제품 – Page 3 – Tobira Records

クイックビュー {"id":6897831280805,"title":"@c \/\/ Espaço, Pausa, Repetição TAPE","handle":"c-espaco-pausa-repeticao-tape","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eポルトガルの実験レーベルCronica主宰Miguel Carvalhaisと\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePedro Tudelaによるデュオ@cが150本限定でリリースしたカセット。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e約26分の長尺エレアコ2曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3748724309\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cronica\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cronica\"\u003ehere\u003c\/a\u003e to see more Cronica releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 150.\u003c\/p\u003e\n\u003cp\u003eDescription by Cronica:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePedro Tudela and Miguel Carvalhais have been working as @c since 2000, publishing several albums (some of which in Crónica), composing music for audiovisuals and theatre, performing extensively, and creating site-specific sound installations.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHaving been invited to develop a new work for the Exhibitions Pavilion of the Faculty of Fine Arts of the University of Porto, to be shown from March to June 2018, around the time of the 15th anniversary of Crónica, they decided to develop a piece that would involve and reflect the label and the artists with whom it works.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Anotações Sonoras: Espaço, Pausa, Repetição\" (Sonic Annotations: Space, Pause, Repetition) was developed from sound objects provided by more than fifty artists and projects. The installation established an area for a multisensory immersive experience that incited a dialogue with the sound objects, the architectural space and its visitors. An infrastructure built from speakers, flooring, light, fragrance, and a hovering frame, set a stage for the creation of a nonlinear, generative and open algorithmic composition for computer and speakers. This area was a pivotal point for listening, but it also steered visitors to move, leaving the ideal listening point and exploring the exhibition space to discover how different\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e perspectives over the sonic matter could be attained through its traversal.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe installation was built from the exhibition space and from the idiosyncrasies and autonomy of the more than 300 sound objects that were collected, ranging in duration from under a second to more than an hour. From these, Tudela and Carvalhais developed in excess of one thousand individual sound objects and developed a physical and computational system that fuelled their anarchic autonomy, and stimulated several relationships: between different sound objects; between sound objects and space; between sound objects, space, and listeners.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn this site-specific installation Tudela and Carvalhais developed music that was not projected into an environment, that was not about an environment but that rather was the environment. A music that created its own space, to which it then directed the attention of visitors, so that they were led to develop a holistic reading and interpretation of the work. They developed a music of metaphors, by using sound objects and their qualities to create new objects that serendipitously emerged during the running of the installation. Fleeting objects that could be heard by visitors or could be forever lost.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe two pieces in this release were composed using the sound objects and the generative system from the installation. They are not intended as documentation of the installation, but rather aim at being listened to as new compositions created from, and after, the installation. The first piece, \"Espaço, Pausa\" (Space, Pause), is perhaps closer to the dynamics of the opening configuration of the installation, with clearly recognisable sound objects and a focus on their articulation and relationships. The second piece, \"Repetição\" (Repetition), is infused with texts in English and Portuguese that were inspired by two other spaces: Pierre Schaeffer’s monumental \"Le solfège de l’objet sonore\" (Music Theory of the Sound Object), and Pierre Henry’s \"House of Sounds\", as documented in the photo-book by Geir Egil Bergjord (published by \u003ca href=\"http:\/\/gilka.no%29\/\" rel=\"nofollow ugc\" data-mce-fragment=\"1\" data-mce-href=\"http:\/\/gilka.no%29\/\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003egilka.no)\u003c\/a\u003e. Poetically indexing sound objects, Repetição proposes their semantic reinterpretation, further extending the metaphorical constructs.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : @c\u003c\/p\u003e\n\u003cp\u003eLabel : Cronica\u003c\/p\u003e","published_at":"2021-07-10T13:38:00+09:00","created_at":"2021-07-09T10:47:48+09:00","vendor":"Tobira Records","type":"","tags":["cronica","monooto","tape"],"price":135000,"price_min":135000,"price_max":135000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40324646076581,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"@c \/\/ Espaço, Pausa, Repetição TAPE","public_title":null,"options":["Default Title"],"price":135000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/es1_0d917862-bba2-435c-93b5-d82cc3786a8c.jpg?v=1625795270","\/\/tobirarecords.com\/cdn\/shop\/products\/es2_71b0ddf6-30c1-4605-aad4-af7a64a3d15c.jpg?v=1625795270"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/es1_0d917862-bba2-435c-93b5-d82cc3786a8c.jpg?v=1625795270","options":["Title"],"media":[{"alt":null,"id":22900440367269,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/es1_0d917862-bba2-435c-93b5-d82cc3786a8c.jpg?v=1625795270"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/es1_0d917862-bba2-435c-93b5-d82cc3786a8c.jpg?v=1625795270","width":700},{"alt":null,"id":22900440400037,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/es2_71b0ddf6-30c1-4605-aad4-af7a64a3d15c.jpg?v=1625795270"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/es2_71b0ddf6-30c1-4605-aad4-af7a64a3d15c.jpg?v=1625795270","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eポルトガルの実験レーベルCronica主宰Miguel Carvalhaisと\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePedro Tudelaによるデュオ@cが150本限定でリリースしたカセット。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e約26分の長尺エレアコ2曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3748724309\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cronica\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cronica\"\u003ehere\u003c\/a\u003e to see more Cronica releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 150.\u003c\/p\u003e\n\u003cp\u003eDescription by Cronica:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePedro Tudela and Miguel Carvalhais have been working as @c since 2000, publishing several albums (some of which in Crónica), composing music for audiovisuals and theatre, performing extensively, and creating site-specific sound installations.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHaving been invited to develop a new work for the Exhibitions Pavilion of the Faculty of Fine Arts of the University of Porto, to be shown from March to June 2018, around the time of the 15th anniversary of Crónica, they decided to develop a piece that would involve and reflect the label and the artists with whom it works.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Anotações Sonoras: Espaço, Pausa, Repetição\" (Sonic Annotations: Space, Pause, Repetition) was developed from sound objects provided by more than fifty artists and projects. The installation established an area for a multisensory immersive experience that incited a dialogue with the sound objects, the architectural space and its visitors. An infrastructure built from speakers, flooring, light, fragrance, and a hovering frame, set a stage for the creation of a nonlinear, generative and open algorithmic composition for computer and speakers. This area was a pivotal point for listening, but it also steered visitors to move, leaving the ideal listening point and exploring the exhibition space to discover how different\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e perspectives over the sonic matter could be attained through its traversal.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe installation was built from the exhibition space and from the idiosyncrasies and autonomy of the more than 300 sound objects that were collected, ranging in duration from under a second to more than an hour. From these, Tudela and Carvalhais developed in excess of one thousand individual sound objects and developed a physical and computational system that fuelled their anarchic autonomy, and stimulated several relationships: between different sound objects; between sound objects and space; between sound objects, space, and listeners.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn this site-specific installation Tudela and Carvalhais developed music that was not projected into an environment, that was not about an environment but that rather was the environment. A music that created its own space, to which it then directed the attention of visitors, so that they were led to develop a holistic reading and interpretation of the work. They developed a music of metaphors, by using sound objects and their qualities to create new objects that serendipitously emerged during the running of the installation. Fleeting objects that could be heard by visitors or could be forever lost.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe two pieces in this release were composed using the sound objects and the generative system from the installation. They are not intended as documentation of the installation, but rather aim at being listened to as new compositions created from, and after, the installation. The first piece, \"Espaço, Pausa\" (Space, Pause), is perhaps closer to the dynamics of the opening configuration of the installation, with clearly recognisable sound objects and a focus on their articulation and relationships. The second piece, \"Repetição\" (Repetition), is infused with texts in English and Portuguese that were inspired by two other spaces: Pierre Schaeffer’s monumental \"Le solfège de l’objet sonore\" (Music Theory of the Sound Object), and Pierre Henry’s \"House of Sounds\", as documented in the photo-book by Geir Egil Bergjord (published by \u003ca href=\"http:\/\/gilka.no%29\/\" rel=\"nofollow ugc\" data-mce-fragment=\"1\" data-mce-href=\"http:\/\/gilka.no%29\/\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003egilka.no)\u003c\/a\u003e. Poetically indexing sound objects, Repetição proposes their semantic reinterpretation, further extending the metaphorical constructs.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : @c\u003c\/p\u003e\n\u003cp\u003eLabel : Cronica\u003c\/p\u003e"}