contemporary / sound poetry
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{"id":7845880332538,"title":"Dickie Landry \u0026 Lawrence Weiner \/\/ Having Been Built on Sand LP","handle":"dickie-landry-lawrence-weiner-having-been-built-on-sand-lp","description":"\u003cp\u003eアメリカ・ルイジアナの大御所サックス奏者Dickie LandryとコンセプチュアルアーティストLawrence Weinerが、2022年10月に同国Unseen Worldsからリリースした2枚組レコードです。(オリジナルは1978年リリース)\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリーを交えたコンテンポラリージャズ8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1884844406\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003ehere\u003c\/a\u003e to see more Unseen Worlds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUnseen Worlds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 1978 Having Been Built on Sand was conceived as a vinyl edition and released by the Rüdiger Schöttle gallery in Munich with sleeve design by Weiner. The piece consists of eight untitled tracks. Lawrence Weiner, Tina Girouard, and Britta Le Va recite text with Dickie Landry’s woodwinds, all recorded in the natural reverb of Robert Rauschenberg’s studio, a former mission and chapel in Lower Manhattan. Layering Girouard in English, Le Va in German, and Weiner in English and German blocks of related or physically proximal texts repeat, invert, and intersect with Landry’s music as a constant. The layers of text and sound have meanings that fluctuate in complexity and scope, and like much of Weiner’s work, beyond mere facts.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe first piece is a trio for Landry’s keening tenor, repeating winnowed but breathy lines that contrast with and buoy Le Va’s clear, husky phrases, building in intensity as Weiner, in English, offers statements that are caught just off mic. The third cut adds Girouard, and one can hear woven parallels in the two women’s voices, cadences, and pitches, with Weiner’s cutting inflection dancing amid them. Landry’s bass clarinet is rich in its warble, full and gentle with woody footfalls that demarcate shapes through the chorus\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Vocal rhythmic cycles, wordless in nature, are the energy that courses through the fourth song, urgent and sweaty as Weiner recites statements of political position in the Middle Ages, Le Va declaiming alongside in German. On soprano saxophone for the fifth tune, Landry pierces and darts in a bright manner in a private dialogue with himself, echoing Steve Lacy as female voices nearly bury one another in closely valued hues. Weiner, meanwhile, volleys between the LP’s title phrase and cornerstone proclamations such as “the artist may construct the piece. The piece may be fabricated. The piece need not be built.” The closing cut makes curious use of delay and alto flute, Landry’s breath and the inherent percussiveness of the instrument’s keys creating a slick rhythmic support that courses through overlapping vocal phrases, advancing and receding declarations of presence and intent.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dickie Landry \u0026amp; Lawrence Weiner \u003c\/p\u003e\n\u003cp\u003eLabel : Unseen Worlds\u003c\/p\u003e","published_at":"2022-11-24T15:38:03+09:00","created_at":"2022-11-22T16:01:58+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","jazz","lp","unseen worlds"],"price":358000,"price_min":358000,"price_max":358000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43672918262010,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Dickie Landry \u0026 Lawrence Weiner \/\/ Having Been Built on Sand LP","public_title":null,"options":["Default Title"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_490bd2df-37fa-4fb0-8c37-274c896bbcbb.jpg?v=1669100519","\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_781f6af6-feb9-4f8e-b010-7d824c9cd338.jpg?v=1669100519"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_490bd2df-37fa-4fb0-8c37-274c896bbcbb.jpg?v=1669100519","options":["Title"],"media":[{"alt":null,"id":31050278306042,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_490bd2df-37fa-4fb0-8c37-274c896bbcbb.jpg?v=1669100519"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_490bd2df-37fa-4fb0-8c37-274c896bbcbb.jpg?v=1669100519","width":700},{"alt":null,"id":31050278338810,"position":2,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_781f6af6-feb9-4f8e-b010-7d824c9cd338.jpg?v=1669100519"},"aspect_ratio":1.425,"height":842,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_781f6af6-feb9-4f8e-b010-7d824c9cd338.jpg?v=1669100519","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ルイジアナの大御所サックス奏者Dickie LandryとコンセプチュアルアーティストLawrence Weinerが、2022年10月に同国Unseen Worldsからリリースした2枚組レコードです。(オリジナルは1978年リリース)\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリーを交えたコンテンポラリージャズ8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1884844406\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003ehere\u003c\/a\u003e to see more Unseen Worlds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUnseen Worlds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 1978 Having Been Built on Sand was conceived as a vinyl edition and released by the Rüdiger Schöttle gallery in Munich with sleeve design by Weiner. The piece consists of eight untitled tracks. Lawrence Weiner, Tina Girouard, and Britta Le Va recite text with Dickie Landry’s woodwinds, all recorded in the natural reverb of Robert Rauschenberg’s studio, a former mission and chapel in Lower Manhattan. Layering Girouard in English, Le Va in German, and Weiner in English and German blocks of related or physically proximal texts repeat, invert, and intersect with Landry’s music as a constant. The layers of text and sound have meanings that fluctuate in complexity and scope, and like much of Weiner’s work, beyond mere facts.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe first piece is a trio for Landry’s keening tenor, repeating winnowed but breathy lines that contrast with and buoy Le Va’s clear, husky phrases, building in intensity as Weiner, in English, offers statements that are caught just off mic. The third cut adds Girouard, and one can hear woven parallels in the two women’s voices, cadences, and pitches, with Weiner’s cutting inflection dancing amid them. Landry’s bass clarinet is rich in its warble, full and gentle with woody footfalls that demarcate shapes through the chorus\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Vocal rhythmic cycles, wordless in nature, are the energy that courses through the fourth song, urgent and sweaty as Weiner recites statements of political position in the Middle Ages, Le Va declaiming alongside in German. On soprano saxophone for the fifth tune, Landry pierces and darts in a bright manner in a private dialogue with himself, echoing Steve Lacy as female voices nearly bury one another in closely valued hues. Weiner, meanwhile, volleys between the LP’s title phrase and cornerstone proclamations such as “the artist may construct the piece. The piece may be fabricated. The piece need not be built.” The closing cut makes curious use of delay and alto flute, Landry’s breath and the inherent percussiveness of the instrument’s keys creating a slick rhythmic support that courses through overlapping vocal phrases, advancing and receding declarations of presence and intent.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dickie Landry \u0026amp; Lawrence Weiner \u003c\/p\u003e\n\u003cp\u003eLabel : Unseen Worlds\u003c\/p\u003e"}
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アメリカ・ルイジアナの大御所サックス奏者Dickie LandryとコンセプチュアルアーティストLawrence Weinerが、2022年10月に同国Unseen Worldsからリリースした2枚組レコードです。(オリジナルは1978年リリース) サウンドポエトリーを交えたコンテンポラリージャズ8曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Unseen Worlds releases available at...
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{"id":7819580997882,"title":"Henning Christiansen \/\/ OP.176 PENTHESILEA 5xCD","handle":"henning-christiansen-op-176-penthesilea-5xcd","description":"\u003cp\u003eHenning Christiansenアーカイブシリーズの2022年10月最新作です。怒涛の5枚組みCDに32ページのフルカラーブックレットが付属しています。以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"UTF-8\"\u003e演出：カルロ・クァルトゥッチ、劇作家：ハインリヒ・フォン・クライストによる悲劇／劇「ペンテシレイア」（24の場面からなる悲劇）のための音楽。1986年11月8日、イタリア・ローマ、テアトロ・オリンピコにて初演。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e1984年にローゼンフェストで上演されたHC4 2LPの音源を発展させた4時間半の音声作品。このCDは、1986年のローマ・オリンピコ劇場で行われたカルロ・クァルトゥッチ演出の公演のために用意されたバッキング・テープをフル収録した豪華5枚組です（この公演のライブ録音は現在も見つかっていません）。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eヘニングが取り組んだ最も野心的なプロジェクトである「Penthesilea」プロジェクトは、最も成功したプロジェクトのひとつでもあり、この野心的で重要な作品に至るまでに彼が創作活動を通じて培ってきた数々の実験とテクニックを探求するものです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e。ローゼンフェストの録音で取り上げられたフィールドレコーディングが、豊富な新しい音環境とともに紹介されています。馬の\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e蹄や\u003c\/span\u003eボクシングの試合はエレクトロニクスで処理され、別世界のような雰囲気を醸し出します。XIII XIV では、ヘニングの初期のクラシック作品のような瞬間が訪れ、囁くようなゴーストメロディーの中で、穏やかな機械の音が谷間に沈んでいきます。また、プロト・テクノのビートが、かつてローゼンフェストの録音で聴いた雪を踏みつけ、素朴な鳴き声がホルンのソロとなり、さらに、風が激しくなり、物語が激しくなります...。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1910801461\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003ehere\u003c\/a\u003e to see more Henning Christiansen Archive releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHenning Christiansen Archive:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMusic for a tragedy\/play, Penthesilea (tragedy in 24 scenes), by director Carlo Quartucci, 1986, Playwright: Heinrich von Kleist. First performance at Teatro Olimpico, Rome, Italy, on November 8, 1986\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis four and a half hour audio work heavily expands on the foundation laid out for Rosenfest in 1984 as featured on the HC4 2LP release. This lavish 5CD set presents the full backing tape prepared for the performances at Teatro Olímpico, Rome in 1986 as directed by Carlo Quartucci (the live recordings of the performances remain elusive to this day).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe most ambitious project Henning undertook, the Penthesilea project is also one of the most successful as it explores the numerous experiments and techniques he had developed throughout his creative life culminating in this ambitious and significant work. Unheard until now and required listening now.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe full narrative of Kleists text unfolds as an audio excursion for the mind to wander. An audiobook presented as sound. The field recordings featured in Rosenfest recordings are featured alongside a wealth of new sonic environments. Horses trot, a boxing match is treated with electronics creating an otherworldly atmosphere. In the piece ‘XIII XIV’ we encounter moments of Henning’s\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e early classical works only to subside in a valley of gentle machines clacking amongst a whispering ghost melody. Elsewhere a thumping proto-techno beat tramples on the once trampled snow we heard in the Rosenfest recordings, a rustic squeak acts as a horn solo, onwards, the wind gets fiercer, the narrative intensifies…\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFeaturing exceptional performances from Werner Durand (pan-ney, Persian ney and baritone horn with sax mouthpiece), Jan Tilman Schade (violonello and tuba) along with Carla Tatò's almost develish voice and Ernst Kretzer's uncanny soundwork this is a heady unusual cocktail of sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOP. 176 PENTHESILEA is presented as a deluxe 5CD box set with 32 page full colour booklet featuring writings by Villy Sørensen, Mark Harwood, Werner Durand and Henning Christiansen. The set is all housed in a sturdy slip case with original artwork (by Henning Christiansen, scores and performance photos.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll material copyright The Henning Christiansen Archive with the exception of the watercolour paintings in HC5 copyright Edition Block.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e-----\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA previously unreleased project of Henning Christiansen, monumental in scope, traversing years, countries and now, formats. The Henning Christiansen Archive is proud to finally present one of the crown jewels of the archive, the masterpiece ‘Penthesilea’ as a 2LP and 5CD set.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePentheseila is one of the most ambitious works in the entire Henning Christiansen oeuvre. A large-scale work from the mid eighties based on the play of the same name by Heinrich von Kleist (1808). Both Henning and his widow, Ursula Reuter Christiansen, were enthusiastic about Kleist’s text, both making works around the themes within this portent text.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHenning Christiansen first developed a work around this text for the Rosenfest festival performed in Berlin in 1984. Rosenfest was curated by René Block and featured a variety of composers presenting works in response to Kleist’s work including Robert Ashley, \"Blue\" Gene Tyranny etc. Henning formulated a composition utilising tape, field recordings, voice, soprano, and violoncello alongside the home made instruments of Werner Durand.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe live presentation was then expanded upon and first performed two years later at Teatro Olímpico, Rome on the 8th November 1986 as directed by Carlo Quartucci. The two releases presented here include a 2 x vinyl LP of the Rosenfest recordings in 1984 and a 5CD set sharing the four and a half hour backing track prepared for the Teatro Olímpico performance in Rome in 1986. Together these two releases make up a substantial overview of one of the most significant works in the entire Christiansen canon.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Henning Christiansen\u003c\/p\u003e\n\u003cp\u003eLabel : Henning Christiansen Archive\u003c\/p\u003e","published_at":"2022-10-26T10:07:15+09:00","created_at":"2022-10-25T15:24:05+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","monooto","The Henning Christiansen Archive"],"price":648000,"price_min":648000,"price_max":648000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43580771959034,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Henning Christiansen \/\/ OP.176 PENTHESILEA 5xCD","public_title":null,"options":["Default Title"],"price":648000,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/op1_132deae6-07cb-4d13-a156-9f13dc9db9ae.jpg?v=1666679046","\/\/tobirarecords.com\/cdn\/shop\/products\/op2_6b63f74b-8d9a-43f8-a1a6-27f71c2e5fbf.jpg?v=1666679047"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/op1_132deae6-07cb-4d13-a156-9f13dc9db9ae.jpg?v=1666679046","options":["Title"],"media":[{"alt":null,"id":30839920328954,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op1_132deae6-07cb-4d13-a156-9f13dc9db9ae.jpg?v=1666679046"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op1_132deae6-07cb-4d13-a156-9f13dc9db9ae.jpg?v=1666679046","width":700},{"alt":null,"id":30839920361722,"position":2,"preview_image":{"aspect_ratio":0.667,"height":1200,"width":800,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op2_6b63f74b-8d9a-43f8-a1a6-27f71c2e5fbf.jpg?v=1666679047"},"aspect_ratio":0.667,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op2_6b63f74b-8d9a-43f8-a1a6-27f71c2e5fbf.jpg?v=1666679047","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eHenning Christiansenアーカイブシリーズの2022年10月最新作です。怒涛の5枚組みCDに32ページのフルカラーブックレットが付属しています。以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"UTF-8\"\u003e演出：カルロ・クァルトゥッチ、劇作家：ハインリヒ・フォン・クライストによる悲劇／劇「ペンテシレイア」（24の場面からなる悲劇）のための音楽。1986年11月8日、イタリア・ローマ、テアトロ・オリンピコにて初演。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e1984年にローゼンフェストで上演されたHC4 2LPの音源を発展させた4時間半の音声作品。このCDは、1986年のローマ・オリンピコ劇場で行われたカルロ・クァルトゥッチ演出の公演のために用意されたバッキング・テープをフル収録した豪華5枚組です（この公演のライブ録音は現在も見つかっていません）。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eヘニングが取り組んだ最も野心的なプロジェクトである「Penthesilea」プロジェクトは、最も成功したプロジェクトのひとつでもあり、この野心的で重要な作品に至るまでに彼が創作活動を通じて培ってきた数々の実験とテクニックを探求するものです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e。ローゼンフェストの録音で取り上げられたフィールドレコーディングが、豊富な新しい音環境とともに紹介されています。馬の\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e蹄や\u003c\/span\u003eボクシングの試合はエレクトロニクスで処理され、別世界のような雰囲気を醸し出します。XIII XIV では、ヘニングの初期のクラシック作品のような瞬間が訪れ、囁くようなゴーストメロディーの中で、穏やかな機械の音が谷間に沈んでいきます。また、プロト・テクノのビートが、かつてローゼンフェストの録音で聴いた雪を踏みつけ、素朴な鳴き声がホルンのソロとなり、さらに、風が激しくなり、物語が激しくなります...。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1910801461\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003ehere\u003c\/a\u003e to see more Henning Christiansen Archive releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHenning Christiansen Archive:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMusic for a tragedy\/play, Penthesilea (tragedy in 24 scenes), by director Carlo Quartucci, 1986, Playwright: Heinrich von Kleist. First performance at Teatro Olimpico, Rome, Italy, on November 8, 1986\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis four and a half hour audio work heavily expands on the foundation laid out for Rosenfest in 1984 as featured on the HC4 2LP release. This lavish 5CD set presents the full backing tape prepared for the performances at Teatro Olímpico, Rome in 1986 as directed by Carlo Quartucci (the live recordings of the performances remain elusive to this day).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe most ambitious project Henning undertook, the Penthesilea project is also one of the most successful as it explores the numerous experiments and techniques he had developed throughout his creative life culminating in this ambitious and significant work. Unheard until now and required listening now.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe full narrative of Kleists text unfolds as an audio excursion for the mind to wander. An audiobook presented as sound. The field recordings featured in Rosenfest recordings are featured alongside a wealth of new sonic environments. Horses trot, a boxing match is treated with electronics creating an otherworldly atmosphere. In the piece ‘XIII XIV’ we encounter moments of Henning’s\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e early classical works only to subside in a valley of gentle machines clacking amongst a whispering ghost melody. Elsewhere a thumping proto-techno beat tramples on the once trampled snow we heard in the Rosenfest recordings, a rustic squeak acts as a horn solo, onwards, the wind gets fiercer, the narrative intensifies…\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFeaturing exceptional performances from Werner Durand (pan-ney, Persian ney and baritone horn with sax mouthpiece), Jan Tilman Schade (violonello and tuba) along with Carla Tatò's almost develish voice and Ernst Kretzer's uncanny soundwork this is a heady unusual cocktail of sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOP. 176 PENTHESILEA is presented as a deluxe 5CD box set with 32 page full colour booklet featuring writings by Villy Sørensen, Mark Harwood, Werner Durand and Henning Christiansen. The set is all housed in a sturdy slip case with original artwork (by Henning Christiansen, scores and performance photos.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll material copyright The Henning Christiansen Archive with the exception of the watercolour paintings in HC5 copyright Edition Block.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e-----\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA previously unreleased project of Henning Christiansen, monumental in scope, traversing years, countries and now, formats. The Henning Christiansen Archive is proud to finally present one of the crown jewels of the archive, the masterpiece ‘Penthesilea’ as a 2LP and 5CD set.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePentheseila is one of the most ambitious works in the entire Henning Christiansen oeuvre. A large-scale work from the mid eighties based on the play of the same name by Heinrich von Kleist (1808). Both Henning and his widow, Ursula Reuter Christiansen, were enthusiastic about Kleist’s text, both making works around the themes within this portent text.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHenning Christiansen first developed a work around this text for the Rosenfest festival performed in Berlin in 1984. Rosenfest was curated by René Block and featured a variety of composers presenting works in response to Kleist’s work including Robert Ashley, \"Blue\" Gene Tyranny etc. Henning formulated a composition utilising tape, field recordings, voice, soprano, and violoncello alongside the home made instruments of Werner Durand.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe live presentation was then expanded upon and first performed two years later at Teatro Olímpico, Rome on the 8th November 1986 as directed by Carlo Quartucci. The two releases presented here include a 2 x vinyl LP of the Rosenfest recordings in 1984 and a 5CD set sharing the four and a half hour backing track prepared for the Teatro Olímpico performance in Rome in 1986. Together these two releases make up a substantial overview of one of the most significant works in the entire Christiansen canon.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Henning Christiansen\u003c\/p\u003e\n\u003cp\u003eLabel : Henning Christiansen Archive\u003c\/p\u003e"}
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Henning Christiansenアーカイブシリーズの2022年10月最新作です。怒涛の5枚組みCDに32ページのフルカラーブックレットが付属しています。以下、レーベルによる解説です。 演出：カルロ・クァルトゥッチ、劇作家：ハインリヒ・フォン・クライストによる悲劇／劇「ペンテシレイア」（24の場面からなる悲劇）のための音楽。1986年11月8日、イタリア・ローマ、テアトロ・オリンピコにて初演。1984年にローゼンフェストで上演されたHC4 2LPの音源を発展させた4時間半の音声作品。このCDは、1986年のローマ・オリンピコ劇場で行われたカルロ・クァルトゥッチ演出の公演のために用意されたバッキング・テープをフル収録した豪華5枚組です（この公演のライブ録音は現在も見つかっていません）。ヘニングが取り組んだ最も野心的なプロジェクトである「Penthesilea」プロジェクトは、最も成功したプロジェクトのひとつでもあり、この野心的で重要な作品に至るまでに彼が創作活動を通じて培ってきた数々の実験とテクニックを探求するものです。。ローゼンフェストの録音で取り上げられたフィールドレコーディングが、豊富な新しい音環境とともに紹介されています。馬の 蹄やボクシングの試合はエレクトロニクスで処理され、別世界のような雰囲気を醸し出します。XIII XIV では、ヘニングの初期のクラシック作品のような瞬間が訪れ、囁くようなゴーストメロディーの中で、穏やかな機械の音が谷間に沈んでいきます。また、プロト・テクノのビートが、かつてローゼンフェストの録音で聴いた雪を踏みつけ、素朴な鳴き声がホルンのソロとなり、さらに、風が激しくなり、物語が激しくなります...。 レーベルその他作品はこちら /// Click here to see more Henning Christiansen Archive...
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{"id":7811099066618,"title":"Giovanni Di Domenico \u0026 Tatsuhisa Yamamoto \/\/ Mokusatsu TAPE","handle":"giovanni-di-domenico-tatsuhisa-yamamoto-mokusatsu-tape","description":"\u003cp\u003eイタリアのピアニストGiovanni Di Domenicoと日本のパーカッショニストTatsuhisa Yamamotoが、2022年5月にベルギーの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMatiere Memoireから\u003c\/span\u003e90本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e山梨・小渕沢とベルギー・ブリュッセルで録音したロングフォーム・アコースティックアンビエントドローン\u003cspan data-mce-fragment=\"1\"\u003e2曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2424918276\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mame\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mame\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mame\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mame\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Matiere Memoire releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 90.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003erecorded at Hoshi To Niji studio,\u003cbr\u003eKobuchizawa, Japan\u003cbr\u003e\u0026amp; studio W and The Nest Cellar,\u003cbr\u003eBrussels, Belgium in 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Giovanni Di Domenico \u0026amp; Tatsuhisa Yamamoto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eMatiere Memoire\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-10-16T18:36:56+09:00","created_at":"2022-10-16T11:41:18+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","drone","Matiere Memoire","tape"],"price":239000,"price_min":239000,"price_max":239000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43548427976954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Giovanni Di Domenico \u0026 Tatsuhisa Yamamoto \/\/ Mokusatsu TAPE","public_title":null,"options":["Default Title"],"price":239000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_3c82ccdd-ed19-4017-bc1a-bd64897cff92.jpg?v=1665888079","\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_b42312af-0324-4cb2-b391-a740ed0ea077.jpg?v=1665888079"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_3c82ccdd-ed19-4017-bc1a-bd64897cff92.jpg?v=1665888079","options":["Title"],"media":[{"alt":null,"id":30759723073786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_3c82ccdd-ed19-4017-bc1a-bd64897cff92.jpg?v=1665888079"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_3c82ccdd-ed19-4017-bc1a-bd64897cff92.jpg?v=1665888079","width":700},{"alt":null,"id":30759723106554,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_b42312af-0324-4cb2-b391-a740ed0ea077.jpg?v=1665888079"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_b42312af-0324-4cb2-b391-a740ed0ea077.jpg?v=1665888079","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアのピアニストGiovanni Di Domenicoと日本のパーカッショニストTatsuhisa Yamamotoが、2022年5月にベルギーの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMatiere Memoireから\u003c\/span\u003e90本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e山梨・小渕沢とベルギー・ブリュッセルで録音したロングフォーム・アコースティックアンビエントドローン\u003cspan data-mce-fragment=\"1\"\u003e2曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2424918276\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mame\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mame\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mame\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mame\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Matiere Memoire releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 90.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003erecorded at Hoshi To Niji studio,\u003cbr\u003eKobuchizawa, Japan\u003cbr\u003e\u0026amp; studio W and The Nest Cellar,\u003cbr\u003eBrussels, Belgium in 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Giovanni Di Domenico \u0026amp; Tatsuhisa Yamamoto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eMatiere Memoire\u003c\/span\u003e\u003c\/p\u003e"}
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イタリアのピアニストGiovanni Di Domenicoと日本のパーカッショニストTatsuhisa Yamamotoが、2022年5月にベルギーの実験レーベルMatiere Memoireから90本限定でリリースしたカセットです。 山梨・小渕沢とベルギー・ブリュッセルで録音したロングフォーム・アコースティックアンビエントドローン2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Matiere Memoire releases available...
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{"id":7808247333114,"title":"Aleksandra Słyż \/\/ A Vibrant Touch TAPE","handle":"aleksandra-slyz-a-vibrant-touch-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eポーランド・ポズナン\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eの音響作家Aleksandra Słyż が、2022年9月に\u003c\/span\u003eスロバキアの実験／アンビエントレーベルWarm Winterから70本限定で\u003cspan data-mce-fragment=\"1\"\u003eリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eモジュラーとバイオリン、ビオラ、チェロ、アルトサックスによるエレクトロアコースティック・ドローン3曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベル解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eポーランド人作曲家Aleksandra SłyżがWarm Winters Ltd.から2枚目のフルアルバム『A Vibrant Touch』をリリースしました。Pointless Geometryからリリースされたデビュー作『Human Glory』では、2つの異なるアプローチとテクニックを探求しましたが、ここでは、アコースティックと合成音の間につながりを見出し、豊かなドローン構造を作り、ゆっくりとしかし激しく脈打ち、周囲の空間とリスナーの中で共鳴する、彼女独自の道を進んでいることがわかります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「私は、音とその動きを通して経験する身体感覚に関連するプロセスに非常に魅了されています。私は常に音を物理的な現象として、エネルギーの波として、文字通り感じ、物理的に体験できる振動として認識してきました」と彼女は話します。「そのため、当初から特定のアコースティック楽器の録音を使いたいと考えていました。Słyżと彼女のモジュラーシンセサイザーに加わるのは、バイオリン（Kosma Műller）、ビオラ（Kamil Babka）、チェロ（Anna Szmatoła）、アルトサックス（Marcus Wärnheim）の4人組の演奏家たちです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムに収録された3つの作品は、指や弓がチェロの弦を押さえる様子や、誰かがサックスの内側を吹いたときの空気圧など、これらの楽器の音の身体性を探りながら、Słyżによるモジュラーシンセサイザーを巧みに操り、絡み合っています。グリゼイやシェルシのような20世紀のスペクトル作曲家、ジャストイントネーション、ドローンミュージック、マイクロトーナリティをインスピレーションに、このポーランド人作曲家は不協和、緊張、パルスを驚くべき優雅さとパワーで表現しているのです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1781346070\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wwl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wwl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wwl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wwl\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWarm Winters Ltd. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWarm Winters Ltd.:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Polish composer Aleksandra Słyż joins Warm Winters Ltd. with A Vibrant Touch, her second full-length album. While her debut Human Glory released by Pointless Geometry explored two distinct approaches and techniques, here she finds her unique path forward: finding connections between acoustic and synthetic sounds, creating rich drone structures, slowly but intensely pulsing and resonating within the surrounding space and within each listener.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I am very much fascinated by the processes related to the body sensations experienced through sound and its movement. I have always perceived sound as a physical phenomenon, travelling as waves of energy, as vibrations which we can literally feel and physically experience,” she shares. “Therefore, from the very beginning I wanted to use recordings of specific acoustic instruments, which in my opinion beautifully represent the motion itself.” Joining Słyż and her modular synthesizer on A Vibrant Touch is a quartet of musicians playing violin (Kosma Műller), viola (Kamil Babka), cello (Anna Szmatoła) and alto saxophone (Marcus Wärnheim).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe three pieces on the album explore the physicality of sound of these instruments – like the way a finger or bow presses down on the string of a cello, or the air pressure in the saxophone\u003cspan class=\"bcTruncateMore\"\u003e when someone blows inside it – as they intertwine with expert navigation of modular synthesizers by Słyż. Drawing on the work of 20th century spectral composers like Grisey or Scelsi, just intonation, drone music and microtonality for inspiration, the Polish composer uses dissonance, tension and pulse with incredible grace and power.\u003cbr\u003e\u003cbr\u003eShe opens the proceedings with the patient, gliding and stirring piece “Healing”. “The Ruthless Act” is slightly more ominous and grainy, as the cello and modular synthesizer mimic each other's movements to disorienting effect. The final piece “Softness, Flashes, Floating Rage” is a monumental composition lasting almost 26 minutes, a crowning jewel of the album. Słyż and the instrumentalists are exceedingly patient as the piece slowly unravels into a brutal, heart- and ear-shattering climax. It's a testament to her compositional prowess, that a piece of this length is imbued with so much weight and elegance.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e***\u003cbr\u003e\u003cbr\u003eArtist bio (via the label):\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\"Aleksandra Słyż is a Polish composer, sound designer and sound engineer currently moving between Stockholm, Sweden and Poznań, Poland. She has soundtracked and created sound design for multiple films, worked on various installations, and composed music for different ensembles. She has performed at many experimental music festivals, including Unsound Festival (Krakow), Ephemera Festival (Warsaw), Avant Art Festival (Wroclaw), Between Festival (Stockholm), Idealistic Festival (Copenhagen), Kiev Music Fest (Kiev), Open Source Art Festival (Sopot), Sanaatorium of Sound (Sokolowsko), UNG Nordisk Musik Festival (Pitea) and others.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aleksandra Słyż\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWarm Winters Ltd. \u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-10-13T15:11:37+09:00","created_at":"2022-10-13T10:51:30+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","tape","warm winter ltd."],"price":178000,"price_min":178000,"price_max":178000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43538458706170,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Aleksandra Słyż \/\/ A Vibrant Touch TAPE","public_title":null,"options":["Default Title"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/to1_602b2b0d-d197-4491-8a7e-e6b929151824.jpg?v=1665625891","\/\/tobirarecords.com\/cdn\/shop\/products\/to3_7e99aa19-cb77-4d99-bcdd-41b79b61348f.jpg?v=1665625891"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/to1_602b2b0d-d197-4491-8a7e-e6b929151824.jpg?v=1665625891","options":["Title"],"media":[{"alt":null,"id":30730410098938,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/to1_602b2b0d-d197-4491-8a7e-e6b929151824.jpg?v=1665625891"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/to1_602b2b0d-d197-4491-8a7e-e6b929151824.jpg?v=1665625891","width":700},{"alt":null,"id":30730410131706,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/to3_7e99aa19-cb77-4d99-bcdd-41b79b61348f.jpg?v=1665625891"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/to3_7e99aa19-cb77-4d99-bcdd-41b79b61348f.jpg?v=1665625891","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eポーランド・ポズナン\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eの音響作家Aleksandra Słyż が、2022年9月に\u003c\/span\u003eスロバキアの実験／アンビエントレーベルWarm Winterから70本限定で\u003cspan data-mce-fragment=\"1\"\u003eリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eモジュラーとバイオリン、ビオラ、チェロ、アルトサックスによるエレクトロアコースティック・ドローン3曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベル解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eポーランド人作曲家Aleksandra SłyżがWarm Winters Ltd.から2枚目のフルアルバム『A Vibrant Touch』をリリースしました。Pointless Geometryからリリースされたデビュー作『Human Glory』では、2つの異なるアプローチとテクニックを探求しましたが、ここでは、アコースティックと合成音の間につながりを見出し、豊かなドローン構造を作り、ゆっくりとしかし激しく脈打ち、周囲の空間とリスナーの中で共鳴する、彼女独自の道を進んでいることがわかります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「私は、音とその動きを通して経験する身体感覚に関連するプロセスに非常に魅了されています。私は常に音を物理的な現象として、エネルギーの波として、文字通り感じ、物理的に体験できる振動として認識してきました」と彼女は話します。「そのため、当初から特定のアコースティック楽器の録音を使いたいと考えていました。Słyżと彼女のモジュラーシンセサイザーに加わるのは、バイオリン（Kosma Műller）、ビオラ（Kamil Babka）、チェロ（Anna Szmatoła）、アルトサックス（Marcus Wärnheim）の4人組の演奏家たちです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムに収録された3つの作品は、指や弓がチェロの弦を押さえる様子や、誰かがサックスの内側を吹いたときの空気圧など、これらの楽器の音の身体性を探りながら、Słyżによるモジュラーシンセサイザーを巧みに操り、絡み合っています。グリゼイやシェルシのような20世紀のスペクトル作曲家、ジャストイントネーション、ドローンミュージック、マイクロトーナリティをインスピレーションに、このポーランド人作曲家は不協和、緊張、パルスを驚くべき優雅さとパワーで表現しているのです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1781346070\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wwl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wwl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wwl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wwl\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWarm Winters Ltd. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWarm Winters Ltd.:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Polish composer Aleksandra Słyż joins Warm Winters Ltd. with A Vibrant Touch, her second full-length album. While her debut Human Glory released by Pointless Geometry explored two distinct approaches and techniques, here she finds her unique path forward: finding connections between acoustic and synthetic sounds, creating rich drone structures, slowly but intensely pulsing and resonating within the surrounding space and within each listener.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I am very much fascinated by the processes related to the body sensations experienced through sound and its movement. I have always perceived sound as a physical phenomenon, travelling as waves of energy, as vibrations which we can literally feel and physically experience,” she shares. “Therefore, from the very beginning I wanted to use recordings of specific acoustic instruments, which in my opinion beautifully represent the motion itself.” Joining Słyż and her modular synthesizer on A Vibrant Touch is a quartet of musicians playing violin (Kosma Műller), viola (Kamil Babka), cello (Anna Szmatoła) and alto saxophone (Marcus Wärnheim).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe three pieces on the album explore the physicality of sound of these instruments – like the way a finger or bow presses down on the string of a cello, or the air pressure in the saxophone\u003cspan class=\"bcTruncateMore\"\u003e when someone blows inside it – as they intertwine with expert navigation of modular synthesizers by Słyż. Drawing on the work of 20th century spectral composers like Grisey or Scelsi, just intonation, drone music and microtonality for inspiration, the Polish composer uses dissonance, tension and pulse with incredible grace and power.\u003cbr\u003e\u003cbr\u003eShe opens the proceedings with the patient, gliding and stirring piece “Healing”. “The Ruthless Act” is slightly more ominous and grainy, as the cello and modular synthesizer mimic each other's movements to disorienting effect. The final piece “Softness, Flashes, Floating Rage” is a monumental composition lasting almost 26 minutes, a crowning jewel of the album. Słyż and the instrumentalists are exceedingly patient as the piece slowly unravels into a brutal, heart- and ear-shattering climax. It's a testament to her compositional prowess, that a piece of this length is imbued with so much weight and elegance.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e***\u003cbr\u003e\u003cbr\u003eArtist bio (via the label):\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\"Aleksandra Słyż is a Polish composer, sound designer and sound engineer currently moving between Stockholm, Sweden and Poznań, Poland. She has soundtracked and created sound design for multiple films, worked on various installations, and composed music for different ensembles. She has performed at many experimental music festivals, including Unsound Festival (Krakow), Ephemera Festival (Warsaw), Avant Art Festival (Wroclaw), Between Festival (Stockholm), Idealistic Festival (Copenhagen), Kiev Music Fest (Kiev), Open Source Art Festival (Sopot), Sanaatorium of Sound (Sokolowsko), UNG Nordisk Musik Festival (Pitea) and others.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aleksandra Słyż\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWarm Winters Ltd. \u003c\/span\u003e\u003c\/p\u003e"}
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ポーランド・ポズナンの音響作家Aleksandra Słyż が、2022年9月にスロバキアの実験／アンビエントレーベルWarm Winterから70本限定でリリースしたカセットです。 モジュラーとバイオリン、ビオラ、チェロ、アルトサックスによるエレクトロアコースティック・ドローン3曲を収録。DLコード付属。廃盤です。 以下、レーベル解説です。 ポーランド人作曲家Aleksandra SłyżがWarm Winters Ltd.から2枚目のフルアルバム『A Vibrant Touch』をリリースしました。Pointless Geometryからリリースされたデビュー作『Human Glory』では、2つの異なるアプローチとテクニックを探求しましたが、ここでは、アコースティックと合成音の間につながりを見出し、豊かなドローン構造を作り、ゆっくりとしかし激しく脈打ち、周囲の空間とリスナーの中で共鳴する、彼女独自の道を進んでいることがわかります。「私は、音とその動きを通して経験する身体感覚に関連するプロセスに非常に魅了されています。私は常に音を物理的な現象として、エネルギーの波として、文字通り感じ、物理的に体験できる振動として認識してきました」と彼女は話します。「そのため、当初から特定のアコースティック楽器の録音を使いたいと考えていました。Słyżと彼女のモジュラーシンセサイザーに加わるのは、バイオリン（Kosma Műller）、ビオラ（Kamil...
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{"id":7782361825530,"title":"Raymond Dijkstra \/\/ L'Opus L'H LP","handle":"raymond-dijkstra-lopus-lh-lp","description":"\u003cp\u003eオランダのアートシーンに長きに亘り貢献している美術家Raymond Dijkstraが、2010年にドイツ・ハンブルグの実験レーベルDekorderからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eオルガンやハルモニウムを用いたコンテンポラリーアプローチのLo-Fi物音ドローン〜2曲、約1時間を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3115669926\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dek\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dek\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dek\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dek\"\u003ehere\u003c\/a\u003e to see more Dekorder \/ Cellule 75 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDekorder \/ Cellule 75:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Dutch artist\/musician Raymond Dijkstra is one of the most radical and original composers around today. With a clear DIY ethos and self-imposed restrictions he has created a singular universe all by himself. In the past 7 years he has (self-)released countless LP’s, 7“ \u0026amp; 5“ Vinyl releases in very tiny editions on his Le Souffleur label, all packaged in carefully edited artworks made by Dijkstra himself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e„L’Opus L’H“ will be one of his first widely available releases since 2003’s collaboration with Timo van Luyck (Af Ursin, Noise Maker’s Fifes, In Camera, Nurse With Wound) as Asra.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDijkstra is using a minimal set-up for all of his compositions: organ \u0026amp; harmonium, scraping metal \u0026amp; glass, tuba, strings and, exclusively to his „Opus“ cycle, a tape echo. He’s exploring these small parameters in an improvised and highly personal, often trance-like, ecstatic setting comparable to „Automatic Writing“ or „Surrealist Automatism“ techniques. By offensively restricting and repeating his methods he is able to profoundly explore the depths of the particular sounds and, not least, of the player\/composer’s psyche itself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'L’Opus L’H' is the second title in Dijkstra’s series 'The Advantages of Schizophrenia'.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eAll my work is highly autobiographical, highly\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e subjective and highly emotional. In this sense my work is the complete opposite of that from most music-makers out of the experimental corner who's work is mostly without any emotion.\u003cbr\u003e\u003cbr\u003eThe reason for me making music is to strengthen my connection with life. For me my music is not experimental, simply because it was Never made to experiment.\u003cbr\u003eThere is a bit of a problem with most experimental musicians, who are mostly only touching the surface of a subject after which they go beyond to find another experiment. I feel more connected to painters and sculptors who delve deep into the subject and explore it thoroughly, going into every possible direction, to really connect with their world. Even more interesting I find it when one connects with ones own genuine personal world. Just to come home to his self, instead of going out for a journey, what experimenting often is.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Raymond Dijkstra\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDekorder \/ Cellule 75 \u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-10-30T13:34:36+09:00","created_at":"2022-09-30T20:42:54+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","Dekorder \/ Cellule 75","drone","lp","monooto"],"price":238000,"price_min":238000,"price_max":238000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43461214142714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Raymond Dijkstra \/\/ L'Opus L'H LP","public_title":null,"options":["Default Title"],"price":238000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_2738a3f7-89b8-41a7-a733-23441594c83c.jpg?v=1664538175"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_2738a3f7-89b8-41a7-a733-23441594c83c.jpg?v=1664538175","options":["Title"],"media":[{"alt":null,"id":30610267275514,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_2738a3f7-89b8-41a7-a733-23441594c83c.jpg?v=1664538175"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_2738a3f7-89b8-41a7-a733-23441594c83c.jpg?v=1664538175","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダのアートシーンに長きに亘り貢献している美術家Raymond Dijkstraが、2010年にドイツ・ハンブルグの実験レーベルDekorderからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eオルガンやハルモニウムを用いたコンテンポラリーアプローチのLo-Fi物音ドローン〜2曲、約1時間を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3115669926\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dek\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dek\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dek\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dek\"\u003ehere\u003c\/a\u003e to see more Dekorder \/ Cellule 75 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDekorder \/ Cellule 75:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Dutch artist\/musician Raymond Dijkstra is one of the most radical and original composers around today. With a clear DIY ethos and self-imposed restrictions he has created a singular universe all by himself. In the past 7 years he has (self-)released countless LP’s, 7“ \u0026amp; 5“ Vinyl releases in very tiny editions on his Le Souffleur label, all packaged in carefully edited artworks made by Dijkstra himself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e„L’Opus L’H“ will be one of his first widely available releases since 2003’s collaboration with Timo van Luyck (Af Ursin, Noise Maker’s Fifes, In Camera, Nurse With Wound) as Asra.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDijkstra is using a minimal set-up for all of his compositions: organ \u0026amp; harmonium, scraping metal \u0026amp; glass, tuba, strings and, exclusively to his „Opus“ cycle, a tape echo. He’s exploring these small parameters in an improvised and highly personal, often trance-like, ecstatic setting comparable to „Automatic Writing“ or „Surrealist Automatism“ techniques. By offensively restricting and repeating his methods he is able to profoundly explore the depths of the particular sounds and, not least, of the player\/composer’s psyche itself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'L’Opus L’H' is the second title in Dijkstra’s series 'The Advantages of Schizophrenia'.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eAll my work is highly autobiographical, highly\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e subjective and highly emotional. In this sense my work is the complete opposite of that from most music-makers out of the experimental corner who's work is mostly without any emotion.\u003cbr\u003e\u003cbr\u003eThe reason for me making music is to strengthen my connection with life. For me my music is not experimental, simply because it was Never made to experiment.\u003cbr\u003eThere is a bit of a problem with most experimental musicians, who are mostly only touching the surface of a subject after which they go beyond to find another experiment. I feel more connected to painters and sculptors who delve deep into the subject and explore it thoroughly, going into every possible direction, to really connect with their world. Even more interesting I find it when one connects with ones own genuine personal world. Just to come home to his self, instead of going out for a journey, what experimenting often is.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Raymond Dijkstra\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDekorder \/ Cellule 75 \u003c\/span\u003e\u003c\/p\u003e"}
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オランダのアートシーンに長きに亘り貢献している美術家Raymond Dijkstraが、2010年にドイツ・ハンブルグの実験レーベルDekorderからリリースしたレコードです。 オルガンやハルモニウムを用いたコンテンポラリーアプローチのLo-Fi物音ドローン〜2曲、約1時間を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Dekorder / Cellule 75 releases available at Tobira. ...
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{"id":7736318656762,"title":"Edyta Jarząb \/\/ Domestic Flights TAPE","handle":"edyta-jarzab-domestic-flights-tape","description":"\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003ePauline Oliverosに師事し、インド・バラナシでヒンドゥスターニー・ラーガを学んだポーランド・ワルシャワの実験音楽家Edyta Jarząbが、2022年6月にワルシャワの実験レーベルPointless Geometryから50本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e声を用いたミニマルドローン8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=787906479\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eMusic composed, performed, recorded by Edyta Jarząb\u003cbr\u003e\u003cbr\u003eArtist bio (via Pointless Geometry):\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Sound artist, practicing deep listening as a starting point for sound activism. Studied with Pauline Oliveros and learned Hindustani Raga in Varanasi\/India. Interested in voice as a bridge between the public and private sphere; listening, singing, and improvisation as a practice of social resistance. She records and analyse the sonosphere of protests as well as organises sound walks, workshops, and warm-ups before street demonstrations. Using extended voice techniques, radio waves, field recording and electronics - she creates an audiosphere for her personal and collaborative performance works. She co-creates the Warsaw-based community Radio Kapitał and is the author of poetic radio plays and interventions. From 2020 to 2021 she was a resident of the experimental studio WORM in Rotterdam; permanent collaborator of the interdisciplinary platform Q-O2 based in Brussels.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"DOMESTIC FLIGHTS\" is her interpretation of Pauline Oliveros 1st 'Sonic Meditation'.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003cbr\u003e\u003cbr\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003eEdyta Jarząb:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe musical outcome engages the whole body and imagination. It\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ecan be immersive, one can feel the physicality of the tones.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe suggestion of the engine sound, changing altitude, tiny sound-events in drone-monotony, full of interference. I often think about this exercise as an experiment in self-care, an embrace during a long and lonely flight.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Edyta Jarząb\u003c\/p\u003e\n\u003cp\u003eLabel : Pointless Geometry\u003c\/p\u003e","published_at":"2022-09-08T15:43:41+09:00","created_at":"2022-09-03T13:50:35+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","new","pointless geometry","tape"],"price":178000,"price_min":178000,"price_max":178000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43225299484922,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Edyta Jarząb \/\/ Domestic Flights TAPE","public_title":null,"options":["Default Title"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/do1_6ad8f326-1f07-42b4-bed9-d8942d499411.jpg?v=1662180636"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_6ad8f326-1f07-42b4-bed9-d8942d499411.jpg?v=1662180636","options":["Title"],"media":[{"alt":null,"id":30411913003258,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_6ad8f326-1f07-42b4-bed9-d8942d499411.jpg?v=1662180636"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_6ad8f326-1f07-42b4-bed9-d8942d499411.jpg?v=1662180636","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003ePauline Oliverosに師事し、インド・バラナシでヒンドゥスターニー・ラーガを学んだポーランド・ワルシャワの実験音楽家Edyta Jarząbが、2022年6月にワルシャワの実験レーベルPointless Geometryから50本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e声を用いたミニマルドローン8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=787906479\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eMusic composed, performed, recorded by Edyta Jarząb\u003cbr\u003e\u003cbr\u003eArtist bio (via Pointless Geometry):\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Sound artist, practicing deep listening as a starting point for sound activism. Studied with Pauline Oliveros and learned Hindustani Raga in Varanasi\/India. Interested in voice as a bridge between the public and private sphere; listening, singing, and improvisation as a practice of social resistance. She records and analyse the sonosphere of protests as well as organises sound walks, workshops, and warm-ups before street demonstrations. Using extended voice techniques, radio waves, field recording and electronics - she creates an audiosphere for her personal and collaborative performance works. She co-creates the Warsaw-based community Radio Kapitał and is the author of poetic radio plays and interventions. From 2020 to 2021 she was a resident of the experimental studio WORM in Rotterdam; permanent collaborator of the interdisciplinary platform Q-O2 based in Brussels.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"DOMESTIC FLIGHTS\" is her interpretation of Pauline Oliveros 1st 'Sonic Meditation'.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003cbr\u003e\u003cbr\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003eEdyta Jarząb:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe musical outcome engages the whole body and imagination. It\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ecan be immersive, one can feel the physicality of the tones.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe suggestion of the engine sound, changing altitude, tiny sound-events in drone-monotony, full of interference. I often think about this exercise as an experiment in self-care, an embrace during a long and lonely flight.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Edyta Jarząb\u003c\/p\u003e\n\u003cp\u003eLabel : Pointless Geometry\u003c\/p\u003e"}
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{"id":7719751188730,"title":"Jordan Deal \/\/ Gogo Underworld TAPE","handle":"jordan-deal-gogo-underworld-tape","description":"\u003cp\u003eアメリカ・フィラデルフィアのマルチメディア作家／音響詩人Jordan Dealが、2022年8月に同国実験レーベルCor Ardensからリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003e自身のルーツである黒人霊歌やゴスペル、アフリカ系アメリカ人フリージャズ、ブラックパンク、黒人の宗教儀式などをぐっちゃぐちゃにコラージュしたサウンドポエトリー10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※蝋とガラスによる特殊ケース仕様のため佐川急便での発送となります。レコードなどとご注文いただきますとお得です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/T3Zts8HfS9E\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3994817781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=159163743\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/coar\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/coar\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/coar\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/coar\"\u003ehere\u003c\/a\u003e to see more Cor Ardens releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 100.\u003c\/p\u003e\n\u003cp\u003eCor Ardens:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eCor Ardens is pleased to present the debut album by Philadelphia based multi-dimensional energy worker and interdisciplinary practitioner, Jordan Deal. Known primarily as a visual and performance artist with a keen eye for the miraculous potentials of everyday objects and found materials. Deal combs through waste streams of aural (and spiritual) detritus like scanning through stations on a radio, culling densely layered field recordings and plunderphonic samplings which periodically break into beautiful songs with more recognizable instruments freely mixing influences of African American free jazz, Black punk, gospel\/negro spirituals, and divination rituals. In “GOGO Underworld”, deal presents the first installment of a sprawling Gesamtkunstwerk which will be spread across multiple releases and a film exploring “how the memories and mythologies of the Black diaspora can be used as conduits of historical and cultural preservation, tracing its global footprint–disrupting Western colonial thought modes and deploying dreaming as channels for potentiality, non-linear modes of intercepting time and space, and celebration as resistance”. comes encased in a wax\/glass assemblage designed by the artist, produced in collaboration with Cor Ardens\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJordans work defies easy categorization. Inspired by the wandering spiritual depths of artists like Alice Coltrane and Pharaoh Sanders \"GOGO UNDERWORLD\" pits prophetic sci-fi infused spoken word (\"there are parasites in the pyramids\") with the bristling kitchen sink art-damage of ONO, Early Destroy All Monsters and Moor Mother\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jordan Deal\u003c\/p\u003e\n\u003cp\u003eLabel : Cor Ardens\u003c\/p\u003e","published_at":"2022-09-23T19:34:21+09:00","created_at":"2022-08-28T09:17:05+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","cor ardens","monooto","new","recommended","tape"],"price":348000,"price_min":348000,"price_max":348000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43169496006906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jordan Deal \/\/ Gogo Underworld TAPE","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_1b1c432a-14c5-4d5f-a7b7-f7c47ee4e8eb.jpg?v=1661645827","\/\/tobirarecords.com\/cdn\/shop\/products\/jo2_b32895ea-d52e-47c5-8b7b-0e5e42ecc654.jpg?v=1661645827"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_1b1c432a-14c5-4d5f-a7b7-f7c47ee4e8eb.jpg?v=1661645827","options":["Title"],"media":[{"alt":null,"id":30367810879738,"position":1,"preview_image":{"aspect_ratio":1.286,"height":2351,"width":3024,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_1b1c432a-14c5-4d5f-a7b7-f7c47ee4e8eb.jpg?v=1661645827"},"aspect_ratio":1.286,"height":2351,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_1b1c432a-14c5-4d5f-a7b7-f7c47ee4e8eb.jpg?v=1661645827","width":3024},{"alt":null,"id":30367810912506,"position":2,"preview_image":{"aspect_ratio":1.333,"height":3024,"width":4032,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo2_b32895ea-d52e-47c5-8b7b-0e5e42ecc654.jpg?v=1661645827"},"aspect_ratio":1.333,"height":3024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo2_b32895ea-d52e-47c5-8b7b-0e5e42ecc654.jpg?v=1661645827","width":4032}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・フィラデルフィアのマルチメディア作家／音響詩人Jordan Dealが、2022年8月に同国実験レーベルCor Ardensからリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003e自身のルーツである黒人霊歌やゴスペル、アフリカ系アメリカ人フリージャズ、ブラックパンク、黒人の宗教儀式などをぐっちゃぐちゃにコラージュしたサウンドポエトリー10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※蝋とガラスによる特殊ケース仕様のため佐川急便での発送となります。レコードなどとご注文いただきますとお得です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/T3Zts8HfS9E\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3994817781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=159163743\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/coar\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/coar\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/coar\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/coar\"\u003ehere\u003c\/a\u003e to see more Cor Ardens releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 100.\u003c\/p\u003e\n\u003cp\u003eCor Ardens:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eCor Ardens is pleased to present the debut album by Philadelphia based multi-dimensional energy worker and interdisciplinary practitioner, Jordan Deal. Known primarily as a visual and performance artist with a keen eye for the miraculous potentials of everyday objects and found materials. Deal combs through waste streams of aural (and spiritual) detritus like scanning through stations on a radio, culling densely layered field recordings and plunderphonic samplings which periodically break into beautiful songs with more recognizable instruments freely mixing influences of African American free jazz, Black punk, gospel\/negro spirituals, and divination rituals. In “GOGO Underworld”, deal presents the first installment of a sprawling Gesamtkunstwerk which will be spread across multiple releases and a film exploring “how the memories and mythologies of the Black diaspora can be used as conduits of historical and cultural preservation, tracing its global footprint–disrupting Western colonial thought modes and deploying dreaming as channels for potentiality, non-linear modes of intercepting time and space, and celebration as resistance”. comes encased in a wax\/glass assemblage designed by the artist, produced in collaboration with Cor Ardens\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJordans work defies easy categorization. Inspired by the wandering spiritual depths of artists like Alice Coltrane and Pharaoh Sanders \"GOGO UNDERWORLD\" pits prophetic sci-fi infused spoken word (\"there are parasites in the pyramids\") with the bristling kitchen sink art-damage of ONO, Early Destroy All Monsters and Moor Mother\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jordan Deal\u003c\/p\u003e\n\u003cp\u003eLabel : Cor Ardens\u003c\/p\u003e"}
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アメリカ・フィラデルフィアのマルチメディア作家／音響詩人Jordan Dealが、2022年8月に同国実験レーベルCor Ardensからリリースしたデビューカセットです。 自身のルーツである黒人霊歌やゴスペル、アフリカ系アメリカ人フリージャズ、ブラックパンク、黒人の宗教儀式などをぐっちゃぐちゃにコラージュしたサウンドポエトリー10曲を収録。 ※蝋とガラスによる特殊ケース仕様のため佐川急便での発送となります。レコードなどとご注文いただきますとお得です。 レーベルその他作品はこちら /// Click here to see more Cor Ardens releases available at...
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{"id":7697855381754,"title":"Lieven Martens \/\/ Short stories – pleasant and\/or rather sad TAPE","handle":"lieven-martens-short-stories-pleasant-and-or-rather-sad-tape","description":"\u003cp\u003eベルギーの実験アンビエントレーベルEdições CN主宰Lieven Martensが、2022年6月に同国アンビエントレーベルdauwから150本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e実験的なコラージュ・アンビエント3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1824210942\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Dauw releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 150. Includes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTrack information by the artist:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e1. Romantic collection\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI. Under the 4pm sun (smoke, blur, and deep green)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eII. Two white-tailed tropicbirds\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIII. Waves breaking on black lava rocks (white spray)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIV. The distant lights of fishing boats at night\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2. Sonorities\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e20 memories of maximum 20 seconds – and an intermezzo.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e3. Madrigal: a Conversation in the Dark\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn front of the house across my parents’ house. There are two statues. They’re bought in the local garden shop, on a budget. In their driveway strewn with gravel, they slyly talk at night.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Lieven Martens\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Dauw\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-08-05T17:19:02+09:00","created_at":"2022-08-05T09:33:26+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","dauw","monooto","recommended","tape"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43080787427578,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lieven Martens \/\/ Short stories – pleasant and\/or rather sad TAPE","public_title":null,"options":["Default Title"],"price":198000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sh1_d2ac5203-f874-4b3e-ba71-61df31c4b6cb.jpg?v=1659659608","\/\/tobirarecords.com\/cdn\/shop\/products\/sh2_2a43f52f-2b0a-4321-ac9b-39f76b59cc3c.jpg?v=1659659608"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh1_d2ac5203-f874-4b3e-ba71-61df31c4b6cb.jpg?v=1659659608","options":["Title"],"media":[{"alt":null,"id":30243894690042,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh1_d2ac5203-f874-4b3e-ba71-61df31c4b6cb.jpg?v=1659659608"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh1_d2ac5203-f874-4b3e-ba71-61df31c4b6cb.jpg?v=1659659608","width":700},{"alt":null,"id":30243894722810,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh2_2a43f52f-2b0a-4321-ac9b-39f76b59cc3c.jpg?v=1659659608"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh2_2a43f52f-2b0a-4321-ac9b-39f76b59cc3c.jpg?v=1659659608","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギーの実験アンビエントレーベルEdições CN主宰Lieven Martensが、2022年6月に同国アンビエントレーベルdauwから150本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e実験的なコラージュ・アンビエント3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1824210942\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Dauw releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 150. Includes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTrack information by the artist:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e1. Romantic collection\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI. Under the 4pm sun (smoke, blur, and deep green)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eII. Two white-tailed tropicbirds\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIII. Waves breaking on black lava rocks (white spray)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIV. The distant lights of fishing boats at night\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2. Sonorities\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e20 memories of maximum 20 seconds – and an intermezzo.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e3. Madrigal: a Conversation in the Dark\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn front of the house across my parents’ house. There are two statues. They’re bought in the local garden shop, on a budget. In their driveway strewn with gravel, they slyly talk at night.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Lieven Martens\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Dauw\u003c\/span\u003e\u003c\/p\u003e"}
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ベルギーの実験アンビエントレーベルEdições CN主宰Lieven Martensが、2022年6月に同国アンビエントレーベルdauwから150本限定でリリースしたカセットです。 実験的なコラージュ・アンビエント3曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Dauw releases available at Tobira. ---------------------------------...
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{"id":7689740747002,"title":"Kory Reeder \/ Apartment House \/\/ Codex Vivere CD","handle":"kory-reeder-codex-vivere-cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・テキサスの作曲家Kory Reederの作品を\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eApartment Houseが演奏したアルバムです。ネオクラシカル・アンビエントリスナーにもおすすめの一枚です。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2625146727\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA 72-minute work in nine movements composed by Kory Reeder and played by Apartment House, for whom it was written\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kory Reeder\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e","published_at":"2022-07-26T14:23:19+09:00","created_at":"2022-07-26T13:10:28+09:00","vendor":"Tobira Records","type":"","tags":["ambient","another timbre","cd","contemporary \/ sound poetry","neo classical"],"price":199500,"price_min":199500,"price_max":199500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43047693451514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Kory Reeder \/ Apartment House \/\/ Codex Vivere CD","public_title":null,"options":["Default Title"],"price":199500,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/co1_7a8578de-c803-4977-85ab-f7fb657f74f6.jpg?v=1658808630","\/\/tobirarecords.com\/cdn\/shop\/products\/co2_edbeadc0-fbce-432e-9f50-e7dc4b6514db.jpg?v=1658808903"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_7a8578de-c803-4977-85ab-f7fb657f74f6.jpg?v=1658808630","options":["Title"],"media":[{"alt":null,"id":30187214799098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_7a8578de-c803-4977-85ab-f7fb657f74f6.jpg?v=1658808630"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_7a8578de-c803-4977-85ab-f7fb657f74f6.jpg?v=1658808630","width":700},{"alt":null,"id":30187227939066,"position":2,"preview_image":{"aspect_ratio":1.084,"height":1107,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_edbeadc0-fbce-432e-9f50-e7dc4b6514db.jpg?v=1658808903"},"aspect_ratio":1.084,"height":1107,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_edbeadc0-fbce-432e-9f50-e7dc4b6514db.jpg?v=1658808903","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・テキサスの作曲家Kory Reederの作品を\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eApartment Houseが演奏したアルバムです。ネオクラシカル・アンビエントリスナーにもおすすめの一枚です。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2625146727\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA 72-minute work in nine movements composed by Kory Reeder and played by Apartment House, for whom it was written\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kory Reeder\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e"}
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アメリカ・テキサスの作曲家Kory Reederの作品をApartment Houseが演奏したアルバムです。ネオクラシカル・アンビエントリスナーにもおすすめの一枚です。 レーベルその他作品はこちら /// Click here to see more Another Timbre releases available at Tobira. ---------------------------...
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{"id":7689740517626,"title":"Allison Cameron \/\/ Somatic Refrain CD","handle":"allison-cameron-somatic-refrain-cd","description":"\u003cp\u003eカナダの作曲家Allison Cameronの作品を\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eApartment Houseが演奏したアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3708666250\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Four works by the Canadian composer Allison Cameron.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e'Somatic Refrain' (1996) is a work for solo bass clarinet, played by Heather Roche.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e'Pliny' (2005) and 'Retablo' (1998) are for sextet and quintet respectively, both played by Apartment House. 'H' (2008) is for a trio of guitars and banjo, played by The Allison Cameron Band\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Allison Cameron\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e","published_at":"2022-07-26T14:21:51+09:00","created_at":"2022-07-26T13:09:03+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry"],"price":199500,"price_min":199500,"price_max":199500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43047691976954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Allison Cameron \/\/ Somatic Refrain CD","public_title":null,"options":["Default Title"],"price":199500,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/al1_bd427edd-d912-4331-b9db-58f49921f41f.jpg?v=1658808544","\/\/tobirarecords.com\/cdn\/shop\/products\/al2_24d5020c-aab5-47b3-9f3c-54092f28daca.jpg?v=1658808856"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/al1_bd427edd-d912-4331-b9db-58f49921f41f.jpg?v=1658808544","options":["Title"],"media":[{"alt":null,"id":30187210604794,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al1_bd427edd-d912-4331-b9db-58f49921f41f.jpg?v=1658808544"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al1_bd427edd-d912-4331-b9db-58f49921f41f.jpg?v=1658808544","width":700},{"alt":null,"id":30187226366202,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al2_24d5020c-aab5-47b3-9f3c-54092f28daca.jpg?v=1658808856"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al2_24d5020c-aab5-47b3-9f3c-54092f28daca.jpg?v=1658808856","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダの作曲家Allison Cameronの作品を\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eApartment Houseが演奏したアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3708666250\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Four works by the Canadian composer Allison Cameron.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e'Somatic Refrain' (1996) is a work for solo bass clarinet, played by Heather Roche.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e'Pliny' (2005) and 'Retablo' (1998) are for sextet and quintet respectively, both played by Apartment House. 'H' (2008) is for a trio of guitars and banjo, played by The Allison Cameron Band\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Allison Cameron\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e"}
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カナダの作曲家Allison Cameronの作品をApartment Houseが演奏したアルバムです。 レーベルその他作品はこちら /// Click here to see more Another Timbre releases available at Tobira. ---------------------------...
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{"id":7683997565178,"title":"Camila Nebbia \/\/ Presencias TAPE","handle":"camila-nebbia-presencias-tape","description":"\u003cp\u003eスウェーデン・ストックホルムのサックス奏者Camila Nebbiaが、2021年12月にイギリスの実験レーベルSound Holesからリリースした共作です。\u003c\/p\u003e\n\u003cp\u003eサックスとゴングによるジャズ〜スポークンワード9曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=613247723\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sound-holes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sound-holes\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sound-holes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sound-holes\"\u003ehere\u003c\/a\u003e to see more Sound Holes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 75.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCamila Nebbia: tenor sax, soprano sax, poetry \u0026amp; spoken word, gongs, field recordings\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 6 voices in the forest: Axel Filip, Elena Perales Andreu, Hannah Wirnsperger \u0026amp; Camila Nebbia\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded by Camila Nebbia in Stockholm, Sweden\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed and mastered by Daniel Ivan Bruno\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Camila Nebbia\u003c\/p\u003e\n\u003cp\u003eLabel : Sound Holes\u003c\/p\u003e","published_at":"2022-07-25T15:31:25+09:00","created_at":"2022-07-22T11:12:43+09:00","vendor":"Tobira Records","type":"","tags":["jazz","sound holes","sound poetry","tape"],"price":158000,"price_min":158000,"price_max":158000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43030508110074,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Camila Nebbia \/\/ Presencias TAPE","public_title":null,"options":["Default Title"],"price":158000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pr1_4def78be-99ee-43f5-84f3-8a4afc75504f.jpg?v=1658455965"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pr1_4def78be-99ee-43f5-84f3-8a4afc75504f.jpg?v=1658455965","options":["Title"],"media":[{"alt":null,"id":30162663440634,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pr1_4def78be-99ee-43f5-84f3-8a4afc75504f.jpg?v=1658455965"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pr1_4def78be-99ee-43f5-84f3-8a4afc75504f.jpg?v=1658455965","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデン・ストックホルムのサックス奏者Camila Nebbiaが、2021年12月にイギリスの実験レーベルSound Holesからリリースした共作です。\u003c\/p\u003e\n\u003cp\u003eサックスとゴングによるジャズ〜スポークンワード9曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=613247723\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sound-holes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sound-holes\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sound-holes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sound-holes\"\u003ehere\u003c\/a\u003e to see more Sound Holes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 75.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCamila Nebbia: tenor sax, soprano sax, poetry \u0026amp; spoken word, gongs, field recordings\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 6 voices in the forest: Axel Filip, Elena Perales Andreu, Hannah Wirnsperger \u0026amp; Camila Nebbia\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded by Camila Nebbia in Stockholm, Sweden\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed and mastered by Daniel Ivan Bruno\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Camila Nebbia\u003c\/p\u003e\n\u003cp\u003eLabel : Sound Holes\u003c\/p\u003e"}
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スウェーデン・ストックホルムのサックス奏者Camila Nebbiaが、2021年12月にイギリスの実験レーベルSound Holesからリリースした共作です。 サックスとゴングによるジャズ〜スポークンワード9曲を収録。 レーベルその他作品はこちら /// Click here to see more Sound Holes releases available at Tobira. ...
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{"id":7683987931386,"title":"Adam Bohman \/\/ East Grinstead Trip - 19\/7\/21 Including Dromand and Lingfield + Readings From Two Text Pieces TAPE","handle":"adam-bohman-east-grinstead-trip-19-7-21-including-dromand-and-lingfield-readings-from-two-text-pieces-tape","description":"\u003cp\u003eイギリスのサウンドポエトリー作家Adam Bohmanが、2022年6月に同国実験レーベルRegional Bearsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eイギリス南東部サセックスについてのポエトリー1時間を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=837787452\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rebe\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rebe\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rebe\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rebe\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Regional Bears releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOne unsuspecting Sussex town, one unsuspecting Surrey town and one unsuspecting Surrey village get the Adam Bohman treatment. Will they ever recover?\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Adam Bohman\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Regional Bears\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-07-29T19:11:47+09:00","created_at":"2022-07-22T11:04:25+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","regional bears","tape"],"price":178000,"price_min":178000,"price_max":178000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43030488514810,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Adam Bohman \/\/ East Grinstead Trip - 19\/7\/21 Including Dromand and Lingfield + Readings From Two Text Pieces TAPE","public_title":null,"options":["Default Title"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ea1_fb44824f-57a0-4715-b7dc-30961ab5f903.jpg?v=1658455467","\/\/tobirarecords.com\/cdn\/shop\/products\/ea2_ea722d94-3350-4ad4-890f-a4fbcd9bf58f.jpg?v=1658455466"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ea1_fb44824f-57a0-4715-b7dc-30961ab5f903.jpg?v=1658455467","options":["Title"],"media":[{"alt":null,"id":30162623365370,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ea1_fb44824f-57a0-4715-b7dc-30961ab5f903.jpg?v=1658455467"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ea1_fb44824f-57a0-4715-b7dc-30961ab5f903.jpg?v=1658455467","width":700},{"alt":null,"id":30162623398138,"position":2,"preview_image":{"aspect_ratio":0.928,"height":1200,"width":1113,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ea2_ea722d94-3350-4ad4-890f-a4fbcd9bf58f.jpg?v=1658455466"},"aspect_ratio":0.928,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ea2_ea722d94-3350-4ad4-890f-a4fbcd9bf58f.jpg?v=1658455466","width":1113}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのサウンドポエトリー作家Adam Bohmanが、2022年6月に同国実験レーベルRegional Bearsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eイギリス南東部サセックスについてのポエトリー1時間を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=837787452\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rebe\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rebe\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rebe\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rebe\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Regional Bears releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOne unsuspecting Sussex town, one unsuspecting Surrey town and one unsuspecting Surrey village get the Adam Bohman treatment. Will they ever recover?\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Adam Bohman\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Regional Bears\u003c\/span\u003e\u003c\/p\u003e"}
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イギリスのサウンドポエトリー作家Adam Bohmanが、2022年6月に同国実験レーベルRegional Bearsからリリースしたカセットです。 イギリス南東部サセックスについてのポエトリー1時間を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Regional Bears releases available at Tobira....
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{"id":7680632488186,"title":"Audio Obscura \/\/ Tomorrow Will Offer Fresh Narratives TAPE","handle":"audio-obscura-tomorrow-will-offer-fresh-narratives-tape","description":"\u003cp\u003e過去にcloudchamberなどから発表しているイギリスのエレクトロニック作家Audio Obscuraが、2022年6月に同国実験レーベルWaxing Crescent Recordsから80本限定でリリースした最新カセットです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eコラージュ・アンビエントダブ〜コンテンポラリー・アンビエント8曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1769758036\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1863935632\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1769758036\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/waxing-crescent\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/waxing-crescent\"\u003ehere\u003c\/a\u003e to see more Waxing Crescent releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eBy Neil Stringfellow:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“\u003cem\u003eTomorrow Will Offer Fresh Narratives grew out of my frustration with the musical fashion of 'retro-futurism' and what it often termed hauntology and with it the underlying political sense that the neoliberal era 'flattens out time', it's like our society has made it impossible for us to imagine anything but a continuation of the present whilst the culture recycles and fetishises the past. I've felt for a few years that the UK musical hauntology scene has become increasingly conservative and stuck in its own repeating loop. Last summer I read an article on the term 'anti-hauntology' and it spured me to attempt to create a new body of music, something hopeful which 'still believes in the music of the future'.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI really pushed myself with some of the sounds here, a lot of these tracks started by improvising\/jamming on my 'daw', playing the beats and synths on the fly for 10-15 minutes and recording the results. I took promising sections and began to edit these into arrangements. It was my intention to create what I hope was experimental, yet tuneful and a blending of genres resulting in something with a fresh narrative from the other music I've created, its not for me to say if that has been a success or not but even failure at such an attempt has helped move my music making forward” \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Audio Obscura\u003c\/p\u003e\n\u003cp\u003eLabel : Waxing Crescent\u003c\/p\u003e","published_at":"2022-07-20T17:02:13+09:00","created_at":"2022-07-19T12:07:49+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","hiphop \/ funk","house","lp","waxing crescent"],"price":189000,"price_min":189000,"price_max":189000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43009406730490,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Audio Obscura \/\/ Tomorrow Will Offer Fresh Narratives TAPE","public_title":null,"options":["Default Title"],"price":189000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/of2_9c320478-8576-4715-8b60-baf20fb46781.jpg?v=1658200070","\/\/tobirarecords.com\/cdn\/shop\/products\/of3_97044c64-c52b-4ae4-81c3-4bf9b79f99e4.jpg?v=1658200071"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/of2_9c320478-8576-4715-8b60-baf20fb46781.jpg?v=1658200070","options":["Title"],"media":[{"alt":null,"id":30145001914618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of2_9c320478-8576-4715-8b60-baf20fb46781.jpg?v=1658200070"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of2_9c320478-8576-4715-8b60-baf20fb46781.jpg?v=1658200070","width":700},{"alt":null,"id":30145001947386,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of3_97044c64-c52b-4ae4-81c3-4bf9b79f99e4.jpg?v=1658200071"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of3_97044c64-c52b-4ae4-81c3-4bf9b79f99e4.jpg?v=1658200071","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にcloudchamberなどから発表しているイギリスのエレクトロニック作家Audio Obscuraが、2022年6月に同国実験レーベルWaxing Crescent Recordsから80本限定でリリースした最新カセットです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eコラージュ・アンビエントダブ〜コンテンポラリー・アンビエント8曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1769758036\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1863935632\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1769758036\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/waxing-crescent\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/waxing-crescent\"\u003ehere\u003c\/a\u003e to see more Waxing Crescent releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eBy Neil Stringfellow:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“\u003cem\u003eTomorrow Will Offer Fresh Narratives grew out of my frustration with the musical fashion of 'retro-futurism' and what it often termed hauntology and with it the underlying political sense that the neoliberal era 'flattens out time', it's like our society has made it impossible for us to imagine anything but a continuation of the present whilst the culture recycles and fetishises the past. I've felt for a few years that the UK musical hauntology scene has become increasingly conservative and stuck in its own repeating loop. Last summer I read an article on the term 'anti-hauntology' and it spured me to attempt to create a new body of music, something hopeful which 'still believes in the music of the future'.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI really pushed myself with some of the sounds here, a lot of these tracks started by improvising\/jamming on my 'daw', playing the beats and synths on the fly for 10-15 minutes and recording the results. I took promising sections and began to edit these into arrangements. It was my intention to create what I hope was experimental, yet tuneful and a blending of genres resulting in something with a fresh narrative from the other music I've created, its not for me to say if that has been a success or not but even failure at such an attempt has helped move my music making forward” \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Audio Obscura\u003c\/p\u003e\n\u003cp\u003eLabel : Waxing Crescent\u003c\/p\u003e"}
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過去にcloudchamberなどから発表しているイギリスのエレクトロニック作家Audio Obscuraが、2022年6月に同国実験レーベルWaxing Crescent Recordsから80本限定でリリースした最新カセットです。 コラージュ・アンビエントダブ〜コンテンポラリー・アンビエント8曲を収録。DLコード付属。廃盤です。 レーベルその他作品はこちら /// Click here to see more Waxing Crescent releases available at...
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{"id":7665737597178,"title":"Henning Christiansen \/\/ OP.163 PENTHESILEA 2xLP","handle":"henning-christiansen-op-163-penthesilea-2xlp","description":"\u003cp\u003eデンマークのフルクサス代表格Henning Christiansenの300部限定最新アーカイブ2枚組レコードです。\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e1984年12月にドイツ・ベルリンで行われたRosenfestでのライブ録音です。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングをベースにソプラノやテープ、チェロが絡む壮大なコラージュスケープ大作です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2106618489\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003ehere\u003c\/a\u003e to see more Henning Christiansen Archive releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded live at Rosenfest. Hebbel-Theater West-Berlin, 16 December 1984\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHenning Christiansen Archive:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBeautiful, haunting and sombre, this 2LP presents the entire recording from Henning Christiansen’s Heinrich von Kleist tribute at Rene Block’s Rosenfest festival, Berlin, 1984.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTHE REALITY IS A GHOST IN MY MIND (LP1) is a work that unfolds patiently with a mix of field recordings; wind, bird song and the sound of snow being crushed underfoot all unite in a foreboding atmosphere. IN PENTHESILEAS HÖHLE (LP2) features electronic treatments to the original field recordings found on THE REALITY IS A GHOST IN MY MIND, a representation of psychological reorientation perhaps? A deep ground tone (or ROOT as Henning calls it) leads the listener through a variety of realistic and unrealistic environments. As Henning says in his essay reprinted on the back sleeve:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Then comes a section where the field recordings of the sea, the storm, birds, cars and other things, are built together so that the realism of these sounds become unreal. For example the cars drive into the sea and the birds are singing within the storm. When you hear footsteps in the show, it’s Kleist sneaking past Deutsche Schauspielhaus. When you hear a deep, human sleeping noise, it’s Achilles sleeping. When you hear hammering it’s the weapon smith working. When you hear a stone being thrown\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e it means the unanswered question: “Who threw the first stone?”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThese recordings lead to the finale where Carla Tatò’s haunted vocals into her singing mournfully along with Jan Tilman Schade’s violoncello and tuba, then a chainsaw appears.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePresented in a deluxe di-cut sleeve with writings by Ursula Reuter Christiansen and Henning Christiansen and adorned with an artwork, Penthesilea by Ursula Reuter Christiansen, 1983\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e* Small excerpts of these works previously appeared on one of the 7”s in the Rosenfest Berlin 1984 catalogue (Berliner Künstlerprogramm des DAAD ) and the compilation CD Ghosts And Monsters: Technology And Personality In Contemporary Music (Leonardo Music Journal \/ Electronic Music Foundation 1999).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e---\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA previously unreleased project of Henning Christiansen, monumental in scope, traversing years, countries and now, formats. The Henning Christiansen Archive is proud to finally present one of the crown jewels of the archive, the masterpiece ‘Penthesilea’ as a 2LP and 5CD set.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePentheseila is one of the most ambitious works in the entire Henning Christiansen oeuvre. A large-scale work from the mid eighties based on the play of the same name by Heinrich von Kleist (1808). Both Henning and his widow, Ursula Reuter Christiansen, were enthusiastic about Kleist’s text, both making works around the themes within this portent text.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHenning Christiansen first developed a work around this text for the Rosenfest festival performed in Berlin in 1984. Rosenfest was curated by René Block and featured a variety of composers presenting works in response to Kleist’s work including Robert Ashley, \"Blue\" Gene Tyranny etc. Henning formulated a composition utilising tape, field recordings, voice, soprano, and violoncello alongside the home made instruments of Werner Durand.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe live presentation was then expanded upon and first performed two years later at Teatro Olímpico, Rome on the 8th November 1986 as directed by Carlo Quartucci. The two releases presented here include a 2 x vinyl LP of the Rosenfest recordings in 1984 and a 5CD set sharing the four and a half hour backing track prepared for the Teatro Olímpico performance in Rome in 1986. Together these two releases make up a substantial overview of one of the most significant works in the entire Christiansen canon.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Henning Christiansen\u003c\/p\u003e\n\u003cp\u003eLabel : Henning Christiansen Archive x Penultimate Press\u003c\/p\u003e","published_at":"2022-07-19T10:58:27+09:00","created_at":"2022-07-03T11:49:42+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","monooto","Penultimate Press","The Henning Christiansen Archive"],"price":533000,"price_min":533000,"price_max":533000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42949266276602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Henning Christiansen \/\/ OP.163 PENTHESILEA 2xLP","public_title":null,"options":["Default Title"],"price":533000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/op1_0ef6ebdb-219b-4993-b609-c9e82705d2b3.jpg?v=1656816583","\/\/tobirarecords.com\/cdn\/shop\/products\/op2_c918fa9c-749b-4ead-9369-3385a5235846.jpg?v=1656816583"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/op1_0ef6ebdb-219b-4993-b609-c9e82705d2b3.jpg?v=1656816583","options":["Title"],"media":[{"alt":null,"id":30051034136826,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op1_0ef6ebdb-219b-4993-b609-c9e82705d2b3.jpg?v=1656816583"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op1_0ef6ebdb-219b-4993-b609-c9e82705d2b3.jpg?v=1656816583","width":700},{"alt":null,"id":30051034169594,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op2_c918fa9c-749b-4ead-9369-3385a5235846.jpg?v=1656816583"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op2_c918fa9c-749b-4ead-9369-3385a5235846.jpg?v=1656816583","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eデンマークのフルクサス代表格Henning Christiansenの300部限定最新アーカイブ2枚組レコードです。\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e1984年12月にドイツ・ベルリンで行われたRosenfestでのライブ録音です。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングをベースにソプラノやテープ、チェロが絡む壮大なコラージュスケープ大作です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2106618489\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003ehere\u003c\/a\u003e to see more Henning Christiansen Archive releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded live at Rosenfest. Hebbel-Theater West-Berlin, 16 December 1984\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHenning Christiansen Archive:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBeautiful, haunting and sombre, this 2LP presents the entire recording from Henning Christiansen’s Heinrich von Kleist tribute at Rene Block’s Rosenfest festival, Berlin, 1984.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTHE REALITY IS A GHOST IN MY MIND (LP1) is a work that unfolds patiently with a mix of field recordings; wind, bird song and the sound of snow being crushed underfoot all unite in a foreboding atmosphere. IN PENTHESILEAS HÖHLE (LP2) features electronic treatments to the original field recordings found on THE REALITY IS A GHOST IN MY MIND, a representation of psychological reorientation perhaps? A deep ground tone (or ROOT as Henning calls it) leads the listener through a variety of realistic and unrealistic environments. As Henning says in his essay reprinted on the back sleeve:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Then comes a section where the field recordings of the sea, the storm, birds, cars and other things, are built together so that the realism of these sounds become unreal. For example the cars drive into the sea and the birds are singing within the storm. When you hear footsteps in the show, it’s Kleist sneaking past Deutsche Schauspielhaus. When you hear a deep, human sleeping noise, it’s Achilles sleeping. When you hear hammering it’s the weapon smith working. When you hear a stone being thrown\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e it means the unanswered question: “Who threw the first stone?”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThese recordings lead to the finale where Carla Tatò’s haunted vocals into her singing mournfully along with Jan Tilman Schade’s violoncello and tuba, then a chainsaw appears.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePresented in a deluxe di-cut sleeve with writings by Ursula Reuter Christiansen and Henning Christiansen and adorned with an artwork, Penthesilea by Ursula Reuter Christiansen, 1983\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e* Small excerpts of these works previously appeared on one of the 7”s in the Rosenfest Berlin 1984 catalogue (Berliner Künstlerprogramm des DAAD ) and the compilation CD Ghosts And Monsters: Technology And Personality In Contemporary Music (Leonardo Music Journal \/ Electronic Music Foundation 1999).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e---\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA previously unreleased project of Henning Christiansen, monumental in scope, traversing years, countries and now, formats. The Henning Christiansen Archive is proud to finally present one of the crown jewels of the archive, the masterpiece ‘Penthesilea’ as a 2LP and 5CD set.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePentheseila is one of the most ambitious works in the entire Henning Christiansen oeuvre. A large-scale work from the mid eighties based on the play of the same name by Heinrich von Kleist (1808). Both Henning and his widow, Ursula Reuter Christiansen, were enthusiastic about Kleist’s text, both making works around the themes within this portent text.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHenning Christiansen first developed a work around this text for the Rosenfest festival performed in Berlin in 1984. Rosenfest was curated by René Block and featured a variety of composers presenting works in response to Kleist’s work including Robert Ashley, \"Blue\" Gene Tyranny etc. Henning formulated a composition utilising tape, field recordings, voice, soprano, and violoncello alongside the home made instruments of Werner Durand.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe live presentation was then expanded upon and first performed two years later at Teatro Olímpico, Rome on the 8th November 1986 as directed by Carlo Quartucci. The two releases presented here include a 2 x vinyl LP of the Rosenfest recordings in 1984 and a 5CD set sharing the four and a half hour backing track prepared for the Teatro Olímpico performance in Rome in 1986. Together these two releases make up a substantial overview of one of the most significant works in the entire Christiansen canon.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Henning Christiansen\u003c\/p\u003e\n\u003cp\u003eLabel : Henning Christiansen Archive x Penultimate Press\u003c\/p\u003e"}
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デンマークのフルクサス代表格Henning Christiansenの300部限定最新アーカイブ2枚組レコードです。 1984年12月にドイツ・ベルリンで行われたRosenfestでのライブ録音です。 フィールドレコーディングをベースにソプラノやテープ、チェロが絡む壮大なコラージュスケープ大作です。 レーベルその他作品はこちら /// Click here to see more Henning Christiansen Archive releases available at...
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{"id":7657950511354,"title":"Roméo Poirier \/\/ Kystwerk LP","handle":"romeo-poirier-kystwerk-lp","description":"\u003cp\u003eベルギー・ブリュッセルのアンビエント作家Roméo Poirierが、2019年にイギリス・ロンドンのレーベルKitからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e没入感のあるアンビエントドローンに詩の朗読が重なる7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2396386962\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003ehere\u003c\/a\u003e to see more Kit Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eKit Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA sonic expedition that traces the serrated coastline of Norway and briny depths of the North Sea, Kystwerk sees Kit's resident lifeguard and aqua aficionado Roméo Poirier joining forces with the poet Lars Haga Raavand.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe result feels intoxicatingly vast: a sighing mass in turns opaque and rich with life. Swells of strings, ocean recordings and electronics plunging fathoms deep amongst the clicks and whirrs of creatures unknown. Intimate yet alien, Raavand lilts like some menacing flotsam before he too is swallowed up.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Roméo Poirier\u003c\/p\u003e\n\u003cp\u003eLabel : Kit Records\u003c\/p\u003e","published_at":"2022-06-27T18:07:53+09:00","created_at":"2022-06-27T14:49:56+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","kit records","lp"],"price":274000,"price_min":274000,"price_max":274000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42926536851706,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Roméo Poirier \/\/ Kystwerk LP","public_title":null,"options":["Default Title"],"price":274000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ky1_b20524f5-425f-4140-8631-94b3ed6b8d0a.jpg?v=1656308998","\/\/tobirarecords.com\/cdn\/shop\/products\/ky2_6ead1eb5-ff98-4d3a-acef-ff5781be8ffd.jpg?v=1656308998"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ky1_b20524f5-425f-4140-8631-94b3ed6b8d0a.jpg?v=1656308998","options":["Title"],"media":[{"alt":null,"id":29995099652346,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ky1_b20524f5-425f-4140-8631-94b3ed6b8d0a.jpg?v=1656308998"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ky1_b20524f5-425f-4140-8631-94b3ed6b8d0a.jpg?v=1656308998","width":700},{"alt":null,"id":29995099685114,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ky2_6ead1eb5-ff98-4d3a-acef-ff5781be8ffd.jpg?v=1656308998"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ky2_6ead1eb5-ff98-4d3a-acef-ff5781be8ffd.jpg?v=1656308998","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ブリュッセルのアンビエント作家Roméo Poirierが、2019年にイギリス・ロンドンのレーベルKitからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e没入感のあるアンビエントドローンに詩の朗読が重なる7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2396386962\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003ehere\u003c\/a\u003e to see more Kit Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eKit Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA sonic expedition that traces the serrated coastline of Norway and briny depths of the North Sea, Kystwerk sees Kit's resident lifeguard and aqua aficionado Roméo Poirier joining forces with the poet Lars Haga Raavand.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe result feels intoxicatingly vast: a sighing mass in turns opaque and rich with life. Swells of strings, ocean recordings and electronics plunging fathoms deep amongst the clicks and whirrs of creatures unknown. Intimate yet alien, Raavand lilts like some menacing flotsam before he too is swallowed up.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Roméo Poirier\u003c\/p\u003e\n\u003cp\u003eLabel : Kit Records\u003c\/p\u003e"}
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ベルギー・ブリュッセルのアンビエント作家Roméo Poirierが、2019年にイギリス・ロンドンのレーベルKitからリリースしたレコードです。 没入感のあるアンビエントドローンに詩の朗読が重なる7曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Kit Records releases available at Tobira. ----------------------------...
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{"id":7656890106106,"title":"Linda Smith \/\/ Workshop Meditation : Music by Linda Smith for the Theatre of Laure Drogoul TAPE","handle":"linda-smith-workshop-meditation-music-by-linda-smith-for-the-theatre-of-laure-drogoul-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e80年代から活動しているアメリカ・ボルチモアの大御所フォーク作家Linda Smithが、2022年6月に同国ペンシルバニアの実験レーベルSaga Houseから\u003cmeta charset=\"utf-8\"\u003e100本限定でリリースした\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e1990-1997年の間にLaure Drogoulの実験演劇用に制作したアヴァンベッドルームポップ〜コラージュ16曲を収録。\u003cmeta charset=\"utf-8\"\u003eDLコード付属。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3308690636\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eSaga House:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWorkshop Meditation has little in common with the stripped down, lo-fi cry fans have come to expect from twee songstress Linda Smith. It's probably more in line with a walk down the abandoned pier in Heck Harvey’s Carnival of Souls, but Smith working in a loose, meditiative, almost free-associative idiom makes it clear that her participation in the international tape trading circuit of the 80's and 90's was not just a case of the right place at the right time.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e As redolent of the contemporaneous micro-edition recordings of Roberta Eklund or Mauve Sideshow as it is the post-Kosmische stylings of Martin Rev’s 1980 solo debut, Smith hits a stride here both charmingly familiar and lost in another world entirely. Synths wheeze, budget drum machines rattle, self help tapes loop ad infinitum…somewhere on the planet tectonic plates shift. These pieces create a strange dreamworld in and of themselves, expansive miniatures not unlike the theater works they were prepared for.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e It's a playfully transcendent ride, and one that's still infused with what makes Smith's music so unique. Initially scored for performances concerning speculative reproductive experiments and amnesia staged by fellow Baltimore conspirator Laure Drogul, Workshop Meditation sees Smith far\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e from serving simply as an atmospheric backdrop. These pieces were recorded between 1990-1997 and re-edited specifically for this release to a degree not specified, though broad editorial brush strokes inflect her new direction the last two decades. Bedroom pop eclecticist turned painter breathing new life into archival material was just what the doctor ordered. \"It is recommended that you listen to this tape at least once a day, for 30 days.\"\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Linda Smith\u003c\/p\u003e\n\u003cp\u003eLabel : Saga House\u003c\/p\u003e","published_at":"2022-08-12T12:07:39+09:00","created_at":"2022-06-26T10:27:34+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","folk \/ left-field pop","monooto","saga house","tape"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42923774640378,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Linda Smith \/\/ Workshop Meditation : Music by Linda Smith for the Theatre of Laure Drogoul TAPE","public_title":null,"options":["Default Title"],"price":198000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/me1_a38f9c11-cd3b-4483-96a6-0575359571dd.jpg?v=1656206855","\/\/tobirarecords.com\/cdn\/shop\/products\/me2_7e852803-f9a3-44e7-b4e6-0798cf71c62b.jpg?v=1656206855"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1_a38f9c11-cd3b-4483-96a6-0575359571dd.jpg?v=1656206855","options":["Title"],"media":[{"alt":null,"id":29987240935674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1_a38f9c11-cd3b-4483-96a6-0575359571dd.jpg?v=1656206855"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1_a38f9c11-cd3b-4483-96a6-0575359571dd.jpg?v=1656206855","width":700},{"alt":null,"id":29987240968442,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me2_7e852803-f9a3-44e7-b4e6-0798cf71c62b.jpg?v=1656206855"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me2_7e852803-f9a3-44e7-b4e6-0798cf71c62b.jpg?v=1656206855","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e80年代から活動しているアメリカ・ボルチモアの大御所フォーク作家Linda Smithが、2022年6月に同国ペンシルバニアの実験レーベルSaga Houseから\u003cmeta charset=\"utf-8\"\u003e100本限定でリリースした\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e1990-1997年の間にLaure Drogoulの実験演劇用に制作したアヴァンベッドルームポップ〜コラージュ16曲を収録。\u003cmeta charset=\"utf-8\"\u003eDLコード付属。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3308690636\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eSaga House:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWorkshop Meditation has little in common with the stripped down, lo-fi cry fans have come to expect from twee songstress Linda Smith. It's probably more in line with a walk down the abandoned pier in Heck Harvey’s Carnival of Souls, but Smith working in a loose, meditiative, almost free-associative idiom makes it clear that her participation in the international tape trading circuit of the 80's and 90's was not just a case of the right place at the right time.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e As redolent of the contemporaneous micro-edition recordings of Roberta Eklund or Mauve Sideshow as it is the post-Kosmische stylings of Martin Rev’s 1980 solo debut, Smith hits a stride here both charmingly familiar and lost in another world entirely. Synths wheeze, budget drum machines rattle, self help tapes loop ad infinitum…somewhere on the planet tectonic plates shift. These pieces create a strange dreamworld in and of themselves, expansive miniatures not unlike the theater works they were prepared for.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e It's a playfully transcendent ride, and one that's still infused with what makes Smith's music so unique. Initially scored for performances concerning speculative reproductive experiments and amnesia staged by fellow Baltimore conspirator Laure Drogul, Workshop Meditation sees Smith far\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e from serving simply as an atmospheric backdrop. These pieces were recorded between 1990-1997 and re-edited specifically for this release to a degree not specified, though broad editorial brush strokes inflect her new direction the last two decades. Bedroom pop eclecticist turned painter breathing new life into archival material was just what the doctor ordered. \"It is recommended that you listen to this tape at least once a day, for 30 days.\"\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Linda Smith\u003c\/p\u003e\n\u003cp\u003eLabel : Saga House\u003c\/p\u003e"}
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80年代から活動しているアメリカ・ボルチモアの大御所フォーク作家Linda Smithが、2022年6月に同国ペンシルバニアの実験レーベルSaga Houseから100本限定でリリースしたカセットです。 1990-1997年の間にLaure Drogoulの実験演劇用に制作したアヴァンベッドルームポップ〜コラージュ16曲を収録。DLコード付属。廃盤です。 -------------------------------- Edition of 100. Includes DL code. Saga House:...
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{"id":7656889417978,"title":"Various Artists \/\/ The Gold and Purple Sceptre TAPE","handle":"vtgap","description":"\u003cp\u003eアメリカ・ペンシルバニアの実験レーベルSaga Houseが、2022年6月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e140本限定で\u003c\/span\u003eリリースしたウクライナ支援コンピレーションカセットです。当店でもおなじみの作家24名が参加しています。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2407298712\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3939961091\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2407298712\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1811310445\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2407298712\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 140. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eText by Saga House:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLife during wartime does not operate at a single affective frequency. Just as the physics of collision echo in reverse, war's acoustics, too, have always reflected the contrast between death and its opposites. Children sound their first words in bomb shelters, ravers still gather on clandestine dance-floors, and silence can billow like symphony. It is a fully human experience, as unifying and alienating as our day to day.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e In a small apartment of a brutalist housing complex in eastern Dnipro, during the first month of the invasion, Ukrainian net-label We Have No Zen! began compiling the massive WHNZ:74:WAR digital release as an exercise in international solidarity, dedicated to their neighbors defending the places they call home. WHNZ carved a route for a wide variety of sound adjacent artists to channel their sentiments and not before long an all-star cast was assembled: Tori Kudo, Richard Youngs, Alastair Galbraith, Ashtray Navigations, Daniel Higgs, Arnold Dreyblatt along with many other humble heroes of the no-audience underground contributed offerings. The Gold and Purple Sceptre is the physical edition of that material curated and mastered for 92 minute tape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e The music encompasses a broad\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e swathe of what is sometimes generically referred to as the experimental music\/sound art\/post-noise diaspora, but channeled as an outstretched hand during crisis it transmits as folksong: A reflection of the dire situation, defiantly grounded not only in the grey areas between song, poem and abstraction, but also in the self-determination of the people against the threat of imperialist blitzkrieg.\u003cbr data-mce-fragment=\"1\"\u003e While the multiplicitous nature of these recordings lends itself well to considering the quotidian struggle so many on this deeply disturbed planet face, it's a remarkably literal testament to the synchronistic beauty found in singing about what Brecht would call \"the dark times.\" Though in this case, there's no glamour, romanticism, or hollow moralizing on display—simply the will to go on reproducing daily life.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Saga House\u003c\/p\u003e","published_at":"2022-06-26T13:12:24+09:00","created_at":"2022-06-26T10:25:24+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","drone","monooto","recommended","saga house","tape"],"price":215000,"price_min":215000,"price_max":215000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42923770020090,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Various Artists \/\/ The Gold and Purple Sceptre TAPE","public_title":null,"options":["Default Title"],"price":215000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/go1_803b64ed-f84b-41ee-9f12-5b09577087f5.jpg?v=1656206726","\/\/tobirarecords.com\/cdn\/shop\/products\/go2_92126d57-6c54-4ac9-831a-d062b884d792.jpg?v=1656206726"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/go1_803b64ed-f84b-41ee-9f12-5b09577087f5.jpg?v=1656206726","options":["Title"],"media":[{"alt":null,"id":29987232284922,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go1_803b64ed-f84b-41ee-9f12-5b09577087f5.jpg?v=1656206726"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go1_803b64ed-f84b-41ee-9f12-5b09577087f5.jpg?v=1656206726","width":700},{"alt":null,"id":29987232317690,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go2_92126d57-6c54-4ac9-831a-d062b884d792.jpg?v=1656206726"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go2_92126d57-6c54-4ac9-831a-d062b884d792.jpg?v=1656206726","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ペンシルバニアの実験レーベルSaga Houseが、2022年6月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e140本限定で\u003c\/span\u003eリリースしたウクライナ支援コンピレーションカセットです。当店でもおなじみの作家24名が参加しています。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2407298712\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3939961091\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2407298712\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1811310445\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2407298712\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 140. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eText by Saga House:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLife during wartime does not operate at a single affective frequency. Just as the physics of collision echo in reverse, war's acoustics, too, have always reflected the contrast between death and its opposites. Children sound their first words in bomb shelters, ravers still gather on clandestine dance-floors, and silence can billow like symphony. It is a fully human experience, as unifying and alienating as our day to day.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e In a small apartment of a brutalist housing complex in eastern Dnipro, during the first month of the invasion, Ukrainian net-label We Have No Zen! began compiling the massive WHNZ:74:WAR digital release as an exercise in international solidarity, dedicated to their neighbors defending the places they call home. WHNZ carved a route for a wide variety of sound adjacent artists to channel their sentiments and not before long an all-star cast was assembled: Tori Kudo, Richard Youngs, Alastair Galbraith, Ashtray Navigations, Daniel Higgs, Arnold Dreyblatt along with many other humble heroes of the no-audience underground contributed offerings. The Gold and Purple Sceptre is the physical edition of that material curated and mastered for 92 minute tape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e The music encompasses a broad\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e swathe of what is sometimes generically referred to as the experimental music\/sound art\/post-noise diaspora, but channeled as an outstretched hand during crisis it transmits as folksong: A reflection of the dire situation, defiantly grounded not only in the grey areas between song, poem and abstraction, but also in the self-determination of the people against the threat of imperialist blitzkrieg.\u003cbr data-mce-fragment=\"1\"\u003e While the multiplicitous nature of these recordings lends itself well to considering the quotidian struggle so many on this deeply disturbed planet face, it's a remarkably literal testament to the synchronistic beauty found in singing about what Brecht would call \"the dark times.\" Though in this case, there's no glamour, romanticism, or hollow moralizing on display—simply the will to go on reproducing daily life.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Saga House\u003c\/p\u003e"}
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アメリカ・ペンシルバニアの実験レーベルSaga Houseが、2022年6月に140本限定でリリースしたウクライナ支援コンピレーションカセットです。当店でもおなじみの作家24名が参加しています。DLコード付属。 ------------------------------ Edition of 140. Includes DL code. Text by Saga House: "Life...
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{"id":7650604187898,"title":"Christine Schörkhuber \/ Zorka Wollny \/\/ Lullabies To Wake Up CD","handle":"christine-schorkhuber-zorka-wollny-lullabies-to-wake-up-cd","description":"\u003cp\u003eオーストリアのChristine SchörkhuberとポーランドのZorka Wollny美術家2名が、スロベニアの実験レーベル\u003cspan data-mce-fragment=\"1\"\u003eInexhaustable Editionsから100部限定でリリースした共作です。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e50人が参加しており、実存している恐怖や日々の悩み、自己不信、道徳的な反省、希望、革命的なユートピアや夢、アイデンティティの問題、怒り、政治的状況などを語る声が洪水のように降ってくるサウンドポエトリー作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e6面デジパック、シュリンク仕様です。以下、作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e子守唄という歌の形式は、夢と集団的トラウマの接点にある古代の口承伝統です。心地よいメロディーは、しばしば非常に不穏な、あるいは喚起的なメッセージと対照をなし、歌い手と聴き手を潜在意識の処理のより深いレベルへと中間的な精神状態に同伴させます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e集団的な合唱は音楽的かつ社会的な現象であり、社会力学の最も内側にある、隠れた、主観的な核心を強調し、公的領域と私的領域の両方における政治の次元を反映しているといえます。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3945305255\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD edition of 100.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Christine Schörkhuber \/ Zorka Wollny\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-08-09T18:54:39+09:00","created_at":"2022-06-22T13:50:43+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","Inexhaustible Editions"],"price":184000,"price_min":184000,"price_max":184000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42907958575354,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Christine Schörkhuber \/ Zorka Wollny \/\/ Lullabies To Wake Up CD","public_title":null,"options":["Default Title"],"price":184000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/up1_ecad3def-b53d-4e56-bf85-625cd122ff83.jpg?v=1655873445","\/\/tobirarecords.com\/cdn\/shop\/products\/wa2_86b63a41-516c-44f3-ae41-b52c1dfc763e.jpg?v=1655873445"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/up1_ecad3def-b53d-4e56-bf85-625cd122ff83.jpg?v=1655873445","options":["Title"],"media":[{"alt":null,"id":29949540401402,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/up1_ecad3def-b53d-4e56-bf85-625cd122ff83.jpg?v=1655873445"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/up1_ecad3def-b53d-4e56-bf85-625cd122ff83.jpg?v=1655873445","width":700},{"alt":null,"id":29949540434170,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wa2_86b63a41-516c-44f3-ae41-b52c1dfc763e.jpg?v=1655873445"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wa2_86b63a41-516c-44f3-ae41-b52c1dfc763e.jpg?v=1655873445","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストリアのChristine SchörkhuberとポーランドのZorka Wollny美術家2名が、スロベニアの実験レーベル\u003cspan data-mce-fragment=\"1\"\u003eInexhaustable Editionsから100部限定でリリースした共作です。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e50人が参加しており、実存している恐怖や日々の悩み、自己不信、道徳的な反省、希望、革命的なユートピアや夢、アイデンティティの問題、怒り、政治的状況などを語る声が洪水のように降ってくるサウンドポエトリー作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e6面デジパック、シュリンク仕様です。以下、作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e子守唄という歌の形式は、夢と集団的トラウマの接点にある古代の口承伝統です。心地よいメロディーは、しばしば非常に不穏な、あるいは喚起的なメッセージと対照をなし、歌い手と聴き手を潜在意識の処理のより深いレベルへと中間的な精神状態に同伴させます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e集団的な合唱は音楽的かつ社会的な現象であり、社会力学の最も内側にある、隠れた、主観的な核心を強調し、公的領域と私的領域の両方における政治の次元を反映しているといえます。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3945305255\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD edition of 100.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Christine Schörkhuber \/ Zorka Wollny\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e"}
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オーストリアのChristine SchörkhuberとポーランドのZorka Wollny美術家2名が、スロベニアの実験レーベルInexhaustable Editionsから100部限定でリリースした共作です。 50人が参加しており、実存している恐怖や日々の悩み、自己不信、道徳的な反省、希望、革命的なユートピアや夢、アイデンティティの問題、怒り、政治的状況などを語る声が洪水のように降ってくるサウンドポエトリー作品です。 6面デジパック、シュリンク仕様です。以下、作家による解説です。 子守唄という歌の形式は、夢と集団的トラウマの接点にある古代の口承伝統です。心地よいメロディーは、しばしば非常に不穏な、あるいは喚起的なメッセージと対照をなし、歌い手と聴き手を潜在意識の処理のより深いレベルへと中間的な精神状態に同伴させます。集団的な合唱は音楽的かつ社会的な現象であり、社会力学の最も内側にある、隠れた、主観的な核心を強調し、公的領域と私的領域の両方における政治の次元を反映しているといえます。 レーベルその他作品はこちら /// Click here to see more Inexhaustable Editions releases...
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{"id":7642131267834,"title":"Francisco Meirino \u0026 Gerritt Wittmer \/\/ The Confidence of Being Lost CD","handle":"francisco-meirino-gerritt-wittmer-the-confidence-of-being-lost-cd","description":"\u003cp\u003eスイス・ローザンヌの実験音楽家Francisco Meirino本人からデッドストック作品を多数入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、2014年に彼がアメリカの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMisanthropic Agenda主宰Gerritt Wittmerと\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eリリースした共作CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/172458861\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Misanthropic Agenda\" href=\"https:\/\/soundcloud.com\/misanthropic-agenda\" target=\"_blank\"\u003eMisanthropic Agenda\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title='Francisco Meirino \u0026amp; Gerritt Wittmer \"The Confidence of Being Lost\" Hachoir - Edit' href=\"https:\/\/soundcloud.com\/misanthropic-agenda\/francisco-meirino-gerritt-wittmer-the-confidence-of-being-lost-hachoir-edit\" target=\"_blank\"\u003eFrancisco Meirino \u0026amp; Gerritt Wittmer \"The Confidence of Being Lost\" Hachoir - Edit\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/miag\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/miag\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/miag\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/miag\"\u003ehere\u003c\/a\u003e to see more Misanthropic Agenda releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアーティスト\u003c\/span\u003e\u003cspan\u003eその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/francisco-meirino\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/francisco-meirino\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/francisco-meirino\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/francisco-meirino\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Francisco Meirino releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003epart 1: The Sacrifice\u003c\/em\u003e\u003cbr\u003e\u003cem\u003epart 2: The Incredulity\u003c\/em\u003e\u003cbr\u003e\u003cem\u003epart 3: The Crowning\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTo be listened to in a continuous session.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded and assembled by Francisco Meirino and Gerritt Wittmer in 2014.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMastered at Shiver Mobile by Francisco Meirino.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Francisco Meirino \u0026amp; Gerritt Wittmer \/\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Misanthropic Agenda\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-06-15T09:25:42+09:00","created_at":"2022-06-14T15:46:59+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","francisco meirino","Misanthropic Agenda","monooto"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42876878717178,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Francisco Meirino \u0026 Gerritt Wittmer \/\/ The Confidence of Being Lost CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-06-14at3.45.07pm.png?v=1655189220"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-06-14at3.45.07pm.png?v=1655189220","options":["Title"],"media":[{"alt":null,"id":29898839687418,"position":1,"preview_image":{"aspect_ratio":0.998,"height":500,"width":499,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-06-14at3.45.07pm.png?v=1655189220"},"aspect_ratio":0.998,"height":500,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-06-14at3.45.07pm.png?v=1655189220","width":499}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスイス・ローザンヌの実験音楽家Francisco Meirino本人からデッドストック作品を多数入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、2014年に彼がアメリカの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMisanthropic Agenda主宰Gerritt Wittmerと\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eリリースした共作CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/172458861\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Misanthropic Agenda\" href=\"https:\/\/soundcloud.com\/misanthropic-agenda\" target=\"_blank\"\u003eMisanthropic Agenda\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title='Francisco Meirino \u0026amp; Gerritt Wittmer \"The Confidence of Being Lost\" Hachoir - Edit' href=\"https:\/\/soundcloud.com\/misanthropic-agenda\/francisco-meirino-gerritt-wittmer-the-confidence-of-being-lost-hachoir-edit\" target=\"_blank\"\u003eFrancisco Meirino \u0026amp; Gerritt Wittmer \"The Confidence of Being Lost\" Hachoir - Edit\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/miag\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/miag\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/miag\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/miag\"\u003ehere\u003c\/a\u003e to see more Misanthropic Agenda releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアーティスト\u003c\/span\u003e\u003cspan\u003eその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/francisco-meirino\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/francisco-meirino\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/francisco-meirino\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/francisco-meirino\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Francisco Meirino releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003epart 1: The Sacrifice\u003c\/em\u003e\u003cbr\u003e\u003cem\u003epart 2: The Incredulity\u003c\/em\u003e\u003cbr\u003e\u003cem\u003epart 3: The Crowning\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTo be listened to in a continuous session.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded and assembled by Francisco Meirino and Gerritt Wittmer in 2014.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMastered at Shiver Mobile by Francisco Meirino.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Francisco Meirino \u0026amp; Gerritt Wittmer \/\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Misanthropic Agenda\u003c\/span\u003e\u003c\/p\u003e"}
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スイス・ローザンヌの実験音楽家Francisco Meirino本人からデッドストック作品を多数入荷しました。 本作は、2014年に彼がアメリカの実験レーベルMisanthropic Agenda主宰Gerritt Wittmerとリリースした共作CDです。 Misanthropic Agenda · Francisco Meirino & Gerritt Wittmer "The...
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{"id":7637752938746,"title":"Ákos Rózmann \/\/ MASS \/ MÄSSA - 7xCD BOXSET","handle":"akos-rozmann-mass-massa-7xcd-boxset","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eÁkos RózmannのMassは、1989年から2004年の間に作曲家のスタジオとストックホルムのEMSで制作された12の電子音響作品から構成されています。ロズマンが作曲したほとんどの作品と同様に、『ミサ』は約7時間の長大な作品である。\u003cbr\u003eロズマンの《ミサ》は、カトリックのミサの第一部である「キリー」と「グローリア」についての個人的な観察による巨大なフレスコ画であると表現することができる。ミサのテキストに対する極めて主観的な視点は、ロズマン自身の言葉で言うところの「トロペ」、つまりミサのテキストの特定の言葉やそれとの関連に対するスウェーデン語、ハンガリー語、ラテン語による瞑想のイメージを凍らせることで強調されている。いくつかのパッセージはミサ文とは無関係である。グローリアIのオルガン曲VI（銀と踊りの夜想曲という副題もついている）は、「Natten gråter」（夜が泣いている）というフレーズに基づく一種の哀歌である。グローリアIに続く間奏曲は、スウェーデンのコンサートホールでよく見られる、コーヒーカップの衝突や官僚的な音楽関係者の空虚なおしゃべりを盛り込んだ構成になっており、作曲者の独特のユーモアが感じられる。\u003cbr\u003e\u003cbr\u003eミサ曲の全体的な形式構造は複雑で、さまざまなパートが独立した曲として、また曲の全体構造の中で小グループの一部として同時に機能している。独立した曲として、オルガン曲という名前で演奏されるものもある。例えば、ミサの最初のグローリア部分に含まれる3つの曲は、トリプティコンという別の独立した作品を形成しており、1996年に独立した作品として初演されている。\u003cbr\u003eミサ曲の前半では、ミサ文の言葉によって表される「正の力」と、軽蔑的な笑い、うなり声、ゲップ、吐き気をもよおす窒息音、嘔吐音など、さまざまな挑戦的音によって表される「負の力」の戦いが繰り広げられる。まず、ネガティブな力がポジティブな力を「ブラックホール」あるいはポケットの中に引きずり込みます。その後、ポジティブな力が戻ってきて、グロリアの残りの部分を支配する。この形式的な物語は、作曲者のインタビューによると、このミサの中心的な対立について、より二元的でなく、より複雑な視点をもってニュアンスを表現している。\u003cbr\u003e\u003cbr\u003e「一般的な感覚では、世の中のものはすべてポジティブかネガティブかという概念で成り立っていると思われる。しかし、トリプティク（グローリア曲集の最初の3曲）では、そう単純ではありません。異なる力が互いに対立しているのだが、その相互関係は善と悪のそれよりも複雑なのである。\"\u003cbr\u003e\u003cbr\u003e作品の中で最も目立つ音源は、オルガン、ハンガリーチター、そして人の声である。全曲を通して、コルシカ島の村の教会の声楽グループが、ラテン語のミサ文を独唱と合唱で歌っている。その他、ヴィヴェッカ・セルヴァティウス指揮のスコラ・グレゴリアーナ・ホルミエ、ドイツのベネディクト派修道士たち、そしてトーマス・ハマーが、ある種の儀式の主役として参加している。\u003cbr\u003e\u003cbr\u003e1939年、ハンガリーのブダペストで生まれたアコス・ロズマンは、バルトーク音楽院とリスト音楽院で作曲を学んだ。1971年に奨学金を得てストックホルムに渡り、ストックホルム王立音楽大学でイングヴァル・リドホルムに作曲を師事して修了し、スウェーデンに定住する。ストックホルムのカトリック大聖堂のオルガニストを長く務めた。早くから電子音響音楽に出会い、彼の作曲に新たな方向性を与えた。初期の数曲を除いて、ロズマンが作曲したのはもっぱら電気音響音楽であり、しばしば記念碑的な形式を好み、通常はオルガンと人間の声を最も重要な音源として、記号を満載した複雑で浸透性のある音楽言語を用いている。作曲家として、彼は不本意ながら隠遁生活を送り、妥協することなく、優れた独創性を発揮した。ロズマンの音楽は、存在の根本的な疑問について、しばしば倫理的または宗教的（カトリックや仏教）な根拠に基づいており、例えば、以前Ideologic Organからリリースされた巨大な組曲『夢と死のイメージ』と『12の駅』では、そのような疑問が示されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2309218720\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7 CD’s packaged in a hardcover slipcase with a pull ribbon, 12 and 20 pages booklets.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBoxset contains an extensive essay on the composition by Gergely Loch and additional texts by Göran Bergendal and Mats Lindström, and visual documentation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText \/ artist bio by Ideologic Organ:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eÁkos Rózmann (1939-2005) - Mass\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eÁkos Rózmann’s Mass consists of twelve electroacoustic compositions created between 1989 and 2004 in the composer’s studio and at EMS in Stockholm. Like most of Rózmann’s compositions, Mass is a long-form work with a duration of around seven hours. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe can describe Rózmann’s Mass as an enormous fresco of personal observations on the two first parts of the Catholic Mass, Kyrie and Gloria. The intensely subjective perspective on the texts of the Mass is underlined by Rózmann’s freezing images – in his own words – “tropes”, i.e. meditations in Swedish, Hungarian and Latin over particular words in the mass text or connection to it. A few passages have nothing to do with the mass text: Organ piece VI in Gloria I (also performed with the subtitle Nocturne in silver and dance) is a sort of lament based on the phrase “Natten gråter” (the night is crying). We find the composer’s peculiar sense of humour in the intermezzo following Gloria I – a composed version of the intermission common in Swedish concert houses, complete with clashing coffee cups and empty chatter from the bureaucratic music\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e establishment. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe overarching formal structure of Mass is an intricate one, with the various parts functioning simultaneously as independent pieces and as parts of sub-groups within the whole structure of the piece. As independent pieces, some of them go under the name Organ piece. For example, the three pieces included in the first Gloria part of mass form another independent composition named Triptykon, first performed as a separate work in 1996.\u003cbr data-mce-fragment=\"1\"\u003eIn the earlier parts of Mass, a battle fought between Positive forces is represented by the words in the Mass text and Negative forces represented by various challenging sounds, such as scornful laughter, grunts, burps, nauseous choking and vomiting sounds. First, the Negative powers drag down the Positive forces into a “black hole” or in pockets. Then the Positive forces return to dominate the remaining parts of Gloria. This formal narrative is nuanced by the composer, who, in interviews, offer a less dualistic, more complex viewpoint on the conflict central to the Mass: \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“It’s presumable that everything in the general sense is about the notion of positive or negative because everything in the world is structured like that. But it’s not that simple in the Triptych [the first three pieces of the Gloria-cycle]. Different forces stand against each other, but their interrelation is more complex than that of good and evil.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe most prominent sound sources in the work are the organ, a Hungarian zither and human voices. Throughout the whole piece, there is a vocal group from a village church in Corsica, singing the Latin mass texts solo and chorally. Other participants are Schola Gregoriana Holmiae under the direction of Viveca Servatius, a group of German Benedictine monks and – in the role of a sort of master of ceremonies, Thomas Hammar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eÁkos Rózmann was born in 1939 in Budapest, Hungary, where he studied composition at the Bartók Conservatory and the Liszt Academy. In 1971 he received a scholarship to come to Stockholm and completed his compositional studies with Ingvar Lidholm at the Royal College of Music in Stockholm and then settled down in Sweden. He was the organist at the Catholic Cathedral in Stockholm for a long time. His early encounter with electroacoustic music gave a new direction to his composing. Except for a few early pieces, Rózmann composed solely electroacoustic music – often preferring a monumental form, usually with the organ and the human voice as the most crucial sound sources in a complex, penetrating musical language loaded with symbols. As a composer, he worked involuntary seclusion, uncompromisingly and with great originality. Rózmann’s music is about the fundamental questions of existence, often on an ethical or religious (Catholic or Buddhist) basis, for example, in the enormous suites Images of the Dream and Death and Twelve Stations, both previously released on Ideologic Organ.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ákos Rózmann\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e","published_at":"2022-06-12T08:01:57+09:00","created_at":"2022-06-11T13:55:02+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","monooto","shelter press"],"price":798000,"price_min":798000,"price_max":798000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42862367473914,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ákos Rózmann \/\/ MASS \/ MÄSSA - 7xCD BOXSET","public_title":null,"options":["Default Title"],"price":798000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_e661f73f-f625-4c69-b54d-c0e756bbe563.jpg?v=1654923303","\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_fb5e1f6f-5e66-4b94-be50-fd5c14c677b1.jpg?v=1654923304"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_e661f73f-f625-4c69-b54d-c0e756bbe563.jpg?v=1654923303","options":["Title"],"media":[{"alt":null,"id":29869711196410,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_e661f73f-f625-4c69-b54d-c0e756bbe563.jpg?v=1654923303"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_e661f73f-f625-4c69-b54d-c0e756bbe563.jpg?v=1654923303","width":700},{"alt":null,"id":29869711229178,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_fb5e1f6f-5e66-4b94-be50-fd5c14c677b1.jpg?v=1654923304"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_fb5e1f6f-5e66-4b94-be50-fd5c14c677b1.jpg?v=1654923304","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eÁkos RózmannのMassは、1989年から2004年の間に作曲家のスタジオとストックホルムのEMSで制作された12の電子音響作品から構成されています。ロズマンが作曲したほとんどの作品と同様に、『ミサ』は約7時間の長大な作品である。\u003cbr\u003eロズマンの《ミサ》は、カトリックのミサの第一部である「キリー」と「グローリア」についての個人的な観察による巨大なフレスコ画であると表現することができる。ミサのテキストに対する極めて主観的な視点は、ロズマン自身の言葉で言うところの「トロペ」、つまりミサのテキストの特定の言葉やそれとの関連に対するスウェーデン語、ハンガリー語、ラテン語による瞑想のイメージを凍らせることで強調されている。いくつかのパッセージはミサ文とは無関係である。グローリアIのオルガン曲VI（銀と踊りの夜想曲という副題もついている）は、「Natten gråter」（夜が泣いている）というフレーズに基づく一種の哀歌である。グローリアIに続く間奏曲は、スウェーデンのコンサートホールでよく見られる、コーヒーカップの衝突や官僚的な音楽関係者の空虚なおしゃべりを盛り込んだ構成になっており、作曲者の独特のユーモアが感じられる。\u003cbr\u003e\u003cbr\u003eミサ曲の全体的な形式構造は複雑で、さまざまなパートが独立した曲として、また曲の全体構造の中で小グループの一部として同時に機能している。独立した曲として、オルガン曲という名前で演奏されるものもある。例えば、ミサの最初のグローリア部分に含まれる3つの曲は、トリプティコンという別の独立した作品を形成しており、1996年に独立した作品として初演されている。\u003cbr\u003eミサ曲の前半では、ミサ文の言葉によって表される「正の力」と、軽蔑的な笑い、うなり声、ゲップ、吐き気をもよおす窒息音、嘔吐音など、さまざまな挑戦的音によって表される「負の力」の戦いが繰り広げられる。まず、ネガティブな力がポジティブな力を「ブラックホール」あるいはポケットの中に引きずり込みます。その後、ポジティブな力が戻ってきて、グロリアの残りの部分を支配する。この形式的な物語は、作曲者のインタビューによると、このミサの中心的な対立について、より二元的でなく、より複雑な視点をもってニュアンスを表現している。\u003cbr\u003e\u003cbr\u003e「一般的な感覚では、世の中のものはすべてポジティブかネガティブかという概念で成り立っていると思われる。しかし、トリプティク（グローリア曲集の最初の3曲）では、そう単純ではありません。異なる力が互いに対立しているのだが、その相互関係は善と悪のそれよりも複雑なのである。\"\u003cbr\u003e\u003cbr\u003e作品の中で最も目立つ音源は、オルガン、ハンガリーチター、そして人の声である。全曲を通して、コルシカ島の村の教会の声楽グループが、ラテン語のミサ文を独唱と合唱で歌っている。その他、ヴィヴェッカ・セルヴァティウス指揮のスコラ・グレゴリアーナ・ホルミエ、ドイツのベネディクト派修道士たち、そしてトーマス・ハマーが、ある種の儀式の主役として参加している。\u003cbr\u003e\u003cbr\u003e1939年、ハンガリーのブダペストで生まれたアコス・ロズマンは、バルトーク音楽院とリスト音楽院で作曲を学んだ。1971年に奨学金を得てストックホルムに渡り、ストックホルム王立音楽大学でイングヴァル・リドホルムに作曲を師事して修了し、スウェーデンに定住する。ストックホルムのカトリック大聖堂のオルガニストを長く務めた。早くから電子音響音楽に出会い、彼の作曲に新たな方向性を与えた。初期の数曲を除いて、ロズマンが作曲したのはもっぱら電気音響音楽であり、しばしば記念碑的な形式を好み、通常はオルガンと人間の声を最も重要な音源として、記号を満載した複雑で浸透性のある音楽言語を用いている。作曲家として、彼は不本意ながら隠遁生活を送り、妥協することなく、優れた独創性を発揮した。ロズマンの音楽は、存在の根本的な疑問について、しばしば倫理的または宗教的（カトリックや仏教）な根拠に基づいており、例えば、以前Ideologic Organからリリースされた巨大な組曲『夢と死のイメージ』と『12の駅』では、そのような疑問が示されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2309218720\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7 CD’s packaged in a hardcover slipcase with a pull ribbon, 12 and 20 pages booklets.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBoxset contains an extensive essay on the composition by Gergely Loch and additional texts by Göran Bergendal and Mats Lindström, and visual documentation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText \/ artist bio by Ideologic Organ:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eÁkos Rózmann (1939-2005) - Mass\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eÁkos Rózmann’s Mass consists of twelve electroacoustic compositions created between 1989 and 2004 in the composer’s studio and at EMS in Stockholm. Like most of Rózmann’s compositions, Mass is a long-form work with a duration of around seven hours. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe can describe Rózmann’s Mass as an enormous fresco of personal observations on the two first parts of the Catholic Mass, Kyrie and Gloria. The intensely subjective perspective on the texts of the Mass is underlined by Rózmann’s freezing images – in his own words – “tropes”, i.e. meditations in Swedish, Hungarian and Latin over particular words in the mass text or connection to it. A few passages have nothing to do with the mass text: Organ piece VI in Gloria I (also performed with the subtitle Nocturne in silver and dance) is a sort of lament based on the phrase “Natten gråter” (the night is crying). We find the composer’s peculiar sense of humour in the intermezzo following Gloria I – a composed version of the intermission common in Swedish concert houses, complete with clashing coffee cups and empty chatter from the bureaucratic music\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e establishment. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe overarching formal structure of Mass is an intricate one, with the various parts functioning simultaneously as independent pieces and as parts of sub-groups within the whole structure of the piece. As independent pieces, some of them go under the name Organ piece. For example, the three pieces included in the first Gloria part of mass form another independent composition named Triptykon, first performed as a separate work in 1996.\u003cbr data-mce-fragment=\"1\"\u003eIn the earlier parts of Mass, a battle fought between Positive forces is represented by the words in the Mass text and Negative forces represented by various challenging sounds, such as scornful laughter, grunts, burps, nauseous choking and vomiting sounds. First, the Negative powers drag down the Positive forces into a “black hole” or in pockets. Then the Positive forces return to dominate the remaining parts of Gloria. This formal narrative is nuanced by the composer, who, in interviews, offer a less dualistic, more complex viewpoint on the conflict central to the Mass: \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“It’s presumable that everything in the general sense is about the notion of positive or negative because everything in the world is structured like that. But it’s not that simple in the Triptych [the first three pieces of the Gloria-cycle]. Different forces stand against each other, but their interrelation is more complex than that of good and evil.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe most prominent sound sources in the work are the organ, a Hungarian zither and human voices. Throughout the whole piece, there is a vocal group from a village church in Corsica, singing the Latin mass texts solo and chorally. Other participants are Schola Gregoriana Holmiae under the direction of Viveca Servatius, a group of German Benedictine monks and – in the role of a sort of master of ceremonies, Thomas Hammar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eÁkos Rózmann was born in 1939 in Budapest, Hungary, where he studied composition at the Bartók Conservatory and the Liszt Academy. In 1971 he received a scholarship to come to Stockholm and completed his compositional studies with Ingvar Lidholm at the Royal College of Music in Stockholm and then settled down in Sweden. He was the organist at the Catholic Cathedral in Stockholm for a long time. His early encounter with electroacoustic music gave a new direction to his composing. Except for a few early pieces, Rózmann composed solely electroacoustic music – often preferring a monumental form, usually with the organ and the human voice as the most crucial sound sources in a complex, penetrating musical language loaded with symbols. As a composer, he worked involuntary seclusion, uncompromisingly and with great originality. Rózmann’s music is about the fundamental questions of existence, often on an ethical or religious (Catholic or Buddhist) basis, for example, in the enormous suites Images of the Dream and Death and Twelve Stations, both previously released on Ideologic Organ.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ákos Rózmann\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e"}
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ハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットです。 以下、レーベル解説です。 Ákos RózmannのMassは、1989年から2004年の間に作曲家のスタジオとストックホルムのEMSで制作された12の電子音響作品から構成されています。ロズマンが作曲したほとんどの作品と同様に、『ミサ』は約7時間の長大な作品である。ロズマンの《ミサ》は、カトリックのミサの第一部である「キリー」と「グローリア」についての個人的な観察による巨大なフレスコ画であると表現することができる。ミサのテキストに対する極めて主観的な視点は、ロズマン自身の言葉で言うところの「トロペ」、つまりミサのテキストの特定の言葉やそれとの関連に対するスウェーデン語、ハンガリー語、ラテン語による瞑想のイメージを凍らせることで強調されている。いくつかのパッセージはミサ文とは無関係である。グローリアIのオルガン曲VI（銀と踊りの夜想曲という副題もついている）は、「Natten gråter」（夜が泣いている）というフレーズに基づく一種の哀歌である。グローリアIに続く間奏曲は、スウェーデンのコンサートホールでよく見られる、コーヒーカップの衝突や官僚的な音楽関係者の空虚なおしゃべりを盛り込んだ構成になっており、作曲者の独特のユーモアが感じられる。ミサ曲の全体的な形式構造は複雑で、さまざまなパートが独立した曲として、また曲の全体構造の中で小グループの一部として同時に機能している。独立した曲として、オルガン曲という名前で演奏されるものもある。例えば、ミサの最初のグローリア部分に含まれる3つの曲は、トリプティコンという別の独立した作品を形成しており、1996年に独立した作品として初演されている。ミサ曲の前半では、ミサ文の言葉によって表される「正の力」と、軽蔑的な笑い、うなり声、ゲップ、吐き気をもよおす窒息音、嘔吐音など、さまざまな挑戦的音によって表される「負の力」の戦いが繰り広げられる。まず、ネガティブな力がポジティブな力を「ブラックホール」あるいはポケットの中に引きずり込みます。その後、ポジティブな力が戻ってきて、グロリアの残りの部分を支配する。この形式的な物語は、作曲者のインタビューによると、このミサの中心的な対立について、より二元的でなく、より複雑な視点をもってニュアンスを表現している。「一般的な感覚では、世の中のものはすべてポジティブかネガティブかという概念で成り立っていると思われる。しかし、トリプティク（グローリア曲集の最初の3曲）では、そう単純ではありません。異なる力が互いに対立しているのだが、その相互関係は善と悪のそれよりも複雑なのである。"作品の中で最も目立つ音源は、オルガン、ハンガリーチター、そして人の声である。全曲を通して、コルシカ島の村の教会の声楽グループが、ラテン語のミサ文を独唱と合唱で歌っている。その他、ヴィヴェッカ・セルヴァティウス指揮のスコラ・グレゴリアーナ・ホルミエ、ドイツのベネディクト派修道士たち、そしてトーマス・ハマーが、ある種の儀式の主役として参加している。1939年、ハンガリーのブダペストで生まれたアコス・ロズマンは、バルトーク音楽院とリスト音楽院で作曲を学んだ。1971年に奨学金を得てストックホルムに渡り、ストックホルム王立音楽大学でイングヴァル・リドホルムに作曲を師事して修了し、スウェーデンに定住する。ストックホルムのカトリック大聖堂のオルガニストを長く務めた。早くから電子音響音楽に出会い、彼の作曲に新たな方向性を与えた。初期の数曲を除いて、ロズマンが作曲したのはもっぱら電気音響音楽であり、しばしば記念碑的な形式を好み、通常はオルガンと人間の声を最も重要な音源として、記号を満載した複雑で浸透性のある音楽言語を用いている。作曲家として、彼は不本意ながら隠遁生活を送り、妥協することなく、優れた独創性を発揮した。ロズマンの音楽は、存在の根本的な疑問について、しばしば倫理的または宗教的（カトリックや仏教）な根拠に基づいており、例えば、以前Ideologic Organからリリースされた巨大な組曲『夢と死のイメージ』と『12の駅』では、そのような疑問が示されている。" レーベルその他作品はこちら /// Click here to see more Shelter Press...
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{"id":7637751726330,"title":"Akos Rozmann \/\/ 12 Stations\/Tolv Stationer (1978-2001) 7xCD BOXSET","handle":"akos-rozmann-12-stations-tolv-stationer-1978-2001-7xcd-boxset","description":"\u003cp\u003eハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットがこの度再発。\u003c\/p\u003e\n\u003cp\u003e以下、Mark Harwoodによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアコス・ロズマン（1939-2005）はブダペストで生まれ、リスト音楽院でオルガンと作曲を学んだ。1971年から1974年までストックホルム王立音楽大学で作曲を学び、1978年からはストックホルムのカソリック大聖堂のオルガニストとして活躍した。生涯を通じてムジーク・コンクレートに専念し、あらゆる音楽のジャンルの中で最も錬金術的なこのジャンルにおいて、最も大規模で実りある作品群を作り上げた。80年代初頭には、カトリック大聖堂の地下に電子音響スタジオを建設し、その一方で、初期の傑作を生み出したEMS（Elektronmusikstudion スウェーデン）でも活動を継続した。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e音楽創作への揺るぎないこだわりを持つロズマン氏は、望む結果を得るために、窓のないスタジオに閉じこもって夜通し作業をすることもしばしばあった。彼は、自分のビジョンを完璧に表現することだけを考え、仲間からの承認や聴衆の満足は求めなかった。このようなビジョン、情熱、頑固さの組み合わせが、ミュージック・コンクリートという分野で最も特異なカタログを生み出すことになった。ハンガリーの作曲家ミクローシュ・マロスから、ピアノと声のための5分間の作品を依頼された。ロズマンは、ミクローシュの妻でソプラノ歌手のイロナ・マロスの録音と、彼自身のプリペアド・ピアノの実験からなるテープ作品を書くつもりで、この申し出を受けた。ここで録音された要素が「12 Stations」の素材となった。この作品は、当初の5分という短い時間から大きく飛び出し、20年後に6時間半を超える精神の旅路として着地したのである。この作曲プロセスは、初期段階から最終作品の完成まで18年間のギャップがあるため、ロズマン作品の中でもユニークなものとなっている。1978年から1980年にかけて作られた最初の段階は、スピードアップ、スローダウン、テープのカットやスプライシングといった伝統的なミュジック・コンクレートの技法の探求で構成されています。1998年から2001年にかけて制作された最後の4つのステーションは、デジタル技術を取り入れ、1978年のオリジナル録音の小さなセクションをエフェクト・プロセッサーにかけ、サンプラーキーボードで即興演奏しています。このようなギャップや、それぞれの制作期間で展開された異なる技術にもかかわらず、記念碑的な結果は完全で驚異的な全体として収まっている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eロズマンは、音源の制限の中で、オリジナルのピアノと声の録音から柔軟な音の世界を引き出す不思議な才能を発揮している。その結果、ダイナミックな音の渦が生まれ、20世紀における最も大胆で挑戦的、かつ見応えのあるムジーク・コンクレートの作品のひとつとなったのである。プロパティ・ルームパートIとIIは、シュトゥルム・ウント・ドランの広大な風景で始まる。ピアノと声のオリジナル素材は、攻撃的な異世界の雰囲気を呼び起こす手段として、分解・再構築されている。The Contents and Life of the Black Pit'は、重く堕落した声と狂乱したエレクトロニクスが最も不穏な方法で踊る広がりのある味付けでさらに外へとシフトしていく。The Abandonment of Hell'は、リスナーを洗練された衝撃的なオーディオの混乱に導き、明確な「音楽」の質を持つものである。この作品には、職人が静かに個々の要素を削ぎ落とし、以前は手に入れることのできなかった世界を手に入れようとしているのが感じられる。パートV「The Awakening」では、序盤のうなり声、腹鳴、不穏な声が、より天の声となり、下の異形のものを昇天させるように、ミックスに女性の形を埋め込んでいる。ロズマン氏は、「Twelve Stations」の最初の部分が「チベットの生命の輪」の解釈であることを以前に示唆していたが、作品の背後にある意味について典型的に曖昧な態度をとっていた。チベット仏教への関心と並行して、彼はカソリック教会への信仰を持ち続けていた。その結果、高揚したモチーフを持つこの曲は、地獄から天国への上昇と読むこともできるだろう。ロズマンが演奏する「The Celebrators」は、エンディングというより、ある種の継続として提示されている。短い音楽のリフレインは、声と音の屈折が鏡の回廊のように現れ、果てしなく螺旋状に広がっていくプリズムを思い起こさせる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eスケール、音色、テクニック、ムード、動きにおいて叙事詩的なこの作品は、20世紀のムジーク・コンクレーテのユニークな傑作であり、強烈にパーソナルで大胆な音の領域として、万人に開かれた過激なミサのような捧げ物として提示されている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e人間は放浪の旅を通して、さまざまな困難や苦しみに出会う。これらは、絶え間なく続く闘争の間にある力である。彼はこれらの力を制御し、主宰することはできない。嵐の中の雪片のように、上下に翻弄され、無力である。混沌とした思考と感情、喜びと苦しみは、始まりも終わりもない川のように途切れることなく流れている。これらはすべて自分の行いの結果である。しかし、この人生では、これらのことを簡単にするチャンスがある。 \u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1312392139\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eFinal pressing edition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e7 CD’s packaged in a hardcover slipcase with a pull ribbon, 20-page booklet containing an extensive essay on the composition by the scholar Gergely Loch, photos from the process and of scores and the composer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText \/ artist bio by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eMark Harwood\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Ákos Rózmann (1939-2005) was born in Budapest where he studied organ and composition at the Liszt Academy. From 1971 to 1974 he studied composition at the Royal College of Music in Stockholm and from 1978 he was an organist at the catholic cathedral in Stockholm. Throughout his life Rózmann dedicated himself to musique concrète developing one of the largest and most rewarding bodies of work in this, the most alchemical of all musical genres. In the early eighties, Rózmann started to build a private electroacoustic studio which he installed in the basement of the Catholic Cathedral whilst continuing to work in tandem at the Elektronmusikstudion (EMS Sweden) where he produced his earlier masterpieces.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith an unwavering commitment to the creation of music Rózmann would often lock himself up in his windowless studio working into the night in order to achieve the results he desired. He did not seek the approval of his peers nor the satisfaction of his audience with the only concern being the perfect articulation of his vision. This combination of vision, passion and stubbornness resulted in one of the most singular catalogues within the field of musique concrete. Commissioned by the Hungarian composer\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e Miklós Maros who requested a five-minute work for piano and voice. Rózmann accepted the offer with the intention of writing a tape piece made from recordings of Miklós’ wife, the soprano singer Ilona Maros’ and his own experiments with prepared piano. The elements recorded here became the source material for Twelve Stations, a work which flew far from the initial five minute brief to land 20 years later as a spirit stretching journey of more than 6 1\/2 hours. The compositional process is unique in Rózmann’s output due to the 18 year gap between the initial phase and completion of the final work. The first phase made between 1978-1980 consists of an exploration of traditional musique concrète techniques such as speeding up, slowing down, cutting and splicing tape. The last four stations made between 1998-2001 embrace digital technology where small sections of the original recordings from 1978 were fed through an effects processor and improvised on a sampler keyboard. Despite this gap and the different techniques deployed at each period of creation the monumental result sits as a complete and staggering whole.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWithin the set limitations of the source material Rózmann’s skill unfolds in an uncanny ability to coax a vast world of flexible sound from the original piano and voice recordings. The result is a maelstrom of dynamic audio and one of the most daring, challenging and rewarding works of musique concrète from the 20th Century. ‘Property – Room’ parts I and II initiate proceedings with a vast landscape of Sturm und Drang. The original material of piano and voice are dissected and reconstructed as a means of evoking an aggressive otherworldly atmosphere. ‘The Contents and Life of the Black Pit’ shifts further outside with an expansive palate of heavily corrupted voice and frenzied electronics dancing in a most unsettling fashion. ‘The Abandonment of Hell’ leads the listener into a sophisticated and shocking melange of audio disorientation, one with a distinct ‘musical’ quality. One senses a master craftsman quietly whittling away at the individual elements in order to harness the previously unobtainable world within. Part V ‘The Awakening’ implants female forms in the mix as the growling, belching, disturbing voices of the early sequences are replaced with more heavenly voices ascending the malformed matter below. Rózmann was typically ambiguous about the meaning behind his work despite suggesting earlier that the first part of ‘Twelve Stations’ was an interpretation of the ‘Tibetan Wheel of Life’. Alongside his interest in Tibetan Buddhism he maintained his following of the catholic church and as a consequence one may also read this sequence, with its uplifting motifs as an ascent from hell into heaven. Rózmann concludes proceedings with ‘The Celebrators’, which presents itself not as an ending but rather a continuation of sorts. A short musical refrain conjures a prism where refractions of voice and sound appear like a hall of mirrors, spiralling onwards and outwards, without end.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEpic in scale, timbre, technique, mood and movement, Twelve Stations is a unique masterpiece of 20th Century musique concrète and presents itself as an intensely personal and bold realm of sound, an offering as such, a radical mass open to all.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMan meets different difficulties and sufferings through his wandering. These are forces between which a continuous struggle is going on. He cannot control and preside over these forces. He is being tossed up and down, powerless, like snowflakes in the storm: chaotic thoughts and feelings, gladness and suffering, which flow without intermission like a river that has no beginning nor end. All these are the fruits of our own deeds. However, in this life you have the chance to make easier those life wanderings that are to come. - Rózmann (from the programme notes for the 1984 premiere of the first seven stations).\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akos Rozmann\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdeologic Organ\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-06-12T07:55:49+09:00","created_at":"2022-06-11T13:52:21+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","monooto","shelter press"],"price":798000,"price_min":798000,"price_max":798000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42862353383674,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akos Rozmann \/\/ 12 Stations\/Tolv Stationer (1978-2001) 7xCD BOXSET","public_title":null,"options":["Default Title"],"price":798000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/akos-rozmann-12-stations-tolv-statione.jpg.250.jpg?v=1654923142","\/\/tobirarecords.com\/cdn\/shop\/products\/av.jpg?v=1654923143"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/akos-rozmann-12-stations-tolv-statione.jpg.250.jpg?v=1654923142","options":["Title"],"media":[{"alt":null,"id":29869699989754,"position":1,"preview_image":{"aspect_ratio":1.0,"height":250,"width":250,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/akos-rozmann-12-stations-tolv-statione.jpg.250.jpg?v=1654923142"},"aspect_ratio":1.0,"height":250,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/akos-rozmann-12-stations-tolv-statione.jpg.250.jpg?v=1654923142","width":250},{"alt":null,"id":29869700022522,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/av.jpg?v=1654923143"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/av.jpg?v=1654923143","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットがこの度再発。\u003c\/p\u003e\n\u003cp\u003e以下、Mark Harwoodによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアコス・ロズマン（1939-2005）はブダペストで生まれ、リスト音楽院でオルガンと作曲を学んだ。1971年から1974年までストックホルム王立音楽大学で作曲を学び、1978年からはストックホルムのカソリック大聖堂のオルガニストとして活躍した。生涯を通じてムジーク・コンクレートに専念し、あらゆる音楽のジャンルの中で最も錬金術的なこのジャンルにおいて、最も大規模で実りある作品群を作り上げた。80年代初頭には、カトリック大聖堂の地下に電子音響スタジオを建設し、その一方で、初期の傑作を生み出したEMS（Elektronmusikstudion スウェーデン）でも活動を継続した。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e音楽創作への揺るぎないこだわりを持つロズマン氏は、望む結果を得るために、窓のないスタジオに閉じこもって夜通し作業をすることもしばしばあった。彼は、自分のビジョンを完璧に表現することだけを考え、仲間からの承認や聴衆の満足は求めなかった。このようなビジョン、情熱、頑固さの組み合わせが、ミュージック・コンクリートという分野で最も特異なカタログを生み出すことになった。ハンガリーの作曲家ミクローシュ・マロスから、ピアノと声のための5分間の作品を依頼された。ロズマンは、ミクローシュの妻でソプラノ歌手のイロナ・マロスの録音と、彼自身のプリペアド・ピアノの実験からなるテープ作品を書くつもりで、この申し出を受けた。ここで録音された要素が「12 Stations」の素材となった。この作品は、当初の5分という短い時間から大きく飛び出し、20年後に6時間半を超える精神の旅路として着地したのである。この作曲プロセスは、初期段階から最終作品の完成まで18年間のギャップがあるため、ロズマン作品の中でもユニークなものとなっている。1978年から1980年にかけて作られた最初の段階は、スピードアップ、スローダウン、テープのカットやスプライシングといった伝統的なミュジック・コンクレートの技法の探求で構成されています。1998年から2001年にかけて制作された最後の4つのステーションは、デジタル技術を取り入れ、1978年のオリジナル録音の小さなセクションをエフェクト・プロセッサーにかけ、サンプラーキーボードで即興演奏しています。このようなギャップや、それぞれの制作期間で展開された異なる技術にもかかわらず、記念碑的な結果は完全で驚異的な全体として収まっている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eロズマンは、音源の制限の中で、オリジナルのピアノと声の録音から柔軟な音の世界を引き出す不思議な才能を発揮している。その結果、ダイナミックな音の渦が生まれ、20世紀における最も大胆で挑戦的、かつ見応えのあるムジーク・コンクレートの作品のひとつとなったのである。プロパティ・ルームパートIとIIは、シュトゥルム・ウント・ドランの広大な風景で始まる。ピアノと声のオリジナル素材は、攻撃的な異世界の雰囲気を呼び起こす手段として、分解・再構築されている。The Contents and Life of the Black Pit'は、重く堕落した声と狂乱したエレクトロニクスが最も不穏な方法で踊る広がりのある味付けでさらに外へとシフトしていく。The Abandonment of Hell'は、リスナーを洗練された衝撃的なオーディオの混乱に導き、明確な「音楽」の質を持つものである。この作品には、職人が静かに個々の要素を削ぎ落とし、以前は手に入れることのできなかった世界を手に入れようとしているのが感じられる。パートV「The Awakening」では、序盤のうなり声、腹鳴、不穏な声が、より天の声となり、下の異形のものを昇天させるように、ミックスに女性の形を埋め込んでいる。ロズマン氏は、「Twelve Stations」の最初の部分が「チベットの生命の輪」の解釈であることを以前に示唆していたが、作品の背後にある意味について典型的に曖昧な態度をとっていた。チベット仏教への関心と並行して、彼はカソリック教会への信仰を持ち続けていた。その結果、高揚したモチーフを持つこの曲は、地獄から天国への上昇と読むこともできるだろう。ロズマンが演奏する「The Celebrators」は、エンディングというより、ある種の継続として提示されている。短い音楽のリフレインは、声と音の屈折が鏡の回廊のように現れ、果てしなく螺旋状に広がっていくプリズムを思い起こさせる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eスケール、音色、テクニック、ムード、動きにおいて叙事詩的なこの作品は、20世紀のムジーク・コンクレーテのユニークな傑作であり、強烈にパーソナルで大胆な音の領域として、万人に開かれた過激なミサのような捧げ物として提示されている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e人間は放浪の旅を通して、さまざまな困難や苦しみに出会う。これらは、絶え間なく続く闘争の間にある力である。彼はこれらの力を制御し、主宰することはできない。嵐の中の雪片のように、上下に翻弄され、無力である。混沌とした思考と感情、喜びと苦しみは、始まりも終わりもない川のように途切れることなく流れている。これらはすべて自分の行いの結果である。しかし、この人生では、これらのことを簡単にするチャンスがある。 \u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1312392139\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eFinal pressing edition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e7 CD’s packaged in a hardcover slipcase with a pull ribbon, 20-page booklet containing an extensive essay on the composition by the scholar Gergely Loch, photos from the process and of scores and the composer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText \/ artist bio by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eMark Harwood\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Ákos Rózmann (1939-2005) was born in Budapest where he studied organ and composition at the Liszt Academy. From 1971 to 1974 he studied composition at the Royal College of Music in Stockholm and from 1978 he was an organist at the catholic cathedral in Stockholm. Throughout his life Rózmann dedicated himself to musique concrète developing one of the largest and most rewarding bodies of work in this, the most alchemical of all musical genres. In the early eighties, Rózmann started to build a private electroacoustic studio which he installed in the basement of the Catholic Cathedral whilst continuing to work in tandem at the Elektronmusikstudion (EMS Sweden) where he produced his earlier masterpieces.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith an unwavering commitment to the creation of music Rózmann would often lock himself up in his windowless studio working into the night in order to achieve the results he desired. He did not seek the approval of his peers nor the satisfaction of his audience with the only concern being the perfect articulation of his vision. This combination of vision, passion and stubbornness resulted in one of the most singular catalogues within the field of musique concrete. Commissioned by the Hungarian composer\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e Miklós Maros who requested a five-minute work for piano and voice. Rózmann accepted the offer with the intention of writing a tape piece made from recordings of Miklós’ wife, the soprano singer Ilona Maros’ and his own experiments with prepared piano. The elements recorded here became the source material for Twelve Stations, a work which flew far from the initial five minute brief to land 20 years later as a spirit stretching journey of more than 6 1\/2 hours. The compositional process is unique in Rózmann’s output due to the 18 year gap between the initial phase and completion of the final work. The first phase made between 1978-1980 consists of an exploration of traditional musique concrète techniques such as speeding up, slowing down, cutting and splicing tape. The last four stations made between 1998-2001 embrace digital technology where small sections of the original recordings from 1978 were fed through an effects processor and improvised on a sampler keyboard. Despite this gap and the different techniques deployed at each period of creation the monumental result sits as a complete and staggering whole.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWithin the set limitations of the source material Rózmann’s skill unfolds in an uncanny ability to coax a vast world of flexible sound from the original piano and voice recordings. The result is a maelstrom of dynamic audio and one of the most daring, challenging and rewarding works of musique concrète from the 20th Century. ‘Property – Room’ parts I and II initiate proceedings with a vast landscape of Sturm und Drang. The original material of piano and voice are dissected and reconstructed as a means of evoking an aggressive otherworldly atmosphere. ‘The Contents and Life of the Black Pit’ shifts further outside with an expansive palate of heavily corrupted voice and frenzied electronics dancing in a most unsettling fashion. ‘The Abandonment of Hell’ leads the listener into a sophisticated and shocking melange of audio disorientation, one with a distinct ‘musical’ quality. One senses a master craftsman quietly whittling away at the individual elements in order to harness the previously unobtainable world within. Part V ‘The Awakening’ implants female forms in the mix as the growling, belching, disturbing voices of the early sequences are replaced with more heavenly voices ascending the malformed matter below. Rózmann was typically ambiguous about the meaning behind his work despite suggesting earlier that the first part of ‘Twelve Stations’ was an interpretation of the ‘Tibetan Wheel of Life’. Alongside his interest in Tibetan Buddhism he maintained his following of the catholic church and as a consequence one may also read this sequence, with its uplifting motifs as an ascent from hell into heaven. Rózmann concludes proceedings with ‘The Celebrators’, which presents itself not as an ending but rather a continuation of sorts. A short musical refrain conjures a prism where refractions of voice and sound appear like a hall of mirrors, spiralling onwards and outwards, without end.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEpic in scale, timbre, technique, mood and movement, Twelve Stations is a unique masterpiece of 20th Century musique concrète and presents itself as an intensely personal and bold realm of sound, an offering as such, a radical mass open to all.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMan meets different difficulties and sufferings through his wandering. These are forces between which a continuous struggle is going on. He cannot control and preside over these forces. He is being tossed up and down, powerless, like snowflakes in the storm: chaotic thoughts and feelings, gladness and suffering, which flow without intermission like a river that has no beginning nor end. All these are the fruits of our own deeds. However, in this life you have the chance to make easier those life wanderings that are to come. - Rózmann (from the programme notes for the 1984 premiere of the first seven stations).\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akos Rozmann\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdeologic Organ\u003c\/span\u003e\u003c\/p\u003e"}
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ハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットがこの度再発。 以下、Mark Harwoodによる解説です。 アコス・ロズマン（1939-2005）はブダペストで生まれ、リスト音楽院でオルガンと作曲を学んだ。1971年から1974年までストックホルム王立音楽大学で作曲を学び、1978年からはストックホルムのカソリック大聖堂のオルガニストとして活躍した。生涯を通じてムジーク・コンクレートに専念し、あらゆる音楽のジャンルの中で最も錬金術的なこのジャンルにおいて、最も大規模で実りある作品群を作り上げた。80年代初頭には、カトリック大聖堂の地下に電子音響スタジオを建設し、その一方で、初期の傑作を生み出したEMS（Elektronmusikstudion スウェーデン）でも活動を継続した。音楽創作への揺るぎないこだわりを持つロズマン氏は、望む結果を得るために、窓のないスタジオに閉じこもって夜通し作業をすることもしばしばあった。彼は、自分のビジョンを完璧に表現することだけを考え、仲間からの承認や聴衆の満足は求めなかった。このようなビジョン、情熱、頑固さの組み合わせが、ミュージック・コンクリートという分野で最も特異なカタログを生み出すことになった。ハンガリーの作曲家ミクローシュ・マロスから、ピアノと声のための5分間の作品を依頼された。ロズマンは、ミクローシュの妻でソプラノ歌手のイロナ・マロスの録音と、彼自身のプリペアド・ピアノの実験からなるテープ作品を書くつもりで、この申し出を受けた。ここで録音された要素が「12 Stations」の素材となった。この作品は、当初の5分という短い時間から大きく飛び出し、20年後に6時間半を超える精神の旅路として着地したのである。この作曲プロセスは、初期段階から最終作品の完成まで18年間のギャップがあるため、ロズマン作品の中でもユニークなものとなっている。1978年から1980年にかけて作られた最初の段階は、スピードアップ、スローダウン、テープのカットやスプライシングといった伝統的なミュジック・コンクレートの技法の探求で構成されています。1998年から2001年にかけて制作された最後の4つのステーションは、デジタル技術を取り入れ、1978年のオリジナル録音の小さなセクションをエフェクト・プロセッサーにかけ、サンプラーキーボードで即興演奏しています。このようなギャップや、それぞれの制作期間で展開された異なる技術にもかかわらず、記念碑的な結果は完全で驚異的な全体として収まっている。ロズマンは、音源の制限の中で、オリジナルのピアノと声の録音から柔軟な音の世界を引き出す不思議な才能を発揮している。その結果、ダイナミックな音の渦が生まれ、20世紀における最も大胆で挑戦的、かつ見応えのあるムジーク・コンクレートの作品のひとつとなったのである。プロパティ・ルームパートIとIIは、シュトゥルム・ウント・ドランの広大な風景で始まる。ピアノと声のオリジナル素材は、攻撃的な異世界の雰囲気を呼び起こす手段として、分解・再構築されている。The Contents and Life of the Black...
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{"id":7636158021882,"title":"C.F.G. 意识反馈团 \/\/ Killed As Time TAPE","handle":"c-f-g-意识反馈团-killed-as-time-tape","description":"\u003cp\u003e中国の即興トリオ\u003cmeta charset=\"utf-8\"\u003eConscious Feedback Group (C.F.G.)が、2022年6月に同国実験レーベルZoomin Nightからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eスポークンワード〜物音〜コラージュを用いたライブ音源2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2261985302\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eZoomin' Nightその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more Zoomin' Night releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------ \u003c\/p\u003e\n\u003cp\u003eZoomin' Night:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eConscious Feedback Group (C.F.G.) is a gang of three formed in 2018 by MAI mai, Xu Cheng and Jun-Y Ciao. Improvisation is their way. They use mediums of music, sound, text and performance to explore a non-identifiable style that has nothing to do with fancy illusions.'\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e***\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack information:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Tune of Heart\"\u003cem\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRecorded live at NEXTMIXING, Shanghai, 3 May 2021.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJun-Y Ciao: Vocal, Chinese Flute\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMAI mai: Vocal, Tocante Karper\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eXu Cheng: Vocal, Relay Synth, Bialitti Brikka\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis live recording is C.F.G.'s iterative improvisation between semantic, phonetic, vocal and musical sounds, based on a two-page fragment of text from Yang Sao's poetic drama \"Tune of Heart\", written in 1924.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e***\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\"From Empty\"\u003cem\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRecorded live at the Ming Room, Shanghai, on 29 August 2021.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJun-Y Ciao: Clarinet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMAI mai: Guitar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eXu Cheng: Gong and Bowls\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLive recording from one of the \"Voice of Turtle\" series organized by Zhu Songjie.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe first half is based on a very \"Post-Garde\" concept: when a C pentatonic (C, D, E, G, A) is superimposed on a D pentatonic (D, E, F#, A, B), a 雅乐调 (C Lydian Mode) is formed: C, D, E, F#, G, A, B. Each of the three performers improvises on one of the scale bases, gradually adding notes.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe second half is an improvisation without any arrangement.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : C.F.G. 意识反馈团\u003c\/p\u003e\n\u003cp\u003eLabel : Zoomin' Night\u003c\/p\u003e","published_at":"2022-06-10T10:35:52+09:00","created_at":"2022-06-10T10:29:33+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","jazz","monooto","tape","Zoomin’ night"],"price":158000,"price_min":158000,"price_max":158000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42854338560250,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"C.F.G. 意识反馈团 \/\/ Killed As Time TAPE","public_title":null,"options":["Default Title"],"price":158000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ki1_93fc69c7-200c-4146-ad0e-8ff89345c2e4.jpg?v=1654824574","\/\/tobirarecords.com\/cdn\/shop\/products\/ki2_e3bf2d08-2607-4e47-bb30-c9ade82d5dd0.jpg?v=1654824574"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ki1_93fc69c7-200c-4146-ad0e-8ff89345c2e4.jpg?v=1654824574","options":["Title"],"media":[{"alt":null,"id":29858564079866,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ki1_93fc69c7-200c-4146-ad0e-8ff89345c2e4.jpg?v=1654824574"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ki1_93fc69c7-200c-4146-ad0e-8ff89345c2e4.jpg?v=1654824574","width":700},{"alt":null,"id":29858564112634,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ki2_e3bf2d08-2607-4e47-bb30-c9ade82d5dd0.jpg?v=1654824574"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ki2_e3bf2d08-2607-4e47-bb30-c9ade82d5dd0.jpg?v=1654824574","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e中国の即興トリオ\u003cmeta charset=\"utf-8\"\u003eConscious Feedback Group (C.F.G.)が、2022年6月に同国実験レーベルZoomin Nightからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eスポークンワード〜物音〜コラージュを用いたライブ音源2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2261985302\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eZoomin' Nightその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more Zoomin' Night releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------ \u003c\/p\u003e\n\u003cp\u003eZoomin' Night:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eConscious Feedback Group (C.F.G.) is a gang of three formed in 2018 by MAI mai, Xu Cheng and Jun-Y Ciao. Improvisation is their way. They use mediums of music, sound, text and performance to explore a non-identifiable style that has nothing to do with fancy illusions.'\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e***\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack information:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Tune of Heart\"\u003cem\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRecorded live at NEXTMIXING, Shanghai, 3 May 2021.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJun-Y Ciao: Vocal, Chinese Flute\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMAI mai: Vocal, Tocante Karper\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eXu Cheng: Vocal, Relay Synth, Bialitti Brikka\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis live recording is C.F.G.'s iterative improvisation between semantic, phonetic, vocal and musical sounds, based on a two-page fragment of text from Yang Sao's poetic drama \"Tune of Heart\", written in 1924.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e***\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\"From Empty\"\u003cem\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRecorded live at the Ming Room, Shanghai, on 29 August 2021.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJun-Y Ciao: Clarinet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMAI mai: Guitar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eXu Cheng: Gong and Bowls\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLive recording from one of the \"Voice of Turtle\" series organized by Zhu Songjie.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe first half is based on a very \"Post-Garde\" concept: when a C pentatonic (C, D, E, G, A) is superimposed on a D pentatonic (D, E, F#, A, B), a 雅乐调 (C Lydian Mode) is formed: C, D, E, F#, G, A, B. Each of the three performers improvises on one of the scale bases, gradually adding notes.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe second half is an improvisation without any arrangement.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : C.F.G. 意识反馈团\u003c\/p\u003e\n\u003cp\u003eLabel : Zoomin' Night\u003c\/p\u003e"}
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中国の即興トリオConscious Feedback Group (C.F.G.)が、2022年6月に同国実験レーベルZoomin Nightからリリースしたカセットです。 スポークンワード〜物音〜コラージュを用いたライブ音源2曲を収録。DLコード付属。 Zoomin' Nightその他作品はこちら /// Click here to see more Zoomin' Night releases...
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{"id":7628655460602,"title":"Terry Riley + John Tilbury \/\/ Keyboard Studies CD","handle":"terry-riley-john-tilbury-keyboard-studies-cd","description":"\u003cp\u003eミニマル音楽の巨匠Terry Rileyの楽曲を盟友ピアニストJohn Tilburyが演奏した作品です。\u003c\/p\u003e\n\u003cp\u003e本人曰く、30年ほど前にドイツ・ハンブルグで録音したと思うがはっきり覚えていない、ただ覚えているのは一日で録音したこと、とのことです。\u003c\/p\u003e\n\u003cp\u003eピアノ連打系ミニマルアンビエント作品です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3647185434\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Another Timbre releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cspan class=\"Normal-C-C10\"\u003eTerry Riley and John Tilbury are both giants of experimental music. They were friends from the late 1960’s onwards, and John has performed Terry’s Keyboard Studies several times in concert, as well as recording them for BBC Radio in 1971.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Wp-Normal-P\"\u003e\u003cspan class=\"Normal-C-C10\"\u003eHowever, the recordings on the CD are not the BBC recordings. In fact John can’t remember exactly when the recordings were made, though he thinks they took place in Hamburg, Germany, probably about 30 years ago. He can’t recall the details, except that everything was recorded in one day - which was quite a feat given the amount of over-dubbing in Keyboard Study No.2.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Wp-Normal-P\"\u003e\u003cspan class=\"Normal-C-C10\"\u003eWhat is clear is that John was at the height of his considerable powers at the time the recordings were made.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Wp-Normal-P\"\u003e\u003cspan class=\"Normal-C-C10\"\u003eAside from the legendary ‘In C’, the Keyboard Studies are probably the most frequently performed of Terry Riley’s works. Written almost 60 years ago, virtually at the same time as ‘In C’, the Keyboard Studies are like short sketches for the performer to develop. At the time Terry was developing a semi-improvisational practice as a young keyboard player in San Francisco, and it is his music from this era which shot him to prominence in the late 1960’s. He has continued to work as both a performer and composer, and has had a particularly close relationship with the Kronos Quartet, writing many works for them, and for his son, the guitarist Gyan Riley.\u003c\/span\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Terry Riley + John Tilbury\u003c\/p\u003e\n\u003cp\u003elabel : another timbre\u003c\/p\u003e","published_at":"2022-06-06T09:49:58+09:00","created_at":"2022-06-06T09:49:58+09:00","vendor":"Tobira Records","type":"","tags":["ambient","another timbre","cd","contemporary \/ sound poetry","new"],"price":228000,"price_min":228000,"price_max":228000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42827989811450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Terry Riley + John Tilbury \/\/ Keyboard Studies CD","public_title":null,"options":["Default Title"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a3766170367_16.jpg?v=1654476767"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3766170367_16.jpg?v=1654476767","options":["Title"],"media":[{"alt":null,"id":29818490519802,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3766170367_16.jpg?v=1654476767"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3766170367_16.jpg?v=1654476767","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eミニマル音楽の巨匠Terry Rileyの楽曲を盟友ピアニストJohn Tilburyが演奏した作品です。\u003c\/p\u003e\n\u003cp\u003e本人曰く、30年ほど前にドイツ・ハンブルグで録音したと思うがはっきり覚えていない、ただ覚えているのは一日で録音したこと、とのことです。\u003c\/p\u003e\n\u003cp\u003eピアノ連打系ミニマルアンビエント作品です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3647185434\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Another Timbre releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cspan class=\"Normal-C-C10\"\u003eTerry Riley and John Tilbury are both giants of experimental music. They were friends from the late 1960’s onwards, and John has performed Terry’s Keyboard Studies several times in concert, as well as recording them for BBC Radio in 1971.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Wp-Normal-P\"\u003e\u003cspan class=\"Normal-C-C10\"\u003eHowever, the recordings on the CD are not the BBC recordings. In fact John can’t remember exactly when the recordings were made, though he thinks they took place in Hamburg, Germany, probably about 30 years ago. He can’t recall the details, except that everything was recorded in one day - which was quite a feat given the amount of over-dubbing in Keyboard Study No.2.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Wp-Normal-P\"\u003e\u003cspan class=\"Normal-C-C10\"\u003eWhat is clear is that John was at the height of his considerable powers at the time the recordings were made.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Wp-Normal-P\"\u003e\u003cspan class=\"Normal-C-C10\"\u003eAside from the legendary ‘In C’, the Keyboard Studies are probably the most frequently performed of Terry Riley’s works. Written almost 60 years ago, virtually at the same time as ‘In C’, the Keyboard Studies are like short sketches for the performer to develop. At the time Terry was developing a semi-improvisational practice as a young keyboard player in San Francisco, and it is his music from this era which shot him to prominence in the late 1960’s. He has continued to work as both a performer and composer, and has had a particularly close relationship with the Kronos Quartet, writing many works for them, and for his son, the guitarist Gyan Riley.\u003c\/span\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Terry Riley + John Tilbury\u003c\/p\u003e\n\u003cp\u003elabel : another timbre\u003c\/p\u003e"}
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ミニマル音楽の巨匠Terry Rileyの楽曲を盟友ピアニストJohn Tilburyが演奏した作品です。 本人曰く、30年ほど前にドイツ・ハンブルグで録音したと思うがはっきり覚えていない、ただ覚えているのは一日で録音したこと、とのことです。 ピアノ連打系ミニマルアンビエント作品です。 レーベルその他作品はこちら /// Click here to see more Another Timbre releases available at...
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{"id":7623004979450,"title":"Malcolm Goldstein \/\/ Early Electronic \/ Tape Collage Music LP","handle":"malcolm-goldstein-early-electronic-tape-collage-music-lp","description":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカのバイオリニストMalcolm Goldsteinの作品集です。\u003c\/p\u003e\n\u003cp\u003eアコースティック・ドローン〜コラージュ5曲を収録。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/w0XDRM0jM1Y\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLimited edition of 350 copies.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eComes with 4 page insert with the score for \"Illuminations from Fantastic Gardens\".\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Sheep Meadow 6:34\u003cbr\u003eA2 Images Of Cheng Hsieh 15:51\u003cbr\u003eB1 It Seemed To Me 5:42\u003cbr\u003eB2 Judson # 6 Piece 6:43\u003cbr\u003eB3 Illuminations From Fantastic Gardens\u003c\/p\u003e\n\u003cp\u003eText By – Arthur Rimbaud\u003cbr\u003e\u003cspan\u003eTranslated By – Louise Varèse\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Sheep Meadow\" (1966)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Images of Cheng Hsieh\" (1967) for a dance by Carol Marcy at Judson Church\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"it seemed to me\" (1963) composed for a dance by Arlene Rothlein; created at Columbia-Princeton Electronic Music Center\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Judson # 6 Piece\" (1963) for Ruth Emerson; created at Columbia-Princeton Electronic Music Center\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Illuminations from Fantastic Gardens\" (1964) for vocal ensemble [for Elaine Summers, \"Fantastic Gardens: An Evening of Dance\"; 1964, Judson Dance Theater]\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Malcolm Goldstein\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2022-06-01T15:52:39+09:00","created_at":"2022-06-01T15:09:51+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","contemporary \/ sound poetry","drone","lp"],"price":339000,"price_min":339000,"price_max":339000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42812385853690,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Malcolm Goldstein \/\/ Early Electronic \/ Tape Collage Music LP","public_title":null,"options":["Default Title"],"price":339000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ea1_6cd608b1-2464-4fc9-a6d0-0fdd3fbff005.jpg?v=1654063792"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ea1_6cd608b1-2464-4fc9-a6d0-0fdd3fbff005.jpg?v=1654063792","options":["Title"],"media":[{"alt":null,"id":29787848048890,"position":1,"preview_image":{"aspect_ratio":1.007,"height":595,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ea1_6cd608b1-2464-4fc9-a6d0-0fdd3fbff005.jpg?v=1654063792"},"aspect_ratio":1.007,"height":595,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ea1_6cd608b1-2464-4fc9-a6d0-0fdd3fbff005.jpg?v=1654063792","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカのバイオリニストMalcolm Goldsteinの作品集です。\u003c\/p\u003e\n\u003cp\u003eアコースティック・ドローン〜コラージュ5曲を収録。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/w0XDRM0jM1Y\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLimited edition of 350 copies.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eComes with 4 page insert with the score for \"Illuminations from Fantastic Gardens\".\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Sheep Meadow 6:34\u003cbr\u003eA2 Images Of Cheng Hsieh 15:51\u003cbr\u003eB1 It Seemed To Me 5:42\u003cbr\u003eB2 Judson # 6 Piece 6:43\u003cbr\u003eB3 Illuminations From Fantastic Gardens\u003c\/p\u003e\n\u003cp\u003eText By – Arthur Rimbaud\u003cbr\u003e\u003cspan\u003eTranslated By – Louise Varèse\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Sheep Meadow\" (1966)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Images of Cheng Hsieh\" (1967) for a dance by Carol Marcy at Judson Church\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"it seemed to me\" (1963) composed for a dance by Arlene Rothlein; created at Columbia-Princeton Electronic Music Center\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Judson # 6 Piece\" (1963) for Ruth Emerson; created at Columbia-Princeton Electronic Music Center\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Illuminations from Fantastic Gardens\" (1964) for vocal ensemble [for Elaine Summers, \"Fantastic Gardens: An Evening of Dance\"; 1964, Judson Dance Theater]\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Malcolm Goldstein\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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イタリアの実験レーベルAlga Marghen諸作を入荷しました。 本作は、アメリカのバイオリニストMalcolm Goldsteinの作品集です。 アコースティック・ドローン〜コラージュ5曲を収録。 レーベルその他作品はこちら /// Click here to see more Alga Marghen releases available at...
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{"id":7623002161402,"title":"Walter Marchetti \/\/ Per La Sete Dell'Orecchio LP","handle":"walter-marchetti-per-la-sete-dellorecchio-lp","description":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、フランス・パリの実験音楽家Jean-Louis Braunの1981-1984年作品です。\u003c\/p\u003e\n\u003cp\u003e様々なサイズの石を貯水槽にひたすら放り込む作品など2曲を収録。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/XufbgsgAchY\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp\u003eA - \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDa Nulla E Verso Nulla\u003cbr\u003eB - Song For Cage\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe LP includes 'Per La Sete Dell'Orecchio' (1981), previously privately issued on the LP with the same title as well as 'Song for John Cage' (1985), never available on vinyl before. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe LP sleeve reproduces the 'Song for John Cage' score. The full color inner sleeve reproduces the original Per La Sete Dell'Orecchio LP layout. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Walter Marchetti \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlga Marghen\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-06-01T15:28:49+09:00","created_at":"2022-06-01T15:05:42+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","contemporary \/ sound poetry","lp","monooto"],"price":349000,"price_min":349000,"price_max":349000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42812377497850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Walter Marchetti \/\/ Per La Sete Dell'Orecchio LP","public_title":null,"options":["Default Title"],"price":349000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_55692.jpg?v=1710473259"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_55692.jpg?v=1710473259","options":["Title"],"media":[{"alt":null,"id":33384819654906,"position":1,"preview_image":{"aspect_ratio":0.927,"height":2336,"width":2165,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_55692.jpg?v=1710473259"},"aspect_ratio":0.927,"height":2336,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_55692.jpg?v=1710473259","width":2165}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、フランス・パリの実験音楽家Jean-Louis Braunの1981-1984年作品です。\u003c\/p\u003e\n\u003cp\u003e様々なサイズの石を貯水槽にひたすら放り込む作品など2曲を収録。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/XufbgsgAchY\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp\u003eA - \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDa Nulla E Verso Nulla\u003cbr\u003eB - Song For Cage\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe LP includes 'Per La Sete Dell'Orecchio' (1981), previously privately issued on the LP with the same title as well as 'Song for John Cage' (1985), never available on vinyl before. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe LP sleeve reproduces the 'Song for John Cage' score. The full color inner sleeve reproduces the original Per La Sete Dell'Orecchio LP layout. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Walter Marchetti \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlga Marghen\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":7622973554938,"title":"Ben Patterson \/\/ Born In The State Of FLUX\/us 2xCD","handle":"ben-patterson-born-in-the-state-of-flux-us-2xcd","description":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカ・フルクサス一派Ben Pattersonのレア音源集です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ugVISHVNn-M\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTrack 1-1 composed 1960, performed and recorded at Via Telesio 19, Milan, Italy, May 5th 2010.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTracks 1-2 \u0026amp; 1-3 composed 1961, recorded at Galerie Parnass, Wuppertal, Germany, June 9th 1962.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTracks 1-4 (comp. 1960), 1-5 (comp.1962) \u0026amp; 2-1 (comp. 1995) recorded at Massive Arts, Milano, Italy, April 15h 1999.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-2 composed in 2003, recorded in Paris, France, May 4th 2003.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-3 composed in 2006, recorded in Wiesbaden, Germany, 2006.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTracks 1-2 to 2-1 previously released on Alga Marghen – P 8NMN.028\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-2 previously released on Alga Marghen – plana-P alga16\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-3 previously released on Alga Marghen – plana-P 17VocSon061\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 1-1 previously unreleased.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Patterson\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2022-06-01T15:50:00+09:00","created_at":"2022-06-01T14:43:55+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","cd","contemporary \/ sound poetry","monooto"],"price":538000,"price_min":538000,"price_max":538000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42812301082874,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ben Patterson \/\/ Born In The State Of FLUX\/us 2xCD","public_title":null,"options":["Default Title"],"price":538000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/be1_af273d2f-ce47-4498-8cef-6d82944b92fc.jpg?v=1654062236","\/\/tobirarecords.com\/cdn\/shop\/products\/be2_64d497a5-d4d7-4e54-93da-904427268845.jpg?v=1654062236","\/\/tobirarecords.com\/cdn\/shop\/products\/be3_a984418f-51f7-4ba4-a415-fb6a3295a420.jpg?v=1654062236"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_af273d2f-ce47-4498-8cef-6d82944b92fc.jpg?v=1654062236","options":["Title"],"media":[{"alt":null,"id":29787676803322,"position":1,"preview_image":{"aspect_ratio":1.075,"height":465,"width":500,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_af273d2f-ce47-4498-8cef-6d82944b92fc.jpg?v=1654062236"},"aspect_ratio":1.075,"height":465,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_af273d2f-ce47-4498-8cef-6d82944b92fc.jpg?v=1654062236","width":500},{"alt":null,"id":29787676836090,"position":2,"preview_image":{"aspect_ratio":0.977,"height":599,"width":585,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be2_64d497a5-d4d7-4e54-93da-904427268845.jpg?v=1654062236"},"aspect_ratio":0.977,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be2_64d497a5-d4d7-4e54-93da-904427268845.jpg?v=1654062236","width":585},{"alt":null,"id":29787676868858,"position":3,"preview_image":{"aspect_ratio":0.967,"height":599,"width":579,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be3_a984418f-51f7-4ba4-a415-fb6a3295a420.jpg?v=1654062236"},"aspect_ratio":0.967,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be3_a984418f-51f7-4ba4-a415-fb6a3295a420.jpg?v=1654062236","width":579}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカ・フルクサス一派Ben Pattersonのレア音源集です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ugVISHVNn-M\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTrack 1-1 composed 1960, performed and recorded at Via Telesio 19, Milan, Italy, May 5th 2010.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTracks 1-2 \u0026amp; 1-3 composed 1961, recorded at Galerie Parnass, Wuppertal, Germany, June 9th 1962.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTracks 1-4 (comp. 1960), 1-5 (comp.1962) \u0026amp; 2-1 (comp. 1995) recorded at Massive Arts, Milano, Italy, April 15h 1999.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-2 composed in 2003, recorded in Paris, France, May 4th 2003.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-3 composed in 2006, recorded in Wiesbaden, Germany, 2006.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTracks 1-2 to 2-1 previously released on Alga Marghen – P 8NMN.028\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-2 previously released on Alga Marghen – plana-P alga16\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-3 previously released on Alga Marghen – plana-P 17VocSon061\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 1-1 previously unreleased.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Patterson\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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イタリアの実験レーベルAlga Marghen諸作を入荷しました。 本作は、アメリカ・フルクサス一派Ben Pattersonのレア音源集です。 レーベルその他作品はこちら /// Click here to see more Alga Marghen releases available at Tobira. ...
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{"id":7622970048762,"title":"François Dufrêne \/\/ Oeuvre Désintégrale 3xCD BOX","handle":"francois-dufrene-oeuvre-desintegrale-3xcd-box","description":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、ヌーヴォー・レアリスム一派フランス・パリの音響詩人〜コラージュ作家François Dufrêneが、1976年にリリースした3本組カセットの再発盤です。怒涛の18曲を収録。ライナーノート、ブックレット付属。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/W6O3iIeVSDM\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003eTracklist: \u003cbr\u003e1. Crirythme Pour Un Double Anniversaire Dedicated To Ginetta And Anouj\u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e2. Kochel Que J'Aime\u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e3. Le Chaval Lie A L'Art Rose \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e4. Est-Ouest \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e5. Tete A Terre Et Ventre Au Ciel (\u003c\/span\u003e\u003ca dir=\"auto\" href=\"https:\/\/www.youtube.com\/watch?v=W6O3iIeVSDM\u0026amp;t=2933s\" spellcheck=\"false\" class=\"yt-simple-endpoint style-scope yt-formatted-string\"\u003e48:53\u003c\/a\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e) \u003cbr\u003e6. Eryximatique, Suite Choregaroni - Que Tombeau De Pierre Larousse \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e7. Les Joyeux Sisyphe \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e8. Sature, Nain! (Crirythme) \u003cbr\u003e9. Cacochyme (Crirythme) \u003cbr\u003e10. Sature, Nain! (Crirythme) \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e11. La Ressource Du Petit Peuple \u0026amp; Tenilom By Jean Molinet \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e12. Dit Du Vieux Marin By Coleridge \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e13. Belles Nuisances, Hantaz Nos Nuits \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e14. Sequences (Crirythme) \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e15. Comptinuum (Extraits I) \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e16. La Guitare En Long\u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e17. PostcriRHYTHptum \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e18: Comptinuum (Extraits II) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : François Dufrêne\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2022-06-01T15:46:02+09:00","created_at":"2022-06-01T14:39:33+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","cd","contemporary \/ sound poetry","monooto","new","recommended"],"price":889000,"price_min":889000,"price_max":889000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42812282896634,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"François Dufrêne \/\/ Oeuvre Désintégrale 3xCD BOX","public_title":null,"options":["Default Title"],"price":889000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/du1_4361136b-f609-4f7f-acd9-c3983ccef0b4.jpg?v=1654061975"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/du1_4361136b-f609-4f7f-acd9-c3983ccef0b4.jpg?v=1654061975","options":["Title"],"media":[{"alt":null,"id":29787661467898,"position":1,"preview_image":{"aspect_ratio":1.13,"height":177,"width":200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/du1_4361136b-f609-4f7f-acd9-c3983ccef0b4.jpg?v=1654061975"},"aspect_ratio":1.13,"height":177,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/du1_4361136b-f609-4f7f-acd9-c3983ccef0b4.jpg?v=1654061975","width":200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、ヌーヴォー・レアリスム一派フランス・パリの音響詩人〜コラージュ作家François Dufrêneが、1976年にリリースした3本組カセットの再発盤です。怒涛の18曲を収録。ライナーノート、ブックレット付属。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/W6O3iIeVSDM\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003eTracklist: \u003cbr\u003e1. Crirythme Pour Un Double Anniversaire Dedicated To Ginetta And Anouj\u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e2. Kochel Que J'Aime\u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e3. Le Chaval Lie A L'Art Rose \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e4. Est-Ouest \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e5. Tete A Terre Et Ventre Au Ciel (\u003c\/span\u003e\u003ca dir=\"auto\" href=\"https:\/\/www.youtube.com\/watch?v=W6O3iIeVSDM\u0026amp;t=2933s\" spellcheck=\"false\" class=\"yt-simple-endpoint style-scope yt-formatted-string\"\u003e48:53\u003c\/a\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e) \u003cbr\u003e6. Eryximatique, Suite Choregaroni - Que Tombeau De Pierre Larousse \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e7. Les Joyeux Sisyphe \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e8. Sature, Nain! (Crirythme) \u003cbr\u003e9. Cacochyme (Crirythme) \u003cbr\u003e10. Sature, Nain! (Crirythme) \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e11. La Ressource Du Petit Peuple \u0026amp; Tenilom By Jean Molinet \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e12. Dit Du Vieux Marin By Coleridge \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e13. Belles Nuisances, Hantaz Nos Nuits \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e14. Sequences (Crirythme) \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e15. Comptinuum (Extraits I) \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e16. La Guitare En Long\u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e17. PostcriRHYTHptum \u003c\/span\u003e\u003cspan class=\"style-scope yt-formatted-string\" dir=\"auto\"\u003e\u003cbr\u003e18: Comptinuum (Extraits II) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : François Dufrêne\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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{"id":7622963069178,"title":"Jean-Louis Brau \/\/ Instrumentation Verbales LP","handle":"jean-louis-brau-instrumentation-verbales-lp","description":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、フランス・パリの実験音楽家Jean-Louis Brau(1930-1985)が、1961-1973年に録音した音源集です。\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー〜コラージュ5曲を収録。350部限定の片面レコードです。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/PCY14N27jsY\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 350. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Elégie Elémentaire\" and \"Ataloche Roche\": recorded in 1961. Tapes played during Isidore Isou's conference at the Musée d'Art Moderne de la Ville de Paris, November 1st, 1961 titled \"Du Letterism à l'Aphonisme\" (Acquaviva Archives) \"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInstrumentation Verbale\" and \"Cantate pour l'interdiction de Mandrake\": recorded in 1963. First published in \"Poésie Physique\" book w \/ 3 singles (Brau, Dufrêne, Wolman), Achèle, 1965.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Turn Back Nightingale\": recorded in 1972. First published in\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ca href=\"http:\/\/www.discogs.com\/release\/474568\" rel=\"nofollow\" target=\"_blank\"\u003e\u003cspan\u003eL'autonomatopek\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e\u003cspan\u003e \u003c\/span\u003e, single included in \"Poésie en question, Opus International, n ° 40\/41, 1973.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jean-Louis Brau \u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2022-06-01T15:02:32+09:00","created_at":"2022-06-01T14:28:23+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","lp","monooto","sound poetry"],"price":339000,"price_min":339000,"price_max":339000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42812196684026,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jean-Louis Brau \/\/ Instrumentation Verbales LP","public_title":null,"options":["Default Title"],"price":339000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/je1_23e11efb-a037-49de-86b5-7495b7435a07.jpg?v=1654061304"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/je1_23e11efb-a037-49de-86b5-7495b7435a07.jpg?v=1654061304","options":["Title"],"media":[{"alt":null,"id":29787620901114,"position":1,"preview_image":{"aspect_ratio":1.0,"height":200,"width":200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/je1_23e11efb-a037-49de-86b5-7495b7435a07.jpg?v=1654061304"},"aspect_ratio":1.0,"height":200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/je1_23e11efb-a037-49de-86b5-7495b7435a07.jpg?v=1654061304","width":200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、フランス・パリの実験音楽家Jean-Louis Brau(1930-1985)が、1961-1973年に録音した音源集です。\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー〜コラージュ5曲を収録。350部限定の片面レコードです。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/PCY14N27jsY\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 350. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Elégie Elémentaire\" and \"Ataloche Roche\": recorded in 1961. Tapes played during Isidore Isou's conference at the Musée d'Art Moderne de la Ville de Paris, November 1st, 1961 titled \"Du Letterism à l'Aphonisme\" (Acquaviva Archives) \"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInstrumentation Verbale\" and \"Cantate pour l'interdiction de Mandrake\": recorded in 1963. First published in \"Poésie Physique\" book w \/ 3 singles (Brau, Dufrêne, Wolman), Achèle, 1965.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Turn Back Nightingale\": recorded in 1972. First published in\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ca href=\"http:\/\/www.discogs.com\/release\/474568\" rel=\"nofollow\" target=\"_blank\"\u003e\u003cspan\u003eL'autonomatopek\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e\u003cspan\u003e \u003c\/span\u003e, single included in \"Poésie en question, Opus International, n ° 40\/41, 1973.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jean-Louis Brau \u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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イタリアの実験レーベルAlga Marghen諸作を入荷しました。 本作は、フランス・パリの実験音楽家Jean-Louis Brau(1930-1985)が、1961-1973年に録音した音源集です。 サウンドポエトリー〜コラージュ5曲を収録。350部限定の片面レコードです。 レーベルその他作品はこちら /// Click here to see more Alga Marghen releases available at...
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{"id":7622961725690,"title":"Luc Ferrari, GOL, Brunhild Ferrari \/\/ Exercices D'Improvisation LP","handle":"luc-ferrari-gol-brunhild-ferrari-exercices-dimprovisation-lp","description":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、フランス・パリの実験音楽家Luc Ferrariの未発表曲を収録したレコードです。\u003c\/p\u003e\n\u003cp\u003e1977年に、テープと任意の楽器または楽器群のための、個人または集団による7つの即興の練習曲のシーケンスとして構想した作品です。10枚組CD BOXにも収録されていない幻の音源集です。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1278954511\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/user-297960592\" title=\"tobirarecs4\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003etobirarecs4\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/user-297960592\/golferrari\" title=\"fer_pre\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003efer_pre\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eEdition of 350. \u003cmeta charset=\"utf-8\"\u003eIncludes an insert with full score.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003erom the liner notes):\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eA sequence of exercises (5-7' each) [for stereo magnetic tape and instruments] that can be individual or collective improvisation for any instrument or group of instruments (maximum 8). Each exercise is based on continuity: harmonic or melodic color, rhythm, etc. They are intended for amateurs, professionals or students and may take place in concerts.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Luc Ferrari, GOL, Brunhild Ferrari\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2022-06-01T14:56:23+09:00","created_at":"2022-06-01T14:25:28+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","contemporary \/ sound poetry","drone","lp","monooto"],"price":339000,"price_min":339000,"price_max":339000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42812189638906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Luc Ferrari, GOL, Brunhild Ferrari \/\/ Exercices D'Improvisation LP","public_title":null,"options":["Default Title"],"price":339000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/lu1_0f00814d-5ca3-417c-9777-bddd78f52671.jpg?v=1654061129","\/\/tobirarecords.com\/cdn\/shop\/products\/lu2_53981f68-4c23-4515-9745-d67f629b94fa.jpg?v=1654061130","\/\/tobirarecords.com\/cdn\/shop\/products\/lu3_c301983f-c7a9-4e3e-a300-70b958b331d4.jpg?v=1654061130"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu1_0f00814d-5ca3-417c-9777-bddd78f52671.jpg?v=1654061129","options":["Title"],"media":[{"alt":null,"id":29787618869498,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu1_0f00814d-5ca3-417c-9777-bddd78f52671.jpg?v=1654061129"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu1_0f00814d-5ca3-417c-9777-bddd78f52671.jpg?v=1654061129","width":600},{"alt":null,"id":29787618902266,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu2_53981f68-4c23-4515-9745-d67f629b94fa.jpg?v=1654061130"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu2_53981f68-4c23-4515-9745-d67f629b94fa.jpg?v=1654061130","width":600},{"alt":null,"id":29787618935034,"position":3,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu3_c301983f-c7a9-4e3e-a300-70b958b331d4.jpg?v=1654061130"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu3_c301983f-c7a9-4e3e-a300-70b958b331d4.jpg?v=1654061130","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験レーベルAlga Marghen諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、フランス・パリの実験音楽家Luc Ferrariの未発表曲を収録したレコードです。\u003c\/p\u003e\n\u003cp\u003e1977年に、テープと任意の楽器または楽器群のための、個人または集団による7つの即興の練習曲のシーケンスとして構想した作品です。10枚組CD BOXにも収録されていない幻の音源集です。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1278954511\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; 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{"id":7620250566906,"title":"Beatriz Ferreyra and Natasha Barrett \/\/ Souvenirs cachés \/ Innermost LP","handle":"beatriz-ferreyra-and-natasha-barrett-souvenirs-caches-innermost-lp","description":"\u003cp\u003eイギリス・ロンドンのミュージックコンクレートバンドLangham Research Centre中心人物Iain Chambersが主宰する\u003cspan data-mce-fragment=\"1\"\u003e物音レーベル\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePersistence of Sounds諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、同国エレクトロアコースティック作家Beatriz FerreyraとNatasha Barrettによるスプリットレコードです。コンクレート3曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=593543491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/persistenceofsound\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/persistenceofsound\"\u003ehere\u003c\/a\u003e to see more Persistence of Sound releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003ePersistence of Sound:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIt would be hard to find a better-suited combination of contemporary acousmatica on one record. Beatriz Ferreyra and Natasha Barrett are known for their intense exploration of the movement of sounds through space.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFerreyra has been at the cutting edge of developments in acousmatic music and sound morphology since she joined Pierre Schaeffer’s small team of researchers in his tape experiments at the GRM Paris studios in 1963. She continues to compose and perform internationally.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSchaeffer’s concept of ‘allure’ (the unique quality of any sound according to how it behaves) features as an influence in Barrett’s development of the concept of the ‘gait’ of her sounds, identified by how they move, change shape and occupy space rather than by their source. Her multi-dimensional installations and concerts have featured in museums and festivals globally since the 1990s.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFerreyra and Barrett share an interest in musique concrète over pure electronics. Ferreyra prefers the ‘aliveness’ of natural or environmental sound recordings, and Barrett talks of ‘hovering in that point between something from the real-world and the totally abstract.’\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBoth composers focus on recreating the most\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e natural listening experience possible during performance. For Barrett, this is a question of using higher order ambisonics (the encoding or recording of spatial information which is then decoded across multi-loudspeaker configurations). For Ferreyra, it is a question of playing her stereo recordings live from the mixing console across eight or more loudspeakers depending on the space.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Beatriz Ferreyra and Natasha Barrett\u003c\/p\u003e\n\u003cp\u003eLabel : Persistence of Sound\u003c\/p\u003e","published_at":"2022-05-27T18:54:01+09:00","created_at":"2022-05-27T18:14:13+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","persistence of sound"],"price":335000,"price_min":335000,"price_max":335000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42801193943290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Beatriz Ferreyra and Natasha Barrett \/\/ Souvenirs cachés \/ Innermost LP","public_title":null,"options":["Default Title"],"price":335000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/in1_2c9990e7-e974-47a3-85a7-09a13d51c338.jpg?v=1653642855","\/\/tobirarecords.com\/cdn\/shop\/products\/in2_ed357555-2e67-4d14-b816-34c92b929b9d.jpg?v=1653642855"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_2c9990e7-e974-47a3-85a7-09a13d51c338.jpg?v=1653642855","options":["Title"],"media":[{"alt":null,"id":29771446518010,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_2c9990e7-e974-47a3-85a7-09a13d51c338.jpg?v=1653642855"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_2c9990e7-e974-47a3-85a7-09a13d51c338.jpg?v=1653642855","width":700},{"alt":null,"id":29771446550778,"position":2,"preview_image":{"aspect_ratio":1.478,"height":812,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_ed357555-2e67-4d14-b816-34c92b929b9d.jpg?v=1653642855"},"aspect_ratio":1.478,"height":812,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_ed357555-2e67-4d14-b816-34c92b929b9d.jpg?v=1653642855","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンのミュージックコンクレートバンドLangham Research Centre中心人物Iain Chambersが主宰する\u003cspan data-mce-fragment=\"1\"\u003e物音レーベル\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePersistence of Sounds諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、同国エレクトロアコースティック作家Beatriz FerreyraとNatasha Barrettによるスプリットレコードです。コンクレート3曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=593543491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/persistenceofsound\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/persistenceofsound\"\u003ehere\u003c\/a\u003e to see more Persistence of Sound releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003ePersistence of Sound:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIt would be hard to find a better-suited combination of contemporary acousmatica on one record. Beatriz Ferreyra and Natasha Barrett are known for their intense exploration of the movement of sounds through space.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFerreyra has been at the cutting edge of developments in acousmatic music and sound morphology since she joined Pierre Schaeffer’s small team of researchers in his tape experiments at the GRM Paris studios in 1963. She continues to compose and perform internationally.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSchaeffer’s concept of ‘allure’ (the unique quality of any sound according to how it behaves) features as an influence in Barrett’s development of the concept of the ‘gait’ of her sounds, identified by how they move, change shape and occupy space rather than by their source. Her multi-dimensional installations and concerts have featured in museums and festivals globally since the 1990s.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFerreyra and Barrett share an interest in musique concrète over pure electronics. Ferreyra prefers the ‘aliveness’ of natural or environmental sound recordings, and Barrett talks of ‘hovering in that point between something from the real-world and the totally abstract.’\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBoth composers focus on recreating the most\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e natural listening experience possible during performance. For Barrett, this is a question of using higher order ambisonics (the encoding or recording of spatial information which is then decoded across multi-loudspeaker configurations). For Ferreyra, it is a question of playing her stereo recordings live from the mixing console across eight or more loudspeakers depending on the space.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Beatriz Ferreyra and Natasha Barrett\u003c\/p\u003e\n\u003cp\u003eLabel : Persistence of Sound\u003c\/p\u003e"}
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イギリス・ロンドンのミュージックコンクレートバンドLangham Research Centre中心人物Iain Chambersが主宰する物音レーベルPersistence of Sounds諸作を入荷しました。 本作は、同国エレクトロアコースティック作家Beatriz FerreyraとNatasha Barrettによるスプリットレコードです。コンクレート3曲を収録。 レーベルその他作品はこちら /// Click here to see more Persistence...
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{"id":7617660715258,"title":"Primitive Structures \/\/ Your Event Is Our Rehearsal CD","handle":"primitive-structures-your-event-is-our-rehearsal-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・フランコニアのコラージュ・フォークバンドPrimitive Structuresが、2022年5月に同国ベルリンの実験レーベル\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKashual Plastikからリリースした最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eストレンジビーツ・ジャズ〜コラージュ・フォーク11曲を収録。フルカラーのミニZINEとDLコード付属。ベルベット仕様の特殊ケースです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1649515861\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kapl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kapl\"\u003ehere\u003c\/a\u003e to see more Kashual Plastik releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHand-screen-printed black velvet sleeves with 8 page booklet.\u003cbr\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by Kashual Plastik:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThey vibrate in a sublime blend of wave abstractions, Le Théâtre Du Chêne Noir jazz, sliding folk blues, otherworldly reverberations, gut instinct electronica, and droning psychedelia, casually eclipsed by witched drama voices. We are linked to Primitive Structures, a dazed Australian-Franconian trio from Berlin, that electrifies the musical data spheres with “Your event is our rehearsal”, a debut long player that only comes real, when all auditors are ready for some Naïve utopia. It’s a dance of gloomy atoms, elaborated by the heart-piercing analogue gymnastics, improvisatory guitar-playing, darkish dub hints, strange cultural rhythms and interweaving strung-out psychedelics. An erratically tripping passage with an expansive sense of space and emotional richness, beyond our reach and experience...\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Primitive Structures\u003c\/p\u003e\n\u003cp\u003eLabel : Kashual Plastik\u003c\/p\u003e","published_at":"2022-05-25T13:50:54+09:00","created_at":"2022-05-24T11:57:48+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","jazz","kashual plastik","monooto","sale22","strange beats"],"price":189000,"price_min":189000,"price_max":189000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42789007294714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Primitive Structures \/\/ Your Event Is Our Rehearsal CD","public_title":null,"options":["Default Title"],"price":189000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ou1_95d14886-ce99-4f92-af31-346581b6cfd9.jpg?v=1653361070","\/\/tobirarecords.com\/cdn\/shop\/products\/ou2_bff8e62c-8f79-406d-84ae-cd3f6935bb80.jpg?v=1653361070"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ou1_95d14886-ce99-4f92-af31-346581b6cfd9.jpg?v=1653361070","options":["Title"],"media":[{"alt":null,"id":29754420592890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ou1_95d14886-ce99-4f92-af31-346581b6cfd9.jpg?v=1653361070"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ou1_95d14886-ce99-4f92-af31-346581b6cfd9.jpg?v=1653361070","width":700},{"alt":null,"id":29754420625658,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ou2_bff8e62c-8f79-406d-84ae-cd3f6935bb80.jpg?v=1653361070"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ou2_bff8e62c-8f79-406d-84ae-cd3f6935bb80.jpg?v=1653361070","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・フランコニアのコラージュ・フォークバンドPrimitive Structuresが、2022年5月に同国ベルリンの実験レーベル\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKashual Plastikからリリースした最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eストレンジビーツ・ジャズ〜コラージュ・フォーク11曲を収録。フルカラーのミニZINEとDLコード付属。ベルベット仕様の特殊ケースです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1649515861\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kapl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kapl\"\u003ehere\u003c\/a\u003e to see more Kashual Plastik releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHand-screen-printed black velvet sleeves with 8 page booklet.\u003cbr\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by Kashual Plastik:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThey vibrate in a sublime blend of wave abstractions, Le Théâtre Du Chêne Noir jazz, sliding folk blues, otherworldly reverberations, gut instinct electronica, and droning psychedelia, casually eclipsed by witched drama voices. 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{"id":7608395530490,"title":"Warm Currency \/\/ Returns 10\"+BOOKLET","handle":"warm-currency-returns-10-booklet","description":"\u003cp\u003eオーストラリア・シドニーの実験音楽家\u003cmeta charset=\"utf-8\"\u003eMP HopkinsとMary MacDougallによるフォークデュオWarm Currencyが、2022年4月にイギリスの実験レーベルHorn of Plentyからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003e物音コラージュ〜実験フォーク8曲を収録。フルカラーブックレット写真集が付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2792495629\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003ehere\u003c\/a\u003e to see more Horn of Plenty releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eHorn of Plenty:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eWarm Currency is a new project by Sydney-based friends, artists and musicians MP Hopkins and Mary MacDougall. Mary began working with MP Hopkins and Christopher Schueler in 2008 as Vincent Over the Sink morphed into The Bowles. Returns was recorded in Mary’s home during 2020-2021 and is their first release since 2012’s The Bowles EP (Kye).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eQuietly intense folk music, song-poems, and concrète collages built from seemingly simple and delicate arrangements for guitar, keyboards, voice and tape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecommended if you like Flaming Tunes, Nico, Alistair Galbraith, The Garbage and the Flowers.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Warm Currency\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHorn of Plenty\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-05-11T14:28:56+09:00","created_at":"2022-05-11T14:28:56+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","folk \/ left-field pop","horn of plenty","lp","monooto","recommended"],"price":345000,"price_min":345000,"price_max":345000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42746183614714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Warm Currency \/\/ Returns 10\"+BOOKLET","public_title":null,"options":["Default Title"],"price":345000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a3419686986_16.jpg?v=1652247152","\/\/tobirarecords.com\/cdn\/shop\/products\/0028195213_10.jpg?v=1652247153","\/\/tobirarecords.com\/cdn\/shop\/products\/0028195216_10.jpg?v=1652247154","\/\/tobirarecords.com\/cdn\/shop\/products\/0028195220_10.jpg?v=1652247155"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3419686986_16.jpg?v=1652247152","options":["Title"],"media":[{"alt":null,"id":29698345828602,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3419686986_16.jpg?v=1652247152"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3419686986_16.jpg?v=1652247152","width":700},{"alt":null,"id":29698345926906,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0028195213_10.jpg?v=1652247153"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0028195213_10.jpg?v=1652247153","width":1200},{"alt":null,"id":29698345959674,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0028195216_10.jpg?v=1652247154"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0028195216_10.jpg?v=1652247154","width":1200},{"alt":null,"id":29698345992442,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0028195220_10.jpg?v=1652247155"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0028195220_10.jpg?v=1652247155","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・シドニーの実験音楽家\u003cmeta charset=\"utf-8\"\u003eMP HopkinsとMary MacDougallによるフォークデュオWarm Currencyが、2022年4月にイギリスの実験レーベルHorn of Plentyからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003e物音コラージュ〜実験フォーク8曲を収録。フルカラーブックレット写真集が付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2792495629\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003ehere\u003c\/a\u003e to see more Horn of Plenty releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eHorn of Plenty:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eWarm Currency is a new project by Sydney-based friends, artists and musicians MP Hopkins and Mary MacDougall. Mary began working with MP Hopkins and Christopher Schueler in 2008 as Vincent Over the Sink morphed into The Bowles. Returns was recorded in Mary’s home during 2020-2021 and is their first release since 2012’s The Bowles EP (Kye).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eQuietly intense folk music, song-poems, and concrète collages built from seemingly simple and delicate arrangements for guitar, keyboards, voice and tape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecommended if you like Flaming Tunes, Nico, Alistair Galbraith, The Garbage and the Flowers.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Warm Currency\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHorn of Plenty\u003c\/span\u003e\u003c\/p\u003e"}
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オーストラリア・シドニーの実験音楽家MP HopkinsとMary MacDougallによるフォークデュオWarm Currencyが、2022年4月にイギリスの実験レーベルHorn of Plentyからリリースしたデビューレコードです。 物音コラージュ〜実験フォーク8曲を収録。フルカラーブックレット写真集が付属。 レーベルその他作品はこちら /// Click here to see more Horn of Plenty...
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{"id":7607545626874,"title":"Rick Myers \/\/ Obstacle #79: Memory Is Current LP","handle":"rick-myers-obstacle-79-memory-is-current-lp","description":"\u003cp\u003eイギリス・マンチェスターの美術家／ライターRick Myersが、2022年5月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・フィラデルフィアの実験レーベルOpen Mouthから250部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e数学的な測定と直感的な描画システムから方法を割り出し、粘着テープを使って\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e自動演奏ピアノ\u003c\/span\u003eを誤使用したコンテンポラリー2曲約40分を収録。展開が全く読めません。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1288790204\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 250.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eMatt Krefting\u003cbr data-mce-fragment=\"1\"\u003eHolyoke, MA, 2022\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eObstacle #79: MEMORY IS CURRENT offers a sequence of works for player piano, a device which captured Rick Myers’ imagination in 2017. Divining a method from mathematical measurements and intuitive drawing systems, Myers obstructed piano rolls using adhesive tape. Performed in this altered state on a player piano in the hallway of Easthampton Machine and Tool in Easthampton, Massachusetts, the music embedded in the rolls was extricated from its history and given fresh life. Restriction forged a pathway to expanse. Here are the enchanting results.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe workings of the machine are evident throughout, wistfully recalling music box fantasias, even as the tumbling notes confound expectations. The meticulously constructed scenarios invariably run amok, and in between chaos and melody, frustration and freedom, an impossible helix fashions its own celestial music. The sounds grumble against one another, summoning subterranean promises and unearthing unexpected delights.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs the tracks run into one another, Myers interposes spoken dispatches, detailing aspects of the story behind the record. Like the sounds of the piano, they transcend mere reportage. Increasingly obscured over the course of the two sides, these ghostly\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e interjections are part of the sonic fabric, enhancing both the narrative and acousmatic aspects of the project.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRick Myers is an artist whose decades-long career has studiously disregarded the confines of medium – there are books, drawings, sculptures, installations, exhibitions, videos, performances, design projects, texts, and combinations thereof. Sound, as evidenced by his recent focus on recorded material, is but another potent arrow in his quiver. Plus, it’s nothing new – he cut his teeth as a DJ.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis record is an interior travelogue shot through with ecstatic truth. In furthering the process of obstruction by which the player piano makes its music possible, Myers is, in his own words, looking to “cast and dislodge time.” Like God or Loss or Love, Time is one of the bedeviling bottomless wells from which the most affecting art springs. This is the real thing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRick Myers is not in search of lost time, he is attempting to lose it, and in so doing to chart the inevitable trajectory of that loss, of its apparent disappearance, its peculiar habit of hiding in plain sight.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rick Myers\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e","published_at":"2022-05-10T16:09:59+09:00","created_at":"2022-05-10T08:57:59+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","open mouth"],"price":348000,"price_min":348000,"price_max":348000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42741175091450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Rick Myers \/\/ Obstacle #79: Memory Is Current LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ob1_8b01d2c2-438a-4fa8-b833-d4b0bd2a2e51.jpg?v=1652140681","\/\/tobirarecords.com\/cdn\/shop\/products\/ob2_35de6377-40b2-49d3-ac2e-c29144d99f78.jpg?v=1652140681"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob1_8b01d2c2-438a-4fa8-b833-d4b0bd2a2e51.jpg?v=1652140681","options":["Title"],"media":[{"alt":null,"id":29692197175546,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob1_8b01d2c2-438a-4fa8-b833-d4b0bd2a2e51.jpg?v=1652140681"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob1_8b01d2c2-438a-4fa8-b833-d4b0bd2a2e51.jpg?v=1652140681","width":700},{"alt":null,"id":29692197208314,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob2_35de6377-40b2-49d3-ac2e-c29144d99f78.jpg?v=1652140681"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob2_35de6377-40b2-49d3-ac2e-c29144d99f78.jpg?v=1652140681","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・マンチェスターの美術家／ライターRick Myersが、2022年5月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・フィラデルフィアの実験レーベルOpen Mouthから250部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e数学的な測定と直感的な描画システムから方法を割り出し、粘着テープを使って\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e自動演奏ピアノ\u003c\/span\u003eを誤使用したコンテンポラリー2曲約40分を収録。展開が全く読めません。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1288790204\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 250.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eMatt Krefting\u003cbr data-mce-fragment=\"1\"\u003eHolyoke, MA, 2022\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eObstacle #79: MEMORY IS CURRENT offers a sequence of works for player piano, a device which captured Rick Myers’ imagination in 2017. Divining a method from mathematical measurements and intuitive drawing systems, Myers obstructed piano rolls using adhesive tape. Performed in this altered state on a player piano in the hallway of Easthampton Machine and Tool in Easthampton, Massachusetts, the music embedded in the rolls was extricated from its history and given fresh life. Restriction forged a pathway to expanse. Here are the enchanting results.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe workings of the machine are evident throughout, wistfully recalling music box fantasias, even as the tumbling notes confound expectations. The meticulously constructed scenarios invariably run amok, and in between chaos and melody, frustration and freedom, an impossible helix fashions its own celestial music. The sounds grumble against one another, summoning subterranean promises and unearthing unexpected delights.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs the tracks run into one another, Myers interposes spoken dispatches, detailing aspects of the story behind the record. Like the sounds of the piano, they transcend mere reportage. Increasingly obscured over the course of the two sides, these ghostly\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e interjections are part of the sonic fabric, enhancing both the narrative and acousmatic aspects of the project.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRick Myers is an artist whose decades-long career has studiously disregarded the confines of medium – there are books, drawings, sculptures, installations, exhibitions, videos, performances, design projects, texts, and combinations thereof. Sound, as evidenced by his recent focus on recorded material, is but another potent arrow in his quiver. Plus, it’s nothing new – he cut his teeth as a DJ.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis record is an interior travelogue shot through with ecstatic truth. In furthering the process of obstruction by which the player piano makes its music possible, Myers is, in his own words, looking to “cast and dislodge time.” Like God or Loss or Love, Time is one of the bedeviling bottomless wells from which the most affecting art springs. This is the real thing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRick Myers is not in search of lost time, he is attempting to lose it, and in so doing to chart the inevitable trajectory of that loss, of its apparent disappearance, its peculiar habit of hiding in plain sight.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rick Myers\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e"}
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イギリス・マンチェスターの美術家／ライターRick Myersが、2022年5月にアメリカ・フィラデルフィアの実験レーベルOpen Mouthから250部限定でリリースしたレコードです。 数学的な測定と直感的な描画システムから方法を割り出し、粘着テープを使って自動演奏ピアノを誤使用したコンテンポラリー2曲約40分を収録。展開が全く読めません。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Open Mouth releases available at Tobira. ...
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{"id":7606674882810,"title":"Jordan Dykstra \/\/ Found Clouds CD","handle":"jordan-dykstra-found-clouds-cd","description":"\u003cp\u003eアメリカ・NYの作曲家Jordan Dykstra主宰レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEditions Verde諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、Jordanが2018年にリリースしたアルバムです。ビブラフォン、ペダルハープ、オルガン、ピアノで制作したアコースティックドローン4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3769043210\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/editions-verde\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/editions-verde\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/editions-verde\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/editions-verde\"\u003ehere\u003c\/a\u003e to see more Editions Verde releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"With \"Found Clouds\" — the inaugural release in Edition Verde's new series \"Seeing the Forest in a Tree\" — Jordan Dykstra explores one conceptual idea with four radically different realizations through arrangements for vibraphone, pedal harp, organ, and piano.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJ. P. A. Falzone:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eThe series explores an unconventional notion of the musical work. [These are not] mere collection(s) of pieces in a suite nor a set of movements illustrating some notion of development. Rather, each individual piece manifests the structural logic of the project as a whole; correspondingly, the pieces taken together coalesce around the structural principle inherent in each. Any individual track, a piece in its own right, is a realization of the central inherent concept. Such an approach goes beyond interpretation. It is rather like pursuing the same idea from multiple perspectives. It is perhaps worth noting that four is the smallest composite number.\"\u003c\/em\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLiner Notes by \u003cmeta charset=\"utf-8\"\u003eMatt Marble (2018):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eStars are the seeds of the Universe. Within and beyond our own galaxy, they are forever dying and giving birth to themselves. When very massive stars die, they sometimes dramatically explode, becoming supernovae. Riding the shock wave of these massive explosions, chemical elements and electromagnetic\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e radiation are scattered across the Universe. It is by this process that other stars, planets, suns, moons, and entire galaxies are formed—not to mention the atoms in our bodies. The Earth is wrapped in an astral blanket of electromagnetic radiation, made from the entrails of exploded stars from distant galaxies. It is from this electromagnetic envelope that cosmic rays meet with hail-strewn clouds to form earth’s lightning. While at every moment, these same cosmic rays silently rain down upon every inch of the earth. They are falling upon you now, as you read this. We know this is true, because one man, Charles Thomson Rees Wilson, fell in love with clouds and made this cosmic rain visible.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWilson’s love of clouds intensified as he began studying “glories.” A so-called “glory” is the rainbowed halo occasionally seen surrounding objects, often at sunrise, when the air is damp. It’s a bit of an optical trick on the eyes—light from the sun refracting through the vapors of the moistened atmosphere—and it’s undeniably beautiful. In order to better understand glory phenomena, Wilson sought to create and study clouds in his laboratory. And in 1911, he invented the first “cloud chamber” to do just that. Infusing an enclosed chamber with water vapor, he then expanded and cooled the air inside. Like a comet in a wine glass, ionized particles, including cosmic rays, flashed into view and disappeared after a few seconds, becoming visible as condensed water vapor latched onto the ever-falling cosmic rain. These experiments with home-made clouds accidentally advanced the foundation of modern particle physics, which helped win Wilson a Nobel Prize in 1927.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI couldn’t help but think about Wilson’s work when I first listened to Jordan Dykstra’s Found Clouds, the inaugural release of the Seeing a Forest in a Tree series by Editions Verde. The music was initially inspired by the microtonal tuning system that composer Ben Johnston used for his Suite for Microtonal Piano (1977), as Dykstra found himself near a so-tuned piano while studying at Cal Arts in 2016. Inspired, he devised a series of “cloud scale patterns” to compose for the instrument.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDykstra’s cloud scales do not feature repeating pitches across the octaves, as in traditional scales. Instead they are based on repeating interval modes applied to the chromatic spectrum. This gives rise to scales whose fundamental pitch and other scale tones vary from one octave to the next, forming “non-one-octave-repeating” patterns. When composing, Dykstra layers a sustained fundamental pitch with other non-sustained cloud scale tones into abstract atmospheres. This approach allows the listener to savor the cumulous harmonies and the unique shimmer of the microtonal tunings of the instruments employed. Each track offers a different instrument and tuning: vibraphone (equal temperament), pedal harp (just intonation), Farfisa organ (ditone tuning), and piano (Johnston’s tuning).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThrough bowing, plucking, and gently percussing, ephemeral tones emerge and disappear, softly flashing through a sustained haze—not unlike the cosmic particles seen in Wilson’s “cloud chamber.” With Found Clouds, Dykstra stretches time, evaporates expectation, and immerses the listener in vaporous abstraction. Close your eyes, and drift among the clouds.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jordan Dykstra\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEditions Verde\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-05-13T14:15:32+09:00","created_at":"2022-05-08T08:57:43+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","editions verde"],"price":189000,"price_min":189000,"price_max":189000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42735917367546,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jordan Dykstra \/\/ Found Clouds CD","public_title":null,"options":["Default Title"],"price":189000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/cl1_906f57c1-0bb1-4ed6-b519-bb184c4a158d.jpg?v=1651967864","\/\/tobirarecords.com\/cdn\/shop\/products\/cl2_107b0ca0-6154-4971-a3af-1837500e2e7a.jpg?v=1651967865"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl1_906f57c1-0bb1-4ed6-b519-bb184c4a158d.jpg?v=1651967864","options":["Title"],"media":[{"alt":null,"id":29685534425338,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl1_906f57c1-0bb1-4ed6-b519-bb184c4a158d.jpg?v=1651967864"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl1_906f57c1-0bb1-4ed6-b519-bb184c4a158d.jpg?v=1651967864","width":700},{"alt":null,"id":29685534458106,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl2_107b0ca0-6154-4971-a3af-1837500e2e7a.jpg?v=1651967865"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl2_107b0ca0-6154-4971-a3af-1837500e2e7a.jpg?v=1651967865","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYの作曲家Jordan Dykstra主宰レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEditions Verde諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、Jordanが2018年にリリースしたアルバムです。ビブラフォン、ペダルハープ、オルガン、ピアノで制作したアコースティックドローン4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3769043210\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/editions-verde\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/editions-verde\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/editions-verde\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/editions-verde\"\u003ehere\u003c\/a\u003e to see more Editions Verde releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"With \"Found Clouds\" — the inaugural release in Edition Verde's new series \"Seeing the Forest in a Tree\" — Jordan Dykstra explores one conceptual idea with four radically different realizations through arrangements for vibraphone, pedal harp, organ, and piano.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJ. P. A. Falzone:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eThe series explores an unconventional notion of the musical work. [These are not] mere collection(s) of pieces in a suite nor a set of movements illustrating some notion of development. Rather, each individual piece manifests the structural logic of the project as a whole; correspondingly, the pieces taken together coalesce around the structural principle inherent in each. Any individual track, a piece in its own right, is a realization of the central inherent concept. Such an approach goes beyond interpretation. It is rather like pursuing the same idea from multiple perspectives. It is perhaps worth noting that four is the smallest composite number.\"\u003c\/em\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLiner Notes by \u003cmeta charset=\"utf-8\"\u003eMatt Marble (2018):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eStars are the seeds of the Universe. Within and beyond our own galaxy, they are forever dying and giving birth to themselves. When very massive stars die, they sometimes dramatically explode, becoming supernovae. Riding the shock wave of these massive explosions, chemical elements and electromagnetic\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e radiation are scattered across the Universe. It is by this process that other stars, planets, suns, moons, and entire galaxies are formed—not to mention the atoms in our bodies. The Earth is wrapped in an astral blanket of electromagnetic radiation, made from the entrails of exploded stars from distant galaxies. It is from this electromagnetic envelope that cosmic rays meet with hail-strewn clouds to form earth’s lightning. While at every moment, these same cosmic rays silently rain down upon every inch of the earth. They are falling upon you now, as you read this. We know this is true, because one man, Charles Thomson Rees Wilson, fell in love with clouds and made this cosmic rain visible.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWilson’s love of clouds intensified as he began studying “glories.” A so-called “glory” is the rainbowed halo occasionally seen surrounding objects, often at sunrise, when the air is damp. It’s a bit of an optical trick on the eyes—light from the sun refracting through the vapors of the moistened atmosphere—and it’s undeniably beautiful. In order to better understand glory phenomena, Wilson sought to create and study clouds in his laboratory. And in 1911, he invented the first “cloud chamber” to do just that. Infusing an enclosed chamber with water vapor, he then expanded and cooled the air inside. Like a comet in a wine glass, ionized particles, including cosmic rays, flashed into view and disappeared after a few seconds, becoming visible as condensed water vapor latched onto the ever-falling cosmic rain. These experiments with home-made clouds accidentally advanced the foundation of modern particle physics, which helped win Wilson a Nobel Prize in 1927.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI couldn’t help but think about Wilson’s work when I first listened to Jordan Dykstra’s Found Clouds, the inaugural release of the Seeing a Forest in a Tree series by Editions Verde. The music was initially inspired by the microtonal tuning system that composer Ben Johnston used for his Suite for Microtonal Piano (1977), as Dykstra found himself near a so-tuned piano while studying at Cal Arts in 2016. Inspired, he devised a series of “cloud scale patterns” to compose for the instrument.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDykstra’s cloud scales do not feature repeating pitches across the octaves, as in traditional scales. Instead they are based on repeating interval modes applied to the chromatic spectrum. This gives rise to scales whose fundamental pitch and other scale tones vary from one octave to the next, forming “non-one-octave-repeating” patterns. When composing, Dykstra layers a sustained fundamental pitch with other non-sustained cloud scale tones into abstract atmospheres. This approach allows the listener to savor the cumulous harmonies and the unique shimmer of the microtonal tunings of the instruments employed. Each track offers a different instrument and tuning: vibraphone (equal temperament), pedal harp (just intonation), Farfisa organ (ditone tuning), and piano (Johnston’s tuning).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThrough bowing, plucking, and gently percussing, ephemeral tones emerge and disappear, softly flashing through a sustained haze—not unlike the cosmic particles seen in Wilson’s “cloud chamber.” With Found Clouds, Dykstra stretches time, evaporates expectation, and immerses the listener in vaporous abstraction. Close your eyes, and drift among the clouds.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jordan Dykstra\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEditions Verde\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYの作曲家Jordan Dykstra主宰レーベルEditions Verde諸作を入荷しました。 本作は、Jordanが2018年にリリースしたアルバムです。ビブラフォン、ペダルハープ、オルガン、ピアノで制作したアコースティックドローン4曲を収録。 レーベルその他作品はこちら /// Click here to see more Editions Verde releases available at Tobira. ----------------------------...
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{"id":7605134426362,"title":"Rufus Isabel Elliot \/\/ A\/am\/ams (come ashore, turn over) TAPE","handle":"rufus-isabel-elliot-a-am-ams-come-ashore-turn-over-tape","description":"\u003cp\u003eイギリス・グラスゴーの作曲家Rufus Isabel Elliotが、2021年11月に同国GLARCからリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eギターやバイオリン、ベース、そして声を用いたスモールミュージック8曲を収録。DLコード付属。手製のケース仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1296484488\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/glarc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/glarc\"\u003ehere\u003c\/a\u003e to see more GLARC releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eCassettes comes in a specially designed and handmade fabric pouch.\u003cbr\u003eWith an accompanying text in Gaelic by Cass Ezeji, and artwork by Jamie Crewe.\u003c\/p\u003e\n\u003cp\u003eGLARC:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A\/am\/ams is the debut solo release by composer Rufus Isabel Elliot of the OVER \/ AT project and label: a trans music-making world that released FOLK SONGS E.P. in March 2021 to much critical acclaim. Recorded live in one evening in Glasgow in September 2021, A\/am\/ams arrives here in cassette form with the help of GLARC, the Greater Lanarkshire Auricular Research Council (GLARC) as a limited edition tape and digital release.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA\/am\/ams (come ashore, turn over) is the story of two characters, A\/am\/ams and E\/e\/e, walking forever down an eternal beach, spiralling down and down and down. There’s a mystery – who are these characters, and what happened between them? It is an expansive piece about apocalyptic love and loss, and a kind of raw, dead anger.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music features Scots traditional singer and GLARC alumni Josie Vallely, a.k.a. Quinie, and a small supporting cast of instruments with their own characters, played by three other musicians whose work spans traditional, experimental, and classical modes – Stevie Jones (Sound of Yell), Harry Gorski-Brown, and Andrew Herrington (Awkward Family Portraits).\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rufus Isabel Elliot\u003c\/p\u003e\n\u003cp\u003eLabel : GLARC\u003c\/p\u003e","published_at":"2022-05-14T14:26:52+09:00","created_at":"2022-05-06T13:09:27+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","folk \/ left-field pop","glarc","tape"],"price":148000,"price_min":148000,"price_max":148000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42729909485818,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Rufus Isabel Elliot \/\/ A\/am\/ams (come ashore, turn over) TAPE","public_title":null,"options":["Default Title"],"price":148000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/am1_b678fd14-1ab1-46eb-8372-c1cc571dddce.jpg?v=1651810168","\/\/tobirarecords.com\/cdn\/shop\/products\/am2_cdad380a-b3b7-4242-af97-8391465841e9.jpg?v=1651810169"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_b678fd14-1ab1-46eb-8372-c1cc571dddce.jpg?v=1651810168","options":["Title"],"media":[{"alt":null,"id":29675704484090,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_b678fd14-1ab1-46eb-8372-c1cc571dddce.jpg?v=1651810168"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_b678fd14-1ab1-46eb-8372-c1cc571dddce.jpg?v=1651810168","width":700},{"alt":null,"id":29675704516858,"position":2,"preview_image":{"aspect_ratio":0.715,"height":1200,"width":858,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am2_cdad380a-b3b7-4242-af97-8391465841e9.jpg?v=1651810169"},"aspect_ratio":0.715,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am2_cdad380a-b3b7-4242-af97-8391465841e9.jpg?v=1651810169","width":858}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・グラスゴーの作曲家Rufus Isabel Elliotが、2021年11月に同国GLARCからリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eギターやバイオリン、ベース、そして声を用いたスモールミュージック8曲を収録。DLコード付属。手製のケース仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1296484488\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/glarc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/glarc\"\u003ehere\u003c\/a\u003e to see more GLARC releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eCassettes comes in a specially designed and handmade fabric pouch.\u003cbr\u003eWith an accompanying text in Gaelic by Cass Ezeji, and artwork by Jamie Crewe.\u003c\/p\u003e\n\u003cp\u003eGLARC:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A\/am\/ams is the debut solo release by composer Rufus Isabel Elliot of the OVER \/ AT project and label: a trans music-making world that released FOLK SONGS E.P. in March 2021 to much critical acclaim. Recorded live in one evening in Glasgow in September 2021, A\/am\/ams arrives here in cassette form with the help of GLARC, the Greater Lanarkshire Auricular Research Council (GLARC) as a limited edition tape and digital release.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA\/am\/ams (come ashore, turn over) is the story of two characters, A\/am\/ams and E\/e\/e, walking forever down an eternal beach, spiralling down and down and down. There’s a mystery – who are these characters, and what happened between them? It is an expansive piece about apocalyptic love and loss, and a kind of raw, dead anger.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music features Scots traditional singer and GLARC alumni Josie Vallely, a.k.a. Quinie, and a small supporting cast of instruments with their own characters, played by three other musicians whose work spans traditional, experimental, and classical modes – Stevie Jones (Sound of Yell), Harry Gorski-Brown, and Andrew Herrington (Awkward Family Portraits).\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rufus Isabel Elliot\u003c\/p\u003e\n\u003cp\u003eLabel : GLARC\u003c\/p\u003e"}
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イギリス・グラスゴーの作曲家Rufus Isabel Elliotが、2021年11月に同国GLARCからリリースしたデビューカセットです。 ギターやバイオリン、ベース、そして声を用いたスモールミュージック8曲を収録。DLコード付属。手製のケース仕様です。 レーベルその他作品はこちら /// Click here to see more GLARC releases available at Tobira. ----------------------------...
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{"id":7604976615674,"title":"Max Syedtollan\/ Plus-Minus Ensemble \/\/ Four Assignments (\u0026 Other Pieces) TAPE","handle":"max-syedtollan-plus-minus-ensemble-four-assignments-other-pieces-tape","description":"\u003cp\u003eスコットランド・グラスゴーの実験音楽家Max Syedtollanが、2021年11月にグラスゴーの実験レーベルGLARCから150本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e実験ポップ〜スポークンワード3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1638301243\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/glarc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/glarc\"\u003ehere\u003c\/a\u003e to see more GLARC releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150.\u003c\/p\u003e\n\u003cp\u003eGLARC:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis collection of music from autodidact composer Max Syedtollan (fka Horse Whisperer) sees him elaborating upon the chamber music approach of 2019’s ‘Planctae’, in collaboration with London\/Brussels collective ‘Plus-Minus Ensemble’ - presenting three new pieces all written in the last year.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFreewheeling narratives unravel to mutant, agile and often weirdly funny music - the everyday and the historical colliding in joyous ostranenie. Fractured string and woodwind arrangements vie with almost teenage-punk-bandy guitar ‘n’ drums, in an idiosyncratic yet irresistable explosion of virtuoso amateurism. Researches into esoteric archaeology leak into dissociative autobiography, the presence of ‘text’ flooding every corner of these strange and intricate musical microcosms.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Max Syedtollan\/ Plus-Minus Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGLARC\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-05-08T07:38:10+09:00","created_at":"2022-05-06T11:27:53+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","glarc","tape"],"price":159000,"price_min":159000,"price_max":159000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42729375203578,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Max Syedtollan\/ Plus-Minus Ensemble \/\/ Four Assignments (\u0026 Other Pieces) TAPE","public_title":null,"options":["Default Title"],"price":159000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_d8543010-a84e-4f88-8cd1-2ce3e5f9cee5.jpg?v=1651804074","\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_a1590ac3-00e6-4813-96ae-d41badb48ac6.jpg?v=1651804074"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_d8543010-a84e-4f88-8cd1-2ce3e5f9cee5.jpg?v=1651804074","options":["Title"],"media":[{"alt":null,"id":29675177738490,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_d8543010-a84e-4f88-8cd1-2ce3e5f9cee5.jpg?v=1651804074"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_d8543010-a84e-4f88-8cd1-2ce3e5f9cee5.jpg?v=1651804074","width":700},{"alt":null,"id":29675177771258,"position":2,"preview_image":{"aspect_ratio":0.674,"height":1200,"width":809,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_a1590ac3-00e6-4813-96ae-d41badb48ac6.jpg?v=1651804074"},"aspect_ratio":0.674,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_a1590ac3-00e6-4813-96ae-d41badb48ac6.jpg?v=1651804074","width":809}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスコットランド・グラスゴーの実験音楽家Max Syedtollanが、2021年11月にグラスゴーの実験レーベルGLARCから150本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e実験ポップ〜スポークンワード3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1638301243\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/glarc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/glarc\"\u003ehere\u003c\/a\u003e to see more GLARC releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150.\u003c\/p\u003e\n\u003cp\u003eGLARC:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis collection of music from autodidact composer Max Syedtollan (fka Horse Whisperer) sees him elaborating upon the chamber music approach of 2019’s ‘Planctae’, in collaboration with London\/Brussels collective ‘Plus-Minus Ensemble’ - presenting three new pieces all written in the last year.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFreewheeling narratives unravel to mutant, agile and often weirdly funny music - the everyday and the historical colliding in joyous ostranenie. Fractured string and woodwind arrangements vie with almost teenage-punk-bandy guitar ‘n’ drums, in an idiosyncratic yet irresistable explosion of virtuoso amateurism. Researches into esoteric archaeology leak into dissociative autobiography, the presence of ‘text’ flooding every corner of these strange and intricate musical microcosms.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Max Syedtollan\/ Plus-Minus Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGLARC\u003c\/span\u003e\u003c\/p\u003e"}
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スコットランド・グラスゴーの実験音楽家Max Syedtollanが、2021年11月にグラスゴーの実験レーベルGLARCから150本限定でリリースしたカセットです。 実験ポップ〜スポークンワード3曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more GLARC releases available at Tobira. ---------------------------- Edition...
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{"id":7599336030458,"title":"Asha Sheshadri \/\/ Interior Monologues TAPE","handle":"asha-sheshadri-interior-monologues-tape","description":"\u003cp\u003e過去にRecitalやAnomiaなどから発表しているアメリカ・NYの音響作家Asha Sheshadriが、2022年3月に同国Hold Recordsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eスポークンワード〜コラージュ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4209162032\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hold\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hold\"\u003ehere\u003c\/a\u003e to see more Hold Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eHold Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAsha Sheshadri’s work involves investigative narration of observational occurrences, seeming ordinary in content at times, while deeply puzzling. Where there is context to be found, the listener may find themselves transported to someplace familiar for a moment before being dissected again, reanalyzed and exported into the continuation of an unsettling environment.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith “Interior Monologues” we find ourselves being escorted by Sheshadri’s voice into a room in a museum, hidden from its observers. Our surroundings are being described to us by a nauseous announcement, consistently interjected by it’s own thought-loops that shift in fidelity to adjust the contrast of what is being conveyed and what is yet to understand about where we are. However disorienting, it is clear that there is a depth of information to consume in this place. Memories of an old radio tune emerge and dissipate while we sift through a collage of explanations and recounts of something cryptic but also vivid. There is an intoxicating cipher falling out of the reach of our awareness, as we conclude our visit with a sudden resolve.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSheshadri is a NYC based artist with various releases via Anomia, Recital Program, Stellage, and more.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Asha Sheshadri\u003c\/p\u003e\n\u003cp\u003eLabel : Hold Records\u003c\/p\u003e","published_at":"2022-05-01T08:32:26+09:00","created_at":"2022-04-28T08:53:24+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","hold records","monooto","tape"],"price":178000,"price_min":178000,"price_max":178000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42701069975802,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Asha Sheshadri \/\/ Interior Monologues TAPE","public_title":null,"options":["Default Title"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_e56a7729-41ca-405b-8e28-abb482480b1c.jpg?v=1651103606","\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_26ab2f35-83f1-4a5e-9429-06448a55c02e.jpg?v=1651103606"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_e56a7729-41ca-405b-8e28-abb482480b1c.jpg?v=1651103606","options":["Title"],"media":[{"alt":null,"id":29627844362490,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_e56a7729-41ca-405b-8e28-abb482480b1c.jpg?v=1651103606"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_e56a7729-41ca-405b-8e28-abb482480b1c.jpg?v=1651103606","width":700},{"alt":null,"id":29627844395258,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_26ab2f35-83f1-4a5e-9429-06448a55c02e.jpg?v=1651103606"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_26ab2f35-83f1-4a5e-9429-06448a55c02e.jpg?v=1651103606","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にRecitalやAnomiaなどから発表しているアメリカ・NYの音響作家Asha Sheshadriが、2022年3月に同国Hold Recordsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eスポークンワード〜コラージュ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4209162032\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hold\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hold\"\u003ehere\u003c\/a\u003e to see more Hold Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eHold Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAsha Sheshadri’s work involves investigative narration of observational occurrences, seeming ordinary in content at times, while deeply puzzling. Where there is context to be found, the listener may find themselves transported to someplace familiar for a moment before being dissected again, reanalyzed and exported into the continuation of an unsettling environment.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith “Interior Monologues” we find ourselves being escorted by Sheshadri’s voice into a room in a museum, hidden from its observers. Our surroundings are being described to us by a nauseous announcement, consistently interjected by it’s own thought-loops that shift in fidelity to adjust the contrast of what is being conveyed and what is yet to understand about where we are. However disorienting, it is clear that there is a depth of information to consume in this place. Memories of an old radio tune emerge and dissipate while we sift through a collage of explanations and recounts of something cryptic but also vivid. There is an intoxicating cipher falling out of the reach of our awareness, as we conclude our visit with a sudden resolve.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSheshadri is a NYC based artist with various releases via Anomia, Recital Program, Stellage, and more.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Asha Sheshadri\u003c\/p\u003e\n\u003cp\u003eLabel : Hold Records\u003c\/p\u003e"}
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過去にRecitalやAnomiaなどから発表しているアメリカ・NYの音響作家Asha Sheshadriが、2022年3月に同国Hold Recordsからリリースしたカセットです。 スポークンワード〜コラージュ2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Hold Records releases available at Tobira. ...
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{"id":7594640081146,"title":"Fred Moten \/ Brandon López \/ Gerald Cleaver \/\/ s\/t LP","handle":"fred-moten-brandon-lopez-gerald-cleaver-s-t-lp","description":"\u003cp\u003eアメリカ・NYのジャズトリオFred Moten \/ Brandon López \/ Gerald Cleaverが、2022年4月に同州実験音楽家Derek Baron主宰レーベルReading Groupからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003e声とコントラバス、ドラムによるフリージャズ7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2987994786\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rg\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rg\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rg\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rg\"\u003ehere\u003c\/a\u003e to see more Reading Group releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eReading Group:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eReading Group is thrilled to introduce the debut LP from a new improvising group of three singular artists: Fred Moten (voice), Brandon López (double bass), and Gerald Cleaver (drums). López and Cleaver have been improvising together as a duo for a number of years, over which they’ve developed a secret, unspoken language of organically growing repetitive figures in a wide range of sonic palettes. López and Cleaver have long been recognized as some of the most vital voices in contemporary experimental improvised music, each with dozens of recordings and frequent performances in New York and abroad. They are joined here by Fred Moten, the inimitable poet, theorist, critic, and 2020 MacArthur Fellow. Moten’s presence, voicing poetry in an improvisatory syncopation with the instrumentalists, raises the music to third plane, putting the record in a broader collection of legendary spoken-word jazz records from Gil Scott-Heron and Amiri Baraka to the contemporary energies of Moor Mother and Irreversible Entanglements.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecorded at GSI Studios in Manhattan at the height of the pandemic and in the immediate wake of the George Floyd Rebellion, this self-titled LP represents only the first time the trio had improvised together in a studio setting, after a one-off performance at the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e 2019 Vision Festival. The record is a shimmering image of the lightning that resulted in the meeting of these three minds. The dark timbres and churning pulses stay at a perpetually restrained simmer, only seldom disturbing the rolling surface of the record’s seven pieces. This constant interplay between the music’s turbulent growth and the momentary flashes of bright aliveness are reflected brilliantly in the original painting by artist\/writer Renee Gladman that graces the record’s cover. A mysterious, vital work from three brilliant artists.\u003c\/span\u003e '\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Fred Moten \/ Brandon López \/ Gerald Cleaver\u003c\/p\u003e\n\u003cp\u003eLabel : Reading Group\u003c\/p\u003e","published_at":"2022-04-25T13:18:00+09:00","created_at":"2022-04-22T10:36:24+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","jazz","lp","reading group"],"price":289000,"price_min":289000,"price_max":289000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42672767009018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Fred Moten \/ Brandon López \/ Gerald Cleaver \/\/ s\/t LP","public_title":null,"options":["Default Title"],"price":289000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/cl1_8900241c-24fa-48da-ae72-fb901c53438b.jpg?v=1650591386","\/\/tobirarecords.com\/cdn\/shop\/products\/cl2_576617b1-4bb4-4119-b9e0-aadea235ced2.jpg?v=1650591386"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl1_8900241c-24fa-48da-ae72-fb901c53438b.jpg?v=1650591386","options":["Title"],"media":[{"alt":null,"id":29587774800122,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl1_8900241c-24fa-48da-ae72-fb901c53438b.jpg?v=1650591386"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl1_8900241c-24fa-48da-ae72-fb901c53438b.jpg?v=1650591386","width":700},{"alt":null,"id":29587774832890,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl2_576617b1-4bb4-4119-b9e0-aadea235ced2.jpg?v=1650591386"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl2_576617b1-4bb4-4119-b9e0-aadea235ced2.jpg?v=1650591386","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのジャズトリオFred Moten \/ Brandon López \/ Gerald Cleaverが、2022年4月に同州実験音楽家Derek Baron主宰レーベルReading Groupからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003e声とコントラバス、ドラムによるフリージャズ7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2987994786\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rg\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rg\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rg\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rg\"\u003ehere\u003c\/a\u003e to see more Reading Group releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eReading Group:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eReading Group is thrilled to introduce the debut LP from a new improvising group of three singular artists: Fred Moten (voice), Brandon López (double bass), and Gerald Cleaver (drums). López and Cleaver have been improvising together as a duo for a number of years, over which they’ve developed a secret, unspoken language of organically growing repetitive figures in a wide range of sonic palettes. López and Cleaver have long been recognized as some of the most vital voices in contemporary experimental improvised music, each with dozens of recordings and frequent performances in New York and abroad. They are joined here by Fred Moten, the inimitable poet, theorist, critic, and 2020 MacArthur Fellow. Moten’s presence, voicing poetry in an improvisatory syncopation with the instrumentalists, raises the music to third plane, putting the record in a broader collection of legendary spoken-word jazz records from Gil Scott-Heron and Amiri Baraka to the contemporary energies of Moor Mother and Irreversible Entanglements.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecorded at GSI Studios in Manhattan at the height of the pandemic and in the immediate wake of the George Floyd Rebellion, this self-titled LP represents only the first time the trio had improvised together in a studio setting, after a one-off performance at the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e 2019 Vision Festival. The record is a shimmering image of the lightning that resulted in the meeting of these three minds. The dark timbres and churning pulses stay at a perpetually restrained simmer, only seldom disturbing the rolling surface of the record’s seven pieces. This constant interplay between the music’s turbulent growth and the momentary flashes of bright aliveness are reflected brilliantly in the original painting by artist\/writer Renee Gladman that graces the record’s cover. A mysterious, vital work from three brilliant artists.\u003c\/span\u003e '\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Fred Moten \/ Brandon López \/ Gerald Cleaver\u003c\/p\u003e\n\u003cp\u003eLabel : Reading Group\u003c\/p\u003e"}
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アメリカ・NYのジャズトリオFred Moten / Brandon López / Gerald Cleaverが、2022年4月に同州実験音楽家Derek Baron主宰レーベルReading Groupからリリースしたデビューレコードです。 声とコントラバス、ドラムによるフリージャズ7曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see...
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{"id":7589017944314,"title":"Patrick Farmer \/\/ wild horses think of nothing else the sea - tape readings 2xTAPE","handle":"patrick-farmer-wild-horses-think-of-nothing-else-the-sea-tape-readings-2xtape","description":"\u003cp\u003eイギリス・シェフィールドの音響作家Patrick Farmerが、2016年にアメリカ・NYの実験レーベルWinds Measureからリリースした2本組カセットです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディング〜スポークンワード〜物音7曲、100分以上を収録。Consumer Waste主宰Samuel Rodgersがマスタリングを担当しています。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e参加アーティスト\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAntoine Beuger\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJeph Jerman\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBruno Guastalla\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSally Ann McIntyre\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHolly Pester\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDaniela Cascella\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMichael Pisaro\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/254272538\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Patrick Farmer\" href=\"https:\/\/soundcloud.com\/patrick-farmer-pig\" target=\"_blank\"\u003ePatrick Farmer\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Wild horses think of nothing else the sea, tape excerpts\" href=\"https:\/\/soundcloud.com\/patrick-farmer-pig\/wild-horses-think-of-nothing-else-the-sea-tape-excerpts\" target=\"_blank\"\u003eWild horses think of nothing else the sea, tape excerpts\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWinds Measure Recordingsその他作品は\u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWinds Measure Recordings releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTAPE ONLY. No digital.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 106.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003ecassette x2 cs67, cs43\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003etracklist:\u003cbr\u003ecassette I\u003cbr\u003eI: antoine beuger 32:22\u003cbr\u003eII-I: jeph jerman 7:03\u003cbr\u003eII-II: bruno guastalla 25:17\u003cbr\u003e\u003cbr\u003ecassette II\u003cbr\u003eIII-I: sally ann mcintyre 8:39\u003cbr\u003eIII-II: holly pester 9:41\u003cbr\u003eIV-I: daniela cascella 5:10\u003cbr\u003eIV-II: michael pisaro 15:18\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : patrick farmer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Winds Measure Recordings\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-04-14T18:35:51+09:00","created_at":"2022-04-13T12:01:08+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","field recording","monooto","recommended","tape","winds measure recordings"],"price":275000,"price_min":275000,"price_max":275000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42633794715898,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Patrick Farmer \/\/ wild horses think of nothing else the sea - tape readings 2xTAPE","public_title":null,"options":["Default Title"],"price":275000,"weight":120,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_74e338ec-a75a-498a-bb18-23b9fd19f5ed.jpg?v=1649818870","\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_561b029d-f88c-49b3-8036-bc5dcf86c824.jpg?v=1649818870","\/\/tobirarecords.com\/cdn\/shop\/products\/pa3_dc599be5-d34b-4e5e-8604-df334eb6c8b7.jpg?v=1649818870"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_74e338ec-a75a-498a-bb18-23b9fd19f5ed.jpg?v=1649818870","options":["Title"],"media":[{"alt":null,"id":29531062010106,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_74e338ec-a75a-498a-bb18-23b9fd19f5ed.jpg?v=1649818870"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_74e338ec-a75a-498a-bb18-23b9fd19f5ed.jpg?v=1649818870","width":700},{"alt":null,"id":29531062042874,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_561b029d-f88c-49b3-8036-bc5dcf86c824.jpg?v=1649818870"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_561b029d-f88c-49b3-8036-bc5dcf86c824.jpg?v=1649818870","width":1200},{"alt":null,"id":29531062075642,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa3_dc599be5-d34b-4e5e-8604-df334eb6c8b7.jpg?v=1649818870"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa3_dc599be5-d34b-4e5e-8604-df334eb6c8b7.jpg?v=1649818870","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・シェフィールドの音響作家Patrick Farmerが、2016年にアメリカ・NYの実験レーベルWinds Measureからリリースした2本組カセットです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディング〜スポークンワード〜物音7曲、100分以上を収録。Consumer Waste主宰Samuel Rodgersがマスタリングを担当しています。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e参加アーティスト\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAntoine Beuger\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJeph Jerman\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBruno Guastalla\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSally Ann McIntyre\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHolly Pester\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDaniela Cascella\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMichael Pisaro\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/254272538\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Patrick Farmer\" href=\"https:\/\/soundcloud.com\/patrick-farmer-pig\" target=\"_blank\"\u003ePatrick Farmer\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Wild horses think of nothing else the sea, tape excerpts\" href=\"https:\/\/soundcloud.com\/patrick-farmer-pig\/wild-horses-think-of-nothing-else-the-sea-tape-excerpts\" target=\"_blank\"\u003eWild horses think of nothing else the sea, tape excerpts\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWinds Measure Recordingsその他作品は\u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWinds Measure Recordings releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTAPE ONLY. No digital.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 106.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003ecassette x2 cs67, cs43\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003etracklist:\u003cbr\u003ecassette I\u003cbr\u003eI: antoine beuger 32:22\u003cbr\u003eII-I: jeph jerman 7:03\u003cbr\u003eII-II: bruno guastalla 25:17\u003cbr\u003e\u003cbr\u003ecassette II\u003cbr\u003eIII-I: sally ann mcintyre 8:39\u003cbr\u003eIII-II: holly pester 9:41\u003cbr\u003eIV-I: daniela cascella 5:10\u003cbr\u003eIV-II: michael pisaro 15:18\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : patrick farmer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Winds Measure Recordings\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・シェフィールドの音響作家Patrick Farmerが、2016年にアメリカ・NYの実験レーベルWinds Measureからリリースした2本組カセットです。 フィールドレコーディング〜スポークンワード〜物音7曲、100分以上を収録。Consumer Waste主宰Samuel Rodgersがマスタリングを担当しています。DLコード付属。 参加アーティスト Antoine BeugerJeph JermanBruno GuastallaSally Ann McIntyreHolly PesterDaniela...
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{"id":7580658598138,"title":"Ken Clinger \/\/ KC. 09 - 12 2xTAPE","handle":"ken-clinger-kc-09-12-2xtape","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1980年代から活動しているペンシルベニア州のベテランシンセ作家Ken Clingerが、1985-1986年にリリースした作品の再発2本組カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e妖しいビンテージシンセの響きと、ボソボソと呟く詩が独特の世界観を築き上げるサスペンスポップ全45曲を収録。40本限定、DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2717297372\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベル\u003c\/span\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tribe\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tribe\"\u003ehere\u003c\/a\u003e to see more Tribe Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecycled cassettes with pro-printed labels in a soft vinyl clamshell case with double-sided artwork.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTribe Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eReleased during 1985 - 86 as a series of four cassettes, Ken Clinger's \"KC. 09 - 12\" is a cryptic vessel of obscure electronics, rural magic, and tape fuzz... Spoken tales of animal espionage and barnyard mythos articulated through the post boxes of 1980s America.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003eAudio and Arrangements by Ken Clinger\u003cbr data-mce-fragment=\"1\"\u003ew\/ Beeg Srakhra, Belinda Subraman, and Cat Fish\u003cbr data-mce-fragment=\"1\"\u003eArtwork and Mastered for Tape by Max Julian Eastman\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ken Clinger\u003c\/p\u003e\n\u003cp\u003eLabel : Tribe Tapes\u003c\/p\u003e","published_at":"2022-04-05T16:33:34+09:00","created_at":"2022-04-05T15:37:20+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","recommended","strange beats","tape","tribe tapes"],"price":256000,"price_min":256000,"price_max":256000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42601522790650,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ken Clinger \/\/ KC. 09 - 12 2xTAPE","public_title":null,"options":["Default Title"],"price":256000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ke1_a91f7e3c-c442-4e4e-8458-c88fa4fa89e1.jpg?v=1649140642","\/\/tobirarecords.com\/cdn\/shop\/products\/ke2_445c7417-e290-4666-8e82-7ee328a4857c.jpg?v=1649140643","\/\/tobirarecords.com\/cdn\/shop\/products\/ke3_bba1e2bf-8d6d-40df-8c10-b379b74987cc.jpg?v=1649140642"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ke1_a91f7e3c-c442-4e4e-8458-c88fa4fa89e1.jpg?v=1649140642","options":["Title"],"media":[{"alt":null,"id":29458485674234,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ke1_a91f7e3c-c442-4e4e-8458-c88fa4fa89e1.jpg?v=1649140642"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ke1_a91f7e3c-c442-4e4e-8458-c88fa4fa89e1.jpg?v=1649140642","width":700},{"alt":null,"id":29458485707002,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ke2_445c7417-e290-4666-8e82-7ee328a4857c.jpg?v=1649140643"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ke2_445c7417-e290-4666-8e82-7ee328a4857c.jpg?v=1649140643","width":1200},{"alt":null,"id":29458485739770,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ke3_bba1e2bf-8d6d-40df-8c10-b379b74987cc.jpg?v=1649140642"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ke3_bba1e2bf-8d6d-40df-8c10-b379b74987cc.jpg?v=1649140642","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1980年代から活動しているペンシルベニア州のベテランシンセ作家Ken Clingerが、1985-1986年にリリースした作品の再発2本組カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e妖しいビンテージシンセの響きと、ボソボソと呟く詩が独特の世界観を築き上げるサスペンスポップ全45曲を収録。40本限定、DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2717297372\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベル\u003c\/span\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tribe\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tribe\"\u003ehere\u003c\/a\u003e to see more Tribe Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecycled cassettes with pro-printed labels in a soft vinyl clamshell case with double-sided artwork.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTribe Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eReleased during 1985 - 86 as a series of four cassettes, Ken Clinger's \"KC. 09 - 12\" is a cryptic vessel of obscure electronics, rural magic, and tape fuzz... Spoken tales of animal espionage and barnyard mythos articulated through the post boxes of 1980s America.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003eAudio and Arrangements by Ken Clinger\u003cbr data-mce-fragment=\"1\"\u003ew\/ Beeg Srakhra, Belinda Subraman, and Cat Fish\u003cbr data-mce-fragment=\"1\"\u003eArtwork and Mastered for Tape by Max Julian Eastman\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ken Clinger\u003c\/p\u003e\n\u003cp\u003eLabel : Tribe Tapes\u003c\/p\u003e"}
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1980年代から活動しているペンシルベニア州のベテランシンセ作家Ken Clingerが、1985-1986年にリリースした作品の再発2本組カセットです。 妖しいビンテージシンセの響きと、ボソボソと呟く詩が独特の世界観を築き上げるサスペンスポップ全45曲を収録。40本限定、DLコード付属。 レーベルその他作品はこちら /// Click here to see more Tribe Tapes releases available at Tobira. --------------------------...
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{"id":7579971485946,"title":"Harry Partch \/\/ And on the Seventh Day Petals Fell in Petaluma LP","handle":"harry-partch-and-on-the-seventh-day-petals-fell-in-petaluma-lp","description":"\u003cp\u003eアメリカの大御所音楽家Harry Partchが1960年代に発表した作品のレコード再発です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=811853446\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eText by Jon Szanto, The Harry Partch Foundation:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"In late 1962 Harry Partch returned to California and began a project that would not only become the bones of a masterwork, Delusion of the Fury, but have a life of its own. In a too-small space within an abandoned Petaluma chick hatchery, Partch gathered the instruments he had designed and built--new and old--eager to once again \u003cspan class=\"peekaboo-text\" id=\"package_description_0\" data-mce-fragment=\"1\"\u003eexpand the boundaries of his compositional fabric. He learned each individual part as he composed, establishing that it could\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\" data-mce-fragment=\"1\"\u003e be played.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd on the Seventh Day Petals Fell in Petaluma (1963-64, rev. 1966) was born of his exploration and assembled with that \"minimum of players\" over a three-year period. In spite of rough conditions and meager resources Partch's dogged persistence, along with the efforts of his dedicated assistants, eventually succeeded in realizing the 34 verses of expansional duets. With this album we revisit an important work and turning-point, guided by the original \"Statement\" Partch wrote for the first commercial release of the piece. Previously only excerpted, it is a voicing of his beliefs that transcends one project to illuminate an entire purpose. We also reprise exquisite notes by the late Bob Gilmore, who distills and explains the story of Petals so clearly and eloquently.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eNo one wants a dead reissue, so by digging into the archives, I am pleased to offer hidden gems. First, The Petals Sessions is an aural glance into the cramped quarters of the recording space, as composer and players labor to bring new notes to life, Harry himself giving direction. The montage ends with a \"test take\" by Danlee Mitchell and Michael Ranta that could have easily been a keeper! Finally, we present the original Verse 17. In 1964 Partch wrote two duets that used the Adapted Viola; by the time the piece was finished in 1967, he had excised them. The ending track--never before released--brings Harry back to life, playing and recording Adapted Viola for one of the last times. I was completely unaware of this recording until I examined the outtakes and it glows, fifty years on. That Petals ever came to be, like much of Partch's story, stands somewhere between determination and miracle.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Harry Partch\u003c\/p\u003e\n\u003cp\u003eLabel : New World Recordings\u003c\/p\u003e","published_at":"2022-04-08T10:02:34+09:00","created_at":"2022-04-04T12:18:57+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp"],"price":368000,"price_min":368000,"price_max":368000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42598402326778,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Harry Partch \/\/ And on the Seventh Day Petals Fell in Petaluma LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pe1_deafdf2d-ccba-48a0-bbad-f4e7fe457139.jpg?v=1649042339","\/\/tobirarecords.com\/cdn\/shop\/products\/pe2_645795a9-401e-42b4-aa60-280e60ce9b41.jpg?v=1649042339"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pe1_deafdf2d-ccba-48a0-bbad-f4e7fe457139.jpg?v=1649042339","options":["Title"],"media":[{"alt":null,"id":29450767204602,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pe1_deafdf2d-ccba-48a0-bbad-f4e7fe457139.jpg?v=1649042339"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pe1_deafdf2d-ccba-48a0-bbad-f4e7fe457139.jpg?v=1649042339","width":700},{"alt":null,"id":29450767270138,"position":2,"preview_image":{"aspect_ratio":0.973,"height":1200,"width":1168,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pe2_645795a9-401e-42b4-aa60-280e60ce9b41.jpg?v=1649042339"},"aspect_ratio":0.973,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pe2_645795a9-401e-42b4-aa60-280e60ce9b41.jpg?v=1649042339","width":1168}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの大御所音楽家Harry Partchが1960年代に発表した作品のレコード再発です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=811853446\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eText by Jon Szanto, The Harry Partch Foundation:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"In late 1962 Harry Partch returned to California and began a project that would not only become the bones of a masterwork, Delusion of the Fury, but have a life of its own. In a too-small space within an abandoned Petaluma chick hatchery, Partch gathered the instruments he had designed and built--new and old--eager to once again \u003cspan class=\"peekaboo-text\" id=\"package_description_0\" data-mce-fragment=\"1\"\u003eexpand the boundaries of his compositional fabric. He learned each individual part as he composed, establishing that it could\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\" data-mce-fragment=\"1\"\u003e be played.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd on the Seventh Day Petals Fell in Petaluma (1963-64, rev. 1966) was born of his exploration and assembled with that \"minimum of players\" over a three-year period. In spite of rough conditions and meager resources Partch's dogged persistence, along with the efforts of his dedicated assistants, eventually succeeded in realizing the 34 verses of expansional duets. With this album we revisit an important work and turning-point, guided by the original \"Statement\" Partch wrote for the first commercial release of the piece. Previously only excerpted, it is a voicing of his beliefs that transcends one project to illuminate an entire purpose. We also reprise exquisite notes by the late Bob Gilmore, who distills and explains the story of Petals so clearly and eloquently.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eNo one wants a dead reissue, so by digging into the archives, I am pleased to offer hidden gems. First, The Petals Sessions is an aural glance into the cramped quarters of the recording space, as composer and players labor to bring new notes to life, Harry himself giving direction. The montage ends with a \"test take\" by Danlee Mitchell and Michael Ranta that could have easily been a keeper! Finally, we present the original Verse 17. In 1964 Partch wrote two duets that used the Adapted Viola; by the time the piece was finished in 1967, he had excised them. The ending track--never before released--brings Harry back to life, playing and recording Adapted Viola for one of the last times. I was completely unaware of this recording until I examined the outtakes and it glows, fifty years on. That Petals ever came to be, like much of Partch's story, stands somewhere between determination and miracle.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Harry Partch\u003c\/p\u003e\n\u003cp\u003eLabel : New World Recordings\u003c\/p\u003e"}
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アメリカの大御所音楽家Harry Partchが1960年代に発表した作品のレコード再発です。 ---------------------------------- Edition of 500. Text by Jon Szanto, The Harry Partch Foundation:...
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{"id":7579958935802,"title":"David Tudor \/\/ Neural Synthesis Nos. 6-9 2xCD","handle":"david-tudor-neural-synthesis-nos-6-9-2xcd","description":"\u003cp\u003e大御所実験音楽家David Tudorの1995年リリース作品。電子音で構築されたジャングルです。DISC1はバイノーラル、DISC２はステレオ仕様です。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/v5R8r-iTp6M\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e2xCD includes 12-page booklet.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe cover drawing represents the neural-network synthesizer portion of David Tudor's setup. Tudor has added extensive additional circuitry both in front and behind the synthesizer.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProduced using the facilities of The Banff Center for the Arts; October\/November 1993.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eForrest Warthman, Palo Alto 1995:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"This recording combines the art of music, the engineering of electronics, and the inspiration of biology. In it, David Tudor orchestrates electronic sound in ways analogous to our biological bodies' orchestration of consciousness.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe performance originates from a neural-network synthesizer conceived and built especially for David. He surrounds this synthesizer with his own unique collection of electronic devices, and in the recording on this CD made for headphone playback, he uses a new binaural technique for translating sound into out-of-head localizations in which sound seems to originate from specific, changing points within a space around the listener.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe concept for the neural-network synthesizer grew out of a collaborative effort that began in 1989 at Berkeley where David was performing with the Merce Cunningham Dance Company. I listened from the front row as David moved among interconnected electronic devices that filled two tables. He created a stream of remarkable sounds, overlaid them, filtered them, and fed them back upon themselves until the stream became a river. His attention moved from device to device, tasting and adjusting the mixture of sound like a chef composing a fine sauce of the most aromatic ingredients. I was spellbound. At the intermission I proposed to him that we create a computer system capable of enveloping and integrating the sounds of his performances.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWe began meeting in New York to explore ideas. David had collaborated with a great many artists, scientists and engineers over the past decades to create performances on both an intimate and a grand scale. He put me in touch with many of them as our ideas took shape—people like John Driscoll, Phil Edelstein, Ron Kuivila, Billy Klüver, Max Neuhaus, Nic Collins, Lowell Cross, Carson Jefferies, Ivan and Serge Tcherepnin, Pauline Oliveros, Larry Shaw, Bob Bielecki, Bill Viola, Bill Hearn, Dana Massie, and—just months before their passing—John Cage and Fred Waldhauer. All of them contributed ideas enthusiastically. All said essentially the same thing about David's approach to music: he seeks to shape sound in all its dimensions, without limitation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe unfolding of our ideas was an adventure in discovery and like all real adventures it led to unexpected places. What began as an effort to integrate the proliferation of electronic devices in David's performance environment ended in the addition of yet another device. In an early phase, Ron Clapman of Bell Labs and I explored designs using PBXs and pen-on-screen interfaces to switch a broadband matrix of analog and digital signals, including not only audio but video and performance-hall control signals. This led us to think about parallel processors with rich feedback paths.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn 1990, the project took a fundamental turn when I met Mark Holler from Intel at a computer architecture conference near Carmel, California. Mark was introducing a new analog neural-network microchip whose design he had recently managed. The chip electronically emulates neuron cells in our brains and can process many analog signals in parallel. It seemed a perfect basis for an audio-signal router, so I approached Mark with the idea during a walk along the Pacific coast beach. He thought it could work, offered a chip for experimentation, and we struck up an immediate friendship. Soon after, another colleague, Mark Thorson, joined us to work out the first hardware design for what was to become not only a signal router but also the analog audio synthesizer that David uses in this performance. Throughout our research and development, David provided a guiding light. His artistic intuition and his experience with electronic performance helped shape our thinking at each step.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe neural-network chip forms the heart of the synthesizer. It consists of 64 non-linear amplifiers (the electronic neurons on the chip) with 10240 programmable connections. Any input signal can be connected to any neuron, the output of which can be fed back to any input via on-chip or off-chip paths, each with variable connection strength. The same floating-gate devices used in EEPROMs (electrically erasable, programmable, read-only memories) are used in an analog mode of operation to store the strengths of the connections. The synthesizer adds R-C (resistance-capacitance) tank circuits on feedback paths for 16 of the 64 neurons to control the frequencies of oscillation. The R-C circuits produce relaxation oscillations. Interconnecting many relaxation oscillators rapidly produces complex sounds. Global gain and bias signals on the chip control the relative amplitudes of neuron oscillations. Near the onset of oscillation the neurons are sensitive to inherent thermal noise produced by random motions of electron groups moving through the monolithic silicon lattice. This thermal noise adds unpredictability to the synthesizer’s outputs, something David found especially appealing.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe synthesizer’s performance console controls the neural-network chip. R-C circuits, external feedback paths and output channels. The chip itself is not used to its full potential in this first synthesizer. It generates sound and routes signals but the role of learner, pattern-recognizer and responder is played by David, himself a vastly more complex neural network than the chip. During performances David chooses from up to 14 channels of synthesizer output, modifying each of them with his other electronic devices to create the final signals. He debuted the synthesizer at the Paris Opera (Garnier) in November 1992 in performances of Enter, with the Merce Cunningham Dance Company. In the 1994 recording for this CD, made during later experiments with the synthesizer in Banff, four discrete channels representing 12 recorded tracks are mixed to stereo.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAudio oscillators have a subtle but long history in Silicon Valley. Many local engineers date the beginning of the semiconductor industry to the 1938 development by Bill Hewlett and David Packard of their first product, an audio oscillator, in a downtown Palo Alto garage just a few blocks from the studio in which this synthesizer was built. Our work in 1993 and 1994 with David Tudor has led to the development, principally by Mark Holler, of a second-generation synthesizer built around multiple neural-network chips. It is a hybrid system using the analog neural-network chips to produce audio waveforms and a small digital computer to control neuron interconnections. The analog waveforms have frequency components ranging up to 100kHz and are much more complex than can be produced by a digital computer in real time. The performer will use the computer to change tens of thousands of interneuron connections during performance. The space of possible interneuron configurations is so large that it is difficult to reproduce the behavior of the synthesizer, which can evolve sound on its own over time. Searching for the regions of configurations that produce captivating sound becomes the challenge. It is possible that, with further development, the computer may be useful in finding these regions. Until then, there is no substitute for David.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe second synthesizer is still in its developmental stage. David and other colleagues continue their work with it. The recording on this CD presents the more mature first synthesizer. Its ability to generate captivating sound has become integral with David’s handling of it in so many live performances throughout the world.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Tudor\u003c\/p\u003e\n\u003cp\u003eLabel : Lovely Music Ltd. \u003c\/p\u003e","published_at":"2022-04-08T12:06:16+09:00","created_at":"2022-04-04T12:08:45+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42598383550714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"David Tudor \/\/ Neural Synthesis Nos. 6-9 2xCD","public_title":null,"options":["Default Title"],"price":398000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ne1_b4191e44-c252-4e89-b995-44d784e358ad.jpg?v=1649041727"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne1_b4191e44-c252-4e89-b995-44d784e358ad.jpg?v=1649041727","options":["Title"],"media":[{"alt":null,"id":29450729554170,"position":1,"preview_image":{"aspect_ratio":1.182,"height":330,"width":390,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne1_b4191e44-c252-4e89-b995-44d784e358ad.jpg?v=1649041727"},"aspect_ratio":1.182,"height":330,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne1_b4191e44-c252-4e89-b995-44d784e358ad.jpg?v=1649041727","width":390}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e大御所実験音楽家David Tudorの1995年リリース作品。電子音で構築されたジャングルです。DISC1はバイノーラル、DISC２はステレオ仕様です。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/v5R8r-iTp6M\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e2xCD includes 12-page booklet.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe cover drawing represents the neural-network synthesizer portion of David Tudor's setup. Tudor has added extensive additional circuitry both in front and behind the synthesizer.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProduced using the facilities of The Banff Center for the Arts; October\/November 1993.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eForrest Warthman, Palo Alto 1995:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"This recording combines the art of music, the engineering of electronics, and the inspiration of biology. In it, David Tudor orchestrates electronic sound in ways analogous to our biological bodies' orchestration of consciousness.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe performance originates from a neural-network synthesizer conceived and built especially for David. He surrounds this synthesizer with his own unique collection of electronic devices, and in the recording on this CD made for headphone playback, he uses a new binaural technique for translating sound into out-of-head localizations in which sound seems to originate from specific, changing points within a space around the listener.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe concept for the neural-network synthesizer grew out of a collaborative effort that began in 1989 at Berkeley where David was performing with the Merce Cunningham Dance Company. I listened from the front row as David moved among interconnected electronic devices that filled two tables. He created a stream of remarkable sounds, overlaid them, filtered them, and fed them back upon themselves until the stream became a river. His attention moved from device to device, tasting and adjusting the mixture of sound like a chef composing a fine sauce of the most aromatic ingredients. I was spellbound. At the intermission I proposed to him that we create a computer system capable of enveloping and integrating the sounds of his performances.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWe began meeting in New York to explore ideas. David had collaborated with a great many artists, scientists and engineers over the past decades to create performances on both an intimate and a grand scale. He put me in touch with many of them as our ideas took shape—people like John Driscoll, Phil Edelstein, Ron Kuivila, Billy Klüver, Max Neuhaus, Nic Collins, Lowell Cross, Carson Jefferies, Ivan and Serge Tcherepnin, Pauline Oliveros, Larry Shaw, Bob Bielecki, Bill Viola, Bill Hearn, Dana Massie, and—just months before their passing—John Cage and Fred Waldhauer. All of them contributed ideas enthusiastically. All said essentially the same thing about David's approach to music: he seeks to shape sound in all its dimensions, without limitation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe unfolding of our ideas was an adventure in discovery and like all real adventures it led to unexpected places. What began as an effort to integrate the proliferation of electronic devices in David's performance environment ended in the addition of yet another device. In an early phase, Ron Clapman of Bell Labs and I explored designs using PBXs and pen-on-screen interfaces to switch a broadband matrix of analog and digital signals, including not only audio but video and performance-hall control signals. This led us to think about parallel processors with rich feedback paths.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn 1990, the project took a fundamental turn when I met Mark Holler from Intel at a computer architecture conference near Carmel, California. Mark was introducing a new analog neural-network microchip whose design he had recently managed. The chip electronically emulates neuron cells in our brains and can process many analog signals in parallel. It seemed a perfect basis for an audio-signal router, so I approached Mark with the idea during a walk along the Pacific coast beach. He thought it could work, offered a chip for experimentation, and we struck up an immediate friendship. Soon after, another colleague, Mark Thorson, joined us to work out the first hardware design for what was to become not only a signal router but also the analog audio synthesizer that David uses in this performance. Throughout our research and development, David provided a guiding light. His artistic intuition and his experience with electronic performance helped shape our thinking at each step.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe neural-network chip forms the heart of the synthesizer. It consists of 64 non-linear amplifiers (the electronic neurons on the chip) with 10240 programmable connections. Any input signal can be connected to any neuron, the output of which can be fed back to any input via on-chip or off-chip paths, each with variable connection strength. The same floating-gate devices used in EEPROMs (electrically erasable, programmable, read-only memories) are used in an analog mode of operation to store the strengths of the connections. The synthesizer adds R-C (resistance-capacitance) tank circuits on feedback paths for 16 of the 64 neurons to control the frequencies of oscillation. The R-C circuits produce relaxation oscillations. Interconnecting many relaxation oscillators rapidly produces complex sounds. Global gain and bias signals on the chip control the relative amplitudes of neuron oscillations. Near the onset of oscillation the neurons are sensitive to inherent thermal noise produced by random motions of electron groups moving through the monolithic silicon lattice. This thermal noise adds unpredictability to the synthesizer’s outputs, something David found especially appealing.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe synthesizer’s performance console controls the neural-network chip. R-C circuits, external feedback paths and output channels. The chip itself is not used to its full potential in this first synthesizer. It generates sound and routes signals but the role of learner, pattern-recognizer and responder is played by David, himself a vastly more complex neural network than the chip. During performances David chooses from up to 14 channels of synthesizer output, modifying each of them with his other electronic devices to create the final signals. He debuted the synthesizer at the Paris Opera (Garnier) in November 1992 in performances of Enter, with the Merce Cunningham Dance Company. In the 1994 recording for this CD, made during later experiments with the synthesizer in Banff, four discrete channels representing 12 recorded tracks are mixed to stereo.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAudio oscillators have a subtle but long history in Silicon Valley. Many local engineers date the beginning of the semiconductor industry to the 1938 development by Bill Hewlett and David Packard of their first product, an audio oscillator, in a downtown Palo Alto garage just a few blocks from the studio in which this synthesizer was built. Our work in 1993 and 1994 with David Tudor has led to the development, principally by Mark Holler, of a second-generation synthesizer built around multiple neural-network chips. It is a hybrid system using the analog neural-network chips to produce audio waveforms and a small digital computer to control neuron interconnections. The analog waveforms have frequency components ranging up to 100kHz and are much more complex than can be produced by a digital computer in real time. The performer will use the computer to change tens of thousands of interneuron connections during performance. The space of possible interneuron configurations is so large that it is difficult to reproduce the behavior of the synthesizer, which can evolve sound on its own over time. Searching for the regions of configurations that produce captivating sound becomes the challenge. It is possible that, with further development, the computer may be useful in finding these regions. Until then, there is no substitute for David.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe second synthesizer is still in its developmental stage. David and other colleagues continue their work with it. The recording on this CD presents the more mature first synthesizer. Its ability to generate captivating sound has become integral with David’s handling of it in so many live performances throughout the world.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Tudor\u003c\/p\u003e\n\u003cp\u003eLabel : Lovely Music Ltd. \u003c\/p\u003e"}
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大御所実験音楽家David Tudorの1995年リリース作品。電子音で構築されたジャングルです。DISC1はバイノーラル、DISC２はステレオ仕様です。 ----------------------------------- 2xCD includes 12-page booklet.The cover drawing represents the neural-network synthesizer portion...
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{"id":7579950678266,"title":"David Tudor \/\/ Three Works for Live Electronics CD","handle":"david-tudor-three-works-for-live-electronics-cd","description":"\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e大御所実験音楽家David Tudorの1981年リリース作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/kijFn_yxiLk\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Tracks 1 and 2 were released on LP in 1984; track 3 has been added to them for the release of this CD.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis recording of Pulsers, composed in 1976, incorporates an improvised tape by Takehisa Kosugi with his \"electronic violin\", made in collaboration with this work.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUntitled, composed in 1972, was designed for simultaneous performance with John Cage's vocalization of \"Mesostics re Merce Cunningham\". The work was revived in 1982, and performed with improvised vocals by Takehisa Kosugi.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePhonemes was commissioned by the Merce Cunningham Dance Company for Cunningham's dance \"Channels\/Inserts\", a work made both as a \"filmdance\" and for the stage. The first stage performance took place at City Center Theater on March 24, 1981.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTracks 1 and 2 recorded at Airshaft Studio, NYC.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Tudor\u003c\/p\u003e\n\u003cp\u003eLabel : Lovely Music Ltd.\u003c\/p\u003e","published_at":"2022-04-08T12:07:41+09:00","created_at":"2022-04-04T12:02:28+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42598373425402,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"David Tudor \/\/ Three Works for Live Electronics CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/el1_321e29a2-368a-4c46-951c-ceb0f2e170b6.jpg?v=1649041350"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/el1_321e29a2-368a-4c46-951c-ceb0f2e170b6.jpg?v=1649041350","options":["Title"],"media":[{"alt":null,"id":29450704978170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el1_321e29a2-368a-4c46-951c-ceb0f2e170b6.jpg?v=1649041350"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el1_321e29a2-368a-4c46-951c-ceb0f2e170b6.jpg?v=1649041350","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e大御所実験音楽家David Tudorの1981年リリース作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/kijFn_yxiLk\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Tracks 1 and 2 were released on LP in 1984; track 3 has been added to them for the release of this CD.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis recording of Pulsers, composed in 1976, incorporates an improvised tape by Takehisa Kosugi with his \"electronic violin\", made in collaboration with this work.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUntitled, composed in 1972, was designed for simultaneous performance with John Cage's vocalization of \"Mesostics re Merce Cunningham\". The work was revived in 1982, and performed with improvised vocals by Takehisa Kosugi.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePhonemes was commissioned by the Merce Cunningham Dance Company for Cunningham's dance \"Channels\/Inserts\", a work made both as a \"filmdance\" and for the stage. The first stage performance took place at City Center Theater on March 24, 1981.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTracks 1 and 2 recorded at Airshaft Studio, NYC.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Tudor\u003c\/p\u003e\n\u003cp\u003eLabel : Lovely Music Ltd.\u003c\/p\u003e"}
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大御所実験音楽家David Tudorの1981年リリース作品です。 ---------------------------------- "Tracks 1 and 2 were released on LP in 1984; track 3 has...
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{"id":7579839987962,"title":"Debit \/\/ The Long Count LP","handle":"debit-the-long-count-lp","description":"\u003cp\u003eメキシコ系アメリカ人Debit aka \u003cmeta charset=\"utf-8\"\u003eDelia Beatrizが、2022年2月にModern loveからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003eメキシコ国立大学マヤ研究所の管楽器（口笛、オカリナ、フルート、トランペット）\u003cspan data-mce-fragment=\"1\"\u003eをAIを通してミュージックコンクレートに落とし込んだ意欲作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1169432059\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"modernlove\" href=\"https:\/\/soundcloud.com\/modernlove\" target=\"_blank\"\u003emodernlove\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Debit - 2nd Day\" href=\"https:\/\/soundcloud.com\/modernlove\/debit-2nd-day\" target=\"_blank\"\u003eDebit - 2nd Day\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eSilver 12\" vinyl.\u003c\/p\u003e\n\u003cp\u003eText by Modern Love:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eDelia Beatriz’s musical output straddles two distinct artistic poles; her debut solo album, 2017’s acclaimed “Animus”, oozed from sensual, beatless soundscapes to high-octane club music, while her 2019-released EP “SYSTEM” harnessed tribal guarachero elements while simultaneously scraping ideas from industrial techno.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOn “The Long Count”, the Mexican-American producer has inked her most rigorous statement to date, sublimating opaque ancestral knowledge into vaporous AI-stirred fog banks, activating an ancient rite that reaches into tomorrow. 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Developing a set of digital instruments that could be played using different types of temperaments and scales, Delia processed these sounds using machine learning techniques to shuttle the distant past into our extant artistic universe, peering into Mexico’s pre-colonial history and weaving those ideas into complex tonalities gleaned from musique concrète and contemporary electro-acoustic music.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe ten tracks of ‘The Long Count’ form a ritual that’s a few footsteps out of time – neither a part of our present, nor the past. Beatriz describes the Mayan instrumentation as ancestral technology, part of a world that’s not so much been forgotten, but purposefully erased. And although it’s impossible to know exactly how Mayan music may have sounded, it’s feasible to converse with history using modern technology to conduct a ceremony of remembrance.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBeatriz’s soundscapes are haunted by indistinct, shared memories and centuries of pent-up emotion, and are as intentional, direct and meticulously crafted as the work of Deathprod or Thomas Köner. Her microtonal compositions are psychedelic to their core, shapeshifting through dimensions and painting complex mental images, while retaining a stylistic focus and lucidity that’s all too rare. Although “The Long Count” was nurtured by machines, human experience is coded into its DNA – an ancient-future heirloom that whispers through countless generations.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Debit\u003c\/p\u003e\n\u003cp\u003eLabel : Modern Love\u003c\/p\u003e","published_at":"2022-04-04T11:52:53+09:00","created_at":"2022-04-04T10:46:12+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","monooto"],"price":397000,"price_min":397000,"price_max":397000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42598165315834,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Debit \/\/ The Long Count LP","public_title":null,"options":["Default Title"],"price":397000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-04-04at10.43.25am.png?v=1649036774","\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-04-04at10.43.38am.png?v=1649036774"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-04-04at10.43.25am.png?v=1649036774","options":["Title"],"media":[{"alt":null,"id":29450337517818,"position":1,"preview_image":{"aspect_ratio":1.051,"height":428,"width":450,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-04-04at10.43.25am.png?v=1649036774"},"aspect_ratio":1.051,"height":428,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-04-04at10.43.25am.png?v=1649036774","width":450},{"alt":null,"id":29450337550586,"position":2,"preview_image":{"aspect_ratio":0.712,"height":653,"width":465,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-04-04at10.43.38am.png?v=1649036774"},"aspect_ratio":0.712,"height":653,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-04-04at10.43.38am.png?v=1649036774","width":465}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eメキシコ系アメリカ人Debit aka \u003cmeta charset=\"utf-8\"\u003eDelia Beatrizが、2022年2月にModern loveからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003eメキシコ国立大学マヤ研究所の管楽器（口笛、オカリナ、フルート、トランペット）\u003cspan data-mce-fragment=\"1\"\u003eをAIを通してミュージックコンクレートに落とし込んだ意欲作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1169432059\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"modernlove\" href=\"https:\/\/soundcloud.com\/modernlove\" target=\"_blank\"\u003emodernlove\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Debit - 2nd Day\" href=\"https:\/\/soundcloud.com\/modernlove\/debit-2nd-day\" target=\"_blank\"\u003eDebit - 2nd Day\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eSilver 12\" vinyl.\u003c\/p\u003e\n\u003cp\u003eText by Modern Love:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eDelia Beatriz’s musical output straddles two distinct artistic poles; her debut solo album, 2017’s acclaimed “Animus”, oozed from sensual, beatless soundscapes to high-octane club music, while her 2019-released EP “SYSTEM” harnessed tribal guarachero elements while simultaneously scraping ideas from industrial techno.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOn “The Long Count”, the Mexican-American producer has inked her most rigorous statement to date, sublimating opaque ancestral knowledge into vaporous AI-stirred fog banks, activating an ancient rite that reaches into tomorrow. It’s audacious electro-acoustic archaeology that sounds disorientating, anachronistic and arcane.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“The Long Count” is rooted in research Beatriz made into Mayan wind instruments – whistles, ocarinas, flutes and trumpets – using the archive of the Mayan Studies Institute at the Universidad Nacional Autonoma de Mexico, the oldest and largest collection of its kind. Developing a set of digital instruments that could be played using different types of temperaments and scales, Delia processed these sounds using machine learning techniques to shuttle the distant past into our extant artistic universe, peering into Mexico’s pre-colonial history and weaving those ideas into complex tonalities gleaned from musique concrète and contemporary electro-acoustic music.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe ten tracks of ‘The Long Count’ form a ritual that’s a few footsteps out of time – neither a part of our present, nor the past. Beatriz describes the Mayan instrumentation as ancestral technology, part of a world that’s not so much been forgotten, but purposefully erased. And although it’s impossible to know exactly how Mayan music may have sounded, it’s feasible to converse with history using modern technology to conduct a ceremony of remembrance.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBeatriz’s soundscapes are haunted by indistinct, shared memories and centuries of pent-up emotion, and are as intentional, direct and meticulously crafted as the work of Deathprod or Thomas Köner. Her microtonal compositions are psychedelic to their core, shapeshifting through dimensions and painting complex mental images, while retaining a stylistic focus and lucidity that’s all too rare. Although “The Long Count” was nurtured by machines, human experience is coded into its DNA – an ancient-future heirloom that whispers through countless generations.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Debit\u003c\/p\u003e\n\u003cp\u003eLabel : Modern Love\u003c\/p\u003e"}
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メキシコ系アメリカ人Debit aka Delia Beatrizが、2022年2月にModern loveからリリースした最新作です。 メキシコ国立大学マヤ研究所の管楽器（口笛、オカリナ、フルート、トランペット）をAIを通してミュージックコンクレートに落とし込んだ意欲作です。 modernlove · Debit - 2nd Day ---------------------------------------- Silver 12"...
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{"id":7574977675514,"title":"Nikolaus Gerszewski \/\/ ART CD","handle":"nikolaus-gerszewski-art-cd","description":"\u003cp\u003eドイツの現代音楽家Nikolaus Gerszewskiが、2022年3月にアメリカ・NYの実験音楽家Jack Callahan主宰レーベルFLEAからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eフェルドマンリスナーにおすすめの、ストリングカルテットによる楽曲10曲を収録。廃盤です。 \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCDのみでの発表となります。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1239975760\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; 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アメリカ・ペンシルベニアの現代音楽家Kieran Dalyが、2022年3月に同国NYの実験音楽家Jack Callahan主宰レーベルFLEAからリリースした最新作です。 思わずクスッとしてしまう音に溢れた7曲を収録。 tobirarecs4 · 2a tobirarecs4 · Kieran Daly - Total Orderings...
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{"id":7574976397562,"title":"Clarence Barlow \/\/ Talkmaster's Choice - Three Versions CD","handle":"clarence-barlow-talkmasters-choice-three-versions-cd","description":"\u003cp\u003eインド・コルカタ出身の大御所現代音楽家Clarence Barlowが、2022年3月にアメリカ・NYの実験音楽家Jack Callahan主宰レーベルFLEAからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003e彼が90年代に制作した、Atariのコンピューターを用いたカットアップ・コラージュ5曲、50分を収録。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1239968071\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; 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{"id":7574696100090,"title":"Volodymyr Bystriakov \/\/ Alice Through the Looking Glass, 1982 LP","handle":"volodymyr-bystriakov-alice-through-the-looking-glass-1982-lp","description":"\u003cp\u003eウクライナの映画音楽家Volodymyr Bystriakovが1982に録音したアニメ映画「アリス」のサントラを、同国実験レーベルMuscutのソ連音楽再発ラインShukaiがバイナルリリース。\u003c\/p\u003e\n\u003cp\u003e哀愁系から爽やか系まで幅広い電子音楽22曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1708960857\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1293082902\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/muscut\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/muscut\"\u003eこちら\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/muscut\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/muscut\"\u003ehere \u003c\/a\u003eto see more Muscut releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShukai is psyched to announce our second release - music for the animated television film Alice Through the Looking Glass, which has never been released before.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music was recorded in 1981 and the film was broadcasted on Soviet television in 1982.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAlice Through the Looking Glass created by Kyivnauchfilm studio and directed by Efim Pruzhansky is a colour animated film based on the novel by Lewis Carroll.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLimited edition of 300 copies.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Valentina Goncharova \u003c\/p\u003e\n\u003cp\u003elabel : Muscut\u003c\/p\u003e","published_at":"2022-03-27T08:04:28+09:00","created_at":"2022-03-27T08:04:28+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","jazz","lp","muscut","recommended"],"price":349000,"price_min":349000,"price_max":349000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42572740034810,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Volodymyr Bystriakov \/\/ Alice Through the Looking Glass, 1982 LP","public_title":null,"options":["Default Title"],"price":349000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2203517793_16.jpg?v=1648336127"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2203517793_16.jpg?v=1648336127","options":["Title"],"media":[{"alt":null,"id":29395659489530,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2203517793_16.jpg?v=1648336127"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2203517793_16.jpg?v=1648336127","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eウクライナの映画音楽家Volodymyr Bystriakovが1982に録音したアニメ映画「アリス」のサントラを、同国実験レーベルMuscutのソ連音楽再発ラインShukaiがバイナルリリース。\u003c\/p\u003e\n\u003cp\u003e哀愁系から爽やか系まで幅広い電子音楽22曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1708960857\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1293082902\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/muscut\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/muscut\"\u003eこちら\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/muscut\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/muscut\"\u003ehere \u003c\/a\u003eto see more Muscut releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShukai is psyched to announce our second release - music for the animated television film Alice Through the Looking Glass, which has never been released before.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music was recorded in 1981 and the film was broadcasted on Soviet television in 1982.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAlice Through the Looking Glass created by Kyivnauchfilm studio and directed by Efim Pruzhansky is a colour animated film based on the novel by Lewis Carroll.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLimited edition of 300 copies.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Valentina Goncharova \u003c\/p\u003e\n\u003cp\u003elabel : Muscut\u003c\/p\u003e"}
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ウクライナの映画音楽家Volodymyr Bystriakovが1982に録音したアニメ映画「アリス」のサントラを、同国実験レーベルMuscutのソ連音楽再発ラインShukaiがバイナルリリース。 哀愁系から爽やか系まで幅広い電子音楽22曲を収録。 レーベルその他作品はこちら /// Click here to see more Muscut releases available at Tobira. ----------------------------- Shukai is psyched...
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{"id":7556720263418,"title":"andPlay \u0026 Victoria Cheah \/\/ A Butterfly On Your Shoulder Into Years And Years To Come TAPE","handle":"andplay-victoria-cheah-a-butterfly-on-your-shoulder-into-years-and-years-to-come-tape","description":"\u003cp\u003eアメリカ・NYのVictoria Cheahと\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eandPlay\u003c\/span\u003eが、2022年2月にアメリカ・LAのDinzu Artefactsから100本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eヴィオラとバイオリンによるアコースティックドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=286446260\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cspan data-mce-fragment=\"1\"\u003eVictoria Cheah:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eThe permanence of a whim, like a casual decision to make your first tattoo a butterfly;\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ea choice you regret, or forget, or evolve with over time; a whim for which you needed frivolity in order to take yourself seriously.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe superficial nature of standardized beauty can contain contradictory depths - scars are decoration, desire can be destructive, and beauty can be offensive, rough.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClarity and noise aren’t opposites; both exist within the other and provide context for the work of intentional attention.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : andPlay \u0026amp; Victoria Cheah\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzy Artefacts\u003c\/p\u003e","published_at":"2022-03-05T15:05:08+09:00","created_at":"2022-03-05T14:09:23+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","dinzu artefacts","drone","tape"],"price":158000,"price_min":158000,"price_max":158000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42490189283578,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"andPlay \u0026 Victoria Cheah \/\/ A Butterfly On Your Shoulder Into Years And Years To Come TAPE","public_title":null,"options":["Default Title"],"price":158000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bu1_be258493-cded-4bee-8ac3-9cc910c1963d.jpg?v=1646456965"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bu1_be258493-cded-4bee-8ac3-9cc910c1963d.jpg?v=1646456965","options":["Title"],"media":[{"alt":null,"id":29243820966138,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bu1_be258493-cded-4bee-8ac3-9cc910c1963d.jpg?v=1646456965"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bu1_be258493-cded-4bee-8ac3-9cc910c1963d.jpg?v=1646456965","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのVictoria Cheahと\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eandPlay\u003c\/span\u003eが、2022年2月にアメリカ・LAのDinzu Artefactsから100本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eヴィオラとバイオリンによるアコースティックドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=286446260\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cspan data-mce-fragment=\"1\"\u003eVictoria Cheah:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eThe permanence of a whim, like a casual decision to make your first tattoo a butterfly;\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ea choice you regret, or forget, or evolve with over time; a whim for which you needed frivolity in order to take yourself seriously.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe superficial nature of standardized beauty can contain contradictory depths - scars are decoration, desire can be destructive, and beauty can be offensive, rough.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClarity and noise aren’t opposites; both exist within the other and provide context for the work of intentional attention.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : andPlay \u0026amp; Victoria Cheah\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzy Artefacts\u003c\/p\u003e"}
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{"id":7556719935738,"title":"Nat Baldwin \/\/ Blind Field TAPE","handle":"nat-baldwin-blind-field-tape","description":"\u003cp\u003eアメリカ・メインのコントラバス奏者Nat Baldwinが、2022年2月にアメリカ・LAのDinzu Artefactsから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eコントラバスと声\u003c\/span\u003eによるアコースティックドローン3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3432159013\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDinzu Artefacts:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Works for double bass ensemble and voices, multitracked with all materials played and sung by the composer. Each piece presents a distinct environment exploring contrast and tension to sculpt a dense collage of focused textures.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA quartet engaging with a limited set of gestures and articulations, each avoiding rise or decay. Vocals, microtonal and layered atop sparse plucks and spiccato fragments. Bowed swells of delicate, double stop harmonics, detuned yet melodic, a brief sense of serenity emerging from disquieting depths.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nat Baldwin\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDinzu Artefacts \u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-03-05T15:08:36+09:00","created_at":"2022-03-05T14:03:18+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","dinzu artefacts","drone","tape"],"price":158000,"price_min":158000,"price_max":158000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42490186006778,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Nat Baldwin \/\/ Blind Field TAPE","public_title":null,"options":["Default Title"],"price":158000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fi_5af1231a-cb96-4bfb-a8de-5c469eeb5c0e.jpg?v=1646456600"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fi_5af1231a-cb96-4bfb-a8de-5c469eeb5c0e.jpg?v=1646456600","options":["Title"],"media":[{"alt":null,"id":29243814641914,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fi_5af1231a-cb96-4bfb-a8de-5c469eeb5c0e.jpg?v=1646456600"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fi_5af1231a-cb96-4bfb-a8de-5c469eeb5c0e.jpg?v=1646456600","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・メインのコントラバス奏者Nat Baldwinが、2022年2月にアメリカ・LAのDinzu Artefactsから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eコントラバスと声\u003c\/span\u003eによるアコースティックドローン3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3432159013\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDinzu Artefacts:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Works for double bass ensemble and voices, multitracked with all materials played and sung by the composer. Each piece presents a distinct environment exploring contrast and tension to sculpt a dense collage of focused textures.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA quartet engaging with a limited set of gestures and articulations, each avoiding rise or decay. Vocals, microtonal and layered atop sparse plucks and spiccato fragments. Bowed swells of delicate, double stop harmonics, detuned yet melodic, a brief sense of serenity emerging from disquieting depths.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nat Baldwin\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDinzu Artefacts \u003c\/span\u003e\u003c\/p\u003e"}
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