Quiet Husband // Everything on Zero TAPE
Quiet Husband // Everything on Zero TAPE
¥2,240
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イギリスのテクノ作家Quiet Husband aka Richie Culverが、2024年6月にアメリカの実験／ノイズレーベルDeathbed Tapesからリリースしたカセットです。
ドローン・サウンドポエトリー〜パワーエレクトロニクス2曲を収録。スペシャルシルバーテープ仕様です。
レーベルその他作品はこちら /// Click here to see more Deathbed Tapes releases available at Tobira.
------------------------
Cassette in norelco case.
Tracklist:
1. A 15:05
2. B 15:54
Artist : Quiet Husband
Label ; Deathbed Tapes
イギリスのテクノ作家Quiet Husband aka Richie Culverが、2024年6月にアメリカの実験／ノイズレーベルDeathbed Tapesからリリースしたカセットです。
ドローン・サウンドポエトリー〜パワーエレクトロニクス2曲を収録。スペシャルシルバーテープ仕様です。
レーベルその他作品はこちら /// Click here to see more Deathbed Tapes releases available at Tobira.
------------------------
Cassette in norelco case.
Tracklist:
1. A 15:05
2. B 15:54
Artist : Quiet Husband
Label ; Deathbed Tapes
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{"id":8755988889850,"title":"Merche Blasco \/ Derek Baron \/\/ Travesía \/ The Matrix TAPE","handle":"merche-blasco-derek-baron-travesia-the-matrix-tape","description":"\u003cp\u003eスペインの実験音楽家Merche Blascoと、アメリカの実験レーベルReading Group主宰Derek Baronが、2023年1月にアメリカの実験レーベルFull Spectrumからリリースしたスプリットカセットです。\u003c\/p\u003e\n\u003cp\u003eコラージュ〜スポークンワード2曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eBlascoの \"Travesía \"は、彼女がスペインのピレネー山脈を旅した際に出会った一連の防衛壕の悩ましい響きと感情の歴史を表現しています。独裁者フランコが命じ、1944年から48年にかけて捕虜が建設したこの掩体壕は、当時ヨーロッパで最も野心的な防衛計画のひとつでしたが、完全には完成せず、意図通りに使われることもありませんでした。フランコ政権崩壊後、この場所は埋もれ、忘れ去られていましたが、スペインの歴史の暗部に立ち向かおうとする組織による最近の取り組みによって、再び光を浴びるようになりました。「独裁政権の要塞が埋もれ、忘れ去られた巨大なネットワークは、スペイン社会が集団で前進するために暗い歴史を埋めようとする傾向を体現しています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e一方、バロンが手がけたのは、広々とした \"The Matrix \"です。この作品は、彼が個人的に「YouTube Kabbalah」と呼んでいるプロセスを通じて開発され、ビデオチュートリアル、スピリチュアルな自己啓発テープ、音楽教育者のためのオープンアクセス・リソース、そして彼自身のフィールドレコーディング・アーカイブなど、さまざまなソースから引用しています。その結果、アーティストの人生とインターネットをつなぎ合わせた半アレトリックなオーディオ・ドキュメンタリーを中心に、発見された世界と自らを調和させようとする、豊かな音のメランゲが生まれました。2020年の作品「To the Planetarium」の精神的後継者であるこの作品は、ラジオの継続性にアプローチしようと試みていますが、特定のテーマ的意図やキュレーターとしての目的もなく、ある種のトランスヒストリカル・シャッフルのようにエーテルに巻き込まれていくものです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこれらの作品は互いに独立して開発されましたが、互いに補強し、深めています。2人の音の地図製作者は、それぞれの文化的アイデンティティの不透明な輪郭を描き、ゆっくりと共通の地平線に近づいています。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3189799902\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4119645334\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3189799902\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003ehere\u003c\/a\u003e to see more Full Spectrum Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMerche Blasco - Travesía 22:24\u003c\/li\u003e\n\u003cli\u003eDerek Baron - The Matrix 20:20\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eFull Spectrum:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Full Spectrum Records dips our toes into the new year with a split release featuring two newcomers to the label, Merche Blasco and Derek Baron.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpanning the a-side, Blasco’s “Travesía” sounds the troubled resonance and emotional history of a series of defensive bunkers she encountered on a trip to the Spanish Pyrenees. Ordered by the dictator Franco and built by prisoners of war between 1944-48, this was one of Europe’s most ambitious defensive plans at the time, though the bunkers were never fully completed or used as intended. The site was buried and forgotten following Franco’s fall, until recent efforts by organizations committed to confronting the darker corners of Spanish history brought them back into the light. “The massive network of the dictatorship´s buried and forgotten fortifications embodied [to me] the tendency in Spanish society to bury our dark histories in the interest of collectively moving forward,” explains Blasco, “despite how denial of the past has continued to prevent our collective healing.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn the flip, we find Baron’s expansive “The Matrix.” Developed through a process that they have privately taken to calling “YouTube Kabbalah,” this piece pulls from a wide variety of source\u003cspan class=\"bcTruncateMore\"\u003e material, including video tutorials, spiritual self-help tapes, open access resources for music educators, and their own personal field recording archive. The result is a rich melangé of sound that attempts to harmonize itself with the found world as it coalesces around a semi-aleatoric audio-documentary stitched together from the artist’s life and the internet. A spiritual successor to their 2020 piece “To the Planetarium,” this piece attempts to approach the ongoingness of radio, but without a particular thematic intention or curatorial aim, spooling off into the ether like some sort of transhistorical shuffle.\u003cbr\u003e\u003cbr\u003eWhile these pieces were developed independently of one another, they reinforce and deepen one another: two sonic cartographers charting the opaque contours of their discrete cultural identities and slowly approaching a shared horizon.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Merche Blasco \/ Derek Baron\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFull Spectrum Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-03T11:06:11+09:00","created_at":"2025-04-03T11:05:37+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","Full Spectrum Records","monooto","new","tape"],"price":188000,"price_min":188000,"price_max":188000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47233855881466,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Merche Blasco \/ Derek Baron \/\/ Travesía \/ The Matrix TAPE","public_title":null,"options":["Default Title"],"price":188000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mat1_dbbdfef2-b8ca-41cc-9de2-e8fb91276703.jpg?v=1700971724","\/\/tobirarecords.com\/cdn\/shop\/files\/mat.jpg?v=1700971725"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mat1_dbbdfef2-b8ca-41cc-9de2-e8fb91276703.jpg?v=1700971724","options":["Title"],"media":[{"alt":null,"id":32747983995130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mat1_dbbdfef2-b8ca-41cc-9de2-e8fb91276703.jpg?v=1700971724"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mat1_dbbdfef2-b8ca-41cc-9de2-e8fb91276703.jpg?v=1700971724","width":700},{"alt":null,"id":32747984027898,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mat.jpg?v=1700971725"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mat.jpg?v=1700971725","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスペインの実験音楽家Merche Blascoと、アメリカの実験レーベルReading Group主宰Derek Baronが、2023年1月にアメリカの実験レーベルFull Spectrumからリリースしたスプリットカセットです。\u003c\/p\u003e\n\u003cp\u003eコラージュ〜スポークンワード2曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eBlascoの \"Travesía \"は、彼女がスペインのピレネー山脈を旅した際に出会った一連の防衛壕の悩ましい響きと感情の歴史を表現しています。独裁者フランコが命じ、1944年から48年にかけて捕虜が建設したこの掩体壕は、当時ヨーロッパで最も野心的な防衛計画のひとつでしたが、完全には完成せず、意図通りに使われることもありませんでした。フランコ政権崩壊後、この場所は埋もれ、忘れ去られていましたが、スペインの歴史の暗部に立ち向かおうとする組織による最近の取り組みによって、再び光を浴びるようになりました。「独裁政権の要塞が埋もれ、忘れ去られた巨大なネットワークは、スペイン社会が集団で前進するために暗い歴史を埋めようとする傾向を体現しています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e一方、バロンが手がけたのは、広々とした \"The Matrix \"です。この作品は、彼が個人的に「YouTube Kabbalah」と呼んでいるプロセスを通じて開発され、ビデオチュートリアル、スピリチュアルな自己啓発テープ、音楽教育者のためのオープンアクセス・リソース、そして彼自身のフィールドレコーディング・アーカイブなど、さまざまなソースから引用しています。その結果、アーティストの人生とインターネットをつなぎ合わせた半アレトリックなオーディオ・ドキュメンタリーを中心に、発見された世界と自らを調和させようとする、豊かな音のメランゲが生まれました。2020年の作品「To the Planetarium」の精神的後継者であるこの作品は、ラジオの継続性にアプローチしようと試みていますが、特定のテーマ的意図やキュレーターとしての目的もなく、ある種のトランスヒストリカル・シャッフルのようにエーテルに巻き込まれていくものです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこれらの作品は互いに独立して開発されましたが、互いに補強し、深めています。2人の音の地図製作者は、それぞれの文化的アイデンティティの不透明な輪郭を描き、ゆっくりと共通の地平線に近づいています。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3189799902\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4119645334\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3189799902\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003ehere\u003c\/a\u003e to see more Full Spectrum Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMerche Blasco - Travesía 22:24\u003c\/li\u003e\n\u003cli\u003eDerek Baron - The Matrix 20:20\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eFull Spectrum:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Full Spectrum Records dips our toes into the new year with a split release featuring two newcomers to the label, Merche Blasco and Derek Baron.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpanning the a-side, Blasco’s “Travesía” sounds the troubled resonance and emotional history of a series of defensive bunkers she encountered on a trip to the Spanish Pyrenees. Ordered by the dictator Franco and built by prisoners of war between 1944-48, this was one of Europe’s most ambitious defensive plans at the time, though the bunkers were never fully completed or used as intended. The site was buried and forgotten following Franco’s fall, until recent efforts by organizations committed to confronting the darker corners of Spanish history brought them back into the light. “The massive network of the dictatorship´s buried and forgotten fortifications embodied [to me] the tendency in Spanish society to bury our dark histories in the interest of collectively moving forward,” explains Blasco, “despite how denial of the past has continued to prevent our collective healing.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn the flip, we find Baron’s expansive “The Matrix.” Developed through a process that they have privately taken to calling “YouTube Kabbalah,” this piece pulls from a wide variety of source\u003cspan class=\"bcTruncateMore\"\u003e material, including video tutorials, spiritual self-help tapes, open access resources for music educators, and their own personal field recording archive. The result is a rich melangé of sound that attempts to harmonize itself with the found world as it coalesces around a semi-aleatoric audio-documentary stitched together from the artist’s life and the internet. A spiritual successor to their 2020 piece “To the Planetarium,” this piece attempts to approach the ongoingness of radio, but without a particular thematic intention or curatorial aim, spooling off into the ether like some sort of transhistorical shuffle.\u003cbr\u003e\u003cbr\u003eWhile these pieces were developed independently of one another, they reinforce and deepen one another: two sonic cartographers charting the opaque contours of their discrete cultural identities and slowly approaching a shared horizon.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Merche Blasco \/ Derek Baron\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFull Spectrum Records\u003c\/span\u003e\u003c\/p\u003e"}
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スペインの実験音楽家Merche Blascoと、アメリカの実験レーベルReading Group主宰Derek Baronが、2023年1月にアメリカの実験レーベルFull Spectrumからリリースしたスプリットカセットです。 コラージュ〜スポークンワード2曲を収録。DLコード付属。 以下、レーベルによる解説です。 Blascoの "Travesía "は、彼女がスペインのピレネー山脈を旅した際に出会った一連の防衛壕の悩ましい響きと感情の歴史を表現しています。独裁者フランコが命じ、1944年から48年にかけて捕虜が建設したこの掩体壕は、当時ヨーロッパで最も野心的な防衛計画のひとつでしたが、完全には完成せず、意図通りに使われることもありませんでした。フランコ政権崩壊後、この場所は埋もれ、忘れ去られていましたが、スペインの歴史の暗部に立ち向かおうとする組織による最近の取り組みによって、再び光を浴びるようになりました。「独裁政権の要塞が埋もれ、忘れ去られた巨大なネットワークは、スペイン社会が集団で前進するために暗い歴史を埋めようとする傾向を体現しています。一方、バロンが手がけたのは、広々とした "The Matrix "です。この作品は、彼が個人的に「YouTube Kabbalah」と呼んでいるプロセスを通じて開発され、ビデオチュートリアル、スピリチュアルな自己啓発テープ、音楽教育者のためのオープンアクセス・リソース、そして彼自身のフィールドレコーディング・アーカイブなど、さまざまなソースから引用しています。その結果、アーティストの人生とインターネットをつなぎ合わせた半アレトリックなオーディオ・ドキュメンタリーを中心に、発見された世界と自らを調和させようとする、豊かな音のメランゲが生まれました。2020年の作品「To...
¥1,880
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{"id":8755915751674,"title":"Mads Emil Nielsen + V.A. \/\/ Framework 2 2x10inch+ PRINTS","handle":"mads-emil-nielsen-v-a-framework-2","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eデンマークの実験音楽家Mads Emil Nielsen主宰レーベルArbitrary諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、Madsによる\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e手書きのグラフィックスコアをもとに演奏するFrameworkシリーズ第2弾です。グラフィックスコアプリントとDLコード付属。クリア盤です。45rpmです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAndrea Neumann、Jan Jelinek、Hideki Umezawaも参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2446258392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003ehere\u003c\/a\u003e to see more Arbitrary releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 300. 2 x 10\" vinyl, \u003cspan data-mce-fragment=\"1\"\u003e45 rpm, white + transparent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eDanish musician\/composer Mads Emil Nielsen continues his Framework series; a collection of open, hand-drawn graphic scores and recordings. The series includes Nielsen’s own subjective translations of the visual material and sound pieces accompanied by visual notations, and collaborations – in this case with Andrea Neumann, Jan Jelinek and Hideki Umezawa.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFramework 2 consists of printed scores and recordings, released on 2 x 10” vinyl + DL. Circles (Disc1: side A) is a dense, 03:45 collage of synthesizer recordings made during a residency at EMS (Elektronmusikstudion), Stockholm. The first graphic score is an illustration in three parts, based on sketches and drawings made intuitively while listening during and after the\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e recording process.\u003cbr data-mce-fragment=\"1\"\u003eFramework Fragments (Disc1: side B) created in collaboration with Andrea Neumann is derived from live recordings made with electronics and inside piano, and is based on the second score. The piece was made by the two musicians improvising from the seven graphic score fragments, sequenced using individual timecodes and then edited by Nielsen into a more complex collage, following closely the structure of the original recording. Originally a 4-channel composition, Framework Fragments was presented as part of the two artists’ “Creepage Current” sound installation in Berlin, Copenhagen and Milan, 2018 \u0026amp; 2019.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNielsen then invited two artists to interpret the notation \u0026amp; score – electronic musician Jan Jelinek and sound artist Hideki Umezawa. These recordings are included on Disc 2 (on transparent vinyl). Jelinek chose to focus on the second part of the Circles score – following its structure \/ timeline and translating the elements into three separated loops blending in and out, one after another, surrounded by additional sounds and random textures.\u003cbr data-mce-fragment=\"1\"\u003eUmezawa interpreted the Framework Fragments score. Various recordings based on his improvisations made with the Serge synthesizer – once again during a residency at EMS (2019) – were organised to ensure the sound material correspond to each element \/ score fragment. Finally, the material was re-arranged in detail and edited into the 9 min. composition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1 - Mads Emil Nielsen: Circles\u003cbr data-mce-fragment=\"1\"\u003e2 - Mads Emil Nielsen + Andrea Neumann: Framework Fragments\u003cbr data-mce-fragment=\"1\"\u003e3 - Jan Jelinek: Circles - 2\u003cbr data-mce-fragment=\"1\"\u003e4 - Hideki Umezawa: Framework Fragments - 2\u003c\/span\u003e \"\u003cbr\u003e- \u003c\/em\u003eArbitrary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mads Emil Nielsen, Andrea Neumann, Jan Jelinek, Hideki Umezawa \u003c\/p\u003e\n\u003cp\u003eLabel : Arbitrary\u003c\/p\u003e","published_at":"2025-04-03T08:18:40+09:00","created_at":"2025-04-03T08:17:57+09:00","vendor":"Tobira Records","type":"","tags":["arbitrary","books \/ clothing \/ others","contemporary \/ sound poetry","lp","monooto","new"],"price":298000,"price_min":298000,"price_max":298000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47233421934842,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mads Emil Nielsen + V.A. \/\/ Framework 2 2x10inch+ PRINTS","public_title":null,"options":["Default Title"],"price":298000,"weight":550,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/me1.jpg?v=1612576706","\/\/tobirarecords.com\/cdn\/shop\/products\/me2.jpg?v=1612576707","\/\/tobirarecords.com\/cdn\/shop\/products\/me3.jpg?v=1612576707","\/\/tobirarecords.com\/cdn\/shop\/products\/me4.jpg?v=1612576707","\/\/tobirarecords.com\/cdn\/shop\/products\/me5.jpg?v=1612576707"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1.jpg?v=1612576706","options":["Title"],"media":[{"alt":null,"id":16378912768165,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1.jpg?v=1612576706"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1.jpg?v=1612576706","width":700},{"alt":null,"id":16378912800933,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me2.jpg?v=1612576707"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me2.jpg?v=1612576707","width":1200},{"alt":null,"id":16378912833701,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me3.jpg?v=1612576707"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me3.jpg?v=1612576707","width":1200},{"alt":null,"id":16378912866469,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me4.jpg?v=1612576707"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me4.jpg?v=1612576707","width":1200},{"alt":null,"id":16378912899237,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me5.jpg?v=1612576707"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me5.jpg?v=1612576707","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eデンマークの実験音楽家Mads Emil Nielsen主宰レーベルArbitrary諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、Madsによる\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e手書きのグラフィックスコアをもとに演奏するFrameworkシリーズ第2弾です。グラフィックスコアプリントとDLコード付属。クリア盤です。45rpmです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAndrea Neumann、Jan Jelinek、Hideki Umezawaも参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2446258392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003ehere\u003c\/a\u003e to see more Arbitrary releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 300. 2 x 10\" vinyl, \u003cspan data-mce-fragment=\"1\"\u003e45 rpm, white + transparent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eDanish musician\/composer Mads Emil Nielsen continues his Framework series; a collection of open, hand-drawn graphic scores and recordings. The series includes Nielsen’s own subjective translations of the visual material and sound pieces accompanied by visual notations, and collaborations – in this case with Andrea Neumann, Jan Jelinek and Hideki Umezawa.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFramework 2 consists of printed scores and recordings, released on 2 x 10” vinyl + DL. Circles (Disc1: side A) is a dense, 03:45 collage of synthesizer recordings made during a residency at EMS (Elektronmusikstudion), Stockholm. The first graphic score is an illustration in three parts, based on sketches and drawings made intuitively while listening during and after the\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e recording process.\u003cbr data-mce-fragment=\"1\"\u003eFramework Fragments (Disc1: side B) created in collaboration with Andrea Neumann is derived from live recordings made with electronics and inside piano, and is based on the second score. The piece was made by the two musicians improvising from the seven graphic score fragments, sequenced using individual timecodes and then edited by Nielsen into a more complex collage, following closely the structure of the original recording. Originally a 4-channel composition, Framework Fragments was presented as part of the two artists’ “Creepage Current” sound installation in Berlin, Copenhagen and Milan, 2018 \u0026amp; 2019.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNielsen then invited two artists to interpret the notation \u0026amp; score – electronic musician Jan Jelinek and sound artist Hideki Umezawa. These recordings are included on Disc 2 (on transparent vinyl). Jelinek chose to focus on the second part of the Circles score – following its structure \/ timeline and translating the elements into three separated loops blending in and out, one after another, surrounded by additional sounds and random textures.\u003cbr data-mce-fragment=\"1\"\u003eUmezawa interpreted the Framework Fragments score. Various recordings based on his improvisations made with the Serge synthesizer – once again during a residency at EMS (2019) – were organised to ensure the sound material correspond to each element \/ score fragment. Finally, the material was re-arranged in detail and edited into the 9 min. composition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1 - Mads Emil Nielsen: Circles\u003cbr data-mce-fragment=\"1\"\u003e2 - Mads Emil Nielsen + Andrea Neumann: Framework Fragments\u003cbr data-mce-fragment=\"1\"\u003e3 - Jan Jelinek: Circles - 2\u003cbr data-mce-fragment=\"1\"\u003e4 - Hideki Umezawa: Framework Fragments - 2\u003c\/span\u003e \"\u003cbr\u003e- \u003c\/em\u003eArbitrary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mads Emil Nielsen, Andrea Neumann, Jan Jelinek, Hideki Umezawa \u003c\/p\u003e\n\u003cp\u003eLabel : Arbitrary\u003c\/p\u003e"}
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デンマークの実験音楽家Mads Emil Nielsen主宰レーベルArbitrary諸作を入荷しました。 本作は、Madsによる手書きのグラフィックスコアをもとに演奏するFrameworkシリーズ第2弾です。グラフィックスコアプリントとDLコード付属。クリア盤です。45rpmです。 Andrea Neumann、Jan Jelinek、Hideki Umezawaも参加しています。 レーベルその他作品はこちら /// Click here to see more Arbitrary...
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{"id":8754843123962,"title":"Slow Reading Club and Charlie Usher \/\/ LEARNING 2xCD","handle":"slow-reading-club-and-charlie-usher-learning-2xcd","description":"\u003cp\u003eベルギーの合唱団Slow Reading Clubと作曲家Charlie Usherが、2025年3月に同国実験／アンビエントレーベルEdições CNからリリースした共作2枚組CDです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー〜エレクトロアコースティック46曲を収録。ポスターとDLコード付属。7\"サイズのケース仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLEARNINGは、『The Great Learning』（1971年）に収録されているコーネリアス・カーデューの合唱曲『Paragraph 7』のカバーヴァージョン。アーロン・スワーツによる『ゲリラ・オープンアクセス宣言』（2008年）のテキストとともに演奏される。LEARNINGは、2024年春にゲントのBOEKSで開催されたSlow Reading Club and Charlie Usherのコラボレーション展の一環として、ゲントにあるKASK芸術学校のアマチュア歌手による合唱団によってリハーサルされた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e今回のディスク1には、学校の図書館に続く廊下での合唱の録音が収録されている。その長い空間は、歌い手を特定の位置に移動させ、思いがけない音色のクラスターを生み出している。ディスク2は作曲家Charlie Usherによる作品。この不思議な物語の中で、私たちはフェリーニの『オーケストラのプロヴァ』に出てきそうなシーンや、リハーサルを取り巻くランダムな出来事の中にいることに気づく。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=427051560\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eEdições CN releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e2 x CD in separate cardstock sleeves, presented in 7\" thick plastic outer sleeve. \u003cbr\u003eIncludes large fold-out poster with \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003etext, liner notes by Bill Dietz and artwork.\u003cbr\u003eEdition of 280. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Slow Reading Club - LEARNING pt. 1 20:11\u003cbr\u003e2. Slow Reading Club - LEARNING pt. 2 30:30\u003cbr\u003e3. Charlie Usher - Attachment 01:00\u003cbr\u003e4. Charlie Usher - Return 00:59\u003cbr\u003e5. Charlie Usher - Attachment 01:00\u003cbr\u003e6. Charlie Usher - Return 00:29\u003cbr\u003e7. Charlie Usher - Attachment 00:15\u003cbr\u003e8. Charlie Usher - Return 00:44\u003cbr\u003e9. Charlie Usher - Attachment 01:00\u003cbr\u003e10. Charlie Usher - Return 00:59\u003cbr\u003e11. Charlie Usher - Attachment 01:00\u003cbr\u003e12. Charlie Usher - Return 00:29\u003cbr\u003e13. Charlie Usher - Attachment 00:22\u003cbr\u003e14. Charlie Usher - Return 00:37\u003cbr\u003e15. Charlie Usher - Attachment 04:46\u003cbr\u003e16. Charlie Usher - Return 00:42\u003cbr\u003e17. Charlie Usher - Attachment 00:30\u003cbr\u003e18. Charlie Usher - Return 00:57\u003cbr\u003e19. Charlie Usher - Attachment 01:00\u003cbr\u003e20. Charlie Usher - Return 00:31\u003cbr\u003e21. Charlie Usher - Attachment 00:15\u003cbr\u003e22. Charlie Usher - Return 00:30\u003cbr\u003e23. Charlie Usher - Attachment 01:00\u003cbr\u003e24. Charlie Usher - Return 00:29\u003cbr\u003e25. Charlie Usher - Attachment 00:28\u003cbr\u003e26. Charlie Usher - Return 00:16\u003cbr\u003e27. Charlie Usher - Attachment 00:30\u003cbr\u003e28. Charlie Usher - Return 00:29\u003cbr\u003e29. Charlie Usher - Attachment 00:30\u003cbr\u003e30. Charlie Usher - Return 00:29\u003cbr\u003e31. Charlie Usher - Attachment 01:00\u003cbr\u003e32. Charlie Usher - Return 00:29\u003cbr\u003e33. Charlie Usher - Attachment 00:15\u003cbr\u003e34. Charlie Usher - Return 00:29\u003cbr\u003e35. Charlie Usher - Attachment 03:00\u003cbr\u003e36. Charlie Usher - Return 00:14\u003cbr\u003e37. Charlie Usher - Attachment 01:00\u003cbr\u003e38. Charlie Usher - Return 00:39\u003cbr\u003e39. Charlie Usher - Attachment 00:15\u003cbr\u003e40. Charlie Usher - Return 00:34\u003cbr\u003e41. Charlie Usher - Attachment 01:04|\u003cbr\u003e42. Charlie Usher - Return 00:28\u003cbr\u003e43. Charlie Usher - Attachment 00:30\u003cbr\u003e44. Charlie Usher - Return 00:19\u003cbr\u003e45. Charlie Usher - Attachment 02:56\u003cbr\u003e46. Charlie Usher - Return 00:11\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eEdições CN:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLEARNING is a cover version of Cornelius Cardew’s choral piece Paragraph 7, from The Great Learning (1971). It is performed with text from The Guerrilla Open Access Manifesto (2008), by Aaron Swartz. LEARNING was rehearsed by a choir of amateur singers at KASK school of the arts in Ghent, Belgium - as part of a collaborative exhibition of Slow Reading Club and composer Charlie Usher, that took place at BOEKS, Ghent, in spring 2024.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Great Learning was one of Cardew‘s most important works. It was a series of seven “paragraphs” with text from the writings of Confucius and scored for large numbers of both trained and untrained performers. It is a critical Marxist thought piece on the rehearsal and the interaction between individual longings and collective decision-making.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e----\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFrom the exhibition text: The score calls for amateur singers. It functions as an open set of rules and relations between singers, both spatially and vocally. Rhythm is defined by the breath lengths of the singers and harmony is a result of each person adjusting to their neighbours. There is no requirement to read music notation or to be able to accurately sustain a pitch. The rehearsal of\u003cspan class=\"bcTruncateMore\"\u003e Paragraph 7 is not secondary to the piece; the act of gathering to speak and collectively negotiate the score is the piece more so than any specific sound image produced by singing. Sometimes the principal value of a public performance is that it produces the need for rehearsal.\u003cbr\u003e\u003cbr\u003e----\u003cbr\u003e\u003cbr\u003eAt the core of the rehearsal, was the seminal The Guerrilla Open Access Manifesto by Aaron Swartz. Swartz argued for transgressive approaches to achieving the goals of the open access movement through civil disobedience. He took a stand against copyright and contracts that restrict redistribution of knowledge.\u003cbr\u003e\u003cbr\u003eDisc one of this edition holds the recording of the choir in the hallway leading to the school library. The long architecture of the space moves the singers into specific positions, creating unexpected clusters of tones. Disc two is a work by composer Charlie Usher. In 44 radical edits, the composer shuffles moments from the process that led to Disc One—samples of rehearsal bits, location recordings, practice instructions, et al. In this magical story we find ourselves in scenes that could come from Fellini’s Prova d’orchestra, and in random events surrounding the rehearsals.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Slow Reading Club and Charlie Usher\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eEdições CN\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eECN46\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-02T09:03:19+09:00","created_at":"2025-04-01T11:22:38+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","Edições CN","new"],"price":356100,"price_min":356100,"price_max":356100,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47230325817594,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Slow Reading Club and Charlie Usher \/\/ LEARNING 2xCD","public_title":null,"options":["Default Title"],"price":356100,"weight":200,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/le1_a9327817-9d36-4dff-b62d-c4f39b630f6b.jpg?v=1743473914","\/\/tobirarecords.com\/cdn\/shop\/files\/le2_d83d29e8-9cb5-4c51-a057-0cf74e7f41af.jpg?v=1743473915"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_a9327817-9d36-4dff-b62d-c4f39b630f6b.jpg?v=1743473914","options":["Title"],"media":[{"alt":null,"id":35817634627834,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_a9327817-9d36-4dff-b62d-c4f39b630f6b.jpg?v=1743473914"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_a9327817-9d36-4dff-b62d-c4f39b630f6b.jpg?v=1743473914","width":700},{"alt":null,"id":35817634660602,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le2_d83d29e8-9cb5-4c51-a057-0cf74e7f41af.jpg?v=1743473915"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le2_d83d29e8-9cb5-4c51-a057-0cf74e7f41af.jpg?v=1743473915","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギーの合唱団Slow Reading Clubと作曲家Charlie Usherが、2025年3月に同国実験／アンビエントレーベルEdições CNからリリースした共作2枚組CDです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー〜エレクトロアコースティック46曲を収録。ポスターとDLコード付属。7\"サイズのケース仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLEARNINGは、『The Great Learning』（1971年）に収録されているコーネリアス・カーデューの合唱曲『Paragraph 7』のカバーヴァージョン。アーロン・スワーツによる『ゲリラ・オープンアクセス宣言』（2008年）のテキストとともに演奏される。LEARNINGは、2024年春にゲントのBOEKSで開催されたSlow Reading Club and Charlie Usherのコラボレーション展の一環として、ゲントにあるKASK芸術学校のアマチュア歌手による合唱団によってリハーサルされた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e今回のディスク1には、学校の図書館に続く廊下での合唱の録音が収録されている。その長い空間は、歌い手を特定の位置に移動させ、思いがけない音色のクラスターを生み出している。ディスク2は作曲家Charlie Usherによる作品。この不思議な物語の中で、私たちはフェリーニの『オーケストラのプロヴァ』に出てきそうなシーンや、リハーサルを取り巻くランダムな出来事の中にいることに気づく。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=427051560\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eEdições CN releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e2 x CD in separate cardstock sleeves, presented in 7\" thick plastic outer sleeve. \u003cbr\u003eIncludes large fold-out poster with \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003etext, liner notes by Bill Dietz and artwork.\u003cbr\u003eEdition of 280. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Slow Reading Club - LEARNING pt. 1 20:11\u003cbr\u003e2. Slow Reading Club - LEARNING pt. 2 30:30\u003cbr\u003e3. Charlie Usher - Attachment 01:00\u003cbr\u003e4. Charlie Usher - Return 00:59\u003cbr\u003e5. Charlie Usher - Attachment 01:00\u003cbr\u003e6. Charlie Usher - Return 00:29\u003cbr\u003e7. Charlie Usher - Attachment 00:15\u003cbr\u003e8. Charlie Usher - Return 00:44\u003cbr\u003e9. Charlie Usher - Attachment 01:00\u003cbr\u003e10. Charlie Usher - Return 00:59\u003cbr\u003e11. Charlie Usher - Attachment 01:00\u003cbr\u003e12. Charlie Usher - Return 00:29\u003cbr\u003e13. Charlie Usher - Attachment 00:22\u003cbr\u003e14. Charlie Usher - Return 00:37\u003cbr\u003e15. Charlie Usher - Attachment 04:46\u003cbr\u003e16. Charlie Usher - Return 00:42\u003cbr\u003e17. Charlie Usher - Attachment 00:30\u003cbr\u003e18. Charlie Usher - Return 00:57\u003cbr\u003e19. Charlie Usher - Attachment 01:00\u003cbr\u003e20. Charlie Usher - Return 00:31\u003cbr\u003e21. Charlie Usher - Attachment 00:15\u003cbr\u003e22. Charlie Usher - Return 00:30\u003cbr\u003e23. Charlie Usher - Attachment 01:00\u003cbr\u003e24. Charlie Usher - Return 00:29\u003cbr\u003e25. Charlie Usher - Attachment 00:28\u003cbr\u003e26. Charlie Usher - Return 00:16\u003cbr\u003e27. Charlie Usher - Attachment 00:30\u003cbr\u003e28. Charlie Usher - Return 00:29\u003cbr\u003e29. Charlie Usher - Attachment 00:30\u003cbr\u003e30. Charlie Usher - Return 00:29\u003cbr\u003e31. Charlie Usher - Attachment 01:00\u003cbr\u003e32. Charlie Usher - Return 00:29\u003cbr\u003e33. Charlie Usher - Attachment 00:15\u003cbr\u003e34. Charlie Usher - Return 00:29\u003cbr\u003e35. Charlie Usher - Attachment 03:00\u003cbr\u003e36. Charlie Usher - Return 00:14\u003cbr\u003e37. Charlie Usher - Attachment 01:00\u003cbr\u003e38. Charlie Usher - Return 00:39\u003cbr\u003e39. Charlie Usher - Attachment 00:15\u003cbr\u003e40. Charlie Usher - Return 00:34\u003cbr\u003e41. Charlie Usher - Attachment 01:04|\u003cbr\u003e42. Charlie Usher - Return 00:28\u003cbr\u003e43. Charlie Usher - Attachment 00:30\u003cbr\u003e44. Charlie Usher - Return 00:19\u003cbr\u003e45. Charlie Usher - Attachment 02:56\u003cbr\u003e46. Charlie Usher - Return 00:11\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eEdições CN:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLEARNING is a cover version of Cornelius Cardew’s choral piece Paragraph 7, from The Great Learning (1971). It is performed with text from The Guerrilla Open Access Manifesto (2008), by Aaron Swartz. LEARNING was rehearsed by a choir of amateur singers at KASK school of the arts in Ghent, Belgium - as part of a collaborative exhibition of Slow Reading Club and composer Charlie Usher, that took place at BOEKS, Ghent, in spring 2024.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Great Learning was one of Cardew‘s most important works. It was a series of seven “paragraphs” with text from the writings of Confucius and scored for large numbers of both trained and untrained performers. It is a critical Marxist thought piece on the rehearsal and the interaction between individual longings and collective decision-making.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e----\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFrom the exhibition text: The score calls for amateur singers. It functions as an open set of rules and relations between singers, both spatially and vocally. Rhythm is defined by the breath lengths of the singers and harmony is a result of each person adjusting to their neighbours. There is no requirement to read music notation or to be able to accurately sustain a pitch. The rehearsal of\u003cspan class=\"bcTruncateMore\"\u003e Paragraph 7 is not secondary to the piece; the act of gathering to speak and collectively negotiate the score is the piece more so than any specific sound image produced by singing. Sometimes the principal value of a public performance is that it produces the need for rehearsal.\u003cbr\u003e\u003cbr\u003e----\u003cbr\u003e\u003cbr\u003eAt the core of the rehearsal, was the seminal The Guerrilla Open Access Manifesto by Aaron Swartz. Swartz argued for transgressive approaches to achieving the goals of the open access movement through civil disobedience. He took a stand against copyright and contracts that restrict redistribution of knowledge.\u003cbr\u003e\u003cbr\u003eDisc one of this edition holds the recording of the choir in the hallway leading to the school library. The long architecture of the space moves the singers into specific positions, creating unexpected clusters of tones. Disc two is a work by composer Charlie Usher. In 44 radical edits, the composer shuffles moments from the process that led to Disc One—samples of rehearsal bits, location recordings, practice instructions, et al. In this magical story we find ourselves in scenes that could come from Fellini’s Prova d’orchestra, and in random events surrounding the rehearsals.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Slow Reading Club and Charlie Usher\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eEdições CN\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eECN46\u003c\/span\u003e\u003c\/p\u003e"}
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ベルギーの合唱団Slow Reading Clubと作曲家Charlie Usherが、2025年3月に同国実験／アンビエントレーベルEdições CNからリリースした共作2枚組CDです。 コンテンポラリー〜エレクトロアコースティック46曲を収録。ポスターとDLコード付属。7"サイズのケース仕様です。 以下、レーベルによる解説です。 LEARNINGは、『The Great Learning』（1971年）に収録されているコーネリアス・カーデューの合唱曲『Paragraph 7』のカバーヴァージョン。アーロン・スワーツによる『ゲリラ・オープンアクセス宣言』（2008年）のテキストとともに演奏される。LEARNINGは、2024年春にゲントのBOEKSで開催されたSlow Reading Club and...
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{"id":8754344591610,"title":"Simon Fisher Turner \/\/ Under The Arches LP","handle":"simon-fisher-turner-under-the-arches-lp","description":"\u003cp\u003eイギリスの作曲家Simon Fisher Turnerが、2024年12月にオーストラリア・メルボルンのレフトフィールド・ダンスレーベル\u003cspan\u003eA Colourful Stormからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eドローン〜サウンドポエトリー〜アンビエント6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4289959619\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bluenow1, Out-Of-Tune Piano, St Mary's Hospital Basement, Electriksnippets 08:23\u003cbr\u003e2. Bluenow2, Virus, Hurricane Bomber 09:29\u003cbr\u003e3. Derek Jarman Reads White Lies 04:11\u003cbr\u003e4. Brother James Plays J.S. Bach's Erbarm dich mein, o Herre Gott on the Great Rissington Organ, Bertrand Russell Gives Sound Advice 03:11\u003cbr\u003e5. Brother James Plays J.S. Bach's Erbarm dich mein, o Herre Gott on the Great Rissington Organ 06:49\u003cbr\u003e6. Electriksnippets 02:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eA Colourful Storm:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhere to begin with a figure like Simon Fisher Turner? From teenage stage and screen star to illustrious recording artist for Creation and Mute and score composer of Caravaggio, Blue and The Epic of Everest - via a stint with The The and collaborations with Derek Jarman, David Lynch and Tilda Swinton, to name but a few - Turner embodies a distinctly modernist sensibility and boundless curiosity for sound. For us, discovering Deux Filles, his devilishly intriguing, perfectly camp project with Colin Lloyd-Tucker, was a significant moment in shaping our label’s identity.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn August 2023, A Colourful Storm presented Turner and Time is Away live at Spanners, London. Performed at the tail end of Blue Now, a series of events celebrating Jarman’s last feature film, Blue, the recording reveals a lifetime of significant events and influences: a private recording of Jarman reading White Lies; a live reworking of Terre Thaemlitz’s remix of Turner’s Shishapangma; a sample of Bertrand Russell; a room recording of his brother practising the organ for their father’s funeral.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan\u003e\u003cem\u003eSome of my earliest musical memories are hearing The Small Faces’ ‘Itchykoo Park’ on mum’s portable transistor radio in\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e Whitsand Bay, Cornwall. I adored Puccini’s ‘La Bohème’. I went to The Marquee Club in Wardour Street all the time and saw everything from King Crimson, Focus, The Faces, Uriah Heep and Patto to The Spiders from Mars. I was a guitar freak but also appreciated minimal American composers, such as Terry Riley, Philip Glass and Steve Reich. The White Noise album was important for me, as was the first Faust LP and Tubular Bells.\u003cbr\u003e\u003cbr\u003e“I love musicals but also new sounds. I love working with The Elysian Collective. Flamenco music was important as I grew up, as was ballet and modern dance. I went to a ballet school at 144 Piccadilly. Moving to London was life-changing. I was dumped in London so I explored and rode my bike everywhere after that. I lived with an odd family on Grape Street. Soho and The West End was my playground. The big smoke.\u003cbr\u003e\u003cbr\u003e“The idea behind this performance was to strip down my recent Blue Live set and use sound textures that were location-driven and not too musical. I found a recording of my brother James playing the organ in my dad's local church in Great Rissington, in preparation for dad's funeral. I was sitting quietly by the alter at the other end of the church, recording away. I also used Derek Jarman tapes and a Terre Thaemlitz remix of a track of mine from The Epic of Everest. I loved the idea of a live remix of a remix. It was a very special evening under the arches for me - I don't often get the chance to make a racket like this and was astonished by the level of concentration in the room. It was a complete surprise.\u003cbr\u003e\u003cbr\u003e“20 years ago, my wife and I lived in Brixton, near the venue, on Coldharbour Lane. We were above a takeaway shop. The air extractor was a nightmare and the flat smelled of grease. The market was a great place to buy fish. We adopted a giant snail, who we called Ayrton. I used to take him all over town and he loved lettuce and tomatoes. There was a wonderful small pizza shop too, which was so delicious. But back to the music. Brixton is music and I’m a lucky man.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Simon Fisher Turner\u003c\/p\u003e\n\u003cp\u003eLabel : A Colourful Storm\u003c\/p\u003e\n\u003cp\u003ecat no : A COLOUR05\u003c\/p\u003e","published_at":"2025-04-01T07:43:43+09:00","created_at":"2025-03-31T11:34:35+09:00","vendor":"Tobira Records","type":"","tags":["a colourful storm","ambient","contemporary \/ sound poetry","drone","lp","new"],"price":435000,"price_min":435000,"price_max":435000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47228788769018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Simon Fisher Turner \/\/ Under The Arches LP","public_title":null,"options":["Default Title"],"price":435000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4251804182058","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/un1_a793a469-6754-421f-898d-ed855b745c60.jpg?v=1743388379","\/\/tobirarecords.com\/cdn\/shop\/files\/un2_0bf38545-ad56-4c27-bcee-ff253d6d0d4f.jpg?v=1743388379"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_a793a469-6754-421f-898d-ed855b745c60.jpg?v=1743388379","options":["Title"],"media":[{"alt":null,"id":35812694524154,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_a793a469-6754-421f-898d-ed855b745c60.jpg?v=1743388379"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_a793a469-6754-421f-898d-ed855b745c60.jpg?v=1743388379","width":700},{"alt":null,"id":35812694556922,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un2_0bf38545-ad56-4c27-bcee-ff253d6d0d4f.jpg?v=1743388379"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un2_0bf38545-ad56-4c27-bcee-ff253d6d0d4f.jpg?v=1743388379","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの作曲家Simon Fisher Turnerが、2024年12月にオーストラリア・メルボルンのレフトフィールド・ダンスレーベル\u003cspan\u003eA Colourful Stormからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eドローン〜サウンドポエトリー〜アンビエント6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4289959619\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bluenow1, Out-Of-Tune Piano, St Mary's Hospital Basement, Electriksnippets 08:23\u003cbr\u003e2. Bluenow2, Virus, Hurricane Bomber 09:29\u003cbr\u003e3. Derek Jarman Reads White Lies 04:11\u003cbr\u003e4. Brother James Plays J.S. Bach's Erbarm dich mein, o Herre Gott on the Great Rissington Organ, Bertrand Russell Gives Sound Advice 03:11\u003cbr\u003e5. Brother James Plays J.S. Bach's Erbarm dich mein, o Herre Gott on the Great Rissington Organ 06:49\u003cbr\u003e6. Electriksnippets 02:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eA Colourful Storm:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhere to begin with a figure like Simon Fisher Turner? From teenage stage and screen star to illustrious recording artist for Creation and Mute and score composer of Caravaggio, Blue and The Epic of Everest - via a stint with The The and collaborations with Derek Jarman, David Lynch and Tilda Swinton, to name but a few - Turner embodies a distinctly modernist sensibility and boundless curiosity for sound. For us, discovering Deux Filles, his devilishly intriguing, perfectly camp project with Colin Lloyd-Tucker, was a significant moment in shaping our label’s identity.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn August 2023, A Colourful Storm presented Turner and Time is Away live at Spanners, London. Performed at the tail end of Blue Now, a series of events celebrating Jarman’s last feature film, Blue, the recording reveals a lifetime of significant events and influences: a private recording of Jarman reading White Lies; a live reworking of Terre Thaemlitz’s remix of Turner’s Shishapangma; a sample of Bertrand Russell; a room recording of his brother practising the organ for their father’s funeral.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan\u003e\u003cem\u003eSome of my earliest musical memories are hearing The Small Faces’ ‘Itchykoo Park’ on mum’s portable transistor radio in\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e Whitsand Bay, Cornwall. I adored Puccini’s ‘La Bohème’. I went to The Marquee Club in Wardour Street all the time and saw everything from King Crimson, Focus, The Faces, Uriah Heep and Patto to The Spiders from Mars. I was a guitar freak but also appreciated minimal American composers, such as Terry Riley, Philip Glass and Steve Reich. The White Noise album was important for me, as was the first Faust LP and Tubular Bells.\u003cbr\u003e\u003cbr\u003e“I love musicals but also new sounds. I love working with The Elysian Collective. Flamenco music was important as I grew up, as was ballet and modern dance. I went to a ballet school at 144 Piccadilly. Moving to London was life-changing. I was dumped in London so I explored and rode my bike everywhere after that. I lived with an odd family on Grape Street. Soho and The West End was my playground. The big smoke.\u003cbr\u003e\u003cbr\u003e“The idea behind this performance was to strip down my recent Blue Live set and use sound textures that were location-driven and not too musical. I found a recording of my brother James playing the organ in my dad's local church in Great Rissington, in preparation for dad's funeral. I was sitting quietly by the alter at the other end of the church, recording away. I also used Derek Jarman tapes and a Terre Thaemlitz remix of a track of mine from The Epic of Everest. I loved the idea of a live remix of a remix. It was a very special evening under the arches for me - I don't often get the chance to make a racket like this and was astonished by the level of concentration in the room. It was a complete surprise.\u003cbr\u003e\u003cbr\u003e“20 years ago, my wife and I lived in Brixton, near the venue, on Coldharbour Lane. We were above a takeaway shop. The air extractor was a nightmare and the flat smelled of grease. The market was a great place to buy fish. We adopted a giant snail, who we called Ayrton. I used to take him all over town and he loved lettuce and tomatoes. There was a wonderful small pizza shop too, which was so delicious. But back to the music. Brixton is music and I’m a lucky man.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Simon Fisher Turner\u003c\/p\u003e\n\u003cp\u003eLabel : A Colourful Storm\u003c\/p\u003e\n\u003cp\u003ecat no : A COLOUR05\u003c\/p\u003e"}
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イギリスの作曲家Simon Fisher Turnerが、2024年12月にオーストラリア・メルボルンのレフトフィールド・ダンスレーベルA Colourful Stormからリリースしたレコードです。 ドローン〜サウンドポエトリー〜アンビエント6曲を収録。 ------------------------------------------------------ 12" black vinyl. Tracklist: 1. Bluenow1, Out-Of-Tune...
¥4,350
