Eric Frye // (Mesc. 1) CDR
Eric Frye // (Mesc. 1) CDR
¥1,298
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アメリカ・ミネアポリスのサウンドアーティストEric Fryeの自主リリース作品を多数入荷しました。Ericのモジュラーを通過した室内楽5曲を収録。
First release in a series of damaged chamber music explorations.
Speculative orchestral studies. Irrational concrete acoustics. - Eric
Artist : Eric Frye
Label : Cuvée Freddy
アメリカ・ミネアポリスのサウンドアーティストEric Fryeの自主リリース作品を多数入荷しました。Ericのモジュラーを通過した室内楽5曲を収録。
First release in a series of damaged chamber music explorations.
Speculative orchestral studies. Irrational concrete acoustics. - Eric
Artist : Eric Frye
Label : Cuvée Freddy
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{"id":8771950706938,"title":"Lucy Railton \/\/ Blue Veil CD","handle":"lucy-railton-blue-veil-cd","description":"\u003cp\u003e過去にAnother Timberなどから発表しているイギリスのチェロ奏者Lucy Railtonが、2025年4月にフランスの実験レーベルIdeologic Organ からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eチェロ独奏によるアコースティック・ドローン〜インプロ7曲を収録。デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"音楽家であり作曲家でもあるLucy Railtonのソロチェロ作品を記録した初のリリースとなる40分の作品『Blue Veil』は、パリのサン・テスプリ教会で録音され、リスナーを精密なチューニングによる共鳴の領域へと誘う。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e『Blue Veil』は、Railtonのチェロとの親密なつながりから生まれ、その中で維持され、最後にはRailtonの一瞬の存在へと溶け込んでいく。この聴こえ方は、ハーモニーの共鳴により深く関わることを可能にし、心と音との即時的な出会いのための空間を開くものである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRailtonの和声知覚の探求的な実践は、金属間音や和音音の物理的な性質、質感、摩擦の度合い、内的な脈動に焦点を当てることから生まれる。Railtonは、チェロの体内、彼女自身、そしてそれらが共有する振動空間の共鳴に導かれながら、その場で作曲し、音が求めるものを与えることによって、『Blue Veil』を通して前進する。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRailtonの独創的で高度に洗練されたジャスト・イントネーション・ハーモニーの使用は、完全に存在する音を味わうだけでなく、暗示された音や完全に存在しない音のイメージを積極的に供給するリスニングモードを示唆する方法で、音の内的な動きを変形させる。Railtonは遊び心たっぷりに「シング・アロング・ミュージック」と半仮喩的に呼んでいるが、この「一緒に聴く」という能動的なモードは、豊かな和声的想像力の飽和領域を徐々に通過していく音楽の動きに、聴き手が反射的に参加することを可能にする。そして、『Blue Veil』の精密に調律された音色が、多面的で均一なものと融合することで個性を失うように、リスニングの参照と認識の構造は、強度の名もなき波へと溶解し、リスナーの上に絶えず展開し、リスナーと融合する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Blue Veil』は、キャサリン・ラムやエレン・アークブロの音楽、カリ・マローンやスティーヴン・オマリーとの共同作業、マリアンヌ・アマッハーやモートン・フェルドマンなどの作品を演奏する際の解釈の実践などから生まれた作品である。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1069641159\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digisleeve. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Phase I\u003cbr\u003e2. Phase II\u003cbr\u003e3. Phase III\u003cbr\u003e4. Phase IV\u003cbr\u003e5. Phase V\u003cbr\u003e6. Phase VI\u003cbr\u003e7. Phase VII\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe first release to document the solo cello work of musician and composer Lucy Railton, the 40-minute composition Blue Veil recorded at Église du Saint-Esprit in Paris invites listeners into the realm of precision-tuned states of resonance: states made manifest through Railton’s careful traversal of her cello's most subtle acoustic characteristics as they harmonically interlock with mind’s embodied modalities of attention and imagination.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBlue Veil arises out of, is sustained in and finally dissolves back into Railton’s momentary presence with her intimate connection to the cello, a way of hearing that allows for a deeper engagement with harmonic resonance, one that opens a space for immediate encounters of mind and sound.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRailton’s exploratory practice of harmonic perception emerges from a focus on the physical qualities of intervallic and chordal sounds, their textural qualities, degrees of friction, and inner pulsations. Composing in the moment guided by resonances within the cello’s body, her own, and their shared vibrational space, Railton moves through Blue Veil by giving sounds what they ask for: sounds of pure texture manifesting as a move through temporal transparency, sounds of rough texture marking regions of dimensionally\u003cspan class=\"bcTruncateMore\"\u003e dense space.\u003cbr\u003eRailton’s creative and highly refined use of just intonation harmony deforms sound's inner movements in ways that suggest a mode of listening that actively supplies imagery of sounds implied or completely absent rather than merely savouring those fully present. This active mode of “listening-with”, playfully and semi-metaphorically referred to by Railton as “sing-along music”, allows listening to reflexively participate in the music’s movement as it gradually passes through richly saturated domains of harmonic imagination. And just as the precision-tuned tones of Blue Veil lose their individuality when fusing multifaceted uniformity, listening’s structures of reference and recognition dissolve into nameless waves of intensity, continuously unfolding themselves upon and merging with the listener.\u003cbr\u003eBlue Veil is the result of a deep exploration of the inner worlds of tuning, an undertaking in turn informed by and emerging out of Railton’s realisations of the music of Catherine Lamb and Ellen Arkbro, her collaborative work with Kali Malone and Stephen O’Malley as well as her interpretive practice in performing the work of Maryanne Amacher, Morton Feldman and others.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lucy Railton\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003ecat no : SOMA063cd\u003c\/p\u003e","published_at":"2025-04-26T09:33:20+09:00","created_at":"2025-04-25T22:25:17+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","new","recommended","shelter press"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47275612438778,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lucy Railton \/\/ Blue Veil CD","public_title":null,"options":["Default Title"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"647581408292","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_46707b01-e0dc-49ad-bcb7-af9de5800613.jpg?v=1745587539","\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_a6980806-cae9-49ef-997a-7167d12ff5fd.jpg?v=1745587539"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_46707b01-e0dc-49ad-bcb7-af9de5800613.jpg?v=1745587539","options":["Title"],"media":[{"alt":null,"id":35935185404154,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_46707b01-e0dc-49ad-bcb7-af9de5800613.jpg?v=1745587539"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_46707b01-e0dc-49ad-bcb7-af9de5800613.jpg?v=1745587539","width":700},{"alt":null,"id":35935185436922,"position":2,"preview_image":{"aspect_ratio":1.402,"height":856,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_a6980806-cae9-49ef-997a-7167d12ff5fd.jpg?v=1745587539"},"aspect_ratio":1.402,"height":856,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_a6980806-cae9-49ef-997a-7167d12ff5fd.jpg?v=1745587539","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にAnother Timberなどから発表しているイギリスのチェロ奏者Lucy Railtonが、2025年4月にフランスの実験レーベルIdeologic Organ からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eチェロ独奏によるアコースティック・ドローン〜インプロ7曲を収録。デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"音楽家であり作曲家でもあるLucy Railtonのソロチェロ作品を記録した初のリリースとなる40分の作品『Blue Veil』は、パリのサン・テスプリ教会で録音され、リスナーを精密なチューニングによる共鳴の領域へと誘う。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e『Blue Veil』は、Railtonのチェロとの親密なつながりから生まれ、その中で維持され、最後にはRailtonの一瞬の存在へと溶け込んでいく。この聴こえ方は、ハーモニーの共鳴により深く関わることを可能にし、心と音との即時的な出会いのための空間を開くものである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRailtonの和声知覚の探求的な実践は、金属間音や和音音の物理的な性質、質感、摩擦の度合い、内的な脈動に焦点を当てることから生まれる。Railtonは、チェロの体内、彼女自身、そしてそれらが共有する振動空間の共鳴に導かれながら、その場で作曲し、音が求めるものを与えることによって、『Blue Veil』を通して前進する。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRailtonの独創的で高度に洗練されたジャスト・イントネーション・ハーモニーの使用は、完全に存在する音を味わうだけでなく、暗示された音や完全に存在しない音のイメージを積極的に供給するリスニングモードを示唆する方法で、音の内的な動きを変形させる。Railtonは遊び心たっぷりに「シング・アロング・ミュージック」と半仮喩的に呼んでいるが、この「一緒に聴く」という能動的なモードは、豊かな和声的想像力の飽和領域を徐々に通過していく音楽の動きに、聴き手が反射的に参加することを可能にする。そして、『Blue Veil』の精密に調律された音色が、多面的で均一なものと融合することで個性を失うように、リスニングの参照と認識の構造は、強度の名もなき波へと溶解し、リスナーの上に絶えず展開し、リスナーと融合する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Blue Veil』は、キャサリン・ラムやエレン・アークブロの音楽、カリ・マローンやスティーヴン・オマリーとの共同作業、マリアンヌ・アマッハーやモートン・フェルドマンなどの作品を演奏する際の解釈の実践などから生まれた作品である。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1069641159\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digisleeve. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Phase I\u003cbr\u003e2. Phase II\u003cbr\u003e3. Phase III\u003cbr\u003e4. Phase IV\u003cbr\u003e5. Phase V\u003cbr\u003e6. Phase VI\u003cbr\u003e7. Phase VII\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe first release to document the solo cello work of musician and composer Lucy Railton, the 40-minute composition Blue Veil recorded at Église du Saint-Esprit in Paris invites listeners into the realm of precision-tuned states of resonance: states made manifest through Railton’s careful traversal of her cello's most subtle acoustic characteristics as they harmonically interlock with mind’s embodied modalities of attention and imagination.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBlue Veil arises out of, is sustained in and finally dissolves back into Railton’s momentary presence with her intimate connection to the cello, a way of hearing that allows for a deeper engagement with harmonic resonance, one that opens a space for immediate encounters of mind and sound.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRailton’s exploratory practice of harmonic perception emerges from a focus on the physical qualities of intervallic and chordal sounds, their textural qualities, degrees of friction, and inner pulsations. Composing in the moment guided by resonances within the cello’s body, her own, and their shared vibrational space, Railton moves through Blue Veil by giving sounds what they ask for: sounds of pure texture manifesting as a move through temporal transparency, sounds of rough texture marking regions of dimensionally\u003cspan class=\"bcTruncateMore\"\u003e dense space.\u003cbr\u003eRailton’s creative and highly refined use of just intonation harmony deforms sound's inner movements in ways that suggest a mode of listening that actively supplies imagery of sounds implied or completely absent rather than merely savouring those fully present. This active mode of “listening-with”, playfully and semi-metaphorically referred to by Railton as “sing-along music”, allows listening to reflexively participate in the music’s movement as it gradually passes through richly saturated domains of harmonic imagination. And just as the precision-tuned tones of Blue Veil lose their individuality when fusing multifaceted uniformity, listening’s structures of reference and recognition dissolve into nameless waves of intensity, continuously unfolding themselves upon and merging with the listener.\u003cbr\u003eBlue Veil is the result of a deep exploration of the inner worlds of tuning, an undertaking in turn informed by and emerging out of Railton’s realisations of the music of Catherine Lamb and Ellen Arkbro, her collaborative work with Kali Malone and Stephen O’Malley as well as her interpretive practice in performing the work of Maryanne Amacher, Morton Feldman and others.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lucy Railton\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003ecat no : SOMA063cd\u003c\/p\u003e"}
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過去にAnother Timberなどから発表しているイギリスのチェロ奏者Lucy Railtonが、2025年4月にフランスの実験レーベルIdeologic Organ からリリースしたCDです。 チェロ独奏によるアコースティック・ドローン〜インプロ7曲を収録。デジスリーブ、シュリンク仕様です。 以下、レーベルによる解説です。 "音楽家であり作曲家でもあるLucy Railtonのソロチェロ作品を記録した初のリリースとなる40分の作品『Blue Veil』は、パリのサン・テスプリ教会で録音され、リスナーを精密なチューニングによる共鳴の領域へと誘う。『Blue Veil』は、Railtonのチェロとの親密なつながりから生まれ、その中で維持され、最後にはRailtonの一瞬の存在へと溶け込んでいく。この聴こえ方は、ハーモニーの共鳴により深く関わることを可能にし、心と音との即時的な出会いのための空間を開くものである。 Railtonの和声知覚の探求的な実践は、金属間音や和音音の物理的な性質、質感、摩擦の度合い、内的な脈動に焦点を当てることから生まれる。Railtonは、チェロの体内、彼女自身、そしてそれらが共有する振動空間の共鳴に導かれながら、その場で作曲し、音が求めるものを与えることによって、『Blue Veil』を通して前進する。Railtonの独創的で高度に洗練されたジャスト・イントネーション・ハーモニーの使用は、完全に存在する音を味わうだけでなく、暗示された音や完全に存在しない音のイメージを積極的に供給するリスニングモードを示唆する方法で、音の内的な動きを変形させる。Railtonは遊び心たっぷりに「シング・アロング・ミュージック」と半仮喩的に呼んでいるが、この「一緒に聴く」という能動的なモードは、豊かな和声的想像力の飽和領域を徐々に通過していく音楽の動きに、聴き手が反射的に参加することを可能にする。そして、『Blue Veil』の精密に調律された音色が、多面的で均一なものと融合することで個性を失うように、リスニングの参照と認識の構造は、強度の名もなき波へと溶解し、リスナーの上に絶えず展開し、リスナーと融合する。...
¥2,280

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{"id":8771873472762,"title":"Rory Salter \/\/ On the Floor, by the Door CD","handle":"rory-salter-on-the-floor-by-the-door-cd","description":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルIndex Clean諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、イギリスの実験音楽家Rory Salter aka Malvern Brume\u003cspan data-mce-fragment=\"1\"\u003eが、2024年1月にリリースしたCDです\u003c\/span\u003e。\u003c\/p\u003e\n\u003cp\u003eスポークンワード〜物音コラージュ〜ドローン〜アンビエント9曲を収録。デジパック、シュリンク仕様です。廃盤です。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"音楽の背後にある2つの主なアイデアは、家庭と仕事の状況を利用することだ。この曲のほとんどは、昨年引っ越した新しいアパートで録音した。その部屋はとても面白い音響で、長年どんなアパートに住んでいても音楽を作ってきたので、レコーディングした場所やその周辺の音が本当に聞こえるようなものを作りたかったんだ。だから、多くのレコーディングはアパートの別の場所で行い、しばしばアパートに戻って再生したり、別のスピーカーやマイクを使って録音した。多くの素材は、普段の家事をしながら録音し、録音と同時に他の作業をして、部屋と部屋の間を走り回る時間がかなり長かった。『On the Floor, by the Door 』というトラック名は、かなりの部分を玄関のそばで録音したからだ。それと同じように、自分の仕事も作品に取り入れた。私は昼間は大学で音響技師として働き、夜は週に2、3回サウンドエンジニアとして働いている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e私は最近、仕事とアート制作について考えていて(そして多くのことを話していて)、その人たちが、仕事の技術や材料、時間などを再利用するような方法で、本業をアートに取り入れる方法を見つけた作品にとても夢中になっている。だから、とにかく私はこのようなことをたくさんした。自分が身につけた技術について本当によく考え、そうでなければ手に入らないような機材を借りる努力をした。その過程で、空間や音響的なものについてもたくさん考えた。つまり、空間の中に音を存在させたいということだ。これらの実践の多くは、私が開発したもので、仕事場でもよく話している。また、友人も比較的率直な形で登場し、あちこちのレコーディングに登場する。少し日常的で境界線が曖昧になるような、「生活」の音楽というものにたどり着きたいという願望があるのだと思う。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3790544872\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3790544872\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1274660895\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003ehere\u003c\/a\u003e to see more Index Clean releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Morbs 05:37\u003c\/li\u003e\n\u003cli\u003eOn the Floor, by the Door, in the Corner, Waving 06:00\u003c\/li\u003e\n\u003cli\u003eScored Guard 05:09\u003c\/li\u003e\n\u003cli\u003eIf He Clicks You Click Back 04:05\u003c\/li\u003e\n\u003cli\u003eThese Parts 02:24\u003c\/li\u003e\n\u003cli\u003eIt Ticks 02:32\u003c\/li\u003e\n\u003cli\u003eExhaust-ing the Window's Frame 06:44\u003c\/li\u003e\n\u003cli\u003eClips for Strings 02:28\u003c\/li\u003e\n\u003cli\u003eTiny Irritator 04:01\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eRory Salter\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The two main ideas behind the music are to make use of domestic and work situations. Most of it was recorded in a new flat I moved into last year. The place had a really interesting acoustic and after so many years of making music in whatever flat I was living in I wanted to do something where you could really hear the place it was recorded\/the surrounding area. So a lot of the recordings are done in different locations in the flat, and often re-played back into the flat and recorded using different speakers and microphones. A lot of material was recorded whilst performing usual domestic activities and would spend quite a lot of time running between rooms doing other tasks at the same time as recording. The name of the 'On the Floor, by the Door' track is because that's where I recorded a fair bit of it, by the front door. It's in a similar way that I used and included my job in the pieces. I work as a sound technician at a university in the day and as a sound engineer in the evenings a couple times a week. I've been thinking (and talking a lot of shit) about work and art making recently and I’m really into stuff where the persons found some way to include their day job in their art in a way that sort of re-purposes the skills, materials, time etc of work. So anyway I did a lot of this, really thinking about skills I've picked up and making the effort\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e to borrow some really otherwise unattainable equipment. I thought a lot about space and acoustic-ness during the process so a lot of it again is about me wanting sound to exist within a space; reamping sounds into spaces, or recording synthesised sounds through different speakers positioned in ways to filter and alter the sound. A lot of these practices are things I've developed and talked about a lot at work. Friends also feature quite a bit in relatively candid ways and crop up in recordings here and there. I guess there's a desire to get to a point of a 'life' music, where it feels a bit everyday and blurs the line a bit, that's when things are most interesting to me.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rory Salter\u003c\/p\u003e\n\u003cp\u003eLabel : Index Clean\u003c\/p\u003e","published_at":"2025-04-25T11:54:11+09:00","created_at":"2025-04-25T11:53:36+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","drone","index clean","monooto","new"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47275357077754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Rory Salter \/\/ On the Floor, by the Door CD","public_title":null,"options":["Default Title"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/on1_795a8ec0-6dc6-4bd5-a356-30b71d44293e.jpg?v=1707810417","\/\/tobirarecords.com\/cdn\/shop\/files\/on2_b39e9ccb-5f79-4f63-895c-0bdccca17199.jpg?v=1707810417","\/\/tobirarecords.com\/cdn\/shop\/files\/on3_8be14c8e-14ed-4566-86fb-4e96a95747ec.jpg?v=1707810417"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_795a8ec0-6dc6-4bd5-a356-30b71d44293e.jpg?v=1707810417","options":["Title"],"media":[{"alt":null,"id":33163809882362,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_795a8ec0-6dc6-4bd5-a356-30b71d44293e.jpg?v=1707810417"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_795a8ec0-6dc6-4bd5-a356-30b71d44293e.jpg?v=1707810417","width":700},{"alt":null,"id":33163809915130,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on2_b39e9ccb-5f79-4f63-895c-0bdccca17199.jpg?v=1707810417"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on2_b39e9ccb-5f79-4f63-895c-0bdccca17199.jpg?v=1707810417","width":1200},{"alt":null,"id":33163809947898,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on3_8be14c8e-14ed-4566-86fb-4e96a95747ec.jpg?v=1707810417"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on3_8be14c8e-14ed-4566-86fb-4e96a95747ec.jpg?v=1707810417","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルIndex Clean諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、イギリスの実験音楽家Rory Salter aka Malvern Brume\u003cspan data-mce-fragment=\"1\"\u003eが、2024年1月にリリースしたCDです\u003c\/span\u003e。\u003c\/p\u003e\n\u003cp\u003eスポークンワード〜物音コラージュ〜ドローン〜アンビエント9曲を収録。デジパック、シュリンク仕様です。廃盤です。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"音楽の背後にある2つの主なアイデアは、家庭と仕事の状況を利用することだ。この曲のほとんどは、昨年引っ越した新しいアパートで録音した。その部屋はとても面白い音響で、長年どんなアパートに住んでいても音楽を作ってきたので、レコーディングした場所やその周辺の音が本当に聞こえるようなものを作りたかったんだ。だから、多くのレコーディングはアパートの別の場所で行い、しばしばアパートに戻って再生したり、別のスピーカーやマイクを使って録音した。多くの素材は、普段の家事をしながら録音し、録音と同時に他の作業をして、部屋と部屋の間を走り回る時間がかなり長かった。『On the Floor, by the Door 』というトラック名は、かなりの部分を玄関のそばで録音したからだ。それと同じように、自分の仕事も作品に取り入れた。私は昼間は大学で音響技師として働き、夜は週に2、3回サウンドエンジニアとして働いている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e私は最近、仕事とアート制作について考えていて(そして多くのことを話していて)、その人たちが、仕事の技術や材料、時間などを再利用するような方法で、本業をアートに取り入れる方法を見つけた作品にとても夢中になっている。だから、とにかく私はこのようなことをたくさんした。自分が身につけた技術について本当によく考え、そうでなければ手に入らないような機材を借りる努力をした。その過程で、空間や音響的なものについてもたくさん考えた。つまり、空間の中に音を存在させたいということだ。これらの実践の多くは、私が開発したもので、仕事場でもよく話している。また、友人も比較的率直な形で登場し、あちこちのレコーディングに登場する。少し日常的で境界線が曖昧になるような、「生活」の音楽というものにたどり着きたいという願望があるのだと思う。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3790544872\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3790544872\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1274660895\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003ehere\u003c\/a\u003e to see more Index Clean releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Morbs 05:37\u003c\/li\u003e\n\u003cli\u003eOn the Floor, by the Door, in the Corner, Waving 06:00\u003c\/li\u003e\n\u003cli\u003eScored Guard 05:09\u003c\/li\u003e\n\u003cli\u003eIf He Clicks You Click Back 04:05\u003c\/li\u003e\n\u003cli\u003eThese Parts 02:24\u003c\/li\u003e\n\u003cli\u003eIt Ticks 02:32\u003c\/li\u003e\n\u003cli\u003eExhaust-ing the Window's Frame 06:44\u003c\/li\u003e\n\u003cli\u003eClips for Strings 02:28\u003c\/li\u003e\n\u003cli\u003eTiny Irritator 04:01\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eRory Salter\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The two main ideas behind the music are to make use of domestic and work situations. Most of it was recorded in a new flat I moved into last year. The place had a really interesting acoustic and after so many years of making music in whatever flat I was living in I wanted to do something where you could really hear the place it was recorded\/the surrounding area. So a lot of the recordings are done in different locations in the flat, and often re-played back into the flat and recorded using different speakers and microphones. A lot of material was recorded whilst performing usual domestic activities and would spend quite a lot of time running between rooms doing other tasks at the same time as recording. The name of the 'On the Floor, by the Door' track is because that's where I recorded a fair bit of it, by the front door. It's in a similar way that I used and included my job in the pieces. I work as a sound technician at a university in the day and as a sound engineer in the evenings a couple times a week. I've been thinking (and talking a lot of shit) about work and art making recently and I’m really into stuff where the persons found some way to include their day job in their art in a way that sort of re-purposes the skills, materials, time etc of work. So anyway I did a lot of this, really thinking about skills I've picked up and making the effort\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e to borrow some really otherwise unattainable equipment. I thought a lot about space and acoustic-ness during the process so a lot of it again is about me wanting sound to exist within a space; reamping sounds into spaces, or recording synthesised sounds through different speakers positioned in ways to filter and alter the sound. A lot of these practices are things I've developed and talked about a lot at work. Friends also feature quite a bit in relatively candid ways and crop up in recordings here and there. I guess there's a desire to get to a point of a 'life' music, where it feels a bit everyday and blurs the line a bit, that's when things are most interesting to me.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rory Salter\u003c\/p\u003e\n\u003cp\u003eLabel : Index Clean\u003c\/p\u003e"}
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オーストラリア・メルボルンの実験レーベルIndex Clean諸作を入荷しました。 本作は、イギリスの実験音楽家Rory Salter aka Malvern Brumeが、2024年1月にリリースしたCDです。 スポークンワード〜物音コラージュ〜ドローン〜アンビエント9曲を収録。デジパック、シュリンク仕様です。廃盤です。 以下、作家本人による解説です。 "音楽の背後にある2つの主なアイデアは、家庭と仕事の状況を利用することだ。この曲のほとんどは、昨年引っ越した新しいアパートで録音した。その部屋はとても面白い音響で、長年どんなアパートに住んでいても音楽を作ってきたので、レコーディングした場所やその周辺の音が本当に聞こえるようなものを作りたかったんだ。だから、多くのレコーディングはアパートの別の場所で行い、しばしばアパートに戻って再生したり、別のスピーカーやマイクを使って録音した。多くの素材は、普段の家事をしながら録音し、録音と同時に他の作業をして、部屋と部屋の間を走り回る時間がかなり長かった。『On the Floor, by the...
¥2,280

クイックビュー
{"id":8768781353210,"title":"Tózé Ferreira \/\/ Música de Baixa Fidelidade LP","handle":"toze-ferreira-musica-de-baixa-fidelidade-lp","description":"\u003cp\u003eポルトガルの実験音楽家Tózé Ferreiraが、2025年4月に同国Holuzamからリリースした再発レコードです。(オリジナルは1988年リリース)\u003c\/p\u003e\n\u003cp\u003e時代の先を行き過ぎたインプロ〜コンクレート5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3516872833\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003ehere\u003c\/a\u003e to see more Holuzam releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. More Adult Music 09:20\u003cbr\u003e2. Algumas Pessoas Olharam O Sul E Viram Deserto 06:11\u003cbr\u003e3. Um Som, Seguido De Uma Cena Negra E Malva 06:28\u003cbr\u003e4. This Is Music, As It Was Expected 09:23\u003cbr\u003e5. O Verão Nasceu Da Paixão De 1921 12:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt, written by Holuzam:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eThe music sounds deep and detailed, despite the fact of António calling it low-fi (\"Baixa Fidelidade\"). It flows like an improvised performance where several musicians might be responding to each other, respectful of their mutual space. Drama occurs, as a natural emotional connection is sought by the listener. Piano, bells, drone, processed voices, even the clear narrative of Rodney Waschka II, contribute to create a sort of alternative perceptual reality. The sounds are almost tangible, more a part of the physical world than ethereal manifestations and thus it would not be correct to invoke \"ambient music\" as a selling point. But although \"physical\" and distinct, this music is still alien, more so in Portugal's 1988 environment. In March, helped by Canavarro, António set up a home studio and there he recorded the remaining material for this album: \"Algumas Pessoas Olharam O Sul E Viram Deserto\", \"Um Som, Seguido De Uma Cena Negra E Malva\" and \"O Verão Nasceu Da Paixão De 1921\".\u003cbr\u003e\"Música de Baixa Fidelidade\" stands not only as a proof of great resilience but as one of those magnificent works of art coming from someone who balanced technical inclination and emotional sensibility. Because of that, Tózé Ferreira is able to decode the phantom world of sound for anyone who cares to experience the sensation of inhabiting a version of the Future. First ever vinyl reissue, reproduction of the original artwork with an additional insert. Made in collaboration with the artist and the support of Paulo B. Menezes (Plancton Music), who provided valuable assistance. Remastered by Taylor Deupree.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tózé Ferreira\u003c\/p\u003e\n\u003cp\u003eLabel : Holuzam\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ecat no : ZAM027\u003c\/p\u003e","published_at":"2025-04-23T15:05:38+09:00","created_at":"2025-04-20T09:58:30+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","holuzam","lp","monooto","new"],"price":446000,"price_min":446000,"price_max":446000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47266517188858,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tózé Ferreira \/\/ Música de Baixa Fidelidade LP","public_title":null,"options":["Default Title"],"price":446000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/to1_fa92ffe5-e673-4dca-b610-1d6871e42e88.jpg?v=1745110604","\/\/tobirarecords.com\/cdn\/shop\/files\/to2_083a705d-3589-48de-8344-1f891b28e496.jpg?v=1745110605"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/to1_fa92ffe5-e673-4dca-b610-1d6871e42e88.jpg?v=1745110604","options":["Title"],"media":[{"alt":null,"id":35906688516346,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/to1_fa92ffe5-e673-4dca-b610-1d6871e42e88.jpg?v=1745110604"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/to1_fa92ffe5-e673-4dca-b610-1d6871e42e88.jpg?v=1745110604","width":700},{"alt":null,"id":35906688549114,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/to2_083a705d-3589-48de-8344-1f891b28e496.jpg?v=1745110605"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/to2_083a705d-3589-48de-8344-1f891b28e496.jpg?v=1745110605","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポルトガルの実験音楽家Tózé Ferreiraが、2025年4月に同国Holuzamからリリースした再発レコードです。(オリジナルは1988年リリース)\u003c\/p\u003e\n\u003cp\u003e時代の先を行き過ぎたインプロ〜コンクレート5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3516872833\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003ehere\u003c\/a\u003e to see more Holuzam releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. More Adult Music 09:20\u003cbr\u003e2. Algumas Pessoas Olharam O Sul E Viram Deserto 06:11\u003cbr\u003e3. Um Som, Seguido De Uma Cena Negra E Malva 06:28\u003cbr\u003e4. This Is Music, As It Was Expected 09:23\u003cbr\u003e5. O Verão Nasceu Da Paixão De 1921 12:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt, written by Holuzam:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eThe music sounds deep and detailed, despite the fact of António calling it low-fi (\"Baixa Fidelidade\"). It flows like an improvised performance where several musicians might be responding to each other, respectful of their mutual space. Drama occurs, as a natural emotional connection is sought by the listener. Piano, bells, drone, processed voices, even the clear narrative of Rodney Waschka II, contribute to create a sort of alternative perceptual reality. The sounds are almost tangible, more a part of the physical world than ethereal manifestations and thus it would not be correct to invoke \"ambient music\" as a selling point. But although \"physical\" and distinct, this music is still alien, more so in Portugal's 1988 environment. In March, helped by Canavarro, António set up a home studio and there he recorded the remaining material for this album: \"Algumas Pessoas Olharam O Sul E Viram Deserto\", \"Um Som, Seguido De Uma Cena Negra E Malva\" and \"O Verão Nasceu Da Paixão De 1921\".\u003cbr\u003e\"Música de Baixa Fidelidade\" stands not only as a proof of great resilience but as one of those magnificent works of art coming from someone who balanced technical inclination and emotional sensibility. Because of that, Tózé Ferreira is able to decode the phantom world of sound for anyone who cares to experience the sensation of inhabiting a version of the Future. First ever vinyl reissue, reproduction of the original artwork with an additional insert. Made in collaboration with the artist and the support of Paulo B. Menezes (Plancton Music), who provided valuable assistance. Remastered by Taylor Deupree.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tózé Ferreira\u003c\/p\u003e\n\u003cp\u003eLabel : Holuzam\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ecat no : ZAM027\u003c\/p\u003e"}
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ポルトガルの実験音楽家Tózé Ferreiraが、2025年4月に同国Holuzamからリリースした再発レコードです。(オリジナルは1988年リリース) 時代の先を行き過ぎたインプロ〜コンクレート5曲を収録。 レーベルその他作品はこちら /// Click here to see more Holuzam releases available at Tobira. ------------------------------- 12"...
¥4,460

クイックビュー
{"id":8766443782394,"title":"Aaron Landsman \/ Norman Westberg \/\/ Night Keeper LP","handle":"aaron-landsman-norman-westberg-night-keeper-12inch","description":"\u003cp\u003eアメリカ・NYの実験音楽家Aaron Landsmanと、Swansのギタリストとして活動していたNorman Westbergが、2025年4月にスイスのドローンレーベルHallow Groundからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eドローン〜サウンドポエトリー2曲を収録。16ページのブックレットとDLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=765378866\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hagr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hagr\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Hallow Ground releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12\" black vinyl.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eIncludes a 16-page booklet with an essay by the author and drawings and DL code.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Night Keeper I 20:36\u003cbr\u003e2. Night Keeper II 22:55\u003cbr\u003e3. Night Keeper I (edit) 02:28\u003cbr\u003e4. Night Keeper II (edit) 03:39\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eHallow Ground:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e»Night Keeper« is a collaborative album by New York City-based artist Aaron Landsman and former Swans guitarist Norman Westberg that is based on the former's eponymous play. Westberg recorded it together with performer Jehan O. Young for the Swiss Hallow Ground label, with Landsman serving as the record’s producer. The original piece was first performed in the Spring of 2023 at The Chocolate Factory Theater in Queens and filled the stark industrial space with spoken text, choreography, projections, and music in dim light and, occasionally, complete darkness. Westberg and Young afterwards brought it to the studio to record it as a two-part album in whose course his textural sounds, based on loops and samples, set the stage for her soothing, sonorous vocal performance. »Night Keeper« is a performance inspired by sleeplessness and the wanderings of the human mind at night—about time and memory. Westberg and Young elegantly capture its essence in these roughly 44 minutes with a somnambulic album, letting sound and meaning flow into each other.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe initial spark for »Night Keeper« was a run of almost sleepless nights in different neighbourhoods of a city that is perpetually insomniac. Instead of trying to force himself to go back to sleep by any means necessary, Landsman started writing\u003cspan class=\"bcTruncateMore\"\u003e down his thoughts. As he explains in the liner notes—accompanying the music along with drawings made by audience members during the performances—he started listening to the particular way in which the voice in his head navigates time and language. Accordingly, the texts that Young reads on the record form a diverse collection of specific moments, imagining different speakers and evoking different situations. Westberg complements, accentuates, and juxtaposes these with different means. Ominous drones, soaring melodies, rhythmic bass sounds: the guitarist, whose latest release for Hallow Ground was 2021’s »First Man In The Moon« with Polish double bassist Jacek Mazurkiewicz, conjures up distinct sound worlds in which Young can let Landsman’s scenes unfold to gripping effect.\u003cbr\u003e\u003cbr\u003eLandsman makes it clear that »Night Keeper« was intended as an invitation to »stay up, look out the window, let what’s happening outside spark reveries or predictions« or even take it on a stroll through the neighbourhood—at night, of course. Much like the original piece, this album is then one dedicated to wandering around, both mentally and physically.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Aaron Landsman \/ Norman Westberg\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Hallow Ground\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eHG2407\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-19T07:52:02+09:00","created_at":"2025-04-17T07:47:53+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","hallow ground","lp","new"],"price":463300,"price_min":463300,"price_max":463300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47260738912506,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Aaron Landsman \/ Norman Westberg \/\/ Night Keeper LP","public_title":null,"options":["Default Title"],"price":463300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"602343041841","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/night1_9b76bb1e-8c27-4b8e-b414-f13c3973de7a.jpg?v=1744843592","\/\/tobirarecords.com\/cdn\/shop\/files\/night2_c63b5368-7da2-4de6-9e7b-1aad557bdb64.jpg?v=1744843592"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/night1_9b76bb1e-8c27-4b8e-b414-f13c3973de7a.jpg?v=1744843592","options":["Title"],"media":[{"alt":null,"id":35892806615290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/night1_9b76bb1e-8c27-4b8e-b414-f13c3973de7a.jpg?v=1744843592"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/night1_9b76bb1e-8c27-4b8e-b414-f13c3973de7a.jpg?v=1744843592","width":700},{"alt":null,"id":35892806648058,"position":2,"preview_image":{"aspect_ratio":0.779,"height":1200,"width":935,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/night2_c63b5368-7da2-4de6-9e7b-1aad557bdb64.jpg?v=1744843592"},"aspect_ratio":0.779,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/night2_c63b5368-7da2-4de6-9e7b-1aad557bdb64.jpg?v=1744843592","width":935}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYの実験音楽家Aaron Landsmanと、Swansのギタリストとして活動していたNorman Westbergが、2025年4月にスイスのドローンレーベルHallow Groundからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eドローン〜サウンドポエトリー2曲を収録。16ページのブックレットとDLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=765378866\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hagr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hagr\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Hallow Ground releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12\" black vinyl.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eIncludes a 16-page booklet with an essay by the author and drawings and DL code.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Night Keeper I 20:36\u003cbr\u003e2. Night Keeper II 22:55\u003cbr\u003e3. Night Keeper I (edit) 02:28\u003cbr\u003e4. Night Keeper II (edit) 03:39\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eHallow Ground:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e»Night Keeper« is a collaborative album by New York City-based artist Aaron Landsman and former Swans guitarist Norman Westberg that is based on the former's eponymous play. Westberg recorded it together with performer Jehan O. Young for the Swiss Hallow Ground label, with Landsman serving as the record’s producer. The original piece was first performed in the Spring of 2023 at The Chocolate Factory Theater in Queens and filled the stark industrial space with spoken text, choreography, projections, and music in dim light and, occasionally, complete darkness. Westberg and Young afterwards brought it to the studio to record it as a two-part album in whose course his textural sounds, based on loops and samples, set the stage for her soothing, sonorous vocal performance. »Night Keeper« is a performance inspired by sleeplessness and the wanderings of the human mind at night—about time and memory. Westberg and Young elegantly capture its essence in these roughly 44 minutes with a somnambulic album, letting sound and meaning flow into each other.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe initial spark for »Night Keeper« was a run of almost sleepless nights in different neighbourhoods of a city that is perpetually insomniac. Instead of trying to force himself to go back to sleep by any means necessary, Landsman started writing\u003cspan class=\"bcTruncateMore\"\u003e down his thoughts. As he explains in the liner notes—accompanying the music along with drawings made by audience members during the performances—he started listening to the particular way in which the voice in his head navigates time and language. Accordingly, the texts that Young reads on the record form a diverse collection of specific moments, imagining different speakers and evoking different situations. Westberg complements, accentuates, and juxtaposes these with different means. Ominous drones, soaring melodies, rhythmic bass sounds: the guitarist, whose latest release for Hallow Ground was 2021’s »First Man In The Moon« with Polish double bassist Jacek Mazurkiewicz, conjures up distinct sound worlds in which Young can let Landsman’s scenes unfold to gripping effect.\u003cbr\u003e\u003cbr\u003eLandsman makes it clear that »Night Keeper« was intended as an invitation to »stay up, look out the window, let what’s happening outside spark reveries or predictions« or even take it on a stroll through the neighbourhood—at night, of course. Much like the original piece, this album is then one dedicated to wandering around, both mentally and physically.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Aaron Landsman \/ Norman Westberg\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Hallow Ground\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eHG2407\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYの実験音楽家Aaron Landsmanと、Swansのギタリストとして活動していたNorman Westbergが、2025年4月にスイスのドローンレーベルHallow Groundからリリースした共作レコードです。 ドローン〜サウンドポエトリー2曲を収録。16ページのブックレットとDLコード付属。 レーベルその他作品はこちら /// Click here to see more Hallow Ground releases available at...
¥4,633