Shelter Press / Recollection GRM / Ideologic Organ
クイックビュー
{"id":8222044815610,"title":"Jessica Ekomane \/ Laurel Halo \/\/ Manifolds \/ Octavia LP","handle":"jessica-ekomane-laurel-halo-manifolds-octavia-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスのJessica EkomaneとアメリカのLaurel Halo実験音楽家2名が、2024年3月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA面はコンピューターによるコラージュ・ドローン、B面は実験ネオクラシカル・アンビエント\u003cspan data-mce-fragment=\"1\"\u003eを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=266146378\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 1000. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Jessica Ekomane - Manifolds 17:28\u003cbr\u003e2. Laurel Halo - Octavia 21:18\u003c\/p\u003e\n\u003cp\u003eArtist bios by Portraits GRM:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Jessica EKOMANE « Manifolds » \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEntirely computer-generated, Manifolds is a work that explores the multiple possibilities of polyphonic writing, extending it to the “multiphonic” universe where sources and timbres diffract themselves in the listening space. The different voices of the composition no longer follow the traditional parallel trajectories of musical dialogue, but find themselves propelled as if into a particle accelerator, a “collider” freed from all formal rhetoric to reach a state of liberation of energies that is truly confounding. It is then that, in the multi-layered universe of sonic electrons, as if against its own will, a “chant” of overwhelming humanity is revealed. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLaurel HALO « Octavia » (2022) \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOctavia, a piece for piano and electronics, explores the relationship between melodic motifs and textures in a singular way, intermittent moments of melody, harmony and sound materials connecting and disconnecting, to indicate a series of nets or webs, swaying in and out of one another. These sonic nets gently float, spin and merge, and the effect is one of gently floating over an abyss. The work is inspired by the “spiderweb city” of the same name in Italo Calvino's Invisible Cities: “Below there is nothing for hundreds of feet: a few\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e clouds glide past; further down you can glimpse the chasm’s bed….Suspended over the abyss, the life of Octavia’s inhabitants is less uncertain than in other cities. They know the net will last only so long.”\u003c\/em\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jessica Ekomane \/ Laurel Halo\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Recollection GRM)\u003c\/p\u003e","published_at":"2024-03-12T13:28:33+09:00","created_at":"2024-03-12T13:17:01+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","lp","neo classical","new","shelter press"],"price":439800,"price_min":439800,"price_max":439800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45331966918906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jessica Ekomane \/ Laurel Halo \/\/ Manifolds \/ Octavia LP","public_title":null,"options":["Default Title"],"price":439800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3435290659_16.jpg?v=1710217148"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3435290659_16.jpg?v=1710217148","options":["Title"],"media":[{"alt":null,"id":33365073363194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3435290659_16.jpg?v=1710217148"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3435290659_16.jpg?v=1710217148","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスのJessica EkomaneとアメリカのLaurel Halo実験音楽家2名が、2024年3月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA面はコンピューターによるコラージュ・ドローン、B面は実験ネオクラシカル・アンビエント\u003cspan data-mce-fragment=\"1\"\u003eを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=266146378\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 1000. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Jessica Ekomane - Manifolds 17:28\u003cbr\u003e2. Laurel Halo - Octavia 21:18\u003c\/p\u003e\n\u003cp\u003eArtist bios by Portraits GRM:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Jessica EKOMANE « Manifolds » \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEntirely computer-generated, Manifolds is a work that explores the multiple possibilities of polyphonic writing, extending it to the “multiphonic” universe where sources and timbres diffract themselves in the listening space. The different voices of the composition no longer follow the traditional parallel trajectories of musical dialogue, but find themselves propelled as if into a particle accelerator, a “collider” freed from all formal rhetoric to reach a state of liberation of energies that is truly confounding. It is then that, in the multi-layered universe of sonic electrons, as if against its own will, a “chant” of overwhelming humanity is revealed. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLaurel HALO « Octavia » (2022) \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOctavia, a piece for piano and electronics, explores the relationship between melodic motifs and textures in a singular way, intermittent moments of melody, harmony and sound materials connecting and disconnecting, to indicate a series of nets or webs, swaying in and out of one another. These sonic nets gently float, spin and merge, and the effect is one of gently floating over an abyss. The work is inspired by the “spiderweb city” of the same name in Italo Calvino's Invisible Cities: “Below there is nothing for hundreds of feet: a few\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e clouds glide past; further down you can glimpse the chasm’s bed….Suspended over the abyss, the life of Octavia’s inhabitants is less uncertain than in other cities. They know the net will last only so long.”\u003c\/em\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jessica Ekomane \/ Laurel Halo\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Recollection GRM)\u003c\/p\u003e"}
You may also like:
フランスのJessica EkomaneとアメリカのLaurel Halo実験音楽家2名が、2024年3月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。 A面はコンピューターによるコラージュ・ドローン、B面は実験ネオクラシカル・アンビエントを収録。 マスタリングはGiuseppe Ielashiが担当しています。 ※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more Shelter Press...
Sold Out
クイックビュー
{"id":8214975250682,"title":"Félicia Atkinson \/\/ Image Langage 2xLP","handle":"felicia-atkinson-image-langage-2xlp","description":"\u003cp\u003eフランスの音響作家Felicia Atkinsonが、2019年に自身主宰レーベルShelter Pressからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eピアノやギター、フィールドレコーディング、スポークンワードを用いたネオクラシカル・アンビエント9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1717971465\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. Edition of 900. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLa Brume 05:38\u003c\/li\u003e\n\u003cli\u003eThe Lake is Speaking 11:25\u003c\/li\u003e\n\u003cli\u003eThe House That Agnes Built 02:56\u003c\/li\u003e\n\u003cli\u003eOur Tides 10:15\u003c\/li\u003e\n\u003cli\u003eImage Langage 03:55\u003c\/li\u003e\n\u003cli\u003eLes Dunes 11:05\u003c\/li\u003e\n\u003cli\u003eBecoming a Stone 06:20\u003c\/li\u003e\n\u003cli\u003ePieces of Sylvia 07:07\u003c\/li\u003e\n\u003cli\u003eThe World is Full of Abandoned Meanings 04:34\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eThea Ballard, 02.2022\u003c\/span\u003e :\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"...Felicia Atkinson’s music always puts the listener somewhere in particular. There are two categories of place that are important to Image Language: the house and the landscape. Inside and outside, different ways of orienting a body towards the world. They are in dialogue, insofar as in the places Atkinson made this record—Leman Lake, during a residency at La Becque in Switzerland, and at her home on the wild coast of Normandy—the landscape is what is waiting for you when you leave the house, and vice-versa. Each threatens—or is it offers, kindly, even promises?—to dissolve the other. Recognizing the normalization of home studios these days, she revisited twentieth-century women artists who variously chose, and were chosen by, their homes as a place to work: the desert retreats of Agnes Martin and Georgia O’Keefe, the life and death of Sylvia Plath. Building a record is like building a house: a structure in which one can encounter oneself, each room a song with its own function in the project of everyday life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt times listening to Image Langage is immediate\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, something like visiting a house by the sea, sharing the same ground, being invited to witness Atkinson’s acts of seeing, hearing, and reading in a sonic double of the places they occurred. In an aching moment of clarity in “The Lake is Speaking,” a pair of voices emerge out of the primordial murk of piano and organ, accompanying the listener to the edge of a reflective pool that makes a mirror of the cosmos. “I open my feet to fresh dirt, and the wet grass. I hold your hand. You hold his hand. In the distance without any distance. The comets, the stars.” At other times, listening to Image Language is more like being in a theater, the composition a tangle of flickering forms and media that illuminate as best they can the darkness from which we experience it. On “Pieces of Sylvia,” a noirish orchestra drones and clatters beneath and around a montage of vocal images, stretching the listener across time, space, subjectivities. Atkinson says that Image Language is like the fake title of a fake Godard film. There is indeed something cinematic about Atkinson’s work—not cinematic in the sense that it sounds like the score for someone else’s film, but cinematic in the sense that it produces its own images and language and narratives, a kind of deliberate, dimensional world-building in sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eImage Langage is built from instruments recorded as if field recordings, sound-images of instruments conjured from a keyboard, instruments Atkinson treats like characters, what she calls “a fantasy of an orchestra that doesn’t exist.” And then, speaking of Godard, there are the monologues, operating as both experimental-cinematic device and a literary style of narration. Voice can be a writerly anchor or a wisp of a textural presence. Atkinson’s capacious and slippery speech plunges into and out of the compositional depths, shifting shapes, channeling the voices of any number of beings, subjectivities, or elements of her surroundings—not unlike her midi keyboard, able to speak as a vast array of instruments.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eImage Langage is an environmental record, in the vastest sense of the world. It is about getting lost in places imagined and real; it registers, too, the dizzying feeling of moving between such sites. It puts forth a concept of self that is hopelessly entangled with the rest of the world, born of both the ache of distance and the warmth of proximity.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Félicia Atkinson\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCAT No.: Shelter 140 LP\u003c\/p\u003e","published_at":"2024-03-10T13:05:28+09:00","created_at":"2024-03-08T11:13:34+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","neo classical","new","shelter press"],"price":597800,"price_min":597800,"price_max":597800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45313323335930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Félicia Atkinson \/\/ Image Langage 2xLP","public_title":null,"options":["Default Title"],"price":597800,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/image1.jpg?v=1709864016","\/\/tobirarecords.com\/cdn\/shop\/files\/image2.jpg?v=1709864016","\/\/tobirarecords.com\/cdn\/shop\/files\/image3.jpg?v=1709864016"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/image1.jpg?v=1709864016","options":["Title"],"media":[{"alt":null,"id":33336036819194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/image1.jpg?v=1709864016"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/image1.jpg?v=1709864016","width":700},{"alt":null,"id":33336036851962,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/image2.jpg?v=1709864016"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/image2.jpg?v=1709864016","width":1200},{"alt":null,"id":33336036884730,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/image3.jpg?v=1709864016"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/image3.jpg?v=1709864016","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの音響作家Felicia Atkinsonが、2019年に自身主宰レーベルShelter Pressからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eピアノやギター、フィールドレコーディング、スポークンワードを用いたネオクラシカル・アンビエント9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1717971465\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. Edition of 900. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLa Brume 05:38\u003c\/li\u003e\n\u003cli\u003eThe Lake is Speaking 11:25\u003c\/li\u003e\n\u003cli\u003eThe House That Agnes Built 02:56\u003c\/li\u003e\n\u003cli\u003eOur Tides 10:15\u003c\/li\u003e\n\u003cli\u003eImage Langage 03:55\u003c\/li\u003e\n\u003cli\u003eLes Dunes 11:05\u003c\/li\u003e\n\u003cli\u003eBecoming a Stone 06:20\u003c\/li\u003e\n\u003cli\u003ePieces of Sylvia 07:07\u003c\/li\u003e\n\u003cli\u003eThe World is Full of Abandoned Meanings 04:34\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eThea Ballard, 02.2022\u003c\/span\u003e :\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"...Felicia Atkinson’s music always puts the listener somewhere in particular. There are two categories of place that are important to Image Language: the house and the landscape. Inside and outside, different ways of orienting a body towards the world. They are in dialogue, insofar as in the places Atkinson made this record—Leman Lake, during a residency at La Becque in Switzerland, and at her home on the wild coast of Normandy—the landscape is what is waiting for you when you leave the house, and vice-versa. Each threatens—or is it offers, kindly, even promises?—to dissolve the other. Recognizing the normalization of home studios these days, she revisited twentieth-century women artists who variously chose, and were chosen by, their homes as a place to work: the desert retreats of Agnes Martin and Georgia O’Keefe, the life and death of Sylvia Plath. Building a record is like building a house: a structure in which one can encounter oneself, each room a song with its own function in the project of everyday life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt times listening to Image Langage is immediate\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, something like visiting a house by the sea, sharing the same ground, being invited to witness Atkinson’s acts of seeing, hearing, and reading in a sonic double of the places they occurred. In an aching moment of clarity in “The Lake is Speaking,” a pair of voices emerge out of the primordial murk of piano and organ, accompanying the listener to the edge of a reflective pool that makes a mirror of the cosmos. “I open my feet to fresh dirt, and the wet grass. I hold your hand. You hold his hand. In the distance without any distance. The comets, the stars.” At other times, listening to Image Language is more like being in a theater, the composition a tangle of flickering forms and media that illuminate as best they can the darkness from which we experience it. On “Pieces of Sylvia,” a noirish orchestra drones and clatters beneath and around a montage of vocal images, stretching the listener across time, space, subjectivities. Atkinson says that Image Language is like the fake title of a fake Godard film. There is indeed something cinematic about Atkinson’s work—not cinematic in the sense that it sounds like the score for someone else’s film, but cinematic in the sense that it produces its own images and language and narratives, a kind of deliberate, dimensional world-building in sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eImage Langage is built from instruments recorded as if field recordings, sound-images of instruments conjured from a keyboard, instruments Atkinson treats like characters, what she calls “a fantasy of an orchestra that doesn’t exist.” And then, speaking of Godard, there are the monologues, operating as both experimental-cinematic device and a literary style of narration. Voice can be a writerly anchor or a wisp of a textural presence. Atkinson’s capacious and slippery speech plunges into and out of the compositional depths, shifting shapes, channeling the voices of any number of beings, subjectivities, or elements of her surroundings—not unlike her midi keyboard, able to speak as a vast array of instruments.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eImage Langage is an environmental record, in the vastest sense of the world. It is about getting lost in places imagined and real; it registers, too, the dizzying feeling of moving between such sites. It puts forth a concept of self that is hopelessly entangled with the rest of the world, born of both the ache of distance and the warmth of proximity.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Félicia Atkinson\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCAT No.: Shelter 140 LP\u003c\/p\u003e"}
You may also like:
フランスの音響作家Felicia Atkinsonが、2019年に自身主宰レーベルShelter Pressからリリースした2枚組レコードです。 ピアノやギター、フィールドレコーディング、スポークンワードを用いたネオクラシカル・アンビエント9曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM /...
Sold Out
クイックビュー
{"id":8149994504442,"title":"Horacio Vaggione \/\/ ‘Schall’ \/ ‘Rechant’ LP","handle":"horacio-vaggione-schall-rechant-lp","description":"\u003cp\u003eイタリアの大御所実験音楽家Horacio Vaggioneが、2024年1月にフランスの実験レーベルShelter Pressと\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003eからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eミュージックコンクレート4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiusepe Ielashiが担当しています。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Horacio Vaggioneは、過去50年以上にわたり、野心的で緻密な、そして非常に重要な作品群を創り続けてきた。このディスクでは、Horacio Vaggioneによって開発されたこの特異で魅力的な文法を、それぞれ独自の方法で説明する4つの純粋な電子音響作品を提供する。この複雑だが豊饒な文法は、ポリフォニーとメタモルフォーゼからなる魅力的な音楽空間を創造するために、構造とテクスチャー、物質と定型の間に非常に特別な関係を確立する。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1477061162\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSchall 07:28\u003c\/li\u003e\n\u003cli\u003eRechant 15:51\u003c\/li\u003e\n\u003cli\u003e24 Variations 09:50\u003c\/li\u003e\n\u003cli\u003eGymel 09:25\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eRecollection GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA discreet but essential figure in the field of musical creation, Horacio Vaggione has been crafting an ambitious, precise and highly significant body of work for over the last fifty years, coupled with a demanding research activity. This disc offers four purely electroacoustic pieces which illustrate, each in their own way, this singular and fascinating grammar developed by Horacio Vaggione, a complex but fertile grammar which establishes a very special relationship between structure and texture, between matter and formula, to create a fascinating musical space, made up of polyphonies and metamorphoses.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Horacio Vaggione\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e","published_at":"2024-01-23T08:17:32+09:00","created_at":"2024-01-22T13:59:34+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","shelter press"],"price":444800,"price_min":444800,"price_max":444800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45063738884346,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Horacio Vaggione \/\/ ‘Schall’ \/ ‘Rechant’ LP","public_title":null,"options":["Default Title"],"price":444800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_7382d691-9022-400c-a6b0-409d9049a5ce.jpg?v=1705899575","\/\/tobirarecords.com\/cdn\/shop\/files\/ho2_f11298c0-ccb6-4a61-8d3f-9d90ffac7ce3.jpg?v=1705899575"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_7382d691-9022-400c-a6b0-409d9049a5ce.jpg?v=1705899575","options":["Title"],"media":[{"alt":null,"id":33025077149946,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_7382d691-9022-400c-a6b0-409d9049a5ce.jpg?v=1705899575"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_7382d691-9022-400c-a6b0-409d9049a5ce.jpg?v=1705899575","width":700},{"alt":null,"id":33025077182714,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho2_f11298c0-ccb6-4a61-8d3f-9d90ffac7ce3.jpg?v=1705899575"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho2_f11298c0-ccb6-4a61-8d3f-9d90ffac7ce3.jpg?v=1705899575","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの大御所実験音楽家Horacio Vaggioneが、2024年1月にフランスの実験レーベルShelter Pressと\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003eからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eミュージックコンクレート4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiusepe Ielashiが担当しています。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Horacio Vaggioneは、過去50年以上にわたり、野心的で緻密な、そして非常に重要な作品群を創り続けてきた。このディスクでは、Horacio Vaggioneによって開発されたこの特異で魅力的な文法を、それぞれ独自の方法で説明する4つの純粋な電子音響作品を提供する。この複雑だが豊饒な文法は、ポリフォニーとメタモルフォーゼからなる魅力的な音楽空間を創造するために、構造とテクスチャー、物質と定型の間に非常に特別な関係を確立する。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1477061162\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSchall 07:28\u003c\/li\u003e\n\u003cli\u003eRechant 15:51\u003c\/li\u003e\n\u003cli\u003e24 Variations 09:50\u003c\/li\u003e\n\u003cli\u003eGymel 09:25\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eRecollection GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA discreet but essential figure in the field of musical creation, Horacio Vaggione has been crafting an ambitious, precise and highly significant body of work for over the last fifty years, coupled with a demanding research activity. This disc offers four purely electroacoustic pieces which illustrate, each in their own way, this singular and fascinating grammar developed by Horacio Vaggione, a complex but fertile grammar which establishes a very special relationship between structure and texture, between matter and formula, to create a fascinating musical space, made up of polyphonies and metamorphoses.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Horacio Vaggione\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e"}
You may also like:
イタリアの大御所実験音楽家Horacio Vaggioneが、2024年1月にフランスの実験レーベルShelter PressとRecollection GRMからリリースしたレコードです。 ミュージックコンクレート4曲を収録。DLコード付属。 マスタリングはGiusepe Ielashiが担当しています。 以下、レーベルによる解説です。 "Horacio Vaggioneは、過去50年以上にわたり、野心的で緻密な、そして非常に重要な作品群を創り続けてきた。このディスクでは、Horacio Vaggioneによって開発されたこの特異で魅力的な文法を、それぞれ独自の方法で説明する4つの純粋な電子音響作品を提供する。この複雑だが豊饒な文法は、ポリフォニーとメタモルフォーゼからなる魅力的な音楽空間を創造するために、構造とテクスチャー、物質と定型の間に非常に特別な関係を確立する。" レーベルその他作品はこちら /// Click here to see...
Sold Out
クイックビュー
{"id":8149992145146,"title":"Robert Cahen \/\/ La nef des fous LP","handle":"robert-cahen-la-nef-des-fous-lp","description":"\u003cp\u003eフランスの実験映像作家Robert Cahenが、2024年1月に同国実験レーベルShelter Pressと\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003eからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1971-1974年に制作したミュージックコンクレート5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiusepe Ielashiが担当しています。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1970年代、Robert Cahenは急成長するビデオ・アートの分野に転向し、先駆的なアーティストとなった。彼は元々、創作のバックグラウンドであるミュジーク・コンクレートの訓練を受け、1972年にGroupe de Recherches Musicalesに参加した。このレコードに収録された作品は、1971年から1974年にかけてGRMのスタジオで作曲された。これらの作品は、生き生きとしたインスピレーションとイマジネーション、そして早熟な形式的熟練とが組み合わさったものであり、後の展開の種をすでに持っている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2675703381\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLa nef des fous 12:00\u003c\/li\u003e\n\u003cli\u003eMasques 2 08:34\u003c\/li\u003e\n\u003cli\u003ePlurielles 08:35\u003c\/li\u003e\n\u003cli\u003ePersona 08:34\u003c\/li\u003e\n\u003cli\u003ePassé composé 05:29\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eRecollection GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn the 1970s, Robert Cahen turned to the burgeoning field of video art, where he became a pioneering artist. He was originally trained in musique concrète, his creative background, and joined the Groupe de Recherches Musicales in 1972. The pieces on this record were composed in the GRM studios between 1971 and 1974. They testify to a lively inspiration and imagination combined with a precocious formal mastery that already carries the seeds of later developments, which the artist cleverly and inventively deployed in the field of visual arts.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Robert Cahen\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e","published_at":"2024-01-23T08:14:16+09:00","created_at":"2024-01-22T13:57:24+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","shelter press"],"price":398200,"price_min":398200,"price_max":398200,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45063722991866,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Robert Cahen \/\/ La nef des fous LP","public_title":null,"options":["Default Title"],"price":398200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/la1_ffc0ca6a-5e98-4d1e-be26-144606e323be.jpg?v=1705899445","\/\/tobirarecords.com\/cdn\/shop\/files\/la2_2f65238f-f683-469f-af9f-25a3f3b563a5.jpg?v=1705899445"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/la1_ffc0ca6a-5e98-4d1e-be26-144606e323be.jpg?v=1705899445","options":["Title"],"media":[{"alt":null,"id":33025067352314,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la1_ffc0ca6a-5e98-4d1e-be26-144606e323be.jpg?v=1705899445"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la1_ffc0ca6a-5e98-4d1e-be26-144606e323be.jpg?v=1705899445","width":700},{"alt":null,"id":33025067385082,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la2_2f65238f-f683-469f-af9f-25a3f3b563a5.jpg?v=1705899445"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la2_2f65238f-f683-469f-af9f-25a3f3b563a5.jpg?v=1705899445","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの実験映像作家Robert Cahenが、2024年1月に同国実験レーベルShelter Pressと\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003eからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1971-1974年に制作したミュージックコンクレート5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiusepe Ielashiが担当しています。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1970年代、Robert Cahenは急成長するビデオ・アートの分野に転向し、先駆的なアーティストとなった。彼は元々、創作のバックグラウンドであるミュジーク・コンクレートの訓練を受け、1972年にGroupe de Recherches Musicalesに参加した。このレコードに収録された作品は、1971年から1974年にかけてGRMのスタジオで作曲された。これらの作品は、生き生きとしたインスピレーションとイマジネーション、そして早熟な形式的熟練とが組み合わさったものであり、後の展開の種をすでに持っている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2675703381\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLa nef des fous 12:00\u003c\/li\u003e\n\u003cli\u003eMasques 2 08:34\u003c\/li\u003e\n\u003cli\u003ePlurielles 08:35\u003c\/li\u003e\n\u003cli\u003ePersona 08:34\u003c\/li\u003e\n\u003cli\u003ePassé composé 05:29\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eRecollection GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn the 1970s, Robert Cahen turned to the burgeoning field of video art, where he became a pioneering artist. He was originally trained in musique concrète, his creative background, and joined the Groupe de Recherches Musicales in 1972. The pieces on this record were composed in the GRM studios between 1971 and 1974. They testify to a lively inspiration and imagination combined with a precocious formal mastery that already carries the seeds of later developments, which the artist cleverly and inventively deployed in the field of visual arts.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Robert Cahen\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e"}
You may also like:
フランスの実験映像作家Robert Cahenが、2024年1月に同国実験レーベルShelter PressとRecollection GRMからリリースしたレコードです。 1971-1974年に制作したミュージックコンクレート5曲を収録。DLコード付属。 マスタリングはGiusepe Ielashiが担当しています。 以下、レーベルによる解説です。 "1970年代、Robert Cahenは急成長するビデオ・アートの分野に転向し、先駆的なアーティストとなった。彼は元々、創作のバックグラウンドであるミュジーク・コンクレートの訓練を受け、1972年にGroupe de Recherches Musicalesに参加した。このレコードに収録された作品は、1971年から1974年にかけてGRMのスタジオで作曲された。これらの作品は、生き生きとしたインスピレーションとイマジネーション、そして早熟な形式的熟練とが組み合わさったものであり、後の展開の種をすでに持っている。" レーベルその他作品はこちら ///...
Sold Out
クイックビュー
{"id":8149185364218,"title":"Kali Malone \/\/ All Life Long 2xLP \/ CD","handle":"kali-malone-all-life-long-2xlp-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスウェーデン・ストックホルムのドローン作家Kali Maloneが、2024年1月にフランスの実験レーベルPortraits GRMからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eオルガンや声、金管楽器によるドローン〜アンビエントドローン12曲を収録。ブックレット付属。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/3S7l24OoBx0?si=1DDivJRaJFchB6pz\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/XuiMdHjcMk0?si=bx3zgjYRvIjT8qjs\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/d_CzAiIqaJU?si=xc4ntEbO-HJA7kUP\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 2x12\" black vinyl in gatefold sleeve with 8pp booklet (edition of 4000), or CD in 6-panel digisleeve with 20pp booklet (edition of 2500). \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePassage Through the Spheres 06:48\u003c\/li\u003e\n\u003cli\u003eAll Life Long (for organ) 08:38\u003c\/li\u003e\n\u003cli\u003eNo Sun to Burn (for brass) 03:12\u003c\/li\u003e\n\u003cli\u003ePrisoned on Watery Shore\u003c\/li\u003e\n\u003cli\u003eRetrograde Canon\u003c\/li\u003e\n\u003cli\u003eSlow of Faith\u003c\/li\u003e\n\u003cli\u003eFastened Maze\u003c\/li\u003e\n\u003cli\u003eNo Sun To Burn (for Organ)\u003c\/li\u003e\n\u003cli\u003eAll Life Long (for voice)\u003c\/li\u003e\n\u003cli\u003eMoving Forward\u003c\/li\u003e\n\u003cli\u003eFormation Flight\u003c\/li\u003e\n\u003cli\u003eThe Unification of Inner \u0026amp; Outer Life\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eKali Malone's anticipated new album \"All Life Long\" is a collection of music for pipe organ, choir, and brass quintet composed by Kali Malone, 2020 - 2023. Choral music performed by Macadam Ensemble and conducted by Etienne Ferschaud at Chapelle Notre-Dame-de-L'Immaculée-Conception in Nantes. Brass quintet music performed by Anima Brass at The Bunker Studio in New York City. Organ music performed by Kali Malone and Stephen O’Malley on the historical meantone tempered pipe organs at Église Saint-François in Lausanne, Orgelpark in Amsterdam, and Malmö Konstmuseum in Sweden.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e[...]\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMalone’s new album All Life Long, created between 2020 - 2023, presents her first compositions for organ since 2019’s breakthrough album The Sacrificial Code alongside interrelated pieces for voice and brass performed by Macadam Ensemble and Anima Brass. Over the course of twelve pieces, harmonic themes and patterns recur, presented in altered forms and for varied instrumentation. They emerge and reemerge like echoes of their former selves, making the familiar uncanny. Propelled by lungs and breath rather than bellows and oscillators, Malone’s compositions for choir and brass take on expressive qualities that complicate the austerity that has defined her work, introducing lyricism and the beauty of human fallibility into music that has been driven by mechanical processes. At the same time, the works for organ, performed by Malone with additional accompaniment by Stephen O’Malley on four different organs dating from the 15th to 17th centuries, underscore the mighty, spectral power that those rigorous operations can achieve.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll Life Long simmers in an ever-shifting tension between repetition and variation. The pieces for brass, organ, and voice are alternated asymmetrically, providing nearly continuous timbral fluctuation across its 78-minute runtime even as thematic material reiterates. Each composition’s internal framework of fractal pattern permutations has the paradoxical effect of creating anticipated keystone moments of dramatic reverie and lulling the listener into believing in an illusory endlessness. On an even more granular level, the historical meantone tuning systems of each organ used, and the variable intonation of brass and voice, provide further points of emotional excavation within the harmony[...]\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kali Malone\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e","published_at":"2024-01-21T13:20:33+09:00","created_at":"2024-01-21T12:48:39+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","lp","new","shelter press"],"price":265000,"price_min":265000,"price_max":548000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45058511667450,"title":"2xLP","option1":"2xLP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40352773013754,"product_id":8149185364218,"position":2,"created_at":"2024-01-21T12:48:39+09:00","updated_at":"2024-01-21T12:48:41+09:00","alt":null,"width":1200,"height":842,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all2_7a70c241-f370-48bb-bd94-8883c87c796a.jpg?v=1705808921","variant_ids":[45058511667450]},"available":false,"name":"Kali Malone \/\/ All Life Long 2xLP \/ CD - 2xLP","public_title":"2xLP","options":["2xLP"],"price":548000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":33019556233466,"position":2,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all2_7a70c241-f370-48bb-bd94-8883c87c796a.jpg?v=1705808921"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":45058511634682,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40352772915450,"product_id":8149185364218,"position":3,"created_at":"2024-01-21T12:48:39+09:00","updated_at":"2024-01-21T12:48:40+09:00","alt":null,"width":1200,"height":856,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all3_f411a002-c1e5-4277-b36f-0db8da6f645c.jpg?v=1705808920","variant_ids":[45058511634682]},"available":false,"name":"Kali Malone \/\/ All Life Long 2xLP \/ CD - CD","public_title":"CD","options":["CD"],"price":265000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":33019556266234,"position":3,"preview_image":{"aspect_ratio":1.402,"height":856,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all3_f411a002-c1e5-4277-b36f-0db8da6f645c.jpg?v=1705808920"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/all1_93f9aa02-0f69-4aa8-bcc3-a936468182df.jpg?v=1705808921","\/\/tobirarecords.com\/cdn\/shop\/files\/all2_7a70c241-f370-48bb-bd94-8883c87c796a.jpg?v=1705808921","\/\/tobirarecords.com\/cdn\/shop\/files\/all3_f411a002-c1e5-4277-b36f-0db8da6f645c.jpg?v=1705808920"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/all1_93f9aa02-0f69-4aa8-bcc3-a936468182df.jpg?v=1705808921","options":["Format"],"media":[{"alt":null,"id":33019556200698,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all1_93f9aa02-0f69-4aa8-bcc3-a936468182df.jpg?v=1705808921"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all1_93f9aa02-0f69-4aa8-bcc3-a936468182df.jpg?v=1705808921","width":700},{"alt":null,"id":33019556233466,"position":2,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all2_7a70c241-f370-48bb-bd94-8883c87c796a.jpg?v=1705808921"},"aspect_ratio":1.425,"height":842,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all2_7a70c241-f370-48bb-bd94-8883c87c796a.jpg?v=1705808921","width":1200},{"alt":null,"id":33019556266234,"position":3,"preview_image":{"aspect_ratio":1.402,"height":856,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all3_f411a002-c1e5-4277-b36f-0db8da6f645c.jpg?v=1705808920"},"aspect_ratio":1.402,"height":856,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all3_f411a002-c1e5-4277-b36f-0db8da6f645c.jpg?v=1705808920","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスウェーデン・ストックホルムのドローン作家Kali Maloneが、2024年1月にフランスの実験レーベルPortraits GRMからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eオルガンや声、金管楽器によるドローン〜アンビエントドローン12曲を収録。ブックレット付属。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/3S7l24OoBx0?si=1DDivJRaJFchB6pz\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/XuiMdHjcMk0?si=bx3zgjYRvIjT8qjs\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/d_CzAiIqaJU?si=xc4ntEbO-HJA7kUP\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 2x12\" black vinyl in gatefold sleeve with 8pp booklet (edition of 4000), or CD in 6-panel digisleeve with 20pp booklet (edition of 2500). \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePassage Through the Spheres 06:48\u003c\/li\u003e\n\u003cli\u003eAll Life Long (for organ) 08:38\u003c\/li\u003e\n\u003cli\u003eNo Sun to Burn (for brass) 03:12\u003c\/li\u003e\n\u003cli\u003ePrisoned on Watery Shore\u003c\/li\u003e\n\u003cli\u003eRetrograde Canon\u003c\/li\u003e\n\u003cli\u003eSlow of Faith\u003c\/li\u003e\n\u003cli\u003eFastened Maze\u003c\/li\u003e\n\u003cli\u003eNo Sun To Burn (for Organ)\u003c\/li\u003e\n\u003cli\u003eAll Life Long (for voice)\u003c\/li\u003e\n\u003cli\u003eMoving Forward\u003c\/li\u003e\n\u003cli\u003eFormation Flight\u003c\/li\u003e\n\u003cli\u003eThe Unification of Inner \u0026amp; Outer Life\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eKali Malone's anticipated new album \"All Life Long\" is a collection of music for pipe organ, choir, and brass quintet composed by Kali Malone, 2020 - 2023. Choral music performed by Macadam Ensemble and conducted by Etienne Ferschaud at Chapelle Notre-Dame-de-L'Immaculée-Conception in Nantes. Brass quintet music performed by Anima Brass at The Bunker Studio in New York City. Organ music performed by Kali Malone and Stephen O’Malley on the historical meantone tempered pipe organs at Église Saint-François in Lausanne, Orgelpark in Amsterdam, and Malmö Konstmuseum in Sweden.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e[...]\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMalone’s new album All Life Long, created between 2020 - 2023, presents her first compositions for organ since 2019’s breakthrough album The Sacrificial Code alongside interrelated pieces for voice and brass performed by Macadam Ensemble and Anima Brass. Over the course of twelve pieces, harmonic themes and patterns recur, presented in altered forms and for varied instrumentation. They emerge and reemerge like echoes of their former selves, making the familiar uncanny. Propelled by lungs and breath rather than bellows and oscillators, Malone’s compositions for choir and brass take on expressive qualities that complicate the austerity that has defined her work, introducing lyricism and the beauty of human fallibility into music that has been driven by mechanical processes. At the same time, the works for organ, performed by Malone with additional accompaniment by Stephen O’Malley on four different organs dating from the 15th to 17th centuries, underscore the mighty, spectral power that those rigorous operations can achieve.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll Life Long simmers in an ever-shifting tension between repetition and variation. The pieces for brass, organ, and voice are alternated asymmetrically, providing nearly continuous timbral fluctuation across its 78-minute runtime even as thematic material reiterates. Each composition’s internal framework of fractal pattern permutations has the paradoxical effect of creating anticipated keystone moments of dramatic reverie and lulling the listener into believing in an illusory endlessness. On an even more granular level, the historical meantone tuning systems of each organ used, and the variable intonation of brass and voice, provide further points of emotional excavation within the harmony[...]\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kali Malone\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e"}
You may also like:
スウェーデン・ストックホルムのドローン作家Kali Maloneが、2024年1月にフランスの実験レーベルPortraits GRMからリリースしたアルバムです。 オルガンや声、金管楽器によるドローン〜アンビエントドローン12曲を収録。ブックレット付属。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases...
Sold Out
クイックビュー
{"id":8111086239994,"title":"Jessika Kenney \u0026 Eyvind Kang \/\/ Azure LP","handle":"jessika-kenney-eyvind-kang-azure-lp","description":"\u003cp\u003eボーカリストJessika Kenneyとヴィオラ奏者Eyvind Kangが、2023年11月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdeologic Organからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e声とヴィオラによるネオクラシカル・ドローン5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3985192887\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 700.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEclipse 07:17\u003c\/li\u003e\n\u003cli\u003eAzure 10:58\u003c\/li\u003e\n\u003cli\u003eOcean 08:11\u003c\/li\u003e\n\u003cli\u003eForest Floor 09:55\u003c\/li\u003e\n\u003cli\u003eNo Sound 13:31\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by Ideologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"[...]\u003cem\u003eAmong their most riveting outings to date, comprising five new compositions recorded in Seattle during the spring of 2022, this remarkable body of sonority culminates in a singular gesture of contemporary minimalism that slowly unfolds across the album’s length.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEmerging from the Pacific Northwest, Jessika Kenney and Eyvind Kang have retained a strong presence within the context of North American experimental music since the mid 1990s, each producing some of the most grippingly original music to have appeared over the subsequent years.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKenney is a vocalist and composer internationally regarded for her spellbinding timbres and her in-depth study of oral traditions. Her work takes the form of sound installations, talismanic scores, music for film, electronics, and choir. She released the groundbreaking experimental gamelan album Atria (Sige) in 2015, and has collaborated with Lori Goldston, Holland Andrews\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, Niloufar Shiri, Tashi Wada, Alvin Lucier, Sarah Davachi, Melati Suryodarmo, Ensemble Nist-Nah, Sunn O))), and numerous others.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKang, a multi-instrumentalist, composer and arranger, works across genre and discipline, bringing subtlety, fluidity, and emotional intensity to each of his varied projects. In addition to creating a striking body of solo works that has traced its way across the last two and half decades - most recently including Sonic Gnostic (Aspen Edities, 2021) and Ajaeng Ajaeng (Ideologic Organ, 2020) - he has played on albums by Bill Frisell, Joe McPhee, Sun City Girls, Ikue Mori, Laurie Anderson, Blonde Redhead, William Hooker, Animal Collective, and numerous others[...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jessika Kenney \u0026amp; Eyvind Kang\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e","published_at":"2023-12-13T08:38:32+09:00","created_at":"2023-12-12T18:20:49+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","neo classical","shelter press"],"price":399800,"price_min":399800,"price_max":399800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44878885126394,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jessika Kenney \u0026 Eyvind Kang \/\/ Azure LP","public_title":null,"options":["Default Title"],"price":399800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/je1_9d9893ad-92f6-400b-8e69-266bf8057106.jpg?v=1702372852","\/\/tobirarecords.com\/cdn\/shop\/files\/je2_537758d2-962e-488b-8040-24bb2a5e7d44.jpg?v=1702372851"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/je1_9d9893ad-92f6-400b-8e69-266bf8057106.jpg?v=1702372852","options":["Title"],"media":[{"alt":null,"id":32828185772282,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/je1_9d9893ad-92f6-400b-8e69-266bf8057106.jpg?v=1702372852"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/je1_9d9893ad-92f6-400b-8e69-266bf8057106.jpg?v=1702372852","width":700},{"alt":null,"id":32828185805050,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/je2_537758d2-962e-488b-8040-24bb2a5e7d44.jpg?v=1702372851"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/je2_537758d2-962e-488b-8040-24bb2a5e7d44.jpg?v=1702372851","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eボーカリストJessika Kenneyとヴィオラ奏者Eyvind Kangが、2023年11月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdeologic Organからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e声とヴィオラによるネオクラシカル・ドローン5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3985192887\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 700.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEclipse 07:17\u003c\/li\u003e\n\u003cli\u003eAzure 10:58\u003c\/li\u003e\n\u003cli\u003eOcean 08:11\u003c\/li\u003e\n\u003cli\u003eForest Floor 09:55\u003c\/li\u003e\n\u003cli\u003eNo Sound 13:31\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by Ideologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"[...]\u003cem\u003eAmong their most riveting outings to date, comprising five new compositions recorded in Seattle during the spring of 2022, this remarkable body of sonority culminates in a singular gesture of contemporary minimalism that slowly unfolds across the album’s length.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEmerging from the Pacific Northwest, Jessika Kenney and Eyvind Kang have retained a strong presence within the context of North American experimental music since the mid 1990s, each producing some of the most grippingly original music to have appeared over the subsequent years.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKenney is a vocalist and composer internationally regarded for her spellbinding timbres and her in-depth study of oral traditions. Her work takes the form of sound installations, talismanic scores, music for film, electronics, and choir. She released the groundbreaking experimental gamelan album Atria (Sige) in 2015, and has collaborated with Lori Goldston, Holland Andrews\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, Niloufar Shiri, Tashi Wada, Alvin Lucier, Sarah Davachi, Melati Suryodarmo, Ensemble Nist-Nah, Sunn O))), and numerous others.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKang, a multi-instrumentalist, composer and arranger, works across genre and discipline, bringing subtlety, fluidity, and emotional intensity to each of his varied projects. In addition to creating a striking body of solo works that has traced its way across the last two and half decades - most recently including Sonic Gnostic (Aspen Edities, 2021) and Ajaeng Ajaeng (Ideologic Organ, 2020) - he has played on albums by Bill Frisell, Joe McPhee, Sun City Girls, Ikue Mori, Laurie Anderson, Blonde Redhead, William Hooker, Animal Collective, and numerous others[...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jessika Kenney \u0026amp; Eyvind Kang\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e"}
You may also like:
ボーカリストJessika Kenneyとヴィオラ奏者Eyvind Kangが、2023年11月にIdeologic Organからリリースしたレコードです。 声とヴィオラによるネオクラシカル・ドローン5曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
Sold Out
クイックビュー
{"id":8103205667066,"title":"Jules Reidy \/\/ Trances LP","handle":"jules-reidy-trances-lp","description":"\u003cp\u003eドイツ・ベルリンのJules Reidyが、2023年11月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e純正律にチューニングしたカスタムヘキサフォニックギターによるアンビエントフォーク・ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3094940285\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNON-LINEAR STAGES (I, II, III, I, IV, II) 22:33\u003c\/li\u003e\n\u003cli\u003eNON-LINEAR STAGES (V, II, I, VI, II) 22:05\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTrances, Jules Reidy’s follow-up to the celebrated World in World (2022), takes place in between states, tracing a kind of restless movement in search of—or is it away from?—a center. The twelve tracks shift between fragment and epic, returning to familiar phrases between forays outward into uncertain expanses. Through its exploration of the cyclical movements of grief and emotional turbulence, Trances produces a sonic world as raw, absorbing, and surprising as anything Reidy has created to date.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTrances’ primary instrument is a custom hexaphonic electric guitar tuned in Just Intonation. Reidy’s combination of fingerpicked phrases, open strums, and corrugated processing push on the grammar of guitar-driven experimentalism, locating expressive heft in open-ended harmonics and the odd angles formed by overlapping elements. Chords are slowed and stretched as if to examine their resonance, then overtaken by subterranean motion. The effect is that of oceanic depth, but the rippling that passes between the compositions’ sedimentary layers often takes on a metallic edge. The addition of synthesizers, sampled 12-string guitar, field recordings, and half-submerged autotuned voice further denaturalize the compositions. Reidy’s vocal interjections—their particular linguistic\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e content rendered inaccessible—are based on counting and self-observational techniques for bringing oneself back into the present; at times Reidy’s picking also assumes a mantra-like quality, though ultimately the flow of the composition subsumes both.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere is a heavy sense of the strange throughout these songs, which bleed at their edges into a continuous, questioning whole. That Reidy’s compositions here have a tendency to engulf the listener, like a wave or a squall, can be variously comforting and disorienting. Either way, we are fortunate to follow Reidy on such a journey.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jules Reidy\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e","published_at":"2023-12-07T07:00:20+09:00","created_at":"2023-12-06T18:42:56+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","shelter press"],"price":395000,"price_min":395000,"price_max":395000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44849081614586,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jules Reidy \/\/ Trances LP","public_title":null,"options":["Default Title"],"price":395000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ju1_f7b5d531-959d-4bcd-9c27-e1d1e5cd1cfb.jpg?v=1701855778","\/\/tobirarecords.com\/cdn\/shop\/files\/ju2_845e9eb7-0bd5-42ce-bd6f-a82f99793b28.jpg?v=1701855778"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ju1_f7b5d531-959d-4bcd-9c27-e1d1e5cd1cfb.jpg?v=1701855778","options":["Title"],"media":[{"alt":null,"id":32800774127866,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ju1_f7b5d531-959d-4bcd-9c27-e1d1e5cd1cfb.jpg?v=1701855778"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ju1_f7b5d531-959d-4bcd-9c27-e1d1e5cd1cfb.jpg?v=1701855778","width":700},{"alt":null,"id":32800774160634,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ju2_845e9eb7-0bd5-42ce-bd6f-a82f99793b28.jpg?v=1701855778"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ju2_845e9eb7-0bd5-42ce-bd6f-a82f99793b28.jpg?v=1701855778","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンのJules Reidyが、2023年11月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e純正律にチューニングしたカスタムヘキサフォニックギターによるアンビエントフォーク・ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3094940285\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNON-LINEAR STAGES (I, II, III, I, IV, II) 22:33\u003c\/li\u003e\n\u003cli\u003eNON-LINEAR STAGES (V, II, I, VI, II) 22:05\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTrances, Jules Reidy’s follow-up to the celebrated World in World (2022), takes place in between states, tracing a kind of restless movement in search of—or is it away from?—a center. The twelve tracks shift between fragment and epic, returning to familiar phrases between forays outward into uncertain expanses. Through its exploration of the cyclical movements of grief and emotional turbulence, Trances produces a sonic world as raw, absorbing, and surprising as anything Reidy has created to date.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTrances’ primary instrument is a custom hexaphonic electric guitar tuned in Just Intonation. Reidy’s combination of fingerpicked phrases, open strums, and corrugated processing push on the grammar of guitar-driven experimentalism, locating expressive heft in open-ended harmonics and the odd angles formed by overlapping elements. Chords are slowed and stretched as if to examine their resonance, then overtaken by subterranean motion. The effect is that of oceanic depth, but the rippling that passes between the compositions’ sedimentary layers often takes on a metallic edge. The addition of synthesizers, sampled 12-string guitar, field recordings, and half-submerged autotuned voice further denaturalize the compositions. Reidy’s vocal interjections—their particular linguistic\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e content rendered inaccessible—are based on counting and self-observational techniques for bringing oneself back into the present; at times Reidy’s picking also assumes a mantra-like quality, though ultimately the flow of the composition subsumes both.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere is a heavy sense of the strange throughout these songs, which bleed at their edges into a continuous, questioning whole. That Reidy’s compositions here have a tendency to engulf the listener, like a wave or a squall, can be variously comforting and disorienting. Either way, we are fortunate to follow Reidy on such a journey.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jules Reidy\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e"}
You may also like:
ドイツ・ベルリンのJules Reidyが、2023年11月にフランスの実験レーベルShelter Pressからリリースしたレコードです。 純正律にチューニングしたカスタムヘキサフォニックギターによるアンビエントフォーク・ドローン2曲を収録。 ※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
Sold Out
クイックビュー
{"id":8080456646906,"title":"Lisa Lerkenfeldt \/\/ Halos of Perception LP","handle":"lisa-lerkenfeldt-halos-of-perception-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eオーストラリア・メルボルンの実験音楽家Lisa Lerkenfeldtが、2023年11月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノや地下トンネルのフィールドレコーディングによる実験ネオクラシカル・アンビエント6曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Halos of Perception』は、中国マレーシア系オーストラリア人ビデオアーティスト、\u003cmeta charset=\"utf-8\"\u003eTristan Jallehとのコラボレーションによるハイパーリアルフィルムとともに、2023年11月3日にリリースされる。Lerkenfeldtのフィールドワークと電子音響の実践から導き出されたピアノ、チェロ、テープループのアレンジが、内省的なミュージックコンクレート、インストゥルメンタルコンポジション、シュールな映画のパッチワークの中で、失われた部屋と地下の歴史を照らし出す。Shelter Pressからリリースされた2枚目のLPは、口承伝承、実験的なAVコンポジション、日記のようなヴィネットを通して、現実、ヴァーチャリティ、知覚への疑問を投げかけるアンダーグラウンド・ネットワークにスポットを当てている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e知覚の光輪が黒い仮の湖に波紋を描く。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e真っ暗闇の中、五感が冴え渡る。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e懐中電灯の明かりの下で、私は白い蜘蛛が濡れた煌めきの中に巣を作るのを見る。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e交通は触覚の楽器となり\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e私がいる場所まで300キロのトンネル。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e私たちが話すと、それは32秒間反響する。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eあなたは1991年の話をしてくれる。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e湿った土の下では、すべての瞬間が延長される。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e壁さえも声を持つ。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e私の首には汗のお守りがある」。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eピアノ、チェロとテープループのための：\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLisaが私にこの作品を紹介してくれたように、経験を共有することでこの作品『HALOS OF PERPECTION』を紹介したい。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eLisaと私は、この作品について話すためにサウス・ヤラ駅の近くを散歩した。レジャーウェアの世界、無限の代替ミルク、鳴り響くネオンから、音と生命に溢れた水辺の緑地へとほとんどシームレスに移動し、バーンリーのボルダリングウォールを登る数人の人々や、熱風に吊るされた蝶、名前を知りたかったたくさんの植物を見た。頭上では、隠された生態系、想像の空間、ケアのネットワークについて語り合う間、車が絶え間なく動物のように鳴り響いた。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e洞窟探検のオリジナルメンバーとの偶然の出会いから始まったこの作品は、私たちの知覚の外に存在する世界を探求している。川のそばで、\u003cmeta charset=\"utf-8\"\u003eLisaがオフィスワークスでプリントアウトしたトンネルの写真のセレクションに目を通すと、異質な質感、奈落の底へと続くトンネル、地下を流れる小川が見えてくる。光はまばらで繊細で、\u003cmeta charset=\"utf-8\"\u003eLisaのピアノ曲の揺らぎやゆらめきに反映されている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e歩きながら、私たちはインフラがしばしば人を締め出すように設計されていることに気づいた。フェンスに切り取られたドアや、切り取られたワイヤーは、それに対する積極的かつ継続的な反抗を示している。私たちは、彼女の洞窟の一族の友人が、かつてこの絵の描かれた部屋に降りて、ロウソクを明かりにして孤独に読書をしていたという話をした。中空のセメントトンネルに包まれた地下には音が存在する。人々が地下でどのようにショーを開いていたのか、安全のためにどのようなルールがあったのか（雨の後は探検しない、一人で行動しない）。このような温かさと他の人の経験の吸収は、\u003cmeta charset=\"utf-8\"\u003eLisaの作品にも存在する。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私たちは散歩の途中でベリーを食べながら、『The Caretaker』がどのように録音された音で一過性の世界を創り出すのか、この技術がどのように記憶を捉えるのか、そしてポーリン・オリヴェロスのディープリスニングバンドの探索的探求について話した。これらの記憶とディープリスニングの引用は、リサが自身の世界構築においてアナログ楽器やクラシック楽器、再生アーチファクト、アコースティックフィードバックを使用することに影響を与えている。『Halos of Perception（知覚の光輪）』について語るとき、彼女はこの作品を、クラシカルなダイナミクス、アコースティックミラー、トランスペアレントな音色を使った遊びだと表現している。\u003cbr\u003e\u003cbr\u003eLisaの作曲には、ネットワークと絡み合いのアイデアが深く感じられ、モチーフが重なり合うことで、多くの手が戯れに、優しく、そっと連なるイメージを喚起させる。彼女のコンポジションが屈折や反響を掘り下げていく様子は、トンネルや、トンネルが様々な可能性に分裂していく様を思い起こさせる。坑道の地下の空気に香る石灰質、土、苔の空気を連想させる操作されたテクスチャー。注意深く、執着に近い注意を促す触覚的なディテール。\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの仕事は、潜在的な生態系を想像することでもある。Lisaはこのプロジェクトの間、夢の中で地下のネットワークを想像し直し、口承伝承や、水が空から大地へ、地面を通って、これらすべての球体をつなぐ動きについて考えてきたと教えてくれた。ハイパーリアル・ビデオアーティストのトリスタン・ジャレとのコラボレーションで実現した\u003cmeta charset=\"utf-8\"\u003eLisaの夢の風景は、滝、水漏れ、花の落書き、想像上の光源に照らされた隠されたメッセージと、既存の地中ネットワークとを融合させている。彼女が作り上げたこの世界には、忍耐と注意によって都市がどのように姿を現すのか、都市とその秘密がどのように夢の中に入り込んでくるのか、といった不思議な感覚がある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4074154486\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=98784845\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4074154486\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1974012903\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4074154486\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4074154486\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1991723612\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eDescription by Panda Wong\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Halos of Perception’ releases on November 3, 2023 with a hyperreal film in collaboration with Chinese-Malaysian Australian video artist Tristan Jalleh. Drawing from Lerkenfeldt's field work and electroacoustic practices, piano, cello and tape loop arrangements light up lost chambers and underground histories in a patchwork of reflective musique concrète, instrumental composition and surreal cinema. The artist's sophomore LP on Shelter Press spotlights underground networks opening questions of reality, virtuality and perception through oral traditions, experimental AV composition and diary-like vignettes.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Halos of perception ripple in a black temporary lake.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSenses are alight in total darkness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eUnder torchlight I see a white spider build a web in wet glitter.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTraffic becomes a tactile instrument ringing through\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e300km of tunnels to where I am.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen we speak it reverberates for 32 seconds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eYou tell me stories from 1991.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEvery moment is extended when under the damp earth.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEven the walls have a voice.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAn amulet of sweat forms on\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e my neck.'\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor piano, cello and tape loops:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI want to introduce this work ‘Halos of Perception’ to you in the way Lisa introduced me to it, through the sharing of experiences.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLisa and I met for a walk near South Yarra station to talk about this work, when inclement weather made it too wet to visit the tunnels. Moving almost seamlessly from a world of leisurewear, infinite milk alternatives and blaring neons to stretches of green by the water that brimmed with sounds and life, we saw a few people climbing the Burnley bouldering wall, butterflies suspended in the hot wind and lots of plants I wish I knew the names of. Overhead the cars rumbled like a ceaseless animal as we talked about hidden ecosystems, imagined spaces and networks of care.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStemming from a serendipitous encounter with an original Cave Clan member that led to many underground adventures, this work explores the worlds that exist outside of our perceptions. By the river, I leafed through a selection of tunnel photos Lisa had printed off at Officeworks, revealing alien textures, tunnels that stretch on into abysses of their own, underground flowing streams. Light is sparse and delicate, something reflected by the flickering and wavering in Lisa’s piano compositions.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs we walked, we noticed the ways in which infrastructure is often designed to keep people out—cut doors into fencing and clipped wires show an active and ongoing defiance of this. We spoke about how her Cave Clan friend used to go down to this painted room and read in solitude, using candles for light. The way sound exists underground, encased in these hollow cement tunnels, a painted room with its own deep hum. How people used to hold underground shows, how there were rules for safety (no exploring after rain, never alone) that was shared with each other. This warmth and absorption of other’s experiences is present in Lisa’s work—it’s immersive, like wading in water.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWe paused on the walk to eat berries and talk about how The Caretaker creates transitory worlds with recorded sound, how this technology captures memory, and the exploratory pursuits of Pauline Oliveros’ Deep Listening Band. These citations of memory and deep listening inform Lisa’s use of analogue and classical instruments, playback artefacts and acoustic feedback in her own world-building. When speaking about ‘Halos of Perception’, she describes it as a play with classical dynamics, acoustic mirrors and transportive timbres.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIdeas of networks and enmeshment are felt deeply in Lisa’s compositions, motifs overlaid over each other evoking the image of many hands interlinking playfully, tenderly, softly. The way her compositions delve into refraction and echo makes me think about the tunnels and the way they splinter off into many possibilities. Manipulated textures reminiscent of the chalky, earthy, moss air that perfumes the tunnels’ subterranean air. Tactile details that gesture towards close attention, verging on obsession.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis work is also about imagining ecosystems of potential. Lisa shared with me that during this project, she has been reimagining subterranean networks in dreams, thinking about oral traditions, and the way water moves—from the sky to the earth, through the ground, connecting all these spheres. Realised in collaboration with hyperreal video artist Tristan Jalleh, Lisa’s dream landscape melds waterfalls, leaks, flower graffiti, and hidden messages lit up by imagined light sources with existing subterranean networks. There’s a real sense of wonder in this world she has built, how the city can reveal itself to you with some patience and care, how the city and its secrets can find its way into your dreams.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lisa Lerkenfeldt\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCat No : SP148\u003c\/p\u003e","published_at":"2023-11-14T16:52:35+09:00","created_at":"2023-11-14T16:52:35+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","new","shelter press"],"price":457600,"price_min":457600,"price_max":457600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44769328070906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lisa Lerkenfeldt \/\/ Halos of Perception LP","public_title":null,"options":["Default Title"],"price":457600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3775636472_16.jpg?v=1699948677","\/\/tobirarecords.com\/cdn\/shop\/files\/0033644056_10.jpg?v=1699948679"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3775636472_16.jpg?v=1699948677","options":["Title"],"media":[{"alt":null,"id":32688498901242,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3775636472_16.jpg?v=1699948677"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3775636472_16.jpg?v=1699948677","width":700},{"alt":null,"id":32688499491066,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033644056_10.jpg?v=1699948679"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033644056_10.jpg?v=1699948679","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eオーストラリア・メルボルンの実験音楽家Lisa Lerkenfeldtが、2023年11月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノや地下トンネルのフィールドレコーディングによる実験ネオクラシカル・アンビエント6曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Halos of Perception』は、中国マレーシア系オーストラリア人ビデオアーティスト、\u003cmeta charset=\"utf-8\"\u003eTristan Jallehとのコラボレーションによるハイパーリアルフィルムとともに、2023年11月3日にリリースされる。Lerkenfeldtのフィールドワークと電子音響の実践から導き出されたピアノ、チェロ、テープループのアレンジが、内省的なミュージックコンクレート、インストゥルメンタルコンポジション、シュールな映画のパッチワークの中で、失われた部屋と地下の歴史を照らし出す。Shelter Pressからリリースされた2枚目のLPは、口承伝承、実験的なAVコンポジション、日記のようなヴィネットを通して、現実、ヴァーチャリティ、知覚への疑問を投げかけるアンダーグラウンド・ネットワークにスポットを当てている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e知覚の光輪が黒い仮の湖に波紋を描く。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e真っ暗闇の中、五感が冴え渡る。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e懐中電灯の明かりの下で、私は白い蜘蛛が濡れた煌めきの中に巣を作るのを見る。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e交通は触覚の楽器となり\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e私がいる場所まで300キロのトンネル。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e私たちが話すと、それは32秒間反響する。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eあなたは1991年の話をしてくれる。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e湿った土の下では、すべての瞬間が延長される。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e壁さえも声を持つ。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e私の首には汗のお守りがある」。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eピアノ、チェロとテープループのための：\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLisaが私にこの作品を紹介してくれたように、経験を共有することでこの作品『HALOS OF PERPECTION』を紹介したい。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eLisaと私は、この作品について話すためにサウス・ヤラ駅の近くを散歩した。レジャーウェアの世界、無限の代替ミルク、鳴り響くネオンから、音と生命に溢れた水辺の緑地へとほとんどシームレスに移動し、バーンリーのボルダリングウォールを登る数人の人々や、熱風に吊るされた蝶、名前を知りたかったたくさんの植物を見た。頭上では、隠された生態系、想像の空間、ケアのネットワークについて語り合う間、車が絶え間なく動物のように鳴り響いた。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e洞窟探検のオリジナルメンバーとの偶然の出会いから始まったこの作品は、私たちの知覚の外に存在する世界を探求している。川のそばで、\u003cmeta charset=\"utf-8\"\u003eLisaがオフィスワークスでプリントアウトしたトンネルの写真のセレクションに目を通すと、異質な質感、奈落の底へと続くトンネル、地下を流れる小川が見えてくる。光はまばらで繊細で、\u003cmeta charset=\"utf-8\"\u003eLisaのピアノ曲の揺らぎやゆらめきに反映されている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e歩きながら、私たちはインフラがしばしば人を締め出すように設計されていることに気づいた。フェンスに切り取られたドアや、切り取られたワイヤーは、それに対する積極的かつ継続的な反抗を示している。私たちは、彼女の洞窟の一族の友人が、かつてこの絵の描かれた部屋に降りて、ロウソクを明かりにして孤独に読書をしていたという話をした。中空のセメントトンネルに包まれた地下には音が存在する。人々が地下でどのようにショーを開いていたのか、安全のためにどのようなルールがあったのか（雨の後は探検しない、一人で行動しない）。このような温かさと他の人の経験の吸収は、\u003cmeta charset=\"utf-8\"\u003eLisaの作品にも存在する。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私たちは散歩の途中でベリーを食べながら、『The Caretaker』がどのように録音された音で一過性の世界を創り出すのか、この技術がどのように記憶を捉えるのか、そしてポーリン・オリヴェロスのディープリスニングバンドの探索的探求について話した。これらの記憶とディープリスニングの引用は、リサが自身の世界構築においてアナログ楽器やクラシック楽器、再生アーチファクト、アコースティックフィードバックを使用することに影響を与えている。『Halos of Perception（知覚の光輪）』について語るとき、彼女はこの作品を、クラシカルなダイナミクス、アコースティックミラー、トランスペアレントな音色を使った遊びだと表現している。\u003cbr\u003e\u003cbr\u003eLisaの作曲には、ネットワークと絡み合いのアイデアが深く感じられ、モチーフが重なり合うことで、多くの手が戯れに、優しく、そっと連なるイメージを喚起させる。彼女のコンポジションが屈折や反響を掘り下げていく様子は、トンネルや、トンネルが様々な可能性に分裂していく様を思い起こさせる。坑道の地下の空気に香る石灰質、土、苔の空気を連想させる操作されたテクスチャー。注意深く、執着に近い注意を促す触覚的なディテール。\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの仕事は、潜在的な生態系を想像することでもある。Lisaはこのプロジェクトの間、夢の中で地下のネットワークを想像し直し、口承伝承や、水が空から大地へ、地面を通って、これらすべての球体をつなぐ動きについて考えてきたと教えてくれた。ハイパーリアル・ビデオアーティストのトリスタン・ジャレとのコラボレーションで実現した\u003cmeta charset=\"utf-8\"\u003eLisaの夢の風景は、滝、水漏れ、花の落書き、想像上の光源に照らされた隠されたメッセージと、既存の地中ネットワークとを融合させている。彼女が作り上げたこの世界には、忍耐と注意によって都市がどのように姿を現すのか、都市とその秘密がどのように夢の中に入り込んでくるのか、といった不思議な感覚がある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4074154486\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=98784845\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4074154486\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1974012903\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4074154486\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4074154486\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1991723612\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eDescription by Panda Wong\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Halos of Perception’ releases on November 3, 2023 with a hyperreal film in collaboration with Chinese-Malaysian Australian video artist Tristan Jalleh. Drawing from Lerkenfeldt's field work and electroacoustic practices, piano, cello and tape loop arrangements light up lost chambers and underground histories in a patchwork of reflective musique concrète, instrumental composition and surreal cinema. The artist's sophomore LP on Shelter Press spotlights underground networks opening questions of reality, virtuality and perception through oral traditions, experimental AV composition and diary-like vignettes.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Halos of perception ripple in a black temporary lake.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSenses are alight in total darkness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eUnder torchlight I see a white spider build a web in wet glitter.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTraffic becomes a tactile instrument ringing through\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e300km of tunnels to where I am.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen we speak it reverberates for 32 seconds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eYou tell me stories from 1991.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEvery moment is extended when under the damp earth.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEven the walls have a voice.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAn amulet of sweat forms on\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e my neck.'\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor piano, cello and tape loops:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI want to introduce this work ‘Halos of Perception’ to you in the way Lisa introduced me to it, through the sharing of experiences.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLisa and I met for a walk near South Yarra station to talk about this work, when inclement weather made it too wet to visit the tunnels. Moving almost seamlessly from a world of leisurewear, infinite milk alternatives and blaring neons to stretches of green by the water that brimmed with sounds and life, we saw a few people climbing the Burnley bouldering wall, butterflies suspended in the hot wind and lots of plants I wish I knew the names of. Overhead the cars rumbled like a ceaseless animal as we talked about hidden ecosystems, imagined spaces and networks of care.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStemming from a serendipitous encounter with an original Cave Clan member that led to many underground adventures, this work explores the worlds that exist outside of our perceptions. By the river, I leafed through a selection of tunnel photos Lisa had printed off at Officeworks, revealing alien textures, tunnels that stretch on into abysses of their own, underground flowing streams. Light is sparse and delicate, something reflected by the flickering and wavering in Lisa’s piano compositions.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs we walked, we noticed the ways in which infrastructure is often designed to keep people out—cut doors into fencing and clipped wires show an active and ongoing defiance of this. We spoke about how her Cave Clan friend used to go down to this painted room and read in solitude, using candles for light. The way sound exists underground, encased in these hollow cement tunnels, a painted room with its own deep hum. How people used to hold underground shows, how there were rules for safety (no exploring after rain, never alone) that was shared with each other. This warmth and absorption of other’s experiences is present in Lisa’s work—it’s immersive, like wading in water.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWe paused on the walk to eat berries and talk about how The Caretaker creates transitory worlds with recorded sound, how this technology captures memory, and the exploratory pursuits of Pauline Oliveros’ Deep Listening Band. These citations of memory and deep listening inform Lisa’s use of analogue and classical instruments, playback artefacts and acoustic feedback in her own world-building. When speaking about ‘Halos of Perception’, she describes it as a play with classical dynamics, acoustic mirrors and transportive timbres.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIdeas of networks and enmeshment are felt deeply in Lisa’s compositions, motifs overlaid over each other evoking the image of many hands interlinking playfully, tenderly, softly. The way her compositions delve into refraction and echo makes me think about the tunnels and the way they splinter off into many possibilities. Manipulated textures reminiscent of the chalky, earthy, moss air that perfumes the tunnels’ subterranean air. Tactile details that gesture towards close attention, verging on obsession.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis work is also about imagining ecosystems of potential. Lisa shared with me that during this project, she has been reimagining subterranean networks in dreams, thinking about oral traditions, and the way water moves—from the sky to the earth, through the ground, connecting all these spheres. Realised in collaboration with hyperreal video artist Tristan Jalleh, Lisa’s dream landscape melds waterfalls, leaks, flower graffiti, and hidden messages lit up by imagined light sources with existing subterranean networks. There’s a real sense of wonder in this world she has built, how the city can reveal itself to you with some patience and care, how the city and its secrets can find its way into your dreams.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lisa Lerkenfeldt\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCat No : SP148\u003c\/p\u003e"}
You may also like:
オーストラリア・メルボルンの実験音楽家Lisa Lerkenfeldtが、2023年11月にフランスの実験レーベルShelter Pressからリリースしたレコードです。 ピアノや地下トンネルのフィールドレコーディングによる実験ネオクラシカル・アンビエント6曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 『Halos of Perception』は、中国マレーシア系オーストラリア人ビデオアーティスト、Tristan Jallehとのコラボレーションによるハイパーリアルフィルムとともに、2023年11月3日にリリースされる。Lerkenfeldtのフィールドワークと電子音響の実践から導き出されたピアノ、チェロ、テープループのアレンジが、内省的なミュージックコンクレート、インストゥルメンタルコンポジション、シュールな映画のパッチワークの中で、失われた部屋と地下の歴史を照らし出す。Shelter Pressからリリースされた2枚目のLPは、口承伝承、実験的なAVコンポジション、日記のようなヴィネットを通して、現実、ヴァーチャリティ、知覚への疑問を投げかけるアンダーグラウンド・ネットワークにスポットを当てている。知覚の光輪が黒い仮の湖に波紋を描く。真っ暗闇の中、五感が冴え渡る。懐中電灯の明かりの下で、私は白い蜘蛛が濡れた煌めきの中に巣を作るのを見る。交通は触覚の楽器となり私がいる場所まで300キロのトンネル。私たちが話すと、それは32秒間反響する。あなたは1991年の話をしてくれる。湿った土の下では、すべての瞬間が延長される。壁さえも声を持つ。私の首には汗のお守りがある」。ピアノ、チェロとテープループのための：Lisaが私にこの作品を紹介してくれたように、経験を共有することでこの作品『HALOS OF PERPECTION』を紹介したい。Lisaと私は、この作品について話すためにサウス・ヤラ駅の近くを散歩した。レジャーウェアの世界、無限の代替ミルク、鳴り響くネオンから、音と生命に溢れた水辺の緑地へとほとんどシームレスに移動し、バーンリーのボルダリングウォールを登る数人の人々や、熱風に吊るされた蝶、名前を知りたかったたくさんの植物を見た。頭上では、隠された生態系、想像の空間、ケアのネットワークについて語り合う間、車が絶え間なく動物のように鳴り響いた。 洞窟探検のオリジナルメンバーとの偶然の出会いから始まったこの作品は、私たちの知覚の外に存在する世界を探求している。川のそばで、Lisaがオフィスワークスでプリントアウトしたトンネルの写真のセレクションに目を通すと、異質な質感、奈落の底へと続くトンネル、地下を流れる小川が見えてくる。光はまばらで繊細で、Lisaのピアノ曲の揺らぎやゆらめきに反映されている。歩きながら、私たちはインフラがしばしば人を締め出すように設計されていることに気づいた。フェンスに切り取られたドアや、切り取られたワイヤーは、それに対する積極的かつ継続的な反抗を示している。私たちは、彼女の洞窟の一族の友人が、かつてこの絵の描かれた部屋に降りて、ロウソクを明かりにして孤独に読書をしていたという話をした。中空のセメントトンネルに包まれた地下には音が存在する。人々が地下でどのようにショーを開いていたのか、安全のためにどのようなルールがあったのか（雨の後は探検しない、一人で行動しない）。このような温かさと他の人の経験の吸収は、Lisaの作品にも存在する。...
Sold Out
クイックビュー
{"id":8024050139386,"title":"Chris Abrahams \/ Oren Ambarchi \/ Robbie Avenaim \/\/ Placelessness LP","handle":"chris-abrahams-oren-ambarchi-robbie-avenaim-placelessness-lp","description":"\u003cp\u003eChris AbrahamsとOren Ambarchi、Robbie Avenaim実験音楽家3名が、2023年9月にフランス・パリの実験レーベルIdeologic Organからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eロングフォームでミニマルな即興アンビエント2曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3876927962\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePlacelessness I 18:28\u003c\/li\u003e\n\u003cli\u003ePlacelessness II 20:42\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing nearly 20 years of working together as a trio, and numerous cross-collaborations in different configuration between them, Ideologic Organ presents Placelessness, the debut full-length by Chris Abrahams, Oren Ambarchi, and Robbie Avenaim, comprising two long-form works at juncture of ambient music, minimalism, rigorous experimentalism and improvisation, and machine music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHaving carved distinct pathways across a diverse number of musical idioms for decades, Chris Abrahams, Oren Ambarchi, and Robbie Avenaim are each, respectively, among the most noteworthy and groundbreaking figures to have emerged from Australia’s thriving experimental music scene. Ambarchi and Avenaim first encountered Abrahams when seeing the Necks - the project that has served as the primary vehicle for his singular approach to the piano since its founding in 1987 - together during the late 1980s, not long after having met in Sydney’s underground music community. The pair’s collaborations date back more than 35 years, criss-crossing Ambarchi’s pioneering solo and ensemble work for guitar and Avenaim’s visionary efforts for SARPS (Semi Automated Robotic Percussion System), robotic and kinetic extensions to his drum kit.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn 2004, fate brought the three together in a trio\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e performance at the What Is Music? Festival, the annual touring showcase of experimental music founded and run by Ambarchi and Avenaim between 1994-2012. For the nearly two decades since, Abrahams, Ambarchi, and Avenaim have intermittently reformed in exclusively live contexts, in Australia and abroad, cultivating and refining the fertile ground first tilled in that early meeting. Placelessness is the first album to present this remarkable trio’s efforts in recorded form.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePlacelessness is the joining of three highly individualised streams, working in perfect harmony; the point at which friendship, mutual respect, and decades of creative exploration produce a singular spectrum of sound. Featuring Abrahams on piano, Ambarchi on guitar, and Avenaim on drums, the album’s two sides draw on each artist’s enduring dedication to long-form composition. Its two pieces, Placelessness I and Placelessness II, initially began as a single, 40 minute work, before being divided and reworked into distinct, complimentary gestures for the corresponding sides of the LP.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBeginning with restrained clusters of reverberant piano tones, Placelessness I progresses at an almost glacial pace, with Abrahams’ interventions increasing met by sparse responses, darting within vast ambiences, on guitar and percussion by Ambarchi and Avenaim. Remarkably conversational within its convergences of tonal, rhythmic, and textural abstraction, over the work’s duration a progressive sense of tension unfurls and contracts, refusing release, as each of the ensemble’s members contribute to an increasingly tangled sense of density at its resolve.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile an entirely autonomous work, Placelessness II rapidly realises a distillation of the energy hinted at across the length of its predecessor. Following a luring passage of harmonious calm, Abrahams’ launches into shimmering lines of repeating arpeggios, complimented at each escalation of tempo by Avenaim’s machine gun fire percussion work and Ambarchi’s masterful delivery of tonality and texture, as the trio collectively generate dense sheets of pointillistic ambience within which individual identity is almost lost, before slowly unspooling into unexpected abstractions and dissonances that deftly intervene with the work’s inner logic and calm.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhat could easily be termed a maximalist take on Minimalism, Placelessness is a masterstroke of contemporary, real time composition, that blurs the boundaries between ambient music, experimentalism, free improvisation, and machine music. Drawing on Chris Abrahams, Oren Ambarchi, and Robbie Avenaim’s decades of respective solo and collaborative practice, and the culmination of nearly twenty years of working together as a trio, it’s two durational pieces - Placelessness I and Placelessness II - take form with a startling sense of effortlessness and grace, neither shying away from explicit beauty or rigorously tension within their forms.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Chris Abrahams \/ Oren Ambarchi \/ Robbie Avenaim\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e","published_at":"2023-09-24T14:23:44+09:00","created_at":"2023-09-24T12:41:19+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","shelter press"],"price":369800,"price_min":369800,"price_max":369800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44584773648634,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Chris Abrahams \/ Oren Ambarchi \/ Robbie Avenaim \/\/ Placelessness LP","public_title":null,"options":["Default Title"],"price":369800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_4a75876d-ed5b-483e-89e2-eb9bc7009435.jpg?v=1695526881"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_4a75876d-ed5b-483e-89e2-eb9bc7009435.jpg?v=1695526881","options":["Title"],"media":[{"alt":null,"id":32490721706234,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_4a75876d-ed5b-483e-89e2-eb9bc7009435.jpg?v=1695526881"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_4a75876d-ed5b-483e-89e2-eb9bc7009435.jpg?v=1695526881","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eChris AbrahamsとOren Ambarchi、Robbie Avenaim実験音楽家3名が、2023年9月にフランス・パリの実験レーベルIdeologic Organからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eロングフォームでミニマルな即興アンビエント2曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3876927962\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePlacelessness I 18:28\u003c\/li\u003e\n\u003cli\u003ePlacelessness II 20:42\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing nearly 20 years of working together as a trio, and numerous cross-collaborations in different configuration between them, Ideologic Organ presents Placelessness, the debut full-length by Chris Abrahams, Oren Ambarchi, and Robbie Avenaim, comprising two long-form works at juncture of ambient music, minimalism, rigorous experimentalism and improvisation, and machine music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHaving carved distinct pathways across a diverse number of musical idioms for decades, Chris Abrahams, Oren Ambarchi, and Robbie Avenaim are each, respectively, among the most noteworthy and groundbreaking figures to have emerged from Australia’s thriving experimental music scene. Ambarchi and Avenaim first encountered Abrahams when seeing the Necks - the project that has served as the primary vehicle for his singular approach to the piano since its founding in 1987 - together during the late 1980s, not long after having met in Sydney’s underground music community. The pair’s collaborations date back more than 35 years, criss-crossing Ambarchi’s pioneering solo and ensemble work for guitar and Avenaim’s visionary efforts for SARPS (Semi Automated Robotic Percussion System), robotic and kinetic extensions to his drum kit.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn 2004, fate brought the three together in a trio\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e performance at the What Is Music? Festival, the annual touring showcase of experimental music founded and run by Ambarchi and Avenaim between 1994-2012. For the nearly two decades since, Abrahams, Ambarchi, and Avenaim have intermittently reformed in exclusively live contexts, in Australia and abroad, cultivating and refining the fertile ground first tilled in that early meeting. Placelessness is the first album to present this remarkable trio’s efforts in recorded form.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePlacelessness is the joining of three highly individualised streams, working in perfect harmony; the point at which friendship, mutual respect, and decades of creative exploration produce a singular spectrum of sound. Featuring Abrahams on piano, Ambarchi on guitar, and Avenaim on drums, the album’s two sides draw on each artist’s enduring dedication to long-form composition. Its two pieces, Placelessness I and Placelessness II, initially began as a single, 40 minute work, before being divided and reworked into distinct, complimentary gestures for the corresponding sides of the LP.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBeginning with restrained clusters of reverberant piano tones, Placelessness I progresses at an almost glacial pace, with Abrahams’ interventions increasing met by sparse responses, darting within vast ambiences, on guitar and percussion by Ambarchi and Avenaim. Remarkably conversational within its convergences of tonal, rhythmic, and textural abstraction, over the work’s duration a progressive sense of tension unfurls and contracts, refusing release, as each of the ensemble’s members contribute to an increasingly tangled sense of density at its resolve.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile an entirely autonomous work, Placelessness II rapidly realises a distillation of the energy hinted at across the length of its predecessor. Following a luring passage of harmonious calm, Abrahams’ launches into shimmering lines of repeating arpeggios, complimented at each escalation of tempo by Avenaim’s machine gun fire percussion work and Ambarchi’s masterful delivery of tonality and texture, as the trio collectively generate dense sheets of pointillistic ambience within which individual identity is almost lost, before slowly unspooling into unexpected abstractions and dissonances that deftly intervene with the work’s inner logic and calm.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhat could easily be termed a maximalist take on Minimalism, Placelessness is a masterstroke of contemporary, real time composition, that blurs the boundaries between ambient music, experimentalism, free improvisation, and machine music. Drawing on Chris Abrahams, Oren Ambarchi, and Robbie Avenaim’s decades of respective solo and collaborative practice, and the culmination of nearly twenty years of working together as a trio, it’s two durational pieces - Placelessness I and Placelessness II - take form with a startling sense of effortlessness and grace, neither shying away from explicit beauty or rigorously tension within their forms.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Chris Abrahams \/ Oren Ambarchi \/ Robbie Avenaim\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e"}
You may also like:
Chris AbrahamsとOren Ambarchi、Robbie Avenaim実験音楽家3名が、2023年9月にフランス・パリの実験レーベルIdeologic Organからリリースした共作レコードです。 ロングフォームでミニマルな即興アンビエント2曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM /...
Sold Out
クイックビュー
{"id":8022202450170,"title":"Félicia Atkinson \/ Richard Chartier \/\/ Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) \/ Recurrence.Expansion LP","handle":"felicia-atkinson-richard-chartier-ni-envers-ni-endroit-que-cette-roche-brulante-pour-georgia-o-keeffe-recurrence-expansion-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスのFélicia AtkinsonとアメリカのRichard Chartier実験音楽家2名が、2023年9月にフランスの実験レーベル\u003cmeta charset=\"utf-8\"\u003ePortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA面はスポークンワード〜アンビエントドローン、B面はミニマルなドローン\u003cspan data-mce-fragment=\"1\"\u003eを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=830311522\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 1000. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFélicia Atkinson - 'Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe)' 20:18\u003c\/li\u003e\n\u003cli\u003eRichard Chartier - 'Recurrence.Expansion' 20:00\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist bios by Portraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFélicia Atkinson’s Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) is approached as a meditation, not as meditative music, but as a reflection on the art of creation: how to inhabit one’s creation, how to convey it, domesticate it and live with it. Drawing inspiration from the artist Georgia O’ Keeffe, both in her work as a painter and in the houses in which she lived in New Mexico, and even in the landscapes that surround them, Félicia Atkinson has composed a piece that evokes and celebrates, in a poetic and holistic way, the mystery of art, the somnambulic oscillation that accompanies the act of creating. Blending fragmentary voices, islands of piano, electronic textures and patterns, and field recordings, Félicia Atkinson’s music is sincere and inspired, a meditation, then, but also a lesson we sometimes forget: being an artist is not an activity, even less a profession, it’s a singular way of approaching the world and, in so doing, densifying it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e--\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eRichard Chartier’s music takes up residence at the frontiers of the audible, on the edge where sound diffracts into an inter-dimensionality where sounds, space, listening and silence recombine in an arborescence of becomings that present themselves to us and then disappear. The space-time in which Richard Chartier’s music unfolds is a stretched space-time, barely emerging in the world of sound. The delicacy, precision and accuracy of the composition Recurrence.Expansion lies precisely in this dialogue between a shape that is exposed and developed in an inspired and masterful way, and the sonic biotope in which this shape develops. It is from such an encounter that the singularity of Richard Chartier’s music emerges, music of attentive listening, but also sensitive, inhabited music, a music of discreet metamorphosis.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Félicia Atkinson \/ Richard Chartier\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Recollection GRM)\u003c\/p\u003e","published_at":"2023-09-21T19:14:27+09:00","created_at":"2023-09-21T12:00:08+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","new","shelter press"],"price":439000,"price_min":439000,"price_max":439000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44579386261754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Félicia Atkinson \/ Richard Chartier \/\/ Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) \/ Recurrence.Expansion LP","public_title":null,"options":["Default Title"],"price":439000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_1fab5e45-8354-4e53-aac4-bce61862ccf4.jpg?v=1695265211","\/\/tobirarecords.com\/cdn\/shop\/files\/ni2_bc2d0b16-0ec5-42aa-8f19-6c493b67b734.jpg?v=1695265211","\/\/tobirarecords.com\/cdn\/shop\/files\/ni3_db10bcb8-b84d-48f4-8a43-a7d0f1af400a.jpg?v=1695265211"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_1fab5e45-8354-4e53-aac4-bce61862ccf4.jpg?v=1695265211","options":["Title"],"media":[{"alt":null,"id":32476273049850,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_1fab5e45-8354-4e53-aac4-bce61862ccf4.jpg?v=1695265211"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_1fab5e45-8354-4e53-aac4-bce61862ccf4.jpg?v=1695265211","width":700},{"alt":null,"id":32476273082618,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni2_bc2d0b16-0ec5-42aa-8f19-6c493b67b734.jpg?v=1695265211"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni2_bc2d0b16-0ec5-42aa-8f19-6c493b67b734.jpg?v=1695265211","width":1200},{"alt":null,"id":32476273115386,"position":3,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni3_db10bcb8-b84d-48f4-8a43-a7d0f1af400a.jpg?v=1695265211"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni3_db10bcb8-b84d-48f4-8a43-a7d0f1af400a.jpg?v=1695265211","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスのFélicia AtkinsonとアメリカのRichard Chartier実験音楽家2名が、2023年9月にフランスの実験レーベル\u003cmeta charset=\"utf-8\"\u003ePortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA面はスポークンワード〜アンビエントドローン、B面はミニマルなドローン\u003cspan data-mce-fragment=\"1\"\u003eを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=830311522\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 1000. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFélicia Atkinson - 'Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe)' 20:18\u003c\/li\u003e\n\u003cli\u003eRichard Chartier - 'Recurrence.Expansion' 20:00\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist bios by Portraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFélicia Atkinson’s Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) is approached as a meditation, not as meditative music, but as a reflection on the art of creation: how to inhabit one’s creation, how to convey it, domesticate it and live with it. Drawing inspiration from the artist Georgia O’ Keeffe, both in her work as a painter and in the houses in which she lived in New Mexico, and even in the landscapes that surround them, Félicia Atkinson has composed a piece that evokes and celebrates, in a poetic and holistic way, the mystery of art, the somnambulic oscillation that accompanies the act of creating. Blending fragmentary voices, islands of piano, electronic textures and patterns, and field recordings, Félicia Atkinson’s music is sincere and inspired, a meditation, then, but also a lesson we sometimes forget: being an artist is not an activity, even less a profession, it’s a singular way of approaching the world and, in so doing, densifying it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e--\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eRichard Chartier’s music takes up residence at the frontiers of the audible, on the edge where sound diffracts into an inter-dimensionality where sounds, space, listening and silence recombine in an arborescence of becomings that present themselves to us and then disappear. The space-time in which Richard Chartier’s music unfolds is a stretched space-time, barely emerging in the world of sound. The delicacy, precision and accuracy of the composition Recurrence.Expansion lies precisely in this dialogue between a shape that is exposed and developed in an inspired and masterful way, and the sonic biotope in which this shape develops. It is from such an encounter that the singularity of Richard Chartier’s music emerges, music of attentive listening, but also sensitive, inhabited music, a music of discreet metamorphosis.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Félicia Atkinson \/ Richard Chartier\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Recollection GRM)\u003c\/p\u003e"}
You may also like:
フランスのFélicia AtkinsonとアメリカのRichard Chartier実験音楽家2名が、2023年9月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。 A面はスポークンワード〜アンビエントドローン、B面はミニマルなドローンを収録。 マスタリングはGiuseppe Ielashiが担当しています。 ※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more Shelter Press...
Sold Out
クイックビュー
{"id":8022196519162,"title":"Stephen O’Malley \u0026 Anthony Pateras \/\/ Sept duos pour guitare acoustique \u0026 piano préparé 2x12\"","handle":"stephen-o-malley-anthony-pateras-sept-duos-pour-guitare-acoustique-piano-prepare-2xlp","description":"\u003cp\u003eアメリカのギタリストStephen O’MalleyとオーストラリアのピアニストAnthony Paterasが、2023年9月にフランスの実験レーベルShelter Pressからリリースした共作2枚組レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e アコースティックギターとピアノによるインプロ〜コンテンポラリー7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3125129529\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 1000. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003edéjà revé 10:00\u003c\/li\u003e\n\u003cli\u003edéjà vécu 09:42\u003c\/li\u003e\n\u003cli\u003edéjà voulu 08:18\u003c\/li\u003e\n\u003cli\u003edéjà senti 06:40\u003c\/li\u003e\n\u003cli\u003edéjà su 04:44\u003c\/li\u003e\n\u003cli\u003edéjà trouvé 10:14\u003c\/li\u003e\n\u003cli\u003edéjà raconté 11:12\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSept duos pour guitar acoustique et piano préparé is the second duo recording from Stephen O’Malley and Anthony Pateras. Their first together, Rêve Noir (2018), took an electro-acoustic scalpel to a 2011 duo concert for electric guitar and piano, using Revox and digital treatments to twist and smear gig documentation into ghostly echoes and fractured drones. Here, in contrast, the music is entirely acoustic and presented as it was performed, without overdubs. Both players’ choices of instruments are notable: this is O’Malley’s most extensive recording on steel string acoustic guitar (playing an instrument whose previous owners include Marissa Nadler and Glenn Jones) and Pateras return to the prepared piano, which he has rarely employed in recent years, after spending much of the first decade of the 21st century exploring its possibilities.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecorded during O’Malley’s residency at La Becque on Lake Geneva in the summer of 2021, from the first moments of the opening ‘déjà revé’ the music immediately establishes the distinctive landscape of chiming tones and hovering clouds of resonance explored throughout its one-hour running time. Pateras’ preparations create tolling bell-like tones alive with complex overtones, alongside which O’Malley’s open strings and natural harmonics add a sparkling clarity\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. While Pateras’ music often uses a densely chromatic harmonic language, these duos are remarkable for their modal simplicity. However, the interaction between the pure intervals of O’Malley’s just-intoned strings and the unstable harmonies created by the piano preparations suspends the music in an oneiric state of hazy ambiguity. Without obvious reference to tempo or meter, the music floats in what the composer Ernstalbrecht Stiebler has called a ‘bottomless sound space’, the temporal placement of events determined by bodily rhythms and the performers’ own listening to (and enjoyment of) the sounds being made.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHeard one way, this music can seem striking in its consistency, almost environmental. Attending more carefully, the listener hears the pitch sets and tunings changing throughout the album’s length. Each piece has its own character, subtly distinguished from the others through mood, pacing, and timbre. On ‘déjà voulu’, for instance, O’Malley makes prominent use of slide, the woozy, bending pitches weaving through a series of lush arpeggiated chords from the piano. ‘Déjà senti’, on the other hand, is particularly spare, the gestures spaced out to the extent that they often float in isolation against the background of fading resonance. Much of ‘déjà su’ is built around a slowly pulsing single prepared piano tone, creating an almost ominous tension, whereas the sparkling guitar harmonics and arpeggios of the closing ‘déjà raconté’ have a gently triumphal air. While the music’s calm, rippling surface is immediately entrancing, these seven duos – in the tradition of the best improvised music – also reward close listening, which reveals sonic details and focuses the listener’s attention on how the music unfolds spontaneously from decision to decision, from gesture to gesture.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded during a period when O’Malley and Pateras were grieving the loss of recently departed friends and collaborators, these seven duos possess a reflective, at times almost mournful quality. More importantly, though, they are imbued with other qualities that can arise from personal loss: a clarity that allows one to clear away the inessential, to begin again, to renew one’s faith in friendship and music.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Stephen O’Malley \u0026amp; Anthony Pateras\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e","published_at":"2023-09-22T11:49:40+09:00","created_at":"2023-09-21T11:51:19+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","jazz","lp","shelter press"],"price":499800,"price_min":499800,"price_max":499800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44579369419002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Stephen O’Malley \u0026 Anthony Pateras \/\/ Sept duos pour guitare acoustique \u0026 piano préparé 2x12\"","public_title":null,"options":["Default Title"],"price":499800,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/duo1.jpg?v=1695264681","\/\/tobirarecords.com\/cdn\/shop\/files\/duo2.jpg?v=1695264681"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/duo1.jpg?v=1695264681","options":["Title"],"media":[{"alt":null,"id":32476235858170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/duo1.jpg?v=1695264681"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/duo1.jpg?v=1695264681","width":700},{"alt":null,"id":32476235890938,"position":2,"preview_image":{"aspect_ratio":1.179,"height":1018,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/duo2.jpg?v=1695264681"},"aspect_ratio":1.179,"height":1018,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/duo2.jpg?v=1695264681","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのギタリストStephen O’MalleyとオーストラリアのピアニストAnthony Paterasが、2023年9月にフランスの実験レーベルShelter Pressからリリースした共作2枚組レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e アコースティックギターとピアノによるインプロ〜コンテンポラリー7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3125129529\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 1000. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003edéjà revé 10:00\u003c\/li\u003e\n\u003cli\u003edéjà vécu 09:42\u003c\/li\u003e\n\u003cli\u003edéjà voulu 08:18\u003c\/li\u003e\n\u003cli\u003edéjà senti 06:40\u003c\/li\u003e\n\u003cli\u003edéjà su 04:44\u003c\/li\u003e\n\u003cli\u003edéjà trouvé 10:14\u003c\/li\u003e\n\u003cli\u003edéjà raconté 11:12\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSept duos pour guitar acoustique et piano préparé is the second duo recording from Stephen O’Malley and Anthony Pateras. Their first together, Rêve Noir (2018), took an electro-acoustic scalpel to a 2011 duo concert for electric guitar and piano, using Revox and digital treatments to twist and smear gig documentation into ghostly echoes and fractured drones. Here, in contrast, the music is entirely acoustic and presented as it was performed, without overdubs. Both players’ choices of instruments are notable: this is O’Malley’s most extensive recording on steel string acoustic guitar (playing an instrument whose previous owners include Marissa Nadler and Glenn Jones) and Pateras return to the prepared piano, which he has rarely employed in recent years, after spending much of the first decade of the 21st century exploring its possibilities.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecorded during O’Malley’s residency at La Becque on Lake Geneva in the summer of 2021, from the first moments of the opening ‘déjà revé’ the music immediately establishes the distinctive landscape of chiming tones and hovering clouds of resonance explored throughout its one-hour running time. Pateras’ preparations create tolling bell-like tones alive with complex overtones, alongside which O’Malley’s open strings and natural harmonics add a sparkling clarity\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. While Pateras’ music often uses a densely chromatic harmonic language, these duos are remarkable for their modal simplicity. However, the interaction between the pure intervals of O’Malley’s just-intoned strings and the unstable harmonies created by the piano preparations suspends the music in an oneiric state of hazy ambiguity. Without obvious reference to tempo or meter, the music floats in what the composer Ernstalbrecht Stiebler has called a ‘bottomless sound space’, the temporal placement of events determined by bodily rhythms and the performers’ own listening to (and enjoyment of) the sounds being made.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHeard one way, this music can seem striking in its consistency, almost environmental. Attending more carefully, the listener hears the pitch sets and tunings changing throughout the album’s length. Each piece has its own character, subtly distinguished from the others through mood, pacing, and timbre. On ‘déjà voulu’, for instance, O’Malley makes prominent use of slide, the woozy, bending pitches weaving through a series of lush arpeggiated chords from the piano. ‘Déjà senti’, on the other hand, is particularly spare, the gestures spaced out to the extent that they often float in isolation against the background of fading resonance. Much of ‘déjà su’ is built around a slowly pulsing single prepared piano tone, creating an almost ominous tension, whereas the sparkling guitar harmonics and arpeggios of the closing ‘déjà raconté’ have a gently triumphal air. While the music’s calm, rippling surface is immediately entrancing, these seven duos – in the tradition of the best improvised music – also reward close listening, which reveals sonic details and focuses the listener’s attention on how the music unfolds spontaneously from decision to decision, from gesture to gesture.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded during a period when O’Malley and Pateras were grieving the loss of recently departed friends and collaborators, these seven duos possess a reflective, at times almost mournful quality. More importantly, though, they are imbued with other qualities that can arise from personal loss: a clarity that allows one to clear away the inessential, to begin again, to renew one’s faith in friendship and music.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Stephen O’Malley \u0026amp; Anthony Pateras\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e"}
You may also like:
アメリカのギタリストStephen O’MalleyとオーストラリアのピアニストAnthony Paterasが、2023年9月にフランスの実験レーベルShelter Pressからリリースした共作2枚組レコードです。 アコースティックギターとピアノによるインプロ〜コンテンポラリー7曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM /...
Sold Out
クイックビュー
{"id":7984170795258,"title":"perila \/\/ On The Corner Of The Day TAPE","handle":"perila-on-the-corner-of-the-day-tape","description":"\u003cp\u003e過去にMotion Wardや Lillerne Tapesなどから発表しているロシアのアンビエント作家perilaが、2023年5月にフランスの実験レーベルShelter Pressから300本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eエレクトロアコースティックアプローチの実験アンビエント8曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3670538075\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003eAmassing a dozen or so releases over the last 4 years for Sferic, Smalltown Supersound, The Trilogy Tapes, Motion Ward, Paralaxe Editions and our own Documenting Sound, Perila’s prolific output has been fuelled by a restless development of ideas and techniques that now finally brings her to the esteemed Shelter Press label, for which she assembles an engrossing suite of quietly experimental wonders.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecorded during a residency at ‘Maison Salvan’ in a little town outside Toulouse, ‘On The Corner Of The Day’ vividly conjures that elusive feeling of getting away from the daily routine, of life in suspension. Moving further away from explicitly electronic dimensions, the opening winds a gong soundbath around Perila’s vocal narration, applied at a distance, designed to soothe. Through eight parts, she proceeds to bloom from metallic sound poems to laminal concrète with a quiet and deliciously heatsick logic that turns the slow-baked atmosphere of her environment into iridescent postcard snapshots that appear to shimmer and sway like dappled shadows.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt’s her most amorphous and precise yet freely sketched work to date, suspending disbelief thru a skin-touch sensitivity and near-olfactory level of synaesthesia. The frothed choral baubles of ‘Dropping Closely at First Light’, and sublime traces of early ‘80s new age private pressings in ‘Elastic Stitches Gracefully in Making’, only make the voluminous mixing of ‘Window Frame Lisergic’ trippier in relief. ‘Scivia’ follows with a strange presence that pairs sinuous bass muscularity with barely there, OOBE-like impressionism, and ‘Decision to Out and Onwards’ feels as though we’re carried thru the window by the breeze to the aerial shoegaze shimmers of ‘Estimated to Savage’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe whole thing runs like a dream, one with inexplicable healing properties.\"\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : perila\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e","published_at":"2023-06-13T15:53:07+09:00","created_at":"2023-06-13T13:47:57+09:00","vendor":"Tobira Records","type":"","tags":["ambient","monooto","shelter press","tape"],"price":188000,"price_min":188000,"price_max":188000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44277877080314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"perila \/\/ On The Corner Of The Day TAPE","public_title":null,"options":["Default Title"],"price":188000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/on1_42940666-2ed0-45a0-92ef-3aef56b48c6d.jpg?v=1686631679","\/\/tobirarecords.com\/cdn\/shop\/files\/on2_52abc35d-3d71-45f3-a30a-1bad442806dc.jpg?v=1686631679"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_42940666-2ed0-45a0-92ef-3aef56b48c6d.jpg?v=1686631679","options":["Title"],"media":[{"alt":null,"id":32108788318458,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_42940666-2ed0-45a0-92ef-3aef56b48c6d.jpg?v=1686631679"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_42940666-2ed0-45a0-92ef-3aef56b48c6d.jpg?v=1686631679","width":700},{"alt":null,"id":32108788351226,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on2_52abc35d-3d71-45f3-a30a-1bad442806dc.jpg?v=1686631679"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on2_52abc35d-3d71-45f3-a30a-1bad442806dc.jpg?v=1686631679","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にMotion Wardや Lillerne Tapesなどから発表しているロシアのアンビエント作家perilaが、2023年5月にフランスの実験レーベルShelter Pressから300本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eエレクトロアコースティックアプローチの実験アンビエント8曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3670538075\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003eAmassing a dozen or so releases over the last 4 years for Sferic, Smalltown Supersound, The Trilogy Tapes, Motion Ward, Paralaxe Editions and our own Documenting Sound, Perila’s prolific output has been fuelled by a restless development of ideas and techniques that now finally brings her to the esteemed Shelter Press label, for which she assembles an engrossing suite of quietly experimental wonders.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecorded during a residency at ‘Maison Salvan’ in a little town outside Toulouse, ‘On The Corner Of The Day’ vividly conjures that elusive feeling of getting away from the daily routine, of life in suspension. Moving further away from explicitly electronic dimensions, the opening winds a gong soundbath around Perila’s vocal narration, applied at a distance, designed to soothe. Through eight parts, she proceeds to bloom from metallic sound poems to laminal concrète with a quiet and deliciously heatsick logic that turns the slow-baked atmosphere of her environment into iridescent postcard snapshots that appear to shimmer and sway like dappled shadows.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt’s her most amorphous and precise yet freely sketched work to date, suspending disbelief thru a skin-touch sensitivity and near-olfactory level of synaesthesia. The frothed choral baubles of ‘Dropping Closely at First Light’, and sublime traces of early ‘80s new age private pressings in ‘Elastic Stitches Gracefully in Making’, only make the voluminous mixing of ‘Window Frame Lisergic’ trippier in relief. ‘Scivia’ follows with a strange presence that pairs sinuous bass muscularity with barely there, OOBE-like impressionism, and ‘Decision to Out and Onwards’ feels as though we’re carried thru the window by the breeze to the aerial shoegaze shimmers of ‘Estimated to Savage’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe whole thing runs like a dream, one with inexplicable healing properties.\"\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : perila\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e"}
You may also like:
過去にMotion Wardや Lillerne Tapesなどから発表しているロシアのアンビエント作家perilaが、2023年5月にフランスの実験レーベルShelter Pressから300本限定でリリースしたカセットです。 エレクトロアコースティックアプローチの実験アンビエント8曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
Sold Out
クイックビュー
{"id":7961535938810,"title":"Eve Aboulkheir \/ Lasse Marhaug \/\/ 22\/12\/2017 Guilin Synthetic Daydream \/ How to Avoid Ants LP","handle":"eve-aboulkheir-lasse-marhaug-22-12-2017-guilin-synthetic-daydream-how-to-avoid-ants-lp","description":"\u003cp\u003eフランスのEve AboulkheirとノルウェーのLasse Marhaug実験音楽家2名\u003cspan data-mce-fragment=\"1\"\u003eが、2023年4月にフランスの実験レーベル\u003cmeta charset=\"utf-8\"\u003ePortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコラージュ・ドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2684438415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3084867396\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2684438415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eFirst pressing of 500 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e22\/12\/2017 GUILIN SYNTHETIC DAYDREAM\u003cbr\u003eMastered by Giuseppe Ielasi\u003cbr\u003eCut by Andreas Kauffelt at Schnittstelle, Berlin\u003cbr\u003eDesign by Stephen O’Malley\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eFrancois J. Bonnet, Paris, March 2023\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e22\/12\/2017 GUILIN SYNTHETIC DAYDREAM\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e22\/12\/2017 Guilin Synthetic Daydream is a perceptual trap. Inspired by an experience of intense perceptive disorientation while crossing a market in China, Eve Aboulkheir reinstantiates, in the field of sounds, the swirling and anamorphic universe of thwarted perceptions, surrounding multitudes and shifted sensations. She thus constructs a dreamlike and artificial universe, suspended and hyperactive, which is both an electronic vortex sucking us in and a mechanical ballet developing its arabesques around us, caught and fascinated by these volutes of sound that fracture like a kaleidoscope in which our eyes-ears are immersed. 22\/12\/2017 Guilin Synthetic Daydream approaches the musical form in the most direct way possible, i.e. through its effects and its empire on our sensorium.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e22\/12\/2017 Guilin Synthetic Daydream est un piège à perception.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eHOW TO AVOID ANTS\u003cbr data-mce-fragment=\"1\"\u003eUsing concrète techniques to collect, transform and assemble sounds of various origins (sounds of tree branches, leaves, but also guitars or synthesizers), Lasse Marhaug elaborates a dense and subterranean work, which unfolds through the multiple dimensions induced by the great diversity of its sound material. There is a labyrinthine feeling in this work, a feeling that is better understood when the inspiration for the title of the piece How to avoid ants is revealed, a very practical and then poetic undertaking, that of avoiding the anthills lining the path to the forest camp in the kindergarten to which his little girl, who was then frightened of insects, was going. It is such an activity of circumvention, diversion and byways that Lasse Marhaug uses to create an exploratory and evasive music.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eve Aboulkheir \/ Lasse Marhaug\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM\u003c\/p\u003e","published_at":"2023-04-20T15:25:11+09:00","created_at":"2023-04-20T15:25:12+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","shelter press"],"price":338000,"price_min":338000,"price_max":338000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44181358706938,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Eve Aboulkheir \/ Lasse Marhaug \/\/ 22\/12\/2017 Guilin Synthetic Daydream \/ How to Avoid Ants LP","public_title":null,"options":["Default Title"],"price":338000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a1630542147_16.jpg?v=1681972245"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1630542147_16.jpg?v=1681972245","options":["Title"],"media":[{"alt":null,"id":31856350593274,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1630542147_16.jpg?v=1681972245"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1630542147_16.jpg?v=1681972245","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのEve AboulkheirとノルウェーのLasse Marhaug実験音楽家2名\u003cspan data-mce-fragment=\"1\"\u003eが、2023年4月にフランスの実験レーベル\u003cmeta charset=\"utf-8\"\u003ePortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコラージュ・ドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2684438415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3084867396\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2684438415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eFirst pressing of 500 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e22\/12\/2017 GUILIN SYNTHETIC DAYDREAM\u003cbr\u003eMastered by Giuseppe Ielasi\u003cbr\u003eCut by Andreas Kauffelt at Schnittstelle, Berlin\u003cbr\u003eDesign by Stephen O’Malley\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eFrancois J. Bonnet, Paris, March 2023\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e22\/12\/2017 GUILIN SYNTHETIC DAYDREAM\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e22\/12\/2017 Guilin Synthetic Daydream is a perceptual trap. Inspired by an experience of intense perceptive disorientation while crossing a market in China, Eve Aboulkheir reinstantiates, in the field of sounds, the swirling and anamorphic universe of thwarted perceptions, surrounding multitudes and shifted sensations. She thus constructs a dreamlike and artificial universe, suspended and hyperactive, which is both an electronic vortex sucking us in and a mechanical ballet developing its arabesques around us, caught and fascinated by these volutes of sound that fracture like a kaleidoscope in which our eyes-ears are immersed. 22\/12\/2017 Guilin Synthetic Daydream approaches the musical form in the most direct way possible, i.e. through its effects and its empire on our sensorium.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e22\/12\/2017 Guilin Synthetic Daydream est un piège à perception.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eHOW TO AVOID ANTS\u003cbr data-mce-fragment=\"1\"\u003eUsing concrète techniques to collect, transform and assemble sounds of various origins (sounds of tree branches, leaves, but also guitars or synthesizers), Lasse Marhaug elaborates a dense and subterranean work, which unfolds through the multiple dimensions induced by the great diversity of its sound material. There is a labyrinthine feeling in this work, a feeling that is better understood when the inspiration for the title of the piece How to avoid ants is revealed, a very practical and then poetic undertaking, that of avoiding the anthills lining the path to the forest camp in the kindergarten to which his little girl, who was then frightened of insects, was going. It is such an activity of circumvention, diversion and byways that Lasse Marhaug uses to create an exploratory and evasive music.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eve Aboulkheir \/ Lasse Marhaug\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM\u003c\/p\u003e"}
You may also like:
フランスのEve AboulkheirとノルウェーのLasse Marhaug実験音楽家2名が、2023年4月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。 コラージュ・ドローン2曲を収録。 マスタリングはGiuseppe Ielashiが担当しています。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection...
Sold Out
クイックビュー
{"id":7961535348986,"title":"Dafne Vicente-Sandoval \/ Lars Petter Hagen \/\/ Minos Circuit \/ Transfiguration 4 LP","handle":"dafne-vicente-sandoval-lars-petter-hagen-minos-circuit-transfiguration-4-lp","description":"\u003cp\u003eフランスのファゴット奏者Dafne Vicente-Sandovalと、ノルウェーの作曲家／\u003cspan data-mce-fragment=\"1\"\u003eオスロフィルハーモニー管弦楽団顧問\u003cmeta charset=\"utf-8\"\u003eLars Petter Hagenが、2023年4月にフランスの実験レーベル\u003cmeta charset=\"utf-8\"\u003ePortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA面はフィードバックによるミニマル・ドローン〜B面は弦楽器によるネオクラシカル・ドローン\u003cspan data-mce-fragment=\"1\"\u003e2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1706851675\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eFirst pressing of 500 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMusic performed and created by Dafne Vicente-Sandoval (feedback, voice)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded in Jan. 2021 at GRM studios by Emmanuel Richier\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed by Giuseppe Ielasi and Dafne Vicente-Sandoval\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMastered by Giuseppe Ielasi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCut by Andreas Kauffelt at Schnittstelle, Berlin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesign by Stephen O’Malley\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eFrancois J. Bonnet, Paris, March 2023\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eMINOS CIRCUIT\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMinos Circuit is the resonance of a double exploration, that of an instrument, the bassoon - an instrument dear to Dafne Vicente-Sandoval - and that of a listening, of a gaze, almost. The first exploration deconstructs the instrument, tearing it apart, reducing it to an archipelago of sound bodies stimulated by an electro-acoustic device that generates feedback and infiltrates each part of the bassoon, in order to carry out a methodical, systematic examination. The second exploration is the inner one of attention and listening, the one that measures, at each moment, the necessity or not of an intervention in the very act of the musical work, of this subtle balance that is established between composition and observation, between action and contemplation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eTRANSFIGURATION 4\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBoth a “meditation on musical ruins” and “a study of the material of Richard Strauss’s Metamorfosen”, Transfiguration 4 works on the musical fragment as an expressive and poetic possibility that can be deployed below or beyond simple musical syntax, a syntax that is still too often equated with music itself. What Lars Petter Hagen highlights in this remarkable work is that the power of music lies at its fringes, that is, at the edge of its own disappearance. Transfiguration 4 floats in a particularly moving way in these troubled lands, where nothing is ever resolved, and where everything, however, is suspended, like a stream of blurred memories that memory would summon to form an intuition. A musical intuition.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dafne Vicente-Sandoval \/ Lars Petter Hagen\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM\u003c\/p\u003e","published_at":"2023-04-20T15:12:19+09:00","created_at":"2023-04-20T15:12:19+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","lp","neo classical","shelter press"],"price":338000,"price_min":338000,"price_max":338000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44181356347642,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Dafne Vicente-Sandoval \/ Lars Petter Hagen \/\/ Minos Circuit \/ Transfiguration 4 LP","public_title":null,"options":["Default Title"],"price":338000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a3994600153_16.jpg?v=1681971278"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3994600153_16.jpg?v=1681971278","options":["Title"],"media":[{"alt":null,"id":31856292036858,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3994600153_16.jpg?v=1681971278"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3994600153_16.jpg?v=1681971278","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのファゴット奏者Dafne Vicente-Sandovalと、ノルウェーの作曲家／\u003cspan data-mce-fragment=\"1\"\u003eオスロフィルハーモニー管弦楽団顧問\u003cmeta charset=\"utf-8\"\u003eLars Petter Hagenが、2023年4月にフランスの実験レーベル\u003cmeta charset=\"utf-8\"\u003ePortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA面はフィードバックによるミニマル・ドローン〜B面は弦楽器によるネオクラシカル・ドローン\u003cspan data-mce-fragment=\"1\"\u003e2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1706851675\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eFirst pressing of 500 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMusic performed and created by Dafne Vicente-Sandoval (feedback, voice)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded in Jan. 2021 at GRM studios by Emmanuel Richier\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed by Giuseppe Ielasi and Dafne Vicente-Sandoval\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMastered by Giuseppe Ielasi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCut by Andreas Kauffelt at Schnittstelle, Berlin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesign by Stephen O’Malley\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eFrancois J. Bonnet, Paris, March 2023\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eMINOS CIRCUIT\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMinos Circuit is the resonance of a double exploration, that of an instrument, the bassoon - an instrument dear to Dafne Vicente-Sandoval - and that of a listening, of a gaze, almost. The first exploration deconstructs the instrument, tearing it apart, reducing it to an archipelago of sound bodies stimulated by an electro-acoustic device that generates feedback and infiltrates each part of the bassoon, in order to carry out a methodical, systematic examination. The second exploration is the inner one of attention and listening, the one that measures, at each moment, the necessity or not of an intervention in the very act of the musical work, of this subtle balance that is established between composition and observation, between action and contemplation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eTRANSFIGURATION 4\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBoth a “meditation on musical ruins” and “a study of the material of Richard Strauss’s Metamorfosen”, Transfiguration 4 works on the musical fragment as an expressive and poetic possibility that can be deployed below or beyond simple musical syntax, a syntax that is still too often equated with music itself. What Lars Petter Hagen highlights in this remarkable work is that the power of music lies at its fringes, that is, at the edge of its own disappearance. Transfiguration 4 floats in a particularly moving way in these troubled lands, where nothing is ever resolved, and where everything, however, is suspended, like a stream of blurred memories that memory would summon to form an intuition. A musical intuition.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dafne Vicente-Sandoval \/ Lars Petter Hagen\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM\u003c\/p\u003e"}
You may also like:
フランスのファゴット奏者Dafne Vicente-Sandovalと、ノルウェーの作曲家／オスロフィルハーモニー管弦楽団顧問Lars Petter Hagenが、2023年4月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。 A面はフィードバックによるミニマル・ドローン〜B面は弦楽器によるネオクラシカル・ドローン2曲を収録。 マスタリングはGiuseppe Ielashiが担当しています。 レーベルその他作品はこちら /// Click here to see more Shelter Press...
Sold Out
クイックビュー
{"id":7915799019770,"title":"Lionel Marchetti \/\/ La grande vallée \/ Micro-climat LP","handle":"lionel-marchetti-la-grande-vallee-micro-climat-lp","description":"\u003cp\u003eフランス・マルセイユの実験音楽家Lionel Marchettiが1989-1990年に制作した作品の再発レコードです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングを加工したディープリスニング系物音コラージュ・ドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1794709396\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eInclude DL codes.\u003c\/p\u003e\n\u003cp\u003eTrack info text via the label :\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eLA GRANDE VALLÉE (1993\/95), 20’41\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusical composition, design and sound production carried out at the INA grm Studios (Paris) in 1993\/95\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOriginal audio recordings in the Drôme and the Mont\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e Ventoux areas\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVoice: Hélène Bettencourt\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eVocal occurrences: Frédéric Malenfer, Bruno Roche, Lionel Marchetti\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBass clarinet (for processing): Jean Andréo\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCommissioned by INA grm and produced in its studios\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePremiered during the Cycle Acousmatique\/Maison de Radio France, INA grm (Paris) — 1996\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e-\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMICRO-CLIMAT (1989\/90), 21’33\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMicro-climat is the first movement of the Sirrus cycle (Micro-climat, Passerelle, Sirrus) composed in 1989\/90.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusical composition, sound design and production, audio recordings in 1989\/90 at the CFMI studios in Lyon (Lumière University, Lyon 2)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePremiered at Cycle Acousmatique\/Maison de Radio France, INA grm (Paris) — 1991\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Lionel Marchetti, 2011:\u003cbr\u003e\u003cbr\u003e“\u003cem\u003eI wonder if my fascination for clouds (without being an obsession) may have risen at the end of the 80s as, whilst composing Micro-climat, I would regularly wander between the Vercors mountains and the high plateaus of the Monts du Forez discovering, through my eyes, body, breath, active observation and walk, that natural forms when constantly changing and yet swollen with a unity of matter (in this instance, water) open one up to a deep, fundamental breath and a clear field for the mind.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe sky and its forces: our ally.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eA model for a natural music which, although fixed, as in musique concrète (a rule of the genre), moreover on a recording tape, will remain charged with such a poetic quality that (isn't it its role or rather its reality?) it will ensure a perpetual renewal for our senses, so as to reach another idea of the world, far more open and richer than what we could have imagined.”\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e++\u003cbr\u003e\u003cbr\u003eReview by \u003cmeta charset=\"utf-8\"\u003eFrançois Bonnet, Paris, 2020:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eLionel Marchetti is a major figure of the “third generation” of concrète musicians, a term he values. Listening to these works, imbued with poetry and traversed by micro-narratives, one can indeed retrieve the original concrète spirit, the one that draws from the sonic world, with ears wide open, so as to extract a fertile, rich and multiple substance then shaped and conveyed towards a formal and musical abstraction. Lionel Marchetti has mastered this process, but his real distinctive feature is a truly unique talent for setting climates (as one sets traps) and keeping us on constant alert. The two pieces in this record perfectly illustrate the entrancing dimension of Lionel Marchetti's music, whose charm leads us, through each successive listening, to become voluntary captives so as to better liberate ourselves.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lionel Marchetti\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e","published_at":"2023-02-12T17:36:34+09:00","created_at":"2023-02-11T14:33:22+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","shelter press"],"price":375000,"price_min":375000,"price_max":375000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43979983978746,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lionel Marchetti \/\/ La grande vallée \/ Micro-climat LP","public_title":null,"options":["Default Title"],"price":375000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_09a9a0b1-9a15-4a64-8642-b2730dde3109.jpg?v=1676093605","\/\/tobirarecords.com\/cdn\/shop\/products\/mi2_ec016088-914e-4e1c-9893-8986e6180cf7.jpg?v=1676093604"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_09a9a0b1-9a15-4a64-8642-b2730dde3109.jpg?v=1676093605","options":["Title"],"media":[{"alt":null,"id":31510509027578,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_09a9a0b1-9a15-4a64-8642-b2730dde3109.jpg?v=1676093605"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_09a9a0b1-9a15-4a64-8642-b2730dde3109.jpg?v=1676093605","width":700},{"alt":null,"id":31510509060346,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi2_ec016088-914e-4e1c-9893-8986e6180cf7.jpg?v=1676093604"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi2_ec016088-914e-4e1c-9893-8986e6180cf7.jpg?v=1676093604","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランス・マルセイユの実験音楽家Lionel Marchettiが1989-1990年に制作した作品の再発レコードです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングを加工したディープリスニング系物音コラージュ・ドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1794709396\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eInclude DL codes.\u003c\/p\u003e\n\u003cp\u003eTrack info text via the label :\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eLA GRANDE VALLÉE (1993\/95), 20’41\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusical composition, design and sound production carried out at the INA grm Studios (Paris) in 1993\/95\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOriginal audio recordings in the Drôme and the Mont\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e Ventoux areas\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVoice: Hélène Bettencourt\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eVocal occurrences: Frédéric Malenfer, Bruno Roche, Lionel Marchetti\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBass clarinet (for processing): Jean Andréo\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCommissioned by INA grm and produced in its studios\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePremiered during the Cycle Acousmatique\/Maison de Radio France, INA grm (Paris) — 1996\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e-\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMICRO-CLIMAT (1989\/90), 21’33\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMicro-climat is the first movement of the Sirrus cycle (Micro-climat, Passerelle, Sirrus) composed in 1989\/90.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusical composition, sound design and production, audio recordings in 1989\/90 at the CFMI studios in Lyon (Lumière University, Lyon 2)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePremiered at Cycle Acousmatique\/Maison de Radio France, INA grm (Paris) — 1991\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Lionel Marchetti, 2011:\u003cbr\u003e\u003cbr\u003e“\u003cem\u003eI wonder if my fascination for clouds (without being an obsession) may have risen at the end of the 80s as, whilst composing Micro-climat, I would regularly wander between the Vercors mountains and the high plateaus of the Monts du Forez discovering, through my eyes, body, breath, active observation and walk, that natural forms when constantly changing and yet swollen with a unity of matter (in this instance, water) open one up to a deep, fundamental breath and a clear field for the mind.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe sky and its forces: our ally.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eA model for a natural music which, although fixed, as in musique concrète (a rule of the genre), moreover on a recording tape, will remain charged with such a poetic quality that (isn't it its role or rather its reality?) it will ensure a perpetual renewal for our senses, so as to reach another idea of the world, far more open and richer than what we could have imagined.”\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e++\u003cbr\u003e\u003cbr\u003eReview by \u003cmeta charset=\"utf-8\"\u003eFrançois Bonnet, Paris, 2020:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eLionel Marchetti is a major figure of the “third generation” of concrète musicians, a term he values. Listening to these works, imbued with poetry and traversed by micro-narratives, one can indeed retrieve the original concrète spirit, the one that draws from the sonic world, with ears wide open, so as to extract a fertile, rich and multiple substance then shaped and conveyed towards a formal and musical abstraction. Lionel Marchetti has mastered this process, but his real distinctive feature is a truly unique talent for setting climates (as one sets traps) and keeping us on constant alert. The two pieces in this record perfectly illustrate the entrancing dimension of Lionel Marchetti's music, whose charm leads us, through each successive listening, to become voluntary captives so as to better liberate ourselves.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lionel Marchetti\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e"}
You may also like:
フランス・マルセイユの実験音楽家Lionel Marchettiが1989-1990年に制作した作品の再発レコードです。 フィールドレコーディングを加工したディープリスニング系物音コラージュ・ドローン2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases available...
Sold Out
クイックビュー
{"id":7915798561018,"title":"Luc Ferrari \/\/ Music Promenade \/ Unheimlich Schön LP","handle":"luc-ferrari-music-promenade-unheimlich-schon-lp","description":"\u003cp\u003e大御所実験音楽家Luc Ferrariの再発レコードです。\u003c\/p\u003e\n\u003cp\u003e1964-1970年に録音した2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2754909540\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eTrack information \/ text by the artist:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Music Promenade (1964–1969), 20’29\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eElectroacoustic Music\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWorld premiere for the Théâtre de la musique, March 16, 1970\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e« Hétéro-Concert »\u2028»\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePermanent version for four stand-alone tape recorders. A series of colliding realistic sounds and sonic images. Whilst walking, a man is struck by the violence of his surroundings.\u2028 Nature has disappeared in a whirlwind of warfare and industry in the midst of which he encounters a dying folklore and a lost young girl.\u2028\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe \"Installation\" version is used to sonify a place in which walkers are free to choose their musical itinerary.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUnheimlich Schön (1971), 15’40\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusique concrète made in 1971 in the studios of the Südwestfunk in Baden-Baden.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eVoice: Ilse Mengel.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“How does a young woman breathe when thinking about something else ?”\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTo be listened to at a low volume.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Luc Ferrari\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e","published_at":"2023-02-13T08:10:32+09:00","created_at":"2023-02-11T14:26:18+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","shelter press"],"price":348000,"price_min":348000,"price_max":348000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43979979620602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Luc Ferrari \/\/ Music Promenade \/ Unheimlich Schön LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/lu1_025ac4f1-ff21-462c-a28d-85ca93fa36f0.jpg?v=1676093180","\/\/tobirarecords.com\/cdn\/shop\/products\/lu2_11145a88-3698-476e-8188-ed16be9ae01b.jpg?v=1676093180"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu1_025ac4f1-ff21-462c-a28d-85ca93fa36f0.jpg?v=1676093180","options":["Title"],"media":[{"alt":null,"id":31510493757690,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu1_025ac4f1-ff21-462c-a28d-85ca93fa36f0.jpg?v=1676093180"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu1_025ac4f1-ff21-462c-a28d-85ca93fa36f0.jpg?v=1676093180","width":700},{"alt":null,"id":31510493790458,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu2_11145a88-3698-476e-8188-ed16be9ae01b.jpg?v=1676093180"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu2_11145a88-3698-476e-8188-ed16be9ae01b.jpg?v=1676093180","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e大御所実験音楽家Luc Ferrariの再発レコードです。\u003c\/p\u003e\n\u003cp\u003e1964-1970年に録音した2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2754909540\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eTrack information \/ text by the artist:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Music Promenade (1964–1969), 20’29\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eElectroacoustic Music\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWorld premiere for the Théâtre de la musique, March 16, 1970\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e« Hétéro-Concert »\u2028»\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePermanent version for four stand-alone tape recorders. A series of colliding realistic sounds and sonic images. Whilst walking, a man is struck by the violence of his surroundings.\u2028 Nature has disappeared in a whirlwind of warfare and industry in the midst of which he encounters a dying folklore and a lost young girl.\u2028\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe \"Installation\" version is used to sonify a place in which walkers are free to choose their musical itinerary.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUnheimlich Schön (1971), 15’40\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusique concrète made in 1971 in the studios of the Südwestfunk in Baden-Baden.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eVoice: Ilse Mengel.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“How does a young woman breathe when thinking about something else ?”\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTo be listened to at a low volume.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Luc Ferrari\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e"}
You may also like:
大御所実験音楽家Luc Ferrariの再発レコードです。 1964-1970年に録音した2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases available...
Sold Out
クイックビュー
{"id":7915798397178,"title":"Régis Renouard Larivière \/\/ Contrée LP","handle":"regis-renouard-lariviere-contree-lp","description":"\u003cp\u003eフランスの実験音楽家Régis Renouard Larivièreが、2019年に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003eからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eエレクトロアコースティック3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4007979921\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRecollection GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAllégeance volatile and Esquive each tackle the same issue in their own way. Overcoming time: whether it be successive, additional, enumerative, or repetitive. However, there is nothing here about the ensuing nature of so-called \"repetitive\" music. These are types of high-end music. And it is more about insistence, the obstinacy of an individual who keeps knocking on a door that will never open.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAllégeance's rustic drumming, talkative, acidulous, colourful and overarticulated, with almost clownish desinences, eventually dies out in this very respite. The iterative and puffy shimmering of Esquive with its dull, thin and precise sounds, shifts and is engulfed into another sonic world — which appears as a gaping and collapsed response to this prime insistency.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is, indeed, a ‘volatile allegiance’ and ‘avoidance’ from the sonic to the musical elements: the musical phenomenon anticipated and pursued as the non-sound of sound — or, in other words, the void of sound. This seems to be the lesson of the concrete attitude in music. Such is the kind of questioning that stirs the composer.\u2028\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHe returns with another title: Contrée, which, once again, speaks of a counter-event. Here, the movement is broader, more\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e generous, more confident. Time spreads and stretches out. What seems to be a landscape of entanglements, trajectories, influx, masses and points emerges. “Something” rises and presents itself out of the sounds - these escaping beings, these \"relatively short combustion flames \" (Schaeffer).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe piece consists of five consecutive and uninterrupted parts: Entrée and Stance I — Véhémence de l’air and Stance II — Grande Allure. It is the central section of an electroacoustic triptych with Sables (2011) as the first and Nil (2017) as the last.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eContrée is dedicated to Philippe Mion, whose friendly ears have been entrusted with my music for so many years.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Régis Renouard Larivière\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e","published_at":"2023-02-13T08:20:50+09:00","created_at":"2023-02-11T14:23:44+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","shelter press"],"price":358000,"price_min":358000,"price_max":358000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43979977130234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Régis Renouard Larivière \/\/ Contrée LP","public_title":null,"options":["Default Title"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/con1_6ad706d7-9995-4bcb-b12d-2bf8d6c4e967.jpg?v=1676093026","\/\/tobirarecords.com\/cdn\/shop\/products\/con2_71f9fe3e-a7b9-4a12-aff4-df8dca378970.jpg?v=1676093026"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/con1_6ad706d7-9995-4bcb-b12d-2bf8d6c4e967.jpg?v=1676093026","options":["Title"],"media":[{"alt":null,"id":31510488449274,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/con1_6ad706d7-9995-4bcb-b12d-2bf8d6c4e967.jpg?v=1676093026"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/con1_6ad706d7-9995-4bcb-b12d-2bf8d6c4e967.jpg?v=1676093026","width":700},{"alt":null,"id":31510488482042,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/con2_71f9fe3e-a7b9-4a12-aff4-df8dca378970.jpg?v=1676093026"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/con2_71f9fe3e-a7b9-4a12-aff4-df8dca378970.jpg?v=1676093026","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの実験音楽家Régis Renouard Larivièreが、2019年に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003eからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eエレクトロアコースティック3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4007979921\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRecollection GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAllégeance volatile and Esquive each tackle the same issue in their own way. Overcoming time: whether it be successive, additional, enumerative, or repetitive. However, there is nothing here about the ensuing nature of so-called \"repetitive\" music. These are types of high-end music. And it is more about insistence, the obstinacy of an individual who keeps knocking on a door that will never open.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAllégeance's rustic drumming, talkative, acidulous, colourful and overarticulated, with almost clownish desinences, eventually dies out in this very respite. The iterative and puffy shimmering of Esquive with its dull, thin and precise sounds, shifts and is engulfed into another sonic world — which appears as a gaping and collapsed response to this prime insistency.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is, indeed, a ‘volatile allegiance’ and ‘avoidance’ from the sonic to the musical elements: the musical phenomenon anticipated and pursued as the non-sound of sound — or, in other words, the void of sound. This seems to be the lesson of the concrete attitude in music. Such is the kind of questioning that stirs the composer.\u2028\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHe returns with another title: Contrée, which, once again, speaks of a counter-event. Here, the movement is broader, more\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e generous, more confident. Time spreads and stretches out. What seems to be a landscape of entanglements, trajectories, influx, masses and points emerges. “Something” rises and presents itself out of the sounds - these escaping beings, these \"relatively short combustion flames \" (Schaeffer).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe piece consists of five consecutive and uninterrupted parts: Entrée and Stance I — Véhémence de l’air and Stance II — Grande Allure. It is the central section of an electroacoustic triptych with Sables (2011) as the first and Nil (2017) as the last.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eContrée is dedicated to Philippe Mion, whose friendly ears have been entrusted with my music for so many years.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Régis Renouard Larivière\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e"}
You may also like:
フランスの実験音楽家Régis Renouard Larivièreが、2019年にRecollection GRMからリリースしたレコードです。 エレクトロアコースティック3曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
Sold Out
クイックビュー
{"id":7915798298874,"title":"Christian Zanési \/\/ Grand Bruit \/ Stop! l'horizon LP","handle":"christian-zanesi-grand-bruit-stop-lhorizon-lp","description":"\u003cp\u003eフランスの実験音楽家Christian Zanésiの再発レコードです。\u003c\/p\u003e\n\u003cp\u003e1983年と1991年に録音した2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2092299351\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eTrack information \/ text by the artist:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Grand Bruit (1991), \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe great mobile sound bodies have an ordinary yet amazing ability to place the listener-traveller within, as if he or she was inside a giant double bass, in this case a train stroked by a double bow: the rails and the air.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn 1991, I explored this phenomenon during my daily commute from the studio to my home. I used only a 21 minutes recording and treated it as a single sound object. I then processed and enhanced it as a photographer would have done, immersing it in successive 'baths'. The title I chose for this singular form was Grand Bruit.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStop ! l’horizon (1983), \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSaturday morning, nine o’clock as I reach the studio.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eNo one here.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI only turn on the spotlights as the fluorescent tubes are too noisy. I switch the power on, shut the door, unplug the telephone. I then switch the mixing desk on, which sends an electronic impulse into the amps. The four speakers react individually with a very brief and low hiss. A kind of presence.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI haven't listened to anything since the evening before and\u003cspan class=\"bcTruncateMore\"\u003e my ear is refreshed by a night’s sleep.\u003cbr\u003eI feed the original mix into the master recorder and sit down in the centre.\u003cbr\u003eRemote control: PLAY\u003cbr\u003eWith the first sound I close my eyes. The studio instantly vanishes. Another place, a much larger space opens up.\u003cbr\u003eI enter it.\u003cbr\u003eI have the very distinct feeling that music is merely a “great noise”, chiselled inside with a thousand details. It opens up like a living organism to let my hearing wander across it. A magnetic relation quickly occur and all the sounds that constitute this great noise draw me towards the East.\u003cbr\u003eI accept this direction.\u003cbr\u003eLater, much later, I\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christian Zanési\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e","published_at":"2023-02-13T08:23:08+09:00","created_at":"2023-02-11T14:21:44+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","shelter press"],"price":358000,"price_min":358000,"price_max":358000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43979975360762,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Christian Zanési \/\/ Grand Bruit \/ Stop! l'horizon LP","public_title":null,"options":["Default Title"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_09ad3ce4-927f-4042-b85e-b31565888918.jpg?v=1676092907"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_09ad3ce4-927f-4042-b85e-b31565888918.jpg?v=1676092907","options":["Title"],"media":[{"alt":null,"id":31510483730682,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_09ad3ce4-927f-4042-b85e-b31565888918.jpg?v=1676092907"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_09ad3ce4-927f-4042-b85e-b31565888918.jpg?v=1676092907","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの実験音楽家Christian Zanésiの再発レコードです。\u003c\/p\u003e\n\u003cp\u003e1983年と1991年に録音した2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2092299351\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eTrack information \/ text by the artist:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Grand Bruit (1991), \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe great mobile sound bodies have an ordinary yet amazing ability to place the listener-traveller within, as if he or she was inside a giant double bass, in this case a train stroked by a double bow: the rails and the air.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn 1991, I explored this phenomenon during my daily commute from the studio to my home. I used only a 21 minutes recording and treated it as a single sound object. I then processed and enhanced it as a photographer would have done, immersing it in successive 'baths'. The title I chose for this singular form was Grand Bruit.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStop ! l’horizon (1983), \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSaturday morning, nine o’clock as I reach the studio.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eNo one here.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI only turn on the spotlights as the fluorescent tubes are too noisy. I switch the power on, shut the door, unplug the telephone. I then switch the mixing desk on, which sends an electronic impulse into the amps. The four speakers react individually with a very brief and low hiss. A kind of presence.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI haven't listened to anything since the evening before and\u003cspan class=\"bcTruncateMore\"\u003e my ear is refreshed by a night’s sleep.\u003cbr\u003eI feed the original mix into the master recorder and sit down in the centre.\u003cbr\u003eRemote control: PLAY\u003cbr\u003eWith the first sound I close my eyes. The studio instantly vanishes. Another place, a much larger space opens up.\u003cbr\u003eI enter it.\u003cbr\u003eI have the very distinct feeling that music is merely a “great noise”, chiselled inside with a thousand details. It opens up like a living organism to let my hearing wander across it. A magnetic relation quickly occur and all the sounds that constitute this great noise draw me towards the East.\u003cbr\u003eI accept this direction.\u003cbr\u003eLater, much later, I\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christian Zanési\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e"}
You may also like:
フランスの実験音楽家Christian Zanésiの再発レコードです。 1983年と1991年に録音した2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases available...
Sold Out
クイックビュー
{"id":7788209668346,"title":"Peter Rehberg \/\/ at GRM LP","handle":"peter-rehberg-at-grm-lp","description":"\u003cp\u003eオーストリアの実験レーベルEditions Mego主宰\u003cspan data-mce-fragment=\"1\"\u003ePeter Rehberg（\u003cmeta charset=\"utf-8\"\u003e2021年7月\u003cmeta charset=\"utf-8\"\u003e逝去）が、GRMスタジオで演奏したライブ録音盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコラージュ・ドローン2曲を収録。マスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=157222896\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eFirst pressing of 1000 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePortraits GRM:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShelter Press and Ina grm are pleased and moved to present two previously unreleased recordings of Peter Rehberg, two live performances given at the GRM which, each in their own way, vividly illustrate the extent of his sonic palette.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn 22 July 2021, Peter Rehberg passed away, leaving a great emptiness in his wake. Many initiatives have already celebrated or will soon celebrate his memory and the titanic work he put at the service of so many artists - a whole musical community, in fact - through Editions Mego. INA grm, Shelter Press and Stephen O’Malley, who are continuing some of the collaborative Editions Mego sub-labels (Recollection GRM, Portraits GRM and Ideologic Organ), wanted to pay tribute more specifically to the musician Peter Rehberg, and to his immense talent.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePeter Rehberg, as an artist, has collaborated with the GRM on numerous occasions, both with Stephen O’Malley (as KTL) and solo. This release features two concerts given for the GRM, each time as part of the Présences électronique festival. The first concert, given on 15 March 2009 at the Maison de la Radio in Paris, marked the first collaboration between Peter Rehberg and the GRM and the beginning of a long and fruitful friendship. The second concert took\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e place on 6 March 2016. Between these two concerts, 7 years have passed, 7 years in which the ties between Peter Rehberg and the GRM have been strengthened, 7 years in which Peter Rehberg’s music has flourished. What is striking in these two concerts is how Peter Rehberg’s unique musical sensitivity and ‘grammar’ can be heard beyond the instruments. For while the first concert is pure laptop music, the second is extended to the field of modular synthesis. However, in both concerts, the elements that are so personal to Peter Rehberg’s music are present and combine in a layering of sonic abrasions, raw sensations and a sensitivity that is as much about formal awareness as it is about the invocation of overwhelming emotions, even though a little hidden behind a radicality that is always a bit provocative. Peter Rehberg offers us a “portrait music”, a music that gives some clues about the personality of its author and whose absence continues to deepen an inconsolable sadness.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Peter Rehberg\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM\u003c\/p\u003e","published_at":"2022-10-03T18:37:39+09:00","created_at":"2022-10-02T13:08:37+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","shelter press"],"price":328000,"price_min":328000,"price_max":328000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43471333163258,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Peter Rehberg \/\/ at GRM LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/at1_0545e028-c212-4031-aa5e-7a789204698f.jpg?v=1664683718","\/\/tobirarecords.com\/cdn\/shop\/products\/at3_74bb1aaa-3d3b-421c-8b87-2602f98f1db4.jpg?v=1664683718"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/at1_0545e028-c212-4031-aa5e-7a789204698f.jpg?v=1664683718","options":["Title"],"media":[{"alt":null,"id":30621854564602,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/at1_0545e028-c212-4031-aa5e-7a789204698f.jpg?v=1664683718"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/at1_0545e028-c212-4031-aa5e-7a789204698f.jpg?v=1664683718","width":700},{"alt":null,"id":30621854597370,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/at3_74bb1aaa-3d3b-421c-8b87-2602f98f1db4.jpg?v=1664683718"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/at3_74bb1aaa-3d3b-421c-8b87-2602f98f1db4.jpg?v=1664683718","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストリアの実験レーベルEditions Mego主宰\u003cspan data-mce-fragment=\"1\"\u003ePeter Rehberg（\u003cmeta charset=\"utf-8\"\u003e2021年7月\u003cmeta charset=\"utf-8\"\u003e逝去）が、GRMスタジオで演奏したライブ録音盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコラージュ・ドローン2曲を収録。マスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=157222896\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eFirst pressing of 1000 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePortraits GRM:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShelter Press and Ina grm are pleased and moved to present two previously unreleased recordings of Peter Rehberg, two live performances given at the GRM which, each in their own way, vividly illustrate the extent of his sonic palette.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn 22 July 2021, Peter Rehberg passed away, leaving a great emptiness in his wake. Many initiatives have already celebrated or will soon celebrate his memory and the titanic work he put at the service of so many artists - a whole musical community, in fact - through Editions Mego. INA grm, Shelter Press and Stephen O’Malley, who are continuing some of the collaborative Editions Mego sub-labels (Recollection GRM, Portraits GRM and Ideologic Organ), wanted to pay tribute more specifically to the musician Peter Rehberg, and to his immense talent.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePeter Rehberg, as an artist, has collaborated with the GRM on numerous occasions, both with Stephen O’Malley (as KTL) and solo. This release features two concerts given for the GRM, each time as part of the Présences électronique festival. The first concert, given on 15 March 2009 at the Maison de la Radio in Paris, marked the first collaboration between Peter Rehberg and the GRM and the beginning of a long and fruitful friendship. The second concert took\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e place on 6 March 2016. Between these two concerts, 7 years have passed, 7 years in which the ties between Peter Rehberg and the GRM have been strengthened, 7 years in which Peter Rehberg’s music has flourished. What is striking in these two concerts is how Peter Rehberg’s unique musical sensitivity and ‘grammar’ can be heard beyond the instruments. For while the first concert is pure laptop music, the second is extended to the field of modular synthesis. However, in both concerts, the elements that are so personal to Peter Rehberg’s music are present and combine in a layering of sonic abrasions, raw sensations and a sensitivity that is as much about formal awareness as it is about the invocation of overwhelming emotions, even though a little hidden behind a radicality that is always a bit provocative. Peter Rehberg offers us a “portrait music”, a music that gives some clues about the personality of its author and whose absence continues to deepen an inconsolable sadness.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Peter Rehberg\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM\u003c\/p\u003e"}
You may also like:
オーストリアの実験レーベルEditions Mego主宰Peter Rehberg（2021年7月逝去）が、GRMスタジオで演奏したライブ録音盤です。 コラージュ・ドローン2曲を収録。マスタリングはGiuseppe Ielashiが担当しています。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
Sold Out
クイックビュー
{"id":7677202661626,"title":"Kali Malone \/\/ Living Torch LP","handle":"kali-malone-living-torch-lp","description":"\u003cp\u003eスウェーデン・ストックホルムのアンビエント作家Kali Maloneが、2023年3月にフランス・パリの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePortraits GRMからリリースする\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e再発レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e前作にメインソースとして使用したパイプオルガンは封印し、トロンボーンやバスクラリネットなどの伝統的な楽器やARP 2500シンセサイザーなどを使用して制作したロングフォームのドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3191162786\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003ePortraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLiving Torch, through its unique structural form and harmonic material, is a bold continuation of Kali Malone’s demanding and exciting body of work, while opening new perspectives and increasing the emotional potential of the music tenfold. As such, Living Torch is a major new piece by the composer and adds a significant milestone to an already fascinating repertoire.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDeparting from the pipe organ that Malone’s music is most notable for, Living Torch features a complex electroacoustic ensemble. Leafing through recordings from conventional instruments like the trombone and bass clarinet to more experimental machines like the boîte à bourdon, passing through sinewave generators and Éliane Radigue’s ARP 2500 synthesizer. Living Torch weaves its own history, its own genealogy, and that of its author. It extends her robust structural approach to a liberated palette of timbre.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLiving Torch was initially commissioned by GRM for its legendary loudspeaker orchestra, the Acousmonium, and premiered in its complete multichannel form at the Grand Auditorium of Radio France in a concert entirely dedicated to the artist.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eComposed at GRM studios in Paris between 2020-2021, Living Torch is a work of great intensity, an oeuvre-monde that is\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e singularly placed at the crossroads of instrumental writing and electroacoustic composition. Living Torch proceeds from multiple lineages, including early modern music, American minimalism, and musique concrète. It’s a work as much turned towards exploring justly tuned harmony and canonic structures as towards the polyphony of unique timbres, the scaling of dynamic range, and the revelation of sound qualities.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGRM (Groupe de Recherches Musicales), the pioneering institution of electroacoustic, acousmatic, and musique concrète, has been a unique laboratory for sonorous research since 1958. Witnessing the extreme vitality of the music championed by GRM, the Portraits GRM record series extends and expands this momentum with Kali Malone’s Living Torch.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe French label-partner Shelter Press is proud to continue the collaboration with GRM, which Peter Rehberg of Editions MEGO set the foundation for in 2012.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Kali Malone\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM\u003c\/p\u003e","published_at":"2022-07-15T12:52:32+09:00","created_at":"2022-07-15T12:29:34+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","shelter press"],"price":449000,"price_min":449000,"price_max":449000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42993202036986,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Kali Malone \/\/ Living Torch LP","public_title":null,"options":["Default Title"],"price":449000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/li1_d2ef563b-63d7-4e98-8e79-dd276d24ed9f.jpg?v=1657855776","\/\/tobirarecords.com\/cdn\/shop\/products\/li2_984ce1eb-5748-43ad-ab16-73f61fc75df5.jpg?v=1657855776"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_d2ef563b-63d7-4e98-8e79-dd276d24ed9f.jpg?v=1657855776","options":["Title"],"media":[{"alt":null,"id":30124619006202,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_d2ef563b-63d7-4e98-8e79-dd276d24ed9f.jpg?v=1657855776"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_d2ef563b-63d7-4e98-8e79-dd276d24ed9f.jpg?v=1657855776","width":700},{"alt":null,"id":30124619038970,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li2_984ce1eb-5748-43ad-ab16-73f61fc75df5.jpg?v=1657855776"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li2_984ce1eb-5748-43ad-ab16-73f61fc75df5.jpg?v=1657855776","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデン・ストックホルムのアンビエント作家Kali Maloneが、2023年3月にフランス・パリの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePortraits GRMからリリースする\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e再発レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e前作にメインソースとして使用したパイプオルガンは封印し、トロンボーンやバスクラリネットなどの伝統的な楽器やARP 2500シンセサイザーなどを使用して制作したロングフォームのドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3191162786\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003ePortraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLiving Torch, through its unique structural form and harmonic material, is a bold continuation of Kali Malone’s demanding and exciting body of work, while opening new perspectives and increasing the emotional potential of the music tenfold. As such, Living Torch is a major new piece by the composer and adds a significant milestone to an already fascinating repertoire.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDeparting from the pipe organ that Malone’s music is most notable for, Living Torch features a complex electroacoustic ensemble. Leafing through recordings from conventional instruments like the trombone and bass clarinet to more experimental machines like the boîte à bourdon, passing through sinewave generators and Éliane Radigue’s ARP 2500 synthesizer. Living Torch weaves its own history, its own genealogy, and that of its author. It extends her robust structural approach to a liberated palette of timbre.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLiving Torch was initially commissioned by GRM for its legendary loudspeaker orchestra, the Acousmonium, and premiered in its complete multichannel form at the Grand Auditorium of Radio France in a concert entirely dedicated to the artist.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eComposed at GRM studios in Paris between 2020-2021, Living Torch is a work of great intensity, an oeuvre-monde that is\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e singularly placed at the crossroads of instrumental writing and electroacoustic composition. Living Torch proceeds from multiple lineages, including early modern music, American minimalism, and musique concrète. It’s a work as much turned towards exploring justly tuned harmony and canonic structures as towards the polyphony of unique timbres, the scaling of dynamic range, and the revelation of sound qualities.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGRM (Groupe de Recherches Musicales), the pioneering institution of electroacoustic, acousmatic, and musique concrète, has been a unique laboratory for sonorous research since 1958. Witnessing the extreme vitality of the music championed by GRM, the Portraits GRM record series extends and expands this momentum with Kali Malone’s Living Torch.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe French label-partner Shelter Press is proud to continue the collaboration with GRM, which Peter Rehberg of Editions MEGO set the foundation for in 2012.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Kali Malone\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM\u003c\/p\u003e"}
You may also like:
スウェーデン・ストックホルムのアンビエント作家Kali Maloneが、2023年3月にフランス・パリの実験レーベルPortraits GRMからリリースする再発レコードです。 前作にメインソースとして使用したパイプオルガンは封印し、トロンボーンやバスクラリネットなどの伝統的な楽器やARP 2500シンセサイザーなどを使用して制作したロングフォームのドローン2曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
Sold Out
クイックビュー
{"id":7646415126778,"title":"Felicia Atkinson \u0026 Jefre Cantu-Ledesma \/\/ Un hiver en plein été LP","handle":"felicia-atkinson-jefre-cantu-ledesma-un-hiver-en-plein-ete-lp","description":"\u003cp\u003eフランスのアンビエント作家Felicia Atkinsonと、アメリカのアンビエントレーベルroot Strata主宰Jefre Cantu-Ledesmaが、2021年12月にShelter Pressからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eピアノやシンセをメインソースとしたネオクラシカル・アンビエント6曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2582458817\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 700.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePrinted inner \u0026amp; outer with artwork by Yu Nishimura\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eShelter Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFrom its earliest utterances, experimental music has been particularly disposed to transnational and cross-cultural collaboration. Seeking the answer for a fundamental problem - how to transcend the boundaries of difference, distance, and time - it presents a means to find common ground and communicate through the elemental form of sound. Over the last 5 years, this precisely what the duo of Félicia Atkinson \u0026amp; Jefre Cantu-Ledesma has achieved, intertwining sublime sonorities across the geographic expanses between their respective homes in France and the United States. Their third album for Shelter Press, ‘Un hiver en plein été’ (‘A winter in the middle of summer’) - the first to have been largely recorded by Atkinson and Cantu-Ledesma together in the same space - distills a mesmerizing pallet of acoustic and electronic sources into an open discourse of radically poetic forms, offering glimpses of warmth and intimacy waiting in the post-covid world to come.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBoth veteran experimentalists with celebrated bodies of solo work behind them - each traversing the challenges of electroacoustic practice in their own singular ways - prior to their first recorded outing in 2016, Félicia Atkinson and Jefre Cantu-Ledesma had only crossed paths in person once, initially meeting in San Fransisco\u003cspan class=\"bcTruncateMore\"\u003e during 2009. The mutual bond formed during that brief encounter flowered into their first LP, ‘Comme Un Seul Narcisse’, followed two years later by 2018’s ‘Limpid As The Solitudes’. Both recorded remotely - sending files back and forth, fortified by conversations on a vast range of subjects - these two albums were guided by impassioned conceptual nods to Guy Debord, Baudelaire, Brion Gysin and Sylvia Plath, while seeking resolutions for the challenges and unique possibilities that working at a distance provoked.\u003cbr\u003e\u003cbr\u003eWhere the triumphs of its predecessors rose from the bridging of disparate moments and divergent spaces, ‘Un hiver en plein été’ culminates as a celebration of closeness, a result of Atkinson and Cantu-Ledesma working together in the studio, responsively in real time, for the first time. Recorded in Brooklyn during August of 2019 - a handful of months before the pandemic would impose chasmic distances across the globe - its six discrete works, carefully crafted and finalized over the ensuing year, evolve seamlessly across the album’s two sides, weaving a sprawling tapestry of sonority, within which both artists retaining their own voices and visions, while drawing each other towards uncharted ground.\u003cbr\u003e\u003cbr\u003eAtkinson likens the recording of ‘Un hiver en plein été’ to have been akin to “a playground”, each artist “hungry for each sound, a bit like the rush in the Louvre in Godard’s Bande à part”, to which Cantu-Ledesma adds that the process seemed to have had “a mind of its own”, with both “along for the ride”. This organic sense of entropy and enthusiasm - a joyous exploration of the unknown - guides the momentum of the album’s evolving arc, as unfolding chasms of ambient space ripple with humanity, life, and fleeting glimpses of the actions that led to its material core.\u003cbr\u003e\u003cbr\u003eCrafted from deconstructed melodic elements and drifting long-tones - laden with subtle nods to Indian classical ragas and free jazz - searching patterns of speech, textural elements captured within the studio and the outside world, and searching tonal and percussive interventions, ‘Un hiver en plein été’ coheres as a multi-faceted series of electroacoustic dialogues; nesting conversations between two artists working at the juncture of abstraction and narration, field recording and harmony, and the philosophical and phenomenological, in search for the meaning of friendship, and its manifestation in pure sound.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Felicia Atkinson \u0026amp; Jefre Cantu-Ledesma\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e","published_at":"2022-06-18T14:36:48+09:00","created_at":"2022-06-18T12:06:36+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","neo classical","shelter press"],"price":309000,"price_min":309000,"price_max":309000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42892736758010,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Felicia Atkinson \u0026 Jefre Cantu-Ledesma \/\/ Un hiver en plein été LP","public_title":null,"options":["Default Title"],"price":309000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/un1_004e0480-3ce0-4ac5-94e8-f080acdf4290.jpg?v=1655521598","\/\/tobirarecords.com\/cdn\/shop\/products\/un2_4868ca15-b976-4814-b8c1-267c76e13b12.jpg?v=1655521597"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/un1_004e0480-3ce0-4ac5-94e8-f080acdf4290.jpg?v=1655521598","options":["Title"],"media":[{"alt":null,"id":29925604425978,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/un1_004e0480-3ce0-4ac5-94e8-f080acdf4290.jpg?v=1655521598"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/un1_004e0480-3ce0-4ac5-94e8-f080acdf4290.jpg?v=1655521598","width":700},{"alt":null,"id":29925604458746,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/un2_4868ca15-b976-4814-b8c1-267c76e13b12.jpg?v=1655521597"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/un2_4868ca15-b976-4814-b8c1-267c76e13b12.jpg?v=1655521597","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのアンビエント作家Felicia Atkinsonと、アメリカのアンビエントレーベルroot Strata主宰Jefre Cantu-Ledesmaが、2021年12月にShelter Pressからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eピアノやシンセをメインソースとしたネオクラシカル・アンビエント6曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2582458817\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 700.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePrinted inner \u0026amp; outer with artwork by Yu Nishimura\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eShelter Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFrom its earliest utterances, experimental music has been particularly disposed to transnational and cross-cultural collaboration. Seeking the answer for a fundamental problem - how to transcend the boundaries of difference, distance, and time - it presents a means to find common ground and communicate through the elemental form of sound. Over the last 5 years, this precisely what the duo of Félicia Atkinson \u0026amp; Jefre Cantu-Ledesma has achieved, intertwining sublime sonorities across the geographic expanses between their respective homes in France and the United States. Their third album for Shelter Press, ‘Un hiver en plein été’ (‘A winter in the middle of summer’) - the first to have been largely recorded by Atkinson and Cantu-Ledesma together in the same space - distills a mesmerizing pallet of acoustic and electronic sources into an open discourse of radically poetic forms, offering glimpses of warmth and intimacy waiting in the post-covid world to come.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBoth veteran experimentalists with celebrated bodies of solo work behind them - each traversing the challenges of electroacoustic practice in their own singular ways - prior to their first recorded outing in 2016, Félicia Atkinson and Jefre Cantu-Ledesma had only crossed paths in person once, initially meeting in San Fransisco\u003cspan class=\"bcTruncateMore\"\u003e during 2009. The mutual bond formed during that brief encounter flowered into their first LP, ‘Comme Un Seul Narcisse’, followed two years later by 2018’s ‘Limpid As The Solitudes’. Both recorded remotely - sending files back and forth, fortified by conversations on a vast range of subjects - these two albums were guided by impassioned conceptual nods to Guy Debord, Baudelaire, Brion Gysin and Sylvia Plath, while seeking resolutions for the challenges and unique possibilities that working at a distance provoked.\u003cbr\u003e\u003cbr\u003eWhere the triumphs of its predecessors rose from the bridging of disparate moments and divergent spaces, ‘Un hiver en plein été’ culminates as a celebration of closeness, a result of Atkinson and Cantu-Ledesma working together in the studio, responsively in real time, for the first time. Recorded in Brooklyn during August of 2019 - a handful of months before the pandemic would impose chasmic distances across the globe - its six discrete works, carefully crafted and finalized over the ensuing year, evolve seamlessly across the album’s two sides, weaving a sprawling tapestry of sonority, within which both artists retaining their own voices and visions, while drawing each other towards uncharted ground.\u003cbr\u003e\u003cbr\u003eAtkinson likens the recording of ‘Un hiver en plein été’ to have been akin to “a playground”, each artist “hungry for each sound, a bit like the rush in the Louvre in Godard’s Bande à part”, to which Cantu-Ledesma adds that the process seemed to have had “a mind of its own”, with both “along for the ride”. This organic sense of entropy and enthusiasm - a joyous exploration of the unknown - guides the momentum of the album’s evolving arc, as unfolding chasms of ambient space ripple with humanity, life, and fleeting glimpses of the actions that led to its material core.\u003cbr\u003e\u003cbr\u003eCrafted from deconstructed melodic elements and drifting long-tones - laden with subtle nods to Indian classical ragas and free jazz - searching patterns of speech, textural elements captured within the studio and the outside world, and searching tonal and percussive interventions, ‘Un hiver en plein été’ coheres as a multi-faceted series of electroacoustic dialogues; nesting conversations between two artists working at the juncture of abstraction and narration, field recording and harmony, and the philosophical and phenomenological, in search for the meaning of friendship, and its manifestation in pure sound.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Felicia Atkinson \u0026amp; Jefre Cantu-Ledesma\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e"}
You may also like:
フランスのアンビエント作家Felicia Atkinsonと、アメリカのアンビエントレーベルroot Strata主宰Jefre Cantu-Ledesmaが、2021年12月にShelter Pressからリリースした共作レコードです。 ピアノやシンセをメインソースとしたネオクラシカル・アンビエント6曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press releases available...
Sold Out
クイックビュー
{"id":7641878790394,"title":"James Rushford \/\/ Lake From The Louvers LP","handle":"james-rushford-lake-from-the-louvers-lp","description":"\u003cp\u003eオーストラリアの実験音楽家James Rushfordが、2021年5月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e深淵なドローン〜ミュージックコンクレート11曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2412997316\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eText by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLake From The Louvers is a new solo work for concrete sounds, electronics and instruments from Australian composer-performer James Rushford, who has spent the last fifteen years honing his singular approach to composition and performance through solo works and collaborations with artists such as Oren Ambarchi, Crys Cole, Will Guthrie, Graham Lambkin and Klaus Lang.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCreated primarily during a stay at the La Becque, an artist residency on the shores of Lake Geneva, Lake From The Louvers draws inspiration from the play of shadow and light on both the surface of the lake and the window through which Rushford viewed this lacustrine landscape. While the lake is itself at times directly audible in the form of field recordings, the image suggested by the record’s title is less directly represented than translated into sonic structures inspired, as Rushford explains, by ‘the passing of shadow through a fixed space’. The movement of light across these two flat surfaces, lake and window, finds its sonic equivalent in these eleven pieces, in which fragments and particles of sound – highly amplified crunches, synthesized squawks and pings, harp notes – ripple across the length of each track. Fixed sets of elements define each piece, often moulded into ephemeral ensembles in which\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e individual voices consistently fade away and reappear.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRushford’s performances on various keyboards provide the unstable, wavering foundations of many of these pieces, with microtonal tunings adding a woozy, seasick edge to his stately, often stunningly beautiful playing. Each side of the LP ends with an extended keyboard work: the first for groaning, sighing church organ, the second for a psychedelic cloud of detuned synthesizer tones in which harmonic fragments sink into their own melancholic recollection. Elsewhere the record makes use of elements as varied as microtonal harp, skittering drum machines and synthetic marimba, establishing a sound palette remarkable for its breadth, as well as its sparkling, glittering quality. Where many of Rushford’s solo projects have taken the form of long works with a sombre cast, Lake From The Louvers is strikingly bright and accessible, a series of sonic glimpses in which, like a late Monet, the shimmer of light undoes the distinction between image and reflection, foreground and background, surface and depth.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMastered by Stephan Mathieu, cut at D+M. Printed artwork on inner and outer sleeves by Valle Medina and Benjamin Reynolds (Pa.LaC.E).\u003cbr data-mce-fragment=\"1\"\u003eDesign by Bartolomé Sanson. Released in collababoration with La Becque Editions.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : James Rushford\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e","published_at":"2022-06-17T15:49:54+09:00","created_at":"2022-06-14T11:15:34+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","shelter press"],"price":328000,"price_min":328000,"price_max":328000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42875826045178,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"James Rushford \/\/ Lake From The Louvers LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/la1_cd8c0118-ebc5-4ab8-aea6-0e4e8d92f639.jpg?v=1655172936","\/\/tobirarecords.com\/cdn\/shop\/products\/la2_fbc4d9ce-c153-40f6-ad6d-525a7c542c2e.jpg?v=1655172936"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_cd8c0118-ebc5-4ab8-aea6-0e4e8d92f639.jpg?v=1655172936","options":["Title"],"media":[{"alt":null,"id":29897035481338,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_cd8c0118-ebc5-4ab8-aea6-0e4e8d92f639.jpg?v=1655172936"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_cd8c0118-ebc5-4ab8-aea6-0e4e8d92f639.jpg?v=1655172936","width":700},{"alt":null,"id":29897035514106,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la2_fbc4d9ce-c153-40f6-ad6d-525a7c542c2e.jpg?v=1655172936"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la2_fbc4d9ce-c153-40f6-ad6d-525a7c542c2e.jpg?v=1655172936","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの実験音楽家James Rushfordが、2021年5月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e深淵なドローン〜ミュージックコンクレート11曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2412997316\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eText by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLake From The Louvers is a new solo work for concrete sounds, electronics and instruments from Australian composer-performer James Rushford, who has spent the last fifteen years honing his singular approach to composition and performance through solo works and collaborations with artists such as Oren Ambarchi, Crys Cole, Will Guthrie, Graham Lambkin and Klaus Lang.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCreated primarily during a stay at the La Becque, an artist residency on the shores of Lake Geneva, Lake From The Louvers draws inspiration from the play of shadow and light on both the surface of the lake and the window through which Rushford viewed this lacustrine landscape. While the lake is itself at times directly audible in the form of field recordings, the image suggested by the record’s title is less directly represented than translated into sonic structures inspired, as Rushford explains, by ‘the passing of shadow through a fixed space’. The movement of light across these two flat surfaces, lake and window, finds its sonic equivalent in these eleven pieces, in which fragments and particles of sound – highly amplified crunches, synthesized squawks and pings, harp notes – ripple across the length of each track. Fixed sets of elements define each piece, often moulded into ephemeral ensembles in which\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e individual voices consistently fade away and reappear.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRushford’s performances on various keyboards provide the unstable, wavering foundations of many of these pieces, with microtonal tunings adding a woozy, seasick edge to his stately, often stunningly beautiful playing. Each side of the LP ends with an extended keyboard work: the first for groaning, sighing church organ, the second for a psychedelic cloud of detuned synthesizer tones in which harmonic fragments sink into their own melancholic recollection. Elsewhere the record makes use of elements as varied as microtonal harp, skittering drum machines and synthetic marimba, establishing a sound palette remarkable for its breadth, as well as its sparkling, glittering quality. Where many of Rushford’s solo projects have taken the form of long works with a sombre cast, Lake From The Louvers is strikingly bright and accessible, a series of sonic glimpses in which, like a late Monet, the shimmer of light undoes the distinction between image and reflection, foreground and background, surface and depth.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMastered by Stephan Mathieu, cut at D+M. Printed artwork on inner and outer sleeves by Valle Medina and Benjamin Reynolds (Pa.LaC.E).\u003cbr data-mce-fragment=\"1\"\u003eDesign by Bartolomé Sanson. Released in collababoration with La Becque Editions.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : James Rushford\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e"}
You may also like:
オーストラリアの実験音楽家James Rushfordが、2021年5月にフランスの実験レーベルShelter Pressからリリースしたレコードです。 深淵なドローン〜ミュージックコンクレート11曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ...
Sold Out
クイックビュー
{"id":7637752938746,"title":"Ákos Rózmann \/\/ MASS \/ MÄSSA - 7xCD BOXSET","handle":"akos-rozmann-mass-massa-7xcd-boxset","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eÁkos RózmannのMassは、1989年から2004年の間に作曲家のスタジオとストックホルムのEMSで制作された12の電子音響作品から構成されています。ロズマンが作曲したほとんどの作品と同様に、『ミサ』は約7時間の長大な作品である。\u003cbr\u003eロズマンの《ミサ》は、カトリックのミサの第一部である「キリー」と「グローリア」についての個人的な観察による巨大なフレスコ画であると表現することができる。ミサのテキストに対する極めて主観的な視点は、ロズマン自身の言葉で言うところの「トロペ」、つまりミサのテキストの特定の言葉やそれとの関連に対するスウェーデン語、ハンガリー語、ラテン語による瞑想のイメージを凍らせることで強調されている。いくつかのパッセージはミサ文とは無関係である。グローリアIのオルガン曲VI（銀と踊りの夜想曲という副題もついている）は、「Natten gråter」（夜が泣いている）というフレーズに基づく一種の哀歌である。グローリアIに続く間奏曲は、スウェーデンのコンサートホールでよく見られる、コーヒーカップの衝突や官僚的な音楽関係者の空虚なおしゃべりを盛り込んだ構成になっており、作曲者の独特のユーモアが感じられる。\u003cbr\u003e\u003cbr\u003eミサ曲の全体的な形式構造は複雑で、さまざまなパートが独立した曲として、また曲の全体構造の中で小グループの一部として同時に機能している。独立した曲として、オルガン曲という名前で演奏されるものもある。例えば、ミサの最初のグローリア部分に含まれる3つの曲は、トリプティコンという別の独立した作品を形成しており、1996年に独立した作品として初演されている。\u003cbr\u003eミサ曲の前半では、ミサ文の言葉によって表される「正の力」と、軽蔑的な笑い、うなり声、ゲップ、吐き気をもよおす窒息音、嘔吐音など、さまざまな挑戦的音によって表される「負の力」の戦いが繰り広げられる。まず、ネガティブな力がポジティブな力を「ブラックホール」あるいはポケットの中に引きずり込みます。その後、ポジティブな力が戻ってきて、グロリアの残りの部分を支配する。この形式的な物語は、作曲者のインタビューによると、このミサの中心的な対立について、より二元的でなく、より複雑な視点をもってニュアンスを表現している。\u003cbr\u003e\u003cbr\u003e「一般的な感覚では、世の中のものはすべてポジティブかネガティブかという概念で成り立っていると思われる。しかし、トリプティク（グローリア曲集の最初の3曲）では、そう単純ではありません。異なる力が互いに対立しているのだが、その相互関係は善と悪のそれよりも複雑なのである。\"\u003cbr\u003e\u003cbr\u003e作品の中で最も目立つ音源は、オルガン、ハンガリーチター、そして人の声である。全曲を通して、コルシカ島の村の教会の声楽グループが、ラテン語のミサ文を独唱と合唱で歌っている。その他、ヴィヴェッカ・セルヴァティウス指揮のスコラ・グレゴリアーナ・ホルミエ、ドイツのベネディクト派修道士たち、そしてトーマス・ハマーが、ある種の儀式の主役として参加している。\u003cbr\u003e\u003cbr\u003e1939年、ハンガリーのブダペストで生まれたアコス・ロズマンは、バルトーク音楽院とリスト音楽院で作曲を学んだ。1971年に奨学金を得てストックホルムに渡り、ストックホルム王立音楽大学でイングヴァル・リドホルムに作曲を師事して修了し、スウェーデンに定住する。ストックホルムのカトリック大聖堂のオルガニストを長く務めた。早くから電子音響音楽に出会い、彼の作曲に新たな方向性を与えた。初期の数曲を除いて、ロズマンが作曲したのはもっぱら電気音響音楽であり、しばしば記念碑的な形式を好み、通常はオルガンと人間の声を最も重要な音源として、記号を満載した複雑で浸透性のある音楽言語を用いている。作曲家として、彼は不本意ながら隠遁生活を送り、妥協することなく、優れた独創性を発揮した。ロズマンの音楽は、存在の根本的な疑問について、しばしば倫理的または宗教的（カトリックや仏教）な根拠に基づいており、例えば、以前Ideologic Organからリリースされた巨大な組曲『夢と死のイメージ』と『12の駅』では、そのような疑問が示されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2309218720\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7 CD’s packaged in a hardcover slipcase with a pull ribbon, 12 and 20 pages booklets.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBoxset contains an extensive essay on the composition by Gergely Loch and additional texts by Göran Bergendal and Mats Lindström, and visual documentation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText \/ artist bio by Ideologic Organ:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eÁkos Rózmann (1939-2005) - Mass\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eÁkos Rózmann’s Mass consists of twelve electroacoustic compositions created between 1989 and 2004 in the composer’s studio and at EMS in Stockholm. Like most of Rózmann’s compositions, Mass is a long-form work with a duration of around seven hours. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe can describe Rózmann’s Mass as an enormous fresco of personal observations on the two first parts of the Catholic Mass, Kyrie and Gloria. The intensely subjective perspective on the texts of the Mass is underlined by Rózmann’s freezing images – in his own words – “tropes”, i.e. meditations in Swedish, Hungarian and Latin over particular words in the mass text or connection to it. A few passages have nothing to do with the mass text: Organ piece VI in Gloria I (also performed with the subtitle Nocturne in silver and dance) is a sort of lament based on the phrase “Natten gråter” (the night is crying). We find the composer’s peculiar sense of humour in the intermezzo following Gloria I – a composed version of the intermission common in Swedish concert houses, complete with clashing coffee cups and empty chatter from the bureaucratic music\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e establishment. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe overarching formal structure of Mass is an intricate one, with the various parts functioning simultaneously as independent pieces and as parts of sub-groups within the whole structure of the piece. As independent pieces, some of them go under the name Organ piece. For example, the three pieces included in the first Gloria part of mass form another independent composition named Triptykon, first performed as a separate work in 1996.\u003cbr data-mce-fragment=\"1\"\u003eIn the earlier parts of Mass, a battle fought between Positive forces is represented by the words in the Mass text and Negative forces represented by various challenging sounds, such as scornful laughter, grunts, burps, nauseous choking and vomiting sounds. First, the Negative powers drag down the Positive forces into a “black hole” or in pockets. Then the Positive forces return to dominate the remaining parts of Gloria. This formal narrative is nuanced by the composer, who, in interviews, offer a less dualistic, more complex viewpoint on the conflict central to the Mass: \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“It’s presumable that everything in the general sense is about the notion of positive or negative because everything in the world is structured like that. But it’s not that simple in the Triptych [the first three pieces of the Gloria-cycle]. Different forces stand against each other, but their interrelation is more complex than that of good and evil.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe most prominent sound sources in the work are the organ, a Hungarian zither and human voices. Throughout the whole piece, there is a vocal group from a village church in Corsica, singing the Latin mass texts solo and chorally. Other participants are Schola Gregoriana Holmiae under the direction of Viveca Servatius, a group of German Benedictine monks and – in the role of a sort of master of ceremonies, Thomas Hammar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eÁkos Rózmann was born in 1939 in Budapest, Hungary, where he studied composition at the Bartók Conservatory and the Liszt Academy. In 1971 he received a scholarship to come to Stockholm and completed his compositional studies with Ingvar Lidholm at the Royal College of Music in Stockholm and then settled down in Sweden. He was the organist at the Catholic Cathedral in Stockholm for a long time. His early encounter with electroacoustic music gave a new direction to his composing. Except for a few early pieces, Rózmann composed solely electroacoustic music – often preferring a monumental form, usually with the organ and the human voice as the most crucial sound sources in a complex, penetrating musical language loaded with symbols. As a composer, he worked involuntary seclusion, uncompromisingly and with great originality. Rózmann’s music is about the fundamental questions of existence, often on an ethical or religious (Catholic or Buddhist) basis, for example, in the enormous suites Images of the Dream and Death and Twelve Stations, both previously released on Ideologic Organ.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ákos Rózmann\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e","published_at":"2022-06-12T08:01:57+09:00","created_at":"2022-06-11T13:55:02+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","monooto","shelter press"],"price":798000,"price_min":798000,"price_max":798000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42862367473914,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ákos Rózmann \/\/ MASS \/ MÄSSA - 7xCD BOXSET","public_title":null,"options":["Default Title"],"price":798000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_e661f73f-f625-4c69-b54d-c0e756bbe563.jpg?v=1654923303","\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_fb5e1f6f-5e66-4b94-be50-fd5c14c677b1.jpg?v=1654923304"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_e661f73f-f625-4c69-b54d-c0e756bbe563.jpg?v=1654923303","options":["Title"],"media":[{"alt":null,"id":29869711196410,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_e661f73f-f625-4c69-b54d-c0e756bbe563.jpg?v=1654923303"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_e661f73f-f625-4c69-b54d-c0e756bbe563.jpg?v=1654923303","width":700},{"alt":null,"id":29869711229178,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_fb5e1f6f-5e66-4b94-be50-fd5c14c677b1.jpg?v=1654923304"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_fb5e1f6f-5e66-4b94-be50-fd5c14c677b1.jpg?v=1654923304","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eÁkos RózmannのMassは、1989年から2004年の間に作曲家のスタジオとストックホルムのEMSで制作された12の電子音響作品から構成されています。ロズマンが作曲したほとんどの作品と同様に、『ミサ』は約7時間の長大な作品である。\u003cbr\u003eロズマンの《ミサ》は、カトリックのミサの第一部である「キリー」と「グローリア」についての個人的な観察による巨大なフレスコ画であると表現することができる。ミサのテキストに対する極めて主観的な視点は、ロズマン自身の言葉で言うところの「トロペ」、つまりミサのテキストの特定の言葉やそれとの関連に対するスウェーデン語、ハンガリー語、ラテン語による瞑想のイメージを凍らせることで強調されている。いくつかのパッセージはミサ文とは無関係である。グローリアIのオルガン曲VI（銀と踊りの夜想曲という副題もついている）は、「Natten gråter」（夜が泣いている）というフレーズに基づく一種の哀歌である。グローリアIに続く間奏曲は、スウェーデンのコンサートホールでよく見られる、コーヒーカップの衝突や官僚的な音楽関係者の空虚なおしゃべりを盛り込んだ構成になっており、作曲者の独特のユーモアが感じられる。\u003cbr\u003e\u003cbr\u003eミサ曲の全体的な形式構造は複雑で、さまざまなパートが独立した曲として、また曲の全体構造の中で小グループの一部として同時に機能している。独立した曲として、オルガン曲という名前で演奏されるものもある。例えば、ミサの最初のグローリア部分に含まれる3つの曲は、トリプティコンという別の独立した作品を形成しており、1996年に独立した作品として初演されている。\u003cbr\u003eミサ曲の前半では、ミサ文の言葉によって表される「正の力」と、軽蔑的な笑い、うなり声、ゲップ、吐き気をもよおす窒息音、嘔吐音など、さまざまな挑戦的音によって表される「負の力」の戦いが繰り広げられる。まず、ネガティブな力がポジティブな力を「ブラックホール」あるいはポケットの中に引きずり込みます。その後、ポジティブな力が戻ってきて、グロリアの残りの部分を支配する。この形式的な物語は、作曲者のインタビューによると、このミサの中心的な対立について、より二元的でなく、より複雑な視点をもってニュアンスを表現している。\u003cbr\u003e\u003cbr\u003e「一般的な感覚では、世の中のものはすべてポジティブかネガティブかという概念で成り立っていると思われる。しかし、トリプティク（グローリア曲集の最初の3曲）では、そう単純ではありません。異なる力が互いに対立しているのだが、その相互関係は善と悪のそれよりも複雑なのである。\"\u003cbr\u003e\u003cbr\u003e作品の中で最も目立つ音源は、オルガン、ハンガリーチター、そして人の声である。全曲を通して、コルシカ島の村の教会の声楽グループが、ラテン語のミサ文を独唱と合唱で歌っている。その他、ヴィヴェッカ・セルヴァティウス指揮のスコラ・グレゴリアーナ・ホルミエ、ドイツのベネディクト派修道士たち、そしてトーマス・ハマーが、ある種の儀式の主役として参加している。\u003cbr\u003e\u003cbr\u003e1939年、ハンガリーのブダペストで生まれたアコス・ロズマンは、バルトーク音楽院とリスト音楽院で作曲を学んだ。1971年に奨学金を得てストックホルムに渡り、ストックホルム王立音楽大学でイングヴァル・リドホルムに作曲を師事して修了し、スウェーデンに定住する。ストックホルムのカトリック大聖堂のオルガニストを長く務めた。早くから電子音響音楽に出会い、彼の作曲に新たな方向性を与えた。初期の数曲を除いて、ロズマンが作曲したのはもっぱら電気音響音楽であり、しばしば記念碑的な形式を好み、通常はオルガンと人間の声を最も重要な音源として、記号を満載した複雑で浸透性のある音楽言語を用いている。作曲家として、彼は不本意ながら隠遁生活を送り、妥協することなく、優れた独創性を発揮した。ロズマンの音楽は、存在の根本的な疑問について、しばしば倫理的または宗教的（カトリックや仏教）な根拠に基づいており、例えば、以前Ideologic Organからリリースされた巨大な組曲『夢と死のイメージ』と『12の駅』では、そのような疑問が示されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2309218720\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7 CD’s packaged in a hardcover slipcase with a pull ribbon, 12 and 20 pages booklets.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBoxset contains an extensive essay on the composition by Gergely Loch and additional texts by Göran Bergendal and Mats Lindström, and visual documentation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText \/ artist bio by Ideologic Organ:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eÁkos Rózmann (1939-2005) - Mass\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eÁkos Rózmann’s Mass consists of twelve electroacoustic compositions created between 1989 and 2004 in the composer’s studio and at EMS in Stockholm. Like most of Rózmann’s compositions, Mass is a long-form work with a duration of around seven hours. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe can describe Rózmann’s Mass as an enormous fresco of personal observations on the two first parts of the Catholic Mass, Kyrie and Gloria. The intensely subjective perspective on the texts of the Mass is underlined by Rózmann’s freezing images – in his own words – “tropes”, i.e. meditations in Swedish, Hungarian and Latin over particular words in the mass text or connection to it. A few passages have nothing to do with the mass text: Organ piece VI in Gloria I (also performed with the subtitle Nocturne in silver and dance) is a sort of lament based on the phrase “Natten gråter” (the night is crying). We find the composer’s peculiar sense of humour in the intermezzo following Gloria I – a composed version of the intermission common in Swedish concert houses, complete with clashing coffee cups and empty chatter from the bureaucratic music\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e establishment. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe overarching formal structure of Mass is an intricate one, with the various parts functioning simultaneously as independent pieces and as parts of sub-groups within the whole structure of the piece. As independent pieces, some of them go under the name Organ piece. For example, the three pieces included in the first Gloria part of mass form another independent composition named Triptykon, first performed as a separate work in 1996.\u003cbr data-mce-fragment=\"1\"\u003eIn the earlier parts of Mass, a battle fought between Positive forces is represented by the words in the Mass text and Negative forces represented by various challenging sounds, such as scornful laughter, grunts, burps, nauseous choking and vomiting sounds. First, the Negative powers drag down the Positive forces into a “black hole” or in pockets. Then the Positive forces return to dominate the remaining parts of Gloria. This formal narrative is nuanced by the composer, who, in interviews, offer a less dualistic, more complex viewpoint on the conflict central to the Mass: \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“It’s presumable that everything in the general sense is about the notion of positive or negative because everything in the world is structured like that. But it’s not that simple in the Triptych [the first three pieces of the Gloria-cycle]. Different forces stand against each other, but their interrelation is more complex than that of good and evil.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe most prominent sound sources in the work are the organ, a Hungarian zither and human voices. Throughout the whole piece, there is a vocal group from a village church in Corsica, singing the Latin mass texts solo and chorally. Other participants are Schola Gregoriana Holmiae under the direction of Viveca Servatius, a group of German Benedictine monks and – in the role of a sort of master of ceremonies, Thomas Hammar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eÁkos Rózmann was born in 1939 in Budapest, Hungary, where he studied composition at the Bartók Conservatory and the Liszt Academy. In 1971 he received a scholarship to come to Stockholm and completed his compositional studies with Ingvar Lidholm at the Royal College of Music in Stockholm and then settled down in Sweden. He was the organist at the Catholic Cathedral in Stockholm for a long time. His early encounter with electroacoustic music gave a new direction to his composing. Except for a few early pieces, Rózmann composed solely electroacoustic music – often preferring a monumental form, usually with the organ and the human voice as the most crucial sound sources in a complex, penetrating musical language loaded with symbols. As a composer, he worked involuntary seclusion, uncompromisingly and with great originality. Rózmann’s music is about the fundamental questions of existence, often on an ethical or religious (Catholic or Buddhist) basis, for example, in the enormous suites Images of the Dream and Death and Twelve Stations, both previously released on Ideologic Organ.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ákos Rózmann\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e"}
You may also like:
ハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットです。 以下、レーベル解説です。 Ákos RózmannのMassは、1989年から2004年の間に作曲家のスタジオとストックホルムのEMSで制作された12の電子音響作品から構成されています。ロズマンが作曲したほとんどの作品と同様に、『ミサ』は約7時間の長大な作品である。ロズマンの《ミサ》は、カトリックのミサの第一部である「キリー」と「グローリア」についての個人的な観察による巨大なフレスコ画であると表現することができる。ミサのテキストに対する極めて主観的な視点は、ロズマン自身の言葉で言うところの「トロペ」、つまりミサのテキストの特定の言葉やそれとの関連に対するスウェーデン語、ハンガリー語、ラテン語による瞑想のイメージを凍らせることで強調されている。いくつかのパッセージはミサ文とは無関係である。グローリアIのオルガン曲VI（銀と踊りの夜想曲という副題もついている）は、「Natten gråter」（夜が泣いている）というフレーズに基づく一種の哀歌である。グローリアIに続く間奏曲は、スウェーデンのコンサートホールでよく見られる、コーヒーカップの衝突や官僚的な音楽関係者の空虚なおしゃべりを盛り込んだ構成になっており、作曲者の独特のユーモアが感じられる。ミサ曲の全体的な形式構造は複雑で、さまざまなパートが独立した曲として、また曲の全体構造の中で小グループの一部として同時に機能している。独立した曲として、オルガン曲という名前で演奏されるものもある。例えば、ミサの最初のグローリア部分に含まれる3つの曲は、トリプティコンという別の独立した作品を形成しており、1996年に独立した作品として初演されている。ミサ曲の前半では、ミサ文の言葉によって表される「正の力」と、軽蔑的な笑い、うなり声、ゲップ、吐き気をもよおす窒息音、嘔吐音など、さまざまな挑戦的音によって表される「負の力」の戦いが繰り広げられる。まず、ネガティブな力がポジティブな力を「ブラックホール」あるいはポケットの中に引きずり込みます。その後、ポジティブな力が戻ってきて、グロリアの残りの部分を支配する。この形式的な物語は、作曲者のインタビューによると、このミサの中心的な対立について、より二元的でなく、より複雑な視点をもってニュアンスを表現している。「一般的な感覚では、世の中のものはすべてポジティブかネガティブかという概念で成り立っていると思われる。しかし、トリプティク（グローリア曲集の最初の3曲）では、そう単純ではありません。異なる力が互いに対立しているのだが、その相互関係は善と悪のそれよりも複雑なのである。"作品の中で最も目立つ音源は、オルガン、ハンガリーチター、そして人の声である。全曲を通して、コルシカ島の村の教会の声楽グループが、ラテン語のミサ文を独唱と合唱で歌っている。その他、ヴィヴェッカ・セルヴァティウス指揮のスコラ・グレゴリアーナ・ホルミエ、ドイツのベネディクト派修道士たち、そしてトーマス・ハマーが、ある種の儀式の主役として参加している。1939年、ハンガリーのブダペストで生まれたアコス・ロズマンは、バルトーク音楽院とリスト音楽院で作曲を学んだ。1971年に奨学金を得てストックホルムに渡り、ストックホルム王立音楽大学でイングヴァル・リドホルムに作曲を師事して修了し、スウェーデンに定住する。ストックホルムのカトリック大聖堂のオルガニストを長く務めた。早くから電子音響音楽に出会い、彼の作曲に新たな方向性を与えた。初期の数曲を除いて、ロズマンが作曲したのはもっぱら電気音響音楽であり、しばしば記念碑的な形式を好み、通常はオルガンと人間の声を最も重要な音源として、記号を満載した複雑で浸透性のある音楽言語を用いている。作曲家として、彼は不本意ながら隠遁生活を送り、妥協することなく、優れた独創性を発揮した。ロズマンの音楽は、存在の根本的な疑問について、しばしば倫理的または宗教的（カトリックや仏教）な根拠に基づいており、例えば、以前Ideologic Organからリリースされた巨大な組曲『夢と死のイメージ』と『12の駅』では、そのような疑問が示されている。" レーベルその他作品はこちら /// Click here to see more Shelter Press...
Sold Out
クイックビュー
{"id":7637751726330,"title":"Akos Rozmann \/\/ 12 Stations\/Tolv Stationer (1978-2001) 7xCD BOXSET","handle":"akos-rozmann-12-stations-tolv-stationer-1978-2001-7xcd-boxset","description":"\u003cp\u003eハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットがこの度再発。\u003c\/p\u003e\n\u003cp\u003e以下、Mark Harwoodによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアコス・ロズマン（1939-2005）はブダペストで生まれ、リスト音楽院でオルガンと作曲を学んだ。1971年から1974年までストックホルム王立音楽大学で作曲を学び、1978年からはストックホルムのカソリック大聖堂のオルガニストとして活躍した。生涯を通じてムジーク・コンクレートに専念し、あらゆる音楽のジャンルの中で最も錬金術的なこのジャンルにおいて、最も大規模で実りある作品群を作り上げた。80年代初頭には、カトリック大聖堂の地下に電子音響スタジオを建設し、その一方で、初期の傑作を生み出したEMS（Elektronmusikstudion スウェーデン）でも活動を継続した。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e音楽創作への揺るぎないこだわりを持つロズマン氏は、望む結果を得るために、窓のないスタジオに閉じこもって夜通し作業をすることもしばしばあった。彼は、自分のビジョンを完璧に表現することだけを考え、仲間からの承認や聴衆の満足は求めなかった。このようなビジョン、情熱、頑固さの組み合わせが、ミュージック・コンクリートという分野で最も特異なカタログを生み出すことになった。ハンガリーの作曲家ミクローシュ・マロスから、ピアノと声のための5分間の作品を依頼された。ロズマンは、ミクローシュの妻でソプラノ歌手のイロナ・マロスの録音と、彼自身のプリペアド・ピアノの実験からなるテープ作品を書くつもりで、この申し出を受けた。ここで録音された要素が「12 Stations」の素材となった。この作品は、当初の5分という短い時間から大きく飛び出し、20年後に6時間半を超える精神の旅路として着地したのである。この作曲プロセスは、初期段階から最終作品の完成まで18年間のギャップがあるため、ロズマン作品の中でもユニークなものとなっている。1978年から1980年にかけて作られた最初の段階は、スピードアップ、スローダウン、テープのカットやスプライシングといった伝統的なミュジック・コンクレートの技法の探求で構成されています。1998年から2001年にかけて制作された最後の4つのステーションは、デジタル技術を取り入れ、1978年のオリジナル録音の小さなセクションをエフェクト・プロセッサーにかけ、サンプラーキーボードで即興演奏しています。このようなギャップや、それぞれの制作期間で展開された異なる技術にもかかわらず、記念碑的な結果は完全で驚異的な全体として収まっている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eロズマンは、音源の制限の中で、オリジナルのピアノと声の録音から柔軟な音の世界を引き出す不思議な才能を発揮している。その結果、ダイナミックな音の渦が生まれ、20世紀における最も大胆で挑戦的、かつ見応えのあるムジーク・コンクレートの作品のひとつとなったのである。プロパティ・ルームパートIとIIは、シュトゥルム・ウント・ドランの広大な風景で始まる。ピアノと声のオリジナル素材は、攻撃的な異世界の雰囲気を呼び起こす手段として、分解・再構築されている。The Contents and Life of the Black Pit'は、重く堕落した声と狂乱したエレクトロニクスが最も不穏な方法で踊る広がりのある味付けでさらに外へとシフトしていく。The Abandonment of Hell'は、リスナーを洗練された衝撃的なオーディオの混乱に導き、明確な「音楽」の質を持つものである。この作品には、職人が静かに個々の要素を削ぎ落とし、以前は手に入れることのできなかった世界を手に入れようとしているのが感じられる。パートV「The Awakening」では、序盤のうなり声、腹鳴、不穏な声が、より天の声となり、下の異形のものを昇天させるように、ミックスに女性の形を埋め込んでいる。ロズマン氏は、「Twelve Stations」の最初の部分が「チベットの生命の輪」の解釈であることを以前に示唆していたが、作品の背後にある意味について典型的に曖昧な態度をとっていた。チベット仏教への関心と並行して、彼はカソリック教会への信仰を持ち続けていた。その結果、高揚したモチーフを持つこの曲は、地獄から天国への上昇と読むこともできるだろう。ロズマンが演奏する「The Celebrators」は、エンディングというより、ある種の継続として提示されている。短い音楽のリフレインは、声と音の屈折が鏡の回廊のように現れ、果てしなく螺旋状に広がっていくプリズムを思い起こさせる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eスケール、音色、テクニック、ムード、動きにおいて叙事詩的なこの作品は、20世紀のムジーク・コンクレーテのユニークな傑作であり、強烈にパーソナルで大胆な音の領域として、万人に開かれた過激なミサのような捧げ物として提示されている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e人間は放浪の旅を通して、さまざまな困難や苦しみに出会う。これらは、絶え間なく続く闘争の間にある力である。彼はこれらの力を制御し、主宰することはできない。嵐の中の雪片のように、上下に翻弄され、無力である。混沌とした思考と感情、喜びと苦しみは、始まりも終わりもない川のように途切れることなく流れている。これらはすべて自分の行いの結果である。しかし、この人生では、これらのことを簡単にするチャンスがある。 \u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1312392139\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eFinal pressing edition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e7 CD’s packaged in a hardcover slipcase with a pull ribbon, 20-page booklet containing an extensive essay on the composition by the scholar Gergely Loch, photos from the process and of scores and the composer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText \/ artist bio by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eMark Harwood\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Ákos Rózmann (1939-2005) was born in Budapest where he studied organ and composition at the Liszt Academy. From 1971 to 1974 he studied composition at the Royal College of Music in Stockholm and from 1978 he was an organist at the catholic cathedral in Stockholm. Throughout his life Rózmann dedicated himself to musique concrète developing one of the largest and most rewarding bodies of work in this, the most alchemical of all musical genres. In the early eighties, Rózmann started to build a private electroacoustic studio which he installed in the basement of the Catholic Cathedral whilst continuing to work in tandem at the Elektronmusikstudion (EMS Sweden) where he produced his earlier masterpieces.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith an unwavering commitment to the creation of music Rózmann would often lock himself up in his windowless studio working into the night in order to achieve the results he desired. He did not seek the approval of his peers nor the satisfaction of his audience with the only concern being the perfect articulation of his vision. This combination of vision, passion and stubbornness resulted in one of the most singular catalogues within the field of musique concrete. Commissioned by the Hungarian composer\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e Miklós Maros who requested a five-minute work for piano and voice. Rózmann accepted the offer with the intention of writing a tape piece made from recordings of Miklós’ wife, the soprano singer Ilona Maros’ and his own experiments with prepared piano. The elements recorded here became the source material for Twelve Stations, a work which flew far from the initial five minute brief to land 20 years later as a spirit stretching journey of more than 6 1\/2 hours. The compositional process is unique in Rózmann’s output due to the 18 year gap between the initial phase and completion of the final work. The first phase made between 1978-1980 consists of an exploration of traditional musique concrète techniques such as speeding up, slowing down, cutting and splicing tape. The last four stations made between 1998-2001 embrace digital technology where small sections of the original recordings from 1978 were fed through an effects processor and improvised on a sampler keyboard. Despite this gap and the different techniques deployed at each period of creation the monumental result sits as a complete and staggering whole.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWithin the set limitations of the source material Rózmann’s skill unfolds in an uncanny ability to coax a vast world of flexible sound from the original piano and voice recordings. The result is a maelstrom of dynamic audio and one of the most daring, challenging and rewarding works of musique concrète from the 20th Century. ‘Property – Room’ parts I and II initiate proceedings with a vast landscape of Sturm und Drang. The original material of piano and voice are dissected and reconstructed as a means of evoking an aggressive otherworldly atmosphere. ‘The Contents and Life of the Black Pit’ shifts further outside with an expansive palate of heavily corrupted voice and frenzied electronics dancing in a most unsettling fashion. ‘The Abandonment of Hell’ leads the listener into a sophisticated and shocking melange of audio disorientation, one with a distinct ‘musical’ quality. One senses a master craftsman quietly whittling away at the individual elements in order to harness the previously unobtainable world within. Part V ‘The Awakening’ implants female forms in the mix as the growling, belching, disturbing voices of the early sequences are replaced with more heavenly voices ascending the malformed matter below. Rózmann was typically ambiguous about the meaning behind his work despite suggesting earlier that the first part of ‘Twelve Stations’ was an interpretation of the ‘Tibetan Wheel of Life’. Alongside his interest in Tibetan Buddhism he maintained his following of the catholic church and as a consequence one may also read this sequence, with its uplifting motifs as an ascent from hell into heaven. Rózmann concludes proceedings with ‘The Celebrators’, which presents itself not as an ending but rather a continuation of sorts. A short musical refrain conjures a prism where refractions of voice and sound appear like a hall of mirrors, spiralling onwards and outwards, without end.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEpic in scale, timbre, technique, mood and movement, Twelve Stations is a unique masterpiece of 20th Century musique concrète and presents itself as an intensely personal and bold realm of sound, an offering as such, a radical mass open to all.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMan meets different difficulties and sufferings through his wandering. These are forces between which a continuous struggle is going on. He cannot control and preside over these forces. He is being tossed up and down, powerless, like snowflakes in the storm: chaotic thoughts and feelings, gladness and suffering, which flow without intermission like a river that has no beginning nor end. All these are the fruits of our own deeds. However, in this life you have the chance to make easier those life wanderings that are to come. - Rózmann (from the programme notes for the 1984 premiere of the first seven stations).\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akos Rozmann\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdeologic Organ\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-06-12T07:55:49+09:00","created_at":"2022-06-11T13:52:21+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","monooto","shelter press"],"price":798000,"price_min":798000,"price_max":798000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42862353383674,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akos Rozmann \/\/ 12 Stations\/Tolv Stationer (1978-2001) 7xCD BOXSET","public_title":null,"options":["Default Title"],"price":798000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/akos-rozmann-12-stations-tolv-statione.jpg.250.jpg?v=1654923142","\/\/tobirarecords.com\/cdn\/shop\/products\/av.jpg?v=1654923143"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/akos-rozmann-12-stations-tolv-statione.jpg.250.jpg?v=1654923142","options":["Title"],"media":[{"alt":null,"id":29869699989754,"position":1,"preview_image":{"aspect_ratio":1.0,"height":250,"width":250,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/akos-rozmann-12-stations-tolv-statione.jpg.250.jpg?v=1654923142"},"aspect_ratio":1.0,"height":250,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/akos-rozmann-12-stations-tolv-statione.jpg.250.jpg?v=1654923142","width":250},{"alt":null,"id":29869700022522,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/av.jpg?v=1654923143"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/av.jpg?v=1654923143","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットがこの度再発。\u003c\/p\u003e\n\u003cp\u003e以下、Mark Harwoodによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアコス・ロズマン（1939-2005）はブダペストで生まれ、リスト音楽院でオルガンと作曲を学んだ。1971年から1974年までストックホルム王立音楽大学で作曲を学び、1978年からはストックホルムのカソリック大聖堂のオルガニストとして活躍した。生涯を通じてムジーク・コンクレートに専念し、あらゆる音楽のジャンルの中で最も錬金術的なこのジャンルにおいて、最も大規模で実りある作品群を作り上げた。80年代初頭には、カトリック大聖堂の地下に電子音響スタジオを建設し、その一方で、初期の傑作を生み出したEMS（Elektronmusikstudion スウェーデン）でも活動を継続した。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e音楽創作への揺るぎないこだわりを持つロズマン氏は、望む結果を得るために、窓のないスタジオに閉じこもって夜通し作業をすることもしばしばあった。彼は、自分のビジョンを完璧に表現することだけを考え、仲間からの承認や聴衆の満足は求めなかった。このようなビジョン、情熱、頑固さの組み合わせが、ミュージック・コンクリートという分野で最も特異なカタログを生み出すことになった。ハンガリーの作曲家ミクローシュ・マロスから、ピアノと声のための5分間の作品を依頼された。ロズマンは、ミクローシュの妻でソプラノ歌手のイロナ・マロスの録音と、彼自身のプリペアド・ピアノの実験からなるテープ作品を書くつもりで、この申し出を受けた。ここで録音された要素が「12 Stations」の素材となった。この作品は、当初の5分という短い時間から大きく飛び出し、20年後に6時間半を超える精神の旅路として着地したのである。この作曲プロセスは、初期段階から最終作品の完成まで18年間のギャップがあるため、ロズマン作品の中でもユニークなものとなっている。1978年から1980年にかけて作られた最初の段階は、スピードアップ、スローダウン、テープのカットやスプライシングといった伝統的なミュジック・コンクレートの技法の探求で構成されています。1998年から2001年にかけて制作された最後の4つのステーションは、デジタル技術を取り入れ、1978年のオリジナル録音の小さなセクションをエフェクト・プロセッサーにかけ、サンプラーキーボードで即興演奏しています。このようなギャップや、それぞれの制作期間で展開された異なる技術にもかかわらず、記念碑的な結果は完全で驚異的な全体として収まっている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eロズマンは、音源の制限の中で、オリジナルのピアノと声の録音から柔軟な音の世界を引き出す不思議な才能を発揮している。その結果、ダイナミックな音の渦が生まれ、20世紀における最も大胆で挑戦的、かつ見応えのあるムジーク・コンクレートの作品のひとつとなったのである。プロパティ・ルームパートIとIIは、シュトゥルム・ウント・ドランの広大な風景で始まる。ピアノと声のオリジナル素材は、攻撃的な異世界の雰囲気を呼び起こす手段として、分解・再構築されている。The Contents and Life of the Black Pit'は、重く堕落した声と狂乱したエレクトロニクスが最も不穏な方法で踊る広がりのある味付けでさらに外へとシフトしていく。The Abandonment of Hell'は、リスナーを洗練された衝撃的なオーディオの混乱に導き、明確な「音楽」の質を持つものである。この作品には、職人が静かに個々の要素を削ぎ落とし、以前は手に入れることのできなかった世界を手に入れようとしているのが感じられる。パートV「The Awakening」では、序盤のうなり声、腹鳴、不穏な声が、より天の声となり、下の異形のものを昇天させるように、ミックスに女性の形を埋め込んでいる。ロズマン氏は、「Twelve Stations」の最初の部分が「チベットの生命の輪」の解釈であることを以前に示唆していたが、作品の背後にある意味について典型的に曖昧な態度をとっていた。チベット仏教への関心と並行して、彼はカソリック教会への信仰を持ち続けていた。その結果、高揚したモチーフを持つこの曲は、地獄から天国への上昇と読むこともできるだろう。ロズマンが演奏する「The Celebrators」は、エンディングというより、ある種の継続として提示されている。短い音楽のリフレインは、声と音の屈折が鏡の回廊のように現れ、果てしなく螺旋状に広がっていくプリズムを思い起こさせる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eスケール、音色、テクニック、ムード、動きにおいて叙事詩的なこの作品は、20世紀のムジーク・コンクレーテのユニークな傑作であり、強烈にパーソナルで大胆な音の領域として、万人に開かれた過激なミサのような捧げ物として提示されている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e人間は放浪の旅を通して、さまざまな困難や苦しみに出会う。これらは、絶え間なく続く闘争の間にある力である。彼はこれらの力を制御し、主宰することはできない。嵐の中の雪片のように、上下に翻弄され、無力である。混沌とした思考と感情、喜びと苦しみは、始まりも終わりもない川のように途切れることなく流れている。これらはすべて自分の行いの結果である。しかし、この人生では、これらのことを簡単にするチャンスがある。 \u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1312392139\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eFinal pressing edition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e7 CD’s packaged in a hardcover slipcase with a pull ribbon, 20-page booklet containing an extensive essay on the composition by the scholar Gergely Loch, photos from the process and of scores and the composer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText \/ artist bio by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eMark Harwood\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Ákos Rózmann (1939-2005) was born in Budapest where he studied organ and composition at the Liszt Academy. From 1971 to 1974 he studied composition at the Royal College of Music in Stockholm and from 1978 he was an organist at the catholic cathedral in Stockholm. Throughout his life Rózmann dedicated himself to musique concrète developing one of the largest and most rewarding bodies of work in this, the most alchemical of all musical genres. In the early eighties, Rózmann started to build a private electroacoustic studio which he installed in the basement of the Catholic Cathedral whilst continuing to work in tandem at the Elektronmusikstudion (EMS Sweden) where he produced his earlier masterpieces.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith an unwavering commitment to the creation of music Rózmann would often lock himself up in his windowless studio working into the night in order to achieve the results he desired. He did not seek the approval of his peers nor the satisfaction of his audience with the only concern being the perfect articulation of his vision. This combination of vision, passion and stubbornness resulted in one of the most singular catalogues within the field of musique concrete. Commissioned by the Hungarian composer\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e Miklós Maros who requested a five-minute work for piano and voice. Rózmann accepted the offer with the intention of writing a tape piece made from recordings of Miklós’ wife, the soprano singer Ilona Maros’ and his own experiments with prepared piano. The elements recorded here became the source material for Twelve Stations, a work which flew far from the initial five minute brief to land 20 years later as a spirit stretching journey of more than 6 1\/2 hours. The compositional process is unique in Rózmann’s output due to the 18 year gap between the initial phase and completion of the final work. The first phase made between 1978-1980 consists of an exploration of traditional musique concrète techniques such as speeding up, slowing down, cutting and splicing tape. The last four stations made between 1998-2001 embrace digital technology where small sections of the original recordings from 1978 were fed through an effects processor and improvised on a sampler keyboard. Despite this gap and the different techniques deployed at each period of creation the monumental result sits as a complete and staggering whole.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWithin the set limitations of the source material Rózmann’s skill unfolds in an uncanny ability to coax a vast world of flexible sound from the original piano and voice recordings. The result is a maelstrom of dynamic audio and one of the most daring, challenging and rewarding works of musique concrète from the 20th Century. ‘Property – Room’ parts I and II initiate proceedings with a vast landscape of Sturm und Drang. The original material of piano and voice are dissected and reconstructed as a means of evoking an aggressive otherworldly atmosphere. ‘The Contents and Life of the Black Pit’ shifts further outside with an expansive palate of heavily corrupted voice and frenzied electronics dancing in a most unsettling fashion. ‘The Abandonment of Hell’ leads the listener into a sophisticated and shocking melange of audio disorientation, one with a distinct ‘musical’ quality. One senses a master craftsman quietly whittling away at the individual elements in order to harness the previously unobtainable world within. Part V ‘The Awakening’ implants female forms in the mix as the growling, belching, disturbing voices of the early sequences are replaced with more heavenly voices ascending the malformed matter below. Rózmann was typically ambiguous about the meaning behind his work despite suggesting earlier that the first part of ‘Twelve Stations’ was an interpretation of the ‘Tibetan Wheel of Life’. Alongside his interest in Tibetan Buddhism he maintained his following of the catholic church and as a consequence one may also read this sequence, with its uplifting motifs as an ascent from hell into heaven. Rózmann concludes proceedings with ‘The Celebrators’, which presents itself not as an ending but rather a continuation of sorts. A short musical refrain conjures a prism where refractions of voice and sound appear like a hall of mirrors, spiralling onwards and outwards, without end.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEpic in scale, timbre, technique, mood and movement, Twelve Stations is a unique masterpiece of 20th Century musique concrète and presents itself as an intensely personal and bold realm of sound, an offering as such, a radical mass open to all.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMan meets different difficulties and sufferings through his wandering. These are forces between which a continuous struggle is going on. He cannot control and preside over these forces. He is being tossed up and down, powerless, like snowflakes in the storm: chaotic thoughts and feelings, gladness and suffering, which flow without intermission like a river that has no beginning nor end. All these are the fruits of our own deeds. However, in this life you have the chance to make easier those life wanderings that are to come. - Rózmann (from the programme notes for the 1984 premiere of the first seven stations).\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akos Rozmann\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdeologic Organ\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
ハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットがこの度再発。 以下、Mark Harwoodによる解説です。 アコス・ロズマン（1939-2005）はブダペストで生まれ、リスト音楽院でオルガンと作曲を学んだ。1971年から1974年までストックホルム王立音楽大学で作曲を学び、1978年からはストックホルムのカソリック大聖堂のオルガニストとして活躍した。生涯を通じてムジーク・コンクレートに専念し、あらゆる音楽のジャンルの中で最も錬金術的なこのジャンルにおいて、最も大規模で実りある作品群を作り上げた。80年代初頭には、カトリック大聖堂の地下に電子音響スタジオを建設し、その一方で、初期の傑作を生み出したEMS（Elektronmusikstudion スウェーデン）でも活動を継続した。音楽創作への揺るぎないこだわりを持つロズマン氏は、望む結果を得るために、窓のないスタジオに閉じこもって夜通し作業をすることもしばしばあった。彼は、自分のビジョンを完璧に表現することだけを考え、仲間からの承認や聴衆の満足は求めなかった。このようなビジョン、情熱、頑固さの組み合わせが、ミュージック・コンクリートという分野で最も特異なカタログを生み出すことになった。ハンガリーの作曲家ミクローシュ・マロスから、ピアノと声のための5分間の作品を依頼された。ロズマンは、ミクローシュの妻でソプラノ歌手のイロナ・マロスの録音と、彼自身のプリペアド・ピアノの実験からなるテープ作品を書くつもりで、この申し出を受けた。ここで録音された要素が「12 Stations」の素材となった。この作品は、当初の5分という短い時間から大きく飛び出し、20年後に6時間半を超える精神の旅路として着地したのである。この作曲プロセスは、初期段階から最終作品の完成まで18年間のギャップがあるため、ロズマン作品の中でもユニークなものとなっている。1978年から1980年にかけて作られた最初の段階は、スピードアップ、スローダウン、テープのカットやスプライシングといった伝統的なミュジック・コンクレートの技法の探求で構成されています。1998年から2001年にかけて制作された最後の4つのステーションは、デジタル技術を取り入れ、1978年のオリジナル録音の小さなセクションをエフェクト・プロセッサーにかけ、サンプラーキーボードで即興演奏しています。このようなギャップや、それぞれの制作期間で展開された異なる技術にもかかわらず、記念碑的な結果は完全で驚異的な全体として収まっている。ロズマンは、音源の制限の中で、オリジナルのピアノと声の録音から柔軟な音の世界を引き出す不思議な才能を発揮している。その結果、ダイナミックな音の渦が生まれ、20世紀における最も大胆で挑戦的、かつ見応えのあるムジーク・コンクレートの作品のひとつとなったのである。プロパティ・ルームパートIとIIは、シュトゥルム・ウント・ドランの広大な風景で始まる。ピアノと声のオリジナル素材は、攻撃的な異世界の雰囲気を呼び起こす手段として、分解・再構築されている。The Contents and Life of the Black...
Sold Out
クイックビュー
{"id":7637747007738,"title":"claire rousay \/\/ everything perfect is already here LP \/ CD","handle":"claire-rousay-everything-perfect-is-already-here-lp-cd","description":"\u003cp\u003e 過去にorangemilkなどから発表しているアメリカ・テキサスのアンビエント作家claire rousayが、2022年4月にフランスの実験レーベルShelter Pressからリリースした最新アルバムです。\u003c\/p\u003e\n\u003cp\u003eロングフォームのネオクラシカル・アンビエント2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=481327857\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eBlack vinyl edition of 900. Includes DL code.\u003cbr\u003eCD edition of 500.\u003c\/p\u003e\n\u003cp\u003eText by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eWhen words trail off at the beginning of claire rousay’s “everything perfect is already here,” ornate instrumentation is waiting to fill a void left by the breakdown of language. Yet it becomes clear as we trace rousay’s collaged sonic pathway that breakdown, of meaning and also of melody, is also a place to rest. everything perfect… is made up of two extended compositions that cycle between familiarity and unknowing. There are seemingly infinite ways to feel in response to these pieces of music, which shift tone across their languid duration, earnest like a familiar song but unbound from the emotional didacticisms of lyrical voice and pop form.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003erousay builds a fluid landscape around the acoustic contributions of Alex Cunningham (violin), Mari Maurice (electronics and violin), Marilu Donovan (harp), and Theodore Cale Schafer (piano), whose respective melodies weave gently in and out, sometimes steady, sometimes aching, sometimes receding altogether in deference to less overtly musical sounds. That is, percussive texture in the form of unvarnished samples and field recordings: the rattle and rustle and the stops and starts of life unfurling, voices sharing memories nearly out of reach, doors closing, wind against a microphone. Everything comes from somewhere in particular, possessing the veneer of the\u003cspan class=\"bcTruncateMore\"\u003e diaristic, but sound’s provenance is secondary here and so these details become tangled and fused. On this release I hear such details not as individual ornaments or stories but the collective architecture of the greater composition. It’s an architecture that is not quite formed and thus full of openings out to the world unfolding.\u003cbr\u003e\u003cbr\u003e“The world unfolding,” that’s a kind way of saying change, movement, loss, transformation. Things rousay here indexes, not without shards of desire or pain, still somehow what I hear is coarse peace in the in-between. These two pieces sweep you away and then bring you to earth, but which is which, anyway? Where am I now? What is different outside of me? What is different inside of me? Um. I think. everything is perfect is already here, like the answers to these questions, is loose and beautiful in surprising ways.\u003cbr\u003e\u003cbr\u003eThe music guides a certain experience of the world around. In claire’s music there is this marriage—not just a pairing or juxtaposition but an interrelationship, an eventual confusion—of song\/texture, narrative\/abstraction, figure\/ground. Everything comes from somewhere in particular but not just the voices, the field recordings, the what is being said or meant, what matters is “the where you are now.” There are so many ways of anchoring oneself in the present, some have to do with fantasy or storytelling and some with accepting what is.\u003cbr\u003e\u003cbr\u003eThese two compositions find peace between these modes. They sweep you away and then bring you to earth, but which is which, anyway? Their mode of feeling is inquisitive. Where am I now? What has changed outside of me? What has changed inside of me? The music, like the answers to these questions, is loose and beautiful in surprising ways.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : claire rousay\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e","published_at":"2022-06-12T07:45:35+09:00","created_at":"2022-06-11T13:43:52+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","lp","neo classical","shelter press"],"price":245000,"price_min":245000,"price_max":319000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42862326382842,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37295817326842,"product_id":7637747007738,"position":2,"created_at":"2022-06-11T13:43:52+09:00","updated_at":"2022-06-11T13:43:54+09:00","alt":null,"width":1200,"height":902,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev2_f54ddda6-b5a3-41c2-be52-98bf5e482b02.jpg?v=1654922634","variant_ids":[42862326382842]},"available":false,"name":"claire rousay \/\/ everything perfect is already here LP \/ CD - LP","public_title":"LP","options":["LP"],"price":319000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":29869664141562,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev2_f54ddda6-b5a3-41c2-be52-98bf5e482b02.jpg?v=1654922634"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":42862326415610,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37295817294074,"product_id":7637747007738,"position":3,"created_at":"2022-06-11T13:43:52+09:00","updated_at":"2022-06-11T13:43:53+09:00","alt":null,"width":1200,"height":856,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev3_532b403f-f000-4474-97dc-10e25be69417.jpg?v=1654922633","variant_ids":[42862326415610]},"available":false,"name":"claire rousay \/\/ everything perfect is already here LP \/ CD - CD","public_title":"CD","options":["CD"],"price":245000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":29869664174330,"position":3,"preview_image":{"aspect_ratio":1.402,"height":856,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev3_532b403f-f000-4474-97dc-10e25be69417.jpg?v=1654922633"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ev1_79378221-4fa6-401e-9127-fb56d3981ac5.jpg?v=1654922633","\/\/tobirarecords.com\/cdn\/shop\/products\/ev2_f54ddda6-b5a3-41c2-be52-98bf5e482b02.jpg?v=1654922634","\/\/tobirarecords.com\/cdn\/shop\/products\/ev3_532b403f-f000-4474-97dc-10e25be69417.jpg?v=1654922633"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev1_79378221-4fa6-401e-9127-fb56d3981ac5.jpg?v=1654922633","options":["format"],"media":[{"alt":null,"id":29869664108794,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev1_79378221-4fa6-401e-9127-fb56d3981ac5.jpg?v=1654922633"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev1_79378221-4fa6-401e-9127-fb56d3981ac5.jpg?v=1654922633","width":700},{"alt":null,"id":29869664141562,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev2_f54ddda6-b5a3-41c2-be52-98bf5e482b02.jpg?v=1654922634"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev2_f54ddda6-b5a3-41c2-be52-98bf5e482b02.jpg?v=1654922634","width":1200},{"alt":null,"id":29869664174330,"position":3,"preview_image":{"aspect_ratio":1.402,"height":856,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev3_532b403f-f000-4474-97dc-10e25be69417.jpg?v=1654922633"},"aspect_ratio":1.402,"height":856,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev3_532b403f-f000-4474-97dc-10e25be69417.jpg?v=1654922633","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e 過去にorangemilkなどから発表しているアメリカ・テキサスのアンビエント作家claire rousayが、2022年4月にフランスの実験レーベルShelter Pressからリリースした最新アルバムです。\u003c\/p\u003e\n\u003cp\u003eロングフォームのネオクラシカル・アンビエント2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=481327857\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eBlack vinyl edition of 900. Includes DL code.\u003cbr\u003eCD edition of 500.\u003c\/p\u003e\n\u003cp\u003eText by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eWhen words trail off at the beginning of claire rousay’s “everything perfect is already here,” ornate instrumentation is waiting to fill a void left by the breakdown of language. Yet it becomes clear as we trace rousay’s collaged sonic pathway that breakdown, of meaning and also of melody, is also a place to rest. everything perfect… is made up of two extended compositions that cycle between familiarity and unknowing. There are seemingly infinite ways to feel in response to these pieces of music, which shift tone across their languid duration, earnest like a familiar song but unbound from the emotional didacticisms of lyrical voice and pop form.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003erousay builds a fluid landscape around the acoustic contributions of Alex Cunningham (violin), Mari Maurice (electronics and violin), Marilu Donovan (harp), and Theodore Cale Schafer (piano), whose respective melodies weave gently in and out, sometimes steady, sometimes aching, sometimes receding altogether in deference to less overtly musical sounds. That is, percussive texture in the form of unvarnished samples and field recordings: the rattle and rustle and the stops and starts of life unfurling, voices sharing memories nearly out of reach, doors closing, wind against a microphone. Everything comes from somewhere in particular, possessing the veneer of the\u003cspan class=\"bcTruncateMore\"\u003e diaristic, but sound’s provenance is secondary here and so these details become tangled and fused. On this release I hear such details not as individual ornaments or stories but the collective architecture of the greater composition. It’s an architecture that is not quite formed and thus full of openings out to the world unfolding.\u003cbr\u003e\u003cbr\u003e“The world unfolding,” that’s a kind way of saying change, movement, loss, transformation. Things rousay here indexes, not without shards of desire or pain, still somehow what I hear is coarse peace in the in-between. These two pieces sweep you away and then bring you to earth, but which is which, anyway? Where am I now? What is different outside of me? What is different inside of me? Um. I think. everything is perfect is already here, like the answers to these questions, is loose and beautiful in surprising ways.\u003cbr\u003e\u003cbr\u003eThe music guides a certain experience of the world around. In claire’s music there is this marriage—not just a pairing or juxtaposition but an interrelationship, an eventual confusion—of song\/texture, narrative\/abstraction, figure\/ground. Everything comes from somewhere in particular but not just the voices, the field recordings, the what is being said or meant, what matters is “the where you are now.” There are so many ways of anchoring oneself in the present, some have to do with fantasy or storytelling and some with accepting what is.\u003cbr\u003e\u003cbr\u003eThese two compositions find peace between these modes. They sweep you away and then bring you to earth, but which is which, anyway? Their mode of feeling is inquisitive. Where am I now? What has changed outside of me? What has changed inside of me? The music, like the answers to these questions, is loose and beautiful in surprising ways.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : claire rousay\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e"}
You may also like:
過去にorangemilkなどから発表しているアメリカ・テキサスのアンビエント作家claire rousayが、2022年4月にフランスの実験レーベルShelter Pressからリリースした最新アルバムです。 ロングフォームのネオクラシカル・アンビエント2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ...
Sold Out
クイックビュー
{"id":7450471956730,"title":"Ai Aso \/\/ Lone LP","handle":"ai-aso-lone-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e東京のサイケデリック・SSW\u003cmeta charset=\"utf-8\"\u003e朝生愛のライブ盤です。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2012年11月3日代官山UNITで行われたライブを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e浮遊感のあるポップ7曲を収録。Stephen O'Malley監修によるレーベルideologic organからのリリースです。\u003c\/span\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1231337233\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by Ideologic Organ:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Tokyo’s Ai Aso (朝生愛, Asō Ai) is a Japanese psychedelic pop singer-songwriter whose work has a whisper-thin acid folk quality to it. She started performing as a solo singer around 2000. Her solo work, infrequent collaborations with White Heaven members You Ishihara and Michio Kurihara, Yurayura Teikoku, and Boris bring a level of fragility and hypnotism to the stage recalling lost memories, small flavors of COIL and serial playing on the verge of evaporation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs for her recent activities, she has performed on bills together with Sunn O))), Boris, Masaki Batoh (Ghost), Touri Kudoh, Kim Doo Soo, Mark Fry, Simon Finn etc.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ai Aso\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e","published_at":"2021-11-17T07:24:26+09:00","created_at":"2021-11-15T16:49:03+09:00","vendor":"Tobira Records","type":"","tags":["asia","folk \/ left-field pop","lp","shelter press"],"price":315000,"price_min":315000,"price_max":315000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057997189370,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ai Aso \/\/ Lone LP","public_title":null,"options":["Default Title"],"price":315000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/lon1_1b9008ed-a1e1-4f01-a078-c642c42c3d38.jpg?v=1636962545","\/\/tobirarecords.com\/cdn\/shop\/products\/lon2_6b0ebc18-e6e7-445b-b6ee-85a281af14eb.jpg?v=1636962545"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/lon1_1b9008ed-a1e1-4f01-a078-c642c42c3d38.jpg?v=1636962545","options":["Title"],"media":[{"alt":null,"id":26931365642490,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lon1_1b9008ed-a1e1-4f01-a078-c642c42c3d38.jpg?v=1636962545"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lon1_1b9008ed-a1e1-4f01-a078-c642c42c3d38.jpg?v=1636962545","width":700},{"alt":null,"id":26931365675258,"position":2,"preview_image":{"aspect_ratio":1.397,"height":859,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lon2_6b0ebc18-e6e7-445b-b6ee-85a281af14eb.jpg?v=1636962545"},"aspect_ratio":1.397,"height":859,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lon2_6b0ebc18-e6e7-445b-b6ee-85a281af14eb.jpg?v=1636962545","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e東京のサイケデリック・SSW\u003cmeta charset=\"utf-8\"\u003e朝生愛のライブ盤です。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2012年11月3日代官山UNITで行われたライブを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e浮遊感のあるポップ7曲を収録。Stephen O'Malley監修によるレーベルideologic organからのリリースです。\u003c\/span\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1231337233\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by Ideologic Organ:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Tokyo’s Ai Aso (朝生愛, Asō Ai) is a Japanese psychedelic pop singer-songwriter whose work has a whisper-thin acid folk quality to it. She started performing as a solo singer around 2000. Her solo work, infrequent collaborations with White Heaven members You Ishihara and Michio Kurihara, Yurayura Teikoku, and Boris bring a level of fragility and hypnotism to the stage recalling lost memories, small flavors of COIL and serial playing on the verge of evaporation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs for her recent activities, she has performed on bills together with Sunn O))), Boris, Masaki Batoh (Ghost), Touri Kudoh, Kim Doo Soo, Mark Fry, Simon Finn etc.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ai Aso\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e"}
You may also like:
東京のサイケデリック・SSW朝生愛のライブ盤です。2012年11月3日代官山UNITで行われたライブを収録。 浮遊感のあるポップ7曲を収録。Stephen O'Malley監修によるレーベルideologic organからのリリースです。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ...
Sold Out
クイックビュー
{"id":7450468286714,"title":"Kukangendai \/\/ Palm LP","handle":"kukangendai-palm-lp","description":"\u003cp\u003e京都を拠点に活動する３ピースミニマルロックバンド空間現代が、2019年にリリースしたアルバム。タイトな楽曲6曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=470443803\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eText by Stephen O’Malley, February 2019, Paris:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e'Kukangendai is a kick ass rock trio from Kyoto (Tokyo transplants). When I first hear this band live I was instantly transfixed by their minimalist yet illusory primitive, polyrythmic and structural, memory evoking rock narratives. Their energy is completely and transparently palpable yet handled with restraint of the pleasure of a disciplined form dealing with time and articulation. They are a power trio of bass, drums and guitar but the music they play is as much the limbic system of a forest than it is a geode. They started in 2006. They left Tokyo to Kyoto and started the cult venue Soto (“Outside”) “to listen to music they hadn’t heard yet” a few years later. They collaborated with Ryuichi Sakamoto last year. They reminded me of James Brown on a heavy binge of Bastro, there’s a deep current of both archaic musical tastes and the human desire for articulating that archaism in there, but you shake your ass and get the shouting in… in a punk basement … 13th century version of Breadwinner, the bare soul version. I’m honoured and proud to work with this tribe, and to count them amongst friends.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kukangendai\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e","published_at":"2021-11-17T08:01:51+09:00","created_at":"2021-11-15T16:44:18+09:00","vendor":"Tobira Records","type":"","tags":["asia","folk \/ left-field pop","lp","shelter press"],"price":315000,"price_min":315000,"price_max":315000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057993060602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Kukangendai \/\/ Palm LP","public_title":null,"options":["Default Title"],"price":315000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ku1_491eaba1-8c86-4967-b875-d9a2f1bc19b9.jpg?v=1636962260","\/\/tobirarecords.com\/cdn\/shop\/products\/ku2_49a595bb-9b13-407c-9058-2c186488b3d3.jpg?v=1636962260"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ku1_491eaba1-8c86-4967-b875-d9a2f1bc19b9.jpg?v=1636962260","options":["Title"],"media":[{"alt":null,"id":26931350339834,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ku1_491eaba1-8c86-4967-b875-d9a2f1bc19b9.jpg?v=1636962260"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ku1_491eaba1-8c86-4967-b875-d9a2f1bc19b9.jpg?v=1636962260","width":700},{"alt":null,"id":26931350372602,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ku2_49a595bb-9b13-407c-9058-2c186488b3d3.jpg?v=1636962260"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ku2_49a595bb-9b13-407c-9058-2c186488b3d3.jpg?v=1636962260","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e京都を拠点に活動する３ピースミニマルロックバンド空間現代が、2019年にリリースしたアルバム。タイトな楽曲6曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=470443803\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eText by Stephen O’Malley, February 2019, Paris:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e'Kukangendai is a kick ass rock trio from Kyoto (Tokyo transplants). When I first hear this band live I was instantly transfixed by their minimalist yet illusory primitive, polyrythmic and structural, memory evoking rock narratives. Their energy is completely and transparently palpable yet handled with restraint of the pleasure of a disciplined form dealing with time and articulation. They are a power trio of bass, drums and guitar but the music they play is as much the limbic system of a forest than it is a geode. They started in 2006. They left Tokyo to Kyoto and started the cult venue Soto (“Outside”) “to listen to music they hadn’t heard yet” a few years later. They collaborated with Ryuichi Sakamoto last year. They reminded me of James Brown on a heavy binge of Bastro, there’s a deep current of both archaic musical tastes and the human desire for articulating that archaism in there, but you shake your ass and get the shouting in… in a punk basement … 13th century version of Breadwinner, the bare soul version. I’m honoured and proud to work with this tribe, and to count them amongst friends.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kukangendai\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e"}
You may also like:
京都を拠点に活動する３ピースミニマルロックバンド空間現代が、2019年にリリースしたアルバム。タイトな楽曲6曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases available at Tobira. ...
Sold Out
クイックビュー
{"id":7450467074298,"title":"Ustad Zia Mohiuddin Dagar \/\/ Raga Yaman (Rudra Veena \/\/ Seattle \/\/ 15 March 1986) 2xLP","handle":"ustad-zia-mohiuddin-dagar-raga-yaman-rudra-veena-seattle-15-march-1986-2xlp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eインドの伝統的な歌唱法ドゥルパドのマスターUstad Zia Mohiuddin Dagarの\u003cmeta charset=\"utf-8\"\u003e1986年ライブ音源を収録した2枚組みレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=738229571\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eGatefold cover.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eStephen O'Malley, March 2018, Paris, France:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Around ten years ago, deep into a cozy and hazy night following a concert with my sound brothers Daniel O'Sullivan and Kristoffer Rygg in London (as Æthenor), they graciously introduced me to a recording of rudra veena (a kind of noble deeper bass relative to the sitar, in a way) as performed by dhrupad master Zia Mohiuddin Dagar.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDhrupad, for those who do not know, is a branch of Hindustani classical music said to \"show the raga in its clearest and purest form\". It's pacing concentrates heavily on the slow, contemplative alap section and works with specific microtonal gestures and deep characteristics of resonance ... in short I was hooked on this new (to me) and ancient form of music from the first listen, and feel that a more or less continual listening \u0026amp; reviewing of Zia Mohiuddin Dagar's recordings in the years that followed have influenced my own approach to music quite heavily (if, albeit\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, indirectly).\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn early 2015 I was able to make contact with Zia Mohiuddin Dagar's son Bahauddin and some of his American students\/disciples, primarily Jeff Lewis. Over time we developed a friendly and educational exchange, access a massive archive of recordings and developed these two paired titles for my label. It's been a long path to arrive at actually releasing them but also probably in many ways one of the most significant releases I've worked on. And I'm proud to be able to reveal these to date unreleased archival recordings of one of the masters of dhrupad, Z. M. Dagar, to the public for the first time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eZia Mohiuddin Dagar was the nineteenth generation in a family tradition known as Dagar gharana, a rich lineage which continued and performed the musical form of dhrupad (Bahauddin Dagar continues the lineage as a master rudra veena dhrupad player of note today). Initially, dhrupad was a rigorous, austere, devotional genre that was sung in Hindu temples. But between the 16th and the 18th centuries, it became the preeminent genre in royal courts in North and Central India, and the Dagar gharana developed and continued publicly following the eventual loss of court patronage for dhrupad in the 19th century. The French ethnomusicologist Renaud Brizard covers the story of Zia Mohiuddin Dagar's life and teaching (a long story also in Seattle, my hometown!), the Dagar family and gharana, the rudra veena and more topics in an extensive set of liner notes in this release.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRaga Yaman was recorded at a public concert in Seattle at the HUB Ballroom at the University of Washington in March 1986 (the week after the accompanying release SOMA028 Ragas Abhogi \u0026amp; Vardhani was recorded) at the end of his last tour of the United States. Yaman was a special raga for Zia Mohiuddin Dagar, one of his signature raags. For centuries, Yaman has been considered as one of the most fundamental ragas in Hindustani music and is one of the first ragas which is taught to students. A deep knowledge of Yaman gives a key for understanding many other ragas. It's filled with tranquility, contemplation, pathos and spiritual yearning.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eTracklist:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eRaga Yaman\u003cbr\u003e1) Alap\u003cbr\u003e2) Jod\u003cbr\u003e3) Jhala\u003cbr\u003e4) Gat (Composition in Chautal)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ustad Zia Mohiuddin Dagar \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdeologic Organ\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-17T17:03:19+09:00","created_at":"2021-11-15T16:41:38+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","shelter press"],"price":388000,"price_min":388000,"price_max":388000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057991979258,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ustad Zia Mohiuddin Dagar \/\/ Raga Yaman (Rudra Veena \/\/ Seattle \/\/ 15 March 1986) 2xLP","public_title":null,"options":["Default Title"],"price":388000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2021-11-15at4.38.11pm.png?v=1636962100","\/\/tobirarecords.com\/cdn\/shop\/products\/u1_04683727-c804-4883-835d-2ddda57133ed.jpg?v=1636962405"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2021-11-15at4.38.11pm.png?v=1636962100","options":["Title"],"media":[{"alt":null,"id":26931345555706,"position":1,"preview_image":{"aspect_ratio":0.998,"height":499,"width":498,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2021-11-15at4.38.11pm.png?v=1636962100"},"aspect_ratio":0.998,"height":499,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2021-11-15at4.38.11pm.png?v=1636962100","width":498},{"alt":null,"id":26931359187194,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/u1_04683727-c804-4883-835d-2ddda57133ed.jpg?v=1636962405"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/u1_04683727-c804-4883-835d-2ddda57133ed.jpg?v=1636962405","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eインドの伝統的な歌唱法ドゥルパドのマスターUstad Zia Mohiuddin Dagarの\u003cmeta charset=\"utf-8\"\u003e1986年ライブ音源を収録した2枚組みレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=738229571\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eGatefold cover.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eStephen O'Malley, March 2018, Paris, France:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Around ten years ago, deep into a cozy and hazy night following a concert with my sound brothers Daniel O'Sullivan and Kristoffer Rygg in London (as Æthenor), they graciously introduced me to a recording of rudra veena (a kind of noble deeper bass relative to the sitar, in a way) as performed by dhrupad master Zia Mohiuddin Dagar.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDhrupad, for those who do not know, is a branch of Hindustani classical music said to \"show the raga in its clearest and purest form\". It's pacing concentrates heavily on the slow, contemplative alap section and works with specific microtonal gestures and deep characteristics of resonance ... in short I was hooked on this new (to me) and ancient form of music from the first listen, and feel that a more or less continual listening \u0026amp; reviewing of Zia Mohiuddin Dagar's recordings in the years that followed have influenced my own approach to music quite heavily (if, albeit\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, indirectly).\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn early 2015 I was able to make contact with Zia Mohiuddin Dagar's son Bahauddin and some of his American students\/disciples, primarily Jeff Lewis. Over time we developed a friendly and educational exchange, access a massive archive of recordings and developed these two paired titles for my label. It's been a long path to arrive at actually releasing them but also probably in many ways one of the most significant releases I've worked on. And I'm proud to be able to reveal these to date unreleased archival recordings of one of the masters of dhrupad, Z. M. Dagar, to the public for the first time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eZia Mohiuddin Dagar was the nineteenth generation in a family tradition known as Dagar gharana, a rich lineage which continued and performed the musical form of dhrupad (Bahauddin Dagar continues the lineage as a master rudra veena dhrupad player of note today). Initially, dhrupad was a rigorous, austere, devotional genre that was sung in Hindu temples. But between the 16th and the 18th centuries, it became the preeminent genre in royal courts in North and Central India, and the Dagar gharana developed and continued publicly following the eventual loss of court patronage for dhrupad in the 19th century. The French ethnomusicologist Renaud Brizard covers the story of Zia Mohiuddin Dagar's life and teaching (a long story also in Seattle, my hometown!), the Dagar family and gharana, the rudra veena and more topics in an extensive set of liner notes in this release.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRaga Yaman was recorded at a public concert in Seattle at the HUB Ballroom at the University of Washington in March 1986 (the week after the accompanying release SOMA028 Ragas Abhogi \u0026amp; Vardhani was recorded) at the end of his last tour of the United States. Yaman was a special raga for Zia Mohiuddin Dagar, one of his signature raags. For centuries, Yaman has been considered as one of the most fundamental ragas in Hindustani music and is one of the first ragas which is taught to students. A deep knowledge of Yaman gives a key for understanding many other ragas. It's filled with tranquility, contemplation, pathos and spiritual yearning.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eTracklist:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eRaga Yaman\u003cbr\u003e1) Alap\u003cbr\u003e2) Jod\u003cbr\u003e3) Jhala\u003cbr\u003e4) Gat (Composition in Chautal)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ustad Zia Mohiuddin Dagar \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdeologic Organ\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
インドの伝統的な歌唱法ドゥルパドのマスターUstad Zia Mohiuddin Dagarの1986年ライブ音源を収録した2枚組みレコードです。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ...
Sold Out
クイックビュー
{"id":7450464616698,"title":"Lucy Railton \/ Max Eilbacher \/\/ Forma \/ Metabolist Meter (Foster, Cottin, Caetani and a Fly) LP","handle":"lucy-railton-max-eilbacher-forma-metabolist-meter-foster-cottin-caetani-and-a-fly-lp","description":"\u003cp\u003eイギリスのチェロ奏者Lucy Railtonと、当店でもおなじみのコラージュ作家Max Eilbacherが、フランス・パリの実験レーベルGRMから2020年6月にリリースしたスプリットレコード。それぞれ長尺のコラージュを収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1839220642\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by Portraits GRM:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Forma by Lucy Railton, is a work that burrows deep inside. It disorientates and teases, without malice. Its beauty lies in gentle projections, which, though subtle, leave deep impressions, like the wings of a nocturnal moth reflecting dark light. Its path, too, is unpredictable, but such disorientation is not a reflection of chaos. Instead, a mysterious intention appears through an imperious unfolding - its logic escapes us, but nevertheless captivates us. It is the story of a becoming of forms, as well as of their fading away and their appearance as a disappearance .\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMetabolist Meter (Foster, Cottin, Caetani and a Fly), by Max Eilbacher is a teeming piece, a matrix where textures and structures merge together, where the polyrhythmic instances become timbre, where the formal abstraction of the harmonic volutes coagulates around a vibrating form that is actualized in the dramatic reality of a dying fly. And this formal mastery is not disembodied in Max Eilbacher’s work and the kaleidoscopic forms of the sound spectra that he has deployed know how to resonate in the sensations and experiences of each one.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese works, each with their own agenda, evolve with grace and inspiration in their exploration of vast sound worlds, and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e it is with great pride that we present them in the new collection.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eReleased in association with Editions Mego.\u003cbr\u003eCoordination GRM: François Bonnet, Jules Négrier\u003cbr\u003e\u2028Executive Production: Peter Rehberg\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~~~~~~~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003cem\u003eForma\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eLucy Railton\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003e2019 \/ 23’19\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eForma, for multichannel tape and live cello\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCommissioned by INA GRM and first performed on the Acousmonium at INA GRM's Multiphonies Concert Series, Maison de la Radio, Paris on June 1st 2019.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCello recorded live in concert, performed by Lucy Railton. Serge Synthesiser recorded at GRM Studios in April 2019.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOrgan recorded in Skálholt Cathedral, Iceland, by Alex Bonney, performed by Kit Downes in 2017.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAll other materials recorded, mixed and created by Lucy Railton at GRM Studios and in her Berlin studio between November 2018 and May 2019.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMix by Lucy Railton \/ Premaster by Emmanuel Richier (GRM)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePhoto by George Nebieridze\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePart of Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e:::::::::::::::::::::::::::::\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eMetabolist Meter (Foster, Cottin, Caetani and a Fly)\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eMax Eilbacher\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003e2019 \/ 22’29\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCreated and recorded November 2018-March 2019 in Baltimore, Maryland.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFly recording made September 2018 in Carrières-sous-Poissy, France.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMade for the Présences électronique festival 2019 in Paris, France.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMixed from 8 channel to stereo August 2019.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFlute by Ka Baird\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eText by Max Eilbacher \/ Text read by Alexander Moskos and Miriam Salaymeh\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePhoto by Didier Allard © INA \/\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMastered by Giuseppe Ielasi \/ Cut by Kauffelt at Schnittstelle, Berlin, February 2020.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSleeve design by Stephen O’Malley\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lucy Railton \/ Max Eilbacher\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits\u003cspan data-mce-fragment=\"1\"\u003e GRM\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-17T17:10:05+09:00","created_at":"2021-11-15T16:36:03+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","shelter press"],"price":315000,"price_min":315000,"price_max":315000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057988899066,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lucy Railton \/ Max Eilbacher \/\/ Forma \/ Metabolist Meter (Foster, Cottin, Caetani and a Fly) LP","public_title":null,"options":["Default Title"],"price":315000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_f111140a-e3c4-4485-8003-2d92160e41b6.jpg?v=1636961778","\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_04adcc48-7faf-4cc1-bc12-81ca31295167.jpg?v=1636961778"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_f111140a-e3c4-4485-8003-2d92160e41b6.jpg?v=1636961778","options":["Title"],"media":[{"alt":null,"id":26931329368314,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_f111140a-e3c4-4485-8003-2d92160e41b6.jpg?v=1636961778"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_f111140a-e3c4-4485-8003-2d92160e41b6.jpg?v=1636961778","width":700},{"alt":null,"id":26931329401082,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_04adcc48-7faf-4cc1-bc12-81ca31295167.jpg?v=1636961778"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_04adcc48-7faf-4cc1-bc12-81ca31295167.jpg?v=1636961778","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのチェロ奏者Lucy Railtonと、当店でもおなじみのコラージュ作家Max Eilbacherが、フランス・パリの実験レーベルGRMから2020年6月にリリースしたスプリットレコード。それぞれ長尺のコラージュを収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1839220642\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by Portraits GRM:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Forma by Lucy Railton, is a work that burrows deep inside. It disorientates and teases, without malice. Its beauty lies in gentle projections, which, though subtle, leave deep impressions, like the wings of a nocturnal moth reflecting dark light. Its path, too, is unpredictable, but such disorientation is not a reflection of chaos. Instead, a mysterious intention appears through an imperious unfolding - its logic escapes us, but nevertheless captivates us. It is the story of a becoming of forms, as well as of their fading away and their appearance as a disappearance .\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMetabolist Meter (Foster, Cottin, Caetani and a Fly), by Max Eilbacher is a teeming piece, a matrix where textures and structures merge together, where the polyrhythmic instances become timbre, where the formal abstraction of the harmonic volutes coagulates around a vibrating form that is actualized in the dramatic reality of a dying fly. And this formal mastery is not disembodied in Max Eilbacher’s work and the kaleidoscopic forms of the sound spectra that he has deployed know how to resonate in the sensations and experiences of each one.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese works, each with their own agenda, evolve with grace and inspiration in their exploration of vast sound worlds, and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e it is with great pride that we present them in the new collection.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eReleased in association with Editions Mego.\u003cbr\u003eCoordination GRM: François Bonnet, Jules Négrier\u003cbr\u003e\u2028Executive Production: Peter Rehberg\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~~~~~~~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003cem\u003eForma\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eLucy Railton\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003e2019 \/ 23’19\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eForma, for multichannel tape and live cello\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCommissioned by INA GRM and first performed on the Acousmonium at INA GRM's Multiphonies Concert Series, Maison de la Radio, Paris on June 1st 2019.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCello recorded live in concert, performed by Lucy Railton. Serge Synthesiser recorded at GRM Studios in April 2019.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOrgan recorded in Skálholt Cathedral, Iceland, by Alex Bonney, performed by Kit Downes in 2017.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAll other materials recorded, mixed and created by Lucy Railton at GRM Studios and in her Berlin studio between November 2018 and May 2019.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMix by Lucy Railton \/ Premaster by Emmanuel Richier (GRM)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePhoto by George Nebieridze\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePart of Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e:::::::::::::::::::::::::::::\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eMetabolist Meter (Foster, Cottin, Caetani and a Fly)\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eMax Eilbacher\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003e2019 \/ 22’29\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCreated and recorded November 2018-March 2019 in Baltimore, Maryland.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFly recording made September 2018 in Carrières-sous-Poissy, France.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMade for the Présences électronique festival 2019 in Paris, France.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMixed from 8 channel to stereo August 2019.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFlute by Ka Baird\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eText by Max Eilbacher \/ Text read by Alexander Moskos and Miriam Salaymeh\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePhoto by Didier Allard © INA \/\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMastered by Giuseppe Ielasi \/ Cut by Kauffelt at Schnittstelle, Berlin, February 2020.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSleeve design by Stephen O’Malley\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lucy Railton \/ Max Eilbacher\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits\u003cspan data-mce-fragment=\"1\"\u003e GRM\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
イギリスのチェロ奏者Lucy Railtonと、当店でもおなじみのコラージュ作家Max Eilbacherが、フランス・パリの実験レーベルGRMから2020年6月にリリースしたスプリットレコード。それぞれ長尺のコラージュを収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases available...
Sold Out
クイックビュー
{"id":7450461208826,"title":"Iannis Xenakis \/\/ GRM Works 1957-1962 LP","handle":"iannis-xenakis-grm-works-1957-1962-lp","description":"\u003cp\u003eコンクレート音楽では最重要作家の一人Iannis Xenakisの1957-1962年楽曲の復刻盤です。現在のマスタリングを通して聴くと新たな発見があります。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=602786264\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eInfo about each track:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConcret PH, 1958 (2'41)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBrussels World Fair, 1958 : The industrialist Philips commissioned Le Corbusier's famous \"Philips Pavilion\": \"I'll create an electronic poem for you, he said. Everything will happen inside: sound, light, colour and rhythm.\" Iannis Xenakis designed the architectural blueprint and composed \"Concret PH\", meant to psychologically prepare the public to the show created inside, accompanied by a musical piece by Varese.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe 400 speakers that lined the inner shell were meant to fill the space through the sound sparkles of \"Concret PH\" and achieve a joint emanation of architecture and music, conceived as a whole: the roughness of the concrete and its internal friction coefficient found an echo in the timbre of the sparkles.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOrient-Occident, 1960 (11'10)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe work was originally composed for a film by Enrico Fulchignoni for UNESCO. The film describes a visit to the museum suggesting to compare artefacts produced by various cultures and highlighting their interaction that dates back to the most ancient times.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom an abstract point of view, the composer regards this\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e work as a solution to the problem of finding highly diversified means of transition, meant to link a type of material to another. One indeed witnesses a varied gradation of mutations, interplays, overlaps, cross-fading, sudden shifts and hidden junction points.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDiamorphoses, 1957-58 (7'00)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eContinuity and discontinuity within evolution, here are two aspects of the being, whether in opposition or in communion. In \"Diamorphoses\" this antithesis was worked on in the sections of some sounds strongly opposed to others, and particularly in organisations of continuous variations of average or \"statistical\" heights.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBohor, 1962 (21'50)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBohor (referring to Bors the Younger, Lancelot's cousin), is a character from the medieval cycle of King Arthur and the Knights of the Round Table. “Bohor” is dedicated to Pierre Schaeffer. The author deliberately abstained from giving and descriptive information on his piece, letting the listener choose an imaginary route for himself. For this release, we have chosen the 1968 version, revised by Iannis Xenakis himself and as yet not made available to the public.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Iannis Xenakis\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-17T09:13:15+09:00","created_at":"2021-11-15T16:31:13+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","shelter press"],"price":315000,"price_min":315000,"price_max":315000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057985786106,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Iannis Xenakis \/\/ GRM Works 1957-1962 LP","public_title":null,"options":["Default Title"],"price":315000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/wo1_ebc845b8-b8ec-4097-b2b0-2af2d6d63e3c.jpg?v=1636961475","\/\/tobirarecords.com\/cdn\/shop\/products\/wo2_74f7a1c7-bc0f-4c6f-85fe-6e4a4caa32af.jpg?v=1636961475"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/wo1_ebc845b8-b8ec-4097-b2b0-2af2d6d63e3c.jpg?v=1636961475","options":["Title"],"media":[{"alt":null,"id":26931309936890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wo1_ebc845b8-b8ec-4097-b2b0-2af2d6d63e3c.jpg?v=1636961475"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wo1_ebc845b8-b8ec-4097-b2b0-2af2d6d63e3c.jpg?v=1636961475","width":700},{"alt":null,"id":26931309969658,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wo2_74f7a1c7-bc0f-4c6f-85fe-6e4a4caa32af.jpg?v=1636961475"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wo2_74f7a1c7-bc0f-4c6f-85fe-6e4a4caa32af.jpg?v=1636961475","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eコンクレート音楽では最重要作家の一人Iannis Xenakisの1957-1962年楽曲の復刻盤です。現在のマスタリングを通して聴くと新たな発見があります。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=602786264\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eInfo about each track:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConcret PH, 1958 (2'41)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBrussels World Fair, 1958 : The industrialist Philips commissioned Le Corbusier's famous \"Philips Pavilion\": \"I'll create an electronic poem for you, he said. Everything will happen inside: sound, light, colour and rhythm.\" Iannis Xenakis designed the architectural blueprint and composed \"Concret PH\", meant to psychologically prepare the public to the show created inside, accompanied by a musical piece by Varese.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe 400 speakers that lined the inner shell were meant to fill the space through the sound sparkles of \"Concret PH\" and achieve a joint emanation of architecture and music, conceived as a whole: the roughness of the concrete and its internal friction coefficient found an echo in the timbre of the sparkles.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOrient-Occident, 1960 (11'10)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe work was originally composed for a film by Enrico Fulchignoni for UNESCO. The film describes a visit to the museum suggesting to compare artefacts produced by various cultures and highlighting their interaction that dates back to the most ancient times.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom an abstract point of view, the composer regards this\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e work as a solution to the problem of finding highly diversified means of transition, meant to link a type of material to another. One indeed witnesses a varied gradation of mutations, interplays, overlaps, cross-fading, sudden shifts and hidden junction points.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDiamorphoses, 1957-58 (7'00)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eContinuity and discontinuity within evolution, here are two aspects of the being, whether in opposition or in communion. In \"Diamorphoses\" this antithesis was worked on in the sections of some sounds strongly opposed to others, and particularly in organisations of continuous variations of average or \"statistical\" heights.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBohor, 1962 (21'50)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBohor (referring to Bors the Younger, Lancelot's cousin), is a character from the medieval cycle of King Arthur and the Knights of the Round Table. “Bohor” is dedicated to Pierre Schaeffer. The author deliberately abstained from giving and descriptive information on his piece, letting the listener choose an imaginary route for himself. For this release, we have chosen the 1968 version, revised by Iannis Xenakis himself and as yet not made available to the public.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Iannis Xenakis\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
コンクレート音楽では最重要作家の一人Iannis Xenakisの1957-1962年楽曲の復刻盤です。現在のマスタリングを通して聴くと新たな発見があります。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases available at...
Sold Out
クイックビュー
{"id":7450459865338,"title":"Bernard Parmegiani \/\/ Violostries LP","handle":"bernard-parmegiani-violostries-lp","description":"\u003cp\u003eフランスの実験音楽家Bernard Parmegianiの再発レコードです。（オリジナルは1969年リリース）\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=606170898\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eSong by song information:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViolostries (1963\/64), 16'39\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePremiered and recorded in April 1965 at the Royan Festival - France, by Devy Erlih (violin) \u0026amp; Bernard Parmegiani (sound projection).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eViolostries represents the intersection of several musical research directions, presented as two simultaneous dialogues - composer\/performer and instrument\/orchestra.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter a short introduction tutti very spatialized:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e1. Pulsion\/Miroirs: multiplied by itself, the violin is projected into the four corners of the sound space.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2. Jeu de cellules: concertante piece for violin and audio medium, the latter being made up of very tightly woven microsounds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e3. Végétal: slow and invisible development following a continuous time, resulting from an internal and permanent processing of the matter.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCapture éphémère (1967, 1988 version), 11'48\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis work was composed in four tracks in 1967 for quadraphonic diffusion.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRemixed in stereo in 1988.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePremiered at the Studio 105 of the Maison de la Radio, Paris\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e, May 1967.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSounds - noises that circulate as time unfolds - continue to exist despite our recording them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBreaths, fluttering wings: ephemeral microsonic sounds streaking space, sound scratches, landslides, bounces, vertigo of solid objects falling into an abyssal void, multiple snapshots forever frozen in their fall. As many symbols leave inside us the permanent trace of their ephemeral brushing against our ear.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSome day, a desert, a sound, then never again....\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSomewhere, in my head and body something still resonates... resonance, what could be more ephemeral.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eLa Roue Ferris (1971), 10'45\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePremiered at the Festival des chantiers navals, Menton, on August 26, 1971.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSound projection: Bernard Parmegiani.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLa Roue Ferris (Ferris wheel) spins, merging with its own resonance, stubbornly perpetuating its variations. It only sketches a regularly evolving movement around a constant axis. Each of its towers generates thick sonic layers that penetrate each other, producing a very fluid interweaving. The crackling of the origin eventually metamorphoses into sonic threads whose lightness recalls high-altitude clouds, cirrus clouds, haunted by the cries of swifts twirling in the warm air. The wondrous arises and dies off, leaving us with an illusion of duration.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bernard Parmegiani\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-02-11T11:28:42+09:00","created_at":"2021-11-15T16:29:03+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","shelter press"],"price":348000,"price_min":348000,"price_max":348000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057984180474,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Bernard Parmegiani \/\/ Violostries LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_7208ca89-556f-4cf6-9057-bee64e9cbac8.jpg?v=1636961344","\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_a9c452e8-37f1-4bb2-a075-f1abfd80e71c.jpg?v=1636961344"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_7208ca89-556f-4cf6-9057-bee64e9cbac8.jpg?v=1636961344","options":["Title"],"media":[{"alt":null,"id":26931303186682,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_7208ca89-556f-4cf6-9057-bee64e9cbac8.jpg?v=1636961344"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_7208ca89-556f-4cf6-9057-bee64e9cbac8.jpg?v=1636961344","width":700},{"alt":null,"id":26931303219450,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_a9c452e8-37f1-4bb2-a075-f1abfd80e71c.jpg?v=1636961344"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_a9c452e8-37f1-4bb2-a075-f1abfd80e71c.jpg?v=1636961344","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの実験音楽家Bernard Parmegianiの再発レコードです。（オリジナルは1969年リリース）\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=606170898\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eSong by song information:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViolostries (1963\/64), 16'39\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePremiered and recorded in April 1965 at the Royan Festival - France, by Devy Erlih (violin) \u0026amp; Bernard Parmegiani (sound projection).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eViolostries represents the intersection of several musical research directions, presented as two simultaneous dialogues - composer\/performer and instrument\/orchestra.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter a short introduction tutti very spatialized:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e1. Pulsion\/Miroirs: multiplied by itself, the violin is projected into the four corners of the sound space.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2. Jeu de cellules: concertante piece for violin and audio medium, the latter being made up of very tightly woven microsounds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e3. Végétal: slow and invisible development following a continuous time, resulting from an internal and permanent processing of the matter.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCapture éphémère (1967, 1988 version), 11'48\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis work was composed in four tracks in 1967 for quadraphonic diffusion.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRemixed in stereo in 1988.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePremiered at the Studio 105 of the Maison de la Radio, Paris\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e, May 1967.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSounds - noises that circulate as time unfolds - continue to exist despite our recording them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBreaths, fluttering wings: ephemeral microsonic sounds streaking space, sound scratches, landslides, bounces, vertigo of solid objects falling into an abyssal void, multiple snapshots forever frozen in their fall. As many symbols leave inside us the permanent trace of their ephemeral brushing against our ear.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSome day, a desert, a sound, then never again....\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSomewhere, in my head and body something still resonates... resonance, what could be more ephemeral.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eLa Roue Ferris (1971), 10'45\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePremiered at the Festival des chantiers navals, Menton, on August 26, 1971.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSound projection: Bernard Parmegiani.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLa Roue Ferris (Ferris wheel) spins, merging with its own resonance, stubbornly perpetuating its variations. It only sketches a regularly evolving movement around a constant axis. Each of its towers generates thick sonic layers that penetrate each other, producing a very fluid interweaving. The crackling of the origin eventually metamorphoses into sonic threads whose lightness recalls high-altitude clouds, cirrus clouds, haunted by the cries of swifts twirling in the warm air. The wondrous arises and dies off, leaving us with an illusion of duration.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bernard Parmegiani\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
フランスの実験音楽家Bernard Parmegianiの再発レコードです。（オリジナルは1969年リリース） レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases available at...
Sold Out
クイックビュー
{"id":7450458521850,"title":"Michèle Bokanowski \/\/ Rhapsodia \/ Battements Solaires LP","handle":"michele-bokanowski-rhapsodia-battements-solaires-lp","description":"\u003cp\u003eフランスのドローン作家Michèle Bokanowskiが、2021年2月に同国Shelter Pressからリリースしたレコードです。深淵なドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2376042738\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eText by François Bonnet, Paris, 2020:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Michèle Bokanowski's art is one of densities, much like the density of a given colour, a given depth. Her sound textures are, indeed, profound, both in the space occupied by their frequencies and the sharp temporal trail they leave behind. Here lies the composer's immense talent that finds the right development for each sound, letting it blossom before altering it, adapting the musical structure to let the sounds “be”, even if it sometimes means returning to the most basic form, such as a loop. This is a sign of great honesty and artistic sensitivity; able to stand back and let the music become music. It is the most radical, the most accurate gesture of composition. The two pieces on this record, dissociated in time, both in their approach and destination, nevertheless reflect, each in its own way, Michèle Bokanowski's highly singular and insightful musical intuition.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e~\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack information:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRhapsodia (2018), 17'\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(2 movements and 1 interlude)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDedicated to Marceline Lartigue\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCreated in the composer’s own studio\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTechnical collaboration: Jonathan Prager\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBattements solaires (2008), 17’35\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusic for Patrick Bokanowski’s film\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eProduced in the Kira BM Films studios\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eProduction: Kira BM Films with ARTE France and CNC contributions\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBest Film Award, 2009 EXiS Festival Seoul (South Korea)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Michèle Bokanowski\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-30T16:18:15+09:00","created_at":"2021-11-15T16:26:39+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","shelter press"],"price":375000,"price_min":375000,"price_max":375000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057982542074,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Michèle Bokanowski \/\/ Rhapsodia \/ Battements Solaires LP","public_title":null,"options":["Default Title"],"price":375000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ba1_f3755f44-336a-4d0c-8021-dd76cf31554b.jpg?v=1636961201","\/\/tobirarecords.com\/cdn\/shop\/products\/ba2_7514bcf9-a9a7-48f0-b9bc-3a510d9e7572.jpg?v=1636961201"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba1_f3755f44-336a-4d0c-8021-dd76cf31554b.jpg?v=1636961201","options":["Title"],"media":[{"alt":null,"id":26931290505466,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba1_f3755f44-336a-4d0c-8021-dd76cf31554b.jpg?v=1636961201"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba1_f3755f44-336a-4d0c-8021-dd76cf31554b.jpg?v=1636961201","width":700},{"alt":null,"id":26931290538234,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba2_7514bcf9-a9a7-48f0-b9bc-3a510d9e7572.jpg?v=1636961201"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba2_7514bcf9-a9a7-48f0-b9bc-3a510d9e7572.jpg?v=1636961201","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのドローン作家Michèle Bokanowskiが、2021年2月に同国Shelter Pressからリリースしたレコードです。深淵なドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2376042738\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eText by François Bonnet, Paris, 2020:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Michèle Bokanowski's art is one of densities, much like the density of a given colour, a given depth. Her sound textures are, indeed, profound, both in the space occupied by their frequencies and the sharp temporal trail they leave behind. Here lies the composer's immense talent that finds the right development for each sound, letting it blossom before altering it, adapting the musical structure to let the sounds “be”, even if it sometimes means returning to the most basic form, such as a loop. This is a sign of great honesty and artistic sensitivity; able to stand back and let the music become music. It is the most radical, the most accurate gesture of composition. The two pieces on this record, dissociated in time, both in their approach and destination, nevertheless reflect, each in its own way, Michèle Bokanowski's highly singular and insightful musical intuition.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e~\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack information:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRhapsodia (2018), 17'\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(2 movements and 1 interlude)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDedicated to Marceline Lartigue\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCreated in the composer’s own studio\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTechnical collaboration: Jonathan Prager\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBattements solaires (2008), 17’35\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusic for Patrick Bokanowski’s film\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eProduced in the Kira BM Films studios\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eProduction: Kira BM Films with ARTE France and CNC contributions\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBest Film Award, 2009 EXiS Festival Seoul (South Korea)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Michèle Bokanowski\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
フランスのドローン作家Michèle Bokanowskiが、2021年2月に同国Shelter Pressからリリースしたレコードです。深淵なドローン2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases available...
Sold Out
クイックビュー
{"id":7450454196474,"title":"Ben Vida \/\/ Damaged Particulates LP","handle":"ben-vida-damaged-particulates-lp","description":"\u003cp\u003eアメリカ・NYのモジュラー奏者Ben Vidaが、2016年にフランスの実験レーベルShelter Pressからリリースしたレコード。\u003c\/p\u003e\n\u003cp\u003eコラージュ・ドローンスケープ2曲、約40分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1621723332\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eFirst edition of 500.\u003c\/p\u003e\n\u003cp\u003eText by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBen Vida’s Damaged Particulates LP represents the conclusion of one body of work, Damaged Particulates, and the beginnings of a new long form project titled Reducing the Tempo to Zero.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe version of Damaged Particulates (2012-2016) included in this LP is the final iteration of a piece that Vida has been developing for close to four years. It first materialized as a number of individual synthesizer studies under the title Damaged Parts. These studies became the source material for an early version of DPs, taking shape as a commissioned work for the Unsound Festival. For the commission the piece coalesced as a single, through-composed live sound installation that utilized tactile subbass speakers which interfaced directly with the audiences bodies. In this form Damaged Particulates was presented at festivals, galleries and museums including versions at Experimental Intermedia, New York, Cricoteka Museum, Kraków, Poland and Leap Gallery, Berlin. It has since been presented in live performance at Museo d’Arte Moderna di Bologna, Bologna and Electrónica en Abril, Madrid and as a multichannel defusion at the Akousma Festival, Montreal.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eReducing the Tempo to Zero (2016 – ???) is the first recorded dispatch of Vida’s new long form composition\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. This excerpt demonstrates a short instrumental passage taken from a work that, in its full duration, clocks in at close to five hours. Live performances featuring a four member vocal ensemble have been presented at Lampo, Chicago and at The Kitchen, NYC. This mutable composition will be reconfigured once again in late 2016, this time scored for choir and electronics, to be staged in Italy and Belgium.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eReducing the Tempo to Zero represents Vida’s return to the durational drone based forms that he first experimented with in the mid-90’s with his group Town and Country. In performance, RtTtZ continues his exploration of phonetic based text scores. This method of scoring was used in his project Slipping Control which debuted at Audio Visual Arts Gallery, NYC (the vinyl version is available as an LP from Shelter Press), and creates a continuous thread between his work as a composer and his developing career as an artist. In recent solo shows at 356 S Mission Rd, Los Angeles and Lisa Cooley Gallery, NYC Vida has expanded his compositional process into a number of mediums, acting to blur any delineation between disciplines and practices.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Vida\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press \u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-17T07:27:20+09:00","created_at":"2021-11-15T16:21:25+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","shelter press"],"price":318000,"price_min":318000,"price_max":318000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057964650746,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ben Vida \/\/ Damaged Particulates LP","public_title":null,"options":["Default Title"],"price":318000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/da1_1ae5e011-78f7-4277-9850-95c13297591f.jpg?v=1636960887","\/\/tobirarecords.com\/cdn\/shop\/products\/da2_6fd46a55-b083-41fc-bdf2-482b66321bf6.jpg?v=1636960887"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_1ae5e011-78f7-4277-9850-95c13297591f.jpg?v=1636960887","options":["Title"],"media":[{"alt":null,"id":26931261505786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_1ae5e011-78f7-4277-9850-95c13297591f.jpg?v=1636960887"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_1ae5e011-78f7-4277-9850-95c13297591f.jpg?v=1636960887","width":700},{"alt":null,"id":26931261538554,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_6fd46a55-b083-41fc-bdf2-482b66321bf6.jpg?v=1636960887"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_6fd46a55-b083-41fc-bdf2-482b66321bf6.jpg?v=1636960887","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのモジュラー奏者Ben Vidaが、2016年にフランスの実験レーベルShelter Pressからリリースしたレコード。\u003c\/p\u003e\n\u003cp\u003eコラージュ・ドローンスケープ2曲、約40分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1621723332\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eFirst edition of 500.\u003c\/p\u003e\n\u003cp\u003eText by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBen Vida’s Damaged Particulates LP represents the conclusion of one body of work, Damaged Particulates, and the beginnings of a new long form project titled Reducing the Tempo to Zero.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe version of Damaged Particulates (2012-2016) included in this LP is the final iteration of a piece that Vida has been developing for close to four years. It first materialized as a number of individual synthesizer studies under the title Damaged Parts. These studies became the source material for an early version of DPs, taking shape as a commissioned work for the Unsound Festival. For the commission the piece coalesced as a single, through-composed live sound installation that utilized tactile subbass speakers which interfaced directly with the audiences bodies. In this form Damaged Particulates was presented at festivals, galleries and museums including versions at Experimental Intermedia, New York, Cricoteka Museum, Kraków, Poland and Leap Gallery, Berlin. It has since been presented in live performance at Museo d’Arte Moderna di Bologna, Bologna and Electrónica en Abril, Madrid and as a multichannel defusion at the Akousma Festival, Montreal.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eReducing the Tempo to Zero (2016 – ???) is the first recorded dispatch of Vida’s new long form composition\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. This excerpt demonstrates a short instrumental passage taken from a work that, in its full duration, clocks in at close to five hours. Live performances featuring a four member vocal ensemble have been presented at Lampo, Chicago and at The Kitchen, NYC. This mutable composition will be reconfigured once again in late 2016, this time scored for choir and electronics, to be staged in Italy and Belgium.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eReducing the Tempo to Zero represents Vida’s return to the durational drone based forms that he first experimented with in the mid-90’s with his group Town and Country. In performance, RtTtZ continues his exploration of phonetic based text scores. This method of scoring was used in his project Slipping Control which debuted at Audio Visual Arts Gallery, NYC (the vinyl version is available as an LP from Shelter Press), and creates a continuous thread between his work as a composer and his developing career as an artist. In recent solo shows at 356 S Mission Rd, Los Angeles and Lisa Cooley Gallery, NYC Vida has expanded his compositional process into a number of mediums, acting to blur any delineation between disciplines and practices.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Vida\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press \u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
アメリカ・NYのモジュラー奏者Ben Vidaが、2016年にフランスの実験レーベルShelter Pressからリリースしたレコード。 コラージュ・ドローンスケープ2曲、約40分を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases...
Sold Out
クイックビュー
{"id":7450451673338,"title":"Felicia Atkinson \u0026 Jefre Cantu-Ledesma \/\/ Limpid As The Solitudes LP","handle":"felicia-atkinson-jefre-cantu-ledesma-limpid-as-the-solitudes-lp","description":"\u003cp\u003eフランスの音響作家Felicia Atkinsonとアメリカの音響レーベルRoot Strata主宰Jefre Cantu-Ledesmaが、2018年にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eピアノやギター、フィールドレコーディング、パルスなど様々な音色が現れては消えていくドリーミーなコラージュ・アンビエント4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2814837903\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eRepress. \u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"When is one plus one not two? When two paths converge and a new one appears. But what is this newly activated neural pathway? A Third Mind? In the 1960s, multimedia artist Brion Gysin cut through the words of a newspaper and rearranged them to reveal a new kind of truth contained within the words but not freed until his knife cut it loose. He described this as part of the Third Mind. Likewise, «Limpid As The Solitudes» cuts through sound-making techniques to enter a new zone of sonic revelations.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIf you had to look for musical precedents, you might say the record recalls the turn-of-the-century Mille Plateaux glitch era, the warmth of La Monte Young’s raga-inspired microtonal electronic «dream house» drones, a sense of adventure evident in the acousmatic non-space recordings made by GRM artists in the 1960s\/ 1970s, 4AD’s floor gazing guitar sound circa Cocteau Twins peak, and blissfully diverse field recordings. But you could equally equate it with entirely different recording sources. «Limpid As The Solitudes» has a widescreen sound that is both familiar and unfamiliar. Warm, comforting and also unsettling in unpredictable ways. Deliberate yet exploratory. It’s a record composed of opposites and contrasts. Following historical guidelines yet also throwing them out of the window. It’s hard\u003cspan class=\"bcTruncateMore\"\u003e to tell if the process of creating it was more akin to abstract painting but it might possibly be easier to understand if it was a large museum painting (to steal a thought from David Stubbs). To describe the album as ambient would indicate a much too passive engagement with the sound – leave it to play in the background and you’ll miss a lot of the joy.\u003cbr\u003eFelicia Atkinson and Jefre Cantu-Ledesma describe the record as a series of postcards - «things and sounds that happen vertically as a slow ascension, vessels communicating in dreams.» In this collaborative recording, there is a feeling of «becoming» - things metamorphose - a concrete sound turns into a electronic sound that turns into a spiral-like melody which then furls \/ unfurls at the same time.\u003cbr\u003eThe title of the album - «Limpid As The Solitudes» - as well as track titles, are all verses stolen from Sylvia Plath’s poems – Atkinson notes «like dropped pearls from a lost collar.» Trying further to capture the records poetic impulses she notes it’s reflects «Empathy to objects and nature’s elements, meteorological states, seasons that answer to your heart, granular etchings carved and sustained to create a blurred sentimental landscape.» But notes with a sharpness that «the finale is more optimistic than Plath’s poetry. Love and lyricism win, the music soaring from deep water to interstellar galaxies.»\u003cbr\u003eIf you look at the cover, you’ll find another key clue - you’ll see an image created by photographer Julien Carreyn of a young women wearing destroyed jeans, playing with bubble wrap. The image is intended to give the viewer an eerie 1990’s feeling that echoes the recording. They note - «think films such as by «Trust» (Hal Hartley, 1990) or «Chuncking Express» (Wong Kar Wai, 1994).» They add «it’s the «ultra modern solitude» of characters lost in an early-digital urban vacuum, looking for a more time to wonder, a soul mate or just some compassion in the grey sky.»\u003cbr\u003eAmong the many other references for this album is how Google Maps have created new digital perceptions of space, Gilles Deleuze’s examination of Alice In Wonderland, Andre Bretons poems and more films including the classics «Sacrifice» (Tarkovsky), «Passenger» (Antonioni) and «Last Year In Marienbad» (Resnais). To dig into the more of the ideas and sources behind this record you’ll simply have to talk to the duo. We simply cannot give you the full depth here.\u003cbr\u003eBe sure to come back to this record more than once - it’s then that it’s power will work - you’ll recall the sound of a lover, a garden you once walked through, an echo of a record you once loved. To be appreciated, «Limpid As The Solitudes» requires you to immerse yourself as if in a hot spring, letting the sounds float over you and alter your perceptions and memories.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Felicia Atkinson \u0026amp; Jefre Cantu-Ledesma\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-17T17:15:58+09:00","created_at":"2021-11-15T16:19:28+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","monooto","shelter press"],"price":315000,"price_min":315000,"price_max":315000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057960521978,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Felicia Atkinson \u0026 Jefre Cantu-Ledesma \/\/ Limpid As The Solitudes LP","public_title":null,"options":["Default Title"],"price":315000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/li1_acf921e6-59ee-499d-8e83-674e0e558503.jpg?v=1636960770","\/\/tobirarecords.com\/cdn\/shop\/products\/li2_1bb446b8-a049-4f87-a095-e729ae0f25bd.jpg?v=1636960770"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_acf921e6-59ee-499d-8e83-674e0e558503.jpg?v=1636960770","options":["Title"],"media":[{"alt":null,"id":26931252789498,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_acf921e6-59ee-499d-8e83-674e0e558503.jpg?v=1636960770"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_acf921e6-59ee-499d-8e83-674e0e558503.jpg?v=1636960770","width":700},{"alt":null,"id":26931252822266,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li2_1bb446b8-a049-4f87-a095-e729ae0f25bd.jpg?v=1636960770"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li2_1bb446b8-a049-4f87-a095-e729ae0f25bd.jpg?v=1636960770","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの音響作家Felicia Atkinsonとアメリカの音響レーベルRoot Strata主宰Jefre Cantu-Ledesmaが、2018年にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eピアノやギター、フィールドレコーディング、パルスなど様々な音色が現れては消えていくドリーミーなコラージュ・アンビエント4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2814837903\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eRepress. \u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"When is one plus one not two? When two paths converge and a new one appears. But what is this newly activated neural pathway? A Third Mind? In the 1960s, multimedia artist Brion Gysin cut through the words of a newspaper and rearranged them to reveal a new kind of truth contained within the words but not freed until his knife cut it loose. He described this as part of the Third Mind. Likewise, «Limpid As The Solitudes» cuts through sound-making techniques to enter a new zone of sonic revelations.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIf you had to look for musical precedents, you might say the record recalls the turn-of-the-century Mille Plateaux glitch era, the warmth of La Monte Young’s raga-inspired microtonal electronic «dream house» drones, a sense of adventure evident in the acousmatic non-space recordings made by GRM artists in the 1960s\/ 1970s, 4AD’s floor gazing guitar sound circa Cocteau Twins peak, and blissfully diverse field recordings. But you could equally equate it with entirely different recording sources. «Limpid As The Solitudes» has a widescreen sound that is both familiar and unfamiliar. Warm, comforting and also unsettling in unpredictable ways. Deliberate yet exploratory. It’s a record composed of opposites and contrasts. Following historical guidelines yet also throwing them out of the window. It’s hard\u003cspan class=\"bcTruncateMore\"\u003e to tell if the process of creating it was more akin to abstract painting but it might possibly be easier to understand if it was a large museum painting (to steal a thought from David Stubbs). To describe the album as ambient would indicate a much too passive engagement with the sound – leave it to play in the background and you’ll miss a lot of the joy.\u003cbr\u003eFelicia Atkinson and Jefre Cantu-Ledesma describe the record as a series of postcards - «things and sounds that happen vertically as a slow ascension, vessels communicating in dreams.» In this collaborative recording, there is a feeling of «becoming» - things metamorphose - a concrete sound turns into a electronic sound that turns into a spiral-like melody which then furls \/ unfurls at the same time.\u003cbr\u003eThe title of the album - «Limpid As The Solitudes» - as well as track titles, are all verses stolen from Sylvia Plath’s poems – Atkinson notes «like dropped pearls from a lost collar.» Trying further to capture the records poetic impulses she notes it’s reflects «Empathy to objects and nature’s elements, meteorological states, seasons that answer to your heart, granular etchings carved and sustained to create a blurred sentimental landscape.» But notes with a sharpness that «the finale is more optimistic than Plath’s poetry. Love and lyricism win, the music soaring from deep water to interstellar galaxies.»\u003cbr\u003eIf you look at the cover, you’ll find another key clue - you’ll see an image created by photographer Julien Carreyn of a young women wearing destroyed jeans, playing with bubble wrap. The image is intended to give the viewer an eerie 1990’s feeling that echoes the recording. They note - «think films such as by «Trust» (Hal Hartley, 1990) or «Chuncking Express» (Wong Kar Wai, 1994).» They add «it’s the «ultra modern solitude» of characters lost in an early-digital urban vacuum, looking for a more time to wonder, a soul mate or just some compassion in the grey sky.»\u003cbr\u003eAmong the many other references for this album is how Google Maps have created new digital perceptions of space, Gilles Deleuze’s examination of Alice In Wonderland, Andre Bretons poems and more films including the classics «Sacrifice» (Tarkovsky), «Passenger» (Antonioni) and «Last Year In Marienbad» (Resnais). To dig into the more of the ideas and sources behind this record you’ll simply have to talk to the duo. We simply cannot give you the full depth here.\u003cbr\u003eBe sure to come back to this record more than once - it’s then that it’s power will work - you’ll recall the sound of a lover, a garden you once walked through, an echo of a record you once loved. To be appreciated, «Limpid As The Solitudes» requires you to immerse yourself as if in a hot spring, letting the sounds float over you and alter your perceptions and memories.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Felicia Atkinson \u0026amp; Jefre Cantu-Ledesma\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
フランスの音響作家Felicia Atkinsonとアメリカの音響レーベルRoot Strata主宰Jefre Cantu-Ledesmaが、2018年にリリースした共作レコードです。 ピアノやギター、フィールドレコーディング、パルスなど様々な音色が現れては消えていくドリーミーなコラージュ・アンビエント4曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
Sold Out
クイックビュー
{"id":7450448429306,"title":"Felicia Atkinson \/\/ The Flower And The Vessel 2xLP","handle":"felicia-atkinson-the-flower-and-the-vessel-2xlp","description":"\u003cp\u003eフランスの音響作家Felicia Atkinsonが、2019年に自身主宰レーベルShelter Pressからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eピアノやギター、フィールドレコーディング、パルスなど様々な音色が現れては消えていくドリーミーなコラージュ・アンビエント11曲を収録。\u003c\/p\u003e\n\u003cp\u003eRashad Beckerがマスタリングを担当しています。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2666955148\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 1200.\u003c\/p\u003e\n\u003cp\u003eText by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFrench poet and ASMR auteur Félicia Atkinson has frequently fixated on the elusive interwoven relationship between microcosms and macrocosms – how even the quietest creative act ripples outward in unforeseen ways, a whisper with no fixed meaning. Her latest work pursues this notion in a more literal and lasting fashion, as it was crafted while pregnant on tour, in impersonal hotel rooms in foreign cities. She describes it as “a record not about being pregnant but a record made with pregnancy.” Each day and night, finding herself far from home, she asked herself “What am I doing here? How can I connect myself to the world?” The answer gradually revealed itself: “With small gestures: recording my voice, recording birds, a simple melody.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u2028\u2028In truth there is nothing simple about The Flower \u0026amp; The Vessel. The album’s 11 songs span a vast pantheon of whispering textures, opaque moods, and surreal spoken word, leading the listener through a mirrored hall of beguiling mirages. Atkinson cites a trio of French classical compositions from her childhood as formative influences on this particular collection: Maurice Ravel’s “L'enfant et les sortilèges” (“a scary opera for kids”), Debussy’s “La Mer” (for its union of narration and music) and Erik Satie’s “Gymnopédies”\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e (as an exercise in negative space, irony without cynicism, and “melody with doubt”). There’s certainly a shade of classicism woven within these tracks, however veiled, abstracted, or unorthodox. Melancholic piano motifs repeat then retreat into a radiant frost of shivering frequencies; processed voices recite cut-up poems and interviews over delay-refracted Rhodes and Wurlitzer; iPad gamelan patterns flutter from meditative to melancholic and back again, offset by pointillist patches of delicate software synesthesia.\u2028\u2028\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough much of Atkinson’s past discography is shaped by speech and the lyricism of language, The Flower \u0026amp; The Vessel ventures farther into silence, absence, and voiceless wilderness. Among her sources of inspiration were “women who wonder, dream, and create vacant spaces in their art,” as well as Ikebana flower arrangements, which reflect her own relationship with listening: “structure combined with everyday noises, selecting them to make a sparse music bouquet.” Field recordings from Tasmania and the Mojave Desert murmur beneath hushed reverberations of gong, vibraphone, marimba, softly processed into an elegant emptiness, alternately eerie and serene.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eHer mode of minimalism has long been one of reduction, riddles, and curation, but here Atkinson’s synergy feels close to apotheosis, emotive but ambivalent, a ceremony of expectation and invisible forces. The 19-minute closing collaboration with SUNN O))) guitarist Stephen O’Malley, “Des Pierres,” is one of the album’s few pieces tracked in a proper studio (Music Unit in Montreuil, France) but it broods and burns with the same subliminal majesty as the rest of The Flower \u0026amp; The Vessel: an ember in amber, seeds planted in shifting sands. Atkinson’s voice flickers like a flame, framed by slabs of shadowy feedback. Her process may be personal is but its impact ripples to the edges of existence: “How does the act of creation connect us, not only to history, but to the cosmic? It’s a process of taking, and then giving back. It makes us belong to the world.”\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e~~~\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eAll the music, mixing and production are by Félicia Atkinson. Some parts of Moderato Cantabile have been recorded live at Issue Project Room in New York on March 31, 2018. Open\/Ouvre and Joan have been recorded at Type Foundry Studio by Adam Selzer in Portland in April 2018. Des Pierres has been recorded at MusicUnit in Montreuil on April 25, 2018 by Martin Antiphon and has been produced by Stephen O’Malley, who also plays the guitar on this song. The mastering is by Rashad Becker. The photographs by Julien Carreyn with assistance of Naomi Tamamura, and the design by Bartolomé Sanson. Some lyrics on this album have been inspired by an interview of Shirley Jaffe by Shirley Kaneda, the poem Turning by David Antin, an interview of St. EOM by Tom Patterson, and the book La lecture des pierres by Roger Caillois.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Félicia Atkinson\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-17T17:23:18+09:00","created_at":"2021-11-15T16:15:49+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","monooto","shelter press"],"price":348000,"price_min":348000,"price_max":348000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057952231674,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Felicia Atkinson \/\/ The Flower And The Vessel 2xLP","public_title":null,"options":["Default Title"],"price":348000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ve1_3ec273cd-44ba-48af-8ab0-1789ebdd72f8.jpg?v=1636960551","\/\/tobirarecords.com\/cdn\/shop\/products\/ve2_a455dc87-8d80-4fa4-97d5-6c7093d4ca8f.jpg?v=1636960551"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ve1_3ec273cd-44ba-48af-8ab0-1789ebdd72f8.jpg?v=1636960551","options":["Title"],"media":[{"alt":null,"id":26931235553530,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ve1_3ec273cd-44ba-48af-8ab0-1789ebdd72f8.jpg?v=1636960551"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ve1_3ec273cd-44ba-48af-8ab0-1789ebdd72f8.jpg?v=1636960551","width":700},{"alt":null,"id":26931235586298,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ve2_a455dc87-8d80-4fa4-97d5-6c7093d4ca8f.jpg?v=1636960551"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ve2_a455dc87-8d80-4fa4-97d5-6c7093d4ca8f.jpg?v=1636960551","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの音響作家Felicia Atkinsonが、2019年に自身主宰レーベルShelter Pressからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eピアノやギター、フィールドレコーディング、パルスなど様々な音色が現れては消えていくドリーミーなコラージュ・アンビエント11曲を収録。\u003c\/p\u003e\n\u003cp\u003eRashad Beckerがマスタリングを担当しています。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2666955148\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 1200.\u003c\/p\u003e\n\u003cp\u003eText by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFrench poet and ASMR auteur Félicia Atkinson has frequently fixated on the elusive interwoven relationship between microcosms and macrocosms – how even the quietest creative act ripples outward in unforeseen ways, a whisper with no fixed meaning. Her latest work pursues this notion in a more literal and lasting fashion, as it was crafted while pregnant on tour, in impersonal hotel rooms in foreign cities. She describes it as “a record not about being pregnant but a record made with pregnancy.” Each day and night, finding herself far from home, she asked herself “What am I doing here? How can I connect myself to the world?” The answer gradually revealed itself: “With small gestures: recording my voice, recording birds, a simple melody.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u2028\u2028In truth there is nothing simple about The Flower \u0026amp; The Vessel. The album’s 11 songs span a vast pantheon of whispering textures, opaque moods, and surreal spoken word, leading the listener through a mirrored hall of beguiling mirages. Atkinson cites a trio of French classical compositions from her childhood as formative influences on this particular collection: Maurice Ravel’s “L'enfant et les sortilèges” (“a scary opera for kids”), Debussy’s “La Mer” (for its union of narration and music) and Erik Satie’s “Gymnopédies”\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e (as an exercise in negative space, irony without cynicism, and “melody with doubt”). There’s certainly a shade of classicism woven within these tracks, however veiled, abstracted, or unorthodox. Melancholic piano motifs repeat then retreat into a radiant frost of shivering frequencies; processed voices recite cut-up poems and interviews over delay-refracted Rhodes and Wurlitzer; iPad gamelan patterns flutter from meditative to melancholic and back again, offset by pointillist patches of delicate software synesthesia.\u2028\u2028\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough much of Atkinson’s past discography is shaped by speech and the lyricism of language, The Flower \u0026amp; The Vessel ventures farther into silence, absence, and voiceless wilderness. Among her sources of inspiration were “women who wonder, dream, and create vacant spaces in their art,” as well as Ikebana flower arrangements, which reflect her own relationship with listening: “structure combined with everyday noises, selecting them to make a sparse music bouquet.” Field recordings from Tasmania and the Mojave Desert murmur beneath hushed reverberations of gong, vibraphone, marimba, softly processed into an elegant emptiness, alternately eerie and serene.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eHer mode of minimalism has long been one of reduction, riddles, and curation, but here Atkinson’s synergy feels close to apotheosis, emotive but ambivalent, a ceremony of expectation and invisible forces. The 19-minute closing collaboration with SUNN O))) guitarist Stephen O’Malley, “Des Pierres,” is one of the album’s few pieces tracked in a proper studio (Music Unit in Montreuil, France) but it broods and burns with the same subliminal majesty as the rest of The Flower \u0026amp; The Vessel: an ember in amber, seeds planted in shifting sands. Atkinson’s voice flickers like a flame, framed by slabs of shadowy feedback. Her process may be personal is but its impact ripples to the edges of existence: “How does the act of creation connect us, not only to history, but to the cosmic? It’s a process of taking, and then giving back. It makes us belong to the world.”\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e~~~\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eAll the music, mixing and production are by Félicia Atkinson. Some parts of Moderato Cantabile have been recorded live at Issue Project Room in New York on March 31, 2018. Open\/Ouvre and Joan have been recorded at Type Foundry Studio by Adam Selzer in Portland in April 2018. Des Pierres has been recorded at MusicUnit in Montreuil on April 25, 2018 by Martin Antiphon and has been produced by Stephen O’Malley, who also plays the guitar on this song. The mastering is by Rashad Becker. The photographs by Julien Carreyn with assistance of Naomi Tamamura, and the design by Bartolomé Sanson. Some lyrics on this album have been inspired by an interview of Shirley Jaffe by Shirley Kaneda, the poem Turning by David Antin, an interview of St. EOM by Tom Patterson, and the book La lecture des pierres by Roger Caillois.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Félicia Atkinson\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
フランスの音響作家Felicia Atkinsonが、2019年に自身主宰レーベルShelter Pressからリリースした2枚組レコードです。 ピアノやギター、フィールドレコーディング、パルスなど様々な音色が現れては消えていくドリーミーなコラージュ・アンビエント11曲を収録。 Rashad Beckerがマスタリングを担当しています。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM /...
Sold Out
クイックビュー
{"id":7450437517562,"title":"Kassel Jaeger \/\/ Swamps \/ Things 2xLP","handle":"kassel-jaeger-swamps-things-2xlp","description":"\u003cp\u003e過去にEditions MegoやSenufo Editionsなどから多数発表しているフランスの実験音楽家Kassel Jaegerが、2020年にフランス・パリの実験レーベルShelter Pressからリリースした2枚組レコード。淡いアンビエントドローン〜立体的なドローン10曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=958500317\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePrinted inner and outersleeves with artwork by Cameron Jamie\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Shelter Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"Over the last decade, Kassel Jaeger, the moniker of the Paris-based composer, writer \/ theorist, producer, and director of the Groupe de Recherches Musicales (GRM), François Bonnet, has meticulously sculpted a body of multidisciplinary work that rests at the forefront contemporary electronic and electroacoustic practice. On July 10th he will release his new album ‘Swamp \/ Things’ on Shelter-Press.\u003cbr\u003e\u003cbr\u003eRigorously experimental without sacrificing the intimacies of self, his efforts as a composer and musician extend across live contexts and numerous critically heralded solo releases, as well as collaborations with Jim O’Rourke and Lucy Railton, both contributing to the record, alongside Stephen O’Malley, Stephan Mathieu, Akira Rabelais, Oren Ambarchi, and James Rushford, and others.\u003cbr\u003e\u003cbr\u003eDeeply invested in the potential of sound as an elemental form - a root phenomenon with a profound capacity for meaning, as much as a multidimensional material for creative process and ideas – Jaeger’s work across numerous fields, be it in text, action, or sound presents a crucial bridge between the optimistic, philosophical origins of electronic and electroacoustic music, the present and where they have yet to delve.\u003cbr\u003e\u003cbr\u003eSound is abstract. When the source is elusive, narrative and meaning shift between the concrete and obscure. With his first solo LP with Shelter Press, Swamps\/Things, Kassel Jaeger wades into this foggy, conceptual realm. From memory and metaphor - sliding fluidly through the imagistic and emotive - emerges an immersive, cavernous world that rethinks electroacoustic music on organic terms.\u003cbr\u003e\u003cbr\u003e‘Swamps \/ Things’ was conceived as an opera without distinct characters or text. It draws Kassel Jaeger into his own history, experiences, and the unlikely double of the swamp, a landscape that has held literal and metaphorical sway over him since childhood. Merging 8 works as a total environment, abstaining from distinct shape or discrete articulation, across the album's breadth, sound becomes a shifting mirror for the bubbling, ordered chaos of organic life.\u003cbr\u003e\u003cbr\u003eResting at the junction of concept, emotion, and phenomena - tapping the multidimensional potential for narrative and meaning possessed by each - Swamps \/ Things encounters an artist of remarkable craft, delving toward the unknown, deploying organized sonority as object and environment, as much as action, movement, passage, and arc. Seemingly possessed by an entropy entirely its own, the temporal gives way to the poetics of space, while the density of an endlessly evolving climate, laden with cacophonous happenings, renders itself still. Flickering images of the natural world - memory and the imagined reformed as sound - present an operatic double for human action and thought. From deep, fog like banks of minimalist long tone, to industrial clamors left as tracks in the mud, or the collisions of shifting pulses, overtones, and textures - captured from across the murky, drone laden waters between the acoustic and synthetic realms - moody, howling cries and tense meditations merge in ambient sheets, capturing a fleeting image of where decomposition gives way to new growth.\u003cbr\u003e\u003cbr\u003eA remarkably intimate and forward-thinking aural balm, bristling with complex beauty, Shelter press is overjoyed to present Kassel Jaeger’s Swamps \/ Things. Two immersive, intoxicating sides overflowing with humanity and ideas.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Francois Bonnet (Kassel Jaeger):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eAs a child, almost every Sunday, I was wandering in the countryside, and usually, I was finding myself in my favorite spot: a swamp. Air was different. Trees were dead, but not really dead. Soil was swaying of clear water, and an everlasting mist was suspended all over the place. No one was there and nothing could happen even if some animal tracks were here to prove me I was wrong. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMuch later, one of my masters made always this joke about my music. He said I was composing swamps, I guess because of the lack of demonstrative musical shapes and articulations. At the same time, he was acknowledging that I was building a “climate”.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt took me then almost 30 years to understand why I was so fond of swamps. It’s because a swamp is an intermediary space of the organic becoming and the blurry space suspending the cycle of the utilities, which is the cycle of history. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSwamps \/ Things has been conceived as an opera. An opera without characters, without text, but not without story. The story, here, is only an arc. Because what is an opera, if not an arc? And the arc, here, is the simplest. It’s walking through the swamp. Approaching it, leaching into it, becoming it. The Swamp is us. Our own disappearance, populated by all the beasts we have turned into, by\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e the places we have haunted, and by the time we have consumed. We are traces in an always intermediate state. Animals tracks in the sodden earth of the Swamp\u003c\/em\u003e.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kassel Jaeger\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-18T01:46:34+09:00","created_at":"2021-11-15T16:01:02+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","lp","shelter press"],"price":388000,"price_min":388000,"price_max":388000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057916481786,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Kassel Jaeger \/\/ Swamps \/ Things 2xLP","public_title":null,"options":["Default Title"],"price":388000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ka1_c2d3f186-a97e-4b35-b358-df28e22379a3.jpg?v=1636959664","\/\/tobirarecords.com\/cdn\/shop\/products\/ka2_a36288dc-658e-4990-82fd-9f9bb85aa860.jpg?v=1636959665"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka1_c2d3f186-a97e-4b35-b358-df28e22379a3.jpg?v=1636959664","options":["Title"],"media":[{"alt":null,"id":26931165921530,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka1_c2d3f186-a97e-4b35-b358-df28e22379a3.jpg?v=1636959664"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka1_c2d3f186-a97e-4b35-b358-df28e22379a3.jpg?v=1636959664","width":700},{"alt":null,"id":26931165954298,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka2_a36288dc-658e-4990-82fd-9f9bb85aa860.jpg?v=1636959665"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka2_a36288dc-658e-4990-82fd-9f9bb85aa860.jpg?v=1636959665","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にEditions MegoやSenufo Editionsなどから多数発表しているフランスの実験音楽家Kassel Jaegerが、2020年にフランス・パリの実験レーベルShelter Pressからリリースした2枚組レコード。淡いアンビエントドローン〜立体的なドローン10曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=958500317\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePrinted inner and outersleeves with artwork by Cameron Jamie\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Shelter Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"Over the last decade, Kassel Jaeger, the moniker of the Paris-based composer, writer \/ theorist, producer, and director of the Groupe de Recherches Musicales (GRM), François Bonnet, has meticulously sculpted a body of multidisciplinary work that rests at the forefront contemporary electronic and electroacoustic practice. On July 10th he will release his new album ‘Swamp \/ Things’ on Shelter-Press.\u003cbr\u003e\u003cbr\u003eRigorously experimental without sacrificing the intimacies of self, his efforts as a composer and musician extend across live contexts and numerous critically heralded solo releases, as well as collaborations with Jim O’Rourke and Lucy Railton, both contributing to the record, alongside Stephen O’Malley, Stephan Mathieu, Akira Rabelais, Oren Ambarchi, and James Rushford, and others.\u003cbr\u003e\u003cbr\u003eDeeply invested in the potential of sound as an elemental form - a root phenomenon with a profound capacity for meaning, as much as a multidimensional material for creative process and ideas – Jaeger’s work across numerous fields, be it in text, action, or sound presents a crucial bridge between the optimistic, philosophical origins of electronic and electroacoustic music, the present and where they have yet to delve.\u003cbr\u003e\u003cbr\u003eSound is abstract. When the source is elusive, narrative and meaning shift between the concrete and obscure. With his first solo LP with Shelter Press, Swamps\/Things, Kassel Jaeger wades into this foggy, conceptual realm. From memory and metaphor - sliding fluidly through the imagistic and emotive - emerges an immersive, cavernous world that rethinks electroacoustic music on organic terms.\u003cbr\u003e\u003cbr\u003e‘Swamps \/ Things’ was conceived as an opera without distinct characters or text. It draws Kassel Jaeger into his own history, experiences, and the unlikely double of the swamp, a landscape that has held literal and metaphorical sway over him since childhood. Merging 8 works as a total environment, abstaining from distinct shape or discrete articulation, across the album's breadth, sound becomes a shifting mirror for the bubbling, ordered chaos of organic life.\u003cbr\u003e\u003cbr\u003eResting at the junction of concept, emotion, and phenomena - tapping the multidimensional potential for narrative and meaning possessed by each - Swamps \/ Things encounters an artist of remarkable craft, delving toward the unknown, deploying organized sonority as object and environment, as much as action, movement, passage, and arc. Seemingly possessed by an entropy entirely its own, the temporal gives way to the poetics of space, while the density of an endlessly evolving climate, laden with cacophonous happenings, renders itself still. Flickering images of the natural world - memory and the imagined reformed as sound - present an operatic double for human action and thought. From deep, fog like banks of minimalist long tone, to industrial clamors left as tracks in the mud, or the collisions of shifting pulses, overtones, and textures - captured from across the murky, drone laden waters between the acoustic and synthetic realms - moody, howling cries and tense meditations merge in ambient sheets, capturing a fleeting image of where decomposition gives way to new growth.\u003cbr\u003e\u003cbr\u003eA remarkably intimate and forward-thinking aural balm, bristling with complex beauty, Shelter press is overjoyed to present Kassel Jaeger’s Swamps \/ Things. Two immersive, intoxicating sides overflowing with humanity and ideas.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Francois Bonnet (Kassel Jaeger):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eAs a child, almost every Sunday, I was wandering in the countryside, and usually, I was finding myself in my favorite spot: a swamp. Air was different. Trees were dead, but not really dead. Soil was swaying of clear water, and an everlasting mist was suspended all over the place. No one was there and nothing could happen even if some animal tracks were here to prove me I was wrong. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMuch later, one of my masters made always this joke about my music. He said I was composing swamps, I guess because of the lack of demonstrative musical shapes and articulations. At the same time, he was acknowledging that I was building a “climate”.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt took me then almost 30 years to understand why I was so fond of swamps. It’s because a swamp is an intermediary space of the organic becoming and the blurry space suspending the cycle of the utilities, which is the cycle of history. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSwamps \/ Things has been conceived as an opera. An opera without characters, without text, but not without story. The story, here, is only an arc. Because what is an opera, if not an arc? And the arc, here, is the simplest. It’s walking through the swamp. Approaching it, leaching into it, becoming it. The Swamp is us. Our own disappearance, populated by all the beasts we have turned into, by\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e the places we have haunted, and by the time we have consumed. We are traces in an always intermediate state. Animals tracks in the sodden earth of the Swamp\u003c\/em\u003e.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kassel Jaeger\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
過去にEditions MegoやSenufo Editionsなどから多数発表しているフランスの実験音楽家Kassel Jaegerが、2020年にフランス・パリの実験レーベルShelter Pressからリリースした2枚組レコード。淡いアンビエントドローン〜立体的なドローン10曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
Sold Out
クイックビュー
{"id":7450434207994,"title":"Okkyung Lee \/\/ Yeo-Neun LP","handle":"okkyung-lee-yeo-neun-lp","description":"\u003cp\u003e過去にOpen MouthやTzadik、The Tapewormなどから発表している韓国のネオクラシカル作家Okkyung Leeが、2020年にフランス・パリの実験レーベルShelter Pressからリリースした8枚目のフルアルバムです。\u003c\/p\u003e\n\u003cp\u003eハープとピアノ、ベースによる五臓六腑に染み入るネオクラシカル10曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1259952549\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSpringing from a decades deep body of work, defined by a rigorously singular and adventurous approach to sound, cellist, composer, and improvisor, Okkyung Lee, returns with Yeo-Neun, her first outing with Shelter Press, and arguably her most groundbreaking and unexpected album to date.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA vital, present force in the contemporary global landscape of experimental music, Okkyung Lee is widely regarded for her solo and collaborative improvisations and compositions, weaving a continuously evolving network of sonority and event, notable for its profound depth of instrumental sensitivity, exacting intellect, and visceral emotiveness. Yeo-Neun, recorded by Yeo-Neun Quartet - an experimental chamber music ensemble founded in 2016 and led by Lee on cello, featuring harpist Maeve Gilchrist, pianist Jacob Sacks, and bassist Eivind Opsvik - represents the culmination of one of longest and most intimate arcs in her remarkable career. A radical departure from much of the experimental language for which she has become widely known, it is equally a fearless return.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eYeo-Neun loosely translates to the gesture of an opening in Korean, presenting window into the poetic multiplicity that rests at the album’s core. Balanced at the outer reaches of Lee’s radically\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e forward thinking creative process, its 10 discrete works are born of the ambient displacement of musician’s life; intimate melodic constructions and deconstructions that traces their roots across the last 30 years, from her early days spent away from home studying the cello in Seoul and Boston, to her subsequent move to New York and the nomadism of a near endless routine of tours. At its foundation, lay glimpses of a once melancholic teen, traces of the sentimentality and sensitivity (감성 \/ Gahmsung) that underpins the Korean popular music of Lee’s youth, and an artist for whom the notions of time, place, and home have become increasingly complex.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eElegantly binding modern classical composition and freely improvised music with the emotive drama of Korean traditional music and popular ballads, the expanse of Yeo-Neun pushes toward the palpably unknown, as radical for what it is and does, as it for its approachability. In Lee’s hands, carried by a body of composition that rests beyond the prescriptive boundaries of culture, genre, geography, and time, a vision of the experimental avant-garde emerges as a music of experience, humanity, and life. Meandering melodies, from the deceptively simple to the tonally and structurally complex, slowly evolve and fall from view, the harp, piano, and bass forming an airy, liminal non-place, through which Lee’s cello and unplaceable memories freely drift.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRemarkably honest, unflinchingly beautiful, and creatively challenging, Shelter Press is proud to present Yeo-Neun, an album that takes one the most important voices in contemporary experimental music, Okkyung Lee, far afield into an unknown future, bound to her past.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMastered and cut by Rashad Becker, housed in reversed-board printed inner and outer sleeve with artwork by American photographer Ron Jude.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Okkyung Lee\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-18T01:41:51+09:00","created_at":"2021-11-15T15:58:06+09:00","vendor":"Tobira Records","type":"","tags":["lp","neo classical","shelter press"],"price":315000,"price_min":315000,"price_max":315000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057897246970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Okkyung Lee \/\/ Yeo-Neun LP","public_title":null,"options":["Default Title"],"price":315000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ne1_9366fecd-cc61-428c-8148-ae83cca5c343.jpg?v=1636959487","\/\/tobirarecords.com\/cdn\/shop\/products\/ne2_c067c4c5-7e36-4c82-9695-9b5cc2c75f71.jpg?v=1636959488"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne1_9366fecd-cc61-428c-8148-ae83cca5c343.jpg?v=1636959487","options":["Title"],"media":[{"alt":null,"id":26931147374842,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne1_9366fecd-cc61-428c-8148-ae83cca5c343.jpg?v=1636959487"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne1_9366fecd-cc61-428c-8148-ae83cca5c343.jpg?v=1636959487","width":700},{"alt":null,"id":26931147407610,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne2_c067c4c5-7e36-4c82-9695-9b5cc2c75f71.jpg?v=1636959488"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne2_c067c4c5-7e36-4c82-9695-9b5cc2c75f71.jpg?v=1636959488","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にOpen MouthやTzadik、The Tapewormなどから発表している韓国のネオクラシカル作家Okkyung Leeが、2020年にフランス・パリの実験レーベルShelter Pressからリリースした8枚目のフルアルバムです。\u003c\/p\u003e\n\u003cp\u003eハープとピアノ、ベースによる五臓六腑に染み入るネオクラシカル10曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1259952549\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSpringing from a decades deep body of work, defined by a rigorously singular and adventurous approach to sound, cellist, composer, and improvisor, Okkyung Lee, returns with Yeo-Neun, her first outing with Shelter Press, and arguably her most groundbreaking and unexpected album to date.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA vital, present force in the contemporary global landscape of experimental music, Okkyung Lee is widely regarded for her solo and collaborative improvisations and compositions, weaving a continuously evolving network of sonority and event, notable for its profound depth of instrumental sensitivity, exacting intellect, and visceral emotiveness. Yeo-Neun, recorded by Yeo-Neun Quartet - an experimental chamber music ensemble founded in 2016 and led by Lee on cello, featuring harpist Maeve Gilchrist, pianist Jacob Sacks, and bassist Eivind Opsvik - represents the culmination of one of longest and most intimate arcs in her remarkable career. A radical departure from much of the experimental language for which she has become widely known, it is equally a fearless return.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eYeo-Neun loosely translates to the gesture of an opening in Korean, presenting window into the poetic multiplicity that rests at the album’s core. Balanced at the outer reaches of Lee’s radically\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e forward thinking creative process, its 10 discrete works are born of the ambient displacement of musician’s life; intimate melodic constructions and deconstructions that traces their roots across the last 30 years, from her early days spent away from home studying the cello in Seoul and Boston, to her subsequent move to New York and the nomadism of a near endless routine of tours. At its foundation, lay glimpses of a once melancholic teen, traces of the sentimentality and sensitivity (감성 \/ Gahmsung) that underpins the Korean popular music of Lee’s youth, and an artist for whom the notions of time, place, and home have become increasingly complex.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eElegantly binding modern classical composition and freely improvised music with the emotive drama of Korean traditional music and popular ballads, the expanse of Yeo-Neun pushes toward the palpably unknown, as radical for what it is and does, as it for its approachability. In Lee’s hands, carried by a body of composition that rests beyond the prescriptive boundaries of culture, genre, geography, and time, a vision of the experimental avant-garde emerges as a music of experience, humanity, and life. Meandering melodies, from the deceptively simple to the tonally and structurally complex, slowly evolve and fall from view, the harp, piano, and bass forming an airy, liminal non-place, through which Lee’s cello and unplaceable memories freely drift.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRemarkably honest, unflinchingly beautiful, and creatively challenging, Shelter Press is proud to present Yeo-Neun, an album that takes one the most important voices in contemporary experimental music, Okkyung Lee, far afield into an unknown future, bound to her past.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMastered and cut by Rashad Becker, housed in reversed-board printed inner and outer sleeve with artwork by American photographer Ron Jude.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Okkyung Lee\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
過去にOpen MouthやTzadik、The Tapewormなどから発表している韓国のネオクラシカル作家Okkyung Leeが、2020年にフランス・パリの実験レーベルShelter Pressからリリースした8枚目のフルアルバムです。 ハープとピアノ、ベースによる五臓六腑に染み入るネオクラシカル10曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM /...
Sold Out
クイックビュー
{"id":7450430570746,"title":"PDP III \/\/ Pilled Up on a Couple of Doves LP","handle":"pdp-iii-pilled-up-on-a-couple-of-doves-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBritton Powellを中心にLucy RailtonとBrian Leeds(Huerco S)が音を重ねていくプロジェクトPDP IIIが、\u003c\/span\u003e2021年4月にフランス・パリの実験レーベルShelter Pressからリリースしたレコード。\u003c\/p\u003e\n\u003cp\u003eディープリスニング系のエレクトロニック・アンビエント5曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=492068840\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePilled Up on a Couple of Doves is the debut full-length by PDP III, who fell into alignment in December of 2018 amid a handful of immersive and improvisatory recording sessions held at Gary’s Electric Studio in Brooklyn, New York. The trio is a collaboration between composer\/producer Britton Powell and two Berlin-based artists, the British composer\/cellist Lucy Railton and the electronic artist Brian Leeds (Huerco S).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAt the outset of these sessions Powell presented a series of compositional sketches anchored around multi-tracked electronics and acoustic percussion. These concepts were then used as the framework for collective improvisation, with the musicians working on instinct and layering as many as eight separate takes across a track. A portion of the record also reflects moments that are purely spontaneous – in-the-moment invention with Railton on electronics and cello and Powell and Leeds working on laptop computers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe composition process involved little in the way of overt instruction, instead favoring discussion on more abstract notions of feel and energy. As a result, the final product was a bit surprising to all involved. “I don’t think the three of us had any idea how heavy and physical this thing was going to feel,” reflects\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Powell.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSubsequently reduced, edited, and collaged by Powell over the next two years, Pilled Up on a Couple of Doves presents a succession of alien moods. Gauzy textures are buoyed by extreme low end pressure. Serene industrial hum illuminates the rhythmic beating of waveforms. The sounds frequently evoke opposing emotions -- tenderness and anxiety, claustrophobia and transcendence.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe record culminates in 20-minute closer “49 Days,” where gradually unfurling textures for cello and electronics mirror the overtones of a ringing gong. It’s unsettling, but deeply meditative.\u003cbr data-mce-fragment=\"1\"\u003eA map of liminal space. Music to get lost to. “One thing that’s important in relation to my work with music is to access a place outside of physical space,” says Powell. “To pursue music as a tool to reach a place outside of physical existence.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“There's something really simple, innocent, and timeless about working with acoustic percussion instruments,” explains Powell.\u003cbr data-mce-fragment=\"1\"\u003e“I think that they allow for a very true examination of sound. It feels vulnerable and really powerful at the same time.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : PDP III\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-17T17:31:33+09:00","created_at":"2021-11-15T15:55:55+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","monooto","shelter press"],"price":315000,"price_min":315000,"price_max":315000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057887842554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"PDP III \/\/ Pilled Up on a Couple of Doves LP","public_title":null,"options":["Default Title"],"price":315000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/co1_1df6ac9b-9c42-4ef6-8fe7-b026470a8914.jpg?v=1636959356","\/\/tobirarecords.com\/cdn\/shop\/products\/co2_b9ac655f-89da-480b-8942-54ee72f2c7e8.jpg?v=1636959357"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_1df6ac9b-9c42-4ef6-8fe7-b026470a8914.jpg?v=1636959356","options":["Title"],"media":[{"alt":null,"id":26931134431482,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_1df6ac9b-9c42-4ef6-8fe7-b026470a8914.jpg?v=1636959356"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_1df6ac9b-9c42-4ef6-8fe7-b026470a8914.jpg?v=1636959356","width":700},{"alt":null,"id":26931134464250,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_b9ac655f-89da-480b-8942-54ee72f2c7e8.jpg?v=1636959357"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_b9ac655f-89da-480b-8942-54ee72f2c7e8.jpg?v=1636959357","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBritton Powellを中心にLucy RailtonとBrian Leeds(Huerco S)が音を重ねていくプロジェクトPDP IIIが、\u003c\/span\u003e2021年4月にフランス・パリの実験レーベルShelter Pressからリリースしたレコード。\u003c\/p\u003e\n\u003cp\u003eディープリスニング系のエレクトロニック・アンビエント5曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=492068840\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePilled Up on a Couple of Doves is the debut full-length by PDP III, who fell into alignment in December of 2018 amid a handful of immersive and improvisatory recording sessions held at Gary’s Electric Studio in Brooklyn, New York. The trio is a collaboration between composer\/producer Britton Powell and two Berlin-based artists, the British composer\/cellist Lucy Railton and the electronic artist Brian Leeds (Huerco S).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAt the outset of these sessions Powell presented a series of compositional sketches anchored around multi-tracked electronics and acoustic percussion. These concepts were then used as the framework for collective improvisation, with the musicians working on instinct and layering as many as eight separate takes across a track. A portion of the record also reflects moments that are purely spontaneous – in-the-moment invention with Railton on electronics and cello and Powell and Leeds working on laptop computers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe composition process involved little in the way of overt instruction, instead favoring discussion on more abstract notions of feel and energy. As a result, the final product was a bit surprising to all involved. “I don’t think the three of us had any idea how heavy and physical this thing was going to feel,” reflects\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Powell.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSubsequently reduced, edited, and collaged by Powell over the next two years, Pilled Up on a Couple of Doves presents a succession of alien moods. Gauzy textures are buoyed by extreme low end pressure. Serene industrial hum illuminates the rhythmic beating of waveforms. The sounds frequently evoke opposing emotions -- tenderness and anxiety, claustrophobia and transcendence.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe record culminates in 20-minute closer “49 Days,” where gradually unfurling textures for cello and electronics mirror the overtones of a ringing gong. It’s unsettling, but deeply meditative.\u003cbr data-mce-fragment=\"1\"\u003eA map of liminal space. Music to get lost to. “One thing that’s important in relation to my work with music is to access a place outside of physical space,” says Powell. “To pursue music as a tool to reach a place outside of physical existence.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“There's something really simple, innocent, and timeless about working with acoustic percussion instruments,” explains Powell.\u003cbr data-mce-fragment=\"1\"\u003e“I think that they allow for a very true examination of sound. It feels vulnerable and really powerful at the same time.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : PDP III\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
Britton Powellを中心にLucy RailtonとBrian Leeds(Huerco S)が音を重ねていくプロジェクトPDP IIIが、2021年4月にフランス・パリの実験レーベルShelter Pressからリリースしたレコード。 ディープリスニング系のエレクトロニック・アンビエント5曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection...
Sold Out
クイックビュー
{"id":7450424213754,"title":"Andrew Pekler \u0026 Giuseppe Ielasi \/\/ Palimpsests LP","handle":"apgi","description":"\u003cp\u003eドイツの音響作家Andrew Peklerと、イタリアの実験レーベルSenufo Editions主宰Giuseppe Ielasiが、2021年10月にフランスの実験レーベルShelter Pressからリリースした共作レコード。\u003c\/p\u003e\n\u003cp\u003eフロア棒立ち系テクノ〜コラージュ・ストレンジビーツ〜アンビエント9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2580139545\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eText by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBoth noted for strikingly forward-thinking bodies of solo work dating back to the 1990s, the duo of Andrew Pekler \u0026amp; Giuseppe Ielasi - collaborators for the better part of a decade - reemerge with 'Palimpsests’, their first outing with Shelter Press. Built from deconstructed layers of texture, tone, and arrhythmic percussiveness, the album’s 2 sides distill 6 years of work into 9 splintered, airy reimaginings of minimalism - each surprising, creatively rigorous, and startlingly beautiful - that rest at the outer reaches of contemporary electroacoustic practice and musique concrète.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBased in Berlin and Milan respectively, Andrew Pekler and Giuseppe Ielasi have individually carved singular paths across numerous disciplines within experimental music for more than 20 years, each deploying sampling, synthesis, and acoustic sources to weave their own, distinct worlds of sonorous abstraction. Brought together by years of friendship and a shared devotion to layered texture and complex, fractured structure, the pair first joined their creative energies in 2013, a collaboration that culminated as the LP, ‘Holiday For Sampler’, issued by Planam.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Palimpsests’, the duo’s second outing, draws its material from a series of improvisations made by the Pekler and Ielasi in\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Milan during 2015. Over the ensuing six years, those recordings would undergo various transformations - cut, reworked, sampled, and added to by each artist, working at geographic distance between Berlin, Kyoto and Monza - before culminating, like the album’s title suggests, as a unique manifestation of musical palimpsest; “an object reused and altered, while still bearing visible traces of its earlier form”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith each of the album’s compositions nodding toward a city with which Pekler and Ielasi hold biographical connections, 'Palimpsests’ constructs sound as poetic metaphor; a series of ghosts - traces of memory, image, and action - cut and reassembled, in cycling permutations, before been set into action at a glacial pace with layered, transparent forms.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDefined by remarkable restraint and pointillistic precision, across the album’s two sides Pekler and Ielasi weave the fractured remnants of their sessions - reduced to glitches and warbling fragments of texture and tonality - into pulsing expanses of spatial ambiance that defy imagism, blur the boundaries between the synthetic and organic - reducing their sources to a series of unknowns - recast the boundaries of electroacoustic practice on markedly singular terms.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShelter Press is thrilled to present 'Palimpsests’, another brilliant outing from the duo of Andrew Pekler and Giuseppe Ielasi. Issued in a limited edition of 500 copies on black vinyl, with artworks on printed inner and outer sleeves by Traianos Pakioufakis.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andrew Pekler \u0026amp; Giuseppe Ielasi\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-15T15:55:55+09:00","created_at":"2021-11-15T15:47:55+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","monooto","shelter press","strange beats","techno \/ house"],"price":328000,"price_min":328000,"price_max":328000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057868509434,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Andrew Pekler \u0026 Giuseppe Ielasi \/\/ Palimpsests LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_ac98e139-ab23-4c6f-8b1b-62654d8ba1cb.jpg?v=1636958877","\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_36e270ad-206b-4da7-bcaf-990b105ee168.jpg?v=1636958877"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_ac98e139-ab23-4c6f-8b1b-62654d8ba1cb.jpg?v=1636958877","options":["Title"],"media":[{"alt":null,"id":26931095273722,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_ac98e139-ab23-4c6f-8b1b-62654d8ba1cb.jpg?v=1636958877"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_ac98e139-ab23-4c6f-8b1b-62654d8ba1cb.jpg?v=1636958877","width":700},{"alt":null,"id":26931095306490,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_36e270ad-206b-4da7-bcaf-990b105ee168.jpg?v=1636958877"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_36e270ad-206b-4da7-bcaf-990b105ee168.jpg?v=1636958877","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツの音響作家Andrew Peklerと、イタリアの実験レーベルSenufo Editions主宰Giuseppe Ielasiが、2021年10月にフランスの実験レーベルShelter Pressからリリースした共作レコード。\u003c\/p\u003e\n\u003cp\u003eフロア棒立ち系テクノ〜コラージュ・ストレンジビーツ〜アンビエント9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2580139545\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eText by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBoth noted for strikingly forward-thinking bodies of solo work dating back to the 1990s, the duo of Andrew Pekler \u0026amp; Giuseppe Ielasi - collaborators for the better part of a decade - reemerge with 'Palimpsests’, their first outing with Shelter Press. Built from deconstructed layers of texture, tone, and arrhythmic percussiveness, the album’s 2 sides distill 6 years of work into 9 splintered, airy reimaginings of minimalism - each surprising, creatively rigorous, and startlingly beautiful - that rest at the outer reaches of contemporary electroacoustic practice and musique concrète.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBased in Berlin and Milan respectively, Andrew Pekler and Giuseppe Ielasi have individually carved singular paths across numerous disciplines within experimental music for more than 20 years, each deploying sampling, synthesis, and acoustic sources to weave their own, distinct worlds of sonorous abstraction. Brought together by years of friendship and a shared devotion to layered texture and complex, fractured structure, the pair first joined their creative energies in 2013, a collaboration that culminated as the LP, ‘Holiday For Sampler’, issued by Planam.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Palimpsests’, the duo’s second outing, draws its material from a series of improvisations made by the Pekler and Ielasi in\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Milan during 2015. Over the ensuing six years, those recordings would undergo various transformations - cut, reworked, sampled, and added to by each artist, working at geographic distance between Berlin, Kyoto and Monza - before culminating, like the album’s title suggests, as a unique manifestation of musical palimpsest; “an object reused and altered, while still bearing visible traces of its earlier form”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith each of the album’s compositions nodding toward a city with which Pekler and Ielasi hold biographical connections, 'Palimpsests’ constructs sound as poetic metaphor; a series of ghosts - traces of memory, image, and action - cut and reassembled, in cycling permutations, before been set into action at a glacial pace with layered, transparent forms.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDefined by remarkable restraint and pointillistic precision, across the album’s two sides Pekler and Ielasi weave the fractured remnants of their sessions - reduced to glitches and warbling fragments of texture and tonality - into pulsing expanses of spatial ambiance that defy imagism, blur the boundaries between the synthetic and organic - reducing their sources to a series of unknowns - recast the boundaries of electroacoustic practice on markedly singular terms.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShelter Press is thrilled to present 'Palimpsests’, another brilliant outing from the duo of Andrew Pekler and Giuseppe Ielasi. Issued in a limited edition of 500 copies on black vinyl, with artworks on printed inner and outer sleeves by Traianos Pakioufakis.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andrew Pekler \u0026amp; Giuseppe Ielasi\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
ドイツの音響作家Andrew Peklerと、イタリアの実験レーベルSenufo Editions主宰Giuseppe Ielasiが、2021年10月にフランスの実験レーベルShelter Pressからリリースした共作レコード。 フロア棒立ち系テクノ〜コラージュ・ストレンジビーツ〜アンビエント9曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press releases...
Sold Out