640766714,"position":6,"preview_image":{"aspect_ratio":1.019,"height":754,"width":768,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/image-768x754.jpg?v=1699333950"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44741912658170,"title":"white sleeve","option1":"white sleeve","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":40006443008250,"product_id":8072342438138,"position":7,"created_at":"2023-11-07T14:12:39+09:00","updated_at":"2023-11-07T14:12:39+09:00","alt":null,"width":768,"height":755,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/Ipnopedion_LP_2-768x755.jpg?v=1699333959","variant_ids":[44741912658170]},"available":true,"name":"Timo van Luijk \u0026 Frederik Croene \/\/ Ipnopedion LP - white sleeve","public_title":"white sleeve","options":["white sleeve"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":32651640865018,"position":7,"preview_image":{"aspect_ratio":1.017,"height":755,"width":768,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/Ipnopedion_LP_2-768x755.jpg?v=1699333959"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/image-768x754_d4480da8-fced-4b57-8722-0ceee6f2fc43.jpg?v=1699333808","\/\/tobirarecords.com\/cdn\/shop\/files\/R-14554288-1576954648-5568_jpeg_0d437871-45b8-4b33-8cd1-29eb450bf2e1.jpg?v=1699333808","\/\/tobirarecords.com\/cdn\/shop\/files\/SCIE2519_insert-768x768_614ee839-ed13-42d6-ba58-a2f3d51e0082.jpg?v=1699333808","\/\/tobirarecords.com\/cdn\/shop\/files\/image-768x754_981727a0-a74c-4aa2-9150-5154bd8e5a95.jpg?v=1699333808","\/\/tobirarecords.com\/cdn\/shop\/files\/Ipnopedion_LP_2-768x755_2ae3bcf0-09ea-46b0-b427-e79645f525c3.jpg?v=1699333808","\/\/tobirarecords.com\/cdn\/shop\/files\/image-768x754.jpg?v=1699333950","\/\/tobirarecords.com\/cdn\/shop\/files\/Ipnopedion_LP_2-768x755.jpg?v=1699333959"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/image-768x754_d4480da8-fced-4b57-8722-0ceee6f2fc43.jpg?v=1699333808","options":["Color"],"media":[{"alt":null,"id":32651635753210,"position":1,"preview_image":{"aspect_ratio":1.019,"height":754,"width":768,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/image-768x754_d4480da8-fced-4b57-8722-0ceee6f2fc43.jpg?v=1699333808"},"aspect_ratio":1.019,"height":754,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/image-768x754_d4480da8-fced-4b57-8722-0ceee6f2fc43.jpg?v=1699333808","width":768},{"alt":null,"id":32651635785978,"position":2,"preview_image":{"aspect_ratio":1.017,"height":590,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-14554288-1576954648-5568_jpeg_0d437871-45b8-4b33-8cd1-29eb450bf2e1.jpg?v=1699333808"},"aspect_ratio":1.017,"height":590,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-14554288-1576954648-5568_jpeg_0d437871-45b8-4b33-8cd1-29eb450bf2e1.jpg?v=1699333808","width":600},{"alt":null,"id":32651635818746,"position":3,"preview_image":{"aspect_ratio":1.0,"height":768,"width":768,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/SCIE2519_insert-768x768_614ee839-ed13-42d6-ba58-a2f3d51e0082.jpg?v=1699333808"},"aspect_ratio":1.0,"height":768,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/SCIE2519_insert-768x768_614ee839-ed13-42d6-ba58-a2f3d51e0082.jpg?v=1699333808","width":768},{"alt":null,"id":32651635851514,"position":4,"preview_image":{"aspect_ratio":1.019,"height":754,"width":768,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/image-768x754_981727a0-a74c-4aa2-9150-5154bd8e5a95.jpg?v=1699333808"},"aspect_ratio":1.019,"height":754,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/image-768x754_981727a0-a74c-4aa2-9150-5154bd8e5a95.jpg?v=1699333808","width":768},{"alt":null,"id":32651635884282,"position":5,"preview_image":{"aspect_ratio":1.017,"height":755,"width":768,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/Ipnopedion_LP_2-768x755_2ae3bcf0-09ea-46b0-b427-e79645f525c3.jpg?v=1699333808"},"aspect_ratio":1.017,"height":755,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/Ipnopedion_LP_2-768x755_2ae3bcf0-09ea-46b0-b427-e79645f525c3.jpg?v=1699333808","width":768},{"alt":null,"id":32651640766714,"position":6,"preview_image":{"aspect_ratio":1.019,"height":754,"width":768,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/image-768x754.jpg?v=1699333950"},"aspect_ratio":1.019,"height":754,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/image-768x754.jpg?v=1699333950","width":768},{"alt":null,"id":32651640865018,"position":7,"preview_image":{"aspect_ratio":1.017,"height":755,"width":768,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/Ipnopedion_LP_2-768x755.jpg?v=1699333959"},"aspect_ratio":1.017,"height":755,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/Ipnopedion_LP_2-768x755.jpg?v=1699333959","width":768}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eベルギーの実験／ドローンレーベル\u003cmeta charset=\"utf-8\"\u003eLa Scie Doree主宰Timo van Luijkと、同国ピアニストFrederik Croeneが、2023年11月に45部限定でリリースした再発共作レコードです。（オリジナルは2020年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e今にも消えてなくなりそうな朧げなピアノとサウンドポエトリーによるコンテンポラリー2曲を収録。インサートとDLコード付属。 シルクスクリーン仕様のスリーブです。\u003c\/p\u003e\n\u003cp\u003eオリジナル盤も若干数在庫ございます。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/skQgbS8wWhs\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more La Scie Doree releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003esecond, numbered edition of 45 copies on ‘smoke vinyl’ with silkscreened sleeve, insert and download code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ethe first edition is also available.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eLa Scie Doree:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"On the frigid moonless night of December 6th, 1978, a 26 year-old night watchman named Pier Zanfretta was on a routine patrol in the village of Torriglia, where he stumbled into a horrifying encounter with aliens from Taetonia. In order to get more clarity about what happened that night Pier Zanfretta agreed to undergo hypnosis, to let his subconscious speak about his abduction by these aliens.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs his discours under hypnosis sounded uncannily musical and mesmerizing, even without understanding the words, it became the basis of this Ipnopedion album.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFor the recording of the title track ‘Ipnopedion’ (side 1) Zanfretta’s speech was played back on headphones, then phonetically reproduced by FC and TVL, lying down in darkness as being hypnotised. Apart from this transposed text only piano and a few hypnosis inducing atmospherics and spatialisations were added.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe ‘Taetonia’ track (side 2) opens with a naieve and enticing piano play slowly being beamed into a vacuum void towards Taetonia. As Zanfretta’s words were vague it remained unclear what happened in Taetonia but things certainly had changed…\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIpnopedion became a ritual invitation to withdraw from the concrete world, returning to it as uncanonical aliens from Taetonia.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eSide 1 : Ipnopedion\u003cbr\u003ePremiere live performance of commissioned composition for the ‘In Dreams’ Event, at Kunstencentrum nona in Mechelen, June 1, 2018.\u003cbr\u003eCurated by Philippe Cortens.\u003cbr\u003eFrederik Croene: piano\u003cbr\u003eTimo van Luijk: synthesizer, sound projection\u003cbr\u003e\u003cbr\u003eSide 2 : Taetonia\u003cbr\u003eRecorded and mixed at Kulta Saha 2019\u003cbr\u003eFrederik Croene: piano, organ\u003cbr\u003eTimo van Luijk: synthesizer, organ, atmospherics\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : Timo van Luijk \u0026amp; Frederik Croene\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : La Scie Doree\u003c\/span\u003e\u003c\/p\u003e"}
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ベルギーの実験／ドローンレーベルLa Scie Doree主宰Timo van Luijkと、同国ピアニストFrederik Croeneが、2023年11月に45部限定でリリースした再発共作レコードです。（オリジナルは2020年リリース） 今にも消えてなくなりそうな朧げなピアノとサウンドポエトリーによるコンテンポラリー2曲を収録。インサートとDLコード付属。 シルクスクリーン仕様のスリーブです。 オリジナル盤も若干数在庫ございます。 レーベルその他作品はこちら /// Click here to see more La...
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{"id":8065901625594,"title":"John McGuire \/\/ Vanishing Points \/ A Cappella LP","handle":"john-mcguire-vanishing-points-a-cappella-lp","description":"\u003cp\u003eアメリカの大御所ミニマル作家John McGuireが、2023年10月にリリースした再発レコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e『Vanishing Points』（1985-1988）と『\u003cmeta charset=\"utf-8\"\u003eA Cappella』（1990-1997）の2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"1970年代半ばに作曲したPulse Musicにおいて、作曲家John McGuireはヨーロッパ・シリアリズムのユニークな解釈を打ち出した。カールハインツ・シュトックハウゼン、クシシュトフ・ペンデレツキ、ゴットフリート・ミヒャエル・ケーニッヒの弟子であったJohn McGuireは、1970年にドイツのケルンに移り、ケルンの西ドイツ放送（WDR）にある世界最先端の電子音楽スタジオと関わるようになった。シュトックハウゼンと同様、John McGuireもまた、自分の音楽的想像力が、利用可能なテクノロジーによって制約されると同時に、インスパイアされていることに気づいたのである。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e彫刻家ハンス・カール・ブルゲフとの会話が、John McGuireを地平線の彼方、無限の空間へと向かわせた。『Vanishing Points』（1985-1988）では、John McGuireは初めて完全なデジタルセットアップを使用した。デジタルシーケンサー、8台のヤマハDX-7シンセサイザー、スチューダー24トラック・デジタル・テープレコーダーである。この作品は、『パルス・ミュージック』シリーズの「続編」として構想されたが、同時に『パルス・ミュージック』シリーズからの一歩でもあった。パルス・ミュージック』シリーズが安定したパルスの流れを採用していたのに対し、\u003cmeta charset=\"utf-8\"\u003e『Vanishing Points』』ではパルスのレイヤーが互いに加速したり減速したりすることで、リズムの複雑さが格段に増している。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1983年に録音されたモートン・フェルドマンの『Three Voices』で知られる妻でソプラノ歌手のベス・グリフィスのために書かれた『A Cappella』（1990-1997）でも、\u003cmeta charset=\"utf-8\"\u003eJohn McGuireの音楽技術の探求は続いている。サンプルを使って4声の合唱団を作り、相互作用するパートにアレンジした。シンセサイザー音の精密さに比べ、人間の声は有機的であるため、作曲は難題に直面した。このプロセスには、徹底的な編集と、\"素材 \"と \"オリジナルの構想 \"との間の交渉が必要だった。このような交渉は、一曲の作曲にも、20年にわたる作品にも当てはまる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=964751723\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003ehere\u003c\/a\u003e to see more Unseen Worlds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. 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Like Stockhausen, McGuire found his musical imagination both constrained and inspired by the technology that was available to him.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA conversation with sculptor Hans Karl Burgeff led McGuire to think beyond the horizon and into limitless space. For “Vanishing Points” (1985–1988), McGuire used an entirely digital set-up for the first time: a digital sequencer, eight Yamaha DX-7 synthesizers and a Studer 24-track digital tape recorder. The piece was conceived as a “sequel” to the Pulse Music series, but also a step forward from it. Whereas the Pulse Music pieces had employed steady streams of pulses, with Vanishing Points McGuire employed pulse layers that accelerate or decelerate against one another, vastly increasing the resulting rhythmic complexity.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMcGuire's exploration of music technology continued in “A Cappella” (1990–1997), written for his wife, the soprano Beth\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Griffith, known for her recording of Morton Feldman’s “Three Voices” made in 1983. Using samples, he created a four-voice choir of voice samples and arranged them into interacting parts. The composition faced challenges due to the organic nature of the human voice compared to the precision of synthesized sounds. This process involved extensive editing and a negotiation between the \"material\" and the \"original conception\". This sort of negotiation applies as much to the composition of a single piece as it does to the work of two decades.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John McGuire\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnseen Worlds\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-11-06T15:38:00+09:00","created_at":"2023-11-04T18:44:10+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","new","unseen worlds"],"price":368800,"price_min":368800,"price_max":368800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44728757289210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John McGuire \/\/ Vanishing Points \/ A Cappella LP","public_title":null,"options":["Default Title"],"price":368800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cap1.jpg?v=1699091052","\/\/tobirarecords.com\/cdn\/shop\/files\/cap2.jpg?v=1699091052"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cap1.jpg?v=1699091052","options":["Title"],"media":[{"alt":null,"id":32642191851770,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cap1.jpg?v=1699091052"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cap1.jpg?v=1699091052","width":700},{"alt":null,"id":32642191884538,"position":2,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cap2.jpg?v=1699091052"},"aspect_ratio":1.425,"height":842,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cap2.jpg?v=1699091052","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの大御所ミニマル作家John McGuireが、2023年10月にリリースした再発レコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e『Vanishing Points』（1985-1988）と『\u003cmeta charset=\"utf-8\"\u003eA Cappella』（1990-1997）の2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"1970年代半ばに作曲したPulse Musicにおいて、作曲家John McGuireはヨーロッパ・シリアリズムのユニークな解釈を打ち出した。カールハインツ・シュトックハウゼン、クシシュトフ・ペンデレツキ、ゴットフリート・ミヒャエル・ケーニッヒの弟子であったJohn McGuireは、1970年にドイツのケルンに移り、ケルンの西ドイツ放送（WDR）にある世界最先端の電子音楽スタジオと関わるようになった。シュトックハウゼンと同様、John McGuireもまた、自分の音楽的想像力が、利用可能なテクノロジーによって制約されると同時に、インスパイアされていることに気づいたのである。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e彫刻家ハンス・カール・ブルゲフとの会話が、John McGuireを地平線の彼方、無限の空間へと向かわせた。『Vanishing Points』（1985-1988）では、John McGuireは初めて完全なデジタルセットアップを使用した。デジタルシーケンサー、8台のヤマハDX-7シンセサイザー、スチューダー24トラック・デジタル・テープレコーダーである。この作品は、『パルス・ミュージック』シリーズの「続編」として構想されたが、同時に『パルス・ミュージック』シリーズからの一歩でもあった。パルス・ミュージック』シリーズが安定したパルスの流れを採用していたのに対し、\u003cmeta charset=\"utf-8\"\u003e『Vanishing Points』』ではパルスのレイヤーが互いに加速したり減速したりすることで、リズムの複雑さが格段に増している。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1983年に録音されたモートン・フェルドマンの『Three Voices』で知られる妻でソプラノ歌手のベス・グリフィスのために書かれた『A Cappella』（1990-1997）でも、\u003cmeta charset=\"utf-8\"\u003eJohn McGuireの音楽技術の探求は続いている。サンプルを使って4声の合唱団を作り、相互作用するパートにアレンジした。シンセサイザー音の精密さに比べ、人間の声は有機的であるため、作曲は難題に直面した。このプロセスには、徹底的な編集と、\"素材 \"と \"オリジナルの構想 \"との間の交渉が必要だった。このような交渉は、一曲の作曲にも、20年にわたる作品にも当てはまる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=964751723\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003ehere\u003c\/a\u003e to see more Unseen Worlds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVanishing Points 26:00\u003c\/li\u003e\n\u003cli\u003eA Cappella 23:30\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eUnseen Worlds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn his “Pulse Music” compositions of the mid-1970s, composer John McGuire forged a unique interpretation of European serialism. A student of Karlheinz Stockhausen, Krzysztof Penderecki and Gottfried Michael Koenig, McGuire moved to Cologne, Germany in 1970, where he become associated with the world-leading Studio for Electronic Music at Westdeutscher Rundfunk (WDR) in Cologne. Like Stockhausen, McGuire found his musical imagination both constrained and inspired by the technology that was available to him.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA conversation with sculptor Hans Karl Burgeff led McGuire to think beyond the horizon and into limitless space. For “Vanishing Points” (1985–1988), McGuire used an entirely digital set-up for the first time: a digital sequencer, eight Yamaha DX-7 synthesizers and a Studer 24-track digital tape recorder. The piece was conceived as a “sequel” to the Pulse Music series, but also a step forward from it. Whereas the Pulse Music pieces had employed steady streams of pulses, with Vanishing Points McGuire employed pulse layers that accelerate or decelerate against one another, vastly increasing the resulting rhythmic complexity.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMcGuire's exploration of music technology continued in “A Cappella” (1990–1997), written for his wife, the soprano Beth\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Griffith, known for her recording of Morton Feldman’s “Three Voices” made in 1983. Using samples, he created a four-voice choir of voice samples and arranged them into interacting parts. The composition faced challenges due to the organic nature of the human voice compared to the precision of synthesized sounds. This process involved extensive editing and a negotiation between the \"material\" and the \"original conception\". This sort of negotiation applies as much to the composition of a single piece as it does to the work of two decades.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John McGuire\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnseen Worlds\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカの大御所ミニマル作家John McGuireが、2023年10月にリリースした再発レコードです。 『Vanishing Points』（1985-1988）と『A Cappella』（1990-1997）の2曲を収録。DLコード付属。 以下、レーベルによる解説です。 "1970年代半ばに作曲したPulse Musicにおいて、作曲家John McGuireはヨーロッパ・シリアリズムのユニークな解釈を打ち出した。カールハインツ・シュトックハウゼン、クシシュトフ・ペンデレツキ、ゴットフリート・ミヒャエル・ケーニッヒの弟子であったJohn McGuireは、1970年にドイツのケルンに移り、ケルンの西ドイツ放送（WDR）にある世界最先端の電子音楽スタジオと関わるようになった。シュトックハウゼンと同様、John McGuireもまた、自分の音楽的想像力が、利用可能なテクノロジーによって制約されると同時に、インスパイアされていることに気づいたのである。彫刻家ハンス・カール・ブルゲフとの会話が、John McGuireを地平線の彼方、無限の空間へと向かわせた。『Vanishing Points』（1985-1988）では、John McGuireは初めて完全なデジタルセットアップを使用した。デジタルシーケンサー、8台のヤマハDX-7シンセサイザー、スチューダー24トラック・デジタル・テープレコーダーである。この作品は、『パルス・ミュージック』シリーズの「続編」として構想されたが、同時に『パルス・ミュージック』シリーズからの一歩でもあった。パルス・ミュージック』シリーズが安定したパルスの流れを採用していたのに対し、『Vanishing...
¥3,688
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{"id":8063287197946,"title":"IEOGM \/\/ dolphins in cornwall TAPE","handle":"ieogm-dolphins-in-cornwall-tape","description":"\u003cp\u003e\u003cspan\u003e※当店限定販売です\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※2024年4月14日のTobira Instore Showcaseに出演します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの実験レーベルCzaszkaが新たに始めたレーベル\u003cmeta charset=\"utf-8\"\u003eMolt Fluid諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、オーストリアの実験デュオIEOGMが、2023年10月に40本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスポークンワード・コラージュ7曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=113699030\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mltfld\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mltfld\"\u003ehere\u003c\/a\u003e to see more Molt Fluid releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ecrows an wra 01:18\u003c\/li\u003e\n\u003cli\u003elower drift 04:05\u003c\/li\u003e\n\u003cli\u003edolphins in cornwall 02:27\u003c\/li\u003e\n\u003cli\u003enancledra 05:23\u003c\/li\u003e\n\u003cli\u003ebosport(h)ennis 03:56\u003c\/li\u003e\n\u003cli\u003etowednack 02:46\u003c\/li\u003e\n\u003cli\u003efirst and last house 05:49\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eMolt Fluid:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003ecornwall's bays and inlets are regularly visited by dolphins, their arrival being unpredictable and often short but sonically sweet. instead of sound passing through the outer ear to the middle ear, these mammals receive sound through the throat, from which it passes through a low-impedance fat-filled cavity to the inner ear - they send out varying frequency timbres and tones from an organ known as a melon.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"crows an wra\" and \"nancledra\" are based on a text written by the concept horse - it was then algorithmically-translated and read out loud through a voltage controlled 12db\/oct state variable filter\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003erecorded in 2023 by marie vermont and the concept horse with a shifting constellation of electronic and acoustic devices\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : IEOGM\u003c\/p\u003e\n\u003cp\u003eLabel : Molt Fluid\u003c\/p\u003e","published_at":"2023-11-03T15:15:12+09:00","created_at":"2023-11-03T11:57:36+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","molt fluid","monooto","new","tape"],"price":197400,"price_min":197400,"price_max":197400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44722745540858,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"IEOGM \/\/ dolphins in cornwall TAPE","public_title":null,"options":["Default Title"],"price":197400,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dol1.jpg?v=1698980258","\/\/tobirarecords.com\/cdn\/shop\/files\/dol2.jpg?v=1698980258"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dol1.jpg?v=1698980258","options":["Title"],"media":[{"alt":null,"id":32637124378874,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dol1.jpg?v=1698980258"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dol1.jpg?v=1698980258","width":700},{"alt":null,"id":32637124411642,"position":2,"preview_image":{"aspect_ratio":0.803,"height":1200,"width":964,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dol2.jpg?v=1698980258"},"aspect_ratio":0.803,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dol2.jpg?v=1698980258","width":964}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e※当店限定販売です\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※2024年4月14日のTobira Instore Showcaseに出演します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの実験レーベルCzaszkaが新たに始めたレーベル\u003cmeta charset=\"utf-8\"\u003eMolt Fluid諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、オーストリアの実験デュオIEOGMが、2023年10月に40本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスポークンワード・コラージュ7曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=113699030\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mltfld\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mltfld\"\u003ehere\u003c\/a\u003e to see more Molt Fluid releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ecrows an wra 01:18\u003c\/li\u003e\n\u003cli\u003elower drift 04:05\u003c\/li\u003e\n\u003cli\u003edolphins in cornwall 02:27\u003c\/li\u003e\n\u003cli\u003enancledra 05:23\u003c\/li\u003e\n\u003cli\u003ebosport(h)ennis 03:56\u003c\/li\u003e\n\u003cli\u003etowednack 02:46\u003c\/li\u003e\n\u003cli\u003efirst and last house 05:49\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eMolt Fluid:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003ecornwall's bays and inlets are regularly visited by dolphins, their arrival being unpredictable and often short but sonically sweet. instead of sound passing through the outer ear to the middle ear, these mammals receive sound through the throat, from which it passes through a low-impedance fat-filled cavity to the inner ear - they send out varying frequency timbres and tones from an organ known as a melon.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"crows an wra\" and \"nancledra\" are based on a text written by the concept horse - it was then algorithmically-translated and read out loud through a voltage controlled 12db\/oct state variable filter\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003erecorded in 2023 by marie vermont and the concept horse with a shifting constellation of electronic and acoustic devices\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : IEOGM\u003c\/p\u003e\n\u003cp\u003eLabel : Molt Fluid\u003c\/p\u003e"}
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{"id":8053542813946,"title":"Aldo Clementi \/\/ Collage LP","handle":"aldo-clementi-collage-lp","description":"\u003cp\u003eイタリアの実験音楽家Aldo Clementi(1925-2011)が、2023年10月にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlga Marghenからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1960年代に制作したレアな未発表音源4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Alga Marghenが、\u003cmeta charset=\"utf-8\"\u003eMarino Zuccheriの技術協力のもと、ミラノのRAI音楽スタジオで実現した磁気テープのための未発表作品「Collage2」と「Collage3」（Dies irae）を発表。これらの作品は、Aldo Clementi が1960年代に電子音楽に強い関心を持ち、現在も継続していることを示す貴重な証言である。エレクトロニック・コンポジション「\u003cmeta charset=\"utf-8\"\u003eCollage2」は1960年の作品。Clementiにとって初めての電子音楽の実験であり、彼の独創的で一貫した構造主義への固執は、その頃に書かれたいくつかの器楽作品に反映されている。\u003cmeta charset=\"utf-8\"\u003eCollage3の最初のアイデアは1966年に遡り、ビートルズの曲 \"Michelle \"に短い電子コラージュを施したものだった。作曲家は、\"シンメトリーと固定されたブロックの世界から湧き出る、生々しく有機的な音色の自然な井戸 \"を使うことで、一般的になった古い概念や決まり文句を置き換えたいと考えた。この独創的なアイデアは、RAI（イタリアのラジオ局）が\u003cmeta charset=\"utf-8\"\u003eClementiに長大な作品の作曲を依頼したとき、劇的な変化を遂げた。ゼロから始めたいという彼の最初の願望に、より長い時間の問題が加わった。\u003cmeta charset=\"utf-8\"\u003eClementiがこの曲に \"Dies irae \"という最終的なタイトルをつけたのは、この曲をほぼ完成させたときだった。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/nELNYix9V2Q?si=NLvQcPziBo-1sN6-\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/DqT9miCmAi4?si=2ZK-sPC8qxpZoqM-\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1 Collage II (1960)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2 Fantasia Su roBErto FABriCiAni (1980\/81)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1 Collage III\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2 Dies Irae\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAlga marghen proudly perents the previously unreleased “Collage 2” and “Collage 3 (Dies irae)” for magnetic tape, both realised at the Studio di Fonologia Muisicale RAI in Milan with the technical collaboration of Marino Zuccheri. These pieces are precious testimonials to Aldo Clementi’s intense and ongoing interest in electronic music in the 1960s.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe electronic composition “Collage 2” dates from 1960. It was the first experiment with electronic music for Clementi whose original and consistence adherence to structuralism is reflected in several of his instrumental works written around that time. About this piece the composer has commented: «The title and the technique, both of the same name, are the result of my having conceived the work in terms of compositional planes created independently and later superimposed; this gives rise to absorption or emergence, intersection or isolation, all absolutely and deliberately unpredictable. The difficulties implicit in the acoustics, and consequently in the effect, of this kind of treatment, are taken for granted and accepted from the start».\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe first idea of “Collage 3” dates back to 1966, in the form of a short electronic collage on the Beatles’ song “Michelle”. The composer wanted to replace old concepts and clichés which had become popular and common, through the use of «natural wells of timbre, live and organic, springing from a world of symmetry and fixed blocks». This original idea underwent a drastic transformation when the RAI (the Italian radio) commissioned Clementi to write a longer work. To his initial desire to start from scratch was added the problem of a longer duration. It was only when Clementi had almost completed the piece that he gave it its final title of “Dies irae”, owing to the extreme tension that accompanied its composition.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis LP is completed by “Fantasia su roBErto FABbriCiAni” (1982) in a brand new realization live recorded on October 13th, 2022 with Alvise Vidolin as sound engineer. Following a practice adopted most famously by Bach, Brahms and Shostakovich, the “Fantasia su roBErto FABbriCiAni” for flute and tape is based on the notes corresponding to the letters in Fabbriciani’s name according to the German musical nomenclature (B flat, E, F, A, B flat, C, A). \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis is how Clementi describes his approaches to the electronic processing of the pre recorded tape: «My stylistic purpose was to create a delirious labyrinth around the solo instrument like an enormous growth of vegetation that chokes out a little plant».\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e«Today it is incumbent on music to ponder anew upon itself, just as music has an urgent need for self-reflection». This is how Adorno expressed himself, at a time long gone but focusing on a need that is perhaps still close to us. It is precisely in this need for “self-reflection”, in this continuous and inexhaustible “questioning” that perhaps one of the most profound teachings of Aldo Clementi compositional mastery resides; a musical legacy of rare coherence and fascination that constitutes an inescapable point of reference for the ethical ideal and the palpable existential tension it testifies to us. In its highest expressions, music allows one to subtly perceive its inherent gnoseological vocation. The work of Aldo Clementi embody one of the most striking and exemplary demonstrations of this.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aldo Clementi \u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2023-10-30T18:32:33+09:00","created_at":"2023-10-28T14:00:33+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","contemporary \/ sound poetry","drone","lp","monooto","new"],"price":393400,"price_min":393400,"price_max":393400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44696341676282,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Aldo Clementi \/\/ Collage LP","public_title":null,"options":["Default Title"],"price":393400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/Clementifront.png?v=1698469235"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/Clementifront.png?v=1698469235","options":["Title"],"media":[{"alt":null,"id":32613819318522,"position":1,"preview_image":{"aspect_ratio":1.007,"height":542,"width":546,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/Clementifront.png?v=1698469235"},"aspect_ratio":1.007,"height":542,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/Clementifront.png?v=1698469235","width":546}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験音楽家Aldo Clementi(1925-2011)が、2023年10月にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlga Marghenからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1960年代に制作したレアな未発表音源4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Alga Marghenが、\u003cmeta charset=\"utf-8\"\u003eMarino Zuccheriの技術協力のもと、ミラノのRAI音楽スタジオで実現した磁気テープのための未発表作品「Collage2」と「Collage3」（Dies irae）を発表。これらの作品は、Aldo Clementi が1960年代に電子音楽に強い関心を持ち、現在も継続していることを示す貴重な証言である。エレクトロニック・コンポジション「\u003cmeta charset=\"utf-8\"\u003eCollage2」は1960年の作品。Clementiにとって初めての電子音楽の実験であり、彼の独創的で一貫した構造主義への固執は、その頃に書かれたいくつかの器楽作品に反映されている。\u003cmeta charset=\"utf-8\"\u003eCollage3の最初のアイデアは1966年に遡り、ビートルズの曲 \"Michelle \"に短い電子コラージュを施したものだった。作曲家は、\"シンメトリーと固定されたブロックの世界から湧き出る、生々しく有機的な音色の自然な井戸 \"を使うことで、一般的になった古い概念や決まり文句を置き換えたいと考えた。この独創的なアイデアは、RAI（イタリアのラジオ局）が\u003cmeta charset=\"utf-8\"\u003eClementiに長大な作品の作曲を依頼したとき、劇的な変化を遂げた。ゼロから始めたいという彼の最初の願望に、より長い時間の問題が加わった。\u003cmeta charset=\"utf-8\"\u003eClementiがこの曲に \"Dies irae \"という最終的なタイトルをつけたのは、この曲をほぼ完成させたときだった。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/nELNYix9V2Q?si=NLvQcPziBo-1sN6-\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/DqT9miCmAi4?si=2ZK-sPC8qxpZoqM-\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1 Collage II (1960)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2 Fantasia Su roBErto FABriCiAni (1980\/81)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1 Collage III\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2 Dies Irae\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAlga marghen proudly perents the previously unreleased “Collage 2” and “Collage 3 (Dies irae)” for magnetic tape, both realised at the Studio di Fonologia Muisicale RAI in Milan with the technical collaboration of Marino Zuccheri. These pieces are precious testimonials to Aldo Clementi’s intense and ongoing interest in electronic music in the 1960s.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe electronic composition “Collage 2” dates from 1960. It was the first experiment with electronic music for Clementi whose original and consistence adherence to structuralism is reflected in several of his instrumental works written around that time. About this piece the composer has commented: «The title and the technique, both of the same name, are the result of my having conceived the work in terms of compositional planes created independently and later superimposed; this gives rise to absorption or emergence, intersection or isolation, all absolutely and deliberately unpredictable. The difficulties implicit in the acoustics, and consequently in the effect, of this kind of treatment, are taken for granted and accepted from the start».\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe first idea of “Collage 3” dates back to 1966, in the form of a short electronic collage on the Beatles’ song “Michelle”. The composer wanted to replace old concepts and clichés which had become popular and common, through the use of «natural wells of timbre, live and organic, springing from a world of symmetry and fixed blocks». This original idea underwent a drastic transformation when the RAI (the Italian radio) commissioned Clementi to write a longer work. To his initial desire to start from scratch was added the problem of a longer duration. It was only when Clementi had almost completed the piece that he gave it its final title of “Dies irae”, owing to the extreme tension that accompanied its composition.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis LP is completed by “Fantasia su roBErto FABbriCiAni” (1982) in a brand new realization live recorded on October 13th, 2022 with Alvise Vidolin as sound engineer. Following a practice adopted most famously by Bach, Brahms and Shostakovich, the “Fantasia su roBErto FABbriCiAni” for flute and tape is based on the notes corresponding to the letters in Fabbriciani’s name according to the German musical nomenclature (B flat, E, F, A, B flat, C, A). \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis is how Clementi describes his approaches to the electronic processing of the pre recorded tape: «My stylistic purpose was to create a delirious labyrinth around the solo instrument like an enormous growth of vegetation that chokes out a little plant».\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e«Today it is incumbent on music to ponder anew upon itself, just as music has an urgent need for self-reflection». This is how Adorno expressed himself, at a time long gone but focusing on a need that is perhaps still close to us. It is precisely in this need for “self-reflection”, in this continuous and inexhaustible “questioning” that perhaps one of the most profound teachings of Aldo Clementi compositional mastery resides; a musical legacy of rare coherence and fascination that constitutes an inescapable point of reference for the ethical ideal and the palpable existential tension it testifies to us. In its highest expressions, music allows one to subtly perceive its inherent gnoseological vocation. The work of Aldo Clementi embody one of the most striking and exemplary demonstrations of this.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aldo Clementi \u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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イタリアの実験音楽家Aldo Clementi(1925-2011)が、2023年10月にイタリアの実験レーベルAlga Marghenからリリースしたレコードです。 1960年代に制作したレアな未発表音源4曲を収録。 以下、レーベルによる解説です。 "Alga Marghenが、Marino Zuccheriの技術協力のもと、ミラノのRAI音楽スタジオで実現した磁気テープのための未発表作品「Collage2」と「Collage3」（Dies irae）を発表。これらの作品は、Aldo Clementi が1960年代に電子音楽に強い関心を持ち、現在も継続していることを示す貴重な証言である。エレクトロニック・コンポジション「Collage2」は1960年の作品。Clementiにとって初めての電子音楽の実験であり、彼の独創的で一貫した構造主義への固執は、その頃に書かれたいくつかの器楽作品に反映されている。Collage3の最初のアイデアは1966年に遡り、ビートルズの曲 "Michelle "に短い電子コラージュを施したものだった。作曲家は、"シンメトリーと固定されたブロックの世界から湧き出る、生々しく有機的な音色の自然な井戸 "を使うことで、一般的になった古い概念や決まり文句を置き換えたいと考えた。この独創的なアイデアは、RAI（イタリアのラジオ局）がClementiに長大な作品の作曲を依頼したとき、劇的な変化を遂げた。ゼロから始めたいという彼の最初の願望に、より長い時間の問題が加わった。Clementiがこの曲に "Dies...
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{"id":8045712310522,"title":"Carrie DeCunzo \/\/ End of Signs CDr","handle":"carrie-decunzo-end-of-signs-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・ペンシルベニアの詩人Carrie DeCunzoが、2023年8月に同国実験／ノイズレーベルNo Rentから100部限定でリリースしたCDrです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eサウンドポエトリー〜コラージュ・ドローン4曲を収録。12ページのブックレット付属。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"環境破壊、家族、伝記、日常を織り交ぜた『エンド・オブ・サインズ』は、さまざまな時代と場所を流動的に行き来する。ゼネラル・エレクトリック社によるハドソン川のPCB汚染を背景にしたこの作品は、物語的な筋書きはなく、フィールドレコーディング、音声、テキスト、デジタル合成を通して、記憶、香り、息遣い、場所の表現が集約されている。人間、自然、そしてアート制作の方法論が織り成す雑多さを受け入れることで、『End of Signs』は心を揺さぶるストーリーテリングとなっている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3868744887\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nore\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nore\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nore\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nore\"\u003ehere\u003c\/a\u003e to see more No Rent Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCDr in jewel case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI.Nothing_in_stars 08:25\u003c\/li\u003e\n\u003cli\u003eII.Egg_water 09:15\u003c\/li\u003e\n\u003cli\u003eIII.Connective_tissues 12:53\u003c\/li\u003e\n\u003cli\u003eIV.End_of_signs 07:36\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eJames Fei via No Rent Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eInterweaving environmental catastrophe, family, biography and the everyday, End of Signs shifts fluidly between different times and places. Set to the backdrop of General Electric’s pollution of the Hudson River with PCBs, the piece presents no narrative through line, but rather a collection of memories, scents, breaths, and articulations of place through field recordings, voice, text and digital synthesis. In its embrace of the messiness of people, nature and art-making methodologies, End of Signs is heart-breaking storytelling that somehow hits you in the gut before you know it as the last sine tones dissipate.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carrie DeCunzo\u003c\/p\u003e\n\u003cp\u003eLabel : No Rent Records\u003c\/p\u003e","published_at":"2023-11-17T08:17:49+09:00","created_at":"2023-10-24T15:13:54+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","new","no rent"],"price":228800,"price_min":228800,"price_max":228800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44674872410362,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Carrie DeCunzo \/\/ End of Signs CDr","public_title":null,"options":["Default Title"],"price":228800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sign1.jpg?v=1698128037","\/\/tobirarecords.com\/cdn\/shop\/files\/end2_a98ad604-7b59-4b8b-a5d5-3895cb5bce46.jpg?v=1698128036"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sign1.jpg?v=1698128037","options":["Title"],"media":[{"alt":null,"id":32597033910522,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sign1.jpg?v=1698128037"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sign1.jpg?v=1698128037","width":700},{"alt":null,"id":32597033943290,"position":2,"preview_image":{"aspect_ratio":0.999,"height":1200,"width":1199,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/end2_a98ad604-7b59-4b8b-a5d5-3895cb5bce46.jpg?v=1698128036"},"aspect_ratio":0.999,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/end2_a98ad604-7b59-4b8b-a5d5-3895cb5bce46.jpg?v=1698128036","width":1199}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・ペンシルベニアの詩人Carrie DeCunzoが、2023年8月に同国実験／ノイズレーベルNo Rentから100部限定でリリースしたCDrです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eサウンドポエトリー〜コラージュ・ドローン4曲を収録。12ページのブックレット付属。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"環境破壊、家族、伝記、日常を織り交ぜた『エンド・オブ・サインズ』は、さまざまな時代と場所を流動的に行き来する。ゼネラル・エレクトリック社によるハドソン川のPCB汚染を背景にしたこの作品は、物語的な筋書きはなく、フィールドレコーディング、音声、テキスト、デジタル合成を通して、記憶、香り、息遣い、場所の表現が集約されている。人間、自然、そしてアート制作の方法論が織り成す雑多さを受け入れることで、『End of Signs』は心を揺さぶるストーリーテリングとなっている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3868744887\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nore\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nore\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nore\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nore\"\u003ehere\u003c\/a\u003e to see more No Rent Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCDr in jewel case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI.Nothing_in_stars 08:25\u003c\/li\u003e\n\u003cli\u003eII.Egg_water 09:15\u003c\/li\u003e\n\u003cli\u003eIII.Connective_tissues 12:53\u003c\/li\u003e\n\u003cli\u003eIV.End_of_signs 07:36\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eJames Fei via No Rent Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eInterweaving environmental catastrophe, family, biography and the everyday, End of Signs shifts fluidly between different times and places. Set to the backdrop of General Electric’s pollution of the Hudson River with PCBs, the piece presents no narrative through line, but rather a collection of memories, scents, breaths, and articulations of place through field recordings, voice, text and digital synthesis. In its embrace of the messiness of people, nature and art-making methodologies, End of Signs is heart-breaking storytelling that somehow hits you in the gut before you know it as the last sine tones dissipate.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carrie DeCunzo\u003c\/p\u003e\n\u003cp\u003eLabel : No Rent Records\u003c\/p\u003e"}
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アメリカ・ペンシルベニアの詩人Carrie DeCunzoが、2023年8月に同国実験／ノイズレーベルNo Rentから100部限定でリリースしたCDrです。 サウンドポエトリー〜コラージュ・ドローン4曲を収録。12ページのブックレット付属。廃盤です。 以下、レーベルによる解説です。 "環境破壊、家族、伝記、日常を織り交ぜた『エンド・オブ・サインズ』は、さまざまな時代と場所を流動的に行き来する。ゼネラル・エレクトリック社によるハドソン川のPCB汚染を背景にしたこの作品は、物語的な筋書きはなく、フィールドレコーディング、音声、テキスト、デジタル合成を通して、記憶、香り、息遣い、場所の表現が集約されている。人間、自然、そしてアート制作の方法論が織り成す雑多さを受け入れることで、『End of Signs』は心を揺さぶるストーリーテリングとなっている。" レーベルその他作品はこちら /// Click here to see more No Rent...
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{"id":8043267195130,"title":"Various Artists (No-Gold) \/\/ Essential Tremors Sydney 2022 4xCD","handle":"various-artists-essential-tremors-sydney-2022-4xcd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・NYの実験／フォークレーベル\u003cmeta charset=\"utf-8\"\u003eNo-Goldが、2022年10月にリリースした4枚組コンピレーションCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e2022年3月にオーストラリア・シドニーで行われた実験音楽フェス「Essential Tremors Sydney」でのライブ録音盤です。デジパック、シュリンク仕様。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=439895267\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=439895267\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=668686579\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nogld\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nogld\"\u003ehere\u003c\/a\u003e to see more No-Gold releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eIncludes DL code.\u003cspan\u003e 4xCD box set containing \u003cmeta charset=\"utf-8\"\u003e4+ hours recording of the first Essential Tremors festival held at Phoenix Central Park in Sydney, March 11-13, 2022.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD Tracklist :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDisc 1\u003cbr\u003e01 YL Hooi (Live at Essential Tremors Sydney 2022)\u003cbr\u003e02 Del Lumanta (Live at Essential Tremors Sydney 2022)\u003cbr\u003e03 Cindy Chen(Live at Essential Tremors Sydney 2022)\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eDisc 2\u003cbr\u003e01 Shoeb Ahmad (Live at Essential Tremors Sydney 2022)\u003cbr\u003e02 Salllvage (Live at Essential Tremors Sydney 2022)\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eDisc 3\u003cbr\u003e01 Chunyin (Live at Essential Tremors Sydney 2022)\u003cbr\u003e02 Wytchings (Live at Essential Tremors Sydney 2022)\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eDisc 4\u003cbr\u003e01 ∑GG√E|N (Live at Essential Tremors Sydney 2022)\u003cbr\u003e02 Clare Cooper (Live at Essential Tremors Sydney 2022)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNo-Gold:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"This is a complete, 4+ hour recording of the first Essential Tremors held at Phoenix Central Park in Sydney, March 11-13, 2022.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecorded by Felix Abrahams in Sydney\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMastered by Fred Kevorkian in New York City\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDesign \u0026amp; Artwork by Clemens Habicht\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eConceived as a celebration of outsider artists by Angus Andrew (Liars), Essential Tremors - Sydney was a three-day festival comprised of six distinct sessions of experimental music, sound art and \u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003eruthless noise.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eFeaturing performances by YL Hooi, Shoeb Ahmad, Chunyin, Clare Cooper, Del Lumanta, ∑GG√E|N, Salllvage, Wytchings and\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e Cindy Chen.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\"\u003e++\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003eStatement by festival organiser and artist Angus Andrew:\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e“Working as an experimental musician in Australia or anywhere is a pretty daunting path. It’s an inherently difficult practice to develop because it is not about hooks or prowess or melodies and sing-alongs - none of those things people normally associate with ‘music’. So they won’t be asked to play at your local pub but these artists are our most brave and visionary. They question boundaries of form and tradition, challenging listeners to find meaning in the abstract. I’ve conceived ‘Essential Tremors’ as a celebration of those artists who doggedly persevere in developing their passion without the acknowledgement often lent to more graspable creators”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : \u003c\/span\u003e\u003cspan\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003eYL Hooi, Shoeb Ahmad, Chunyin, Clare Cooper, Del Lumanta, ∑GG√E|N, Salllvage, Wytchings and\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e Cindy Chen.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : No-Gold\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-11-10T08:05:43+09:00","created_at":"2023-10-21T11:54:39+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","monooto","new","no-gold"],"price":282800,"price_min":282800,"price_max":282800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44662974120186,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (No-Gold) \/\/ Essential Tremors Sydney 2022 4xCD","public_title":null,"options":["Default Title"],"price":282800,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ess1.jpg?v=1697856881","\/\/tobirarecords.com\/cdn\/shop\/files\/ess2.jpg?v=1697856881","\/\/tobirarecords.com\/cdn\/shop\/files\/ess3.jpg?v=1697856881"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ess1.jpg?v=1697856881","options":["Title"],"media":[{"alt":null,"id":32584956575994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ess1.jpg?v=1697856881"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ess1.jpg?v=1697856881","width":700},{"alt":null,"id":32584956608762,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ess2.jpg?v=1697856881"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ess2.jpg?v=1697856881","width":1200},{"alt":null,"id":32584956641530,"position":3,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ess3.jpg?v=1697856881"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ess3.jpg?v=1697856881","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・NYの実験／フォークレーベル\u003cmeta charset=\"utf-8\"\u003eNo-Goldが、2022年10月にリリースした4枚組コンピレーションCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e2022年3月にオーストラリア・シドニーで行われた実験音楽フェス「Essential Tremors Sydney」でのライブ録音盤です。デジパック、シュリンク仕様。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=439895267\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=439895267\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=668686579\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nogld\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nogld\"\u003ehere\u003c\/a\u003e to see more No-Gold releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eIncludes DL code.\u003cspan\u003e 4xCD box set containing \u003cmeta charset=\"utf-8\"\u003e4+ hours recording of the first Essential Tremors festival held at Phoenix Central Park in Sydney, March 11-13, 2022.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD Tracklist :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDisc 1\u003cbr\u003e01 YL Hooi (Live at Essential Tremors Sydney 2022)\u003cbr\u003e02 Del Lumanta (Live at Essential Tremors Sydney 2022)\u003cbr\u003e03 Cindy Chen(Live at Essential Tremors Sydney 2022)\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eDisc 2\u003cbr\u003e01 Shoeb Ahmad (Live at Essential Tremors Sydney 2022)\u003cbr\u003e02 Salllvage (Live at Essential Tremors Sydney 2022)\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eDisc 3\u003cbr\u003e01 Chunyin (Live at Essential Tremors Sydney 2022)\u003cbr\u003e02 Wytchings (Live at Essential Tremors Sydney 2022)\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eDisc 4\u003cbr\u003e01 ∑GG√E|N (Live at Essential Tremors Sydney 2022)\u003cbr\u003e02 Clare Cooper (Live at Essential Tremors Sydney 2022)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNo-Gold:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"This is a complete, 4+ hour recording of the first Essential Tremors held at Phoenix Central Park in Sydney, March 11-13, 2022.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecorded by Felix Abrahams in Sydney\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMastered by Fred Kevorkian in New York City\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDesign \u0026amp; Artwork by Clemens Habicht\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eConceived as a celebration of outsider artists by Angus Andrew (Liars), Essential Tremors - Sydney was a three-day festival comprised of six distinct sessions of experimental music, sound art and \u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003eruthless noise.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eFeaturing performances by YL Hooi, Shoeb Ahmad, Chunyin, Clare Cooper, Del Lumanta, ∑GG√E|N, Salllvage, Wytchings and\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e Cindy Chen.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\"\u003e++\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003eStatement by festival organiser and artist Angus Andrew:\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e“Working as an experimental musician in Australia or anywhere is a pretty daunting path. It’s an inherently difficult practice to develop because it is not about hooks or prowess or melodies and sing-alongs - none of those things people normally associate with ‘music’. So they won’t be asked to play at your local pub but these artists are our most brave and visionary. They question boundaries of form and tradition, challenging listeners to find meaning in the abstract. I’ve conceived ‘Essential Tremors’ as a celebration of those artists who doggedly persevere in developing their passion without the acknowledgement often lent to more graspable creators”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : \u003c\/span\u003e\u003cspan\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003eYL Hooi, Shoeb Ahmad, Chunyin, Clare Cooper, Del Lumanta, ∑GG√E|N, Salllvage, Wytchings and\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e Cindy Chen.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : No-Gold\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYの実験／フォークレーベルNo-Goldが、2022年10月にリリースした4枚組コンピレーションCDです。 2022年3月にオーストラリア・シドニーで行われた実験音楽フェス「Essential Tremors Sydney」でのライブ録音盤です。デジパック、シュリンク仕様。 レーベルその他作品はこちら /// Click here to see more No-Gold releases available at Tobira. ----------------------...
¥2,828
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{"id":8039393657082,"title":"Markus Floats \/\/ Fourth Album LP","handle":"markus-floats-fourth-album-lp","description":"\u003cp\u003eカナダ・モントリオールのマルチ奏者Markus Floatsが、2023年10月にモントリールの老舗レーベルConstellationからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eフリージャズ〜ストレンジビーツ〜ネオクラシカル・アンビエントとジャンルを横断する12曲を収録。180g重量盤です。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e12\"x24\"\u003c\/span\u003eアートプリント2枚とDLコード付属。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4199253799\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e180gram LP Art Edition comes in 350gsm Arktika jacket and 300gsm Arktika inner with two 12\"x24\" art prints on 170gsm uncoated paper, all featuring original artwork by Markus Floats. Jacket has colour flood inside. Vinyl includes download card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIntroduction 02:25\u003c\/li\u003e\n\u003cli\u003eDeath 02:36\u003c\/li\u003e\n\u003cli\u003eFree Wifi\u003c\/li\u003e\n\u003cli\u003eAS ABOVE 02:06\u003c\/li\u003e\n\u003cli\u003eInterlude\u003c\/li\u003e\n\u003cli\u003eDeath (Pt 2) 06:13\u003c\/li\u003e\n\u003cli\u003emdhvn 02:24\u003c\/li\u003e\n\u003cli\u003eSO BELOW 02:20\u003c\/li\u003e\n\u003cli\u003eHeaven Is Each Other 01:22\u003c\/li\u003e\n\u003cli\u003eSecond Introduction\u003c\/li\u003e\n\u003cli\u003eWands\u003c\/li\u003e\n\u003cli\u003eC (Featuring the Voice of Fred Moten) 04:23\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eConstellation Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe follow-up to his acclaimed Constellation debut Third Album released in lockdown spring 2020, Markus Floats returns with Fourth Album, pushing the Montréal-based artist’s distinct abstract electronic compositions into newly evocative terrain (while preserving his record-titling literalism). Faced with another couple of years spent unexpectedly, though not unfamiliarly, secluded and studio-bound, working on both paintings and music, Floats emerged by the end of 2022 with a set of tracks “about 60% finished” and a determined desire to throw off the shackles of distancing and isolation. “I had always thought about Markus Floats as a solo project but I am wrong about that. Fourth Album is about asking for help, inviting in, and making a home. It’s about trust, exploration, and the effort of letting go.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSharing his in-progress recordings with a trio of close friends and collaborators from the powerhouse free music ensemble Egyptian Cotton Arkestra, each of these players then spent a day improvising to the tracks at Montréal’s Hotel2Tango studio. With violin by Ari Swan, saxophone and mbira by James Goddard, and guitar and drums by Lucas Huang, Floats stitched their extemporized instruments back into his compositional process. The result is a fluid, lustrous, dynamic expansion of his sound and structure that continues to strike the ineffable balance of abstraction and soulfulness rightly highlighted and celebrated in the critical response to Third Album. Fourth Album sustains much of that previous work’s enchanting equanimity, while inviting a bit more restlessness, accident and grit, with the incorporation of acoustic instruments and improvisation melding Floats’ own background in Electroacoustic Studies and Jazz Performance more than ever before.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSignature avant-electronic explorations of arpeggiated and timbral transformation, subtle shifts in harmonic consonance and dissonance, and a through-composed praxis that draws coterminously upon free jazz, musique concrète and modern Minimalism, all continue to shape Fourth Album to great effect. But an additional palette of sonic and gestural raw material is now also decidedly “out-of-the-box”, charting a wider range of gestures, textures and temporalities. Fourth Album complexifies and intensifies across its 12 tracks, thematizing dualities and introducing new elements of play and accident, even a sort of looseness here and there, as it conjures communal expressivity within shorter, still scrupulous formal structures. Fourth Album also for the first time includes spoken word as a recorded element, previously only (and always) a feature of Markus Floats live performances. The album’s final track samples the poet and activist Fred Moten, closing with these words: “What we’ve been trying to figure out how to get to is how we are when we get together to try to figure it out.” This koan of socially-engaged process and creation\/advancement of meaning through praxis and immanence reflects the unique fusion of intangible materiality and affective sensibility at work in Markus Floats music, unfolding with new depths and currents with Fourth Album. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Markus Floats\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e","published_at":"2023-10-20T11:41:49+09:00","created_at":"2023-10-19T16:25:53+09:00","vendor":"Tobira Records","type":"","tags":["constellation records","contemporary \/ sound poetry","jazz","lp","new","strange beats"],"price":399500,"price_min":399500,"price_max":399500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44653011730682,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Markus Floats \/\/ Fourth Album LP","public_title":null,"options":["Default Title"],"price":399500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/al1_b63f2734-c36a-488f-811e-ada610e363fd.jpg?v=1697700355","\/\/tobirarecords.com\/cdn\/shop\/files\/al2_64460c39-7cc1-4ebc-8f80-b36f78d32017.jpg?v=1697700355","\/\/tobirarecords.com\/cdn\/shop\/files\/0033373085_10.jpg?v=1697770331"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_b63f2734-c36a-488f-811e-ada610e363fd.jpg?v=1697700355","options":["Title"],"media":[{"alt":null,"id":32577309212922,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_b63f2734-c36a-488f-811e-ada610e363fd.jpg?v=1697700355"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_b63f2734-c36a-488f-811e-ada610e363fd.jpg?v=1697700355","width":700},{"alt":null,"id":32577309245690,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_64460c39-7cc1-4ebc-8f80-b36f78d32017.jpg?v=1697700355"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_64460c39-7cc1-4ebc-8f80-b36f78d32017.jpg?v=1697700355","width":1200},{"alt":null,"id":32580761387258,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033373085_10.jpg?v=1697770331"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033373085_10.jpg?v=1697770331","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・モントリオールのマルチ奏者Markus Floatsが、2023年10月にモントリールの老舗レーベルConstellationからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eフリージャズ〜ストレンジビーツ〜ネオクラシカル・アンビエントとジャンルを横断する12曲を収録。180g重量盤です。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e12\"x24\"\u003c\/span\u003eアートプリント2枚とDLコード付属。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4199253799\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e180gram LP Art Edition comes in 350gsm Arktika jacket and 300gsm Arktika inner with two 12\"x24\" art prints on 170gsm uncoated paper, all featuring original artwork by Markus Floats. Jacket has colour flood inside. Vinyl includes download card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIntroduction 02:25\u003c\/li\u003e\n\u003cli\u003eDeath 02:36\u003c\/li\u003e\n\u003cli\u003eFree Wifi\u003c\/li\u003e\n\u003cli\u003eAS ABOVE 02:06\u003c\/li\u003e\n\u003cli\u003eInterlude\u003c\/li\u003e\n\u003cli\u003eDeath (Pt 2) 06:13\u003c\/li\u003e\n\u003cli\u003emdhvn 02:24\u003c\/li\u003e\n\u003cli\u003eSO BELOW 02:20\u003c\/li\u003e\n\u003cli\u003eHeaven Is Each Other 01:22\u003c\/li\u003e\n\u003cli\u003eSecond Introduction\u003c\/li\u003e\n\u003cli\u003eWands\u003c\/li\u003e\n\u003cli\u003eC (Featuring the Voice of Fred Moten) 04:23\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eConstellation Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe follow-up to his acclaimed Constellation debut Third Album released in lockdown spring 2020, Markus Floats returns with Fourth Album, pushing the Montréal-based artist’s distinct abstract electronic compositions into newly evocative terrain (while preserving his record-titling literalism). Faced with another couple of years spent unexpectedly, though not unfamiliarly, secluded and studio-bound, working on both paintings and music, Floats emerged by the end of 2022 with a set of tracks “about 60% finished” and a determined desire to throw off the shackles of distancing and isolation. “I had always thought about Markus Floats as a solo project but I am wrong about that. Fourth Album is about asking for help, inviting in, and making a home. It’s about trust, exploration, and the effort of letting go.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSharing his in-progress recordings with a trio of close friends and collaborators from the powerhouse free music ensemble Egyptian Cotton Arkestra, each of these players then spent a day improvising to the tracks at Montréal’s Hotel2Tango studio. With violin by Ari Swan, saxophone and mbira by James Goddard, and guitar and drums by Lucas Huang, Floats stitched their extemporized instruments back into his compositional process. The result is a fluid, lustrous, dynamic expansion of his sound and structure that continues to strike the ineffable balance of abstraction and soulfulness rightly highlighted and celebrated in the critical response to Third Album. Fourth Album sustains much of that previous work’s enchanting equanimity, while inviting a bit more restlessness, accident and grit, with the incorporation of acoustic instruments and improvisation melding Floats’ own background in Electroacoustic Studies and Jazz Performance more than ever before.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSignature avant-electronic explorations of arpeggiated and timbral transformation, subtle shifts in harmonic consonance and dissonance, and a through-composed praxis that draws coterminously upon free jazz, musique concrète and modern Minimalism, all continue to shape Fourth Album to great effect. But an additional palette of sonic and gestural raw material is now also decidedly “out-of-the-box”, charting a wider range of gestures, textures and temporalities. Fourth Album complexifies and intensifies across its 12 tracks, thematizing dualities and introducing new elements of play and accident, even a sort of looseness here and there, as it conjures communal expressivity within shorter, still scrupulous formal structures. Fourth Album also for the first time includes spoken word as a recorded element, previously only (and always) a feature of Markus Floats live performances. The album’s final track samples the poet and activist Fred Moten, closing with these words: “What we’ve been trying to figure out how to get to is how we are when we get together to try to figure it out.” This koan of socially-engaged process and creation\/advancement of meaning through praxis and immanence reflects the unique fusion of intangible materiality and affective sensibility at work in Markus Floats music, unfolding with new depths and currents with Fourth Album. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Markus Floats\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e"}
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カナダ・モントリオールのマルチ奏者Markus Floatsが、2023年10月にモントリールの老舗レーベルConstellationからリリースしたレコードです。 フリージャズ〜ストレンジビーツ〜ネオクラシカル・アンビエントとジャンルを横断する12曲を収録。180g重量盤です。12"x24"アートプリント2枚とDLコード付属。 レーベルその他作品はこちら /// Click here to see more Constellation Records releases available at Tobira. ----------------------------...
¥3,995
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{"id":8035881550074,"title":"Ann Eysermans \/\/ Moonlight Shadoh LP","handle":"ann-eysermans-moonlight-shadoh-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eベルギーのハープ奏者Ann Eysermansが、2023年10月に同国Cortizonaから400部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e愛犬シャドーに捧げた本作は、ハープやヴィオラ、音響詩が現れては消えていく実験ネオクラシカル10曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"デビューアルバム「For Trainspotters Only」が好評を博したAnn Eysermansが、愛犬シャドーへのトリビュート・アルバム「Moonlight Shadoh」をリリースする。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムでは、彼女と忠実な犬友シャドーとの絆を、特別な音楽の旅を通して探求している。Ann Eysermansは、フィールドレコーディング、キャンディのようなハーモニー、そしてシャドー独特の猟犬のような表情を見事に織り込んでいる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e録音された唸るようなフィードバックサウンドが一体となった、ジャンルを超えた別世界のコンポジションを創り出す。心を揺さぶる美しいメロディーから実験的な音の風景まで、どのトラックもあなたの魂の奥底に響く物語を語る。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eシャドーの吠え声、泣き声、おちゃめなおどけ声が、Annの心地よいヴォーカル、ハープ、ヴィオラ・ダ・ガンバとシームレスに融合し、シャドーの鼓動を感じてほしい。荒涼としたハープサウンドの間を揺れ動き、不気味なジャンデクのスピリットを彷彿とさせ、ドゥーミーでキャッチーなニュービート・ヴァイブスが交錯する。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e『Moonlight Shadoh』は、アコースティック楽器、フォニック・メランコリー、Annの個人的なサウンド・アーカイブのアナログテープ映像、そしてオーディオポエトリーが融合した、特別な旅である。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3937381876\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2206045294\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3937381876\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003ehere\u003c\/a\u003e to see more Cortizona releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 400. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMin Liefste 05:32\u003c\/li\u003e\n\u003cli\u003eInference To The Best Explanation 05:34\u003c\/li\u003e\n\u003cli\u003eHondy 03:31\u003c\/li\u003e\n\u003cli\u003ePUMST 04:27\u003c\/li\u003e\n\u003cli\u003eMoonlight Shadoh 01:28\u003c\/li\u003e\n\u003cli\u003eBlafmans 04:49\u003c\/li\u003e\n\u003cli\u003eSolipsism 05:25\u003c\/li\u003e\n\u003cli\u003eIntersystem Crossings 03:33\u003c\/li\u003e\n\u003cli\u003eDoke 01:18\u003c\/li\u003e\n\u003cli\u003eOnly The Very Best 04:57\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eCortizona:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter her stunning and well acclaimed debut album ‘For Trainspotters Only’ Ann Eysermans now releases ‘Moonlight Shadoh’, a tribute to her dog Shadoh.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA record on which she explores the bond between herself and her faithful canine friend, Shadoh, through an extraordinary musical odyssey. Ann Eysermans masterfully weaves together a tapestry of field recordings, candy-like harmonies, and Shadoh's distinctive houndly expressions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCreating otherworldly compositions that transcends genres which include recorded and integrated snarling feedback sounds. From the hauntingly beautiful melodies to the experimental sonic landscapes, every track tells a story that resonates deep within your soul.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFeel the heartbeat of Shadoh as his barks, whimpers and playful antics merge seamlessly with Ann's soothing vocals, harp and viola da gamba. These evocative arrangements will transport you to a realm where the bond between human and dog is translated into an aural spectrum swaying between desolate harp sounds, recollecting the eerie Jandek spirit lacing with doomy, and catchy as hell, new beat vibes.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMoonlight Shadoh is an exceptional journey blending acoustic instruments, phonic melancholy, analogue tape footage of Ann’s personal sound archive and audio poetry.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ann Eysermans\u003c\/p\u003e\n\u003cp\u003eLabel : Cortizona\u003c\/p\u003e","published_at":"2023-10-18T12:52:19+09:00","created_at":"2023-10-17T16:42:31+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","cortizona","drone","new","strange beats","tape"],"price":434000,"price_min":434000,"price_max":434000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44643827089658,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ann Eysermans \/\/ Moonlight Shadoh LP","public_title":null,"options":["Default Title"],"price":434000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/moo1_15bbf029-5e28-4c0d-8b41-e8fd156c3f89.jpg?v=1697528553","\/\/tobirarecords.com\/cdn\/shop\/files\/moo2_0eca900e-2659-45a9-bebc-704c18590fd7.jpg?v=1697528553"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/moo1_15bbf029-5e28-4c0d-8b41-e8fd156c3f89.jpg?v=1697528553","options":["Title"],"media":[{"alt":null,"id":32568798314746,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moo1_15bbf029-5e28-4c0d-8b41-e8fd156c3f89.jpg?v=1697528553"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moo1_15bbf029-5e28-4c0d-8b41-e8fd156c3f89.jpg?v=1697528553","width":700},{"alt":null,"id":32568798347514,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moo2_0eca900e-2659-45a9-bebc-704c18590fd7.jpg?v=1697528553"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moo2_0eca900e-2659-45a9-bebc-704c18590fd7.jpg?v=1697528553","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eベルギーのハープ奏者Ann Eysermansが、2023年10月に同国Cortizonaから400部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e愛犬シャドーに捧げた本作は、ハープやヴィオラ、音響詩が現れては消えていく実験ネオクラシカル10曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"デビューアルバム「For Trainspotters Only」が好評を博したAnn Eysermansが、愛犬シャドーへのトリビュート・アルバム「Moonlight Shadoh」をリリースする。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムでは、彼女と忠実な犬友シャドーとの絆を、特別な音楽の旅を通して探求している。Ann Eysermansは、フィールドレコーディング、キャンディのようなハーモニー、そしてシャドー独特の猟犬のような表情を見事に織り込んでいる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e録音された唸るようなフィードバックサウンドが一体となった、ジャンルを超えた別世界のコンポジションを創り出す。心を揺さぶる美しいメロディーから実験的な音の風景まで、どのトラックもあなたの魂の奥底に響く物語を語る。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eシャドーの吠え声、泣き声、おちゃめなおどけ声が、Annの心地よいヴォーカル、ハープ、ヴィオラ・ダ・ガンバとシームレスに融合し、シャドーの鼓動を感じてほしい。荒涼としたハープサウンドの間を揺れ動き、不気味なジャンデクのスピリットを彷彿とさせ、ドゥーミーでキャッチーなニュービート・ヴァイブスが交錯する。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e『Moonlight Shadoh』は、アコースティック楽器、フォニック・メランコリー、Annの個人的なサウンド・アーカイブのアナログテープ映像、そしてオーディオポエトリーが融合した、特別な旅である。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3937381876\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2206045294\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3937381876\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003ehere\u003c\/a\u003e to see more Cortizona releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 400. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMin Liefste 05:32\u003c\/li\u003e\n\u003cli\u003eInference To The Best Explanation 05:34\u003c\/li\u003e\n\u003cli\u003eHondy 03:31\u003c\/li\u003e\n\u003cli\u003ePUMST 04:27\u003c\/li\u003e\n\u003cli\u003eMoonlight Shadoh 01:28\u003c\/li\u003e\n\u003cli\u003eBlafmans 04:49\u003c\/li\u003e\n\u003cli\u003eSolipsism 05:25\u003c\/li\u003e\n\u003cli\u003eIntersystem Crossings 03:33\u003c\/li\u003e\n\u003cli\u003eDoke 01:18\u003c\/li\u003e\n\u003cli\u003eOnly The Very Best 04:57\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eCortizona:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter her stunning and well acclaimed debut album ‘For Trainspotters Only’ Ann Eysermans now releases ‘Moonlight Shadoh’, a tribute to her dog Shadoh.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA record on which she explores the bond between herself and her faithful canine friend, Shadoh, through an extraordinary musical odyssey. Ann Eysermans masterfully weaves together a tapestry of field recordings, candy-like harmonies, and Shadoh's distinctive houndly expressions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCreating otherworldly compositions that transcends genres which include recorded and integrated snarling feedback sounds. From the hauntingly beautiful melodies to the experimental sonic landscapes, every track tells a story that resonates deep within your soul.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFeel the heartbeat of Shadoh as his barks, whimpers and playful antics merge seamlessly with Ann's soothing vocals, harp and viola da gamba. These evocative arrangements will transport you to a realm where the bond between human and dog is translated into an aural spectrum swaying between desolate harp sounds, recollecting the eerie Jandek spirit lacing with doomy, and catchy as hell, new beat vibes.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMoonlight Shadoh is an exceptional journey blending acoustic instruments, phonic melancholy, analogue tape footage of Ann’s personal sound archive and audio poetry.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ann Eysermans\u003c\/p\u003e\n\u003cp\u003eLabel : Cortizona\u003c\/p\u003e"}
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ベルギーのハープ奏者Ann Eysermansが、2023年10月に同国Cortizonaから400部限定でリリースしたレコードです。 愛犬シャドーに捧げた本作は、ハープやヴィオラ、音響詩が現れては消えていく実験ネオクラシカル10曲を収録。DLコード付属。 以下、レーベルによる解説です。 "デビューアルバム「For Trainspotters Only」が好評を博したAnn Eysermansが、愛犬シャドーへのトリビュート・アルバム「Moonlight Shadoh」をリリースする。このアルバムでは、彼女と忠実な犬友シャドーとの絆を、特別な音楽の旅を通して探求している。Ann Eysermansは、フィールドレコーディング、キャンディのようなハーモニー、そしてシャドー独特の猟犬のような表情を見事に織り込んでいる。録音された唸るようなフィードバックサウンドが一体となった、ジャンルを超えた別世界のコンポジションを創り出す。心を揺さぶる美しいメロディーから実験的な音の風景まで、どのトラックもあなたの魂の奥底に響く物語を語る。シャドーの吠え声、泣き声、おちゃめなおどけ声が、Annの心地よいヴォーカル、ハープ、ヴィオラ・ダ・ガンバとシームレスに融合し、シャドーの鼓動を感じてほしい。荒涼としたハープサウンドの間を揺れ動き、不気味なジャンデクのスピリットを彷彿とさせ、ドゥーミーでキャッチーなニュービート・ヴァイブスが交錯する。『Moonlight Shadoh』は、アコースティック楽器、フォニック・メランコリー、Annの個人的なサウンド・アーカイブのアナログテープ映像、そしてオーディオポエトリーが融合した、特別な旅である。" レーベルその他作品はこちら /// Click here to see...
¥4,340
クイックビュー
{"id":8034454274298,"title":"LDSN \u0026 Yakkida \/\/ Can Yr Ysgol TAPE","handle":"ldsn-yakkida-can-yr-ysgol-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの実験音楽家LDSNとYakkidaが、\u003c\/span\u003e2023年8月にアイルランド・コークの実験／ノイズレーベル\u003cspan data-mce-fragment=\"1\"\u003eKrim Kram\u003c\/span\u003eから100本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eインプロのライブ録音〜サウンドポエトリー4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1367152795\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3193137708\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1367152795\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\"\u003ehere\u003c\/a\u003e to see more Krim Kram releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 100. Includes DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLaughing And Bells (Live at Rammel Club) 18:50\u003c\/li\u003e\n\u003cli\u003eSeven Corpses 08:56\u003c\/li\u003e\n\u003cli\u003eYn Ofnys O Dwr A Hedfan 10:13\u003c\/li\u003e\n\u003cli\u003ePine Road 16:48\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eKrim Kram:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLDSN is Todmorden-based writer and artist Lauren de Sá Naylor. Over the past number of years, she has released a string of highly hypnotic and intimate recordings on labels such as Chocolate Monk, Invisible Animals, Cardboard Club, and Fort Evil Fruit. Yakkida is Leeds-based artist Hilary Knott, who also performs as Basic Switches and is a member of indie-rock trio, Cowtown. Together, LDSN and Yakkida make rhythmic, dissonant and harmonious sounds using voices, loops, field recordings, bells, drums and harmoniums.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : LDSN \u0026amp; Yakkida\u003c\/p\u003e\n\u003cp\u003eLabel : Krim Kram\u003c\/p\u003e","published_at":"2024-05-25T14:16:57+09:00","created_at":"2023-10-15T15:23:30+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","krim kram","new","sound poetry","tape"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44637553099002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"LDSN \u0026 Yakkida \/\/ Can Yr Ysgol TAPE","public_title":null,"options":["Default Title"],"price":198000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/can1_77f82cff-8963-448b-9f74-da9eb763aa87.jpg?v=1697351012","\/\/tobirarecords.com\/cdn\/shop\/files\/can2_42a85737-034b-4412-848c-6d1483b1a160.jpg?v=1697351012"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/can1_77f82cff-8963-448b-9f74-da9eb763aa87.jpg?v=1697351012","options":["Title"],"media":[{"alt":null,"id":32560246161658,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/can1_77f82cff-8963-448b-9f74-da9eb763aa87.jpg?v=1697351012"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/can1_77f82cff-8963-448b-9f74-da9eb763aa87.jpg?v=1697351012","width":700},{"alt":null,"id":32560246194426,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/can2_42a85737-034b-4412-848c-6d1483b1a160.jpg?v=1697351012"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/can2_42a85737-034b-4412-848c-6d1483b1a160.jpg?v=1697351012","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの実験音楽家LDSNとYakkidaが、\u003c\/span\u003e2023年8月にアイルランド・コークの実験／ノイズレーベル\u003cspan data-mce-fragment=\"1\"\u003eKrim Kram\u003c\/span\u003eから100本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eインプロのライブ録音〜サウンドポエトリー4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1367152795\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3193137708\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1367152795\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\"\u003ehere\u003c\/a\u003e to see more Krim Kram releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 100. Includes DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLaughing And Bells (Live at Rammel Club) 18:50\u003c\/li\u003e\n\u003cli\u003eSeven Corpses 08:56\u003c\/li\u003e\n\u003cli\u003eYn Ofnys O Dwr A Hedfan 10:13\u003c\/li\u003e\n\u003cli\u003ePine Road 16:48\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eKrim Kram:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLDSN is Todmorden-based writer and artist Lauren de Sá Naylor. Over the past number of years, she has released a string of highly hypnotic and intimate recordings on labels such as Chocolate Monk, Invisible Animals, Cardboard Club, and Fort Evil Fruit. Yakkida is Leeds-based artist Hilary Knott, who also performs as Basic Switches and is a member of indie-rock trio, Cowtown. Together, LDSN and Yakkida make rhythmic, dissonant and harmonious sounds using voices, loops, field recordings, bells, drums and harmoniums.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : LDSN \u0026amp; Yakkida\u003c\/p\u003e\n\u003cp\u003eLabel : Krim Kram\u003c\/p\u003e"}
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イギリスの実験音楽家LDSNとYakkidaが、2023年8月にアイルランド・コークの実験／ノイズレーベルKrim Kramから100本限定でリリースした共作カセットです。 インプロのライブ録音〜サウンドポエトリー4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Krim Kram releases available at Tobira. ----------------------...
¥1,980
クイックビュー
{"id":8034452308218,"title":"Andy Heck Boyd \/\/ blondie - thanks for sharing CD","handle":"andy-heck-boyd-blondie-thanks-for-sharing-cd","description":"\u003cp\u003eアメリカ・ケンタッキーの実験音楽家Andy Heck Boydが、2022年12月に\u003cspan data-mce-fragment=\"1\"\u003eアイルランド・\u003c\/span\u003eコークの実験／ノイズレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKrim Kram\u003c\/span\u003eからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eLo-Fiコンクレート〜サウンドポエトリー12曲を収録。4面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3554263739\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=8788698\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3554263739\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\"\u003ehere\u003c\/a\u003e to see more Krim Kram releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in 4-panel digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eshe's losing control 03:12\u003c\/li\u003e\n\u003cli\u003eis woody doing ok? 05:38\u003c\/li\u003e\n\u003cli\u003eback bunny road 09:34\u003c\/li\u003e\n\u003cli\u003espaghetti on the tarmac 00:51\u003c\/li\u003e\n\u003cli\u003emr. wyrmwood 02:01\u003c\/li\u003e\n\u003cli\u003elightwood 01:29\u003c\/li\u003e\n\u003cli\u003eif you go chasing rabbits 03:28\u003c\/li\u003e\n\u003cli\u003ethe sisters 01:28\u003c\/li\u003e\n\u003cli\u003ehappy birthday 00:35\u003c\/li\u003e\n\u003cli\u003ei'm most quiet when i am dead 01:09\u003c\/li\u003e\n\u003cli\u003ebuddha points at the moon 06:17\u003c\/li\u003e\n\u003cli\u003eferrari 04:07\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist bio by Krim Kram:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eandy heck boyd, b 1981, lived in new hampshire for 40 years, permanently moved to kentucky in 2021, attended college in boston for tv\/film production and filmmaking in maine dropped out of both classes in spring and then winter 2001, diagnosed with schizophrenia in 2002, worked at a gas station for several years before going on disability in 2010, took up drawing and painting and video making and began making cassette tape recordings in 2017, living hermit type life in small room in exeter nh for 11 years before moving to kentucky, took up tape recording to \"be a writer\" to write novels, chronic tendinitis from overuse of computer mouse making animation and daily painting and drawing with no stretching exercising etc, wanted to write but typing caused too much pain, and began to experiment with tape recording after getting into it around early 2017, never performed live, has had some painting exhibitions with galleries, a few in seattle wa at season gallery, a few with buoy gallery in kittery maine, a few in nyc one with serving the people ran by lucien smith, has a few comics published, casper the french inquisition named blob, and my name is greg, dracula citgo a screenplay, and slot of banji 2 by wilt press in maine, currently lives in mt sterling kentucky with his wife\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, kasper heck\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andy Heck Boyd\u003c\/p\u003e\n\u003cp\u003eLabel : Krim Kram\u003c\/p\u003e","published_at":"2023-10-20T09:32:04+09:00","created_at":"2023-10-15T15:11:07+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","krim kram","monooto","new"],"price":223300,"price_min":223300,"price_max":223300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44637544972538,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Andy Heck Boyd \/\/ blondie - thanks for sharing CD","public_title":null,"options":["Default Title"],"price":223300,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bl_2d9a8699-f58e-492e-a8d3-8a3f421906ab.jpg?v=1697350270","\/\/tobirarecords.com\/cdn\/shop\/files\/cl2_a881779a-2a62-42c8-9f95-16e36858b926.jpg?v=1697350269"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl_2d9a8699-f58e-492e-a8d3-8a3f421906ab.jpg?v=1697350270","options":["Title"],"media":[{"alt":null,"id":32560181477626,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl_2d9a8699-f58e-492e-a8d3-8a3f421906ab.jpg?v=1697350270"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl_2d9a8699-f58e-492e-a8d3-8a3f421906ab.jpg?v=1697350270","width":700},{"alt":null,"id":32560181510394,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cl2_a881779a-2a62-42c8-9f95-16e36858b926.jpg?v=1697350269"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cl2_a881779a-2a62-42c8-9f95-16e36858b926.jpg?v=1697350269","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ケンタッキーの実験音楽家Andy Heck Boydが、2022年12月に\u003cspan data-mce-fragment=\"1\"\u003eアイルランド・\u003c\/span\u003eコークの実験／ノイズレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKrim Kram\u003c\/span\u003eからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eLo-Fiコンクレート〜サウンドポエトリー12曲を収録。4面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3554263739\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=8788698\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3554263739\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\"\u003ehere\u003c\/a\u003e to see more Krim Kram releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in 4-panel digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eshe's losing control 03:12\u003c\/li\u003e\n\u003cli\u003eis woody doing ok? 05:38\u003c\/li\u003e\n\u003cli\u003eback bunny road 09:34\u003c\/li\u003e\n\u003cli\u003espaghetti on the tarmac 00:51\u003c\/li\u003e\n\u003cli\u003emr. wyrmwood 02:01\u003c\/li\u003e\n\u003cli\u003elightwood 01:29\u003c\/li\u003e\n\u003cli\u003eif you go chasing rabbits 03:28\u003c\/li\u003e\n\u003cli\u003ethe sisters 01:28\u003c\/li\u003e\n\u003cli\u003ehappy birthday 00:35\u003c\/li\u003e\n\u003cli\u003ei'm most quiet when i am dead 01:09\u003c\/li\u003e\n\u003cli\u003ebuddha points at the moon 06:17\u003c\/li\u003e\n\u003cli\u003eferrari 04:07\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist bio by Krim Kram:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eandy heck boyd, b 1981, lived in new hampshire for 40 years, permanently moved to kentucky in 2021, attended college in boston for tv\/film production and filmmaking in maine dropped out of both classes in spring and then winter 2001, diagnosed with schizophrenia in 2002, worked at a gas station for several years before going on disability in 2010, took up drawing and painting and video making and began making cassette tape recordings in 2017, living hermit type life in small room in exeter nh for 11 years before moving to kentucky, took up tape recording to \"be a writer\" to write novels, chronic tendinitis from overuse of computer mouse making animation and daily painting and drawing with no stretching exercising etc, wanted to write but typing caused too much pain, and began to experiment with tape recording after getting into it around early 2017, never performed live, has had some painting exhibitions with galleries, a few in seattle wa at season gallery, a few with buoy gallery in kittery maine, a few in nyc one with serving the people ran by lucien smith, has a few comics published, casper the french inquisition named blob, and my name is greg, dracula citgo a screenplay, and slot of banji 2 by wilt press in maine, currently lives in mt sterling kentucky with his wife\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, kasper heck\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andy Heck Boyd\u003c\/p\u003e\n\u003cp\u003eLabel : Krim Kram\u003c\/p\u003e"}
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アメリカ・ケンタッキーの実験音楽家Andy Heck Boydが、2022年12月にアイルランド・コークの実験／ノイズレーベルKrim KramからリリースしたCDです。 Lo-Fiコンクレート〜サウンドポエトリー12曲を収録。4面デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Krim Kram releases available at...
¥2,233
クイックビュー
{"id":8033950073082,"title":"Catherine Lamb \u0026 Kristofer Svensson \/\/ Translucent Harmonies CD","handle":"catherine-lamb-kristofer-svensson-translucent-harmonies-cd","description":"\u003cp\u003eアメリカのCatherine LambとスウェーデンのKristofer Svensson作曲家2名が、2023年9月にイギリスのコンテンポラリーレーベルAnother Timbreからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMaya Bennardoがバイオリン、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHannah Levinsonがヴィオラを担当したコンテンポラリー2曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eデジパック、シュリンク仕様。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1036283119\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in gatefold card cover. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCatherine Lamb: Prisma Interius VIII (Melodic Duo) 22:48\u003c\/li\u003e\n\u003cli\u003eKristofer Svensson: Vid stenmuren blir tanken blomma 40:13\u003c\/li\u003e\n\u003cli\u003eExtract from 'Prisma Interius VIII' (Melodic Duo) for streaming 06:14\u003c\/li\u003e\n\u003cli\u003eExtract from 'Vid stenmuren blir tanken blomma' for streaming 05:53\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn album from andPlay - Maya Bennardo on violin, and Hannah Levinson on viola.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBrilliant performances of two pieces: Catherine Lamb's 'Prisma Interius VIII' (Melodic Duo) and Kristofer Svensson's 'Vid stenmuren blir tanken blomma'\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Catherine Lamb \u0026amp; Kristofer Svensson\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e","published_at":"2023-10-17T15:51:20+09:00","created_at":"2023-10-14T15:59:39+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","neo classical","new"],"price":216000,"price_min":216000,"price_max":216000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44635409875194,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Catherine Lamb \u0026 Kristofer Svensson \/\/ Translucent Harmonies CD","public_title":null,"options":["Default Title"],"price":216000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ham1.jpg?v=1697266782","\/\/tobirarecords.com\/cdn\/shop\/files\/ham2.jpg?v=1697266781"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ham1.jpg?v=1697266782","options":["Title"],"media":[{"alt":null,"id":32557868843258,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ham1.jpg?v=1697266782"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ham1.jpg?v=1697266782","width":700},{"alt":null,"id":32557868876026,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ham2.jpg?v=1697266781"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ham2.jpg?v=1697266781","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのCatherine LambとスウェーデンのKristofer Svensson作曲家2名が、2023年9月にイギリスのコンテンポラリーレーベルAnother Timbreからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMaya Bennardoがバイオリン、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHannah Levinsonがヴィオラを担当したコンテンポラリー2曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eデジパック、シュリンク仕様。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1036283119\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in gatefold card cover. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCatherine Lamb: Prisma Interius VIII (Melodic Duo) 22:48\u003c\/li\u003e\n\u003cli\u003eKristofer Svensson: Vid stenmuren blir tanken blomma 40:13\u003c\/li\u003e\n\u003cli\u003eExtract from 'Prisma Interius VIII' (Melodic Duo) for streaming 06:14\u003c\/li\u003e\n\u003cli\u003eExtract from 'Vid stenmuren blir tanken blomma' for streaming 05:53\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn album from andPlay - Maya Bennardo on violin, and Hannah Levinson on viola.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBrilliant performances of two pieces: Catherine Lamb's 'Prisma Interius VIII' (Melodic Duo) and Kristofer Svensson's 'Vid stenmuren blir tanken blomma'\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Catherine Lamb \u0026amp; Kristofer Svensson\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e"}
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アメリカのCatherine LambとスウェーデンのKristofer Svensson作曲家2名が、2023年9月にイギリスのコンテンポラリーレーベルAnother Timbreからリリースした共作CDです。 Maya Bennardoがバイオリン、Hannah Levinsonがヴィオラを担当したコンテンポラリー2曲を収録。デジパック、シュリンク仕様。 レーベルその他作品はこちら /// Click here to see more Another Timbre releases...
¥2,160
クイックビュー
{"id":8033948631290,"title":"Jürg Frey \/\/ String Trio CD","handle":"jurg-frey-string-trio-cd","description":"\u003cp\u003eスイスの作曲家／クラリネット奏者Jürg Freyが、2023年9月にイギリスのコンテンポラリーレーベルAnother TimbreからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e彼が2017年に書いた『String Trio』をApartment Houseが演奏した作品です。\u003cspan data-mce-fragment=\"1\"\u003eデジパック、シュリンク仕様。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=401813169\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in gatefold card cover. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eString Trio 47:19\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eApartment House play Jürg Frey's 'String Trio', originally composed in 2017, but revised for this recording.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is the first recording of this extraordinarily beautiful work.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jürg Frey\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e","published_at":"2023-10-17T15:47:25+09:00","created_at":"2023-10-14T15:57:22+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","neo classical","new"],"price":216000,"price_min":216000,"price_max":216000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44635404927226,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jürg Frey \/\/ String Trio CD","public_title":null,"options":["Default Title"],"price":216000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ju1_85e1495c-5782-43c0-a633-f40774bc3860.jpg?v=1697266644","\/\/tobirarecords.com\/cdn\/shop\/files\/ju2_147dbfa5-0618-4ec5-a76e-ef6152e436d6.jpg?v=1697266644"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ju1_85e1495c-5782-43c0-a633-f40774bc3860.jpg?v=1697266644","options":["Title"],"media":[{"alt":null,"id":32557857997050,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ju1_85e1495c-5782-43c0-a633-f40774bc3860.jpg?v=1697266644"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ju1_85e1495c-5782-43c0-a633-f40774bc3860.jpg?v=1697266644","width":700},{"alt":null,"id":32557858029818,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ju2_147dbfa5-0618-4ec5-a76e-ef6152e436d6.jpg?v=1697266644"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ju2_147dbfa5-0618-4ec5-a76e-ef6152e436d6.jpg?v=1697266644","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスイスの作曲家／クラリネット奏者Jürg Freyが、2023年9月にイギリスのコンテンポラリーレーベルAnother TimbreからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e彼が2017年に書いた『String Trio』をApartment Houseが演奏した作品です。\u003cspan data-mce-fragment=\"1\"\u003eデジパック、シュリンク仕様。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=401813169\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in gatefold card cover. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eString Trio 47:19\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eApartment House play Jürg Frey's 'String Trio', originally composed in 2017, but revised for this recording.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is the first recording of this extraordinarily beautiful work.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jürg Frey\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e"}
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{"id":8033946075386,"title":"Catherine Lamb \/\/ parallaxis forma CD","handle":"catherine-lamb-parallaxis-forma-cd","description":"\u003cp\u003eアメリカのチェロ奏者Catherine Lambが、2023年9月にイギリスのコンテンポラリーレーベルAnother TimbreからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eアコースティック・ドローン3曲を収録。\u003cspan data-mce-fragment=\"1\"\u003eデジスリーブ、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=709488820\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in gatefold card cover. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ecolor residua (2016\/2020) 10:53\u003c\/li\u003e\n\u003cli\u003epulse \/ shade (2014) version for multi-tracked voice 19:01\u003c\/li\u003e\n\u003cli\u003eparallaxis forma (2016) 25:59\u003c\/li\u003e\n\u003cli\u003eExtract from 'parallaxis forma' for streaming 07:20\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eExplore Ensemble\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNicholas Moroz, artistic director\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eon 'color residua': Julia Doukakis (viola 1), Emma Purslow (viola 2), Deni Teo (cello), Toby Hughes (double bass)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eon 'parallaxis forma': Taylor MacLennan (flute), Alex Roberts (clarinet), David Zucchi (saxophone), Sarah Park (tuned glasses), Sam Cave (guitar), David Lopez Ibañez (violin), Deni Teo (cello)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Catherine Lamb\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e","published_at":"2023-10-17T15:44:38+09:00","created_at":"2023-10-14T15:51:50+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","drone","new"],"price":216000,"price_min":216000,"price_max":216000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44635393425658,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Catherine Lamb \/\/ parallaxis forma CD","public_title":null,"options":["Default Title"],"price":216000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_ed44da24-fb20-4fb3-8937-b5a2a45ffdaa.jpg?v=1697266312","\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_70f00292-b8e0-466e-808e-08e05c74fecf.jpg?v=1697266312"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_ed44da24-fb20-4fb3-8937-b5a2a45ffdaa.jpg?v=1697266312","options":["Title"],"media":[{"alt":null,"id":32557829685498,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_ed44da24-fb20-4fb3-8937-b5a2a45ffdaa.jpg?v=1697266312"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_ed44da24-fb20-4fb3-8937-b5a2a45ffdaa.jpg?v=1697266312","width":700},{"alt":null,"id":32557829718266,"position":2,"preview_image":{"aspect_ratio":1.043,"height":1150,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_70f00292-b8e0-466e-808e-08e05c74fecf.jpg?v=1697266312"},"aspect_ratio":1.043,"height":1150,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_70f00292-b8e0-466e-808e-08e05c74fecf.jpg?v=1697266312","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのチェロ奏者Catherine Lambが、2023年9月にイギリスのコンテンポラリーレーベルAnother TimbreからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eアコースティック・ドローン3曲を収録。\u003cspan data-mce-fragment=\"1\"\u003eデジスリーブ、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=709488820\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in gatefold card cover. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ecolor residua (2016\/2020) 10:53\u003c\/li\u003e\n\u003cli\u003epulse \/ shade (2014) version for multi-tracked voice 19:01\u003c\/li\u003e\n\u003cli\u003eparallaxis forma (2016) 25:59\u003c\/li\u003e\n\u003cli\u003eExtract from 'parallaxis forma' for streaming 07:20\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eExplore Ensemble\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNicholas Moroz, artistic director\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eon 'color residua': Julia Doukakis (viola 1), Emma Purslow (viola 2), Deni Teo (cello), Toby Hughes (double bass)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eon 'parallaxis forma': Taylor MacLennan (flute), Alex Roberts (clarinet), David Zucchi (saxophone), Sarah Park (tuned glasses), Sam Cave (guitar), David Lopez Ibañez (violin), Deni Teo (cello)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Catherine Lamb\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e"}
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アメリカのチェロ奏者Catherine Lambが、2023年9月にイギリスのコンテンポラリーレーベルAnother TimbreからリリースしたCDです。 アコースティック・ドローン3曲を収録。デジスリーブ、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Another Timbre releases available at Tobira....
¥2,160
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{"id":8033795604730,"title":"Huang Shan \/\/ A cappella TAPE","handle":"huang-shan-a-cappella-tape","description":"\u003cp\u003e台湾・高雄の実験音楽家Huang Shanが、2023年5月に中国・北京の実験レーベルZoomin' Nightから20本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e100日間、毎日30分録音した音声日記をインスタレーション作品100 Shitsのライブ録音です。A面にはそれらの100の音素材を重ねた物音ノイズ作品を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2022年から、私はそれらの重層的で、濃密で、乾いていて、言葉を超えた事柄を、音声日記という形で処理し始めた。徐々に、私は50台のカセットプレーヤーに封印された100の変調された声の録音を集めた。6月、高雄のHallucinationで開催された個展「100 Shits」（一百天的訴辯）では、これらのカセットプレーヤーをセットした。この展覧会では、観客がテープの再生方法を選ぶことができた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e展覧会では、2つのトラックを収録した『A Cappella』と題された音楽作品も展示された。A面は100のボーカル録音を重ねたもので、B面は展示会でのライブ録音である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1752901004\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eZoomin' Nightその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Zoomin' Night releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-----------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement by Huang Shan:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eBeginning in 2022, I started to process those layered, dense, dry, and beyond-words matters in the form of a voice diary. Gradually, I gathered a collection of 100 modulated voice recordings that were sealed on 50 cassette players. In June, these cassette players were set in my solo exhibition \"100 Shits\"(一百天的訴辯) staged at Hallucination in Kaohsiung. It allowed the audience to select how they would like the tapes to play.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe exhibition also included a musical work entitled \"A Cappella,\" which features two tracks. Side A is a combination of 100 overlapped vocal recordings, while Side B is a live recording from the exhibition.\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++ \u003c\/p\u003e\n\u003cp\u003eInterview with Zhu Wembo:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eZhu Wenbo: Fangyi Liu introduced me to your work. I gather that you don’t have a background in music (including experimental music), nor do you have much of a history with art. Anyway, would you like to tell everyone a little about yourself?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHuang Shan: While I was attending university, some friends and I would do little things at home, just messing around. At that time, the experimental music community in Kaohsiung was really small, naturally everybody got to know each other through mutual introductions. We would hang out at Fangyi’s house, or places like Zigong and Doupi where we had little jam sessions. There were also a few performances in small venues. Most of the time, we just happened to run into each other and then for fun we would play music together.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZhu Wenbo: 100 Shits is a pretty crazy project — I was actually kind of stunned when I first heard about it. Every day for a hundred days you recorded 30 minutes of voice material, out of which you made 50 unique tape recordings. Then for the exhibition you loaded them into 50 cassette players which were distributed in a room. Audience members were then free to interact with them as they pleased.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHow did you come up with this project? Have you done such a long, Sisyphean undertaking before? Could you walk us through what your thought process was?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHuang Shan: When I’m busy working away at something by myself, I often say things to myself, or make random meaningless sounds. Once when I was tidying up for an exhibition in the performance space at Hallucination, the strong reverberation in there gave me the idea to have my voice transmitted throughout the room.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs for the recording process, as far as I’m concerned, I was just making music. All the sounds that I made and recorded were sounds that I could use to make a sample pack of myself, which I then experimented with, combining different ‘samples’ together to see what they sounded like. I was really happy to be invited to do this release, because it was another chance to mix them into something different.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZhu Wenbo: What was your recording process like? What equipment did you use, did you record directly to tape? Even if each time it was only for 30 minutes, wasn’t it a bit of an ordeal to record non-stop for a hundred days? I wonder whether, over the course of those hundred days, your thoughts about the project changed at all?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHuang Shan: For raw vocals I recorded directly into the cassette recorder, and for more detailed sounds and effects I went through a microphone. It depended on what I wanted to record that day, which wasn’t based on any particularly deep considerations. Even though a hundred days sounds like a long time, each day the recording was just a small amount of time that was fun and easy to get done.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAbout halfway through the project, I was getting a bit greedy playing with too many effects pedals and it started to sound like the music was going somewhere I didn’t want it to. I discarded some of those recordings and from then on I limited myself to just using EQ and pitch modulation.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZhu Wenbo: Let’s talk about the exhibition. The B-side of A cappella is a recording of yourself operating the cassette players that you did in Hallucination before the opening of the exhibition. Later, when the audience was taking part, what was it like? How did the exhibition compare with your expectations?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHuang Shan: Apart from when I was there to see two other performances, after the opening I was rarely inside the exhibition because I didn’t want to intrude, and also because I felt a bit awkward. Anyway, I would basically divide the audience into two: there were those who out of curiosity turned on the odd cassette player here and there, and then a few ‘big eaters’ who turned on all 50 all at once. There were also some people who didn’t know how to operate a tape recorder, it’s technology from a bygone era after all, so they just took a few photos and then left. I didn’t have any specific expectations, so I was pleasantly surprised by the way things unfolded.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZhu Wenbo: On the inside leaf of the case there is a photo of the 50 cassette players. Did you buy them specifically for this project? Seems like it would have cost a fair bit! After the month-long exhibition ended, what did you do with the tapes and the cassette players?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHuang Shan: I bought them specially for the project, because I wanted recorders that were conveniently sized and easy to use. I found an out-of-production model, and eventually through all kinds of channels I managed to scrape together enough of them. For me, the overall expense was pretty high, but it was manageable because I bought them gradually over the duration of the project. Since the exhibition ended, I haven’t sold a single one, so they’re all being stored at home.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Huang Shan\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Zoomin' Night\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-10-14T08:08:35+09:00","created_at":"2023-10-14T08:08:35+09:00","vendor":"Tobira Records","type":"","tags":["drone","monooto","new","noise","sound poetry","tape","Zoomin’ night"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44634470318330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Huang Shan \/\/ A cappella TAPE","public_title":null,"options":["Default Title"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0330417767_16.jpg?v=1697238526","\/\/tobirarecords.com\/cdn\/shop\/files\/0032297773_10.jpg?v=1697238528","\/\/tobirarecords.com\/cdn\/shop\/files\/0032297776_10.jpg?v=1697238530","\/\/tobirarecords.com\/cdn\/shop\/files\/0032297777_10.jpg?v=1697238532","\/\/tobirarecords.com\/cdn\/shop\/files\/0032297790_10.jpg?v=1697238534"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0330417767_16.jpg?v=1697238526","options":["Title"],"media":[{"alt":null,"id":32556710789370,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0330417767_16.jpg?v=1697238526"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0330417767_16.jpg?v=1697238526","width":700},{"alt":null,"id":32556710854906,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032297773_10.jpg?v=1697238528"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032297773_10.jpg?v=1697238528","width":900},{"alt":null,"id":32556710887674,"position":3,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032297776_10.jpg?v=1697238530"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032297776_10.jpg?v=1697238530","width":900},{"alt":null,"id":32556710920442,"position":4,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032297777_10.jpg?v=1697238532"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032297777_10.jpg?v=1697238532","width":900},{"alt":null,"id":32556710953210,"position":5,"preview_image":{"aspect_ratio":1.289,"height":931,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032297790_10.jpg?v=1697238534"},"aspect_ratio":1.289,"height":931,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032297790_10.jpg?v=1697238534","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e台湾・高雄の実験音楽家Huang Shanが、2023年5月に中国・北京の実験レーベルZoomin' Nightから20本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e100日間、毎日30分録音した音声日記をインスタレーション作品100 Shitsのライブ録音です。A面にはそれらの100の音素材を重ねた物音ノイズ作品を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2022年から、私はそれらの重層的で、濃密で、乾いていて、言葉を超えた事柄を、音声日記という形で処理し始めた。徐々に、私は50台のカセットプレーヤーに封印された100の変調された声の録音を集めた。6月、高雄のHallucinationで開催された個展「100 Shits」（一百天的訴辯）では、これらのカセットプレーヤーをセットした。この展覧会では、観客がテープの再生方法を選ぶことができた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e展覧会では、2つのトラックを収録した『A Cappella』と題された音楽作品も展示された。A面は100のボーカル録音を重ねたもので、B面は展示会でのライブ録音である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1752901004\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eZoomin' Nightその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Zoomin' Night releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-----------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement by Huang Shan:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eBeginning in 2022, I started to process those layered, dense, dry, and beyond-words matters in the form of a voice diary. Gradually, I gathered a collection of 100 modulated voice recordings that were sealed on 50 cassette players. In June, these cassette players were set in my solo exhibition \"100 Shits\"(一百天的訴辯) staged at Hallucination in Kaohsiung. It allowed the audience to select how they would like the tapes to play.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe exhibition also included a musical work entitled \"A Cappella,\" which features two tracks. Side A is a combination of 100 overlapped vocal recordings, while Side B is a live recording from the exhibition.\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++ \u003c\/p\u003e\n\u003cp\u003eInterview with Zhu Wembo:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eZhu Wenbo: Fangyi Liu introduced me to your work. I gather that you don’t have a background in music (including experimental music), nor do you have much of a history with art. Anyway, would you like to tell everyone a little about yourself?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHuang Shan: While I was attending university, some friends and I would do little things at home, just messing around. At that time, the experimental music community in Kaohsiung was really small, naturally everybody got to know each other through mutual introductions. We would hang out at Fangyi’s house, or places like Zigong and Doupi where we had little jam sessions. There were also a few performances in small venues. Most of the time, we just happened to run into each other and then for fun we would play music together.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZhu Wenbo: 100 Shits is a pretty crazy project — I was actually kind of stunned when I first heard about it. Every day for a hundred days you recorded 30 minutes of voice material, out of which you made 50 unique tape recordings. Then for the exhibition you loaded them into 50 cassette players which were distributed in a room. Audience members were then free to interact with them as they pleased.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHow did you come up with this project? Have you done such a long, Sisyphean undertaking before? Could you walk us through what your thought process was?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHuang Shan: When I’m busy working away at something by myself, I often say things to myself, or make random meaningless sounds. Once when I was tidying up for an exhibition in the performance space at Hallucination, the strong reverberation in there gave me the idea to have my voice transmitted throughout the room.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs for the recording process, as far as I’m concerned, I was just making music. All the sounds that I made and recorded were sounds that I could use to make a sample pack of myself, which I then experimented with, combining different ‘samples’ together to see what they sounded like. I was really happy to be invited to do this release, because it was another chance to mix them into something different.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZhu Wenbo: What was your recording process like? What equipment did you use, did you record directly to tape? Even if each time it was only for 30 minutes, wasn’t it a bit of an ordeal to record non-stop for a hundred days? I wonder whether, over the course of those hundred days, your thoughts about the project changed at all?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHuang Shan: For raw vocals I recorded directly into the cassette recorder, and for more detailed sounds and effects I went through a microphone. It depended on what I wanted to record that day, which wasn’t based on any particularly deep considerations. Even though a hundred days sounds like a long time, each day the recording was just a small amount of time that was fun and easy to get done.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAbout halfway through the project, I was getting a bit greedy playing with too many effects pedals and it started to sound like the music was going somewhere I didn’t want it to. I discarded some of those recordings and from then on I limited myself to just using EQ and pitch modulation.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZhu Wenbo: Let’s talk about the exhibition. The B-side of A cappella is a recording of yourself operating the cassette players that you did in Hallucination before the opening of the exhibition. Later, when the audience was taking part, what was it like? How did the exhibition compare with your expectations?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHuang Shan: Apart from when I was there to see two other performances, after the opening I was rarely inside the exhibition because I didn’t want to intrude, and also because I felt a bit awkward. Anyway, I would basically divide the audience into two: there were those who out of curiosity turned on the odd cassette player here and there, and then a few ‘big eaters’ who turned on all 50 all at once. There were also some people who didn’t know how to operate a tape recorder, it’s technology from a bygone era after all, so they just took a few photos and then left. I didn’t have any specific expectations, so I was pleasantly surprised by the way things unfolded.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZhu Wenbo: On the inside leaf of the case there is a photo of the 50 cassette players. Did you buy them specifically for this project? Seems like it would have cost a fair bit! After the month-long exhibition ended, what did you do with the tapes and the cassette players?\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHuang Shan: I bought them specially for the project, because I wanted recorders that were conveniently sized and easy to use. I found an out-of-production model, and eventually through all kinds of channels I managed to scrape together enough of them. For me, the overall expense was pretty high, but it was manageable because I bought them gradually over the duration of the project. Since the exhibition ended, I haven’t sold a single one, so they’re all being stored at home.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Huang Shan\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Zoomin' Night\u003c\/span\u003e\u003c\/p\u003e"}
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台湾・高雄の実験音楽家Huang Shanが、2023年5月に中国・北京の実験レーベルZoomin' Nightから20本限定でリリースしたカセットです。 100日間、毎日30分録音した音声日記をインスタレーション作品100 Shitsのライブ録音です。A面にはそれらの100の音素材を重ねた物音ノイズ作品を収録。DLコード付属。 以下、作家本人による解説です。 "2022年から、私はそれらの重層的で、濃密で、乾いていて、言葉を超えた事柄を、音声日記という形で処理し始めた。徐々に、私は50台のカセットプレーヤーに封印された100の変調された声の録音を集めた。6月、高雄のHallucinationで開催された個展「100 Shits」（一百天的訴辯）では、これらのカセットプレーヤーをセットした。この展覧会では、観客がテープの再生方法を選ぶことができた。展覧会では、2つのトラックを収録した『A Cappella』と題された音楽作品も展示された。A面は100のボーカル録音を重ねたもので、B面は展示会でのライブ録音である。" Zoomin' Nightその他作品はこちら /// Click here to see more...
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{"id":8022202450170,"title":"Félicia Atkinson \/ Richard Chartier \/\/ Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) \/ Recurrence.Expansion LP","handle":"felicia-atkinson-richard-chartier-ni-envers-ni-endroit-que-cette-roche-brulante-pour-georgia-o-keeffe-recurrence-expansion-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスのFélicia AtkinsonとアメリカのRichard Chartier実験音楽家2名が、2023年9月にフランスの実験レーベル\u003cmeta charset=\"utf-8\"\u003ePortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA面はスポークンワード〜アンビエントドローン、B面はミニマルなドローン\u003cspan data-mce-fragment=\"1\"\u003eを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=830311522\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 1000. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFélicia Atkinson - 'Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe)' 20:18\u003c\/li\u003e\n\u003cli\u003eRichard Chartier - 'Recurrence.Expansion' 20:00\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist bios by Portraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFélicia Atkinson’s Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) is approached as a meditation, not as meditative music, but as a reflection on the art of creation: how to inhabit one’s creation, how to convey it, domesticate it and live with it. Drawing inspiration from the artist Georgia O’ Keeffe, both in her work as a painter and in the houses in which she lived in New Mexico, and even in the landscapes that surround them, Félicia Atkinson has composed a piece that evokes and celebrates, in a poetic and holistic way, the mystery of art, the somnambulic oscillation that accompanies the act of creating. Blending fragmentary voices, islands of piano, electronic textures and patterns, and field recordings, Félicia Atkinson’s music is sincere and inspired, a meditation, then, but also a lesson we sometimes forget: being an artist is not an activity, even less a profession, it’s a singular way of approaching the world and, in so doing, densifying it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e--\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eRichard Chartier’s music takes up residence at the frontiers of the audible, on the edge where sound diffracts into an inter-dimensionality where sounds, space, listening and silence recombine in an arborescence of becomings that present themselves to us and then disappear. The space-time in which Richard Chartier’s music unfolds is a stretched space-time, barely emerging in the world of sound. The delicacy, precision and accuracy of the composition Recurrence.Expansion lies precisely in this dialogue between a shape that is exposed and developed in an inspired and masterful way, and the sonic biotope in which this shape develops. It is from such an encounter that the singularity of Richard Chartier’s music emerges, music of attentive listening, but also sensitive, inhabited music, a music of discreet metamorphosis.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Félicia Atkinson \/ Richard Chartier\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Recollection GRM)\u003c\/p\u003e","published_at":"2023-09-21T19:14:27+09:00","created_at":"2023-09-21T12:00:08+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","new","shelter press"],"price":439000,"price_min":439000,"price_max":439000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44579386261754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Félicia Atkinson \/ Richard Chartier \/\/ Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) \/ Recurrence.Expansion LP","public_title":null,"options":["Default Title"],"price":439000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_1fab5e45-8354-4e53-aac4-bce61862ccf4.jpg?v=1695265211","\/\/tobirarecords.com\/cdn\/shop\/files\/ni2_bc2d0b16-0ec5-42aa-8f19-6c493b67b734.jpg?v=1695265211","\/\/tobirarecords.com\/cdn\/shop\/files\/ni3_db10bcb8-b84d-48f4-8a43-a7d0f1af400a.jpg?v=1695265211"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_1fab5e45-8354-4e53-aac4-bce61862ccf4.jpg?v=1695265211","options":["Title"],"media":[{"alt":null,"id":32476273049850,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_1fab5e45-8354-4e53-aac4-bce61862ccf4.jpg?v=1695265211"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_1fab5e45-8354-4e53-aac4-bce61862ccf4.jpg?v=1695265211","width":700},{"alt":null,"id":32476273082618,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni2_bc2d0b16-0ec5-42aa-8f19-6c493b67b734.jpg?v=1695265211"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni2_bc2d0b16-0ec5-42aa-8f19-6c493b67b734.jpg?v=1695265211","width":1200},{"alt":null,"id":32476273115386,"position":3,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni3_db10bcb8-b84d-48f4-8a43-a7d0f1af400a.jpg?v=1695265211"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni3_db10bcb8-b84d-48f4-8a43-a7d0f1af400a.jpg?v=1695265211","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスのFélicia AtkinsonとアメリカのRichard Chartier実験音楽家2名が、2023年9月にフランスの実験レーベル\u003cmeta charset=\"utf-8\"\u003ePortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA面はスポークンワード〜アンビエントドローン、B面はミニマルなドローン\u003cspan data-mce-fragment=\"1\"\u003eを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=830311522\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 1000. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFélicia Atkinson - 'Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe)' 20:18\u003c\/li\u003e\n\u003cli\u003eRichard Chartier - 'Recurrence.Expansion' 20:00\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist bios by Portraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFélicia Atkinson’s Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) is approached as a meditation, not as meditative music, but as a reflection on the art of creation: how to inhabit one’s creation, how to convey it, domesticate it and live with it. Drawing inspiration from the artist Georgia O’ Keeffe, both in her work as a painter and in the houses in which she lived in New Mexico, and even in the landscapes that surround them, Félicia Atkinson has composed a piece that evokes and celebrates, in a poetic and holistic way, the mystery of art, the somnambulic oscillation that accompanies the act of creating. Blending fragmentary voices, islands of piano, electronic textures and patterns, and field recordings, Félicia Atkinson’s music is sincere and inspired, a meditation, then, but also a lesson we sometimes forget: being an artist is not an activity, even less a profession, it’s a singular way of approaching the world and, in so doing, densifying it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e--\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eRichard Chartier’s music takes up residence at the frontiers of the audible, on the edge where sound diffracts into an inter-dimensionality where sounds, space, listening and silence recombine in an arborescence of becomings that present themselves to us and then disappear. The space-time in which Richard Chartier’s music unfolds is a stretched space-time, barely emerging in the world of sound. The delicacy, precision and accuracy of the composition Recurrence.Expansion lies precisely in this dialogue between a shape that is exposed and developed in an inspired and masterful way, and the sonic biotope in which this shape develops. It is from such an encounter that the singularity of Richard Chartier’s music emerges, music of attentive listening, but also sensitive, inhabited music, a music of discreet metamorphosis.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Félicia Atkinson \/ Richard Chartier\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Recollection GRM)\u003c\/p\u003e"}
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フランスのFélicia AtkinsonとアメリカのRichard Chartier実験音楽家2名が、2023年9月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。 A面はスポークンワード〜アンビエントドローン、B面はミニマルなドローンを収録。 マスタリングはGiuseppe Ielashiが担当しています。 ※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more Shelter Press...
¥4,390
![Aki Onda // Transmissions From The Radio Midnight LP [BLACK / COLOR]](http://tobirarecords.com/cdn/shop/files/aki1_medium.jpg?v=1694483850)
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{"id":8016992141562,"title":"Aki Onda \/\/ Transmissions From The Radio Midnight LP [BLACK \/ COLOR]","handle":"aki-onda-transmissions-from-the-radio-midnight-lp","description":"\u003cp\u003e茨城の実験音楽家Aki Ondaが、2023年9月にアメリカ・LAの実験レーベルDinzu Artefactsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e世界10ヵ国を旅しながら\u003c\/span\u003eAM\/FMラジオ付カセットレコーダーのみで制作したラジオ・コラージュ作品です。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Transmissions From The Radio Midnightと題したこのプロジェクトは、2006年頃、AM\/FMラジオとカセットレコーダーが一体化したソニーのTCM F59を手に入れたことから始まった。それ以来、旅に出るときはいつもスーツケースに放り込んで持ち歩いていた。どの国に行っても、ホテルの部屋に戻ると、夜遅くまでラジオを聴くのが習慣だった。ベッドにもぐりこむとすぐにラジオのチューニングを始め、自分の好きな番組を探した。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eツマミを操作する指に集中すれば、2つ、3つの周波数を同時にキャッチし、異なる言語の重なりを聴くことができることもあった。そうでなければ、周波数をスキャンし、スペイン語、スウェーデン語、フランス語、ポーランド語、アラビア語、韓国語など、異なる言語の重なりを聴くために番組を飛び回った。私にとって外国語であるこれらの言語が、言葉としてではなく、聴覚の質感として聴こえ始める瞬間ほど楽しいことはなかった。私は、異質な言葉を使ったテキストサウンドのコンポジションを楽しんでいたのだろうか。おそらくそれは、これらの言語音の抽象的な融合だったのだろう。少なくとも、音響詩のようなものだった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eそうしているうちに、私はしばしば眠りに落ちた。夜中に、ホテルの部屋の壁を跳ね返すテストトーンの甲高いビープ音で目が覚めることもあった。また、朝目覚めると、見知らぬ番組が流れていたり、チューニングがずれていれば、単に静的ノイズが流れていたりすることもあった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムでは、2008年からおよそ10年の間に10カ国ほどで録音したものの中から、お気に入りの断片を選んだ。すべての断片は、録音されたままの状態で収録されている。周波数の挙動は予測不可能なことが多く、また波をキャッチする行為は手作業で行われたため、録音にはさまざまな種類の静的ノイズや電波干渉を含む、あらゆる種類の付随音が含まれている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eラジオは言語の海のようなものだ。世界中で同時に起こっている100万ものおしゃべりを、絶えず映し続けている。このアルバムは、この大洋のほんの一滴をとらえ、提示するものであり、大洋そのものは、巨大で、果てしなく、無限に、メディアが続く限り、流れ続ける。すごいことだと思わないか？\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2599816025\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eAlbum is based on Aki Onda's previous cassette, \"Voice Studies 17,” released in 2013 by London-based label My Dance The Skull. In 2022, the artist re-edited these materials and incorporated more previously unheard material.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Part I\u003cbr\u003e2. Part II \u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Aki Onda\u003cbr\u003eSeptember 20, 2022:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This project, entitled Transmissions From The Radio Midnight, started around 2006, when I acquired a Sony TCM F59 — an AM\/FM radio and cassette recorder combined in a slim, handheld body. Since then, whenever I went on a trip, I would throw it into my suitcase and take it around with me. No matter which country I was in, upon returning to the hotel room I made a habit of listening to the radio into the late hours of the night. As soon as I would snuggle into bed, I would begin tuning the radio in search of a program that I liked.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIf I concentrated intently on my fingers controlling the knob, I could sometimes catch two or three frequencies at once and hear the overlap of different languages. Otherwise I would scan through frequencies and jump around programs to hear the juxtaposition of different languages, such as Spanish, Swedish, French, Polish, Arabic, Korean, among others. There was no greater joy than the moment in which I would begin to hear these languages, which were foreign to me, not as words but as aural texture. Was I enjoying text-sound compositions with alien words? Perhaps it was the abstract fusing of these lingual sounds. It was, at the very least, something akin to sound poetry.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI would often fall asleep while doing this — and so, just\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e as often, the radio would continue playing in my dreams. Sometimes, in the middle of the night, I would wake up to the high-pitched beep of a test tone bouncing off the walls of the hotel room. On other occasions I would awaken in the mornings to some unknown program, or, if the tuning was off, simply static noise.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor this album, I selected some of my favorite segments from the recordings made in ten-or-so countries over the span of roughly a decade, beginning in 2008. All of the fragments are presented just as they were captured. Since frequency behavior is often unpredictable, and since the act of catching waves was done manually, the recordings capture all sorts of incidental sounds, including various kinds of static noise and radio interference.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe radio is like an ocean of languages. It continuously projects a million chatterings happening simultaneously all over the world. This album captures and presents a tiny drop of this ocean, while the ocean itself flows onward — enormous, endless, infinite — for as long as the medium itself lasts. Isn’t that amazing?\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aki Onda\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e","published_at":"2023-09-12T12:12:06+09:00","created_at":"2023-09-12T10:57:28+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","dinzu artefacts","lp","monooto","new"],"price":379000,"price_min":379000,"price_max":428000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46222352646394,"title":"Black LP","option1":"Black LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":false,"featured_image":{"id":39805866148090,"product_id":8016992141562,"position":2,"created_at":"2023-09-12T10:57:28+09:00","updated_at":"2023-09-12T10:57:30+09:00","alt":null,"width":1200,"height":960,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki2.jpg?v=1694483850","variant_ids":[46222352646394]},"available":true,"name":"Aki Onda \/\/ Transmissions From The Radio Midnight LP [BLACK \/ COLOR] - Black LP","public_title":"Black LP","options":["Black LP"],"price":379000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32436484833530,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki2.jpg?v=1694483850"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":46222352679162,"title":"Rainbow Splatter LP","option1":"Rainbow Splatter LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":false,"featured_image":{"id":41565209166074,"product_id":8016992141562,"position":3,"created_at":"2024-06-12T13:57:16+09:00","updated_at":"2024-06-12T13:57:17+09:00","alt":null,"width":1200,"height":960,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032353131_10.jpg?v=1718168237","variant_ids":[46222352679162]},"available":true,"name":"Aki Onda \/\/ Transmissions From The Radio Midnight LP [BLACK \/ COLOR] - Rainbow Splatter LP","public_title":"Rainbow Splatter LP","options":["Rainbow Splatter LP"],"price":428000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":34311754514682,"position":3,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032353131_10.jpg?v=1718168237"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aki1.jpg?v=1694483850","\/\/tobirarecords.com\/cdn\/shop\/files\/aki2.jpg?v=1694483850","\/\/tobirarecords.com\/cdn\/shop\/files\/0032353131_10.jpg?v=1718168237"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki1.jpg?v=1694483850","options":["Color"],"media":[{"alt":null,"id":32436484800762,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki1.jpg?v=1694483850"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki1.jpg?v=1694483850","width":700},{"alt":null,"id":32436484833530,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki2.jpg?v=1694483850"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki2.jpg?v=1694483850","width":1200},{"alt":null,"id":34311754514682,"position":3,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032353131_10.jpg?v=1718168237"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032353131_10.jpg?v=1718168237","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e茨城の実験音楽家Aki Ondaが、2023年9月にアメリカ・LAの実験レーベルDinzu Artefactsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e世界10ヵ国を旅しながら\u003c\/span\u003eAM\/FMラジオ付カセットレコーダーのみで制作したラジオ・コラージュ作品です。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Transmissions From The Radio Midnightと題したこのプロジェクトは、2006年頃、AM\/FMラジオとカセットレコーダーが一体化したソニーのTCM F59を手に入れたことから始まった。それ以来、旅に出るときはいつもスーツケースに放り込んで持ち歩いていた。どの国に行っても、ホテルの部屋に戻ると、夜遅くまでラジオを聴くのが習慣だった。ベッドにもぐりこむとすぐにラジオのチューニングを始め、自分の好きな番組を探した。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eツマミを操作する指に集中すれば、2つ、3つの周波数を同時にキャッチし、異なる言語の重なりを聴くことができることもあった。そうでなければ、周波数をスキャンし、スペイン語、スウェーデン語、フランス語、ポーランド語、アラビア語、韓国語など、異なる言語の重なりを聴くために番組を飛び回った。私にとって外国語であるこれらの言語が、言葉としてではなく、聴覚の質感として聴こえ始める瞬間ほど楽しいことはなかった。私は、異質な言葉を使ったテキストサウンドのコンポジションを楽しんでいたのだろうか。おそらくそれは、これらの言語音の抽象的な融合だったのだろう。少なくとも、音響詩のようなものだった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eそうしているうちに、私はしばしば眠りに落ちた。夜中に、ホテルの部屋の壁を跳ね返すテストトーンの甲高いビープ音で目が覚めることもあった。また、朝目覚めると、見知らぬ番組が流れていたり、チューニングがずれていれば、単に静的ノイズが流れていたりすることもあった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムでは、2008年からおよそ10年の間に10カ国ほどで録音したものの中から、お気に入りの断片を選んだ。すべての断片は、録音されたままの状態で収録されている。周波数の挙動は予測不可能なことが多く、また波をキャッチする行為は手作業で行われたため、録音にはさまざまな種類の静的ノイズや電波干渉を含む、あらゆる種類の付随音が含まれている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eラジオは言語の海のようなものだ。世界中で同時に起こっている100万ものおしゃべりを、絶えず映し続けている。このアルバムは、この大洋のほんの一滴をとらえ、提示するものであり、大洋そのものは、巨大で、果てしなく、無限に、メディアが続く限り、流れ続ける。すごいことだと思わないか？\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2599816025\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eAlbum is based on Aki Onda's previous cassette, \"Voice Studies 17,” released in 2013 by London-based label My Dance The Skull. In 2022, the artist re-edited these materials and incorporated more previously unheard material.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Part I\u003cbr\u003e2. Part II \u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Aki Onda\u003cbr\u003eSeptember 20, 2022:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This project, entitled Transmissions From The Radio Midnight, started around 2006, when I acquired a Sony TCM F59 — an AM\/FM radio and cassette recorder combined in a slim, handheld body. Since then, whenever I went on a trip, I would throw it into my suitcase and take it around with me. No matter which country I was in, upon returning to the hotel room I made a habit of listening to the radio into the late hours of the night. As soon as I would snuggle into bed, I would begin tuning the radio in search of a program that I liked.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIf I concentrated intently on my fingers controlling the knob, I could sometimes catch two or three frequencies at once and hear the overlap of different languages. Otherwise I would scan through frequencies and jump around programs to hear the juxtaposition of different languages, such as Spanish, Swedish, French, Polish, Arabic, Korean, among others. There was no greater joy than the moment in which I would begin to hear these languages, which were foreign to me, not as words but as aural texture. Was I enjoying text-sound compositions with alien words? Perhaps it was the abstract fusing of these lingual sounds. It was, at the very least, something akin to sound poetry.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI would often fall asleep while doing this — and so, just\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e as often, the radio would continue playing in my dreams. Sometimes, in the middle of the night, I would wake up to the high-pitched beep of a test tone bouncing off the walls of the hotel room. On other occasions I would awaken in the mornings to some unknown program, or, if the tuning was off, simply static noise.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor this album, I selected some of my favorite segments from the recordings made in ten-or-so countries over the span of roughly a decade, beginning in 2008. All of the fragments are presented just as they were captured. Since frequency behavior is often unpredictable, and since the act of catching waves was done manually, the recordings capture all sorts of incidental sounds, including various kinds of static noise and radio interference.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe radio is like an ocean of languages. It continuously projects a million chatterings happening simultaneously all over the world. This album captures and presents a tiny drop of this ocean, while the ocean itself flows onward — enormous, endless, infinite — for as long as the medium itself lasts. Isn’t that amazing?\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aki Onda\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e"}
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茨城の実験音楽家Aki Ondaが、2023年9月にアメリカ・LAの実験レーベルDinzu Artefactsからリリースしたレコードです。 世界10ヵ国を旅しながらAM/FMラジオ付カセットレコーダーのみで制作したラジオ・コラージュ作品です。DLコード付属。 以下、作家本人による解説です。 "Transmissions From The Radio Midnightと題したこのプロジェクトは、2006年頃、AM/FMラジオとカセットレコーダーが一体化したソニーのTCM F59を手に入れたことから始まった。それ以来、旅に出るときはいつもスーツケースに放り込んで持ち歩いていた。どの国に行っても、ホテルの部屋に戻ると、夜遅くまでラジオを聴くのが習慣だった。ベッドにもぐりこむとすぐにラジオのチューニングを始め、自分の好きな番組を探した。ツマミを操作する指に集中すれば、2つ、3つの周波数を同時にキャッチし、異なる言語の重なりを聴くことができることもあった。そうでなければ、周波数をスキャンし、スペイン語、スウェーデン語、フランス語、ポーランド語、アラビア語、韓国語など、異なる言語の重なりを聴くために番組を飛び回った。私にとって外国語であるこれらの言語が、言葉としてではなく、聴覚の質感として聴こえ始める瞬間ほど楽しいことはなかった。私は、異質な言葉を使ったテキストサウンドのコンポジションを楽しんでいたのだろうか。おそらくそれは、これらの言語音の抽象的な融合だったのだろう。少なくとも、音響詩のようなものだった。そうしているうちに、私はしばしば眠りに落ちた。夜中に、ホテルの部屋の壁を跳ね返すテストトーンの甲高いビープ音で目が覚めることもあった。また、朝目覚めると、見知らぬ番組が流れていたり、チューニングがずれていれば、単に静的ノイズが流れていたりすることもあった。このアルバムでは、2008年からおよそ10年の間に10カ国ほどで録音したものの中から、お気に入りの断片を選んだ。すべての断片は、録音されたままの状態で収録されている。周波数の挙動は予測不可能なことが多く、また波をキャッチする行為は手作業で行われたため、録音にはさまざまな種類の静的ノイズや電波干渉を含む、あらゆる種類の付随音が含まれている。ラジオは言語の海のようなものだ。世界中で同時に起こっている100万ものおしゃべりを、絶えず映し続けている。このアルバムは、この大洋のほんの一滴をとらえ、提示するものであり、大洋そのものは、巨大で、果てしなく、無限に、メディアが続く限り、流れ続ける。すごいことだと思わないか？" レーベルその他作品はこちら /// Click here to see...
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{"id":8015416721658,"title":"Sydney Spann \/\/ Sending Up A Spiral Of LP","handle":"sydney-spann-sending-up-a-spiral-of-lp","description":"\u003cp\u003e過去にReading Groupなどから発表しているアメリカ・NYの音響作家Sydney Spannが、2023年9月に同国LAの実験レーベルRecitalからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eケアワークと声をコンセプトにしたドローン・ポップ〜コラージュ・アンビエント6曲を収録。写真、楽譜、エッセイを掲載した16ページのブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡ください\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"アメリカ人アーティスト、Sydney Spannによる初のレコードリリースとなる『Sending Up A Spiral Of』は、Sydney Spannのこれまでの作品群をよく要約している。ベビーシッター、セックスワーカー、セラピスト、看護師といったケアワークの経験者は、その労働において望ましい結果を得るために実践した特定の声の出し方を通して、長い時間をかけて培われた独自の音楽的知識を持っているかもしれない。このような声の出し方や聴き方に親しみ、それを音の実践に取り入れることは、あまり認識されていない種類の音楽的知識を正統化する方法かもしれない。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSending Up A Spiral Ofは、音と歌を通して、この言語化されていない表現を探求している。タイトルの曲は、まるで都会の妖精の物語から始まるかのように、Spannをキゾチックな森の中に連れて行く。引きずった枝、はがれたセメント、その他の触覚的な砂利の下で、自らを癒す歌声が震える。エレクトロニックな輪郭が環境を覆い尽くすと、作品は途中で新たな近さに落ちる。おそらくリチャード・マックスフィールドの『ナイト・ミュージック』を彷彿とさせるような、脈打つような振り付けでサイントーンがくすぶる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eレコードの第2セクションは、子守唄として表現された（あるいは偽装された）5つの小さな肖像画のシリーズを描いている。海のようなハミングがこれらの作品に浸透している。\"Possession \"と \"Purposeful Evening \"は、詩とサビの繰り返しとメロディーの単純さで、最も歌謡曲的な子守唄である。ベイビーやハニーという何の変哲もない言葉が、より深く、しばしば痛みを伴う意味合いで符号化されている。このアルバムにおけるSpannの歌声とヴィジョンは、核家族における愛の意味する緊張と矛盾に覆われた野心的なものだ。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=971624522\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 200. Includes 16-page full color artist booklet. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSending Up A Spiral Of 20:11\u003c\/li\u003e\n\u003cli\u003eCow, Cow, Cow, Rabbit, Recalcitrance, Bunny, Dog, Dog, Dog 03:37\u003c\/li\u003e\n\u003cli\u003ePossession 04:52\u003c\/li\u003e\n\u003cli\u003eLove Undoes Me Every Day 01:59\u003c\/li\u003e\n\u003cli\u003eWaulking 04:41\u003c\/li\u003e\n\u003cli\u003ePurposeful Evening 05:57\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eRecital:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe first vinyl release from American artist Sydney Spann, Sending Up A Spiral Of well encapsulates Spann’s body of work thus far. On their music, which reacts to themes of family systems and care work, Sydney writes, “people who have done care work —nannies, sex workers, therapists, nurses— may possess their own musical knowledge, developed over time through particular modes of voicing practiced to achieve a desired outcome in their labor. Attending intimately to these ways of voicing and listening and bringing them into a sound practice could be a way to legitimize a less recognized kind of musical knowledge.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSending Up A Spiral Of explores this unarticulated expression through sound and song. The titular piece traces Spann within some quixotic woodland, as if beginning inside of some urban fairy-story. Self-soothing singing quivers under dragging branches, peeling cement and other tactile grit. The work drops into a new proximity half-way through as electronic contours overtake the environment. Sine-tones smolder in a pulsating choreography, perhaps reminiscent of Richard Maxfield’s “Night Music” played at half-speed.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe second section of the record depicts a series of five smaller portraits, expressed (or disguised) as lullabies. An\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e oceanic humming permeates them. “Possession” and “Purposeful Evening” are the most song-like lullabies, with their verse-chorus repetition and melodic simplicity. Innocuous words “baby” and “honey” are encoded with deeper, often painful connotations. Sydney’s voice and vision for this album is ambitious, cloaked in the strains and contradictions of what love means in the nuclear family.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sydney Spann\u003c\/p\u003e\n\u003cp\u003eLabel : Recital\u003c\/p\u003e","published_at":"2023-09-10T20:33:42+09:00","created_at":"2023-09-08T14:15:19+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","drone","lp","monooto","new","Recital"],"price":489000,"price_min":489000,"price_max":489000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44546601419002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sydney Spann \/\/ Sending Up A Spiral Of LP","public_title":null,"options":["Default Title"],"price":489000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sen1.jpg?v=1694150122","\/\/tobirarecords.com\/cdn\/shop\/files\/sen2.jpg?v=1694150122","\/\/tobirarecords.com\/cdn\/shop\/files\/sen3.jpg?v=1694150121"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sen1.jpg?v=1694150122","options":["Title"],"media":[{"alt":null,"id":32419100197114,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sen1.jpg?v=1694150122"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sen1.jpg?v=1694150122","width":700},{"alt":null,"id":32419100229882,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sen2.jpg?v=1694150122"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sen2.jpg?v=1694150122","width":1200},{"alt":null,"id":32419100262650,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sen3.jpg?v=1694150121"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sen3.jpg?v=1694150121","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にReading Groupなどから発表しているアメリカ・NYの音響作家Sydney Spannが、2023年9月に同国LAの実験レーベルRecitalからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eケアワークと声をコンセプトにしたドローン・ポップ〜コラージュ・アンビエント6曲を収録。写真、楽譜、エッセイを掲載した16ページのブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡ください\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"アメリカ人アーティスト、Sydney Spannによる初のレコードリリースとなる『Sending Up A Spiral Of』は、Sydney Spannのこれまでの作品群をよく要約している。ベビーシッター、セックスワーカー、セラピスト、看護師といったケアワークの経験者は、その労働において望ましい結果を得るために実践した特定の声の出し方を通して、長い時間をかけて培われた独自の音楽的知識を持っているかもしれない。このような声の出し方や聴き方に親しみ、それを音の実践に取り入れることは、あまり認識されていない種類の音楽的知識を正統化する方法かもしれない。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSending Up A Spiral Ofは、音と歌を通して、この言語化されていない表現を探求している。タイトルの曲は、まるで都会の妖精の物語から始まるかのように、Spannをキゾチックな森の中に連れて行く。引きずった枝、はがれたセメント、その他の触覚的な砂利の下で、自らを癒す歌声が震える。エレクトロニックな輪郭が環境を覆い尽くすと、作品は途中で新たな近さに落ちる。おそらくリチャード・マックスフィールドの『ナイト・ミュージック』を彷彿とさせるような、脈打つような振り付けでサイントーンがくすぶる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eレコードの第2セクションは、子守唄として表現された（あるいは偽装された）5つの小さな肖像画のシリーズを描いている。海のようなハミングがこれらの作品に浸透している。\"Possession \"と \"Purposeful Evening \"は、詩とサビの繰り返しとメロディーの単純さで、最も歌謡曲的な子守唄である。ベイビーやハニーという何の変哲もない言葉が、より深く、しばしば痛みを伴う意味合いで符号化されている。このアルバムにおけるSpannの歌声とヴィジョンは、核家族における愛の意味する緊張と矛盾に覆われた野心的なものだ。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=971624522\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 200. Includes 16-page full color artist booklet. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSending Up A Spiral Of 20:11\u003c\/li\u003e\n\u003cli\u003eCow, Cow, Cow, Rabbit, Recalcitrance, Bunny, Dog, Dog, Dog 03:37\u003c\/li\u003e\n\u003cli\u003ePossession 04:52\u003c\/li\u003e\n\u003cli\u003eLove Undoes Me Every Day 01:59\u003c\/li\u003e\n\u003cli\u003eWaulking 04:41\u003c\/li\u003e\n\u003cli\u003ePurposeful Evening 05:57\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eRecital:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe first vinyl release from American artist Sydney Spann, Sending Up A Spiral Of well encapsulates Spann’s body of work thus far. On their music, which reacts to themes of family systems and care work, Sydney writes, “people who have done care work —nannies, sex workers, therapists, nurses— may possess their own musical knowledge, developed over time through particular modes of voicing practiced to achieve a desired outcome in their labor. Attending intimately to these ways of voicing and listening and bringing them into a sound practice could be a way to legitimize a less recognized kind of musical knowledge.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSending Up A Spiral Of explores this unarticulated expression through sound and song. The titular piece traces Spann within some quixotic woodland, as if beginning inside of some urban fairy-story. Self-soothing singing quivers under dragging branches, peeling cement and other tactile grit. The work drops into a new proximity half-way through as electronic contours overtake the environment. Sine-tones smolder in a pulsating choreography, perhaps reminiscent of Richard Maxfield’s “Night Music” played at half-speed.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe second section of the record depicts a series of five smaller portraits, expressed (or disguised) as lullabies. An\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e oceanic humming permeates them. “Possession” and “Purposeful Evening” are the most song-like lullabies, with their verse-chorus repetition and melodic simplicity. Innocuous words “baby” and “honey” are encoded with deeper, often painful connotations. Sydney’s voice and vision for this album is ambitious, cloaked in the strains and contradictions of what love means in the nuclear family.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sydney Spann\u003c\/p\u003e\n\u003cp\u003eLabel : Recital\u003c\/p\u003e"}
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過去にReading Groupなどから発表しているアメリカ・NYの音響作家Sydney Spannが、2023年9月に同国LAの実験レーベルRecitalからリリースしたレコードです。 ケアワークと声をコンセプトにしたドローン・ポップ〜コラージュ・アンビエント6曲を収録。写真、楽譜、エッセイを掲載した16ページのブックレットが付属。 ※デジタル音源をご希望の方はお気軽にご連絡ください "アメリカ人アーティスト、Sydney Spannによる初のレコードリリースとなる『Sending Up A Spiral Of』は、Sydney Spannのこれまでの作品群をよく要約している。ベビーシッター、セックスワーカー、セラピスト、看護師といったケアワークの経験者は、その労働において望ましい結果を得るために実践した特定の声の出し方を通して、長い時間をかけて培われた独自の音楽的知識を持っているかもしれない。このような声の出し方や聴き方に親しみ、それを音の実践に取り入れることは、あまり認識されていない種類の音楽的知識を正統化する方法かもしれない。Sending Up A...
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{"id":8005125964026,"title":"Ábris Gryllus, Dávid Somló \/\/ Every Day TAPE","handle":"abris-gryllus-david-somlo-every-day-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハンガリーの実験音楽家Ábris GryllusとDávid Somlóが、\u003c\/span\u003e2023年3月にスロバキアの実験／アンビエントレーベルWarm Winterから100本限定で\u003cspan data-mce-fragment=\"1\"\u003eリリースした共作カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e元々インスタレーションとして作品をステレオにミックスダウンしております。パンデミックに関する日々の統計データによる音が変化していく、ウルトラミニマル作品です。\u003c\/span\u003eDLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"「Every Day」は、ハンガリーの2人の現代作曲家・アーティスト、Ábris Gryllus（『The Death of Rave』、『Farbwechsel』）とDávid Somlóによる新しいコラボレーション作品である。もともとインスタレーションとして構想され、2022年のBudapest Autumn Fesで初演された「Every Day」は、悲嘆のドキュメントであり、covid-19のパンデミックに関する日々の乾いた統計データを、物理的にも感情的にも具体的なものにする試みである。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eパンデミックに関するハンガリーの日々のデータを音楽のパラメーターに置き換えることで、作曲家たちは、聴き手を包み込み、深い思索を促すような、音楽的かつ共同体的な体験を生み出すことができた。ブダペストの\u003cmeta charset=\"utf-8\"\u003eAutumn Fesでは、ハンガリーの各郡を象徴する高さ3メートルの20本の柱からこの曲が演奏された。ここでは、「Every Day」はステレオファイルにミックスダウンされているが、その悲劇的で哀悼に満ちた性格はそのままである。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e日々の統計の数値の変化がピッチ、音量、リズム、音色、トーン、その他の音楽的パラメーターに影響を与えるため、この曲の音楽的テクスチャーと強度はパンデミックの波に従っている。その寂しげな音色は、共鳴し、絶え間なく、寂しく、不屈である教会の鐘を彷彿とさせ、その永遠に続くかのような特徴は、パンデミックの時代の時間の流れの奇妙さを思い起こさせる。\u003cmeta charset=\"utf-8\"\u003eGryllusと\u003cmeta charset=\"utf-8\"\u003eSomlóは「Every Day」で、悲劇的で奇妙な2年間を40分ほどの音声に凝縮した。”\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1879848199\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWarm \u003cmeta charset=\"utf-8\"\u003eWinters Ltd.その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wwl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wwl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wwl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wwl\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWarm \u003cmeta charset=\"utf-8\"\u003eWinters Ltd. releases available at Tobira. \u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 100. FULL PROGRAM REPEATS ON BOTH SIDES. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEvery Day 37:21\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eWarm Winters Ltd:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e‘Every Day’ is a new collaborative piece by two Hungarian contemporary composers and artists, Ábris Gryllus (The Death of Rave, Farbwechsel) and Dávid Somló. Originally conceived as an installation and premiered at the 2022 edition of Budapest Autumn Festival, ‘Every Day’ is a document of grief, and an attempt to render the dry daily statistics of the Covid-19 pandemic into something that is both physically and emotionally tangible.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTransposing the Hungarian daily data of the pandemic into musical parameters, the composers were able to create a musical and community experience, one which surrounded the listener and encouraged deep contemplation. During the Budapest Autumn Festival, the piece was played from 20 three-metre-high columns representing the counties of Hungary; here, ‘Every Day’ is mixed down to a stereo file, but its tragic, mourning character remains intact.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe musical texture and intensity of the piece follows the waves of the pandemic, as the numerical changes of the daily statistics affect the pitch, volume, rhythm, timbre, tone and other musical parameters. Its forlorn tone is reminiscent of church bells – resonant, incessant, disconsolate and unyielding – and its seemingly\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e everlasting character a reminder of the strangeness of the passage of time during the era of the pandemic. On 'Every Day' Gryllus and Somló condense 2 tragic, strange years into ~40 minutes of audio, a gesture simultaneously futile and invaluable.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ábris Gryllus, Dávid Somló\u003c\/p\u003e\n\u003cp\u003eLabel : Warm Winters\u003c\/p\u003e","published_at":"2023-08-16T11:11:27+09:00","created_at":"2023-08-14T14:12:10+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","new","tape","warm winter ltd."],"price":178500,"price_min":178500,"price_max":178500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44460975915258,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ábris Gryllus, Dávid Somló \/\/ Every Day TAPE","public_title":null,"options":["Default Title"],"price":178500,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/day1.jpg?v=1691989932","\/\/tobirarecords.com\/cdn\/shop\/files\/day2.jpg?v=1691989932"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/day1.jpg?v=1691989932","options":["Title"],"media":[{"alt":null,"id":32326066077946,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/day1.jpg?v=1691989932"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/day1.jpg?v=1691989932","width":700},{"alt":null,"id":32326066110714,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/day2.jpg?v=1691989932"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/day2.jpg?v=1691989932","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハンガリーの実験音楽家Ábris GryllusとDávid Somlóが、\u003c\/span\u003e2023年3月にスロバキアの実験／アンビエントレーベルWarm Winterから100本限定で\u003cspan data-mce-fragment=\"1\"\u003eリリースした共作カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e元々インスタレーションとして作品をステレオにミックスダウンしております。パンデミックに関する日々の統計データによる音が変化していく、ウルトラミニマル作品です。\u003c\/span\u003eDLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"「Every Day」は、ハンガリーの2人の現代作曲家・アーティスト、Ábris Gryllus（『The Death of Rave』、『Farbwechsel』）とDávid Somlóによる新しいコラボレーション作品である。もともとインスタレーションとして構想され、2022年のBudapest Autumn Fesで初演された「Every Day」は、悲嘆のドキュメントであり、covid-19のパンデミックに関する日々の乾いた統計データを、物理的にも感情的にも具体的なものにする試みである。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eパンデミックに関するハンガリーの日々のデータを音楽のパラメーターに置き換えることで、作曲家たちは、聴き手を包み込み、深い思索を促すような、音楽的かつ共同体的な体験を生み出すことができた。ブダペストの\u003cmeta charset=\"utf-8\"\u003eAutumn Fesでは、ハンガリーの各郡を象徴する高さ3メートルの20本の柱からこの曲が演奏された。ここでは、「Every Day」はステレオファイルにミックスダウンされているが、その悲劇的で哀悼に満ちた性格はそのままである。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e日々の統計の数値の変化がピッチ、音量、リズム、音色、トーン、その他の音楽的パラメーターに影響を与えるため、この曲の音楽的テクスチャーと強度はパンデミックの波に従っている。その寂しげな音色は、共鳴し、絶え間なく、寂しく、不屈である教会の鐘を彷彿とさせ、その永遠に続くかのような特徴は、パンデミックの時代の時間の流れの奇妙さを思い起こさせる。\u003cmeta charset=\"utf-8\"\u003eGryllusと\u003cmeta charset=\"utf-8\"\u003eSomlóは「Every Day」で、悲劇的で奇妙な2年間を40分ほどの音声に凝縮した。”\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1879848199\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWarm \u003cmeta charset=\"utf-8\"\u003eWinters Ltd.その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wwl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wwl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wwl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wwl\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWarm \u003cmeta charset=\"utf-8\"\u003eWinters Ltd. releases available at Tobira. \u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 100. FULL PROGRAM REPEATS ON BOTH SIDES. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEvery Day 37:21\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eWarm Winters Ltd:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e‘Every Day’ is a new collaborative piece by two Hungarian contemporary composers and artists, Ábris Gryllus (The Death of Rave, Farbwechsel) and Dávid Somló. Originally conceived as an installation and premiered at the 2022 edition of Budapest Autumn Festival, ‘Every Day’ is a document of grief, and an attempt to render the dry daily statistics of the Covid-19 pandemic into something that is both physically and emotionally tangible.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTransposing the Hungarian daily data of the pandemic into musical parameters, the composers were able to create a musical and community experience, one which surrounded the listener and encouraged deep contemplation. During the Budapest Autumn Festival, the piece was played from 20 three-metre-high columns representing the counties of Hungary; here, ‘Every Day’ is mixed down to a stereo file, but its tragic, mourning character remains intact.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe musical texture and intensity of the piece follows the waves of the pandemic, as the numerical changes of the daily statistics affect the pitch, volume, rhythm, timbre, tone and other musical parameters. Its forlorn tone is reminiscent of church bells – resonant, incessant, disconsolate and unyielding – and its seemingly\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e everlasting character a reminder of the strangeness of the passage of time during the era of the pandemic. On 'Every Day' Gryllus and Somló condense 2 tragic, strange years into ~40 minutes of audio, a gesture simultaneously futile and invaluable.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ábris Gryllus, Dávid Somló\u003c\/p\u003e\n\u003cp\u003eLabel : Warm Winters\u003c\/p\u003e"}
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ハンガリーの実験音楽家Ábris GryllusとDávid Somlóが、2023年3月にスロバキアの実験／アンビエントレーベルWarm Winterから100本限定でリリースした共作カセットです。 元々インスタレーションとして作品をステレオにミックスダウンしております。パンデミックに関する日々の統計データによる音が変化していく、ウルトラミニマル作品です。DLコード付属。 以下、レーベルによる解説です。 "「Every Day」は、ハンガリーの2人の現代作曲家・アーティスト、Ábris Gryllus（『The Death of Rave』、『Farbwechsel』）とDávid Somlóによる新しいコラボレーション作品である。もともとインスタレーションとして構想され、2022年のBudapest Autumn...
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{"id":8002349465850,"title":"Benaud Trio + David Kotlowy \/\/ Empyrean Traces LP \/ CD","handle":"benaud-trio-empyrean-traces-lp-cd","description":"\u003cp\u003eオーストラリア・メルボルンの室内楽トリオBenaud Trioとアデレイドの作曲家\u003cmeta charset=\"utf-8\"\u003eDavid Kotlowyが、2023年6月にアデレイドのコンテンポラリーレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ede la Catessenからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMorton FeldmanやJohn Cage影響下のネオクラシカル・アンビエント3曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eレコードのマスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1487579429\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more de la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available as 12\" black vinyl or CD in digipack. \u003cbr\u003eLP edition of 300 \/ CD edition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEmpyrean Traces 21:06\u003c\/li\u003e\n\u003cli\u003eUnder Stars 10:04\u003c\/li\u003e\n\u003cli\u003eChromatic Traces 13:45\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003ede la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWith Empyrean Traces, De La Catessen Records focuses on another aspect of Adelaide composer David Kotlowy’s career – his works for trio. It follows the 2021 release of Final Fragments: Piano Music of David Kotlowy, where Kotlowy’s solo piano compositions were performed by composer and scholar Stephen Whittington. The three compositions on Empyrean Traces are brought to life by the Benaud Trio, whose ability to carry the gentle poetics of such work allows for bravura performances: as Luke Altmann of De La Catessen says, “it often felt during these sessions less like we were listening to the Benaud Trio and more like we were scanning for a signal from outer space.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIndeed, Kotlowy’s compositions share something otherworldly. His compositional ethos is informed by several key influences – Japanese musical aesthetics; John Cage; Morton Feldman; Ross\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Bolleter and his ruined pianos – but while you can hear relationships between Kotlowy’s compositions and these forebears, Kotlowy is not beholden to that which has come before, and over several decades, has marked out his own patch of aesthetic territory with unerring clarity. The works on Empyrean Traces span the 1990s to 2020s, with two ‘earlier’ pieces, “Chromatic Traces” and “Under Stars”, revised earlier this decade.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile significant time has elapsed between their composition, the three pieces on Empyrean Traces share the same ‘sound world’, one where an exterior seeming-fragility masks a resolute interior: these are sturdy, powerful pieces. Kotlowy draws from several compositional tactics – the use of Cagean time brackets, or breathing as measure, such that this album, in his own words, “traces a transition from outer to inner clock time.” There is also a “relaxing of musical austerity” as Empyrean Traces progresses; the spare chill of “Chromatic Traces” acquiesces to the relative richness of the title composition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA gorgeous album of deeply moving music, Empyrean Traces is sure to appeal to fans of composers such as Morton Feldman, Jürg Frey, or Tōru Takemitsu.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Benaud Trio\u003c\/p\u003e\n\u003cp\u003eLabel : de la Catessen\u003c\/p\u003e","published_at":"2023-08-06T15:30:21+09:00","created_at":"2023-08-06T14:51:32+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","de la catessen","lp","neo classical","new","recommended"],"price":219000,"price_min":219000,"price_max":379000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44430690975994,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39680888865018,"product_id":8002349465850,"position":2,"created_at":"2023-08-06T14:51:32+09:00","updated_at":"2023-08-06T14:51:34+09:00","alt":null,"width":1200,"height":850,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/em2_97d60280-0d18-4672-b7cf-70a7670ab291.jpg?v=1691301094","variant_ids":[44430690975994]},"available":true,"name":"Benaud Trio + David Kotlowy \/\/ Empyrean Traces LP \/ CD - 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Available as 12\" black vinyl or CD in digipack. \u003cbr\u003eLP edition of 300 \/ CD edition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEmpyrean Traces 21:06\u003c\/li\u003e\n\u003cli\u003eUnder Stars 10:04\u003c\/li\u003e\n\u003cli\u003eChromatic Traces 13:45\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003ede la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWith Empyrean Traces, De La Catessen Records focuses on another aspect of Adelaide composer David Kotlowy’s career – his works for trio. It follows the 2021 release of Final Fragments: Piano Music of David Kotlowy, where Kotlowy’s solo piano compositions were performed by composer and scholar Stephen Whittington. The three compositions on Empyrean Traces are brought to life by the Benaud Trio, whose ability to carry the gentle poetics of such work allows for bravura performances: as Luke Altmann of De La Catessen says, “it often felt during these sessions less like we were listening to the Benaud Trio and more like we were scanning for a signal from outer space.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIndeed, Kotlowy’s compositions share something otherworldly. His compositional ethos is informed by several key influences – Japanese musical aesthetics; John Cage; Morton Feldman; Ross\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Bolleter and his ruined pianos – but while you can hear relationships between Kotlowy’s compositions and these forebears, Kotlowy is not beholden to that which has come before, and over several decades, has marked out his own patch of aesthetic territory with unerring clarity. The works on Empyrean Traces span the 1990s to 2020s, with two ‘earlier’ pieces, “Chromatic Traces” and “Under Stars”, revised earlier this decade.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile significant time has elapsed between their composition, the three pieces on Empyrean Traces share the same ‘sound world’, one where an exterior seeming-fragility masks a resolute interior: these are sturdy, powerful pieces. Kotlowy draws from several compositional tactics – the use of Cagean time brackets, or breathing as measure, such that this album, in his own words, “traces a transition from outer to inner clock time.” There is also a “relaxing of musical austerity” as Empyrean Traces progresses; the spare chill of “Chromatic Traces” acquiesces to the relative richness of the title composition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA gorgeous album of deeply moving music, Empyrean Traces is sure to appeal to fans of composers such as Morton Feldman, Jürg Frey, or Tōru Takemitsu.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Benaud Trio\u003c\/p\u003e\n\u003cp\u003eLabel : de la Catessen\u003c\/p\u003e"}
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オーストラリア・メルボルンの室内楽トリオBenaud Trioとアデレイドの作曲家David Kotlowyが、2023年6月にアデレイドのコンテンポラリーレーベルde la Catessenからリリースしたアルバムです。 Morton FeldmanやJohn Cage影響下のネオクラシカル・アンビエント3曲を収録。DLコード付属。 レコードのマスタリングはGiuseppe Ielashiが担当しています。 レーベルその他作品はこちら /// Click here to see more...
¥2,190
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{"id":8001665728762,"title":"Machinefabriek with Monika Bugajny \/\/ Recytle CD","handle":"machinefabriek-with-monika-bugajny-recytle-cd","description":"\u003cp\u003eオランダの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンビエント作\u003c\/span\u003e家／デザイナーMachinefabriekとクラリネット奏者Monika Bugajnyが、2023年7月にリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eドビュッシーやメシアン、ブラームス、ストラヴィンスキーの楽曲を再解釈・再構築した\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このアルバムは、私が何度かコラボレーションしているクラリネット奏者Gareth Davisなしには成立しない。私が彼に私の＋アルバムへの参加を依頼したとき、彼はMonika Bugajnyと仕事をしていた。彼女は私のプロジェクトを知り、参加できないかと尋ねてきた。私は承諾し、彼女の美しいクラリネットの録音を幽霊のような1分間の作品に作り直した。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eどうやら、私が作った曲はMonika Bugajnyにとって十分に納得のいくものだったようで、彼女はさらに手の込んだコラボレーションを提案してきた。彼女の提案は、また同じ作業方法で、今度はクラシックの曲を出発点にするというものだった。またしても私は断ることができず、出発した！\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eドビュッシー、メシアン、ブラームス、ストラヴィンスキー......マシーンファブリーク・アルバムにこれらの曲が収録されるなんて、誰が想像しただろう！Monika Bugajnyは8曲のクラシックを再解釈し、美しく演奏、録音した。そして私は、その素材を重ね、カットし、操作して、Recytleに収録されているトラックに仕上げた： ムーディーでウージーなクラリネットとエレクトロニクスの30分。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eドビュッシーの「Première Rhapsodie」を忠実に再現したいのであれば、これは明らかにお勧めのリリースではない。しかし、『Recytle』に収録されている楽曲が、オリジナル曲と対をなす興味深い作品になることを願っている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2688054587\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアーティスト\u003c\/span\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/machfab\u0026amp;nbsp;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/machfab\u0026amp;nbsp;\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/machfab\u0026amp;nbsp;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/machfab\u0026amp;nbsp;\"\u003ehere\u003c\/a\u003e to see more Machinefabriek releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eCD in card wallet. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI (after Poulenc) 04:26\u003c\/li\u003e\n\u003cli\u003eII (after Brahms) 03:49\u003c\/li\u003e\n\u003cli\u003eIII (after Copland) 03:02\u003c\/li\u003e\n\u003cli\u003eIV (after Horovitz) 03:28\u003c\/li\u003e\n\u003cli\u003eV (after Messiaen) 04:27\u003c\/li\u003e\n\u003cli\u003eVI (after Stravinsky) 02:20\u003c\/li\u003e\n\u003cli\u003eVII (after Debussy) 03:35\u003c\/li\u003e\n\u003cli\u003eVIII (after Arnold) 04:07\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist statement by Machinefabriek:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eThis album wouldn’t exist without clarinetist Gareth Davis, with whom I’ve collaborated several times. When I asked him to participate on my + album, he was working with Monika Bugajny. She got wind of my project and asked if she could join. I agreed and reworked her beautiful clarinet recording into a ghostly one-minute piece.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eApparently my concoction was convincing enough for Monika to propose another, more elaborate collaboration. Her suggestion was to use the same working method again, but this time with classical pieces as a starting point. Again I couldn’t say no, and off we went!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDebussy, Messiaen, Brahms, Stravinsky… who would ever thought to see these on a Machinefabriek album! Well, they’re not excactly recognizable as such, but still… Monika reinterpreted eight classical pieces, beautifully played and recorded. I then stacked, cut, and manipulated the material into the tracks you’ll find on Recytle (see what I did there?): 30 minutes of moody and woozy clarinet\/electronics vignettes.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIf you’re looking for a faithful rendition of Debussy’s Première Rhapsodie, this is obviously not your go-to release. But in their own right I hope the tracks on Recytle might offer an intriguing counterpoint to their originals.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Machinefabriek with Monika Bugajny\u003c\/p\u003e\n\u003cp\u003eLabel : Self-released\u003c\/p\u003e","published_at":"2023-08-04T14:14:02+09:00","created_at":"2023-08-04T13:38:02+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","machinefabriek"],"price":185000,"price_min":185000,"price_max":185000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44421851545850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Machinefabriek with Monika Bugajny \/\/ Recytle CD","public_title":null,"options":["Default Title"],"price":185000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/re1_19bb2816-d553-4f80-be97-ed6ec23e4ae4.jpg?v=1691123884","\/\/tobirarecords.com\/cdn\/shop\/files\/re2_b2e8b357-9bba-47c9-889e-d404a48ec8ad.jpg?v=1691123884"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/re1_19bb2816-d553-4f80-be97-ed6ec23e4ae4.jpg?v=1691123884","options":["Title"],"media":[{"alt":null,"id":32295511359738,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/re1_19bb2816-d553-4f80-be97-ed6ec23e4ae4.jpg?v=1691123884"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/re1_19bb2816-d553-4f80-be97-ed6ec23e4ae4.jpg?v=1691123884","width":700},{"alt":null,"id":32295511392506,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/re2_b2e8b357-9bba-47c9-889e-d404a48ec8ad.jpg?v=1691123884"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/re2_b2e8b357-9bba-47c9-889e-d404a48ec8ad.jpg?v=1691123884","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンビエント作\u003c\/span\u003e家／デザイナーMachinefabriekとクラリネット奏者Monika Bugajnyが、2023年7月にリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eドビュッシーやメシアン、ブラームス、ストラヴィンスキーの楽曲を再解釈・再構築した\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このアルバムは、私が何度かコラボレーションしているクラリネット奏者Gareth Davisなしには成立しない。私が彼に私の＋アルバムへの参加を依頼したとき、彼はMonika Bugajnyと仕事をしていた。彼女は私のプロジェクトを知り、参加できないかと尋ねてきた。私は承諾し、彼女の美しいクラリネットの録音を幽霊のような1分間の作品に作り直した。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eどうやら、私が作った曲はMonika Bugajnyにとって十分に納得のいくものだったようで、彼女はさらに手の込んだコラボレーションを提案してきた。彼女の提案は、また同じ作業方法で、今度はクラシックの曲を出発点にするというものだった。またしても私は断ることができず、出発した！\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eドビュッシー、メシアン、ブラームス、ストラヴィンスキー......マシーンファブリーク・アルバムにこれらの曲が収録されるなんて、誰が想像しただろう！Monika Bugajnyは8曲のクラシックを再解釈し、美しく演奏、録音した。そして私は、その素材を重ね、カットし、操作して、Recytleに収録されているトラックに仕上げた： ムーディーでウージーなクラリネットとエレクトロニクスの30分。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eドビュッシーの「Première Rhapsodie」を忠実に再現したいのであれば、これは明らかにお勧めのリリースではない。しかし、『Recytle』に収録されている楽曲が、オリジナル曲と対をなす興味深い作品になることを願っている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2688054587\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアーティスト\u003c\/span\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/machfab\u0026amp;nbsp;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/machfab\u0026amp;nbsp;\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/machfab\u0026amp;nbsp;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/machfab\u0026amp;nbsp;\"\u003ehere\u003c\/a\u003e to see more Machinefabriek releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eCD in card wallet. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI (after Poulenc) 04:26\u003c\/li\u003e\n\u003cli\u003eII (after Brahms) 03:49\u003c\/li\u003e\n\u003cli\u003eIII (after Copland) 03:02\u003c\/li\u003e\n\u003cli\u003eIV (after Horovitz) 03:28\u003c\/li\u003e\n\u003cli\u003eV (after Messiaen) 04:27\u003c\/li\u003e\n\u003cli\u003eVI (after Stravinsky) 02:20\u003c\/li\u003e\n\u003cli\u003eVII (after Debussy) 03:35\u003c\/li\u003e\n\u003cli\u003eVIII (after Arnold) 04:07\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist statement by Machinefabriek:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eThis album wouldn’t exist without clarinetist Gareth Davis, with whom I’ve collaborated several times. When I asked him to participate on my + album, he was working with Monika Bugajny. She got wind of my project and asked if she could join. I agreed and reworked her beautiful clarinet recording into a ghostly one-minute piece.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eApparently my concoction was convincing enough for Monika to propose another, more elaborate collaboration. Her suggestion was to use the same working method again, but this time with classical pieces as a starting point. Again I couldn’t say no, and off we went!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDebussy, Messiaen, Brahms, Stravinsky… who would ever thought to see these on a Machinefabriek album! Well, they’re not excactly recognizable as such, but still… Monika reinterpreted eight classical pieces, beautifully played and recorded. I then stacked, cut, and manipulated the material into the tracks you’ll find on Recytle (see what I did there?): 30 minutes of moody and woozy clarinet\/electronics vignettes.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIf you’re looking for a faithful rendition of Debussy’s Première Rhapsodie, this is obviously not your go-to release. But in their own right I hope the tracks on Recytle might offer an intriguing counterpoint to their originals.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Machinefabriek with Monika Bugajny\u003c\/p\u003e\n\u003cp\u003eLabel : Self-released\u003c\/p\u003e"}
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オランダのアンビエント作家／デザイナーMachinefabriekとクラリネット奏者Monika Bugajnyが、2023年7月にリリースした共作CDです。 ドビュッシーやメシアン、ブラームス、ストラヴィンスキーの楽曲を再解釈・再構築した 以下、作家本人による解説です。 "このアルバムは、私が何度かコラボレーションしているクラリネット奏者Gareth Davisなしには成立しない。私が彼に私の＋アルバムへの参加を依頼したとき、彼はMonika Bugajnyと仕事をしていた。彼女は私のプロジェクトを知り、参加できないかと尋ねてきた。私は承諾し、彼女の美しいクラリネットの録音を幽霊のような1分間の作品に作り直した。どうやら、私が作った曲はMonika Bugajnyにとって十分に納得のいくものだったようで、彼女はさらに手の込んだコラボレーションを提案してきた。彼女の提案は、また同じ作業方法で、今度はクラシックの曲を出発点にするというものだった。またしても私は断ることができず、出発した！ドビュッシー、メシアン、ブラームス、ストラヴィンスキー......マシーンファブリーク・アルバムにこれらの曲が収録されるなんて、誰が想像しただろう！Monika Bugajnyは8曲のクラシックを再解釈し、美しく演奏、録音した。そして私は、その素材を重ね、カットし、操作して、Recytleに収録されているトラックに仕上げた： ムーディーでウージーなクラリネットとエレクトロニクスの30分。ドビュッシーの「Première Rhapsodie」を忠実に再現したいのであれば、これは明らかにお勧めのリリースではない。しかし、『Recytle』に収録されている楽曲が、オリジナル曲と対をなす興味深い作品になることを願っている。" アーティストその他作品はこちら /// Click here to see...
¥1,850
クイックビュー
{"id":8001659535610,"title":"Machinefabriek with Anne Bakker \/\/ Wisps CD","handle":"machinefabriek-with-anne-bakker-wisps-cd","description":"\u003cp\u003eオランダのアンビエント作家／デザイナーMachinefabriekとバイオリニストAnne Bakkerが、2022年7月にリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント〜コンテンポラリー10曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4006896354\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=312450512\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4006896354\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアーティスト\u003c\/span\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/machfab\u0026amp;nbsp;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/machfab\u0026amp;nbsp;\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/machfab\u0026amp;nbsp;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/machfab\u0026amp;nbsp;\"\u003ehere\u003c\/a\u003e to see more Machinefabriek releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 350gram reverse-board style wallet. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSlink 02:35\u003c\/li\u003e\n\u003cli\u003eFoon 01:48\u003c\/li\u003e\n\u003cli\u003ePummel 02:41\u003c\/li\u003e\n\u003cli\u003eRuimte I 02:48\u003c\/li\u003e\n\u003cli\u003eWisps 01:50\u003c\/li\u003e\n\u003cli\u003eSpeling 02:24\u003c\/li\u003e\n\u003cli\u003eSereen 03:34\u003c\/li\u003e\n\u003cli\u003eRuimte II 01:39\u003c\/li\u003e\n\u003cli\u003eFolklore 03:10\u003c\/li\u003e\n\u003cli\u003eMijmer 04:54\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003eRutger Zuydervelt AKA Machinefabriek, May 2022\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"On 5 April 2022 I e-mailed Anne about working on a follow-up to our album Oehoe (released by Where to Now? Records in 2020). On April 7 she recorded a bunch of violin, viola and vocal improvisations at home. Gorgeous sounds and melodies, a gold mine to work with. The material basically wrote itself. I started editing and adding electronics (mainly virtual instruments, I don’t own a real harp), and by the end of that month, the album was finished.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI always found the music that Anne and I make a bit pastoral, or eerie. Thinking about a title, will-o'-the-wisp came to mind, a ghost light in folklore. It fits the elusive quality of the music, I believe. As shorter is always better, we went for Wisps.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe cover art is a collage by Wytske van Veen. She posted the work on her Facebook page when I was busy with the album, and I immediately made the connection with the music. I love it when things fall into place like this.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSo here it is, 28 minutes of (in Mariska Baars’ words) ‘pwetty weeeird’ music. Hope you’ll enjoy listening to it as much as we enjoyed making it.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Machinefabriek with Anne Bakker\u003c\/p\u003e\n\u003cp\u003eLabel : Self-released\u003c\/p\u003e","published_at":"2023-08-04T14:19:10+09:00","created_at":"2023-08-04T13:32:39+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","machinefabriek","neo classical"],"price":185000,"price_min":185000,"price_max":185000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44421843583226,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Machinefabriek with Anne Bakker \/\/ Wisps CD","public_title":null,"options":["Default Title"],"price":185000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/machine1.jpg?v=1691123561","\/\/tobirarecords.com\/cdn\/shop\/files\/machine2.jpg?v=1691123561"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/machine1.jpg?v=1691123561","options":["Title"],"media":[{"alt":null,"id":32295488913658,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/machine1.jpg?v=1691123561"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/machine1.jpg?v=1691123561","width":700},{"alt":null,"id":32295488946426,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/machine2.jpg?v=1691123561"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/machine2.jpg?v=1691123561","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダのアンビエント作家／デザイナーMachinefabriekとバイオリニストAnne Bakkerが、2022年7月にリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント〜コンテンポラリー10曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4006896354\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=312450512\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4006896354\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアーティスト\u003c\/span\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/machfab\u0026amp;nbsp;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/machfab\u0026amp;nbsp;\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/machfab\u0026amp;nbsp;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/machfab\u0026amp;nbsp;\"\u003ehere\u003c\/a\u003e to see more Machinefabriek releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 350gram reverse-board style wallet. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSlink 02:35\u003c\/li\u003e\n\u003cli\u003eFoon 01:48\u003c\/li\u003e\n\u003cli\u003ePummel 02:41\u003c\/li\u003e\n\u003cli\u003eRuimte I 02:48\u003c\/li\u003e\n\u003cli\u003eWisps 01:50\u003c\/li\u003e\n\u003cli\u003eSpeling 02:24\u003c\/li\u003e\n\u003cli\u003eSereen 03:34\u003c\/li\u003e\n\u003cli\u003eRuimte II 01:39\u003c\/li\u003e\n\u003cli\u003eFolklore 03:10\u003c\/li\u003e\n\u003cli\u003eMijmer 04:54\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003eRutger Zuydervelt AKA Machinefabriek, May 2022\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"On 5 April 2022 I e-mailed Anne about working on a follow-up to our album Oehoe (released by Where to Now? Records in 2020). On April 7 she recorded a bunch of violin, viola and vocal improvisations at home. Gorgeous sounds and melodies, a gold mine to work with. The material basically wrote itself. I started editing and adding electronics (mainly virtual instruments, I don’t own a real harp), and by the end of that month, the album was finished.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI always found the music that Anne and I make a bit pastoral, or eerie. Thinking about a title, will-o'-the-wisp came to mind, a ghost light in folklore. It fits the elusive quality of the music, I believe. As shorter is always better, we went for Wisps.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe cover art is a collage by Wytske van Veen. She posted the work on her Facebook page when I was busy with the album, and I immediately made the connection with the music. I love it when things fall into place like this.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSo here it is, 28 minutes of (in Mariska Baars’ words) ‘pwetty weeeird’ music. Hope you’ll enjoy listening to it as much as we enjoyed making it.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Machinefabriek with Anne Bakker\u003c\/p\u003e\n\u003cp\u003eLabel : Self-released\u003c\/p\u003e"}
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オランダのアンビエント作家／デザイナーMachinefabriekとバイオリニストAnne Bakkerが、2022年7月にリリースした共作CDです。 ネオクラシカル・アンビエント〜コンテンポラリー10曲を収録。 アーティストその他作品はこちら /// Click here to see more Machinefabriek releases available at Tobira. ------------------------ CD...
¥1,850
クイックビュー
{"id":7998080647418,"title":"David Tholfsen \/\/ Walk With Me LP","handle":"david-tholfsen-walk-with-me-lp","description":"アメリカ・NYの実験音楽家\u003cspan data-mce-fragment=\"1\"\u003eDan Gilmore\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e主宰レーベルSpoor LLC諸作を入荷しました。\u003c\/span\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、カリフォルニアの実験音楽家David Tholfsenが、2022年5月にリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eハイキング中に浮かんだメロディを6トラックで録音したアカペラ22曲を収録。\u003c\/p\u003e\n\u003cp\u003eどんなに辛いことがあった日にもこれを再生すれば、「こんなに変な音楽を真面目に作っている人がいるんだ」と少し元気にさせてくれます。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1954999016\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/spoor\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/spoor\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/spoor\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/spoor\"\u003ehere\u003c\/a\u003e to see more Spoor LLC releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eArtist statement by David Tholfsen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe majority of these songs are conjured up while walking or hiking. The songs come home and three to 6 voices are multi tracked and mixed together. There are chants and rhythms that move your feet, climb that hill, cross that street. Pick out a song, set it on loop and walk for miles.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eSpoor LLC:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"David Tholfsen is an American musician and artist living in San Leandro, CA. He was the primary voice and songwriter of the group U.S. Saucer, an electric folk trio active in the 1990s who recorded three LPs and a 7\" for the Amarillo Records label. In the two decades prior, Tholfsen performed in many groups in Iowa, Arizona, and ultimately San Francisco, where his heavy art-rock outfit Blow reduced itself to the slow-drip syrup of his flagship endeavor. During this time, he also appeared on recordings by Thinking Fellers Union Local 282 and the Zip Code Revue. Post-Saucer, David shared a split 7\" with Suzanne Langille on the Road Cone label's Instress series. He continued to record music privately throughout the 2000s, solo and with his bluegrass band The Tinnitans. His work outside of music includes a skilled practice in ceramics, sculpture, and puppetry—often vehicles for the same narratives, jokes, and wordplay of his songwriting. Walk With Me comes 25 years after his last appearance on a vinyl record. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWalk With Me showcases David's signature vocal stylings, in the form of multitrack renditions of chants that arose while regularly hiking the Oakland hills in recent years. If one was so curious to pry, there's likely an anecdote and specific location to apply to each track—but here they are offered for general utility and enjoyment. The spike of endorphins, mantric mind loops, literal peaks and valleys, and fluctuation of available breath color his chants with a natural dynamism. Tholfsen's personal intention is one of practical use for the listener, as an encouragement to sing along and achieve the same mental and physical workout. For the home listener: tuneful mouth music, mostly non-lexical folk tunes with lots of lilting vocables and wild harmonizing to swirl up unusual patterns, bolstered by the giant spirit of a guy who's been doing this a long time. Through a squint, these recordings could be reckoned as more of a text-sound performance deal for those who brain about in fancypants—but no need to detract from the charm and liveliness of the natural composition ('improvisations over improvisions'). Always a familiar melody or song form to keep on the path, with enough craggy embellishments and curious tangles on the periphery to keep it interesting. A new rendition of an old Saucer track, \"Shake Smear Laugh and Roll\", along with two others, even offer something in the way of lyrics (tip: they all have lyrics if you listen enough times). \"Pick out a song, set it on loop and walk for miles,\" is an alternate suggestion from David.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Masterpiece 1:41\u003cbr\u003eA2 Back To The Porcelain 2:24\u003cbr\u003eA3 High Breeze From The Tiny Tops 2:02\u003cbr\u003eA4 Muddier Than You Might Think 1:24\u003cbr\u003eA5 Shake Smear Laugh And Roll 2:04\u003cbr\u003eA6 B-Beach Shanty 1:44\u003cbr\u003eA7 Back In The Muds 1:34\u003cbr\u003eA8 High Winds And No Juice 1:22\u003cbr\u003eA9 Dipping Dot Shoes 3:01\u003cbr\u003eA10 Bin Sod Cheese Dust 1:17\u003cbr\u003eA11 Last Rain Question 2:24\u003cbr\u003eB1 2000 Lbs Of Pleasant 2:26\u003cbr\u003eB2 Cover Bruce 0:27\u003cbr\u003eB3 Apex O Plex 1:46\u003cbr\u003eB4 Post X-Ray 2:07\u003cbr\u003eB5 Cut A Rug 1:55\u003cbr\u003eB6 The Dunnage 2:19\u003cbr\u003eB7 Pre-Smoke Off The French Trail 1:52\u003cbr\u003eB8 Nevada Might Do It 1:27\u003cbr\u003eB9 In Mike's Wake 3:39\u003cbr\u003eB10 Grizzly Path Hope 1:31\u003cbr\u003eB11 Surly Sill 2:18\u003c\/p\u003e\n\u003cp\u003eArtist : David Tholfsen\u003c\/p\u003e\n\u003cp\u003eLabel : Spoor LLC\u003c\/p\u003e","published_at":"2023-08-01T16:31:19+09:00","created_at":"2023-07-24T13:46:11+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","new","spoor llc"],"price":358000,"price_min":358000,"price_max":358000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44376932647162,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"David Tholfsen \/\/ Walk With Me LP","public_title":null,"options":["Default Title"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wa1_fd29b1ce-bf70-41cb-b70b-a8601b15d74a.jpg?v=1690173973","\/\/tobirarecords.com\/cdn\/shop\/files\/wa2_22d9ecff-a180-487c-bdc2-30f1fc451291.jpg?v=1690173973"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wa1_fd29b1ce-bf70-41cb-b70b-a8601b15d74a.jpg?v=1690173973","options":["Title"],"media":[{"alt":null,"id":32257730576634,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wa1_fd29b1ce-bf70-41cb-b70b-a8601b15d74a.jpg?v=1690173973"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wa1_fd29b1ce-bf70-41cb-b70b-a8601b15d74a.jpg?v=1690173973","width":700},{"alt":null,"id":32257730609402,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wa2_22d9ecff-a180-487c-bdc2-30f1fc451291.jpg?v=1690173973"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wa2_22d9ecff-a180-487c-bdc2-30f1fc451291.jpg?v=1690173973","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"アメリカ・NYの実験音楽家\u003cspan data-mce-fragment=\"1\"\u003eDan Gilmore\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e主宰レーベルSpoor LLC諸作を入荷しました。\u003c\/span\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、カリフォルニアの実験音楽家David Tholfsenが、2022年5月にリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eハイキング中に浮かんだメロディを6トラックで録音したアカペラ22曲を収録。\u003c\/p\u003e\n\u003cp\u003eどんなに辛いことがあった日にもこれを再生すれば、「こんなに変な音楽を真面目に作っている人がいるんだ」と少し元気にさせてくれます。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1954999016\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/spoor\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/spoor\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/spoor\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/spoor\"\u003ehere\u003c\/a\u003e to see more Spoor LLC releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eArtist statement by David Tholfsen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe majority of these songs are conjured up while walking or hiking. The songs come home and three to 6 voices are multi tracked and mixed together. There are chants and rhythms that move your feet, climb that hill, cross that street. Pick out a song, set it on loop and walk for miles.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eSpoor LLC:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"David Tholfsen is an American musician and artist living in San Leandro, CA. He was the primary voice and songwriter of the group U.S. Saucer, an electric folk trio active in the 1990s who recorded three LPs and a 7\" for the Amarillo Records label. In the two decades prior, Tholfsen performed in many groups in Iowa, Arizona, and ultimately San Francisco, where his heavy art-rock outfit Blow reduced itself to the slow-drip syrup of his flagship endeavor. During this time, he also appeared on recordings by Thinking Fellers Union Local 282 and the Zip Code Revue. Post-Saucer, David shared a split 7\" with Suzanne Langille on the Road Cone label's Instress series. He continued to record music privately throughout the 2000s, solo and with his bluegrass band The Tinnitans. His work outside of music includes a skilled practice in ceramics, sculpture, and puppetry—often vehicles for the same narratives, jokes, and wordplay of his songwriting. Walk With Me comes 25 years after his last appearance on a vinyl record. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWalk With Me showcases David's signature vocal stylings, in the form of multitrack renditions of chants that arose while regularly hiking the Oakland hills in recent years. If one was so curious to pry, there's likely an anecdote and specific location to apply to each track—but here they are offered for general utility and enjoyment. The spike of endorphins, mantric mind loops, literal peaks and valleys, and fluctuation of available breath color his chants with a natural dynamism. Tholfsen's personal intention is one of practical use for the listener, as an encouragement to sing along and achieve the same mental and physical workout. For the home listener: tuneful mouth music, mostly non-lexical folk tunes with lots of lilting vocables and wild harmonizing to swirl up unusual patterns, bolstered by the giant spirit of a guy who's been doing this a long time. Through a squint, these recordings could be reckoned as more of a text-sound performance deal for those who brain about in fancypants—but no need to detract from the charm and liveliness of the natural composition ('improvisations over improvisions'). Always a familiar melody or song form to keep on the path, with enough craggy embellishments and curious tangles on the periphery to keep it interesting. A new rendition of an old Saucer track, \"Shake Smear Laugh and Roll\", along with two others, even offer something in the way of lyrics (tip: they all have lyrics if you listen enough times). \"Pick out a song, set it on loop and walk for miles,\" is an alternate suggestion from David.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Masterpiece 1:41\u003cbr\u003eA2 Back To The Porcelain 2:24\u003cbr\u003eA3 High Breeze From The Tiny Tops 2:02\u003cbr\u003eA4 Muddier Than You Might Think 1:24\u003cbr\u003eA5 Shake Smear Laugh And Roll 2:04\u003cbr\u003eA6 B-Beach Shanty 1:44\u003cbr\u003eA7 Back In The Muds 1:34\u003cbr\u003eA8 High Winds And No Juice 1:22\u003cbr\u003eA9 Dipping Dot Shoes 3:01\u003cbr\u003eA10 Bin Sod Cheese Dust 1:17\u003cbr\u003eA11 Last Rain Question 2:24\u003cbr\u003eB1 2000 Lbs Of Pleasant 2:26\u003cbr\u003eB2 Cover Bruce 0:27\u003cbr\u003eB3 Apex O Plex 1:46\u003cbr\u003eB4 Post X-Ray 2:07\u003cbr\u003eB5 Cut A Rug 1:55\u003cbr\u003eB6 The Dunnage 2:19\u003cbr\u003eB7 Pre-Smoke Off The French Trail 1:52\u003cbr\u003eB8 Nevada Might Do It 1:27\u003cbr\u003eB9 In Mike's Wake 3:39\u003cbr\u003eB10 Grizzly Path Hope 1:31\u003cbr\u003eB11 Surly Sill 2:18\u003c\/p\u003e\n\u003cp\u003eArtist : David Tholfsen\u003c\/p\u003e\n\u003cp\u003eLabel : Spoor LLC\u003c\/p\u003e"}
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アメリカ・NYの実験音楽家Dan Gilmore主宰レーベルSpoor LLC諸作を入荷しました。 本作は、カリフォルニアの実験音楽家David Tholfsenが、2022年5月にリリースしたレコードです。 ハイキング中に浮かんだメロディを6トラックで録音したアカペラ22曲を収録。 どんなに辛いことがあった日にもこれを再生すれば、「こんなに変な音楽を真面目に作っている人がいるんだ」と少し元気にさせてくれます。 レーベルその他作品はこちら /// Click here to see more Spoor LLC releases...
¥3,580
クイックビュー
{"id":7997013393658,"title":"Hourloupe \/\/ Three Nights in the Wawayanda TAPE","handle":"hourloupe-three-nights-in-the-wawayanda-tape","description":"\u003cp\u003eアメリカのエレクトロニック〜サウンドポエトリーデュオHourloupeが、2023年5月に同国ネブラスカの実験／ダンスレーベルTymbal Tapesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e下記、19世紀後半の新聞記事の見出しからインスパイアされたディープハウス〜IDM〜アンビエント〜サウンドポエトリー15曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「土曜の夜のハウスパーティーで、ミス・コールはウサギを捕まえたと自慢した。トレッキングが続き、正装したままの彼女とカーター氏はワワワンダで3泊することになった」\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3634951573\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=26304867\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3634951573\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=820990910\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3634951573\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3634951573\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=813719165\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tmbl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tmbl\"\u003ehere\u003c\/a\u003e to see more Tymbal Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe House Party \u003c\/li\u003e\n\u003cli\u003eLone Pearl \u003c\/li\u003e\n\u003cli\u003ePollinator \u003c\/li\u003e\n\u003cli\u003eThumper \u003c\/li\u003e\n\u003cli\u003ePostcard Found in the Woods \u003c\/li\u003e\n\u003cli\u003eChalk\/The White Kite \u003c\/li\u003e\n\u003cli\u003eFragment 1 \u003c\/li\u003e\n\u003cli\u003eGreen Navy\/Rain \u003c\/li\u003e\n\u003cli\u003eTortoise Boxing \u003c\/li\u003e\n\u003cli\u003eThe Dance of No History \u003c\/li\u003e\n\u003cli\u003eCode and Cinders \u003c\/li\u003e\n\u003cli\u003eThe Dancefloor\/Beat Crush \u003c\/li\u003e\n\u003cli\u003eFragment 2 \u003c\/li\u003e\n\u003cli\u003eBlue Plymouth\/Another State \u003c\/li\u003e\n\u003cli\u003eCoda: Mesozoicon \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eTymbal Tapes:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eAt the house party on Saturday night Miss Cole boasted of catching rabbits. A trek ensued and she and Mister Carter, still in formal attire, set off spending three nights in the Wawayanda.'\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom this late-nineteenth-century newspaper society column comes Three Nights in the Wawayanda, the final release in a triptych of Hourloupe records exploring time, reality, and the natural world. TNW isn’t a narrative of hapless, hungover merrymakers wandering a 19th-century wilderness but a reflection on nature at the historical moment it is being given over to the forces that lead us to our current situation: industry and violence.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLike its predecessors, TNW tells its story through doublings and mirroring. Mister Carter and Miss Cole cross-dress as each other. A parallel couple — a man of charcoal and a man of chalk — appear, and an unnamed pair makes their escape at the end to a mysterious “other state.” A luminous entry from Henry David Thoreau’s diary (\"The Dance of No History\") describes the daylight and\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e moonlight in a beautiful, strange equilibrium. Male merges with female, female male; one carbonized being meets his chalk-dusted opposite. Everything strives toward existential balance at a moment when balance in nature is being obliterated forever.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThreading through the compositions are boxing tortoises (\"Tortoise Boxing\"), a postcard that grows to envelop the woods (\"Postcard Found in the Woods\"), a crew sailing the ship of a forest lost to a flood (\"Green Navy\/Rain\"), and a frozen lake that becomes an outdoor club (\"The Dancefloor\/Beat Crush\"). The temperature rises, the dance floor crumbles, and the contents of your pocket on the night you die — lint, a lone pearl, a piece of flint — seem to guide everyone’s action, even God’s.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hourloupe\u003c\/p\u003e\n\u003cp\u003eLabel : Tymbal Tapes\u003c\/p\u003e","published_at":"2023-07-24T08:35:50+09:00","created_at":"2023-07-21T14:01:47+09:00","vendor":"Tobira Records","type":"","tags":["ambient","house","new","sound poetry","tape","tymbal tapes"],"price":169000,"price_min":169000,"price_max":169000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44365060505850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hourloupe \/\/ Three Nights in the Wawayanda TAPE","public_title":null,"options":["Default Title"],"price":169000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hou1_b59f9a67-a080-4562-a010-edd85105ab28.jpg?v=1689915709","\/\/tobirarecords.com\/cdn\/shop\/files\/hou2_a67c56f1-ef64-4a3c-bb23-ec5e6c3235f1.jpg?v=1689915710"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hou1_b59f9a67-a080-4562-a010-edd85105ab28.jpg?v=1689915709","options":["Title"],"media":[{"alt":null,"id":32248194531578,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hou1_b59f9a67-a080-4562-a010-edd85105ab28.jpg?v=1689915709"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hou1_b59f9a67-a080-4562-a010-edd85105ab28.jpg?v=1689915709","width":700},{"alt":null,"id":32248194564346,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hou2_a67c56f1-ef64-4a3c-bb23-ec5e6c3235f1.jpg?v=1689915710"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hou2_a67c56f1-ef64-4a3c-bb23-ec5e6c3235f1.jpg?v=1689915710","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのエレクトロニック〜サウンドポエトリーデュオHourloupeが、2023年5月に同国ネブラスカの実験／ダンスレーベルTymbal Tapesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e下記、19世紀後半の新聞記事の見出しからインスパイアされたディープハウス〜IDM〜アンビエント〜サウンドポエトリー15曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「土曜の夜のハウスパーティーで、ミス・コールはウサギを捕まえたと自慢した。トレッキングが続き、正装したままの彼女とカーター氏はワワワンダで3泊することになった」\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3634951573\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=26304867\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3634951573\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=820990910\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3634951573\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3634951573\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=813719165\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tmbl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tmbl\"\u003ehere\u003c\/a\u003e to see more Tymbal Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe House Party \u003c\/li\u003e\n\u003cli\u003eLone Pearl \u003c\/li\u003e\n\u003cli\u003ePollinator \u003c\/li\u003e\n\u003cli\u003eThumper \u003c\/li\u003e\n\u003cli\u003ePostcard Found in the Woods \u003c\/li\u003e\n\u003cli\u003eChalk\/The White Kite \u003c\/li\u003e\n\u003cli\u003eFragment 1 \u003c\/li\u003e\n\u003cli\u003eGreen Navy\/Rain \u003c\/li\u003e\n\u003cli\u003eTortoise Boxing \u003c\/li\u003e\n\u003cli\u003eThe Dance of No History \u003c\/li\u003e\n\u003cli\u003eCode and Cinders \u003c\/li\u003e\n\u003cli\u003eThe Dancefloor\/Beat Crush \u003c\/li\u003e\n\u003cli\u003eFragment 2 \u003c\/li\u003e\n\u003cli\u003eBlue Plymouth\/Another State \u003c\/li\u003e\n\u003cli\u003eCoda: Mesozoicon \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eTymbal Tapes:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eAt the house party on Saturday night Miss Cole boasted of catching rabbits. A trek ensued and she and Mister Carter, still in formal attire, set off spending three nights in the Wawayanda.'\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom this late-nineteenth-century newspaper society column comes Three Nights in the Wawayanda, the final release in a triptych of Hourloupe records exploring time, reality, and the natural world. TNW isn’t a narrative of hapless, hungover merrymakers wandering a 19th-century wilderness but a reflection on nature at the historical moment it is being given over to the forces that lead us to our current situation: industry and violence.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLike its predecessors, TNW tells its story through doublings and mirroring. Mister Carter and Miss Cole cross-dress as each other. A parallel couple — a man of charcoal and a man of chalk — appear, and an unnamed pair makes their escape at the end to a mysterious “other state.” A luminous entry from Henry David Thoreau’s diary (\"The Dance of No History\") describes the daylight and\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e moonlight in a beautiful, strange equilibrium. Male merges with female, female male; one carbonized being meets his chalk-dusted opposite. Everything strives toward existential balance at a moment when balance in nature is being obliterated forever.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThreading through the compositions are boxing tortoises (\"Tortoise Boxing\"), a postcard that grows to envelop the woods (\"Postcard Found in the Woods\"), a crew sailing the ship of a forest lost to a flood (\"Green Navy\/Rain\"), and a frozen lake that becomes an outdoor club (\"The Dancefloor\/Beat Crush\"). The temperature rises, the dance floor crumbles, and the contents of your pocket on the night you die — lint, a lone pearl, a piece of flint — seem to guide everyone’s action, even God’s.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hourloupe\u003c\/p\u003e\n\u003cp\u003eLabel : Tymbal Tapes\u003c\/p\u003e"}
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アメリカのエレクトロニック〜サウンドポエトリーデュオHourloupeが、2023年5月に同国ネブラスカの実験／ダンスレーベルTymbal Tapesからリリースしたカセットです。 下記、19世紀後半の新聞記事の見出しからインスパイアされたディープハウス〜IDM〜アンビエント〜サウンドポエトリー15曲を収録。DLコード付属。 「土曜の夜のハウスパーティーで、ミス・コールはウサギを捕まえたと自慢した。トレッキングが続き、正装したままの彼女とカーター氏はワワワンダで3泊することになった」 レーベルその他作品はこちら /// Click here to see more Tymbal Tapes releases available at Tobira....
¥1,690
クイックビュー
{"id":7996061548794,"title":"Boris Baltschun \/\/ Desert Dictionary LP","handle":"boris-baltschun-desert-dictionary-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツの実験音楽家Boris Baltschunが、2023年6月にデンマークの実験レーベル\u003cmeta charset=\"utf-8\"\u003eArbitraryからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eモジュラーを用いて構築した擬似フィールドレコーディングとスポークンワードによるラジオ演劇2曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"「砂漠の辞書」は、言語と風景、楽譜とノイズの間で揺れ動く音の領域をナビゲートする。空虚で静寂に見える風景が持つ個人的な記憶、政治的な考察、心理的な影響を結びつけ、補完的な物語に呼応し、貢献する声。フィールドノートに基づくモジュラー・シンセサイザーの楽譜が隣接し、その下にあり、絡み合っている。合成されたサウンドスケープは、架空のフィールドレコーディングのように見え、同時に問題の場所に似ているようで似ていない。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLPに収録された12曲は、2020年と2021年の3ヶ月間に南アフリカで録音された。これらの録音は、キンバリー、ブルームフォンテーン、リッチモンド／北ケープ、ケープタウン、グラッシーパーク、クルーガースドルプ、ヨハネスブルグの様々な場所で行われた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの\u003cmeta charset=\"utf-8\"\u003e「砂漠の辞書」は、南アフリカ・モダンアートプロジェクトコレクションの一部としてのシチュエーション、ラジオ劇（ドイチュラントフンク・クルトゥールの依頼）、書籍版（MAPSA出版）、そして今回のLPと、4つのバリエーションがある。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLPはラジオ劇を基にしたもので、リチャード・ジョン・フォーブス、マーヤ・マルクス、ファラ・オオケディツェ・ファラ、ヴィクトリア・ウィグゼル、トゥバツィ・ムポックモロイ、ライザ・グローブラー、ンコシナティ・グメデ、カーリエン・ファン・ローエン、モンゲジ・ンコンボ、イヴァン・メッセラー、ゲルハルト・マルクス、リンディウェ・マツシキザの声が収録されている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e合成されたフィールド・レコーディング（砂漠で撮影されたフィールドノートの翻訳）は、ヨハネスブルグとベルリンで録音された。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1707723938\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003ehere\u003c\/a\u003e to see more Arbitrary releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eIncudes DL code. Edition of 300. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e1. Desert Dictionary - A \u003cem\u003e(20:32)\u003c\/em\u003e\u003cbr\u003e2. Desert Dictionary - B \u003cem\u003e(20:35)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArbitrary:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDesert Dictionary navigates sonic territories oscillating between language and landscape, between notation and noise. Voices responding and contributing to a complementary narrative, connecting personal memories, political considerations and psychological effects of a landscape seemingly empty and quiet. Adjacent, beneath and intertwined a modular synthesizer score based on field notes – a synthesized soundscape appearing as imaginary field recordings, at the same time resembling and unalike the place in question.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe twelve contributions presented on the LP were recorded in South Africa over a period of three months in 2020 and 2021. These recordings occurred in various locations in Kimberley, Bloemfontein, Richmond \/ Northern Cape, Cape Town, Grassy Park, Krugersdorp and Johannesburg.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Desert Dictionary appears in four iterations – a situation as part of Modern Art Projects South Africa’s collection, a radio play (commissioned by Deutschlandfunk Kultur), a book edition (published by MAPSA), and the present LP.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe LP version is based on the radio play and features the voices of Richard John Forbes, Maja Marx, Phala Ookeditse\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Phala, Victoria Wigzell, Tubatsi Mpochmoloi, Liza Grobler, Nkosinathi Gumede, Karlien van Rooyen, Mongezi Ncombo, Ivan Messelaar, Gerhard Marx and Lindiwe Matshikiza.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe synthesized field recordings – translations of fieldnotes taken in the desert – were recorded in Johannesburg and Berlin.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Boris Baltschun\u003c\/p\u003e\n\u003cp\u003eLabel : Arbitrary\u003c\/p\u003e","published_at":"2023-11-16T15:16:21+09:00","created_at":"2023-07-18T19:13:57+09:00","vendor":"Tobira Records","type":"","tags":["arbitrary","contemporary \/ sound poetry","drone","lp","monooto","new","recommended"],"price":315000,"price_min":315000,"price_max":315000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44353407549690,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Boris Baltschun \/\/ Desert Dictionary LP","public_title":null,"options":["Default Title"],"price":315000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_a1808d1f-f5be-4078-99b2-e431054426c1.jpg?v=1689675239","\/\/tobirarecords.com\/cdn\/shop\/files\/bo2_b268d86c-92b8-4e0b-94f9-f543a5c9230b.jpg?v=1689675238"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_a1808d1f-f5be-4078-99b2-e431054426c1.jpg?v=1689675239","options":["Title"],"media":[{"alt":null,"id":32238874493178,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_a1808d1f-f5be-4078-99b2-e431054426c1.jpg?v=1689675239"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_a1808d1f-f5be-4078-99b2-e431054426c1.jpg?v=1689675239","width":700},{"alt":null,"id":32238874525946,"position":2,"preview_image":{"aspect_ratio":1.335,"height":899,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo2_b268d86c-92b8-4e0b-94f9-f543a5c9230b.jpg?v=1689675238"},"aspect_ratio":1.335,"height":899,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo2_b268d86c-92b8-4e0b-94f9-f543a5c9230b.jpg?v=1689675238","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツの実験音楽家Boris Baltschunが、2023年6月にデンマークの実験レーベル\u003cmeta charset=\"utf-8\"\u003eArbitraryからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eモジュラーを用いて構築した擬似フィールドレコーディングとスポークンワードによるラジオ演劇2曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"「砂漠の辞書」は、言語と風景、楽譜とノイズの間で揺れ動く音の領域をナビゲートする。空虚で静寂に見える風景が持つ個人的な記憶、政治的な考察、心理的な影響を結びつけ、補完的な物語に呼応し、貢献する声。フィールドノートに基づくモジュラー・シンセサイザーの楽譜が隣接し、その下にあり、絡み合っている。合成されたサウンドスケープは、架空のフィールドレコーディングのように見え、同時に問題の場所に似ているようで似ていない。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLPに収録された12曲は、2020年と2021年の3ヶ月間に南アフリカで録音された。これらの録音は、キンバリー、ブルームフォンテーン、リッチモンド／北ケープ、ケープタウン、グラッシーパーク、クルーガースドルプ、ヨハネスブルグの様々な場所で行われた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの\u003cmeta charset=\"utf-8\"\u003e「砂漠の辞書」は、南アフリカ・モダンアートプロジェクトコレクションの一部としてのシチュエーション、ラジオ劇（ドイチュラントフンク・クルトゥールの依頼）、書籍版（MAPSA出版）、そして今回のLPと、4つのバリエーションがある。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLPはラジオ劇を基にしたもので、リチャード・ジョン・フォーブス、マーヤ・マルクス、ファラ・オオケディツェ・ファラ、ヴィクトリア・ウィグゼル、トゥバツィ・ムポックモロイ、ライザ・グローブラー、ンコシナティ・グメデ、カーリエン・ファン・ローエン、モンゲジ・ンコンボ、イヴァン・メッセラー、ゲルハルト・マルクス、リンディウェ・マツシキザの声が収録されている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e合成されたフィールド・レコーディング（砂漠で撮影されたフィールドノートの翻訳）は、ヨハネスブルグとベルリンで録音された。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1707723938\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003ehere\u003c\/a\u003e to see more Arbitrary releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eIncudes DL code. Edition of 300. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e1. Desert Dictionary - A \u003cem\u003e(20:32)\u003c\/em\u003e\u003cbr\u003e2. Desert Dictionary - B \u003cem\u003e(20:35)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArbitrary:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDesert Dictionary navigates sonic territories oscillating between language and landscape, between notation and noise. Voices responding and contributing to a complementary narrative, connecting personal memories, political considerations and psychological effects of a landscape seemingly empty and quiet. Adjacent, beneath and intertwined a modular synthesizer score based on field notes – a synthesized soundscape appearing as imaginary field recordings, at the same time resembling and unalike the place in question.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe twelve contributions presented on the LP were recorded in South Africa over a period of three months in 2020 and 2021. These recordings occurred in various locations in Kimberley, Bloemfontein, Richmond \/ Northern Cape, Cape Town, Grassy Park, Krugersdorp and Johannesburg.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Desert Dictionary appears in four iterations – a situation as part of Modern Art Projects South Africa’s collection, a radio play (commissioned by Deutschlandfunk Kultur), a book edition (published by MAPSA), and the present LP.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe LP version is based on the radio play and features the voices of Richard John Forbes, Maja Marx, Phala Ookeditse\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Phala, Victoria Wigzell, Tubatsi Mpochmoloi, Liza Grobler, Nkosinathi Gumede, Karlien van Rooyen, Mongezi Ncombo, Ivan Messelaar, Gerhard Marx and Lindiwe Matshikiza.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe synthesized field recordings – translations of fieldnotes taken in the desert – were recorded in Johannesburg and Berlin.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Boris Baltschun\u003c\/p\u003e\n\u003cp\u003eLabel : Arbitrary\u003c\/p\u003e"}
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ドイツの実験音楽家Boris Baltschunが、2023年6月にデンマークの実験レーベルArbitraryからリリースしたレコードです。 モジュラーを用いて構築した擬似フィールドレコーディングとスポークンワードによるラジオ演劇2曲を収録。DLコード付属。 以下、レーベルによる解説です。 "「砂漠の辞書」は、言語と風景、楽譜とノイズの間で揺れ動く音の領域をナビゲートする。空虚で静寂に見える風景が持つ個人的な記憶、政治的な考察、心理的な影響を結びつけ、補完的な物語に呼応し、貢献する声。フィールドノートに基づくモジュラー・シンセサイザーの楽譜が隣接し、その下にあり、絡み合っている。合成されたサウンドスケープは、架空のフィールドレコーディングのように見え、同時に問題の場所に似ているようで似ていない。 LPに収録された12曲は、2020年と2021年の3ヶ月間に南アフリカで録音された。これらの録音は、キンバリー、ブルームフォンテーン、リッチモンド／北ケープ、ケープタウン、グラッシーパーク、クルーガースドルプ、ヨハネスブルグの様々な場所で行われた。この「砂漠の辞書」は、南アフリカ・モダンアートプロジェクトコレクションの一部としてのシチュエーション、ラジオ劇（ドイチュラントフンク・クルトゥールの依頼）、書籍版（MAPSA出版）、そして今回のLPと、4つのバリエーションがある。LPはラジオ劇を基にしたもので、リチャード・ジョン・フォーブス、マーヤ・マルクス、ファラ・オオケディツェ・ファラ、ヴィクトリア・ウィグゼル、トゥバツィ・ムポックモロイ、ライザ・グローブラー、ンコシナティ・グメデ、カーリエン・ファン・ローエン、モンゲジ・ンコンボ、イヴァン・メッセラー、ゲルハルト・マルクス、リンディウェ・マツシキザの声が収録されている。合成されたフィールド・レコーディング（砂漠で撮影されたフィールドノートの翻訳）は、ヨハネスブルグとベルリンで録音された。" レーベルその他作品はこちら /// Click here to see more Arbitrary releases available at...
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{"id":7993211224314,"title":"Sarah-Jane Summers \/\/ Echo Stane CD","handle":"sarah-jane-summers-echo-stane-cd","description":"\u003cp\u003eスコットランド出身ノルウェー在住の弦楽器奏者Sarah-Jane Summersが、2023年6月にイギリスのコンテンポラリー・クラシックレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother TimbreからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eノルウェーの民族楽器ハーディングフェーレによる独奏9曲を収録。\u003c\/span\u003eデジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4196707789\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack. \u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNine solos for Hardanger fiddle, composed and performed by Sarah-Jane Summers, a virtuosic Scottish musician based in Norway.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSarah-Jane's music stretches from traditional folk music to experimental work. This album is one of experimental solos, but nonetheless contains references to traditional music both in the titles of the pieces, and sometimes in the music itself.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sarah-Jane Summers\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e","published_at":"2023-07-10T14:46:54+09:00","created_at":"2023-07-09T10:56:04+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","new"],"price":205000,"price_min":205000,"price_max":205000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44326723027194,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sarah-Jane Summers \/\/ Echo Stane CD","public_title":null,"options":["Default Title"],"price":205000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ec1_03ee225c-064f-4164-a750-0b4c99735aea.jpg?v=1688867766","\/\/tobirarecords.com\/cdn\/shop\/files\/ec2_0fc5542d-3677-4e37-b94d-7d0f88f2a7ce.jpg?v=1688867766"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ec1_03ee225c-064f-4164-a750-0b4c99735aea.jpg?v=1688867766","options":["Title"],"media":[{"alt":null,"id":32203511628026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ec1_03ee225c-064f-4164-a750-0b4c99735aea.jpg?v=1688867766"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ec1_03ee225c-064f-4164-a750-0b4c99735aea.jpg?v=1688867766","width":700},{"alt":null,"id":32203511660794,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ec2_0fc5542d-3677-4e37-b94d-7d0f88f2a7ce.jpg?v=1688867766"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ec2_0fc5542d-3677-4e37-b94d-7d0f88f2a7ce.jpg?v=1688867766","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスコットランド出身ノルウェー在住の弦楽器奏者Sarah-Jane Summersが、2023年6月にイギリスのコンテンポラリー・クラシックレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother TimbreからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eノルウェーの民族楽器ハーディングフェーレによる独奏9曲を収録。\u003c\/span\u003eデジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4196707789\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack. \u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNine solos for Hardanger fiddle, composed and performed by Sarah-Jane Summers, a virtuosic Scottish musician based in Norway.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSarah-Jane's music stretches from traditional folk music to experimental work. This album is one of experimental solos, but nonetheless contains references to traditional music both in the titles of the pieces, and sometimes in the music itself.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sarah-Jane Summers\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e"}
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スコットランド出身ノルウェー在住の弦楽器奏者Sarah-Jane Summersが、2023年6月にイギリスのコンテンポラリー・クラシックレーベルAnother TimbreからリリースしたCDです。 ノルウェーの民族楽器ハーディングフェーレによる独奏9曲を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Another Timbre releases available at Tobira....
¥2,050
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{"id":7982381498618,"title":"Luciano Maggiore \u0026 Louie Rice \/\/ Three Things CD","handle":"luciano-maggiore-louie-rice-three-things-cd","description":"\u003cp\u003eイギリスの実験音楽家Luciano MaggioreとLouie Riceが、2023年5月に同国実験レーベルAdhumanからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003eユーモアに富んだコンセプトによる実験音楽3曲を収録。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6面\u003c\/span\u003eデジパック仕様です。\u003c\/p\u003e\n\u003cp\u003eフルクサスリスナーにオススメします。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003e\"『Three Things』は、長年のコラボレーターであるLuciano MaggioreとLouie Riceが構想、演奏、録音したアルバムです。2人は、アーティストやオーガナイザーとして多方面にわたる活動を行い、長年にわたりイギリスの実験的オーディオ・アンダーグラウンドの形を静かに、しかし確実に伝えてきたことで知られています。NOPAONの名で、アルヴィン・ルシエ、ロバート・ボッツィ、ケン・フリードマン、エメット・ウィリアムズ、ウォルター・マーケッティ、そして彼ら自身の創作によるスコアを実現する一連のイベントとパフォーマンスを展開しました。2人が「報われないタスクベースのアクション」あるいは「部屋にいる2人が何かをする」と表現するこれらのアウトプットは、プロンプトのアクションとシナリオに基づく継続的なパフォーマンスの実践をもたらし、2人はそれを探求し続けています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMaggiorとRiceの作品に一貫して見られるのは、ユーモアを意図的に受け入れ、不条理の基礎となるパフォーマンスを認めていることです。この要素は「Three Things」全体を貫いており、「Hissing for White Shoes」（#6）では、ロンドン市内をドライブしている様子を録音したもので、彼らの車が無意識に参加者とすれ違うたびに大きなヒスノイズが発生し、彼らの履物が声の介入のきっかけとなります。EMSストックホルムのBuchlaシンセサイザーから得た音声を、2人のポケットに入れた携帯電話のスピーカーで再生・再録音し、そのパルスに同期して歩こうとする「Pocket Fascinator」（#7）でも同じユーモアセンスが際立っています。Phone Workは、プロジェクトの典型的なリアルタイム・アプローチ以外で実現した最初の作品で、WhatsAppを介して交換された音声録音のシーケンスであり、オリジナルの記憶がなくなるまでお互いの投稿を模倣します。この作品は、デュオがソロ・アーティストとしてエレクトロニック・ミュージックに長年取り組んできたことにちなんで、シンセサイザーにセットされています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMaggioreとRiceが手がけたすべての作品と同様、『Three Things』の狂気じみた大胆さは、基本的に歴史的なアバンギャルドに対する誠実な観察に支えられています。これらのレコーディングの中心には、フルクサス、古典音詩、フィールドレコーディング、電子音楽、運動ベースのパフォーマンス、現代作曲の中核的な方法論プロジェクトを想起させる概念的戦略が潜んでいます。このような文化圏で出現したトロフィーをさりげなく揶揄しながらも、その手法を裸のように愚かな結果に向かわせる彼らの意欲は、前衛的な技術を音作りに応用する現代的な探究心を強めています。この『Three Things』は、実験と美学的なストレステストに対する真のコミットメントを、挑戦的かつ愉快に主張するものであり、そのすべてを受け入れることができます。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3090612613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/adh\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/adh\"\u003ehere\u003c\/a\u003e to see more Adhuman releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack. \u003c\/p\u003e\n\u003cp\u003eAdhuman:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThree Things is a new full-length album of pieces conceived, performed and recorded by long-term collaborators Luciano Maggiore and Louie Rice. The pair are known for multi-pronged activities as artists and organisers which have quietly but surely informed the shape of the United Kingdom's experimental audio underground for many years. Under the guise of NOPAON, they developed a series of events and performances in which they realised scores by Alvin Lucier, Robert Bozzi, Ken Friedman, Emmet Williams, Walter Marchetti and of their own creation. These outputs, described by the duo as 'unrewarding task-based actions' or simply 'two people in a room, doing something’ have resulted in an ongoing performance practice based on prompts actions and scenarios which they continue to explore.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA persistent quality in Maggiore and Rice's work is a wilful embrace of humour and the acknowledgement of their performances as a basis for absurdity. This element runs throughout Three Things, starting with Hissing for White Shoes (#6), where an otherwise unremarkable recording of a drive around London is punctuated by loud hissing whenever their vehicle passes an unwitting participant in the street, their footwear acting as a prompt for the vocal intervention\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. The same sense of humour looms large in Pocket Fascinator (#7) where audio derived from EMS Stockholm's Buchla synth is played back and re-recorded via mobile phone speakers in the duo's pockets as they attempt to walk in sync with its pulses. Phone Work, the first piece realised outside of the project's typical real-time approach, is a sequence of voice recordings exchanged via WhatsApp where they mimic each other's contributions until all memory of the original has been lost. The results are set to synthesiser in a nod to the duo's long-standing interests in electronic music as solo artists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLike everything Maggiore and Rice turn their hands to, the maddening audacity of Three Things is fundamentally driven by sincere observations of the historic avant-garde. At the heart of these recordings lurk conceptual strategies recalling the core methodological projects of Fluxus, classical sound poetry, field recording, electronic music, movement-based performance and contemporary composition. Their willingness to direct such methods toward nakedly silly outcomes whilst poking subtle fun at the emergent tropes of these cultures reinforces an entirely serious inquiry into the modern-day application of avant-garde technique in sound creation. When accepted in full, Three Things is a challenging, amusing assertion of genuine commitment to experimentation and aesthetic stress-testing.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Luciano Maggiore \u0026amp; Louie Rice\u003c\/p\u003e\n\u003cp\u003eLabel : Adhuman\u003c\/p\u003e","published_at":"2023-06-06T19:51:48+09:00","created_at":"2023-06-06T18:13:26+09:00","vendor":"Tobira Records","type":"","tags":["adhuman","cd","contemporary \/ sound poetry","luciano maggiore","monooto","new"],"price":219000,"price_min":219000,"price_max":219000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44269243564282,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Luciano Maggiore \u0026 Louie Rice \/\/ Three Things CD","public_title":null,"options":["Default Title"],"price":219000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/th1_64169f88-ff00-43aa-8b5b-29ee6f6bfb28.jpg?v=1686042807"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/th1_64169f88-ff00-43aa-8b5b-29ee6f6bfb28.jpg?v=1686042807","options":["Title"],"media":[{"alt":null,"id":32080109175034,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/th1_64169f88-ff00-43aa-8b5b-29ee6f6bfb28.jpg?v=1686042807"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/th1_64169f88-ff00-43aa-8b5b-29ee6f6bfb28.jpg?v=1686042807","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験音楽家Luciano MaggioreとLouie Riceが、2023年5月に同国実験レーベルAdhumanからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003eユーモアに富んだコンセプトによる実験音楽3曲を収録。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6面\u003c\/span\u003eデジパック仕様です。\u003c\/p\u003e\n\u003cp\u003eフルクサスリスナーにオススメします。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003e\"『Three Things』は、長年のコラボレーターであるLuciano MaggioreとLouie Riceが構想、演奏、録音したアルバムです。2人は、アーティストやオーガナイザーとして多方面にわたる活動を行い、長年にわたりイギリスの実験的オーディオ・アンダーグラウンドの形を静かに、しかし確実に伝えてきたことで知られています。NOPAONの名で、アルヴィン・ルシエ、ロバート・ボッツィ、ケン・フリードマン、エメット・ウィリアムズ、ウォルター・マーケッティ、そして彼ら自身の創作によるスコアを実現する一連のイベントとパフォーマンスを展開しました。2人が「報われないタスクベースのアクション」あるいは「部屋にいる2人が何かをする」と表現するこれらのアウトプットは、プロンプトのアクションとシナリオに基づく継続的なパフォーマンスの実践をもたらし、2人はそれを探求し続けています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMaggiorとRiceの作品に一貫して見られるのは、ユーモアを意図的に受け入れ、不条理の基礎となるパフォーマンスを認めていることです。この要素は「Three Things」全体を貫いており、「Hissing for White Shoes」（#6）では、ロンドン市内をドライブしている様子を録音したもので、彼らの車が無意識に参加者とすれ違うたびに大きなヒスノイズが発生し、彼らの履物が声の介入のきっかけとなります。EMSストックホルムのBuchlaシンセサイザーから得た音声を、2人のポケットに入れた携帯電話のスピーカーで再生・再録音し、そのパルスに同期して歩こうとする「Pocket Fascinator」（#7）でも同じユーモアセンスが際立っています。Phone Workは、プロジェクトの典型的なリアルタイム・アプローチ以外で実現した最初の作品で、WhatsAppを介して交換された音声録音のシーケンスであり、オリジナルの記憶がなくなるまでお互いの投稿を模倣します。この作品は、デュオがソロ・アーティストとしてエレクトロニック・ミュージックに長年取り組んできたことにちなんで、シンセサイザーにセットされています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMaggioreとRiceが手がけたすべての作品と同様、『Three Things』の狂気じみた大胆さは、基本的に歴史的なアバンギャルドに対する誠実な観察に支えられています。これらのレコーディングの中心には、フルクサス、古典音詩、フィールドレコーディング、電子音楽、運動ベースのパフォーマンス、現代作曲の中核的な方法論プロジェクトを想起させる概念的戦略が潜んでいます。このような文化圏で出現したトロフィーをさりげなく揶揄しながらも、その手法を裸のように愚かな結果に向かわせる彼らの意欲は、前衛的な技術を音作りに応用する現代的な探究心を強めています。この『Three Things』は、実験と美学的なストレステストに対する真のコミットメントを、挑戦的かつ愉快に主張するものであり、そのすべてを受け入れることができます。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3090612613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/adh\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/adh\"\u003ehere\u003c\/a\u003e to see more Adhuman releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack. \u003c\/p\u003e\n\u003cp\u003eAdhuman:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThree Things is a new full-length album of pieces conceived, performed and recorded by long-term collaborators Luciano Maggiore and Louie Rice. The pair are known for multi-pronged activities as artists and organisers which have quietly but surely informed the shape of the United Kingdom's experimental audio underground for many years. Under the guise of NOPAON, they developed a series of events and performances in which they realised scores by Alvin Lucier, Robert Bozzi, Ken Friedman, Emmet Williams, Walter Marchetti and of their own creation. These outputs, described by the duo as 'unrewarding task-based actions' or simply 'two people in a room, doing something’ have resulted in an ongoing performance practice based on prompts actions and scenarios which they continue to explore.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA persistent quality in Maggiore and Rice's work is a wilful embrace of humour and the acknowledgement of their performances as a basis for absurdity. This element runs throughout Three Things, starting with Hissing for White Shoes (#6), where an otherwise unremarkable recording of a drive around London is punctuated by loud hissing whenever their vehicle passes an unwitting participant in the street, their footwear acting as a prompt for the vocal intervention\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. The same sense of humour looms large in Pocket Fascinator (#7) where audio derived from EMS Stockholm's Buchla synth is played back and re-recorded via mobile phone speakers in the duo's pockets as they attempt to walk in sync with its pulses. Phone Work, the first piece realised outside of the project's typical real-time approach, is a sequence of voice recordings exchanged via WhatsApp where they mimic each other's contributions until all memory of the original has been lost. The results are set to synthesiser in a nod to the duo's long-standing interests in electronic music as solo artists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLike everything Maggiore and Rice turn their hands to, the maddening audacity of Three Things is fundamentally driven by sincere observations of the historic avant-garde. At the heart of these recordings lurk conceptual strategies recalling the core methodological projects of Fluxus, classical sound poetry, field recording, electronic music, movement-based performance and contemporary composition. Their willingness to direct such methods toward nakedly silly outcomes whilst poking subtle fun at the emergent tropes of these cultures reinforces an entirely serious inquiry into the modern-day application of avant-garde technique in sound creation. When accepted in full, Three Things is a challenging, amusing assertion of genuine commitment to experimentation and aesthetic stress-testing.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Luciano Maggiore \u0026amp; Louie Rice\u003c\/p\u003e\n\u003cp\u003eLabel : Adhuman\u003c\/p\u003e"}
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イギリスの実験音楽家Luciano MaggioreとLouie Riceが、2023年5月に同国実験レーベルAdhumanからリリースした共作CDです。 ユーモアに富んだコンセプトによる実験音楽3曲を収録。6面デジパック仕様です。 フルクサスリスナーにオススメします。 以下、レーベルによる解説です。 "『Three Things』は、長年のコラボレーターであるLuciano MaggioreとLouie Riceが構想、演奏、録音したアルバムです。2人は、アーティストやオーガナイザーとして多方面にわたる活動を行い、長年にわたりイギリスの実験的オーディオ・アンダーグラウンドの形を静かに、しかし確実に伝えてきたことで知られています。NOPAONの名で、アルヴィン・ルシエ、ロバート・ボッツィ、ケン・フリードマン、エメット・ウィリアムズ、ウォルター・マーケッティ、そして彼ら自身の創作によるスコアを実現する一連のイベントとパフォーマンスを展開しました。2人が「報われないタスクベースのアクション」あるいは「部屋にいる2人が何かをする」と表現するこれらのアウトプットは、プロンプトのアクションとシナリオに基づく継続的なパフォーマンスの実践をもたらし、2人はそれを探求し続けています。MaggiorとRiceの作品に一貫して見られるのは、ユーモアを意図的に受け入れ、不条理の基礎となるパフォーマンスを認めていることです。この要素は「Three Things」全体を貫いており、「Hissing for White Shoes」（#6）では、ロンドン市内をドライブしている様子を録音したもので、彼らの車が無意識に参加者とすれ違うたびに大きなヒスノイズが発生し、彼らの履物が声の介入のきっかけとなります。EMSストックホルムのBuchlaシンセサイザーから得た音声を、2人のポケットに入れた携帯電話のスピーカーで再生・再録音し、そのパルスに同期して歩こうとする「Pocket...
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{"id":7977791521018,"title":"Jason Doell \/\/ becoming in shadows ~ of being touched LP","handle":"jason-doell-becoming-in-shadows-of-being-touched-lp","description":"\u003cp\u003eカナダ・トロントの実験音楽家Jason Doellが、2023年4月にアメリカ・オハイオの実験／アンビエントレーベルWhited Sepulchre Recordsから300部限定でリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノとコンピューターによるエレクトロアコースティック〜ドローン3曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3756546338\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300. Includes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIt's hard to parse exactly what you're listening to when you immerse yourself in Jason Doell's new recording, Becoming In Shadows ~ Of Being Touched. The old adage about never judging a book by its cover may often hold true but somehow Xuan Ye's beautiful design speaks volumes about both the sonics and structure of this bewildering document by the Toronto-based composer and sound artist. Though the imagery is blatantly computer-generated, it's rife with references to vegetation, bones, water, and buildings. Similarly, one of the most beguiling aspects of Doell's music here is the friction that builds up between its organic surface and the elusive, unruly quality that permeates just about everything else. Piano is audibly the album's lone instrument, but even with that anchor of familiarity, one still finds themselves confronted with something disorienting, but utterly captivating—tangled layers, meandering forms, subtle idiosyncratic manipulations. Doell's performance brims with improvisatory warmth and bears the unmistakable physicality of a human interacting with an instrument however there's another far less comprehensible force at play—a mystifying undertow that pulls the ear toward murky sonic depths.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe process that birthed this album—his vinyl\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e debut—unquestionably plays a key role in establishing the feverish liminal space it inhabits. While in a winter residency at the Banff Centre, Doell began each day limbering up with some freeform playing at the piano that had been provided to him. The instrument offered the perfect tool for such open-ended forays —as a guitarist primarily, it liberated him from his internalized technical vocabulary, and yet as a seasoned composer he also had enough keyboard facility to get lost in his own spontaneous playing. From the outset, these daily sessions were recorded, just in case they yielded raw compositional material. Yet, as he captured more of these improvisations the motivation behind the exercise shifted from warm-up to explicitly accumulating piano recordings. This culminated in him digging out a dilapidated piano that had been buried in a snow bank expressly to record it.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt wasn't until he returned home that he discovered just what to do with all the raw footage he had collected. Doell had been developing an algorithmic compositional tool for himself that would generate music based on a user-defined catalogue of sounds and various parameters. Each of the three pieces found on Becoming In Shadows ~ Of Being Touched was spawned through exploring this very software. Yet in spite of them being produced through this process, Doell seems to have little interest in making this about the technology. Instead, he lets the distinctly alien character of computerized decision-making imprint itself upon the material to spellbinding effect.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album is due for release April 21, 2023 with noted American imprint Whited Sepulchre, home to music from Joy Guidry, Endlings (the duo of Pulitzer Prize-winner Raven Chacon and John Dieterich), Lake Mary, and claire rousay.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOver the past 15 years, Jason Doell has become an integral member of Canada's experimental and contemporary music community. Though he remains an active participant among strictly musical circles, his areas of interests distinguish him given their tendency toward the interdisciplinary, including site\/context-specific works, live coding, and signal chain manipulation. These preoccupations have yielded a number of major projects such as beneath a landscape, a 30-minute open-instrumentation work commissioned by Toronto's INTERsection festival and unveiled in a subway station, the sprawling online interactive work TURNONANDBENOTALONE presented by the Music Gallery, and the algorithmic piece to be talking about something that is unlikely to happen which debuted at MaerzMusik in Berlin. He is a member of the duo Invisible Out alongside multidisciplinary artist Xuan Ye (who provide this album's cover art) and the trio Nidus with writer\/ sound artist Marc Couroux and Matthew Ramolo (AKA Constellation Records' Khôra). Doell has also worked with several notable ensembles and performer such as Quatuor Bozzini, contaQt, Continuum, Thin Edge New Music Collective, junctQín, Yang Chen and Cheryl Duvall. In 2014 he was the winner of both Toronto Emerging Composer award in and NonClassical's International Composers’ Competition.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Jason Doell\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel :Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-23T15:49:36+09:00","created_at":"2023-05-22T14:41:14+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","Whited Sepulchre Records"],"price":378000,"price_min":378000,"price_max":378000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44247316300026,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jason Doell \/\/ becoming in shadows ~ of being touched LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_12b9c00c-419f-4c28-86f1-1607d4e1d207.jpg?v=1684734076","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_6894c67e-7354-4cbe-8b88-41e749e4b1fe.jpg?v=1684734076"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_12b9c00c-419f-4c28-86f1-1607d4e1d207.jpg?v=1684734076","options":["Title"],"media":[{"alt":null,"id":32002125824250,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_12b9c00c-419f-4c28-86f1-1607d4e1d207.jpg?v=1684734076"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_12b9c00c-419f-4c28-86f1-1607d4e1d207.jpg?v=1684734076","width":700},{"alt":null,"id":32002125857018,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_6894c67e-7354-4cbe-8b88-41e749e4b1fe.jpg?v=1684734076"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_6894c67e-7354-4cbe-8b88-41e749e4b1fe.jpg?v=1684734076","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・トロントの実験音楽家Jason Doellが、2023年4月にアメリカ・オハイオの実験／アンビエントレーベルWhited Sepulchre Recordsから300部限定でリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノとコンピューターによるエレクトロアコースティック〜ドローン3曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3756546338\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300. Includes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIt's hard to parse exactly what you're listening to when you immerse yourself in Jason Doell's new recording, Becoming In Shadows ~ Of Being Touched. The old adage about never judging a book by its cover may often hold true but somehow Xuan Ye's beautiful design speaks volumes about both the sonics and structure of this bewildering document by the Toronto-based composer and sound artist. Though the imagery is blatantly computer-generated, it's rife with references to vegetation, bones, water, and buildings. Similarly, one of the most beguiling aspects of Doell's music here is the friction that builds up between its organic surface and the elusive, unruly quality that permeates just about everything else. Piano is audibly the album's lone instrument, but even with that anchor of familiarity, one still finds themselves confronted with something disorienting, but utterly captivating—tangled layers, meandering forms, subtle idiosyncratic manipulations. Doell's performance brims with improvisatory warmth and bears the unmistakable physicality of a human interacting with an instrument however there's another far less comprehensible force at play—a mystifying undertow that pulls the ear toward murky sonic depths.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe process that birthed this album—his vinyl\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e debut—unquestionably plays a key role in establishing the feverish liminal space it inhabits. While in a winter residency at the Banff Centre, Doell began each day limbering up with some freeform playing at the piano that had been provided to him. The instrument offered the perfect tool for such open-ended forays —as a guitarist primarily, it liberated him from his internalized technical vocabulary, and yet as a seasoned composer he also had enough keyboard facility to get lost in his own spontaneous playing. From the outset, these daily sessions were recorded, just in case they yielded raw compositional material. Yet, as he captured more of these improvisations the motivation behind the exercise shifted from warm-up to explicitly accumulating piano recordings. This culminated in him digging out a dilapidated piano that had been buried in a snow bank expressly to record it.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt wasn't until he returned home that he discovered just what to do with all the raw footage he had collected. Doell had been developing an algorithmic compositional tool for himself that would generate music based on a user-defined catalogue of sounds and various parameters. Each of the three pieces found on Becoming In Shadows ~ Of Being Touched was spawned through exploring this very software. Yet in spite of them being produced through this process, Doell seems to have little interest in making this about the technology. Instead, he lets the distinctly alien character of computerized decision-making imprint itself upon the material to spellbinding effect.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album is due for release April 21, 2023 with noted American imprint Whited Sepulchre, home to music from Joy Guidry, Endlings (the duo of Pulitzer Prize-winner Raven Chacon and John Dieterich), Lake Mary, and claire rousay.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOver the past 15 years, Jason Doell has become an integral member of Canada's experimental and contemporary music community. Though he remains an active participant among strictly musical circles, his areas of interests distinguish him given their tendency toward the interdisciplinary, including site\/context-specific works, live coding, and signal chain manipulation. These preoccupations have yielded a number of major projects such as beneath a landscape, a 30-minute open-instrumentation work commissioned by Toronto's INTERsection festival and unveiled in a subway station, the sprawling online interactive work TURNONANDBENOTALONE presented by the Music Gallery, and the algorithmic piece to be talking about something that is unlikely to happen which debuted at MaerzMusik in Berlin. He is a member of the duo Invisible Out alongside multidisciplinary artist Xuan Ye (who provide this album's cover art) and the trio Nidus with writer\/ sound artist Marc Couroux and Matthew Ramolo (AKA Constellation Records' Khôra). Doell has also worked with several notable ensembles and performer such as Quatuor Bozzini, contaQt, Continuum, Thin Edge New Music Collective, junctQín, Yang Chen and Cheryl Duvall. In 2014 he was the winner of both Toronto Emerging Composer award in and NonClassical's International Composers’ Competition.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Jason Doell\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel :Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e"}
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カナダ・トロントの実験音楽家Jason Doellが、2023年4月にアメリカ・オハイオの実験／アンビエントレーベルWhited Sepulchre Recordsから300部限定でリリースしたデビューレコードです。 ピアノとコンピューターによるエレクトロアコースティック〜ドローン3曲を収録。DLコード付属。 Whited Sepulchre Recordsその他作品はこちら /// Click here to see more Whited Sepulchre Records releases...
¥3,780
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{"id":7974890242298,"title":"Anton Bruhin \/\/ Rotomotor \/ InOut LP","handle":"anton-bruhin-rotomotor-inout-lp","description":"\u003cp\u003e 1960年から活動しているスイスの実験音楽家／口琴奏者Anton Bruhinが、2022年にイタリアの実験レーベル\u003cspan\u003eAlga Marghenからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eミュージック・コンクレート〜サウンドポエトリー7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"「InOut」はチューニングホイッスル、マウスハープ、フルート、おもちゃ、パーティーのギャグ楽器、パーカッション、ベル、電気カミソリ、プロペラ付き模型船のエンジン、バードコールホイッスル、CH-フォン、フィードバックスピーカー・マイク、サイレン、ダブルショーム、倒れるスプーン、ジューズハープ（短い音が2つだけ）を使った名作です。\u003c\/em\u003e\u003cem\u003eこの録音は1981年5月17日から5月22日にかけてチューリッヒで行われたもので、内蔵マイクと外部マイクを備えたサンヨーM7300Lステレオラジオカセットレコーダーに収録されています。レコーダーは録音待機状態にあり、録音ボタンと一時停止ボタンの両方が押されています。そして、Bruhinはマイクに向かって歌を歌ったり、音を出したりします。その際、PAUSEボタンを押すと、PAUSEは解除されます。その後、ほんの一瞬の間に再びPAUSEボタンを押します。これで、最初の短い音が録音されたことになります。InOutでは、このようにして何千もの非常に短い音が、幾何学的な不規則性と多様なパターンを持つ音響キルトのようなパッチワークのように追加されました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「Rotomotor」は、「ein motorische Idiotikon」という副題が付けられた、Bruhinの代表作の一つで、28分の朗読作品です。1976年から1977年にかけてチューリッヒで書かれ、1978年8月にエティエンヌ・コノーのサンライズスタジオで録音されました。Rotomotorは、スイス・ドイツ方言の詩的なIdiotikonで、アルファベット順ではなく、文字の類似性によって単語が構成されています。（各単語は前の単語と1文字だけ異なる）この朗読には、0.6秒後に信号を繰り返す遅延装置が使用され、各単語は前の単語のエコーに重畳されます。このエコーは、一方では演奏のリズムを生み出し、他方では言葉の音響的変容をサポートします。ここでも、非常にシンプルなコンセプトが完璧に達成されています。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/9d8FsT2TXVI\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAlga Marghen:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"InOut, a masterpiece for tuning whistle, mouthharps, flutes, toy and party gag instruments, percussion, bells, electric razor, model ship engine with propeller, birdcall whistles, CH-Phon, feedback speaker-microphone, siren, double shawm, falling down spoon, jew’s harp (only two short notes), tearing scotch tape from the spool, ocarina, hair dryer and other noise makers plus occasionally radio tuner was recorded in Zurich between May 17th and May 22nd, 1981, on a Sanyo M7300L stereo radio cassette recorder with both integrated and external microphone. The recorder is in the recording standby position, both RECORD and PAUSE buttons are pushed. Then Bruhin sings or plays a tone into the microphone. During this tone he releases the PAUSE button by pushing it. Subsequently he presses the PAUSE button again within a fraction of a second. Now the first short note is recorded. In InOut thousands of very short notes were added this way, like a patchwork, like an acoustic quilt with geometric irregularities and varied patterns.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRotomotor, subtitled “ein motorische Idiotikon”, is a 28 minutes long reading representing one of Bruhin's major works. Written in Zurich between 1976 and 1977, then recorded in August 1978 at Etienne Conod’s Sunrise Studio. Rotomotoris a poetic Idiotikon of the swiss-german dialect where, instead of the straight alphabetical order, the words are organized according to the similarities of their letters (each word differ from the previous one by just one letter). For this reading a delay equipment which repeated the signal after 0.6 seconds was used and each word is superimposed to the echo of the preceding one. On one hand this echo generates the rhythm of the performance, on the other it supports the acoustic metamorphosis of the words. Again, a very simple concept perfectly accomplished.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Three Small Pieces 3:41\u003cbr\u003eA2 Ohne Titel 1:52\u003cbr\u003eA3 Bells 3:51\u003cbr\u003eA4 L'Art Informel 4:21\u003cbr\u003eA5 Nebelhorn 2:50\u003cbr\u003eA6 Ohne Titel 1:06\u003cbr\u003eB Rotomotor, Ein Motorisches Idiotikon 1978 28:22\u003c\/p\u003e\n\u003cp\u003eArtist : Anton Bruhin\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2023-05-14T14:44:46+09:00","created_at":"2023-05-12T14:59:48+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","contemporary \/ sound poetry","lp","monooto"],"price":389000,"price_min":389000,"price_max":389000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44230590693626,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Anton Bruhin \/\/ Rotomotor \/ InOut LP","public_title":null,"options":["Default Title"],"price":389000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_a034e257-e0d1-46a3-9335-0d624c36fb77.jpg?v=1683871189"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_a034e257-e0d1-46a3-9335-0d624c36fb77.jpg?v=1683871189","options":["Title"],"media":[{"alt":null,"id":31959410147578,"position":1,"preview_image":{"aspect_ratio":0.995,"height":599,"width":596,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_a034e257-e0d1-46a3-9335-0d624c36fb77.jpg?v=1683871189"},"aspect_ratio":0.995,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_a034e257-e0d1-46a3-9335-0d624c36fb77.jpg?v=1683871189","width":596}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e 1960年から活動しているスイスの実験音楽家／口琴奏者Anton Bruhinが、2022年にイタリアの実験レーベル\u003cspan\u003eAlga Marghenからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eミュージック・コンクレート〜サウンドポエトリー7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"「InOut」はチューニングホイッスル、マウスハープ、フルート、おもちゃ、パーティーのギャグ楽器、パーカッション、ベル、電気カミソリ、プロペラ付き模型船のエンジン、バードコールホイッスル、CH-フォン、フィードバックスピーカー・マイク、サイレン、ダブルショーム、倒れるスプーン、ジューズハープ（短い音が2つだけ）を使った名作です。\u003c\/em\u003e\u003cem\u003eこの録音は1981年5月17日から5月22日にかけてチューリッヒで行われたもので、内蔵マイクと外部マイクを備えたサンヨーM7300Lステレオラジオカセットレコーダーに収録されています。レコーダーは録音待機状態にあり、録音ボタンと一時停止ボタンの両方が押されています。そして、Bruhinはマイクに向かって歌を歌ったり、音を出したりします。その際、PAUSEボタンを押すと、PAUSEは解除されます。その後、ほんの一瞬の間に再びPAUSEボタンを押します。これで、最初の短い音が録音されたことになります。InOutでは、このようにして何千もの非常に短い音が、幾何学的な不規則性と多様なパターンを持つ音響キルトのようなパッチワークのように追加されました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「Rotomotor」は、「ein motorische Idiotikon」という副題が付けられた、Bruhinの代表作の一つで、28分の朗読作品です。1976年から1977年にかけてチューリッヒで書かれ、1978年8月にエティエンヌ・コノーのサンライズスタジオで録音されました。Rotomotorは、スイス・ドイツ方言の詩的なIdiotikonで、アルファベット順ではなく、文字の類似性によって単語が構成されています。（各単語は前の単語と1文字だけ異なる）この朗読には、0.6秒後に信号を繰り返す遅延装置が使用され、各単語は前の単語のエコーに重畳されます。このエコーは、一方では演奏のリズムを生み出し、他方では言葉の音響的変容をサポートします。ここでも、非常にシンプルなコンセプトが完璧に達成されています。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/9d8FsT2TXVI\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAlga Marghen:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"InOut, a masterpiece for tuning whistle, mouthharps, flutes, toy and party gag instruments, percussion, bells, electric razor, model ship engine with propeller, birdcall whistles, CH-Phon, feedback speaker-microphone, siren, double shawm, falling down spoon, jew’s harp (only two short notes), tearing scotch tape from the spool, ocarina, hair dryer and other noise makers plus occasionally radio tuner was recorded in Zurich between May 17th and May 22nd, 1981, on a Sanyo M7300L stereo radio cassette recorder with both integrated and external microphone. The recorder is in the recording standby position, both RECORD and PAUSE buttons are pushed. Then Bruhin sings or plays a tone into the microphone. During this tone he releases the PAUSE button by pushing it. Subsequently he presses the PAUSE button again within a fraction of a second. Now the first short note is recorded. In InOut thousands of very short notes were added this way, like a patchwork, like an acoustic quilt with geometric irregularities and varied patterns.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRotomotor, subtitled “ein motorische Idiotikon”, is a 28 minutes long reading representing one of Bruhin's major works. Written in Zurich between 1976 and 1977, then recorded in August 1978 at Etienne Conod’s Sunrise Studio. Rotomotoris a poetic Idiotikon of the swiss-german dialect where, instead of the straight alphabetical order, the words are organized according to the similarities of their letters (each word differ from the previous one by just one letter). For this reading a delay equipment which repeated the signal after 0.6 seconds was used and each word is superimposed to the echo of the preceding one. On one hand this echo generates the rhythm of the performance, on the other it supports the acoustic metamorphosis of the words. Again, a very simple concept perfectly accomplished.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Three Small Pieces 3:41\u003cbr\u003eA2 Ohne Titel 1:52\u003cbr\u003eA3 Bells 3:51\u003cbr\u003eA4 L'Art Informel 4:21\u003cbr\u003eA5 Nebelhorn 2:50\u003cbr\u003eA6 Ohne Titel 1:06\u003cbr\u003eB Rotomotor, Ein Motorisches Idiotikon 1978 28:22\u003c\/p\u003e\n\u003cp\u003eArtist : Anton Bruhin\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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1960年から活動しているスイスの実験音楽家／口琴奏者Anton Bruhinが、2022年にイタリアの実験レーベルAlga Marghenからリリースしたレコードです。 ミュージック・コンクレート〜サウンドポエトリー7曲を収録。 以下、レーベルによる解説です。 "「InOut」はチューニングホイッスル、マウスハープ、フルート、おもちゃ、パーティーのギャグ楽器、パーカッション、ベル、電気カミソリ、プロペラ付き模型船のエンジン、バードコールホイッスル、CH-フォン、フィードバックスピーカー・マイク、サイレン、ダブルショーム、倒れるスプーン、ジューズハープ（短い音が2つだけ）を使った名作です。この録音は1981年5月17日から5月22日にかけてチューリッヒで行われたもので、内蔵マイクと外部マイクを備えたサンヨーM7300Lステレオラジオカセットレコーダーに収録されています。レコーダーは録音待機状態にあり、録音ボタンと一時停止ボタンの両方が押されています。そして、Bruhinはマイクに向かって歌を歌ったり、音を出したりします。その際、PAUSEボタンを押すと、PAUSEは解除されます。その後、ほんの一瞬の間に再びPAUSEボタンを押します。これで、最初の短い音が録音されたことになります。InOutでは、このようにして何千もの非常に短い音が、幾何学的な不規則性と多様なパターンを持つ音響キルトのようなパッチワークのように追加されました。「Rotomotor」は、「ein motorische Idiotikon」という副題が付けられた、Bruhinの代表作の一つで、28分の朗読作品です。1976年から1977年にかけてチューリッヒで書かれ、1978年8月にエティエンヌ・コノーのサンライズスタジオで録音されました。Rotomotorは、スイス・ドイツ方言の詩的なIdiotikonで、アルファベット順ではなく、文字の類似性によって単語が構成されています。（各単語は前の単語と1文字だけ異なる）この朗読には、0.6秒後に信号を繰り返す遅延装置が使用され、各単語は前の単語のエコーに重畳されます。このエコーは、一方では演奏のリズムを生み出し、他方では言葉の音響的変容をサポートします。ここでも、非常にシンプルなコンセプトが完璧に達成されています。" レーベルその他作品はこちら /// Click here to see more Alga Marghen...
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{"id":7974889488634,"title":"David Chesworth \/\/ The Unattended Serge 1978 \/ Five Evolutionary Things 1979 LP","handle":"david-chesworth-the-unattended-serge-1978-five-evolutionary-things-1979-lp","description":"\u003cp\u003eオーストラリア・メルボルンの実験音楽家David Chesworthが、2014年にイタリアの実験レーベルPlanamからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1978-1979年に\u003cmeta charset=\"utf-8\"\u003eSergeシンセを用いて制作したミニマル電子音楽9曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1978年の「The Unattended Serge」と1979年の「Five Evolutionary Things」は、いずれも自立したパッチを中心としたSerge Synthesizerのための作品群です。セットアップされた後、パッチはそれ自体で進化するように放置されます。私は、パッチが小さな生物であり、それぞれが特定のピッチと電圧を供給していると考えています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e両作品とも、今はなきラトローブ大学の電子音楽スタジオで制作しました。「The Unattended Serge」は1978年、私の「50 Synthesizer Greats」シリーズの初回録音から数ヶ月後に作りました。「Five Evolutionary Things」は1979年10月に制作しました。どちらのシリーズも、同じSerge Synthesizerを使って作りました。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=7185591\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAll music by David Chesworth, \u003c\/span\u003e\u003cspan\u003erecorded 1978 \/ 1979, \u003c\/span\u003e\u003cspan\u003eElectronic Music Studio, \u003c\/span\u003e\u003cspan\u003eLa Trobe University, Melbourne, Australia.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDavid Chesworth, 2012:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“\u003cem\u003eThe Unattended Serge 1978 and Five Evolutionary Things 1979 both comprise a series of works for the Serge Synthesizer based around self-sustaining patches. After being set up, the patches are left to evolve by themselves. I think of them as little organisms, each feeding off their own particular pitches and voltages.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBoth works were made at the now long gone LaTrobe University Electronic Music Studio. The Unattended Serge was made in 1978, a few months after the initial recording of my 50 Synthesizer Greats series. Five Evolutionary Things was created in October 1979. Both series were made using tha same Serge Synthesizer. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe LaTrobe Music Department itself was closed down in 1999.”\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 The Unattended Serge 1978 - Part 1\u003cbr\u003eA2 The Unattended Serge 1978 - Part 2\u003cbr\u003eA3 The Unattended Serge 1978 - Part 3\u003cbr\u003eA4 The Unattended Serge 1978 - Part 4\u003cbr\u003eB1 Five Evolutionary Things 1979 - Part 1\u003cbr\u003eB2 Five Evolutionary Things 1979 - Part 2\u003cbr\u003eB3 Five Evolutionary Things 1979 - Part 3\u003cbr\u003eB4 Five Evolutionary Things 1979 - Part 4\u003cbr\u003eB5 Five Evolutionary Things 1979 - Part 5\u003c\/p\u003e\n\u003cp\u003eArtist : David Chesworth\u003c\/p\u003e\n\u003cp\u003eLabel : Planam\u003c\/p\u003e","published_at":"2023-05-13T19:09:12+09:00","created_at":"2023-05-12T14:44:17+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","jazz","lp","new"],"price":368000,"price_min":368000,"price_max":368000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44230579224826,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"David Chesworth \/\/ The Unattended Serge 1978 \/ Five Evolutionary Things 1979 LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/da1_2f1cf9bd-3712-4781-a5b2-87c87cd07c6d.jpg?v=1683870259","\/\/tobirarecords.com\/cdn\/shop\/files\/da2_cf7a804d-538f-4ce8-af00-613b2555d28f.jpg?v=1683870259","\/\/tobirarecords.com\/cdn\/shop\/files\/da3_f84aae78-5454-49e5-984e-81c9b027d9b1.jpg?v=1683870259"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/da1_2f1cf9bd-3712-4781-a5b2-87c87cd07c6d.jpg?v=1683870259","options":["Title"],"media":[{"alt":null,"id":31959325016314,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/da1_2f1cf9bd-3712-4781-a5b2-87c87cd07c6d.jpg?v=1683870259"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/da1_2f1cf9bd-3712-4781-a5b2-87c87cd07c6d.jpg?v=1683870259","width":600},{"alt":null,"id":31959325049082,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/da2_cf7a804d-538f-4ce8-af00-613b2555d28f.jpg?v=1683870259"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/da2_cf7a804d-538f-4ce8-af00-613b2555d28f.jpg?v=1683870259","width":600},{"alt":null,"id":31959325081850,"position":3,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/da3_f84aae78-5454-49e5-984e-81c9b027d9b1.jpg?v=1683870259"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/da3_f84aae78-5454-49e5-984e-81c9b027d9b1.jpg?v=1683870259","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの実験音楽家David Chesworthが、2014年にイタリアの実験レーベルPlanamからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1978-1979年に\u003cmeta charset=\"utf-8\"\u003eSergeシンセを用いて制作したミニマル電子音楽9曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1978年の「The Unattended Serge」と1979年の「Five Evolutionary Things」は、いずれも自立したパッチを中心としたSerge Synthesizerのための作品群です。セットアップされた後、パッチはそれ自体で進化するように放置されます。私は、パッチが小さな生物であり、それぞれが特定のピッチと電圧を供給していると考えています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e両作品とも、今はなきラトローブ大学の電子音楽スタジオで制作しました。「The Unattended Serge」は1978年、私の「50 Synthesizer Greats」シリーズの初回録音から数ヶ月後に作りました。「Five Evolutionary Things」は1979年10月に制作しました。どちらのシリーズも、同じSerge Synthesizerを使って作りました。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=7185591\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAll music by David Chesworth, \u003c\/span\u003e\u003cspan\u003erecorded 1978 \/ 1979, \u003c\/span\u003e\u003cspan\u003eElectronic Music Studio, \u003c\/span\u003e\u003cspan\u003eLa Trobe University, Melbourne, Australia.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDavid Chesworth, 2012:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“\u003cem\u003eThe Unattended Serge 1978 and Five Evolutionary Things 1979 both comprise a series of works for the Serge Synthesizer based around self-sustaining patches. After being set up, the patches are left to evolve by themselves. I think of them as little organisms, each feeding off their own particular pitches and voltages.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBoth works were made at the now long gone LaTrobe University Electronic Music Studio. The Unattended Serge was made in 1978, a few months after the initial recording of my 50 Synthesizer Greats series. Five Evolutionary Things was created in October 1979. Both series were made using tha same Serge Synthesizer. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe LaTrobe Music Department itself was closed down in 1999.”\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 The Unattended Serge 1978 - Part 1\u003cbr\u003eA2 The Unattended Serge 1978 - Part 2\u003cbr\u003eA3 The Unattended Serge 1978 - Part 3\u003cbr\u003eA4 The Unattended Serge 1978 - Part 4\u003cbr\u003eB1 Five Evolutionary Things 1979 - Part 1\u003cbr\u003eB2 Five Evolutionary Things 1979 - Part 2\u003cbr\u003eB3 Five Evolutionary Things 1979 - Part 3\u003cbr\u003eB4 Five Evolutionary Things 1979 - Part 4\u003cbr\u003eB5 Five Evolutionary Things 1979 - Part 5\u003c\/p\u003e\n\u003cp\u003eArtist : David Chesworth\u003c\/p\u003e\n\u003cp\u003eLabel : Planam\u003c\/p\u003e"}
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オーストラリア・メルボルンの実験音楽家David Chesworthが、2014年にイタリアの実験レーベルPlanamからリリースしたレコードです。 1978-1979年にSergeシンセを用いて制作したミニマル電子音楽9曲を収録。 以下、作家本人による解説です。 "1978年の「The Unattended Serge」と1979年の「Five Evolutionary Things」は、いずれも自立したパッチを中心としたSerge Synthesizerのための作品群です。セットアップされた後、パッチはそれ自体で進化するように放置されます。私は、パッチが小さな生物であり、それぞれが特定のピッチと電圧を供給していると考えています。両作品とも、今はなきラトローブ大学の電子音楽スタジオで制作しました。「The Unattended Serge」は1978年、私の「50 Synthesizer Greats」シリーズの初回録音から数ヶ月後に作りました。「Five...
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{"id":7974889160954,"title":"Gavin Bryars, Massimo Bartolini \/\/ In Là LP","handle":"gavin-bryars-massimo-bartolini-in-la-lp","description":"\u003cp\u003eイギリスの実験音楽家／作曲家Gavin Bryarsとイタリアの美術家Massimo Bartoliniが、2023年4月にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlga Marghenからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイタリア・プラトの現代美術センターで行ったインスタレーション用に制作したミニマル・ドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"「In Là」は、Gavin Bryarsととイタリアのビジュアルアーティスト\u003cmeta charset=\"utf-8\"\u003eMassimo Bartoliniのコラボレーションによる成果です。イタリア・プラトのルイジ・ペッチ現代美術センターで大規模なインスタレーションとして上演された（オープニングは2022年秋、展覧会は2023年5月まで開催）\u003cmeta charset=\"utf-8\"\u003eBartoliniは、回顧展の中心作品として、足場をパイプオルガンバーに変え、美術館の7つの部屋にわたって天井から吊るしました。アルガ・マーゲンのLP盤の2面を構成するのは、\u003cmeta charset=\"utf-8\"\u003eBryarsが作曲した、この特異なオルガンが奏でる音楽です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eBryarsの \"In là \"の音楽は、\"The Sinking of The Titanic\" や \"Jesus' Blood Never Failed Me Yet\" といった代表作を作曲する以前の、1970年代前半の彼の実験的で概念的な領域に直接言及しています。「In Là」では、美術館の各部屋に物理的に音が広がり、空間の連続性に配慮して配置されながら、同時にリスナーがその全体像を完全に体験することができない、インスタレーションの広大な空間での作曲作業を紹介しています。そのため、作品のLPレコードは、ライブでリアルタイムに行われる聴覚的な冒険を補完し、作品の豊かな音色や詩的な構造について、他の方法では得られない現象や知覚を明らかにすることができるのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eBryarsの音楽的背景はよく知られていますが（1960年代前半に即興演奏家のデレク・ベイリーやトニー・オックスレーと活動したジャズベーシストとしてスタートし、その後作曲家のジョン・ケージやコーネリアス・カルデューと活動、ポーツマスシンフォニアの設立、ブライアン・イーノとのコラボレーションによるオブスクアレコードシリーズ）、Bartoliniの音に対する詩的つながりはあまり知られていません。建築物や家庭用品を改造して音を出すという初期の実践は、やがてBartoliniを足場のチューブをオルガンのパイプに改造したインスタレーションに導きました。2008年以降、さまざまな形態で、さまざまな建築的背景との関連で構想されたこれらの作品は、最も視覚的な楽器であるバロック・オルガンや、建設現場での足場の使用と明らかに関連しています。これらの参照から、楽器であり建築であり、高度なエンジニアリングの作品であり、神に登るための「はしご」であるという性質を持っています。バロックのオルガンが音楽の不可視性を可視化するのであれば、\u003cmeta charset=\"utf-8\"\u003eBartoliniの足場は機械を増幅し、その呼吸を拡張し、音楽に変えてしまいます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eプラトの現代美術センター、ルイジ・ペッチでの個展のために制作されたオルガンは、これらのシリーズの中で最大のものであり、作家が構想したインスタレーションの中でも最大のものです。\u003cmeta charset=\"utf-8\"\u003eBartoliniは、美術館の天井を貫く構造体から吊り下げられ、床からわずか数センチの高さに吊り下げられた足場チューブの連続する75メートルの壁を作り、展示スペースの10室のうち7室を貫通させます。この複雑な構造のために、\u003cmeta charset=\"utf-8\"\u003eBryarsは特定のポリフォニック・スコアを作曲するよう依頼されました。各部屋にユニークなメロディーを割り当て、豊かなレイヤーのサウンドスケープを作り出し、空間を移動する鑑賞者と共に常に変化していきます。曲の支配的な調性（ラ）を意味するタイトルが示すように、スコアは常に「彼方」、手の届かないところにあり、一人のリスナーがその全体を体験することはなく、実際にはオルガンの形そのものなのです。\"\u003c\/em\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.deepl.com\/translator?utm_source=macos\u0026amp;utm_medium=app\u0026amp;utm_campaign=macos-share\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1512453754\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 400. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAlga Marghen:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e*In Là“ is the outcome of the collaboration between Gavin Bryars and the Italian visual artist Massimo Bartolini. Staged as a large-scale installation at the Luigi Pecci Centre for Contemporary Art in Prato, Italy, (the opening was in autumn of 2022 and the exhibition is still running until May this year), Bartolini transformed scaffolding into pipe organ bars, suspended from the ceiling across seven rooms of the museum as the central piece for his retrospective exhibition. It is the music played by these singular organs, composed by Bryars, that makes up the two sides of Alga Marghen’s LP edition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music of “In là” by Gavin Bryars directly refers to his experimental and conceptual territory of the early 1970s, prior to the composition of seminal works like “The Sinking of The Titanic” and “Jesus' Blood Never Failed Me Yet”. “In Là” presents the composer working across the vast space of the installation, with sounds physically spread in each of the museum's rooms and placed in careful consideration of the space continuity, while at the same time never fulling being experienced in its totality by the listener. This allows the LP documentation of the work to become a singular complement to the live, real-time aural adveture, unveiling phenomena and perceptions of the work’s rich tones and poetic structures that would otherwise be unavailable.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile Gavin Bryars background in music is well documented (started as a jazz bassist working in the early 1960s with improvisors Derek Bailey and Tony Oxley, later worked with composers John Cage and Cornelius Cardew, founded the Portsmouth Sinfonia and collaborated with Brian Eno to the Obscure Records series), the connections of Massimo Bartolini’s poetic to sound as less known. The early practice of modifying architectural or domestic devices into sound producers, eventually led Massimo Bartolini to create installations made of scaffolding tubes which are modified into the pipes of an organ. Conceived in different forms and in relation to different architectural contexts since 2008, these works clearly relate to Baroque organs, the most visual of musical instruments, and to the use of scaffolding in construction sites. From these references they adopt the quality of being part instrument part architecture, a work of sophisticated engineering, a “ladder” for climbing up to God. If Baroque organs render visible the intangibility of music, though, Bartolini’s scaffolding amplifies a machine, extends its breath, turning it into music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe organ conceived for the solo survey at Centro per l’arte contemporanea Luigi Pecci in Prato is the largest incarnation of these series and altogether the largest installation ever conceived by the artist. Hung from a structure that runs along the museum ceiling and suspended just centimeters above the floor, Bartolini built a continuous 75-meters-long wall of scaffolding tubes which winds through seven of the ten rooms of the exhibition space. For this structure of complex engineering Gavin Bryars was invited to compose a specific polyphonic score. Assigning each room a unique melody, the composition creates a richly layered soundscape that is constantly shifting with the viewer as they move through the space. As the title suggests—alluding to the dominant tonality (La) of the piece—the score is always “beyond,” out of reach, never experienced in its entirety by a single listener as, in fact, the shape of the organ itself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEdition of 400 numbered copies, including an insert with liner notes and photo documentation of the installation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003cbr\u003e\u003c\/strong\u003e1 In Là \u003cem\u003e17:26\u003c\/em\u003e\u003cbr\u003e2 In Là \u003cem\u003e15:48\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gavin Bryars\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2023-05-12T15:08:18+09:00","created_at":"2023-05-12T14:37:30+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","contemporary \/ sound poetry","drone","lp","new","recommended"],"price":388000,"price_min":388000,"price_max":388000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44230572212474,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gavin Bryars, Massimo Bartolini \/\/ In Là LP","public_title":null,"options":["Default Title"],"price":388000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ga1_45af5185-aff4-453a-aae7-26c94a1cc336.jpg?v=1683869852","\/\/tobirarecords.com\/cdn\/shop\/files\/ga3_64629b28-091d-46d1-b4f0-0ac56c233a48.jpg?v=1683869853","\/\/tobirarecords.com\/cdn\/shop\/files\/ga4_0efffb6f-ac90-4ca6-82e1-e087694895b3.jpg?v=1683869852","\/\/tobirarecords.com\/cdn\/shop\/files\/ga5_9c3a530d-e00c-4efd-a881-c860be3c5c23.jpg?v=1683869852"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga1_45af5185-aff4-453a-aae7-26c94a1cc336.jpg?v=1683869852","options":["Title"],"media":[{"alt":null,"id":31959291625722,"position":1,"preview_image":{"aspect_ratio":0.99,"height":600,"width":594,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga1_45af5185-aff4-453a-aae7-26c94a1cc336.jpg?v=1683869852"},"aspect_ratio":0.99,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga1_45af5185-aff4-453a-aae7-26c94a1cc336.jpg?v=1683869852","width":594},{"alt":null,"id":31959291658490,"position":2,"preview_image":{"aspect_ratio":0.972,"height":600,"width":583,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga3_64629b28-091d-46d1-b4f0-0ac56c233a48.jpg?v=1683869853"},"aspect_ratio":0.972,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga3_64629b28-091d-46d1-b4f0-0ac56c233a48.jpg?v=1683869853","width":583},{"alt":null,"id":31959291691258,"position":3,"preview_image":{"aspect_ratio":0.987,"height":600,"width":592,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga4_0efffb6f-ac90-4ca6-82e1-e087694895b3.jpg?v=1683869852"},"aspect_ratio":0.987,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga4_0efffb6f-ac90-4ca6-82e1-e087694895b3.jpg?v=1683869852","width":592},{"alt":null,"id":31959291724026,"position":4,"preview_image":{"aspect_ratio":0.993,"height":600,"width":596,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga5_9c3a530d-e00c-4efd-a881-c860be3c5c23.jpg?v=1683869852"},"aspect_ratio":0.993,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga5_9c3a530d-e00c-4efd-a881-c860be3c5c23.jpg?v=1683869852","width":596}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験音楽家／作曲家Gavin Bryarsとイタリアの美術家Massimo Bartoliniが、2023年4月にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlga Marghenからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイタリア・プラトの現代美術センターで行ったインスタレーション用に制作したミニマル・ドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"「In Là」は、Gavin Bryarsととイタリアのビジュアルアーティスト\u003cmeta charset=\"utf-8\"\u003eMassimo Bartoliniのコラボレーションによる成果です。イタリア・プラトのルイジ・ペッチ現代美術センターで大規模なインスタレーションとして上演された（オープニングは2022年秋、展覧会は2023年5月まで開催）\u003cmeta charset=\"utf-8\"\u003eBartoliniは、回顧展の中心作品として、足場をパイプオルガンバーに変え、美術館の7つの部屋にわたって天井から吊るしました。アルガ・マーゲンのLP盤の2面を構成するのは、\u003cmeta charset=\"utf-8\"\u003eBryarsが作曲した、この特異なオルガンが奏でる音楽です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eBryarsの \"In là \"の音楽は、\"The Sinking of The Titanic\" や \"Jesus' Blood Never Failed Me Yet\" といった代表作を作曲する以前の、1970年代前半の彼の実験的で概念的な領域に直接言及しています。「In Là」では、美術館の各部屋に物理的に音が広がり、空間の連続性に配慮して配置されながら、同時にリスナーがその全体像を完全に体験することができない、インスタレーションの広大な空間での作曲作業を紹介しています。そのため、作品のLPレコードは、ライブでリアルタイムに行われる聴覚的な冒険を補完し、作品の豊かな音色や詩的な構造について、他の方法では得られない現象や知覚を明らかにすることができるのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eBryarsの音楽的背景はよく知られていますが（1960年代前半に即興演奏家のデレク・ベイリーやトニー・オックスレーと活動したジャズベーシストとしてスタートし、その後作曲家のジョン・ケージやコーネリアス・カルデューと活動、ポーツマスシンフォニアの設立、ブライアン・イーノとのコラボレーションによるオブスクアレコードシリーズ）、Bartoliniの音に対する詩的つながりはあまり知られていません。建築物や家庭用品を改造して音を出すという初期の実践は、やがてBartoliniを足場のチューブをオルガンのパイプに改造したインスタレーションに導きました。2008年以降、さまざまな形態で、さまざまな建築的背景との関連で構想されたこれらの作品は、最も視覚的な楽器であるバロック・オルガンや、建設現場での足場の使用と明らかに関連しています。これらの参照から、楽器であり建築であり、高度なエンジニアリングの作品であり、神に登るための「はしご」であるという性質を持っています。バロックのオルガンが音楽の不可視性を可視化するのであれば、\u003cmeta charset=\"utf-8\"\u003eBartoliniの足場は機械を増幅し、その呼吸を拡張し、音楽に変えてしまいます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eプラトの現代美術センター、ルイジ・ペッチでの個展のために制作されたオルガンは、これらのシリーズの中で最大のものであり、作家が構想したインスタレーションの中でも最大のものです。\u003cmeta charset=\"utf-8\"\u003eBartoliniは、美術館の天井を貫く構造体から吊り下げられ、床からわずか数センチの高さに吊り下げられた足場チューブの連続する75メートルの壁を作り、展示スペースの10室のうち7室を貫通させます。この複雑な構造のために、\u003cmeta charset=\"utf-8\"\u003eBryarsは特定のポリフォニック・スコアを作曲するよう依頼されました。各部屋にユニークなメロディーを割り当て、豊かなレイヤーのサウンドスケープを作り出し、空間を移動する鑑賞者と共に常に変化していきます。曲の支配的な調性（ラ）を意味するタイトルが示すように、スコアは常に「彼方」、手の届かないところにあり、一人のリスナーがその全体を体験することはなく、実際にはオルガンの形そのものなのです。\"\u003c\/em\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.deepl.com\/translator?utm_source=macos\u0026amp;utm_medium=app\u0026amp;utm_campaign=macos-share\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1512453754\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 400. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAlga Marghen:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e*In Là“ is the outcome of the collaboration between Gavin Bryars and the Italian visual artist Massimo Bartolini. Staged as a large-scale installation at the Luigi Pecci Centre for Contemporary Art in Prato, Italy, (the opening was in autumn of 2022 and the exhibition is still running until May this year), Bartolini transformed scaffolding into pipe organ bars, suspended from the ceiling across seven rooms of the museum as the central piece for his retrospective exhibition. It is the music played by these singular organs, composed by Bryars, that makes up the two sides of Alga Marghen’s LP edition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music of “In là” by Gavin Bryars directly refers to his experimental and conceptual territory of the early 1970s, prior to the composition of seminal works like “The Sinking of The Titanic” and “Jesus' Blood Never Failed Me Yet”. “In Là” presents the composer working across the vast space of the installation, with sounds physically spread in each of the museum's rooms and placed in careful consideration of the space continuity, while at the same time never fulling being experienced in its totality by the listener. This allows the LP documentation of the work to become a singular complement to the live, real-time aural adveture, unveiling phenomena and perceptions of the work’s rich tones and poetic structures that would otherwise be unavailable.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile Gavin Bryars background in music is well documented (started as a jazz bassist working in the early 1960s with improvisors Derek Bailey and Tony Oxley, later worked with composers John Cage and Cornelius Cardew, founded the Portsmouth Sinfonia and collaborated with Brian Eno to the Obscure Records series), the connections of Massimo Bartolini’s poetic to sound as less known. The early practice of modifying architectural or domestic devices into sound producers, eventually led Massimo Bartolini to create installations made of scaffolding tubes which are modified into the pipes of an organ. Conceived in different forms and in relation to different architectural contexts since 2008, these works clearly relate to Baroque organs, the most visual of musical instruments, and to the use of scaffolding in construction sites. From these references they adopt the quality of being part instrument part architecture, a work of sophisticated engineering, a “ladder” for climbing up to God. If Baroque organs render visible the intangibility of music, though, Bartolini’s scaffolding amplifies a machine, extends its breath, turning it into music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe organ conceived for the solo survey at Centro per l’arte contemporanea Luigi Pecci in Prato is the largest incarnation of these series and altogether the largest installation ever conceived by the artist. Hung from a structure that runs along the museum ceiling and suspended just centimeters above the floor, Bartolini built a continuous 75-meters-long wall of scaffolding tubes which winds through seven of the ten rooms of the exhibition space. For this structure of complex engineering Gavin Bryars was invited to compose a specific polyphonic score. Assigning each room a unique melody, the composition creates a richly layered soundscape that is constantly shifting with the viewer as they move through the space. As the title suggests—alluding to the dominant tonality (La) of the piece—the score is always “beyond,” out of reach, never experienced in its entirety by a single listener as, in fact, the shape of the organ itself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEdition of 400 numbered copies, including an insert with liner notes and photo documentation of the installation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003cbr\u003e\u003c\/strong\u003e1 In Là \u003cem\u003e17:26\u003c\/em\u003e\u003cbr\u003e2 In Là \u003cem\u003e15:48\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gavin Bryars\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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イギリスの実験音楽家／作曲家Gavin Bryarsとイタリアの美術家Massimo Bartoliniが、2023年4月にイタリアの実験レーベルAlga Marghenからリリースした共作レコードです。 イタリア・プラトの現代美術センターで行ったインスタレーション用に制作したミニマル・ドローン2曲を収録。 以下、レーベルによる解説です。 "「In Là」は、Gavin BryarsととイタリアのビジュアルアーティストMassimo Bartoliniのコラボレーションによる成果です。イタリア・プラトのルイジ・ペッチ現代美術センターで大規模なインスタレーションとして上演された（オープニングは2022年秋、展覧会は2023年5月まで開催）Bartoliniは、回顧展の中心作品として、足場をパイプオルガンバーに変え、美術館の7つの部屋にわたって天井から吊るしました。アルガ・マーゲンのLP盤の2面を構成するのは、Bryarsが作曲した、この特異なオルガンが奏でる音楽です。Bryarsの "In là "の音楽は、"The Sinking...
¥3,880
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{"id":7966682087674,"title":"Pauline Oliveros and Apartment House \/\/ Sound Pieces CD","handle":"pauline-oliveros-and-apartment-house-sound-pieces-tape","description":"\u003cp\u003eアメリカの実験音楽家Pauline Oliverosが、2023年4月にイギリスのコンテンポラリー・クラシックレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother TimbreからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif;\"\u003eOliverosの自由な楽器のためのテキストスコアを、A\u003cspan data-mce-fragment=\"1\"\u003epartment Houseが演奏した13曲を収録。\u003c\/span\u003e\u003c\/span\u003eゲートフォルドデジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=535021890\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in hard cover. \u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eApartment House realise seven works by the pioneering US experimental composer. The first six pieces are text scores for open instrumentation, while 'Peace\/Tree' is a seven movement work for violin, cello and piano that specifies pitches, while still leaving a lot of freedom of interpretation.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pauline Oliveros and Apartment House\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e","published_at":"2023-05-02T10:53:28+09:00","created_at":"2023-04-30T10:32:29+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","new"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44201782083834,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Pauline Oliveros and Apartment House \/\/ Sound Pieces CD","public_title":null,"options":["Default Title"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pi1_1ed6de6b-77d6-4107-9d71-c78d8e4b69ac.jpg?v=1682818351","\/\/tobirarecords.com\/cdn\/shop\/files\/po2_cec49d25-b6c1-4e10-8345-4307e6416ec2.jpg?v=1682818351"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi1_1ed6de6b-77d6-4107-9d71-c78d8e4b69ac.jpg?v=1682818351","options":["Title"],"media":[{"alt":null,"id":31899340538106,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi1_1ed6de6b-77d6-4107-9d71-c78d8e4b69ac.jpg?v=1682818351"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi1_1ed6de6b-77d6-4107-9d71-c78d8e4b69ac.jpg?v=1682818351","width":700},{"alt":null,"id":31899340570874,"position":2,"preview_image":{"aspect_ratio":1.067,"height":1125,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po2_cec49d25-b6c1-4e10-8345-4307e6416ec2.jpg?v=1682818351"},"aspect_ratio":1.067,"height":1125,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po2_cec49d25-b6c1-4e10-8345-4307e6416ec2.jpg?v=1682818351","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験音楽家Pauline Oliverosが、2023年4月にイギリスのコンテンポラリー・クラシックレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother TimbreからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif;\"\u003eOliverosの自由な楽器のためのテキストスコアを、A\u003cspan data-mce-fragment=\"1\"\u003epartment Houseが演奏した13曲を収録。\u003c\/span\u003e\u003c\/span\u003eゲートフォルドデジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=535021890\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in hard cover. \u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eApartment House realise seven works by the pioneering US experimental composer. The first six pieces are text scores for open instrumentation, while 'Peace\/Tree' is a seven movement work for violin, cello and piano that specifies pitches, while still leaving a lot of freedom of interpretation.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pauline Oliveros and Apartment House\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e"}
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アメリカの実験音楽家Pauline Oliverosが、2023年4月にイギリスのコンテンポラリー・クラシックレーベルAnother TimbreからリリースしたCDです。 Oliverosの自由な楽器のためのテキストスコアを、Apartment Houseが演奏した13曲を収録。ゲートフォルドデジスリーブ、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Another Timbre releases available at...
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{"id":7964284911866,"title":"Jacques Bekaert \/\/ Jacques Bekaert LP","handle":"jacques-bekaert-jacques-bekaert-lp","description":"\u003cp\u003e 実験音楽家Jacques Bekaertが、1981年に自主リリースした作品の再発盤です。\u003c\/p\u003e\n\u003cp\u003eコンクレート3曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4050465162\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more La Scie Doree \/ Metaphon releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBlack 12\" vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Metaphon:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e‘\u003cem\u003eA Late Lunch’ is the soundtrack to Akiko Iimura’s eponymous movie realized in 1978. It is based on acoustic instruments and field recordings, brilliantly reconfigured and mixed by Bekaert to create a surreal, immersive soundscape. The technique used includes superposition and speed change of recordings, radical sound effects and juxtapositions of sounds. The players were prominent musicians of the 1970’s, including Maggi Payne, George Lewis, David Rosenboom and Blue Gene Tyranny.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘A Summer Day at Stony Point’ was composed in 1969, with participation of David Behrman, Shigeko Kubota and Charlotte Warren. The piece was commissioned by English composer Hugh Davies who presented it at the Harrogate festival the same year. Stony Point is a small village in New York State where John Cage co-owned a small pseudo-commune art resort where like-minded artists gathered. ‘A Summer Day at Stony Point’ is nothing more than a page of a journal, a fragment of a notebook that utilizes a series of sound sources recorded at Stony Point on one beautiful day in the summer of 1968. Other electronic sound sources were\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e recorded at the Brandeis University where Alvin Lucier was professor. The final realization of the piece was done at Henri Pousseur’s APELAC Studio in Brussels, 1969.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe soundtrack for Akiko Iimura’s ‘Mon Petit Album’ was composed on the basis of a simple description of the technique of the film and its time span. It includes David Behrman on alto, from an outdoor recording at Stony Point, plus excerpts from a Transition concert in London, the band Bekaert formed in 1971 with Michel Herr, Takehisa Kosugi and Ryo Koike, both members of the Taj Mahal Travelers. The atmosphere is quiet and pastoral throughout with a very dreamlike flavour.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJacques Bekaert (1940-2020) was a man of many gifts: author, journalist, composer, photographer, visual artist, wine connoisseur, radio talk show host, diplomat and expert in Southeast Asian affairs. His whole life Bekaert has been actively involved in music but not much of his work got recorded or published. In the early 60’s Bekaert studied with Pousseur and through his frequent visits to the US he became friends with artists like John Cage, David Tudor, Charlotte Moorman and most of all David Behrman with whom he had a close friendship ever since. Bekaert helped organize the first European tour of The Sonic Arts Union (David Behrman, Robert Ashley, Gordon Mumma, Alvin Lucier) and in the early 70’s he formed the group Transition (with Belgian jazz pianist Michel Herr, Takehisa Kosugi and Ryo Koike, both members of the Taj Mahal Travelers). His meeting with Japanese experimental film-maker Akiko Iimura resulted in two film soundtracks featured on this one of a kind discreet avant garde album.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen asked in a 1979 interview about his double life as a musician and a journalist, Bekaert replied, “I suppose they’re both unsafe, unstable, questioning jobs—composing and reporting. Journalism takes me to places, shows me the world as it is. My music is my wish for the kind of world I’d want to live in. The little peaceful state I dream for everyone, where you can be yourself, and happy, and as collective as possible without giving up total privacy.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOriginally released in 1981 on the Belgian Igloo label this reissue comes with the same sleeve as originally designed by Alain Géronnez.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Jacques Bekaert\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Metaphon\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-01T14:44:40+09:00","created_at":"2023-04-26T10:25:07+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","metaphon","monooto"],"price":394000,"price_min":394000,"price_max":394000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44193393639674,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jacques Bekaert \/\/ Jacques Bekaert LP","public_title":null,"options":["Default Title"],"price":394000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ja1.jpg?v=1682472309"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ja1.jpg?v=1682472309","options":["Title"],"media":[{"alt":null,"id":31880764555514,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ja1.jpg?v=1682472309"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ja1.jpg?v=1682472309","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e 実験音楽家Jacques Bekaertが、1981年に自主リリースした作品の再発盤です。\u003c\/p\u003e\n\u003cp\u003eコンクレート3曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4050465162\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more La Scie Doree \/ Metaphon releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBlack 12\" vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Metaphon:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e‘\u003cem\u003eA Late Lunch’ is the soundtrack to Akiko Iimura’s eponymous movie realized in 1978. It is based on acoustic instruments and field recordings, brilliantly reconfigured and mixed by Bekaert to create a surreal, immersive soundscape. The technique used includes superposition and speed change of recordings, radical sound effects and juxtapositions of sounds. The players were prominent musicians of the 1970’s, including Maggi Payne, George Lewis, David Rosenboom and Blue Gene Tyranny.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘A Summer Day at Stony Point’ was composed in 1969, with participation of David Behrman, Shigeko Kubota and Charlotte Warren. The piece was commissioned by English composer Hugh Davies who presented it at the Harrogate festival the same year. Stony Point is a small village in New York State where John Cage co-owned a small pseudo-commune art resort where like-minded artists gathered. ‘A Summer Day at Stony Point’ is nothing more than a page of a journal, a fragment of a notebook that utilizes a series of sound sources recorded at Stony Point on one beautiful day in the summer of 1968. Other electronic sound sources were\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e recorded at the Brandeis University where Alvin Lucier was professor. The final realization of the piece was done at Henri Pousseur’s APELAC Studio in Brussels, 1969.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe soundtrack for Akiko Iimura’s ‘Mon Petit Album’ was composed on the basis of a simple description of the technique of the film and its time span. It includes David Behrman on alto, from an outdoor recording at Stony Point, plus excerpts from a Transition concert in London, the band Bekaert formed in 1971 with Michel Herr, Takehisa Kosugi and Ryo Koike, both members of the Taj Mahal Travelers. The atmosphere is quiet and pastoral throughout with a very dreamlike flavour.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJacques Bekaert (1940-2020) was a man of many gifts: author, journalist, composer, photographer, visual artist, wine connoisseur, radio talk show host, diplomat and expert in Southeast Asian affairs. His whole life Bekaert has been actively involved in music but not much of his work got recorded or published. In the early 60’s Bekaert studied with Pousseur and through his frequent visits to the US he became friends with artists like John Cage, David Tudor, Charlotte Moorman and most of all David Behrman with whom he had a close friendship ever since. Bekaert helped organize the first European tour of The Sonic Arts Union (David Behrman, Robert Ashley, Gordon Mumma, Alvin Lucier) and in the early 70’s he formed the group Transition (with Belgian jazz pianist Michel Herr, Takehisa Kosugi and Ryo Koike, both members of the Taj Mahal Travelers). His meeting with Japanese experimental film-maker Akiko Iimura resulted in two film soundtracks featured on this one of a kind discreet avant garde album.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen asked in a 1979 interview about his double life as a musician and a journalist, Bekaert replied, “I suppose they’re both unsafe, unstable, questioning jobs—composing and reporting. Journalism takes me to places, shows me the world as it is. My music is my wish for the kind of world I’d want to live in. The little peaceful state I dream for everyone, where you can be yourself, and happy, and as collective as possible without giving up total privacy.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOriginally released in 1981 on the Belgian Igloo label this reissue comes with the same sleeve as originally designed by Alain Géronnez.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Jacques Bekaert\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Metaphon\u003c\/span\u003e\u003c\/p\u003e"}
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実験音楽家Jacques Bekaertが、1981年に自主リリースした作品の再発盤です。 コンクレート3曲を収録。 レーベルその他作品はこちら /// Click here to see more La Scie Doree / Metaphon releases available...
¥3,940
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{"id":7960220401914,"title":"Charlie Morrow \/ Sten Hanson \/ Carles Santos \/\/ The Heavyweight Sound Fight! 2xLP","handle":"charlie-morrow-sten-hanson-carles-santos-the-heavyweight-sound-fight-2x12","description":"\u003cp\u003eアメリカのCharlie MorrowとスウェーデンのSten Hanson、そしてスペインのCarles Santos3名が、2023年3月にスウェーデンの実験レーベルiDEALからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e1981年に録音した未発表音源です。マスタリングはSean McCannが担当しています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4135008029\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x 12\" black vinyl. Edition of 300.\u003c\/p\u003e\n\u003cp\u003eNever-before-released 1981 work by artists Charlie Morrow, Sten Hanson, and Carles Santos. \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProduced by Sean McCann, Charlie Morrow, Joachim Nordwall\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1\/4” reel transfers to digital by Sonicraft, New Jersey\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAudio edited and mastered by Sean McCann\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Charlie Morrow \/ Sten Hanson \/ Carles Santos\u003c\/p\u003e\n\u003cp\u003eLabel : Ideal Recordings\u003c\/p\u003e","published_at":"2023-04-20T11:52:52+09:00","created_at":"2023-04-18T11:21:46+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","ideal recordings","lp"],"price":597000,"price_min":597000,"price_max":597000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44176623141114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Charlie Morrow \/ Sten Hanson \/ Carles Santos \/\/ The Heavyweight Sound Fight! 2xLP","public_title":null,"options":["Default Title"],"price":597000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_c2108e5c-6536-4a40-89b0-cd41f639fdb6.jpg?v=1681784508","\/\/tobirarecords.com\/cdn\/shop\/products\/ch2_fd1b4b47-edca-4eac-be3c-d1e3e403aefc.jpg?v=1681784508"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_c2108e5c-6536-4a40-89b0-cd41f639fdb6.jpg?v=1681784508","options":["Title"],"media":[{"alt":null,"id":31846420611322,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_c2108e5c-6536-4a40-89b0-cd41f639fdb6.jpg?v=1681784508"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_c2108e5c-6536-4a40-89b0-cd41f639fdb6.jpg?v=1681784508","width":700},{"alt":null,"id":31846420644090,"position":2,"preview_image":{"aspect_ratio":1.135,"height":1057,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch2_fd1b4b47-edca-4eac-be3c-d1e3e403aefc.jpg?v=1681784508"},"aspect_ratio":1.135,"height":1057,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch2_fd1b4b47-edca-4eac-be3c-d1e3e403aefc.jpg?v=1681784508","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのCharlie MorrowとスウェーデンのSten Hanson、そしてスペインのCarles Santos3名が、2023年3月にスウェーデンの実験レーベルiDEALからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e1981年に録音した未発表音源です。マスタリングはSean McCannが担当しています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4135008029\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x 12\" black vinyl. Edition of 300.\u003c\/p\u003e\n\u003cp\u003eNever-before-released 1981 work by artists Charlie Morrow, Sten Hanson, and Carles Santos. \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProduced by Sean McCann, Charlie Morrow, Joachim Nordwall\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1\/4” reel transfers to digital by Sonicraft, New Jersey\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAudio edited and mastered by Sean McCann\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Charlie Morrow \/ Sten Hanson \/ Carles Santos\u003c\/p\u003e\n\u003cp\u003eLabel : Ideal Recordings\u003c\/p\u003e"}
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アメリカのCharlie MorrowとスウェーデンのSten Hanson、そしてスペインのCarles Santos3名が、2023年3月にスウェーデンの実験レーベルiDEALからリリースした2枚組レコードです。 1981年に録音した未発表音源です。マスタリングはSean McCannが担当しています。 ----------------------------------------- 2x 12" black vinyl. Edition of 300....
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{"id":7960207032570,"title":"Alexandre Babel \u0026 Latifa Echakhch \/\/ The Concert LP","handle":"alexandre-babel-latifa-echakhch-the-concert-12","description":"\u003cp\u003eドイツのパーカッショニストAlexandre BabelとスイスのビジュアルアーティストLatifa Echakhchが、2023年3月にフランスの実験レーベルShelter Pressからリリースした共作片面レコードです。\u003c\/p\u003e\n\u003cp\u003eコラージュ・ドローン〜パーカッシブ・ドローン作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=32142164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eSingle-sided black 12\" vinyl. Edition of 1000.\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Concert' is the first discographic collaboration between percussionist Alexandre Babel and visual artist Latifa Echakhch. The record is intimately linked to the eponymous exhibition presented at the Swiss Pavilion during the 59th Venice Art Bienniale.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor her exhibition in the Swiss Pavilion, Latifa Echakhch created an orchestrated and enveloping experience, a rhythmic and spatial proposal that allowed the visitor a complete perception of time and of his own body. What is the origin of rhythm? How does the body perceive time? How does the mind rearrange it? Can we substitute one perception for another, the visual for the sound? Can fragments of memory go back in time and recreate a different story?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHer proposal entered a dialogue with the building around it, designed by Bruno Giacometti. The artist revisited its architectural programme as well as the prototypical progression of these exhibition spaces, originally defined for the display of classical art. She appropriated the entirety of the spaces, simultaneously exploring continuity, movement and sequence. Their relationship to light, and the different sounds that emerge from them. Yet the exhibition was entirely silent and the musical composition “The Concert” functions as its sound rendering, by following a\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e similar path.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis one-sided vinyl is a complementary and inseparable partner piece to the exhibition and its eponymous catalogue, the latter having been published in April 2022 by Sternberg Press. The music features field recordings made at the Swiss Pavilion itself as well as pre-recorded percussion sounds and significant contributions by the Berlin-based musicians Jon Heilbronn, Rebecca Lenton, Theo Nabicht, Nikolaus Schlierf.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe record, available only after the closing of Latifa Echakhch’s exhibition offers a concluding phase to the project. The resonance of its sensory score. It reactivates the experience of the physical journey of the installation, without imposing itself as a transcription or an illustration. Through texture, temporality and its totality, the record stands as a resonance of the rhythms that have structured the pavilion, the harmonies that have composed it and the sounds that have inhabited it.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alexandre Babel \u0026amp; Latifa Echakhch\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e","published_at":"2023-04-22T13:36:36+09:00","created_at":"2023-04-18T11:10:32+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","new","shelter press","strange beats"],"price":338000,"price_min":338000,"price_max":338000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44176599286010,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alexandre Babel \u0026 Latifa Echakhch \/\/ The Concert LP","public_title":null,"options":["Default Title"],"price":338000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/al_35c67a7d-9e80-46fc-ae7c-31a52ce2921b.jpg?v=1681783834","\/\/tobirarecords.com\/cdn\/shop\/products\/al2_575e7e90-0b15-46bb-91e1-cf4e1c10c947.jpg?v=1681783834"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/al_35c67a7d-9e80-46fc-ae7c-31a52ce2921b.jpg?v=1681783834","options":["Title"],"media":[{"alt":null,"id":31846397280506,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al_35c67a7d-9e80-46fc-ae7c-31a52ce2921b.jpg?v=1681783834"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al_35c67a7d-9e80-46fc-ae7c-31a52ce2921b.jpg?v=1681783834","width":700},{"alt":null,"id":31846397313274,"position":2,"preview_image":{"aspect_ratio":1.179,"height":1018,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al2_575e7e90-0b15-46bb-91e1-cf4e1c10c947.jpg?v=1681783834"},"aspect_ratio":1.179,"height":1018,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al2_575e7e90-0b15-46bb-91e1-cf4e1c10c947.jpg?v=1681783834","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツのパーカッショニストAlexandre BabelとスイスのビジュアルアーティストLatifa Echakhchが、2023年3月にフランスの実験レーベルShelter Pressからリリースした共作片面レコードです。\u003c\/p\u003e\n\u003cp\u003eコラージュ・ドローン〜パーカッシブ・ドローン作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=32142164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eSingle-sided black 12\" vinyl. Edition of 1000.\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Concert' is the first discographic collaboration between percussionist Alexandre Babel and visual artist Latifa Echakhch. The record is intimately linked to the eponymous exhibition presented at the Swiss Pavilion during the 59th Venice Art Bienniale.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor her exhibition in the Swiss Pavilion, Latifa Echakhch created an orchestrated and enveloping experience, a rhythmic and spatial proposal that allowed the visitor a complete perception of time and of his own body. What is the origin of rhythm? How does the body perceive time? How does the mind rearrange it? Can we substitute one perception for another, the visual for the sound? Can fragments of memory go back in time and recreate a different story?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHer proposal entered a dialogue with the building around it, designed by Bruno Giacometti. The artist revisited its architectural programme as well as the prototypical progression of these exhibition spaces, originally defined for the display of classical art. She appropriated the entirety of the spaces, simultaneously exploring continuity, movement and sequence. Their relationship to light, and the different sounds that emerge from them. Yet the exhibition was entirely silent and the musical composition “The Concert” functions as its sound rendering, by following a\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e similar path.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis one-sided vinyl is a complementary and inseparable partner piece to the exhibition and its eponymous catalogue, the latter having been published in April 2022 by Sternberg Press. The music features field recordings made at the Swiss Pavilion itself as well as pre-recorded percussion sounds and significant contributions by the Berlin-based musicians Jon Heilbronn, Rebecca Lenton, Theo Nabicht, Nikolaus Schlierf.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe record, available only after the closing of Latifa Echakhch’s exhibition offers a concluding phase to the project. The resonance of its sensory score. It reactivates the experience of the physical journey of the installation, without imposing itself as a transcription or an illustration. Through texture, temporality and its totality, the record stands as a resonance of the rhythms that have structured the pavilion, the harmonies that have composed it and the sounds that have inhabited it.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alexandre Babel \u0026amp; Latifa Echakhch\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e"}
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ドイツのパーカッショニストAlexandre BabelとスイスのビジュアルアーティストLatifa Echakhchが、2023年3月にフランスの実験レーベルShelter Pressからリリースした共作片面レコードです。 コラージュ・ドローン〜パーカッシブ・ドローン作品です。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
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{"id":7958788931834,"title":"Bernard Parmegiani \/\/ Rock (Original Soundtrack) LP","handle":"bernard-parmegiani-rock-original-soundtrack-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスの実験音楽家Bernard Parmegianiが映画「ROCK」のために書き下ろしたサウンドトラック集です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eライナーノーツ付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2581551679\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trandis\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trandis\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trandis\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trandis\"\u003ehere\u003c\/a\u003e to see more Transversales Disques releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes exclusive liner notes + OBI STRIP.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eNever before released soundtrack of the film \"Rock\" (1982)\u003cbr\u003edirected by Michel Treguer\u003cbr\u003e\u003cbr\u003eLimited Edition \/ Remastered high-resolution audio transferred directly from the original tapes.\u003cbr\u003e\u003cbr\u003eComposed, Recorded, Performed by Bernard Parmegiani\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bernard Parmegiani\u003c\/p\u003e\n\u003cp\u003eLabel : Transversales Disques\u003c\/p\u003e","published_at":"2023-04-15T14:56:14+09:00","created_at":"2023-04-15T12:21:17+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","transversales disques"],"price":349000,"price_min":349000,"price_max":349000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44171219697914,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bernard Parmegiani \/\/ Rock (Original Soundtrack) LP","public_title":null,"options":["Default Title"],"price":349000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/be1_2dfa3eb8-db8c-484a-a07c-4da2b93aef7d.jpg?v=1681528879","\/\/tobirarecords.com\/cdn\/shop\/products\/be2_343c463b-89d5-49c2-98c7-10ae8559d79c.jpg?v=1681528879"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_2dfa3eb8-db8c-484a-a07c-4da2b93aef7d.jpg?v=1681528879","options":["Title"],"media":[{"alt":null,"id":31834571342074,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_2dfa3eb8-db8c-484a-a07c-4da2b93aef7d.jpg?v=1681528879"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_2dfa3eb8-db8c-484a-a07c-4da2b93aef7d.jpg?v=1681528879","width":700},{"alt":null,"id":31834571374842,"position":2,"preview_image":{"aspect_ratio":1.237,"height":970,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be2_343c463b-89d5-49c2-98c7-10ae8559d79c.jpg?v=1681528879"},"aspect_ratio":1.237,"height":970,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be2_343c463b-89d5-49c2-98c7-10ae8559d79c.jpg?v=1681528879","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスの実験音楽家Bernard Parmegianiが映画「ROCK」のために書き下ろしたサウンドトラック集です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eライナーノーツ付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2581551679\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; 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{"id":7956346962170,"title":"David Cunningham \/\/ Grey Scale LP","handle":"david-cunningham-grey-scale-lp","description":"\u003cp\u003e北アイルランドの実験音楽家David Cunninghamが1976年に発表したデビュー作の再発盤です。\u003c\/p\u003e\n\u003cp\u003e美術学校の楽器が弾けない仲間たちを起用して録音した、反復演奏時に生じるミスやズレに着目したミニマルミュージックです。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/03UzasUfXzM\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/IQLAXjcS9HY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sprvdct\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sprvdct\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sprvdct\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sprvdct\"\u003ehere\u003c\/a\u003e to see more Superior Viaduct releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eFirst time vinyl reissue of David Cunningham's 1976 work 'Grey Scale' by Superior Viaduct. \u003c\/p\u003e\n\u003cp\u003eSuperior Viaduct:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eDavid Cunningham was born in Ireland in 1954. His work ranges from pop music to gallery installations including several collaborations with visual artists. His first significant commercial success came with The Flying Lizards' single \"Money,\" an international hit in 1979.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOriginally released in 1976, Cunningham's first solo album Grey Scale has become a landmark statement of DIY minimalist composition – continuing in the vein of the wild explosion of arthouse experimentation from the early '70s. Cunningham, then a student at the Maidstone College of Art in Kent, drafted fellow student non-musicians and (using whatever instruments available) crafted an endlessly shifting sonic palette with an improvisor's keen sensitivity to space, texture and tone.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs Cunningham states in the liner notes, his approach was to \"pursue something (which may appear trivial or meaningless) so rigorously or relentlessly to the point that it reveals something new.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCunningham was influenced by live performances he was attending at the time by English composers Cornelius Cardew, Gavin Bryars and Michael Nyman as well as free improvisors Evan Parker, Derek Bailey, David Toop and Paul Burwell.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe inaugural release on Cunningham's own Piano label, Grey Scale was indeed \"something new\" in 1976. The artist quickly integrated his experimental sensibilities to produce art-rock pioneers This Heat, whose debut appeared on Piano in 1979. His popular success performing as The Flying Lizards (with two electro-punk albums on Virgin during the New Wave era) was presaged by this seminal work of fascinating sound collage and tonal freedom. First-time reissue.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e++\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eError System (BAGFGAB)\u003c\/li\u003e\n\u003cli\u003eError System (C Pulse Solo Recording)\u003c\/li\u003e\n\u003cli\u003eError System (C Pulse Group Recording)\u003c\/li\u003e\n\u003cli\u003eError System (E Based Group Recording)\u003c\/li\u003e\n\u003cli\u003eError System (EFGA)\u003c\/li\u003e\n\u003cli\u003eEcuador\u003c\/li\u003e\n\u003cli\u003eWater Systemised\u003c\/li\u003e\n\u003cli\u003eVenezuela 1\u003c\/li\u003e\n\u003cli\u003eGuitar Systemised\u003c\/li\u003e\n\u003cli\u003eVenezuela 2\u003c\/li\u003e\n\u003cli\u003eBolivia\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist : David Cunningham\u003c\/p\u003e\n\u003cp\u003eLabel : Superior Viaduct\u003c\/p\u003e","published_at":"2023-04-15T08:51:10+09:00","created_at":"2023-04-09T18:19:21+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","strange beats","superior viaduct"],"price":299000,"price_min":299000,"price_max":299000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44160687571194,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"David Cunningham \/\/ Grey Scale LP","public_title":null,"options":["Default Title"],"price":299000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/da1_11d0bd7f-80c9-4435-be2a-2d200cf0e041.webp?v=1681031963"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_11d0bd7f-80c9-4435-be2a-2d200cf0e041.webp?v=1681031963","options":["Title"],"media":[{"alt":null,"id":31808971112698,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_11d0bd7f-80c9-4435-be2a-2d200cf0e041.webp?v=1681031963"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_11d0bd7f-80c9-4435-be2a-2d200cf0e041.webp?v=1681031963","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e北アイルランドの実験音楽家David Cunninghamが1976年に発表したデビュー作の再発盤です。\u003c\/p\u003e\n\u003cp\u003e美術学校の楽器が弾けない仲間たちを起用して録音した、反復演奏時に生じるミスやズレに着目したミニマルミュージックです。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/03UzasUfXzM\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/IQLAXjcS9HY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sprvdct\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sprvdct\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sprvdct\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sprvdct\"\u003ehere\u003c\/a\u003e to see more Superior Viaduct releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eFirst time vinyl reissue of David Cunningham's 1976 work 'Grey Scale' by Superior Viaduct. \u003c\/p\u003e\n\u003cp\u003eSuperior Viaduct:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eDavid Cunningham was born in Ireland in 1954. His work ranges from pop music to gallery installations including several collaborations with visual artists. His first significant commercial success came with The Flying Lizards' single \"Money,\" an international hit in 1979.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOriginally released in 1976, Cunningham's first solo album Grey Scale has become a landmark statement of DIY minimalist composition – continuing in the vein of the wild explosion of arthouse experimentation from the early '70s. Cunningham, then a student at the Maidstone College of Art in Kent, drafted fellow student non-musicians and (using whatever instruments available) crafted an endlessly shifting sonic palette with an improvisor's keen sensitivity to space, texture and tone.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs Cunningham states in the liner notes, his approach was to \"pursue something (which may appear trivial or meaningless) so rigorously or relentlessly to the point that it reveals something new.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCunningham was influenced by live performances he was attending at the time by English composers Cornelius Cardew, Gavin Bryars and Michael Nyman as well as free improvisors Evan Parker, Derek Bailey, David Toop and Paul Burwell.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe inaugural release on Cunningham's own Piano label, Grey Scale was indeed \"something new\" in 1976. The artist quickly integrated his experimental sensibilities to produce art-rock pioneers This Heat, whose debut appeared on Piano in 1979. His popular success performing as The Flying Lizards (with two electro-punk albums on Virgin during the New Wave era) was presaged by this seminal work of fascinating sound collage and tonal freedom. First-time reissue.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e++\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eError System (BAGFGAB)\u003c\/li\u003e\n\u003cli\u003eError System (C Pulse Solo Recording)\u003c\/li\u003e\n\u003cli\u003eError System (C Pulse Group Recording)\u003c\/li\u003e\n\u003cli\u003eError System (E Based Group Recording)\u003c\/li\u003e\n\u003cli\u003eError System (EFGA)\u003c\/li\u003e\n\u003cli\u003eEcuador\u003c\/li\u003e\n\u003cli\u003eWater Systemised\u003c\/li\u003e\n\u003cli\u003eVenezuela 1\u003c\/li\u003e\n\u003cli\u003eGuitar Systemised\u003c\/li\u003e\n\u003cli\u003eVenezuela 2\u003c\/li\u003e\n\u003cli\u003eBolivia\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist : David Cunningham\u003c\/p\u003e\n\u003cp\u003eLabel : Superior Viaduct\u003c\/p\u003e"}
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北アイルランドの実験音楽家David Cunninghamが1976年に発表したデビュー作の再発盤です。 美術学校の楽器が弾けない仲間たちを起用して録音した、反復演奏時に生じるミスやズレに着目したミニマルミュージックです。 レーベルその他作品はこちら /// Click here to see more Superior Viaduct releases available at Tobira. ---------------------------------------...
¥2,990
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{"id":7954624086266,"title":"Lionel Marchetti \u0026 Decibel \/\/ Inland Lake (le lac intérieur) CD","handle":"lionel-marchetti-decibel-inland-lake-le-lac-interieur-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスのミュージックコンクレート作家Lionel Marchettiとオーストラリアの室内楽アンサンブル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDecibelが、2023年1月にオーストラリアの実験／アンビエントレーベルRoom40からリリースした共作CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e静謐なコンテンポラリー・ドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=339235836\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in m\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eonochrome printed and embossed sleeve with insert card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText by Cat Hope:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eThis is the second Room 40 release of collaborations between Australian chamber ensemble Decibel, and French music concrète composer Lionel Marchetti, after ‘The Last Days of Reality’ in 2018. This release consists of two pieces: Inland Lake (le lac intérieur (2019), and La Patience (2020). Working with Lionel is magical.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eInland Lake was devised with the ensemble when Lionel visited Australia in 2019. As he sometimes does, he came with an ‘partition concrète’ that was part score, part ensemble member, part fixed media. The music is coaxed from the ensemble, without score, but with discussions, listening and experiments. In the live performances, Marchetti efficiently and imaginatively positions speakers in strange directions, heights and places and somehow, the sounds melt together, intertwining and indiscernible - as on this recording. Marchetti adapts the partition concrète after first rehearsals and performances, integrating recordings of the acoustic instruments with synthesizers, tape and electronic manipulations in his home studio.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe recording of Inland Lake occurred in two places at\u003cspan class=\"bcTruncateMore\"\u003e once: at the Digital Hub, Sir Zelman Cowen School of Music and Performance at Monash University, Melbourne and Soundfield Studio in Perth, Western Australia. Marchetti joined from France. Determined to make this recording despite the ongoing border closures within Australia and the world, the group came together telematically – using software to reduce the perception of latency and improve the sound quality ‘down the line’ for the performers. The ensemble was split in half between the east and west coasts of Australia, listening together over the Internet, recording locally. Marchetti later mixed and mastered the track in his own studio. Listening to the piece once the recording and mixing process was complete was like hearing it for the first time, again.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lionel Marchetti \u0026amp; Decibel\u003c\/p\u003e\n\u003cp\u003eLabel : Room40 \u003c\/p\u003e","published_at":"2023-06-11T19:56:18+09:00","created_at":"2023-04-06T13:33:05+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","new","room40"],"price":212000,"price_min":212000,"price_max":212000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44154679918842,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lionel Marchetti \u0026 Decibel \/\/ Inland Lake (le lac intérieur) CD","public_title":null,"options":["Default Title"],"price":212000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/in1_59e228a0-304b-4237-818a-3b3794c04b2f.jpg?v=1680755587","\/\/tobirarecords.com\/cdn\/shop\/products\/in2_499d1f92-8f09-4155-8124-f1bdb47fc755.jpg?v=1680755586"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_59e228a0-304b-4237-818a-3b3794c04b2f.jpg?v=1680755587","options":["Title"],"media":[{"alt":null,"id":31793708499194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_59e228a0-304b-4237-818a-3b3794c04b2f.jpg?v=1680755587"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_59e228a0-304b-4237-818a-3b3794c04b2f.jpg?v=1680755587","width":700},{"alt":null,"id":31793708531962,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_499d1f92-8f09-4155-8124-f1bdb47fc755.jpg?v=1680755586"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_499d1f92-8f09-4155-8124-f1bdb47fc755.jpg?v=1680755586","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスのミュージックコンクレート作家Lionel Marchettiとオーストラリアの室内楽アンサンブル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDecibelが、2023年1月にオーストラリアの実験／アンビエントレーベルRoom40からリリースした共作CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e静謐なコンテンポラリー・ドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=339235836\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in m\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eonochrome printed and embossed sleeve with insert card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText by Cat Hope:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eThis is the second Room 40 release of collaborations between Australian chamber ensemble Decibel, and French music concrète composer Lionel Marchetti, after ‘The Last Days of Reality’ in 2018. This release consists of two pieces: Inland Lake (le lac intérieur (2019), and La Patience (2020). Working with Lionel is magical.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eInland Lake was devised with the ensemble when Lionel visited Australia in 2019. As he sometimes does, he came with an ‘partition concrète’ that was part score, part ensemble member, part fixed media. The music is coaxed from the ensemble, without score, but with discussions, listening and experiments. In the live performances, Marchetti efficiently and imaginatively positions speakers in strange directions, heights and places and somehow, the sounds melt together, intertwining and indiscernible - as on this recording. Marchetti adapts the partition concrète after first rehearsals and performances, integrating recordings of the acoustic instruments with synthesizers, tape and electronic manipulations in his home studio.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe recording of Inland Lake occurred in two places at\u003cspan class=\"bcTruncateMore\"\u003e once: at the Digital Hub, Sir Zelman Cowen School of Music and Performance at Monash University, Melbourne and Soundfield Studio in Perth, Western Australia. Marchetti joined from France. Determined to make this recording despite the ongoing border closures within Australia and the world, the group came together telematically – using software to reduce the perception of latency and improve the sound quality ‘down the line’ for the performers. The ensemble was split in half between the east and west coasts of Australia, listening together over the Internet, recording locally. Marchetti later mixed and mastered the track in his own studio. Listening to the piece once the recording and mixing process was complete was like hearing it for the first time, again.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lionel Marchetti \u0026amp; Decibel\u003c\/p\u003e\n\u003cp\u003eLabel : Room40 \u003c\/p\u003e"}
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フランスのミュージックコンクレート作家Lionel Marchettiとオーストラリアの室内楽アンサンブルDecibelが、2023年1月にオーストラリアの実験／アンビエントレーベルRoom40からリリースした共作CDです。 静謐なコンテンポラリー・ドローン2曲を収録。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ---------------------------- CD...
¥2,120
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{"id":7945290088698,"title":"Bjørn Nørgaard \/\/ Indtil døden udfrier mig TAPE","handle":"bjorn-norgaard-indtil-doden-udfrier-mig-tape","description":"\u003cp\u003e1960年代に活動していたデンマークの実験音楽家Bjørn Nørgaardが、1969年に人知れず30部限定リールテープでリリースしていた作品がこの度カセットで再発。\u003c\/p\u003e\n\u003cp\u003eハミングのような謎録音2曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2213298062\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ifdsa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ifdsa\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ifdsa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ifdsa\"\u003ehere\u003c\/a\u003e to see more Institute for Danish Sound Archaeology releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e-------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eIncludes DL code. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eTransferred from an original edition from the sound archive at Museum of Contemporary Art, Roskilde, Denmark.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e Institute for Danish Sound Archaeology:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eUng Dansk Kunst’s Tapeserie [Young Danish Art’s Tape Series] from 1969 is a series of 10 tape works, created by a central group of visual artists of the 1960es' experimental Danish art scene. The tape series is one of the earliest Danish examples of visual artists creating works of art in sound. Sound works that were conceptually, self-consciously and explicitly something other than music. The tapes could be purchased by mail order, and were initially limited to 20-30 copies each.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe 10 works were published all at once and were announced in the leaflet Ta’ Information, where five advertisement-like descriptions, designed by the artists themselves, presented five of the works in the series. Nørgaard’s work titled 'Indtil døden udfrier mig' [Until Death Redeems Me] is advertised with a photo of the front and back of the tape box with a number of alternative titles or slogans written on it:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eis it worth the effort to survive at all costs\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003elift the flap close the lid\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003euntil death redeems me\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eor is it worth the effort to get up in the morning\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eto hum for two hours and ten minutes\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eand then he came up and they came too but then he\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e went down again\u003cbr data-mce-fragment=\"1\"\u003edon’t be afraid\u003cbr data-mce-fragment=\"1\"\u003ea splendid revolutionary oil painting\u003cbr data-mce-fragment=\"1\"\u003efat women\u003cbr data-mce-fragment=\"1\"\u003e“chairman goes to anyuan”\u003cbr data-mce-fragment=\"1\"\u003eto love is to be loved\u003cbr data-mce-fragment=\"1\"\u003ebuy it at udk\u003cbr data-mce-fragment=\"1\"\u003ea tape by bjørn nørgaard\u003cbr data-mce-fragment=\"1\"\u003e21\/6 1947 - 4\/11 1968\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs the text indicates, the work consists of a two-hour recording of Bjørn Nørgaard humming. Non stop and with no edits. The recording is rough, it crackles and distorts and bears the marks of being made without consideration for sound quality or microphone technique. It sounds like Nørgaard is humming – as one does – anything that comes to mind. Everything he can think of. Phrases by Vivaldi, Beethoven and bits of Aida, the Danish song 'En Søndag på Amager' and several children’s songs pop up in the course of the two hours.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e'Indtil døden udfrier mig' can be considered a performance – or action, which was Nørgaard’s preferred term – on tape. Not as a documentation, but as a mediated performance which takes place in real time as one listens to the tape. The recording time is reflected in the listening time, the work’s time directly mirrors the listener’s. 'Indtil døden udfrier mig' utilizes the same strategy as many of the happenings of the time: Simple, more or less unmotivated actions performed consistently and mechanically by the performer, who does not act in a fiction, but performs as themself in the same reality as the observer – with the difference that the tape piece transposes the listening experience from the performance in time and place.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Bjørn Nørgaard\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : In\u003cmeta charset=\"utf-8\"\u003estitute for Danish Sound Archaeology\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-04-14T14:23:29+09:00","created_at":"2023-03-28T13:01:46+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","Institute for Danish Sound Archaeology","monooto","tape"],"price":184000,"price_min":184000,"price_max":184000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44130504573178,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bjørn Nørgaard \/\/ Indtil døden udfrier mig TAPE","public_title":null,"options":["Default Title"],"price":184000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/in1_0e75a869-5722-42a8-8b6a-e2668ef0cb89.jpg?v=1679976108","\/\/tobirarecords.com\/cdn\/shop\/products\/in2_3bad4842-7c23-41de-94c4-5d33d1ffce56.jpg?v=1679976108","\/\/tobirarecords.com\/cdn\/shop\/products\/in3_00335297-94d2-404f-8888-354274b116f5.jpg?v=1679976108"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_0e75a869-5722-42a8-8b6a-e2668ef0cb89.jpg?v=1679976108","options":["Title"],"media":[{"alt":null,"id":31743322390778,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_0e75a869-5722-42a8-8b6a-e2668ef0cb89.jpg?v=1679976108"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_0e75a869-5722-42a8-8b6a-e2668ef0cb89.jpg?v=1679976108","width":700},{"alt":null,"id":31743322423546,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_3bad4842-7c23-41de-94c4-5d33d1ffce56.jpg?v=1679976108"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_3bad4842-7c23-41de-94c4-5d33d1ffce56.jpg?v=1679976108","width":1200},{"alt":null,"id":31743322456314,"position":3,"preview_image":{"aspect_ratio":0.668,"height":1200,"width":801,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in3_00335297-94d2-404f-8888-354274b116f5.jpg?v=1679976108"},"aspect_ratio":0.668,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in3_00335297-94d2-404f-8888-354274b116f5.jpg?v=1679976108","width":801}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1960年代に活動していたデンマークの実験音楽家Bjørn Nørgaardが、1969年に人知れず30部限定リールテープでリリースしていた作品がこの度カセットで再発。\u003c\/p\u003e\n\u003cp\u003eハミングのような謎録音2曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2213298062\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ifdsa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ifdsa\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ifdsa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ifdsa\"\u003ehere\u003c\/a\u003e to see more Institute for Danish Sound Archaeology releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e-------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eIncludes DL code. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eTransferred from an original edition from the sound archive at Museum of Contemporary Art, Roskilde, Denmark.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e Institute for Danish Sound Archaeology:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eUng Dansk Kunst’s Tapeserie [Young Danish Art’s Tape Series] from 1969 is a series of 10 tape works, created by a central group of visual artists of the 1960es' experimental Danish art scene. The tape series is one of the earliest Danish examples of visual artists creating works of art in sound. Sound works that were conceptually, self-consciously and explicitly something other than music. The tapes could be purchased by mail order, and were initially limited to 20-30 copies each.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe 10 works were published all at once and were announced in the leaflet Ta’ Information, where five advertisement-like descriptions, designed by the artists themselves, presented five of the works in the series. Nørgaard’s work titled 'Indtil døden udfrier mig' [Until Death Redeems Me] is advertised with a photo of the front and back of the tape box with a number of alternative titles or slogans written on it:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eis it worth the effort to survive at all costs\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003elift the flap close the lid\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003euntil death redeems me\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eor is it worth the effort to get up in the morning\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eto hum for two hours and ten minutes\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eand then he came up and they came too but then he\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e went down again\u003cbr data-mce-fragment=\"1\"\u003edon’t be afraid\u003cbr data-mce-fragment=\"1\"\u003ea splendid revolutionary oil painting\u003cbr data-mce-fragment=\"1\"\u003efat women\u003cbr data-mce-fragment=\"1\"\u003e“chairman goes to anyuan”\u003cbr data-mce-fragment=\"1\"\u003eto love is to be loved\u003cbr data-mce-fragment=\"1\"\u003ebuy it at udk\u003cbr data-mce-fragment=\"1\"\u003ea tape by bjørn nørgaard\u003cbr data-mce-fragment=\"1\"\u003e21\/6 1947 - 4\/11 1968\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs the text indicates, the work consists of a two-hour recording of Bjørn Nørgaard humming. Non stop and with no edits. The recording is rough, it crackles and distorts and bears the marks of being made without consideration for sound quality or microphone technique. It sounds like Nørgaard is humming – as one does – anything that comes to mind. Everything he can think of. Phrases by Vivaldi, Beethoven and bits of Aida, the Danish song 'En Søndag på Amager' and several children’s songs pop up in the course of the two hours.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e'Indtil døden udfrier mig' can be considered a performance – or action, which was Nørgaard’s preferred term – on tape. Not as a documentation, but as a mediated performance which takes place in real time as one listens to the tape. The recording time is reflected in the listening time, the work’s time directly mirrors the listener’s. 'Indtil døden udfrier mig' utilizes the same strategy as many of the happenings of the time: Simple, more or less unmotivated actions performed consistently and mechanically by the performer, who does not act in a fiction, but performs as themself in the same reality as the observer – with the difference that the tape piece transposes the listening experience from the performance in time and place.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Bjørn Nørgaard\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : In\u003cmeta charset=\"utf-8\"\u003estitute for Danish Sound Archaeology\u003c\/span\u003e\u003c\/p\u003e"}
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1960年代に活動していたデンマークの実験音楽家Bjørn Nørgaardが、1969年に人知れず30部限定リールテープでリリースしていた作品がこの度カセットで再発。 ハミングのような謎録音2曲を収録。 レーベルその他作品はこちら /// Click here to see more Institute for Danish Sound Archaeology releases available at...
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{"id":7942210191610,"title":"Roberto Dani | Forme Sonore Ensemble \/\/ Incanto CD","handle":"roberto-dani-forme-sonore-ensemble-incanto-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイタリアのパーカッショニストRoberto DaniとForme Sonore Ensemble\u003c\/span\u003eが、2023年2月に同国実験／アンビエントレーベルSilentesからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e コンテンポラリー7曲を収録。4面デジスリーブ仕様です。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/N_QZJJS5yCI\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eSilentesその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/silentes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/silentes\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/silentes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/silentes\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSilentes releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300. 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The difficulty, once again, is not in the listening itself but in choosing sides.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Roberto Dani | Forme Sonore Ensemble\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Silentes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-03-23T14:56:56+09:00","created_at":"2023-03-23T09:20:36+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","jazz","new","silentes"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44117377286394,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Roberto Dani | Forme Sonore Ensemble \/\/ Incanto CD","public_title":null,"options":["Default Title"],"price":215000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/in1.png?v=1679530837"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1.png?v=1679530837","options":["Title"],"media":[{"alt":null,"id":31717730582778,"position":1,"preview_image":{"aspect_ratio":1.111,"height":270,"width":300,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1.png?v=1679530837"},"aspect_ratio":1.111,"height":270,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1.png?v=1679530837","width":300}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイタリアのパーカッショニストRoberto DaniとForme Sonore Ensemble\u003c\/span\u003eが、2023年2月に同国実験／アンビエントレーベルSilentesからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e コンテンポラリー7曲を収録。4面デジスリーブ仕様です。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/N_QZJJS5yCI\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eSilentesその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/silentes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/silentes\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/silentes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/silentes\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSilentes releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300. 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¥2,150
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{"id":7940635820282,"title":"Johanna Orellana \/\/ Las Camelias, Tres Equinas LP","handle":"johanna-orellana-las-camelias-tres-equinas-lp","description":"\u003cp\u003eノルウェー／チリのフルート奏者Johanna Orellanaが、2023年3月に同国オスロのSmalltown Supersoundからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eエフェクト加工は行わず、フルートと環境音のみで表現した没入感のあるエレクトロアコースティック〜コンテンポラリー5曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3136485931\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003ehere\u003c\/a\u003e to see more Smalltown Supersound releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eSmalltown Supersound:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLas Camelias, Tres Esquinas is the debut album by Norwegian-Chilean flautist and composer Johanna Orellana for the Oslo-based electronic and experimental music imprint, Smalltown Supersound. It is a collection of intimate electroacoustic compositions, flute improvisations and field recordings, augmented by the production and recording techniques of fellow Smalltown alum Carmen Villain. However, Las Camelias is also a solemn and deeply personal eulogy to Orellana’s recently deceased father, a Chilean political dissident, who escaped to Norway in the 1970s.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOver five tracks, bookended by two long-form arrangements, Orellana combines a range of flutes (bass, alto and regular C-flute) with audio sourced from film recordings made by her sister in their father’s Andean garden, where he returned to shortly before his death. Carmen Villain’s close miking techniques and subtle electronic post-production create space for Orellana to dive deep into both the flutes’ dynamic capacity for rhythm and melodic repetition, as well as the meta-musical sounds usually excluded from recordings of the instrument: parting lips, deep inhalation, hand movement, finger placement, tapping, exhalation, and a range of overtones whistling, humming and screeching louder than the note\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e generated.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOccasionally, multiple flute tracks are combined and panned wide into a series of evolving sonic tapestries that recall various folk flute traditions, as well Maggie Payne, early Kraftwerk’s kosmische flute experimentation, the free improvisation of Don Cherry, or the subtle low brass meditations of Robin Hayward. Importantly, none of the flute tracks were made as overdubs but rather fused together in post-production into uncanny rhythmic parallels, capturing both Orellana’s internal clock and an overall sense of aleatoric composition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn “El Jardin I” – “El Jardin IV”, Orellana runs through dozens of slight melodic variations, gradually decreasing the airflow until the tones transform into overtones; a soft wheezing generated by final breaths and eventually reborn as new melodic figures. The intimacy of both the field recordings and Orellana’s playing puts the listener not only in nature but almost inside of her mouth. Music and lung capacity become vital signs – and, in their absence, signs of passing in physical and sonic transformation. On album closer “San Fabian”, these themes merge into a final, trill-heavy, hallucinatory whirlwind of electronics and manipulated gasps. Las Camelias is an album made out of grief, but also a celebration of the physics of resonating bodies and the music hidden in the mechanics of technique.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Johanna Orellana\u003c\/p\u003e\n\u003cp\u003eLabel : Smalltown Supersound\u003c\/p\u003e","published_at":"2023-03-20T18:17:23+09:00","created_at":"2023-03-20T15:16:11+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","smalltown supersound"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44107611898106,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Johanna Orellana \/\/ Las Camelias, Tres Equinas LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/la1_4af2286f-f806-4d7b-8942-40eb02187bcb.jpg?v=1679292972","\/\/tobirarecords.com\/cdn\/shop\/products\/la2_0528bf82-c3db-488c-9532-a424ecb735ad.jpg?v=1679292972"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_4af2286f-f806-4d7b-8942-40eb02187bcb.jpg?v=1679292972","options":["Title"],"media":[{"alt":null,"id":31702906274042,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_4af2286f-f806-4d7b-8942-40eb02187bcb.jpg?v=1679292972"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_4af2286f-f806-4d7b-8942-40eb02187bcb.jpg?v=1679292972","width":700},{"alt":null,"id":31702906306810,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la2_0528bf82-c3db-488c-9532-a424ecb735ad.jpg?v=1679292972"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la2_0528bf82-c3db-488c-9532-a424ecb735ad.jpg?v=1679292972","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eノルウェー／チリのフルート奏者Johanna Orellanaが、2023年3月に同国オスロのSmalltown Supersoundからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eエフェクト加工は行わず、フルートと環境音のみで表現した没入感のあるエレクトロアコースティック〜コンテンポラリー5曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3136485931\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003ehere\u003c\/a\u003e to see more Smalltown Supersound releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eSmalltown Supersound:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLas Camelias, Tres Esquinas is the debut album by Norwegian-Chilean flautist and composer Johanna Orellana for the Oslo-based electronic and experimental music imprint, Smalltown Supersound. It is a collection of intimate electroacoustic compositions, flute improvisations and field recordings, augmented by the production and recording techniques of fellow Smalltown alum Carmen Villain. However, Las Camelias is also a solemn and deeply personal eulogy to Orellana’s recently deceased father, a Chilean political dissident, who escaped to Norway in the 1970s.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOver five tracks, bookended by two long-form arrangements, Orellana combines a range of flutes (bass, alto and regular C-flute) with audio sourced from film recordings made by her sister in their father’s Andean garden, where he returned to shortly before his death. Carmen Villain’s close miking techniques and subtle electronic post-production create space for Orellana to dive deep into both the flutes’ dynamic capacity for rhythm and melodic repetition, as well as the meta-musical sounds usually excluded from recordings of the instrument: parting lips, deep inhalation, hand movement, finger placement, tapping, exhalation, and a range of overtones whistling, humming and screeching louder than the note\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e generated.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOccasionally, multiple flute tracks are combined and panned wide into a series of evolving sonic tapestries that recall various folk flute traditions, as well Maggie Payne, early Kraftwerk’s kosmische flute experimentation, the free improvisation of Don Cherry, or the subtle low brass meditations of Robin Hayward. Importantly, none of the flute tracks were made as overdubs but rather fused together in post-production into uncanny rhythmic parallels, capturing both Orellana’s internal clock and an overall sense of aleatoric composition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn “El Jardin I” – “El Jardin IV”, Orellana runs through dozens of slight melodic variations, gradually decreasing the airflow until the tones transform into overtones; a soft wheezing generated by final breaths and eventually reborn as new melodic figures. The intimacy of both the field recordings and Orellana’s playing puts the listener not only in nature but almost inside of her mouth. Music and lung capacity become vital signs – and, in their absence, signs of passing in physical and sonic transformation. On album closer “San Fabian”, these themes merge into a final, trill-heavy, hallucinatory whirlwind of electronics and manipulated gasps. Las Camelias is an album made out of grief, but also a celebration of the physics of resonating bodies and the music hidden in the mechanics of technique.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Johanna Orellana\u003c\/p\u003e\n\u003cp\u003eLabel : Smalltown Supersound\u003c\/p\u003e"}
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ノルウェー／チリのフルート奏者Johanna Orellanaが、2023年3月に同国オスロのSmalltown Supersoundからリリースしたデビューレコードです。 エフェクト加工は行わず、フルートと環境音のみで表現した没入感のあるエレクトロアコースティック〜コンテンポラリー5曲を収録。 レーベルその他作品はこちら /// Click here to see more Smalltown Supersound releases available at Tobira....
¥3,980
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{"id":7935749980410,"title":"Frank Denyer \/\/ Melodies 2xCD","handle":"frank-denyer-melodies-2xcd","description":"\u003cp\u003eイギリスの実験音楽家／自作楽器演奏家Frank Denyerが、2023年2月に同国コンテンポラリーレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Timbreからリリースした2枚組CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e彼が1970年代半ばに発表した「Melodies」シリーズの初録音作品です。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eこのプロジェクトは、彼が当時行っていた民族音楽学の研究から生まれたもので、メロディやハーモニーといった\u003cmeta charset=\"utf-8\"\u003e音楽の最も基本的な要素に疑問を持ったことがきっかけで開始したものです。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e単音のメロディーから始まり、2音、3音、4音のメロディーと徐々に複雑になっていき、最後の曲では14音と15音のメロディーが含まれています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e彼自身による24ページのブックレットが付属。\u003c\/span\u003eデジパック、シュリンク仕様です。\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2563594903\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre\u003c\/span\u003e:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"A unique double album, featuring the first recording of Frank Denyer's extraordinary 'Melodies' series from the mid-1970's. The project arose from Frank's ethnomusicological studies of the time, which had forced him to question the most fundamental elements of music. He had to ask himself 'what is a melody?' and 'what is a note?' His typically eccentric response was to write a series of 25 pieces, starting with single-note melodies, then melodies with two, three or four notes, gradually becoming more complex until the last piece, which contains 14- and 15-note melodies.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album contains a 24-page booklet with an essay about the 'Melodies' project by Frank Denyer himself. \"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Frank Denyer \u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e","published_at":"2023-03-12T17:02:20+09:00","created_at":"2023-03-12T16:48:01+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry"],"price":298000,"price_min":298000,"price_max":298000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44070155124986,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Frank Denyer \/\/ Melodies 2xCD","public_title":null,"options":["Default Title"],"price":298000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0251182743_16.jpg?v=1678607781"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0251182743_16.jpg?v=1678607781","options":["Title"],"media":[{"alt":null,"id":31668559216890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0251182743_16.jpg?v=1678607781"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0251182743_16.jpg?v=1678607781","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験音楽家／自作楽器演奏家Frank Denyerが、2023年2月に同国コンテンポラリーレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Timbreからリリースした2枚組CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e彼が1970年代半ばに発表した「Melodies」シリーズの初録音作品です。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eこのプロジェクトは、彼が当時行っていた民族音楽学の研究から生まれたもので、メロディやハーモニーといった\u003cmeta charset=\"utf-8\"\u003e音楽の最も基本的な要素に疑問を持ったことがきっかけで開始したものです。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e単音のメロディーから始まり、2音、3音、4音のメロディーと徐々に複雑になっていき、最後の曲では14音と15音のメロディーが含まれています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e彼自身による24ページのブックレットが付属。\u003c\/span\u003eデジパック、シュリンク仕様です。\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2563594903\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre\u003c\/span\u003e:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"A unique double album, featuring the first recording of Frank Denyer's extraordinary 'Melodies' series from the mid-1970's. The project arose from Frank's ethnomusicological studies of the time, which had forced him to question the most fundamental elements of music. He had to ask himself 'what is a melody?' and 'what is a note?' His typically eccentric response was to write a series of 25 pieces, starting with single-note melodies, then melodies with two, three or four notes, gradually becoming more complex until the last piece, which contains 14- and 15-note melodies.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album contains a 24-page booklet with an essay about the 'Melodies' project by Frank Denyer himself. \"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Frank Denyer \u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e"}
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クイックビュー
{"id":7931443216634,"title":"Eventless Plot \/\/ Distance Between Us LP [COLOR]","handle":"eventless-plot-distance-between-us-lp-color","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eギリシャ・テッサロニキ\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eの物音レーベルGranny Records主宰の一人\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eVasilis Lioliosと、物音シーンで活躍するAris Giatas、Yiannis Tsirikoglouによるトリオ\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eEventless Plot\u003c\/span\u003eが、2023年3月にアメリカ・LAの実験／物音レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDinzu Artefactsから200本限定でリリースした共作カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eクラリネットやモジュラー、ピアノによるエレクトロアコースティック〜ドローン2曲を収録。DLコード付属。スカイブルー色盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1892839949\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 100. Pressed on blue 12\" vinyl. \u003c\/p\u003e\n\u003cp\u003eDinzu Artefacts:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eEventless Plot joins forces with a duo of clarinets for the aptly titled Distance Between Us, an extended composition that gives sensual expression to the nature of distance and its implied correlate, closeness – reflecting and blurring the two across multiple levels both apparent on the music's surface and hidden beneath it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs with previous releases, the ensemble forgoes straightforward narrative forms in favor of a process they call 'semi-composition,' which involves a pre-determined assemblage of basic materials: tones, rhythms, melodic fragments, harmonies, textures. Musicians use these materials to guide their decisions whilst remaining free to play according to their own musical sensibilities, independently emerging and receding, spontaneously converging and diverging. The result is a kaleidoscopic music of slowly yet constantly shifting patterns, harmonies, and textures, a crystalline whole that, rather than presenting that which undergoes change, is the very expression of change itself.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eventless Plot\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e","published_at":"2023-03-06T15:25:29+09:00","created_at":"2023-03-06T12:19:54+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","dinzu artefacts","drone","lp","recommended"],"price":348000,"price_min":348000,"price_max":348000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44050324521210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Eventless Plot \/\/ Distance Between Us LP [COLOR]","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/be1_8be331c7-4e94-46d9-8421-62ceee916b01.jpg?v=1678072796","\/\/tobirarecords.com\/cdn\/shop\/products\/be2_2db1c454-3318-447e-93dd-7fb1996d95c6.jpg?v=1678072796"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_8be331c7-4e94-46d9-8421-62ceee916b01.jpg?v=1678072796","options":["Title"],"media":[{"alt":null,"id":31634338742522,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_8be331c7-4e94-46d9-8421-62ceee916b01.jpg?v=1678072796"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_8be331c7-4e94-46d9-8421-62ceee916b01.jpg?v=1678072796","width":700},{"alt":null,"id":31634338775290,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be2_2db1c454-3318-447e-93dd-7fb1996d95c6.jpg?v=1678072796"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be2_2db1c454-3318-447e-93dd-7fb1996d95c6.jpg?v=1678072796","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eギリシャ・テッサロニキ\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eの物音レーベルGranny Records主宰の一人\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eVasilis Lioliosと、物音シーンで活躍するAris Giatas、Yiannis Tsirikoglouによるトリオ\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eEventless Plot\u003c\/span\u003eが、2023年3月にアメリカ・LAの実験／物音レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDinzu Artefactsから200本限定でリリースした共作カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eクラリネットやモジュラー、ピアノによるエレクトロアコースティック〜ドローン2曲を収録。DLコード付属。スカイブルー色盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1892839949\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 100. Pressed on blue 12\" vinyl. \u003c\/p\u003e\n\u003cp\u003eDinzu Artefacts:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eEventless Plot joins forces with a duo of clarinets for the aptly titled Distance Between Us, an extended composition that gives sensual expression to the nature of distance and its implied correlate, closeness – reflecting and blurring the two across multiple levels both apparent on the music's surface and hidden beneath it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs with previous releases, the ensemble forgoes straightforward narrative forms in favor of a process they call 'semi-composition,' which involves a pre-determined assemblage of basic materials: tones, rhythms, melodic fragments, harmonies, textures. Musicians use these materials to guide their decisions whilst remaining free to play according to their own musical sensibilities, independently emerging and receding, spontaneously converging and diverging. The result is a kaleidoscopic music of slowly yet constantly shifting patterns, harmonies, and textures, a crystalline whole that, rather than presenting that which undergoes change, is the very expression of change itself.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eventless Plot\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e"}
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ギリシャ・テッサロニキの物音レーベルGranny Records主宰の一人Vasilis Lioliosと、物音シーンで活躍するAris Giatas、Yiannis TsirikoglouによるトリオEventless Plotが、2023年3月にアメリカ・LAの実験／物音レーベルDinzu Artefactsから200本限定でリリースした共作カセットです。 クラリネットやモジュラー、ピアノによるエレクトロアコースティック〜ドローン2曲を収録。DLコード付属。スカイブルー色盤です。 レーベルその他作品はこちら /// Click here to see more Dinzu Artefacts...
¥3,480
クイックビュー
{"id":7930487537914,"title":"Various Artists \/\/ The 12th Annual International Sound Poetry Festival 4xTAPE+BOOK","handle":"various-artists-the-12th-annual-international-sound-poetry-festival-4xtape-book","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・LAの実験レーベルRecitalが、2022年11月にリリースした\u003cmeta charset=\"utf-8\"\u003e第12回国際サウンド・ポエトリー・フェスティバルBOXセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eBOXには30名の音響詩人のパフォーマンスを収録した4本組カセットと、楽譜やアートワーク、バイオグラフィーが掲載された240ページの本が収められています。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e長年の準備の末、リサイタルは第12回国際サウンド・ポエトリー・フェスティバルのボックスセットをお届けします。1980年にニューヨークで開催されたこのフェスティバルは、1960年代にストックホルムで始まったこの先駆的なシリーズの最後のフェスティバルでした。30人のアーティストによる5時間近い音声を収録した意欲的なドキュメントです。また、各アーティストのバイオグラフィー、テキスト、アートワークを収録した240ページのブックには、チャーリー・モローとショーン・マッキャンによるプログラムノートが付属しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e10日間のフェスティバルでは、世界中からサウンドポエットの大隊が集まり、マンハッタンのワシントン・スクエア・チャーチでステージを共有しました。定評のあるサウンドポエットが、より無名のアーティストと並べられ、中にはより熱狂的なアーティストもいます。例えば、カルレス・サントス、ジョン・ジョルノ、フォー・ホースメンは、言葉の猛攻を伝えてくる。そしてベルナール・ハイドシェック、「Democratie II」の彼の叫びと唸り声が壁や天井に揺れ動き、まるでリュクサンブール宮のフランス国会で叫んでいるかのように強度を増幅しているのが聞こえます。アリソン・ノウルズは演劇的なアンサンブル・リーディング（豆の演奏付き）を披露し、ロバート・ジョセフとピエール・ヴァン・ダイクの声と本のページをめくる音のための控えめなコンセプト作品は、特に興味深いものでした。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e1980年は、サウンドポエトリーの転換期であったように思います。新しいサウンドポエトリーがこれまで以上に増えているように見えますが、このジャンルは、新しいデジタル技術を使った他の実験的なサウンドプラクティスのプールへと消えていき、溶け始めています。このテープからは、世代交代の息吹が聞こえてきそうです。しかし、もちろん最終的にはサウンドポエトリーはまだ健在であり、このような細かい毛嫌いすることは、何よりも個人の趣味や知覚の問題になるのです。どんなプロジェクトやムーブメントの始まりも、純粋な状態も、常にロマンティックであり、幸運なことに、このコレクションには多くのパイオニアが含まれています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e収録アーティスト \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eCarles Santos, Jackson Mac Low, Greta Monach, Bernard Heidsieck, Katalin Ladik, Jerome Rothenberg, Mary Ellen Solt, John Giorno, Armand Schwerner, Charles Stein, Beth Anderson, Charles Amirkhanian, Richard Kostelanetz, Franz Kamin, Michael Gibbs, The Four Horsemen (bpNichol, Rafael Barreto-Rivera, Paul Dutton and Steve McCaffery), Adriano Spatola, Paula Claire, Sten Hanson, Charlie Morrow, Glen Velez, Larry Wendt, Nina Yankowitz, Robert Joseph, Pier Van Dijk, Alison Knowles, Bern Porter, P. Clive Fencott, Bob Cobbing, and the Ocarina Orchestra.\u003c\/span\u003e \"\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1020804561\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200. Hand numbered.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e• 4x Cassettes (nearly 5 hours of music)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 240-page book, 6\"x9\" perfect bound\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Housed in printed box\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecital:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"After years of preparation, Recital is proud to present the 12th Annual International Sound Poetry Festival box set. Held in New York in 1980, this was the last festival of the pioneering series, first started in Stockholm in the 1960s. This ambitious document holds nearly five hours of audio from 30 artists. A 240-page book with biographies, texts, and artwork from each artist supplements the edition, including program notes by Charlie Morrow and Sean McCann.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe 10-day festival collected a battalion of sound poets from around the globe to share the stage at Washington Square Church in Manhattan. Both established sound poets are juxtaposed with more obscure artists, some more fervent than others. Carles Santos, John Giorno, and The Four Horsemen, for example, convey a verbal onslaught. And Bernard Heidsieck, you can hear his shouted and snarled words of “Democratie II” shimmer against the walls and ceiling, amplifying in intensity as if he is screaming at the French Parliament in the Palais du Luxembourg. Not all performances are aggressive; Alison Knowles presents a theatrical ensemble reading (with bean performance), and the subdued conceptual work of Robert Joseph and Pier Van Dijk’s for voice and the sound of turning book pages is particularly\u003cspan class=\"bcTruncateMore\"\u003e interesting.\u003cbr\u003e\u003cbr\u003eThe year 1980 seemed like a turning point for sound poetry: there were seemingly more new sound poets than ever, yet the genre began to dissipate and melt into a pool of other experimental sound practices with newer digital technologies. One can almost hear the generational change in these tapes, mid-exhale. But of course at the end of the day sound poetry is still alive and well, and splitting hairs as fine as these becomes more a matter of personal taste\/perception than anything else. There will always be a romanticization of the beginning of any project or movement, the pure state, and luckily this collection includes many of the pioneers. \u003cbr\u003e\u003cbr\u003eArtists included: Carles Santos, Jackson Mac Low, Greta Monach, Bernard Heidsieck, Katalin Ladik, Jerome Rothenberg, Mary Ellen Solt, John Giorno, Armand Schwerner, Charles Stein, Beth Anderson, Charles Amirkhanian, Richard Kostelanetz, Franz Kamin, Michael Gibbs, The Four Horsemen (bpNichol, Rafael Barreto-Rivera, Paul Dutton and Steve McCaffery), Adriano Spatola, Paula Claire, Sten Hanson, Charlie Morrow, Glen Velez, Larry Wendt, Nina Yankowitz, Robert Joseph, Pier Van Dijk, Alison Knowles, Bern Porter, P. Clive Fencott, Bob Cobbing, and the Ocarina Orchestra.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Recital\u003c\/p\u003e","published_at":"2023-03-05T07:36:09+09:00","created_at":"2023-03-04T20:33:51+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","contemporary \/ sound poetry","new","Recital","recommended","tape"],"price":1244000,"price_min":1244000,"price_max":1244000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44045508509946,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists \/\/ The 12th Annual International Sound Poetry Festival 4xTAPE+BOOK","public_title":null,"options":["Default Title"],"price":1244000,"weight":1010,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ann1.jpg?v=1677929633","\/\/tobirarecords.com\/cdn\/shop\/products\/ann2.jpg?v=1677929634","\/\/tobirarecords.com\/cdn\/shop\/products\/ann3.jpg?v=1677929634","\/\/tobirarecords.com\/cdn\/shop\/products\/ann4.jpg?v=1677929634","\/\/tobirarecords.com\/cdn\/shop\/products\/ann5.jpg?v=1677929633"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ann1.jpg?v=1677929633","options":["Title"],"media":[{"alt":null,"id":31627868963066,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ann1.jpg?v=1677929633"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ann1.jpg?v=1677929633","width":700},{"alt":null,"id":31627868995834,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ann2.jpg?v=1677929634"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ann2.jpg?v=1677929634","width":1200},{"alt":null,"id":31627869028602,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ann3.jpg?v=1677929634"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ann3.jpg?v=1677929634","width":1200},{"alt":null,"id":31627869061370,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ann4.jpg?v=1677929634"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ann4.jpg?v=1677929634","width":1200},{"alt":null,"id":31627869192442,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ann5.jpg?v=1677929633"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ann5.jpg?v=1677929633","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・LAの実験レーベルRecitalが、2022年11月にリリースした\u003cmeta charset=\"utf-8\"\u003e第12回国際サウンド・ポエトリー・フェスティバルBOXセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eBOXには30名の音響詩人のパフォーマンスを収録した4本組カセットと、楽譜やアートワーク、バイオグラフィーが掲載された240ページの本が収められています。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e長年の準備の末、リサイタルは第12回国際サウンド・ポエトリー・フェスティバルのボックスセットをお届けします。1980年にニューヨークで開催されたこのフェスティバルは、1960年代にストックホルムで始まったこの先駆的なシリーズの最後のフェスティバルでした。30人のアーティストによる5時間近い音声を収録した意欲的なドキュメントです。また、各アーティストのバイオグラフィー、テキスト、アートワークを収録した240ページのブックには、チャーリー・モローとショーン・マッキャンによるプログラムノートが付属しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e10日間のフェスティバルでは、世界中からサウンドポエットの大隊が集まり、マンハッタンのワシントン・スクエア・チャーチでステージを共有しました。定評のあるサウンドポエットが、より無名のアーティストと並べられ、中にはより熱狂的なアーティストもいます。例えば、カルレス・サントス、ジョン・ジョルノ、フォー・ホースメンは、言葉の猛攻を伝えてくる。そしてベルナール・ハイドシェック、「Democratie II」の彼の叫びと唸り声が壁や天井に揺れ動き、まるでリュクサンブール宮のフランス国会で叫んでいるかのように強度を増幅しているのが聞こえます。アリソン・ノウルズは演劇的なアンサンブル・リーディング（豆の演奏付き）を披露し、ロバート・ジョセフとピエール・ヴァン・ダイクの声と本のページをめくる音のための控えめなコンセプト作品は、特に興味深いものでした。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e1980年は、サウンドポエトリーの転換期であったように思います。新しいサウンドポエトリーがこれまで以上に増えているように見えますが、このジャンルは、新しいデジタル技術を使った他の実験的なサウンドプラクティスのプールへと消えていき、溶け始めています。このテープからは、世代交代の息吹が聞こえてきそうです。しかし、もちろん最終的にはサウンドポエトリーはまだ健在であり、このような細かい毛嫌いすることは、何よりも個人の趣味や知覚の問題になるのです。どんなプロジェクトやムーブメントの始まりも、純粋な状態も、常にロマンティックであり、幸運なことに、このコレクションには多くのパイオニアが含まれています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e収録アーティスト \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eCarles Santos, Jackson Mac Low, Greta Monach, Bernard Heidsieck, Katalin Ladik, Jerome Rothenberg, Mary Ellen Solt, John Giorno, Armand Schwerner, Charles Stein, Beth Anderson, Charles Amirkhanian, Richard Kostelanetz, Franz Kamin, Michael Gibbs, The Four Horsemen (bpNichol, Rafael Barreto-Rivera, Paul Dutton and Steve McCaffery), Adriano Spatola, Paula Claire, Sten Hanson, Charlie Morrow, Glen Velez, Larry Wendt, Nina Yankowitz, Robert Joseph, Pier Van Dijk, Alison Knowles, Bern Porter, P. Clive Fencott, Bob Cobbing, and the Ocarina Orchestra.\u003c\/span\u003e \"\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1020804561\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200. Hand numbered.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e• 4x Cassettes (nearly 5 hours of music)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 240-page book, 6\"x9\" perfect bound\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Housed in printed box\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecital:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"After years of preparation, Recital is proud to present the 12th Annual International Sound Poetry Festival box set. Held in New York in 1980, this was the last festival of the pioneering series, first started in Stockholm in the 1960s. This ambitious document holds nearly five hours of audio from 30 artists. A 240-page book with biographies, texts, and artwork from each artist supplements the edition, including program notes by Charlie Morrow and Sean McCann.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe 10-day festival collected a battalion of sound poets from around the globe to share the stage at Washington Square Church in Manhattan. Both established sound poets are juxtaposed with more obscure artists, some more fervent than others. Carles Santos, John Giorno, and The Four Horsemen, for example, convey a verbal onslaught. And Bernard Heidsieck, you can hear his shouted and snarled words of “Democratie II” shimmer against the walls and ceiling, amplifying in intensity as if he is screaming at the French Parliament in the Palais du Luxembourg. Not all performances are aggressive; Alison Knowles presents a theatrical ensemble reading (with bean performance), and the subdued conceptual work of Robert Joseph and Pier Van Dijk’s for voice and the sound of turning book pages is particularly\u003cspan class=\"bcTruncateMore\"\u003e interesting.\u003cbr\u003e\u003cbr\u003eThe year 1980 seemed like a turning point for sound poetry: there were seemingly more new sound poets than ever, yet the genre began to dissipate and melt into a pool of other experimental sound practices with newer digital technologies. One can almost hear the generational change in these tapes, mid-exhale. But of course at the end of the day sound poetry is still alive and well, and splitting hairs as fine as these becomes more a matter of personal taste\/perception than anything else. There will always be a romanticization of the beginning of any project or movement, the pure state, and luckily this collection includes many of the pioneers. \u003cbr\u003e\u003cbr\u003eArtists included: Carles Santos, Jackson Mac Low, Greta Monach, Bernard Heidsieck, Katalin Ladik, Jerome Rothenberg, Mary Ellen Solt, John Giorno, Armand Schwerner, Charles Stein, Beth Anderson, Charles Amirkhanian, Richard Kostelanetz, Franz Kamin, Michael Gibbs, The Four Horsemen (bpNichol, Rafael Barreto-Rivera, Paul Dutton and Steve McCaffery), Adriano Spatola, Paula Claire, Sten Hanson, Charlie Morrow, Glen Velez, Larry Wendt, Nina Yankowitz, Robert Joseph, Pier Van Dijk, Alison Knowles, Bern Porter, P. Clive Fencott, Bob Cobbing, and the Ocarina Orchestra.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Recital\u003c\/p\u003e"}
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アメリカ・LAの実験レーベルRecitalが、2022年11月にリリースした第12回国際サウンド・ポエトリー・フェスティバルBOXセットです。 BOXには30名の音響詩人のパフォーマンスを収録した4本組カセットと、楽譜やアートワーク、バイオグラフィーが掲載された240ページの本が収められています。DLコード付属。 以下、レーベルによる解説です。 長年の準備の末、リサイタルは第12回国際サウンド・ポエトリー・フェスティバルのボックスセットをお届けします。1980年にニューヨークで開催されたこのフェスティバルは、1960年代にストックホルムで始まったこの先駆的なシリーズの最後のフェスティバルでした。30人のアーティストによる5時間近い音声を収録した意欲的なドキュメントです。また、各アーティストのバイオグラフィー、テキスト、アートワークを収録した240ページのブックには、チャーリー・モローとショーン・マッキャンによるプログラムノートが付属しています。10日間のフェスティバルでは、世界中からサウンドポエットの大隊が集まり、マンハッタンのワシントン・スクエア・チャーチでステージを共有しました。定評のあるサウンドポエットが、より無名のアーティストと並べられ、中にはより熱狂的なアーティストもいます。例えば、カルレス・サントス、ジョン・ジョルノ、フォー・ホースメンは、言葉の猛攻を伝えてくる。そしてベルナール・ハイドシェック、「Democratie II」の彼の叫びと唸り声が壁や天井に揺れ動き、まるでリュクサンブール宮のフランス国会で叫んでいるかのように強度を増幅しているのが聞こえます。アリソン・ノウルズは演劇的なアンサンブル・リーディング（豆の演奏付き）を披露し、ロバート・ジョセフとピエール・ヴァン・ダイクの声と本のページをめくる音のための控えめなコンセプト作品は、特に興味深いものでした。1980年は、サウンドポエトリーの転換期であったように思います。新しいサウンドポエトリーがこれまで以上に増えているように見えますが、このジャンルは、新しいデジタル技術を使った他の実験的なサウンドプラクティスのプールへと消えていき、溶け始めています。このテープからは、世代交代の息吹が聞こえてきそうです。しかし、もちろん最終的にはサウンドポエトリーはまだ健在であり、このような細かい毛嫌いすることは、何よりも個人の趣味や知覚の問題になるのです。どんなプロジェクトやムーブメントの始まりも、純粋な状態も、常にロマンティックであり、幸運なことに、このコレクションには多くのパイオニアが含まれています。収録アーティスト Carles Santos, Jackson Mac Low, Greta Monach, Bernard Heidsieck,...
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{"id":7928706793722,"title":"Hainbach \/ Todd Barton \/\/ Split LP","handle":"hainbach-todd-barton-split-12","description":"\u003cp\u003eBuchlaの名手であり、1980年代から活動しているアメリカの実験音楽家Todd Bartonと、ドイツ・ベルリンのアンビエント作家Hainbachが、2023年1月にアメリカ・ボルチモアの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUltraviolet Lightから300部限定でリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTodd BartonサイドはBuchlaによるカオスなオーケストラ3曲を、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHainbachサイドはモジュラーによるドローン〜アンビエントテクノ3曲を\u003c\/span\u003e収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=51662281\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eUltraviolet Lightその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/uvl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/uvl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/uvl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/uvl\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUltraviolet Light releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. Edition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUltraviolet Light:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eUltraviolet Light is proud to announce a split vinyl LP featuring three new tracks of exploratory music apiece by innovative electronic musicians Todd Barton and Hainbach.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFour decades into making music in conversation with modern classical, jazz, poetry, ancient music, new age, and the avant-garde, Todd Barton continues to craft sounds that know no boundaries. Berlin-based Hainbach’s side conjures a pulsing and immersive electronic landscape very much in conversation with Barton’s spacious and unfettered compositions. Taken as a whole, the album relocates us into a cerebral yet viscerally affecting cinema of orchestrated chaos and near-future \u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003enoise.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis release continues Ultraviolet Light’s unique\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003e relationship with both artists. Todd Barton curated the artists featured on the label’s sold-old Buchla Now cassette; Barton and Hainbach’s first pairing was on a 2019 Ultraviolet Light split cassette.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : HAINBACH \/ TODD BARTON\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Ultraviolet Light\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-03-02T18:26:50+09:00","created_at":"2023-03-02T14:41:54+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","monooto","techno \/ house","Ultraviolet Light"],"price":428000,"price_min":428000,"price_max":428000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44038448087290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hainbach \/ Todd Barton \/\/ Split LP","public_title":null,"options":["Default Title"],"price":428000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_8978b187-930e-4589-8320-e1d9b020a9f5.jpg?v=1677735716","\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_c59efccf-cd20-42d9-b624-8e8da6c91b42.jpg?v=1677735716"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_8978b187-930e-4589-8320-e1d9b020a9f5.jpg?v=1677735716","options":["Title"],"media":[{"alt":null,"id":31613224517882,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_8978b187-930e-4589-8320-e1d9b020a9f5.jpg?v=1677735716"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_8978b187-930e-4589-8320-e1d9b020a9f5.jpg?v=1677735716","width":700},{"alt":null,"id":31613224550650,"position":2,"preview_image":{"aspect_ratio":1.264,"height":949,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_c59efccf-cd20-42d9-b624-8e8da6c91b42.jpg?v=1677735716"},"aspect_ratio":1.264,"height":949,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_c59efccf-cd20-42d9-b624-8e8da6c91b42.jpg?v=1677735716","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eBuchlaの名手であり、1980年代から活動しているアメリカの実験音楽家Todd Bartonと、ドイツ・ベルリンのアンビエント作家Hainbachが、2023年1月にアメリカ・ボルチモアの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUltraviolet Lightから300部限定でリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTodd BartonサイドはBuchlaによるカオスなオーケストラ3曲を、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHainbachサイドはモジュラーによるドローン〜アンビエントテクノ3曲を\u003c\/span\u003e収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=51662281\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eUltraviolet Lightその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/uvl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/uvl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/uvl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/uvl\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUltraviolet Light releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. Edition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUltraviolet Light:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eUltraviolet Light is proud to announce a split vinyl LP featuring three new tracks of exploratory music apiece by innovative electronic musicians Todd Barton and Hainbach.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFour decades into making music in conversation with modern classical, jazz, poetry, ancient music, new age, and the avant-garde, Todd Barton continues to craft sounds that know no boundaries. Berlin-based Hainbach’s side conjures a pulsing and immersive electronic landscape very much in conversation with Barton’s spacious and unfettered compositions. Taken as a whole, the album relocates us into a cerebral yet viscerally affecting cinema of orchestrated chaos and near-future \u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003enoise.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis release continues Ultraviolet Light’s unique\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003e relationship with both artists. Todd Barton curated the artists featured on the label’s sold-old Buchla Now cassette; Barton and Hainbach’s first pairing was on a 2019 Ultraviolet Light split cassette.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : HAINBACH \/ TODD BARTON\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Ultraviolet Light\u003c\/span\u003e\u003c\/p\u003e"}
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Buchlaの名手であり、1980年代から活動しているアメリカの実験音楽家Todd Bartonと、ドイツ・ベルリンのアンビエント作家Hainbachが、2023年1月にアメリカ・ボルチモアの実験レーベルUltraviolet Lightから300部限定でリリースしたスプリットレコードです。 Todd BartonサイドはBuchlaによるカオスなオーケストラ3曲を、Hainbachサイドはモジュラーによるドローン〜アンビエントテクノ3曲を収録。DLコード付属。 Ultraviolet Lightその他作品はこちら /// Click here to see more Ultraviolet Light releases available at...
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{"id":7925524398330,"title":"Claudia Molitor \/\/ Have You Ever CD","handle":"claudia-molitor-have-you-ever-cd","description":"\u003cp\u003eドイツ出身イギリス在住の作曲家Claudia Molitorが、2022年5月にイギリスの実験レーベルNonclassicalからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e実験ポップ〜アヴァン・クラシカル13曲を収録。6面デジパック仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2579722002\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noncls\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/noncls\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noncls\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/noncls\"\u003ehere\u003c\/a\u003e to see more Nonclassical releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eNonclassical:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSound artist and composer Claudia Molitor’s new 13-track solo album Have you ever brings together influences ranging from techno and jazz to Ivor Cutler and Nico, for which she has recorded her own field recordings as well as playing a variety of instruments and singing. It features poetry by Graham Mackenzie and Brian Patten alongside Molitor’s own text in both English and German.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Each little song is like a world in itself … I thought it was really fun making these short little ideas, and to try and encapsulate something in just three or four minutes.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFinding a freedom in creating for herself rather than for a brief or commission, Molitor began creating songs and miniatures in early 2020. Her process began with a simple element – a field recording, some words, a fragment of melody – which would then go through an organic transformation of collage and manipulation before arriving at the resulting track. The result is a diverse collection of tracks showcasing the breadth of the composers’ practice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e--\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eClaudia Molitor is a composer, artist and performer whose work draws on traditions of music and sound art, and also extends to video, performance and fine art practices. Exploring the\u003cspan class=\"bcTruncateMore\"\u003e relationships between listening and seeing as well as embracing collaboration as compositional practice is central to her work.\u003cbr\u003eClaudia’s work is regularly commissioned, performed and broadcast throughout Europe, working with festivals such as Wien Modern, hcmf\/\/, Spor, BBC Proms and Sonica and organisations such as Tate Britain, NMC Recordings and the Science Museum. Recent work includes Sonorama with Electra Productions, Turner Contemporary and the British Library, Vast White Stillness for Spitalfields Festival and Brighton Festival and The Singing Bridge, installed at Somerset House during Totally Thames 2016.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Claudia Molitor\u003c\/p\u003e\n\u003cp\u003eLabel : Nonclassical\u003c\/p\u003e","published_at":"2023-03-01T06:50:20+09:00","created_at":"2023-02-25T15:18:27+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","folk \/ left-field pop","Nonclassical"],"price":218000,"price_min":218000,"price_max":218000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44023423631610,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Claudia Molitor \/\/ Have You Ever CD","public_title":null,"options":["Default Title"],"price":218000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ev1_33acc83f-c438-4af4-b5b9-12dc0c991df2.jpg?v=1677305909","\/\/tobirarecords.com\/cdn\/shop\/products\/ev2_e098b97e-69e3-46ab-aec9-229e12453025.jpg?v=1677305909"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev1_33acc83f-c438-4af4-b5b9-12dc0c991df2.jpg?v=1677305909","options":["Title"],"media":[{"alt":null,"id":31584798212346,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev1_33acc83f-c438-4af4-b5b9-12dc0c991df2.jpg?v=1677305909"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev1_33acc83f-c438-4af4-b5b9-12dc0c991df2.jpg?v=1677305909","width":700},{"alt":null,"id":31584798245114,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev2_e098b97e-69e3-46ab-aec9-229e12453025.jpg?v=1677305909"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev2_e098b97e-69e3-46ab-aec9-229e12453025.jpg?v=1677305909","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ出身イギリス在住の作曲家Claudia Molitorが、2022年5月にイギリスの実験レーベルNonclassicalからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e実験ポップ〜アヴァン・クラシカル13曲を収録。6面デジパック仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2579722002\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noncls\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/noncls\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noncls\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/noncls\"\u003ehere\u003c\/a\u003e to see more Nonclassical releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eNonclassical:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSound artist and composer Claudia Molitor’s new 13-track solo album Have you ever brings together influences ranging from techno and jazz to Ivor Cutler and Nico, for which she has recorded her own field recordings as well as playing a variety of instruments and singing. It features poetry by Graham Mackenzie and Brian Patten alongside Molitor’s own text in both English and German.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Each little song is like a world in itself … I thought it was really fun making these short little ideas, and to try and encapsulate something in just three or four minutes.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFinding a freedom in creating for herself rather than for a brief or commission, Molitor began creating songs and miniatures in early 2020. Her process began with a simple element – a field recording, some words, a fragment of melody – which would then go through an organic transformation of collage and manipulation before arriving at the resulting track. The result is a diverse collection of tracks showcasing the breadth of the composers’ practice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e--\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eClaudia Molitor is a composer, artist and performer whose work draws on traditions of music and sound art, and also extends to video, performance and fine art practices. Exploring the\u003cspan class=\"bcTruncateMore\"\u003e relationships between listening and seeing as well as embracing collaboration as compositional practice is central to her work.\u003cbr\u003eClaudia’s work is regularly commissioned, performed and broadcast throughout Europe, working with festivals such as Wien Modern, hcmf\/\/, Spor, BBC Proms and Sonica and organisations such as Tate Britain, NMC Recordings and the Science Museum. Recent work includes Sonorama with Electra Productions, Turner Contemporary and the British Library, Vast White Stillness for Spitalfields Festival and Brighton Festival and The Singing Bridge, installed at Somerset House during Totally Thames 2016.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Claudia Molitor\u003c\/p\u003e\n\u003cp\u003eLabel : Nonclassical\u003c\/p\u003e"}
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クイックビュー
{"id":7923909198074,"title":"Jeugdbrand \/\/ Siamese Dream (Team) LP","handle":"jeugdbrand-siamese-dream-team-lp","description":"\u003cp\u003eベルギー・アントワープの詩人\u003cmeta charset=\"utf-8\"\u003eDennis TyfusとパーカッショニストJeroen StevensによるデュオJeugdbrandが、2023年3月にリリースするデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eこれをはたして音楽と呼べるのでしょうか？インサートとDLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eJeugdbrandは、アントワープの声（Dennis Tyfus）とビート（Jeroen Stevens）です。彼らは、アントワープの古典的なアナーキーなユーモアのセンスに彩られた、きらめくドラマ、演劇的な悲劇を演じます。ベルギー音楽界のランドマークであるJoris CaluwaertsのFinster Studiosで録音されました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eDennisの作品には、様々な大きさの鉛筆画があります。これらのドローイングの中で、作家は多くの悲劇的な状況に身を置いています。バーで長い夜を過ごした後、家に帰る途中で嘔吐するような。右翼のバカどもに煮え湯を飲ませるような。Tinderのプロフィールで甘い嘘をつくような。あるいは、日曜の夕方にゴミ出しをすることのような。恐ろしい。これらの一見、密閉された鉛筆の絵は、ごまかしの効かないシンプルな世界を示しています。しかし、カラフルな仮面の裏側で実際に何が起こっているのかをもう少し理解すると、苦い後味になることが多いです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e音楽に関しては、前述のドローイングとは対照的に、\u003cmeta charset=\"utf-8\"\u003eDennisはもっと断片的な絵を描きます。彼のレコーディングや演奏は、しばしば抜粋をつなぎ合わせたような印象を与えます。奇妙な文章やおかしな発言が飛び交い、交錯します。音楽的な記号はテーブルの上にさりげなく投げ出されています。明確な絵の代わりに、さまざまな落書きの束を見ているような感覚に陥ります。\u003cmeta charset=\"utf-8\"\u003eDennisがいかに集中して絵を描いているかということに比べ、彼の音楽はいかに集中力がなく、大雑把であるかということを感じることがあるのです。私たちはただ、感情から感情へと放り出されるだけなのです。笑いから涙へ。それは揺れ動くものです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私は、\u003cmeta charset=\"utf-8\"\u003eDennisがアントワープの中心部をいつも散歩しているときに拾った会話の欠片を、常にメモしているのではないかと想像したいです。R. Murray Schaferのようなやり方で、\u003cmeta charset=\"utf-8\"\u003eDennisはすべての文章を非常に恣意的にとらえます...そしてそれがサウンドスケープとなるのです。ドラマチック、ノーマル、自慢話、バカバカしさ、切迫感...。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJeroen Stevensの登場です。アントワープきってのパーカッショニストです。この文章で彼の出演するバンドをすべて列挙していたら、本当にデータとプリンターを無駄にしてしまうでしょう。Jeroenは学校教育を受けたセッション・ミュージシャンの壮大な才能です。しかし、白人のインプロに感謝したいです。彼はまた、スイートでクリエイティブでもあるのです。Jeugdbrandは、菅井健とのLP『KAGIROI』（2021年）でパーカッシブの断片を担当したのに続き、Edições CNのカタログでは2作目の参加となります。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e最近では、サティの「ヴェクサシオン」をmidi楽器で演奏したり、クリスマス音楽を演奏したり、キャンプ用の椅子の上でストゥージズの曲をカバーする有名なプロジェクト「De Stoeltjes」を行ったりと、非常に長大で正しい演奏を行っています。イギー本人が困惑するほどです。これは冗談のように思えるかもしれませんが、Stevensの冒険的な音楽はとてもやりがいのあるものだと認めざるを得ないでしょう。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJeugdbrandの音楽は、故Ghédalia Tazartèsの音楽を少し思い出させます - 特に音楽イディオムの再解釈と組み合わせに関しては - しかし、このアルバムに直接言及しようとすると、それは少し物足りません。最も重要なことは、これが音楽であるということです。強烈な個性があります。刺激的な神殿のための断片的な梁のようなものです。少し揺さぶりをかけるように・・・。\"彼らは私たちに言った 彼らは彼女に言った みんなに言ったんだ\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1553027623\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eEdições CN releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003eA. What seems like forever ago\/We mogen het toch vragen? \u003cem\u003e16:50\u003c\/em\u003e\u003cbr\u003eB. Do you want to move in with all of us?\/We hadden het haar al eens gezegd \u003cem\u003e16:50\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdições CN:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eJeugdbrand is the voice (Dennis Tyfus) and the beat (Jeroen Stevens) of Antwerp. They perform a sparkling drama, a theatrical tragedy, marinated in our classic Antwerp anarchic sense of humor. Recorded at Joris Caluwaerts’ Finster Studios - a landmark in Belgian music. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInside the multiverse that is Dennis Tyfus’ oeuvre there exists this body of detailed pencil drawings of various sizes. In these drawings the artist puts himself in many tragic situations. Like vomiting on his way home after a long night at the bar. Boiling right wing idiots. Telling sweet little lies on your Tinder profile. Or, you know, taking out the garbage on a Sunday evening. The horror. These seemingly hermetic pencil drawings show a deceivingly simple world. But you’re often stuck with a bitter aftertaste when you understand a bit more what is actually happening behind the colorful masque.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhen it comes to his music - and in contrast to aforementioned drawings - Dennis pencils a more piecemeal picture. His recordings and performances often feel like spliced excerpts. Strange sentences and funny remarks waiver by and interconnect. Musical symbols are casually thrown on the table. Instead of a clear picture, we now have the feeling of looking at a bunch of different doodles. Like... sometimes I have the feeling compared to how focussed Dennis works on his drawings, how unfocussed and sketchy he treats his music. We are simply thrown from emotion to emotion. From laughter to tears. It’s a bumpy ride. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI’d like to imagine that Dennis constantly notates all the shards of conversation he picks up during his regular walks in the centre of Antwerp - a wormhole congested with characters, the one more tragic than the other. In a kind of R. Murray Schafer way, Dennis takes in every sentence very un-arbitrary... and that’s the soundscape. Dramatic, normal, boasted, silly, urgent... \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEnter Jeroen Stevens. Antwerp’s number one percussionist. If I would have to list all the bands he performs in this text, well, we would be truly wasting data and printers. Jeroen is the grand gift of the well- schooled session musician. But thank the heavens of white improv, he is also sweet and creative. \u003c\/em\u003e\u003cem\u003eJeugdbrand is his second entry in the Edições CN catalogue, after taking care of some of the percussive fragments on the “KAGIROI\" LP with Sugai Ken (2021).\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecently Jeroen has been performing very lengthy - thus correct - performances of Satie’s Vexations for midi instrumentation; Christmas music; and his famed De Stoeltjes project, where he covers Stooges songs on a camping chair. Apparently much to the confusion of Iggy himself. This might all feel like a big joke to you, but when you dare to listen, you will have to admit that Steven’s adventurous music is very rewarding. Special stuff.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe music of Jeugdbrand reminds me a bit of the music of the late Ghédalia Tazartès - especially when it comes to reinterpreting and combining musical idioms - but trying to put a direct reference on this album does it a bit short. Most important, this is music how it could be: incomprehensible, hilarious, serious, ludicrous, well crafted, sloppy, non-genre. With a strong sense of personality. You know, a fragmented beam for your own overstimulated temple. To shake things up a little ... “They told us, they told her. I told everybody.”\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe albums comes with a drawing by German artist Albert Oehlen and with a text by Angela Sawyer of Weirdo Records, Boston.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeugdbrand \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdições CN\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-02-23T14:26:36+09:00","created_at":"2023-02-23T14:15:16+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","Edições CN","lp"],"price":318000,"price_min":318000,"price_max":318000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44016675979514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jeugdbrand \/\/ Siamese Dream (Team) LP","public_title":null,"options":["Default Title"],"price":318000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/Jeugdbrand_lowres.jpg?v=1677129318","\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_83cdf4ee-e1b6-4ff7-a1f0-e45c66ec8a6c.jpg?v=1677129318"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/Jeugdbrand_lowres.jpg?v=1677129318","options":["Title"],"media":[{"alt":null,"id":31571569869050,"position":1,"preview_image":{"aspect_ratio":1.002,"height":480,"width":481,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Jeugdbrand_lowres.jpg?v=1677129318"},"aspect_ratio":1.002,"height":480,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Jeugdbrand_lowres.jpg?v=1677129318","width":481},{"alt":null,"id":31571569901818,"position":2,"preview_image":{"aspect_ratio":1.002,"height":1198,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_83cdf4ee-e1b6-4ff7-a1f0-e45c66ec8a6c.jpg?v=1677129318"},"aspect_ratio":1.002,"height":1198,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_83cdf4ee-e1b6-4ff7-a1f0-e45c66ec8a6c.jpg?v=1677129318","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・アントワープの詩人\u003cmeta charset=\"utf-8\"\u003eDennis TyfusとパーカッショニストJeroen StevensによるデュオJeugdbrandが、2023年3月にリリースするデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eこれをはたして音楽と呼べるのでしょうか？インサートとDLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eJeugdbrandは、アントワープの声（Dennis Tyfus）とビート（Jeroen Stevens）です。彼らは、アントワープの古典的なアナーキーなユーモアのセンスに彩られた、きらめくドラマ、演劇的な悲劇を演じます。ベルギー音楽界のランドマークであるJoris CaluwaertsのFinster Studiosで録音されました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eDennisの作品には、様々な大きさの鉛筆画があります。これらのドローイングの中で、作家は多くの悲劇的な状況に身を置いています。バーで長い夜を過ごした後、家に帰る途中で嘔吐するような。右翼のバカどもに煮え湯を飲ませるような。Tinderのプロフィールで甘い嘘をつくような。あるいは、日曜の夕方にゴミ出しをすることのような。恐ろしい。これらの一見、密閉された鉛筆の絵は、ごまかしの効かないシンプルな世界を示しています。しかし、カラフルな仮面の裏側で実際に何が起こっているのかをもう少し理解すると、苦い後味になることが多いです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e音楽に関しては、前述のドローイングとは対照的に、\u003cmeta charset=\"utf-8\"\u003eDennisはもっと断片的な絵を描きます。彼のレコーディングや演奏は、しばしば抜粋をつなぎ合わせたような印象を与えます。奇妙な文章やおかしな発言が飛び交い、交錯します。音楽的な記号はテーブルの上にさりげなく投げ出されています。明確な絵の代わりに、さまざまな落書きの束を見ているような感覚に陥ります。\u003cmeta charset=\"utf-8\"\u003eDennisがいかに集中して絵を描いているかということに比べ、彼の音楽はいかに集中力がなく、大雑把であるかということを感じることがあるのです。私たちはただ、感情から感情へと放り出されるだけなのです。笑いから涙へ。それは揺れ動くものです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私は、\u003cmeta charset=\"utf-8\"\u003eDennisがアントワープの中心部をいつも散歩しているときに拾った会話の欠片を、常にメモしているのではないかと想像したいです。R. Murray Schaferのようなやり方で、\u003cmeta charset=\"utf-8\"\u003eDennisはすべての文章を非常に恣意的にとらえます...そしてそれがサウンドスケープとなるのです。ドラマチック、ノーマル、自慢話、バカバカしさ、切迫感...。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJeroen Stevensの登場です。アントワープきってのパーカッショニストです。この文章で彼の出演するバンドをすべて列挙していたら、本当にデータとプリンターを無駄にしてしまうでしょう。Jeroenは学校教育を受けたセッション・ミュージシャンの壮大な才能です。しかし、白人のインプロに感謝したいです。彼はまた、スイートでクリエイティブでもあるのです。Jeugdbrandは、菅井健とのLP『KAGIROI』（2021年）でパーカッシブの断片を担当したのに続き、Edições CNのカタログでは2作目の参加となります。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e最近では、サティの「ヴェクサシオン」をmidi楽器で演奏したり、クリスマス音楽を演奏したり、キャンプ用の椅子の上でストゥージズの曲をカバーする有名なプロジェクト「De Stoeltjes」を行ったりと、非常に長大で正しい演奏を行っています。イギー本人が困惑するほどです。これは冗談のように思えるかもしれませんが、Stevensの冒険的な音楽はとてもやりがいのあるものだと認めざるを得ないでしょう。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJeugdbrandの音楽は、故Ghédalia Tazartèsの音楽を少し思い出させます - 特に音楽イディオムの再解釈と組み合わせに関しては - しかし、このアルバムに直接言及しようとすると、それは少し物足りません。最も重要なことは、これが音楽であるということです。強烈な個性があります。刺激的な神殿のための断片的な梁のようなものです。少し揺さぶりをかけるように・・・。\"彼らは私たちに言った 彼らは彼女に言った みんなに言ったんだ\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1553027623\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eEdições CN releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003eA. What seems like forever ago\/We mogen het toch vragen? \u003cem\u003e16:50\u003c\/em\u003e\u003cbr\u003eB. Do you want to move in with all of us?\/We hadden het haar al eens gezegd \u003cem\u003e16:50\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdições CN:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eJeugdbrand is the voice (Dennis Tyfus) and the beat (Jeroen Stevens) of Antwerp. They perform a sparkling drama, a theatrical tragedy, marinated in our classic Antwerp anarchic sense of humor. Recorded at Joris Caluwaerts’ Finster Studios - a landmark in Belgian music. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInside the multiverse that is Dennis Tyfus’ oeuvre there exists this body of detailed pencil drawings of various sizes. In these drawings the artist puts himself in many tragic situations. Like vomiting on his way home after a long night at the bar. Boiling right wing idiots. Telling sweet little lies on your Tinder profile. Or, you know, taking out the garbage on a Sunday evening. The horror. These seemingly hermetic pencil drawings show a deceivingly simple world. But you’re often stuck with a bitter aftertaste when you understand a bit more what is actually happening behind the colorful masque.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhen it comes to his music - and in contrast to aforementioned drawings - Dennis pencils a more piecemeal picture. His recordings and performances often feel like spliced excerpts. Strange sentences and funny remarks waiver by and interconnect. Musical symbols are casually thrown on the table. Instead of a clear picture, we now have the feeling of looking at a bunch of different doodles. Like... sometimes I have the feeling compared to how focussed Dennis works on his drawings, how unfocussed and sketchy he treats his music. We are simply thrown from emotion to emotion. From laughter to tears. It’s a bumpy ride. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI’d like to imagine that Dennis constantly notates all the shards of conversation he picks up during his regular walks in the centre of Antwerp - a wormhole congested with characters, the one more tragic than the other. In a kind of R. Murray Schafer way, Dennis takes in every sentence very un-arbitrary... and that’s the soundscape. Dramatic, normal, boasted, silly, urgent... \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEnter Jeroen Stevens. Antwerp’s number one percussionist. If I would have to list all the bands he performs in this text, well, we would be truly wasting data and printers. Jeroen is the grand gift of the well- schooled session musician. But thank the heavens of white improv, he is also sweet and creative. \u003c\/em\u003e\u003cem\u003eJeugdbrand is his second entry in the Edições CN catalogue, after taking care of some of the percussive fragments on the “KAGIROI\" LP with Sugai Ken (2021).\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecently Jeroen has been performing very lengthy - thus correct - performances of Satie’s Vexations for midi instrumentation; Christmas music; and his famed De Stoeltjes project, where he covers Stooges songs on a camping chair. Apparently much to the confusion of Iggy himself. This might all feel like a big joke to you, but when you dare to listen, you will have to admit that Steven’s adventurous music is very rewarding. Special stuff.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe music of Jeugdbrand reminds me a bit of the music of the late Ghédalia Tazartès - especially when it comes to reinterpreting and combining musical idioms - but trying to put a direct reference on this album does it a bit short. Most important, this is music how it could be: incomprehensible, hilarious, serious, ludicrous, well crafted, sloppy, non-genre. With a strong sense of personality. You know, a fragmented beam for your own overstimulated temple. To shake things up a little ... “They told us, they told her. I told everybody.”\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe albums comes with a drawing by German artist Albert Oehlen and with a text by Angela Sawyer of Weirdo Records, Boston.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeugdbrand \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdições CN\u003c\/span\u003e\u003c\/p\u003e"}
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ベルギー・アントワープの詩人Dennis TyfusとパーカッショニストJeroen StevensによるデュオJeugdbrandが、2023年3月にリリースするデビューレコードです。 これをはたして音楽と呼べるのでしょうか？インサートとDLコード付属。 以下、レーベルによる解説です。 Jeugdbrandは、アントワープの声（Dennis Tyfus）とビート（Jeroen Stevens）です。彼らは、アントワープの古典的なアナーキーなユーモアのセンスに彩られた、きらめくドラマ、演劇的な悲劇を演じます。ベルギー音楽界のランドマークであるJoris CaluwaertsのFinster Studiosで録音されました。Dennisの作品には、様々な大きさの鉛筆画があります。これらのドローイングの中で、作家は多くの悲劇的な状況に身を置いています。バーで長い夜を過ごした後、家に帰る途中で嘔吐するような。右翼のバカどもに煮え湯を飲ませるような。Tinderのプロフィールで甘い嘘をつくような。あるいは、日曜の夕方にゴミ出しをすることのような。恐ろしい。これらの一見、密閉された鉛筆の絵は、ごまかしの効かないシンプルな世界を示しています。しかし、カラフルな仮面の裏側で実際に何が起こっているのかをもう少し理解すると、苦い後味になることが多いです。音楽に関しては、前述のドローイングとは対照的に、Dennisはもっと断片的な絵を描きます。彼のレコーディングや演奏は、しばしば抜粋をつなぎ合わせたような印象を与えます。奇妙な文章やおかしな発言が飛び交い、交錯します。音楽的な記号はテーブルの上にさりげなく投げ出されています。明確な絵の代わりに、さまざまな落書きの束を見ているような感覚に陥ります。Dennisがいかに集中して絵を描いているかということに比べ、彼の音楽はいかに集中力がなく、大雑把であるかということを感じることがあるのです。私たちはただ、感情から感情へと放り出されるだけなのです。笑いから涙へ。それは揺れ動くものです。私は、Dennisがアントワープの中心部をいつも散歩しているときに拾った会話の欠片を、常にメモしているのではないかと想像したいです。R. Murray Schaferのようなやり方で、Dennisはすべての文章を非常に恣意的にとらえます...そしてそれがサウンドスケープとなるのです。ドラマチック、ノーマル、自慢話、バカバカしさ、切迫感...。Jeroen Stevensの登場です。アントワープきってのパーカッショニストです。この文章で彼の出演するバンドをすべて列挙していたら、本当にデータとプリンターを無駄にしてしまうでしょう。Jeroenは学校教育を受けたセッション・ミュージシャンの壮大な才能です。しかし、白人のインプロに感謝したいです。彼はまた、スイートでクリエイティブでもあるのです。Jeugdbrandは、菅井健とのLP『KAGIROI』（2021年）でパーカッシブの断片を担当したのに続き、Edições CNのカタログでは2作目の参加となります。最近では、サティの「ヴェクサシオン」をmidi楽器で演奏したり、クリスマス音楽を演奏したり、キャンプ用の椅子の上でストゥージズの曲をカバーする有名なプロジェクト「De...
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{"id":7917772603642,"title":"Coppice \/\/ Draw Agreement 3xCD","handle":"coppice-draw-agreement-3xcd","description":"\u003cp\u003eアメリカ・シカゴの実験音楽デュオCoppiceが、2023年2月にフランスの実験レーベルFernsからリリースした3枚組CDです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e同国\u003cmeta charset=\"utf-8\"\u003eウィスコンシン州ウィリアムズベイにあるヤーキス天文台で制作したエレクトロ・アコースティック〜Chicago Laboratory for Electroacoustic Theatre（16チャンネル96スピーカーのサウンドシステム）用に制作したコラージュ7曲を収録。デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1403271991\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ferns\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ferns\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more ferns recordings releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 200.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eferns recordings:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"experiments (2009-2022) with custom, prepared, and modified musical instruments and devices.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis 3CD set abridges Coppice’s first three studies, artificially inserts them into the Yerkes Observatory in Williams Bay, WI, and binaurally captures their diffusion across Elastic’s CLEAT (Chicago Laboratory for Electroacoustic Theatre), a 16-channel 96-speaker sound system.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTrack \/ disc information (via the label):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eCD1: Abridgements\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e1. Circumpass (2009-2014)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2. Compass (2014-2018)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e3. Hourglass (2009-2022)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e4. At the Poles (2014\/2016)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eComposed by montaging audio quotations from Coppice’s first two studies, «Circumpass» representing Bellows \u0026amp; Electronics (2009-2014), and «Compass» representing Physical Modeling \u0026amp; Modular Syntheses (2014-2018). Representing Phonography \u0026amp; Fiction (2018-2022), «Hourglass» abridges Coppice’s overarching sonic palette across all three studies (2009-2022). «At the Poles» is a conjunction of two unaltered solo performances, one for an Estey pump organ (cir. 1935, prepared in 2013) by Noé Cuéllar (recorded in January 2014), and one for modular synthesis by Joseph Kramer (recorded in May 2016), each of which has been separated from «Soft Crown» from “Vantage\/Cordoned” (caduc., CA, 2014), and «Here» from “Green Flame” (caduc., CA, 2018).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCD2: Observatory Sound\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e1. Rotations in Refractor (Simulated Diffusion in the Likeness of the Yerkes Observatory)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2. Turning in Reflectors (Simulated Diffusion in Objects against the Yerkes Observatory)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eComposed in 2021 using virtual acoustics of the Yerkes Observatory, through which are simulated the diffusions of «Circumpass» and «Compass». Spatial models and field recordings recorded on May 16 and 24, 2018 at the Yerkes Observatory, Williams Bay, WI.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCD3: Sonic Observation\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e1. Clocks in Flux (Elastic Capture-Source Diffusion post-CLEAT)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eComposed in 2022, combining a binaural recording of Coppice’s performed diffusion of «Hourglass» and «At the Poles» using CLEAT (Chicago Laboratory for Electroacoustic Theatre), a 16-channel 96-speaker sound system, and 2.1 PA system, with additional headlock audio not heard during the performance. Recorded live on July 8, 2022 at 8:43 PM, at Elastic Arts, Chicago, IL.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eVoices: Mark Booth, David Toop, NNN Cook, Jenny Vallier. The production of «Sonic Observation» was supported by an Individual Artists Program Grant from the City of Chicago Department of Cultural Affairs \u0026amp; Special Events.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThank you to Doyal “Al” Harper, Ed Struble, Jesse Wirth, Kathryn Schaffer, Geoffrey Alan Rhodes, The Chicago 00 Project, The Princess Grace Foundation, Seismograf, Jenny Kendler, Brian Kirkbride, the departments of Art and Technology Studies and Sound at The School of the Art Institute of Chicago, Nathan Keay, Mark Booth, Jenny Vallier, Stephan Moore, and Sébastien Gautheron.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Coppice\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : fernsrecordings\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-02-15T17:59:05+09:00","created_at":"2023-02-15T13:51:20+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","Ferns Recordings","monooto"],"price":275000,"price_min":275000,"price_max":275000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43990604972282,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Coppice \/\/ Draw Agreement 3xCD","public_title":null,"options":["Default Title"],"price":275000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/co1_96897968-6477-468a-a8b9-cde4b6760d4b.jpg?v=1676436682","\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_0563.png?v=1676436683"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_96897968-6477-468a-a8b9-cde4b6760d4b.jpg?v=1676436682","options":["Title"],"media":[{"alt":null,"id":31527294042362,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_96897968-6477-468a-a8b9-cde4b6760d4b.jpg?v=1676436682"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_96897968-6477-468a-a8b9-cde4b6760d4b.jpg?v=1676436682","width":700},{"alt":null,"id":31527294075130,"position":2,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_0563.png?v=1676436683"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_0563.png?v=1676436683","width":3024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴの実験音楽デュオCoppiceが、2023年2月にフランスの実験レーベルFernsからリリースした3枚組CDです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e同国\u003cmeta charset=\"utf-8\"\u003eウィスコンシン州ウィリアムズベイにあるヤーキス天文台で制作したエレクトロ・アコースティック〜Chicago Laboratory for Electroacoustic Theatre（16チャンネル96スピーカーのサウンドシステム）用に制作したコラージュ7曲を収録。デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1403271991\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ferns\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ferns\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more ferns recordings releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 200.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eferns recordings:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"experiments (2009-2022) with custom, prepared, and modified musical instruments and devices.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis 3CD set abridges Coppice’s first three studies, artificially inserts them into the Yerkes Observatory in Williams Bay, WI, and binaurally captures their diffusion across Elastic’s CLEAT (Chicago Laboratory for Electroacoustic Theatre), a 16-channel 96-speaker sound system.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTrack \/ disc information (via the label):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eCD1: Abridgements\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e1. Circumpass (2009-2014)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2. Compass (2014-2018)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e3. Hourglass (2009-2022)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e4. At the Poles (2014\/2016)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eComposed by montaging audio quotations from Coppice’s first two studies, «Circumpass» representing Bellows \u0026amp; Electronics (2009-2014), and «Compass» representing Physical Modeling \u0026amp; Modular Syntheses (2014-2018). Representing Phonography \u0026amp; Fiction (2018-2022), «Hourglass» abridges Coppice’s overarching sonic palette across all three studies (2009-2022). «At the Poles» is a conjunction of two unaltered solo performances, one for an Estey pump organ (cir. 1935, prepared in 2013) by Noé Cuéllar (recorded in January 2014), and one for modular synthesis by Joseph Kramer (recorded in May 2016), each of which has been separated from «Soft Crown» from “Vantage\/Cordoned” (caduc., CA, 2014), and «Here» from “Green Flame” (caduc., CA, 2018).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCD2: Observatory Sound\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e1. Rotations in Refractor (Simulated Diffusion in the Likeness of the Yerkes Observatory)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2. Turning in Reflectors (Simulated Diffusion in Objects against the Yerkes Observatory)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eComposed in 2021 using virtual acoustics of the Yerkes Observatory, through which are simulated the diffusions of «Circumpass» and «Compass». Spatial models and field recordings recorded on May 16 and 24, 2018 at the Yerkes Observatory, Williams Bay, WI.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCD3: Sonic Observation\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e1. Clocks in Flux (Elastic Capture-Source Diffusion post-CLEAT)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eComposed in 2022, combining a binaural recording of Coppice’s performed diffusion of «Hourglass» and «At the Poles» using CLEAT (Chicago Laboratory for Electroacoustic Theatre), a 16-channel 96-speaker sound system, and 2.1 PA system, with additional headlock audio not heard during the performance. Recorded live on July 8, 2022 at 8:43 PM, at Elastic Arts, Chicago, IL.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eVoices: Mark Booth, David Toop, NNN Cook, Jenny Vallier. The production of «Sonic Observation» was supported by an Individual Artists Program Grant from the City of Chicago Department of Cultural Affairs \u0026amp; Special Events.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThank you to Doyal “Al” Harper, Ed Struble, Jesse Wirth, Kathryn Schaffer, Geoffrey Alan Rhodes, The Chicago 00 Project, The Princess Grace Foundation, Seismograf, Jenny Kendler, Brian Kirkbride, the departments of Art and Technology Studies and Sound at The School of the Art Institute of Chicago, Nathan Keay, Mark Booth, Jenny Vallier, Stephan Moore, and Sébastien Gautheron.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Coppice\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : fernsrecordings\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴの実験音楽デュオCoppiceが、2023年2月にフランスの実験レーベルFernsからリリースした3枚組CDです。 同国ウィスコンシン州ウィリアムズベイにあるヤーキス天文台で制作したエレクトロ・アコースティック〜Chicago Laboratory for Electroacoustic Theatre（16チャンネル96スピーカーのサウンドシステム）用に制作したコラージュ7曲を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more ferns recordings releases available...
¥2,750
クイックビュー
{"id":7915775721722,"title":"Ken Clinger \/\/ Duplicate TAPE","handle":"ken-clinger-duplicate-tape","description":"\u003cp\u003e\u003cspan\u003e1980年代から活動しているアメリカ・ペンシルベニア州のベテランシンセ作家Ken Clingerが、2022年2月に同国ノイズレーベルTribe Tapesからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eコラージュ大絵巻2曲を収録。カセットオンリーでのリリースとなります。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベル\u003c\/span\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tribe\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tribe\"\u003ehere\u003c\/a\u003e to see more Tribe Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eNew release by Ken Clinger from Tribe Tapes. Physical only - no digital. \u003c\/p\u003e\n\u003cp\u003eArtist : Ken Clinger\u003c\/p\u003e\n\u003cp\u003eLabel : Tribe Tapes\u003c\/p\u003e","published_at":"2023-02-19T09:15:24+09:00","created_at":"2023-02-11T12:50:51+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","monooto","tape","tribe tapes"],"price":168000,"price_min":168000,"price_max":168000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43979867193594,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ken Clinger \/\/ Duplicate TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_0551.png?v=1676087454"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_0551.png?v=1676087454","options":["Title"],"media":[{"alt":null,"id":31510276374778,"position":1,"preview_image":{"aspect_ratio":1.0,"height":3024,"width":3024,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_0551.png?v=1676087454"},"aspect_ratio":1.0,"height":3024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_0551.png?v=1676087454","width":3024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e1980年代から活動しているアメリカ・ペンシルベニア州のベテランシンセ作家Ken Clingerが、2022年2月に同国ノイズレーベルTribe Tapesからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eコラージュ大絵巻2曲を収録。カセットオンリーでのリリースとなります。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベル\u003c\/span\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tribe\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tribe\"\u003ehere\u003c\/a\u003e to see more Tribe Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eNew release by Ken Clinger from Tribe Tapes. Physical only - no digital. \u003c\/p\u003e\n\u003cp\u003eArtist : Ken Clinger\u003c\/p\u003e\n\u003cp\u003eLabel : Tribe Tapes\u003c\/p\u003e"}
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1980年代から活動しているアメリカ・ペンシルベニア州のベテランシンセ作家Ken Clingerが、2022年2月に同国ノイズレーベルTribe Tapesからリリースしたカセットです。 コラージュ大絵巻2曲を収録。カセットオンリーでのリリースとなります。 レーベルその他作品はこちら /// Click here to see more Tribe Tapes releases available at...
¥1,680
クイックビュー
{"id":7898565837050,"title":"Twinkle3 ft David Sylvian and Kazuko Hohki \/\/ Upon This Fleeting Dream LP","handle":"twinkle3-ft-david-sylvian-and-kazuko-hohki-upon-this-fleeting-dream-lp","description":"\u003cp\u003e過去にMarionetteなどから発表しているイギリスのフリーフォームトリオTwinkle3が、2022年10月にベルギーの実験レーベルCortizonaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eDavid SylvianとKazuko Hohkiが朗読で参加した、日本の死生観をコンセプトにしたフリーフォーム〜コラージュ〜サウンドポエトリー10曲を収録。DLコードと詩のブックレット付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2901812310\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003ehere\u003c\/a\u003e to see more Cortizona releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes DL code. Includes double-printed inlay + insert with poems on which the album is based on.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCortizona:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eOn ‘Upon This Fleeting Dream’ Clive Bell’s Twinkle3 embraces medieval and 16th century Japanese poems and haiku about death and saying farewell. Bell and Twnkle3, consisting of Dave Ross and Richard Scott, expand their sonic borders to unknown territory: bringing these pithy epigrams to a new Fourth World where electro-acoustic sounds glitches into an hypnagogic, if not unconscious level of fragile beauty.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe distinctive voice of David Sylvian, who reads the English version of the poems and created field recordings and the artwork for this album blends in the most organic way with the shakuhachi,Thai reed flutes and mouth organs played by Clive Bell.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe narrative voices of David Sylvian and Kazuko Hohki’s (Frank Chickens, Kahondo Style…) velvet timbre are the cornerstones of this compelling journey while the tangling and abstract rhythms transcending from Dave Ross’ modular synths and Richard Scott’s sampler and analogue electronics, unravel and unfold a mesmerizing universe with unknown dimensions and frequencies of a fleeting dream.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Twinkle3 ft David Sylvian and Kazuko Hohki\u003c\/p\u003e\n\u003cp\u003eLabel : Cortizona\u003c\/p\u003e","published_at":"2023-01-19T13:22:51+09:00","created_at":"2023-01-19T12:24:40+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","cortizona","jazz","lp","monooto"],"price":418000,"price_min":418000,"price_max":418000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43909463277818,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Twinkle3 ft David Sylvian and Kazuko Hohki \/\/ Upon This Fleeting Dream LP","public_title":null,"options":["Default Title"],"price":418000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/dr1_edeeea1f-cfe8-44f1-a7b8-5f64b503e70c.jpg?v=1674098683","\/\/tobirarecords.com\/cdn\/shop\/products\/dr2_92797e19-a4a3-4840-89eb-396473464ae4.jpg?v=1674098682"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/dr1_edeeea1f-cfe8-44f1-a7b8-5f64b503e70c.jpg?v=1674098683","options":["Title"],"media":[{"alt":null,"id":31399228834042,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/dr1_edeeea1f-cfe8-44f1-a7b8-5f64b503e70c.jpg?v=1674098683"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/dr1_edeeea1f-cfe8-44f1-a7b8-5f64b503e70c.jpg?v=1674098683","width":700},{"alt":null,"id":31399228866810,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/dr2_92797e19-a4a3-4840-89eb-396473464ae4.jpg?v=1674098682"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/dr2_92797e19-a4a3-4840-89eb-396473464ae4.jpg?v=1674098682","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にMarionetteなどから発表しているイギリスのフリーフォームトリオTwinkle3が、2022年10月にベルギーの実験レーベルCortizonaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eDavid SylvianとKazuko Hohkiが朗読で参加した、日本の死生観をコンセプトにしたフリーフォーム〜コラージュ〜サウンドポエトリー10曲を収録。DLコードと詩のブックレット付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2901812310\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003ehere\u003c\/a\u003e to see more Cortizona releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes DL code. Includes double-printed inlay + insert with poems on which the album is based on.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCortizona:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eOn ‘Upon This Fleeting Dream’ Clive Bell’s Twinkle3 embraces medieval and 16th century Japanese poems and haiku about death and saying farewell. Bell and Twnkle3, consisting of Dave Ross and Richard Scott, expand their sonic borders to unknown territory: bringing these pithy epigrams to a new Fourth World where electro-acoustic sounds glitches into an hypnagogic, if not unconscious level of fragile beauty.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe distinctive voice of David Sylvian, who reads the English version of the poems and created field recordings and the artwork for this album blends in the most organic way with the shakuhachi,Thai reed flutes and mouth organs played by Clive Bell.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe narrative voices of David Sylvian and Kazuko Hohki’s (Frank Chickens, Kahondo Style…) velvet timbre are the cornerstones of this compelling journey while the tangling and abstract rhythms transcending from Dave Ross’ modular synths and Richard Scott’s sampler and analogue electronics, unravel and unfold a mesmerizing universe with unknown dimensions and frequencies of a fleeting dream.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Twinkle3 ft David Sylvian and Kazuko Hohki\u003c\/p\u003e\n\u003cp\u003eLabel : Cortizona\u003c\/p\u003e"}
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¥4,180