ambient
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{"id":8179295617274,"title":"Stars of the Lid \/\/ And Their Refinement of the Decline 3xLP","handle":"stars-of-the-lid-and-their-refinement-of-the-decline-3xlp","description":"\u003cp\u003eベルギー・ブリュッセルのネオクラシカル・アンビエントデュオStars of the Lidが、2007年にKrankyからリリースした3枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエントドローン18曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=605498052\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3624410755\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kranky\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/kranky\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kranky\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/kranky\"\u003ehere\u003c\/a\u003e to see more Kranky releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by Kranky:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePainstakingly recorded, processed and assembled over five years, SOTL once again delivered a massive work filling two compact discs and three vinyl albums, clocking in at over two hours. While most albums of this length would be considered tedious at best, SOTL are arguably the only contemporary composers who can seemingly alter the time-space continuum simply through the playback of their organized sound. They take time itself and stretch, compress and turn it inside out, transforming what would otherwise be an arduous test of nerves into an interlude of half awake dreams that ends too soon.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn this album, SOTL picks up where The Tired Sounds Of… left off with an emphasis on melodic development, moving their epic soundscapes beyond mere drone and subsequently frustrating all the typical ambient cliches associated with their music. Perhaps the best references for this current work would be found in the score to the film \"Le Mepris\" by Georges Delerue, the orchestral works of Zbigniew Preisner, or the 1958 CSO\/ Fritz Reiner recording of Hovhaness’ Mysterious Mountain, specifically the third movement. But in the final analysis, such comparisons are superfluous at best, as Stars of the Lid have created a musical universe in which they are the sole\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e inhabitant.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSimply put, this album is a masterpiece.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA landmark work for both the artist and the label, this was kranky's 100th release and SOTL's most refined example of their unique vision to date.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Stars of the Lid\u003c\/p\u003e\n\u003cp\u003eLabel : Kranky\u003c\/p\u003e","published_at":"2024-02-19T13:48:39+09:00","created_at":"2024-02-19T13:46:51+09:00","vendor":"Tobira Records","type":"","tags":["ambient","kranky","lp","neo classical","new"],"price":998000,"price_min":998000,"price_max":998000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45204009255162,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Stars of the Lid \/\/ And Their Refinement of the Decline 3xLP","public_title":null,"options":["Default Title"],"price":998000,"weight":700,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/re1_8982493f-7eb1-4128-be84-9966a76afea5.jpg?v=1708318013"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/re1_8982493f-7eb1-4128-be84-9966a76afea5.jpg?v=1708318013","options":["Title"],"media":[{"alt":null,"id":33195409932538,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/re1_8982493f-7eb1-4128-be84-9966a76afea5.jpg?v=1708318013"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/re1_8982493f-7eb1-4128-be84-9966a76afea5.jpg?v=1708318013","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ブリュッセルのネオクラシカル・アンビエントデュオStars of the Lidが、2007年にKrankyからリリースした3枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエントドローン18曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=605498052\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3624410755\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kranky\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/kranky\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kranky\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/kranky\"\u003ehere\u003c\/a\u003e to see more Kranky releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by Kranky:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePainstakingly recorded, processed and assembled over five years, SOTL once again delivered a massive work filling two compact discs and three vinyl albums, clocking in at over two hours. While most albums of this length would be considered tedious at best, SOTL are arguably the only contemporary composers who can seemingly alter the time-space continuum simply through the playback of their organized sound. They take time itself and stretch, compress and turn it inside out, transforming what would otherwise be an arduous test of nerves into an interlude of half awake dreams that ends too soon.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn this album, SOTL picks up where The Tired Sounds Of… left off with an emphasis on melodic development, moving their epic soundscapes beyond mere drone and subsequently frustrating all the typical ambient cliches associated with their music. Perhaps the best references for this current work would be found in the score to the film \"Le Mepris\" by Georges Delerue, the orchestral works of Zbigniew Preisner, or the 1958 CSO\/ Fritz Reiner recording of Hovhaness’ Mysterious Mountain, specifically the third movement. But in the final analysis, such comparisons are superfluous at best, as Stars of the Lid have created a musical universe in which they are the sole\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e inhabitant.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSimply put, this album is a masterpiece.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA landmark work for both the artist and the label, this was kranky's 100th release and SOTL's most refined example of their unique vision to date.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Stars of the Lid\u003c\/p\u003e\n\u003cp\u003eLabel : Kranky\u003c\/p\u003e"}
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ベルギー・ブリュッセルのネオクラシカル・アンビエントデュオStars of the Lidが、2007年にKrankyからリリースした3枚組レコードです。 ネオクラシカル・アンビエントドローン18曲を収録。 レーベルその他作品はこちら /// Click here to see more Kranky releases available at Tobira. ...
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{"id":8176300916986,"title":"Grouper \/\/ Ruins LP","handle":"grouper-ruins-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカのアンビエント・ポップ\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e作家Grouperが、2014年に同国老舗アンビエントレーベルKrankyからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eピアノのみで制作したアンビエント・フォーク8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=198056242\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kranky\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/kranky\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kranky\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/kranky\"\u003ehere\u003c\/a\u003e to see more Kranky releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eLiz Harris (Grouper):\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRuins was made in Aljezur, Portugal in 2011 on a residency set up by Galeria Zé dos Bois. I recorded everything there except the last song, which I did at mother's house in 2004. Iʼm still surprised by what I wound up with. It was the first time Iʼd sat still for a few years; processed a lot of political anger and emotional garbage. Recorded pretty simply, with a portable 4-track ,Sony stereo mic and an upright piano. When I wasnʼt recording songs I was hiking several miles to the beach. The path wound\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethrough the ruins of several old estates and a small village.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album is a document. A nod to that daily walk. Failed structures. Living in the remains of love. I left the songs the way they came (microwave beep from when power went out after a storm); I hope that the album bears some resemblance to the place that I was in.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Grouper\u003c\/p\u003e\n\u003cp\u003eLabel : Kranky\u003c\/p\u003e","published_at":"2024-02-17T12:50:09+09:00","created_at":"2024-02-17T12:49:22+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","kranky","lp","new"],"price":457400,"price_min":457400,"price_max":457400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45196584059130,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Grouper \/\/ Ruins LP","public_title":null,"options":["Default Title"],"price":457400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ru1_d9daf9e2-69b5-4065-a97b-db9a48241d9e.jpg?v=1708141764"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ru1_d9daf9e2-69b5-4065-a97b-db9a48241d9e.jpg?v=1708141764","options":["Title"],"media":[{"alt":null,"id":33183976194298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ru1_d9daf9e2-69b5-4065-a97b-db9a48241d9e.jpg?v=1708141764"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ru1_d9daf9e2-69b5-4065-a97b-db9a48241d9e.jpg?v=1708141764","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカのアンビエント・ポップ\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e作家Grouperが、2014年に同国老舗アンビエントレーベルKrankyからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eピアノのみで制作したアンビエント・フォーク8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=198056242\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kranky\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/kranky\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kranky\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/kranky\"\u003ehere\u003c\/a\u003e to see more Kranky releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eLiz Harris (Grouper):\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRuins was made in Aljezur, Portugal in 2011 on a residency set up by Galeria Zé dos Bois. I recorded everything there except the last song, which I did at mother's house in 2004. Iʼm still surprised by what I wound up with. It was the first time Iʼd sat still for a few years; processed a lot of political anger and emotional garbage. Recorded pretty simply, with a portable 4-track ,Sony stereo mic and an upright piano. When I wasnʼt recording songs I was hiking several miles to the beach. The path wound\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethrough the ruins of several old estates and a small village.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album is a document. A nod to that daily walk. Failed structures. Living in the remains of love. I left the songs the way they came (microwave beep from when power went out after a storm); I hope that the album bears some resemblance to the place that I was in.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Grouper\u003c\/p\u003e\n\u003cp\u003eLabel : Kranky\u003c\/p\u003e"}
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アメリカのアンビエント・ポップ作家Grouperが、2014年に同国老舗アンビエントレーベルKrankyからリリースしたレコードです。 ピアノのみで制作したアンビエント・フォーク8曲を収録。 レーベルその他作品はこちら /// Click here to see more Kranky releases available at Tobira. ------------------------- 12" black...
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![Jeremiah Chiu // In Electric Time LP [BLACK / COLOR]](http://tobirarecords.com/cdn/shop/files/in1_2eab54d8-7b8d-4322-b6d0-556d19921bc4_medium.jpg?v=1708141402)
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{"id":8176298819834,"title":"Jeremiah Chiu \/\/ In Electric Time LP [BLACK \/ COLOR]","handle":"jeremiah-chiu-in-electric-time-lp-black-color","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・LAのモジュラー奏者Jeremiah Chiuが、2024年1月に同国シカゴのジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e2023年6月にLAのヴィンテージシンセサイザーミュージアム(VSM)で2日間で録音したポストニューエイジ・アンビエント〜エレクトロニック・アンビエントジャズ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2023年6月29日、Jeremiah Chiuはロサンゼルスのハイランドパークにあるヴィンテージ・シンセサイザー・ミュージアム（VSM）に入った。VSMの膨大なクラシックシンセサイザー、レアシンセサイザー、定番シンセサイザーのコレクションを探索し、VSMの創設者兼キュレーターであるランス・ヒルの助けを借りながら、マシンのシーケンス、トリガー、レイヤーを重ねていった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eヒルはこう振り返る： 「Jeremiahはエンジニアが来る前に到着した。彼がグリーマン・ペンタフォニックにサウンドとシーケンスをプログラムし始める前に、私たちは5分ほど話をしました。エンジニアが来るまでに、Jeremiahはグリーマンの周りに他のパーツをいくつか作っていて、それらはどんなコントロール方法でも同期していなかったが、ただ互いに呼び合って反応しているように聴こえた。彼らはタスカム388をパッチベイに接続し、録音を開始した。Jeremiahはそれで演奏し、それで終わった。1時間足らずで書き上げ、録音した最初の作品。それは自然で、楽しく、自由な感じだった。そして、セッションの残りはほとんどそうだった。常に恍惚とした動き。私が携わったノンヒップホップのセッションで一番楽しかった」。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eJeremiahはこう振り返る：「出来上がったアルバム『In Electric Time』は、わずか2日間でレコーディングされ、その後2日間で編集が完了した。エンジニアのベン・ラムスデインによって完全アナログ録音され、彼自身も数曲で演奏に参加している。ビッチン・バハスのクーパー・クレインも出演しているが、結局のところ、この作品集は、Chiuが一人でコンセプトを練り、文脈の中で創り上げたオーガニックなエレクトロニックミュージックの直感的な表現である。ある意味では、『In Electric Time』は、レイモンド・スコットのエレクトロニック・スタジオ・レコーディングの直截さ（シャープなカットや部屋の雑踏など）を反映しており、またある意味では、『ハルモニア』の瞬間的なマジックを想起させる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e即興演奏のアプローチは、VSMのミキサーセットアップ（シンセサイザーのセクションがすべて1つのミキサー／パッチベイにルーティングされている）を採用し、スタジオの端から始めて、6つの異なるセクションを回るというものだった。私は、自分が最も慣れ親しんでいる、あるいは何年もかけて研究してきたシンセサイザーから始め、すぐに使いこなすことができると確信していた。ヴィンテージの機材で作業する場合、楽器がユニークに歌うスイートスポットが必ずある。フィルターや共鳴の仕方、鍵盤のアクション、トリガーやシーケンスに使用するコントロール・ボルテージ、搭載されているユニークな機能などだ。メロディやリズムが思いがけない形で現れる瞬間を見つけるのが好きで、彫刻というより考古学のように感じることもある。編集もかなり即興的で、生々しく自然な感じを維持するために、しばしば異なるセクションの断片を互いに対話させながら引っ張ってきた。ベンがテープを始めたり止めたりする瞬間を録音で聞くのが好きだったので、長くてその瞬間を超えたテイクは、新鮮なアイデアに直接ぶつかったりした。」\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5nzPIe9zDAc?si=en4snVPe3Amiihgq\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1183930485\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eElectroComp 101 01:44\u003c\/li\u003e\n\u003cli\u003eSeawater Swell 04:31\u003c\/li\u003e\n\u003cli\u003eFor Voices 01:09\u003c\/li\u003e\n\u003cli\u003eRococco Rondo 07:32\u003c\/li\u003e\n\u003cli\u003eA Cloud Song 02:18\u003c\/li\u003e\n\u003cli\u003eRhythm Bell 01:44\u003c\/li\u003e\n\u003cli\u003eBrush with Thin Air 03:55\u003c\/li\u003e\n\u003cli\u003eRhythm Serge 01:24\u003c\/li\u003e\n\u003cli\u003eStatic Stone Railway 02:27\u003c\/li\u003e\n\u003cli\u003eTransparent Spheres 05:17\u003c\/li\u003e\n\u003cli\u003eEcho Arp Hold 01:07\u003c\/li\u003e\n\u003cli\u003eIn Electric Time 04:23 video\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn June 29th, 2023, Jeremiah Chiu walked into the Vintage Synthesizer Museum (VSM) in Highland Park, Los Angeles, with no plan more specific than “let’s fire this stuff up and see what happens.” Exploring the VSM’s vast collection of classic, rare and staple synthesizers, he would sequence, trigger, and layer the machines together with help from VSM founder\/curator Lance Hill.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHill recalls: \"Jeremiah arrived before the engineer showed up. We talked for maybe 5 minutes before he started programming a sound and sequence into the Gleeman Pentaphonic. By the time the engineer showed up, Jeremiah had built several other parts around the Gleeman that weren't synced by any control method but sounded like they were just calling and responding to each other. They plugged the Tascam 388 into the patch bay, and hit record. Jeremiah played with it, and that was it. First piece written and recorded in under an hour. It felt natural, fun and free. And that's pretty much how the rest of the session went. Constant ecstatic motion. It was the funnest non-HipHop session I've ever worked on.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe resulting album – In Electric Time - was recorded in just two days, and edited to completion in the two days following. It was captured fully analog by engineer Ben Lumsdaine, who\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e contributes performances on a few tracks himself. Cooper Crain (of Bitchin Bajas) makes an appearance as well; but ultimately the collection is an intuitive expression of organic electronic music conceptualized and created in-context by Chiu alone, as he calls on a lifetime of work in sound synthesis to paint a fulgent, refreshingly undercut sequence of cinematic sketches and in-process themes. In some ways, In Electric Time reflects the directness of Raymond Scott’s electronic studio recordings — with sharp cuts and room chatter — and, in others, it conjures the in-the-moment magic of Harmonia.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAbout the work, Chiu says: “The approach to the improvisations was to embrace the mixer setups at VSM — where a section of synthesizers are all routed to a single mixer\/patchbay — and to start at one end of the studio and work our way around the six different sections. I began with the synths I was most familiar with — or had spent years researching — and was fairly certain I could reign in quickly. When working with vintage gear, there's always a sweet spot where the instrument sings in a unique way. This may be the idiosyncrasies of its filter and how it resonates, the action of the keys, the ability to trigger and use control voltage to sequence, or the unique onboard features. I love finding the moments where a melody or rhythm appears in an unexpected way — at times feeling more like archaeology than sculpture. I was quite improvisatory with the editing as well, often pulling bits from distinctly different sections in dialogue with each other, in order to maintain the raw, spontaneous feeling. I loved hearing moments in the recordings when Ben started or stopped tape, so a take that was running long and beyond its moment would hit directly against a fresh idea.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeremiah Chiu\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2024-02-17T12:47:07+09:00","created_at":"2024-02-17T12:43:19+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new","post newage"],"price":438000,"price_min":438000,"price_max":498000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45196583338234,"title":"BLACK","option1":"BLACK","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40507771617530,"product_id":8176298819834,"position":3,"created_at":"2024-02-17T12:45:15+09:00","updated_at":"2024-02-17T12:45:20+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034935243_10.jpg?v=1708141520","variant_ids":[45196583338234]},"available":false,"name":"Jeremiah Chiu \/\/ In Electric Time LP [BLACK \/ COLOR] - BLACK","public_title":"BLACK","options":["BLACK"],"price":438000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":33183964004602,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034935243_10.jpg?v=1708141520"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":45196583371002,"title":"CLEAR MINT","option1":"CLEAR MINT","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40507771912442,"product_id":8176298819834,"position":4,"created_at":"2024-02-17T12:45:15+09:00","updated_at":"2024-02-17T12:45:20+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034935205_10.jpg?v=1708141520","variant_ids":[45196583371002]},"available":false,"name":"Jeremiah Chiu \/\/ In Electric Time LP [BLACK \/ COLOR] - CLEAR MINT","public_title":"CLEAR MINT","options":["CLEAR MINT"],"price":498000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":33183964037370,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034935205_10.jpg?v=1708141520"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in1_2eab54d8-7b8d-4322-b6d0-556d19921bc4.jpg?v=1708141402","\/\/tobirarecords.com\/cdn\/shop\/files\/0034935241_10.jpg?v=1708141520","\/\/tobirarecords.com\/cdn\/shop\/files\/0034935243_10.jpg?v=1708141520","\/\/tobirarecords.com\/cdn\/shop\/files\/0034935205_10.jpg?v=1708141520"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_2eab54d8-7b8d-4322-b6d0-556d19921bc4.jpg?v=1708141402","options":["Color"],"media":[{"alt":null,"id":33183956238586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_2eab54d8-7b8d-4322-b6d0-556d19921bc4.jpg?v=1708141402"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_2eab54d8-7b8d-4322-b6d0-556d19921bc4.jpg?v=1708141402","width":700},{"alt":null,"id":33183964102906,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034935241_10.jpg?v=1708141520"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034935241_10.jpg?v=1708141520","width":1200},{"alt":null,"id":33183964004602,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034935243_10.jpg?v=1708141520"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034935243_10.jpg?v=1708141520","width":1200},{"alt":null,"id":33183964037370,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034935205_10.jpg?v=1708141520"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034935205_10.jpg?v=1708141520","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・LAのモジュラー奏者Jeremiah Chiuが、2024年1月に同国シカゴのジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e2023年6月にLAのヴィンテージシンセサイザーミュージアム(VSM)で2日間で録音したポストニューエイジ・アンビエント〜エレクトロニック・アンビエントジャズ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2023年6月29日、Jeremiah Chiuはロサンゼルスのハイランドパークにあるヴィンテージ・シンセサイザー・ミュージアム（VSM）に入った。VSMの膨大なクラシックシンセサイザー、レアシンセサイザー、定番シンセサイザーのコレクションを探索し、VSMの創設者兼キュレーターであるランス・ヒルの助けを借りながら、マシンのシーケンス、トリガー、レイヤーを重ねていった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eヒルはこう振り返る： 「Jeremiahはエンジニアが来る前に到着した。彼がグリーマン・ペンタフォニックにサウンドとシーケンスをプログラムし始める前に、私たちは5分ほど話をしました。エンジニアが来るまでに、Jeremiahはグリーマンの周りに他のパーツをいくつか作っていて、それらはどんなコントロール方法でも同期していなかったが、ただ互いに呼び合って反応しているように聴こえた。彼らはタスカム388をパッチベイに接続し、録音を開始した。Jeremiahはそれで演奏し、それで終わった。1時間足らずで書き上げ、録音した最初の作品。それは自然で、楽しく、自由な感じだった。そして、セッションの残りはほとんどそうだった。常に恍惚とした動き。私が携わったノンヒップホップのセッションで一番楽しかった」。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eJeremiahはこう振り返る：「出来上がったアルバム『In Electric Time』は、わずか2日間でレコーディングされ、その後2日間で編集が完了した。エンジニアのベン・ラムスデインによって完全アナログ録音され、彼自身も数曲で演奏に参加している。ビッチン・バハスのクーパー・クレインも出演しているが、結局のところ、この作品集は、Chiuが一人でコンセプトを練り、文脈の中で創り上げたオーガニックなエレクトロニックミュージックの直感的な表現である。ある意味では、『In Electric Time』は、レイモンド・スコットのエレクトロニック・スタジオ・レコーディングの直截さ（シャープなカットや部屋の雑踏など）を反映しており、またある意味では、『ハルモニア』の瞬間的なマジックを想起させる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e即興演奏のアプローチは、VSMのミキサーセットアップ（シンセサイザーのセクションがすべて1つのミキサー／パッチベイにルーティングされている）を採用し、スタジオの端から始めて、6つの異なるセクションを回るというものだった。私は、自分が最も慣れ親しんでいる、あるいは何年もかけて研究してきたシンセサイザーから始め、すぐに使いこなすことができると確信していた。ヴィンテージの機材で作業する場合、楽器がユニークに歌うスイートスポットが必ずある。フィルターや共鳴の仕方、鍵盤のアクション、トリガーやシーケンスに使用するコントロール・ボルテージ、搭載されているユニークな機能などだ。メロディやリズムが思いがけない形で現れる瞬間を見つけるのが好きで、彫刻というより考古学のように感じることもある。編集もかなり即興的で、生々しく自然な感じを維持するために、しばしば異なるセクションの断片を互いに対話させながら引っ張ってきた。ベンがテープを始めたり止めたりする瞬間を録音で聞くのが好きだったので、長くてその瞬間を超えたテイクは、新鮮なアイデアに直接ぶつかったりした。」\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5nzPIe9zDAc?si=en4snVPe3Amiihgq\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1183930485\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eElectroComp 101 01:44\u003c\/li\u003e\n\u003cli\u003eSeawater Swell 04:31\u003c\/li\u003e\n\u003cli\u003eFor Voices 01:09\u003c\/li\u003e\n\u003cli\u003eRococco Rondo 07:32\u003c\/li\u003e\n\u003cli\u003eA Cloud Song 02:18\u003c\/li\u003e\n\u003cli\u003eRhythm Bell 01:44\u003c\/li\u003e\n\u003cli\u003eBrush with Thin Air 03:55\u003c\/li\u003e\n\u003cli\u003eRhythm Serge 01:24\u003c\/li\u003e\n\u003cli\u003eStatic Stone Railway 02:27\u003c\/li\u003e\n\u003cli\u003eTransparent Spheres 05:17\u003c\/li\u003e\n\u003cli\u003eEcho Arp Hold 01:07\u003c\/li\u003e\n\u003cli\u003eIn Electric Time 04:23 video\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn June 29th, 2023, Jeremiah Chiu walked into the Vintage Synthesizer Museum (VSM) in Highland Park, Los Angeles, with no plan more specific than “let’s fire this stuff up and see what happens.” Exploring the VSM’s vast collection of classic, rare and staple synthesizers, he would sequence, trigger, and layer the machines together with help from VSM founder\/curator Lance Hill.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHill recalls: \"Jeremiah arrived before the engineer showed up. We talked for maybe 5 minutes before he started programming a sound and sequence into the Gleeman Pentaphonic. By the time the engineer showed up, Jeremiah had built several other parts around the Gleeman that weren't synced by any control method but sounded like they were just calling and responding to each other. They plugged the Tascam 388 into the patch bay, and hit record. Jeremiah played with it, and that was it. First piece written and recorded in under an hour. It felt natural, fun and free. And that's pretty much how the rest of the session went. Constant ecstatic motion. It was the funnest non-HipHop session I've ever worked on.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe resulting album – In Electric Time - was recorded in just two days, and edited to completion in the two days following. It was captured fully analog by engineer Ben Lumsdaine, who\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e contributes performances on a few tracks himself. Cooper Crain (of Bitchin Bajas) makes an appearance as well; but ultimately the collection is an intuitive expression of organic electronic music conceptualized and created in-context by Chiu alone, as he calls on a lifetime of work in sound synthesis to paint a fulgent, refreshingly undercut sequence of cinematic sketches and in-process themes. In some ways, In Electric Time reflects the directness of Raymond Scott’s electronic studio recordings — with sharp cuts and room chatter — and, in others, it conjures the in-the-moment magic of Harmonia.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAbout the work, Chiu says: “The approach to the improvisations was to embrace the mixer setups at VSM — where a section of synthesizers are all routed to a single mixer\/patchbay — and to start at one end of the studio and work our way around the six different sections. I began with the synths I was most familiar with — or had spent years researching — and was fairly certain I could reign in quickly. When working with vintage gear, there's always a sweet spot where the instrument sings in a unique way. This may be the idiosyncrasies of its filter and how it resonates, the action of the keys, the ability to trigger and use control voltage to sequence, or the unique onboard features. I love finding the moments where a melody or rhythm appears in an unexpected way — at times feeling more like archaeology than sculpture. I was quite improvisatory with the editing as well, often pulling bits from distinctly different sections in dialogue with each other, in order to maintain the raw, spontaneous feeling. I loved hearing moments in the recordings when Ben started or stopped tape, so a take that was running long and beyond its moment would hit directly against a fresh idea.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeremiah Chiu\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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アメリカ・LAのモジュラー奏者Jeremiah Chiuが、2024年1月に同国シカゴのジャズレーベルInternational Anthemからリリースしたレコードです。 2023年6月にLAのヴィンテージシンセサイザーミュージアム(VSM)で2日間で録音したポストニューエイジ・アンビエント〜エレクトロニック・アンビエントジャズ12曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "2023年6月29日、Jeremiah Chiuはロサンゼルスのハイランドパークにあるヴィンテージ・シンセサイザー・ミュージアム（VSM）に入った。VSMの膨大なクラシックシンセサイザー、レアシンセサイザー、定番シンセサイザーのコレクションを探索し、VSMの創設者兼キュレーターであるランス・ヒルの助けを借りながら、マシンのシーケンス、トリガー、レイヤーを重ねていった。ヒルはこう振り返る： 「Jeremiahはエンジニアが来る前に到着した。彼がグリーマン・ペンタフォニックにサウンドとシーケンスをプログラムし始める前に、私たちは5分ほど話をしました。エンジニアが来るまでに、Jeremiahはグリーマンの周りに他のパーツをいくつか作っていて、それらはどんなコントロール方法でも同期していなかったが、ただ互いに呼び合って反応しているように聴こえた。彼らはタスカム388をパッチベイに接続し、録音を開始した。Jeremiahはそれで演奏し、それで終わった。1時間足らずで書き上げ、録音した最初の作品。それは自然で、楽しく、自由な感じだった。そして、セッションの残りはほとんどそうだった。常に恍惚とした動き。私が携わったノンヒップホップのセッションで一番楽しかった」。 Jeremiahはこう振り返る：「出来上がったアルバム『In Electric Time』は、わずか2日間でレコーディングされ、その後2日間で編集が完了した。エンジニアのベン・ラムスデインによって完全アナログ録音され、彼自身も数曲で演奏に参加している。ビッチン・バハスのクーパー・クレインも出演しているが、結局のところ、この作品集は、Chiuが一人でコンセプトを練り、文脈の中で創り上げたオーガニックなエレクトロニックミュージックの直感的な表現である。ある意味では、『In Electric Time』は、レイモンド・スコットのエレクトロニック・スタジオ・レコーディングの直截さ（シャープなカットや部屋の雑踏など）を反映しており、またある意味では、『ハルモニア』の瞬間的なマジックを想起させる。...
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{"id":8171439423738,"title":"Sines of Exquisite Pleasure \/\/ Music for Hospitals TAPE","handle":"sines-of-exquisite-pleasure-music-for-hospitals-tape","description":"\u003cp\u003e※当店限定販売です\u003c\/p\u003e\n\u003cp\u003e1980年代に人知れず活動していたアメリカ・テネシーのアンビエント作家Sines of Exquisite Pleasureが、2024年2月に同国ケンタッキーのポストニューエイジレーベルFantasy Audio Magazineから20本限定でリリースした再発カセットです。（オリジナルは1984年リリース）\u003c\/p\u003e\n\u003cp\u003eギターとMoog、エフェクター、テープによるLo-Fiニューエイジ・アンビエントドローン7曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003eカセットのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2885297342\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3479852370\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2885297342\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fam\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fam\"\u003ehere\u003c\/a\u003e to see more Fantasy Audio Magazine releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 20. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLight on Glass Forms in Space 10:22\u003c\/li\u003e\n\u003cli\u003eTwo Phasing 03:08\u003c\/li\u003e\n\u003cli\u003eSurface A 05:38\u003c\/li\u003e\n\u003cli\u003eFrozen Wires 02:47\u003c\/li\u003e\n\u003cli\u003eLa Jetée 08:15\u003c\/li\u003e\n\u003cli\u003eThe Palace of Eternal Sleep 08:20\u003c\/li\u003e\n\u003cli\u003eTerrain (for Tanguy) 04:06\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eFantasy Audio Magazine:\u003c\/p\u003e\n\u003cp\u003e\"\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eOriginally released on compact cassette in December 1984, \"Music for Hospitals\" was Douglas Em's second cassette release under the nom de plume Sines of Exquisite Pleasure. Limited to 100 copies and for the most part privately distributed, \"Music for Hospitals\" explored Em's interest in the \"systems music\" of Terry Rily and Philip Glass as well as the \"ambient\" experiments of Brian Eno and Robert Fripp.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecorded with a Teac 3440 reel-to-reel 4-track, Em's minimalist sound palette consisted primarily of a Gibson SG guitar and a Minimoog synthesizer. An ancient Baldwin upright spinet piano and five traditional Alpine cow bells of various sizes were also employed on several tracks. In addition, several analog and digital delays and a Nakamichi tape deck were integral tools used in the sound construction process. The seven tracks on \"Music for Hospitals\" each represent Em's fascination with cyclical sound structures and the inherent randomness of probability modeling as it applies to the allocation and distribution of sound sources in the stereo field. According to Brian Westgate in a 1985 review of \"Music for Hospitals\" in Arttek Magazine, \"The patterns and cycles of change in the pieces on \"Music for Hospitals\" are akin to the arcane numerological system found in the 'I Ching' where structure and meaning is\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e produced by random events that conform to a rigorously stochastic method of mathematical probability.\" In retrospect, \"Music for Hospitals\" is an early lineal descendant of the \"ambient\" sound experiments initiated by Brian Eno in the late 1970s and Robert Fripp's loop-obsessed \"frippertronic\" soundscapes of the early 1980s.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDouglas Em (b. 1961, Nashville, TN) studied music and film production at the University of South Carolina at Columbia, and later taught electronic music composition and music theory at Concordia University in Portland, OR. His works include \"Modular Systems\" (1982), \"Music for Hospitals\" (1984), \"Cinema Zero\" (1988), \"Energy Structures for Guitar \u0026amp; Electronic Devices\" (1993), and \"Music for the Films of Maya Deren\" (1997). He has also produced film pieces and installation performances for Vanderbilt University, Reed College, the Von Braun Center, and the South Carolina Commission for the Arts.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sines of Exquisite Pleasure\u003c\/p\u003e\n\u003cp\u003eLabel : Fantasy Audio Magazine\u003c\/p\u003e","published_at":"2024-02-11T18:11:46+09:00","created_at":"2024-02-11T11:18:53+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Fantasy Audio Magazine","new","post newage","tape"],"price":228800,"price_min":228800,"price_max":228800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45173856731386,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sines of Exquisite Pleasure \/\/ Music for Hospitals TAPE","public_title":null,"options":["Default Title"],"price":228800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_dac66620-3f2f-412f-9b31-3a2688233d80.jpg?v=1707617934","\/\/tobirarecords.com\/cdn\/shop\/files\/ho2_55954c4c-0f40-4eb9-9b04-62c7f149312f.jpg?v=1707617935"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_dac66620-3f2f-412f-9b31-3a2688233d80.jpg?v=1707617934","options":["Title"],"media":[{"alt":null,"id":33153393361146,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_dac66620-3f2f-412f-9b31-3a2688233d80.jpg?v=1707617934"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_dac66620-3f2f-412f-9b31-3a2688233d80.jpg?v=1707617934","width":700},{"alt":null,"id":33153393393914,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho2_55954c4c-0f40-4eb9-9b04-62c7f149312f.jpg?v=1707617935"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho2_55954c4c-0f40-4eb9-9b04-62c7f149312f.jpg?v=1707617935","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e※当店限定販売です\u003c\/p\u003e\n\u003cp\u003e1980年代に人知れず活動していたアメリカ・テネシーのアンビエント作家Sines of Exquisite Pleasureが、2024年2月に同国ケンタッキーのポストニューエイジレーベルFantasy Audio Magazineから20本限定でリリースした再発カセットです。（オリジナルは1984年リリース）\u003c\/p\u003e\n\u003cp\u003eギターとMoog、エフェクター、テープによるLo-Fiニューエイジ・アンビエントドローン7曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003eカセットのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2885297342\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3479852370\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2885297342\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fam\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fam\"\u003ehere\u003c\/a\u003e to see more Fantasy Audio Magazine releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 20. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLight on Glass Forms in Space 10:22\u003c\/li\u003e\n\u003cli\u003eTwo Phasing 03:08\u003c\/li\u003e\n\u003cli\u003eSurface A 05:38\u003c\/li\u003e\n\u003cli\u003eFrozen Wires 02:47\u003c\/li\u003e\n\u003cli\u003eLa Jetée 08:15\u003c\/li\u003e\n\u003cli\u003eThe Palace of Eternal Sleep 08:20\u003c\/li\u003e\n\u003cli\u003eTerrain (for Tanguy) 04:06\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eFantasy Audio Magazine:\u003c\/p\u003e\n\u003cp\u003e\"\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eOriginally released on compact cassette in December 1984, \"Music for Hospitals\" was Douglas Em's second cassette release under the nom de plume Sines of Exquisite Pleasure. Limited to 100 copies and for the most part privately distributed, \"Music for Hospitals\" explored Em's interest in the \"systems music\" of Terry Rily and Philip Glass as well as the \"ambient\" experiments of Brian Eno and Robert Fripp.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecorded with a Teac 3440 reel-to-reel 4-track, Em's minimalist sound palette consisted primarily of a Gibson SG guitar and a Minimoog synthesizer. An ancient Baldwin upright spinet piano and five traditional Alpine cow bells of various sizes were also employed on several tracks. In addition, several analog and digital delays and a Nakamichi tape deck were integral tools used in the sound construction process. The seven tracks on \"Music for Hospitals\" each represent Em's fascination with cyclical sound structures and the inherent randomness of probability modeling as it applies to the allocation and distribution of sound sources in the stereo field. According to Brian Westgate in a 1985 review of \"Music for Hospitals\" in Arttek Magazine, \"The patterns and cycles of change in the pieces on \"Music for Hospitals\" are akin to the arcane numerological system found in the 'I Ching' where structure and meaning is\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e produced by random events that conform to a rigorously stochastic method of mathematical probability.\" In retrospect, \"Music for Hospitals\" is an early lineal descendant of the \"ambient\" sound experiments initiated by Brian Eno in the late 1970s and Robert Fripp's loop-obsessed \"frippertronic\" soundscapes of the early 1980s.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDouglas Em (b. 1961, Nashville, TN) studied music and film production at the University of South Carolina at Columbia, and later taught electronic music composition and music theory at Concordia University in Portland, OR. His works include \"Modular Systems\" (1982), \"Music for Hospitals\" (1984), \"Cinema Zero\" (1988), \"Energy Structures for Guitar \u0026amp; Electronic Devices\" (1993), and \"Music for the Films of Maya Deren\" (1997). He has also produced film pieces and installation performances for Vanderbilt University, Reed College, the Von Braun Center, and the South Carolina Commission for the Arts.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sines of Exquisite Pleasure\u003c\/p\u003e\n\u003cp\u003eLabel : Fantasy Audio Magazine\u003c\/p\u003e"}
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※当店限定販売です 1980年代に人知れず活動していたアメリカ・テネシーのアンビエント作家Sines of Exquisite Pleasureが、2024年2月に同国ケンタッキーのポストニューエイジレーベルFantasy Audio Magazineから20本限定でリリースした再発カセットです。（オリジナルは1984年リリース） ギターとMoog、エフェクター、テープによるLo-Fiニューエイジ・アンビエントドローン7曲を収録。廃盤です。 カセットのみでの発表となります。 レーベルその他作品はこちら /// Click here to see more Fantasy...
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