jazz / impro
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{"id":7998169809146,"title":"John Carroll Kirby \/\/ Dance Ancestral LP","handle":"john-carroll-kirby-dance-ancestral-lpのコピー","description":"\u003cp\u003eアメリカ・LAのキーボード奏者John Carroll Kirbyが、2022年7月にStones Throwからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・ジャズフュージョン9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3694828424\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eStones Throw:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDance Ancestral is the latest addition to producer and keyboardist John Carroll Kirby’s fast-growing and distinctive body of work. Dance Ancestral sees the acclaimed solo artist teaming up with Canadian producer Yu Su for an album whose central theme is the “intuitive dance” we perform throughout our lives. More electronically focused than Kirby’s previous albums, the result is a vividly imagined yet eminently listenable instrumental record.'\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Carroll Kirby\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e","published_at":"2023-07-24T19:07:21+09:00","created_at":"2023-07-24T19:06:26+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","post newage","stones throw"],"price":368000,"price_min":368000,"price_max":368000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44378040336634,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Carroll Kirby \/\/ Dance Ancestral LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/da1_99a1402a-dced-481c-aa32-87d59521ed2a.jpg?v=1690193189","\/\/tobirarecords.com\/cdn\/shop\/files\/da2_14d39b72-5f4d-42e0-ba5e-aca2d991c1cf.jpg?v=1690193189"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/da1_99a1402a-dced-481c-aa32-87d59521ed2a.jpg?v=1690193189","options":["Title"],"media":[{"alt":null,"id":32259199467770,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/da1_99a1402a-dced-481c-aa32-87d59521ed2a.jpg?v=1690193189"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/da1_99a1402a-dced-481c-aa32-87d59521ed2a.jpg?v=1690193189","width":700},{"alt":null,"id":32259199533306,"position":2,"preview_image":{"aspect_ratio":1.181,"height":1016,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/da2_14d39b72-5f4d-42e0-ba5e-aca2d991c1cf.jpg?v=1690193189"},"aspect_ratio":1.181,"height":1016,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/da2_14d39b72-5f4d-42e0-ba5e-aca2d991c1cf.jpg?v=1690193189","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのキーボード奏者John Carroll Kirbyが、2022年7月にStones Throwからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・ジャズフュージョン9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3694828424\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eStones Throw:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDance Ancestral is the latest addition to producer and keyboardist John Carroll Kirby’s fast-growing and distinctive body of work. Dance Ancestral sees the acclaimed solo artist teaming up with Canadian producer Yu Su for an album whose central theme is the “intuitive dance” we perform throughout our lives. More electronically focused than Kirby’s previous albums, the result is a vividly imagined yet eminently listenable instrumental record.'\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Carroll Kirby\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e"}
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アメリカ・LAのキーボード奏者John Carroll Kirbyが、2022年7月にStones Throwからリリースしたレコードです。 ポストニューエイジ・ジャズフュージョン9曲を収録。 レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases available...
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{"id":7997493739770,"title":"Michael Louis \/\/ Shapes \u0026 Shades TAPE","handle":"milos","description":"\u003cp\u003eアメリカ・カリフォルニアのマルチ奏者Michael Louisが、2023年7月に60本限定で自主リリースしたカセットです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eジャズ・フュージョン〜アンビエント・ジャズ〜Lo-Fiジャズ・ヒップホップ13曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/copy-of-michael-louis-slept-on-tape\"\u003e前作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1032162506\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1032162506\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4124284082\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1032162506\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=330091367\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1032162506\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=780995010\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1032162506\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2588175021\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 60. \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShapes \u0026amp; Shades is a collection of original songs and production by Michael Louis.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt features contributions by: Goapele, Derrick Hodge, Elena Pinderhughes, Justin Brown, Thomas Pridgen, Corey Fonville, Joel Ross, Dayna Stephens, Charles Altura, Kevin Allen and Errol Cooney. Album photos by Noble. Additional art by Chris Lux. Title letters by Suine. Additional lettering by Daniel Bermudez.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Michael Louis\u003c\/p\u003e\n\u003cp\u003eLabel : Self-released\u003c\/p\u003e","published_at":"2023-07-22T19:46:52+09:00","created_at":"2023-07-22T14:35:57+09:00","vendor":"Tobira Records","type":"","tags":["ambient","hiphop \/ funk","jazz","michael louis","new","self-released","tape"],"price":218800,"price_min":218800,"price_max":218800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44369193009402,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Michael Louis \/\/ Shapes \u0026 Shades TAPE","public_title":null,"options":["Default Title"],"price":218800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mi1_5bb2f473-40fe-4f0f-9169-a22e38786ae4.jpg?v=1690004158","\/\/tobirarecords.com\/cdn\/shop\/files\/mi2_621d5c50-bbe2-4933-bd22-6d26899afaac.jpg?v=1690004158"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi1_5bb2f473-40fe-4f0f-9169-a22e38786ae4.jpg?v=1690004158","options":["Title"],"media":[{"alt":null,"id":32253034070266,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi1_5bb2f473-40fe-4f0f-9169-a22e38786ae4.jpg?v=1690004158"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi1_5bb2f473-40fe-4f0f-9169-a22e38786ae4.jpg?v=1690004158","width":700},{"alt":null,"id":32253034103034,"position":2,"preview_image":{"aspect_ratio":0.735,"height":1200,"width":882,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi2_621d5c50-bbe2-4933-bd22-6d26899afaac.jpg?v=1690004158"},"aspect_ratio":0.735,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi2_621d5c50-bbe2-4933-bd22-6d26899afaac.jpg?v=1690004158","width":882}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・カリフォルニアのマルチ奏者Michael Louisが、2023年7月に60本限定で自主リリースしたカセットです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eジャズ・フュージョン〜アンビエント・ジャズ〜Lo-Fiジャズ・ヒップホップ13曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/copy-of-michael-louis-slept-on-tape\"\u003e前作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1032162506\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1032162506\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4124284082\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1032162506\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=330091367\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1032162506\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=780995010\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1032162506\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2588175021\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 60. \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShapes \u0026amp; Shades is a collection of original songs and production by Michael Louis.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt features contributions by: Goapele, Derrick Hodge, Elena Pinderhughes, Justin Brown, Thomas Pridgen, Corey Fonville, Joel Ross, Dayna Stephens, Charles Altura, Kevin Allen and Errol Cooney. Album photos by Noble. Additional art by Chris Lux. Title letters by Suine. Additional lettering by Daniel Bermudez.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Michael Louis\u003c\/p\u003e\n\u003cp\u003eLabel : Self-released\u003c\/p\u003e"}
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アメリカ・カリフォルニアのマルチ奏者Michael Louisが、2023年7月に60本限定で自主リリースしたカセットです。 ジャズ・フュージョン〜アンビエント・ジャズ〜Lo-Fiジャズ・ヒップホップ13曲を収録。DLコード付属。 前作もおすすめです。 ----------------------------------------- Includes DL code. Edition of 60. "Shapes & Shades...
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{"id":7997013819642,"title":"Spelunkers \/\/ Music From the Widow Jane TAPE","handle":"spelunkers-music-from-the-widow-jane-tape","description":"\u003cp\u003eアメリカのインプロデュオSpelunkers（Bill Brovold＋\u003cmeta charset=\"utf-8\"\u003eJay Kreimer）が、2023年5月に同国ネブラスカの実験／ダンスレーベルTymbal Tapesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e鉱山と洞窟で録音したインプロ・物音ドローン5曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=782382976\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tmbl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tmbl\"\u003ehere\u003c\/a\u003e to see more Tymbal Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGray Lung 10:28\u003c\/li\u003e\n\u003cli\u003eGypsum 03:23 \u003c\/li\u003e\n\u003cli\u003eThe Brooklyn Bridge Starts Here 13:04 \u003c\/li\u003e\n\u003cli\u003eFor Stuart Dempster 06:28 \u003c\/li\u003e\n\u003cli\u003eCellophane 19:23 \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eTymbal Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eThis tape was recorded in the Widow Jane Mine, Rosendale, NY and the now closed Kingston cave, the day after a bomb cyclone blew through and created underground waterfalls where none had fallen before. Recorded in October 2019 and May 2021 on simple equipment. More to come from other subterranean atrocities across North America and beyond. Recorded and mixed by Bill Brovold and Jay Kreimer.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eArtist bio via the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eBill Brovold: original instruments, trombonium and guitar. Bill Brovold is a composer, musician, visual artist and educator. As part of the New York Downtown scene of the 1980s, he was a member of the Rhys Chatham Ensemble and Glenn Branca's Hallucination City as well as the main composer of the Detroit group Larval. When the sounds he needed could no longer be made on store-bought instruments, he started making his own, a craft he shares with children in the Brooklyn public schools and elsewhere. \u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJay Kreimer: original instruments. Jay is an improvising musician, instrument inventor, and sound artist. H performs internationally throughout North America, Europe, in China and India. He has worked with Bryan Day, the Mighty Vitamins, and Albert\/Day\/Kreimer. Wendy Weiss is a frequent collaborator in textile\/sculpture sound installations. Kreimer is currently creating sound for a quantum physics experience with Jesse Fleming and Kees Uiterwaal. In 2013, he documented street wedding bands in Gujarat, India on a Fulbright scholarship, and returned in India in 2022 for another Fulbright to create original instruments from local materials in India.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eGuest musicians:\u003cbr\u003e\u003cbr\u003eRob Bethea: euphonium. Bethea has performed with the likes of Rhys Chatham, Lamonte Young, and Ben Neill. Originally a trombone player, he has been incorporating the euphonium in recent years. Bethea and Brovold were bandmates in the Zen Vikings of NYC's Downtown scene of the 1980s.\u003cbr\u003e\u003cbr\u003eCellist Fred Lonberg-Holm is currently based in Kingston, NY. He has a long history going back to New York's \"Downtown Music Scene\" in the 80s and early 90s, where he played with a wide variety of like-minded musicians. Afterwards, he was based in Chicago, where he was involved with musicians such as Peter Brotzmann, Mars Williams, and the Ken Vandermark 5.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Spelunkers\u003c\/p\u003e\n\u003cp\u003eLabel : Tymbal Tapes\u003c\/p\u003e","published_at":"2023-07-24T08:46:01+09:00","created_at":"2023-07-21T14:09:05+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","monooto","tape","tymbal tapes"],"price":169000,"price_min":169000,"price_max":169000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44365077741818,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Spelunkers \/\/ Music From the Widow Jane TAPE","public_title":null,"options":["Default Title"],"price":169000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mu1_b1a4bc36-4a45-44d0-ae97-b5bdde681d10.jpg?v=1689916147","\/\/tobirarecords.com\/cdn\/shop\/files\/mu2_fdacbdc5-ce44-4561-8607-6123b3e32064.jpg?v=1689916148"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mu1_b1a4bc36-4a45-44d0-ae97-b5bdde681d10.jpg?v=1689916147","options":["Title"],"media":[{"alt":null,"id":32248199708922,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mu1_b1a4bc36-4a45-44d0-ae97-b5bdde681d10.jpg?v=1689916147"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mu1_b1a4bc36-4a45-44d0-ae97-b5bdde681d10.jpg?v=1689916147","width":700},{"alt":null,"id":32248199741690,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mu2_fdacbdc5-ce44-4561-8607-6123b3e32064.jpg?v=1689916148"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mu2_fdacbdc5-ce44-4561-8607-6123b3e32064.jpg?v=1689916148","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのインプロデュオSpelunkers（Bill Brovold＋\u003cmeta charset=\"utf-8\"\u003eJay Kreimer）が、2023年5月に同国ネブラスカの実験／ダンスレーベルTymbal Tapesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e鉱山と洞窟で録音したインプロ・物音ドローン5曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=782382976\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tmbl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tmbl\"\u003ehere\u003c\/a\u003e to see more Tymbal Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGray Lung 10:28\u003c\/li\u003e\n\u003cli\u003eGypsum 03:23 \u003c\/li\u003e\n\u003cli\u003eThe Brooklyn Bridge Starts Here 13:04 \u003c\/li\u003e\n\u003cli\u003eFor Stuart Dempster 06:28 \u003c\/li\u003e\n\u003cli\u003eCellophane 19:23 \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eTymbal Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eThis tape was recorded in the Widow Jane Mine, Rosendale, NY and the now closed Kingston cave, the day after a bomb cyclone blew through and created underground waterfalls where none had fallen before. Recorded in October 2019 and May 2021 on simple equipment. More to come from other subterranean atrocities across North America and beyond. Recorded and mixed by Bill Brovold and Jay Kreimer.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eArtist bio via the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eBill Brovold: original instruments, trombonium and guitar. Bill Brovold is a composer, musician, visual artist and educator. As part of the New York Downtown scene of the 1980s, he was a member of the Rhys Chatham Ensemble and Glenn Branca's Hallucination City as well as the main composer of the Detroit group Larval. When the sounds he needed could no longer be made on store-bought instruments, he started making his own, a craft he shares with children in the Brooklyn public schools and elsewhere. \u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJay Kreimer: original instruments. Jay is an improvising musician, instrument inventor, and sound artist. H performs internationally throughout North America, Europe, in China and India. He has worked with Bryan Day, the Mighty Vitamins, and Albert\/Day\/Kreimer. Wendy Weiss is a frequent collaborator in textile\/sculpture sound installations. Kreimer is currently creating sound for a quantum physics experience with Jesse Fleming and Kees Uiterwaal. In 2013, he documented street wedding bands in Gujarat, India on a Fulbright scholarship, and returned in India in 2022 for another Fulbright to create original instruments from local materials in India.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eGuest musicians:\u003cbr\u003e\u003cbr\u003eRob Bethea: euphonium. Bethea has performed with the likes of Rhys Chatham, Lamonte Young, and Ben Neill. Originally a trombone player, he has been incorporating the euphonium in recent years. Bethea and Brovold were bandmates in the Zen Vikings of NYC's Downtown scene of the 1980s.\u003cbr\u003e\u003cbr\u003eCellist Fred Lonberg-Holm is currently based in Kingston, NY. He has a long history going back to New York's \"Downtown Music Scene\" in the 80s and early 90s, where he played with a wide variety of like-minded musicians. Afterwards, he was based in Chicago, where he was involved with musicians such as Peter Brotzmann, Mars Williams, and the Ken Vandermark 5.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Spelunkers\u003c\/p\u003e\n\u003cp\u003eLabel : Tymbal Tapes\u003c\/p\u003e"}
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アメリカのインプロデュオSpelunkers（Bill Brovold＋Jay Kreimer）が、2023年5月に同国ネブラスカの実験／ダンスレーベルTymbal Tapesからリリースしたカセットです。 鉱山と洞窟で録音したインプロ・物音ドローン5曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Tymbal Tapes releases available at...
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{"id":7997003530490,"title":"Oort Smog \/\/ Every Motherfucker Is Your Brother LP","handle":"oort-smog-every-motherfucker-is-your-brother-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・LAのサックス奏者Patrick ShiroishiとドラマーMark KimbrellによるデュオOort Smog\u003c\/span\u003eが、2023年1月にLAのオールジャンルレーベルAKPからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスリリングな実験ジャズ・ロック2曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"450\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1391959228\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/akprecordings\" title=\"AKP Recordings\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eAKP Recordings\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/akprecordings\/sets\/oort-smog-every-motherfucker\" title=\"Oort Smog - Every Motherfucker Is Your Brother\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eOort Smog - Every Motherfucker Is Your Brother\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003ehere\u003c\/a\u003e to see more AKP Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Every Motherfucker Is Your Brother \u003cem\u003e (28:59)\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAKP Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eOort Smog aims to continue the sax-drum duo tradition, inspired by early formations such as John Coltrane and Rashied Ali and continued through the years by Anthony Braxton \u0026amp; Andrew Cyrille, Sax Ruins \u0026amp; Dead Neanderthals. Mark Kimbrell and Patrick Shiroishi combine elements of brutal prog (both are members in Upsilon Acrux) and free improvisation in their long form composition Every Motherfucker is Your Brother. Written over the course of eighteen months and recorded during the pandemic\/George Floyd \u0026amp; Breonna Taylor protests, Oort Smog drew from a number of influences to create their own sound - one of urgency, heaviness, and hope.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEMIYB is the band’s second offering, continuing the complexities of their first record, a hybrid of tightly arranged changes and free jazz improvisation. Daniel Zaidenstadt returns as engineer to help sculpt the sonics, blending and fully utilizing the space of Human Resources to its fullest potential.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Oort Smog\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : AKP Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-07-28T09:02:50+09:00","created_at":"2023-07-21T13:47:17+09:00","vendor":"Tobira Records","type":"","tags":["akp","jazz","lp"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44365044154618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Oort Smog \/\/ Every Motherfucker Is Your Brother LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/oo1_bf8a1844-5dec-419e-b192-2e53560b3cf1.jpg?v=1689914838","\/\/tobirarecords.com\/cdn\/shop\/files\/oo2_f7c5669e-9cb7-40c1-b206-800007f2937f.jpg?v=1689914839"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/oo1_bf8a1844-5dec-419e-b192-2e53560b3cf1.jpg?v=1689914838","options":["Title"],"media":[{"alt":null,"id":32248153538810,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oo1_bf8a1844-5dec-419e-b192-2e53560b3cf1.jpg?v=1689914838"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oo1_bf8a1844-5dec-419e-b192-2e53560b3cf1.jpg?v=1689914838","width":700},{"alt":null,"id":32248153571578,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oo2_f7c5669e-9cb7-40c1-b206-800007f2937f.jpg?v=1689914839"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oo2_f7c5669e-9cb7-40c1-b206-800007f2937f.jpg?v=1689914839","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・LAのサックス奏者Patrick ShiroishiとドラマーMark KimbrellによるデュオOort Smog\u003c\/span\u003eが、2023年1月にLAのオールジャンルレーベルAKPからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスリリングな実験ジャズ・ロック2曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"450\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1391959228\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/akprecordings\" title=\"AKP Recordings\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eAKP Recordings\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/akprecordings\/sets\/oort-smog-every-motherfucker\" title=\"Oort Smog - Every Motherfucker Is Your Brother\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eOort Smog - Every Motherfucker Is Your Brother\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003ehere\u003c\/a\u003e to see more AKP Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Every Motherfucker Is Your Brother \u003cem\u003e (28:59)\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAKP Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eOort Smog aims to continue the sax-drum duo tradition, inspired by early formations such as John Coltrane and Rashied Ali and continued through the years by Anthony Braxton \u0026amp; Andrew Cyrille, Sax Ruins \u0026amp; Dead Neanderthals. Mark Kimbrell and Patrick Shiroishi combine elements of brutal prog (both are members in Upsilon Acrux) and free improvisation in their long form composition Every Motherfucker is Your Brother. Written over the course of eighteen months and recorded during the pandemic\/George Floyd \u0026amp; Breonna Taylor protests, Oort Smog drew from a number of influences to create their own sound - one of urgency, heaviness, and hope.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEMIYB is the band’s second offering, continuing the complexities of their first record, a hybrid of tightly arranged changes and free jazz improvisation. Daniel Zaidenstadt returns as engineer to help sculpt the sonics, blending and fully utilizing the space of Human Resources to its fullest potential.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Oort Smog\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : AKP Records\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・LAのサックス奏者Patrick ShiroishiとドラマーMark KimbrellによるデュオOort Smogが、2023年1月にLAのオールジャンルレーベルAKPからリリースしたレコードです。 スリリングな実験ジャズ・ロック2曲を収録。DLコード付属。 AKP Recordings · Oort Smog - Every Motherfucker Is...
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{"id":7996991602938,"title":"Kalia Vandever \/\/ We Fell In Turn LP","handle":"kalia-vandever-we-fell-in-turn-lp","description":"\u003cp\u003eアメリカ・NYのトロンボーン奏者Kalia Vandeverが、2023年3月に同国LAのオールジャンルレーベルAKPからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eトロンボーンのみによるアンビエント・ジャズ\u003c\/span\u003e10曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1478540833\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"AKP Recordings\" href=\"https:\/\/soundcloud.com\/akprecordings\" target=\"_blank\"\u003eAKP Recordings\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Kalia Vandever - We Fell In Turn\" href=\"https:\/\/soundcloud.com\/akprecordings\/sets\/kalia-vandever-we-fell-in-turn\" target=\"_blank\"\u003eKalia Vandever - We Fell In Turn\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003ehere\u003c\/a\u003e to see more AKP Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eAKP Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e'\u003cem\u003eWe Fell In Turn' is the solo debut from Brooklyn-based trombonist, composer, and quartet leader Kalia Vandever. Vandever, who plays with Harry Styles and Japanese Breakfast, “sculpts her trombone’s golden tones into dazzling compositions” (Pitchfork), writing music that tends to “dip you into a feeling or a pattern or a breathing speed, and keep you there” (The New York Times). In 2022, Vandever released Regrowth, an album that “features the ecstatic, brilliant melodies that have become Vandever’s signature sound” (Bandcamp). This spring, Vandever brings contemplative reflection to We Fell in Turn, a brave and understated work from an ascending voice in American jazz.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecorded over three days in upstate New York, 'We Fell In Turn' is improvisational — a stark palate of solo trombone, voice, effects, and little more. “My solo process has always been heavily rooted in improvisation,” says Vandever. “I wanted the process to feel similar to the way I perform. Lee Meadvin, who engineered and produced the album, had a heavy hand in the creative process as well. He would dictate prompts before I started improvising and those pieces ended up shaping a lot of the imagery that comes up throughout the record.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eConnecting the dots between Jeff Parker’s 'Forfolks'\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, and early releases from Grouper, 'We Fell In Turn' is a study of space and patience, embracing vulnerability in its sparse adornment. At times, the album is reminiscent of Patrick Shiroishi’s 'Hidemi', both in its familial inspiration and solo instrument study, while sharing the ineffable feel of William Basinski’s 'The Disintegration Loops' — the traces of her trombone folding in on themselves in an organic loop. Emotionally generous throughout, Vandever acts as a torchbearer for jazz’s historical yearning for connection.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn 'We Fell in Turn' Vandever draws inspiration from childhood memories — events that shaped her approach to love, community, and partnership, and her maternal homeland of Hawaii. “We were exploring childhood memories, earliest experiences with disappointment and pain, and my Hawaiian roots,” says Vandever. “We Fell In Turn came after I titled the track \"We Wept In Turn\". Both come from the intangible feeling of waking up from vivid dreams, particularly the experience of falling right before waking up or waking up in tears.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThrough this exploration into her heritage, Vandever also found guidance. “In Hawaiian mythology, ‘aumākua are known as ancestral spiritual guides that manifest in different forms, whether physical or intangible,” says Vandever. “My ‘aumākua visits me in my dreams, usually with a reassuring hug or a reminder of my past. Memories and early experiences seem to escape me, but find their way back in dreams.” And now they’ve found their way into 'We Fell in Turn', Kalia Vandever’s stunning solo debut.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kalia Vandever\u003c\/p\u003e\n\u003cp\u003eLabel : AKP Records\u003c\/p\u003e","published_at":"2023-07-25T07:34:33+09:00","created_at":"2023-07-21T13:36:40+09:00","vendor":"Tobira Records","type":"","tags":["akp","ambient","jazz","lp"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44364999753978,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Kalia Vandever \/\/ We Fell In Turn LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/we1_96e750b6-2988-4814-a583-806f97b799b0.jpg?v=1690249650","\/\/tobirarecords.com\/cdn\/shop\/files\/we_211dc884-80dd-404d-ae70-afb0962d9cd9.jpg?v=1690249650"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/we1_96e750b6-2988-4814-a583-806f97b799b0.jpg?v=1690249650","options":["Title"],"media":[{"alt":null,"id":32248110973178,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/we1_96e750b6-2988-4814-a583-806f97b799b0.jpg?v=1690249650"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/we1_96e750b6-2988-4814-a583-806f97b799b0.jpg?v=1690249650","width":700},{"alt":null,"id":32248110940410,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/we_211dc884-80dd-404d-ae70-afb0962d9cd9.jpg?v=1690249650"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/we_211dc884-80dd-404d-ae70-afb0962d9cd9.jpg?v=1690249650","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのトロンボーン奏者Kalia Vandeverが、2023年3月に同国LAのオールジャンルレーベルAKPからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eトロンボーンのみによるアンビエント・ジャズ\u003c\/span\u003e10曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1478540833\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"AKP Recordings\" href=\"https:\/\/soundcloud.com\/akprecordings\" target=\"_blank\"\u003eAKP Recordings\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Kalia Vandever - We Fell In Turn\" href=\"https:\/\/soundcloud.com\/akprecordings\/sets\/kalia-vandever-we-fell-in-turn\" target=\"_blank\"\u003eKalia Vandever - We Fell In Turn\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003ehere\u003c\/a\u003e to see more AKP Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eAKP Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e'\u003cem\u003eWe Fell In Turn' is the solo debut from Brooklyn-based trombonist, composer, and quartet leader Kalia Vandever. Vandever, who plays with Harry Styles and Japanese Breakfast, “sculpts her trombone’s golden tones into dazzling compositions” (Pitchfork), writing music that tends to “dip you into a feeling or a pattern or a breathing speed, and keep you there” (The New York Times). In 2022, Vandever released Regrowth, an album that “features the ecstatic, brilliant melodies that have become Vandever’s signature sound” (Bandcamp). This spring, Vandever brings contemplative reflection to We Fell in Turn, a brave and understated work from an ascending voice in American jazz.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecorded over three days in upstate New York, 'We Fell In Turn' is improvisational — a stark palate of solo trombone, voice, effects, and little more. “My solo process has always been heavily rooted in improvisation,” says Vandever. “I wanted the process to feel similar to the way I perform. Lee Meadvin, who engineered and produced the album, had a heavy hand in the creative process as well. He would dictate prompts before I started improvising and those pieces ended up shaping a lot of the imagery that comes up throughout the record.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eConnecting the dots between Jeff Parker’s 'Forfolks'\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, and early releases from Grouper, 'We Fell In Turn' is a study of space and patience, embracing vulnerability in its sparse adornment. At times, the album is reminiscent of Patrick Shiroishi’s 'Hidemi', both in its familial inspiration and solo instrument study, while sharing the ineffable feel of William Basinski’s 'The Disintegration Loops' — the traces of her trombone folding in on themselves in an organic loop. Emotionally generous throughout, Vandever acts as a torchbearer for jazz’s historical yearning for connection.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn 'We Fell in Turn' Vandever draws inspiration from childhood memories — events that shaped her approach to love, community, and partnership, and her maternal homeland of Hawaii. “We were exploring childhood memories, earliest experiences with disappointment and pain, and my Hawaiian roots,” says Vandever. “We Fell In Turn came after I titled the track \"We Wept In Turn\". Both come from the intangible feeling of waking up from vivid dreams, particularly the experience of falling right before waking up or waking up in tears.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThrough this exploration into her heritage, Vandever also found guidance. “In Hawaiian mythology, ‘aumākua are known as ancestral spiritual guides that manifest in different forms, whether physical or intangible,” says Vandever. “My ‘aumākua visits me in my dreams, usually with a reassuring hug or a reminder of my past. Memories and early experiences seem to escape me, but find their way back in dreams.” And now they’ve found their way into 'We Fell in Turn', Kalia Vandever’s stunning solo debut.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kalia Vandever\u003c\/p\u003e\n\u003cp\u003eLabel : AKP Records\u003c\/p\u003e"}
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アメリカ・NYのトロンボーン奏者Kalia Vandeverが、2023年3月に同国LAのオールジャンルレーベルAKPからリリースしたレコードです。 トロンボーンのみによるアンビエント・ジャズ10曲を収録。DLコード付属。 AKP Recordings · Kalia Vandever - We Fell In Turn レーベルその他作品はこちら ///...
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{"id":7995615215866,"title":"The Cat \u0026 Bells Club \/\/ The Cat \u0026 Bells Club LP","handle":"the-cat-bells-club-the-cat-bells-club-lp","description":"\u003cp\u003eイギリスの実験音楽家Graham Lambkinと\u003cspan data-mce-fragment=\"1\"\u003eDarren HarrisによるデュオThe Cat \u0026amp; Bells Clubが、2023年7月にアメリカ・NYの実験レーベルBlank Formsからリリースした再発レコードです。（オリジナルは1991年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eリサイクルショップで入手したチューニングがずれたギターや、ドラム代わりのコーヒーカップなどを用いたフリーフォームなインプロ〜サウンドポエトリー〜実験Lo-Fiロック16曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=161896343\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=367840319\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=161896343\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eBlank Forms Editions releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 140gram black vinyl.\u003c\/p\u003e\n\u003cp\u003eBlank Forms:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 1992, under the guise of the Cat \u0026amp; Bells Club, eighteen-year-old Cheriton residents Graham Lambkin and Darren Harris self-released three tapes—two yellow cassettes and one pink—documenting their earliest musical efforts at S.H.P. studios (Lambkin’s bedroom in his parents’ house). The lowest of all lo-fi recordings, these tracks were laid down live, directly into a boombox with no overdubs. Relieved of their academic expectations and plunged into the workforce, the duo aspired to enter the annals of rock history, making their own primitive teenage overtures to Marc Bolan, the Incredible String Band, Whitehouse, and the Godz. Lyrically and spiritually the Cat \u0026amp; Bells Club had much to do with Bolan’s early Tyrannosaurus Rex project, but with a hyperlocalized Folkestonian twist that nonetheless maintained his penchant for chevaline. While much of the Club’s repertoire comprised freeform instrumental try-outs—untuned charity shop guitars and coffee cup drum kits—a number of songs featured Lambkin’s original lyrics, read by both members of the band, dramatizing the comings and goings of anthropomorphic animals and musing abstractly on the minutiae of daily life in Cheriton (their native C-Town).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTaking their moniker from a mishearing of “the jester’s\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e bauble, cap and bells,”' a line from Incredible String Band’s “The Iron Stone,” the duo operated for a brief year under the increasingly esoteric influence of the Fisheye mail-order and then fledgling Forced Exposure fanzine, and from the airwaves via Radio 1’s John Peel show. This collection was compiled by Lambkin in the early aughts for an unrealized release on his now defunct Kye label, but barring a few tracks on a retrospective 7″ issued by Siltbreeze in 2010, hardly any of these recordings have been heard beyond a handful of hangers-on, inner-circle drinking allies, and the most devoted of fans. The Cat \u0026amp; Bells Club set the stage for what was to soon follow, when the group changed its name to the Shadow Ring—the rest is history.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Cat \u0026amp; Bells Club\u003c\/p\u003e\n\u003cp\u003eLabel : Blank Forms Editions\u003c\/p\u003e","published_at":"2023-07-20T11:46:08+09:00","created_at":"2023-07-16T17:17:08+09:00","vendor":"Tobira Records","type":"","tags":["blank forms","jazz","lp","sound poetry","strange beats"],"price":385000,"price_min":385000,"price_max":385000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44348823240954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"The Cat \u0026 Bells Club \/\/ The Cat \u0026 Bells Club LP","public_title":null,"options":["Default Title"],"price":385000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_68703260-fa65-4a35-ac38-562f515da389.jpg?v=1689495430","\/\/tobirarecords.com\/cdn\/shop\/files\/ca2_01244d61-a211-4656-97ec-b2421d167a95.jpg?v=1689495430"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_68703260-fa65-4a35-ac38-562f515da389.jpg?v=1689495430","options":["Title"],"media":[{"alt":null,"id":32231186497786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_68703260-fa65-4a35-ac38-562f515da389.jpg?v=1689495430"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_68703260-fa65-4a35-ac38-562f515da389.jpg?v=1689495430","width":700},{"alt":null,"id":32231186530554,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca2_01244d61-a211-4656-97ec-b2421d167a95.jpg?v=1689495430"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca2_01244d61-a211-4656-97ec-b2421d167a95.jpg?v=1689495430","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験音楽家Graham Lambkinと\u003cspan data-mce-fragment=\"1\"\u003eDarren HarrisによるデュオThe Cat \u0026amp; Bells Clubが、2023年7月にアメリカ・NYの実験レーベルBlank Formsからリリースした再発レコードです。（オリジナルは1991年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eリサイクルショップで入手したチューニングがずれたギターや、ドラム代わりのコーヒーカップなどを用いたフリーフォームなインプロ〜サウンドポエトリー〜実験Lo-Fiロック16曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=161896343\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=367840319\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=161896343\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/blank-forms-editions\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eBlank Forms Editions releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 140gram black vinyl.\u003c\/p\u003e\n\u003cp\u003eBlank Forms:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 1992, under the guise of the Cat \u0026amp; Bells Club, eighteen-year-old Cheriton residents Graham Lambkin and Darren Harris self-released three tapes—two yellow cassettes and one pink—documenting their earliest musical efforts at S.H.P. studios (Lambkin’s bedroom in his parents’ house). The lowest of all lo-fi recordings, these tracks were laid down live, directly into a boombox with no overdubs. Relieved of their academic expectations and plunged into the workforce, the duo aspired to enter the annals of rock history, making their own primitive teenage overtures to Marc Bolan, the Incredible String Band, Whitehouse, and the Godz. Lyrically and spiritually the Cat \u0026amp; Bells Club had much to do with Bolan’s early Tyrannosaurus Rex project, but with a hyperlocalized Folkestonian twist that nonetheless maintained his penchant for chevaline. While much of the Club’s repertoire comprised freeform instrumental try-outs—untuned charity shop guitars and coffee cup drum kits—a number of songs featured Lambkin’s original lyrics, read by both members of the band, dramatizing the comings and goings of anthropomorphic animals and musing abstractly on the minutiae of daily life in Cheriton (their native C-Town).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTaking their moniker from a mishearing of “the jester’s\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e bauble, cap and bells,”' a line from Incredible String Band’s “The Iron Stone,” the duo operated for a brief year under the increasingly esoteric influence of the Fisheye mail-order and then fledgling Forced Exposure fanzine, and from the airwaves via Radio 1’s John Peel show. This collection was compiled by Lambkin in the early aughts for an unrealized release on his now defunct Kye label, but barring a few tracks on a retrospective 7″ issued by Siltbreeze in 2010, hardly any of these recordings have been heard beyond a handful of hangers-on, inner-circle drinking allies, and the most devoted of fans. The Cat \u0026amp; Bells Club set the stage for what was to soon follow, when the group changed its name to the Shadow Ring—the rest is history.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Cat \u0026amp; Bells Club\u003c\/p\u003e\n\u003cp\u003eLabel : Blank Forms Editions\u003c\/p\u003e"}
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イギリスの実験音楽家Graham LambkinとDarren HarrisによるデュオThe Cat & Bells Clubが、2023年7月にアメリカ・NYの実験レーベルBlank Formsからリリースした再発レコードです。（オリジナルは1991年リリース） リサイクルショップで入手したチューニングがずれたギターや、ドラム代わりのコーヒーカップなどを用いたフリーフォームなインプロ〜サウンドポエトリー〜実験Lo-Fiロック16曲を収録。 レーベルその他作品はこちら /// Click here to see more Blank Forms...
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{"id":7994215334138,"title":"Evan Parker \/\/ Monoceros LP","handle":"copy-of-evan-parker-monoceros-lp","description":"\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスのサックス奏者Evan Parkerの1978年リリース作品のレコード再発です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Q1nrfaX7eHc\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecorded April 30, 1978 at Wyastone Leys, Monmouth.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis edition cut by Noel Summerville using high resolution recordings prepared by Colin Young taken from the original metal master.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOriginally released by Incus Records 1978\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘Parker uses rapid tonguing techniques and circular breathing to create a sound all his own, marked by the simultaneous intonation of multiple notes. One hears a note as well as all the residual tones around it; each breath ends up sounding like a battle between the different registers of the horn. At various times, Parker’s saxophone sounds like dolphin speech, electronic tape squeals, or human murmurs; namely, anything but what it actually is. His language on the instrument is essential listening for anyone interested in acoustic experimental music.’ \u003cbr\u003e- AllMusic\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘Eight years after Topography Of The Lungs, and two years after his Saxophone Solos, Monoceros was the most muscular statement of Evan Parker’s solo saxophone muse. Superbly recorded, it seemed to place the listener within the chaotic air flows of the saxophone’s own tubing. Philip Clark said: ‘Parker’s dialogue with the saxophone throws up so much that is unexpected, and indeed unknowable, that the problem he faces is how to keep pace with his own invention’’ \u003cbr\u003e\u003c\/em\u003e- The Wire, Best Albums Of The Year\u003c\/p\u003e\n\u003cp\u003eArtist : Evan Parker\u003c\/p\u003e\n\u003cp\u003eLabel : Treader\u003c\/p\u003e","published_at":"2023-07-12T19:35:20+09:00","created_at":"2023-07-12T12:52:21+09:00","vendor":"Tobira Records","type":"","tags":["honest jon's records","jazz","lp"],"price":338000,"price_min":338000,"price_max":338000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44337331896570,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Evan Parker \/\/ Monoceros LP","public_title":null,"options":["Default Title"],"price":338000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_d5bb30ac-ec76-4283-b7d6-d2c8c1d64267.jpg?v=1689133942"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_d5bb30ac-ec76-4283-b7d6-d2c8c1d64267.jpg?v=1689133942","options":["Title"],"media":[{"alt":null,"id":32215661248762,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_d5bb30ac-ec76-4283-b7d6-d2c8c1d64267.jpg?v=1689133942"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_d5bb30ac-ec76-4283-b7d6-d2c8c1d64267.jpg?v=1689133942","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスのサックス奏者Evan Parkerの1978年リリース作品のレコード再発です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Q1nrfaX7eHc\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecorded April 30, 1978 at Wyastone Leys, Monmouth.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis edition cut by Noel Summerville using high resolution recordings prepared by Colin Young taken from the original metal master.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOriginally released by Incus Records 1978\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘Parker uses rapid tonguing techniques and circular breathing to create a sound all his own, marked by the simultaneous intonation of multiple notes. One hears a note as well as all the residual tones around it; each breath ends up sounding like a battle between the different registers of the horn. At various times, Parker’s saxophone sounds like dolphin speech, electronic tape squeals, or human murmurs; namely, anything but what it actually is. His language on the instrument is essential listening for anyone interested in acoustic experimental music.’ \u003cbr\u003e- AllMusic\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘Eight years after Topography Of The Lungs, and two years after his Saxophone Solos, Monoceros was the most muscular statement of Evan Parker’s solo saxophone muse. Superbly recorded, it seemed to place the listener within the chaotic air flows of the saxophone’s own tubing. Philip Clark said: ‘Parker’s dialogue with the saxophone throws up so much that is unexpected, and indeed unknowable, that the problem he faces is how to keep pace with his own invention’’ \u003cbr\u003e\u003c\/em\u003e- The Wire, Best Albums Of The Year\u003c\/p\u003e\n\u003cp\u003eArtist : Evan Parker\u003c\/p\u003e\n\u003cp\u003eLabel : Treader\u003c\/p\u003e"}
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イギリスのサックス奏者Evan Parkerの1978年リリース作品のレコード再発です。 ------------------------------------------ 12" black vinyl. Recorded April 30, 1978 at Wyastone Leys, Monmouth.This...
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{"id":7994214678778,"title":"Carcascara \/\/ Carcascara II LP","handle":"carc","description":"\u003cp\u003eイギリス・ロンドンの実験フォークトリオCarcascaraが、2023年7月に同国実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHegoaからリリースした再発レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアコースティックギターやハルモニウム、マリンバ、ウクレレなどを用いた実験ミニマル・アメリカンプリミティブ〜ブルース〜アンビエント・ジャズ8曲を収録。インサート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=227837001\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hegoa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hegoa\"\u003ehere\u003c\/a\u003e to see more Hegoa releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 300. Hand-numbered \/ includes insert. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003eText via the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eApplying elements of minimalism or electronic music to their compositions, Carcascara's second studio album is deeply rooted in folk, blues or jazz. Borrowing from American primitivism, this acoustic guitar trio based half way between London and Zarautz, stretch the boundaries of tradition with a fluid and developed command of the string instrument.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eComing out 14 years after their self-titled debut, highly recommended for fans of Robbie Basho, Steve Reich or John Fahey.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eComposed, performed and produced by Carcáscara: Fernando Aguirre, Xabier Iriondo and Iñigo Ugarteburu. Classical guitars, vocals, harmonium, bells, marimba, ukeleles, flutes, synths and field recordings.\u003cbr\u003eEngineered and recorded by Fiona Cruickshank at Snap Recording Studios (London, England) in August 2014.\u003cbr\u003e\u003cbr\u003eHarmonium, Synths, Bells, Flutes, Vocals (except \"En ese muro de piedra\") recorded at home in Zarautz (Basque Country, Spain) by Carcáscara. Outdoor take of Sano Bueltatu Maitia recorded by Fiona Cruickshank and Shelley Uprichard in Getaria (Basque Country, Spain) in July 2014.\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCarcascara\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Hegoa \u003c\/p\u003e","published_at":"2023-07-12T19:22:50+09:00","created_at":"2023-07-12T12:37:25+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","hegoa","jazz","lp"],"price":439000,"price_min":439000,"price_max":439000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44337305125114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Carcascara \/\/ Carcascara II LP","public_title":null,"options":["Default Title"],"price":439000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_8c4cb321-a292-4943-b652-18c6b075c3e2.jpg?v=1689133047","\/\/tobirarecords.com\/cdn\/shop\/files\/ca2_e9fa575f-564f-4c3a-af46-4cd5cac2203c.jpg?v=1689133048","\/\/tobirarecords.com\/cdn\/shop\/files\/ca3_246eedf7-c66b-453b-a6e6-d8070ea9a2b0.jpg?v=1689133047"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_8c4cb321-a292-4943-b652-18c6b075c3e2.jpg?v=1689133047","options":["Title"],"media":[{"alt":null,"id":32215656923386,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_8c4cb321-a292-4943-b652-18c6b075c3e2.jpg?v=1689133047"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_8c4cb321-a292-4943-b652-18c6b075c3e2.jpg?v=1689133047","width":700},{"alt":null,"id":32215656956154,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca2_e9fa575f-564f-4c3a-af46-4cd5cac2203c.jpg?v=1689133048"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca2_e9fa575f-564f-4c3a-af46-4cd5cac2203c.jpg?v=1689133048","width":1200},{"alt":null,"id":32215656988922,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca3_246eedf7-c66b-453b-a6e6-d8070ea9a2b0.jpg?v=1689133047"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca3_246eedf7-c66b-453b-a6e6-d8070ea9a2b0.jpg?v=1689133047","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンの実験フォークトリオCarcascaraが、2023年7月に同国実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHegoaからリリースした再発レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアコースティックギターやハルモニウム、マリンバ、ウクレレなどを用いた実験ミニマル・アメリカンプリミティブ〜ブルース〜アンビエント・ジャズ8曲を収録。インサート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=227837001\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hegoa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hegoa\"\u003ehere\u003c\/a\u003e to see more Hegoa releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 300. Hand-numbered \/ includes insert. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003eText via the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eApplying elements of minimalism or electronic music to their compositions, Carcascara's second studio album is deeply rooted in folk, blues or jazz. Borrowing from American primitivism, this acoustic guitar trio based half way between London and Zarautz, stretch the boundaries of tradition with a fluid and developed command of the string instrument.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eComing out 14 years after their self-titled debut, highly recommended for fans of Robbie Basho, Steve Reich or John Fahey.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eComposed, performed and produced by Carcáscara: Fernando Aguirre, Xabier Iriondo and Iñigo Ugarteburu. Classical guitars, vocals, harmonium, bells, marimba, ukeleles, flutes, synths and field recordings.\u003cbr\u003eEngineered and recorded by Fiona Cruickshank at Snap Recording Studios (London, England) in August 2014.\u003cbr\u003e\u003cbr\u003eHarmonium, Synths, Bells, Flutes, Vocals (except \"En ese muro de piedra\") recorded at home in Zarautz (Basque Country, Spain) by Carcáscara. Outdoor take of Sano Bueltatu Maitia recorded by Fiona Cruickshank and Shelley Uprichard in Getaria (Basque Country, Spain) in July 2014.\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCarcascara\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Hegoa \u003c\/p\u003e"}
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{"id":7993208963322,"title":"Pat Matshikiza \/\/ Sikiza Matshikiza LP","handle":"pat-matshikiza-sikiza-matshikiza-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e南アフリカジャズシーンの重要人物Pat Matshikizaが、1976年にリリースしたレコードの再発盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"1938年に南アフリカ東ケープ州のクイーンズタウンで生まれたPat Matshikizaは、音楽一家に育った。叔父のトッド・マトシキザは1950年代にドラム雑誌のジャズ・コラムニストとして活躍し、1958年にロンドンのウエストエンドで上演され、歌手マリアム・マケバのキャリアをスタートさせた黒人ミュージカル『キング・コング』の音楽を作曲した。Patはケイスカマホークにある歴史あるミッションスクール、セント・マシューズで教育を受け、そこでオルガンを演奏し、教師の免状を得て卒業した。彼は1962年にヨハネスブルグに移住し、ユニオン・アーティストとアフリカ音楽演劇協会の本部であるドーケイ・ハウスを中心としたプロの黒人音楽家のコミュニティに加わった。Pat Matshikizaはここで、尊敬するサックス奏者マッケイ・ダバシェが率いるビッグバンド、ジャズ・ダズラーズのピアニストとして加入した。Pat Matshikizaはその後、1964年のキャッスル・ラガー・ジャズ・フェスティバルでマロンボ・ジャズ・マンと優勝を分け合ったグループ、アーリー・マブーザ・カルテットに参加した。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e1970年代にAs-Shams\/The Sunレーベルでレコーディングを行ったPat Matshikiza、1975年にサックスの巨人キッピー・モエケッツィとのコラボレーション・アルバムTshona! このアルバムに続いて1976年、モエケッツィがフィーチャリング・アーティストとして参加したパットのソロ・デビュー作『Sikiza Matshikza』がリリースされた。このアルバムのメンバーは、1977年にSpirits Rejoiceとなるグループの初期のもので、テナー・サックスにデューク・マカシ、トランペットにジョージ・タイフマニ、ベースにシフォ・グメデ、ドラムにギルバート・マシューズ、ギターにサンディレ・シャンゲ（このアルバムのジャケット写真でPat Matshikizaと並んで写っている）を迎えている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e1980年代、Pat Matshikizaはホテル・サーキットの専属ピアニストとしてより安定した収入を得るため、ジャズ・シーンから身を引いた。2000年代にジャズ・キャリアを復活させ、ヨハネスブルグのクラブで演奏し、ライヴアルバム『Originals』（2004年）と回顧アルバム『Seasons, Masks and Keys』（2005年）をリリースした。2011年に脳卒中を発症して引退し、2014年に亡くなるまで健康状態は悪化の一途をたどっていた。Pat Matshikizaの70年代半ばの録音は、彼のキャリアの絶頂期を示すものであり、レコードによる南アフリカ・ジャズの歴史において不可欠な資料である。これらのリイシューによって、彼の芸術的遺産が注目され、世界中のジャズ愛好家と彼の作品を共有できることを願っている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2336058947\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes DL code. 12\" black vinyl. Edition of 700.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWe Are Busy Bodies:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBorn in Queenstown in South Africa's Eastern Cape province in 1938, Patrick Vuyo Matshikiza was raised in a musical family. His uncle Todd Matshikiza was a jazz columnist for Drum Magazine in the 1950s and composed the music for King Kong - the all-black musical from 1958 that played in London's West End and launched the career of singer Mariam Makeba. Pat was educated at St. Mathews, an historic mission school in Keiskammahoek, where he played organ and graduated with a teacher's diploma. He migrated to Johannesburg in 1962 and joined the community of professional black musicians that orbited Dorkay House, headquarters of Union Artists and the African Music and Drama Association. It was here that Matshikiza was enlisted as a pianist for the Jazz Dazzlers, a big band led by esteemed saxophonist Mackay Davashe. Matshikiza would then go on to join the Early Mabuza Quartet, a group that shared first prize with the Malombo Jazz Man at the Castle Lager Jazz Festival in 1964.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecording for the As-Shams\/The Sun label in the 1970s, Pat Matshikiza released the collaborative album Tshona! with sax giant Kippie Moeketsi in 1975. The album was followed in 1976 by Sikiza Matshikza, Pat's solo debut with Moeketsi appearing as a featured artist. The personnel on the album were an early\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e iteration of the group that would become Spirits Rejoice in 1977, with Duke Makasi on tenor sax, George Tyefumani on trumpet, Sipho Gumede on bass, Gilbert Mathews on drums and Sandile Shange (who appears alongside Matshikiza and Moeketsi on the album's cover photo) on guitar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the 1980s, Matshikiza withdrew from the jazz scene to pursue a more stable income as a resident pianist on the hotel circuit. He resurrected his jazz career in the 2000s, performing in Johannesburg clubs and releasing the live album Originals (2004) and retrospective album Seasons, Masks and Keys (2005). He retired in 2011 after suffering a stroke and his health steadily declined until his death in 2014. Pat Matshikiza's mid-70s recordings mark a high point in his career and are essential documents in the history of South African jazz on vinyl. With these reissues, we hope to bring his artistic legacy to prominence and share his work with lovers of jazz around the world.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Pat Matshikiza\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : We Are Busy Bodies\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-07-09T13:50:51+09:00","created_at":"2023-07-09T10:42:13+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","we are busy bodies"],"price":365000,"price_min":365000,"price_max":365000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44326697664762,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Pat Matshikiza \/\/ Sikiza Matshikiza LP","public_title":null,"options":["Default Title"],"price":365000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_741a2f68-47ca-472d-af32-f220e331495d.jpg?v=1688866936","\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_e9cb1287-636a-4d61-8dab-d9877d45d699.jpg?v=1688866936"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_741a2f68-47ca-472d-af32-f220e331495d.jpg?v=1688866936","options":["Title"],"media":[{"alt":null,"id":32203486593274,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_741a2f68-47ca-472d-af32-f220e331495d.jpg?v=1688866936"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_741a2f68-47ca-472d-af32-f220e331495d.jpg?v=1688866936","width":700},{"alt":null,"id":32203486626042,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_e9cb1287-636a-4d61-8dab-d9877d45d699.jpg?v=1688866936"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_e9cb1287-636a-4d61-8dab-d9877d45d699.jpg?v=1688866936","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e南アフリカジャズシーンの重要人物Pat Matshikizaが、1976年にリリースしたレコードの再発盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"1938年に南アフリカ東ケープ州のクイーンズタウンで生まれたPat Matshikizaは、音楽一家に育った。叔父のトッド・マトシキザは1950年代にドラム雑誌のジャズ・コラムニストとして活躍し、1958年にロンドンのウエストエンドで上演され、歌手マリアム・マケバのキャリアをスタートさせた黒人ミュージカル『キング・コング』の音楽を作曲した。Patはケイスカマホークにある歴史あるミッションスクール、セント・マシューズで教育を受け、そこでオルガンを演奏し、教師の免状を得て卒業した。彼は1962年にヨハネスブルグに移住し、ユニオン・アーティストとアフリカ音楽演劇協会の本部であるドーケイ・ハウスを中心としたプロの黒人音楽家のコミュニティに加わった。Pat Matshikizaはここで、尊敬するサックス奏者マッケイ・ダバシェが率いるビッグバンド、ジャズ・ダズラーズのピアニストとして加入した。Pat Matshikizaはその後、1964年のキャッスル・ラガー・ジャズ・フェスティバルでマロンボ・ジャズ・マンと優勝を分け合ったグループ、アーリー・マブーザ・カルテットに参加した。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e1970年代にAs-Shams\/The Sunレーベルでレコーディングを行ったPat Matshikiza、1975年にサックスの巨人キッピー・モエケッツィとのコラボレーション・アルバムTshona! このアルバムに続いて1976年、モエケッツィがフィーチャリング・アーティストとして参加したパットのソロ・デビュー作『Sikiza Matshikza』がリリースされた。このアルバムのメンバーは、1977年にSpirits Rejoiceとなるグループの初期のもので、テナー・サックスにデューク・マカシ、トランペットにジョージ・タイフマニ、ベースにシフォ・グメデ、ドラムにギルバート・マシューズ、ギターにサンディレ・シャンゲ（このアルバムのジャケット写真でPat Matshikizaと並んで写っている）を迎えている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e1980年代、Pat Matshikizaはホテル・サーキットの専属ピアニストとしてより安定した収入を得るため、ジャズ・シーンから身を引いた。2000年代にジャズ・キャリアを復活させ、ヨハネスブルグのクラブで演奏し、ライヴアルバム『Originals』（2004年）と回顧アルバム『Seasons, Masks and Keys』（2005年）をリリースした。2011年に脳卒中を発症して引退し、2014年に亡くなるまで健康状態は悪化の一途をたどっていた。Pat Matshikizaの70年代半ばの録音は、彼のキャリアの絶頂期を示すものであり、レコードによる南アフリカ・ジャズの歴史において不可欠な資料である。これらのリイシューによって、彼の芸術的遺産が注目され、世界中のジャズ愛好家と彼の作品を共有できることを願っている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2336058947\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes DL code. 12\" black vinyl. Edition of 700.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWe Are Busy Bodies:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBorn in Queenstown in South Africa's Eastern Cape province in 1938, Patrick Vuyo Matshikiza was raised in a musical family. His uncle Todd Matshikiza was a jazz columnist for Drum Magazine in the 1950s and composed the music for King Kong - the all-black musical from 1958 that played in London's West End and launched the career of singer Mariam Makeba. Pat was educated at St. Mathews, an historic mission school in Keiskammahoek, where he played organ and graduated with a teacher's diploma. He migrated to Johannesburg in 1962 and joined the community of professional black musicians that orbited Dorkay House, headquarters of Union Artists and the African Music and Drama Association. It was here that Matshikiza was enlisted as a pianist for the Jazz Dazzlers, a big band led by esteemed saxophonist Mackay Davashe. Matshikiza would then go on to join the Early Mabuza Quartet, a group that shared first prize with the Malombo Jazz Man at the Castle Lager Jazz Festival in 1964.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecording for the As-Shams\/The Sun label in the 1970s, Pat Matshikiza released the collaborative album Tshona! with sax giant Kippie Moeketsi in 1975. The album was followed in 1976 by Sikiza Matshikza, Pat's solo debut with Moeketsi appearing as a featured artist. The personnel on the album were an early\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e iteration of the group that would become Spirits Rejoice in 1977, with Duke Makasi on tenor sax, George Tyefumani on trumpet, Sipho Gumede on bass, Gilbert Mathews on drums and Sandile Shange (who appears alongside Matshikiza and Moeketsi on the album's cover photo) on guitar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the 1980s, Matshikiza withdrew from the jazz scene to pursue a more stable income as a resident pianist on the hotel circuit. He resurrected his jazz career in the 2000s, performing in Johannesburg clubs and releasing the live album Originals (2004) and retrospective album Seasons, Masks and Keys (2005). He retired in 2011 after suffering a stroke and his health steadily declined until his death in 2014. Pat Matshikiza's mid-70s recordings mark a high point in his career and are essential documents in the history of South African jazz on vinyl. With these reissues, we hope to bring his artistic legacy to prominence and share his work with lovers of jazz around the world.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Pat Matshikiza\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : We Are Busy Bodies\u003c\/span\u003e\u003c\/p\u003e"}
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南アフリカジャズシーンの重要人物Pat Matshikizaが、1976年にリリースしたレコードの再発盤です。 以下、レーベルによる解説です。 "1938年に南アフリカ東ケープ州のクイーンズタウンで生まれたPat Matshikizaは、音楽一家に育った。叔父のトッド・マトシキザは1950年代にドラム雑誌のジャズ・コラムニストとして活躍し、1958年にロンドンのウエストエンドで上演され、歌手マリアム・マケバのキャリアをスタートさせた黒人ミュージカル『キング・コング』の音楽を作曲した。Patはケイスカマホークにある歴史あるミッションスクール、セント・マシューズで教育を受け、そこでオルガンを演奏し、教師の免状を得て卒業した。彼は1962年にヨハネスブルグに移住し、ユニオン・アーティストとアフリカ音楽演劇協会の本部であるドーケイ・ハウスを中心としたプロの黒人音楽家のコミュニティに加わった。Pat Matshikizaはここで、尊敬するサックス奏者マッケイ・ダバシェが率いるビッグバンド、ジャズ・ダズラーズのピアニストとして加入した。Pat Matshikizaはその後、1964年のキャッスル・ラガー・ジャズ・フェスティバルでマロンボ・ジャズ・マンと優勝を分け合ったグループ、アーリー・マブーザ・カルテットに参加した。1970年代にAs-Shams/The Sunレーベルでレコーディングを行ったPat Matshikiza、1975年にサックスの巨人キッピー・モエケッツィとのコラボレーション・アルバムTshona! このアルバムに続いて1976年、モエケッツィがフィーチャリング・アーティストとして参加したパットのソロ・デビュー作『Sikiza Matshikza』がリリースされた。このアルバムのメンバーは、1977年にSpirits Rejoiceとなるグループの初期のもので、テナー・サックスにデューク・マカシ、トランペットにジョージ・タイフマニ、ベースにシフォ・グメデ、ドラムにギルバート・マシューズ、ギターにサンディレ・シャンゲ（このアルバムのジャケット写真でPat Matshikizaと並んで写っている）を迎えている。1980年代、Pat Matshikizaはホテル・サーキットの専属ピアニストとしてより安定した収入を得るため、ジャズ・シーンから身を引いた。2000年代にジャズ・キャリアを復活させ、ヨハネスブルグのクラブで演奏し、ライヴアルバム『Originals』（2004年）と回顧アルバム『Seasons,...
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{"id":7993208701178,"title":"Sadayasu Fujii Trio \/\/ Like A Child LP","handle":"sadayasu-fujii-trio-like-a-child-lp","description":"\u003cp\u003e関西のジャズピアニスト藤井貞泰が1977年にリリースアルバムの再発盤です。\u003c\/p\u003e\n\u003cp\u003eバップやサンバなど6曲を収録。帯付属。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/MXXmo_gYx4E\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRemastered reissue of Like A Child with replica insert and new obi strip. Edition of 700. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 A Sleepin' Bee\u003cbr\u003eA2 If I Should Lose You\u003cbr\u003eA3 One Note Samba\u003cbr\u003eB1 The Southern Cross\u003cbr\u003eB2 Like A Child\u003cbr\u003eB3 Frisky\u003c\/p\u003e\n\u003cp\u003eArtist : Sadayasu Fujii Trio\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e","published_at":"2023-07-09T13:15:29+09:00","created_at":"2023-07-09T10:39:15+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","we are busy bodies"],"price":589000,"price_min":589000,"price_max":589000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44326694224122,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sadayasu Fujii Trio \/\/ Like A Child LP","public_title":null,"options":["Default Title"],"price":589000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/li1_17a4ac86-60ce-4540-a5a6-e9a5b75eed73.jpg?v=1688866757","\/\/tobirarecords.com\/cdn\/shop\/files\/li2_0b6e1203-83a9-43fa-b6ac-b9e362c292fe.jpg?v=1688866757"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/li1_17a4ac86-60ce-4540-a5a6-e9a5b75eed73.jpg?v=1688866757","options":["Title"],"media":[{"alt":null,"id":32203480793338,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/li1_17a4ac86-60ce-4540-a5a6-e9a5b75eed73.jpg?v=1688866757"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/li1_17a4ac86-60ce-4540-a5a6-e9a5b75eed73.jpg?v=1688866757","width":600},{"alt":null,"id":32203480826106,"position":2,"preview_image":{"aspect_ratio":0.749,"height":450,"width":337,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/li2_0b6e1203-83a9-43fa-b6ac-b9e362c292fe.jpg?v=1688866757"},"aspect_ratio":0.749,"height":450,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/li2_0b6e1203-83a9-43fa-b6ac-b9e362c292fe.jpg?v=1688866757","width":337}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e関西のジャズピアニスト藤井貞泰が1977年にリリースアルバムの再発盤です。\u003c\/p\u003e\n\u003cp\u003eバップやサンバなど6曲を収録。帯付属。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/MXXmo_gYx4E\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRemastered reissue of Like A Child with replica insert and new obi strip. Edition of 700. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 A Sleepin' Bee\u003cbr\u003eA2 If I Should Lose You\u003cbr\u003eA3 One Note Samba\u003cbr\u003eB1 The Southern Cross\u003cbr\u003eB2 Like A Child\u003cbr\u003eB3 Frisky\u003c\/p\u003e\n\u003cp\u003eArtist : Sadayasu Fujii Trio\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e"}
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関西のジャズピアニスト藤井貞泰が1977年にリリースアルバムの再発盤です。 バップやサンバなど6曲を収録。帯付属。 レコードのみでの発表となります。 レーベルその他作品はこちら /// Click here to see more We Are Busy Bodies releases available at...
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{"id":7991401578746,"title":"Müller \/ Doskocz \/ Gordoa \/\/ Aural Accidentals TAPE","handle":"muller-doskocz-gordoa-aural-accidentals-tape","description":"\u003cp\u003eドイツとポーランドの即興奏者3名が、2023年4月にアメリカ・マサチューセッツの実験／ジャズレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapesから100本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eポーランドで行われた実験音楽フェス\u003cmeta charset=\"utf-8\"\u003eSpontaneous Music Festivalでのライブ録音です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e以下、\u003cmeta charset=\"utf-8\"\u003eSpontaneous Music Festival主催Andrzej Nowakによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"ポズナンのドラゴン・クラブで開催された第5回Spontaneous Music Festivalでは、即興ミュージシャンのアドホック・グループがラインナップを独占し、彼らはステージで初めて顔を合わせました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eイベント最終日の日曜日の夕方、照明が落とされた暗闇の中、3人の勇敢な即興演奏家たちが原始の旅に出ることにしました。ベルリン出身のトロンボーン奏者、マティアス・ミュラーは、多くの音楽的経験とスキルを持ち込みましたが、その中でも特に貴重だったのが、典型的な始まりも終わりもないような長い金管楽器のフレーズを構築する巨大な能力でした。そしてポズナン出身のギタリスト、パヴェウ・ドスコッチと、同じくベルリン出身のエレクトロアコースティック・マルチインストゥルメンタリスト、エミリオ・ゴルドアでした。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e彼らの旅には、パーカッシブなエレクトロニクスとギターの反復によって生み出される独自のリズムがあり、それは生気に満ちた重厚さと、背景のアンビエントの魅力的で驚くほどマットな美しさを持っていました。「フェイク・サウンド」フェスティバルのようであり、起源を正確に特定できない音の川でした。そして、彼らの音楽の集団的な流れは、鳥のさえずりと数秒の静寂によって終わりを告げ、未完成の音の実験を括弧の中に収め、聴き手の頭の中に実に暗い混乱を生み出しました。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3817374655\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in soft poly case.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eAndrzej Nowak via the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"During the 5th edition of the Spontaneous Music Festival in the Dragon Club in Poznań, the lineup was dominant by ad hoc groups of improvising musicians, who met each other on the stage for the first time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn Sunday evening, the last day of the event, in the darkness of the dimmed lights three brave improvisers decided to make their primal journey. Matthias Müller, a trombonist from Berlin, brought a lot of musical experience and skills, one of them exceptionally valuable – a gigantic ability to build long, brass phrases that seem to have no typical beginning or definite end. Two of his much younger colleagues – Paweł Doskocz, a guitarist from Poznań and Emilio Gordoa, an electroacoustic multi-instrumentalist, also from the Berlin – added a tendency of footloose experimentations, characteristic for both young and great artists.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheir journey had its own rhythm, created by percussive electronics and guitar repetitions, it had a brassy massiveness and a charming, surprisingly matte beauty of the background ambient. During the concert, which lasted less than two quarters, the artists imbued the narrative with a lots of sonic surprises – it was like a \"fake sounds\" festival, a river of sounds which origin we were not been\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e able to point precisely. And their collective stream of music was ended by birds singing and a few second of silence, which took the unfinished sonic experiments in a bracket, creating a truly dark confusion in the listeners' heads.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Müller \/ Doskocz \/ Gordoa\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e","published_at":"2023-07-04T19:17:31+09:00","created_at":"2023-07-03T13:00:05+09:00","vendor":"Tobira Records","type":"","tags":["jazz","tape","tripticks tapes"],"price":178000,"price_min":178000,"price_max":178000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44313472991482,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Müller \/ Doskocz \/ Gordoa \/\/ Aural Accidentals TAPE","public_title":null,"options":["Default Title"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aural1.jpg?v=1688356808","\/\/tobirarecords.com\/cdn\/shop\/files\/aural2.jpg?v=1688356808"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aural1.jpg?v=1688356808","options":["Title"],"media":[{"alt":null,"id":32181470068986,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aural1.jpg?v=1688356808"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aural1.jpg?v=1688356808","width":700},{"alt":null,"id":32181470101754,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aural2.jpg?v=1688356808"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aural2.jpg?v=1688356808","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツとポーランドの即興奏者3名が、2023年4月にアメリカ・マサチューセッツの実験／ジャズレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTripticks Tapesから100本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eポーランドで行われた実験音楽フェス\u003cmeta charset=\"utf-8\"\u003eSpontaneous Music Festivalでのライブ録音です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e以下、\u003cmeta charset=\"utf-8\"\u003eSpontaneous Music Festival主催Andrzej Nowakによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"ポズナンのドラゴン・クラブで開催された第5回Spontaneous Music Festivalでは、即興ミュージシャンのアドホック・グループがラインナップを独占し、彼らはステージで初めて顔を合わせました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eイベント最終日の日曜日の夕方、照明が落とされた暗闇の中、3人の勇敢な即興演奏家たちが原始の旅に出ることにしました。ベルリン出身のトロンボーン奏者、マティアス・ミュラーは、多くの音楽的経験とスキルを持ち込みましたが、その中でも特に貴重だったのが、典型的な始まりも終わりもないような長い金管楽器のフレーズを構築する巨大な能力でした。そしてポズナン出身のギタリスト、パヴェウ・ドスコッチと、同じくベルリン出身のエレクトロアコースティック・マルチインストゥルメンタリスト、エミリオ・ゴルドアでした。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e彼らの旅には、パーカッシブなエレクトロニクスとギターの反復によって生み出される独自のリズムがあり、それは生気に満ちた重厚さと、背景のアンビエントの魅力的で驚くほどマットな美しさを持っていました。「フェイク・サウンド」フェスティバルのようであり、起源を正確に特定できない音の川でした。そして、彼らの音楽の集団的な流れは、鳥のさえずりと数秒の静寂によって終わりを告げ、未完成の音の実験を括弧の中に収め、聴き手の頭の中に実に暗い混乱を生み出しました。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3817374655\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in soft poly case.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eAndrzej Nowak via the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"During the 5th edition of the Spontaneous Music Festival in the Dragon Club in Poznań, the lineup was dominant by ad hoc groups of improvising musicians, who met each other on the stage for the first time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn Sunday evening, the last day of the event, in the darkness of the dimmed lights three brave improvisers decided to make their primal journey. Matthias Müller, a trombonist from Berlin, brought a lot of musical experience and skills, one of them exceptionally valuable – a gigantic ability to build long, brass phrases that seem to have no typical beginning or definite end. Two of his much younger colleagues – Paweł Doskocz, a guitarist from Poznań and Emilio Gordoa, an electroacoustic multi-instrumentalist, also from the Berlin – added a tendency of footloose experimentations, characteristic for both young and great artists.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheir journey had its own rhythm, created by percussive electronics and guitar repetitions, it had a brassy massiveness and a charming, surprisingly matte beauty of the background ambient. During the concert, which lasted less than two quarters, the artists imbued the narrative with a lots of sonic surprises – it was like a \"fake sounds\" festival, a river of sounds which origin we were not been\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e able to point precisely. And their collective stream of music was ended by birds singing and a few second of silence, which took the unfinished sonic experiments in a bracket, creating a truly dark confusion in the listeners' heads.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Müller \/ Doskocz \/ Gordoa\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e"}
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ドイツとポーランドの即興奏者3名が、2023年4月にアメリカ・マサチューセッツの実験／ジャズレーベルTripticks Tapesから100本限定でリリースしたカセットです。 ポーランドで行われた実験音楽フェスSpontaneous Music Festivalでのライブ録音です。DLコード付属。 以下、Spontaneous Music Festival主催Andrzej Nowakによる解説です。 "ポズナンのドラゴン・クラブで開催された第5回Spontaneous Music Festivalでは、即興ミュージシャンのアドホック・グループがラインナップを独占し、彼らはステージで初めて顔を合わせました。イベント最終日の日曜日の夕方、照明が落とされた暗闇の中、3人の勇敢な即興演奏家たちが原始の旅に出ることにしました。ベルリン出身のトロンボーン奏者、マティアス・ミュラーは、多くの音楽的経験とスキルを持ち込みましたが、その中でも特に貴重だったのが、典型的な始まりも終わりもないような長い金管楽器のフレーズを構築する巨大な能力でした。そしてポズナン出身のギタリスト、パヴェウ・ドスコッチと、同じくベルリン出身のエレクトロアコースティック・マルチインストゥルメンタリスト、エミリオ・ゴルドアでした。彼らの旅には、パーカッシブなエレクトロニクスとギターの反復によって生み出される独自のリズムがあり、それは生気に満ちた重厚さと、背景のアンビエントの魅力的で驚くほどマットな美しさを持っていました。「フェイク・サウンド」フェスティバルのようであり、起源を正確に特定できない音の川でした。そして、彼らの音楽の集団的な流れは、鳥のさえずりと数秒の静寂によって終わりを告げ、未完成の音の実験を括弧の中に収め、聴き手の頭の中に実に暗い混乱を生み出しました。" レーベルその他作品はこちら /// Click here to...
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{"id":7991396466938,"title":"J. Albert Meets Will August Park \/\/ Flat Earth TAPE","handle":"jwpe","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e過去にOpal TapesやForgot Imprintなどから発表しているアメリカ・NYのエレクトロニック作家J. Albertと、カリフォルニアのピアニスト\u003c\/span\u003eWill August Parkが、2023年6月にNYの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e29 Speedwayからリリースした共作カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e実験ジャズ・ダブテクノ5曲を収録。DLコード付属。 廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1311480242\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1311480242\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1021057274\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e29 Speedway:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eMeeting as solo artists billed for the same show (Brookyn 2021),\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWill August Park and J were compelled to get in the studio together.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe unification of Will’s impressionistic solo piano compositions and J. Alberts blunted electronic music style lent itself to a holistic workflow, and in this flow they discovered their commonality in taste and musical expression. The two musicians, versatile in both acoustic instruments and electronics, bring together their distinct styles on \"Flat Earth\". The composition process involved free improvisation, crafting layers of lush resonance and paired back beats. The 5 track EP sometimes dances across the mind with ease of groove, while also hyper-focussing on the bold personality of instruments to create textural symphonies.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : J. Albert Meets Will August Park\u003c\/p\u003e\n\u003cp\u003eLabel : 29 Speedway\u003c\/p\u003e","published_at":"2023-07-03T15:04:16+09:00","created_at":"2023-07-03T12:44:44+09:00","vendor":"Tobira Records","type":"","tags":["29 Speedway","ambient","jazz","recommended","tape","techno \/ house"],"price":235000,"price_min":235000,"price_max":235000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44313424199930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"J. Albert Meets Will August Park \/\/ Flat Earth TAPE","public_title":null,"options":["Default Title"],"price":235000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ea1_77c572b8-7a6f-4392-b502-062d33003a96.jpg?v=1688355886","\/\/tobirarecords.com\/cdn\/shop\/files\/ea2_c0f650a5-a261-430f-a6bc-5da3c3870c0b.jpg?v=1688355885"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ea1_77c572b8-7a6f-4392-b502-062d33003a96.jpg?v=1688355886","options":["Title"],"media":[{"alt":null,"id":32181401190650,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ea1_77c572b8-7a6f-4392-b502-062d33003a96.jpg?v=1688355886"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ea1_77c572b8-7a6f-4392-b502-062d33003a96.jpg?v=1688355886","width":700},{"alt":null,"id":32181401223418,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ea2_c0f650a5-a261-430f-a6bc-5da3c3870c0b.jpg?v=1688355885"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ea2_c0f650a5-a261-430f-a6bc-5da3c3870c0b.jpg?v=1688355885","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e過去にOpal TapesやForgot Imprintなどから発表しているアメリカ・NYのエレクトロニック作家J. Albertと、カリフォルニアのピアニスト\u003c\/span\u003eWill August Parkが、2023年6月にNYの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e29 Speedwayからリリースした共作カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e実験ジャズ・ダブテクノ5曲を収録。DLコード付属。 廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1311480242\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1311480242\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1021057274\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e29 Speedway:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eMeeting as solo artists billed for the same show (Brookyn 2021),\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWill August Park and J were compelled to get in the studio together.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe unification of Will’s impressionistic solo piano compositions and J. Alberts blunted electronic music style lent itself to a holistic workflow, and in this flow they discovered their commonality in taste and musical expression. The two musicians, versatile in both acoustic instruments and electronics, bring together their distinct styles on \"Flat Earth\". The composition process involved free improvisation, crafting layers of lush resonance and paired back beats. The 5 track EP sometimes dances across the mind with ease of groove, while also hyper-focussing on the bold personality of instruments to create textural symphonies.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : J. Albert Meets Will August Park\u003c\/p\u003e\n\u003cp\u003eLabel : 29 Speedway\u003c\/p\u003e"}
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過去にOpal TapesやForgot Imprintなどから発表しているアメリカ・NYのエレクトロニック作家J. Albertと、カリフォルニアのピアニストWill August Parkが、2023年6月にNYの29 Speedwayからリリースした共作カセットです。 実験ジャズ・ダブテクノ5曲を収録。DLコード付属。 廃盤です。 --------------------------------------------- Includes DL code. 29...
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{"id":7991365730554,"title":"Holland Patent Public Library \/\/ Songs To Fall Asleep At The Wheel To CD \/ TAPE","handle":"holland-patent-public-library-songs-to-fall-asleep-at-the-wheel-to-cd-tape","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・NYのアンビエント作家Holland Patent Public Libraryが、2022年10月に同州フォークレーベルDear Lifeからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e彼が5年間で書き溜めたパーソナルでダイアリーのようなネオクラシカル・アンビエント〜アンビエント・ジャズ〜アンビエント・フォーク28曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eカセットはタバコ型ケースに入っています。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Songs to Fall Asleep at the Wheel Toは、Joe Pera(コメディアン)の番組に携わっていた過去5年ほどの間に書いた曲のコレクションだ。そのうちのかなりの期間、僕はハドソンバレーの友人が所有する週末用の家に住んでいて、ほとんど音楽を書いていただけなんだ。一日中作曲して、夕方になると自分のバンドと練習するために車で街まで行って、その日に録音したものをドライブ中にプレイバックするんだ。このドライブは頻繁に行われ、まるで儀式のように、繰り返し見る映画のようになりました。毎回同じように、午後に出発して夕方には到着する。渋滞を避けるために車線を変更する場所も正確に把握していた。鹿が道路脇で食事をする場所も知っていた。警官がどこに座っているかも知っていた。人々がどこでスピードを出すかも、そして私がどこでスピードを出すかも知っていた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e唯一、変わるのは、1時間半の間、私の脳裏を駆けめぐったもののナレーションだけだ。ドライブの予測可能性は、私の心がドッグパークの小犬のように、ウンウンウンウンと走り回ることを意味する。これは僕の好きなドライブだ。あなたはちょうどあなた自身の個人的なチャーリーローズとの会話に本当に包まれることができる。なぜマインドフルネスは、これほどまでに多くのアホを惹きつけるのだろうか？なぜ治らないのか？人々を向上させることを意図したシステムは、あまりうまく機能しないようだ。人々はいつも、自分たちの太った小さなソーセージ指を鍋に忍ばせる方法を見つけるようだ。その場合、私たちの有限なエネルギーを使う価値のあるシステムなどあるのか？しかし、チャーリー・ローズと一緒に運ばれていくうちに、ドライブは、時間をかけて、これらのランドマークが精神的な重力を蓄積し、それらを見ることで毎回同じことを考えさせ、どんな思考回路をしていたとしても、突然スキーハウス・ロッジに呼ばれ、剥製がたくさんあるあの場所で食べたステーキについて考えることになるのである。スキーハウスの前を通るとき、剥製について考えないことが可能なのか？いや、12番出口の手前で車線変更しないと、道路が合流するときに引っかかるのと同じで、毎回考えないといけない。スキーハウスは映画の名台詞になり、ピンクのヘラジカから気持ちを逸らそうとするのではなく、ドライブのこの部分はいつも少し剥製風味であることを受け入れるだけでいいのだ。もし私たちがみんな剥製作りをしたら、少なくともしばらくの間は、より良い人間になれると思うんだけど、どうだろうか？\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eとにかく、私はこのドライブが大好きだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1055440634\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3149151637\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1055440634\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3305235204\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1055440634\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=868646305\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1055440634\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=699432999\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003ehere\u003c\/a\u003e to see more Dear Life releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCD in digipak edition of 200 \/ TAPE in \u003cspan data-mce-fragment=\"1\"\u003especial cigarette box package design, designed by Ryan Dann.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist statement:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"'\u003cem\u003eSongs to Fall Asleep at the Wheel To' is a collection of music I’ve written over the course of the last five years or so while I was working on Joe Pera’s show. For a good portion of that time I was living in the Hudson Valley at a weekend house some friends owned, just writing music mostly. I would write all day and then in the evenings I would drive down into the city to practice with my band, and on the drive I’d play back what I’d recorded for the day. I did this drive often enough that it became a ritual, a movie I watched on repeat. It was the same every time, I always left in the afternoon and arrived in the evening. I knew exactly where to change lanes to avoid traffic. I knew where the deer liked to eat on the side of the road. I knew where the cops sat. I knew where people liked to speed, and where I would speed.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe only thing that would change was the narration of whatever was kicking around in my brain for an hour and a half. The predictability of the drive meant my mind could just sprint around like a little dog in a dog park, woom woom woom. It’s my kind of drive. Where you can just get really wrapped up in a conversation with your own personal Charlie Rose. Why does mindfulness seem to attract so many assholes? Why doesn’t it fix them? Systems meant to better people don’t seem to work very well, or for very long at least. People\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e always seem to find a way to smuggle in their fat little sausage fingers to the potluck, in which case, is there any system worth applying our finite energy? But as you get carried off with Charlie Rose, the drive has, over time, developed these landmarks that have accumulated a mental gravity where looking at them makes you think of the same thing every time, and no matter whatever train of thought you were on, you’re suddenly called by the Ski Haus Lodge to think about the steak you had in that place with all the taxidermy. Is it possible to drive by Ski Haus and not think about the taxidermy? No, you must think it every time, just like you have to change lanes before exit 12 or you’ll get stuck when the road merges. The Ski Haus becomes a quotable line of the movie, and rather than try to steer your mind away from the pink moose, you just accept that this part of the drive always has a slight taxidermy flavor. Maybe if we all did taxidermy we would become better people, for a while at least, don’t you think Charlie?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnyways, I loved these drives.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt it’s best, my hope for Songs to Fall Asleep At The Wheel to, contrary to what the title suggests, is that it can be a soundtrack for those solitary drives where it’s just you, and you, and the road.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Holland Patent Public Library\u003c\/p\u003e\n\u003cp\u003eLabel : Dear Life\u003c\/p\u003e","published_at":"2023-07-03T10:27:29+09:00","created_at":"2023-07-03T10:22:02+09:00","vendor":"Tobira Records","type":"","tags":["cd","dear life records","jazz","neo 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To CD \/ TAPE - TAPE","public_title":"TAPE","options":["TAPE"],"price":228000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":32180783284474,"position":3,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fa3_ff2335f5-3e68-46aa-9407-16e2aa6fe388.jpg?v=1688347328"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fa1_06b94098-b563-4629-b16b-2806c0ba18c0.jpg?v=1688347328","\/\/tobirarecords.com\/cdn\/shop\/files\/fa2_f299272a-7521-4a3d-999e-6c2ab8f89547.jpg?v=1688347328","\/\/tobirarecords.com\/cdn\/shop\/files\/fa3_ff2335f5-3e68-46aa-9407-16e2aa6fe388.jpg?v=1688347328","\/\/tobirarecords.com\/cdn\/shop\/files\/fa4_7b182fb5-fa61-4ac3-8e8a-74796d5a9dbc.jpg?v=1688347328"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fa1_06b94098-b563-4629-b16b-2806c0ba18c0.jpg?v=1688347328","options":["Format"],"media":[{"alt":null,"id":32180783218938,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fa1_06b94098-b563-4629-b16b-2806c0ba18c0.jpg?v=1688347328"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fa1_06b94098-b563-4629-b16b-2806c0ba18c0.jpg?v=1688347328","width":700},{"alt":null,"id":32180783251706,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fa2_f299272a-7521-4a3d-999e-6c2ab8f89547.jpg?v=1688347328"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fa2_f299272a-7521-4a3d-999e-6c2ab8f89547.jpg?v=1688347328","width":900},{"alt":null,"id":32180783284474,"position":3,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fa3_ff2335f5-3e68-46aa-9407-16e2aa6fe388.jpg?v=1688347328"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fa3_ff2335f5-3e68-46aa-9407-16e2aa6fe388.jpg?v=1688347328","width":900},{"alt":null,"id":32180783317242,"position":4,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fa4_7b182fb5-fa61-4ac3-8e8a-74796d5a9dbc.jpg?v=1688347328"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fa4_7b182fb5-fa61-4ac3-8e8a-74796d5a9dbc.jpg?v=1688347328","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・NYのアンビエント作家Holland Patent Public Libraryが、2022年10月に同州フォークレーベルDear Lifeからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e彼が5年間で書き溜めたパーソナルでダイアリーのようなネオクラシカル・アンビエント〜アンビエント・ジャズ〜アンビエント・フォーク28曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eカセットはタバコ型ケースに入っています。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Songs to Fall Asleep at the Wheel Toは、Joe Pera(コメディアン)の番組に携わっていた過去5年ほどの間に書いた曲のコレクションだ。そのうちのかなりの期間、僕はハドソンバレーの友人が所有する週末用の家に住んでいて、ほとんど音楽を書いていただけなんだ。一日中作曲して、夕方になると自分のバンドと練習するために車で街まで行って、その日に録音したものをドライブ中にプレイバックするんだ。このドライブは頻繁に行われ、まるで儀式のように、繰り返し見る映画のようになりました。毎回同じように、午後に出発して夕方には到着する。渋滞を避けるために車線を変更する場所も正確に把握していた。鹿が道路脇で食事をする場所も知っていた。警官がどこに座っているかも知っていた。人々がどこでスピードを出すかも、そして私がどこでスピードを出すかも知っていた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e唯一、変わるのは、1時間半の間、私の脳裏を駆けめぐったもののナレーションだけだ。ドライブの予測可能性は、私の心がドッグパークの小犬のように、ウンウンウンウンと走り回ることを意味する。これは僕の好きなドライブだ。あなたはちょうどあなた自身の個人的なチャーリーローズとの会話に本当に包まれることができる。なぜマインドフルネスは、これほどまでに多くのアホを惹きつけるのだろうか？なぜ治らないのか？人々を向上させることを意図したシステムは、あまりうまく機能しないようだ。人々はいつも、自分たちの太った小さなソーセージ指を鍋に忍ばせる方法を見つけるようだ。その場合、私たちの有限なエネルギーを使う価値のあるシステムなどあるのか？しかし、チャーリー・ローズと一緒に運ばれていくうちに、ドライブは、時間をかけて、これらのランドマークが精神的な重力を蓄積し、それらを見ることで毎回同じことを考えさせ、どんな思考回路をしていたとしても、突然スキーハウス・ロッジに呼ばれ、剥製がたくさんあるあの場所で食べたステーキについて考えることになるのである。スキーハウスの前を通るとき、剥製について考えないことが可能なのか？いや、12番出口の手前で車線変更しないと、道路が合流するときに引っかかるのと同じで、毎回考えないといけない。スキーハウスは映画の名台詞になり、ピンクのヘラジカから気持ちを逸らそうとするのではなく、ドライブのこの部分はいつも少し剥製風味であることを受け入れるだけでいいのだ。もし私たちがみんな剥製作りをしたら、少なくともしばらくの間は、より良い人間になれると思うんだけど、どうだろうか？\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eとにかく、私はこのドライブが大好きだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1055440634\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3149151637\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1055440634\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3305235204\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1055440634\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=868646305\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1055440634\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=699432999\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003ehere\u003c\/a\u003e to see more Dear Life releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCD in digipak edition of 200 \/ TAPE in \u003cspan data-mce-fragment=\"1\"\u003especial cigarette box package design, designed by Ryan Dann.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist statement:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"'\u003cem\u003eSongs to Fall Asleep at the Wheel To' is a collection of music I’ve written over the course of the last five years or so while I was working on Joe Pera’s show. For a good portion of that time I was living in the Hudson Valley at a weekend house some friends owned, just writing music mostly. I would write all day and then in the evenings I would drive down into the city to practice with my band, and on the drive I’d play back what I’d recorded for the day. I did this drive often enough that it became a ritual, a movie I watched on repeat. It was the same every time, I always left in the afternoon and arrived in the evening. I knew exactly where to change lanes to avoid traffic. I knew where the deer liked to eat on the side of the road. I knew where the cops sat. I knew where people liked to speed, and where I would speed.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe only thing that would change was the narration of whatever was kicking around in my brain for an hour and a half. The predictability of the drive meant my mind could just sprint around like a little dog in a dog park, woom woom woom. It’s my kind of drive. Where you can just get really wrapped up in a conversation with your own personal Charlie Rose. Why does mindfulness seem to attract so many assholes? Why doesn’t it fix them? Systems meant to better people don’t seem to work very well, or for very long at least. People\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e always seem to find a way to smuggle in their fat little sausage fingers to the potluck, in which case, is there any system worth applying our finite energy? But as you get carried off with Charlie Rose, the drive has, over time, developed these landmarks that have accumulated a mental gravity where looking at them makes you think of the same thing every time, and no matter whatever train of thought you were on, you’re suddenly called by the Ski Haus Lodge to think about the steak you had in that place with all the taxidermy. Is it possible to drive by Ski Haus and not think about the taxidermy? No, you must think it every time, just like you have to change lanes before exit 12 or you’ll get stuck when the road merges. The Ski Haus becomes a quotable line of the movie, and rather than try to steer your mind away from the pink moose, you just accept that this part of the drive always has a slight taxidermy flavor. Maybe if we all did taxidermy we would become better people, for a while at least, don’t you think Charlie?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnyways, I loved these drives.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt it’s best, my hope for Songs to Fall Asleep At The Wheel to, contrary to what the title suggests, is that it can be a soundtrack for those solitary drives where it’s just you, and you, and the road.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Holland Patent Public Library\u003c\/p\u003e\n\u003cp\u003eLabel : Dear Life\u003c\/p\u003e"}
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アメリカ・NYのアンビエント作家Holland Patent Public Libraryが、2022年10月に同州フォークレーベルDear Lifeからリリースしたアルバムです。 彼が5年間で書き溜めたパーソナルでダイアリーのようなネオクラシカル・アンビエント〜アンビエント・ジャズ〜アンビエント・フォーク28曲を収録。DLコード付属。 カセットはタバコ型ケースに入っています。 以下、作家本人による解説です。 "Songs to Fall Asleep at the...
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{"id":7991228891386,"title":"Tripping Landlocked Infidels \/\/ Gunk Trap TAPE","handle":"tripping-landlocked-infidels-gunk-trap-tape","description":"\u003cp\u003eアメリカ・シカゴの実験レーベルRadical Documents諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国NYのパーカッションデュオTripping Landlocked Infidelsが、2023年3月に50本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eメロディ皆無の物音・ストレンジビーツ〜物音ジャズ2曲を収録。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1623939594\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\u003cbr\u003e レーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/raddoc\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/raddoc\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ehere\u003c\/a\u003e to see more Radical Documents releases available at Tobira. \n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 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{"id":7991209001210,"title":"David Michael Moore \/\/ Flatboat River Witch: 1994 - 2015 2xTAPE","handle":"david-michael-moore-flatboat-river-witch-1994-2015-2xtape","description":"\u003cp\u003eアメリカ・ミシシッピー在住74歳の現役木工職人／ポストニューエイジ・ジャズ作家David Michael Mooreが、2022年4月に同国インディアナのカセットレーベルUlyssaからリリースした2本組カセットです。\u003c\/p\u003e\n\u003cp\u003e彼が1994-2015年に自作楽器や様々な楽器を一人で演奏して制作した\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eポストニューエイジ・ジャズ〜妄想ファンク\u003c\/span\u003e22曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e純粋な音楽の楽しみを感じます。\u003c\/p\u003e\n\u003cp\u003e※ケースの形状上、佐川急便での発送となりますのでレコード等とお求めいただけますとお得です\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/1Qt-Bgi1CBs\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1713842761\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=135895913\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1713842761\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3442278255\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1713842761\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulyssa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulyssa\"\u003ehere\u003c\/a\u003e to see more ULYSSA releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 100. \u003c\/p\u003e\n\u003cp\u003eULYSSA:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eDavid Michael Moore, 71, is an artist and woodworker living in Rosedale, Mississippi. A creator of elegant and unconventional woodcraft, he weaves sycamore branches into shelves, benches, and cradles, and hews local hardwood into massive bowls. Moore also makes his own instruments — zithers, harps, wooden drums, buzz boxes and dog bone xylophones. Using these “perverted”, hybrid instruments — along with regular ones: piano, synths, drums — Moore makes ecstatic music that twirls amid zydeco, Sufi mystical music, and the prepared piano compositions of John Cage. He also incorporates nature sounds of the Mississippi Delta into his mystifying, expressive music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn first pass, his lyricism is both surprising and workaday, both horny and hilarious — think John Prine, JJ Cale and Mark Knopfler. In his songs, we meet real people of The Delta: the beer-swilling, goofy war vet Buster; the ne’er-do-well nymphet Grocery Sto Feet Girl; the deceased Rosie and Mattie. But there’s a deeper, more cosmic element to it. Also present are philosophers Lao Tzu and Heraclitus — ancients who focused on absence of self, solitude in nature, and the embrace of flux. These themes are all present in Moore’s compositions. One thinks of the mighty river that flows just\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e a half mile from Moore’s backyard, its constant flux. One thinks of the human skull (200+ years old; found on the banks of that mighty river) that Moore keeps in his home studio, and then of the “memento mori” salutation used by the Hermits of St. Paul, monks who also kept skulls on their desks so to always ponder Death. And in that pondering, there was a lust for life — Life! which runs white-hot throughout Moore’s songs.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt is good to know True American Wildasses like Moore are still out there — that in any simple, tiny, decaying American town there remains raw genius to be discovered. Untainted by vanity or reward, these wildasses don’t care whether you do or don’t share the vision. And now, it is very good to be on this flatboat with David Michael Moore, here in the dark edging along the Mississippi, slowly rounding a bend, ready for whatever’s next.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Michael Moore\u003c\/p\u003e\n\u003cp\u003eLabel : ULYSSA\u003c\/p\u003e","published_at":"2023-07-02T08:11:19+09:00","created_at":"2023-07-02T08:10:47+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","post newage","recommended","strange beats","tape","ulyssa"],"price":389000,"price_min":389000,"price_max":389000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44311313547514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"David Michael Moore \/\/ Flatboat River Witch: 1994 - 2015 2xTAPE","public_title":null,"options":["Default Title"],"price":389000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fl1_e76189a3-e243-48ed-a8e5-84ef830bfc8c.jpg?v=1688253050","\/\/tobirarecords.com\/cdn\/shop\/files\/fl2_bbca5b7c-905f-4286-89d5-65d4153b1384.jpg?v=1688253050"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fl1_e76189a3-e243-48ed-a8e5-84ef830bfc8c.jpg?v=1688253050","options":["Title"],"media":[{"alt":null,"id":32178033754362,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fl1_e76189a3-e243-48ed-a8e5-84ef830bfc8c.jpg?v=1688253050"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fl1_e76189a3-e243-48ed-a8e5-84ef830bfc8c.jpg?v=1688253050","width":700},{"alt":null,"id":32178033787130,"position":2,"preview_image":{"aspect_ratio":1.439,"height":834,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fl2_bbca5b7c-905f-4286-89d5-65d4153b1384.jpg?v=1688253050"},"aspect_ratio":1.439,"height":834,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fl2_bbca5b7c-905f-4286-89d5-65d4153b1384.jpg?v=1688253050","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ミシシッピー在住74歳の現役木工職人／ポストニューエイジ・ジャズ作家David Michael Mooreが、2022年4月に同国インディアナのカセットレーベルUlyssaからリリースした2本組カセットです。\u003c\/p\u003e\n\u003cp\u003e彼が1994-2015年に自作楽器や様々な楽器を一人で演奏して制作した\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eポストニューエイジ・ジャズ〜妄想ファンク\u003c\/span\u003e22曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e純粋な音楽の楽しみを感じます。\u003c\/p\u003e\n\u003cp\u003e※ケースの形状上、佐川急便での発送となりますのでレコード等とお求めいただけますとお得です\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/1Qt-Bgi1CBs\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1713842761\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=135895913\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1713842761\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3442278255\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1713842761\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulyssa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulyssa\"\u003ehere\u003c\/a\u003e to see more ULYSSA releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 100. \u003c\/p\u003e\n\u003cp\u003eULYSSA:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eDavid Michael Moore, 71, is an artist and woodworker living in Rosedale, Mississippi. A creator of elegant and unconventional woodcraft, he weaves sycamore branches into shelves, benches, and cradles, and hews local hardwood into massive bowls. Moore also makes his own instruments — zithers, harps, wooden drums, buzz boxes and dog bone xylophones. Using these “perverted”, hybrid instruments — along with regular ones: piano, synths, drums — Moore makes ecstatic music that twirls amid zydeco, Sufi mystical music, and the prepared piano compositions of John Cage. He also incorporates nature sounds of the Mississippi Delta into his mystifying, expressive music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn first pass, his lyricism is both surprising and workaday, both horny and hilarious — think John Prine, JJ Cale and Mark Knopfler. In his songs, we meet real people of The Delta: the beer-swilling, goofy war vet Buster; the ne’er-do-well nymphet Grocery Sto Feet Girl; the deceased Rosie and Mattie. But there’s a deeper, more cosmic element to it. Also present are philosophers Lao Tzu and Heraclitus — ancients who focused on absence of self, solitude in nature, and the embrace of flux. These themes are all present in Moore’s compositions. One thinks of the mighty river that flows just\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e a half mile from Moore’s backyard, its constant flux. One thinks of the human skull (200+ years old; found on the banks of that mighty river) that Moore keeps in his home studio, and then of the “memento mori” salutation used by the Hermits of St. Paul, monks who also kept skulls on their desks so to always ponder Death. And in that pondering, there was a lust for life — Life! which runs white-hot throughout Moore’s songs.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt is good to know True American Wildasses like Moore are still out there — that in any simple, tiny, decaying American town there remains raw genius to be discovered. Untainted by vanity or reward, these wildasses don’t care whether you do or don’t share the vision. And now, it is very good to be on this flatboat with David Michael Moore, here in the dark edging along the Mississippi, slowly rounding a bend, ready for whatever’s next.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Michael Moore\u003c\/p\u003e\n\u003cp\u003eLabel : ULYSSA\u003c\/p\u003e"}
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アメリカ・ミシシッピー在住74歳の現役木工職人／ポストニューエイジ・ジャズ作家David Michael Mooreが、2022年4月に同国インディアナのカセットレーベルUlyssaからリリースした2本組カセットです。 彼が1994-2015年に自作楽器や様々な楽器を一人で演奏して制作したポストニューエイジ・ジャズ〜妄想ファンク22曲を収録。DLコード付属。 純粋な音楽の楽しみを感じます。 ※ケースの形状上、佐川急便での発送となりますのでレコード等とお求めいただけますとお得です レーベルその他作品はこちら /// Click here to see more ULYSSA releases available at...
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{"id":7990147318010,"title":"Akira Ishikawa Count Buffalo Jazz And Rock Band \/\/ Bakishinba: Memories Of Africa LP","handle":"akira-ishikawa-count-buffalo-jazz-and-rock-band-bakishinba-memories-of-africa-lp","description":"\u003cp\u003eAkira Ishikawa Count Buffalo Jazz And Rock Bandの再発デビューレコードです。（オリジナルは1970年リリース）\u003c\/p\u003e\n\u003cp\u003eジャズ・ファンク〜フュージョン7曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3507430855\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cndc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cndc\"\u003ehere\u003c\/a\u003e to see more Cinedelic releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Sandstorm\u003cbr\u003eA2 Sunrise\u003cbr\u003eA3 Flamingo\u003cbr\u003eA4 African Deer\u003cbr\u003eB1 Bakishinba\u003cbr\u003eB2 Mirage\u003cbr\u003eB3 Blue Soul \u003c\/p\u003e\n\u003cp\u003eArtist : Akira Ishikawa Count Buffalo Jazz And Rock Band\u003c\/p\u003e\n\u003cp\u003eLabel : Cinedelic\u003c\/p\u003e","published_at":"2023-06-29T13:43:05+09:00","created_at":"2023-06-29T12:07:17+09:00","vendor":"Tobira Records","type":"","tags":["cinedelic","jazz","lp"],"price":478000,"price_min":478000,"price_max":478000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44303551987962,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akira Ishikawa Count Buffalo Jazz And Rock Band \/\/ Bakishinba: Memories Of Africa LP","public_title":null,"options":["Default Title"],"price":478000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/me1_d01f990f-c567-4c82-9c44-53639ceb5562.jpg?v=1688008039","\/\/tobirarecords.com\/cdn\/shop\/files\/me2_0b89a57c-6df8-4750-8da4-333604626188.jpg?v=1688008039"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_d01f990f-c567-4c82-9c44-53639ceb5562.jpg?v=1688008039","options":["Title"],"media":[{"alt":null,"id":32166199066874,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_d01f990f-c567-4c82-9c44-53639ceb5562.jpg?v=1688008039"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_d01f990f-c567-4c82-9c44-53639ceb5562.jpg?v=1688008039","width":700},{"alt":null,"id":32166199099642,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_0b89a57c-6df8-4750-8da4-333604626188.jpg?v=1688008039"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_0b89a57c-6df8-4750-8da4-333604626188.jpg?v=1688008039","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eAkira Ishikawa Count Buffalo Jazz And Rock Bandの再発デビューレコードです。（オリジナルは1970年リリース）\u003c\/p\u003e\n\u003cp\u003eジャズ・ファンク〜フュージョン7曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3507430855\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cndc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cndc\"\u003ehere\u003c\/a\u003e to see more Cinedelic releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Sandstorm\u003cbr\u003eA2 Sunrise\u003cbr\u003eA3 Flamingo\u003cbr\u003eA4 African Deer\u003cbr\u003eB1 Bakishinba\u003cbr\u003eB2 Mirage\u003cbr\u003eB3 Blue Soul \u003c\/p\u003e\n\u003cp\u003eArtist : Akira Ishikawa Count Buffalo Jazz And Rock Band\u003c\/p\u003e\n\u003cp\u003eLabel : Cinedelic\u003c\/p\u003e"}
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{"id":7990145548538,"title":"Masahiko Togashi \/\/ Story Of Wind Behind Left LP","handle":"masahiko-togashi-story-of-wind-behind-left-lp","description":"\u003cp\u003e国内外フリージャズシーンに多大な影響を与えたパーカッショニスト富樫雅彦（1940-2007）の再発レコードです。（オリジナルは1975年リリース）\u003c\/p\u003e\n\u003cp\u003e抑制を効かせたミニマルな物音フリージャズ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3825049196\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cndc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cndc\"\u003ehere\u003c\/a\u003e to see more Cinedelic releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes OBI and insert. \u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003c\/p\u003e\n\u003cp\u003eArtist : Masahiko Togashi\u003c\/p\u003e\n\u003cp\u003eLabel : Cinedelic\u003c\/p\u003e","published_at":"2023-06-29T12:06:50+09:00","created_at":"2023-06-29T11:59:02+09:00","vendor":"Tobira Records","type":"","tags":["cinedelic","jazz","lp","recommended"],"price":468000,"price_min":468000,"price_max":468000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44303533080826,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Masahiko Togashi \/\/ Story Of Wind Behind Left LP","public_title":null,"options":["Default Title"],"price":468000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/win1_2a906a52-2aad-4512-a729-9b1d2c90e0a8.jpg?v=1688007544"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/win1_2a906a52-2aad-4512-a729-9b1d2c90e0a8.jpg?v=1688007544","options":["Title"],"media":[{"alt":null,"id":32166172623098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win1_2a906a52-2aad-4512-a729-9b1d2c90e0a8.jpg?v=1688007544"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win1_2a906a52-2aad-4512-a729-9b1d2c90e0a8.jpg?v=1688007544","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e国内外フリージャズシーンに多大な影響を与えたパーカッショニスト富樫雅彦（1940-2007）の再発レコードです。（オリジナルは1975年リリース）\u003c\/p\u003e\n\u003cp\u003e抑制を効かせたミニマルな物音フリージャズ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3825049196\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cndc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cndc\"\u003ehere\u003c\/a\u003e to see more Cinedelic releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes OBI and insert. \u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003c\/p\u003e\n\u003cp\u003eArtist : Masahiko Togashi\u003c\/p\u003e\n\u003cp\u003eLabel : Cinedelic\u003c\/p\u003e"}
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国内外フリージャズシーンに多大な影響を与えたパーカッショニスト富樫雅彦（1940-2007）の再発レコードです。（オリジナルは1975年リリース） 抑制を効かせたミニマルな物音フリージャズ6曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more Cinedelic releases available at Tobira. ---------------------- 12"...
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{"id":7989959590138,"title":"John Carroll Kirby \/\/ My Garden LP","handle":"john-carroll-kirby-my-garden-lp","description":"\u003cp\u003eアメリカ・LAのマルチ奏者John Carroll Kirbyが、2023年6月にLAの老舗レーベルStones Throwからリリースした再発レコードです。（オリジナルは2020年リリース）\u003c\/p\u003e\n\u003cp\u003eバレアリックな風を纏ったスピリチュアルジャズ9曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1270660623\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eStones Throw:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePianist, producer and composer John Carroll Kirby will release My Garden, his first solo album for Stones Throw, on April 24.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMy Garden, a collection of songs written, recorded and produced entirely by Kirby, is a pure distillation of his sound — soulful, spiritual, and evocative. Demonstrating perfectly why Kirby is the go-to collaborator for artists ranging from experimental auteurs Bat for Lashes and Connan Mockasin to pop megastars Harry Styles and Kali Uchis, and R\u0026amp;B innovators Solange and Frank Ocean, My Garden is also a testament to the clarity and singularity of Kirby's vision.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Carroll Kirby\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e","published_at":"2023-06-28T14:37:38+09:00","created_at":"2023-06-28T14:00:32+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","post newage","stones throw"],"price":378000,"price_min":378000,"price_max":378000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44302415692026,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Carroll Kirby \/\/ My Garden LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ga1_560b459c-970e-4b58-adcc-1572c9a23f46.jpg?v=1687928433","\/\/tobirarecords.com\/cdn\/shop\/files\/ga2_27143059-a6fd-4d18-8a08-d149f3a7fa6d.jpg?v=1687928434"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga1_560b459c-970e-4b58-adcc-1572c9a23f46.jpg?v=1687928433","options":["Title"],"media":[{"alt":null,"id":32163414671610,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga1_560b459c-970e-4b58-adcc-1572c9a23f46.jpg?v=1687928433"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga1_560b459c-970e-4b58-adcc-1572c9a23f46.jpg?v=1687928433","width":700},{"alt":null,"id":32163414704378,"position":2,"preview_image":{"aspect_ratio":1.271,"height":944,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga2_27143059-a6fd-4d18-8a08-d149f3a7fa6d.jpg?v=1687928434"},"aspect_ratio":1.271,"height":944,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga2_27143059-a6fd-4d18-8a08-d149f3a7fa6d.jpg?v=1687928434","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのマルチ奏者John Carroll Kirbyが、2023年6月にLAの老舗レーベルStones Throwからリリースした再発レコードです。（オリジナルは2020年リリース）\u003c\/p\u003e\n\u003cp\u003eバレアリックな風を纏ったスピリチュアルジャズ9曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1270660623\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eStones Throw:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePianist, producer and composer John Carroll Kirby will release My Garden, his first solo album for Stones Throw, on April 24.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMy Garden, a collection of songs written, recorded and produced entirely by Kirby, is a pure distillation of his sound — soulful, spiritual, and evocative. Demonstrating perfectly why Kirby is the go-to collaborator for artists ranging from experimental auteurs Bat for Lashes and Connan Mockasin to pop megastars Harry Styles and Kali Uchis, and R\u0026amp;B innovators Solange and Frank Ocean, My Garden is also a testament to the clarity and singularity of Kirby's vision.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Carroll Kirby\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e"}
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{"id":7989959491834,"title":"Frankie Reyes \/\/ Originalitos LP","handle":"frankie-reyes-originalitos-lp","description":"\u003cp\u003eアメリカ・LAのシンセ奏者Frankie Reyesが、2023年6月にLAの老舗オールジャンルレーベルLeaving Recordsからリリースしたレコードです。（オリジナルは2020年リリース）\u003c\/p\u003e\n\u003cp\u003eオーバーハイムのシンセによるサイケデリック・ラテンラウンジ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e暑い季節の清涼剤としてぜひ。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/O7O7IYbaFcU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eStones Throw:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eFrankie Reyes (aka Gabriel Reyes-Whittaker) is back with \u003c\/span\u003eOriginalitos\u003cspan data-mce-fragment=\"1\"\u003e, his second album for Stones Throw. Throughout eight original compositions created on the analogue Oberheim synthesizer, Frankie Reyes draws on his Puerto Rican heritage and the sounds of everyday life.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWorking within a variety of genres, Reyes-Whittaker has released music as Gifted \u0026amp; Blessed, The Abstract Eye, and as one half of the duo The Steoples, whose second album for Stones Throw will be released next year. Reyes-Whittaker met Stones Throw founder Peanut Butter Wolf at an event celebrating Latin American modernism. There, he came up with the idea for his debut album Boleros Valses y Mas as Frankie Reyes, which Wolf immediately wanted to put out on the label.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhile Boleros Valses y Mas reimagined Latin standards, Originalitos takes us inside Reyes-Whittaker’s musical world, “bringing together my classical roots and my present-day modern life”. After asking “how might I use the synthesizer to explore my heritage?” for Originalitos, he restricted himself to the same set of tools as Boleros Valses y Mas using just one Oberheim synthesizer, a MIDI sequencer and an effects unit. “I was inspired to create another album in a similar vein as the last one but consisting exclusively of my short original compositions,” he says.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEach work on Originalitos is filled with symbolism referring to Reyes-Whittaker’s lineage and implied within the track titles, which reference his family, the passing of time and “Puerto Rican sweetness”. Influenced by the traditional music of Puerto Rico, the music of Sylvia Rexach and other Latin American composers, and synth-based musicians such as Mort Garson, Frankie Reyes compositions combine ancestral sounds with contemporary technologies.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Frankie Reyes\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e","published_at":"2023-06-28T14:21:08+09:00","created_at":"2023-06-28T13:58:21+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","stones throw"],"price":318000,"price_min":318000,"price_max":318000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44302413693178,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Frankie Reyes \/\/ Originalitos LP","public_title":null,"options":["Default Title"],"price":318000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fr1_38ab6840-3e2b-4145-96f7-44425dfedfc7.jpg?v=1687928303","\/\/tobirarecords.com\/cdn\/shop\/files\/fr2_c95616e7-ec58-432a-a4d9-58a3b49af9a1.jpg?v=1687928304"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fr1_38ab6840-3e2b-4145-96f7-44425dfedfc7.jpg?v=1687928303","options":["Title"],"media":[{"alt":null,"id":32163411820794,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fr1_38ab6840-3e2b-4145-96f7-44425dfedfc7.jpg?v=1687928303"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fr1_38ab6840-3e2b-4145-96f7-44425dfedfc7.jpg?v=1687928303","width":700},{"alt":null,"id":32163411853562,"position":2,"preview_image":{"aspect_ratio":1.481,"height":810,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fr2_c95616e7-ec58-432a-a4d9-58a3b49af9a1.jpg?v=1687928304"},"aspect_ratio":1.481,"height":810,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fr2_c95616e7-ec58-432a-a4d9-58a3b49af9a1.jpg?v=1687928304","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのシンセ奏者Frankie Reyesが、2023年6月にLAの老舗オールジャンルレーベルLeaving Recordsからリリースしたレコードです。（オリジナルは2020年リリース）\u003c\/p\u003e\n\u003cp\u003eオーバーハイムのシンセによるサイケデリック・ラテンラウンジ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e暑い季節の清涼剤としてぜひ。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/O7O7IYbaFcU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eStones Throw:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eFrankie Reyes (aka Gabriel Reyes-Whittaker) is back with \u003c\/span\u003eOriginalitos\u003cspan data-mce-fragment=\"1\"\u003e, his second album for Stones Throw. Throughout eight original compositions created on the analogue Oberheim synthesizer, Frankie Reyes draws on his Puerto Rican heritage and the sounds of everyday life.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWorking within a variety of genres, Reyes-Whittaker has released music as Gifted \u0026amp; Blessed, The Abstract Eye, and as one half of the duo The Steoples, whose second album for Stones Throw will be released next year. Reyes-Whittaker met Stones Throw founder Peanut Butter Wolf at an event celebrating Latin American modernism. There, he came up with the idea for his debut album Boleros Valses y Mas as Frankie Reyes, which Wolf immediately wanted to put out on the label.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhile Boleros Valses y Mas reimagined Latin standards, Originalitos takes us inside Reyes-Whittaker’s musical world, “bringing together my classical roots and my present-day modern life”. 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Influenced by the traditional music of Puerto Rico, the music of Sylvia Rexach and other Latin American composers, and synth-based musicians such as Mort Garson, Frankie Reyes compositions combine ancestral sounds with contemporary technologies.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Frankie Reyes\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e"}
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アメリカ・LAのシンセ奏者Frankie Reyesが、2023年6月にLAの老舗オールジャンルレーベルLeaving Recordsからリリースしたレコードです。（オリジナルは2020年リリース） オーバーハイムのシンセによるサイケデリック・ラテンラウンジ8曲を収録。 暑い季節の清涼剤としてぜひ。 レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases available...
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{"id":7987862372602,"title":"aja monet \/\/ when the poems do what they do 2xLP","handle":"aja-monet-when-the-poems-do-what-they-do-2xlp","description":"\u003cp\u003eアメリカ・NYの詩人aja monetが、2023年6月にNYのdrink sum wtrからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー・ジャズヒップホップ13曲を収録。\u003c\/p\u003e\n\u003cp\u003e16ページの写真\u0026amp;歌詞ブックレットとポスター付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3097307146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIncludes a limited edition 16-page full color photo \u0026amp; lyric booklet and 18\" x 24\" glossy full color photo poster.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003edrink sum wtr:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eaja monet’s poems are a work of gravity. A surrealist blues poet, storyteller, and organizer born and raised in Brooklyn, NY, aja won the legendary Nuyorican Poets Cafe Grand Slam poetry award title in 2007. In 2018, she was nominated for a NAACP Literary Award for Poetry and in 2019 was awarded the Marjory Stoneman Douglas Award for Poetry for her cultural organizing work in South Florida. Her work moves, constantly, between origin and outcome, allowing them to exist in converse. In her debut album when the poems do what they do, releasing June 9 via drink sum wtr, we glimpse her indefatigable commitment to speak. Those thematic origins of this album at times center around Black resistance, love and the inexhaustible quest for joy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn when the poems do what they do, aja monet appears as a woman of letters and storm, her poems do not roar in pentameter - but rather in storm surge because, “Who’s got time for poems when the world is on fire?!.” And this work isn’t one to pull apart into one liners, these are poems of things felt. There is a fullness here that can’t be encapsulated in even the boundaries that language offers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eaja is joined in effort on this album by musicians Christian Scott (trumpet), Samora Pinderhughes (piano), Elena\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Pinderhughes (flute), Luques Curtis (bass), Weedie Braimah (djembe) and Marcus Gilmore (drums). Together, creating music that is insistent and unrelenting.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen you finally reach the end of this album, you are left with a similar feeling you get when heartbroken, the gravity of barrelling back down to earth, sopping wet with tears, out of breath, overcome with love, despair, hope, and all too aware that all of this, is over far too soon. When the poems do what they do, they do absolutely everything.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : aja monet\u003c\/p\u003e\n\u003cp\u003eLabel : drink sum wtr\u003c\/p\u003e","published_at":"2023-06-24T08:21:30+09:00","created_at":"2023-06-23T19:24:29+09:00","vendor":"Tobira Records","type":"","tags":["drink sum wtr","hiphop \/ funk","jazz","lp"],"price":599000,"price_min":599000,"price_max":599000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44295040893178,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"aja monet \/\/ when the poems do what they do 2xLP","public_title":null,"options":["Default Title"],"price":599000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wh1_f5b1a2f0-9493-4fa2-8a81-794303179afe.jpg?v=1687515871","\/\/tobirarecords.com\/cdn\/shop\/files\/wh2_d8df0f9c-bfa9-4ad0-aa43-46040f044fc9.jpg?v=1687515871"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wh1_f5b1a2f0-9493-4fa2-8a81-794303179afe.jpg?v=1687515871","options":["Title"],"media":[{"alt":null,"id":32146932826362,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wh1_f5b1a2f0-9493-4fa2-8a81-794303179afe.jpg?v=1687515871"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wh1_f5b1a2f0-9493-4fa2-8a81-794303179afe.jpg?v=1687515871","width":700},{"alt":null,"id":32146932859130,"position":2,"preview_image":{"aspect_ratio":0.999,"height":1200,"width":1199,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wh2_d8df0f9c-bfa9-4ad0-aa43-46040f044fc9.jpg?v=1687515871"},"aspect_ratio":0.999,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wh2_d8df0f9c-bfa9-4ad0-aa43-46040f044fc9.jpg?v=1687515871","width":1199}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYの詩人aja monetが、2023年6月にNYのdrink sum wtrからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー・ジャズヒップホップ13曲を収録。\u003c\/p\u003e\n\u003cp\u003e16ページの写真\u0026amp;歌詞ブックレットとポスター付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3097307146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIncludes a limited edition 16-page full color photo \u0026amp; lyric booklet and 18\" x 24\" glossy full color photo poster.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003edrink sum wtr:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eaja monet’s poems are a work of gravity. A surrealist blues poet, storyteller, and organizer born and raised in Brooklyn, NY, aja won the legendary Nuyorican Poets Cafe Grand Slam poetry award title in 2007. In 2018, she was nominated for a NAACP Literary Award for Poetry and in 2019 was awarded the Marjory Stoneman Douglas Award for Poetry for her cultural organizing work in South Florida. Her work moves, constantly, between origin and outcome, allowing them to exist in converse. In her debut album when the poems do what they do, releasing June 9 via drink sum wtr, we glimpse her indefatigable commitment to speak. Those thematic origins of this album at times center around Black resistance, love and the inexhaustible quest for joy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn when the poems do what they do, aja monet appears as a woman of letters and storm, her poems do not roar in pentameter - but rather in storm surge because, “Who’s got time for poems when the world is on fire?!.” And this work isn’t one to pull apart into one liners, these are poems of things felt. There is a fullness here that can’t be encapsulated in even the boundaries that language offers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eaja is joined in effort on this album by musicians Christian Scott (trumpet), Samora Pinderhughes (piano), Elena\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Pinderhughes (flute), Luques Curtis (bass), Weedie Braimah (djembe) and Marcus Gilmore (drums). Together, creating music that is insistent and unrelenting.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen you finally reach the end of this album, you are left with a similar feeling you get when heartbroken, the gravity of barrelling back down to earth, sopping wet with tears, out of breath, overcome with love, despair, hope, and all too aware that all of this, is over far too soon. When the poems do what they do, they do absolutely everything.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : aja monet\u003c\/p\u003e\n\u003cp\u003eLabel : drink sum wtr\u003c\/p\u003e"}
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アメリカ・NYの詩人aja monetが、2023年6月にNYのdrink sum wtrからリリースした2枚組レコードです。 サウンドポエトリー・ジャズヒップホップ13曲を収録。 16ページの写真&歌詞ブックレットとポスター付属。 ------------------------------------- 2x12" black vinyl. Includes a limited edition 16-page...
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{"id":7987849822458,"title":"Okonkolo \/\/ Cantos LP","handle":"okonkolo-cantos-lp","description":"\u003cp\u003eヨルバ・アフロバンドOkonkoloが、2018年にアメリカ・NYのBig Crownからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3198039142\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003ehere\u003c\/a\u003e to see more Big Crown Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eText excerpt by Big Crown Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn a world where chaos seems to be in control more often than not, music can occasionally be a temporary respite; and at best, a form of salvation. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is the transcendent realm of Okonkolo: Yoruban Santeria music like you have never heard before. Okonkolo transports listeners to another realm; a spiritual dance with gods beyond our grasp, held together by rhythm, passion and musical virtuosity.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe group is the life’s work of New York-born percussionist and Yoruba Chango priest Abraham “Aby” Rodriguez. His group quietly released Rezos, a gorgeous 10-Inch EP in 2016 on Brooklyn’s Big Crown, and has now returned to give the world even more hypnotic incantations on their debut full length.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFeaturing nine songs, each of the group’s religious epiphanies on Cantos follow a similar path, with transcendently hypnotic results. As with all Santeria ritual musical accompaniment, drums are at the center of all offerings – namely, the Bata and Coro. In Okonkolo, they are played by Rodriguez, Gene Golden and Xavier Rivera. Building on these rhythms, vocals play an equally important role in the proceedings, sung in Yoruba, contributed by Aby and the powerful female voices of Amma McKen and Jadele\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e McPherson...\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e--\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e...On Cantos there are multiple examples of how this musical hybrid can move listeners. Take “Yemaya,” where plucked guitars break down into dissonant sul pont violin textures. As the batá drums build in intensity the arrangement culminates in guitars and descending clarinet arpeggios, Nick Movshon's propulsive bass brings the piece to a climactic finale. Or “Canto Asoyin” where an imagined Santeria \/ Stax session gives way to a gutbucket guitar refrain, before transitioning to a high-life section where ancient and modern Nigerian musical traditions wink slyly at each other.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Ochun” is sung first by Abraham and then by Amma McKen, and each version is quietly startling. Amma's begins with ominous piano chords that lead to plucked cellos and violins in counterpoint against a soca guitar riff, preceding a descrescendo into baritone sax and viola tremolos. As Amma explains, “Through the song, there is possession. We are the vehicles through which all of this positive energy flows. It’s a language, and it’s very sacred.” And then there is “Obatala,” which has a sublime breakdown where pizzicato violins, violas and cellos mimic the different drums of the batá ensemble.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMany listeners will barely register these mercurial arrangements and their admittedly strange juxtapositions against Orisha music. Only upon closer inspection does one become aware of how these ancient songs are being shifted and reimagined, and how they linger ethereally between worlds, just like the orishas.\"\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Okonkolo\u003c\/p\u003e\n\u003cp\u003eLabel : Big Crown Records\u003c\/p\u003e","published_at":"2023-06-24T09:38:32+09:00","created_at":"2023-06-23T19:03:48+09:00","vendor":"Tobira Records","type":"","tags":["big crown records","field recording","jazz","lp"],"price":289000,"price_min":289000,"price_max":289000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44295007600890,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Okonkolo \/\/ Cantos LP","public_title":null,"options":["Default Title"],"price":289000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ca_87da68fd-be0b-4b27-98a9-8caefb190c35.jpg?v=1687514630","\/\/tobirarecords.com\/cdn\/shop\/files\/ca3_6a194984-816e-47fe-a28d-01dfd1052f75.jpg?v=1687514630"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca_87da68fd-be0b-4b27-98a9-8caefb190c35.jpg?v=1687514630","options":["Title"],"media":[{"alt":null,"id":32146842059002,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca_87da68fd-be0b-4b27-98a9-8caefb190c35.jpg?v=1687514630"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca_87da68fd-be0b-4b27-98a9-8caefb190c35.jpg?v=1687514630","width":700},{"alt":null,"id":32146842091770,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca3_6a194984-816e-47fe-a28d-01dfd1052f75.jpg?v=1687514630"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca3_6a194984-816e-47fe-a28d-01dfd1052f75.jpg?v=1687514630","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eヨルバ・アフロバンドOkonkoloが、2018年にアメリカ・NYのBig Crownからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3198039142\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003ehere\u003c\/a\u003e to see more Big Crown Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eText excerpt by Big Crown Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn a world where chaos seems to be in control more often than not, music can occasionally be a temporary respite; and at best, a form of salvation. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is the transcendent realm of Okonkolo: Yoruban Santeria music like you have never heard before. Okonkolo transports listeners to another realm; a spiritual dance with gods beyond our grasp, held together by rhythm, passion and musical virtuosity.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe group is the life’s work of New York-born percussionist and Yoruba Chango priest Abraham “Aby” Rodriguez. His group quietly released Rezos, a gorgeous 10-Inch EP in 2016 on Brooklyn’s Big Crown, and has now returned to give the world even more hypnotic incantations on their debut full length.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFeaturing nine songs, each of the group’s religious epiphanies on Cantos follow a similar path, with transcendently hypnotic results. As with all Santeria ritual musical accompaniment, drums are at the center of all offerings – namely, the Bata and Coro. In Okonkolo, they are played by Rodriguez, Gene Golden and Xavier Rivera. Building on these rhythms, vocals play an equally important role in the proceedings, sung in Yoruba, contributed by Aby and the powerful female voices of Amma McKen and Jadele\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e McPherson...\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e--\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e...On Cantos there are multiple examples of how this musical hybrid can move listeners. Take “Yemaya,” where plucked guitars break down into dissonant sul pont violin textures. As the batá drums build in intensity the arrangement culminates in guitars and descending clarinet arpeggios, Nick Movshon's propulsive bass brings the piece to a climactic finale. Or “Canto Asoyin” where an imagined Santeria \/ Stax session gives way to a gutbucket guitar refrain, before transitioning to a high-life section where ancient and modern Nigerian musical traditions wink slyly at each other.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Ochun” is sung first by Abraham and then by Amma McKen, and each version is quietly startling. Amma's begins with ominous piano chords that lead to plucked cellos and violins in counterpoint against a soca guitar riff, preceding a descrescendo into baritone sax and viola tremolos. As Amma explains, “Through the song, there is possession. We are the vehicles through which all of this positive energy flows. It’s a language, and it’s very sacred.” And then there is “Obatala,” which has a sublime breakdown where pizzicato violins, violas and cellos mimic the different drums of the batá ensemble.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMany listeners will barely register these mercurial arrangements and their admittedly strange juxtapositions against Orisha music. Only upon closer inspection does one become aware of how these ancient songs are being shifted and reimagined, and how they linger ethereally between worlds, just like the orishas.\"\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Okonkolo\u003c\/p\u003e\n\u003cp\u003eLabel : Big Crown Records\u003c\/p\u003e"}
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ヨルバ・アフロバンドOkonkoloが、2018年にアメリカ・NYのBig Crownからリリースしたレコードです。 レーベルその他作品はこちら /// Click here to see more Big Crown Records releases available at Tobira. ----------------------...
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{"id":7987848872186,"title":"Okonkolo \/\/ Rezos 10\"","handle":"okonkolo-rezos-10","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eヨルバ・アフロバンドOkonkoloが、2016年にアメリカ・NYのBig Crownからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3205780126\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003ehere\u003c\/a\u003e to see more Big Crown Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e10\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eBig Crown Records:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eThe musical prayers that make up Okonkolo’s debut EP Rezos (Prayers) are some of the most complex and beautiful that any classical tradition has produced. They are also some of the oldest, addressing Obatala, the creator of the world, Ochun, the goddess of love and beauty, and Chango, God of the drum. Okonkolo is a result of this collaboration – Abrahams soulful voice calling down the Orishas, the bata drums and voices soaring through the horns and guitars of Plasses’s production. The beauty and otherworldliness of these prayers endures, the rhythms and chants reimagined in a way that is somehow both ancient and new.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Okonkolo\u003c\/p\u003e\n\u003cp\u003eLabel : Big Crown Records\u003c\/p\u003e","published_at":"2023-06-24T09:39:39+09:00","created_at":"2023-06-23T19:01:09+09:00","vendor":"Tobira Records","type":"","tags":["big crown records","field recording","jazz","tape"],"price":218000,"price_min":218000,"price_max":218000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44295005274362,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Okonkolo \/\/ Rezos 10\"","public_title":null,"options":["Default Title"],"price":218000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ok1_a4d12f86-2b6c-4459-aedf-bbdae92b28f5.jpg?v=1687514471","\/\/tobirarecords.com\/cdn\/shop\/files\/ok2_5477ca55-4b21-42d9-927e-d3336886c268.jpg?v=1687514471"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ok1_a4d12f86-2b6c-4459-aedf-bbdae92b28f5.jpg?v=1687514471","options":["Title"],"media":[{"alt":null,"id":32146832621818,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ok1_a4d12f86-2b6c-4459-aedf-bbdae92b28f5.jpg?v=1687514471"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ok1_a4d12f86-2b6c-4459-aedf-bbdae92b28f5.jpg?v=1687514471","width":700},{"alt":null,"id":32146832654586,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ok2_5477ca55-4b21-42d9-927e-d3336886c268.jpg?v=1687514471"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ok2_5477ca55-4b21-42d9-927e-d3336886c268.jpg?v=1687514471","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eヨルバ・アフロバンドOkonkoloが、2016年にアメリカ・NYのBig Crownからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3205780126\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003ehere\u003c\/a\u003e to see more Big Crown Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e10\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eBig Crown Records:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eThe musical prayers that make up Okonkolo’s debut EP Rezos (Prayers) are some of the most complex and beautiful that any classical tradition has produced. They are also some of the oldest, addressing Obatala, the creator of the world, Ochun, the goddess of love and beauty, and Chango, God of the drum. Okonkolo is a result of this collaboration – Abrahams soulful voice calling down the Orishas, the bata drums and voices soaring through the horns and guitars of Plasses’s production. The beauty and otherworldliness of these prayers endures, the rhythms and chants reimagined in a way that is somehow both ancient and new.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Okonkolo\u003c\/p\u003e\n\u003cp\u003eLabel : Big Crown Records\u003c\/p\u003e"}
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ヨルバ・アフロバンドOkonkoloが、2016年にアメリカ・NYのBig Crownからリリースしたレコードです。 レーベルその他作品はこちら /// Click here to see more Big Crown Records releases available at Tobira. ----------------------...
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{"id":7986246877434,"title":"Giuseppe Mistretta \/\/ completely engaged in your action as everything else dissipates into a fine mist LP","handle":"giuseppe-mistretta-completely-engaged-in-your-action-as-everything-else-dissipates-into-a-fine-mist-lp","description":"\u003cp\u003eスコットランド・グラスゴーの音響作家Giuseppe Mistrettaが、2023年6月にイギリスの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCalling Cards Publishingから100部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eモジュラーとフィールドレコーディングによる即興コラージュスケープ2曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このリリースは、今この瞬間に自分の行動に関与することをテーマにしています。この2つのレコーディングは、シンセサイザーとフィールドレコーディングによる即興演奏です。これらはグラスゴーの自宅で制作したもので、当時は他人と一緒に音楽を見たり演奏したりすることができませんでした。音を導くための刺激を与えてくれる他者がいない状態で、これらの作品を演奏するのは奇妙な感じがしました。何を選ぶべきか、何を残すべきか、何を省くべきか、判断が難しかったです。その結果、良いものも悪いものも含めて、全曲を録音することにしました。私が選んだ2つの作品は、2、3日かけて作ったもので、同じような声の構成から始めました。結果はまったく異なっています。その瞬間、私はさまざまな場所に連れて行かれました。これらの録音を聴き返すと、興奮から恥ずかしさまで、さまざまな感情を感じます。時が過ぎ、録音はそれを表現する試みであるという結論に達しました。録音は、私を成長させる一種の喪失感なのです。あなたがこれらの作品に魅力を感じ、何らかの形で思考や感情、情動に火をつけてくれることを願っています。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2531438673\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ccp\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ccp\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ccp\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ccp\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eCalling Cards Publishing releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 100.\u003c\/p\u003e\n\u003cp\u003eCalling Cards Publishing:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGiuseppe Mistretta is an artist and writer based in Glasgow. He works with synthesis and field recordings to create atmospheres for others to inhabit. Mistretta is interested in what can unfold in the present moment and how different variables can help shape it.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement :\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“This release is about engaging in your actions in the present moment. The two recordings are improvisations made with synthesiser and field recordings. They were made at my home in Glasgow at a time when the experience of seeing or playing music with others was not possible. It felt strange to perform these pieces without others to give me stimulus to guide the sounds. I found it difficult to know what to choose, what to keep or leave out. The decision was to take whole recordings, good and bad. The two pieces that I chose were made over a couple of days and started with a similar configuration of voices. The results feel quite different. The moments took me to an array of places. Listening back to these recordings I feel a range of emotions from excitement to shame. I have come to the conclusion that the time has passed and the recordings are an attempt to represent it. They are a kind of loss that has encouraged me to grow. I hope you find them engaging and they spark thoughts, feelings and emotions in some way.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giuseppe Mistretta\u003c\/p\u003e\n\u003cp\u003eLabel : Calling Cards Publishing\u003c\/p\u003e","published_at":"2023-06-21T18:14:12+09:00","created_at":"2023-06-20T13:39:13+09:00","vendor":"Tobira Records","type":"","tags":["ambient","calling cards publishing","jazz","lp","monooto","noise"],"price":348000,"price_min":348000,"price_max":348000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44287987548410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Giuseppe Mistretta \/\/ completely engaged in your action as everything else dissipates into a fine mist LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/com1_30b6655d-568a-4e30-b58d-93bb6a320562.jpg?v=1687235955","\/\/tobirarecords.com\/cdn\/shop\/files\/com2_4ae58bf6-23a6-44e0-b400-086995674141.jpg?v=1687235955"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_30b6655d-568a-4e30-b58d-93bb6a320562.jpg?v=1687235955","options":["Title"],"media":[{"alt":null,"id":32133657067770,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_30b6655d-568a-4e30-b58d-93bb6a320562.jpg?v=1687235955"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_30b6655d-568a-4e30-b58d-93bb6a320562.jpg?v=1687235955","width":700},{"alt":null,"id":32133657100538,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com2_4ae58bf6-23a6-44e0-b400-086995674141.jpg?v=1687235955"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com2_4ae58bf6-23a6-44e0-b400-086995674141.jpg?v=1687235955","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスコットランド・グラスゴーの音響作家Giuseppe Mistrettaが、2023年6月にイギリスの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCalling Cards Publishingから100部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eモジュラーとフィールドレコーディングによる即興コラージュスケープ2曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このリリースは、今この瞬間に自分の行動に関与することをテーマにしています。この2つのレコーディングは、シンセサイザーとフィールドレコーディングによる即興演奏です。これらはグラスゴーの自宅で制作したもので、当時は他人と一緒に音楽を見たり演奏したりすることができませんでした。音を導くための刺激を与えてくれる他者がいない状態で、これらの作品を演奏するのは奇妙な感じがしました。何を選ぶべきか、何を残すべきか、何を省くべきか、判断が難しかったです。その結果、良いものも悪いものも含めて、全曲を録音することにしました。私が選んだ2つの作品は、2、3日かけて作ったもので、同じような声の構成から始めました。結果はまったく異なっています。その瞬間、私はさまざまな場所に連れて行かれました。これらの録音を聴き返すと、興奮から恥ずかしさまで、さまざまな感情を感じます。時が過ぎ、録音はそれを表現する試みであるという結論に達しました。録音は、私を成長させる一種の喪失感なのです。あなたがこれらの作品に魅力を感じ、何らかの形で思考や感情、情動に火をつけてくれることを願っています。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2531438673\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ccp\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ccp\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ccp\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ccp\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eCalling Cards Publishing releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 100.\u003c\/p\u003e\n\u003cp\u003eCalling Cards Publishing:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGiuseppe Mistretta is an artist and writer based in Glasgow. He works with synthesis and field recordings to create atmospheres for others to inhabit. Mistretta is interested in what can unfold in the present moment and how different variables can help shape it.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement :\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“This release is about engaging in your actions in the present moment. The two recordings are improvisations made with synthesiser and field recordings. They were made at my home in Glasgow at a time when the experience of seeing or playing music with others was not possible. It felt strange to perform these pieces without others to give me stimulus to guide the sounds. I found it difficult to know what to choose, what to keep or leave out. The decision was to take whole recordings, good and bad. The two pieces that I chose were made over a couple of days and started with a similar configuration of voices. The results feel quite different. The moments took me to an array of places. Listening back to these recordings I feel a range of emotions from excitement to shame. I have come to the conclusion that the time has passed and the recordings are an attempt to represent it. They are a kind of loss that has encouraged me to grow. I hope you find them engaging and they spark thoughts, feelings and emotions in some way.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giuseppe Mistretta\u003c\/p\u003e\n\u003cp\u003eLabel : Calling Cards Publishing\u003c\/p\u003e"}
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スコットランド・グラスゴーの音響作家Giuseppe Mistrettaが、2023年6月にイギリスの実験レーベルCalling Cards Publishingから100部限定でリリースしたレコードです。 モジュラーとフィールドレコーディングによる即興コラージュスケープ2曲を収録。DLコード付属。 マスタリングはGiuseppe Ielashiが担当しています。 以下、作家本人による解説です。 "このリリースは、今この瞬間に自分の行動に関与することをテーマにしています。この2つのレコーディングは、シンセサイザーとフィールドレコーディングによる即興演奏です。これらはグラスゴーの自宅で制作したもので、当時は他人と一緒に音楽を見たり演奏したりすることができませんでした。音を導くための刺激を与えてくれる他者がいない状態で、これらの作品を演奏するのは奇妙な感じがしました。何を選ぶべきか、何を残すべきか、何を省くべきか、判断が難しかったです。その結果、良いものも悪いものも含めて、全曲を録音することにしました。私が選んだ2つの作品は、2、3日かけて作ったもので、同じような声の構成から始めました。結果はまったく異なっています。その瞬間、私はさまざまな場所に連れて行かれました。これらの録音を聴き返すと、興奮から恥ずかしさまで、さまざまな感情を感じます。時が過ぎ、録音はそれを表現する試みであるという結論に達しました。録音は、私を成長させる一種の喪失感なのです。あなたがこれらの作品に魅力を感じ、何らかの形で思考や感情、情動に火をつけてくれることを願っています。" レーベルその他作品はこちら /// Click here to see more Calling Cards...
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{"id":7985609605370,"title":"John Carroll Kirby \/\/ Blowout 2xLP","handle":"john-carroll-kirby-blowout-2xlp","description":"\u003cp\u003eアメリカ・LAのマルチ奏者John Carroll Kirbyが、2023年6月にLAの老舗レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eStones Throwからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコスタリカ・\u003cmeta charset=\"utf-8\"\u003eプエルトビエホ滞在中に制作した爽やかなフュージョン・ジャズ12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1813751594\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2x12\" black vinyl in gatefold sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStones Throw:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eJohn Carroll Kirby's new album Blowout was written on a recent stay in Puerto Viejo, Costa Rica. Between 5am wake-up calls from oropendola birds and psychedelic sunsets, he wrote Blowout, inspired by the local people, music and nature. Though its songs are joyful, that joyfulness is tinged with melancholy. Kirby says, “Blowout is about enjoying yourself even though life is tough, before the candle blows out.”\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : John Carroll Kirby\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Stones Throw\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-06-17T13:37:02+09:00","created_at":"2023-06-17T12:52:44+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","stones throw"],"price":514800,"price_min":514800,"price_max":514800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44283992473850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Carroll Kirby \/\/ Blowout 2xLP","public_title":null,"options":["Default Title"],"price":514800,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jo1_55ff19db-c3ff-4760-9b1f-7f72cf32d50d.jpg?v=1686973966"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo1_55ff19db-c3ff-4760-9b1f-7f72cf32d50d.jpg?v=1686973966","options":["Title"],"media":[{"alt":null,"id":32124954214650,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo1_55ff19db-c3ff-4760-9b1f-7f72cf32d50d.jpg?v=1686973966"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo1_55ff19db-c3ff-4760-9b1f-7f72cf32d50d.jpg?v=1686973966","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのマルチ奏者John Carroll Kirbyが、2023年6月にLAの老舗レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eStones Throwからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコスタリカ・\u003cmeta charset=\"utf-8\"\u003eプエルトビエホ滞在中に制作した爽やかなフュージョン・ジャズ12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1813751594\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2x12\" black vinyl in gatefold sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStones Throw:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eJohn Carroll Kirby's new album Blowout was written on a recent stay in Puerto Viejo, Costa Rica. Between 5am wake-up calls from oropendola birds and psychedelic sunsets, he wrote Blowout, inspired by the local people, music and nature. Though its songs are joyful, that joyfulness is tinged with melancholy. Kirby says, “Blowout is about enjoying yourself even though life is tough, before the candle blows out.”\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : John Carroll Kirby\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Stones Throw\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・LAのマルチ奏者John Carroll Kirbyが、2023年6月にLAの老舗レーベルStones Throwからリリースした2枚組レコードです。 コスタリカ・プエルトビエホ滞在中に制作した爽やかなフュージョン・ジャズ12曲を収録。 レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases available...
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{"id":7985606426874,"title":"Bokoya \u0026 Gianni Brezzo \/\/ Minari LP","handle":"bokoya-gianni-brezzo-minari-lp","description":"\u003cp\u003eドイツ・ケルンのジャズ・ヒップホップバンドBokoyaとギタリストGianni Brezzoが、2023年6月にケルンのヒップホップレーベルMelting Potからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e5人がケルンのスタジオで3日間行ったジャムセッション12曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"実験的ヒップホップ／ジャズカルテットのBokoyaが、ケルン在住のプロデューサー／ギタリストGianni Brezzo（Jakarta Records）と組んで、Melting Pot Musicからコラボアルバム「Minari」をリリースしました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBokoyaは、自分たちを即興のビートミュージックを演奏する4つの頭を持つ人間ドラムマシーンと表現しています。ジャズと呼ぶこともできますが（4人ともジャズミュージシャンとしてキャリアを開始しています\u003c\/em\u003e\u003cem\u003e）、クラウトロックやアンビエント、ダブなどが混じっているので、つまずく覚悟で聞いてほしいと思います。彼らの2枚組アルバム「Hausensession」（Melting Pot Music、2022年）は、参考文献としてお勧めします。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGianni Brezzoの音楽は、もう少しアクセスしやすいですが、レフトフィールドに劣るわけではありません。ジャズは大きな影響力を持ちますが、さらにその上を行きます。アルバム「Tutto Grosso」（Jakarta, 2022）で、\u003cmeta charset=\"utf-8\"\u003eBrezzoはマシュー・ハルソール、サプライズ・シェフ、エル・ミシェルズ・アフェア、BADBADNOTGOODに似た音の波に乗っています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eレコーディングはケルンのGottesweg Studiosで行われ、BokoyaとGianni Brezzoはいくつかの基本的なスケッチとビートを基に3日夜ジャムりました。セッションはBokoyaとBrezzoによって編集・アレンジされましたが、オーバーダビングは加えられていません\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMinariとは？\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eミナリは別名「ウォーターパセリ」とも呼ばれ、韓国料理で多用される香りの良い野菜です。やや苦みがあり、コショウのような風味で知られています。キムチや魚の辛いスープ、煮込み料理、豚バラ肉との相性も抜群です。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3823885673\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003ehere\u003c\/a\u003e to see more Melting Pot Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMelting Pot Music:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eExperimental hip-hop\/jazz quartet Bokoya team up with Cologne-based producer \/ guitarist Gianni Brezzo (Jakarta Records) for collabo album ‘Minari’ on Melting Pot Music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBokoya describe themselves as a four-headed human drum machine that play impro-vised beat music. You can call it jazz if you like (all four members are graduated jazz musicians btw) but be ready to stumble over some Dilla, Kraut Rock, Ambient or Dub in the mix. We recommend their double-album ‘Hausensession’ (Melting Pot Music, 2022) as a reference point.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGianni Brezzo's music is a bit easier to access but not less leftfield. Jazz is a major influ-ence, but it goes way further. On his album ‘Tutto Grosso’ (Jakarta, 2022), Brezzo rides a sonic wave similar to Matthew Halsall, Surprise Chef, El Michels Affair and BADBADNOTGOOD.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe recording sessions took place at the Gottesweg Studios in Cologne where Bokoya and Gianni Brezzo jammed for three days and nights based on some basic sketches and beats. The sessions were edited and arranged after by Bokoya and Brezzo but no overdubs added.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhat is Minari?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMinari, also known as \"water parsley\", is a fragrant vegetable plant that is used exten-sively in Korean cooking. It is known for its somewhat bitter and peppery flavor. It can be found in kimchi, spicy fish soups, stews or paired with pork belly.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Bokoya \u0026amp; Gianni Brezzo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Melting Pot Music\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-06-19T18:16:26+09:00","created_at":"2023-06-17T12:07:20+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","lp","melting pot","new"],"price":378000,"price_min":378000,"price_max":378000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44283963375866,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Bokoya \u0026 Gianni Brezzo \/\/ Minari LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/min1_8c0fdf24-a075-4e66-b0f5-72a6e5d99748.jpg?v=1686971242","\/\/tobirarecords.com\/cdn\/shop\/files\/min2_a4f0835e-9ede-4fd4-a2e4-70520d71de42.jpg?v=1686971242"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/min1_8c0fdf24-a075-4e66-b0f5-72a6e5d99748.jpg?v=1686971242","options":["Title"],"media":[{"alt":null,"id":32124902408442,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/min1_8c0fdf24-a075-4e66-b0f5-72a6e5d99748.jpg?v=1686971242"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/min1_8c0fdf24-a075-4e66-b0f5-72a6e5d99748.jpg?v=1686971242","width":700},{"alt":null,"id":32124902441210,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/min2_a4f0835e-9ede-4fd4-a2e4-70520d71de42.jpg?v=1686971242"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/min2_a4f0835e-9ede-4fd4-a2e4-70520d71de42.jpg?v=1686971242","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ケルンのジャズ・ヒップホップバンドBokoyaとギタリストGianni Brezzoが、2023年6月にケルンのヒップホップレーベルMelting Potからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e5人がケルンのスタジオで3日間行ったジャムセッション12曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"実験的ヒップホップ／ジャズカルテットのBokoyaが、ケルン在住のプロデューサー／ギタリストGianni Brezzo（Jakarta Records）と組んで、Melting Pot Musicからコラボアルバム「Minari」をリリースしました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBokoyaは、自分たちを即興のビートミュージックを演奏する4つの頭を持つ人間ドラムマシーンと表現しています。ジャズと呼ぶこともできますが（4人ともジャズミュージシャンとしてキャリアを開始しています\u003c\/em\u003e\u003cem\u003e）、クラウトロックやアンビエント、ダブなどが混じっているので、つまずく覚悟で聞いてほしいと思います。彼らの2枚組アルバム「Hausensession」（Melting Pot Music、2022年）は、参考文献としてお勧めします。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGianni Brezzoの音楽は、もう少しアクセスしやすいですが、レフトフィールドに劣るわけではありません。ジャズは大きな影響力を持ちますが、さらにその上を行きます。アルバム「Tutto Grosso」（Jakarta, 2022）で、\u003cmeta charset=\"utf-8\"\u003eBrezzoはマシュー・ハルソール、サプライズ・シェフ、エル・ミシェルズ・アフェア、BADBADNOTGOODに似た音の波に乗っています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eレコーディングはケルンのGottesweg Studiosで行われ、BokoyaとGianni Brezzoはいくつかの基本的なスケッチとビートを基に3日夜ジャムりました。セッションはBokoyaとBrezzoによって編集・アレンジされましたが、オーバーダビングは加えられていません\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMinariとは？\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eミナリは別名「ウォーターパセリ」とも呼ばれ、韓国料理で多用される香りの良い野菜です。やや苦みがあり、コショウのような風味で知られています。キムチや魚の辛いスープ、煮込み料理、豚バラ肉との相性も抜群です。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3823885673\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003ehere\u003c\/a\u003e to see more Melting Pot Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMelting Pot Music:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eExperimental hip-hop\/jazz quartet Bokoya team up with Cologne-based producer \/ guitarist Gianni Brezzo (Jakarta Records) for collabo album ‘Minari’ on Melting Pot Music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBokoya describe themselves as a four-headed human drum machine that play impro-vised beat music. You can call it jazz if you like (all four members are graduated jazz musicians btw) but be ready to stumble over some Dilla, Kraut Rock, Ambient or Dub in the mix. We recommend their double-album ‘Hausensession’ (Melting Pot Music, 2022) as a reference point.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGianni Brezzo's music is a bit easier to access but not less leftfield. Jazz is a major influ-ence, but it goes way further. On his album ‘Tutto Grosso’ (Jakarta, 2022), Brezzo rides a sonic wave similar to Matthew Halsall, Surprise Chef, El Michels Affair and BADBADNOTGOOD.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe recording sessions took place at the Gottesweg Studios in Cologne where Bokoya and Gianni Brezzo jammed for three days and nights based on some basic sketches and beats. The sessions were edited and arranged after by Bokoya and Brezzo but no overdubs added.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhat is Minari?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMinari, also known as \"water parsley\", is a fragrant vegetable plant that is used exten-sively in Korean cooking. It is known for its somewhat bitter and peppery flavor. It can be found in kimchi, spicy fish soups, stews or paired with pork belly.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Bokoya \u0026amp; Gianni Brezzo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Melting Pot Music\u003c\/span\u003e\u003c\/p\u003e"}
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ドイツ・ケルンのジャズ・ヒップホップバンドBokoyaとギタリストGianni Brezzoが、2023年6月にケルンのヒップホップレーベルMelting Potからリリースした共作レコードです。 5人がケルンのスタジオで3日間行ったジャムセッション12曲を収録。DLコード付属。 以下、レーベルによる解説です。 "実験的ヒップホップ／ジャズカルテットのBokoyaが、ケルン在住のプロデューサー／ギタリストGianni Brezzo（Jakarta Records）と組んで、Melting Pot Musicからコラボアルバム「Minari」をリリースしました。Bokoyaは、自分たちを即興のビートミュージックを演奏する4つの頭を持つ人間ドラムマシーンと表現しています。ジャズと呼ぶこともできますが（4人ともジャズミュージシャンとしてキャリアを開始しています）、クラウトロックやアンビエント、ダブなどが混じっているので、つまずく覚悟で聞いてほしいと思います。彼らの2枚組アルバム「Hausensession」（Melting Pot Music、2022年）は、参考文献としてお勧めします。Gianni Brezzoの音楽は、もう少しアクセスしやすいですが、レフトフィールドに劣るわけではありません。ジャズは大きな影響力を持ちますが、さらにその上を行きます。アルバム「Tutto Grosso」（Jakarta,...
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{"id":7985603772666,"title":"Misha Panfilov Septet \/\/ Gala! LP","handle":"misha-panfilov-septet-gala-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eエストニア・タリンのマルチ奏者Misha Panfilov率いる\u003cmeta charset=\"utf-8\"\u003eMisha Panfilov Septetが、2023年5月に\u003cmeta charset=\"utf-8\"\u003eFunkNight Recordsからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレイドバックなラウンジ・ジャズ4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1912119872\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2582018176\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1912119872\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eRR GEMS RECORDS:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Misha Panfilov presents four new compositions in expanded formation on Gala! With a limited 2 day rehearsing and recording time he managed to deliver perhaps his most soulful and intimate album to date. Gathered in a large hall, the septet painting musical structures of the facets of jazz. While observing the condition of the experiment, this group enters energy fields of cosmic balance. The mellow framework allows music to unfold and fill you up with harmony, beauty, love, and respect.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Misha Panfilov Septet\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eRR GEMS RECORDS\u003c\/p\u003e","published_at":"2023-06-18T12:14:08+09:00","created_at":"2023-06-17T11:43:30+09:00","vendor":"Tobira Records","type":"","tags":["funk night","jazz","lp"],"price":328000,"price_min":328000,"price_max":328000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44283948597498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Misha Panfilov Septet \/\/ Gala! LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ga1_a07f3c76-9e26-4929-9fe3-c387c1963aa8.jpg?v=1686969812","\/\/tobirarecords.com\/cdn\/shop\/files\/ga2_54ab3942-5345-4cb2-ab39-9aa3d230e370.jpg?v=1686969812"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga1_a07f3c76-9e26-4929-9fe3-c387c1963aa8.jpg?v=1686969812","options":["Title"],"media":[{"alt":null,"id":32124885958906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga1_a07f3c76-9e26-4929-9fe3-c387c1963aa8.jpg?v=1686969812"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga1_a07f3c76-9e26-4929-9fe3-c387c1963aa8.jpg?v=1686969812","width":700},{"alt":null,"id":32124885991674,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga2_54ab3942-5345-4cb2-ab39-9aa3d230e370.jpg?v=1686969812"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga2_54ab3942-5345-4cb2-ab39-9aa3d230e370.jpg?v=1686969812","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eエストニア・タリンのマルチ奏者Misha Panfilov率いる\u003cmeta charset=\"utf-8\"\u003eMisha Panfilov Septetが、2023年5月に\u003cmeta charset=\"utf-8\"\u003eFunkNight Recordsからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレイドバックなラウンジ・ジャズ4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1912119872\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2582018176\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1912119872\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eRR GEMS RECORDS:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Misha Panfilov presents four new compositions in expanded formation on Gala! With a limited 2 day rehearsing and recording time he managed to deliver perhaps his most soulful and intimate album to date. Gathered in a large hall, the septet painting musical structures of the facets of jazz. While observing the condition of the experiment, this group enters energy fields of cosmic balance. The mellow framework allows music to unfold and fill you up with harmony, beauty, love, and respect.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Misha Panfilov Septet\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eRR GEMS RECORDS\u003c\/p\u003e"}
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エストニア・タリンのマルチ奏者Misha Panfilov率いるMisha Panfilov Septetが、2023年5月にFunkNight Recordsからリリースしたレコードです。 レイドバックなラウンジ・ジャズ4曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします ------------------------------------------ Ask us for digital files. 12" black...
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{"id":7984149135610,"title":"Claire Rousay \u0026 Morita Vargas, KMRU, Maria Chavez \u0026 Valentina Magaletti \/\/ Remotely Together LP","handle":"rew1","description":"\u003cp\u003eオランダの実験フェスRewireが、2023年6月にリリースした3-wayスプリットレコードです。\u003c\/p\u003e\n\u003cp\u003eClaire Rousay \u0026amp; Morita Vargas, KMRU, Maria Chavez \u0026amp; Valentina Magalettiによるコラージュ・アンビエントドローン〜ドローン・ジャズ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Remotely Togetherは、rewireの2021年オンライン版でリモート・レジデンスを行ったclaire rousay \u0026amp; Morita Vargas 、Maria Chavez \u0026amp; Valentina Magaletti 、KMRUによる新作を紹介します。COVID-19のロックダウンの中、Rewireは世界中の異質なアーティスト同士のコラボレーションを開始し、彼らを遠隔地からつなぎ、オンラインでも孤立した状態でも新しい創造的手法を探求しました。これらのレジデンスのオーディオビジュアル結果は、2021年のフェスティバルのオンライン版で発表されました。このたび、これらのパフォーマンスの一部を新たに編集し、リリースすることになりました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eアンビエント、ノイズ、フィールドレコーディング、実験的サウンドアートの魅力的なミックスで構成されたRemotely Togetherは、北米のパーカッショニスト兼インプロヴァイザーの\u003cmeta charset=\"utf-8\"\u003eclaire rousayイとアルゼンチンのボーカリスト\u003cmeta charset=\"utf-8\"\u003eMorita Vargasのコラボ曲で、草原で足音が響くシーンからスタートします。フィールドレコーディング、日常音、ディープエレクトロニクスをミックスしたrousayのテクスチャーとVargasの幽玄なボーカルが融合し、聴く者を徐々にその神秘的なサウンドワールドに引き込んでいく魅力的な音楽です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e一方、ニューヨークを拠点に活動するターンテーブリストMaria Chavezとイタリアの著名なパーカッショニスト\u003cmeta charset=\"utf-8\"\u003eValentina Magalettiがコラボレートした「Particle」は、催眠的なテクスチャーと夢のようなパーカッションが特徴で、音が前に進むようで、ゆっくりと豊かで重厚なフリージャズの作品へと展開していきます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eケニアのサウンドアーティストKMRUは、オンラインレジデンスの期間中、オランダの映像作家Donna Verheijdenとチームを組みました。MicroVerseでは、フィールドレコーディング、魅惑的なノイズ、即興演奏をミックスし、一見穏やかな自然界の音が、ドローンのような人工的なノイズの中に溶け込むような作品に仕上がっているのが印象的です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eペルー生まれでアムステルダム在住のグラフィックデザイナー、ジョナサン・カストロ・アレホスが『Remotely Together』のアートワークをデザインしています。この作品は、パンデミック発生時にアムステルダムとリマの間で行われた、気づかれない都市の仕草を彫刻的に記録したもので、Rewireのリモートレジデンスで探求された孤立と相互接続の関係をさらに強化するものとなっています。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1262412372\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e ----------------------------\n\u003cp\u003eVinyl edition of 300. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003eRewire:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Remotely Together introduces new works by claire rousay \u0026amp; Morita Vargas, Maria Chavez \u0026amp; Valentina Magaletti, and KMRU, all commissioned through remote residencies for Rewire’s 2021 - online edition. In the midst of COVID-19 lockdowns, Rewire initiated these collaborations between disparate artists from all over the world, connecting them remotely to explore new creative practices both online and in isolation. The audiovisual results of these residencies were presented during the online edition of the 2021 festival. Newly edited versions of a selection of these performances have now been compiled for this release.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFeaturing an enthralling mix of ambient, noise, field recording, and experimental sound art, the scene of Remotely Together is set by the crunching sounds of footsteps over a grassy environment on atmospheric opener Humo De Margatina Dulce, a collaborative song between North American percussionist and improviser claire rousay and Argentinian vocalist Morita Vargas. rousay’s textural mix of field recordings, everyday sounds, and deep electronics coalesce with Vargas’s ethereal vocals, paving the way for compelling music that gradually draws its listeners deeper into its mysterious soundworld.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMeanwhile, New York–based turntablist Maria Chavez and celebrated Italian percussionist Valentina Magaletti collaborate on Particle, featuring hypnotic textures and dreamlike percussion that seems to sonically propel itself forward, slowly expanding into a rich and layered work of stretched-out free jazz.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDuring his online residency, Kenyan sound artist KMRU teamed up with Dutch filmmaker Donna Verheijden. MicroVerse showcases his evocative mixing of field recordings, entrancing noise, and improvisation, resulting in a piece where the seemingly gentle sounds of the natural world begin to blend in with the artificial muck of droning noise.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePeruvian-born and Amsterdam-based graphic designer Jonathan Castro Alejos has designed the artwork of Remotely Together. It was thought of as a sculptural documentation of the unnoticed urban gestures between Amsterdam and Lima during the pandemic – further reinforcing the relationship between isolation and interconnectivity explored during the remote residencies of Rewire.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePresented on vinyl and as digital, Remotely Together further solidifies Rewire’s ambition to function as a dedicated platform for the launching and supporting of adventurous and experimental music. Operating as a label that works closely with artists on the releases of original and commissioned music allows new ways of helping and presenting artists outside of the festival and year-round events.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRemotely Together is available Friday 2 June 2023 on LP and digital platforms. The visual counterparts – including Donna Verheijden’s video work for MicroVerse – that originally premiered during the 2021 - online edition of Rewire will be made available via our video channels. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Claire Rousay, KMRU, Valentina Magaletti\u003c\/p\u003e\n\u003cp\u003eLabel : rewire\u003c\/p\u003e","published_at":"2023-06-13T11:03:24+09:00","created_at":"2023-06-13T10:52:21+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","jazz","lp","monooto"],"price":448000,"price_min":448000,"price_max":448000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44277746434298,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Claire Rousay \u0026 Morita Vargas, KMRU, Maria Chavez \u0026 Valentina Magaletti \/\/ Remotely Together LP","public_title":null,"options":["Default Title"],"price":448000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/rwr-1_Cover.jpg?v=1686621222","\/\/tobirarecords.com\/cdn\/shop\/files\/0031769620_10.jpg?v=1686621337","\/\/tobirarecords.com\/cdn\/shop\/files\/0031769621_10.jpg?v=1686621338"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/rwr-1_Cover.jpg?v=1686621222","options":["Title"],"media":[{"alt":null,"id":32108494291194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rwr-1_Cover.jpg?v=1686621222"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rwr-1_Cover.jpg?v=1686621222","width":600},{"alt":null,"id":32108497010938,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031769620_10.jpg?v=1686621337"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031769620_10.jpg?v=1686621337","width":1200},{"alt":null,"id":32108497109242,"position":3,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031769621_10.jpg?v=1686621338"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031769621_10.jpg?v=1686621338","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダの実験フェスRewireが、2023年6月にリリースした3-wayスプリットレコードです。\u003c\/p\u003e\n\u003cp\u003eClaire Rousay \u0026amp; Morita Vargas, KMRU, Maria Chavez \u0026amp; Valentina Magalettiによるコラージュ・アンビエントドローン〜ドローン・ジャズ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Remotely Togetherは、rewireの2021年オンライン版でリモート・レジデンスを行ったclaire rousay \u0026amp; Morita Vargas 、Maria Chavez \u0026amp; Valentina Magaletti 、KMRUによる新作を紹介します。COVID-19のロックダウンの中、Rewireは世界中の異質なアーティスト同士のコラボレーションを開始し、彼らを遠隔地からつなぎ、オンラインでも孤立した状態でも新しい創造的手法を探求しました。これらのレジデンスのオーディオビジュアル結果は、2021年のフェスティバルのオンライン版で発表されました。このたび、これらのパフォーマンスの一部を新たに編集し、リリースすることになりました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eアンビエント、ノイズ、フィールドレコーディング、実験的サウンドアートの魅力的なミックスで構成されたRemotely Togetherは、北米のパーカッショニスト兼インプロヴァイザーの\u003cmeta charset=\"utf-8\"\u003eclaire rousayイとアルゼンチンのボーカリスト\u003cmeta charset=\"utf-8\"\u003eMorita Vargasのコラボ曲で、草原で足音が響くシーンからスタートします。フィールドレコーディング、日常音、ディープエレクトロニクスをミックスしたrousayのテクスチャーとVargasの幽玄なボーカルが融合し、聴く者を徐々にその神秘的なサウンドワールドに引き込んでいく魅力的な音楽です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e一方、ニューヨークを拠点に活動するターンテーブリストMaria Chavezとイタリアの著名なパーカッショニスト\u003cmeta charset=\"utf-8\"\u003eValentina Magalettiがコラボレートした「Particle」は、催眠的なテクスチャーと夢のようなパーカッションが特徴で、音が前に進むようで、ゆっくりと豊かで重厚なフリージャズの作品へと展開していきます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eケニアのサウンドアーティストKMRUは、オンラインレジデンスの期間中、オランダの映像作家Donna Verheijdenとチームを組みました。MicroVerseでは、フィールドレコーディング、魅惑的なノイズ、即興演奏をミックスし、一見穏やかな自然界の音が、ドローンのような人工的なノイズの中に溶け込むような作品に仕上がっているのが印象的です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eペルー生まれでアムステルダム在住のグラフィックデザイナー、ジョナサン・カストロ・アレホスが『Remotely Together』のアートワークをデザインしています。この作品は、パンデミック発生時にアムステルダムとリマの間で行われた、気づかれない都市の仕草を彫刻的に記録したもので、Rewireのリモートレジデンスで探求された孤立と相互接続の関係をさらに強化するものとなっています。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1262412372\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e ----------------------------\n\u003cp\u003eVinyl edition of 300. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003eRewire:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Remotely Together introduces new works by claire rousay \u0026amp; Morita Vargas, Maria Chavez \u0026amp; Valentina Magaletti, and KMRU, all commissioned through remote residencies for Rewire’s 2021 - online edition. In the midst of COVID-19 lockdowns, Rewire initiated these collaborations between disparate artists from all over the world, connecting them remotely to explore new creative practices both online and in isolation. The audiovisual results of these residencies were presented during the online edition of the 2021 festival. Newly edited versions of a selection of these performances have now been compiled for this release.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFeaturing an enthralling mix of ambient, noise, field recording, and experimental sound art, the scene of Remotely Together is set by the crunching sounds of footsteps over a grassy environment on atmospheric opener Humo De Margatina Dulce, a collaborative song between North American percussionist and improviser claire rousay and Argentinian vocalist Morita Vargas. rousay’s textural mix of field recordings, everyday sounds, and deep electronics coalesce with Vargas’s ethereal vocals, paving the way for compelling music that gradually draws its listeners deeper into its mysterious soundworld.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMeanwhile, New York–based turntablist Maria Chavez and celebrated Italian percussionist Valentina Magaletti collaborate on Particle, featuring hypnotic textures and dreamlike percussion that seems to sonically propel itself forward, slowly expanding into a rich and layered work of stretched-out free jazz.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDuring his online residency, Kenyan sound artist KMRU teamed up with Dutch filmmaker Donna Verheijden. MicroVerse showcases his evocative mixing of field recordings, entrancing noise, and improvisation, resulting in a piece where the seemingly gentle sounds of the natural world begin to blend in with the artificial muck of droning noise.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePeruvian-born and Amsterdam-based graphic designer Jonathan Castro Alejos has designed the artwork of Remotely Together. It was thought of as a sculptural documentation of the unnoticed urban gestures between Amsterdam and Lima during the pandemic – further reinforcing the relationship between isolation and interconnectivity explored during the remote residencies of Rewire.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePresented on vinyl and as digital, Remotely Together further solidifies Rewire’s ambition to function as a dedicated platform for the launching and supporting of adventurous and experimental music. Operating as a label that works closely with artists on the releases of original and commissioned music allows new ways of helping and presenting artists outside of the festival and year-round events.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRemotely Together is available Friday 2 June 2023 on LP and digital platforms. The visual counterparts – including Donna Verheijden’s video work for MicroVerse – that originally premiered during the 2021 - online edition of Rewire will be made available via our video channels. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Claire Rousay, KMRU, Valentina Magaletti\u003c\/p\u003e\n\u003cp\u003eLabel : rewire\u003c\/p\u003e"}
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オランダの実験フェスRewireが、2023年6月にリリースした3-wayスプリットレコードです。 Claire Rousay & Morita Vargas, KMRU, Maria Chavez & Valentina Magalettiによるコラージュ・アンビエントドローン〜ドローン・ジャズ3曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。...
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{"id":7982963261690,"title":"Bendik Giske \/\/ Bendik Giske LP","handle":"bendik-giske-bendik-giske-lp","description":"\u003cp\u003eノルウェーのサックス奏者Bendik Giskeが、2023年6月に同国Smalltown Supersoundからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eミニマルな実験ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBeatrice Dillonがリミックスで参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=214373335\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003ehere\u003c\/a\u003e to see more Smalltown Supersound releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eSmalltown Supersound:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNow on the cusp of his third solo album, Norwegian saxophonist Bendik Giske knows himself well. With his new, self-titled record, he is in his prime as an artist: confident in his voice and abilities, buoyed by critical acclaim from all corners – including two Norwegian Grammy nominations – and a surge in audiences everywhere. With the intriguing choice of Beatrice Dillon as album producer – clearly the British electronic musician is a fellow traveler in the practice of original aesthetic expression – her influence is immediate and keenly felt. Together, they strip away a layer of melodicism, honing in on pattern and rhythm to bring out a different dimension of his mesmerizing sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile again working with single-take recordings, no overdubs, only saxophone and his body, gone is the reverberant space and mellifluous glamor. Giske finds the result akin to musical full-frontal nudity – every detail, every huff and puff audible, no obscuring, no aestheticizing. People may look away when it’s not as pretty, but what’s left feels more present and potent. Confrontational, it demands greater attention, but through its physicality – you can hear and feel his body in the music – it takes you to a flow state, somewhere between ecstasy, elation, and spiritual\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e awakening.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIntensely human, there’s stark tension there, too – there always will be when fighting for existence and validity – elegantly illustrated by Florian Hetz’s striking photographs of the artist on the covers of the release. In part, Giske is inspired by Judith Halberstam’s The Queer Art of Failure. As much as he has benefitted from his training and participation in the environment of the jazz conservatory, his path took him far outside its confines. Working these new explorations with his instrument has been a ten-year process of peeling away what he knew ultimately didn’t fit, finding the sonic territory of his lived experience. What emerged were systems that allowed for studies of tempo and proportion, a starting point for an immersive improvisatory approach, mapping years of musical probing.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s the sound of social emancipation through the meditative pulse and velocity of circular breathing and the dance of the body, especially fingers, tongue, and lips. Giske knows that music can be a powerful tool in bringing people together to find ideas, and the longevity of his project is at its utmost a call for care, togetherness, storytelling, and the ability to gather for a shared cause. In all earnestness, Bendik Giske is a proposal for truthfulness and existence, a space for one to express their most profound self.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bendik Giske\u003c\/p\u003e\n\u003cp\u003eLabel : Smalltown Supersound\u003c\/p\u003e","published_at":"2023-06-09T07:57:51+09:00","created_at":"2023-06-08T21:46:27+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","smalltown supersound"],"price":289000,"price_min":289000,"price_max":289000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44271931719930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Bendik Giske \/\/ Bendik Giske LP","public_title":null,"options":["Default Title"],"price":289000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_70b8e380-d45a-47a0-994c-868328ea6a0f.jpg?v=1686228389","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_e55e13f2-b56f-4159-8de8-e104c08855fb.jpg?v=1686228389"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_70b8e380-d45a-47a0-994c-868328ea6a0f.jpg?v=1686228389","options":["Title"],"media":[{"alt":null,"id":32092892627194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_70b8e380-d45a-47a0-994c-868328ea6a0f.jpg?v=1686228389"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_70b8e380-d45a-47a0-994c-868328ea6a0f.jpg?v=1686228389","width":700},{"alt":null,"id":32092892659962,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_e55e13f2-b56f-4159-8de8-e104c08855fb.jpg?v=1686228389"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_e55e13f2-b56f-4159-8de8-e104c08855fb.jpg?v=1686228389","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eノルウェーのサックス奏者Bendik Giskeが、2023年6月に同国Smalltown Supersoundからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eミニマルな実験ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBeatrice Dillonがリミックスで参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=214373335\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003ehere\u003c\/a\u003e to see more Smalltown Supersound releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eSmalltown Supersound:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNow on the cusp of his third solo album, Norwegian saxophonist Bendik Giske knows himself well. With his new, self-titled record, he is in his prime as an artist: confident in his voice and abilities, buoyed by critical acclaim from all corners – including two Norwegian Grammy nominations – and a surge in audiences everywhere. With the intriguing choice of Beatrice Dillon as album producer – clearly the British electronic musician is a fellow traveler in the practice of original aesthetic expression – her influence is immediate and keenly felt. Together, they strip away a layer of melodicism, honing in on pattern and rhythm to bring out a different dimension of his mesmerizing sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile again working with single-take recordings, no overdubs, only saxophone and his body, gone is the reverberant space and mellifluous glamor. Giske finds the result akin to musical full-frontal nudity – every detail, every huff and puff audible, no obscuring, no aestheticizing. People may look away when it’s not as pretty, but what’s left feels more present and potent. Confrontational, it demands greater attention, but through its physicality – you can hear and feel his body in the music – it takes you to a flow state, somewhere between ecstasy, elation, and spiritual\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e awakening.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIntensely human, there’s stark tension there, too – there always will be when fighting for existence and validity – elegantly illustrated by Florian Hetz’s striking photographs of the artist on the covers of the release. In part, Giske is inspired by Judith Halberstam’s The Queer Art of Failure. As much as he has benefitted from his training and participation in the environment of the jazz conservatory, his path took him far outside its confines. Working these new explorations with his instrument has been a ten-year process of peeling away what he knew ultimately didn’t fit, finding the sonic territory of his lived experience. What emerged were systems that allowed for studies of tempo and proportion, a starting point for an immersive improvisatory approach, mapping years of musical probing.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s the sound of social emancipation through the meditative pulse and velocity of circular breathing and the dance of the body, especially fingers, tongue, and lips. Giske knows that music can be a powerful tool in bringing people together to find ideas, and the longevity of his project is at its utmost a call for care, togetherness, storytelling, and the ability to gather for a shared cause. In all earnestness, Bendik Giske is a proposal for truthfulness and existence, a space for one to express their most profound self.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bendik Giske\u003c\/p\u003e\n\u003cp\u003eLabel : Smalltown Supersound\u003c\/p\u003e"}
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ノルウェーのサックス奏者Bendik Giskeが、2023年6月に同国Smalltown Supersoundからリリースしたレコードです。 ミニマルな実験ジャズ8曲を収録。 Beatrice Dillonがリミックスで参加しています。 レーベルその他作品はこちら /// Click here to see more Smalltown Supersound releases available...
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![Lucky Rosenbloom // Keep Your Faith In God / Give It All To Christ 7" [COLOR]](http://tobirarecords.com/cdn/shop/files/ke1_ed31011a-b53e-41e8-8828-2bcee99c0a55_medium.jpg?v=1686227122)
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{"id":7982960476410,"title":"Lucky Rosenbloom \/\/ Keep Your Faith In God \/ Give It All To Christ 7\" [COLOR]","handle":"lucky-rosenbloom-keep-your-faith-in-god-give-it-all-to-christ-7-color","description":"\u003cp\u003eアメリカ・ミネアポリスのディスコ作家Lucky Rosenbloomが、1985年に人知れず200部限定で自主リリースした幻の作品がこの度Numeroより再発。\u003c\/p\u003e\n\u003cp\u003eファンキーなエレクトロニック・フュージョン2曲を収録。クリア盤です。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rMHRIKhD7rg\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/OYO1qIjzwYM\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/numerog\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/numerog\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/numerog\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/numerog\"\u003ehere\u003c\/a\u003e to see more Numero Group releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e7\" clear vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA. Keep Your Faith In God \u003cbr\u003eB. Give It All To Christ \u003c\/p\u003e\n\u003cp\u003eArtist : Lucky Rosenbloom\u003c\/p\u003e\n\u003cp\u003eLabel : Numero Group\u003c\/p\u003e","published_at":"2023-06-09T08:02:45+09:00","created_at":"2023-06-08T21:25:19+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","lp","numero group"],"price":146000,"price_min":146000,"price_max":146000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44271916253434,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lucky Rosenbloom \/\/ Keep Your Faith In God \/ Give It All To Christ 7\" [COLOR]","public_title":null,"options":["Default Title"],"price":146000,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ke1_ed31011a-b53e-41e8-8828-2bcee99c0a55.jpg?v=1686227122","\/\/tobirarecords.com\/cdn\/shop\/files\/ke2_d4151a0a-c346-4c86-b147-30d01ab5d8dc.jpg?v=1686227122","\/\/tobirarecords.com\/cdn\/shop\/files\/ke3_ad92b1f8-2dfc-4018-8c6a-42e8520fe5c8.jpg?v=1686227121"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ke1_ed31011a-b53e-41e8-8828-2bcee99c0a55.jpg?v=1686227122","options":["Title"],"media":[{"alt":null,"id":32092823748858,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ke1_ed31011a-b53e-41e8-8828-2bcee99c0a55.jpg?v=1686227122"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ke1_ed31011a-b53e-41e8-8828-2bcee99c0a55.jpg?v=1686227122","width":600},{"alt":null,"id":32092823781626,"position":2,"preview_image":{"aspect_ratio":1.014,"height":591,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ke2_d4151a0a-c346-4c86-b147-30d01ab5d8dc.jpg?v=1686227122"},"aspect_ratio":1.014,"height":591,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ke2_d4151a0a-c346-4c86-b147-30d01ab5d8dc.jpg?v=1686227122","width":599},{"alt":null,"id":32092823814394,"position":3,"preview_image":{"aspect_ratio":0.998,"height":599,"width":598,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ke3_ad92b1f8-2dfc-4018-8c6a-42e8520fe5c8.jpg?v=1686227121"},"aspect_ratio":0.998,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ke3_ad92b1f8-2dfc-4018-8c6a-42e8520fe5c8.jpg?v=1686227121","width":598}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ミネアポリスのディスコ作家Lucky Rosenbloomが、1985年に人知れず200部限定で自主リリースした幻の作品がこの度Numeroより再発。\u003c\/p\u003e\n\u003cp\u003eファンキーなエレクトロニック・フュージョン2曲を収録。クリア盤です。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rMHRIKhD7rg\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/OYO1qIjzwYM\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/numerog\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/numerog\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/numerog\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/numerog\"\u003ehere\u003c\/a\u003e to see more Numero Group releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e7\" clear vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA. Keep Your Faith In God \u003cbr\u003eB. Give It All To Christ \u003c\/p\u003e\n\u003cp\u003eArtist : Lucky Rosenbloom\u003c\/p\u003e\n\u003cp\u003eLabel : Numero Group\u003c\/p\u003e"}
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アメリカ・ミネアポリスのディスコ作家Lucky Rosenbloomが、1985年に人知れず200部限定で自主リリースした幻の作品がこの度Numeroより再発。 ファンキーなエレクトロニック・フュージョン2曲を収録。クリア盤です。 レーベルその他作品はこちら /// Click here to see more Numero Group releases available at Tobira. ----------------------------...
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{"id":7982055293178,"title":"Bauzer Vep \/\/ The Gurner LP","handle":"bauzer-vep-the-gurner-lp","description":"\u003cp\u003eアメリカ・フロリダのノーウェーブ作家Bauzer Vepが、2023年5月にドイツ・ベルリンのレフトフィールドダンスレーベルDomesticated傘下Assemblies Of Godからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eマフィア・ラウンジダブ〜ノーウェーブ〜ポストインダストリアル・ストレンジビーツ9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1591591096\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Bruno Schmidt\" href=\"https:\/\/soundcloud.com\/bruno-schmidt\" target=\"_blank\"\u003eBruno Schmidt\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Bauzer Vep - The Gurner LP - Assemblies Of God 001\" href=\"https:\/\/soundcloud.com\/bruno-schmidt\/sets\/bauzer-vep-the-gurner-lp-assemblies-of-god-001\" target=\"_blank\"\u003eBauzer Vep - The Gurner LP - Assemblies Of God 001\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eAssemblies of God:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePablo Arrangoiz, a man of many monikers, has quite a few experimental releases as well as some dance floor treasures under his belt. His work navigates unholy experimental sounds, spooky atmospheric endeavors, clownish takes on Bach’s canons and much more. The Gurner, released under his new alias Baüzer Vep, fits the bill perfectly: it induces you in a dream-like, slightly nightmarish state, but does so with irony and without neglecting grooves.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bauzer Vep \u003c\/p\u003e\n\u003cp\u003eLabel : Assemblies of God\u003c\/p\u003e","published_at":"2023-06-05T19:41:45+09:00","created_at":"2023-06-05T15:09:48+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","strange beats"],"price":288000,"price_min":288000,"price_max":288000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44267236917498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Bauzer Vep \/\/ The Gurner LP","public_title":null,"options":["Default Title"],"price":288000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2023-06-05at3.07.45pm.png?v=1685945391","\/\/tobirarecords.com\/cdn\/shop\/files\/bau2.jpg?v=1685945390"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2023-06-05at3.07.45pm.png?v=1685945391","options":["Title"],"media":[{"alt":null,"id":32074793189626,"position":1,"preview_image":{"aspect_ratio":1.002,"height":501,"width":502,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2023-06-05at3.07.45pm.png?v=1685945391"},"aspect_ratio":1.002,"height":501,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2023-06-05at3.07.45pm.png?v=1685945391","width":502},{"alt":null,"id":32074793222394,"position":2,"preview_image":{"aspect_ratio":0.978,"height":600,"width":587,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bau2.jpg?v=1685945390"},"aspect_ratio":0.978,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bau2.jpg?v=1685945390","width":587}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・フロリダのノーウェーブ作家Bauzer Vepが、2023年5月にドイツ・ベルリンのレフトフィールドダンスレーベルDomesticated傘下Assemblies Of Godからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eマフィア・ラウンジダブ〜ノーウェーブ〜ポストインダストリアル・ストレンジビーツ9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1591591096\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Bruno Schmidt\" href=\"https:\/\/soundcloud.com\/bruno-schmidt\" target=\"_blank\"\u003eBruno Schmidt\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Bauzer Vep - The Gurner LP - Assemblies Of God 001\" href=\"https:\/\/soundcloud.com\/bruno-schmidt\/sets\/bauzer-vep-the-gurner-lp-assemblies-of-god-001\" target=\"_blank\"\u003eBauzer Vep - The Gurner LP - Assemblies Of God 001\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eAssemblies of God:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePablo Arrangoiz, a man of many monikers, has quite a few experimental releases as well as some dance floor treasures under his belt. 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{"id":7982049624314,"title":"OHMA \/\/ Between All Things LP","handle":"ohma-between-all-things-lp","description":"\u003cp\u003eアメリカ・LAのアンビエント・ジャズデュオOHMAが、2023年5月にLAのコンテンポラリージャズレーベルColorfield Recordsからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ11曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003eSam GendelやSam Wilkes、Carlos Ninoなどが好きな方におすすめします。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1722012878\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3928975750\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1722012878\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1733058404\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1722012878\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1316539757\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1722012878\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrfld\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrfld\"\u003ehere\u003c\/a\u003e to see more Colorfield Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eColorfield Recordings:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBetween All Things is a world in which a sonic forest blooms simultaneously in all directions. OHMA's, Mia Garcia and Hailey Niswanger thoughtfully crafted the body of sound during 2021 to invoke a deep listening. The record begins with a meditative state, eliciting the openness of a journey unfolding. A gentle saxophone acts as the guide to enter the sphere, inviting the listener to become one with the sounds. With each moment new sonic doors are opened, evoking a multitude of emotions. Ranging from earthy bass tones and flowing flutes to analog synthesizers and vintage drum machines, the record provides a full range of the sonic spectrum. Each song on the album is entirely unique to itself but holds an essence of familiarity and timelessness, all of which contributes to the connection between all things. 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Their process is experimental, always guided by play.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : OHMA\u003c\/p\u003e\n\u003cp\u003eLabel : Colorfield Recordings\u003c\/p\u003e","published_at":"2023-06-05T19:11:12+09:00","created_at":"2023-06-05T14:26:14+09:00","vendor":"Tobira Records","type":"","tags":["ambient","colorfield","jazz","lp","new","recommended"],"price":431600,"price_min":431600,"price_max":431600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44267215257850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"OHMA \/\/ Between All Things LP","public_title":null,"options":["Default Title"],"price":431600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bet1.jpg?v=1685942776","\/\/tobirarecords.com\/cdn\/shop\/files\/bet2.jpg?v=1685942776"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bet1.jpg?v=1685942776","options":["Title"],"media":[{"alt":null,"id":32074560798970,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bet1.jpg?v=1685942776"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bet1.jpg?v=1685942776","width":700},{"alt":null,"id":32074560831738,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bet2.jpg?v=1685942776"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bet2.jpg?v=1685942776","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのアンビエント・ジャズデュオOHMAが、2023年5月にLAのコンテンポラリージャズレーベルColorfield Recordsからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ11曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003eSam GendelやSam Wilkes、Carlos Ninoなどが好きな方におすすめします。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1722012878\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3928975750\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1722012878\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1733058404\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1722012878\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1316539757\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1722012878\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrfld\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrfld\"\u003ehere\u003c\/a\u003e to see more Colorfield Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eColorfield Recordings:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBetween All Things is a world in which a sonic forest blooms simultaneously in all directions. OHMA's, Mia Garcia and Hailey Niswanger thoughtfully crafted the body of sound during 2021 to invoke a deep listening. The record begins with a meditative state, eliciting the openness of a journey unfolding. A gentle saxophone acts as the guide to enter the sphere, inviting the listener to become one with the sounds. With each moment new sonic doors are opened, evoking a multitude of emotions. Ranging from earthy bass tones and flowing flutes to analog synthesizers and vintage drum machines, the record provides a full range of the sonic spectrum. Each song on the album is entirely unique to itself but holds an essence of familiarity and timelessness, all of which contributes to the connection between all things. Integrating life’s rhythm, the pair recorded lakes, fire, leaves, and birds to collaborate with the orchestra of nature. Their process is experimental, always guided by play.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : OHMA\u003c\/p\u003e\n\u003cp\u003eLabel : Colorfield Recordings\u003c\/p\u003e"}
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アメリカ・LAのアンビエント・ジャズデュオOHMAが、2023年5月にLAのコンテンポラリージャズレーベルColorfield Recordsからリリースしたデビューレコードです。 アンビエント・ジャズ11曲を収録。DLコード付属。 Sam GendelやSam Wilkes、Carlos Ninoなどが好きな方におすすめします。 レーベルその他作品はこちら /// Click here to see more Colorfield Recordings releases...
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{"id":7980221956346,"title":"Jeff Parker \/\/ Mondays at The Enfield Tennis Academy 2xLP","handle":"copy-of-jeff-parker-mondays-at-the-enfield-tennis-academy-2xlp","description":"\u003cp\u003e\u003cspan\u003eTortoiseギタリストとしても活動していたアメリカのジャズ奏者Jeff Parkerが、2024年11月にベルギーの実験レーベルAguirreからリリースした再発アルバムです。（オリジナルは2022年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLAのハイランドパークにあるETA（David Foster Wallaceに由来）というバーでライブ録音されたもので、ドラマーJay Bellerose、ベーシストAnna Butterss、アルトサックスJosh Johnsonとともに演奏したロングフォームなインプロジャズ4曲を収録。\u003c\/p\u003e\n\u003cp\u003eLee Morganの「Live at the Lighthouse」やMiles Davisの「In Person Friday \u0026amp; Saturday Night at the Blackhawk, San Francisco \u0026amp; Black Beauty」、そしてJohn Coltraneの「Live in Seattle」等の西海岸ライブ録音2枚組レコードのオマージュを感じます。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/v5CDhI-xOTU\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDouble 12\" black vinyl or CD in digipack.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. 2019-07-08 I 21:46\u003cbr\u003e2. 2019-07-08 II 23:37\u003cbr\u003e3. 2019-05-19 18:00\u003cbr\u003e4. 2021-04-28 20:17 \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eMondays at The Enfield Tennis Academy, x2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist \u0026amp; composer \u003c\/span\u003e\u003cstrong\u003eJeff Parker\u003c\/strong\u003e\u003cspan\u003e's ETA IVtet. Recorded live at ETA (referencing David Foster Wallace), a bar in LA’s Highland Park neighborhood with just enough space in the back for Parker, drummer Jay Bellerose, bassist Anna Butterss, \u0026amp; alto saxophonist Josh Johnson to convene in extraordinarily depth-full \u0026amp; exploratory music making. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGleaned for the stoniest side-length cuts from 10+ hours of vivid two-track recordings made between 2019 \u0026amp; 2021 by \u003c\/span\u003e\u003cstrong\u003eBryce Gonzales\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003eMondays at The Enfield Tennis Academy\u003cspan\u003e is a darkly glowing séance of an album, brimming over with the hypnotic, the melodic, \u0026amp; patience \u0026amp; grace in its own beautiful strangeness. Room-tone, electric fields, environment, ceiling echo, live recording, Mondays, Los Angeles. Jeff Parker's first double album \u0026amp; first live album, \u003c\/span\u003eMondays at The Enfield Tennis Academy\u003cspan\u003e belongs in the lineage of such canonical live double albums recorded on the West Coast as \u003c\/span\u003e\u003cstrong\u003eLee Morgan\u003c\/strong\u003e\u003cspan\u003e’s \u003c\/span\u003eLive at the Lighthouse\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eMiles Davis\u003c\/strong\u003e\u003cspan\u003e' \u003c\/span\u003eIn Person Friday \u0026amp; Saturday Night at the Blackhawk, San Francisco\u003cspan\u003e \u0026amp; \u003c\/span\u003eBlack Beauty\u003cspan\u003e, \u0026amp; \u003c\/span\u003e\u003cstrong\u003eJohn Coltrane\u003c\/strong\u003e\u003cspan\u003e's \u003c\/span\u003eLive in Seattle\u003cspan\u003e. \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eA fundamental of all great ensembles, whether basketball teams or bands, is the ability of each member to move fluidly \u0026amp; fluently in \u0026amp; out of lead \u0026amp; supportive roles. Building on the communicative pathways they’ve established in Parker’s -\u003cstrong\u003eThe New Breed-\u003c\/strong\u003e project, Parker \u0026amp; Johnson maintain a constant dialogue of lead \u0026amp; support. Their sampled \u0026amp; looped phrases move continuously thru the music, layered \u0026amp; alive, adding depth \u0026amp; texture \u0026amp; pattern, evoking birds in formation, sea creatures drifting below the photic zone. Or, the two musicians simulate those processes by entwining their terse, clear-lined playing in real-time.\u003cbr\u003e\u003cbr\u003eThe stop\/start flow of Bellerose, too, simulates the sampler, recalling drum parts in Parker’s beat-driven projects. Mostly Bellerose's animated phraseologies deliver the inimitable instantaneous feel of live creative drumming. The range of tonal colors he conjures from his extremely vintage battery of drums \u0026amp; shakers —as distinctive a sonic signature as we have in contemporary acoustic drumming— bring almost folkloric qualities to the aesthetic currency of the IVtet's language. A wonderful revelation in this band is the playing of Anna Butterss. The strength, judiciousness \u0026amp; humility with which she navigates the bass position both ground \u0026amp; lift upward the egalitarian group sound. As the IVtet's grooves flow \u0026amp; clip, loop \u0026amp; repeat, the ensemble elements reconfigure, a terrarium of musical cultivation growing under controlled variables, a tight experiment of harmony \u0026amp; intuition, deep focus \u0026amp; freedom. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2023-05-30T17:50:00+09:00","created_at":"2023-05-30T15:02:59+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","jazz","lp","new","recommended"],"price":588000,"price_min":588000,"price_max":588000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44259748872442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jeff Parker \/\/ Mondays at The Enfield Tennis Academy 2xLP","public_title":null,"options":["Default Title"],"price":588000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"0769791982390","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581","options":["Title"],"media":[{"alt":null,"id":32037415420154,"position":1,"preview_image":{"aspect_ratio":1.01,"height":891,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581"},"aspect_ratio":1.01,"height":891,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eTortoiseギタリストとしても活動していたアメリカのジャズ奏者Jeff Parkerが、2024年11月にベルギーの実験レーベルAguirreからリリースした再発アルバムです。（オリジナルは2022年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLAのハイランドパークにあるETA（David Foster Wallaceに由来）というバーでライブ録音されたもので、ドラマーJay Bellerose、ベーシストAnna Butterss、アルトサックスJosh Johnsonとともに演奏したロングフォームなインプロジャズ4曲を収録。\u003c\/p\u003e\n\u003cp\u003eLee Morganの「Live at the Lighthouse」やMiles Davisの「In Person Friday \u0026amp; Saturday Night at the Blackhawk, San Francisco \u0026amp; Black Beauty」、そしてJohn Coltraneの「Live in Seattle」等の西海岸ライブ録音2枚組レコードのオマージュを感じます。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/v5CDhI-xOTU\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDouble 12\" black vinyl or CD in digipack.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. 2019-07-08 I 21:46\u003cbr\u003e2. 2019-07-08 II 23:37\u003cbr\u003e3. 2019-05-19 18:00\u003cbr\u003e4. 2021-04-28 20:17 \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eMondays at The Enfield Tennis Academy, x2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist \u0026amp; composer \u003c\/span\u003e\u003cstrong\u003eJeff Parker\u003c\/strong\u003e\u003cspan\u003e's ETA IVtet. Recorded live at ETA (referencing David Foster Wallace), a bar in LA’s Highland Park neighborhood with just enough space in the back for Parker, drummer Jay Bellerose, bassist Anna Butterss, \u0026amp; alto saxophonist Josh Johnson to convene in extraordinarily depth-full \u0026amp; exploratory music making. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGleaned for the stoniest side-length cuts from 10+ hours of vivid two-track recordings made between 2019 \u0026amp; 2021 by \u003c\/span\u003e\u003cstrong\u003eBryce Gonzales\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003eMondays at The Enfield Tennis Academy\u003cspan\u003e is a darkly glowing séance of an album, brimming over with the hypnotic, the melodic, \u0026amp; patience \u0026amp; grace in its own beautiful strangeness. Room-tone, electric fields, environment, ceiling echo, live recording, Mondays, Los Angeles. Jeff Parker's first double album \u0026amp; first live album, \u003c\/span\u003eMondays at The Enfield Tennis Academy\u003cspan\u003e belongs in the lineage of such canonical live double albums recorded on the West Coast as \u003c\/span\u003e\u003cstrong\u003eLee Morgan\u003c\/strong\u003e\u003cspan\u003e’s \u003c\/span\u003eLive at the Lighthouse\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eMiles Davis\u003c\/strong\u003e\u003cspan\u003e' \u003c\/span\u003eIn Person Friday \u0026amp; Saturday Night at the Blackhawk, San Francisco\u003cspan\u003e \u0026amp; \u003c\/span\u003eBlack Beauty\u003cspan\u003e, \u0026amp; \u003c\/span\u003e\u003cstrong\u003eJohn Coltrane\u003c\/strong\u003e\u003cspan\u003e's \u003c\/span\u003eLive in Seattle\u003cspan\u003e. \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eA fundamental of all great ensembles, whether basketball teams or bands, is the ability of each member to move fluidly \u0026amp; fluently in \u0026amp; out of lead \u0026amp; supportive roles. Building on the communicative pathways they’ve established in Parker’s -\u003cstrong\u003eThe New Breed-\u003c\/strong\u003e project, Parker \u0026amp; Johnson maintain a constant dialogue of lead \u0026amp; support. Their sampled \u0026amp; looped phrases move continuously thru the music, layered \u0026amp; alive, adding depth \u0026amp; texture \u0026amp; pattern, evoking birds in formation, sea creatures drifting below the photic zone. Or, the two musicians simulate those processes by entwining their terse, clear-lined playing in real-time.\u003cbr\u003e\u003cbr\u003eThe stop\/start flow of Bellerose, too, simulates the sampler, recalling drum parts in Parker’s beat-driven projects. Mostly Bellerose's animated phraseologies deliver the inimitable instantaneous feel of live creative drumming. The range of tonal colors he conjures from his extremely vintage battery of drums \u0026amp; shakers —as distinctive a sonic signature as we have in contemporary acoustic drumming— bring almost folkloric qualities to the aesthetic currency of the IVtet's language. A wonderful revelation in this band is the playing of Anna Butterss. The strength, judiciousness \u0026amp; humility with which she navigates the bass position both ground \u0026amp; lift upward the egalitarian group sound. As the IVtet's grooves flow \u0026amp; clip, loop \u0026amp; repeat, the ensemble elements reconfigure, a terrarium of musical cultivation growing under controlled variables, a tight experiment of harmony \u0026amp; intuition, deep focus \u0026amp; freedom. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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Tortoiseギタリストとしても活動していたアメリカのジャズ奏者Jeff Parkerが、2024年11月にベルギーの実験レーベルAguirreからリリースした再発アルバムです。（オリジナルは2022年リリース） LAのハイランドパークにあるETA（David Foster Wallaceに由来）というバーでライブ録音されたもので、ドラマーJay Bellerose、ベーシストAnna Butterss、アルトサックスJosh Johnsonとともに演奏したロングフォームなインプロジャズ4曲を収録。 Lee Morganの「Live at the Lighthouse」やMiles Davisの「In...
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{"id":7979892277498,"title":"Sam Gendel \/\/ Pass If Music LP","handle":"sam-gendel-pass-if-music-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eアメリカ・\u003c\/span\u003e\u003cspan\u003eLAのサックス奏者Sam Gendelが、2023年5月にLAの老舗オールジャンルレーベルLeaving Recordsから400部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e全曲アルトサックスを用いて制作したドリーミーなアンビエントドローン〜実験アンビエント・ジャズ9曲を収録。DLコード付属。\u003c\/span\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3260638237\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4235605404\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3260638237\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eRandall Roberts for the Los Angeles Times:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eIt’s hard to tell on first listen, but the L.A.-based Gendel made every sound on his new album using his alto saxophone. “Pass If Music” is hardly a solo jazz album, though. Rather, the musician harnesses his horn in service of ambient tones and experimental works that reside outside genre distinctions.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“East L.A. Haze Dream” floats like an amorphous cloud of vapor as Gendel layers gently blown notes with the occasional brief sax run. “Trudge” is a darkened mantra featuring lower-register hums and a minimal rhythm that marches with determination.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn notes, the artist writes that it and the other eight pieces were inspired by the motion picture “The Labyrinth \u0026amp; the Long Road,” [directed by Daniel Oh] for which Gendel contributed the score, and that makes sense. It’s an atmospheric work that evokes its own brand of drama.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e”\u003c\/span\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Sam Gendel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-29T08:17:48+09:00","created_at":"2023-05-29T08:17:48+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","leaving records","lp","recommended","sam gendel"],"price":329000,"price_min":329000,"price_max":329000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44258114109690,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sam Gendel \/\/ Pass If Music LP","public_title":null,"options":["Default Title"],"price":329000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1816887228_16.jpg?v=1685316006","\/\/tobirarecords.com\/cdn\/shop\/files\/0032277669_10.jpg?v=1685316022"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1816887228_16.jpg?v=1685316006","options":["Title"],"media":[{"alt":null,"id":32031334367482,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1816887228_16.jpg?v=1685316006"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1816887228_16.jpg?v=1685316006","width":700},{"alt":null,"id":32031334859002,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032277669_10.jpg?v=1685316022"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032277669_10.jpg?v=1685316022","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eアメリカ・\u003c\/span\u003e\u003cspan\u003eLAのサックス奏者Sam Gendelが、2023年5月にLAの老舗オールジャンルレーベルLeaving Recordsから400部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e全曲アルトサックスを用いて制作したドリーミーなアンビエントドローン〜実験アンビエント・ジャズ9曲を収録。DLコード付属。\u003c\/span\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3260638237\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4235605404\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3260638237\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eRandall Roberts for the Los Angeles Times:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eIt’s hard to tell on first listen, but the L.A.-based Gendel made every sound on his new album using his alto saxophone. “Pass If Music” is hardly a solo jazz album, though. Rather, the musician harnesses his horn in service of ambient tones and experimental works that reside outside genre distinctions.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“East L.A. Haze Dream” floats like an amorphous cloud of vapor as Gendel layers gently blown notes with the occasional brief sax run. “Trudge” is a darkened mantra featuring lower-register hums and a minimal rhythm that marches with determination.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn notes, the artist writes that it and the other eight pieces were inspired by the motion picture “The Labyrinth \u0026amp; the Long Road,” [directed by Daniel Oh] for which Gendel contributed the score, and that makes sense. It’s an atmospheric work that evokes its own brand of drama.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e”\u003c\/span\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Sam Gendel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・LAのサックス奏者Sam Gendelが、2023年5月にLAの老舗オールジャンルレーベルLeaving Recordsから400部限定でリリースしたレコードです。 全曲アルトサックスを用いて制作したドリーミーなアンビエントドローン〜実験アンビエント・ジャズ9曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases available...
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{"id":7979891851514,"title":"Sam Wilkes \u0026 Jacob Mann \/\/ Perform The Compositions of Sam Wilkes \u0026 Jacob Mann LP","handle":"sam-wilkes-jacob-mann-perform-the-compositions-of-sam-wilkes-jacob-mann-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eアメリカのベーシストSam WilkesとピアニストJacob Mannが、2023年4月に同国老舗レーベルLeaving Recordsからリリースした共作レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレイドバックなアンビエントジャズ〜インストヒップホップ14曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eヒップホップやハウスリスナーにもおすすめします。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2805983379\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Leaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eOf all the things that can and should and will be said of Sam Wilkes’ \u0026amp; Jacob Mann’s Perform the Compositions of Sam Wilkes \u0026amp; Jacob Mann, let’s begin at the beginning and acknowledge that it is an aptly named record indeed. An ideal collaborative effort (which is to say, greater than the sum of its parts), here we have two longtime friends, two luminaries of the New Weird Los Angeles — the experimental, genre-encompassing underground—who have, at last, devoted a full-length record to their signature musical admixture.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince their meeting as USC music students (Wilkes studied bass, and Mann, jazz\/piano), the two have, with a kind of ceaseless abandon, chased the music to the ends the earth — oftentimes quite literally; travel is a recurrent theme in Compositions’ track titles (Pre-board, Soft Landing, and Around the Horn), and the record’s second track, Jakarta, was sketched out in a hotel room in the city of the same name, where Wilkes and Mann were performing at a jazz festival in 2019. Having initially bonded over a mutual and abiding appreciation for the Soulquarians, the two have spent over a decade playing and traveling, together and separately, their styles coevolving all the while.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAcross its thirteen tracks, Compositions captures the relaxed creative flow of two consummate musicians. Most of the record’s sessions (“four-to-five-day summits” in an apartment studio, occasioned by “blasts of inspiration”) began with casual improvisation, and, indeed, roughly half of the final material was composed in this manner: Wilkes and Mann squaring off, a Yamaha DX7 facing a Roland Juno 106, alternating leads, two co-pilots with no set course. And though the songs are polished to a shine, there are artifacts of the intimacy of these sessions. Yes It Is concludes with a snippet of just-intelligible studio chatter: “…A flat minor, then A major.” A figuring-it-out-as-we-go moment that briefly renders explicit the warmth, friendship, and creative freedom that is the album’s heart.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe duo has quipped that Compositions is Mann’s most “serious” project, while simultaneously being Wilkes’ most “light-hearted” — somewhat tongue-in-cheek, but there are certainly two distinct sensibilities at play across Compositions. Their aesthetics collide, coalesce, and diverge, often in a single song. Then the process starts anew. The album begins with the whimsical (exuberant, even!) glitched-out Cricket Club and ends on a note of quiet contentment with Wichita Wilkes, an Earth, Wind, and Fire x shoegaze fever dream.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThat Compositions coheres as well as it does is a testament to Wilkes’ and Mann’s shared vernacular. Both have expressed a tendency to communicate their musical ideas linguistically, posing questions like “what would the woodwinds be doing here?” Though only the two musicians are credited, the ensemble conjured by their combined imaginary feels infinite.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Wilkes \u0026amp; Jacob Mann\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e","published_at":"2023-05-29T08:07:46+09:00","created_at":"2023-05-29T08:07:46+09:00","vendor":"Tobira Records","type":"","tags":["ambient","hiphop \/ funk","house","jazz","leaving records","lp","recommended"],"price":339000,"price_min":339000,"price_max":339000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44258104836346,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sam Wilkes \u0026 Jacob Mann \/\/ Perform The Compositions of Sam Wilkes \u0026 Jacob Mann LP","public_title":null,"options":["Default Title"],"price":339000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_6eeba284-e557-4ddb-a292-8a38d17d226d.jpg?v=1685315269","\/\/tobirarecords.com\/cdn\/shop\/files\/0029607205_10.jpg?v=1685315662","\/\/tobirarecords.com\/cdn\/shop\/files\/0029607207_10.jpg?v=1685315663"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_6eeba284-e557-4ddb-a292-8a38d17d226d.jpg?v=1685315269","options":["Title"],"media":[{"alt":null,"id":32031311266042,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_6eeba284-e557-4ddb-a292-8a38d17d226d.jpg?v=1685315269"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_6eeba284-e557-4ddb-a292-8a38d17d226d.jpg?v=1685315269","width":700},{"alt":null,"id":32031323226362,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029607205_10.jpg?v=1685315662"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029607205_10.jpg?v=1685315662","width":1200},{"alt":null,"id":32031323324666,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029607207_10.jpg?v=1685315663"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029607207_10.jpg?v=1685315663","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eアメリカのベーシストSam WilkesとピアニストJacob Mannが、2023年4月に同国老舗レーベルLeaving Recordsからリリースした共作レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレイドバックなアンビエントジャズ〜インストヒップホップ14曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eヒップホップやハウスリスナーにもおすすめします。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2805983379\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Leaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eOf all the things that can and should and will be said of Sam Wilkes’ \u0026amp; Jacob Mann’s Perform the Compositions of Sam Wilkes \u0026amp; Jacob Mann, let’s begin at the beginning and acknowledge that it is an aptly named record indeed. An ideal collaborative effort (which is to say, greater than the sum of its parts), here we have two longtime friends, two luminaries of the New Weird Los Angeles — the experimental, genre-encompassing underground—who have, at last, devoted a full-length record to their signature musical admixture.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince their meeting as USC music students (Wilkes studied bass, and Mann, jazz\/piano), the two have, with a kind of ceaseless abandon, chased the music to the ends the earth — oftentimes quite literally; travel is a recurrent theme in Compositions’ track titles (Pre-board, Soft Landing, and Around the Horn), and the record’s second track, Jakarta, was sketched out in a hotel room in the city of the same name, where Wilkes and Mann were performing at a jazz festival in 2019. Having initially bonded over a mutual and abiding appreciation for the Soulquarians, the two have spent over a decade playing and traveling, together and separately, their styles coevolving all the while.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAcross its thirteen tracks, Compositions captures the relaxed creative flow of two consummate musicians. Most of the record’s sessions (“four-to-five-day summits” in an apartment studio, occasioned by “blasts of inspiration”) began with casual improvisation, and, indeed, roughly half of the final material was composed in this manner: Wilkes and Mann squaring off, a Yamaha DX7 facing a Roland Juno 106, alternating leads, two co-pilots with no set course. And though the songs are polished to a shine, there are artifacts of the intimacy of these sessions. Yes It Is concludes with a snippet of just-intelligible studio chatter: “…A flat minor, then A major.” A figuring-it-out-as-we-go moment that briefly renders explicit the warmth, friendship, and creative freedom that is the album’s heart.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe duo has quipped that Compositions is Mann’s most “serious” project, while simultaneously being Wilkes’ most “light-hearted” — somewhat tongue-in-cheek, but there are certainly two distinct sensibilities at play across Compositions. Their aesthetics collide, coalesce, and diverge, often in a single song. Then the process starts anew. The album begins with the whimsical (exuberant, even!) glitched-out Cricket Club and ends on a note of quiet contentment with Wichita Wilkes, an Earth, Wind, and Fire x shoegaze fever dream.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThat Compositions coheres as well as it does is a testament to Wilkes’ and Mann’s shared vernacular. Both have expressed a tendency to communicate their musical ideas linguistically, posing questions like “what would the woodwinds be doing here?” Though only the two musicians are credited, the ensemble conjured by their combined imaginary feels infinite.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Wilkes \u0026amp; Jacob Mann\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e"}
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アメリカのベーシストSam WilkesとピアニストJacob Mannが、2023年4月に同国老舗レーベルLeaving Recordsからリリースした共作レコードです。 レイドバックなアンビエントジャズ〜インストヒップホップ14曲を収録。DLコード付属。 ヒップホップやハウスリスナーにもおすすめします。 レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases...
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{"id":7978809327866,"title":"giovanni di domenico \/\/ Polvere Di Rabbia LP","handle":"giovanni-di-domenico-polvere-di-rabbia-lp","description":"\u003cp\u003e過去にtsssやcanti magneticiなどから発表してきたイタリア出身ベルギー在住のピアニストgiovanni di domenicoが、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2022年4月に\u003cmeta charset=\"utf-8\"\u003eタリア・トレントの実験レーベルKohlhaasから\u003c\/span\u003e300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eフリージャズ〜スポークンワード〜アンビエントドローンなどジャンルを超越した5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2794046392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003ehere\u003c\/a\u003e to see more Kohlhaas releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eTHE TRAIN - You cannot take yourself too seriously. Engine spins, with no hint of stopping. A gentle ticking, no frills, passing from one side to another. Always at exchange points, a tortuous side and a straight one. A thin layer of morbidity disappears. Like an inside-out hole, it felt confident, it kept going reverse. Generally speaking, it can always be done. And that ticking again, this time darker, and sadder. Swimming into the earth. Going through a wall. Giving it a chance. Revealing. An awful smell is passing through me. Dead-end track. Uncombed stones. Metal bushes. Abstract snow. And an endless row of passions. He has always stood out, one step after another. And here as well, concentric lines will always bring you back to the starting point. And again. His mouth was shaking, arid. He felt he was getting closer. He shouldn’t have leaned out anymore. Noticing a small dot. Detecting. And that engine again, sleepy. Deciphering the impossible. Sticking to reality. Overstepping. That humming was still behind him. Docile and thoughtful, located along a line, this time a much darker line. He cannot do without it anymore. Revealing oneself. A strong blow of breath. Buckets of color.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA SINGLE FACE - Smooth sanding, a grid of endless screams. Frenzy. Bubbles bursting. Air falling apart. Red and white lights. A sequence of thoughtful layers. Parallel lines. Movement is an illusion. Holding tight, fronting onto the unexpected. More lines. Crooked. I immerse myself in a butter of false decisions. I agree to decipher a step. Blocks. Insensitive starts. A false step. Dark reflections. Stumbling. The unparalleled illusion of emptiness. Once, twice. An infinite arc. Disillusion of movement. As if it was necessary. Another step, false. Paths, lit up in the daytime. Falsifications. Unheard-of battles. Outside, in the center, distracted fires. Absent crackles, nonsensical forms, crowds of thoughts. Burnt snow. Settlings. Cave-ins. Unconfessable secrets. Lying to survive. The void and nothing more, like an inverted ring-a-ring-o’roses. More and more in a hurry, with no smudges nor hints of tremblings. Agitated effusions, lukewarm assents, icy absences. Of many expressions, a single face. Of many faces, a single page, white. Of many blank pages, only one, for me. Of many voids, you. Dust of anger, of those that stick on you despite having no fixed abode.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAN EGG - And yet, I felt as if I had told you. I felt as if I had got inside you and done everything I could. Walked all over your veins. Swum through your bones. Swung between your nerves, which were stretched like the strings of a concrete guitar. I didn't want to, I didn't want to touch you lightly and take the bloom out of you with a sentimentalism that cannot find peace, not even within a glass of chamomile tea. I didn't want, or couldn’t, sedate you from your morning nightmares. On certain occasions it takes super-seeing, overdoing and being extra amazed.\u003cbr data-mce-fragment=\"1\"\u003eBut in this layer of insane poetry that pervades me there is nothing I can get rid of, it would be like to separate the yolk from the white. It is like being the hair when splitting hairs (a child’s hair), vague, and vagrant without an impossible destination. Are you there? I would like to tell you, again, and again and again. To intertwine your worlds with mine, to tie your pages with mine, to make a book out of them and then throwing it to the wind (the only trusted messenger between us). I wish I held you up while you sleep, I wish I made you levitate so that you won’t feel the weight of your own breathing, I wish I became a warm breath of tenderness. Yet still, there are battles of extreme wills lurking within me, with nowhere to go but the exit, a one-way exit.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWINDLESS SNOW - If in the seasons of purity one goes in search of the abyss, like self-hatred goes and ignites a fight with no defeater. If one finds a curved black broken finger in the madness glove. If everywhere one goes one comes across the same exhausted throb of old visions. If in the veiled embrace, one contorts, does sensorial somersaults and drowns. If all of this made sense, if it had a shape, and if this shape could not be touched, smelled, neither felt, but it could only be lived. If what we don’t know yet would come down to us like windless snow.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\"\u003cbr\u003e- \u003c\/em\u003eKohlhaas\u003c\/p\u003e\n\u003cp\u003eArtist :giovanni di domenico\u003c\/p\u003e\n\u003cp\u003eLabel : Kohlhaas\u003c\/p\u003e","published_at":"2023-05-26T11:01:28+09:00","created_at":"2023-05-26T11:00:37+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","jazz","kohlhaas","lp","monooto","recommended"],"price":328000,"price_min":328000,"price_max":328000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44252831678714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"giovanni di domenico \/\/ Polvere Di Rabbia LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a4104513216_16_225e289f-13fa-4ce3-8662-e297811dbe60.jpg?v=1685066440","\/\/tobirarecords.com\/cdn\/shop\/files\/0028012156_10_7ca54e8a-92f1-422c-bc0d-df5358208f50.jpg?v=1685066440"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4104513216_16_225e289f-13fa-4ce3-8662-e297811dbe60.jpg?v=1685066440","options":["Title"],"media":[{"alt":null,"id":32018114347258,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4104513216_16_225e289f-13fa-4ce3-8662-e297811dbe60.jpg?v=1685066440"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4104513216_16_225e289f-13fa-4ce3-8662-e297811dbe60.jpg?v=1685066440","width":700},{"alt":null,"id":32018114380026,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028012156_10_7ca54e8a-92f1-422c-bc0d-df5358208f50.jpg?v=1685066440"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028012156_10_7ca54e8a-92f1-422c-bc0d-df5358208f50.jpg?v=1685066440","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にtsssやcanti magneticiなどから発表してきたイタリア出身ベルギー在住のピアニストgiovanni di domenicoが、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2022年4月に\u003cmeta charset=\"utf-8\"\u003eタリア・トレントの実験レーベルKohlhaasから\u003c\/span\u003e300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eフリージャズ〜スポークンワード〜アンビエントドローンなどジャンルを超越した5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2794046392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003ehere\u003c\/a\u003e to see more Kohlhaas releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eTHE TRAIN - You cannot take yourself too seriously. Engine spins, with no hint of stopping. A gentle ticking, no frills, passing from one side to another. Always at exchange points, a tortuous side and a straight one. A thin layer of morbidity disappears. Like an inside-out hole, it felt confident, it kept going reverse. Generally speaking, it can always be done. And that ticking again, this time darker, and sadder. Swimming into the earth. Going through a wall. Giving it a chance. Revealing. An awful smell is passing through me. Dead-end track. Uncombed stones. Metal bushes. Abstract snow. And an endless row of passions. He has always stood out, one step after another. And here as well, concentric lines will always bring you back to the starting point. And again. His mouth was shaking, arid. He felt he was getting closer. He shouldn’t have leaned out anymore. Noticing a small dot. Detecting. And that engine again, sleepy. Deciphering the impossible. Sticking to reality. Overstepping. That humming was still behind him. Docile and thoughtful, located along a line, this time a much darker line. He cannot do without it anymore. Revealing oneself. A strong blow of breath. Buckets of color.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA SINGLE FACE - Smooth sanding, a grid of endless screams. Frenzy. Bubbles bursting. Air falling apart. Red and white lights. A sequence of thoughtful layers. Parallel lines. Movement is an illusion. Holding tight, fronting onto the unexpected. More lines. Crooked. I immerse myself in a butter of false decisions. I agree to decipher a step. Blocks. Insensitive starts. A false step. Dark reflections. Stumbling. The unparalleled illusion of emptiness. Once, twice. An infinite arc. Disillusion of movement. As if it was necessary. Another step, false. Paths, lit up in the daytime. Falsifications. Unheard-of battles. Outside, in the center, distracted fires. Absent crackles, nonsensical forms, crowds of thoughts. Burnt snow. Settlings. Cave-ins. Unconfessable secrets. Lying to survive. The void and nothing more, like an inverted ring-a-ring-o’roses. More and more in a hurry, with no smudges nor hints of tremblings. Agitated effusions, lukewarm assents, icy absences. Of many expressions, a single face. Of many faces, a single page, white. Of many blank pages, only one, for me. Of many voids, you. Dust of anger, of those that stick on you despite having no fixed abode.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAN EGG - And yet, I felt as if I had told you. I felt as if I had got inside you and done everything I could. Walked all over your veins. Swum through your bones. Swung between your nerves, which were stretched like the strings of a concrete guitar. I didn't want to, I didn't want to touch you lightly and take the bloom out of you with a sentimentalism that cannot find peace, not even within a glass of chamomile tea. I didn't want, or couldn’t, sedate you from your morning nightmares. On certain occasions it takes super-seeing, overdoing and being extra amazed.\u003cbr data-mce-fragment=\"1\"\u003eBut in this layer of insane poetry that pervades me there is nothing I can get rid of, it would be like to separate the yolk from the white. It is like being the hair when splitting hairs (a child’s hair), vague, and vagrant without an impossible destination. Are you there? I would like to tell you, again, and again and again. To intertwine your worlds with mine, to tie your pages with mine, to make a book out of them and then throwing it to the wind (the only trusted messenger between us). I wish I held you up while you sleep, I wish I made you levitate so that you won’t feel the weight of your own breathing, I wish I became a warm breath of tenderness. Yet still, there are battles of extreme wills lurking within me, with nowhere to go but the exit, a one-way exit.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWINDLESS SNOW - If in the seasons of purity one goes in search of the abyss, like self-hatred goes and ignites a fight with no defeater. If one finds a curved black broken finger in the madness glove. If everywhere one goes one comes across the same exhausted throb of old visions. If in the veiled embrace, one contorts, does sensorial somersaults and drowns. If all of this made sense, if it had a shape, and if this shape could not be touched, smelled, neither felt, but it could only be lived. If what we don’t know yet would come down to us like windless snow.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\"\u003cbr\u003e- \u003c\/em\u003eKohlhaas\u003c\/p\u003e\n\u003cp\u003eArtist :giovanni di domenico\u003c\/p\u003e\n\u003cp\u003eLabel : Kohlhaas\u003c\/p\u003e"}
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過去にtsssやcanti magneticiなどから発表してきたイタリア出身ベルギー在住のピアニストgiovanni di domenicoが、2022年4月にタリア・トレントの実験レーベルKohlhaasから300部限定でリリースしたレコードです。 フリージャズ〜スポークンワード〜アンビエントドローンなどジャンルを超越した5曲を収録。DLコード付属。 マスタリングはGiuseppe Ielashiが担当しています。 レーベルその他作品はこちら /// Click here to see more Kohlhaas releases...
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{"id":7978109436154,"title":"Ryo Fukui \/\/ A Letter from Slowboat LP","handle":"ryo-fukui-a-letter-from-slowboat-lp","description":"\u003cp\u003e北海道のジャズピアニストRyo Fukuiの2020年再発レコードです。（オリジナルは2015年）\u003c\/p\u003e\n\u003cp\u003e今も色褪せないジャズ8曲を収録。180g重量盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1278090493\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\"\u003ehere\u003c\/a\u003e to see more\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003eWRWTFWW Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 180gram black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWRWTFWW Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOfficial reissue of the final album from the legendary Hokkaido pianist behind Scenery and Mellow Dream.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis album was recorded on January 25th and 26th 2015 at Sapporo jazz club Slowboat, a venue founded by Ryo Fukui in 1995 where he played countless times. It is a magnificent and very personal contemporary jazz offering, fluid, skillful, and full of breathtaking solos. 100% love! With Takumi Awaya (bass) and Ittetsu Takemura (drums).\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ryo Fukui\u003c\/p\u003e\n\u003cp\u003eLabel : WRWTFWW\u003c\/p\u003e","published_at":"2023-05-24T06:10:44+09:00","created_at":"2023-05-23T17:50:38+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","WRWTFWW Records"],"price":418000,"price_min":418000,"price_max":418000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44249361678586,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ryo Fukui \/\/ A Letter from Slowboat LP","public_title":null,"options":["Default Title"],"price":418000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/le1_091f8f79-2699-4514-a9c9-cf385a340aa5.jpg?v=1684831840","\/\/tobirarecords.com\/cdn\/shop\/files\/le2_8b0d3797-09db-4f65-9bdb-d25317f476c6.jpg?v=1684831840"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_091f8f79-2699-4514-a9c9-cf385a340aa5.jpg?v=1684831840","options":["Title"],"media":[{"alt":null,"id":32007922876666,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_091f8f79-2699-4514-a9c9-cf385a340aa5.jpg?v=1684831840"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_091f8f79-2699-4514-a9c9-cf385a340aa5.jpg?v=1684831840","width":700},{"alt":null,"id":32007922909434,"position":2,"preview_image":{"aspect_ratio":1.009,"height":1189,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le2_8b0d3797-09db-4f65-9bdb-d25317f476c6.jpg?v=1684831840"},"aspect_ratio":1.009,"height":1189,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le2_8b0d3797-09db-4f65-9bdb-d25317f476c6.jpg?v=1684831840","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e北海道のジャズピアニストRyo Fukuiの2020年再発レコードです。（オリジナルは2015年）\u003c\/p\u003e\n\u003cp\u003e今も色褪せないジャズ8曲を収録。180g重量盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1278090493\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\"\u003ehere\u003c\/a\u003e to see more\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003eWRWTFWW Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 180gram black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWRWTFWW Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOfficial reissue of the final album from the legendary Hokkaido pianist behind Scenery and Mellow Dream.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis album was recorded on January 25th and 26th 2015 at Sapporo jazz club Slowboat, a venue founded by Ryo Fukui in 1995 where he played countless times. It is a magnificent and very personal contemporary jazz offering, fluid, skillful, and full of breathtaking solos. 100% love! With Takumi Awaya (bass) and Ittetsu Takemura (drums).\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ryo Fukui\u003c\/p\u003e\n\u003cp\u003eLabel : WRWTFWW\u003c\/p\u003e"}
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{"id":7978080239866,"title":"Mark \/\/ So You Betrayed The Creative Arts For Your Own Personal Ends LP","handle":"msyb","description":"\u003cp\u003eドイツ・ベルリンのdnb作家Markが、2023年4月にオーストラリア・メルボルンのレフトフィールド・ダンスレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Colourful Stormからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e限りなくジャズに近いdnb〜ブレイクビーツ2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3322151377\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eA Colourful Storm:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDid you come here to serve art and make sacrifices for its sake? Or to exploit your own personal ends?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOver the past five years, Mark has forged a unique identity in underground drum’n’bass, alloying traditional junglist motifs and luminous electroacoustic ambience to devastating effect. Developing his sound through a series of singles and EPs on A Colourful Storm and Berghain’s Unterton imprint and collaborating with likeminded peers in both classical and soundsystem spheres, A Colourful Storm presents the culmination of his work and debut album: a two-part study in rhythm, timbre and texture of monolithic scale.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMark’s ambitions had been clear from the outset. Integrier Dich Du Yuppie (2017) and The Least Likely Event Will Occur In The Long Run (2018) are not titles of fleetingness but statements of grave philosophical heft. The relationship between—and division of—people, place and power animated Mark’s production and has remained a pertinent theme throughout his work: the mechanics of force, the cunning of reason, the invisible but crucial hand of chance.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWithin these groundbreaking sides lies a synergy between splintering rhythmic elements and extraordinary atmospheric passages—the latter most deeply explored in Not Kennt Kein Gebot!\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e (2022), a heart-on-your-sleeve mixtape pitting post-Second Viennese School disciples like Luigi Dallapiccola against an era-fusing suite of compositions from Radulescu, Zemlinsky and Monteverdi. This direction is also explored on Mark's monthly NTS Radio show, True As Few.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBridging the sonic qualities of post-tonal composition and soundsystem frequencies is nothing new—the oeuvre of Christoph de Babalon immediately comes to mind—but here, Mark attempts to meet both poles on their own terms through two meticulously arranged longform pieces. Any suggestion of connection to dance music history has been thrown out for rhythmic arrangements that skirt the contradiction between strict logical coherence and human perception. What on the surface seems hostile reveals a welcoming catacomb of connections between elements that stake their claim, disappear, merge and finally reappear—their return sculpted by the intricate mediation of similar and dissimilar elements.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album is deeply personal, too. Following a Stanislavski-led path through fragments of his pre-maturity music history, Mark connects memories of free jazz drumming and modern percussion ensemble performance with the joy of choral singing, ad hoc kitchen-sink group improvisation and those moments where life seems to swing on a hinge of musical feeling.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Mark\u003c\/p\u003e\n\u003cp\u003eLabel : A Colourful Storm\u003c\/p\u003e","published_at":"2023-05-28T07:55:58+09:00","created_at":"2023-05-23T15:05:26+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","techno \/ house"],"price":349000,"price_min":349000,"price_max":349000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44249136693498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Mark \/\/ So You Betrayed The Creative Arts For Your Own Personal Ends LP","public_title":null,"options":["Default Title"],"price":349000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_2f4855e0-618b-4310-b895-be1ba773eba3.jpg?v=1684821928","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_4ead0538-5b1e-41fc-b6d1-e1ce96695215.jpg?v=1684821928"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_2f4855e0-618b-4310-b895-be1ba773eba3.jpg?v=1684821928","options":["Title"],"media":[{"alt":null,"id":32007216398586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_2f4855e0-618b-4310-b895-be1ba773eba3.jpg?v=1684821928"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_2f4855e0-618b-4310-b895-be1ba773eba3.jpg?v=1684821928","width":700},{"alt":null,"id":32007216431354,"position":2,"preview_image":{"aspect_ratio":1.142,"height":1051,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_4ead0538-5b1e-41fc-b6d1-e1ce96695215.jpg?v=1684821928"},"aspect_ratio":1.142,"height":1051,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_4ead0538-5b1e-41fc-b6d1-e1ce96695215.jpg?v=1684821928","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンのdnb作家Markが、2023年4月にオーストラリア・メルボルンのレフトフィールド・ダンスレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Colourful Stormからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e限りなくジャズに近いdnb〜ブレイクビーツ2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3322151377\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eA Colourful Storm:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDid you come here to serve art and make sacrifices for its sake? Or to exploit your own personal ends?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOver the past five years, Mark has forged a unique identity in underground drum’n’bass, alloying traditional junglist motifs and luminous electroacoustic ambience to devastating effect. Developing his sound through a series of singles and EPs on A Colourful Storm and Berghain’s Unterton imprint and collaborating with likeminded peers in both classical and soundsystem spheres, A Colourful Storm presents the culmination of his work and debut album: a two-part study in rhythm, timbre and texture of monolithic scale.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMark’s ambitions had been clear from the outset. Integrier Dich Du Yuppie (2017) and The Least Likely Event Will Occur In The Long Run (2018) are not titles of fleetingness but statements of grave philosophical heft. The relationship between—and division of—people, place and power animated Mark’s production and has remained a pertinent theme throughout his work: the mechanics of force, the cunning of reason, the invisible but crucial hand of chance.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWithin these groundbreaking sides lies a synergy between splintering rhythmic elements and extraordinary atmospheric passages—the latter most deeply explored in Not Kennt Kein Gebot!\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e (2022), a heart-on-your-sleeve mixtape pitting post-Second Viennese School disciples like Luigi Dallapiccola against an era-fusing suite of compositions from Radulescu, Zemlinsky and Monteverdi. This direction is also explored on Mark's monthly NTS Radio show, True As Few.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBridging the sonic qualities of post-tonal composition and soundsystem frequencies is nothing new—the oeuvre of Christoph de Babalon immediately comes to mind—but here, Mark attempts to meet both poles on their own terms through two meticulously arranged longform pieces. Any suggestion of connection to dance music history has been thrown out for rhythmic arrangements that skirt the contradiction between strict logical coherence and human perception. What on the surface seems hostile reveals a welcoming catacomb of connections between elements that stake their claim, disappear, merge and finally reappear—their return sculpted by the intricate mediation of similar and dissimilar elements.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album is deeply personal, too. Following a Stanislavski-led path through fragments of his pre-maturity music history, Mark connects memories of free jazz drumming and modern percussion ensemble performance with the joy of choral singing, ad hoc kitchen-sink group improvisation and those moments where life seems to swing on a hinge of musical feeling.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Mark\u003c\/p\u003e\n\u003cp\u003eLabel : A Colourful Storm\u003c\/p\u003e"}
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ドイツ・ベルリンのdnb作家Markが、2023年4月にオーストラリア・メルボルンのレフトフィールド・ダンスレーベルA Colourful Stormからリリースしたレコードです。 限りなくジャズに近いdnb〜ブレイクビーツ2曲を収録。 --------------------------------------- 12" black vinyl. A Colourful Storm: "Did you come...
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{"id":7977790931194,"title":"Sunik Kim \/\/ Raid on the White Tiger Regiment TAPE","handle":"copy-of-sunik-kim-raid-on-the-white-tiger-regiment-tape","description":"\u003cp\u003e韓国の実験音楽家Sunik Kimが、2022年12月にアメリカ・NYの実験レーベルNotice Recordingsから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eMax\/MSPによるコラージューク〜フリージャズ・ノイズ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2253004901\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003ehere\u003c\/a\u003e to see more Notice Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for download code. Edition of 100.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNotice Recordings:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Sunik Kim’s Raid on the White Tiger Regiment arrives three years after 2019’s Zero Chime on First Terrace Records. Raid has strong political undertones and is named after one of the eight core revolutionary operas produced during the Cultural Revolution. This particular opera focuses on the joint struggle of Chinese and Korean communists during the Korean War, during which there were devastating US attacks on the northern part of the peninsula. Raid is an insanely wild ride made with software Sunik custom-built in Max MSP and SuperCollider using free orchestral soundfonts at hyper-speed tempos. Despite the presumed chaos of this album, there is a strong and present voice that permeates the barrage of noises, almost as if the teeming and swirling sounds coalesce to\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e create a slowly shifting mass that is somehow \u003c\/em\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e\u003cem\u003esoothing. There is a constant regeneration of textures and sensations here: simultaneously shedding and accumulating, receding and emerging. A multidirectional presence, both solidly grounded but also unpredictable in its motion. Side B presents a unique live document of Sunik’s performances of the Raid material: a lengthy 30 minute piece created from multiple field recordings of the performances at Cafe OTO in London and Counterflows in Glasgow. “Raid Live” stands as an interesting counter to the meticulously crafted studio-created material. Its weight is held by roomtone, pockmarked with the audience’s yelling and mingling; a cathartic experience felt by many.\"\u003c\/em\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e++\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eArtist's statement by \u003cmeta charset=\"utf-8\"\u003eSunik Kim, 2022:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e\u003cem\u003e\"This is possibly the second album named after one of the eight core revolutionary operas produced during the Cultural Revolution; to my knowledge, the first is Brian Eno’s Taking Tiger Mountain By Strategy. Raid on the White Tiger Regiment, the opera, focuses on the joint struggle of Chinese and Korean communists during the Korean War—a truly “forgotten war” in much of the world, in which the US dropped 635,000 tons of explosives and 32,557 tons of napalm on the northern part of the peninsula, killing 20 percent of the population, and massacred tens of thousands of Korean communists and suspected sympathizers from Nogeun-ri to Daejeon.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRaid, the album, pulls its titles from the opera’s program and thereby positions the music as a soundtrack: an inherently limited and dependent form that requires a broader historical and political context—a connection with the world—to reach its fullest state of development. In substituting my wordless, “abstract” music for that of the original opera, I hope to establish a living nexus of contradictions between: (1) the original opera, as direct an example of “political art” as there can be; (2) the extended historical and political processes that birthed it; (3) our current conjuncture; (4) the immediate listening experience. In this clashing and intertwining of timelines, histories, and sense-perceptions, I hope to facilitate a visceral act of comparison, a tracking of excess and deficiency: what aligns, what collides, what falls horribly or comically flat, what brings tears of joy or sadness? And why?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe music is constructed with custom software I built with Max\/MSP and SuperCollider that controls banks of free orchestral soundfonts at chaotic tempos. I hope the overt “cheapness” of the materials, and their constantly coalescing, collapsing, disintegrating, reassembling movement, establishes a dramatic—operatic!—tension internal to the logic of the music itself: one that, above all, argues that possibilities—aesthetic, yes, but also historical and political—have nowhere near been exhausted, and that the present order will one day be rightfully relegated to “the museum of antiquities, next to the spinning wheel and the bronze ax.”\u003c\/em\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sunik Kim\u003c\/p\u003e\n\u003cp\u003eLabel : Notice Recordings\u003c\/p\u003e","published_at":"2023-05-22T15:23:00+09:00","created_at":"2023-05-22T14:25:31+09:00","vendor":"Tobira Records","type":"","tags":["jazz","monooto","noise","notice recordings","tape","techno \/ house"],"price":168000,"price_min":168000,"price_max":168000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44247308632314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sunik Kim \/\/ Raid on the White Tiger Regiment TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ra1_d0767f8d-86e6-41af-bd18-feffc62f3d26.jpg?v=1684733134","\/\/tobirarecords.com\/cdn\/shop\/files\/ra2_0e063bef-9e86-4325-b61f-e6c8a83fcfac.jpg?v=1684733135"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ra1_d0767f8d-86e6-41af-bd18-feffc62f3d26.jpg?v=1684733134","options":["Title"],"media":[{"alt":null,"id":32002070413562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ra1_d0767f8d-86e6-41af-bd18-feffc62f3d26.jpg?v=1684733134"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ra1_d0767f8d-86e6-41af-bd18-feffc62f3d26.jpg?v=1684733134","width":700},{"alt":null,"id":32002070446330,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ra2_0e063bef-9e86-4325-b61f-e6c8a83fcfac.jpg?v=1684733135"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ra2_0e063bef-9e86-4325-b61f-e6c8a83fcfac.jpg?v=1684733135","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e韓国の実験音楽家Sunik Kimが、2022年12月にアメリカ・NYの実験レーベルNotice Recordingsから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eMax\/MSPによるコラージューク〜フリージャズ・ノイズ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2253004901\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003ehere\u003c\/a\u003e to see more Notice Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for download code. Edition of 100.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNotice Recordings:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Sunik Kim’s Raid on the White Tiger Regiment arrives three years after 2019’s Zero Chime on First Terrace Records. Raid has strong political undertones and is named after one of the eight core revolutionary operas produced during the Cultural Revolution. This particular opera focuses on the joint struggle of Chinese and Korean communists during the Korean War, during which there were devastating US attacks on the northern part of the peninsula. Raid is an insanely wild ride made with software Sunik custom-built in Max MSP and SuperCollider using free orchestral soundfonts at hyper-speed tempos. Despite the presumed chaos of this album, there is a strong and present voice that permeates the barrage of noises, almost as if the teeming and swirling sounds coalesce to\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e create a slowly shifting mass that is somehow \u003c\/em\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e\u003cem\u003esoothing. There is a constant regeneration of textures and sensations here: simultaneously shedding and accumulating, receding and emerging. A multidirectional presence, both solidly grounded but also unpredictable in its motion. Side B presents a unique live document of Sunik’s performances of the Raid material: a lengthy 30 minute piece created from multiple field recordings of the performances at Cafe OTO in London and Counterflows in Glasgow. “Raid Live” stands as an interesting counter to the meticulously crafted studio-created material. Its weight is held by roomtone, pockmarked with the audience’s yelling and mingling; a cathartic experience felt by many.\"\u003c\/em\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e++\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eArtist's statement by \u003cmeta charset=\"utf-8\"\u003eSunik Kim, 2022:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e\u003cem\u003e\"This is possibly the second album named after one of the eight core revolutionary operas produced during the Cultural Revolution; to my knowledge, the first is Brian Eno’s Taking Tiger Mountain By Strategy. Raid on the White Tiger Regiment, the opera, focuses on the joint struggle of Chinese and Korean communists during the Korean War—a truly “forgotten war” in much of the world, in which the US dropped 635,000 tons of explosives and 32,557 tons of napalm on the northern part of the peninsula, killing 20 percent of the population, and massacred tens of thousands of Korean communists and suspected sympathizers from Nogeun-ri to Daejeon.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRaid, the album, pulls its titles from the opera’s program and thereby positions the music as a soundtrack: an inherently limited and dependent form that requires a broader historical and political context—a connection with the world—to reach its fullest state of development. In substituting my wordless, “abstract” music for that of the original opera, I hope to establish a living nexus of contradictions between: (1) the original opera, as direct an example of “political art” as there can be; (2) the extended historical and political processes that birthed it; (3) our current conjuncture; (4) the immediate listening experience. In this clashing and intertwining of timelines, histories, and sense-perceptions, I hope to facilitate a visceral act of comparison, a tracking of excess and deficiency: what aligns, what collides, what falls horribly or comically flat, what brings tears of joy or sadness? And why?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe music is constructed with custom software I built with Max\/MSP and SuperCollider that controls banks of free orchestral soundfonts at chaotic tempos. I hope the overt “cheapness” of the materials, and their constantly coalescing, collapsing, disintegrating, reassembling movement, establishes a dramatic—operatic!—tension internal to the logic of the music itself: one that, above all, argues that possibilities—aesthetic, yes, but also historical and political—have nowhere near been exhausted, and that the present order will one day be rightfully relegated to “the museum of antiquities, next to the spinning wheel and the bronze ax.”\u003c\/em\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sunik Kim\u003c\/p\u003e\n\u003cp\u003eLabel : Notice Recordings\u003c\/p\u003e"}
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韓国の実験音楽家Sunik Kimが、2022年12月にアメリカ・NYの実験レーベルNotice Recordingsから100本限定でリリースしたカセットです。 Max/MSPによるコラージューク〜フリージャズ・ノイズ3曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more Notice Recordings releases available at...
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{"id":7977057386746,"title":"Aya Metwalli \u0026 Calamita \/\/ Al Saher LP","handle":"aya-metwalli-calamita-al-saher-lp","description":"\u003cp\u003eエジプトのボーカリストAya MetwalliとレバノンのフリーフォークバンドCalamitaが、2023年5月にドイツ・ベルリンのエキゾチックレーベルZehraからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eアラビック・フリージャズ〜ポストパンク4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=7961696\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003ehere\u003c\/a\u003e to see more Karl Records\/Zehra releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eBlack 12\" vinyl. \u003c\/p\u003e\n\u003cp\u003eZehra:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCALAMITA = KARKHANA members TONY ELIEH, SHARIF SEHNAOUI and Lebanese drummer MALEK RIZKALLAH join forces with the Egyptian singer AYA METWALLI - the result is the improbable meeting between free jazz \/ improv, punk rock \u0026amp; Oum Kalthoum!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCALAMITA is the “rock project” of SHARIF SEHNAOUI and TONY ELIEH, two of the most active musicians on the Lebanese experimental scene (among others projects, both are members of the “free Middle Eastern music” collective KARKHANA). SEHNAOUI comes from a jazz and improv music background, ELIEH is primarily a rock musician and founding member of the Lebanese post-punk band THE SCRAMBLED EGGS whose work in the last decade has covered many directions from pop-rock to plain experimental. They are joined by Lebanese drummer MALEK RIZKALLAH (WHO KILLED BRUCE LEE, ex THE SCRAMBLED EGGS). As trio they develop instrumental pieces that draw their inspiration from artists as diverse as Tony Conrad, Last Exit or Oum Kalthoum.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAYA METWALLI is an Egyptian singer\/songwriter, composer and sound artist currently based in Beirut. Grown up in Cairo, her father would play non-stop Oum Kalthoum songs on road trips to the beach and Aya’s mother; known to have the most beautiful\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e voice in the family, she always sang at home and at family gatherings, so long before Aya was able to form her own music taste, immense amounts of Arabic classic songs and melodies already settled in her subconsciousness …\u003cbr data-mce-fragment=\"1\"\u003eAfter her first EP „Beitak“ in 2016, Metwalli (named “a musical enigma” by The Guardian) started to integrate more experimental and eerie sonic excursions into her avant-pop, so the collaboration with CALAMITA feels like a natural or logic step.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe roots for „Al Saher“ („stay awake“) were laid when SEHNAOUI and METWALLI first worked together in “Night”, a dance piece by ALI CHAHROUR which included a wide collection of Arabic songs and ancient poems, later Sehnaoui invited her to work with CALAMITA.\u003cbr data-mce-fragment=\"1\"\u003eThe four met in a recording studio in Beirut, using songs by \"The Voice of Egypt\" Oum Kalthoum as starting point. Together they aim to fully revisit the song format and explore the possibilities of classical Tarab songs, extracted from their origins and reframed within the music of the twenty-first century. The result is a mix of various styles and influences that often seek to stretch the contrasts to towering extremes - an improbable blend between free jazz \u0026amp; improv, punk rock \u0026amp; Oum Kalthoum!\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : AYA METWALLI \u0026amp; CALAMITA\u003c\/p\u003e\n\u003cp\u003eLabel : Zehra\u003c\/p\u003e","published_at":"2023-05-29T08:53:04+09:00","created_at":"2023-05-19T12:58:30+09:00","vendor":"Tobira Records","type":"","tags":["jazz","karlrecords","lp"],"price":369000,"price_min":369000,"price_max":369000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44244012171514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Aya Metwalli \u0026 Calamita \/\/ Al Saher LP","public_title":null,"options":["Default Title"],"price":369000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/al1_13468358-3341-4fb6-b3af-ec2f5841f457.jpg?v=1684468712","\/\/tobirarecords.com\/cdn\/shop\/files\/al2_12651fac-1ea1-4cf9-86ff-69378f83f5d0.jpg?v=1684468712"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_13468358-3341-4fb6-b3af-ec2f5841f457.jpg?v=1684468712","options":["Title"],"media":[{"alt":null,"id":31990467657978,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_13468358-3341-4fb6-b3af-ec2f5841f457.jpg?v=1684468712"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_13468358-3341-4fb6-b3af-ec2f5841f457.jpg?v=1684468712","width":700},{"alt":null,"id":31990467690746,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_12651fac-1ea1-4cf9-86ff-69378f83f5d0.jpg?v=1684468712"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_12651fac-1ea1-4cf9-86ff-69378f83f5d0.jpg?v=1684468712","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eエジプトのボーカリストAya MetwalliとレバノンのフリーフォークバンドCalamitaが、2023年5月にドイツ・ベルリンのエキゾチックレーベルZehraからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eアラビック・フリージャズ〜ポストパンク4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=7961696\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003ehere\u003c\/a\u003e to see more Karl Records\/Zehra releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eBlack 12\" vinyl. \u003c\/p\u003e\n\u003cp\u003eZehra:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCALAMITA = KARKHANA members TONY ELIEH, SHARIF SEHNAOUI and Lebanese drummer MALEK RIZKALLAH join forces with the Egyptian singer AYA METWALLI - the result is the improbable meeting between free jazz \/ improv, punk rock \u0026amp; Oum Kalthoum!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCALAMITA is the “rock project” of SHARIF SEHNAOUI and TONY ELIEH, two of the most active musicians on the Lebanese experimental scene (among others projects, both are members of the “free Middle Eastern music” collective KARKHANA). SEHNAOUI comes from a jazz and improv music background, ELIEH is primarily a rock musician and founding member of the Lebanese post-punk band THE SCRAMBLED EGGS whose work in the last decade has covered many directions from pop-rock to plain experimental. They are joined by Lebanese drummer MALEK RIZKALLAH (WHO KILLED BRUCE LEE, ex THE SCRAMBLED EGGS). As trio they develop instrumental pieces that draw their inspiration from artists as diverse as Tony Conrad, Last Exit or Oum Kalthoum.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAYA METWALLI is an Egyptian singer\/songwriter, composer and sound artist currently based in Beirut. Grown up in Cairo, her father would play non-stop Oum Kalthoum songs on road trips to the beach and Aya’s mother; known to have the most beautiful\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e voice in the family, she always sang at home and at family gatherings, so long before Aya was able to form her own music taste, immense amounts of Arabic classic songs and melodies already settled in her subconsciousness …\u003cbr data-mce-fragment=\"1\"\u003eAfter her first EP „Beitak“ in 2016, Metwalli (named “a musical enigma” by The Guardian) started to integrate more experimental and eerie sonic excursions into her avant-pop, so the collaboration with CALAMITA feels like a natural or logic step.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe roots for „Al Saher“ („stay awake“) were laid when SEHNAOUI and METWALLI first worked together in “Night”, a dance piece by ALI CHAHROUR which included a wide collection of Arabic songs and ancient poems, later Sehnaoui invited her to work with CALAMITA.\u003cbr data-mce-fragment=\"1\"\u003eThe four met in a recording studio in Beirut, using songs by \"The Voice of Egypt\" Oum Kalthoum as starting point. Together they aim to fully revisit the song format and explore the possibilities of classical Tarab songs, extracted from their origins and reframed within the music of the twenty-first century. The result is a mix of various styles and influences that often seek to stretch the contrasts to towering extremes - an improbable blend between free jazz \u0026amp; improv, punk rock \u0026amp; Oum Kalthoum!\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : AYA METWALLI \u0026amp; CALAMITA\u003c\/p\u003e\n\u003cp\u003eLabel : Zehra\u003c\/p\u003e"}
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エジプトのボーカリストAya MetwalliとレバノンのフリーフォークバンドCalamitaが、2023年5月にドイツ・ベルリンのエキゾチックレーベルZehraからリリースした共作レコードです。 アラビック・フリージャズ〜ポストパンク4曲を収録。 レーベルその他作品はこちら /// Click here to see more Karl Records/Zehra releases available at Tobira. ---------------------------------...
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{"id":7977048801530,"title":"Howie Lee \/\/ Birdy Island LP","handle":"howie-lee-birdy-island-lp","description":"\u003cp\u003e中国・北京のエレクトロニック作家Howie Leeが、2021年にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエント〜ポストニューエイジ・ジャズ8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2999745037\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1849902179\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2999745037\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eMais Um:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSwirling layers of OST-style sound design, dreamy choir vocals and traditional Chinese folk combine across eight dynamic and transportive tracks on Birdy Island, the latest album by Beijing-based producer\/artist, Howie Lee, due out in April 2021 on Mais Um.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFresh off the back of several high impact, club-centring album releases on Maloca, SVBKVLT and his influential, Do Hits label, on top of remixes for artists including Lawfawndah, Charlie\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e XCX \u0026amp; Sophie, Lee presents his most organic and expansive project to date.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWritten, produced and recorded entirely by Lee at the back end of 2018 (with the exception of the album’s resident four-piece choir made up of rising Beijing artist, Fishdoll, Shanghai singer\/producer, Yehaiyahan and West by West, with Lee himself also included), Birdy Island’s almost exclusively acoustic yet broad sound palette threads continuities between ceremonial Taoist music, early Buchla synth experiments, and FWD\u0026gt;\u0026gt; nights at London’s Plastic People.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“This album just came very natural. It was all recorded little by little. Layer upon layer. The approach was to just record. I had all these instruments around me and I just thought, i’m gonna play and keep playing”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHowie’s latest offering is as enchanting as it is boundlessly imaginative. “I’ve always had this concept in my mind about making an album based around an island”. Loosely based around Lee’s own long-formed concept of a floating Sicilian theme park, co-inhabited by both birds and ancestral spirits, Howie remarks: \"Birdy Island to me is a palace in the clouds and the birds are worshipped like Gods. Not like a western God though.” Reminiscent of Hayao Miyazaki’s Laputa (in the 1986 film Castle In The Sky), Lee’s Birdy Island has been built by a Chinese investment company seeking to re-sync our relationship with the spiritual and natural world after years of economic collapse and degradation, and who invite Howie to compose the park’s soundtrack. Inside Birdy Island’s 30-minute gallery of collaged sound, Lee draws on a wide history of traditional pan-Asian music, filtered through his unique lens of contemporary electronic production.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom the playful percussion and child-like wonderment of Time To The Sun, featuring Yehaiyahan on vocals to the beguiling loop-based poise of Wave,Wave,Wave offering our first taste of the almost-devotional chanting choir accompaniment. The album title track and first single Birdy Island continues down a similar trajectory, combining Kaitlyn Aurelia Smith-esque synths with rattling bells and AI-manipulated birdsong to saintly effect. Stripped-back UK grime sonics (Foreign Flowers) and Chicago footwork (Dawn Of The Idols) seep into the larger whole, as does elements of jazz fusion, ambient and video game-composition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSince discovering punk and Fruity Loops at age 15 and making DIY tapes for friends at school, Howie Lee has become one of the most influential players within contemporary Chinese music and arts\/culture. Having co-founded Do Hits as a club night in 2011 (levelling up as a label in 2015), as an outlet to showcase Beijing’s exciting musical underground, Lee’s conceptually intricate brand of traditional Chinese folk meets experimental bass weight sound, has been picked up by listeners worldwide, even securing remix duties for Snoop Dogg (in his Snoop Lion moniker), back in 2012.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom Daoist scripture to 1970s martial arts-themed wuxia novels, Howie’s myriad strands of musical and visual output have often enveloped themes circling modern and ancient Chinese history. Lee’s Socialism Core Value EP series and the dystopian-horror 3D animation for 2017 single Bankers (created and directed by Howie himself), as well as his work with visual artist and video game designer, Teom Chen (the pair have gone on to tour their collaborations across China as part of Lee’s live show), offer a glimpse into the broad social and cultural questions intrinsically entwined throughout his discography.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Howie Lee\u003c\/p\u003e\n\u003cp\u003eLabel : Mais Um\u003c\/p\u003e","published_at":"2023-05-28T09:52:42+09:00","created_at":"2023-05-19T12:50:21+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","post newage"],"price":325000,"price_min":325000,"price_max":325000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44243987398906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Howie Lee \/\/ Birdy Island LP","public_title":null,"options":["Default Title"],"price":325000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bi1_f23a67bf-0c5d-4154-adfa-5c1abf76939e.jpg?v=1684468223","\/\/tobirarecords.com\/cdn\/shop\/files\/bi2_fefdc0e0-2f6a-4dd7-aa78-bb03b66566a5.jpg?v=1684468222"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bi1_f23a67bf-0c5d-4154-adfa-5c1abf76939e.jpg?v=1684468223","options":["Title"],"media":[{"alt":null,"id":31990429581562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bi1_f23a67bf-0c5d-4154-adfa-5c1abf76939e.jpg?v=1684468223"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bi1_f23a67bf-0c5d-4154-adfa-5c1abf76939e.jpg?v=1684468223","width":700},{"alt":null,"id":31990429614330,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bi2_fefdc0e0-2f6a-4dd7-aa78-bb03b66566a5.jpg?v=1684468222"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bi2_fefdc0e0-2f6a-4dd7-aa78-bb03b66566a5.jpg?v=1684468222","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e中国・北京のエレクトロニック作家Howie Leeが、2021年にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエント〜ポストニューエイジ・ジャズ8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2999745037\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1849902179\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2999745037\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eMais Um:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSwirling layers of OST-style sound design, dreamy choir vocals and traditional Chinese folk combine across eight dynamic and transportive tracks on Birdy Island, the latest album by Beijing-based producer\/artist, Howie Lee, due out in April 2021 on Mais Um.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFresh off the back of several high impact, club-centring album releases on Maloca, SVBKVLT and his influential, Do Hits label, on top of remixes for artists including Lawfawndah, Charlie\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e XCX \u0026amp; Sophie, Lee presents his most organic and expansive project to date.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWritten, produced and recorded entirely by Lee at the back end of 2018 (with the exception of the album’s resident four-piece choir made up of rising Beijing artist, Fishdoll, Shanghai singer\/producer, Yehaiyahan and West by West, with Lee himself also included), Birdy Island’s almost exclusively acoustic yet broad sound palette threads continuities between ceremonial Taoist music, early Buchla synth experiments, and FWD\u0026gt;\u0026gt; nights at London’s Plastic People.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“This album just came very natural. It was all recorded little by little. Layer upon layer. The approach was to just record. I had all these instruments around me and I just thought, i’m gonna play and keep playing”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHowie’s latest offering is as enchanting as it is boundlessly imaginative. “I’ve always had this concept in my mind about making an album based around an island”. Loosely based around Lee’s own long-formed concept of a floating Sicilian theme park, co-inhabited by both birds and ancestral spirits, Howie remarks: \"Birdy Island to me is a palace in the clouds and the birds are worshipped like Gods. Not like a western God though.” Reminiscent of Hayao Miyazaki’s Laputa (in the 1986 film Castle In The Sky), Lee’s Birdy Island has been built by a Chinese investment company seeking to re-sync our relationship with the spiritual and natural world after years of economic collapse and degradation, and who invite Howie to compose the park’s soundtrack. Inside Birdy Island’s 30-minute gallery of collaged sound, Lee draws on a wide history of traditional pan-Asian music, filtered through his unique lens of contemporary electronic production.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom the playful percussion and child-like wonderment of Time To The Sun, featuring Yehaiyahan on vocals to the beguiling loop-based poise of Wave,Wave,Wave offering our first taste of the almost-devotional chanting choir accompaniment. The album title track and first single Birdy Island continues down a similar trajectory, combining Kaitlyn Aurelia Smith-esque synths with rattling bells and AI-manipulated birdsong to saintly effect. Stripped-back UK grime sonics (Foreign Flowers) and Chicago footwork (Dawn Of The Idols) seep into the larger whole, as does elements of jazz fusion, ambient and video game-composition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSince discovering punk and Fruity Loops at age 15 and making DIY tapes for friends at school, Howie Lee has become one of the most influential players within contemporary Chinese music and arts\/culture. Having co-founded Do Hits as a club night in 2011 (levelling up as a label in 2015), as an outlet to showcase Beijing’s exciting musical underground, Lee’s conceptually intricate brand of traditional Chinese folk meets experimental bass weight sound, has been picked up by listeners worldwide, even securing remix duties for Snoop Dogg (in his Snoop Lion moniker), back in 2012.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom Daoist scripture to 1970s martial arts-themed wuxia novels, Howie’s myriad strands of musical and visual output have often enveloped themes circling modern and ancient Chinese history. Lee’s Socialism Core Value EP series and the dystopian-horror 3D animation for 2017 single Bankers (created and directed by Howie himself), as well as his work with visual artist and video game designer, Teom Chen (the pair have gone on to tour their collaborations across China as part of Lee’s live show), offer a glimpse into the broad social and cultural questions intrinsically entwined throughout his discography.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Howie Lee\u003c\/p\u003e\n\u003cp\u003eLabel : Mais Um\u003c\/p\u003e"}
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中国・北京のエレクトロニック作家Howie Leeが、2021年にリリースしたレコードです。 ポストニューエイジ・アンビエント〜ポストニューエイジ・ジャズ8曲を収録。 ---------------------------------------- 12" black vinyl. Mais Um: "Swirling layers of OST-style sound...
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{"id":7977046311162,"title":"memotone \/\/ Memotone EP 12\"","handle":"memotone-memotone-ep-12","description":"\u003cp\u003e\u003cspan\u003eイギリス・ブリストルのマルチ奏者memotoneが、2023年5月にフィンランド・ヘルシンキの実験／ダンスレーベル\u003cmeta charset=\"utf-8\"\u003eSahko Recordings\u003c\/span\u003e\u003cspan\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e実験エレクトロニック・ジャズ〜ダウンテンポ・ジャズ6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/memotone-how-was-your-life-lp\"\u003e前作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2925935580\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003ehere\u003c\/a\u003e to see more Sahko Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eBlack 12\" vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMusic written and performed by William Yates in Bristol 2019-2022\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDrums on New Peace by Luke Typesun\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : memotone\u003c\/p\u003e\n\u003cp\u003eLabel : Sahko Recordings\u003c\/p\u003e","published_at":"2023-05-19T13:34:00+09:00","created_at":"2023-05-19T12:47:52+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","sahko recordings"],"price":385000,"price_min":385000,"price_max":385000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44243980615930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"memotone \/\/ Memotone EP 12\"","public_title":null,"options":["Default Title"],"price":385000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/me1_f27755e8-e9f0-40b0-8904-84e1cb63da80.jpg?v=1684468075","\/\/tobirarecords.com\/cdn\/shop\/files\/me2_d2ad870c-30ab-4920-8b6c-c8f58e55b5c2.jpg?v=1684468074"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_f27755e8-e9f0-40b0-8904-84e1cb63da80.jpg?v=1684468075","options":["Title"],"media":[{"alt":null,"id":31990418374906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_f27755e8-e9f0-40b0-8904-84e1cb63da80.jpg?v=1684468075"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_f27755e8-e9f0-40b0-8904-84e1cb63da80.jpg?v=1684468075","width":700},{"alt":null,"id":31990418407674,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_d2ad870c-30ab-4920-8b6c-c8f58e55b5c2.jpg?v=1684468074"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_d2ad870c-30ab-4920-8b6c-c8f58e55b5c2.jpg?v=1684468074","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eイギリス・ブリストルのマルチ奏者memotoneが、2023年5月にフィンランド・ヘルシンキの実験／ダンスレーベル\u003cmeta charset=\"utf-8\"\u003eSahko Recordings\u003c\/span\u003e\u003cspan\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e実験エレクトロニック・ジャズ〜ダウンテンポ・ジャズ6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/memotone-how-was-your-life-lp\"\u003e前作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2925935580\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003ehere\u003c\/a\u003e to see more Sahko Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eBlack 12\" vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMusic written and performed by William Yates in Bristol 2019-2022\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDrums on New Peace by Luke Typesun\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : memotone\u003c\/p\u003e\n\u003cp\u003eLabel : Sahko Recordings\u003c\/p\u003e"}
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{"id":7976727085306,"title":"Lorena Álvarez \u0026 Alejandro Palacios \/\/ Paisajes Para Torcer al Reloj TAPE","handle":"lorena-alvarez-alejandro-palacios-paisajes-para-torcer-al-reloj-tape","description":"\u003cp\u003eチリ・サンティアゴのキーボード奏者Lorena Álvarezとマルチ奏者Alejandro Palaciosが、2023年6月にアメリカ・カリフォルニアのアンビエントレーベルNot Not Funからリリースするカセットです。\u003c\/p\u003e\n\u003cp\u003e即興的に紡いだミニマルなアンビエント・ジャズ6曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2065229613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nnfun\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nnfun\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nnfun\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nnfun\"\u003ehere\u003c\/a\u003e to see more Not Not Fun Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003eNot Not Fun:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePaisajes Para Torcer al Reloj (“landscapes for bending the clock”) is a collection of six collaborative improvisations between keyboardist \/ DJ Lorena Álvarez and multi-instrumentalist Alejandro Palacios recorded at the Nieve \u0026amp; Smog arts residency in Santiago, Chile in April 2022. Theirs is a wispy, whispered chemistry, softly thrumming Rhodes laced with trumpet, guitar, and golden dust. The pieces unspool with a daydream logic of “hazy clocks and floating doors,” inspired by the holy trinity of Hassell, Riley, and Cherry.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBoth Álvarez and Palacios have carved eclectic bodies of work – the former as part of minimalist dance trios Cuerpo Docente and Los Bárbara Blade, the latter via psychedelic lounge-dub suites for Nonlocal Research. Yet Paisajes finds their common ground in more hushed, hidden terrain. Lulling, electro-acoustic landscapes of texture and resonance, shaded in wood, brass, and batteries, flowering at late hours in dimly lit rooms.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lorena Álvarez \u0026amp; Alejandro Palacios\u003c\/p\u003e\n\u003cp\u003eLabel : Not Not Fun Records\u003c\/p\u003e","published_at":"2023-05-24T14:57:09+09:00","created_at":"2023-05-18T16:07:56+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","not not fun","tape"],"price":178000,"price_min":178000,"price_max":178000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44242450776314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lorena Álvarez \u0026 Alejandro Palacios \/\/ Paisajes Para Torcer al Reloj TAPE","public_title":null,"options":["Default Title"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_678447d9-695b-4b0a-8955-f1223f7967c3.jpg?v=1684393678","\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_580848e1-6b88-4b17-b01d-6922cdf8399f.jpg?v=1684393678"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_678447d9-695b-4b0a-8955-f1223f7967c3.jpg?v=1684393678","options":["Title"],"media":[{"alt":null,"id":31987044614394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_678447d9-695b-4b0a-8955-f1223f7967c3.jpg?v=1684393678"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_678447d9-695b-4b0a-8955-f1223f7967c3.jpg?v=1684393678","width":700},{"alt":null,"id":31987044647162,"position":2,"preview_image":{"aspect_ratio":1.353,"height":887,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_580848e1-6b88-4b17-b01d-6922cdf8399f.jpg?v=1684393678"},"aspect_ratio":1.353,"height":887,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_580848e1-6b88-4b17-b01d-6922cdf8399f.jpg?v=1684393678","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eチリ・サンティアゴのキーボード奏者Lorena Álvarezとマルチ奏者Alejandro Palaciosが、2023年6月にアメリカ・カリフォルニアのアンビエントレーベルNot Not Funからリリースするカセットです。\u003c\/p\u003e\n\u003cp\u003e即興的に紡いだミニマルなアンビエント・ジャズ6曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2065229613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nnfun\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nnfun\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nnfun\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nnfun\"\u003ehere\u003c\/a\u003e to see more Not Not Fun Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003eNot Not Fun:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePaisajes Para Torcer al Reloj (“landscapes for bending the clock”) is a collection of six collaborative improvisations between keyboardist \/ DJ Lorena Álvarez and multi-instrumentalist Alejandro Palacios recorded at the Nieve \u0026amp; Smog arts residency in Santiago, Chile in April 2022. Theirs is a wispy, whispered chemistry, softly thrumming Rhodes laced with trumpet, guitar, and golden dust. The pieces unspool with a daydream logic of “hazy clocks and floating doors,” inspired by the holy trinity of Hassell, Riley, and Cherry.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBoth Álvarez and Palacios have carved eclectic bodies of work – the former as part of minimalist dance trios Cuerpo Docente and Los Bárbara Blade, the latter via psychedelic lounge-dub suites for Nonlocal Research. Yet Paisajes finds their common ground in more hushed, hidden terrain. Lulling, electro-acoustic landscapes of texture and resonance, shaded in wood, brass, and batteries, flowering at late hours in dimly lit rooms.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lorena Álvarez \u0026amp; Alejandro Palacios\u003c\/p\u003e\n\u003cp\u003eLabel : Not Not Fun Records\u003c\/p\u003e"}
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チリ・サンティアゴのキーボード奏者Lorena Álvarezとマルチ奏者Alejandro Palaciosが、2023年6月にアメリカ・カリフォルニアのアンビエントレーベルNot Not Funからリリースするカセットです。 即興的に紡いだミニマルなアンビエント・ジャズ6曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Not Not Fun Records...
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{"id":7975545274618,"title":"Emily Rach Beisel \/\/ Particle Of Organs CD","handle":"emily-rach-beisel-particle-of-organs-cd","description":"\u003cp\u003eアメリカ・シカゴの地下ジャズレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAmalgam諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、シカゴのクラリネット奏者／講師Emily Rach Beiselが、2023年5月に100部限定でリリースしたデビューCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eクラリネットによるジャズ・ドローン10曲を収録。DLコード付属。 デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=362991231\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mlgm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mlgm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mlgm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mlgm\"\u003ehere\u003c\/a\u003e to see more Amalgam releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100. 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{"id":7975349813498,"title":"Ebo Taylor And The Pelikans \/\/ s\/t LP","handle":"ebo-taylor-and-the-pelikans-s-t-lp","description":"\u003cp\u003eガーナのファンク作家Ebo Taylorが、1976年に発表した作品の再発盤です。\u003c\/p\u003e\n\u003cp\u003eアフロ・ファンク〜ファンク・ジャズ7曲を収録。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5nsrp1ZIt0k\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5nsrp1ZIt0k\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/SL4RlIB7Azc\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e2023 reissue - originally recorded in 1976.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Enye Nyame Nko\u003cbr\u003eA2 Gyae Su Na Nkomo\u003cbr\u003eA3 Reality\u003cbr\u003eB1 Egya Edu\u003cbr\u003eB2 Mber No Aso\u003cbr\u003eB3 Come Along\u003cbr\u003eB4 If You Care\u003c\/p\u003e\n\u003cp\u003eArtist : Ebo Taylor And The Pelikans \u003c\/p\u003e\n\u003cp\u003eLabel : Planet Woo\u003c\/p\u003e","published_at":"2023-05-13T14:45:51+09:00","created_at":"2023-05-13T13:59:55+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","lp"],"price":468000,"price_min":468000,"price_max":468000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44232416919802,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ebo Taylor And The Pelikans \/\/ s\/t LP","public_title":null,"options":["Default Title"],"price":468000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/eb1.jpg?v=1683953997","\/\/tobirarecords.com\/cdn\/shop\/files\/e2_aae5a36c-ac20-4f9f-ae07-5e467636da3a.jpg?v=1683953997"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/eb1.jpg?v=1683953997","options":["Title"],"media":[{"alt":null,"id":31965190914298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eb1.jpg?v=1683953997"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eb1.jpg?v=1683953997","width":600},{"alt":null,"id":31965190947066,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/e2_aae5a36c-ac20-4f9f-ae07-5e467636da3a.jpg?v=1683953997"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/e2_aae5a36c-ac20-4f9f-ae07-5e467636da3a.jpg?v=1683953997","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eガーナのファンク作家Ebo Taylorが、1976年に発表した作品の再発盤です。\u003c\/p\u003e\n\u003cp\u003eアフロ・ファンク〜ファンク・ジャズ7曲を収録。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5nsrp1ZIt0k\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5nsrp1ZIt0k\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/SL4RlIB7Azc\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e2023 reissue - originally recorded in 1976.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Enye Nyame Nko\u003cbr\u003eA2 Gyae Su Na Nkomo\u003cbr\u003eA3 Reality\u003cbr\u003eB1 Egya Edu\u003cbr\u003eB2 Mber No Aso\u003cbr\u003eB3 Come Along\u003cbr\u003eB4 If You Care\u003c\/p\u003e\n\u003cp\u003eArtist : Ebo Taylor And The Pelikans \u003c\/p\u003e\n\u003cp\u003eLabel : Planet Woo\u003c\/p\u003e"}
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ガーナのファンク作家Ebo Taylorが、1976年に発表した作品の再発盤です。 アフロ・ファンク〜ファンク・ジャズ7曲を収録。 ----------------------------------------- 2023 reissue - originally recorded in 1976. Tracklist: A1 ...
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{"id":7974890504442,"title":"Anima Sound \/\/ Underground Altena LP","handle":"anima-sound-underground-altena-lp","description":"\u003cp\u003e1960-1980年代に活動していた\u003cspan\u003eドイツの実験夫婦デュオAnima Soundが、2022年にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003eAlga Marghenから\u003c\/span\u003e\u003cspan\u003eリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1973年に録音した\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eクラウトロック〜フリージャズ2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Alga Marghenは、自由を追求するポールとリンペ・フックスのデュオ、Anima Soundによる2つの幻の長編作品「Underground Altena」を発表します。1973年、クラウトロック、フリージャズ、実験音楽の交差点で、彫刻的なサウンドを追求するAnima Soundの絶頂期を表します。リンペ・フックスはミュンヘンでピアノ、バイオリン、パーカッションを学びましたが、1960年代後半に彫刻家のポール・フックスと出会い、彫刻の環境では素材に直接触れることができるため、自分なりの実験や発見をする余地があることを知り、すべてが変わりました。ポールはまず、ホルンを彫刻として作り（有名なFuchshorn）、その音で実験を始めました。その後、彼はペダルのケトルドラムを作り、それにウッドブロックを加え、ハイハットスタンドにスチールリングを溶接して、いくつかの弦を張り、リンペがつま先で弾いたり、のこぎりの刃やシャベルを使ったりしていました。ポールとリンペは当初、実験映画に興味を持っていましたが、アモン・デュールやタンジェリン・ドリームといった他のコミュニティもあり、アニマは彼らやポポル・ヴフ、クソルとツアーを始め、このクラウトロック・シーンであっという間に有名になりました。1969年のUnderground Explosion Tourに参加し、1971年にはミュンヘンとロッテルダムを時速19kmで結ぶTractor Tourを行った後、70年代初頭にFriedrich Guldaが彼らに参加するようになります。彼はこのデュオがとても好きで、特にリンペの歌と、ただ即興で演奏する彼らのやり方が好きでした。彼は有名なアレンジャーでしたが、即興のグループで演奏したいと常々考えていました。その後、Animaは悪名高い「Nurse With Wound List」に掲載され、Steven Stapletonとのつながりが生まれ、Jac Berrocal, AMM, Operating TheatreとともにAn Afflicted Man Musica Boxアンソロジーに収録されました。Animaが事実上クラウトロックの一部であったとしても、彼らは非常に独特なサウンドを持っており、それはポールの「幻の」彫刻の世界とリンペの聴覚の世界が合流した結果です。パーカッションとヴォーカルに対するリンペのユニークなアプローチに大きく導かれ、ポールが発明した楽器で印象的な音色を奏でる「アンダーグラウンド」と「アルテナ」は、フリージャズの外縁を異国の風景に落としたような作品です。ハウリングとクラッタリング、完全に自由で自発的でありながら、深い意識、目的、コントロールの感覚を失うことはありません。\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/YnM4q3PHaFw\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Alga Marghen present Underground Altena, two visionary long-form works by Anima Sound, the radically freedom-pursuing Paul and Limpe Fuchs duo. 1973 represented a peak for Anima sonic explorations into sculptural sound at the crossing of krautrock, free jazz, and experimental music. Limpe Fuchs studied piano, violin, and percussion in Munich, but all changed in the late 1960s when she met sculptor Paul Fuchs and discovered there was much more space to experiment and discover her own way as in the sculptural environment she had the chance to work directly with materials. Paul first built a horn as a sculpture (the famous Fuchshorn) and started experimenting with its sounds. Then he built a pedal kettledrum adding things to it like woodblocks and welded a steel ring to the hi-hat stand that was strung up with several strings which Limpe played with her toes, or using a saw blade and a shovel. Even if in the beginning Paul and Limpe were more interested in experimental film, there were other communities like Amon Düül and Tangerine Dream and Anima started touring with them as well as with Popol Vuh or Xhol and very quickly became well known within this krautrock scene. After they were engaged in the Underground Explosion Tour 1969 and had made the Tractor Tour at 19 km\/h between Munich and Rotterdam in 1971, came Friedrich Gulda who joined them in the early '70s. He was very fond of the duo and he especially liked Limpe singing and their way of just improvising. He was a famous arranger, but wanted to play in an improvising group. Later on, Anima was included in the infamous \"Nurse With Wound List\" and came the connection to Steven Stapleton who included them in the An Afflicted Man Musica Box anthology together with Jac Berrocal, AMM, Operating Theatre. Even if Anima was in fact part of the krautrock scene, they had a very distinct sound which was a result of the confluence of Paul's \"visionary\" sculptural world and Limpe's aural universe. Playing on self-built instruments also had a major role in building their specific sound which became more and more unique in the early 1970s as the Fuchhorn, the Fuchzither, the Fuchsbass and other sound sculptures were created. Heavily guided by Limpe's unique approach to percussion playing and vocals, with Paul delivering a striking arsenal of tonal interventions on his invented instruments, \"Underground\" and \"Altena\" plays like the outer reaches of free jazz dropped in an alien landscape. Howling and clattering, entirely free and spontaneous, while never losing the sense of deep consciousness, purpose and control.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anima Sound\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2023-05-14T14:30:13+09:00","created_at":"2023-05-12T15:03:37+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","jazz","lp"],"price":368000,"price_min":368000,"price_max":368000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44230592954618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Anima Sound \/\/ Underground Altena LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/un1_ea2843af-927a-4969-b7ec-eeb3eeec598a.jpg?v=1683871419","\/\/tobirarecords.com\/cdn\/shop\/files\/un2_d9c4f24e-479f-42b2-bf62-597e52d72710.jpg?v=1683871419","\/\/tobirarecords.com\/cdn\/shop\/files\/un3_2948d74e-f040-4ad8-883f-c4c097ca6811.jpg?v=1683871418"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_ea2843af-927a-4969-b7ec-eeb3eeec598a.jpg?v=1683871419","options":["Title"],"media":[{"alt":null,"id":31959430103290,"position":1,"preview_image":{"aspect_ratio":1.053,"height":570,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_ea2843af-927a-4969-b7ec-eeb3eeec598a.jpg?v=1683871419"},"aspect_ratio":1.053,"height":570,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_ea2843af-927a-4969-b7ec-eeb3eeec598a.jpg?v=1683871419","width":600},{"alt":null,"id":31959430136058,"position":2,"preview_image":{"aspect_ratio":1.115,"height":392,"width":437,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un2_d9c4f24e-479f-42b2-bf62-597e52d72710.jpg?v=1683871419"},"aspect_ratio":1.115,"height":392,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un2_d9c4f24e-479f-42b2-bf62-597e52d72710.jpg?v=1683871419","width":437},{"alt":null,"id":31959430168826,"position":3,"preview_image":{"aspect_ratio":1.155,"height":374,"width":432,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un3_2948d74e-f040-4ad8-883f-c4c097ca6811.jpg?v=1683871418"},"aspect_ratio":1.155,"height":374,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un3_2948d74e-f040-4ad8-883f-c4c097ca6811.jpg?v=1683871418","width":432}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1960-1980年代に活動していた\u003cspan\u003eドイツの実験夫婦デュオAnima Soundが、2022年にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003eAlga Marghenから\u003c\/span\u003e\u003cspan\u003eリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1973年に録音した\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eクラウトロック〜フリージャズ2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Alga Marghenは、自由を追求するポールとリンペ・フックスのデュオ、Anima Soundによる2つの幻の長編作品「Underground Altena」を発表します。1973年、クラウトロック、フリージャズ、実験音楽の交差点で、彫刻的なサウンドを追求するAnima Soundの絶頂期を表します。リンペ・フックスはミュンヘンでピアノ、バイオリン、パーカッションを学びましたが、1960年代後半に彫刻家のポール・フックスと出会い、彫刻の環境では素材に直接触れることができるため、自分なりの実験や発見をする余地があることを知り、すべてが変わりました。ポールはまず、ホルンを彫刻として作り（有名なFuchshorn）、その音で実験を始めました。その後、彼はペダルのケトルドラムを作り、それにウッドブロックを加え、ハイハットスタンドにスチールリングを溶接して、いくつかの弦を張り、リンペがつま先で弾いたり、のこぎりの刃やシャベルを使ったりしていました。ポールとリンペは当初、実験映画に興味を持っていましたが、アモン・デュールやタンジェリン・ドリームといった他のコミュニティもあり、アニマは彼らやポポル・ヴフ、クソルとツアーを始め、このクラウトロック・シーンであっという間に有名になりました。1969年のUnderground Explosion Tourに参加し、1971年にはミュンヘンとロッテルダムを時速19kmで結ぶTractor Tourを行った後、70年代初頭にFriedrich Guldaが彼らに参加するようになります。彼はこのデュオがとても好きで、特にリンペの歌と、ただ即興で演奏する彼らのやり方が好きでした。彼は有名なアレンジャーでしたが、即興のグループで演奏したいと常々考えていました。その後、Animaは悪名高い「Nurse With Wound List」に掲載され、Steven Stapletonとのつながりが生まれ、Jac Berrocal, AMM, Operating TheatreとともにAn Afflicted Man Musica Boxアンソロジーに収録されました。Animaが事実上クラウトロックの一部であったとしても、彼らは非常に独特なサウンドを持っており、それはポールの「幻の」彫刻の世界とリンペの聴覚の世界が合流した結果です。パーカッションとヴォーカルに対するリンペのユニークなアプローチに大きく導かれ、ポールが発明した楽器で印象的な音色を奏でる「アンダーグラウンド」と「アルテナ」は、フリージャズの外縁を異国の風景に落としたような作品です。ハウリングとクラッタリング、完全に自由で自発的でありながら、深い意識、目的、コントロールの感覚を失うことはありません。\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/YnM4q3PHaFw\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Alga Marghen present Underground Altena, two visionary long-form works by Anima Sound, the radically freedom-pursuing Paul and Limpe Fuchs duo. 1973 represented a peak for Anima sonic explorations into sculptural sound at the crossing of krautrock, free jazz, and experimental music. Limpe Fuchs studied piano, violin, and percussion in Munich, but all changed in the late 1960s when she met sculptor Paul Fuchs and discovered there was much more space to experiment and discover her own way as in the sculptural environment she had the chance to work directly with materials. Paul first built a horn as a sculpture (the famous Fuchshorn) and started experimenting with its sounds. Then he built a pedal kettledrum adding things to it like woodblocks and welded a steel ring to the hi-hat stand that was strung up with several strings which Limpe played with her toes, or using a saw blade and a shovel. Even if in the beginning Paul and Limpe were more interested in experimental film, there were other communities like Amon Düül and Tangerine Dream and Anima started touring with them as well as with Popol Vuh or Xhol and very quickly became well known within this krautrock scene. After they were engaged in the Underground Explosion Tour 1969 and had made the Tractor Tour at 19 km\/h between Munich and Rotterdam in 1971, came Friedrich Gulda who joined them in the early '70s. He was very fond of the duo and he especially liked Limpe singing and their way of just improvising. He was a famous arranger, but wanted to play in an improvising group. Later on, Anima was included in the infamous \"Nurse With Wound List\" and came the connection to Steven Stapleton who included them in the An Afflicted Man Musica Box anthology together with Jac Berrocal, AMM, Operating Theatre. Even if Anima was in fact part of the krautrock scene, they had a very distinct sound which was a result of the confluence of Paul's \"visionary\" sculptural world and Limpe's aural universe. Playing on self-built instruments also had a major role in building their specific sound which became more and more unique in the early 1970s as the Fuchhorn, the Fuchzither, the Fuchsbass and other sound sculptures were created. Heavily guided by Limpe's unique approach to percussion playing and vocals, with Paul delivering a striking arsenal of tonal interventions on his invented instruments, \"Underground\" and \"Altena\" plays like the outer reaches of free jazz dropped in an alien landscape. Howling and clattering, entirely free and spontaneous, while never losing the sense of deep consciousness, purpose and control.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anima Sound\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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1960-1980年代に活動していたドイツの実験夫婦デュオAnima Soundが、2022年にイタリアの実験レーベルAlga Marghenからリリースしたレコードです。 1973年に録音したクラウトロック〜フリージャズ2曲を収録。 以下、レーベルによる解説です。 "Alga Marghenは、自由を追求するポールとリンペ・フックスのデュオ、Anima Soundによる2つの幻の長編作品「Underground Altena」を発表します。1973年、クラウトロック、フリージャズ、実験音楽の交差点で、彫刻的なサウンドを追求するAnima Soundの絶頂期を表します。リンペ・フックスはミュンヘンでピアノ、バイオリン、パーカッションを学びましたが、1960年代後半に彫刻家のポール・フックスと出会い、彫刻の環境では素材に直接触れることができるため、自分なりの実験や発見をする余地があることを知り、すべてが変わりました。ポールはまず、ホルンを彫刻として作り（有名なFuchshorn）、その音で実験を始めました。その後、彼はペダルのケトルドラムを作り、それにウッドブロックを加え、ハイハットスタンドにスチールリングを溶接して、いくつかの弦を張り、リンペがつま先で弾いたり、のこぎりの刃やシャベルを使ったりしていました。ポールとリンペは当初、実験映画に興味を持っていましたが、アモン・デュールやタンジェリン・ドリームといった他のコミュニティもあり、アニマは彼らやポポル・ヴフ、クソルとツアーを始め、このクラウトロック・シーンであっという間に有名になりました。1969年のUnderground Explosion Tourに参加し、1971年にはミュンヘンとロッテルダムを時速19kmで結ぶTractor Tourを行った後、70年代初頭にFriedrich Guldaが彼らに参加するようになります。彼はこのデュオがとても好きで、特にリンペの歌と、ただ即興で演奏する彼らのやり方が好きでした。彼は有名なアレンジャーでしたが、即興のグループで演奏したいと常々考えていました。その後、Animaは悪名高い「Nurse...
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{"id":7972798136570,"title":"Mishagas \/\/ 1996-1997 TAPE","handle":"mishagas-1996-1997-tape","description":"\u003cp\u003eアメリカ・NYのフリージャズバンドMishagasが、2022年11月に同国テキサスのジャズレーベルAstral Spiritsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1996-1997年に録音したフリージャズ14曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJohn Colpitts - Drums\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eScott Daniel - Alto Sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChris Lee - Guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1228154267\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st edition of 200. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAccompanying text\/essay by the artist: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA priest, a drummer, and a tennis pro step onto a stage. . .\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Who is in Mishagas? Were they any good?” - Josh Fox.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was the drummer - just out of Middlebury College and untouched by cynicism. I arrived at the doorstep of the Tribeca Knitting Factory in the summer of 1996 and landed a job booking tours for musicians associated with the venue - John Zorn, Dave Douglas, William Hooker, Thomas Chapin, Charles Gayle. It was a heady time for The Knit and sponsorship flowed freely from a few alcohol and cigarette manufacturers convinced that experimental music was profitable.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt was not.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was sleeping on a high school friend’s floor somewhere in Manhattan. I remember coming home after my first, long day of unpaid “trial” work at the Knitting Factory and thinking - how is it possible for someone to have an office job? How do you survive this kind of shit? There is something particularly perverse and damaging about sitting at a desk for 8 hours, and to top it off, I was in a basement. I’d decided that I did not have the talent to make music - at 22 or 23 - I was too old. But a few friends still thought that playing music - just that abstract idea with absolutely no ambition attached - was desirable and possible in New York City\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e. But the gang with whom I shared these vague dreams were not in New York yet. So I was adrift, watching a few friends scramble to play shitty shows at places like the Spiral and a threadbare CBs Gallery. You’d think I would have had some kind of connection because I worked at the Knitting Factory, but the guy who booked the club, a lanky dude named John, once stopped me with a raised finger and an arched eyebrow when I paused in front of his desk, cairns of demo tapes stacked on every surface. In the moment I gathered a breath to speak, he said, “No.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere was a pause.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I will not book your band here so don’t even ask.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut yeah - I was a drummer - even though my drums had not migrated to the city yet. I did not have a permanent place to live. But as I hung out with the various interns who lurked around the Knit’s basement office - it emerged that one of them (perhaps on the same day he arrived toting a full set of audio gear, having just recorded his entire subway ride) knew a couple of guys who were looking for a drummer. Having no prospects - I was happy to meet them.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris Lee was the guitarist (now an Episcopal priest at Grace Church Brooklyn) and Scott Daniel the sax man who we nicknamed “Captain Jazz” (later turned tennis pro, now retired and living in Brooklyn playing acoustic finger-style guitar). They met each other at Mondo Kim’s: a multi-storied record shop and video store that was a kind of apex of hip cultural retail NYC. Right off Cooper Square on St Mark’s Place, it deserves a book all it’s own. Before the internet was populated with the entire history of recorded music - Kim’s was the place to surf for new sounds under the contemptuous gaze of the sullen staff. It was here that Chris and Scott gravitated towards each other. The way they tell it, in the absurd melange of the ultra knowledgeable that constituted the Kim’s staff, they were as normal and down to earth as possible for ESP Records hounds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpeaking of which, the ESP catalog was the perfect amalgam of the threads that Chris and Scott were following - the sleazy White punk of The Godz and The Fugs shared a catalog with the Black loft jazz of Sonny Simmons, Albert Ayler and Milford Graves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris was also obsessed with The Dirty Three and was looking to form a trio with a melodic instrument to go along with his guitar. He was getting into free jazz at the same time, so adding Scott on alto made sense.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I was trying to play like Sonny Sharrock - not well. The tunings were all open chords - they weren’t dissonant tunings. It was all about unison, open, ringing sounds with tons of overtones. That all comes from My Bloody Valentine and the Cocteau Twins. That was my base. Kevin Shields was about as good as I could get technique-wise,” Chris told me recently.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eScott came from Minneapolis and had transitioned from punk bass, to standup, then on to alto sax. He took lessons with David Murray’s arranger Benny Russell at the Brooklyn Conservatory of Music. He had only been playing the horn for about 5 years when he and Chris started jamming together at Chris’s 2nd floor apartment on 16th St and 8th Ave in Park Slope Brooklyn.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris came out to a forgettable show at the Knitting Factory, and brought me a cassette of influences. The tape was programmed with tracks by the Dirty Three, Albert Ayler, and the Sun City Girls. I dutifully checked the tunes out and we made plans to jam at the Ludlow Street Studios - a basement-level rehearsal spot down the block from Katz’s Deli on the Lower East Side. The dingy rooms were equipped with amps, drums, PAs and a cassette deck for recording. We think that perhaps a few of the tunes that made the album in your hands were from our first meeting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was struck by Chris’s wild, emotional guitar playing and Scott’s empathetic, succinct phrasing. These guys listened a lot for young dudes in their early 20s. I tried to fit myself into the spaces - charged up by the old guard heads I was mingling with at the Knitting Factory: Sonny Murray, who demanded weed before he went on stage, Rashied Ali, whose wrists were bound to treat some intractable carpal tunnel, and Andrew Cyrille, whose ferocious, delicate and stoic performances kept me guessing. I had just come from a few months in Amsterdam, plopping myself down at the BimHuis every night, seeing all kinds of Dutch legends play to small audiences. I stirred in a little Han Bennink. I was flailing as well. Any technical shortcomings I had were papered over by shear audacity and unearned confidence. All fairly new to the city, we became fast friends and collaborators.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSince rehearsal space was at a premium I asked the band if they’d be open to waking up early to practice in the basement of the Knitting Factory. The club had backline - drums and amps - and the Alterknit Theater was soundproofed. We would arrive at around 8am - I would brew some coffee at the upstairs bar - and then we’d play for a couple of hours before I started work at 10:30am.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe learned a few songs - Albert Ayler’s “Ghosts” for one - but quickly realized that we ended up in more interesting places without the heads. “Let’s just shred,” was our mantra.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOur first show was opening for an experimental theater performance of “American Interference” at the Angel Orensanz Center. It was written and directed by Josh Fox - who went on to direct the anti-fracking documentary Gasland (among many other films). We played for about 20 minutes before the show started. We can’t remember if we were paid. Contacted for these liner notes Fox barely remembered our participation. We set up in a corner in front of the stage and we asked our friend Barry London to record us onto a 4-track cassette machine. He set up mics and we started.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter we jammed, he approached us and said - “OK I have levels. Let me know when you’re gonna do your set.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThat was the set!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBarry did manage to record a second show - but we can’t find the tape.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e***\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe arrived in NYC during the very last gasps of the hollowed out 80s. We played the very well lit 5th Street squat with Gold Sparkle Quartet and Sunday Puncher, a mere week before a small fire led to the building’s destruction by wrecking ball.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere were sets at ABC No Rio and the Alterknit - the small 80 person capacity room where we had morning rehearsals at the Knitting Factory. Eventually we were granted a show there, but it was probably after I took over the role of booking the club. I remember hearing that Thurston Moore came to a set and dug it, that would have been very exciting to us. Somehow the NYC shows were well attended and in the heat and the rattling crescendos, one of Scott’s friends passed out. That was the vibe.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith no significant attachments, and a naive understanding of the music business, we played constantly over the course of that year, touring around the North East and Mid-Atlantic and recording at what feels like in retrospect, an absurdly breakneck pace. Because of my connections at the Knitting Factory, we sometimes played with jazz groups that were more left of center, but still jazz. Our thing was less refined and way more punk. In Baltimore, we played with a band led by a saxophonist whose day job was with the Tommy Dorsey Band. He happened to be really into Evan Parker. But our unstudied thing did not go over well. Chris remembers, “The guitar player wanted to kick my ass after the gig - he thought I was the biggest charlatan in the world. He had come up as a punk rocker but had learned jazz guitar. I got up there, six beers in, and afterwards he wouldn’t talk to me. He wanted nothing to do with us.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eShortly following our second tour - the band broke up. By that time - we’d hit a wall. Scott says now, “I remember asking ourselves, ‘what does it mean to improvise? We say we’re free but every gig kind of sounds the same. Why don’t we dance?’” So Chris and Scott started vocalizing and dancing on stage in the mode of Min Tanaka. They’d seen him perform solo at PS122. As I write this now, I do remember feeling a bit uneasy about the turn towards vocalizing and dance. But I was crawling around the floor rattling my heavy molded plastic cymbal case.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe guys had to remind me how disappointed I was about the break up. Shortly after Mishagas split, Oneida became more of a priority. Our first album came out in the fall of 1997 and we toured for about 3 months. I was hurt that Mishagas ended, but I poured myself into Oneida. Honestly, my time at the Knit had really soured me on the personalities of the NYC jazz scene. I stopped doing improv until I started playing with Jim Sauter in 2012 or so.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eScott moved to Seattle with his soon-to-be wife Nancy and opened an art gallery connected to a store dealing in mid-century modern furniture. Around the same time, Scott decided to release a CD of material from our time together. The CD came in a slim white cardboard sleeve with no spine. Chris designed a hand stamp that impressed “POE(1)MISHAGASlive” on the cover. The back was stamped with the label name, “Proof of Existence,” and Scott’s Seattle address. Proof of Existence - a label that no one’s heard of until now. The CD, from which most of this collection is drawn, was not exactly “Live” in the traditionally understood sense. The recordings were not all from a concert in front of an audience. Some were - but others were recorded at various home studio set ups. We simply meant - the music was created on the spot, no matter the context. These nuances were only clear to the three of us - or maybe not even that.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUnsurprisingly, the release fell through the cracks. Sure it’s tough stuff and not for everyone. The package had no spine, listed no credits or song titles or much identifying information at all. Scott never received a fan letter. It’s a peak of a kind of willful obscurantism that felt intriguing, but was maybe dumb. The CD was distributed by a few outlets and reviewed in the Wire, Willamette Week and no one else. Tom Ridge, writing for The Wire, called us “an exhilarating, combustible mixture of free jazz and avant-rock” - which I’ll take.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut despite the fact that the group barely made a whimper, and is remembered by almost no one - I still would occasionally find myself listening to the album and being moved by the noise, the dedication, and the guileless openness of it all. I always felt like we had something and I was sad, especially when I got back into improvisation after fifteen years of rock and roll, that this stuff was never heard.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris went on to record a number of great solo albums with no reference to our kind of thing. Oneida kept moving forward - we have a new album coming out this year. But Mishagas, during our short time alive, was as real as we might have ever gotten.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEnjoy the shred\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Mishagas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-21T18:13:35+09:00","created_at":"2023-05-09T15:16:16+09:00","vendor":"Tobira Records","type":"","tags":["Astral Spirits","jazz","tape"],"price":168000,"price_min":168000,"price_max":168000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44222403969274,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Mishagas \/\/ 1996-1997 TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mi1_2db5f8b5-0550-401b-bf41-0cc403773e0d.jpg?v=1683612978","\/\/tobirarecords.com\/cdn\/shop\/files\/mi2_9aac476e-5629-4b67-9ded-9d0c611f9a35.jpg?v=1683612978"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi1_2db5f8b5-0550-401b-bf41-0cc403773e0d.jpg?v=1683612978","options":["Title"],"media":[{"alt":null,"id":31944756887802,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi1_2db5f8b5-0550-401b-bf41-0cc403773e0d.jpg?v=1683612978"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi1_2db5f8b5-0550-401b-bf41-0cc403773e0d.jpg?v=1683612978","width":700},{"alt":null,"id":31944756953338,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi2_9aac476e-5629-4b67-9ded-9d0c611f9a35.jpg?v=1683612978"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi2_9aac476e-5629-4b67-9ded-9d0c611f9a35.jpg?v=1683612978","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのフリージャズバンドMishagasが、2022年11月に同国テキサスのジャズレーベルAstral Spiritsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1996-1997年に録音したフリージャズ14曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJohn Colpitts - Drums\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eScott Daniel - Alto Sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChris Lee - Guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1228154267\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st edition of 200. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAccompanying text\/essay by the artist: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA priest, a drummer, and a tennis pro step onto a stage. . .\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Who is in Mishagas? Were they any good?” - Josh Fox.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was the drummer - just out of Middlebury College and untouched by cynicism. I arrived at the doorstep of the Tribeca Knitting Factory in the summer of 1996 and landed a job booking tours for musicians associated with the venue - John Zorn, Dave Douglas, William Hooker, Thomas Chapin, Charles Gayle. It was a heady time for The Knit and sponsorship flowed freely from a few alcohol and cigarette manufacturers convinced that experimental music was profitable.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt was not.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was sleeping on a high school friend’s floor somewhere in Manhattan. I remember coming home after my first, long day of unpaid “trial” work at the Knitting Factory and thinking - how is it possible for someone to have an office job? How do you survive this kind of shit? There is something particularly perverse and damaging about sitting at a desk for 8 hours, and to top it off, I was in a basement. I’d decided that I did not have the talent to make music - at 22 or 23 - I was too old. But a few friends still thought that playing music - just that abstract idea with absolutely no ambition attached - was desirable and possible in New York City\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e. But the gang with whom I shared these vague dreams were not in New York yet. So I was adrift, watching a few friends scramble to play shitty shows at places like the Spiral and a threadbare CBs Gallery. You’d think I would have had some kind of connection because I worked at the Knitting Factory, but the guy who booked the club, a lanky dude named John, once stopped me with a raised finger and an arched eyebrow when I paused in front of his desk, cairns of demo tapes stacked on every surface. In the moment I gathered a breath to speak, he said, “No.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere was a pause.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I will not book your band here so don’t even ask.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut yeah - I was a drummer - even though my drums had not migrated to the city yet. I did not have a permanent place to live. But as I hung out with the various interns who lurked around the Knit’s basement office - it emerged that one of them (perhaps on the same day he arrived toting a full set of audio gear, having just recorded his entire subway ride) knew a couple of guys who were looking for a drummer. Having no prospects - I was happy to meet them.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris Lee was the guitarist (now an Episcopal priest at Grace Church Brooklyn) and Scott Daniel the sax man who we nicknamed “Captain Jazz” (later turned tennis pro, now retired and living in Brooklyn playing acoustic finger-style guitar). They met each other at Mondo Kim’s: a multi-storied record shop and video store that was a kind of apex of hip cultural retail NYC. Right off Cooper Square on St Mark’s Place, it deserves a book all it’s own. Before the internet was populated with the entire history of recorded music - Kim’s was the place to surf for new sounds under the contemptuous gaze of the sullen staff. It was here that Chris and Scott gravitated towards each other. The way they tell it, in the absurd melange of the ultra knowledgeable that constituted the Kim’s staff, they were as normal and down to earth as possible for ESP Records hounds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpeaking of which, the ESP catalog was the perfect amalgam of the threads that Chris and Scott were following - the sleazy White punk of The Godz and The Fugs shared a catalog with the Black loft jazz of Sonny Simmons, Albert Ayler and Milford Graves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris was also obsessed with The Dirty Three and was looking to form a trio with a melodic instrument to go along with his guitar. He was getting into free jazz at the same time, so adding Scott on alto made sense.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I was trying to play like Sonny Sharrock - not well. The tunings were all open chords - they weren’t dissonant tunings. It was all about unison, open, ringing sounds with tons of overtones. That all comes from My Bloody Valentine and the Cocteau Twins. That was my base. Kevin Shields was about as good as I could get technique-wise,” Chris told me recently.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eScott came from Minneapolis and had transitioned from punk bass, to standup, then on to alto sax. He took lessons with David Murray’s arranger Benny Russell at the Brooklyn Conservatory of Music. He had only been playing the horn for about 5 years when he and Chris started jamming together at Chris’s 2nd floor apartment on 16th St and 8th Ave in Park Slope Brooklyn.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris came out to a forgettable show at the Knitting Factory, and brought me a cassette of influences. The tape was programmed with tracks by the Dirty Three, Albert Ayler, and the Sun City Girls. I dutifully checked the tunes out and we made plans to jam at the Ludlow Street Studios - a basement-level rehearsal spot down the block from Katz’s Deli on the Lower East Side. The dingy rooms were equipped with amps, drums, PAs and a cassette deck for recording. We think that perhaps a few of the tunes that made the album in your hands were from our first meeting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was struck by Chris’s wild, emotional guitar playing and Scott’s empathetic, succinct phrasing. These guys listened a lot for young dudes in their early 20s. I tried to fit myself into the spaces - charged up by the old guard heads I was mingling with at the Knitting Factory: Sonny Murray, who demanded weed before he went on stage, Rashied Ali, whose wrists were bound to treat some intractable carpal tunnel, and Andrew Cyrille, whose ferocious, delicate and stoic performances kept me guessing. I had just come from a few months in Amsterdam, plopping myself down at the BimHuis every night, seeing all kinds of Dutch legends play to small audiences. I stirred in a little Han Bennink. I was flailing as well. Any technical shortcomings I had were papered over by shear audacity and unearned confidence. All fairly new to the city, we became fast friends and collaborators.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSince rehearsal space was at a premium I asked the band if they’d be open to waking up early to practice in the basement of the Knitting Factory. The club had backline - drums and amps - and the Alterknit Theater was soundproofed. We would arrive at around 8am - I would brew some coffee at the upstairs bar - and then we’d play for a couple of hours before I started work at 10:30am.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe learned a few songs - Albert Ayler’s “Ghosts” for one - but quickly realized that we ended up in more interesting places without the heads. “Let’s just shred,” was our mantra.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOur first show was opening for an experimental theater performance of “American Interference” at the Angel Orensanz Center. It was written and directed by Josh Fox - who went on to direct the anti-fracking documentary Gasland (among many other films). We played for about 20 minutes before the show started. We can’t remember if we were paid. Contacted for these liner notes Fox barely remembered our participation. We set up in a corner in front of the stage and we asked our friend Barry London to record us onto a 4-track cassette machine. He set up mics and we started.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter we jammed, he approached us and said - “OK I have levels. Let me know when you’re gonna do your set.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThat was the set!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBarry did manage to record a second show - but we can’t find the tape.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e***\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe arrived in NYC during the very last gasps of the hollowed out 80s. We played the very well lit 5th Street squat with Gold Sparkle Quartet and Sunday Puncher, a mere week before a small fire led to the building’s destruction by wrecking ball.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere were sets at ABC No Rio and the Alterknit - the small 80 person capacity room where we had morning rehearsals at the Knitting Factory. Eventually we were granted a show there, but it was probably after I took over the role of booking the club. I remember hearing that Thurston Moore came to a set and dug it, that would have been very exciting to us. Somehow the NYC shows were well attended and in the heat and the rattling crescendos, one of Scott’s friends passed out. That was the vibe.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith no significant attachments, and a naive understanding of the music business, we played constantly over the course of that year, touring around the North East and Mid-Atlantic and recording at what feels like in retrospect, an absurdly breakneck pace. Because of my connections at the Knitting Factory, we sometimes played with jazz groups that were more left of center, but still jazz. Our thing was less refined and way more punk. In Baltimore, we played with a band led by a saxophonist whose day job was with the Tommy Dorsey Band. He happened to be really into Evan Parker. But our unstudied thing did not go over well. Chris remembers, “The guitar player wanted to kick my ass after the gig - he thought I was the biggest charlatan in the world. He had come up as a punk rocker but had learned jazz guitar. I got up there, six beers in, and afterwards he wouldn’t talk to me. He wanted nothing to do with us.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eShortly following our second tour - the band broke up. By that time - we’d hit a wall. Scott says now, “I remember asking ourselves, ‘what does it mean to improvise? We say we’re free but every gig kind of sounds the same. Why don’t we dance?’” So Chris and Scott started vocalizing and dancing on stage in the mode of Min Tanaka. They’d seen him perform solo at PS122. As I write this now, I do remember feeling a bit uneasy about the turn towards vocalizing and dance. But I was crawling around the floor rattling my heavy molded plastic cymbal case.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe guys had to remind me how disappointed I was about the break up. Shortly after Mishagas split, Oneida became more of a priority. Our first album came out in the fall of 1997 and we toured for about 3 months. I was hurt that Mishagas ended, but I poured myself into Oneida. Honestly, my time at the Knit had really soured me on the personalities of the NYC jazz scene. I stopped doing improv until I started playing with Jim Sauter in 2012 or so.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eScott moved to Seattle with his soon-to-be wife Nancy and opened an art gallery connected to a store dealing in mid-century modern furniture. Around the same time, Scott decided to release a CD of material from our time together. The CD came in a slim white cardboard sleeve with no spine. Chris designed a hand stamp that impressed “POE(1)MISHAGASlive” on the cover. The back was stamped with the label name, “Proof of Existence,” and Scott’s Seattle address. Proof of Existence - a label that no one’s heard of until now. The CD, from which most of this collection is drawn, was not exactly “Live” in the traditionally understood sense. The recordings were not all from a concert in front of an audience. Some were - but others were recorded at various home studio set ups. We simply meant - the music was created on the spot, no matter the context. These nuances were only clear to the three of us - or maybe not even that.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUnsurprisingly, the release fell through the cracks. Sure it’s tough stuff and not for everyone. The package had no spine, listed no credits or song titles or much identifying information at all. Scott never received a fan letter. It’s a peak of a kind of willful obscurantism that felt intriguing, but was maybe dumb. The CD was distributed by a few outlets and reviewed in the Wire, Willamette Week and no one else. Tom Ridge, writing for The Wire, called us “an exhilarating, combustible mixture of free jazz and avant-rock” - which I’ll take.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut despite the fact that the group barely made a whimper, and is remembered by almost no one - I still would occasionally find myself listening to the album and being moved by the noise, the dedication, and the guileless openness of it all. I always felt like we had something and I was sad, especially when I got back into improvisation after fifteen years of rock and roll, that this stuff was never heard.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris went on to record a number of great solo albums with no reference to our kind of thing. Oneida kept moving forward - we have a new album coming out this year. But Mishagas, during our short time alive, was as real as we might have ever gotten.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEnjoy the shred\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Mishagas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYのフリージャズバンドMishagasが、2022年11月に同国テキサスのジャズレーベルAstral Spiritsからリリースしたレコードです。 1996-1997年に録音したフリージャズ14曲を収録。 John Colpitts - DrumsScott Daniel - Alto SaxChris Lee - Guitar...
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{"id":7972790206714,"title":"KVL \/\/ Volume 2 LP","handle":"kvl-volume-2-lp","description":"\u003cp\u003eアメリカ・シカゴのジャズトリオKVLが、2023年4月に同国テキサスのジャズレーベルAstral Spiritsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eタイトでミニマルな実験ジャズ10曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4154929910\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBlack 12\" vinyl 1st edition of 300. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAstral Spirits:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eVolume 2 is the long awaited followup from the all-star Chicago trio of QUIN KIRCHNER, DANIEL VAN DUERM \u0026amp; MATTHEW LUX. Although it's been three years since their debut, Volume 1, KVL has continued to hone their brand of call-it-whatever-you-want jazz, keeping many of the same meditative and ambient qualities as their previous album, but expressed in new and different ways - Van Duerm's repetitive and winding organ lines on \"Absent Crash,\" Kirchner's steady \u0026amp; insistent \"Compared to What\" beat in \"Pink Void,\" and Lux's steady \u0026amp; subtle bass lines throughout.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut that's not to say this a rehash of their previous work, as Marcus J. Moore astutely noted at the end of his 2019 review of Volume 1,\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"On an album full of lush tranquility, “Bladewalker” snaps you back to reality while foreshadowing KVL’s next move.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnd Volume 2 does step boldly into new territory. The trio gives us the wild free jazz of \"Percival's Dilemma,\" the meeting of electro and afrobeat on \"Microvibe,\" and finally, \"Interconnectivity Suite,\" a stunning 10 minute journey through fields of experimental electronics, dub groove rhythm section interludes that are so tight you could wind your clock to them, ruminative electric piano and eventually ending back into a world of lush\u003cspan class=\"bcTruncateMore\"\u003e tranquility.\u003cbr\u003e\u003cbr\u003eKVL isn't coming back around full circle, rather Volume 2 finds KVL expanding and refining their sonic palette. A focus on looking forward instead of behind, and giving us yet another glimpse of what is to come in the future. But for right now, Volume 2 sounds just right coming out of my speakers and I couldn't be happier.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : KVL\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-13T07:27:29+09:00","created_at":"2023-05-09T15:06:45+09:00","vendor":"Tobira Records","type":"","tags":["Astral Spirits","jazz","lp"],"price":338000,"price_min":338000,"price_max":338000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44222379000058,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"KVL \/\/ Volume 2 LP","public_title":null,"options":["Default Title"],"price":338000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kvl1.jpg?v=1683612407","\/\/tobirarecords.com\/cdn\/shop\/files\/kvl2.jpg?v=1683612407"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kvl1.jpg?v=1683612407","options":["Title"],"media":[{"alt":null,"id":31944688468218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kvl1.jpg?v=1683612407"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kvl1.jpg?v=1683612407","width":700},{"alt":null,"id":31944688500986,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kvl2.jpg?v=1683612407"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kvl2.jpg?v=1683612407","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのジャズトリオKVLが、2023年4月に同国テキサスのジャズレーベルAstral Spiritsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eタイトでミニマルな実験ジャズ10曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4154929910\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBlack 12\" vinyl 1st edition of 300. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAstral Spirits:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eVolume 2 is the long awaited followup from the all-star Chicago trio of QUIN KIRCHNER, DANIEL VAN DUERM \u0026amp; MATTHEW LUX. Although it's been three years since their debut, Volume 1, KVL has continued to hone their brand of call-it-whatever-you-want jazz, keeping many of the same meditative and ambient qualities as their previous album, but expressed in new and different ways - Van Duerm's repetitive and winding organ lines on \"Absent Crash,\" Kirchner's steady \u0026amp; insistent \"Compared to What\" beat in \"Pink Void,\" and Lux's steady \u0026amp; subtle bass lines throughout.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut that's not to say this a rehash of their previous work, as Marcus J. Moore astutely noted at the end of his 2019 review of Volume 1,\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"On an album full of lush tranquility, “Bladewalker” snaps you back to reality while foreshadowing KVL’s next move.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnd Volume 2 does step boldly into new territory. The trio gives us the wild free jazz of \"Percival's Dilemma,\" the meeting of electro and afrobeat on \"Microvibe,\" and finally, \"Interconnectivity Suite,\" a stunning 10 minute journey through fields of experimental electronics, dub groove rhythm section interludes that are so tight you could wind your clock to them, ruminative electric piano and eventually ending back into a world of lush\u003cspan class=\"bcTruncateMore\"\u003e tranquility.\u003cbr\u003e\u003cbr\u003eKVL isn't coming back around full circle, rather Volume 2 finds KVL expanding and refining their sonic palette. A focus on looking forward instead of behind, and giving us yet another glimpse of what is to come in the future. But for right now, Volume 2 sounds just right coming out of my speakers and I couldn't be happier.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : KVL\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのジャズトリオKVLが、2023年4月に同国テキサスのジャズレーベルAstral Spiritsからリリースしたレコードです。 タイトでミニマルな実験ジャズ10曲を収録。 レーベルその他作品はこちら /// Click here to see more Astral Spirits releases available at Tobira. --------------------------------- Black...
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{"id":7972788011258,"title":"Aaron Leaney feat. Guy Thouin \/\/ Lockdown LP","handle":"aaron-leaney-feat-guy-thouin-lockdown-lp","description":"\u003cp\u003eカナダ・モントリオールのサックス奏者Aaron LeaneyとパーカッショニストGuy Thouinが、2023年3月にアメリカ・テキサスのジャズレーベルAstral Spiritsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eサックスやムビラ、アフリカンフルートによるエキゾチックなフリージャズ9曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2343372428\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/wLHs6V8w-h4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. 1st edition of 400.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAARON LEANEY - Tenor \u0026amp; Alto Saxophones, Mbira, Flulani Flute, Kathak Brass Bells\u003cbr\u003eGUY THOUIN - Drums, Cymbals, Kick Drums, Toms, Tablas, Cow Bell, Gongs, Percussion\u003cbr\u003eRecorded and Mixed by Radwani Ghazi Moumneh, November 23-25, 2021, at Thee Mighty Hotel2Tango\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Aaron Leaney feat. Guy Thouin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-10T06:07:46+09:00","created_at":"2023-05-09T15:04:07+09:00","vendor":"Tobira Records","type":"","tags":["Astral Spirits","jazz","lp"],"price":328000,"price_min":328000,"price_max":328000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44222368284922,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Aaron Leaney feat. Guy Thouin \/\/ Lockdown LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aa1_7292921c-8261-468e-a93c-8c01c24f30a1.jpg?v=1683612248","\/\/tobirarecords.com\/cdn\/shop\/files\/aa2_efb8b7da-3fdf-4230-84f6-b1ac9d794bef.jpg?v=1683612249"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa1_7292921c-8261-468e-a93c-8c01c24f30a1.jpg?v=1683612248","options":["Title"],"media":[{"alt":null,"id":31944664875258,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa1_7292921c-8261-468e-a93c-8c01c24f30a1.jpg?v=1683612248"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa1_7292921c-8261-468e-a93c-8c01c24f30a1.jpg?v=1683612248","width":700},{"alt":null,"id":31944664908026,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa2_efb8b7da-3fdf-4230-84f6-b1ac9d794bef.jpg?v=1683612249"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa2_efb8b7da-3fdf-4230-84f6-b1ac9d794bef.jpg?v=1683612249","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・モントリオールのサックス奏者Aaron LeaneyとパーカッショニストGuy Thouinが、2023年3月にアメリカ・テキサスのジャズレーベルAstral Spiritsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eサックスやムビラ、アフリカンフルートによるエキゾチックなフリージャズ9曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2343372428\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/wLHs6V8w-h4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. 1st edition of 400.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAARON LEANEY - Tenor \u0026amp; Alto Saxophones, Mbira, Flulani Flute, Kathak Brass Bells\u003cbr\u003eGUY THOUIN - Drums, Cymbals, Kick Drums, Toms, Tablas, Cow Bell, Gongs, Percussion\u003cbr\u003eRecorded and Mixed by Radwani Ghazi Moumneh, November 23-25, 2021, at Thee Mighty Hotel2Tango\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Aaron Leaney feat. Guy Thouin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits\u003c\/span\u003e\u003c\/p\u003e"}
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カナダ・モントリオールのサックス奏者Aaron LeaneyとパーカッショニストGuy Thouinが、2023年3月にアメリカ・テキサスのジャズレーベルAstral Spiritsからリリースした共作レコードです。 サックスやムビラ、アフリカンフルートによるエキゾチックなフリージャズ9曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Astral Spirits releases available at Tobira....
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{"id":7972785684730,"title":"David Lord \/\/ Forest Standards Vol. 3 LP","handle":"david-lord-forest-standards-vol-3-lp","description":"\u003cp\u003eカナダ・モントリオールのギタリストDavid Lordが、2023年4月にアメリカ・テキサスのジャズレーベルAstral Spiritsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ〜ラウンジ・ジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1667462272\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=348513713\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1667462272\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st edition of 500. Black 12\" vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eAnthony Dean-Harris (San Antonio, Texas) via Astral Spirits:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWhat is a standard to a forest? What makes that different to what’s a standard, in that jazz classic compositional sense, to a desert? To a city? To a suburb? To a plain? A wetland? A grove? The only thing standard in a forest, like any other environment, is the search for balance. Nature seeks an equilibrium and, given enough time, it finds it. It’s the only way to ensure survival and growth.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor three albums, David Lord has been exploring this idea, seeking out some sense of the ethereal, with drummer Chad Taylor and producer Chris Schlarb, his only constant companions. All the while, on Lord’s solo ventures under his own name (and even in his prior work under the nom de plume Francis Moss), he’s finding new ways to examine the interconnectivity of trees, of fungi, of ecosystems brought together in harmony and just what that would be for people to make that kind of harmony for ourselves. This third volume is merely the latest iteration of that idea, the results of the latest planted seeds. The ensemble is a bit larger, and so are the ideas, but that’s also how growth tends to work in the forest if things are going right.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen Taylor opens up on the kit midway through “Trees Yield Tomte” and all of Lord’s and Nathan Hubbard’s arpeggios start darting around corners, it’s a fun break that doesn’t feel at all like it’s\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e coming from the Christmas goblin of the song’s namesake. Christine Tavolacci’s flute on “In Woods I Know” add that sense of mystery like a concerning wind two the trees on a hike that could make an adventurous turn. How much of David Tranchina’s bass acts the propulsive force of “Infant Elm” as much as Chad Taylor’s drumming? Is Lord’s glockenspiel this album series’ paprika? Its nutmeg?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOne song after the other, just like the two albums before this one, seem to come from the earth itself and made to fill one’s ears while taking expeditions into nature's unknown. What makes these albums special is that David Lord knows the atmosphere he's making with this music and in each iteration of his chosen musicians to pull off these ideas, he's chosen just the right people at just the right time to go with the flow. He's made balance as nature does, as forests do. Like wind through leaves, like rustling branches, like birds swooping overhead, these are standards to a forest, and hopefully they are to us mere humans as well.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : David Lord\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-11T13:19:14+09:00","created_at":"2023-05-09T15:02:04+09:00","vendor":"Tobira Records","type":"","tags":["Astral Spirits","jazz","lp"],"price":338000,"price_min":338000,"price_max":338000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44222362026234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"David Lord \/\/ Forest Standards Vol. 3 LP","public_title":null,"options":["Default Title"],"price":338000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fo1_8439fcec-e7bd-47b8-ba7d-5b49b9026f3a.jpg?v=1683612126","\/\/tobirarecords.com\/cdn\/shop\/files\/fo2_6411a796-32de-4dae-8270-bad60de6a406.jpg?v=1683612126"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo1_8439fcec-e7bd-47b8-ba7d-5b49b9026f3a.jpg?v=1683612126","options":["Title"],"media":[{"alt":null,"id":31944639447290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo1_8439fcec-e7bd-47b8-ba7d-5b49b9026f3a.jpg?v=1683612126"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo1_8439fcec-e7bd-47b8-ba7d-5b49b9026f3a.jpg?v=1683612126","width":700},{"alt":null,"id":31944639480058,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo2_6411a796-32de-4dae-8270-bad60de6a406.jpg?v=1683612126"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo2_6411a796-32de-4dae-8270-bad60de6a406.jpg?v=1683612126","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・モントリオールのギタリストDavid Lordが、2023年4月にアメリカ・テキサスのジャズレーベルAstral Spiritsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ〜ラウンジ・ジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1667462272\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=348513713\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1667462272\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st edition of 500. Black 12\" vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eAnthony Dean-Harris (San Antonio, Texas) via Astral Spirits:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWhat is a standard to a forest? What makes that different to what’s a standard, in that jazz classic compositional sense, to a desert? To a city? To a suburb? To a plain? A wetland? A grove? The only thing standard in a forest, like any other environment, is the search for balance. Nature seeks an equilibrium and, given enough time, it finds it. It’s the only way to ensure survival and growth.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor three albums, David Lord has been exploring this idea, seeking out some sense of the ethereal, with drummer Chad Taylor and producer Chris Schlarb, his only constant companions. All the while, on Lord’s solo ventures under his own name (and even in his prior work under the nom de plume Francis Moss), he’s finding new ways to examine the interconnectivity of trees, of fungi, of ecosystems brought together in harmony and just what that would be for people to make that kind of harmony for ourselves. This third volume is merely the latest iteration of that idea, the results of the latest planted seeds. The ensemble is a bit larger, and so are the ideas, but that’s also how growth tends to work in the forest if things are going right.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen Taylor opens up on the kit midway through “Trees Yield Tomte” and all of Lord’s and Nathan Hubbard’s arpeggios start darting around corners, it’s a fun break that doesn’t feel at all like it’s\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e coming from the Christmas goblin of the song’s namesake. Christine Tavolacci’s flute on “In Woods I Know” add that sense of mystery like a concerning wind two the trees on a hike that could make an adventurous turn. How much of David Tranchina’s bass acts the propulsive force of “Infant Elm” as much as Chad Taylor’s drumming? Is Lord’s glockenspiel this album series’ paprika? Its nutmeg?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOne song after the other, just like the two albums before this one, seem to come from the earth itself and made to fill one’s ears while taking expeditions into nature's unknown. What makes these albums special is that David Lord knows the atmosphere he's making with this music and in each iteration of his chosen musicians to pull off these ideas, he's chosen just the right people at just the right time to go with the flow. He's made balance as nature does, as forests do. Like wind through leaves, like rustling branches, like birds swooping overhead, these are standards to a forest, and hopefully they are to us mere humans as well.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : David Lord\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits\u003c\/span\u003e\u003c\/p\u003e"}
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カナダ・モントリオールのギタリストDavid Lordが、2023年4月にアメリカ・テキサスのジャズレーベルAstral Spiritsからリリースしたレコードです。 スピリチュアル・ジャズ〜ラウンジ・ジャズ10曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more Astral Spirits releases available at Tobira....
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{"id":7972763730170,"title":"memotone \/\/ How Was Your Life? LP","handle":"memotone-how-was-your-life-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eイギリス・ブリストルのマルチ奏者Memotoneが、2023年5月にアメリカ・NYの実験／ダンスレーベル\u003c\/span\u003ePatience \/ Impatience\u003cspan\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eエキゾチックなエレクトロニック・ジャズ\u003cmeta charset=\"utf-8\"\u003eフュージョン8曲を収録。カテゴライズするのがとても難しい一枚です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1259194236\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Patience \/ Impatience releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003ePatience \/ Impatience:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBristol multi-instrumentalist, producer and nature freak Will Yates offers a new record from his Memotone alias, an expansive, hypothetical revue titled How Was Your Life?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLaunching from terrains recognizable to fans of Will’s extensive, restless discography, How Was Your Life? packs up his penchant for baroque druid folk, homespun electronics and weightless woodwinds and explodes them into glistening, fractal star dust.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eInstigated by the purchase of an antiquated Y2K era guitar synthesizer, the record was produced over the first half of 2022, in a large part the result of in-studio improvisation. Where Will’s previous releases under various guises have often been conceived by conceptual frameworks, HWYL? was carved by equipment that offered both possibilities and parameters that Will relished and explored to the nth degree. The Roland GR33 not only provided sublime guitar sounds but also empowered the guitar to convincingly mimic fretless bass, tabla and a vast percussive array, also summoning an artillery of uniquely outre atmospheres over the course of the record. The resulting concoction sounds familiar yet subtly, unshakeably otherworldly, shaping up as perhaps the most honed, energized and beatific Memotone album\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e to date.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eParadise Drips gently lifts off with wobbly guitar, randomized sequences and unidentifiable percussive elements situating us somewhere in an unearthly realm, before Open World zaps the serotonin receptors and gushes with ecstatic warmth, it’s quietly insistent soft disco shuffle and levitational fretless driving towards a totally blissed and very soft “drop”. Forest Zone sees Memotone deep in the green, with a loose, propulsive groove and dancing flutes stumbling into a medieval ritual in the clearing halfway through, and Glow In The Dark deftly bounces between spacey ambience and an undulating no wave vamp. Carved By The Moon is a delightfully melted classical cut, while Canteen Sandwich offers the record’s most explicitly nod to modernity in the form of a nimble drum workout with samurai synths and melodic percussion that heaves towards a genuine peak. Lonehead immediately backs right off, viscerally melancholic clarinet and bubbling fx making for the records most hefty introspective moment, before Walking Backwards simmers all the way down on an wistful arpeggio, rooting back in earthly reality with charmed rhythms and jazzy tunings. Catharsis complete, Memotone is onto the next incarnation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWill Yates has been making music as Memotone since 2010, releasing music on labels like Black Acre, Disktopia and Accidental Meetings, also releasing music as O.G. Jigg and Half Nelson. He’s worked as a producer, session musician and live performer on a broad spectrum of projects, and recently provided source sounds that made up Batu’s “Opal” on Timedance.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : memotone\u003c\/p\u003e\n\u003cp\u003eLabel : Patience \/ Impatience\u003c\/p\u003e","published_at":"2023-05-09T15:15:42+09:00","created_at":"2023-05-09T14:34:51+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","patience impatience","strange beats"],"price":367000,"price_min":367000,"price_max":367000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44222278336762,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"memotone \/\/ How Was Your Life? LP","public_title":null,"options":["Default Title"],"price":367000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/how1.jpg?v=1683610493","\/\/tobirarecords.com\/cdn\/shop\/files\/how2.jpg?v=1683610493"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/how1.jpg?v=1683610493","options":["Title"],"media":[{"alt":null,"id":31944419279098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/how1.jpg?v=1683610493"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/how1.jpg?v=1683610493","width":700},{"alt":null,"id":31944419311866,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/how2.jpg?v=1683610493"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/how2.jpg?v=1683610493","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eイギリス・ブリストルのマルチ奏者Memotoneが、2023年5月にアメリカ・NYの実験／ダンスレーベル\u003c\/span\u003ePatience \/ Impatience\u003cspan\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eエキゾチックなエレクトロニック・ジャズ\u003cmeta charset=\"utf-8\"\u003eフュージョン8曲を収録。カテゴライズするのがとても難しい一枚です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1259194236\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Patience \/ Impatience releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003ePatience \/ Impatience:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBristol multi-instrumentalist, producer and nature freak Will Yates offers a new record from his Memotone alias, an expansive, hypothetical revue titled How Was Your Life?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLaunching from terrains recognizable to fans of Will’s extensive, restless discography, How Was Your Life? packs up his penchant for baroque druid folk, homespun electronics and weightless woodwinds and explodes them into glistening, fractal star dust.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eInstigated by the purchase of an antiquated Y2K era guitar synthesizer, the record was produced over the first half of 2022, in a large part the result of in-studio improvisation. Where Will’s previous releases under various guises have often been conceived by conceptual frameworks, HWYL? was carved by equipment that offered both possibilities and parameters that Will relished and explored to the nth degree. The Roland GR33 not only provided sublime guitar sounds but also empowered the guitar to convincingly mimic fretless bass, tabla and a vast percussive array, also summoning an artillery of uniquely outre atmospheres over the course of the record. The resulting concoction sounds familiar yet subtly, unshakeably otherworldly, shaping up as perhaps the most honed, energized and beatific Memotone album\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e to date.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eParadise Drips gently lifts off with wobbly guitar, randomized sequences and unidentifiable percussive elements situating us somewhere in an unearthly realm, before Open World zaps the serotonin receptors and gushes with ecstatic warmth, it’s quietly insistent soft disco shuffle and levitational fretless driving towards a totally blissed and very soft “drop”. Forest Zone sees Memotone deep in the green, with a loose, propulsive groove and dancing flutes stumbling into a medieval ritual in the clearing halfway through, and Glow In The Dark deftly bounces between spacey ambience and an undulating no wave vamp. Carved By The Moon is a delightfully melted classical cut, while Canteen Sandwich offers the record’s most explicitly nod to modernity in the form of a nimble drum workout with samurai synths and melodic percussion that heaves towards a genuine peak. Lonehead immediately backs right off, viscerally melancholic clarinet and bubbling fx making for the records most hefty introspective moment, before Walking Backwards simmers all the way down on an wistful arpeggio, rooting back in earthly reality with charmed rhythms and jazzy tunings. Catharsis complete, Memotone is onto the next incarnation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWill Yates has been making music as Memotone since 2010, releasing music on labels like Black Acre, Disktopia and Accidental Meetings, also releasing music as O.G. Jigg and Half Nelson. He’s worked as a producer, session musician and live performer on a broad spectrum of projects, and recently provided source sounds that made up Batu’s “Opal” on Timedance.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : memotone\u003c\/p\u003e\n\u003cp\u003eLabel : Patience \/ Impatience\u003c\/p\u003e"}
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イギリス・ブリストルのマルチ奏者Memotoneが、2023年5月にアメリカ・NYの実験／ダンスレーベルPatience / Impatienceからリリースしたレコードです。 エキゾチックなエレクトロニック・ジャズフュージョン8曲を収録。カテゴライズするのがとても難しい一枚です。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Patience / Impatience releases available at...
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