Adeline Hotel // Away Together LP
Adeline Hotel // Away Together LP
¥2,890
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アメリカ・NYのポップレーベルRuination Records諸作を入荷しました。
本作は、レーベルオーナーAdeline Hotelが、2018年に100部限定でリリースしたレコードです。ベッドルームフォーク10曲を収録。DLコード付属。
レーベルその他作品はこちら /// Click here to see more Ruination Records releases available at Tobira.
--------------------------
Includes DL code. Edition of 100. 12" black vinyl.
Tracklist:
- So Long 02:57
- Habits 04:28
- Some Kind of Joke 03:19
- Isn't That Love 03:24
- Lightning 02:29
- Looking for the Same Thing 02:52
- Plastic Stars 02:18
- At Least We Tried 05:11
- Taste the Same 02:31
- Away Together 02:43
Artist : Adeline Hotel
Label : Ruination Record Co.
アメリカ・NYのポップレーベルRuination Records諸作を入荷しました。
本作は、レーベルオーナーAdeline Hotelが、2018年に100部限定でリリースしたレコードです。ベッドルームフォーク10曲を収録。DLコード付属。
レーベルその他作品はこちら /// Click here to see more Ruination Records releases available at Tobira.
--------------------------
Includes DL code. Edition of 100. 12" black vinyl.
Tracklist:
- So Long 02:57
- Habits 04:28
- Some Kind of Joke 03:19
- Isn't That Love 03:24
- Lightning 02:29
- Looking for the Same Thing 02:52
- Plastic Stars 02:18
- At Least We Tried 05:11
- Taste the Same 02:31
- Away Together 02:43
Artist : Adeline Hotel
Label : Ruination Record Co.
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{"id":8728894898426,"title":"Various Artists (Smalltown Supersound ) \/\/ Jordsvingninger 2xLP","handle":"various-artists-smalltown-supersound-jordsvingninger-2xlp","description":"\u003cp\u003eノルウェーの実験レーベルSmalltown Supersoundが、2025年1月にリリースした2枚組コンピレーションレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント〜ドローン〜テクノ17曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1488730734\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=216931947\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1488730734\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1876139579\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1488730734\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1928914458\/transparent=true\/\"\u003e\u0026lt;\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1488730734\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003ehere\u003c\/a\u003e to see more Smalltown Supersound releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Deathprod - Mot lyset 03:22\u003cbr\u003e2. Barker - Stjernenatt 07:21\u003cbr\u003e3. Lost Girls - Skrik 05:36\u003cbr\u003e4. Kara-Lis Coverdale - Kvinne med gresskar 02:28\u003cbr\u003e5. Arve Henriksen \u0026amp; Kjetil Husebø - Bølger 04:59\u003cbr\u003e6. Carmen Villain - Kvinner vendt mot solen 04:15\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Perila - Blomstrende frukttrær i vind 04:01\u003cbr\u003e\u003c\/span\u003e8. Actress - Solstråler 11:28\u003cbr\u003e9. Lasse Marhaug - Snølandskap fra Thüringen 04:28\u003cbr\u003e10. Johanna Orellana - Trollskogen 04:04\u003cbr\u003e11. Lindstrøm - Strand 05:40\u003cbr\u003e12. André Bratten - Stoffveksling 04:40\u003cbr\u003e13. Yoshinori Hayashi - Fra Thüringerwald 04:12\u003cbr\u003e14. Kelly Lee Owens - Stormen 05:31\u003cbr\u003e15. Anja Lauvdal - Utsikt fra Nordstrand 03:30\u003cbr\u003e16. Eivind Lønning - Mot skogen 1 09:38\u003cbr\u003e17. Bendik Giske - Mot skogen 2 03:25\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eSmalltown Supersound:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWe are proud to collaborate with Oslo's Munch Museum for this compilation of music inspired by and featured in the Munch exhibition Trembling Earth!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e18 of the label’s artists have created new tracks directly inspired by Edvard Munch’s atmospheric landscapes, organic processes and cosmic visions displayed in Trembling Earth. Ranging from experimental electronica to techno, ambient, jazz and improvisation, these are being released on a double LP which will be launched at the same time as the exhibition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Setting Edvard Munch’s cosmic artworks to music has been a dream project for us as a label,’ says Joakim Haugland, head of Smalltown Supersound. ‘The cosmic element has always been a central part of our history, so fusing our music with the cosmic side of Munch is a huge honour.’\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘It has been important for us to include a contemporary perspective in the exhibition with these two commissioned works,’, says exhibition curator Trine Otte Bak Nielsen. ‘Lost Girls’ Join the Sound helps to set the tone as visitors are entering the exhibition, and Deathprod brings everything to a close with his monumental Let Me Be Forever Animal in the final room. They both bind the whole exhibition\u003cspan class=\"bcTruncateMore\"\u003e together, and take it into atmospheres that provide a new way into Munch’s work.’\u003cbr\u003e\u003cbr\u003e‘We are incredibly proud of our collaboration with Smalltown Supersound, and the release of the Jordsvingninger LP,’ Nielsen adds. ‘This kind of collaboration shows how MUNCH can engage in projects that people might not expect to see in a museum, as well as several live events at MUNCH.’\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Smalltown Supersound\u003c\/p\u003e\n\u003cp\u003eCAT no : STS430lp\u003c\/p\u003e","published_at":"2025-02-23T10:16:57+09:00","created_at":"2025-02-22T18:14:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","lp","new","smalltown supersound","techno \/ house"],"price":498000,"price_min":498000,"price_max":498000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47145087992058,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (Smalltown Supersound ) \/\/ Jordsvingninger 2xLP","public_title":null,"options":["Default Title"],"price":498000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"7072822430108","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jo1_c5ad1270-1f88-4655-8d75-3026df948064.jpg?v=1740215593","\/\/tobirarecords.com\/cdn\/shop\/files\/jo2_9da98388-4dd5-467b-b8eb-f2186763f212.jpg?v=1740215593"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo1_c5ad1270-1f88-4655-8d75-3026df948064.jpg?v=1740215593","options":["Title"],"media":[{"alt":null,"id":35610033586426,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo1_c5ad1270-1f88-4655-8d75-3026df948064.jpg?v=1740215593"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo1_c5ad1270-1f88-4655-8d75-3026df948064.jpg?v=1740215593","width":700},{"alt":null,"id":35610033619194,"position":2,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo2_9da98388-4dd5-467b-b8eb-f2186763f212.jpg?v=1740215593"},"aspect_ratio":1.425,"height":842,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo2_9da98388-4dd5-467b-b8eb-f2186763f212.jpg?v=1740215593","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eノルウェーの実験レーベルSmalltown Supersoundが、2025年1月にリリースした2枚組コンピレーションレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント〜ドローン〜テクノ17曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1488730734\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=216931947\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1488730734\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1876139579\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1488730734\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1928914458\/transparent=true\/\"\u003e\u0026lt;\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1488730734\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003ehere\u003c\/a\u003e to see more Smalltown Supersound releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Deathprod - Mot lyset 03:22\u003cbr\u003e2. Barker - Stjernenatt 07:21\u003cbr\u003e3. Lost Girls - Skrik 05:36\u003cbr\u003e4. Kara-Lis Coverdale - Kvinne med gresskar 02:28\u003cbr\u003e5. Arve Henriksen \u0026amp; Kjetil Husebø - Bølger 04:59\u003cbr\u003e6. Carmen Villain - Kvinner vendt mot solen 04:15\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Perila - Blomstrende frukttrær i vind 04:01\u003cbr\u003e\u003c\/span\u003e8. Actress - Solstråler 11:28\u003cbr\u003e9. Lasse Marhaug - Snølandskap fra Thüringen 04:28\u003cbr\u003e10. Johanna Orellana - Trollskogen 04:04\u003cbr\u003e11. Lindstrøm - Strand 05:40\u003cbr\u003e12. André Bratten - Stoffveksling 04:40\u003cbr\u003e13. Yoshinori Hayashi - Fra Thüringerwald 04:12\u003cbr\u003e14. Kelly Lee Owens - Stormen 05:31\u003cbr\u003e15. Anja Lauvdal - Utsikt fra Nordstrand 03:30\u003cbr\u003e16. Eivind Lønning - Mot skogen 1 09:38\u003cbr\u003e17. Bendik Giske - Mot skogen 2 03:25\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eSmalltown Supersound:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWe are proud to collaborate with Oslo's Munch Museum for this compilation of music inspired by and featured in the Munch exhibition Trembling Earth!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e18 of the label’s artists have created new tracks directly inspired by Edvard Munch’s atmospheric landscapes, organic processes and cosmic visions displayed in Trembling Earth. Ranging from experimental electronica to techno, ambient, jazz and improvisation, these are being released on a double LP which will be launched at the same time as the exhibition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Setting Edvard Munch’s cosmic artworks to music has been a dream project for us as a label,’ says Joakim Haugland, head of Smalltown Supersound. ‘The cosmic element has always been a central part of our history, so fusing our music with the cosmic side of Munch is a huge honour.’\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘It has been important for us to include a contemporary perspective in the exhibition with these two commissioned works,’, says exhibition curator Trine Otte Bak Nielsen. ‘Lost Girls’ Join the Sound helps to set the tone as visitors are entering the exhibition, and Deathprod brings everything to a close with his monumental Let Me Be Forever Animal in the final room. They both bind the whole exhibition\u003cspan class=\"bcTruncateMore\"\u003e together, and take it into atmospheres that provide a new way into Munch’s work.’\u003cbr\u003e\u003cbr\u003e‘We are incredibly proud of our collaboration with Smalltown Supersound, and the release of the Jordsvingninger LP,’ Nielsen adds. ‘This kind of collaboration shows how MUNCH can engage in projects that people might not expect to see in a museum, as well as several live events at MUNCH.’\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Smalltown Supersound\u003c\/p\u003e\n\u003cp\u003eCAT no : STS430lp\u003c\/p\u003e"}
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{"id":8728893161722,"title":"ANXIOUS \/\/ Bambi LP [COLOR]","handle":"anxious-bambi-lp-color","description":"\u003cp\u003eアメリカ・コネチカットのエモバンドANXIOUSが、2025年2月に同国インディーレーベルRun For Cover Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポスト・ハードコア〜エモ11曲を収録。黄色盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1451089918\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rfc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rfc\"\u003ehere\u003c\/a\u003e to see more Run For Cover Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" yellow vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Never Said 03:15\u003cbr\u003e2. Bambi's Theme 03:24\u003cbr\u003e3. Some Girls 03:26\u003cbr\u003e4. Counting Sheep 04:06\u003cbr\u003e5. Audrey Go Again 04:19\u003cbr\u003e6. Head \u0026amp; Spine 03:08\u003cbr\u003e7. Tell Me Why 03:05\u003cbr\u003e8. Sunder 03:41\u003cbr\u003e9. Next Big Star 04:09\u003cbr\u003e10. Jacy 03:08\u003cbr\u003e11. I'll Be Around 04:25\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by \u003cmeta charset=\"utf-8\"\u003eRun For Cover Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSomewhere in the blur of endless touring, Anxious vocalist Grady Allen was sitting in a hotel room and stumbled upon a name typed into a long-forgotten memo on his phone: Bambi. “We should have named the band Bambi,” he recalls admitting to his bandmates. The tenor of the conversation is likely familiar to anyone of a certain age, when you reflect on choices that a younger version of yourself made and reckon with how things could be different if you’d chosen a different path. Bambi stuck with the band after that night and eventually it evolved from a “what-if” into the name of Anxious’ second full-length album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBambi is a record of remarkable growth, depth, ambition, and energy. It takes all the unsolvable and unavoidable problems of exiting adolescence and makes them resonate in urgent and authentic new ways. The album has deep roots in the storied lineage of Northeast tri-state hardcore and emo, but it also fully embraces the widescreen alternative rock songwriting at which Anxious have previously only hinted. It’s a statement of purpose, the kind of album that comes from a band reconciling where they’ve been with where they want to go. Bambi is the sound of Anxious putting everything on the line–and coming out on the other side better\u003cspan class=\"bcTruncateMore\"\u003e than ever...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : ANXIOUS\u003c\/p\u003e\n\u003cp\u003eLabel : Run For Cover Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : RFC280lp-C4\u003c\/p\u003e","published_at":"2025-02-23T10:21:04+09:00","created_at":"2025-02-22T18:05:02+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","run for covers"],"price":385000,"price_min":385000,"price_max":385000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47145079275770,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"ANXIOUS \/\/ Bambi LP [COLOR]","public_title":null,"options":["Default Title"],"price":385000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"810097918696","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bam1_2e2bf5f1-ee14-4d07-bf14-89085be39447.jpg?v=1740214990","\/\/tobirarecords.com\/cdn\/shop\/files\/bam2_547b3fea-6fde-42bf-8033-4b5dc72782d0.jpg?v=1740214990"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bam1_2e2bf5f1-ee14-4d07-bf14-89085be39447.jpg?v=1740214990","options":["Title"],"media":[{"alt":null,"id":35610020315386,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bam1_2e2bf5f1-ee14-4d07-bf14-89085be39447.jpg?v=1740214990"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bam1_2e2bf5f1-ee14-4d07-bf14-89085be39447.jpg?v=1740214990","width":700},{"alt":null,"id":35610020348154,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bam2_547b3fea-6fde-42bf-8033-4b5dc72782d0.jpg?v=1740214990"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bam2_547b3fea-6fde-42bf-8033-4b5dc72782d0.jpg?v=1740214990","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・コネチカットのエモバンドANXIOUSが、2025年2月に同国インディーレーベルRun For Cover Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポスト・ハードコア〜エモ11曲を収録。黄色盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1451089918\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rfc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rfc\"\u003ehere\u003c\/a\u003e to see more Run For Cover Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" yellow vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Never Said 03:15\u003cbr\u003e2. Bambi's Theme 03:24\u003cbr\u003e3. Some Girls 03:26\u003cbr\u003e4. Counting Sheep 04:06\u003cbr\u003e5. Audrey Go Again 04:19\u003cbr\u003e6. Head \u0026amp; Spine 03:08\u003cbr\u003e7. Tell Me Why 03:05\u003cbr\u003e8. Sunder 03:41\u003cbr\u003e9. Next Big Star 04:09\u003cbr\u003e10. Jacy 03:08\u003cbr\u003e11. I'll Be Around 04:25\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by \u003cmeta charset=\"utf-8\"\u003eRun For Cover Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSomewhere in the blur of endless touring, Anxious vocalist Grady Allen was sitting in a hotel room and stumbled upon a name typed into a long-forgotten memo on his phone: Bambi. “We should have named the band Bambi,” he recalls admitting to his bandmates. The tenor of the conversation is likely familiar to anyone of a certain age, when you reflect on choices that a younger version of yourself made and reckon with how things could be different if you’d chosen a different path. Bambi stuck with the band after that night and eventually it evolved from a “what-if” into the name of Anxious’ second full-length album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBambi is a record of remarkable growth, depth, ambition, and energy. It takes all the unsolvable and unavoidable problems of exiting adolescence and makes them resonate in urgent and authentic new ways. The album has deep roots in the storied lineage of Northeast tri-state hardcore and emo, but it also fully embraces the widescreen alternative rock songwriting at which Anxious have previously only hinted. It’s a statement of purpose, the kind of album that comes from a band reconciling where they’ve been with where they want to go. Bambi is the sound of Anxious putting everything on the line–and coming out on the other side better\u003cspan class=\"bcTruncateMore\"\u003e than ever...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : ANXIOUS\u003c\/p\u003e\n\u003cp\u003eLabel : Run For Cover Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : RFC280lp-C4\u003c\/p\u003e"}
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アメリカ・コネチカットのエモバンドANXIOUSが、2025年2月に同国インディーレーベルRun For Cover Recordsからリリースしたレコードです。 ポスト・ハードコア〜エモ11曲を収録。黄色盤です。 レーベルその他作品はこちら /// Click here to see more Run For Cover Records...
¥3,850

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{"id":8728870093050,"title":"Ahmed Essyad \/\/ Moroccan Electroacoustic Music 1972-74 LP","handle":"ahmed-essyad-moroccan-electroacoustic-music-1972-74-lp","description":"\u003cp\u003eモロッコの実験音楽家Ahmed Essyadが、2025年2月にベルギーの実験レーベルSub Rosaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1972-1974年に制作したエレクトロアコースティク8曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Toubkal(1972年)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAhmed Essyadの民族音楽学への関心は、ラバト音楽院での修業時代にさかのぼる。1958年、マリーヴォンヌ・ソヴァージュ、ウアヒド・エル・オマリとともに、ポピュラー音楽と伝統音楽の収集キャンペーンに参加。その後の作曲活動では、ジェスチャー、声楽技法、音色、楽器演奏の研究を進めるために、この経験をたびたび活用した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSultane (1973)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e『Sultane』は、大地と土地に対する考察の結実である。インスピレーションは\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e第1楽章は、1950年代にタザで録音された戦争歌にインスパイアされている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e祝祭的である。5つの楽章は、濃密なリズムの部分と、ゆったりとしたパッセージがはっきりと交互に現れる、\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eリズミカルな部分と、電子的に歪められた声が現れる緩やかな部分とがはっきりと交互に現れる。声のひとつはAhmed Essyad自身のものである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLecture pour bande magnétique(1974年)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eこの曲の2つのパートは、2つの異なる詩に基づいている、\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eライナー・マリア・リルケの詩と、ボナ・ド・マンディアルグの詩に基づいている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eこの作品は、音楽行為における身体の基本的な役割を讃えるものである。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e声は身体であり、呼吸はすべての音楽的フレージングの起源なのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=292134590\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=470054041\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=292134590\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" href=\"https:\/\/tobirarecords.com\/collections\/subro\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" href=\"https:\/\/tobirarecords.com\/collections\/subro\"\u003ehere\u003c\/a\u003e to see more Sub Rosa Label releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Toubkal (1972) part I 06:26\u003cbr\u003e2. Toubkal (1972) part II 05:18\u003cbr\u003e3. Lecture pour bande magnétique (1974) part I 05:36\u003cbr\u003e4. Sultane (1973) part I 02:25\u003cbr\u003e5. Sultane (1973) part II 03:58\u003cbr\u003e6. Sultane (1973) part III 02:25\u003cbr\u003e7. Sultane (1973) part IV 04:54\u003cbr\u003e8. Lecture pour bande magnétique (1974) part II 04:42\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eSub Rosa:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eComposer Ahmed Essyad was born in Salé, Morocco, in 1938. After studying music at the Rabat Conservatoire (Morocco) he moved to Paris in 1962, where he became a student of Max Deutsch and, later, his assistant. Trained in the avant-garde practices of Western musical composition, he also claimed the Amazigh folk music of Morocco as a fundamental source of inspiration for his work.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 1965, he was already incorporating elements of oral tradition in his work so as to question the language of his time, and therefore had to cope with the limits of musical notation and communication with musicians who did not share his cultural references. It was difficult\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eto agree on what was implicit, 'behind the notes,' especially regarding the management of musical time and micro-intervals. In search of new compositional tools, he turned to electro-acoustic music. Working in a studio made it possible for him to be the interpreter of his own work, which ensured a certain continuity with music of oral tradition. The pieces presented here were produced between 1972 and 1974 in a studio dedicated to electro-acoustic music, the S.M.E.C.A, which was part of the Music Workshop founded by Jorge Arriagada in Paris. The studio was equipped with EMS and Minimoog synthesizers, a piano, a marimba, a xylophone, as well\u003cspan class=\"bcTruncateMore\"\u003e as various percussion instruments and a tape delay system.\u003cbr\u003e\u003cbr\u003eThe practice of electro-acoustics may have been a mere parenthesis in Ahmed Essyad's long and prolific career as a composer of contemporary music, but the works presented here are nonetheless important. They show how strongly he both supported North African popular forms of expression and opposed its folklorizing through simplistic and 'exotic' representations. It's not about fusing together East and West - impossible, he says: \"the real point is to open up an imaginary space where another modernity can exist outside the largely Eurocentric framework of avant-garde music. Synthesis means anticipation, knowledge. As for me, I'm increasingly ignorant. I write to discover what I don't know. Music feeds me, it pollinates me. It's my daily wine.\"\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e\"\u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ahmed Essyad\u003c\/p\u003e\n\u003cp\u003eLabel : Sub Rosa Label \u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSR572V\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-02-22T19:42:20+09:00","created_at":"2025-02-22T15:15:36+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","monooto","new","sub rosa"],"price":382800,"price_min":382800,"price_max":382800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47145009676538,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ahmed Essyad \/\/ Moroccan Electroacoustic Music 1972-74 LP","public_title":null,"options":["Default Title"],"price":382800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_79fda7b6-bd18-4038-a0c8-1eb486a05c5c.jpg?v=1740204849","\/\/tobirarecords.com\/cdn\/shop\/files\/mo2_fdc4ce74-d630-47a1-bbfd-f01eaf98e14a.jpg?v=1740204849","\/\/tobirarecords.com\/cdn\/shop\/files\/mo3_d6594d87-2595-4c1c-816c-f49c24c8fdc6.jpg?v=1740204848"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_79fda7b6-bd18-4038-a0c8-1eb486a05c5c.jpg?v=1740204849","options":["Title"],"media":[{"alt":null,"id":35609737396474,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_79fda7b6-bd18-4038-a0c8-1eb486a05c5c.jpg?v=1740204849"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_79fda7b6-bd18-4038-a0c8-1eb486a05c5c.jpg?v=1740204849","width":700},{"alt":null,"id":35609737462010,"position":2,"preview_image":{"aspect_ratio":1.003,"height":1197,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo2_fdc4ce74-d630-47a1-bbfd-f01eaf98e14a.jpg?v=1740204849"},"aspect_ratio":1.003,"height":1197,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo2_fdc4ce74-d630-47a1-bbfd-f01eaf98e14a.jpg?v=1740204849","width":1200},{"alt":null,"id":35609737494778,"position":3,"preview_image":{"aspect_ratio":1.079,"height":1112,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo3_d6594d87-2595-4c1c-816c-f49c24c8fdc6.jpg?v=1740204848"},"aspect_ratio":1.079,"height":1112,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo3_d6594d87-2595-4c1c-816c-f49c24c8fdc6.jpg?v=1740204848","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eモロッコの実験音楽家Ahmed Essyadが、2025年2月にベルギーの実験レーベルSub Rosaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1972-1974年に制作したエレクトロアコースティク8曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Toubkal(1972年)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAhmed Essyadの民族音楽学への関心は、ラバト音楽院での修業時代にさかのぼる。1958年、マリーヴォンヌ・ソヴァージュ、ウアヒド・エル・オマリとともに、ポピュラー音楽と伝統音楽の収集キャンペーンに参加。その後の作曲活動では、ジェスチャー、声楽技法、音色、楽器演奏の研究を進めるために、この経験をたびたび活用した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSultane (1973)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e『Sultane』は、大地と土地に対する考察の結実である。インスピレーションは\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e第1楽章は、1950年代にタザで録音された戦争歌にインスパイアされている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e祝祭的である。5つの楽章は、濃密なリズムの部分と、ゆったりとしたパッセージがはっきりと交互に現れる、\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eリズミカルな部分と、電子的に歪められた声が現れる緩やかな部分とがはっきりと交互に現れる。声のひとつはAhmed Essyad自身のものである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLecture pour bande magnétique(1974年)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eこの曲の2つのパートは、2つの異なる詩に基づいている、\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eライナー・マリア・リルケの詩と、ボナ・ド・マンディアルグの詩に基づいている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eこの作品は、音楽行為における身体の基本的な役割を讃えるものである。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e声は身体であり、呼吸はすべての音楽的フレージングの起源なのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=292134590\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=470054041\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=292134590\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" href=\"https:\/\/tobirarecords.com\/collections\/subro\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" href=\"https:\/\/tobirarecords.com\/collections\/subro\"\u003ehere\u003c\/a\u003e to see more Sub Rosa Label releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Toubkal (1972) part I 06:26\u003cbr\u003e2. Toubkal (1972) part II 05:18\u003cbr\u003e3. Lecture pour bande magnétique (1974) part I 05:36\u003cbr\u003e4. Sultane (1973) part I 02:25\u003cbr\u003e5. Sultane (1973) part II 03:58\u003cbr\u003e6. Sultane (1973) part III 02:25\u003cbr\u003e7. Sultane (1973) part IV 04:54\u003cbr\u003e8. Lecture pour bande magnétique (1974) part II 04:42\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eSub Rosa:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eComposer Ahmed Essyad was born in Salé, Morocco, in 1938. After studying music at the Rabat Conservatoire (Morocco) he moved to Paris in 1962, where he became a student of Max Deutsch and, later, his assistant. Trained in the avant-garde practices of Western musical composition, he also claimed the Amazigh folk music of Morocco as a fundamental source of inspiration for his work.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 1965, he was already incorporating elements of oral tradition in his work so as to question the language of his time, and therefore had to cope with the limits of musical notation and communication with musicians who did not share his cultural references. It was difficult\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eto agree on what was implicit, 'behind the notes,' especially regarding the management of musical time and micro-intervals. In search of new compositional tools, he turned to electro-acoustic music. Working in a studio made it possible for him to be the interpreter of his own work, which ensured a certain continuity with music of oral tradition. The pieces presented here were produced between 1972 and 1974 in a studio dedicated to electro-acoustic music, the S.M.E.C.A, which was part of the Music Workshop founded by Jorge Arriagada in Paris. The studio was equipped with EMS and Minimoog synthesizers, a piano, a marimba, a xylophone, as well\u003cspan class=\"bcTruncateMore\"\u003e as various percussion instruments and a tape delay system.\u003cbr\u003e\u003cbr\u003eThe practice of electro-acoustics may have been a mere parenthesis in Ahmed Essyad's long and prolific career as a composer of contemporary music, but the works presented here are nonetheless important. They show how strongly he both supported North African popular forms of expression and opposed its folklorizing through simplistic and 'exotic' representations. It's not about fusing together East and West - impossible, he says: \"the real point is to open up an imaginary space where another modernity can exist outside the largely Eurocentric framework of avant-garde music. Synthesis means anticipation, knowledge. As for me, I'm increasingly ignorant. I write to discover what I don't know. Music feeds me, it pollinates me. It's my daily wine.\"\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e\"\u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ahmed Essyad\u003c\/p\u003e\n\u003cp\u003eLabel : Sub Rosa Label \u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSR572V\u003c\/span\u003e\u003c\/p\u003e"}
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モロッコの実験音楽家Ahmed Essyadが、2025年2月にベルギーの実験レーベルSub Rosaからリリースしたレコードです。 1972-1974年に制作したエレクトロアコースティク8曲を収録。 以下、レーベルによる解説です。 "Toubkal(1972年)Ahmed Essyadの民族音楽学への関心は、ラバト音楽院での修業時代にさかのぼる。1958年、マリーヴォンヌ・ソヴァージュ、ウアヒド・エル・オマリとともに、ポピュラー音楽と伝統音楽の収集キャンペーンに参加。その後の作曲活動では、ジェスチャー、声楽技法、音色、楽器演奏の研究を進めるために、この経験をたびたび活用した。 Sultane (1973)『Sultane』は、大地と土地に対する考察の結実である。インスピレーションは第1楽章は、1950年代にタザで録音された戦争歌にインスパイアされている。祝祭的である。5つの楽章は、濃密なリズムの部分と、ゆったりとしたパッセージがはっきりと交互に現れる、リズミカルな部分と、電子的に歪められた声が現れる緩やかな部分とがはっきりと交互に現れる。声のひとつはAhmed Essyad自身のものである。 Lecture pour bande magnétique(1974年)この曲の2つのパートは、2つの異なる詩に基づいている、ライナー・マリア・リルケの詩と、ボナ・ド・マンディアルグの詩に基づいている。この作品は、音楽行為における身体の基本的な役割を讃えるものである。声は身体であり、呼吸はすべての音楽的フレージングの起源なのだ。"...
¥3,828

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{"id":8728869503226,"title":"Muslimgauze \/\/ Hamas Arc LP","handle":"muslimgauze-hamas-arc-lp-color","description":"\u003cp\u003eイギリスのストレンジビーツ作家Muslimgauze(1961-1999)が、2025年2月にドイツの実験レーベルStaalplaatからリリースした再発レコードです。(オリジナルは2001年リリース)\u003c\/p\u003e\n\u003cp\u003eトライバル・ダブ〜ストレンジビーツ7曲を収録。\u003c\/p\u003e\n\u003cp\u003eスクリーンプリント\u0026amp;刺繍が施された一点一点手作りの特殊アートワーク仕様です。ナンバリング入り、DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1、2、4、5、7曲目は、未発表の『Shekel of Israeli Occupation』(中東の政治的変化によりリリースされなかった)の音源のリミックスである。この『Shekel of Israeli Occupation』は、その年のわずか数週間後にアルバム『Betrayal』に取って代わられた。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e3、6曲目は、アルバム『Vote Hezbollah』に収録されている曲のリミックスである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=874211536\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1552983891\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=874211536\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/staal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/staal\"\u003ehere\u003c\/a\u003e to see more Staalplaat \/ Staaltape releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl in hand-made screen printed cover, sewn together with green thread.\u003cbr\u003eEdition of 500. Includes DL code.\u003cbr\u003eOriginally recorded in 1993. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Tracks 1, 2, 4, 5 and 7 are remixes of tracks from the unreleased \"Shekel of Israeli Occupation\" (which was never released due to political changes\/evolution in the Middle East). This \"Shekel of Israeli Occupation\" was replaced by the \"Betrayal\" album just a few weeks later that year.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTracks 3 and 6 are remixes of tracks that appear on the \"Vote Hezbollah\" album.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Jerusalem Knife 06:17\u003cbr\u003e2. Khan Younis 07:12\u003cbr\u003e3. Farsi 06:33\u003cbr\u003e4. Jerusalem Knife 05:08\u003cbr\u003e5. Yasser Arafat's Radio 06:10\u003cbr\u003e6. Zindabad 05:50\u003cbr\u003e7. Yasser Arafat's Radio 03:19\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArist : Muslimgauze\u003c\/p\u003e\n\u003cp\u003eLabel : Staalplaat\u003c\/p\u003e\n\u003cp\u003eCAT no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMG Archive Vol 52 \u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-02-22T17:52:42+09:00","created_at":"2025-02-22T15:07:57+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","staaltape","strange beats","techno \/ house"],"price":434300,"price_min":434300,"price_max":434300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47145008365818,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Muslimgauze \/\/ Hamas Arc LP","public_title":null,"options":["Default Title"],"price":434300,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ham2_34a5d321-fc18-4f93-b362-b7f915ec152e.jpg?v=1740213531"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ham2_34a5d321-fc18-4f93-b362-b7f915ec152e.jpg?v=1740213531","options":["Title"],"media":[{"alt":null,"id":35609701482746,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1071,"width":1071,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ham2_34a5d321-fc18-4f93-b362-b7f915ec152e.jpg?v=1740213531"},"aspect_ratio":1.0,"height":1071,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ham2_34a5d321-fc18-4f93-b362-b7f915ec152e.jpg?v=1740213531","width":1071}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのストレンジビーツ作家Muslimgauze(1961-1999)が、2025年2月にドイツの実験レーベルStaalplaatからリリースした再発レコードです。(オリジナルは2001年リリース)\u003c\/p\u003e\n\u003cp\u003eトライバル・ダブ〜ストレンジビーツ7曲を収録。\u003c\/p\u003e\n\u003cp\u003eスクリーンプリント\u0026amp;刺繍が施された一点一点手作りの特殊アートワーク仕様です。ナンバリング入り、DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1、2、4、5、7曲目は、未発表の『Shekel of Israeli Occupation』(中東の政治的変化によりリリースされなかった)の音源のリミックスである。この『Shekel of Israeli Occupation』は、その年のわずか数週間後にアルバム『Betrayal』に取って代わられた。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e3、6曲目は、アルバム『Vote Hezbollah』に収録されている曲のリミックスである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=874211536\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1552983891\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=874211536\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/staal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/staal\"\u003ehere\u003c\/a\u003e to see more Staalplaat \/ Staaltape releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl in hand-made screen printed cover, sewn together with green thread.\u003cbr\u003eEdition of 500. Includes DL code.\u003cbr\u003eOriginally recorded in 1993. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Tracks 1, 2, 4, 5 and 7 are remixes of tracks from the unreleased \"Shekel of Israeli Occupation\" (which was never released due to political changes\/evolution in the Middle East). This \"Shekel of Israeli Occupation\" was replaced by the \"Betrayal\" album just a few weeks later that year.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTracks 3 and 6 are remixes of tracks that appear on the \"Vote Hezbollah\" album.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Jerusalem Knife 06:17\u003cbr\u003e2. Khan Younis 07:12\u003cbr\u003e3. Farsi 06:33\u003cbr\u003e4. Jerusalem Knife 05:08\u003cbr\u003e5. Yasser Arafat's Radio 06:10\u003cbr\u003e6. Zindabad 05:50\u003cbr\u003e7. Yasser Arafat's Radio 03:19\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArist : Muslimgauze\u003c\/p\u003e\n\u003cp\u003eLabel : Staalplaat\u003c\/p\u003e\n\u003cp\u003eCAT no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMG Archive Vol 52 \u003c\/span\u003e\u003c\/p\u003e"}
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イギリスのストレンジビーツ作家Muslimgauze(1961-1999)が、2025年2月にドイツの実験レーベルStaalplaatからリリースした再発レコードです。(オリジナルは2001年リリース) トライバル・ダブ〜ストレンジビーツ7曲を収録。 スクリーンプリント&刺繍が施された一点一点手作りの特殊アートワーク仕様です。ナンバリング入り、DLコード付属。 以下、レーベルによる解説です。 "1、2、4、5、7曲目は、未発表の『Shekel of Israeli Occupation』(中東の政治的変化によりリリースされなかった)の音源のリミックスである。この『Shekel of Israeli Occupation』は、その年のわずか数週間後にアルバム『Betrayal』に取って代わられた。3、6曲目は、アルバム『Vote Hezbollah』に収録されている曲のリミックスである。" レーベルその他作品はこちら /// Click here to...
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