Jamael Dean // Primordial Waters 2xLP
Jamael Dean // Primordial Waters 2xLP
¥4,480
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アメリカのジャズピアニストJamael Deanが、2021年に同国老舗レーベルStones Throwからリリースした2枚組レコードです。
ジャズ〜ヒップホップ20曲を収録。DLコード付属。
レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases available at Tobira.
---------------------------
10-track jazz, 10-track hiphop album.
Run time: 68 mins
Artist : Jamael Dean
Label : Stones Throw
アメリカのジャズピアニストJamael Deanが、2021年に同国老舗レーベルStones Throwからリリースした2枚組レコードです。
ジャズ〜ヒップホップ20曲を収録。DLコード付属。
レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases available at Tobira.
---------------------------
10-track jazz, 10-track hiphop album.
Run time: 68 mins
Artist : Jamael Dean
Label : Stones Throw
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クイックビュー
{"id":8953902956794,"title":"Matthew Hayes \/\/ Codeine Dream Loop LP","handle":"matthew-hayes-codeine-dream-loop-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eオーストラリア・メルボルンのアンビエント・ベーシストMatthew Hayesが、2022年10月にメルボルンのインディーレーベルbedroom suckから300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eベースによるドリーミーなアンビエント・ジャズ〜アンビエント・フォーク22曲を収録。180g重量盤です。\u003c\/p\u003e\n\u003cp\u003eSam Wilkesが好きな方にもおすすめします。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=132087322\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=4031298122\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=132087322\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=4132265707\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=132087322\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=132087322\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=140597220\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bedroom-suck\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bedroom-suck\"\u003ehere\u003c\/a\u003e to see more Bedroom Suck Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003ebedroom suck:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Matthew Hayes and Charlie Perry come together to present Barricade, a record that instills hope and softness with a delicate balance of intricate bass guitar, electronic ambience and spoken word. The fusing of these elements imbues a sense of vulnerability, introspection and hopefulness throughout the entirety of the record, inspiring a calmness and beauty that emerges from amongst the ceaseless din of the world around us.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHayes approached fellow musician and spoken word artist Charlie Perry at the beginning of 2020, to collaborate on some recordings originally written while on tour in Europe. The pair instantly hit it off and the idea to complete a record together was formed, not to be set back by the shutdown of the world almost immediately after. Hayes, caught in Europe mid-tour, based himself in the south of France, while Perry retreated to Australia’s southern coastline in the small beachside town of Fairhaven. This cross continental collaboration continued over many months as the world around them reeled from the results of the ongoing COVID-19 pandemic.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album features other notable collaborations, such as the guest appearance of renowned saxophonist and JK Group bandleader Joshua Kelly on 'Introduction'; the one and only Allysha Joy\u003cspan class=\"bcTruncateMore\"\u003e delivers her unique talent with a soft yet powerful performance on 'I Can Hear You', and the versatile brilliance of Aarti Jadu shines in 'You Care I Know'.\u003cbr\u003e\u003cbr\u003eAs a whole, this record is a document of the power of creativity, community and hopefulness in a world that stands disjointed. It is a record that embraces rawness and vulnerability, and is executed with a sophisticated nuance and ease.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matthew Hayes \u0026amp; Charlie Perry\u003c\/p\u003e\n\u003cp\u003eLabel : bedroom suck records\u003c\/p\u003e","published_at":"2025-10-12T06:57:50+09:00","created_at":"2025-10-12T06:57:18+09:00","vendor":"Tobira Records","type":"","tags":["ambient","bedroom suck","folk \/ left-field pop","jazz","lp","new","recommended"],"price":478300,"price_min":478300,"price_max":478300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47814004277498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Matthew Hayes \/\/ Codeine Dream Loop LP","public_title":null,"options":["Default Title"],"price":478300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0997533113_16_25825774-011c-419e-aae1-5e6a16699644.jpg?v=1704580822"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0997533113_16_25825774-011c-419e-aae1-5e6a16699644.jpg?v=1704580822","options":["Title"],"media":[{"alt":null,"id":32939098439930,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0997533113_16_25825774-011c-419e-aae1-5e6a16699644.jpg?v=1704580822"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0997533113_16_25825774-011c-419e-aae1-5e6a16699644.jpg?v=1704580822","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eオーストラリア・メルボルンのアンビエント・ベーシストMatthew Hayesが、2022年10月にメルボルンのインディーレーベルbedroom suckから300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eベースによるドリーミーなアンビエント・ジャズ〜アンビエント・フォーク22曲を収録。180g重量盤です。\u003c\/p\u003e\n\u003cp\u003eSam Wilkesが好きな方にもおすすめします。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=132087322\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=4031298122\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=132087322\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=4132265707\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=132087322\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=132087322\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=140597220\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bedroom-suck\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bedroom-suck\"\u003ehere\u003c\/a\u003e to see more Bedroom Suck Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003ebedroom suck:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Matthew Hayes and Charlie Perry come together to present Barricade, a record that instills hope and softness with a delicate balance of intricate bass guitar, electronic ambience and spoken word. The fusing of these elements imbues a sense of vulnerability, introspection and hopefulness throughout the entirety of the record, inspiring a calmness and beauty that emerges from amongst the ceaseless din of the world around us.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHayes approached fellow musician and spoken word artist Charlie Perry at the beginning of 2020, to collaborate on some recordings originally written while on tour in Europe. The pair instantly hit it off and the idea to complete a record together was formed, not to be set back by the shutdown of the world almost immediately after. Hayes, caught in Europe mid-tour, based himself in the south of France, while Perry retreated to Australia’s southern coastline in the small beachside town of Fairhaven. This cross continental collaboration continued over many months as the world around them reeled from the results of the ongoing COVID-19 pandemic.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album features other notable collaborations, such as the guest appearance of renowned saxophonist and JK Group bandleader Joshua Kelly on 'Introduction'; the one and only Allysha Joy\u003cspan class=\"bcTruncateMore\"\u003e delivers her unique talent with a soft yet powerful performance on 'I Can Hear You', and the versatile brilliance of Aarti Jadu shines in 'You Care I Know'.\u003cbr\u003e\u003cbr\u003eAs a whole, this record is a document of the power of creativity, community and hopefulness in a world that stands disjointed. It is a record that embraces rawness and vulnerability, and is executed with a sophisticated nuance and ease.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matthew Hayes \u0026amp; Charlie Perry\u003c\/p\u003e\n\u003cp\u003eLabel : bedroom suck records\u003c\/p\u003e"}
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オーストラリア・メルボルンのアンビエント・ベーシストMatthew Hayesが、2022年10月にメルボルンのインディーレーベルbedroom suckから300部限定でリリースしたレコードです。 ベースによるドリーミーなアンビエント・ジャズ〜アンビエント・フォーク22曲を収録。180g重量盤です。 Sam Wilkesが好きな方にもおすすめします。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Bedroom Suck...
¥4,783
クイックビュー
{"id":8953894142202,"title":"Matthew Hayes \u0026 Charlie Perry \/\/ Barricade LP","handle":"matthew-hayes-charlie-perry-barricade-lp-コピー","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eオーストラリア・メルボルンのアンビエント・ベーシストMatthew Hayesと詩人Charlie Perryが、2020年11月に同国メルボルンのレーベルbedroom suckから150部限定でリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eベースとスポークンワードによるアンビエント・ジャズ〜アンビエント・フォーク7曲を収録。\u003c\/p\u003e\n\u003cp\u003eスローコアリスナーにもおすすめします。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4250767032\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=747773278\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4250767032\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bedroom-suck\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bedroom-suck\"\u003ehere\u003c\/a\u003e to see more Bedroom Suck Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003ebedroom suck:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Matthew Hayes and Charlie Perry come together to present Barricade, a record that instills hope and softness with a delicate balance of intricate bass guitar, electronic ambience and spoken word. The fusing of these elements imbues a sense of vulnerability, introspection and hopefulness throughout the entirety of the record, inspiring a calmness and beauty that emerges from amongst the ceaseless din of the world around us.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHayes approached fellow musician and spoken word artist Charlie Perry at the beginning of 2020, to collaborate on some recordings originally written while on tour in Europe. The pair instantly hit it off and the idea to complete a record together was formed, not to be set back by the shutdown of the world almost immediately after. Hayes, caught in Europe mid-tour, based himself in the south of France, while Perry retreated to Australia’s southern coastline in the small beachside town of Fairhaven. This cross continental collaboration continued over many months as the world around them reeled from the results of the ongoing COVID-19 pandemic.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album features other notable collaborations, such as the guest appearance of renowned saxophonist and JK Group bandleader Joshua Kelly on 'Introduction'; the one and only Allysha Joy\u003cspan class=\"bcTruncateMore\"\u003e delivers her unique talent with a soft yet powerful performance on 'I Can Hear You', and the versatile brilliance of Aarti Jadu shines in 'You Care I Know'.\u003cbr\u003e\u003cbr\u003eAs a whole, this record is a document of the power of creativity, community and hopefulness in a world that stands disjointed. It is a record that embraces rawness and vulnerability, and is executed with a sophisticated nuance and ease.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matthew Hayes \u0026amp; Charlie Perry\u003c\/p\u003e\n\u003cp\u003eLabel : bedroom suck records\u003c\/p\u003e","published_at":"2025-10-12T06:54:50+09:00","created_at":"2025-10-12T06:53:50+09:00","vendor":"Tobira Records","type":"","tags":["ambient","bedroom suck","contemporary \/ sound poetry","folk \/ left-field pop","jazz","lp","new"],"price":478300,"price_min":478300,"price_max":478300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47813981372666,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Matthew Hayes \u0026 Charlie Perry \/\/ Barricade LP","public_title":null,"options":["Default Title"],"price":478300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ba1_03ee9d30-40af-40d6-8bef-d5f2347b7b6b.jpg?v=1641598970","\/\/tobirarecords.com\/cdn\/shop\/products\/ba2_35309442-8b27-4f29-9331-637e8f85c808.jpg?v=1641598970"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba1_03ee9d30-40af-40d6-8bef-d5f2347b7b6b.jpg?v=1641598970","options":["Title"],"media":[{"alt":null,"id":28974599831802,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba1_03ee9d30-40af-40d6-8bef-d5f2347b7b6b.jpg?v=1641598970"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba1_03ee9d30-40af-40d6-8bef-d5f2347b7b6b.jpg?v=1641598970","width":700},{"alt":null,"id":28974599864570,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba2_35309442-8b27-4f29-9331-637e8f85c808.jpg?v=1641598970"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba2_35309442-8b27-4f29-9331-637e8f85c808.jpg?v=1641598970","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eオーストラリア・メルボルンのアンビエント・ベーシストMatthew Hayesと詩人Charlie Perryが、2020年11月に同国メルボルンのレーベルbedroom suckから150部限定でリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eベースとスポークンワードによるアンビエント・ジャズ〜アンビエント・フォーク7曲を収録。\u003c\/p\u003e\n\u003cp\u003eスローコアリスナーにもおすすめします。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4250767032\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=747773278\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4250767032\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bedroom-suck\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bedroom-suck\"\u003ehere\u003c\/a\u003e to see more Bedroom Suck Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003ebedroom suck:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Matthew Hayes and Charlie Perry come together to present Barricade, a record that instills hope and softness with a delicate balance of intricate bass guitar, electronic ambience and spoken word. The fusing of these elements imbues a sense of vulnerability, introspection and hopefulness throughout the entirety of the record, inspiring a calmness and beauty that emerges from amongst the ceaseless din of the world around us.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHayes approached fellow musician and spoken word artist Charlie Perry at the beginning of 2020, to collaborate on some recordings originally written while on tour in Europe. The pair instantly hit it off and the idea to complete a record together was formed, not to be set back by the shutdown of the world almost immediately after. Hayes, caught in Europe mid-tour, based himself in the south of France, while Perry retreated to Australia’s southern coastline in the small beachside town of Fairhaven. This cross continental collaboration continued over many months as the world around them reeled from the results of the ongoing COVID-19 pandemic.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album features other notable collaborations, such as the guest appearance of renowned saxophonist and JK Group bandleader Joshua Kelly on 'Introduction'; the one and only Allysha Joy\u003cspan class=\"bcTruncateMore\"\u003e delivers her unique talent with a soft yet powerful performance on 'I Can Hear You', and the versatile brilliance of Aarti Jadu shines in 'You Care I Know'.\u003cbr\u003e\u003cbr\u003eAs a whole, this record is a document of the power of creativity, community and hopefulness in a world that stands disjointed. It is a record that embraces rawness and vulnerability, and is executed with a sophisticated nuance and ease.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matthew Hayes \u0026amp; Charlie Perry\u003c\/p\u003e\n\u003cp\u003eLabel : bedroom suck records\u003c\/p\u003e"}
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オーストラリア・メルボルンのアンビエント・ベーシストMatthew Hayesと詩人Charlie Perryが、2020年11月に同国メルボルンのレーベルbedroom suckから150部限定でリリースした共作レコードです。 ベースとスポークンワードによるアンビエント・ジャズ〜アンビエント・フォーク7曲を収録。 スローコアリスナーにもおすすめします。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Bedroom Suck Records...
¥4,783
クイックビュー
{"id":8951653466362,"title":"Bendik Giske s\/t LP","handle":"bendik-giske-s-t-lp","description":"\u003cp\u003eノルウェーのサックス奏者Bendik Giskeが、2023年6月に同国Smalltown Supersoundからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eミニマルな実験ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBeatrice Dillonがリミックスで参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=214373335\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003ehere\u003c\/a\u003e to see more Smalltown Supersound releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Start 04:15\u003cbr\u003e2. Not Yet 06:54\u003cbr\u003e3. Rhizome 06:08\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Rise and Fall 04:23\u003cbr\u003e\u003c\/span\u003e5. Rush 05:35\u003cbr\u003e6. Slipping 06:36\u003cbr\u003e7. End 02:51\u003cbr\u003e8. Rise and Fall (Beatrice Dillon remix) 04:27\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eSmalltown Supersound:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNow on the cusp of his third solo album, Norwegian saxophonist Bendik Giske knows himself well. With his new, self-titled record, he is in his prime as an artist: confident in his voice and abilities, buoyed by critical acclaim from all corners – including two Norwegian Grammy nominations – and a surge in audiences everywhere. With the intriguing choice of Beatrice Dillon as album producer – clearly the British electronic musician is a fellow traveler in the practice of original aesthetic expression – her influence is immediate and keenly felt. Together, they strip away a layer of melodicism, honing in on pattern and rhythm to bring out a different dimension of his mesmerizing sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile again working with single-take recordings, no overdubs, only saxophone and his body, gone is the reverberant space and mellifluous glamor. Giske finds the result akin to musical full-frontal nudity – every detail, every huff and puff audible, no obscuring, no aestheticizing. People may look away when it’s not as pretty, but what’s left feels more present and potent. Confrontational, it demands greater attention, but through its physicality – you can hear and feel his body in the music – it takes you to a flow state, somewhere between ecstasy, elation, and spiritual\u003cspan class=\"bcTruncateMore\"\u003e awakening.\u003cbr\u003e\u003cbr\u003eIntensely human, there’s stark tension there, too – there always will be when fighting for existence and validity – elegantly illustrated by Florian Hetz’s striking photographs of the artist on the covers of the release. In part, Giske is inspired by Judith Halberstam’s The Queer Art of Failure. As much as he has benefitted from his training and participation in the environment of the jazz conservatory, his path took him far outside its confines. Working these new explorations with his instrument has been a ten-year process of peeling away what he knew ultimately didn’t fit, finding the sonic territory of his lived experience. What emerged were systems that allowed for studies of tempo and proportion, a starting point for an immersive improvisatory approach, mapping years of musical probing.\u003cbr\u003e\u003cbr\u003eIt’s the sound of social emancipation through the meditative pulse and velocity of circular breathing and the dance of the body, especially fingers, tongue, and lips. Giske knows that music can be a powerful tool in bringing people together to find ideas, and the longevity of his project is at its utmost a call for care, togetherness, storytelling, and the ability to gather for a shared cause. In all earnestness, Bendik Giske is a proposal for truthfulness and existence, a space for one to express their most profound self.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bendik Giske\u003c\/p\u003e\n\u003cp\u003eLabel : Smalltown Supersound\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSTS417lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-11T12:21:02+09:00","created_at":"2025-10-10T09:23:46+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","smalltown supersound"],"price":297500,"price_min":297500,"price_max":297500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47808164299002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bendik Giske s\/t LP","public_title":null,"options":["Default Title"],"price":297500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"7072822417109","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_70b8e380-d45a-47a0-994c-868328ea6a0f.jpg?v=1686228389","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_e55e13f2-b56f-4159-8de8-e104c08855fb.jpg?v=1686228389"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_70b8e380-d45a-47a0-994c-868328ea6a0f.jpg?v=1686228389","options":["Title"],"media":[{"alt":null,"id":32092892627194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_70b8e380-d45a-47a0-994c-868328ea6a0f.jpg?v=1686228389"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_70b8e380-d45a-47a0-994c-868328ea6a0f.jpg?v=1686228389","width":700},{"alt":null,"id":32092892659962,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_e55e13f2-b56f-4159-8de8-e104c08855fb.jpg?v=1686228389"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_e55e13f2-b56f-4159-8de8-e104c08855fb.jpg?v=1686228389","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eノルウェーのサックス奏者Bendik Giskeが、2023年6月に同国Smalltown Supersoundからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eミニマルな実験ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBeatrice Dillonがリミックスで参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=214373335\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003ehere\u003c\/a\u003e to see more Smalltown Supersound releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Start 04:15\u003cbr\u003e2. Not Yet 06:54\u003cbr\u003e3. Rhizome 06:08\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Rise and Fall 04:23\u003cbr\u003e\u003c\/span\u003e5. Rush 05:35\u003cbr\u003e6. Slipping 06:36\u003cbr\u003e7. End 02:51\u003cbr\u003e8. Rise and Fall (Beatrice Dillon remix) 04:27\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eSmalltown Supersound:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNow on the cusp of his third solo album, Norwegian saxophonist Bendik Giske knows himself well. With his new, self-titled record, he is in his prime as an artist: confident in his voice and abilities, buoyed by critical acclaim from all corners – including two Norwegian Grammy nominations – and a surge in audiences everywhere. With the intriguing choice of Beatrice Dillon as album producer – clearly the British electronic musician is a fellow traveler in the practice of original aesthetic expression – her influence is immediate and keenly felt. Together, they strip away a layer of melodicism, honing in on pattern and rhythm to bring out a different dimension of his mesmerizing sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile again working with single-take recordings, no overdubs, only saxophone and his body, gone is the reverberant space and mellifluous glamor. Giske finds the result akin to musical full-frontal nudity – every detail, every huff and puff audible, no obscuring, no aestheticizing. People may look away when it’s not as pretty, but what’s left feels more present and potent. Confrontational, it demands greater attention, but through its physicality – you can hear and feel his body in the music – it takes you to a flow state, somewhere between ecstasy, elation, and spiritual\u003cspan class=\"bcTruncateMore\"\u003e awakening.\u003cbr\u003e\u003cbr\u003eIntensely human, there’s stark tension there, too – there always will be when fighting for existence and validity – elegantly illustrated by Florian Hetz’s striking photographs of the artist on the covers of the release. In part, Giske is inspired by Judith Halberstam’s The Queer Art of Failure. As much as he has benefitted from his training and participation in the environment of the jazz conservatory, his path took him far outside its confines. Working these new explorations with his instrument has been a ten-year process of peeling away what he knew ultimately didn’t fit, finding the sonic territory of his lived experience. What emerged were systems that allowed for studies of tempo and proportion, a starting point for an immersive improvisatory approach, mapping years of musical probing.\u003cbr\u003e\u003cbr\u003eIt’s the sound of social emancipation through the meditative pulse and velocity of circular breathing and the dance of the body, especially fingers, tongue, and lips. Giske knows that music can be a powerful tool in bringing people together to find ideas, and the longevity of his project is at its utmost a call for care, togetherness, storytelling, and the ability to gather for a shared cause. In all earnestness, Bendik Giske is a proposal for truthfulness and existence, a space for one to express their most profound self.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bendik Giske\u003c\/p\u003e\n\u003cp\u003eLabel : Smalltown Supersound\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSTS417lp\u003c\/span\u003e\u003c\/p\u003e"}
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ノルウェーのサックス奏者Bendik Giskeが、2023年6月に同国Smalltown Supersoundからリリースしたレコードです。 ミニマルな実験ジャズ8曲を収録。 Beatrice Dillonがリミックスで参加しています。 レーベルその他作品はこちら /// Click here to see more Smalltown Supersound releases available...
¥2,975
クイックビュー
{"id":8951650713850,"title":"Joseph Shabason \/\/ The Fellowship CD","handle":"joseph-shabason-the-fellowship-cd","description":"\u003cp\u003eカナダ・トロントのサックス奏者Joseph Shabasonが、2021年4月にWestern Vinylからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3251703443\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCD in gatefold wallet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Life With My Grandparents 04:50\u003cbr\u003e2. Escape From North York 03:37\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. The Fellowship 05:14\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. 0-13 02:37\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. 13-15 05:10\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. 15-19 07:01\u003cbr\u003e\u003c\/span\u003e7. Comparative World Religions 03:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. So Long 07:06\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by Western Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAcross eight tracks that mesh jazz-laced, emotive, and spacious composition with fourth-world and adult-contemporary tonality, Toronto saxophonist Joseph Shabason sketches an auditory map of the transcendence, unity, conditioning, and eventual renunciation of his upbringing in an Islamic and Jewish dual-faith household. The resulting album The Fellowship bears the name of the insular Islamic community Shabason’s traditionally Jewish parents belonged to from a time before he was even born; a mental and spiritual push-pull which continued shaping, even controlling, his outlook well into his adulthood. As a listening experience The Fellowship follows a chronological arc that spans three generations covering his parents’ early lives, his own spiritual and physical adolescence, and his subsequent struggle to eschew the problematic habituations of such a conflicted past.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Life With My Grandparents” commences The Fellowship in overcast hues. A cassette recording of a child’s voice pops in and out of a murmuring brass tone as both elements drift like memories receding forever into the past. “My parents grew up in really difficult households. Both of my father’s parents had just survived the Holocaust only six years before he was born.” Shabason\u003cspan class=\"bcTruncateMore\"\u003e explains, cutting right to the root of what might have led his parents to diverge from their inherited spiritual conventions. \"My grandparents were deeply traumatized from having lost so many friends and family members, and even if the war hadn’t happened I don’t think they would have been particularly emotionally available.” Exchanging the gloom for tension, the anxiously experimental “Escape From North York” jolts the cadence forwards and backwards by way of skittering jazz percussion as a nauseated synth melody balloons into full-on terror, all while the melodic elements are ambushed from below by a flash flood of air-rending texture. The title (a play on John Carpenter’s Escape From New York) refers to the area of Toronto where Shabason’s parents were raised, and rebelliously fled in their twenties against their own parents’ wishes. The title track of The Fellowship swings toward relief and reflection, and buoys the mood up to something childlike. It is suffused with saxophone, upright bass, chorus-drenched guitar, and digitized pan flute; the kinds of 90’s jazz timbres that mark a time in Shabason’s adolescence when the dilemmas of his family’s faith were still obscured by comfort, community, and a dash of the forgivable naivete of early youth. At the same time, the piece shows Shabason at his most melodically athletic, darting around chord changes with fervor for the subject at hand.\u003cbr\u003e\u003cbr\u003eFrom here the perspective moves from third to first person as Shabason unpacks his teenage years across a three song suite, the titles of which mark the exact years they are meant to sonically illustrate. Where the previous track floated ever upward on innocence and clarity, “0-13” dispenses with both by its final third at which point things have unraveled into aleatoric unease representing “the first chink in the armour,” as Joseph admits, “and the first time I really started to question everything I’d been taught.” By “13-15” the pendulum is fully back on the side of apprehension as galloping percussion, an unrelenting synthetic marimba, an off-key wood flute, and jittering electric guitar tell a story of doubt and anger, dressed in fourth-world atonality. “By that time,” says Shabason, referring to the age denoted in the track name, “I was smoking weed and really getting into my head. According to my religion, smoking weed was gonna land me in hell, and all my friends who drank were also on the path to hell. The whole thing seemed totally absurd. The idea of a God that was that petty and vengeful made no sense. Those thoughts just swirled and created this background dissonance that existed all throughout my early teens. Middle school was fucked.”\u003cbr\u003e\u003cbr\u003e“15-19” is the sadness that follows outrage, when the dust settles and the pieces need putting back together, yet they simply won’t fit in light of a new found perspective. As such, this final movement is bathed in tragic, futile optimism. Under a bed of half-tempo RnB, muted trumpets glow like dying embers catching the wind. Shabason elucidates, “at that point, I’d discovered punk and hardcore and decided to be straight edge. It provided me with a community and a great cover for why I didn’t drink or do drugs. It felt like this really cool disguise. It kept me from questioning why I was doing it in the first place, but underlying it all was sadness. Why were my gay friends going to hell? Why did women have to be modest and not men? Why did God want to punish me for so many things? Was I going to hell because I had sex with my girlfriend? None of it made sense, but I was so completely brainwashed that I never thought to seriously question it. Instead, I just slipped up more and more, did drugs, fooled around, and tried to put the divine ramifications of my actions out of my head.”\u003cbr\u003e\u003cbr\u003e“Comparative World Religions” is a caffeinated gamelan named for the college course that caused Joseph-- and so many other young people engrossed in inherited repressive ideologies-- to see the irreconcilable nature of his beliefs from the outside in. Like the class itself, it stands apart from the backdrop of The Fellowship by replacing the seesaw of religious ecstasy and uncertainty with the type of transcendence that can only be arrived at through factual illumination. Using mournful brass and glassy keys, the aptly titled “So Long” represents the slow walking away that Shabason had to do mentally and emotionally, even long after the illusion had been cracked open. “It took me at least another twelve to fifteen years to fully deprogram myself from all the guilt and shame that was bred into me by religion, but I think that I’m finally free from it,” says Shabason of his present-day outlook. “This song is a final goodbye to that life… an exhale and deep inhale before I start a new chapter.” On The Fellowship, as on prior albums that bear his name, Joseph Shabason does what only the best instrumental music makers can: tell a story with emotional clarity that conveys even the subtlest of feelings, all without singing a single word. As wordless as ever-- with as complex a theme as ever-- this album may be his most emotionally articulate yet. Most importantly, those lost in the woods of repression and self-doubt that organized religion can be at its worst now have The Fellowship to help guide them into a softer light.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joseph Shabason\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWV226cd\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-11T12:34:27+09:00","created_at":"2025-10-10T09:11:42+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","jazz","new","western vinyl"],"price":219400,"price_min":219400,"price_max":219400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47808155746554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joseph Shabason \/\/ The Fellowship CD","public_title":null,"options":["Default Title"],"price":219400,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"843563134016","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fe1_d81ef0c3-9b5b-46bc-bd54-58ac07d51793.jpg?v=1635742810","\/\/tobirarecords.com\/cdn\/shop\/products\/fe3.jpg?v=1635742810"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fe1_d81ef0c3-9b5b-46bc-bd54-58ac07d51793.jpg?v=1635742810","options":["Title"],"media":[{"alt":null,"id":25676598640890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fe1_d81ef0c3-9b5b-46bc-bd54-58ac07d51793.jpg?v=1635742810"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fe1_d81ef0c3-9b5b-46bc-bd54-58ac07d51793.jpg?v=1635742810","width":700},{"alt":null,"id":25676598706426,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fe3.jpg?v=1635742810"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fe3.jpg?v=1635742810","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・トロントのサックス奏者Joseph Shabasonが、2021年4月にWestern Vinylからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3251703443\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCD in gatefold wallet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Life With My Grandparents 04:50\u003cbr\u003e2. Escape From North York 03:37\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. The Fellowship 05:14\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. 0-13 02:37\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. 13-15 05:10\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. 15-19 07:01\u003cbr\u003e\u003c\/span\u003e7. Comparative World Religions 03:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. So Long 07:06\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by Western Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAcross eight tracks that mesh jazz-laced, emotive, and spacious composition with fourth-world and adult-contemporary tonality, Toronto saxophonist Joseph Shabason sketches an auditory map of the transcendence, unity, conditioning, and eventual renunciation of his upbringing in an Islamic and Jewish dual-faith household. The resulting album The Fellowship bears the name of the insular Islamic community Shabason’s traditionally Jewish parents belonged to from a time before he was even born; a mental and spiritual push-pull which continued shaping, even controlling, his outlook well into his adulthood. As a listening experience The Fellowship follows a chronological arc that spans three generations covering his parents’ early lives, his own spiritual and physical adolescence, and his subsequent struggle to eschew the problematic habituations of such a conflicted past.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Life With My Grandparents” commences The Fellowship in overcast hues. A cassette recording of a child’s voice pops in and out of a murmuring brass tone as both elements drift like memories receding forever into the past. “My parents grew up in really difficult households. Both of my father’s parents had just survived the Holocaust only six years before he was born.” Shabason\u003cspan class=\"bcTruncateMore\"\u003e explains, cutting right to the root of what might have led his parents to diverge from their inherited spiritual conventions. \"My grandparents were deeply traumatized from having lost so many friends and family members, and even if the war hadn’t happened I don’t think they would have been particularly emotionally available.” Exchanging the gloom for tension, the anxiously experimental “Escape From North York” jolts the cadence forwards and backwards by way of skittering jazz percussion as a nauseated synth melody balloons into full-on terror, all while the melodic elements are ambushed from below by a flash flood of air-rending texture. The title (a play on John Carpenter’s Escape From New York) refers to the area of Toronto where Shabason’s parents were raised, and rebelliously fled in their twenties against their own parents’ wishes. The title track of The Fellowship swings toward relief and reflection, and buoys the mood up to something childlike. It is suffused with saxophone, upright bass, chorus-drenched guitar, and digitized pan flute; the kinds of 90’s jazz timbres that mark a time in Shabason’s adolescence when the dilemmas of his family’s faith were still obscured by comfort, community, and a dash of the forgivable naivete of early youth. At the same time, the piece shows Shabason at his most melodically athletic, darting around chord changes with fervor for the subject at hand.\u003cbr\u003e\u003cbr\u003eFrom here the perspective moves from third to first person as Shabason unpacks his teenage years across a three song suite, the titles of which mark the exact years they are meant to sonically illustrate. Where the previous track floated ever upward on innocence and clarity, “0-13” dispenses with both by its final third at which point things have unraveled into aleatoric unease representing “the first chink in the armour,” as Joseph admits, “and the first time I really started to question everything I’d been taught.” By “13-15” the pendulum is fully back on the side of apprehension as galloping percussion, an unrelenting synthetic marimba, an off-key wood flute, and jittering electric guitar tell a story of doubt and anger, dressed in fourth-world atonality. “By that time,” says Shabason, referring to the age denoted in the track name, “I was smoking weed and really getting into my head. According to my religion, smoking weed was gonna land me in hell, and all my friends who drank were also on the path to hell. The whole thing seemed totally absurd. The idea of a God that was that petty and vengeful made no sense. Those thoughts just swirled and created this background dissonance that existed all throughout my early teens. Middle school was fucked.”\u003cbr\u003e\u003cbr\u003e“15-19” is the sadness that follows outrage, when the dust settles and the pieces need putting back together, yet they simply won’t fit in light of a new found perspective. As such, this final movement is bathed in tragic, futile optimism. Under a bed of half-tempo RnB, muted trumpets glow like dying embers catching the wind. Shabason elucidates, “at that point, I’d discovered punk and hardcore and decided to be straight edge. It provided me with a community and a great cover for why I didn’t drink or do drugs. It felt like this really cool disguise. It kept me from questioning why I was doing it in the first place, but underlying it all was sadness. Why were my gay friends going to hell? Why did women have to be modest and not men? Why did God want to punish me for so many things? Was I going to hell because I had sex with my girlfriend? None of it made sense, but I was so completely brainwashed that I never thought to seriously question it. Instead, I just slipped up more and more, did drugs, fooled around, and tried to put the divine ramifications of my actions out of my head.”\u003cbr\u003e\u003cbr\u003e“Comparative World Religions” is a caffeinated gamelan named for the college course that caused Joseph-- and so many other young people engrossed in inherited repressive ideologies-- to see the irreconcilable nature of his beliefs from the outside in. Like the class itself, it stands apart from the backdrop of The Fellowship by replacing the seesaw of religious ecstasy and uncertainty with the type of transcendence that can only be arrived at through factual illumination. Using mournful brass and glassy keys, the aptly titled “So Long” represents the slow walking away that Shabason had to do mentally and emotionally, even long after the illusion had been cracked open. “It took me at least another twelve to fifteen years to fully deprogram myself from all the guilt and shame that was bred into me by religion, but I think that I’m finally free from it,” says Shabason of his present-day outlook. “This song is a final goodbye to that life… an exhale and deep inhale before I start a new chapter.” On The Fellowship, as on prior albums that bear his name, Joseph Shabason does what only the best instrumental music makers can: tell a story with emotional clarity that conveys even the subtlest of feelings, all without singing a single word. As wordless as ever-- with as complex a theme as ever-- this album may be his most emotionally articulate yet. Most importantly, those lost in the woods of repression and self-doubt that organized religion can be at its worst now have The Fellowship to help guide them into a softer light.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joseph Shabason\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWV226cd\u003c\/span\u003e\u003c\/p\u003e"}
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カナダ・トロントのサックス奏者Joseph Shabasonが、2021年4月にWestern Vinylからリリースしたアルバムです。 アンビエント・ジャズ8曲を収録。 レーベルその他作品はこちら /// Click here to see more Western Vinyl releases available at Tobira. ...
¥2,194