Ruben Machtelinckx + Arve Henriksen // A short story LP

Ruben Machtelinckx + Arve Henriksen // A short story LP

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ベルギーの実験／ジャズレーベルAspen Edities主宰Ruben Machtelinckxと、ノルウェーのトランペット奏者Arve Henriksenが、2022年にリリースした共作レコードです。

ギターとトランペットによる穏やかなアンビエント・ジャズ〜アンビエント・フォーク12曲を収録。ゲートフォルド仕様です。

ひとりの時間にオススメです。

※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ

レーベルその他作品はこちら /// Click here to see more Aspen Edities releases available at Tobira.

------------------------------------------

Ask us for digital files.
12" black vinyl in gatefold sleeve.
Vinyl edition of 400.

Tracklist:

1. lessness 03:31
2. towards the redwood curtain 03:03
3. resemblance 03:53
4. strands of black hair 03:15
5. leaves, birds and grapes 03:23
6. beek 2 01:32
7. variation of shadows 03:49
8. sleepwalkers forest 02:36
9. beek 04:33
10. stone garden 03:37
11. Pines of Onoe 01:01
12. dawning 03:13

Aspen Edities:

"For almost ten years, Ruben Machtelinckx has followed an extraordinary path in Belgian and European improvised music. As a guitarist, but equally as a composer. It began in 2013, when the quartet Machtelinckx/Badenhorst/Jensson/Wouters released their debut, ‘Faerge’. The album was praised by international press and was listed ‘Best Belgian jazz release’ by KNACK magazine. In 2020 he won the Klara Award for Best Belgian Jazz release for his latest record: Porous Structures (Aspen 009). In between were collaborations with Øyvind Skarbø, Nils Økland, Niels Van Heertum, Ingar Zach.
Duos seem to suit gitarist Ruben Machtelinckx well: an interplay between
two individuals.

After projects with Thomas Jillings (Linus), Karl Van Deun and Frederik Leroux (Poor Isa, Aspen 007), there is now a project with Norwegian brass player Arve Henriksen. Arve Henriksen is one of the world’s gentlest, sweetest and purest trumpet players. He has released more than a dozen albums under his own name, mostly with the exceptional label Rune Grammofon. He has been part of projects by Christian Wallumrød, Trygve Seim and Trio Mediæval, among others, which found a home at ECM. He is also a member of the avant-garde quartet Supersilent.

Guitar and trumpet. Trumpet and guitar. The pawns on the board are few in number and modest in decoration. Again, Machtelinckx opts for the purely acoustic. Including improvisations that are everything but hermetic, with special guitar tunings and a focus on texture experiments. And including eight vintage Machtelinckx compositions, with singable melodies and strong harmonies. A short story is a meeting of two gentle musicians from which nothing but quiet music can emerge, so straightforward that it hurts a little. The album is testimony of the very first time they met and the tension that comes with it."

Artist : Ruben Machtelinckx + Arve Henriksen

Label : Aspen Edities

cat no : Aspen 013

Release date : 4th January 2022

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ギターとトランペットによる穏やかなアンビエント・ジャズ〜アンビエント・フォーク12曲を収録。ゲートフォルド仕様です。

ひとりの時間にオススメです。

※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ

レーベルその他作品はこちら /// Click here to see more Aspen Edities releases available at Tobira.

------------------------------------------

Ask us for digital files.
12" black vinyl in gatefold sleeve.
Vinyl edition of 400.

Tracklist:

Aspen Edities:

Artist : Ruben Machtelinckx + Arve Henriksen

Label : Aspen Edities

cat no : Aspen 013

Release date : 4th January 2022

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Seven\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eCD-6. Six\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eCD-7. Thirteen\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAspen Edities:\u003c\/p\u003e\n\u003cp\u003e\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAn evening in 1995. In a quiet house in Dakar, one guitarist pushes an acoustic guitar in the hands of another. It was a small Eastern European instrument with special nylon strings, bought for little money in a Brussels music store. Pierre Van Dormael had purchased several before traveling to Senegal, for his students at the Conservatory of Dakar. The other musician: Karl Van Deun. He spent his vacation in West-Africa, with his comrade and teacher.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDuring one of those clammy African nights Pierre suggested to make some music. With nothing more than that small guitar, Karl played what came to him, intuitively and without preparation. Pierre recorded the session on cassette and would go on to mix the music as well.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDue to health problems, Karl had barely played guitar since 1993. That night he played about a dozen short improvisations. Only afterwards did he hear how his study of classical figuration, which he had been doing years before, had seeped through into his ideas and his playing.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Karl Van Deun\u003c\/p\u003e\n\u003cp\u003eLabel : Aspen Edities\u003c\/p\u003e\n\u003cp\u003ecat no :\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAspen 005\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-06T12:38:07+09:00","created_at":"2025-11-05T11:31:52+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Aspen Edities","jazz","lp","new"],"price":389000,"price_min":389000,"price_max":389000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47902666850554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Karl Van Deun \/\/ almadies 10inch","public_title":null,"options":["Default Title"],"price":389000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/alm1_33225c7d-7395-470e-a0ad-a1e17d7c11d3.jpg?v=1762309813","\/\/tobirarecords.com\/cdn\/shop\/files\/alm2_1f4250f3-0da4-4a27-9b39-d5b4f7ff4b5d.jpg?v=1762309813","\/\/tobirarecords.com\/cdn\/shop\/files\/alm3_3ed7bb85-9636-4726-a866-3afae1e8b84e.jpg?v=1762309813"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/alm1_33225c7d-7395-470e-a0ad-a1e17d7c11d3.jpg?v=1762309813","options":["Title"],"media":[{"alt":null,"id":37400504041722,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/alm1_33225c7d-7395-470e-a0ad-a1e17d7c11d3.jpg?v=1762309813"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/alm1_33225c7d-7395-470e-a0ad-a1e17d7c11d3.jpg?v=1762309813","width":700},{"alt":null,"id":37400504074490,"position":2,"preview_image":{"aspect_ratio":1.003,"height":1196,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/alm2_1f4250f3-0da4-4a27-9b39-d5b4f7ff4b5d.jpg?v=1762309813"},"aspect_ratio":1.003,"height":1196,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/alm2_1f4250f3-0da4-4a27-9b39-d5b4f7ff4b5d.jpg?v=1762309813","width":1200},{"alt":null,"id":37400504107258,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/alm3_3ed7bb85-9636-4726-a866-3afae1e8b84e.jpg?v=1762309813"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/alm3_3ed7bb85-9636-4726-a866-3afae1e8b84e.jpg?v=1762309813","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギーのギタリストKarl Van Deunが、2019年にベルギーのジャズレーベルAspen Editiesからリリースした10\"です。\u003c\/p\u003e\n\u003cp\u003eアコースティックギターによるインプロ14曲を収録。DLコード付属。(CDは付属しません)\u003c\/p\u003e\n\u003cp\u003eアンビエントリスナーにもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1995年のある夜。ダカールの静かな家で、一人のギタリストがもう一人の手にアコースティックギターを押し渡した。それはブリュッセルの楽器店でわずかな金で購入した、特殊なナイロン弦を張った東欧製の小さな楽器だった。ピエール・ヴァン・ドルマールはセネガルへ旅立つ前に、ダカール音楽院の生徒たちのために何本か買い込んでいた。もう一人の音楽家：Karl Van Deun。彼は休暇を西アフリカで、同志であり師であるピエールと共に過ごしていた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e蒸し暑いアフリカの夜の一つで、ピエールは音楽を奏でようと提案した。その小さなギターだけを手にしたKarl Van Deunは、準備もなく直感的に思いつくままに演奏した。ピエールはそのセッションをカセットテープに録音し、後にその音楽をミックスすることになる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e健康上の問題から、Karl Van Deunは1993年以降ほとんどギターを弾いていなかった。あの夜、彼は十数曲の短い即興演奏を披露した。後になって初めて、彼が何年も前に取り組んでいたクラシックの装飾技法の研究が、自身の発想と演奏に浸透していたことに気づいたのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1438525400\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e10\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1. Eleven\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA2. Four\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA3. Five\u003cbr\u003e\u003c\/span\u003eB1. Eight\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB2. Seven\u003cbr\u003e\u003c\/span\u003eB3. Six\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB4. Thirteen\u003cbr\u003e\u003c\/span\u003eCD-1. Eleven\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eCD-2. Four\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eCD-3. Five\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eCD-4. Eight\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eCD-5. Seven\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eCD-6. Six\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eCD-7. Thirteen\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAspen Edities:\u003c\/p\u003e\n\u003cp\u003e\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAn evening in 1995. In a quiet house in Dakar, one guitarist pushes an acoustic guitar in the hands of another. It was a small Eastern European instrument with special nylon strings, bought for little money in a Brussels music store. Pierre Van Dormael had purchased several before traveling to Senegal, for his students at the Conservatory of Dakar. The other musician: Karl Van Deun. He spent his vacation in West-Africa, with his comrade and teacher.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDuring one of those clammy African nights Pierre suggested to make some music. With nothing more than that small guitar, Karl played what came to him, intuitively and without preparation. Pierre recorded the session on cassette and would go on to mix the music as well.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDue to health problems, Karl had barely played guitar since 1993. That night he played about a dozen short improvisations. Only afterwards did he hear how his study of classical figuration, which he had been doing years before, had seeped through into his ideas and his playing.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Karl Van Deun\u003c\/p\u003e\n\u003cp\u003eLabel : Aspen Edities\u003c\/p\u003e\n\u003cp\u003ecat no :\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAspen 005\u003c\/span\u003e\u003c\/p\u003e"}

ベルギーのギタリストKarl Van Deunが、2019年にベルギーのジャズレーベルAspen Editiesからリリースした10"です。アコースティックギターによるインプロ14曲を収録。DLコード付属。(CDは付属しません) アンビエントリスナーにもオススメです。以下、レーベルによる解説です。 "1995年のある夜。ダカールの静かな家で、一人のギタリストがもう一人の手にアコースティックギターを押し渡した。それはブリュッセルの楽器店でわずかな金で購入した、特殊なナイロン弦を張った東欧製の小さな楽器だった。ピエール・ヴァン・ドルマールはセネガルへ旅立つ前に、ダカール音楽院の生徒たちのために何本か買い込んでいた。もう一人の音楽家：Karl Van Deun。彼は休暇を西アフリカで、同志であり師であるピエールと共に過ごしていた。蒸し暑いアフリカの夜の一つで、ピエールは音楽を奏でようと提案した。その小さなギターだけを手にしたKarl Van Deunは、準備もなく直感的に思いつくままに演奏した。ピエールはそのセッションをカセットテープに録音し、後にその音楽をミックスすることになる。健康上の問題から、Karl...

¥3,890

クイックビュー {"id":9027387982074,"title":"Machtelinckx \/ Gouband \/ Leroux \/ Rasten \/\/ porous structures II LP","handle":"machtelinckx-gouband-leroux-rasten-porous-structures-ii-lp","description":"\u003cp\u003eベルギーの実験／ジャズレーベルAspen Edities主宰Ruben Machtelinckxと、ギタリストFrederik LerouxとFredrik Rasten、そしてパーカッショニストToma Goubandが2024年9月にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eアコースティック・ドローン〜インプロ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2093701057\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ased\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ased\"\u003ehere\u003c\/a\u003e to see more Aspen Edities releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003cbr\u003eViny edition of 200.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. in my earliest memory i see trees 18:10\u003cbr\u003e2. falling forward becomes a walk 11:05\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. void of narration 08:32\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText excerpt written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePeter Margasak, \u003c\/span\u003e\u003cspan\u003eBerlin, March 2024 (via \u003c\/span\u003eAspen Edities):\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBelgian guitarist Ruben Machtelinckx lives in a world of sound. He interacts with his fellow musicians, deploying the most refined, delicate sort of interplay, as if collectively painting clouds for the ears. Diffuse harmonies, grainy textures, and rhythms that drift like fallen leaves offer a deeply meditative, gorgeously colored environment that the guitarist is helping to shape, but he’s also basking in the tones vibrating and shimmering around him. The music slows down time, forging an environment without boundaries that billows like smoke, constantly reshaping every fragile tone. It’s Machtelinckx’s sweet spot, but as much as he surrenders to the sonic ecosystem, he’s deftly aware of its subtle activity, rigorously participating in its real-time creation and development.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBack in 2019 he explained the motivation for his long-running, open-ended Porous Structures concept, saying, “We’re trying to achieve a state of being. It doesn’t have to go anywhere or have a direction.” At the time he was exploring the idea alongside reedist Joachim Badenhorst, fellow guitarist Bert Cools, and French percussionist Toma Gouband. Some of the music on the group’s 2019 Aspen Edities album was composed beforehand but even\u003cspan class=\"bcTruncateMore\"\u003e the fully improvised pieces featured Badenshort’s reeds and ghostly falsetto voice cutting through this dreamy sound world, nascent melodic strands that seemed to emanate from the collective resonance itself. Five years later Machtelinckx has remade the project, which continues to feature Gouband’s sui generis sonification of organic materials like stones and tree branches. The new quartet is rounded out with a pair of distinctive guitarists, long-time Belgian collaborator Frederik Leroux—Machtelinckx’s partner in the tender duo project Poor Isa—and the Berlin-based Norwegian Fredrik Rasten, a more recent creative partner with whom he also maintains a duo.\u003cbr\u003e \u003cbr\u003e“What remains is the choice of acoustic and fragile sounds, comprehensible to the listener but with an undercurrent of tension and complexity,” says Machtelinckx. “What is new is the intertwining of acoustic guitars. The melodic voice is exchanged for yet another stringed instrument, resulting in a group sound in which individuals are barely distinguishable. The classical roles of an ensemble are abandoned: the three guitars weave a web in which the percussion moves freely. The quartet makes use of microtonality and plays a stubborn game of endless, subtle variations.” In some ways this assemblage furthers his earlier statement that the music doesn’t need to go anywhere, and indeed, on first blush the three pieces on this album appear to levitate. Still, when one digs deeper that claim isn’t entirely true. While the music doesn’t usually feature any traditional sense of propulsion, the performances definitely go somewhere. [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Machtelinckx\/Gouband\/Leroux\/Rasten\u003c\/p\u003e\n\u003cp\u003eLabel : Aspen Edities\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAspen 019\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 27th September 2024\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-15T08:03:40+09:00","created_at":"2025-12-14T10:56:15+09:00","vendor":"Tobira Records","type":"","tags":["Aspen Edities","drone","jazz","lp","new"],"price":479800,"price_min":479800,"price_max":479800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48104734818554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Machtelinckx \/ Gouband \/ Leroux \/ Rasten \/\/ porous structures II LP","public_title":null,"options":["Default Title"],"price":479800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/stru1.jpg?v=1765677242","\/\/tobirarecords.com\/cdn\/shop\/files\/stru2.jpg?v=1765677242"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/stru1.jpg?v=1765677242","options":["Title"],"media":[{"alt":null,"id":37774967570682,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/stru1.jpg?v=1765677242"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/stru1.jpg?v=1765677242","width":700},{"alt":null,"id":37774967603450,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/stru2.jpg?v=1765677242"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/stru2.jpg?v=1765677242","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギーの実験／ジャズレーベルAspen Edities主宰Ruben Machtelinckxと、ギタリストFrederik LerouxとFredrik Rasten、そしてパーカッショニストToma Goubandが2024年9月にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eアコースティック・ドローン〜インプロ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2093701057\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ased\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ased\"\u003ehere\u003c\/a\u003e to see more Aspen Edities releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003cbr\u003eViny edition of 200.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. in my earliest memory i see trees 18:10\u003cbr\u003e2. falling forward becomes a walk 11:05\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. void of narration 08:32\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText excerpt written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePeter Margasak, \u003c\/span\u003e\u003cspan\u003eBerlin, March 2024 (via \u003c\/span\u003eAspen Edities):\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBelgian guitarist Ruben Machtelinckx lives in a world of sound. He interacts with his fellow musicians, deploying the most refined, delicate sort of interplay, as if collectively painting clouds for the ears. Diffuse harmonies, grainy textures, and rhythms that drift like fallen leaves offer a deeply meditative, gorgeously colored environment that the guitarist is helping to shape, but he’s also basking in the tones vibrating and shimmering around him. The music slows down time, forging an environment without boundaries that billows like smoke, constantly reshaping every fragile tone. It’s Machtelinckx’s sweet spot, but as much as he surrenders to the sonic ecosystem, he’s deftly aware of its subtle activity, rigorously participating in its real-time creation and development.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBack in 2019 he explained the motivation for his long-running, open-ended Porous Structures concept, saying, “We’re trying to achieve a state of being. It doesn’t have to go anywhere or have a direction.” At the time he was exploring the idea alongside reedist Joachim Badenhorst, fellow guitarist Bert Cools, and French percussionist Toma Gouband. Some of the music on the group’s 2019 Aspen Edities album was composed beforehand but even\u003cspan class=\"bcTruncateMore\"\u003e the fully improvised pieces featured Badenshort’s reeds and ghostly falsetto voice cutting through this dreamy sound world, nascent melodic strands that seemed to emanate from the collective resonance itself. Five years later Machtelinckx has remade the project, which continues to feature Gouband’s sui generis sonification of organic materials like stones and tree branches. The new quartet is rounded out with a pair of distinctive guitarists, long-time Belgian collaborator Frederik Leroux—Machtelinckx’s partner in the tender duo project Poor Isa—and the Berlin-based Norwegian Fredrik Rasten, a more recent creative partner with whom he also maintains a duo.\u003cbr\u003e \u003cbr\u003e“What remains is the choice of acoustic and fragile sounds, comprehensible to the listener but with an undercurrent of tension and complexity,” says Machtelinckx. “What is new is the intertwining of acoustic guitars. The melodic voice is exchanged for yet another stringed instrument, resulting in a group sound in which individuals are barely distinguishable. The classical roles of an ensemble are abandoned: the three guitars weave a web in which the percussion moves freely. The quartet makes use of microtonality and plays a stubborn game of endless, subtle variations.” In some ways this assemblage furthers his earlier statement that the music doesn’t need to go anywhere, and indeed, on first blush the three pieces on this album appear to levitate. Still, when one digs deeper that claim isn’t entirely true. While the music doesn’t usually feature any traditional sense of propulsion, the performances definitely go somewhere. [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Machtelinckx\/Gouband\/Leroux\/Rasten\u003c\/p\u003e\n\u003cp\u003eLabel : Aspen Edities\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAspen 019\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 27th September 2024\u003c\/span\u003e\u003c\/p\u003e"}