field recording / world
クイックビュー
{"id":7094946562213,"title":"Champignonsdesbois \/\/ Missed Calls CDR","handle":"champignonsdesbois-missed-calls-cd","description":"\u003cp\u003eフィールドレコーディング作家Champignonsdesboisが、2021年9月にオランダ・アムステルダムのアンビエントレーベルShimmering Moodsから50部限定でリリースした最新作。\u003c\/p\u003e\n\u003cp\u003eベトナムやモロッコ、トルコ、インドネシア、スペイン、スウェーデン、フランス、イタリア、ポーランドで収集したフィールドレコーディング18曲を収録。DLコードと写真が付属。\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=979529493\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shimoo\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shimoo\"\u003ehere\u003c\/a\u003e to see more Shimmering Moods releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50\u003cspan data-mce-fragment=\"1\"\u003e copies \/ Hand Numbered \/ Hand Made Packages \/ Various colored wallets with envelopes \/ Professional duplicated cdr.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eSome notes from the artist:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"The field recordings presented on this album are travel notes made in the past years between 2006 and 2019.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eListening to the field recordings makes it possible to experience the past moment and travel in time and space. When listening to the recordings of our tour guide Ramazan with shepherds in the Taurus mountains, I can see that particular moment when we’re sitting near a well, and there are sheep grazing on the grass close to us, and I can feel the very spicy pepper on my tongue.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMissed Calls is the picture of the past moments with the coexisting nature, city and religious soundscapes recorded in Morocco, Turkey, Indonesia, Spain, Sweden, France, Italy and Poland.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTracks comments:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e1 Lambs in Dades Valley, Morocco\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecorded in 2006 during the hike in the canyon in Dades Valley (Morocco) Echoing sounds of the lambs and the voices of the child shepherds, sounds of the footsteps on the gravely soil.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e2 Birds and Muezzins, Le Jardin Secret, Marrakech, Morocco\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecorded in the early afternoon in Jardin Marrakech (2019). The distant voices of the Muezzins mixed with the birds\u003cspan class=\"bcTruncateMore\"\u003e singings.\u003cbr\u003e\u003cbr\u003e3 Walking in the Medina, Marrakech, Morocco\u003cbr\u003eRecorded in 2019. The calls of the merchants in various languages, sounds of the shoemakers' hammers , people singing and radio music, sound of the bike rings, the birds singing.\u003cbr\u003e\u003cbr\u003e4 Zapping the Radio Channels, Taurus Mountains, Turkey\u003cbr\u003eRecorded in 2012 during the hike in the Taurus Mountains. The radio broadcasts with some advertisements and the radio journal.\u003cbr\u003e\u003cbr\u003e5 Muezzins, Evening Birds and Dogs in Turkish Village\u003cbr\u003eRecorded in 2012 in a small Turkish village close to the Taurus mountains. The evening Muezzin prayers, birds singing, passing motorbikes and barking dogs.\u003cbr\u003e\u003cbr\u003e6 Night Calls of Muezzins in Turkish Village\u003cbr\u003eRecorded in the night in a small Turkish village. Distant overlapping chants of the Muezzins.\u003cbr\u003e\u003cbr\u003e7 Flight to Yogyakarta, Indonesia\u003cbr\u003eThe pilot announcement recorded during the flight to Yogyakarta ( 2017)\u003cbr\u003e\u003cbr\u003e8. Muezzin and Crickets , Yogyakarta, Indonesia\u003cbr\u003eRecorded at the dawn in Yogyakarta outskirts (2017): Crickets, remoted highway noise, gecko sounds, muezzin prayers, approaching plane.\u003cbr\u003e\u003cbr\u003e9 Rain in Ubud, Indonesia\u003cbr\u003eMorning rain in Ubud (2017) Recorded close to the pond in the garden. Raindrops, birds, cars, motorbikes.\u003cbr\u003e\u003cbr\u003e10 Buddhist Chants at the Perfume Pagode, Vietnam\u003cbr\u003eBoat pilgrimage by the Yen river to the Perfume Pagoda temple and the Buddhist chants (2014).\u003cbr\u003e\u003cbr\u003e11. Buddhist Chants and Roosters, the Perfume Pagode, Vietnam\u003cbr\u003eRecorded during the Huong Pagoda Festival at Perfume Pagoda . The Buddhist chants, the cockcrows (2014).\u003cbr\u003e\u003cbr\u003e12. Walking in Hanoi Streets - Funeral Music, Vietnam\u003cbr\u003eThe soundwalk in Hanoi. The street merchants. The approaching sounds of the funeral music (2014)\u003cbr\u003e\u003cbr\u003e13 Train from Abisko to Kiruna, Sweden\u003cbr\u003eThe synthetic announcement of the train from Abisko to Kiruna (2015).The crackling of the melting ice falling from the roof of the train.\u003cbr\u003e\u003cbr\u003e14 Bells of Tyska Church, Stockholm, Sweden\u003cbr\u003eRecording made near the Tyska Kyrkan church in Stockholm (2015). Children shouting in the playground near the church, spring birds, bells and carillons of the church.\u003cbr\u003e\u003cbr\u003e15 Religious Singing During Procession in Sevilla, Spain\u003cbr\u003eThe chanting of the traditional anthem \"Salva me\" recorded during religious manifestation in Sevilla (2019).\u003cbr\u003e\u003cbr\u003e16 Bells of Saint Henry Church and Rooks, Wroclaw, Poland\u003cbr\u003eThe recording made in the General Anders Park in Wroclaw during the winter afternoon (2015). The sound of the rooks and the early spring birds melting with the conversations of the walking people and the bells of the Saint Henry Church. In the background we can hear the humming of the electrical substation.\u003cbr\u003e\u003cbr\u003e17 Bells and Waves in Venice , Italy\u003cbr\u003eWaves, church bells and the sound of the motorboats (2007).\u003cbr\u003e\u003cbr\u003e18. Transhumance in the Alps, France\u003cbr\u003eThe recording made in the Alps at the border France-Italy during the autumn transhumance (2010).The cowbells, the mooing of the cows.\u003c\/span\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Champignonsdesbois\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShimmering Moods\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-10-10T17:01:28+09:00","created_at":"2021-10-10T14:43:29+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","shimmering moods"],"price":185000,"price_min":185000,"price_max":185000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40963988127909,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Champignonsdesbois \/\/ Missed Calls CDR","public_title":null,"options":["Default Title"],"price":185000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_e813ceaf-a214-4025-9a7e-aeac14713f50.jpg?v=1633844610","\/\/tobirarecords.com\/cdn\/shop\/products\/0025997521_10.jpg?v=1633853415","\/\/tobirarecords.com\/cdn\/shop\/products\/ca2.png?v=1633844610"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_e813ceaf-a214-4025-9a7e-aeac14713f50.jpg?v=1633844610","options":["Title"],"media":[{"alt":null,"id":24003429105829,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_e813ceaf-a214-4025-9a7e-aeac14713f50.jpg?v=1633844610"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_e813ceaf-a214-4025-9a7e-aeac14713f50.jpg?v=1633844610","width":700},{"alt":null,"id":24004161470629,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025997521_10.jpg?v=1633853415"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025997521_10.jpg?v=1633853415","width":900},{"alt":null,"id":24003429138597,"position":3,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca2.png?v=1633844610"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca2.png?v=1633844610","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィールドレコーディング作家Champignonsdesboisが、2021年9月にオランダ・アムステルダムのアンビエントレーベルShimmering Moodsから50部限定でリリースした最新作。\u003c\/p\u003e\n\u003cp\u003eベトナムやモロッコ、トルコ、インドネシア、スペイン、スウェーデン、フランス、イタリア、ポーランドで収集したフィールドレコーディング18曲を収録。DLコードと写真が付属。\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=979529493\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shimoo\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shimoo\"\u003ehere\u003c\/a\u003e to see more Shimmering Moods releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50\u003cspan data-mce-fragment=\"1\"\u003e copies \/ Hand Numbered \/ Hand Made Packages \/ Various colored wallets with envelopes \/ Professional duplicated cdr.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eSome notes from the artist:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"The field recordings presented on this album are travel notes made in the past years between 2006 and 2019.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eListening to the field recordings makes it possible to experience the past moment and travel in time and space. When listening to the recordings of our tour guide Ramazan with shepherds in the Taurus mountains, I can see that particular moment when we’re sitting near a well, and there are sheep grazing on the grass close to us, and I can feel the very spicy pepper on my tongue.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMissed Calls is the picture of the past moments with the coexisting nature, city and religious soundscapes recorded in Morocco, Turkey, Indonesia, Spain, Sweden, France, Italy and Poland.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTracks comments:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e1 Lambs in Dades Valley, Morocco\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecorded in 2006 during the hike in the canyon in Dades Valley (Morocco) Echoing sounds of the lambs and the voices of the child shepherds, sounds of the footsteps on the gravely soil.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e2 Birds and Muezzins, Le Jardin Secret, Marrakech, Morocco\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecorded in the early afternoon in Jardin Marrakech (2019). The distant voices of the Muezzins mixed with the birds\u003cspan class=\"bcTruncateMore\"\u003e singings.\u003cbr\u003e\u003cbr\u003e3 Walking in the Medina, Marrakech, Morocco\u003cbr\u003eRecorded in 2019. The calls of the merchants in various languages, sounds of the shoemakers' hammers , people singing and radio music, sound of the bike rings, the birds singing.\u003cbr\u003e\u003cbr\u003e4 Zapping the Radio Channels, Taurus Mountains, Turkey\u003cbr\u003eRecorded in 2012 during the hike in the Taurus Mountains. The radio broadcasts with some advertisements and the radio journal.\u003cbr\u003e\u003cbr\u003e5 Muezzins, Evening Birds and Dogs in Turkish Village\u003cbr\u003eRecorded in 2012 in a small Turkish village close to the Taurus mountains. The evening Muezzin prayers, birds singing, passing motorbikes and barking dogs.\u003cbr\u003e\u003cbr\u003e6 Night Calls of Muezzins in Turkish Village\u003cbr\u003eRecorded in the night in a small Turkish village. Distant overlapping chants of the Muezzins.\u003cbr\u003e\u003cbr\u003e7 Flight to Yogyakarta, Indonesia\u003cbr\u003eThe pilot announcement recorded during the flight to Yogyakarta ( 2017)\u003cbr\u003e\u003cbr\u003e8. Muezzin and Crickets , Yogyakarta, Indonesia\u003cbr\u003eRecorded at the dawn in Yogyakarta outskirts (2017): Crickets, remoted highway noise, gecko sounds, muezzin prayers, approaching plane.\u003cbr\u003e\u003cbr\u003e9 Rain in Ubud, Indonesia\u003cbr\u003eMorning rain in Ubud (2017) Recorded close to the pond in the garden. Raindrops, birds, cars, motorbikes.\u003cbr\u003e\u003cbr\u003e10 Buddhist Chants at the Perfume Pagode, Vietnam\u003cbr\u003eBoat pilgrimage by the Yen river to the Perfume Pagoda temple and the Buddhist chants (2014).\u003cbr\u003e\u003cbr\u003e11. Buddhist Chants and Roosters, the Perfume Pagode, Vietnam\u003cbr\u003eRecorded during the Huong Pagoda Festival at Perfume Pagoda . The Buddhist chants, the cockcrows (2014).\u003cbr\u003e\u003cbr\u003e12. Walking in Hanoi Streets - Funeral Music, Vietnam\u003cbr\u003eThe soundwalk in Hanoi. The street merchants. The approaching sounds of the funeral music (2014)\u003cbr\u003e\u003cbr\u003e13 Train from Abisko to Kiruna, Sweden\u003cbr\u003eThe synthetic announcement of the train from Abisko to Kiruna (2015).The crackling of the melting ice falling from the roof of the train.\u003cbr\u003e\u003cbr\u003e14 Bells of Tyska Church, Stockholm, Sweden\u003cbr\u003eRecording made near the Tyska Kyrkan church in Stockholm (2015). Children shouting in the playground near the church, spring birds, bells and carillons of the church.\u003cbr\u003e\u003cbr\u003e15 Religious Singing During Procession in Sevilla, Spain\u003cbr\u003eThe chanting of the traditional anthem \"Salva me\" recorded during religious manifestation in Sevilla (2019).\u003cbr\u003e\u003cbr\u003e16 Bells of Saint Henry Church and Rooks, Wroclaw, Poland\u003cbr\u003eThe recording made in the General Anders Park in Wroclaw during the winter afternoon (2015). The sound of the rooks and the early spring birds melting with the conversations of the walking people and the bells of the Saint Henry Church. In the background we can hear the humming of the electrical substation.\u003cbr\u003e\u003cbr\u003e17 Bells and Waves in Venice , Italy\u003cbr\u003eWaves, church bells and the sound of the motorboats (2007).\u003cbr\u003e\u003cbr\u003e18. Transhumance in the Alps, France\u003cbr\u003eThe recording made in the Alps at the border France-Italy during the autumn transhumance (2010).The cowbells, the mooing of the cows.\u003c\/span\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Champignonsdesbois\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShimmering Moods\u003c\/span\u003e\u003c\/p\u003e"}
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フィールドレコーディング作家Champignonsdesboisが、2021年9月にオランダ・アムステルダムのアンビエントレーベルShimmering Moodsから50部限定でリリースした最新作。 ベトナムやモロッコ、トルコ、インドネシア、スペイン、スウェーデン、フランス、イタリア、ポーランドで収集したフィールドレコーディング18曲を収録。DLコードと写真が付属。 レーベルその他作品はこちら /// Click here to see more Shimmering Moods releases available at Tobira. -------------------------...
¥1,850
クイックビュー
{"id":6983049052325,"title":"Ernie Althoff \/\/ Moggs Creek Picnic Ground CD","handle":"ernie-althoff-two-long-works-cd","description":"\u003cp\u003e80年代から活動するオーストラリアの大御所実験音楽家Ernie Althoffが2012年に100部限定でリリースしたCD。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e70分の\u003c\/span\u003e100%ピュアフィールドレコーディング作品です。ライナーノート付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3233728846\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eDescription and bio by Shame File Music:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShowcasing for the first time Althoff’s field recording work, this single-take, unedited 70 minute recording was made by Althoff in 2004 at the titular picnic ground in the Otway Ranges, Western Victoria. It captures near-magical interactions between a plethora of birdlife against a backdrop of windblown eucalyptus trees. Althoff describes the session’s highlight in the liner notes:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"… a magpie making repeated short and plaintive calls from various points in the bush as it approaches the picnic ground. Small variations occur in the call’s structure as well. In the 50th minute the magpie flies into the clearing with strongly audible wingbeats. It calls plaintively some more. Then it flies to a tree in front of the microphones and warbles beautifully before returning to its previous short calls. Finally the magpie departs, flying strongly to the left to exit.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMoggs Creek is sublime listening as e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003either ambient soundscape or for those interested in native bird song.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOriginally released on CD by Shame File Music, 2012, with the recording indexed into 70 one minute tracks. The full recording is presented here as a single track for the first time.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e-----\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ernie Althoff\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e","published_at":"2021-08-22T11:06:16+09:00","created_at":"2021-08-17T10:20:36+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","shame file music"],"price":128000,"price_min":128000,"price_max":128000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40598203662501,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ernie Althoff \/\/ Moggs Creek Picnic Ground CD","public_title":null,"options":["Default Title"],"price":128000,"weight":30,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/moggsweb.jpg?v=1629597942"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/moggsweb.jpg?v=1629597942","options":["Title"],"media":[{"alt":null,"id":23451868430501,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1449,"width":1449,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/moggsweb.jpg?v=1629597942"},"aspect_ratio":1.0,"height":1449,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/moggsweb.jpg?v=1629597942","width":1449}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e80年代から活動するオーストラリアの大御所実験音楽家Ernie Althoffが2012年に100部限定でリリースしたCD。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e70分の\u003c\/span\u003e100%ピュアフィールドレコーディング作品です。ライナーノート付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3233728846\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eDescription and bio by Shame File Music:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShowcasing for the first time Althoff’s field recording work, this single-take, unedited 70 minute recording was made by Althoff in 2004 at the titular picnic ground in the Otway Ranges, Western Victoria. It captures near-magical interactions between a plethora of birdlife against a backdrop of windblown eucalyptus trees. Althoff describes the session’s highlight in the liner notes:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"… a magpie making repeated short and plaintive calls from various points in the bush as it approaches the picnic ground. Small variations occur in the call’s structure as well. In the 50th minute the magpie flies into the clearing with strongly audible wingbeats. It calls plaintively some more. Then it flies to a tree in front of the microphones and warbles beautifully before returning to its previous short calls. Finally the magpie departs, flying strongly to the left to exit.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMoggs Creek is sublime listening as e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003either ambient soundscape or for those interested in native bird song.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOriginally released on CD by Shame File Music, 2012, with the recording indexed into 70 one minute tracks. The full recording is presented here as a single track for the first time.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e-----\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ernie Althoff\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e"}
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80年代から活動するオーストラリアの大御所実験音楽家Ernie Althoffが2012年に100部限定でリリースしたCD。70分の100%ピュアフィールドレコーディング作品です。ライナーノート付属。 レーベルその他作品はこちら /// Click here to see more Shame File Music releases available at Tobira. -----------------------...
¥1,280
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{"id":6960995958949,"title":"Cloaked Light \/\/ Plays The Peter Friel Band TAPE","handle":"cloaked-light-plays-the-peter-friel-band-tape","description":"\u003cp\u003e2000年代のアメリカ地下アンビエントシーンを牽引したレーベルの一つEkhein主宰Matthew Sullivanが新レーベルStaighreを始動しました。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e本作は、ArborやJugular Forestなどから発表しているアメリカのアンビエント作家Cloaked Light\u003cspan data-mce-fragment=\"1\"\u003eの最新作です。アンビエント要素は皆無で、物音〜コラージュ〜スポークンワードなどを盛り込んだ100分の超大作。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1082241871\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Staighre\" href=\"https:\/\/soundcloud.com\/staighre\" target=\"_blank\"\u003eStaighre\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title='Cloaked Light \"Plays The Peter Friel Band\" excerpts' href=\"https:\/\/soundcloud.com\/staighre\/cloaked-light-plays-the-peter-friel-band-excerpts\" target=\"_blank\"\u003eCloaked Light \"Plays The Peter Friel Band\" excerpts\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/staighre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/staighre\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Staighre releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cloaked Light\u003c\/p\u003e\n\u003cp\u003eLabel : Staighre\u003c\/p\u003e","published_at":"2021-08-08T10:09:01+09:00","created_at":"2021-08-08T10:09:02+09:00","vendor":"Tobira Records","type":"","tags":["field recording","monooto","staighre","tape"],"price":218000,"price_min":218000,"price_max":218000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40528531292325,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Cloaked Light \/\/ Plays The Peter Friel Band TAPE","public_title":null,"options":["Default Title"],"price":218000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/2021-08-0810.16.52.png?v=1628385435"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/2021-08-0810.16.52.png?v=1628385435","options":["Title"],"media":[{"alt":null,"id":23255779672229,"position":1,"preview_image":{"aspect_ratio":1.027,"height":960,"width":986,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/2021-08-0810.16.52.png?v=1628385435"},"aspect_ratio":1.027,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/2021-08-0810.16.52.png?v=1628385435","width":986}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e2000年代のアメリカ地下アンビエントシーンを牽引したレーベルの一つEkhein主宰Matthew Sullivanが新レーベルStaighreを始動しました。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e本作は、ArborやJugular Forestなどから発表しているアメリカのアンビエント作家Cloaked Light\u003cspan data-mce-fragment=\"1\"\u003eの最新作です。アンビエント要素は皆無で、物音〜コラージュ〜スポークンワードなどを盛り込んだ100分の超大作。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1082241871\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Staighre\" href=\"https:\/\/soundcloud.com\/staighre\" target=\"_blank\"\u003eStaighre\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title='Cloaked Light \"Plays The Peter Friel Band\" excerpts' href=\"https:\/\/soundcloud.com\/staighre\/cloaked-light-plays-the-peter-friel-band-excerpts\" target=\"_blank\"\u003eCloaked Light \"Plays The Peter Friel Band\" excerpts\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/staighre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/staighre\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Staighre releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cloaked Light\u003c\/p\u003e\n\u003cp\u003eLabel : Staighre\u003c\/p\u003e"}
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¥2,180
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{"id":6897802051749,"title":"Dan Powell \/\/ Four Walks at Old Chapel TAPE","handle":"dan-powell-four-walks-at-old-chapel-tape","description":"\u003cp\u003eイギリス・ブライトンのサウンドアーティストDan Powellが、2021年5月にポルトガルCronicaからリリースした自身初となるフィジカル作品。\u003c\/p\u003e\n\u003cp\u003e娘との旅行で収集した数々の素材を再構成したサウンドダイアリーのような物音作品です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2716241133\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cronica\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cronica\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cronica\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cronica\"\u003ehere\u003c\/a\u003e to see more Cronica releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eDescription by Cronica:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOld Chapel Farm is an adventure in living which aims to bring people closer to the fundamentals of human existence: the creation of food and of shelter. It is a bridge reaching forwards into a newer, more sustainable way of being in a rapidly changing and highly populated world.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs a family we have been visiting this place every year since 2011. In 2017 I decided to produce a piece about Old Chapel Farm as part of my series which focuses on personal experience of a space.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn our trip in 2018 my daughter Bea and I collected objects we found around the site and gathered them together in a straw bale hut suspended over a stream in a wooded valley which the farm’s owners made available for us to use. We recorded small performances with them, brushing, scraping and rubbing them to produce a wide range of intimate sounds. We also made field recordings around the site, including using a piano which had been exposed to the elements for some time.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBack in the studio in Brighton, I arranged the recorded sounds into a new work. I wanted to try and communicate some of the mystery and revelation I’ve experienced on my visits, and the connections I feel with the land and people I encounter when I visit\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e the farm.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDan Powell was born in Essex and moved to London to study photography at The Polytechnic of Central London. After college he briefly ran a gallery on the southbank, made installations in a variety of group and solo shows and was involved in the OMSK collective putting on arts events across the UK.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHe moved to Brighton in 1999. He’s a sound artist who uses field recordings, handmade and proprietary electronics and tuned percussion. The main focus of his work is exploring places which have a particular personal resonance. He has been active in electro-acoustic improvisation in London and Brighton, especially with Gus Garside in The Static Memories, and Chris Parfitt in Nil. Currently he performs as part of Muster with James O’Sullivan.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dan Powell\u003c\/p\u003e\n\u003cp\u003eLabel : Cronica\u003c\/p\u003e","published_at":"2021-07-10T13:55:54+09:00","created_at":"2021-07-09T10:29:46+09:00","vendor":"Tobira Records","type":"","tags":["cronica","field recording","monooto","tape"],"price":135000,"price_min":135000,"price_max":135000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40324577984677,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dan Powell \/\/ Four Walks at Old Chapel TAPE","public_title":null,"options":["Default Title"],"price":135000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_84549c8a-7f49-4b35-bd4c-4e0bbf87a2bd.jpg?v=1625794189","\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_d4d158bd-e446-4624-9f7c-ab3265bf69c5.jpg?v=1625794189"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_84549c8a-7f49-4b35-bd4c-4e0bbf87a2bd.jpg?v=1625794189","options":["Title"],"media":[{"alt":null,"id":22900360741029,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_84549c8a-7f49-4b35-bd4c-4e0bbf87a2bd.jpg?v=1625794189"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_84549c8a-7f49-4b35-bd4c-4e0bbf87a2bd.jpg?v=1625794189","width":700},{"alt":null,"id":22900360773797,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_d4d158bd-e446-4624-9f7c-ab3265bf69c5.jpg?v=1625794189"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_d4d158bd-e446-4624-9f7c-ab3265bf69c5.jpg?v=1625794189","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ブライトンのサウンドアーティストDan Powellが、2021年5月にポルトガルCronicaからリリースした自身初となるフィジカル作品。\u003c\/p\u003e\n\u003cp\u003e娘との旅行で収集した数々の素材を再構成したサウンドダイアリーのような物音作品です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2716241133\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cronica\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cronica\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cronica\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cronica\"\u003ehere\u003c\/a\u003e to see more Cronica releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eDescription by Cronica:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOld Chapel Farm is an adventure in living which aims to bring people closer to the fundamentals of human existence: the creation of food and of shelter. It is a bridge reaching forwards into a newer, more sustainable way of being in a rapidly changing and highly populated world.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs a family we have been visiting this place every year since 2011. In 2017 I decided to produce a piece about Old Chapel Farm as part of my series which focuses on personal experience of a space.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn our trip in 2018 my daughter Bea and I collected objects we found around the site and gathered them together in a straw bale hut suspended over a stream in a wooded valley which the farm’s owners made available for us to use. We recorded small performances with them, brushing, scraping and rubbing them to produce a wide range of intimate sounds. We also made field recordings around the site, including using a piano which had been exposed to the elements for some time.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBack in the studio in Brighton, I arranged the recorded sounds into a new work. I wanted to try and communicate some of the mystery and revelation I’ve experienced on my visits, and the connections I feel with the land and people I encounter when I visit\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e the farm.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDan Powell was born in Essex and moved to London to study photography at The Polytechnic of Central London. After college he briefly ran a gallery on the southbank, made installations in a variety of group and solo shows and was involved in the OMSK collective putting on arts events across the UK.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHe moved to Brighton in 1999. He’s a sound artist who uses field recordings, handmade and proprietary electronics and tuned percussion. The main focus of his work is exploring places which have a particular personal resonance. He has been active in electro-acoustic improvisation in London and Brighton, especially with Gus Garside in The Static Memories, and Chris Parfitt in Nil. Currently he performs as part of Muster with James O’Sullivan.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dan Powell\u003c\/p\u003e\n\u003cp\u003eLabel : Cronica\u003c\/p\u003e"}
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イギリス・ブライトンのサウンドアーティストDan Powellが、2021年5月にポルトガルCronicaからリリースした自身初となるフィジカル作品。 娘との旅行で収集した数々の素材を再構成したサウンドダイアリーのような物音作品です。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Cronica releases available at Tobira. --------------------------------- Edition...
¥1,350
クイックビュー
{"id":6883061760165,"title":"Reidemeister Move \/\/ Arcanum 17 CD + PAMPHLET","handle":"reidemeister-move-arcanum-17-cd-pamphlet","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem data-mce-fragment=\"1\"\u003eBen Patterson\u003c\/em\u003eとの競演でもおなじみカナダのコントラバス奏者Christopher Williamsとチューバ奏者Robin HaywardとのデュオReidemeister Moveが、アメリカ・カリフォルニアのアンビエント作家Sean McCann主宰レーベルRecitalから2020年2月にリリースしたCD＋写真集。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e1945年に出版されたアンドレ・プルトンの小説と同じ題名の通り、ブルトンのテキストも一部聞こえます。\u003c\/span\u003e\u003cspan\u003eフィールドレコーディングが、チューバとコントラバスの低音と交わる42分の作品です。\u003c\/span\u003e\u003cspan\u003e9″ x 6″ の20ページフルカラーの写真集が付属。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3975202160\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003eText by Sean McCann, \u003cmeta charset=\"utf-8\"\u003eOctober 2018:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA sound novella recorded in 2012 in remote Eastern Quebec. Reidemeister Move is Christopher Williams, a composer and contrabass player who worked with Ben Patterson (amongst an army of other mentors), and Robin Hayward, a microtonal tubist and composer who has performed music written for him by Christian Wolff and Alvin Lucier. Arcanum 17, based on the André Breton novel of the same name, was co-written by Williams and Charlie Morrow (you may recall that Recital published Morrow’s fabulous Toot! Too LP last year.)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCharlie introduced me to Christopher Williams in late-2016 (introducing is one of Charlie’s specialities). Once I discovered Christopher’s association with Fluxus composers and Malcolm Goldstein, I figured our conversations would go late into the night. We did not talk, though. And our first meeting consisted of Christopher sitting me down to play a piece of his music. I was initially turned off by the situation… such a bold gesture from a relative stranger (a bottle of wine and banter would normally be on the menu for such an occasion). We turned the lights to a dim glow in my living room and played the CD for me all the way through: 45 minutes of hyper-silent listening. I sank into the experience with comfort and ease with the first wash of water from the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e speakers.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eArcanum 17 is paced perfectly: field recordings, whispered narration, and cloudy bass and tuba streams fall in and out of frame with cinematic grace. A transportive phenomenon of an album, sonically echoes Williams’ description of the Breton novel: “A thick, existential little book, a reckoning of and with everything that brings him here: Canadian wildlife, the morning star, the myth of Melusina, feminism, the French education system, the ecstasy of newfound love. His alchemical blurring of prose and poetry, dream and waking states, natural and psychological landscapes, and past, present and future, brings these topics inimitably together. Always on the cusp of development but never quite.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI now am grateful for the serious listening lesson that Christopher sat me down for: both because the sound piece was beautiful, and as a reminder to treat your art with respect and to not slight the weight of your passions.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Reidemeister Move\u003c\/p\u003e\n\u003cp\u003eLabel : Recital\u003c\/p\u003e","published_at":"2021-07-02T15:35:13+09:00","created_at":"2021-07-01T16:11:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","books \/ clothing \/ others","cd","drone","field recording","Recital"],"price":258000,"price_min":258000,"price_max":258000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40275577929893,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Reidemeister Move \/\/ Arcanum 17 CD + PAMPHLET","public_title":null,"options":["Default Title"],"price":258000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ar1_23ad5dbe-d3c1-48e0-8256-b1fa024bf06f.jpg?v=1625123522","\/\/tobirarecords.com\/cdn\/shop\/products\/ar2_e250a52f-723a-4eef-a9ab-3ae54c47c6e6.jpg?v=1625123522"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ar1_23ad5dbe-d3c1-48e0-8256-b1fa024bf06f.jpg?v=1625123522","options":["Title"],"media":[{"alt":null,"id":22819067101349,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ar1_23ad5dbe-d3c1-48e0-8256-b1fa024bf06f.jpg?v=1625123522"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ar1_23ad5dbe-d3c1-48e0-8256-b1fa024bf06f.jpg?v=1625123522","width":700},{"alt":null,"id":22819067134117,"position":2,"preview_image":{"aspect_ratio":1.149,"height":1044,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ar2_e250a52f-723a-4eef-a9ab-3ae54c47c6e6.jpg?v=1625123522"},"aspect_ratio":1.149,"height":1044,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ar2_e250a52f-723a-4eef-a9ab-3ae54c47c6e6.jpg?v=1625123522","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem data-mce-fragment=\"1\"\u003eBen Patterson\u003c\/em\u003eとの競演でもおなじみカナダのコントラバス奏者Christopher Williamsとチューバ奏者Robin HaywardとのデュオReidemeister Moveが、アメリカ・カリフォルニアのアンビエント作家Sean McCann主宰レーベルRecitalから2020年2月にリリースしたCD＋写真集。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e1945年に出版されたアンドレ・プルトンの小説と同じ題名の通り、ブルトンのテキストも一部聞こえます。\u003c\/span\u003e\u003cspan\u003eフィールドレコーディングが、チューバとコントラバスの低音と交わる42分の作品です。\u003c\/span\u003e\u003cspan\u003e9″ x 6″ の20ページフルカラーの写真集が付属。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3975202160\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003eText by Sean McCann, \u003cmeta charset=\"utf-8\"\u003eOctober 2018:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA sound novella recorded in 2012 in remote Eastern Quebec. Reidemeister Move is Christopher Williams, a composer and contrabass player who worked with Ben Patterson (amongst an army of other mentors), and Robin Hayward, a microtonal tubist and composer who has performed music written for him by Christian Wolff and Alvin Lucier. Arcanum 17, based on the André Breton novel of the same name, was co-written by Williams and Charlie Morrow (you may recall that Recital published Morrow’s fabulous Toot! Too LP last year.)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCharlie introduced me to Christopher Williams in late-2016 (introducing is one of Charlie’s specialities). Once I discovered Christopher’s association with Fluxus composers and Malcolm Goldstein, I figured our conversations would go late into the night. We did not talk, though. And our first meeting consisted of Christopher sitting me down to play a piece of his music. I was initially turned off by the situation… such a bold gesture from a relative stranger (a bottle of wine and banter would normally be on the menu for such an occasion). We turned the lights to a dim glow in my living room and played the CD for me all the way through: 45 minutes of hyper-silent listening. I sank into the experience with comfort and ease with the first wash of water from the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e speakers.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eArcanum 17 is paced perfectly: field recordings, whispered narration, and cloudy bass and tuba streams fall in and out of frame with cinematic grace. A transportive phenomenon of an album, sonically echoes Williams’ description of the Breton novel: “A thick, existential little book, a reckoning of and with everything that brings him here: Canadian wildlife, the morning star, the myth of Melusina, feminism, the French education system, the ecstasy of newfound love. His alchemical blurring of prose and poetry, dream and waking states, natural and psychological landscapes, and past, present and future, brings these topics inimitably together. Always on the cusp of development but never quite.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI now am grateful for the serious listening lesson that Christopher sat me down for: both because the sound piece was beautiful, and as a reminder to treat your art with respect and to not slight the weight of your passions.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Reidemeister Move\u003c\/p\u003e\n\u003cp\u003eLabel : Recital\u003c\/p\u003e"}
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Ben Pattersonとの競演でもおなじみカナダのコントラバス奏者Christopher Williamsとチューバ奏者Robin HaywardとのデュオReidemeister Moveが、アメリカ・カリフォルニアのアンビエント作家Sean McCann主宰レーベルRecitalから2020年2月にリリースしたCD＋写真集。 1945年に出版されたアンドレ・プルトンの小説と同じ題名の通り、ブルトンのテキストも一部聞こえます。フィールドレコーディングが、チューバとコントラバスの低音と交わる42分の作品です。9″ x 6″ の20ページフルカラーの写真集が付属。 レーベルその他作品はこちら /// Click here to see...
¥2,580
クイックビュー
{"id":6876860448933,"title":"Hannah Dargavel-Leafe \/\/ Fore Main Mizzen LP","handle":"hannah-dargavel-leafe-fore-main-mizzen-lp","description":"\u003cp\u003eドイツの美術家Hannah Dargavel-Leafeがイギリス実験レーベルCalling Card Publishingより2018年に300部限定でリリースしたレコード。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e第二次世界大戦中にテムズ河口に沈んだ船SS リチャード・モントゴメリー号に関するサウンドスケープを素材に制作したコンセプチャルなコラージュ作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eインサートと帯が付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/494332914\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ccp\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ccp\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ccp\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ccp\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eCalling Cards Publishing releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\"A sound piece inspired by the SS Richard Montgomery. All sound recorded from either side of the Thames Estuary.\"\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCalling Cards Publishing:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFore Main Mizzen is made entirely from sound recordings taken on visits to Southend-on-Sea and Sheerness that are specifically focused on The SS Richard Montgomery, a ship that sank in the Thames estuary during World War Two. It is lying on a sandbank packed full of the high explosives it was transporting. At low tide its masts are visible from Southend and Sheerness either side of the water. The ship is corroding in the salt water and it is unknown when it might explode, or how much of the Kent and Essex coastline would be affected.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTaking inspiration from this impending bang, Hannah Dargavel-Leafe is approaching the underwater architecture from both sides of the estuary on repeated excursions to record, re-record and re-experience the landscape. The work is driven by the impossible task of reaching the ship, its corrosion, slow entropy, potential for catastrophe and the lacuna before the '1 big 1' (as Russell Hoban's 'Riddley Walker' would call the explosion).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe vinyl features two locked grooves so that the process of listening reflects the unfinished intentions of the high explosives: repeated tides, getting stuck, starting again but never reaching the 'bang'.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hannah Dargavel-Leafe\u003c\/p\u003e\n\u003cp\u003eLabel : Calling Cards Publishing\u003c\/p\u003e","published_at":"2021-06-28T09:39:10+09:00","created_at":"2021-06-28T09:13:31+09:00","vendor":"Tobira Records","type":"","tags":["calling cards publishing","field recording","florist's mum","lp","monooto"],"price":279000,"price_min":279000,"price_max":279000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40252569419941,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hannah Dargavel-Leafe \/\/ Fore Main Mizzen LP","public_title":null,"options":["Default Title"],"price":279000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_8d97d2c5-497b-499d-86c4-c5d8a93dc609.jpg?v=1624839213","\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_6ce45a1f-2c08-49b5-b190-7addb51067dc.jpg?v=1624839213","\/\/tobirarecords.com\/cdn\/shop\/products\/fo3.jpg?v=1624839213"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_8d97d2c5-497b-499d-86c4-c5d8a93dc609.jpg?v=1624839213","options":["Title"],"media":[{"alt":null,"id":22785445265573,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_8d97d2c5-497b-499d-86c4-c5d8a93dc609.jpg?v=1624839213"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_8d97d2c5-497b-499d-86c4-c5d8a93dc609.jpg?v=1624839213","width":700},{"alt":null,"id":22785445298341,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_6ce45a1f-2c08-49b5-b190-7addb51067dc.jpg?v=1624839213"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_6ce45a1f-2c08-49b5-b190-7addb51067dc.jpg?v=1624839213","width":900},{"alt":null,"id":22785445331109,"position":3,"preview_image":{"aspect_ratio":0.668,"height":1200,"width":802,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo3.jpg?v=1624839213"},"aspect_ratio":0.668,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo3.jpg?v=1624839213","width":802}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツの美術家Hannah Dargavel-Leafeがイギリス実験レーベルCalling Card Publishingより2018年に300部限定でリリースしたレコード。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e第二次世界大戦中にテムズ河口に沈んだ船SS リチャード・モントゴメリー号に関するサウンドスケープを素材に制作したコンセプチャルなコラージュ作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eインサートと帯が付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/494332914\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ccp\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ccp\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ccp\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ccp\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eCalling Cards Publishing releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\"A sound piece inspired by the SS Richard Montgomery. All sound recorded from either side of the Thames Estuary.\"\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCalling Cards Publishing:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFore Main Mizzen is made entirely from sound recordings taken on visits to Southend-on-Sea and Sheerness that are specifically focused on The SS Richard Montgomery, a ship that sank in the Thames estuary during World War Two. It is lying on a sandbank packed full of the high explosives it was transporting. At low tide its masts are visible from Southend and Sheerness either side of the water. The ship is corroding in the salt water and it is unknown when it might explode, or how much of the Kent and Essex coastline would be affected.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTaking inspiration from this impending bang, Hannah Dargavel-Leafe is approaching the underwater architecture from both sides of the estuary on repeated excursions to record, re-record and re-experience the landscape. The work is driven by the impossible task of reaching the ship, its corrosion, slow entropy, potential for catastrophe and the lacuna before the '1 big 1' (as Russell Hoban's 'Riddley Walker' would call the explosion).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe vinyl features two locked grooves so that the process of listening reflects the unfinished intentions of the high explosives: repeated tides, getting stuck, starting again but never reaching the 'bang'.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hannah Dargavel-Leafe\u003c\/p\u003e\n\u003cp\u003eLabel : Calling Cards Publishing\u003c\/p\u003e"}
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ドイツの美術家Hannah Dargavel-Leafeがイギリス実験レーベルCalling Card Publishingより2018年に300部限定でリリースしたレコード。 第二次世界大戦中にテムズ河口に沈んだ船SS リチャード・モントゴメリー号に関するサウンドスケープを素材に制作したコンセプチャルなコラージュ作品です。 インサートと帯が付属。 レーベルその他作品はこちら /// Click here to see more Calling Cards Publishing releases...
¥2,790
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{"id":6844939468965,"title":"Jared Sagar \/\/ Closer TAPE","handle":"jared-sagar-closer-tape","description":"\u003cp\u003eフランス・マルセイユの物音作家Chemiefaserwerkが主宰するレーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/falt\"\u003eFalt\u003c\/a\u003eの2021年6月最新バッチを本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、hemisphareの空虚やsonospaceなどから発表しているイギリスの物音作家Jared Sagarの最新作です。フィールドレコーディングを軸にしたマイクロサウンドスケープ3曲、約25分を収録。\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=612048367\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/falt\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/falt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/falt\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/falt\"\u003ehere\u003c\/a\u003e to see more Falt releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ecassette wrapped in printed paper.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eJared Sagar:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThese works were conceived using recycled material. I'm interested in exploring new and different ways of using pre-existing samples, finding new ways to reproduce something that is new to the ears.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe pieces were arranged and composed in early 2020.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jared Sagar\u003c\/p\u003e\n\u003cp\u003eLabel : Falt\u003c\/p\u003e","published_at":"2021-06-17T18:57:46+09:00","created_at":"2021-06-17T17:57:32+09:00","vendor":"Tobira Records","type":"","tags":["falt","field recording","monooto","tape"],"price":165000,"price_min":165000,"price_max":165000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40168043643045,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jared Sagar \/\/ Closer TAPE","public_title":null,"options":["Default Title"],"price":165000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/cl1_daa1978b-3193-4be3-b661-d9fa2d422449.jpg?v=1623920253","\/\/tobirarecords.com\/cdn\/shop\/products\/cl2_5e80a9e6-06b0-4081-8b65-6c364f0b7033.jpg?v=1623920254","\/\/tobirarecords.com\/cdn\/shop\/products\/cl3.jpg?v=1623920254"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl1_daa1978b-3193-4be3-b661-d9fa2d422449.jpg?v=1623920253","options":["Title"],"media":[{"alt":null,"id":22607732637861,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl1_daa1978b-3193-4be3-b661-d9fa2d422449.jpg?v=1623920253"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl1_daa1978b-3193-4be3-b661-d9fa2d422449.jpg?v=1623920253","width":700},{"alt":null,"id":22607732670629,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl2_5e80a9e6-06b0-4081-8b65-6c364f0b7033.jpg?v=1623920254"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl2_5e80a9e6-06b0-4081-8b65-6c364f0b7033.jpg?v=1623920254","width":1200},{"alt":null,"id":22607732703397,"position":3,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl3.jpg?v=1623920254"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl3.jpg?v=1623920254","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランス・マルセイユの物音作家Chemiefaserwerkが主宰するレーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/falt\"\u003eFalt\u003c\/a\u003eの2021年6月最新バッチを本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、hemisphareの空虚やsonospaceなどから発表しているイギリスの物音作家Jared Sagarの最新作です。フィールドレコーディングを軸にしたマイクロサウンドスケープ3曲、約25分を収録。\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=612048367\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/falt\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/falt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/falt\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/falt\"\u003ehere\u003c\/a\u003e to see more Falt releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ecassette wrapped in printed paper.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eJared Sagar:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThese works were conceived using recycled material. I'm interested in exploring new and different ways of using pre-existing samples, finding new ways to reproduce something that is new to the ears.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe pieces were arranged and composed in early 2020.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jared Sagar\u003c\/p\u003e\n\u003cp\u003eLabel : Falt\u003c\/p\u003e"}
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¥1,650
クイックビュー
{"id":6762975232165,"title":"Marco Ferrazza \/\/ Imagined Geographies TAPE","handle":"marco-ferrazza-imagined-geographies-tape","description":"\u003cp\u003eフランス・マルセイユの物音作家Chemiefaserwerkが主宰するレーベルFaltの2021年4月最新バッチを本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Hemisphereの空虚などからも発表しているイタリア人コラージュ作家Marco Ferrazzaの最新作です。エレクトロニクスとフィールドレコーディングによるコラージュ3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1494147317\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/falt\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/falt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/falt\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/falt\"\u003ehere\u003c\/a\u003e to see more Falt releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cem\u003eSolitary, accidental symmetries\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSearch for the sculpted void\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor the minute presence\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSimilarities expressed\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEpisodes like jolts\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIndistinct territories\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eComposed between December 2020 and January 2021.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eField Recordings from 2017 to 2020.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMarco Ferrazza: electronics, field recordings.\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eartist : Marco Ferrazza\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003elabel : Falt\u003c\/div\u003e","published_at":"2021-05-18T06:18:00+09:00","created_at":"2021-05-18T06:18:01+09:00","vendor":"Tobira Records","type":"","tags":["drone","falt","field recording","monooto","tape"],"price":165000,"price_min":165000,"price_max":165000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39913238528165,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Marco Ferrazza \/\/ Imagined Geographies TAPE","public_title":null,"options":["Default Title"],"price":165000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2697529380_16.jpg?v=1621286409"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2697529380_16.jpg?v=1621286409","options":["Title"],"media":[{"alt":null,"id":22175246614693,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2697529380_16.jpg?v=1621286409"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2697529380_16.jpg?v=1621286409","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランス・マルセイユの物音作家Chemiefaserwerkが主宰するレーベルFaltの2021年4月最新バッチを本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Hemisphereの空虚などからも発表しているイタリア人コラージュ作家Marco Ferrazzaの最新作です。エレクトロニクスとフィールドレコーディングによるコラージュ3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1494147317\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/falt\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/falt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/falt\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/falt\"\u003ehere\u003c\/a\u003e to see more Falt releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cem\u003eSolitary, accidental symmetries\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSearch for the sculpted void\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor the minute presence\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSimilarities expressed\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEpisodes like jolts\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIndistinct territories\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eComposed between December 2020 and January 2021.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eField Recordings from 2017 to 2020.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMarco Ferrazza: electronics, field recordings.\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eartist : Marco Ferrazza\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003elabel : Falt\u003c\/div\u003e"}
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フランス・マルセイユの物音作家Chemiefaserwerkが主宰するレーベルFaltの2021年4月最新バッチを本邦初入荷しました。 本作は、Hemisphereの空虚などからも発表しているイタリア人コラージュ作家Marco Ferrazzaの最新作です。エレクトロニクスとフィールドレコーディングによるコラージュ3曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Falt releases available at Tobira. ----------------------------- Solitary,...
¥1,650
クイックビュー
{"id":6752380944549,"title":"Kazuya Ishigami \/\/ Mind Liberation CD","handle":"kazuya-ishigami-mind-liberation-cd","description":"\u003cp\u003e大阪の電子音響作家Kazuya IshigamiがテキサスDada \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDrummingから2021年4月にリリースした最新作。物音コラージュ〜ドローン2曲、約1時間を収録。4面デジパック・シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3242631202\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neus-318\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neus-318\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNEUS-318\u003c\/span\u003e releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e---------------------------------------------------------\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\u003c\/em\u003eCD in 4 panel digipack.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e1. Mind Liberation 1: Anger, Sadness, Apathy 28:50\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Mind Liberation 2: Vanity, Pride, All Emotions 28:53\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e++\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\"Kazuya Ishigami, whom some of you may remember from the project Daruin (and as a member of the infamous \"Billy?\"), has been steadily releasing music since 1992, primarily on his own imprint Neus-318, and select Japan-based labels. Kazuya's music can be described as mosaics of sound, almost Dadaist in composition. Relying on drone, found sound, and his own intricate tapestries to create beautiful works of music. His talent was recently put on display in a virtual collaboration with Ned Rothenberg as part of the Music From Japan 2021 Festival streamed live on YouTube in early March, which you can still find on the Music From Japan Foundation artists page.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis CD release finds Kazuya heavily influenced by Buddhist concepts and teachings. Sometimes noisy and sometimes tranquil, just as the mind in transition. An intricate and sometimes delicate sound composition in two parts for your journey on the Path of Enlightenment.\"\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eartist : Kazuya Ishigami\u003c\/p\u003e\n\u003cp\u003elabel : Dada Drumming \/ Neus-318\u003c\/p\u003e","published_at":"2021-05-14T05:28:24+09:00","created_at":"2021-05-14T05:28:24+09:00","vendor":"Tobira Records","type":"","tags":["asia","cd","Dada Drumming","drone","field recording","monooto","NEUS-318"],"price":110000,"price_min":110000,"price_max":110000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39887927181477,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kazuya Ishigami \/\/ Mind Liberation CD","public_title":null,"options":["Default Title"],"price":110000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2295772108_16.jpg?v=1620937948"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2295772108_16.jpg?v=1620937948","options":["Title"],"media":[{"alt":null,"id":22132743864485,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2295772108_16.jpg?v=1620937948"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2295772108_16.jpg?v=1620937948","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e大阪の電子音響作家Kazuya IshigamiがテキサスDada \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDrummingから2021年4月にリリースした最新作。物音コラージュ〜ドローン2曲、約1時間を収録。4面デジパック・シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3242631202\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neus-318\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neus-318\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNEUS-318\u003c\/span\u003e releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e---------------------------------------------------------\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\u003c\/em\u003eCD in 4 panel digipack.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e1. Mind Liberation 1: Anger, Sadness, Apathy 28:50\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Mind Liberation 2: Vanity, Pride, All Emotions 28:53\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e++\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\"Kazuya Ishigami, whom some of you may remember from the project Daruin (and as a member of the infamous \"Billy?\"), has been steadily releasing music since 1992, primarily on his own imprint Neus-318, and select Japan-based labels. Kazuya's music can be described as mosaics of sound, almost Dadaist in composition. Relying on drone, found sound, and his own intricate tapestries to create beautiful works of music. His talent was recently put on display in a virtual collaboration with Ned Rothenberg as part of the Music From Japan 2021 Festival streamed live on YouTube in early March, which you can still find on the Music From Japan Foundation artists page.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis CD release finds Kazuya heavily influenced by Buddhist concepts and teachings. Sometimes noisy and sometimes tranquil, just as the mind in transition. An intricate and sometimes delicate sound composition in two parts for your journey on the Path of Enlightenment.\"\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eartist : Kazuya Ishigami\u003c\/p\u003e\n\u003cp\u003elabel : Dada Drumming \/ Neus-318\u003c\/p\u003e"}
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クイックビュー
{"id":6752367575205,"title":"Kazuya Ishigami and Anla Courtis \/\/ Aurantium Lumino CD","handle":"kazuya-ishigami-and-anla-courtis-aurantium-lumino-cd","description":"\u003cp\u003e大阪の電子音響作家Kazuya Ishigamiとアルゼンチンの音響作家Anla CourtisによるスプリットCD。\u003cspan data-mce-fragment=\"1\"\u003e環境音をベースとしたコラージュ〜ドローン11曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=700741529\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neus-318\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neus-318\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eNEUS-\u003cwbr data-mce-fragment=\"1\"\u003e318 releases available at Tobira.\u003c\/wbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe split CD by the Osaka-based experimental artist Kazuya Ishigami and Argentine-based Anla Courtis. \u003c\/p\u003e\n\u003cp\u003eartist : Kazuya Ishigami and Anla Courtis\u003c\/p\u003e\n\u003cp\u003elabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNEUS-\u003c\/span\u003e\u003cwbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e318\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-05-14T05:24:12+09:00","created_at":"2021-05-14T05:24:12+09:00","vendor":"Tobira Records","type":"","tags":["asia","cd","drone","field recording","monooto","NEUS-318"],"price":150000,"price_min":150000,"price_max":150000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39887904538789,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kazuya Ishigami and Anla Courtis \/\/ Aurantium Lumino CD","public_title":null,"options":["Default Title"],"price":150000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a1734211477_16.jpg?v=1620937661"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1734211477_16.jpg?v=1620937661","options":["Title"],"media":[{"alt":null,"id":22132719845541,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1734211477_16.jpg?v=1620937661"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1734211477_16.jpg?v=1620937661","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e大阪の電子音響作家Kazuya Ishigamiとアルゼンチンの音響作家Anla CourtisによるスプリットCD。\u003cspan data-mce-fragment=\"1\"\u003e環境音をベースとしたコラージュ〜ドローン11曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=700741529\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neus-318\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neus-318\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eNEUS-\u003cwbr data-mce-fragment=\"1\"\u003e318 releases available at Tobira.\u003c\/wbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe split CD by the Osaka-based experimental artist Kazuya Ishigami and Argentine-based Anla Courtis. \u003c\/p\u003e\n\u003cp\u003eartist : Kazuya Ishigami and Anla Courtis\u003c\/p\u003e\n\u003cp\u003elabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNEUS-\u003c\/span\u003e\u003cwbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e318\u003c\/span\u003e\u003c\/p\u003e"}
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大阪の電子音響作家Kazuya Ishigamiとアルゼンチンの音響作家Anla CourtisによるスプリットCD。環境音をベースとしたコラージュ〜ドローン11曲を収録。 レーベルその他作品はこちら /// Click here to see more NEUS-318 releases available at Tobira. ---------------------------------------------- The...
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{"id":6745372098725,"title":"Peter Sant \/\/ The Interior TAPE","handle":"peter-sant-the-interior-tape","description":"\u003cp\u003eベルギーの実験レーベルComplex Holidayを本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、オーストラリアの映像作家Peter Santが2020年12月に30本限定でリリースしたカセットです。フィールドレコーディング〜物音ドローン7曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2417774873\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/complex-holiday\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/complex-holiday\"\u003ehere\u003c\/a\u003e to see more Complex Holiday releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 30.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePeter Sant is a Maltese-Australian film-maker based in London.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eIssue 1272):\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eOne of the saving graces of lockdown is that people are at home. They have time on their hands, and they are getting creative. This is resulting in an explosion of new releases and labels. One new label that is really exciting to me is Complex Holiday. Run by Kurt Buttigieg and Robert Farrugia they have so far put out four\u003cspan class=\"bcTruncateMore\"\u003e cassettes and a 12” since June 2020. The first two releases were strong. Ayn II Widen’s ‘How to Remain in Perpetual Contact with Your Surroundings’ was a piece of wonderful ambient electroacoustic experimental pop and Robert Farrugia’s ‘Worn’ was filled with a glorious drone after drone. While all the releases created independently of each other, they all exhibit similar motifs and themes. Their forays into sound collage, drone and musique concrete and help to create the labels voice.\u003cbr\u003e\u003cbr\u003eWhile listening to Complex Holiday’s recent releases I am taken away to worlds with lurid landscapes. 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It starts of serene but as it goes on it becomes more aggressive until a minute from the end it reaches a peak and just stays there.\u003cbr\u003e\u003cbr\u003eWhat makes these releases, and the previous two, so exciting is the mystery to them. What are these field recordings of? Where were they recorded and why? As there are no defined answers it is let to us, the listener, to try and piece it all together. This is where the enjoyment comes from. You hear a noise, and it reminds you of an old flat you lived in around 2006. A moment later there is a deep bassline that skews into an operatic section that reminds you of going to church as a child. But the soundscapes are abstract and it’s hard to come to conclusions that justify their brilliance. These releases show that Complex Holiday has a very bright future as long as it continues to release forward-thinking music like this. The complexity of the compositions is fantastic, as is the musician’s ability to make them incredibly captivating and playable.\" \u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Peter Sant\u003c\/p\u003e\n\u003cp\u003eLabel : Complex Holiday\u003c\/p\u003e","published_at":"2021-05-15T05:33:08+09:00","created_at":"2021-05-12T11:47:40+09:00","vendor":"Tobira Records","type":"","tags":["complex holiday","drone","field recording","monooto","tape"],"price":159000,"price_min":159000,"price_max":159000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39874122875045,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Peter Sant \/\/ The Interior TAPE","public_title":null,"options":["Default Title"],"price":159000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/in2_386d6050-8017-4150-ae35-1974b3efaa97.jpg?v=1620787661"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_386d6050-8017-4150-ae35-1974b3efaa97.jpg?v=1620787661","options":["Title"],"media":[{"alt":null,"id":22105824985253,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_386d6050-8017-4150-ae35-1974b3efaa97.jpg?v=1620787661"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_386d6050-8017-4150-ae35-1974b3efaa97.jpg?v=1620787661","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギーの実験レーベルComplex Holidayを本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、オーストラリアの映像作家Peter Santが2020年12月に30本限定でリリースしたカセットです。フィールドレコーディング〜物音ドローン7曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2417774873\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/complex-holiday\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/complex-holiday\"\u003ehere\u003c\/a\u003e to see more Complex Holiday releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 30.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePeter Sant is a Maltese-Australian film-maker based in London.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eIssue 1272):\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eOne of the saving graces of lockdown is that people are at home. 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There is a wonderful woozy sway to ‘Confiance en Toi’, on Kurt Buttigieg’s ‘Unfolding’. The outro feels like a mixture of feedback, static and white noise. It is a fitting end to a song that is brought to mind what Woking looks like after the red weed has taken over in HG Wells’ ‘War of the Worlds’. It is utterly enchanting but there is a feeling of unease that creeps up your neck from the moment it starts and never quite leaves you. It’s wonderful.\u003cbr\u003e\u003cbr\u003eIf ‘Unfolding’ was about taking you out of reality, then ‘Morbig’ by Guilhem All and ‘The Interior’ by Peter Sant are all about keeping you grounded with sounds you know but can’t quite place. The opening of ‘Gimmie Amen’ sounds like vinyl crackling. Or is that a fire burning, clock cogs moving, or plastic being crunched up, either way, it gets your attention from the offset. As ‘Gimmie Amen’ progresses rhythmic beats, for want of a better term, appear. As they become more pronounced the song moves into a techno loop. We’re not talking a big room banger here, more of minimal lo-fi fare. It works incredibly well. There are massive choral sounding pieces that come from nowhere and vanish almost as soon as they’ve begun, this gives the song a strangely religious vibe, but given the name, this isn’t that surprising. What is surprising is how playable ‘Gimmie Amen’ is. It flies joyously out of the speakers. Two-thirds of the way through the motifs from the opening is repeated. This gives the song the feeling of a never-ending round. ‘The Interior’ opens with a hiss of the faint sound of traffic. A slowly the sound of birds starts to appear. Pigeons, chickens, parrots, and other avian noises start to fly from the speakers. As ‘Scene One’ progresses the birdsong gets more frantic and reaches a crescendo before gently fading out. ‘Dust on the Ivories’ is effectively one elegant drone. It starts of serene but as it goes on it becomes more aggressive until a minute from the end it reaches a peak and just stays there.\u003cbr\u003e\u003cbr\u003eWhat makes these releases, and the previous two, so exciting is the mystery to them. What are these field recordings of? Where were they recorded and why? As there are no defined answers it is let to us, the listener, to try and piece it all together. This is where the enjoyment comes from. You hear a noise, and it reminds you of an old flat you lived in around 2006. A moment later there is a deep bassline that skews into an operatic section that reminds you of going to church as a child. But the soundscapes are abstract and it’s hard to come to conclusions that justify their brilliance. These releases show that Complex Holiday has a very bright future as long as it continues to release forward-thinking music like this. The complexity of the compositions is fantastic, as is the musician’s ability to make them incredibly captivating and playable.\" \u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Peter Sant\u003c\/p\u003e\n\u003cp\u003eLabel : Complex Holiday\u003c\/p\u003e"}
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ベルギーの実験レーベルComplex Holidayを本邦初入荷しました。 本作は、オーストラリアの映像作家Peter Santが2020年12月に30本限定でリリースしたカセットです。フィールドレコーディング〜物音ドローン7曲を収録。DLコード付属。廃盤です。 レーベルその他作品はこちら /// Click here to see more Complex Holiday releases available at...
¥1,590
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{"id":6728566374565,"title":"V\/A \/\/ Anthology Of Experimental Music From Peru CD","handle":"v-a-anthology-of-experimental-music-from-peru-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイタリアのUNEXPLAINED SOUNDS GROUPによる、非西洋諸国の「未知なる音」を探究するSOUND MAPPINGシリーズ、2021年4月最新作はペルー編。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、ペルーの実験音楽家14人によるコンピレーションアルバムです。レーベルの審美眼によるコンパイルで、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e無名作家も多いですがクオリティはとても高いです。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=58982345\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eUnexplained Sounds Groupその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/usg\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/usg\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnexplained Sounds Group\u003c\/span\u003e releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Once overlooked as a source of great music, producing everything from psychedelia to punk, and ethereal bliss to powerful riffs, Peru is rapidly advancing to the forefront and a well-deserved spot the history of musical evolution. Being that experimentation has always been a common denominator in everything Peru has delivered to the world, Unexplained Sounds Group is proud to release this compilation detailing how these experimental and risk-taking tendencies have been developing.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKeeping its focus on contemporary artists rather than on those coming from the \"50s Generation\" (as the first composers are referred to), the aim of this anthology is to highlight the genre's evolution from Valcárcel’s fusion of European avant-garde influences with Peruvian folklore, to the current day, in which artists like Paola Torres Núñez del Prado or Vanessa Valencia Ramos keep pushing the envelope, creating a new identity for future artists to follow.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e-Jorge Castro Ortega\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eartist : V\/A\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003elabel : \u003c\/span\u003eUNEXPLAINED SOUNDS GROUP\u003c\/p\u003e","published_at":"2021-05-07T10:03:10+09:00","created_at":"2021-05-07T10:03:10+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","field recording","monooto","strange beats","UNEXPLAINED SOUNDS GROUP"],"price":195800,"price_min":195800,"price_max":195800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39817983754405,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"V\/A \/\/ Anthology Of Experimental Music From Peru CD","public_title":null,"options":["Default Title"],"price":195800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0861824703_16.jpg?v=1620349511"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0861824703_16.jpg?v=1620349511","options":["Title"],"media":[{"alt":null,"id":22039655678117,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0861824703_16.jpg?v=1620349511"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0861824703_16.jpg?v=1620349511","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイタリアのUNEXPLAINED SOUNDS GROUPによる、非西洋諸国の「未知なる音」を探究するSOUND MAPPINGシリーズ、2021年4月最新作はペルー編。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、ペルーの実験音楽家14人によるコンピレーションアルバムです。レーベルの審美眼によるコンパイルで、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e無名作家も多いですがクオリティはとても高いです。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=58982345\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eUnexplained Sounds Groupその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/usg\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/usg\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnexplained Sounds Group\u003c\/span\u003e releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Once overlooked as a source of great music, producing everything from psychedelia to punk, and ethereal bliss to powerful riffs, Peru is rapidly advancing to the forefront and a well-deserved spot the history of musical evolution. Being that experimentation has always been a common denominator in everything Peru has delivered to the world, Unexplained Sounds Group is proud to release this compilation detailing how these experimental and risk-taking tendencies have been developing.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKeeping its focus on contemporary artists rather than on those coming from the \"50s Generation\" (as the first composers are referred to), the aim of this anthology is to highlight the genre's evolution from Valcárcel’s fusion of European avant-garde influences with Peruvian folklore, to the current day, in which artists like Paola Torres Núñez del Prado or Vanessa Valencia Ramos keep pushing the envelope, creating a new identity for future artists to follow.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e-Jorge Castro Ortega\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eartist : V\/A\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003elabel : \u003c\/span\u003eUNEXPLAINED SOUNDS GROUP\u003c\/p\u003e"}
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{"id":6708658143397,"title":"Eric Desjeux \/\/ Foofi TAPE","handle":"erdef","description":"\u003cp\u003eベルギーの映像作家Eric Desjeuxが、ベルリンのレコードショップstaalplaat主宰staaltapeより2021年4月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e50本限定で\u003c\/span\u003eリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eインタビューなどの素材をコラージュした30分を収録。一点一点異なるカセットです。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1322675859\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/staal\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/staal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/staal\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/staal\"\u003ehere\u003c\/a\u003e to see more Staalplaat \/ Staaltape releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eStaaltape:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Eric Desjeux is a filmmaker and a documentarist. He uses a different name for his sonic productions. A person of many talents, he is incredibly active in the world of non-academic experimental music. He is also an insatiable traveller.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eKnowing this, I have asked him to compile a work that was a result of his travels and to approach the release as a filmmaker rather than a sound artist.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFoofi is a mixture of documentary and personal journal. Interviews (in french) tell tales about people who went away and about people who stayed. The heat and the big continent of Africa are almost palpable.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Eric Desjeux\u003c\/p\u003e\n\u003cp\u003elabel : staaltape\u003c\/p\u003e","published_at":"2021-04-30T11:55:23+09:00","created_at":"2021-04-30T11:55:22+09:00","vendor":"Tobira Records","type":"","tags":["field recording","monooto","staaltape","tape"],"price":189000,"price_min":189000,"price_max":189000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39758185234597,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Eric Desjeux \/\/ Foofi TAPE","public_title":null,"options":["Default Title"],"price":189000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a1940488669_16.jpg?v=1619751323"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1940488669_16.jpg?v=1619751323","options":["Title"],"media":[{"alt":null,"id":21967173550245,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1940488669_16.jpg?v=1619751323"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1940488669_16.jpg?v=1619751323","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギーの映像作家Eric Desjeuxが、ベルリンのレコードショップstaalplaat主宰staaltapeより2021年4月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e50本限定で\u003c\/span\u003eリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eインタビューなどの素材をコラージュした30分を収録。一点一点異なるカセットです。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1322675859\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/staal\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/staal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/staal\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/staal\"\u003ehere\u003c\/a\u003e to see more Staalplaat \/ Staaltape releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eStaaltape:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Eric Desjeux is a filmmaker and a documentarist. He uses a different name for his sonic productions. A person of many talents, he is incredibly active in the world of non-academic experimental music. He is also an insatiable traveller.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eKnowing this, I have asked him to compile a work that was a result of his travels and to approach the release as a filmmaker rather than a sound artist.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFoofi is a mixture of documentary and personal journal. Interviews (in french) tell tales about people who went away and about people who stayed. The heat and the big continent of Africa are almost palpable.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Eric Desjeux\u003c\/p\u003e\n\u003cp\u003elabel : staaltape\u003c\/p\u003e"}
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{"id":6667263508645,"title":"Ensemble of Love and Terror \/\/ The Visit of the Iraqi Delegation [Japanese Edition] TAPE","handle":"votidtape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e当店がオープンした2020年9月に入荷し一瞬で完売した幻のカセットが、作家との交渉の末当店限定で再発に至りました。未発表曲も2曲収録しています。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイスラエル・エルサレムの\u003cmeta charset=\"utf-8\"\u003eAmir BolzmanとAriel Armoniによるアラビックカットアップ・ノイズテクノ。耳にしたことがない音楽を探している方におすすめです。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=957125618\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=712127121\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2869194869\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fbm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fbm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fbm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fbm\"\u003ehere\u003c\/a\u003e to see more Full Body Massage releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIsrael's Amir Bolzman and Ariel Bolzman make \u003c\/span\u003eArabic cut-up noise techno using samples from the Qatar Digital Library. Recommended for people searching for music beyond their imagination. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ensemble of Love and Terror\u003c\/p\u003e\n\u003cp\u003eLabel : Full Body Massage Records\u003c\/p\u003e","published_at":"2021-04-18T10:11:35+09:00","created_at":"2021-04-18T10:11:35+09:00","vendor":"Tobira Records","type":"","tags":["field recording","Full Body Massage","monooto","noise","recommended","strange beats","tape","techno \/ house"],"price":158000,"price_min":158000,"price_max":158000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39659950014629,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ensemble of Love and Terror \/\/ The Visit of the Iraqi Delegation [Japanese Edition] TAPE","public_title":null,"options":["Default Title"],"price":158000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0208617772_16.jpg?v=1618708581"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0208617772_16.jpg?v=1618708581","options":["Title"],"media":[{"alt":null,"id":21496714133669,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0208617772_16.jpg?v=1618708581"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0208617772_16.jpg?v=1618708581","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e当店がオープンした2020年9月に入荷し一瞬で完売した幻のカセットが、作家との交渉の末当店限定で再発に至りました。未発表曲も2曲収録しています。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイスラエル・エルサレムの\u003cmeta charset=\"utf-8\"\u003eAmir BolzmanとAriel Armoniによるアラビックカットアップ・ノイズテクノ。耳にしたことがない音楽を探している方におすすめです。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=957125618\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=712127121\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2869194869\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fbm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fbm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fbm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fbm\"\u003ehere\u003c\/a\u003e to see more Full Body Massage releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIsrael's Amir Bolzman and Ariel Bolzman make \u003c\/span\u003eArabic cut-up noise techno using samples from the Qatar Digital Library. Recommended for people searching for music beyond their imagination. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ensemble of Love and Terror\u003c\/p\u003e\n\u003cp\u003eLabel : Full Body Massage Records\u003c\/p\u003e"}
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当店がオープンした2020年9月に入荷し一瞬で完売した幻のカセットが、作家との交渉の末当店限定で再発に至りました。未発表曲も2曲収録しています。 イスラエル・エルサレムのAmir BolzmanとAriel Armoniによるアラビックカットアップ・ノイズテクノ。耳にしたことがない音楽を探している方におすすめです。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Full Body Massage releases available at...
¥1,580
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{"id":6638935441573,"title":"Talbert Anthony \/\/ Wash Cycle TAPE","handle":"taanwc","description":"\u003cp\u003eシドニーのアンビエント作家Talbert Anthonyが8本限定で自主リリースしたカセットを本邦初入荷しました。A面は前半シンセアンビエント後半フィールドレコーディング、B面は前半フィールドレコーディング後半シンセアンビエントを収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3604913845\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 8.\u003c\/p\u003e\n\u003cp\u003eArtist : Talbert Anthony\u003c\/p\u003e\n\u003cp\u003eLabel : self-released\u003c\/p\u003e","published_at":"2021-04-15T11:22:07+09:00","created_at":"2021-04-09T09:13:20+09:00","vendor":"Tobira Records","type":"","tags":["ambient","field recording","self-released","tape"],"price":98000,"price_min":98000,"price_max":98000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39595737284773,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Talbert Anthony \/\/ Wash Cycle TAPE","public_title":null,"options":["Default Title"],"price":98000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/wa1.jpg?v=1617927233","\/\/tobirarecords.com\/cdn\/shop\/products\/ta2_0d7178cf-3663-49b7-bf46-3d3f2f799811.jpg?v=1617927233"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/wa1.jpg?v=1617927233","options":["Title"],"media":[{"alt":null,"id":21139472351397,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wa1.jpg?v=1617927233"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wa1.jpg?v=1617927233","width":700},{"alt":null,"id":21139472318629,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ta2_0d7178cf-3663-49b7-bf46-3d3f2f799811.jpg?v=1617927233"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ta2_0d7178cf-3663-49b7-bf46-3d3f2f799811.jpg?v=1617927233","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eシドニーのアンビエント作家Talbert Anthonyが8本限定で自主リリースしたカセットを本邦初入荷しました。A面は前半シンセアンビエント後半フィールドレコーディング、B面は前半フィールドレコーディング後半シンセアンビエントを収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3604913845\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 8.\u003c\/p\u003e\n\u003cp\u003eArtist : Talbert Anthony\u003c\/p\u003e\n\u003cp\u003eLabel : self-released\u003c\/p\u003e"}
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シドニーのアンビエント作家Talbert Anthonyが8本限定で自主リリースしたカセットを本邦初入荷しました。A面は前半シンセアンビエント後半フィールドレコーディング、B面は前半フィールドレコーディング後半シンセアンビエントを収録。DLコード付属。
Edition of 8.
Artist : Talbert Anthony
Label : self-released
¥980
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{"id":6168923111589,"title":"Josten Myburgh \/\/ Sculthorpe Studies CD","handle":"josten-myburgh-sculthorpe-studies-cd","description":"\u003cp\u003eオーストラリアのサックス奏者Josten Myburghの新作がanother timbreよりリリース。オーストラリアのフィールドレコーディングとアコースティックドローンが調和した40分を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3470694050\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA 40-minute composition for sextet and field recordings, combining harmonies taken from the music of Australian composer Peter Sculthorpe with field recordings made on Whadjuk Noongar boodja (country), Western Australia.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCover image: still from the film 'Night Parrot Stories' by Robert Nugent (2016).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Josten Myburgh\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e","published_at":"2021-02-11T09:56:08+09:00","created_at":"2021-02-11T09:25:25+09:00","vendor":"Tobira Records","type":"","tags":["ambient","another timbre","cd","drone","field recording","jazz","monooto"],"price":168000,"price_min":168000,"price_max":168000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37888911540389,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Josten Myburgh \/\/ Sculthorpe Studies CD","public_title":null,"options":["Default Title"],"price":168000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/scul1.jpg?v=1613003127","\/\/tobirarecords.com\/cdn\/shop\/products\/scul2.jpg?v=1613003127"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/scul1.jpg?v=1613003127","options":["Title"],"media":[{"alt":null,"id":16442499104933,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/scul1.jpg?v=1613003127"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/scul1.jpg?v=1613003127","width":700},{"alt":null,"id":16442499137701,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/scul2.jpg?v=1613003127"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/scul2.jpg?v=1613003127","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアのサックス奏者Josten Myburghの新作がanother timbreよりリリース。オーストラリアのフィールドレコーディングとアコースティックドローンが調和した40分を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3470694050\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA 40-minute composition for sextet and field recordings, combining harmonies taken from the music of Australian composer Peter Sculthorpe with field recordings made on Whadjuk Noongar boodja (country), Western Australia.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCover image: still from the film 'Night Parrot Stories' by Robert Nugent (2016).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Josten Myburgh\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e"}
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{"id":6080614400165,"title":"Vetson' Androy \/\/ Mavandeza 7\"","handle":"vetson-androy-mavandeza-7lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eワールド・ミュージック再発を中心にリリースするSOFRITOからリリースされた、マダガスカル独自のジャンル\u003cmeta charset=\"utf-8\"\u003eSALEGYの音源。 \u003cmeta charset=\"utf-8\"\u003e6\/\u003cwbr data-mce-fragment=\"1\"\u003e\u003cwbr data-mce-fragment=\"1\"\u003e8リズムで刻まれるサイケなアフロビート2曲を収録。\u003c\/wbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/264280242\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Sofrito\" href=\"https:\/\/soundcloud.com\/sofrito\" target=\"_blank\"\u003eSofrito\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title='SOFRITO ISLAND SERIES \/\/ MADAGASCAR 7\" (SSS018)' href=\"https:\/\/soundcloud.com\/sofrito\/sets\/sofrito-island-series-1\" target=\"_blank\"\u003eSOFRITO ISLAND SERIES \/\/ MADAGASCAR 7\" (SSS018)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVetson' Androy's 1978 release 'Mavandeza' featuring authentic \u003c\/span\u003eSalegy sounds - a genesis of the traditional Antsa musical style of north-west Madagascar. Featuring layers of psychedelic percussion, call-and-response vocals and 6\/8 rhythms. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mavandeza\u003c\/p\u003e\n\u003cp\u003eLabel : Sofrito\u003c\/p\u003e","published_at":"2021-01-18T11:01:44+09:00","created_at":"2021-01-11T13:56:43+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","sofrito"],"price":127600,"price_min":127600,"price_max":127600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37656038342821,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Vetson' Androy \/\/ Mavandeza 7\"","public_title":null,"options":["Default Title"],"price":127600,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/andr1.jpg?v=1610341008"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/andr1.jpg?v=1610341008","options":["Title"],"media":[{"alt":null,"id":15901720674469,"position":1,"preview_image":{"aspect_ratio":1.0,"height":170,"width":170,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/andr1.jpg?v=1610341008"},"aspect_ratio":1.0,"height":170,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/andr1.jpg?v=1610341008","width":170}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eワールド・ミュージック再発を中心にリリースするSOFRITOからリリースされた、マダガスカル独自のジャンル\u003cmeta charset=\"utf-8\"\u003eSALEGYの音源。 \u003cmeta charset=\"utf-8\"\u003e6\/\u003cwbr data-mce-fragment=\"1\"\u003e\u003cwbr data-mce-fragment=\"1\"\u003e8リズムで刻まれるサイケなアフロビート2曲を収録。\u003c\/wbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/264280242\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Sofrito\" href=\"https:\/\/soundcloud.com\/sofrito\" target=\"_blank\"\u003eSofrito\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title='SOFRITO ISLAND SERIES \/\/ MADAGASCAR 7\" (SSS018)' href=\"https:\/\/soundcloud.com\/sofrito\/sets\/sofrito-island-series-1\" target=\"_blank\"\u003eSOFRITO ISLAND SERIES \/\/ MADAGASCAR 7\" (SSS018)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVetson' Androy's 1978 release 'Mavandeza' featuring authentic \u003c\/span\u003eSalegy sounds - a genesis of the traditional Antsa musical style of north-west Madagascar. 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{"id":6080604373157,"title":"Mahotella Queens \/\/ Meet The Mahotella Queens LP","handle":"mahotella-queens-meet-the-mahotella-queens-lp","description":"\u003cp\u003e南アフリカの伝説的バンド\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMahotella Queensが1966年にリリースしたデビューアルバムがレコード再発。ライナーノーツや写真集が付属した記念碑的アルバムです。\u003c\/span\u003e\u003c\/p\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/WD2QqnhSjNA\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5HO7b3KnEkk\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe 1966 debut album from the legendary Mahotella Queens and the very first LP on the iconic Motella label. Deluxe vinyl and digital reissue. \u003cbr\u003e\u003cspan\u003e\u003cbr\u003e\"\u003cem\u003eNot long ago - about two years - the country was swept by a craze for a fantastic new kind of jive. First presented and popularised by The Mahotella Queens, it shows no signs of decreasing - in fact it gets bigger and bigger with the release of each new \"Queens\" record. Demonstrating the dance all over the country, The Mahotella Queens (not to forget their \"King\", Mahlathini Nkabinde) have become the idols of the young \"with it\" crowd. Growing from original \"Jive Motella\" many other fads and variations have recently hit the scene - all of them introduced and demonstrated by The Queens and their King: Jive Mgqashiya (which is available on MO 33 and, incidentally, is named after the word meaning the Bantu traditional way of dancing), Jive Jibav (on MO 50) and most recently a wild, crazy jive called 'S'modern.'\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe charm, vivacity and ultra-modern, go-ahead spirit of these vital young artists fully deserves to have captivated the country. Ever since they started, back in Johannesburg in 1963, their fame has been growing by leaps and bounds. Today they have no equal in their field. But although they are the ones who glory in all the limelight, they owe an enormous debt to the \"man behind the scenes\". He is the \"brain\" who guided, formed and trained the group\"\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e\u003cem\u003e- \u003c\/em\u003eRupert \"Bops\" Bopape.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mahotella Queens\u003c\/p\u003e\n\u003cp\u003eLabel : Umsakazo Records\u003c\/p\u003e","published_at":"2021-01-25T09:15:31+09:00","created_at":"2021-01-11T13:44:59+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp"],"price":294800,"price_min":294800,"price_max":294800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37656013766821,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mahotella Queens \/\/ Meet The Mahotella Queens LP","public_title":null,"options":["Default Title"],"price":294800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/meet1.jpg?v=1610340301","\/\/tobirarecords.com\/cdn\/shop\/products\/meet2.jpg?v=1610340304"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/meet1.jpg?v=1610340301","options":["Title"],"media":[{"alt":null,"id":15901672145061,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/meet1.jpg?v=1610340301"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/meet1.jpg?v=1610340301","width":700},{"alt":null,"id":15901672177829,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/meet2.jpg?v=1610340304"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/meet2.jpg?v=1610340304","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e南アフリカの伝説的バンド\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMahotella Queensが1966年にリリースしたデビューアルバムがレコード再発。ライナーノーツや写真集が付属した記念碑的アルバムです。\u003c\/span\u003e\u003c\/p\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/WD2QqnhSjNA\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5HO7b3KnEkk\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe 1966 debut album from the legendary Mahotella Queens and the very first LP on the iconic Motella label. 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{"id":6016746258597,"title":"Kabukabu \u0026 Klezmer Chidesch \/\/ The Kingdoms of Elgaland-Vargaland National Anthem #3\u00264 7\"","handle":"kabukabu-klezmer-chidesch-the-kingdoms-of-elgaland-vargaland-national-anthem-3-4-7lp","description":"\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTouch傘下Ash Internationalの国歌シリーズ第３、４弾。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e7\" LP. Numbered edition of 500.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe Elgaland-Vargaland national anthem is based on an old military march from 1709. The recording we are using is played by Kungl. Dalregementets musikkår (1941). The march is called “Stenbocksmarschen” and is still being played by military bands. \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThese recordings were regally made on 21 October 2006, Haus der Kulturen der Welt, Berlin at the opening of the Elgaland-Vargaland Embassy for Germany in the presence of the Kings, Michael I and Leif I, Consul Hans Ulrich Obrist (who made the inauguration speech) and the KREV Ambassador Bernd M. Scherer.\u003cbr\u003e- \u003c\/em\u003eThe Kingdoms of Elgaland-Vargaland\u003c\/p\u003e\n\u003cp\u003eArtist : Kabukabu \u0026amp; Klezmer Chidesch\u003c\/p\u003e\n\u003cp\u003eLabel : Ash International\u003c\/p\u003e","published_at":"2020-12-19T14:08:09+09:00","created_at":"2020-12-18T10:26:50+09:00","vendor":"Tobira Records","type":"","tags":["ash","field recording","lp","touch"],"price":151800,"price_min":151800,"price_max":151800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37473060061349,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kabukabu \u0026 Klezmer Chidesch \/\/ The Kingdoms of Elgaland-Vargaland National Anthem #3\u00264 7\"","public_title":null,"options":["Default Title"],"price":151800,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/kabu1.jpg?v=1608254812"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/kabu1.jpg?v=1608254812","options":["Title"],"media":[{"alt":null,"id":15267923656869,"position":1,"preview_image":{"aspect_ratio":0.995,"height":402,"width":400,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kabu1.jpg?v=1608254812"},"aspect_ratio":0.995,"height":402,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kabu1.jpg?v=1608254812","width":400}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTouch傘下Ash Internationalの国歌シリーズ第３、４弾。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e7\" LP. Numbered edition of 500.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe Elgaland-Vargaland national anthem is based on an old military march from 1709. The recording we are using is played by Kungl. Dalregementets musikkår (1941). The march is called “Stenbocksmarschen” and is still being played by military bands. \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThese recordings were regally made on 21 October 2006, Haus der Kulturen der Welt, Berlin at the opening of the Elgaland-Vargaland Embassy for Germany in the presence of the Kings, Michael I and Leif I, Consul Hans Ulrich Obrist (who made the inauguration speech) and the KREV Ambassador Bernd M. Scherer.\u003cbr\u003e- \u003c\/em\u003eThe Kingdoms of Elgaland-Vargaland\u003c\/p\u003e\n\u003cp\u003eArtist : Kabukabu \u0026amp; Klezmer Chidesch\u003c\/p\u003e\n\u003cp\u003eLabel : Ash International\u003c\/p\u003e"}
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{"id":6016721748133,"title":"Kampen Skoles Musikkorps \/\/ The National Anthems of Elgaland-Vargaland 7\"","handle":"kampen-skoles-musikkorps-the-national-anthems-of-elgaland-vargaland-7lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTouch傘下Ash Internationalの国歌シリーズ第5弾。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Elgaland-Vargaland national anthem is based on an old military march from 1709. The recording we are using is played by Kungl. Dalregementets musikkår (1941). The march is called “Stenbocksmarschen” and is still being played by military bands. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eKampen Skoles Musikkorps consists of around 24 musicians aged from 9 to 16. It was founded in 1906 and is the third oldest school marching band in Norway. Recorded on 12 March 2008 at Kampen Skole in Oslo.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe KREV Underwater National Anthem was recorded under MS Reichenau on the occasion of the Annexation of the Bodensee (Lake Constance) including Überlinger See, Zeller See, Gnadensee, Untersee and the Insel Mainau (Island of Mainau), formerly a part of Switzerland, Austria, Germany, by the Kingdoms of Elgaland-Vargaland on Wednesday, 28 May 2008. In attendance were Kings Michael I \u0026amp; Leif I, The KREV Ambassadors for Basel, UK and Zürich; The Minister of Galleries and many others. Recorded using Dolphin Ear hydrophones and a Nagra Ares P–11 flash recorder whilst The Emmishofer Brass Band and The Diessenhofen Yodelling Choir performed… With thanks to Adrian Notz at Cabaret Voltaire, Richard Tisserand at Kunstraum Kreuzlingen and Stefan M.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Kampen Skoles Musikkorps\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Ash International\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-12-19T14:06:43+09:00","created_at":"2020-12-18T10:22:50+09:00","vendor":"Tobira Records","type":"","tags":["ash","field recording","lp","touch"],"price":151800,"price_min":151800,"price_max":151800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37472932593829,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kampen Skoles Musikkorps \/\/ The National Anthems of Elgaland-Vargaland 7\"","public_title":null,"options":["Default Title"],"price":151800,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/norway.jpg?v=1608254573"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/norway.jpg?v=1608254573","options":["Title"],"media":[{"alt":null,"id":15267875094693,"position":1,"preview_image":{"aspect_ratio":1.0,"height":585,"width":585,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/norway.jpg?v=1608254573"},"aspect_ratio":1.0,"height":585,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/norway.jpg?v=1608254573","width":585}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTouch傘下Ash Internationalの国歌シリーズ第5弾。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Elgaland-Vargaland national anthem is based on an old military march from 1709. The recording we are using is played by Kungl. Dalregementets musikkår (1941). The march is called “Stenbocksmarschen” and is still being played by military bands. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eKampen Skoles Musikkorps consists of around 24 musicians aged from 9 to 16. It was founded in 1906 and is the third oldest school marching band in Norway. Recorded on 12 March 2008 at Kampen Skole in Oslo.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe KREV Underwater National Anthem was recorded under MS Reichenau on the occasion of the Annexation of the Bodensee (Lake Constance) including Überlinger See, Zeller See, Gnadensee, Untersee and the Insel Mainau (Island of Mainau), formerly a part of Switzerland, Austria, Germany, by the Kingdoms of Elgaland-Vargaland on Wednesday, 28 May 2008. In attendance were Kings Michael I \u0026amp; Leif I, The KREV Ambassadors for Basel, UK and Zürich; The Minister of Galleries and many others. Recorded using Dolphin Ear hydrophones and a Nagra Ares P–11 flash recorder whilst The Emmishofer Brass Band and The Diessenhofen Yodelling Choir performed… With thanks to Adrian Notz at Cabaret Voltaire, Richard Tisserand at Kunstraum Kreuzlingen and Stefan M.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Kampen Skoles Musikkorps\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Ash International\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":6016689373349,"title":"Mariachi Azteca Principal \/\/ The National Anthem of Elgaland-Vargaland #2 7\"","handle":"mariachi-azteca-principal-the-national-anthem-of-elgaland-vargaland-7lp","description":"\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTouch傘下Ash Internationalの国歌シリーズ第2弾。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHand-numbered 7″ LP. Edition of 500. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Elgaland-Vargaland national anthem is based on an old military march from 1709. The recording we are using is played by Kungl. Dalregementets musikkår (1941). The march is called “Stenbocksmarschen” and is still being played by military bands.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eThese recordings were made during the inauguration of The Embassy of The Kingdoms of Elgaland-Vargaland in Mexico City on August 30, 2002 in the presence of the KREV Ambassador Magalí Arriola and invited guests at Colima 244, Colonia Roma, Mexico City.\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan\u003e- \u003c\/span\u003e\u003c\/em\u003eTHE KINGDOMS OF ELGALAND-VARGALAND \u003c\/p\u003e\n\u003cp\u003eArtist : Mariachi Azteca Principal\u003c\/p\u003e\n\u003cp\u003eLabel : Ash International\u003c\/p\u003e","published_at":"2020-12-19T14:04:19+09:00","created_at":"2020-12-18T10:17:20+09:00","vendor":"Tobira Records","type":"","tags":["ash","field recording","lp","touch"],"price":151800,"price_min":151800,"price_max":151800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37472791691429,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mariachi Azteca Principal \/\/ The National Anthem of Elgaland-Vargaland #2 7\"","public_title":null,"options":["Default Title"],"price":151800,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mariachi.jpg?v=1608254242"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mariachi.jpg?v=1608254242","options":["Title"],"media":[{"alt":null,"id":15267815915685,"position":1,"preview_image":{"aspect_ratio":1.001,"height":799,"width":800,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mariachi.jpg?v=1608254242"},"aspect_ratio":1.001,"height":799,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mariachi.jpg?v=1608254242","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTouch傘下Ash Internationalの国歌シリーズ第2弾。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHand-numbered 7″ LP. Edition of 500. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Elgaland-Vargaland national anthem is based on an old military march from 1709. The recording we are using is played by Kungl. Dalregementets musikkår (1941). The march is called “Stenbocksmarschen” and is still being played by military bands.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eThese recordings were made during the inauguration of The Embassy of The Kingdoms of Elgaland-Vargaland in Mexico City on August 30, 2002 in the presence of the KREV Ambassador Magalí Arriola and invited guests at Colima 244, Colonia Roma, Mexico City.\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan\u003e- \u003c\/span\u003e\u003c\/em\u003eTHE KINGDOMS OF ELGALAND-VARGALAND \u003c\/p\u003e\n\u003cp\u003eArtist : Mariachi Azteca Principal\u003c\/p\u003e\n\u003cp\u003eLabel : Ash International\u003c\/p\u003e"}
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{"id":5937126310053,"title":"Abdel Hadi Halo \u0026 The El Gusto Orchestra of Algiers CD","handle":"abdel-hadi-halo-the-el-gusto-orchestra-of-algiers-s-t-cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2006年8月にHonest Jonsのレコーディングチームが映像作家Safinez Bousbiaに招かれてアルジェリアの首都アルジェの学校でアーティスト達を集めて録音したシャアビ音源。現代シャアビのパイオニアと呼ばれるHadj El Ankaの息子Abdel Hadi Halo率いるThe El Gusto Orchestra Of Algiersの演奏を収録。全5曲入り。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2701117756\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Honest Jon's Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Abdel Hadi Halo \u0026amp; The El Gusto Orchestra of Algiers\u003c\/p\u003e\n\u003cp\u003eLabel : Honest Jon's Records\u003c\/p\u003e","published_at":"2020-11-25T16:02:04+09:00","created_at":"2020-11-25T11:02:48+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","honest jon's records"],"price":195800,"price_min":195800,"price_max":195800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37247682117797,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Abdel Hadi Halo \u0026 The El Gusto Orchestra of Algiers CD","public_title":null,"options":["Default Title"],"price":195800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/abdel.jpg?v=1606269771"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/abdel.jpg?v=1606269771","options":["Title"],"media":[{"alt":null,"id":14194541199525,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/abdel.jpg?v=1606269771"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/abdel.jpg?v=1606269771","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2006年8月にHonest Jonsのレコーディングチームが映像作家Safinez Bousbiaに招かれてアルジェリアの首都アルジェの学校でアーティスト達を集めて録音したシャアビ音源。現代シャアビのパイオニアと呼ばれるHadj El Ankaの息子Abdel Hadi Halo率いるThe El Gusto Orchestra Of Algiersの演奏を収録。全5曲入り。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2701117756\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Honest Jon's Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Abdel Hadi Halo \u0026amp; The El Gusto Orchestra of Algiers\u003c\/p\u003e\n\u003cp\u003eLabel : Honest Jon's Records\u003c\/p\u003e"}
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¥1,958
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{"id":5868609503397,"title":"Ogoya Nengo And The Dodo Women's Group \/\/ Rang'ala CD","handle":"ogoya-nengo-and-the-dodo-womens-group-rangala-cd","description":"\u003cp\u003eケニアの小さな村\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSiayaで現地録音されたアルバム。全14曲入り。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1358942465\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Honest Jon's Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eNew Recordings From Siaya County, Kenya. \u003c\/p\u003e\n\u003cp\u003eArtist : Ogoya Nengo And The Dodo Women's Group\u003c\/p\u003e\n\u003cp\u003eLabel : Honest Jon's Records\u003c\/p\u003e","published_at":"2020-11-08T11:06:47+09:00","created_at":"2020-11-08T10:12:01+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","honest jon's records"],"price":206800,"price_min":206800,"price_max":206800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42494484480250,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":20948963066021,"product_id":5868609503397,"position":2,"created_at":"2020-11-08T10:12:03+09:00","updated_at":"2020-11-08T10:12:04+09:00","alt":null,"width":1200,"height":850,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/rangala2.jpg?v=1604797924","variant_ids":[42494484480250,42494484513018]},"available":true,"name":"Ogoya Nengo And The Dodo Women's Group \/\/ Rang'ala CD - 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It is a composition in four parts (Summer, Autumn, Winter, Spring) for magnetic tape collage with an unspecified live instrumental\/vocal ensemble. Though the actual composing of the music was completed between 1980 and 1982, it is the realization of a ten-year composition project. Goldstein listened closely and became attuned to what was the particular sound quality of each season in Vermont. He then took the sounds that he had recorded and made a tape collage which, for him, arrived at that particular, essential quality of each season. This recording is the complete, unedited premiere perfomance that took place on Feb. 26 1983 at Real Art Ways in Hartford, CT. The booklet contains examples of the scores as well as excerpts from Goldstein's journals from 1977-1982.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis disc also includes a recording of Goldstein's Soundings for solo violin. Soundings are improvisations exploring the rich sound possibilities of the violin. Melodies of sound (timbre\/texture\/articulation) are created that evolve out of the interplay between the resonance of the violin and the gesture of the violinist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Malcom Goldstein\u003c\/p\u003e\n\u003cp\u003elabel : xi records\u003c\/p\u003e","published_at":"2020-10-24T15:04:20+09:00","created_at":"2020-10-24T15:04:19+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","jazz","monooto"],"price":217800,"price_min":217800,"price_max":217800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36872007647397,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Malcom Goldstein \/\/ The Seasons: Vermont CD","public_title":null,"options":["Default Title"],"price":217800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2044936368_10.jpg?v=1603519462"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2044936368_10.jpg?v=1603519462","options":["Title"],"media":[{"alt":null,"id":12731769716901,"position":1,"preview_image":{"aspect_ratio":0.988,"height":1200,"width":1186,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2044936368_10.jpg?v=1603519462"},"aspect_ratio":0.988,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2044936368_10.jpg?v=1603519462","width":1186}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhilip CornerやPhill Niblockらとも所縁の深いヴァイオリニストMalcolm Goldsteinの82年制作アルバム。タイトルの通り、風光明媚なアメリカヴァーモント州の自然音との即興演奏。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1403207045\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/xirecords.bandcamp.com\/album\/the-seasons-vermont\"\u003eThe Seasons: Vermont by Malcom Goldstein\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Seasons: Vermont is a soundscape of Vermont as charted through the changes of its yearly soundings. 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{"id":5759621071013,"title":"Christophe Piette \/\/ Six Tableaux de Quelpaert CD","handle":"christophe-piette-six-tableaux-de-quelpaert-cd","description":"\u003cp\u003eDolphins Into the Future名義でも有名な\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLieven Martens Moana主宰\u003cmeta charset=\"utf-8\"\u003eEdições CNのフィールドレコーディングシリーズ第３弾。\u003c\/span\u003e映像制作や俳優としても活動するベルギー・ブリュッセルのChristophe Pietteが東シナ海に浮かぶ火山島済州島で録音した音源。ペドロ・コスタの『Casa De Lava』に近い雰囲気です。6曲入り。\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=102605609\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eEdições CN releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e\"\u003cem\u003eJeju is a volcanic island in the East China Sea somewhere between Japan and Shanghai, south of the Korean peninsula. After a long period of being an autonomous and matriarchal society, it nowadays belongs to South Korea. Women play an important role on the island and enjoy a special status. This matriarchal tradition among other things manifestates in the culture of the legendary Haenyeo – female divers for shellfish, octopus, fish et al. Two years ago Setaik Yim invited Christophe Piette; a Brussels based actor, filmmaker, - connaisseur and musical improviser; to the island to film the paintings of Myonghi, a South Korean visual artist that paints beautiful works exploring the hidden dimensions within nature. Her work is much loved both inside and outside the artworld.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNext to his 8mm and 16mm cameras, Christophe Piette brought with him a handheld Olympus sound recorder that he used as a sort of 'travel log' and expanded a film beyond the screen. With his particular ear (and eye) for detail and humanity, he registers an organic sound world in six chapters. Creating a Deep Listening experience where normal everyday sounds receive mystical connotations. The album is an interesting self-portrait of the sensible artist with an idiosyncratic attention for particular facets and situations, tangible\u003cspan class=\"bcTruncateMore\"\u003e directly in these moments when the artist records himself while being in conversation... “qu'est-ce que tu écoutes là?”.\u003cbr\u003e\u003cbr\u003eDid you ever see Pedro Costa’s Casa De Lava? In this film, a dramatic story unfolds to the backdrop of Mount Fogo (lit. Fire Mountain), an active volcano in Cabo Verde. This volcano is a classic ‘absent’ personage that is abundantly present. There’s not necessarily anthropomorphism at play, but one surely feels a manifestation and a devastating influence throughout the whole of the movie. A hissing and seductive presence. During the course of Christophe Piette's album we hear the dormant volcano Mount Hallasan (lit. high enough to haul the universe), Jeju’s centre and origin. The inhabitants of Jeju believe this mountain has mystical qualities and that it is the dwelling place of Gods and spirits. The mountain is also the core of Jeju’s ecology and its presence is heard all over the island and throughout this collection of composed sound.\u003cbr\u003e\u003cbr\u003eBeing fond of the volcanic island myself, I love how the impressions we hear on this album perfectly constitute that specific small world. A world that’s equally tragic, problematic, and balanced. Something else coming to mind is Walter Marchetti’s Perpetuum Mobile (1981), a 'serenade' of a motorway in dialogue with a pond of frogs. Christophe Piette shares a similar attention for the everyday sound, where a passing truck, a random conversation, indeed frogs croaking, a dinner conversation, airport atmospheres, a bus ride, light restaurant jazz, and a band practice by the people of Doksu village are all having their status inside a certain reality; a reality that is now preserved for eternity.\u003cbr\u003e\u003cbr\u003eIn my personal trade, and in the development of the Edições CN catalogue, Christophe Piette was and is of great influence. His concepts enter my mind quiet regularly, and live on in the many books, films, drinks and music he recommends me to explore. Needless to say we’re over the moon to present to you this work.\u003cbr\u003e\u003cbr\u003eThis is the third chapter in the Edições CN artist in situ series - after the first two entries by Spencer Clark and Gonçalo F Cardoso which received many praise in many press... . Enjoy x\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Christophe Piette \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdições CN\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-10-09T09:17:40+09:00","created_at":"2020-10-08T11:16:22+09:00","vendor":"Tobira Records","type":"","tags":["cd","Edições CN","field recording","recommended"],"price":179300,"price_min":179300,"price_max":179300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36619698831525,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Christophe Piette \/\/ Six Tableaux de Quelpaert CD","public_title":null,"options":["Default Title"],"price":179300,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/six.jpg?v=1602123384"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/six.jpg?v=1602123384","options":["Title"],"media":[{"alt":null,"id":11919589638309,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/six.jpg?v=1602123384"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/six.jpg?v=1602123384","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eDolphins Into the Future名義でも有名な\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLieven Martens Moana主宰\u003cmeta charset=\"utf-8\"\u003eEdições CNのフィールドレコーディングシリーズ第３弾。\u003c\/span\u003e映像制作や俳優としても活動するベルギー・ブリュッセルのChristophe Pietteが東シナ海に浮かぶ火山島済州島で録音した音源。ペドロ・コスタの『Casa De Lava』に近い雰囲気です。6曲入り。\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=102605609\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eEdições CN releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e\"\u003cem\u003eJeju is a volcanic island in the East China Sea somewhere between Japan and Shanghai, south of the Korean peninsula. After a long period of being an autonomous and matriarchal society, it nowadays belongs to South Korea. Women play an important role on the island and enjoy a special status. This matriarchal tradition among other things manifestates in the culture of the legendary Haenyeo – female divers for shellfish, octopus, fish et al. Two years ago Setaik Yim invited Christophe Piette; a Brussels based actor, filmmaker, - connaisseur and musical improviser; to the island to film the paintings of Myonghi, a South Korean visual artist that paints beautiful works exploring the hidden dimensions within nature. Her work is much loved both inside and outside the artworld.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNext to his 8mm and 16mm cameras, Christophe Piette brought with him a handheld Olympus sound recorder that he used as a sort of 'travel log' and expanded a film beyond the screen. With his particular ear (and eye) for detail and humanity, he registers an organic sound world in six chapters. Creating a Deep Listening experience where normal everyday sounds receive mystical connotations. The album is an interesting self-portrait of the sensible artist with an idiosyncratic attention for particular facets and situations, tangible\u003cspan class=\"bcTruncateMore\"\u003e directly in these moments when the artist records himself while being in conversation... “qu'est-ce que tu écoutes là?”.\u003cbr\u003e\u003cbr\u003eDid you ever see Pedro Costa’s Casa De Lava? In this film, a dramatic story unfolds to the backdrop of Mount Fogo (lit. Fire Mountain), an active volcano in Cabo Verde. This volcano is a classic ‘absent’ personage that is abundantly present. There’s not necessarily anthropomorphism at play, but one surely feels a manifestation and a devastating influence throughout the whole of the movie. A hissing and seductive presence. During the course of Christophe Piette's album we hear the dormant volcano Mount Hallasan (lit. high enough to haul the universe), Jeju’s centre and origin. The inhabitants of Jeju believe this mountain has mystical qualities and that it is the dwelling place of Gods and spirits. The mountain is also the core of Jeju’s ecology and its presence is heard all over the island and throughout this collection of composed sound.\u003cbr\u003e\u003cbr\u003eBeing fond of the volcanic island myself, I love how the impressions we hear on this album perfectly constitute that specific small world. A world that’s equally tragic, problematic, and balanced. Something else coming to mind is Walter Marchetti’s Perpetuum Mobile (1981), a 'serenade' of a motorway in dialogue with a pond of frogs. Christophe Piette shares a similar attention for the everyday sound, where a passing truck, a random conversation, indeed frogs croaking, a dinner conversation, airport atmospheres, a bus ride, light restaurant jazz, and a band practice by the people of Doksu village are all having their status inside a certain reality; a reality that is now preserved for eternity.\u003cbr\u003e\u003cbr\u003eIn my personal trade, and in the development of the Edições CN catalogue, Christophe Piette was and is of great influence. His concepts enter my mind quiet regularly, and live on in the many books, films, drinks and music he recommends me to explore. Needless to say we’re over the moon to present to you this work.\u003cbr\u003e\u003cbr\u003eThis is the third chapter in the Edições CN artist in situ series - after the first two entries by Spencer Clark and Gonçalo F Cardoso which received many praise in many press... . Enjoy x\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Christophe Piette \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdições CN\u003c\/span\u003e\u003c\/p\u003e"}
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Dolphins Into the Future名義でも有名なLieven Martens Moana主宰Edições CNのフィールドレコーディングシリーズ第３弾。映像制作や俳優としても活動するベルギー・ブリュッセルのChristophe Pietteが東シナ海に浮かぶ火山島済州島で録音した音源。ペドロ・コスタの『Casa De Lava』に近い雰囲気です。6曲入り。 レーベルその他作品はこちら /// Click here to see more Edições...
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{"id":8978083676410,"title":"No Artist (Shropshire Number Stations) \/\/ Recordings of Covert Shortwave Radio Stations (Shropshire \u0026 Mid-Wales) TAPE","handle":"no-artist-shropshire-number-stations-recordings-of-covert-shortwave-radio-stations-shropshire-mid-wales-tape","description":"\u003cp\u003eイギリス・シュロップシャーとウェールズ中部で録音した、19の短波ラジオ局をコンパイルしたマニアックな一本です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"短波帯を探し回っているうちに、知らず知らずのうちにナンバー・ステーションを発見し、冷たく途切れた声がエーテルに向かって延々と簡単なコマンドを繰り返すのを聞いたことがあるかもしれない。 これらのメッセージは、それを受け取る方法を知り、様々な形や構成で解読できる人にとっては、メッセージなのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShropshire Number Stations - Recordings of Covert Shortwave Radio Stationsは、英国Shropshireとそれを囲む郡の野原にいる志の高いエージェントに向けて、私たちの周りの空中を静かに放送している秘密の短波ラジオ局を描いている。Eric Loveland Heathがここ数年の間に様々な地点で捉えた19のレイ・ステーションの録音を収録している。これらのアマチュア・ネットワークの真の姿は決して知られることはなく、サイファーも明らかにされることはないかもしれない。これらの録音は、おそらくは後世のためだけのものであり、そうでなければ見ることのできない秘密の世界を垣間見ることができる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1636861587\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Side A\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e11:59\u003cbr\u003e2. Side B \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e11:52\u003c\/p\u003e\n\u003cp\u003eDeath Is Not The End:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003ePerhaps you've chanced upon a Number Station, unwittingly as you scour the shortwave bands, and heard a cold, disconnected voice repeating simple commands endlessly into the ether. Or maybe you've scanned past a series of bleeps and pips, or pockets of noise, thinking nothing of them, as you seek a favoured music station. These are messages, to those who know how to receive them, and are able decode them in their various forms and configurations.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShropshire Number Stations - Recordings of Covert Shortwave Radio Stations charts the covert shortwave radio stations broadcasting silently through the air around us, to aspirant agents in the fields of Shropshire, UK and the counties which surround it. These two continuous sides include recordings of 19 such lay-stations, captured by Eric Loveland Heath at various points over the last few years. The true nature of these amateur networks may never be known, nor might their cyphers ever be revealed. These are recordings of their activities, made conceivably for the sake of posterity alone, offering a glimpse into clandestine worlds otherwise obscured from view.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : no artist \/ Shropshire Number Stations\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eDeath Is Not The End\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDEATH108\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-31T11:48:34+09:00","created_at":"2025-10-31T10:57:50+09:00","vendor":"Tobira Records","type":"","tags":["death is not the end","field recording","new","tape"],"price":269500,"price_min":269500,"price_max":269500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47886726365434,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"No Artist (Shropshire Number Stations) \/\/ Recordings of Covert Shortwave Radio Stations (Shropshire \u0026 Mid-Wales) TAPE","public_title":null,"options":["Default Title"],"price":269500,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"5050580852280","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/radio1_8db9afb5-f5d4-40a9-9f84-c4c7eeafc630.jpg?v=1761875732","\/\/tobirarecords.com\/cdn\/shop\/files\/radio2_38719f6e-d284-4c5c-a30b-4aed92aabebd.jpg?v=1761875732"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/radio1_8db9afb5-f5d4-40a9-9f84-c4c7eeafc630.jpg?v=1761875732","options":["Title"],"media":[{"alt":null,"id":37342924275962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/radio1_8db9afb5-f5d4-40a9-9f84-c4c7eeafc630.jpg?v=1761875732"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/radio1_8db9afb5-f5d4-40a9-9f84-c4c7eeafc630.jpg?v=1761875732","width":700},{"alt":null,"id":37342924308730,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/radio2_38719f6e-d284-4c5c-a30b-4aed92aabebd.jpg?v=1761875732"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/radio2_38719f6e-d284-4c5c-a30b-4aed92aabebd.jpg?v=1761875732","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・シュロップシャーとウェールズ中部で録音した、19の短波ラジオ局をコンパイルしたマニアックな一本です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"短波帯を探し回っているうちに、知らず知らずのうちにナンバー・ステーションを発見し、冷たく途切れた声がエーテルに向かって延々と簡単なコマンドを繰り返すのを聞いたことがあるかもしれない。 これらのメッセージは、それを受け取る方法を知り、様々な形や構成で解読できる人にとっては、メッセージなのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShropshire Number Stations - Recordings of Covert Shortwave Radio Stationsは、英国Shropshireとそれを囲む郡の野原にいる志の高いエージェントに向けて、私たちの周りの空中を静かに放送している秘密の短波ラジオ局を描いている。Eric Loveland Heathがここ数年の間に様々な地点で捉えた19のレイ・ステーションの録音を収録している。これらのアマチュア・ネットワークの真の姿は決して知られることはなく、サイファーも明らかにされることはないかもしれない。これらの録音は、おそらくは後世のためだけのものであり、そうでなければ見ることのできない秘密の世界を垣間見ることができる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1636861587\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 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These are recordings of their activities, made conceivably for the sake of posterity alone, offering a glimpse into clandestine worlds otherwise obscured from view.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : no artist \/ Shropshire Number Stations\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eDeath Is Not The End\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDEATH108\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・シュロップシャーとウェールズ中部で録音した、19の短波ラジオ局をコンパイルしたマニアックな一本です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ "短波帯を探し回っているうちに、知らず知らずのうちにナンバー・ステーションを発見し、冷たく途切れた声がエーテルに向かって延々と簡単なコマンドを繰り返すのを聞いたことがあるかもしれない。 これらのメッセージは、それを受け取る方法を知り、様々な形や構成で解読できる人にとっては、メッセージなのだ。 Shropshire Number Stations - Recordings of Covert Shortwave Radio Stationsは、英国Shropshireとそれを囲む郡の野原にいる志の高いエージェントに向けて、私たちの周りの空中を静かに放送している秘密の短波ラジオ局を描いている。Eric...
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{"id":8976257614074,"title":"Michał Wiśniowski \/\/ Amharic Manuscripts CD","handle":"michal-wisniowski-amharic-manuscripts-cd","description":"\u003cp\u003eポーランド・ワルシャワのフィールドレコーディング作家Michał Wiśniowskiが、2025年10月にワルシャワのフィールドレコーディング専門レーベルsaamlengからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eエチオピアのフィールドレコーディング10曲を収録。6面ゲートフォルド、シュリンク仕様です。4ページのブックレット付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Michał Wiśniowskiの『Amharic Manuscripts』は、エチオピアの心臓部を巡る音響の旅である。ブルーナイルの雄大な滝から、アディスアベバの街路を経て、ラリベラの岩窟寺院の静寂へと至る。フィールドレコーディングは、日常生活、精神性、儀式の物語と絡み合い、神聖と俗世が交錯する。豊かな音響風景は、自然の威厳と人間の営みの親密さ——フィールドワークから祈りまで——を捉える。このアルバムは単なる記録ではなく、人間と神と自然の調和を瞑想するものである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=593552547\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003ehere\u003c\/a\u003e to see more saamleng releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in 6 panel gatefold sleeve.\u003cbr\u003eIncludes 4-page booklet.\u003cbr\u003eEdition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Tis Ysat 02:03\u003cbr\u003e2. Light and Shadow 01:42\u003cbr\u003e3. Joy I 07:54\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Joy II 06:34\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. At Work 04:24\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Unity 06:07\u003cbr\u003e\u003c\/span\u003e7. Echoes I 02:24\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Ritual 07:06\u003cbr\u003e\u003c\/span\u003e9. Echoes II 04:25\u003cbr\u003e10. Tana 01:17\u003c\/p\u003e\n\u003cp\u003esaamleng:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMichał Wiśniowski's \"Amharic Manuscripts\" is a sonic journey through the heart of Ethiopia—from the monumental waterfalls of the Blue Nile, through the streets of Addis Ababa, to the silence of the rock-hewn temples of Lalibela. Field recording intertwines with stories of everyday life, spirituality, and rituals, where the sacred and the profane intertwine. The richness of the soundscapes captures both the majesty of nature and the intimacy of human gestures—from fieldwork to prayer. This album not only documents but also meditates on the harmony of man, God, and nature.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Michał Wiśniowski\u003c\/p\u003e\n\u003cp\u003eLabel : Saamleng\u003c\/p\u003e","published_at":"2025-10-30T10:15:09+09:00","created_at":"2025-10-30T09:25:57+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","new","saamleng"],"price":227000,"price_min":227000,"price_max":227000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47882728505594,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Michał Wiśniowski \/\/ Amharic Manuscripts CD","public_title":null,"options":["Default Title"],"price":227000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/am1_82b98376-4eea-42dc-871e-d7c979d34c06.jpg?v=1761783886","\/\/tobirarecords.com\/cdn\/shop\/files\/am2_900e04d9-ab59-4099-8b84-cc5bd911b930.jpg?v=1761783886"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/am1_82b98376-4eea-42dc-871e-d7c979d34c06.jpg?v=1761783886","options":["Title"],"media":[{"alt":null,"id":37328247783674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/am1_82b98376-4eea-42dc-871e-d7c979d34c06.jpg?v=1761783886"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/am1_82b98376-4eea-42dc-871e-d7c979d34c06.jpg?v=1761783886","width":700},{"alt":null,"id":37328247816442,"position":2,"preview_image":{"aspect_ratio":1.4,"height":857,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/am2_900e04d9-ab59-4099-8b84-cc5bd911b930.jpg?v=1761783886"},"aspect_ratio":1.4,"height":857,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/am2_900e04d9-ab59-4099-8b84-cc5bd911b930.jpg?v=1761783886","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポーランド・ワルシャワのフィールドレコーディング作家Michał Wiśniowskiが、2025年10月にワルシャワのフィールドレコーディング専門レーベルsaamlengからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eエチオピアのフィールドレコーディング10曲を収録。6面ゲートフォルド、シュリンク仕様です。4ページのブックレット付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Michał Wiśniowskiの『Amharic Manuscripts』は、エチオピアの心臓部を巡る音響の旅である。ブルーナイルの雄大な滝から、アディスアベバの街路を経て、ラリベラの岩窟寺院の静寂へと至る。フィールドレコーディングは、日常生活、精神性、儀式の物語と絡み合い、神聖と俗世が交錯する。豊かな音響風景は、自然の威厳と人間の営みの親密さ——フィールドワークから祈りまで——を捉える。このアルバムは単なる記録ではなく、人間と神と自然の調和を瞑想するものである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=593552547\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003ehere\u003c\/a\u003e to see more saamleng releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in 6 panel gatefold sleeve.\u003cbr\u003eIncludes 4-page booklet.\u003cbr\u003eEdition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Tis Ysat 02:03\u003cbr\u003e2. Light and Shadow 01:42\u003cbr\u003e3. Joy I 07:54\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Joy II 06:34\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. At Work 04:24\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Unity 06:07\u003cbr\u003e\u003c\/span\u003e7. Echoes I 02:24\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Ritual 07:06\u003cbr\u003e\u003c\/span\u003e9. Echoes II 04:25\u003cbr\u003e10. Tana 01:17\u003c\/p\u003e\n\u003cp\u003esaamleng:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMichał Wiśniowski's \"Amharic Manuscripts\" is a sonic journey through the heart of Ethiopia—from the monumental waterfalls of the Blue Nile, through the streets of Addis Ababa, to the silence of the rock-hewn temples of Lalibela. Field recording intertwines with stories of everyday life, spirituality, and rituals, where the sacred and the profane intertwine. The richness of the soundscapes captures both the majesty of nature and the intimacy of human gestures—from fieldwork to prayer. This album not only documents but also meditates on the harmony of man, God, and nature.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Michał Wiśniowski\u003c\/p\u003e\n\u003cp\u003eLabel : Saamleng\u003c\/p\u003e"}
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ポーランド・ワルシャワのフィールドレコーディング作家Michał Wiśniowskiが、2025年10月にワルシャワのフィールドレコーディング専門レーベルsaamlengからリリースしたCDです。 エチオピアのフィールドレコーディング10曲を収録。6面ゲートフォルド、シュリンク仕様です。4ページのブックレット付属。 以下、レーベルによる解説です。 "Michał Wiśniowskiの『Amharic Manuscripts』は、エチオピアの心臓部を巡る音響の旅である。ブルーナイルの雄大な滝から、アディスアベバの街路を経て、ラリベラの岩窟寺院の静寂へと至る。フィールドレコーディングは、日常生活、精神性、儀式の物語と絡み合い、神聖と俗世が交錯する。豊かな音響風景は、自然の威厳と人間の営みの親密さ——フィールドワークから祈りまで——を捉える。このアルバムは単なる記録ではなく、人間と神と自然の調和を瞑想するものである。" レーベルその他作品はこちら /// Click here to see more...
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{"id":8976029352186,"title":"Jacek Szczepanek \/\/ Místní rozhlas CD","handle":"jacek-szczepanek-mistni-rozhlas-cd","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eポーランドのフィールドレコーディング作家／登山家Jacek Szczepanekが、2020年に同国フィールドレコーディングレーベルsaamlengからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eチェコやスロバキアの村の連絡手段で用いられる街頭のメガフォンをコンセプトにしたフィールドレコーディング7曲を収録。デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2474435028\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003ehere\u003c\/a\u003e to see more saamleng releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Košťálov I 07:08\u003cbr\u003e2. Slatiny 05:25\u003cbr\u003e3. Radimovice 05:10\u003cbr\u003e4. Třebechovice pod Orebem I 03:20\u003cbr\u003e5. Lomnice nad Popelkou 07:04\u003cbr\u003e6. Třebechovice pod Orebem II 03:54\u003cbr\u003e7. Košťálov II 06:29\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003esaamleng:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cspan\u003e\u003cem\u003eCome and relish strawberry goodies. Centre for Culture and Information invites you to Strawberry Day on Saturday 29 June, 10 am till 5 pm, at Cinema Cafe.'\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStreet megaphones hang on buildings and poles in most Czech and Slovakian villages and towns. Dozens of them broadcast simultaneously.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jacek Szczepanek\u003c\/p\u003e\n\u003cp\u003eLabel : saamleng\u003c\/p\u003e","published_at":"2025-10-30T05:55:03+09:00","created_at":"2025-10-30T05:54:33+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","new","saamleng"],"price":228000,"price_min":228000,"price_max":228000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47882361078010,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jacek Szczepanek \/\/ Místní rozhlas CD","public_title":null,"options":["Default Title"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jac1.jpg?v=1719402217","\/\/tobirarecords.com\/cdn\/shop\/files\/mis2.jpg?v=1719402217"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jac1.jpg?v=1719402217","options":["Title"],"media":[{"alt":null,"id":34409401745658,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jac1.jpg?v=1719402217"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jac1.jpg?v=1719402217","width":700},{"alt":null,"id":34409401778426,"position":2,"preview_image":{"aspect_ratio":1.399,"height":858,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mis2.jpg?v=1719402217"},"aspect_ratio":1.399,"height":858,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mis2.jpg?v=1719402217","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eポーランドのフィールドレコーディング作家／登山家Jacek Szczepanekが、2020年に同国フィールドレコーディングレーベルsaamlengからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eチェコやスロバキアの村の連絡手段で用いられる街頭のメガフォンをコンセプトにしたフィールドレコーディング7曲を収録。デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2474435028\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003ehere\u003c\/a\u003e to see more saamleng releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Košťálov I 07:08\u003cbr\u003e2. Slatiny 05:25\u003cbr\u003e3. Radimovice 05:10\u003cbr\u003e4. Třebechovice pod Orebem I 03:20\u003cbr\u003e5. Lomnice nad Popelkou 07:04\u003cbr\u003e6. Třebechovice pod Orebem II 03:54\u003cbr\u003e7. Košťálov II 06:29\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003esaamleng:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cspan\u003e\u003cem\u003eCome and relish strawberry goodies. Centre for Culture and Information invites you to Strawberry Day on Saturday 29 June, 10 am till 5 pm, at Cinema Cafe.'\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStreet megaphones hang on buildings and poles in most Czech and Slovakian villages and towns. Dozens of them broadcast simultaneously.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jacek Szczepanek\u003c\/p\u003e\n\u003cp\u003eLabel : saamleng\u003c\/p\u003e"}
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{"id":8976029155578,"title":"Dawid Chrapla \/\/ Steelworks on the Edge of the Forest CD","handle":"dawid-chrapla-steelworks-on-the-edge-of-the-forest-cd","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eポーランドのフィールドレコーディング作家Dawid Chraplaが、2024年5月に同国ワルシャワのフィールドレコーディング専門レーベルsaamlengからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e鳥やカエル、昆虫といった自然の音と、遠方で聞こえる製鉄所の機械音が不思議と心地良い9曲を収録。6面ゲートフォルド、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Dawid Chraplaが、製鉄所を主なテーマとした録音を集めた2枚目のアルバムをリリースした。今回は、遠くから録音された製鉄所の音に、様々な自然の声が添えられている。製鉄所の低いうなり声やドンドンと響く音は、時にはカエルの合唱にかき消されそうになる。また、ほとんど聞き取れない自然の音に支配されることもある。対照的な要素がミックスされた、興味をそそられる中毒性のある作品だ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=217986550\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003ehere\u003c\/a\u003e to see more saamleng releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in gatefold sleeve. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Steelworks in the Wood 04:29\u003cbr\u003e2. Cold Spring Day\u003cbr\u003e3. The Rolling Mill and the Birds 08:19\u003cbr\u003e4. Forge on the Edge of the Forest 1\u003cbr\u003e5. Frogs and the Forge 05:01\u003cbr\u003e6. Crickets and the Forge 02:15\u003cbr\u003e7. Forge on the Edge of the Forest 2\u003cbr\u003e8. The Rolling Mill 18:16\u003cbr\u003e9. Work Break 03:05\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003esaamleng:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eDavid Chrapla returns with his second album collecting recordings whose main topic is steelworks. This time, the industrial sounds were recorded from a distance and were accompanied by various voices of nature. The echoing low growls and thumps of the steelworks are sometimes almost drowned out by the chorus of frogs. Other times, they dominate over the almost inaudible sounds of nature. It's an intriguing and addictive mix of contrasting elements.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dawid Chrapla\u003c\/p\u003e\n\u003cp\u003eLabel : saamleng\u003c\/p\u003e","published_at":"2025-10-30T05:54:08+09:00","created_at":"2025-10-30T05:53:29+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","new","saamleng"],"price":227000,"price_min":227000,"price_max":227000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47882360357114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Dawid Chrapla \/\/ Steelworks on the Edge of the Forest CD","public_title":null,"options":["Default Title"],"price":227000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fo1.jpg?v=1715852935","\/\/tobirarecords.com\/cdn\/shop\/files\/fo2.jpg?v=1715852935"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo1.jpg?v=1715852935","options":["Title"],"media":[{"alt":null,"id":34042975191290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo1.jpg?v=1715852935"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo1.jpg?v=1715852935","width":700},{"alt":null,"id":34042975224058,"position":2,"preview_image":{"aspect_ratio":1.399,"height":858,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo2.jpg?v=1715852935"},"aspect_ratio":1.399,"height":858,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo2.jpg?v=1715852935","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eポーランドのフィールドレコーディング作家Dawid Chraplaが、2024年5月に同国ワルシャワのフィールドレコーディング専門レーベルsaamlengからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e鳥やカエル、昆虫といった自然の音と、遠方で聞こえる製鉄所の機械音が不思議と心地良い9曲を収録。6面ゲートフォルド、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Dawid Chraplaが、製鉄所を主なテーマとした録音を集めた2枚目のアルバムをリリースした。今回は、遠くから録音された製鉄所の音に、様々な自然の声が添えられている。製鉄所の低いうなり声やドンドンと響く音は、時にはカエルの合唱にかき消されそうになる。また、ほとんど聞き取れない自然の音に支配されることもある。対照的な要素がミックスされた、興味をそそられる中毒性のある作品だ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=217986550\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003ehere\u003c\/a\u003e to see more saamleng releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in gatefold sleeve. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Steelworks in the Wood 04:29\u003cbr\u003e2. Cold Spring Day\u003cbr\u003e3. The Rolling Mill and the Birds 08:19\u003cbr\u003e4. Forge on the Edge of the Forest 1\u003cbr\u003e5. Frogs and the Forge 05:01\u003cbr\u003e6. Crickets and the Forge 02:15\u003cbr\u003e7. Forge on the Edge of the Forest 2\u003cbr\u003e8. The Rolling Mill 18:16\u003cbr\u003e9. Work Break 03:05\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003esaamleng:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eDavid Chrapla returns with his second album collecting recordings whose main topic is steelworks. This time, the industrial sounds were recorded from a distance and were accompanied by various voices of nature. The echoing low growls and thumps of the steelworks are sometimes almost drowned out by the chorus of frogs. Other times, they dominate over the almost inaudible sounds of nature. It's an intriguing and addictive mix of contrasting elements.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dawid Chrapla\u003c\/p\u003e\n\u003cp\u003eLabel : saamleng\u003c\/p\u003e"}
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ポーランドのフィールドレコーディング作家Dawid Chraplaが、2024年5月に同国ワルシャワのフィールドレコーディング専門レーベルsaamlengからリリースしたCDです。 鳥やカエル、昆虫といった自然の音と、遠方で聞こえる製鉄所の機械音が不思議と心地良い9曲を収録。6面ゲートフォルド、シュリンク仕様です。 以下、レーベルによる解説です。 "Dawid Chraplaが、製鉄所を主なテーマとした録音を集めた2枚目のアルバムをリリースした。今回は、遠くから録音された製鉄所の音に、様々な自然の声が添えられている。製鉄所の低いうなり声やドンドンと響く音は、時にはカエルの合唱にかき消されそうになる。また、ほとんど聞き取れない自然の音に支配されることもある。対照的な要素がミックスされた、興味をそそられる中毒性のある作品だ。" レーベルその他作品はこちら /// Click here to see more saamleng...
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{"id":8967926186234,"title":"kishun \/\/ 古界 ｜ Kokai TAPE","handle":"kishun-kokai-tape","description":"\u003cp\u003e日本の和楽器デュオkishunが、2025年10月に東京のato.archivesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e笙と楽琵琶による和ンビエントドローン〜インプロ9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2185967599\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/atoa\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/atoa\"\u003ehere\u003c\/a\u003e to see more ato.archives releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e壹越調調子と撥合\u003c\/span\u003e Ichikotsucho Choshi and Bachiawase 03:07\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e壹越調\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e春鶯囀遊聲\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e Ichikotsucho Shnnouden no Yusei 03:38\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e平調\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e陪臚\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e Hyojo Bairo 04:36\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e太食調\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e仙遊霞\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e Taishikicho Sen\u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e’\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eyug 06:06\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e即興\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e I Improvisation I 02:40\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e盤渉調調子と撥合\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e Banshikicho Choshi and Bachiawase 03:52\u003cbr\u003e\u003c\/span\u003e7. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e盤渉調\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e青海波\u003c\/span\u003e Banshikicho Choshi and Bachiawa 08:32\u003cbr\u003e8. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e太食調\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e合歓塩\u003c\/span\u003e Taishikicho Gakkaen 08:05\u003cbr\u003e9. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e即興\u003c\/span\u003e II Improvisation II 02:12\u003c\/p\u003e\n\u003cp\u003eato.archivses:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ekishun is a duo: ISHIKAWA Ko, player of the shō (mouth-organ), and NAKAMURA Kahoru, player of the gaku-biwa (Japanese court lute). Since 2015 they have used only shō and biwa. Their idea is to bring out the hidden sound in what they call “gagaku without melody.”\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eGagaku is the ancient court music of Japan. It is more than a thousand years old. In the Heian period, nobles gathered old songs and dances from Japan and pieces that had come from Korea and China between the 5th and 9th centuries, and shaped them into one art. As gagaku took root in Japan, it was arranged and rebuilt. The form we hear today is unique to Japan. By the Heian era, it was already close to its present shape. Gagaku lives in two worlds: as court music at the Imperial Palace, and as sacred music for rites and festivals at temples and shrines. Because of this history, it was kept by nobles and professional musicians, away from the taste of ordinary people. Its instruments and dances are very different from most other Japanese traditions.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eGagaku has four main kinds: bugaku (dances, including those from the continent), kangen (an instrumental ensemble), kuniburi-no-utamai (old songs and dances from Japan), and utamono (vocal music from the Heian period). Among these, kangen is rare in Japan: it\u003cspan class=\"bcTruncateMore\"\u003e is a full orchestra made only of instruments. Most other Japanese music centers on singing. When there is instrumental playing, it is often in small groups or as support for theater and dance. Kangen stands apart.\u003cbr\u003eThe kangen ensemble is called “three winds, two strings, three drums.” The winds are shō, hichiriki (double-reed), and ryūteki (transverse flute). The strings are biwa and so (zither). The drums are kakko, taiko, and shōko (gong). The hichiriki and ryūteki carry the melody. The shō wraps them in chords. The string parts frame the rhythm. Kishun plays only shō and biwa, both in classic pieces and in improvisation.\u003cbr\u003eThe shō is a free-reed mouth organ with 17 bamboo pipes of different lengths and pitches. Each pipe has a small metal reed. In the classic style, players do not use tonguing. They shape phrases with breath. The shō is not loud. In ensemble it plays long, steady chords called aitake. These chords color the melody and show the center of the mode (scale).\u003cbr\u003e\u003cbr\u003eThe gaku-biwa is a lute. Today it has four strings and four frets, and is played with a plectrum. Its back is flat and the body is shallow. Its sound is strong at the start, then fades quickly, with almost no ring. For this reason, the biwa speaks more in rhythm than in harmony.\u003cbr\u003ekishun leaves out the melody instruments of kangen. They focus on the shō, which builds a field of sound through aitake chords, and the biwa, which draws the rhythm. This is their experiment: to bring forward the voices that hide behind the melody. With the skill of two masters, they reach this goal. Sounds that the full gagaku ensemble often covers without notice step into the foreground and speak to us in a fresh, striking way.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : kishun\u003c\/p\u003e\n\u003cp\u003eLabel : ato.archives\u003c\/p\u003e\n\u003cp\u003ecat no : ata016\u003c\/p\u003e","published_at":"2025-10-24T10:53:43+09:00","created_at":"2025-10-24T10:42:27+09:00","vendor":"Tobira Records","type":"","tags":["ambient","asia","ato.archives","field recording","new","tape"],"price":200000,"price_min":200000,"price_max":200000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47858038571258,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"kishun \/\/ 古界 ｜ Kokai TAPE","public_title":null,"options":["Default Title"],"price":200000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kok1_821b459b-2f7b-4585-b5b1-fdd0e59b1c9e.jpg?v=1761270060","\/\/tobirarecords.com\/cdn\/shop\/files\/kok2_cff3090f-16fd-48bd-affd-3ebd662deb67.jpg?v=1761270059"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kok1_821b459b-2f7b-4585-b5b1-fdd0e59b1c9e.jpg?v=1761270060","options":["Title"],"media":[{"alt":null,"id":37227570823418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kok1_821b459b-2f7b-4585-b5b1-fdd0e59b1c9e.jpg?v=1761270060"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kok1_821b459b-2f7b-4585-b5b1-fdd0e59b1c9e.jpg?v=1761270060","width":700},{"alt":null,"id":37227570856186,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kok2_cff3090f-16fd-48bd-affd-3ebd662deb67.jpg?v=1761270059"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kok2_cff3090f-16fd-48bd-affd-3ebd662deb67.jpg?v=1761270059","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本の和楽器デュオkishunが、2025年10月に東京のato.archivesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e笙と楽琵琶による和ンビエントドローン〜インプロ9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2185967599\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/atoa\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/atoa\"\u003ehere\u003c\/a\u003e to see more ato.archives releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e壹越調調子と撥合\u003c\/span\u003e Ichikotsucho Choshi and Bachiawase 03:07\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e壹越調\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e春鶯囀遊聲\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e Ichikotsucho Shnnouden no Yusei 03:38\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e平調\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e陪臚\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e Hyojo Bairo 04:36\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e太食調\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e仙遊霞\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e Taishikicho Sen\u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e’\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eyug 06:06\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e即興\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e I Improvisation I 02:40\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e盤渉調調子と撥合\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e Banshikicho Choshi and Bachiawase 03:52\u003cbr\u003e\u003c\/span\u003e7. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e盤渉調\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e青海波\u003c\/span\u003e Banshikicho Choshi and Bachiawa 08:32\u003cbr\u003e8. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e太食調\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e合歓塩\u003c\/span\u003e Taishikicho Gakkaen 08:05\u003cbr\u003e9. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e即興\u003c\/span\u003e II Improvisation II 02:12\u003c\/p\u003e\n\u003cp\u003eato.archivses:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ekishun is a duo: ISHIKAWA Ko, player of the shō (mouth-organ), and NAKAMURA Kahoru, player of the gaku-biwa (Japanese court lute). Since 2015 they have used only shō and biwa. Their idea is to bring out the hidden sound in what they call “gagaku without melody.”\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eGagaku is the ancient court music of Japan. It is more than a thousand years old. In the Heian period, nobles gathered old songs and dances from Japan and pieces that had come from Korea and China between the 5th and 9th centuries, and shaped them into one art. As gagaku took root in Japan, it was arranged and rebuilt. The form we hear today is unique to Japan. By the Heian era, it was already close to its present shape. Gagaku lives in two worlds: as court music at the Imperial Palace, and as sacred music for rites and festivals at temples and shrines. Because of this history, it was kept by nobles and professional musicians, away from the taste of ordinary people. Its instruments and dances are very different from most other Japanese traditions.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eGagaku has four main kinds: bugaku (dances, including those from the continent), kangen (an instrumental ensemble), kuniburi-no-utamai (old songs and dances from Japan), and utamono (vocal music from the Heian period). Among these, kangen is rare in Japan: it\u003cspan class=\"bcTruncateMore\"\u003e is a full orchestra made only of instruments. Most other Japanese music centers on singing. When there is instrumental playing, it is often in small groups or as support for theater and dance. Kangen stands apart.\u003cbr\u003eThe kangen ensemble is called “three winds, two strings, three drums.” The winds are shō, hichiriki (double-reed), and ryūteki (transverse flute). The strings are biwa and so (zither). The drums are kakko, taiko, and shōko (gong). The hichiriki and ryūteki carry the melody. The shō wraps them in chords. The string parts frame the rhythm. Kishun plays only shō and biwa, both in classic pieces and in improvisation.\u003cbr\u003eThe shō is a free-reed mouth organ with 17 bamboo pipes of different lengths and pitches. Each pipe has a small metal reed. In the classic style, players do not use tonguing. They shape phrases with breath. The shō is not loud. In ensemble it plays long, steady chords called aitake. These chords color the melody and show the center of the mode (scale).\u003cbr\u003e\u003cbr\u003eThe gaku-biwa is a lute. Today it has four strings and four frets, and is played with a plectrum. Its back is flat and the body is shallow. Its sound is strong at the start, then fades quickly, with almost no ring. For this reason, the biwa speaks more in rhythm than in harmony.\u003cbr\u003ekishun leaves out the melody instruments of kangen. They focus on the shō, which builds a field of sound through aitake chords, and the biwa, which draws the rhythm. This is their experiment: to bring forward the voices that hide behind the melody. With the skill of two masters, they reach this goal. Sounds that the full gagaku ensemble often covers without notice step into the foreground and speak to us in a fresh, striking way.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : kishun\u003c\/p\u003e\n\u003cp\u003eLabel : ato.archives\u003c\/p\u003e\n\u003cp\u003ecat no : ata016\u003c\/p\u003e"}
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日本の和楽器デュオkishunが、2025年10月に東京のato.archivesからリリースしたカセットです。 笙と楽琵琶による和ンビエントドローン〜インプロ9曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more ato.archives releases available at Tobira....
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{"id":8945845141754,"title":"Various Artists (Honest Jon's Records) \/\/ London Is The Place For Me 2 (Calypso \u0026 Kwela, Highlife \u0026 Jazz From Young Black London) 2xLP","handle":"various-artists-london-is-the-place-for-me-2-calypso-kwela-highlife-jazz-from-young-black-london-2xlp","description":"\u003cp\u003e\u003cspan\u003eイギリス・ロンドンのHonest Jon'sが手がけるカリプソコンピレーション2枚組みレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1950年代のジャズ〜ハイライフを中心としたカリプソ20曲を収録。ゲートフォルド仕様、インサート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2031175089\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Honest Jon's Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2 x 12\" black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Young Tiger - Calypso Be 02:56\u003cbr\u003e2. Ambrose Campbell - Yolanda 03:14\u003cbr\u003e3. Mona Baptiste - Calypso Blues 02:58\u003cbr\u003e4. West African Rhythm Brothers - Adura 02:53\u003cbr\u003e5. Lord Kitchener - My Wife’s Nightie 02:36\u003cbr\u003e6. West African Rhythm Brothers - Ominira 03:12\u003cbr\u003e7. West African Rhythm Brothers - Eroya 02:53\u003cbr\u003e8. Lord Beginner - General Election 02:48\u003cbr\u003e9. The Lion - Kalenda March 03:04\u003cbr\u003e10. Tunji Oyelana - Omonike 03:09\u003cbr\u003e11. Shake Keane \u0026amp; His Highlifers - Balonga 02:11\u003cbr\u003e12. King Timothy - Gerrard Street 02:37\u003cbr\u003e13. West African Swing Stars - E.T. Mensah’s Rolling Ball 02:39\u003cbr\u003e14. Ambrose Campbell - Ashiko Rhythm 04:55\u003cbr\u003e15. West African Swing Stars - Omo Africa 03:24\u003cbr\u003e16. Gwigwi Mrwebi - Nyusamkhaya 03:19\u003cbr\u003e17. Russ Henderson - West Indian Drums 03:10\u003cbr\u003e18. Lord Beginner - Nobody Wants To Grow Old 02:29\u003cbr\u003e19. Rans Boi's Ghana Highlife Band - Gbonimawo 03:05\u003cbr\u003e20. West African Rhythm Brothers - Sing The Blues 02:48\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Honest Jon's\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eHJRLP016\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-05T06:57:51+09:00","created_at":"2025-10-04T11:22:52+09:00","vendor":"Tobira Records","type":"","tags":["field recording","honest jon's records","jazz","lp","new"],"price":499600,"price_min":499600,"price_max":499600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47792780378362,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Various Artists (Honest Jon's Records) \/\/ London Is The Place For Me 2 (Calypso \u0026 Kwela, Highlife \u0026 Jazz From Young Black London) 2xLP","public_title":null,"options":["Default Title"],"price":499600,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/21_fa52c845-454b-484e-8a38-5d617fd81694.jpg?v=1633926407"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/21_fa52c845-454b-484e-8a38-5d617fd81694.jpg?v=1633926407","options":["Title"],"media":[{"alt":null,"id":24012088737957,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/21_fa52c845-454b-484e-8a38-5d617fd81694.jpg?v=1633926407"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/21_fa52c845-454b-484e-8a38-5d617fd81694.jpg?v=1633926407","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eイギリス・ロンドンのHonest Jon'sが手がけるカリプソコンピレーション2枚組みレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1950年代のジャズ〜ハイライフを中心としたカリプソ20曲を収録。ゲートフォルド仕様、インサート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2031175089\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Honest Jon's Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2 x 12\" black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Young Tiger - Calypso Be 02:56\u003cbr\u003e2. Ambrose Campbell - Yolanda 03:14\u003cbr\u003e3. Mona Baptiste - Calypso Blues 02:58\u003cbr\u003e4. West African Rhythm Brothers - Adura 02:53\u003cbr\u003e5. Lord Kitchener - My Wife’s Nightie 02:36\u003cbr\u003e6. West African Rhythm Brothers - Ominira 03:12\u003cbr\u003e7. West African Rhythm Brothers - Eroya 02:53\u003cbr\u003e8. Lord Beginner - General Election 02:48\u003cbr\u003e9. The Lion - Kalenda March 03:04\u003cbr\u003e10. Tunji Oyelana - Omonike 03:09\u003cbr\u003e11. Shake Keane \u0026amp; His Highlifers - Balonga 02:11\u003cbr\u003e12. King Timothy - Gerrard Street 02:37\u003cbr\u003e13. West African Swing Stars - E.T. Mensah’s Rolling Ball 02:39\u003cbr\u003e14. Ambrose Campbell - Ashiko Rhythm 04:55\u003cbr\u003e15. West African Swing Stars - Omo Africa 03:24\u003cbr\u003e16. Gwigwi Mrwebi - Nyusamkhaya 03:19\u003cbr\u003e17. Russ Henderson - West Indian Drums 03:10\u003cbr\u003e18. Lord Beginner - Nobody Wants To Grow Old 02:29\u003cbr\u003e19. Rans Boi's Ghana Highlife Band - Gbonimawo 03:05\u003cbr\u003e20. West African Rhythm Brothers - Sing The Blues 02:48\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Honest Jon's\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eHJRLP016\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・ロンドンのHonest Jon'sが手がけるカリプソコンピレーション2枚組みレコードです。 1950年代のジャズ〜ハイライフを中心としたカリプソ20曲を収録。ゲートフォルド仕様、インサート付属。 レーベルその他作品はこちら /// Click here to see more Honest Jon's Records releases available at Tobira....
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{"id":8932449091834,"title":"Various Artists (Death Is Not The End) \/\/ The World Is But a Place of Survival: Begena Songs from Ethiopia 2xLP","handle":"various-artists-death-is-not-the-end-the-world-is-but-a-place-of-survival-begena-songs-from-ethiopia-tape-copy","description":"\u003cp\u003eイギリス・ロンドンの発掘専門レーベルDeath Is Not The Endが、2025年9月にリリースした、エチオピアの伝統楽器ベゲナにフォーカスした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルよる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ベゲナとは、エチオピアの伝統的なアムハラ民族の遺産の一部である大きな10弦の竪琴である。長い間、エチオピアの政治的・文化的支配を形成してきたアムハラ人は、主にエチオピアの中部と北部に居住している。大多数は、紀元4世紀初頭に設立された単性正教会のテワヒド教会を信仰している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e音楽は教会生活において非常に重要な役割を果たしている。典礼のほとんどは歌われ、世俗音楽とは異なり、打楽器のみの伴奏である。ベゲナが特別な位置を占めるのは、精神的なレパートリーに特化した唯一の旋律楽器だからである。その神話的な起源から、非常に尊敬されている。ベゲナは神からダビデ王に与えられ、メネリク1世が聖櫃とともにエチオピアに持ち込んだとされている。ベゲナは常に王や貴族の楽器であった。敬虔な文人墨客によって演奏され、広まることはなかった。しかし、この楽器を禁止したデルク政権（1974～1991年）の下でも、消えることはなかった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアムハラの弦楽器の中で、ベゲナは最も入念に作られ、特に横木の彫刻が美しい。その10本のガット弦は何度も洗浄され、ねじられる。他のアムハラ楽器にはない特徴的な賑やかな音色は、エンジロッチ、つまり各弦とブリッジの間に置かれた小さな革のかけらによるものだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e神父や説教師は、特に正統派のアムハラ人が自分の罪について考え、悔い改める四旬節（ファシカ・ツォム）の間は、この楽器の存在を勧める。その精神的な重要性から、ベゲナは激しい感情を生み出す。音楽家の中には、ベゲナを演奏することで神や聖母マリアと直接触れ合うことができるという人もいる。ベゲナの宗教的な役割は、楽器の形によって強調され、各部分は信仰の重要な要素を象徴している。例えば、楽器の幅いっぱいに伸びる横棒は、万物の上におられる神を象徴している。音を 「産む 」腹は聖母マリアを表し、10本の弦は十戒を想起させる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=277404371\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Tafese Tesfaye - The Dove \u0026amp; The Pigeon 06:03\u003cbr\u003e2. Yetemwork Mulat - Heathen \u0026amp; Earth 05:45\u003cbr\u003e3. Alemu Aga - The World Is But a Place of Survival 04:42\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Sosena Gebre Eyesus - Save Us from Our Death 06:11\u003cbr\u003e\u003c\/span\u003e5. Abiy Seyoum - The Last Judgement 02:56\u003cbr\u003e6. Tafese Tesfaye - You Who Take Good Care of Me 05:59\u003cbr\u003e7. Sosena Gebre Eyesus - When I Say Your Name 06:16\u003cbr\u003e8. Akalu Yossef - Who Can Doubt 06:35\u003cbr\u003e9. Abiy Seyoum - We Are All Mortals 03:44\u003cbr\u003e10. Yetemwork Mulat - The Second Coming of Christ 04:58\u003cbr\u003e11. Akalu Yossef - Our Father 04:29\u003cbr\u003e12. Alemu Aga - Song of Praise Played with a Plectrum 03:51\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDeath Is Not The End:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe begena is a large ten-stringed lyre which is part of the traditional Amharic heritage of Ethiopia. The Amharas, who have long formed the politically and culturally dominant people of Ethiopia, mainly inhabit the central and northern part of the country. In the majority, they follow the monophysite Orthodox Tewahido Church established in the early fourth century AD.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusic plays a very important part in the life of the church. Most of the liturgy is sung and, contrary to secular music, it is accompanied by percussion instruments only. The begena occupies a special place because it is the one melodic instrument exclusively dedicated to the spiritual repertory. Because of its mythical origin, it is highly respected. Tradition holds that the begena was given to king David by God, and brought to Ethiopia by Menelik I, together with the Ark of the Covenant. It has always been the instrument of kings and nobles. Played by pious men and women of letters, it never became widespread. But it never disappeared either, not even under the Derg regime (1974-1991) which had banned the instrument.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAmong Amhara string instruments, the begena is the most carefully crafted, especially with regard to the ornately sculpted crossbar. Its ten gut strings are cleaned and twisted several\u003cspan class=\"bcTruncateMore\"\u003e times. The characteristic buzzing timbre equalled by no other Amhara instrument is due to the enzirotch, that is, small bits of leather placed between each string and the bridge.\u003cbr\u003e\u003cbr\u003ePriests and preachers recommend its presence, especially during Lent (Fassika Tsom) when the Orthodox Amharas ponder their sins and repent. Because of its spiritual import, the begena generates intense emotion. According to some musicans, playing the begena brings them into direct contact with God or the Virgin Mary. The religious role of the begena is underscored by the shape of the instrument, each part symbolises an important element of the faith. The crossbar for instance, which reaches across the entire width of the instrument, represents God who is above all things. The belly which \"gives birth\" to the sound represents the Virgin Mary, and the ten strings recall the Ten Commandments.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e\n\u003cp\u003ecat no : DEATH090LP\u003c\/p\u003e","published_at":"2025-09-24T14:27:42+09:00","created_at":"2025-09-24T11:17:41+09:00","vendor":"Tobira Records","type":"","tags":["death is not the end","field recording","lp","new"],"price":585000,"price_min":585000,"price_max":585000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47743803916538,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Various Artists (Death Is Not The End) \/\/ The World Is But a Place of Survival: Begena Songs from Ethiopia 2xLP","public_title":null,"options":["Default Title"],"price":585000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"5050580844728","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sur1_3f47f204-28c0-4dc5-8840-58d25086fe78.jpg?v=1758680333","\/\/tobirarecords.com\/cdn\/shop\/files\/sur2_22d1203c-bcee-4e89-b1f3-aa55a48a4b17.jpg?v=1758680334"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sur1_3f47f204-28c0-4dc5-8840-58d25086fe78.jpg?v=1758680333","options":["Title"],"media":[{"alt":null,"id":36881896440058,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sur1_3f47f204-28c0-4dc5-8840-58d25086fe78.jpg?v=1758680333"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sur1_3f47f204-28c0-4dc5-8840-58d25086fe78.jpg?v=1758680333","width":700},{"alt":null,"id":36881896472826,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sur2_22d1203c-bcee-4e89-b1f3-aa55a48a4b17.jpg?v=1758680334"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sur2_22d1203c-bcee-4e89-b1f3-aa55a48a4b17.jpg?v=1758680334","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンの発掘専門レーベルDeath Is Not The Endが、2025年9月にリリースした、エチオピアの伝統楽器ベゲナにフォーカスした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルよる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ベゲナとは、エチオピアの伝統的なアムハラ民族の遺産の一部である大きな10弦の竪琴である。長い間、エチオピアの政治的・文化的支配を形成してきたアムハラ人は、主にエチオピアの中部と北部に居住している。大多数は、紀元4世紀初頭に設立された単性正教会のテワヒド教会を信仰している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e音楽は教会生活において非常に重要な役割を果たしている。典礼のほとんどは歌われ、世俗音楽とは異なり、打楽器のみの伴奏である。ベゲナが特別な位置を占めるのは、精神的なレパートリーに特化した唯一の旋律楽器だからである。その神話的な起源から、非常に尊敬されている。ベゲナは神からダビデ王に与えられ、メネリク1世が聖櫃とともにエチオピアに持ち込んだとされている。ベゲナは常に王や貴族の楽器であった。敬虔な文人墨客によって演奏され、広まることはなかった。しかし、この楽器を禁止したデルク政権（1974～1991年）の下でも、消えることはなかった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアムハラの弦楽器の中で、ベゲナは最も入念に作られ、特に横木の彫刻が美しい。その10本のガット弦は何度も洗浄され、ねじられる。他のアムハラ楽器にはない特徴的な賑やかな音色は、エンジロッチ、つまり各弦とブリッジの間に置かれた小さな革のかけらによるものだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e神父や説教師は、特に正統派のアムハラ人が自分の罪について考え、悔い改める四旬節（ファシカ・ツォム）の間は、この楽器の存在を勧める。その精神的な重要性から、ベゲナは激しい感情を生み出す。音楽家の中には、ベゲナを演奏することで神や聖母マリアと直接触れ合うことができるという人もいる。ベゲナの宗教的な役割は、楽器の形によって強調され、各部分は信仰の重要な要素を象徴している。例えば、楽器の幅いっぱいに伸びる横棒は、万物の上におられる神を象徴している。音を 「産む 」腹は聖母マリアを表し、10本の弦は十戒を想起させる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=277404371\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Tafese Tesfaye - The Dove \u0026amp; The Pigeon 06:03\u003cbr\u003e2. Yetemwork Mulat - Heathen \u0026amp; Earth 05:45\u003cbr\u003e3. Alemu Aga - The World Is But a Place of Survival 04:42\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Sosena Gebre Eyesus - Save Us from Our Death 06:11\u003cbr\u003e\u003c\/span\u003e5. Abiy Seyoum - The Last Judgement 02:56\u003cbr\u003e6. Tafese Tesfaye - You Who Take Good Care of Me 05:59\u003cbr\u003e7. Sosena Gebre Eyesus - When I Say Your Name 06:16\u003cbr\u003e8. Akalu Yossef - Who Can Doubt 06:35\u003cbr\u003e9. Abiy Seyoum - We Are All Mortals 03:44\u003cbr\u003e10. Yetemwork Mulat - The Second Coming of Christ 04:58\u003cbr\u003e11. Akalu Yossef - Our Father 04:29\u003cbr\u003e12. Alemu Aga - Song of Praise Played with a Plectrum 03:51\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDeath Is Not The End:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe begena is a large ten-stringed lyre which is part of the traditional Amharic heritage of Ethiopia. The Amharas, who have long formed the politically and culturally dominant people of Ethiopia, mainly inhabit the central and northern part of the country. In the majority, they follow the monophysite Orthodox Tewahido Church established in the early fourth century AD.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusic plays a very important part in the life of the church. Most of the liturgy is sung and, contrary to secular music, it is accompanied by percussion instruments only. The begena occupies a special place because it is the one melodic instrument exclusively dedicated to the spiritual repertory. Because of its mythical origin, it is highly respected. Tradition holds that the begena was given to king David by God, and brought to Ethiopia by Menelik I, together with the Ark of the Covenant. It has always been the instrument of kings and nobles. Played by pious men and women of letters, it never became widespread. But it never disappeared either, not even under the Derg regime (1974-1991) which had banned the instrument.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAmong Amhara string instruments, the begena is the most carefully crafted, especially with regard to the ornately sculpted crossbar. Its ten gut strings are cleaned and twisted several\u003cspan class=\"bcTruncateMore\"\u003e times. The characteristic buzzing timbre equalled by no other Amhara instrument is due to the enzirotch, that is, small bits of leather placed between each string and the bridge.\u003cbr\u003e\u003cbr\u003ePriests and preachers recommend its presence, especially during Lent (Fassika Tsom) when the Orthodox Amharas ponder their sins and repent. Because of its spiritual import, the begena generates intense emotion. According to some musicans, playing the begena brings them into direct contact with God or the Virgin Mary. The religious role of the begena is underscored by the shape of the instrument, each part symbolises an important element of the faith. The crossbar for instance, which reaches across the entire width of the instrument, represents God who is above all things. The belly which \"gives birth\" to the sound represents the Virgin Mary, and the ten strings recall the Ten Commandments.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e\n\u003cp\u003ecat no : DEATH090LP\u003c\/p\u003e"}
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イギリス・ロンドンの発掘専門レーベルDeath Is Not The Endが、2025年9月にリリースした、エチオピアの伝統楽器ベゲナにフォーカスした2枚組レコードです。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルよる解説です。 "ベゲナとは、エチオピアの伝統的なアムハラ民族の遺産の一部である大きな10弦の竪琴である。長い間、エチオピアの政治的・文化的支配を形成してきたアムハラ人は、主にエチオピアの中部と北部に居住している。大多数は、紀元4世紀初頭に設立された単性正教会のテワヒド教会を信仰している。 音楽は教会生活において非常に重要な役割を果たしている。典礼のほとんどは歌われ、世俗音楽とは異なり、打楽器のみの伴奏である。ベゲナが特別な位置を占めるのは、精神的なレパートリーに特化した唯一の旋律楽器だからである。その神話的な起源から、非常に尊敬されている。ベゲナは神からダビデ王に与えられ、メネリク1世が聖櫃とともにエチオピアに持ち込んだとされている。ベゲナは常に王や貴族の楽器であった。敬虔な文人墨客によって演奏され、広まることはなかった。しかし、この楽器を禁止したデルク政権（1974～1991年）の下でも、消えることはなかった。 アムハラの弦楽器の中で、ベゲナは最も入念に作られ、特に横木の彫刻が美しい。その10本のガット弦は何度も洗浄され、ねじられる。他のアムハラ楽器にはない特徴的な賑やかな音色は、エンジロッチ、つまり各弦とブリッジの間に置かれた小さな革のかけらによるものだ。 神父や説教師は、特に正統派のアムハラ人が自分の罪について考え、悔い改める四旬節（ファシカ・ツォム）の間は、この楽器の存在を勧める。その精神的な重要性から、ベゲナは激しい感情を生み出す。音楽家の中には、ベゲナを演奏することで神や聖母マリアと直接触れ合うことができるという人もいる。ベゲナの宗教的な役割は、楽器の形によって強調され、各部分は信仰の重要な要素を象徴している。例えば、楽器の幅いっぱいに伸びる横棒は、万物の上におられる神を象徴している。音を 「産む 」腹は聖母マリアを表し、10本の弦は十戒を想起させる。" レーベルその他作品はこちら ///...
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{"id":8920204869882,"title":"Amelia Cuni \/\/ Melopea LP","handle":"amelia-cuni-melopea-lp","description":"\u003cp\u003eイタリア・ミラノ出身、インドにて北インド古典音楽ドゥルパドの技術を磨いたAmelia Cuni（1958-2024）が、2025年9月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"本作では、生涯の後半をベルリンで過ごした偉大なイタリア人歌手Amelia Cuni（1958-2024）の驚くべき歌声を際立たせる2つの新作を収録。彼女は古典インド音楽ドルーパッドの達人であると同時に、現代的な実験的アプローチへの取り組みを並行して深めていました。1990年代のインドにおける伝統的ドルーパッド演奏を記録した2枚の驚異的なアーカイブ作品（BT079、BT092）に続き、本作に収録された両面1枚分の楽曲は、Cuniが歌唱の新たな文脈と環境を探求した自由な姿勢を体現している。 両曲とも、2012年にパートナーのヴェルナー・デュランがベルリンで録音した、Cuniによる五音階ラーグ・ブープ（またはボーパリ）の長尺音源を活用している。『メロペア』は、この音源にヴァイオリニストのシルヴィア・タロッツィとチェリストのデボラ・ウォーカーによるエリアン・ラディグの『オッカム・リバーII』の演奏を重ね合わせたCuniとデュランの試みから始まった。この偶然の出会いの美しさ（そしてパンデミック期間中の非同期コラボレーション実験）に触発され、タロッツィとウォーカーはCuniの声を聴かずに「記憶の中に彼女を存在させながら」個別に録音を行った。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eタロッツィとウォーカーの弓奏弦楽器は、Cuniの威厳ある演奏を新たな文脈に位置づけ、ラディグが自身の作品とCuniの声が初めて重なり合った際に指摘したように、両者に共通する「部分音、倍音、音響の豊かな構成要素であるこれらの自然要素への探求」を強調している。ささやくような弓奏ハーモニクスから始まるヴァイオリンとチェロは、ドルーパッドの伝統的なタンプラー・ドローンの安定性を、ハーレー・ゲイバーの作品を想起させる、ゆっくりと進化する不安定な和声的相互作用の網へと置き換える。時には不協和音を長時間保ったり、変化する干渉パターンを前面に出したりする。主に低音域に焦点を当てたクニの演奏は、微分音の繊細なピッチ制御、優雅な滑らかなグリッサンド、瞑想的なゆったりとしたテンポを駆使した卓越した技量を示している。 \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCuniによる同じ録音の続きが『ブープ・ムルチャナ』の基盤を成し、チェロにアンシア・キャディ、ソプラノサックスにヴェルナー・デュランが参加している。最初の楽曲のランダムな重層化とは対照的に、ここではデュランとキャディがCuniが歌うラーグに基づき音程を慎重に選択し、「ムルチャナ」形式を採用している。この形式ではラーグの構成音を新たなラーグの主音として用い、同じ音程構造を維持する。両者とも楽器で驚くべき深みと調和的な純度を帯びた音色を確立しており、キャディとデュランの忍耐強いロングトーンは、音の物理的特性に厳密に根ざしつつも、非物質的で浮遊する質感を併せ持つ。クニの歌声、そして曲終盤でのハンマリングとピッキングによるタンプラーの演奏が加わることで、その効果は奇跡的とさえ言える。この音楽に身を委ねることは、温泉に浸かり、瞬時にあらゆる緊張が解ける感覚に似ている。デュラン、タロッツィ、ウォーカーによるライナーノーツを伴う『メロペア』は、Amelia Cuniの深遠な芸術への感動的な賛辞であると同時に、未体験者にとっては完璧な入門編でもある。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Melopea by Amelia Cuni\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e21:00\u003cbr\u003e2. Bhoop - Murchana by Amelia Cuni\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e22:05\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Amelia Cuni\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 134\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-09-11T13:49:41+09:00","created_at":"2025-09-11T10:05:32+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","field recording","lp","new"],"price":467500,"price_min":467500,"price_max":467500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47710536630522,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Amelia Cuni \/\/ Melopea LP","public_title":null,"options":["Default Title"],"price":467500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101486517","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cuni1.jpg?v=1757552635"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cuni1.jpg?v=1757552635","options":["Title"],"media":[{"alt":null,"id":36782715076858,"position":1,"preview_image":{"aspect_ratio":1.0,"height":328,"width":328,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cuni1.jpg?v=1757552635"},"aspect_ratio":1.0,"height":328,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cuni1.jpg?v=1757552635","width":328}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリア・ミラノ出身、インドにて北インド古典音楽ドゥルパドの技術を磨いたAmelia Cuni（1958-2024）が、2025年9月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"本作では、生涯の後半をベルリンで過ごした偉大なイタリア人歌手Amelia Cuni（1958-2024）の驚くべき歌声を際立たせる2つの新作を収録。彼女は古典インド音楽ドルーパッドの達人であると同時に、現代的な実験的アプローチへの取り組みを並行して深めていました。1990年代のインドにおける伝統的ドルーパッド演奏を記録した2枚の驚異的なアーカイブ作品（BT079、BT092）に続き、本作に収録された両面1枚分の楽曲は、Cuniが歌唱の新たな文脈と環境を探求した自由な姿勢を体現している。 両曲とも、2012年にパートナーのヴェルナー・デュランがベルリンで録音した、Cuniによる五音階ラーグ・ブープ（またはボーパリ）の長尺音源を活用している。『メロペア』は、この音源にヴァイオリニストのシルヴィア・タロッツィとチェリストのデボラ・ウォーカーによるエリアン・ラディグの『オッカム・リバーII』の演奏を重ね合わせたCuniとデュランの試みから始まった。この偶然の出会いの美しさ（そしてパンデミック期間中の非同期コラボレーション実験）に触発され、タロッツィとウォーカーはCuniの声を聴かずに「記憶の中に彼女を存在させながら」個別に録音を行った。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eタロッツィとウォーカーの弓奏弦楽器は、Cuniの威厳ある演奏を新たな文脈に位置づけ、ラディグが自身の作品とCuniの声が初めて重なり合った際に指摘したように、両者に共通する「部分音、倍音、音響の豊かな構成要素であるこれらの自然要素への探求」を強調している。ささやくような弓奏ハーモニクスから始まるヴァイオリンとチェロは、ドルーパッドの伝統的なタンプラー・ドローンの安定性を、ハーレー・ゲイバーの作品を想起させる、ゆっくりと進化する不安定な和声的相互作用の網へと置き換える。時には不協和音を長時間保ったり、変化する干渉パターンを前面に出したりする。主に低音域に焦点を当てたクニの演奏は、微分音の繊細なピッチ制御、優雅な滑らかなグリッサンド、瞑想的なゆったりとしたテンポを駆使した卓越した技量を示している。 \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCuniによる同じ録音の続きが『ブープ・ムルチャナ』の基盤を成し、チェロにアンシア・キャディ、ソプラノサックスにヴェルナー・デュランが参加している。最初の楽曲のランダムな重層化とは対照的に、ここではデュランとキャディがCuniが歌うラーグに基づき音程を慎重に選択し、「ムルチャナ」形式を採用している。この形式ではラーグの構成音を新たなラーグの主音として用い、同じ音程構造を維持する。両者とも楽器で驚くべき深みと調和的な純度を帯びた音色を確立しており、キャディとデュランの忍耐強いロングトーンは、音の物理的特性に厳密に根ざしつつも、非物質的で浮遊する質感を併せ持つ。クニの歌声、そして曲終盤でのハンマリングとピッキングによるタンプラーの演奏が加わることで、その効果は奇跡的とさえ言える。この音楽に身を委ねることは、温泉に浸かり、瞬時にあらゆる緊張が解ける感覚に似ている。デュラン、タロッツィ、ウォーカーによるライナーノーツを伴う『メロペア』は、Amelia Cuniの深遠な芸術への感動的な賛辞であると同時に、未体験者にとっては完璧な入門編でもある。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Melopea by Amelia Cuni\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e21:00\u003cbr\u003e2. Bhoop - Murchana by Amelia Cuni\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e22:05\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Amelia Cuni\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 134\u003c\/span\u003e\u003c\/p\u003e"}
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イタリア・ミラノ出身、インドにて北インド古典音楽ドゥルパドの技術を磨いたAmelia Cuni（1958-2024）が、2025年9月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。DLコード付属。 以下、レーベルによる解説です。 "本作では、生涯の後半をベルリンで過ごした偉大なイタリア人歌手Amelia Cuni（1958-2024）の驚くべき歌声を際立たせる2つの新作を収録。彼女は古典インド音楽ドルーパッドの達人であると同時に、現代的な実験的アプローチへの取り組みを並行して深めていました。1990年代のインドにおける伝統的ドルーパッド演奏を記録した2枚の驚異的なアーカイブ作品（BT079、BT092）に続き、本作に収録された両面1枚分の楽曲は、Cuniが歌唱の新たな文脈と環境を探求した自由な姿勢を体現している。 両曲とも、2012年にパートナーのヴェルナー・デュランがベルリンで録音した、Cuniによる五音階ラーグ・ブープ（またはボーパリ）の長尺音源を活用している。『メロペア』は、この音源にヴァイオリニストのシルヴィア・タロッツィとチェリストのデボラ・ウォーカーによるエリアン・ラディグの『オッカム・リバーII』の演奏を重ね合わせたCuniとデュランの試みから始まった。この偶然の出会いの美しさ（そしてパンデミック期間中の非同期コラボレーション実験）に触発され、タロッツィとウォーカーはCuniの声を聴かずに「記憶の中に彼女を存在させながら」個別に録音を行った。 タロッツィとウォーカーの弓奏弦楽器は、Cuniの威厳ある演奏を新たな文脈に位置づけ、ラディグが自身の作品とCuniの声が初めて重なり合った際に指摘したように、両者に共通する「部分音、倍音、音響の豊かな構成要素であるこれらの自然要素への探求」を強調している。ささやくような弓奏ハーモニクスから始まるヴァイオリンとチェロは、ドルーパッドの伝統的なタンプラー・ドローンの安定性を、ハーレー・ゲイバーの作品を想起させる、ゆっくりと進化する不安定な和声的相互作用の網へと置き換える。時には不協和音を長時間保ったり、変化する干渉パターンを前面に出したりする。主に低音域に焦点を当てたクニの演奏は、微分音の繊細なピッチ制御、優雅な滑らかなグリッサンド、瞑想的なゆったりとしたテンポを駆使した卓越した技量を示している。 Cuniによる同じ録音の続きが『ブープ・ムルチャナ』の基盤を成し、チェロにアンシア・キャディ、ソプラノサックスにヴェルナー・デュランが参加している。最初の楽曲のランダムな重層化とは対照的に、ここではデュランとキャディがCuniが歌うラーグに基づき音程を慎重に選択し、「ムルチャナ」形式を採用している。この形式ではラーグの構成音を新たなラーグの主音として用い、同じ音程構造を維持する。両者とも楽器で驚くべき深みと調和的な純度を帯びた音色を確立しており、キャディとデュランの忍耐強いロングトーンは、音の物理的特性に厳密に根ざしつつも、非物質的で浮遊する質感を併せ持つ。クニの歌声、そして曲終盤でのハンマリングとピッキングによるタンプラーの演奏が加わることで、その効果は奇跡的とさえ言える。この音楽に身を委ねることは、温泉に浸かり、瞬時にあらゆる緊張が解ける感覚に似ている。デュラン、タロッツィ、ウォーカーによるライナーノーツを伴う『メロペア』は、Amelia Cuniの深遠な芸術への感動的な賛辞であると同時に、未体験者にとっては完璧な入門編でもある。 " レーベルその他作品はこちら /// Click here to see...
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{"id":8917465530618,"title":"Various Artists (Death Is Not The End) \/\/ The World Is But a Place of Survival: Begena Songs from Ethiopia TAPE","handle":"various-artists-death-is-not-the-end-the-world-is-but-a-place-of-survival-begena-songs-from-ethiopia-tape","description":"\u003cp\u003eイギリス・ロンドンの発掘専門レーベルDeath Is Not The Endが、2025年8月にリリースした、エチオピアの伝統楽器ベゲナにフォーカスしたコンピレーションカセットです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルよる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ベゲナとは、エチオピアの伝統的なアムハラ民族の遺産の一部である大きな10弦の竪琴である。長い間、エチオピアの政治的・文化的支配を形成してきたアムハラ人は、主にエチオピアの中部と北部に居住している。大多数は、紀元4世紀初頭に設立された単性正教会のテワヒド教会を信仰している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e音楽は教会生活において非常に重要な役割を果たしている。典礼のほとんどは歌われ、世俗音楽とは異なり、打楽器のみの伴奏である。ベゲナが特別な位置を占めるのは、精神的なレパートリーに特化した唯一の旋律楽器だからである。その神話的な起源から、非常に尊敬されている。ベゲナは神からダビデ王に与えられ、メネリク1世が聖櫃とともにエチオピアに持ち込んだとされている。ベゲナは常に王や貴族の楽器であった。敬虔な文人墨客によって演奏され、広まることはなかった。しかし、この楽器を禁止したデルク政権（1974～1991年）の下でも、消えることはなかった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアムハラの弦楽器の中で、ベゲナは最も入念に作られ、特に横木の彫刻が美しい。その10本のガット弦は何度も洗浄され、ねじられる。他のアムハラ楽器にはない特徴的な賑やかな音色は、エンジロッチ、つまり各弦とブリッジの間に置かれた小さな革のかけらによるものだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e神父や説教師は、特に正統派のアムハラ人が自分の罪について考え、悔い改める四旬節（ファシカ・ツォム）の間は、この楽器の存在を勧める。その精神的な重要性から、ベゲナは激しい感情を生み出す。音楽家の中には、ベゲナを演奏することで神や聖母マリアと直接触れ合うことができるという人もいる。ベゲナの宗教的な役割は、楽器の形によって強調され、各部分は信仰の重要な要素を象徴している。例えば、楽器の幅いっぱいに伸びる横棒は、万物の上におられる神を象徴している。音を 「産む 」腹は聖母マリアを表し、10本の弦は十戒を想起させる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=277404371\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Tafese Tesfaye - The Dove \u0026amp; The Pigeon 06:03\u003cbr\u003e2. Yetemwork Mulat - Heathen \u0026amp; Earth 05:45\u003cbr\u003e3. Alemu Aga - The World Is But a Place of Survival 04:42\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Sosena Gebre Eyesus - Save Us from Our Death 06:11\u003cbr\u003e\u003c\/span\u003e5. Abiy Seyoum - The Last Judgement 02:56\u003cbr\u003e6. Tafese Tesfaye - You Who Take Good Care of Me 05:59\u003cbr\u003e7. Sosena Gebre Eyesus - When I Say Your Name 06:16\u003cbr\u003e8. Akalu Yossef - Who Can Doubt 06:35\u003cbr\u003e9. Abiy Seyoum - We Are All Mortals 03:44\u003cbr\u003e10. Yetemwork Mulat - The Second Coming of Christ 04:58\u003cbr\u003e11. Akalu Yossef - Our Father 04:29\u003cbr\u003e12. Alemu Aga - Song of Praise Played with a Plectrum 03:51\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDeath Is Not The End:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe begena is a large ten-stringed lyre which is part of the traditional Amharic heritage of Ethiopia. The Amharas, who have long formed the politically and culturally dominant people of Ethiopia, mainly inhabit the central and northern part of the country. In the majority, they follow the monophysite Orthodox Tewahido Church established in the early fourth century AD.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusic plays a very important part in the life of the church. Most of the liturgy is sung and, contrary to secular music, it is accompanied by percussion instruments only. The begena occupies a special place because it is the one melodic instrument exclusively dedicated to the spiritual repertory. Because of its mythical origin, it is highly respected. Tradition holds that the begena was given to king David by God, and brought to Ethiopia by Menelik I, together with the Ark of the Covenant. It has always been the instrument of kings and nobles. Played by pious men and women of letters, it never became widespread. But it never disappeared either, not even under the Derg regime (1974-1991) which had banned the instrument.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAmong Amhara string instruments, the begena is the most carefully crafted, especially with regard to the ornately sculpted crossbar. Its ten gut strings are cleaned and twisted several\u003cspan class=\"bcTruncateMore\"\u003e times. The characteristic buzzing timbre equalled by no other Amhara instrument is due to the enzirotch, that is, small bits of leather placed between each string and the bridge.\u003cbr\u003e\u003cbr\u003ePriests and preachers recommend its presence, especially during Lent (Fassika Tsom) when the Orthodox Amharas ponder their sins and repent. Because of its spiritual import, the begena generates intense emotion. According to some musicans, playing the begena brings them into direct contact with God or the Virgin Mary. The religious role of the begena is underscored by the shape of the instrument, each part symbolises an important element of the faith. The crossbar for instance, which reaches across the entire width of the instrument, represents God who is above all things. The belly which \"gives birth\" to the sound represents the Virgin Mary, and the ten strings recall the Ten Commandments.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e\n\u003cp\u003ecat no : DEATH090\u003c\/p\u003e","published_at":"2025-09-07T12:23:53+09:00","created_at":"2025-09-07T10:36:49+09:00","vendor":"Tobira Records","type":"","tags":["death is not the end","field recording","new","tape"],"price":285000,"price_min":285000,"price_max":285000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47701247426810,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Various Artists (Death Is Not The End) \/\/ The World Is But a Place of Survival: Begena Songs from Ethiopia TAPE","public_title":null,"options":["Default Title"],"price":285000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"5050580855076","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/world1_0009f8cc-551b-4544-bff5-3c96724db1f6.jpg?v=1757208911","\/\/tobirarecords.com\/cdn\/shop\/files\/world2_16c9eabe-95c6-42a2-8c10-d1fd6f56dfb1.jpg?v=1757208911"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/world1_0009f8cc-551b-4544-bff5-3c96724db1f6.jpg?v=1757208911","options":["Title"],"media":[{"alt":null,"id":36753934582010,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/world1_0009f8cc-551b-4544-bff5-3c96724db1f6.jpg?v=1757208911"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/world1_0009f8cc-551b-4544-bff5-3c96724db1f6.jpg?v=1757208911","width":700},{"alt":null,"id":36753934614778,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/world2_16c9eabe-95c6-42a2-8c10-d1fd6f56dfb1.jpg?v=1757208911"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/world2_16c9eabe-95c6-42a2-8c10-d1fd6f56dfb1.jpg?v=1757208911","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンの発掘専門レーベルDeath Is Not The Endが、2025年8月にリリースした、エチオピアの伝統楽器ベゲナにフォーカスしたコンピレーションカセットです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルよる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ベゲナとは、エチオピアの伝統的なアムハラ民族の遺産の一部である大きな10弦の竪琴である。長い間、エチオピアの政治的・文化的支配を形成してきたアムハラ人は、主にエチオピアの中部と北部に居住している。大多数は、紀元4世紀初頭に設立された単性正教会のテワヒド教会を信仰している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e音楽は教会生活において非常に重要な役割を果たしている。典礼のほとんどは歌われ、世俗音楽とは異なり、打楽器のみの伴奏である。ベゲナが特別な位置を占めるのは、精神的なレパートリーに特化した唯一の旋律楽器だからである。その神話的な起源から、非常に尊敬されている。ベゲナは神からダビデ王に与えられ、メネリク1世が聖櫃とともにエチオピアに持ち込んだとされている。ベゲナは常に王や貴族の楽器であった。敬虔な文人墨客によって演奏され、広まることはなかった。しかし、この楽器を禁止したデルク政権（1974～1991年）の下でも、消えることはなかった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアムハラの弦楽器の中で、ベゲナは最も入念に作られ、特に横木の彫刻が美しい。その10本のガット弦は何度も洗浄され、ねじられる。他のアムハラ楽器にはない特徴的な賑やかな音色は、エンジロッチ、つまり各弦とブリッジの間に置かれた小さな革のかけらによるものだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e神父や説教師は、特に正統派のアムハラ人が自分の罪について考え、悔い改める四旬節（ファシカ・ツォム）の間は、この楽器の存在を勧める。その精神的な重要性から、ベゲナは激しい感情を生み出す。音楽家の中には、ベゲナを演奏することで神や聖母マリアと直接触れ合うことができるという人もいる。ベゲナの宗教的な役割は、楽器の形によって強調され、各部分は信仰の重要な要素を象徴している。例えば、楽器の幅いっぱいに伸びる横棒は、万物の上におられる神を象徴している。音を 「産む 」腹は聖母マリアを表し、10本の弦は十戒を想起させる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=277404371\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Tafese Tesfaye - The Dove \u0026amp; The Pigeon 06:03\u003cbr\u003e2. Yetemwork Mulat - Heathen \u0026amp; Earth 05:45\u003cbr\u003e3. Alemu Aga - The World Is But a Place of Survival 04:42\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Sosena Gebre Eyesus - Save Us from Our Death 06:11\u003cbr\u003e\u003c\/span\u003e5. Abiy Seyoum - The Last Judgement 02:56\u003cbr\u003e6. Tafese Tesfaye - You Who Take Good Care of Me 05:59\u003cbr\u003e7. Sosena Gebre Eyesus - When I Say Your Name 06:16\u003cbr\u003e8. Akalu Yossef - Who Can Doubt 06:35\u003cbr\u003e9. Abiy Seyoum - We Are All Mortals 03:44\u003cbr\u003e10. Yetemwork Mulat - The Second Coming of Christ 04:58\u003cbr\u003e11. Akalu Yossef - Our Father 04:29\u003cbr\u003e12. Alemu Aga - Song of Praise Played with a Plectrum 03:51\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDeath Is Not The End:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe begena is a large ten-stringed lyre which is part of the traditional Amharic heritage of Ethiopia. The Amharas, who have long formed the politically and culturally dominant people of Ethiopia, mainly inhabit the central and northern part of the country. In the majority, they follow the monophysite Orthodox Tewahido Church established in the early fourth century AD.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusic plays a very important part in the life of the church. Most of the liturgy is sung and, contrary to secular music, it is accompanied by percussion instruments only. The begena occupies a special place because it is the one melodic instrument exclusively dedicated to the spiritual repertory. Because of its mythical origin, it is highly respected. Tradition holds that the begena was given to king David by God, and brought to Ethiopia by Menelik I, together with the Ark of the Covenant. It has always been the instrument of kings and nobles. Played by pious men and women of letters, it never became widespread. But it never disappeared either, not even under the Derg regime (1974-1991) which had banned the instrument.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAmong Amhara string instruments, the begena is the most carefully crafted, especially with regard to the ornately sculpted crossbar. Its ten gut strings are cleaned and twisted several\u003cspan class=\"bcTruncateMore\"\u003e times. The characteristic buzzing timbre equalled by no other Amhara instrument is due to the enzirotch, that is, small bits of leather placed between each string and the bridge.\u003cbr\u003e\u003cbr\u003ePriests and preachers recommend its presence, especially during Lent (Fassika Tsom) when the Orthodox Amharas ponder their sins and repent. Because of its spiritual import, the begena generates intense emotion. According to some musicans, playing the begena brings them into direct contact with God or the Virgin Mary. The religious role of the begena is underscored by the shape of the instrument, each part symbolises an important element of the faith. The crossbar for instance, which reaches across the entire width of the instrument, represents God who is above all things. The belly which \"gives birth\" to the sound represents the Virgin Mary, and the ten strings recall the Ten Commandments.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e\n\u003cp\u003ecat no : DEATH090\u003c\/p\u003e"}
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イギリス・ロンドンの発掘専門レーベルDeath Is Not The Endが、2025年8月にリリースした、エチオピアの伝統楽器ベゲナにフォーカスしたコンピレーションカセットです。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルよる解説です。 "ベゲナとは、エチオピアの伝統的なアムハラ民族の遺産の一部である大きな10弦の竪琴である。長い間、エチオピアの政治的・文化的支配を形成してきたアムハラ人は、主にエチオピアの中部と北部に居住している。大多数は、紀元4世紀初頭に設立された単性正教会のテワヒド教会を信仰している。 音楽は教会生活において非常に重要な役割を果たしている。典礼のほとんどは歌われ、世俗音楽とは異なり、打楽器のみの伴奏である。ベゲナが特別な位置を占めるのは、精神的なレパートリーに特化した唯一の旋律楽器だからである。その神話的な起源から、非常に尊敬されている。ベゲナは神からダビデ王に与えられ、メネリク1世が聖櫃とともにエチオピアに持ち込んだとされている。ベゲナは常に王や貴族の楽器であった。敬虔な文人墨客によって演奏され、広まることはなかった。しかし、この楽器を禁止したデルク政権（1974～1991年）の下でも、消えることはなかった。 アムハラの弦楽器の中で、ベゲナは最も入念に作られ、特に横木の彫刻が美しい。その10本のガット弦は何度も洗浄され、ねじられる。他のアムハラ楽器にはない特徴的な賑やかな音色は、エンジロッチ、つまり各弦とブリッジの間に置かれた小さな革のかけらによるものだ。 神父や説教師は、特に正統派のアムハラ人が自分の罪について考え、悔い改める四旬節（ファシカ・ツォム）の間は、この楽器の存在を勧める。その精神的な重要性から、ベゲナは激しい感情を生み出す。音楽家の中には、ベゲナを演奏することで神や聖母マリアと直接触れ合うことができるという人もいる。ベゲナの宗教的な役割は、楽器の形によって強調され、各部分は信仰の重要な要素を象徴している。例えば、楽器の幅いっぱいに伸びる横棒は、万物の上におられる神を象徴している。音を 「産む 」腹は聖母マリアを表し、10本の弦は十戒を想起させる。" レーベルその他作品はこちら ///...
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{"id":8917464908026,"title":"Teppana Jänis \u0026 Arja Kastinen \/\/ Teppana Jänis LP","handle":"teppana-janis-arja-kastinen-teppana-janis-lp","description":"\u003cp\u003eフィンランドの伝統楽器カンテレ奏者Teppana Jänisが1916-1917年に蝋菅に録音した幻の音源を、カンテレ研究者Arja Kastinenが復刻した作品です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Teppana Jänisは1850年6月21日、スィスタモのウクスヤルヴィ村で生まれた。19世紀後半に失明した後、フィンランドとカレリアの伝統的な撥弦楽器で、バルト海南東部の箱琴の仲間であるカンテレを弾きながら家々を訪ね歩いた。ダンスや学校で演奏し、1911年にはスィスタモのカンテレとラノソングのコンクールにも出場した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1916年と1917年の夏、若き民俗音楽研究家アルマス・オットー・ヴァイセネン（1890～1969）は国境カレリアに採集旅行に出かけた。彼の目的はカンテレの曲、哀歌、羊飼いのメロディーを収集することであったが、これらは資料館にほとんどなく混乱していた。1916年の旅にはフィンランド文学協会が資金を提供し、録音用の蓄音機を提供した。1917年にはカレワラ協会が資金を提供し、パーログラフを使って録音が行われた。この2年の夏、ヴァイセネンはスオヤルヴィ、コルピセルカ、スィスタモ、トゥポヴァーラ、キテー、インピラハティの教区でカンテレ奏者を録音した。ヴァイセネンは両夏にTeppana Jänisと出会い、彼から22のカンテのメロディーを書き起こした。そのうち14曲をワックスシリンダーに録音した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eカンテレ奏者であり研究者でもあるArja Kastinenと、今は亡きフィンランドの民俗音楽家タイト・ホフレンが、ヴァイセネンの楽譜の手稿から発見された追加情報や注釈を考慮しながら、オリジナルの生のシリンダー録音と再演された作品を融合させ、「Teppana Jänis」と題されたこのLPは、オリジナルのシリンダー録音と再演された作品を融合させ、そして絡み合っている。アーカイブ音源の使用を許可してくれたフィンランド文学協会、貴重な援助をしてくれたリスト・ブロムスター、そしてカレリア文化財団に心から感謝する。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3464537085\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eRecorded 1916-17 and 2020-21.\u003cbr\u003eIn memoriam Taito Hoffrén (1974–2024)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vanha valssi 02:09\u003cbr\u003e2. Ruskoi 01:57\u003cbr\u003e3. Lippoa 01:37\u003cbr\u003e4. Letška 01:22\u003cbr\u003e5. Vanha letška 01:42\u003cbr\u003e6. Hoffalssi l. foffalssi 01:38\u003cbr\u003e7. Hoilolan polkka, 3 parii 01:59\u003cbr\u003e8. Ruohtalazen falssi 02:06\u003cbr\u003e9. Vaivazen pojan laulu (kantele) 01:35\u003cbr\u003e10. Vaivazen pojan laulu (laulu \u0026amp; kantele) w\/ Taito Hoffrén 01:37\u003cbr\u003e11. Runolaulu – Voi minä poloine poiga w\/ Taito Hoffrén 01:54\u003cbr\u003e12. Riivattu eli ristakondra ja tšiitžik 03:59\u003cbr\u003e13. Maanitus eli ribatška ja tšiitžik 05:53\u003cbr\u003e14. Markan kiža 01:55\u003cbr\u003e15. Markan kiža sovitus (arr. A. Kastinen) 03:04\u003cbr\u003e16. Valamon kirkonkellot 01:42\u003cbr\u003e17. Valamon kirkonkellot sovitus (arr. A. Kastinen) 03:46\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDeath Is Not The End:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Teppana Jänis was born in the village of Uuksujärvi in Suistamo on 21 June 1850. After becoming blind in the late 19th century, he went house to house, supporting himself by playing the kantele, a traditional Finnish and Karelian plucked string instrument belonging to the southeast Baltic box zither family. He performed at dances and in schools, and also participated in the Suistamo kantele and runosong competitions in 1911.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn the summers of 1916 and 1917, the young folk music researcher Armas Otto Väisänen (1890-1969) made collecting trips to Border Karelia. His aim was to collect kantele tunes, laments and shepherd melodies, which were confusingly few in the archives. The 1916 trip was financed by the Finnish Literature Society, who provided a phonograph for recording purposes. In 1917, the trip was financed by the Kalevala Society and the recording was carried out using a parlograph. During these two summers, Väisänen recorded kantele players in the parishes of Suojärvi, Korpiselkä, Suistamo, Tuupovaara, Kitee and Impilahti. Väisänen met Teppana Jänis in both summers and transcribed 22 kantele melodies from him. He recorded 14 of these on wax cylinders.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis LP, titled simply ‘Teppana Jänis’ fuses and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e intertwines the original raw cylinder recordings with replayed pieces by Kantele player and researcher Arja Kastinen together with the now late Finnish folk musician Taito Hoffrén, taking into account the additional information and notes found in Väisänen's sheet music manuscripts. Warm thanks to the Finnish Literature Society for permission to use the archive recordings, to Risto Blomster for his invaluable assistance, and to the Karelian Cultural Foundation.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Teppana Jänis \u0026amp; Arja Kastinen\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e\n\u003cp\u003ecat no : DEATH087LP\u003c\/p\u003e","published_at":"2025-09-07T12:38:10+09:00","created_at":"2025-09-07T10:28:17+09:00","vendor":"Tobira Records","type":"","tags":["death is not the end","field recording","lp","new"],"price":445800,"price_min":445800,"price_max":445800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47701243166970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Teppana Jänis \u0026 Arja Kastinen \/\/ Teppana Jänis LP","public_title":null,"options":["Default Title"],"price":445800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"5050580841031","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/tepp1_5e3ab512-c21b-4257-b8c1-4e328c2b6621.jpg?v=1757208521","\/\/tobirarecords.com\/cdn\/shop\/files\/tepp2.jpg?v=1757208521"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/tepp1_5e3ab512-c21b-4257-b8c1-4e328c2b6621.jpg?v=1757208521","options":["Title"],"media":[{"alt":null,"id":36753925701882,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tepp1_5e3ab512-c21b-4257-b8c1-4e328c2b6621.jpg?v=1757208521"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tepp1_5e3ab512-c21b-4257-b8c1-4e328c2b6621.jpg?v=1757208521","width":700},{"alt":null,"id":36753925734650,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tepp2.jpg?v=1757208521"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tepp2.jpg?v=1757208521","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランドの伝統楽器カンテレ奏者Teppana Jänisが1916-1917年に蝋菅に録音した幻の音源を、カンテレ研究者Arja Kastinenが復刻した作品です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Teppana Jänisは1850年6月21日、スィスタモのウクスヤルヴィ村で生まれた。19世紀後半に失明した後、フィンランドとカレリアの伝統的な撥弦楽器で、バルト海南東部の箱琴の仲間であるカンテレを弾きながら家々を訪ね歩いた。ダンスや学校で演奏し、1911年にはスィスタモのカンテレとラノソングのコンクールにも出場した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1916年と1917年の夏、若き民俗音楽研究家アルマス・オットー・ヴァイセネン（1890～1969）は国境カレリアに採集旅行に出かけた。彼の目的はカンテレの曲、哀歌、羊飼いのメロディーを収集することであったが、これらは資料館にほとんどなく混乱していた。1916年の旅にはフィンランド文学協会が資金を提供し、録音用の蓄音機を提供した。1917年にはカレワラ協会が資金を提供し、パーログラフを使って録音が行われた。この2年の夏、ヴァイセネンはスオヤルヴィ、コルピセルカ、スィスタモ、トゥポヴァーラ、キテー、インピラハティの教区でカンテレ奏者を録音した。ヴァイセネンは両夏にTeppana Jänisと出会い、彼から22のカンテのメロディーを書き起こした。そのうち14曲をワックスシリンダーに録音した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eカンテレ奏者であり研究者でもあるArja Kastinenと、今は亡きフィンランドの民俗音楽家タイト・ホフレンが、ヴァイセネンの楽譜の手稿から発見された追加情報や注釈を考慮しながら、オリジナルの生のシリンダー録音と再演された作品を融合させ、「Teppana Jänis」と題されたこのLPは、オリジナルのシリンダー録音と再演された作品を融合させ、そして絡み合っている。アーカイブ音源の使用を許可してくれたフィンランド文学協会、貴重な援助をしてくれたリスト・ブロムスター、そしてカレリア文化財団に心から感謝する。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3464537085\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eRecorded 1916-17 and 2020-21.\u003cbr\u003eIn memoriam Taito Hoffrén (1974–2024)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vanha valssi 02:09\u003cbr\u003e2. Ruskoi 01:57\u003cbr\u003e3. Lippoa 01:37\u003cbr\u003e4. Letška 01:22\u003cbr\u003e5. Vanha letška 01:42\u003cbr\u003e6. Hoffalssi l. foffalssi 01:38\u003cbr\u003e7. Hoilolan polkka, 3 parii 01:59\u003cbr\u003e8. Ruohtalazen falssi 02:06\u003cbr\u003e9. Vaivazen pojan laulu (kantele) 01:35\u003cbr\u003e10. Vaivazen pojan laulu (laulu \u0026amp; kantele) w\/ Taito Hoffrén 01:37\u003cbr\u003e11. Runolaulu – Voi minä poloine poiga w\/ Taito Hoffrén 01:54\u003cbr\u003e12. Riivattu eli ristakondra ja tšiitžik 03:59\u003cbr\u003e13. Maanitus eli ribatška ja tšiitžik 05:53\u003cbr\u003e14. Markan kiža 01:55\u003cbr\u003e15. Markan kiža sovitus (arr. A. Kastinen) 03:04\u003cbr\u003e16. Valamon kirkonkellot 01:42\u003cbr\u003e17. Valamon kirkonkellot sovitus (arr. A. Kastinen) 03:46\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDeath Is Not The End:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Teppana Jänis was born in the village of Uuksujärvi in Suistamo on 21 June 1850. After becoming blind in the late 19th century, he went house to house, supporting himself by playing the kantele, a traditional Finnish and Karelian plucked string instrument belonging to the southeast Baltic box zither family. He performed at dances and in schools, and also participated in the Suistamo kantele and runosong competitions in 1911.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn the summers of 1916 and 1917, the young folk music researcher Armas Otto Väisänen (1890-1969) made collecting trips to Border Karelia. His aim was to collect kantele tunes, laments and shepherd melodies, which were confusingly few in the archives. The 1916 trip was financed by the Finnish Literature Society, who provided a phonograph for recording purposes. In 1917, the trip was financed by the Kalevala Society and the recording was carried out using a parlograph. During these two summers, Väisänen recorded kantele players in the parishes of Suojärvi, Korpiselkä, Suistamo, Tuupovaara, Kitee and Impilahti. Väisänen met Teppana Jänis in both summers and transcribed 22 kantele melodies from him. He recorded 14 of these on wax cylinders.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis LP, titled simply ‘Teppana Jänis’ fuses and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e intertwines the original raw cylinder recordings with replayed pieces by Kantele player and researcher Arja Kastinen together with the now late Finnish folk musician Taito Hoffrén, taking into account the additional information and notes found in Väisänen's sheet music manuscripts. Warm thanks to the Finnish Literature Society for permission to use the archive recordings, to Risto Blomster for his invaluable assistance, and to the Karelian Cultural Foundation.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Teppana Jänis \u0026amp; Arja Kastinen\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e\n\u003cp\u003ecat no : DEATH087LP\u003c\/p\u003e"}
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フィンランドの伝統楽器カンテレ奏者Teppana Jänisが1916-1917年に蝋菅に録音した幻の音源を、カンテレ研究者Arja Kastinenが復刻した作品です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "Teppana Jänisは1850年6月21日、スィスタモのウクスヤルヴィ村で生まれた。19世紀後半に失明した後、フィンランドとカレリアの伝統的な撥弦楽器で、バルト海南東部の箱琴の仲間であるカンテレを弾きながら家々を訪ね歩いた。ダンスや学校で演奏し、1911年にはスィスタモのカンテレとラノソングのコンクールにも出場した。 1916年と1917年の夏、若き民俗音楽研究家アルマス・オットー・ヴァイセネン（1890～1969）は国境カレリアに採集旅行に出かけた。彼の目的はカンテレの曲、哀歌、羊飼いのメロディーを収集することであったが、これらは資料館にほとんどなく混乱していた。1916年の旅にはフィンランド文学協会が資金を提供し、録音用の蓄音機を提供した。1917年にはカレワラ協会が資金を提供し、パーログラフを使って録音が行われた。この2年の夏、ヴァイセネンはスオヤルヴィ、コルピセルカ、スィスタモ、トゥポヴァーラ、キテー、インピラハティの教区でカンテレ奏者を録音した。ヴァイセネンは両夏にTeppana Jänisと出会い、彼から22のカンテのメロディーを書き起こした。そのうち14曲をワックスシリンダーに録音した。 カンテレ奏者であり研究者でもあるArja Kastinenと、今は亡きフィンランドの民俗音楽家タイト・ホフレンが、ヴァイセネンの楽譜の手稿から発見された追加情報や注釈を考慮しながら、オリジナルの生のシリンダー録音と再演された作品を融合させ、「Teppana Jänis」と題されたこのLPは、オリジナルのシリンダー録音と再演された作品を融合させ、そして絡み合っている。アーカイブ音源の使用を許可してくれたフィンランド文学協会、貴重な援助をしてくれたリスト・ブロムスター、そしてカレリア文化財団に心から感謝する。" レーベルその他作品はこちら /// Click here to...
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{"id":8917464482042,"title":"Teppana Jänis \u0026 Arja Kastinen \/\/ Teppana Jänis TAPE","handle":"teppana-janis-arja-kastinen-teppana-janis-tape","description":"\u003cp\u003eフィンランドの伝統楽器カンテレ奏者Teppana Jänisが1916-1917年に蝋菅に録音した幻の音源を、カンテレ研究者Arja Kastinenが復刻した作品です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Teppana Jänisは1850年6月21日、スィスタモのウクスヤルヴィ村で生まれた。19世紀後半に失明した後、フィンランドとカレリアの伝統的な撥弦楽器で、バルト海南東部の箱琴の仲間であるカンテレを弾きながら家々を訪ね歩いた。ダンスや学校で演奏し、1911年にはスィスタモのカンテレとラノソングのコンクールにも出場した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1916年と1917年の夏、若き民俗音楽研究家アルマス・オットー・ヴァイセネン（1890～1969）は国境カレリアに採集旅行に出かけた。彼の目的はカンテレの曲、哀歌、羊飼いのメロディーを収集することであったが、これらは資料館にほとんどなく混乱していた。1916年の旅にはフィンランド文学協会が資金を提供し、録音用の蓄音機を提供した。1917年にはカレワラ協会が資金を提供し、パーログラフを使って録音が行われた。この2年の夏、ヴァイセネンはスオヤルヴィ、コルピセルカ、スィスタモ、トゥポヴァーラ、キテー、インピラハティの教区でカンテレ奏者を録音した。ヴァイセネンは両夏にTeppana Jänisと出会い、彼から22のカンテのメロディーを書き起こした。そのうち14曲をワックスシリンダーに録音した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eカンテレ奏者であり研究者でもあるArja Kastinenと、今は亡きフィンランドの民俗音楽家タイト・ホフレンが、ヴァイセネンの楽譜の手稿から発見された追加情報や注釈を考慮しながら、オリジナルの生のシリンダー録音と再演された作品を融合させ、「Teppana Jänis」と題されたこのLPは、オリジナルのシリンダー録音と再演された作品を融合させ、そして絡み合っている。アーカイブ音源の使用を許可してくれたフィンランド文学協会、貴重な援助をしてくれたリスト・ブロムスター、そしてカレリア文化財団に心から感謝する。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3464537085\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eRecorded 1916-17 and 2020-21.\u003cbr\u003eIn memoriam Taito Hoffrén (1974–2024)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vanha valssi 02:09\u003cbr\u003e2. Ruskoi 01:57\u003cbr\u003e3. Lippoa 01:37\u003cbr\u003e4. Letška 01:22\u003cbr\u003e5. Vanha letška 01:42\u003cbr\u003e6. Hoffalssi l. foffalssi 01:38\u003cbr\u003e7. Hoilolan polkka, 3 parii 01:59\u003cbr\u003e8. Ruohtalazen falssi 02:06\u003cbr\u003e9. Vaivazen pojan laulu (kantele) 01:35\u003cbr\u003e10. Vaivazen pojan laulu (laulu \u0026amp; kantele) w\/ Taito Hoffrén 01:37\u003cbr\u003e11. Runolaulu – Voi minä poloine poiga w\/ Taito Hoffrén 01:54\u003cbr\u003e12. Riivattu eli ristakondra ja tšiitžik 03:59\u003cbr\u003e13. Maanitus eli ribatška ja tšiitžik 05:53\u003cbr\u003e14. Markan kiža 01:55\u003cbr\u003e15. Markan kiža sovitus (arr. A. Kastinen) 03:04\u003cbr\u003e16. Valamon kirkonkellot 01:42\u003cbr\u003e17. Valamon kirkonkellot sovitus (arr. A. Kastinen) 03:46\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDeath Is Not The End:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Teppana Jänis was born in the village of Uuksujärvi in Suistamo on 21 June 1850. After becoming blind in the late 19th century, he went house to house, supporting himself by playing the kantele, a traditional Finnish and Karelian plucked string instrument belonging to the southeast Baltic box zither family. He performed at dances and in schools, and also participated in the Suistamo kantele and runosong competitions in 1911.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn the summers of 1916 and 1917, the young folk music researcher Armas Otto Väisänen (1890-1969) made collecting trips to Border Karelia. His aim was to collect kantele tunes, laments and shepherd melodies, which were confusingly few in the archives. The 1916 trip was financed by the Finnish Literature Society, who provided a phonograph for recording purposes. In 1917, the trip was financed by the Kalevala Society and the recording was carried out using a parlograph. During these two summers, Väisänen recorded kantele players in the parishes of Suojärvi, Korpiselkä, Suistamo, Tuupovaara, Kitee and Impilahti. Väisänen met Teppana Jänis in both summers and transcribed 22 kantele melodies from him. He recorded 14 of these on wax cylinders.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis LP, titled simply ‘Teppana Jänis’ fuses and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e intertwines the original raw cylinder recordings with replayed pieces by Kantele player and researcher Arja Kastinen together with the now late Finnish folk musician Taito Hoffrén, taking into account the additional information and notes found in Väisänen's sheet music manuscripts. Warm thanks to the Finnish Literature Society for permission to use the archive recordings, to Risto Blomster for his invaluable assistance, and to the Karelian Cultural Foundation.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Teppana Jänis \u0026amp; Arja Kastinen\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e\n\u003cp\u003ecat no : DEATH087\u003c\/p\u003e","published_at":"2025-09-07T12:34:28+09:00","created_at":"2025-09-07T10:25:34+09:00","vendor":"Tobira Records","type":"","tags":["death is not the end","field recording","new","tape"],"price":285000,"price_min":285000,"price_max":285000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47701240840442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Teppana Jänis \u0026 Arja Kastinen \/\/ Teppana Jänis TAPE","public_title":null,"options":["Default Title"],"price":285000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"5050580841017","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/tepp1.jpg?v=1757208199","\/\/tobirarecords.com\/cdn\/shop\/files\/tepp3.jpg?v=1757208199"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/tepp1.jpg?v=1757208199","options":["Title"],"media":[{"alt":null,"id":36753921933562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tepp1.jpg?v=1757208199"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tepp1.jpg?v=1757208199","width":700},{"alt":null,"id":36753921966330,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tepp3.jpg?v=1757208199"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tepp3.jpg?v=1757208199","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランドの伝統楽器カンテレ奏者Teppana Jänisが1916-1917年に蝋菅に録音した幻の音源を、カンテレ研究者Arja Kastinenが復刻した作品です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Teppana Jänisは1850年6月21日、スィスタモのウクスヤルヴィ村で生まれた。19世紀後半に失明した後、フィンランドとカレリアの伝統的な撥弦楽器で、バルト海南東部の箱琴の仲間であるカンテレを弾きながら家々を訪ね歩いた。ダンスや学校で演奏し、1911年にはスィスタモのカンテレとラノソングのコンクールにも出場した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1916年と1917年の夏、若き民俗音楽研究家アルマス・オットー・ヴァイセネン（1890～1969）は国境カレリアに採集旅行に出かけた。彼の目的はカンテレの曲、哀歌、羊飼いのメロディーを収集することであったが、これらは資料館にほとんどなく混乱していた。1916年の旅にはフィンランド文学協会が資金を提供し、録音用の蓄音機を提供した。1917年にはカレワラ協会が資金を提供し、パーログラフを使って録音が行われた。この2年の夏、ヴァイセネンはスオヤルヴィ、コルピセルカ、スィスタモ、トゥポヴァーラ、キテー、インピラハティの教区でカンテレ奏者を録音した。ヴァイセネンは両夏にTeppana Jänisと出会い、彼から22のカンテのメロディーを書き起こした。そのうち14曲をワックスシリンダーに録音した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eカンテレ奏者であり研究者でもあるArja Kastinenと、今は亡きフィンランドの民俗音楽家タイト・ホフレンが、ヴァイセネンの楽譜の手稿から発見された追加情報や注釈を考慮しながら、オリジナルの生のシリンダー録音と再演された作品を融合させ、「Teppana Jänis」と題されたこのLPは、オリジナルのシリンダー録音と再演された作品を融合させ、そして絡み合っている。アーカイブ音源の使用を許可してくれたフィンランド文学協会、貴重な援助をしてくれたリスト・ブロムスター、そしてカレリア文化財団に心から感謝する。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3464537085\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eRecorded 1916-17 and 2020-21.\u003cbr\u003eIn memoriam Taito Hoffrén (1974–2024)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vanha valssi 02:09\u003cbr\u003e2. Ruskoi 01:57\u003cbr\u003e3. Lippoa 01:37\u003cbr\u003e4. Letška 01:22\u003cbr\u003e5. Vanha letška 01:42\u003cbr\u003e6. Hoffalssi l. foffalssi 01:38\u003cbr\u003e7. Hoilolan polkka, 3 parii 01:59\u003cbr\u003e8. Ruohtalazen falssi 02:06\u003cbr\u003e9. Vaivazen pojan laulu (kantele) 01:35\u003cbr\u003e10. Vaivazen pojan laulu (laulu \u0026amp; kantele) w\/ Taito Hoffrén 01:37\u003cbr\u003e11. Runolaulu – Voi minä poloine poiga w\/ Taito Hoffrén 01:54\u003cbr\u003e12. Riivattu eli ristakondra ja tšiitžik 03:59\u003cbr\u003e13. Maanitus eli ribatška ja tšiitžik 05:53\u003cbr\u003e14. Markan kiža 01:55\u003cbr\u003e15. Markan kiža sovitus (arr. A. Kastinen) 03:04\u003cbr\u003e16. Valamon kirkonkellot 01:42\u003cbr\u003e17. Valamon kirkonkellot sovitus (arr. A. Kastinen) 03:46\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDeath Is Not The End:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Teppana Jänis was born in the village of Uuksujärvi in Suistamo on 21 June 1850. After becoming blind in the late 19th century, he went house to house, supporting himself by playing the kantele, a traditional Finnish and Karelian plucked string instrument belonging to the southeast Baltic box zither family. He performed at dances and in schools, and also participated in the Suistamo kantele and runosong competitions in 1911.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn the summers of 1916 and 1917, the young folk music researcher Armas Otto Väisänen (1890-1969) made collecting trips to Border Karelia. His aim was to collect kantele tunes, laments and shepherd melodies, which were confusingly few in the archives. The 1916 trip was financed by the Finnish Literature Society, who provided a phonograph for recording purposes. In 1917, the trip was financed by the Kalevala Society and the recording was carried out using a parlograph. During these two summers, Väisänen recorded kantele players in the parishes of Suojärvi, Korpiselkä, Suistamo, Tuupovaara, Kitee and Impilahti. Väisänen met Teppana Jänis in both summers and transcribed 22 kantele melodies from him. He recorded 14 of these on wax cylinders.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis LP, titled simply ‘Teppana Jänis’ fuses and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e intertwines the original raw cylinder recordings with replayed pieces by Kantele player and researcher Arja Kastinen together with the now late Finnish folk musician Taito Hoffrén, taking into account the additional information and notes found in Väisänen's sheet music manuscripts. Warm thanks to the Finnish Literature Society for permission to use the archive recordings, to Risto Blomster for his invaluable assistance, and to the Karelian Cultural Foundation.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Teppana Jänis \u0026amp; Arja Kastinen\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e\n\u003cp\u003ecat no : DEATH087\u003c\/p\u003e"}
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フィンランドの伝統楽器カンテレ奏者Teppana Jänisが1916-1917年に蝋菅に録音した幻の音源を、カンテレ研究者Arja Kastinenが復刻した作品です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "Teppana Jänisは1850年6月21日、スィスタモのウクスヤルヴィ村で生まれた。19世紀後半に失明した後、フィンランドとカレリアの伝統的な撥弦楽器で、バルト海南東部の箱琴の仲間であるカンテレを弾きながら家々を訪ね歩いた。ダンスや学校で演奏し、1911年にはスィスタモのカンテレとラノソングのコンクールにも出場した。 1916年と1917年の夏、若き民俗音楽研究家アルマス・オットー・ヴァイセネン（1890～1969）は国境カレリアに採集旅行に出かけた。彼の目的はカンテレの曲、哀歌、羊飼いのメロディーを収集することであったが、これらは資料館にほとんどなく混乱していた。1916年の旅にはフィンランド文学協会が資金を提供し、録音用の蓄音機を提供した。1917年にはカレワラ協会が資金を提供し、パーログラフを使って録音が行われた。この2年の夏、ヴァイセネンはスオヤルヴィ、コルピセルカ、スィスタモ、トゥポヴァーラ、キテー、インピラハティの教区でカンテレ奏者を録音した。ヴァイセネンは両夏にTeppana Jänisと出会い、彼から22のカンテのメロディーを書き起こした。そのうち14曲をワックスシリンダーに録音した。 カンテレ奏者であり研究者でもあるArja Kastinenと、今は亡きフィンランドの民俗音楽家タイト・ホフレンが、ヴァイセネンの楽譜の手稿から発見された追加情報や注釈を考慮しながら、オリジナルの生のシリンダー録音と再演された作品を融合させ、「Teppana Jänis」と題されたこのLPは、オリジナルのシリンダー録音と再演された作品を融合させ、そして絡み合っている。アーカイブ音源の使用を許可してくれたフィンランド文学協会、貴重な援助をしてくれたリスト・ブロムスター、そしてカレリア文化財団に心から感謝する。" レーベルその他作品はこちら /// Click here to...
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{"id":8916229325050,"title":"Wassily Bosch \/\/ Ghost frogs TAPE","handle":"wassily-bosch-ghost-frogs-tape","description":"\u003cp\u003e※当店限定販売です\u003c\/p\u003e\n\u003cp\u003eロシアの実験レーベルNazlo Records主宰Wassily Boschが、2025年1月にドイツ・ベルリンの実験レーベルstaaltapeから20本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eA面はNazlo Recordsリリース作品のミックス、B面は物音コラージュ合計60分を収録。\u003c\/p\u003e\n\u003cp\u003e一点一点異なるコラージュアートワークです。リサイクルテープに録音されています。\u003c\/p\u003e\n\u003cp\u003eカセットのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1159968334\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/staal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/staal\"\u003ehere\u003c\/a\u003e to see more Staalplaat \/ Staaltape releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eReused C90 cassette in norelco case. Handmade artwork. Edition of 20. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ea mix of Wassily Bosch's favourite nazlo record tracks (A) juxtaposed to his travel recordings (B)\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. random fragments, side A \u003cbr\u003e2. Random fragments, side B \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Wassily Bosch\u003c\/p\u003e\n\u003cp\u003eLabel : Staaltape\u003c\/p\u003e","published_at":"2025-09-05T13:23:53+09:00","created_at":"2025-09-05T13:23:21+09:00","vendor":"Tobira Records","type":"","tags":["field recording","monooto","new","recommended","staaltape","tape"],"price":216500,"price_min":216500,"price_max":216500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47697032937722,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Wassily Bosch \/\/ Ghost frogs TAPE","public_title":null,"options":["Default Title"],"price":216500,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wass1.jpg?v=1738639879","\/\/tobirarecords.com\/cdn\/shop\/files\/wass2.jpg?v=1738639879","\/\/tobirarecords.com\/cdn\/shop\/files\/wass3.jpg?v=1738639879","\/\/tobirarecords.com\/cdn\/shop\/files\/wass4.jpg?v=1738639879"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wass1.jpg?v=1738639879","options":["Title"],"media":[{"alt":null,"id":35515016937722,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wass1.jpg?v=1738639879"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wass1.jpg?v=1738639879","width":700},{"alt":null,"id":35515016970490,"position":2,"preview_image":{"aspect_ratio":0.757,"height":1200,"width":908,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wass2.jpg?v=1738639879"},"aspect_ratio":0.757,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wass2.jpg?v=1738639879","width":908},{"alt":null,"id":35515017003258,"position":3,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wass3.jpg?v=1738639879"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wass3.jpg?v=1738639879","width":900},{"alt":null,"id":35515017036026,"position":4,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wass4.jpg?v=1738639879"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wass4.jpg?v=1738639879","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e※当店限定販売です\u003c\/p\u003e\n\u003cp\u003eロシアの実験レーベルNazlo Records主宰Wassily Boschが、2025年1月にドイツ・ベルリンの実験レーベルstaaltapeから20本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eA面はNazlo Recordsリリース作品のミックス、B面は物音コラージュ合計60分を収録。\u003c\/p\u003e\n\u003cp\u003e一点一点異なるコラージュアートワークです。リサイクルテープに録音されています。\u003c\/p\u003e\n\u003cp\u003eカセットのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1159968334\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/staal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/staal\"\u003ehere\u003c\/a\u003e to see more Staalplaat \/ Staaltape releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eReused C90 cassette in norelco case. Handmade artwork. Edition of 20. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ea mix of Wassily Bosch's favourite nazlo record tracks (A) juxtaposed to his travel recordings (B)\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. random fragments, side A \u003cbr\u003e2. Random fragments, side B \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Wassily Bosch\u003c\/p\u003e\n\u003cp\u003eLabel : Staaltape\u003c\/p\u003e"}
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※当店限定販売です ロシアの実験レーベルNazlo Records主宰Wassily Boschが、2025年1月にドイツ・ベルリンの実験レーベルstaaltapeから20本限定でリリースしたカセットです。 A面はNazlo Recordsリリース作品のミックス、B面は物音コラージュ合計60分を収録。 一点一点異なるコラージュアートワークです。リサイクルテープに録音されています。 カセットのみでの発表となります。 レーベルその他作品はこちら /// Click here to see more Staalplaat /...
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{"id":8903384957178,"title":"Ultan O'Brien \/\/ Dancing the Line CD","handle":"ultan-obrien-dancing-the-line-lp-copy","description":"\u003cp\u003eアイルランド西部クレア州のフィドル奏者Ultan O'Brienが、2025年3月に同国実験レーベルNyahh Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアイルランド伝統音楽のカバー＋オリジナル14曲を収録。デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003eアンビエント・フォークリスナーにもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3195896305\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nyahh\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nyahh\"\u003ehere\u003c\/a\u003e to see more Nyahh Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------- \u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCD. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Iron Mountain Foothills 01:42\u003cbr\u003e2. Game of Love 01:22\u003cbr\u003e3. The Boyne Hunt 01:31\u003cbr\u003e4. It Was In The Year Eighteen Hundred and Four 03:26\u003cbr\u003e5. Wayside Wonders 01:24\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Domhnall na Griana (The Butchers March) 02:48\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. The Four Courts\/Rolling in The Barrel 02:52\u003cbr\u003e\u003c\/span\u003e8. Fisherman's Garden 00:53\u003cbr\u003e9. Macha 03:49\u003cbr\u003e10. Packie's Pandemonium 02:39\u003cbr\u003e11. Banbha's Ruins 02:26\u003cbr\u003e12. Down in Whitestrand 03:15\u003cbr\u003e13. Secret House in Fintra Beg 07:45\u003cbr\u003e14. Death Doula Meet 06:11\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyahh Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eUltan O’Brien is a fiddle player and composer from the wilds of County Clare in the West of Ireland. Ultan is a performer as well as a regular at sessions all of Ireland and can be found by chance in any pub in Dublin, Cork or some remote village on the edge of nowhere, flying jigs and reels around the room. Ultan was reared in the rich tradition of Irish music which is so commonly found and heard in Co Clare, but he also delves deep into sound art and experimental music. He has often been heard in the back of a car after a few pints quoting lines from Alvin Lucier or speaking at length about improvisation and it’s place in modern Irish music. Ulatn O’Brien is a fresh and vital player who has much to offer with his unique approach and technique to a tradition so old and ever ready for a subtle change every 100 years or so.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ultan O'Brien\u003c\/p\u003e\n\u003cp\u003eLabel : Nyahh Records\u003c\/p\u003e","published_at":"2025-08-27T06:08:54+09:00","created_at":"2025-08-26T16:12:12+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","field recording","new","Nyahh Records"],"price":249000,"price_min":249000,"price_max":249000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47652431790330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ultan O'Brien \/\/ Dancing the Line CD","public_title":null,"options":["Default Title"],"price":249000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dan1_de8c376e-6052-46a8-9b57-3211fa9bfedf.jpg?v=1756192365","\/\/tobirarecords.com\/cdn\/shop\/files\/dan3_efa25b1d-6517-4ab8-b4d0-59ef0556a5b7.jpg?v=1756192365"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan1_de8c376e-6052-46a8-9b57-3211fa9bfedf.jpg?v=1756192365","options":["Title"],"media":[{"alt":null,"id":36651506237690,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan1_de8c376e-6052-46a8-9b57-3211fa9bfedf.jpg?v=1756192365"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan1_de8c376e-6052-46a8-9b57-3211fa9bfedf.jpg?v=1756192365","width":700},{"alt":null,"id":36651506270458,"position":2,"preview_image":{"aspect_ratio":1.446,"height":830,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan3_efa25b1d-6517-4ab8-b4d0-59ef0556a5b7.jpg?v=1756192365"},"aspect_ratio":1.446,"height":830,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan3_efa25b1d-6517-4ab8-b4d0-59ef0556a5b7.jpg?v=1756192365","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアイルランド西部クレア州のフィドル奏者Ultan O'Brienが、2025年3月に同国実験レーベルNyahh Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアイルランド伝統音楽のカバー＋オリジナル14曲を収録。デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003eアンビエント・フォークリスナーにもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3195896305\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nyahh\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nyahh\"\u003ehere\u003c\/a\u003e to see more Nyahh Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------- \u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCD. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 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Death Doula Meet 06:11\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyahh Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eUltan O’Brien is a fiddle player and composer from the wilds of County Clare in the West of Ireland. Ultan is a performer as well as a regular at sessions all of Ireland and can be found by chance in any pub in Dublin, Cork or some remote village on the edge of nowhere, flying jigs and reels around the room. Ultan was reared in the rich tradition of Irish music which is so commonly found and heard in Co Clare, but he also delves deep into sound art and experimental music. He has often been heard in the back of a car after a few pints quoting lines from Alvin Lucier or speaking at length about improvisation and it’s place in modern Irish music. 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{"id":8900193976570,"title":"Sabou-Gnouman De Kita \/\/ Kita Koun Kan TAPE","handle":"sabou-gnouman-de-kita-kita-koun-kan-tape","description":"\u003cp\u003eマリのローカルバンドSabou-Gnouman De Kitaが、2025年7月にアメリカ・NYのオールジャンルレーベルPurplish Recordsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eマリの伝統音楽8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"マリ西部の小さな町キタは、かつてこの国の音楽の都と考えられていた。アーティストたちが大きな首都バマコに移り住む前のこの町は、ザ・レイル・バンドで最も有名なギタリスト、ジェリマディ・トゥンカラをはじめとする、この国で最も重要なミュージシャンたちを生んだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2012年1月、そしてその後数年間、私はグリオであり、ンゴニの名手であり、叔父であるチェイック・ハマラ・ディアバテとマリのキタを訪れる機会に恵まれた。チェイックの兄、トスはキタで「Sabou-Gnouman De Kita」と呼ばれる音楽学校を経営しており、子供たちや大人に音楽のレッスンを提供し、この地域の重要な音楽と伝統を教える重要な文化機関である。Kita Koun Kanは、この音楽学校で、この地方で最も才能ある奏者たちによる演奏の夕べにレコーディングされた。これは、私がマリで体験した中で最もハートフルでエネルギッシュな音楽だ！\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3200339254\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=3637617570\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 150. \u003cbr\u003eThis album is part of Purplish Records' release batch #6: Party --\u0026gt;\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eThe artists paired are from different parts of the world, different cultures and traditions, often speak different languages, and have separate ideologies. However, they share at least one major thing in common. For Batch #6 (PR_012 \u0026amp; PR_013) that is Party\"\u003c\/em\u003e\u003c\/span\u003e \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Denabalo 04:34\u003cbr\u003e2. Destin 05:11\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Le Respect et l' Entente 05:17\u003cbr\u003e\u003c\/span\u003e4. Soli 03:31\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Sourougou 04:58\u003cbr\u003e\u003c\/span\u003e6. Le Travail 04:50\u003cbr\u003e7. La Vie 04:24\u003cbr\u003e8. Denko (Les enfants) 04:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eMikey Coltun, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Kita, a small town in the West of Mali was once considered the music capital of the country. The town, before artists started moving to the bigger capital city, Bamako, birthed some of the most important musicians the country has seen including guitarist extraordinaire Djelimady Tounkara, most famously of The Rail Band.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBack in January, 2012, and for years after, I was fortunate to visit Kita, Mali with griot, master ngoni player, and uncle, Cheick Hamala Diabate. Cheick’s brother, Tos, runs a music school in Kita called ‘Sabou-Gnouman De Kita’, an important cultural\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e institute providing young kids and adults with music lessons, teaching them the important music and tradition of the region. Kita Koun Kan was recorded at the music school over an evening of performances by some of the region's most talented players. This is some of the most heartfelt, energetic music I’ve got to experience in Mali!\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sabou-Gnouman De Kita\u003c\/p\u003e\n\u003cp\u003eLabel : Purplish Records\u003c\/p\u003e\n\u003cp\u003ecat no : PR_013\u003c\/p\u003e","published_at":"2025-08-28T07:54:20+09:00","created_at":"2025-08-23T15:50:02+09:00","vendor":"Tobira Records","type":"","tags":["field recording","new","Purplish Records","tape"],"price":239500,"price_min":239500,"price_max":239500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47643582628090,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sabou-Gnouman De Kita \/\/ Kita Koun Kan TAPE","public_title":null,"options":["Default Title"],"price":239500,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sabou1.jpg?v=1755931542","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-08-23at3.44.47pm.png?v=1755931542"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sabou1.jpg?v=1755931542","options":["Title"],"media":[{"alt":null,"id":36625322017018,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sabou1.jpg?v=1755931542"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sabou1.jpg?v=1755931542","width":700},{"alt":null,"id":36625322049786,"position":2,"preview_image":{"aspect_ratio":1.0,"height":359,"width":359,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-08-23at3.44.47pm.png?v=1755931542"},"aspect_ratio":1.0,"height":359,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-08-23at3.44.47pm.png?v=1755931542","width":359}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eマリのローカルバンドSabou-Gnouman De Kitaが、2025年7月にアメリカ・NYのオールジャンルレーベルPurplish Recordsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eマリの伝統音楽8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"マリ西部の小さな町キタは、かつてこの国の音楽の都と考えられていた。アーティストたちが大きな首都バマコに移り住む前のこの町は、ザ・レイル・バンドで最も有名なギタリスト、ジェリマディ・トゥンカラをはじめとする、この国で最も重要なミュージシャンたちを生んだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2012年1月、そしてその後数年間、私はグリオであり、ンゴニの名手であり、叔父であるチェイック・ハマラ・ディアバテとマリのキタを訪れる機会に恵まれた。チェイックの兄、トスはキタで「Sabou-Gnouman De Kita」と呼ばれる音楽学校を経営しており、子供たちや大人に音楽のレッスンを提供し、この地域の重要な音楽と伝統を教える重要な文化機関である。Kita Koun Kanは、この音楽学校で、この地方で最も才能ある奏者たちによる演奏の夕べにレコーディングされた。これは、私がマリで体験した中で最もハートフルでエネルギッシュな音楽だ！\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3200339254\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=3637617570\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 150. \u003cbr\u003eThis album is part of Purplish Records' release batch #6: Party --\u0026gt;\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eThe artists paired are from different parts of the world, different cultures and traditions, often speak different languages, and have separate ideologies. However, they share at least one major thing in common. For Batch #6 (PR_012 \u0026amp; PR_013) that is Party\"\u003c\/em\u003e\u003c\/span\u003e \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Denabalo 04:34\u003cbr\u003e2. Destin 05:11\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Le Respect et l' Entente 05:17\u003cbr\u003e\u003c\/span\u003e4. Soli 03:31\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Sourougou 04:58\u003cbr\u003e\u003c\/span\u003e6. Le Travail 04:50\u003cbr\u003e7. La Vie 04:24\u003cbr\u003e8. Denko (Les enfants) 04:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eMikey Coltun, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Kita, a small town in the West of Mali was once considered the music capital of the country. The town, before artists started moving to the bigger capital city, Bamako, birthed some of the most important musicians the country has seen including guitarist extraordinaire Djelimady Tounkara, most famously of The Rail Band.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBack in January, 2012, and for years after, I was fortunate to visit Kita, Mali with griot, master ngoni player, and uncle, Cheick Hamala Diabate. Cheick’s brother, Tos, runs a music school in Kita called ‘Sabou-Gnouman De Kita’, an important cultural\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e institute providing young kids and adults with music lessons, teaching them the important music and tradition of the region. Kita Koun Kan was recorded at the music school over an evening of performances by some of the region's most talented players. This is some of the most heartfelt, energetic music I’ve got to experience in Mali!\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sabou-Gnouman De Kita\u003c\/p\u003e\n\u003cp\u003eLabel : Purplish Records\u003c\/p\u003e\n\u003cp\u003ecat no : PR_013\u003c\/p\u003e"}
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マリのローカルバンドSabou-Gnouman De Kitaが、2025年7月にアメリカ・NYのオールジャンルレーベルPurplish Recordsからリリースしたカセットです。 マリの伝統音楽8曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "マリ西部の小さな町キタは、かつてこの国の音楽の都と考えられていた。アーティストたちが大きな首都バマコに移り住む前のこの町は、ザ・レイル・バンドで最も有名なギタリスト、ジェリマディ・トゥンカラをはじめとする、この国で最も重要なミュージシャンたちを生んだ。 2012年1月、そしてその後数年間、私はグリオであり、ンゴニの名手であり、叔父であるチェイック・ハマラ・ディアバテとマリのキタを訪れる機会に恵まれた。チェイックの兄、トスはキタで「Sabou-Gnouman De Kita」と呼ばれる音楽学校を経営しており、子供たちや大人に音楽のレッスンを提供し、この地域の重要な音楽と伝統を教える重要な文化機関である。Kita Koun Kanは、この音楽学校で、この地方で最も才能ある奏者たちによる演奏の夕べにレコーディングされた。これは、私がマリで体験した中で最もハートフルでエネルギッシュな音楽だ！" ---------------------------------------------------...
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{"id":8897375928570,"title":"Ale Hop \u0026 Titi Bakorta \/\/ Mapambazuko LP","handle":"ale-hop-titi-bakorta-mapambazuko-lp","description":"\u003cp\u003e\u003cspan\u003eペルーのダンス作家Ale HopとコンゴのギタリストTiti Bakortaが、2025年1月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアフロ・フュージョン9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKMRUとFlora Yin-Wongがリミックスで参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"カンパラで録音された「Mapambazuko」は、ペルーのアーティストであり研究者でもあるアレハンドラ・カルデナス（別名Ale Hop）とコンゴのギタリストTiti Bakortaがペアを組み、それぞれのアプローチのはざまに位置する。2023年にNyege Nyege TapesからリリースされたBakortaのデビューアルバム「Molende」は、コンゴのスークとフォークサウンドのユニークなフュージョンを長年演奏してきた彼のエキセントリックな反芻であり、「Mapambazuko」はその続きで、カルデナスのサイケデリックなアフロ・ラテン・リズムと分断されたシンセの周りにBakortaのくねくねしたギターソロをループさせている。高い評価を得た「Agua Dulce」では、ローラ・ロブレスとともに伝統的なペルーのリズムを解体し、2021年の「The life of Insects」では、テラリウムの中から抽象的な宇宙を想像し、まったく異なる領域を横断した。ポップミュージック、電子音響の実験、前衛的なミニマリズムなど、これらすべての経験が「Mapambazuko」に生かされ、彼女はBakortaの高揚したテーマを繊細なサウンド・デザイン要素とパワフルで妥協のないドラムワークで歪めている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eオープニングの「Bonne année」は、カルデナスの熱狂的なリズムが徐々に硬さを増し、Bakortaの鮮やかなスークー風のフレーズを引き立てる。タイトルトラックでは、Bakortaのゴムのような即興演奏が、まるでカルデナスの解離したうなり声や鳴き声に跳ね返っているかのように聴こえる。サイケデリックなペルーのクンビアとコンゴのポップスの類似性を示す「Una cumbia en Kinshasa」では、彼らの世界はさらに顕著に衝突し、「Así baila el sintetizador」では、テンポを速め、Bakortaのフィクタルなリフをカルデナスのジリジリとした振動に混ぜる。アルバムのゴージャスなフィナーレを飾る「Nitaangaza」では、Bakortaがカルデナスのシロップのようなドロドロとした音に乗せて、めくるめくサイケロックの叫びを奏でる。そして、アルバムは3つのエクスクルーシブなリミックスで埋め尽くされている。ケニアのサウンドアーティストKMRUは、「Nitaangaza」からビートを取り除き、その潜在的な官能性を引き出し、軽快なパッドとソフトでハートフルなトーンを加えて、オリジナルトラックを再構成している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e彼女のリワークで、カルデナスは「Una cumbia en Kinshasa」をさらに好戦的なリズムで増強し、Bakortaのきらめくリフをさらにカットし、最終的にはトラックをおしゃべりのカオスへと導く。一方、Flora Yin-Wonは、「Así baila el sintetizador」のスルメのようなパーカッシブなバージョンでエンドクレジットに向かって行進する。不気味で人工的な風景を際立たせながら、Flora Yin-WonはBakortaとカルデナスの太陽に焼かれたグルーヴに月明かりを照らし、パーティーが終わりに近づくにつれ、必要なウインドダウンを提供する。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1240096970\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes \/ Heat Crimes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 220.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Una cumbia en Kinshasa 04:26\u003cbr\u003e2. Mapambazuko 02:48\u003cbr\u003e3. La danza del pajarito 03:13\u003cbr\u003e4. Bonne année 04:56\u003cbr\u003e5. Así baila el sintetizador 03:20\u003cbr\u003e6. Nitaangaza 04:15\u003cbr\u003e7. Nitaangaza KMRU Remix 03:17\u003cbr\u003e8. Así baila el sintetizador - Flora Yin-Wong Remix 03:06\u003cbr\u003e9. Una cumbia en Kinshasa - Ale Hop Remix 04:41\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Nyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRecorded in Kampala, 'Mapambazuko' pairs Peruvian artist and researcher Alejandra Cárdenas (aka Ale Hop) with Congolese guitarist Titi Bakorta, who locate a balmy junction between their respective approaches. Bakorta's debut album 'Molende', released on Nyege Nyege Tapes in 2023, was an eccentric rumination on his years performing a unique fusion of Congolese soukous and folk sounds, and 'Mapambazuko' picks up where it left off, looping Bakorta's wiry guitar solos around Cárdenas' psychedelic Afro-Latin rhythms and fractured synths. Cárdenas' last run of albums have bounced her around the stylistic map: on the acclaimed 'Agua Dulce', she deconstructed traditional Peruvian rhythms with Laura Robles, while she traversed radically different territory on 2021's 'The life of Insects', imagining an abstract universe from the inside of a terrarium. All this experience - in pop music, electroacoustic experimentation and avant-garde minimalism - is applied to 'Mapambazuko' as she skews Bakorta's exuberant themes with subtle sound design elements and powerful, uncompromising drumwork...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ale Hop \u0026amp; Titi Bakorta\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNNT070\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-22T09:56:37+09:00","created_at":"2025-08-22T09:56:01+09:00","vendor":"Tobira Records","type":"","tags":["field recording","jazz","lp","new","nyege nyege tapes","strange beats"],"price":459000,"price_min":459000,"price_max":459000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47638518137082,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ale Hop \u0026 Titi Bakorta \/\/ Mapambazuko LP","public_title":null,"options":["Default Title"],"price":459000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/map1_23a6da86-f566-45c9-bd7b-83faf1d19186.jpg?v=1749256050","\/\/tobirarecords.com\/cdn\/shop\/files\/map2_95599fe5-106a-4012-81e3-e7065aaf79fe.jpg?v=1749256050"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/map1_23a6da86-f566-45c9-bd7b-83faf1d19186.jpg?v=1749256050","options":["Title"],"media":[{"alt":null,"id":36142588952826,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/map1_23a6da86-f566-45c9-bd7b-83faf1d19186.jpg?v=1749256050"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/map1_23a6da86-f566-45c9-bd7b-83faf1d19186.jpg?v=1749256050","width":700},{"alt":null,"id":36142588985594,"position":2,"preview_image":{"aspect_ratio":1.332,"height":901,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/map2_95599fe5-106a-4012-81e3-e7065aaf79fe.jpg?v=1749256050"},"aspect_ratio":1.332,"height":901,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/map2_95599fe5-106a-4012-81e3-e7065aaf79fe.jpg?v=1749256050","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eペルーのダンス作家Ale HopとコンゴのギタリストTiti Bakortaが、2025年1月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアフロ・フュージョン9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKMRUとFlora Yin-Wongがリミックスで参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"カンパラで録音された「Mapambazuko」は、ペルーのアーティストであり研究者でもあるアレハンドラ・カルデナス（別名Ale Hop）とコンゴのギタリストTiti Bakortaがペアを組み、それぞれのアプローチのはざまに位置する。2023年にNyege Nyege TapesからリリースされたBakortaのデビューアルバム「Molende」は、コンゴのスークとフォークサウンドのユニークなフュージョンを長年演奏してきた彼のエキセントリックな反芻であり、「Mapambazuko」はその続きで、カルデナスのサイケデリックなアフロ・ラテン・リズムと分断されたシンセの周りにBakortaのくねくねしたギターソロをループさせている。高い評価を得た「Agua Dulce」では、ローラ・ロブレスとともに伝統的なペルーのリズムを解体し、2021年の「The life of Insects」では、テラリウムの中から抽象的な宇宙を想像し、まったく異なる領域を横断した。ポップミュージック、電子音響の実験、前衛的なミニマリズムなど、これらすべての経験が「Mapambazuko」に生かされ、彼女はBakortaの高揚したテーマを繊細なサウンド・デザイン要素とパワフルで妥協のないドラムワークで歪めている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eオープニングの「Bonne année」は、カルデナスの熱狂的なリズムが徐々に硬さを増し、Bakortaの鮮やかなスークー風のフレーズを引き立てる。タイトルトラックでは、Bakortaのゴムのような即興演奏が、まるでカルデナスの解離したうなり声や鳴き声に跳ね返っているかのように聴こえる。サイケデリックなペルーのクンビアとコンゴのポップスの類似性を示す「Una cumbia en Kinshasa」では、彼らの世界はさらに顕著に衝突し、「Así baila el sintetizador」では、テンポを速め、Bakortaのフィクタルなリフをカルデナスのジリジリとした振動に混ぜる。アルバムのゴージャスなフィナーレを飾る「Nitaangaza」では、Bakortaがカルデナスのシロップのようなドロドロとした音に乗せて、めくるめくサイケロックの叫びを奏でる。そして、アルバムは3つのエクスクルーシブなリミックスで埋め尽くされている。ケニアのサウンドアーティストKMRUは、「Nitaangaza」からビートを取り除き、その潜在的な官能性を引き出し、軽快なパッドとソフトでハートフルなトーンを加えて、オリジナルトラックを再構成している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e彼女のリワークで、カルデナスは「Una cumbia en Kinshasa」をさらに好戦的なリズムで増強し、Bakortaのきらめくリフをさらにカットし、最終的にはトラックをおしゃべりのカオスへと導く。一方、Flora Yin-Wonは、「Así baila el sintetizador」のスルメのようなパーカッシブなバージョンでエンドクレジットに向かって行進する。不気味で人工的な風景を際立たせながら、Flora Yin-WonはBakortaとカルデナスの太陽に焼かれたグルーヴに月明かりを照らし、パーティーが終わりに近づくにつれ、必要なウインドダウンを提供する。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1240096970\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes \/ Heat Crimes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 220.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Una cumbia en Kinshasa 04:26\u003cbr\u003e2. Mapambazuko 02:48\u003cbr\u003e3. La danza del pajarito 03:13\u003cbr\u003e4. Bonne année 04:56\u003cbr\u003e5. Así baila el sintetizador 03:20\u003cbr\u003e6. Nitaangaza 04:15\u003cbr\u003e7. Nitaangaza KMRU Remix 03:17\u003cbr\u003e8. Así baila el sintetizador - Flora Yin-Wong Remix 03:06\u003cbr\u003e9. Una cumbia en Kinshasa - Ale Hop Remix 04:41\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Nyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRecorded in Kampala, 'Mapambazuko' pairs Peruvian artist and researcher Alejandra Cárdenas (aka Ale Hop) with Congolese guitarist Titi Bakorta, who locate a balmy junction between their respective approaches. Bakorta's debut album 'Molende', released on Nyege Nyege Tapes in 2023, was an eccentric rumination on his years performing a unique fusion of Congolese soukous and folk sounds, and 'Mapambazuko' picks up where it left off, looping Bakorta's wiry guitar solos around Cárdenas' psychedelic Afro-Latin rhythms and fractured synths. Cárdenas' last run of albums have bounced her around the stylistic map: on the acclaimed 'Agua Dulce', she deconstructed traditional Peruvian rhythms with Laura Robles, while she traversed radically different territory on 2021's 'The life of Insects', imagining an abstract universe from the inside of a terrarium. All this experience - in pop music, electroacoustic experimentation and avant-garde minimalism - is applied to 'Mapambazuko' as she skews Bakorta's exuberant themes with subtle sound design elements and powerful, uncompromising drumwork...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ale Hop \u0026amp; Titi Bakorta\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNNT070\u003c\/span\u003e\u003c\/p\u003e"}
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ペルーのダンス作家Ale HopとコンゴのギタリストTiti Bakortaが、2025年1月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースした共作レコードです。 アフロ・フュージョン9曲を収録。 KMRUとFlora Yin-Wongがリミックスで参加しています。 以下、レーベルによる解説です。 "カンパラで録音された「Mapambazuko」は、ペルーのアーティストであり研究者でもあるアレハンドラ・カルデナス（別名Ale Hop）とコンゴのギタリストTiti Bakortaがペアを組み、それぞれのアプローチのはざまに位置する。2023年にNyege Nyege TapesからリリースされたBakortaのデビューアルバム「Molende」は、コンゴのスークとフォークサウンドのユニークなフュージョンを長年演奏してきた彼のエキセントリックな反芻であり、「Mapambazuko」はその続きで、カルデナスのサイケデリックなアフロ・ラテン・リズムと分断されたシンセの周りにBakortaのくねくねしたギターソロをループさせている。高い評価を得た「Agua Dulce」では、ローラ・ロブレスとともに伝統的なペルーのリズムを解体し、2021年の「The...
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{"id":8887518298362,"title":"Honjo Ushimatsu (本城丑松) \/\/ Computerized Japanese Minyo TAPE","handle":"honjo-ushimatsu-本城丑松-computerized-japanese-minyo-tape","description":"\u003cp\u003e日本の尺八奏者本城丑松が、2025年7月にem recordsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e日本の民謡をシンセファンクアレンジした12曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"本作はROLANDのリズムマシーン CompuRhythm CR-78のプリセットにある「演歌」リズムに魅せられた作者（本業は尺八の演奏家）が、プリセットをサンプリングしたベーシックトラックに代表的な日本民謡のメロディーをYamaha DX-7で演奏した簡素な内容。しかもどの曲も短くブチ切って終了する諸行無常感。ある種のシンセファンクなのですが80s中期ジャマイカのコンピュータライズド革命のようなワイルドなヴァイヴスもあり、斉藤英美先生の名盤『エレクトーン 日本の民謡』の47年越しで出現した後継作と言えるかもしれません（だって他に類例がない）。右も左も分からない状態で自主制作されたそうで少部数の製造。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=225803639\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/emrec\"\u003ehere\u003c\/a\u003e to see more EM Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e伊那節 \u003c\/span\u003eIna-bushi 02:32\u003cbr\u003e2. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e小切子 \u003c\/span\u003eKokiriko 00:56\u003cbr\u003e3.\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e最上川舟唄 \u003c\/span\u003eMogamigawa-funauta 02:48\u003cbr\u003e4. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e茶切節 \u003c\/span\u003eChakkiri-bushi 03:03\u003cbr\u003e5. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e信濃追分 \u003c\/span\u003eShinano-oiwake 02:35\u003cbr\u003e6. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e稗搗節 \u003c\/span\u003eHietsuki-bushi 02:36\u003cbr\u003e7. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e鈴鹿峠 \u003c\/span\u003eSuzukatouge 02:05\u003cbr\u003e8. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e箱根馬子唄 \u003c\/span\u003eHakone-magouta 02:58\u003cbr\u003e9. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e北前船 \u003c\/span\u003eKitamaebune 02:08\u003cbr\u003e10. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e三界節 \u003c\/span\u003eSankai-bushi 03:08\u003cbr\u003e11. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e八木節 \u003c\/span\u003eYagi-bushi 01:39\u003cbr\u003e12. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e檜原追分 \u003c\/span\u003eHinohara-oiwake 02:05\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eEm Records (via Google Translate):\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThis album is a simple creation by the composer (who is primarily a shakuhachi player) who was captivated by the \"enka\" rhythms found in the presets of Roland's CompuRhythm CR-78 rhythm machine. He sampled the presets and played classic Japanese folk song melodies on a Yamaha DX-7. Each track ends with a short, abrupt bang, evoking a sense of the impermanence of all things. While it's a kind of synth funk, it also has a wild vibe reminiscent of the mid-'80s Jamaican computerized revolution. It could be considered a 47-year-old successor to Hidemi Saito's masterpiece \"Electone Japanese Folk Songs\" (because there's nothing else quite like it). Apparently it was produced independently without any prior knowledge of the subject, and only a small number of copies were produced.\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Honjo Ushimatsu (本城丑松)\u003c\/p\u003e\n\u003cp\u003eLabel : EM Records\u003c\/p\u003e","published_at":"2025-08-14T05:55:48+09:00","created_at":"2025-08-13T18:19:51+09:00","vendor":"Tobira Records","type":"","tags":["em records","field recording","hiphop \/ funk","new","tape"],"price":250000,"price_min":250000,"price_max":250000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47610544783610,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Honjo Ushimatsu (本城丑松) \/\/ Computerized Japanese Minyo TAPE","public_title":null,"options":["Default Title"],"price":250000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/min1_0bdb4065-dd50-4a26-b222-d3c56ab79f42.jpg?v=1755076706"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/min1_0bdb4065-dd50-4a26-b222-d3c56ab79f42.jpg?v=1755076706","options":["Title"],"media":[{"alt":null,"id":36540989210874,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/min1_0bdb4065-dd50-4a26-b222-d3c56ab79f42.jpg?v=1755076706"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/min1_0bdb4065-dd50-4a26-b222-d3c56ab79f42.jpg?v=1755076706","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本の尺八奏者本城丑松が、2025年7月にem recordsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e日本の民謡をシンセファンクアレンジした12曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"本作はROLANDのリズムマシーン CompuRhythm CR-78のプリセットにある「演歌」リズムに魅せられた作者（本業は尺八の演奏家）が、プリセットをサンプリングしたベーシックトラックに代表的な日本民謡のメロディーをYamaha DX-7で演奏した簡素な内容。しかもどの曲も短くブチ切って終了する諸行無常感。ある種のシンセファンクなのですが80s中期ジャマイカのコンピュータライズド革命のようなワイルドなヴァイヴスもあり、斉藤英美先生の名盤『エレクトーン 日本の民謡』の47年越しで出現した後継作と言えるかもしれません（だって他に類例がない）。右も左も分からない状態で自主制作されたそうで少部数の製造。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=225803639\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/emrec\"\u003ehere\u003c\/a\u003e to see more EM Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e伊那節 \u003c\/span\u003eIna-bushi 02:32\u003cbr\u003e2. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e小切子 \u003c\/span\u003eKokiriko 00:56\u003cbr\u003e3.\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e最上川舟唄 \u003c\/span\u003eMogamigawa-funauta 02:48\u003cbr\u003e4. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e茶切節 \u003c\/span\u003eChakkiri-bushi 03:03\u003cbr\u003e5. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e信濃追分 \u003c\/span\u003eShinano-oiwake 02:35\u003cbr\u003e6. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e稗搗節 \u003c\/span\u003eHietsuki-bushi 02:36\u003cbr\u003e7. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e鈴鹿峠 \u003c\/span\u003eSuzukatouge 02:05\u003cbr\u003e8. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e箱根馬子唄 \u003c\/span\u003eHakone-magouta 02:58\u003cbr\u003e9. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e北前船 \u003c\/span\u003eKitamaebune 02:08\u003cbr\u003e10. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e三界節 \u003c\/span\u003eSankai-bushi 03:08\u003cbr\u003e11. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e八木節 \u003c\/span\u003eYagi-bushi 01:39\u003cbr\u003e12. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e檜原追分 \u003c\/span\u003eHinohara-oiwake 02:05\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eEm Records (via Google Translate):\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThis album is a simple creation by the composer (who is primarily a shakuhachi player) who was captivated by the \"enka\" rhythms found in the presets of Roland's CompuRhythm CR-78 rhythm machine. He sampled the presets and played classic Japanese folk song melodies on a Yamaha DX-7. Each track ends with a short, abrupt bang, evoking a sense of the impermanence of all things. While it's a kind of synth funk, it also has a wild vibe reminiscent of the mid-'80s Jamaican computerized revolution. It could be considered a 47-year-old successor to Hidemi Saito's masterpiece \"Electone Japanese Folk Songs\" (because there's nothing else quite like it). Apparently it was produced independently without any prior knowledge of the subject, and only a small number of copies were produced.\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Honjo Ushimatsu (本城丑松)\u003c\/p\u003e\n\u003cp\u003eLabel : EM Records\u003c\/p\u003e"}
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日本の尺八奏者本城丑松が、2025年7月にem recordsからリリースしたカセットです。 日本の民謡をシンセファンクアレンジした12曲を収録。 以下、レーベルによる解説です。 "本作はROLANDのリズムマシーン CompuRhythm CR-78のプリセットにある「演歌」リズムに魅せられた作者（本業は尺八の演奏家）が、プリセットをサンプリングしたベーシックトラックに代表的な日本民謡のメロディーをYamaha DX-7で演奏した簡素な内容。しかもどの曲も短くブチ切って終了する諸行無常感。ある種のシンセファンクなのですが80s中期ジャマイカのコンピュータライズド革命のようなワイルドなヴァイヴスもあり、斉藤英美先生の名盤『エレクトーン 日本の民謡』の47年越しで出現した後継作と言えるかもしれません（だって他に類例がない）。右も左も分からない状態で自主制作されたそうで少部数の製造。 " レーベルその他作品はこちら /// Click here to see more EM...
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{"id":8884827947258,"title":"Christer Bothén \/\/ Christer Bothén Donso n’goni LP","handle":"christer-bothen-christer-bothen-donso-n-goni-lp","description":"\u003cp\u003eスウェーデンのマルチ奏者Christer Bothénが、2025年9月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアフリカの民族楽器ドンソンゴニを用いたワスルの伝統音楽とインプロ7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3777610072\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Zindi Windi 04:06\u003cbr\u003e2. Kakani Kakani 03:31\u003cbr\u003e3. Reh Chergi\u003cbr\u003e4. Fantasma\u003cbr\u003e5. Yalla\u003cbr\u003e6. La Baraka\u003cbr\u003e7. Waso Manjé\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is thrilled to present the first ever solo Donso n’goni recording from octogenarian Swedish multi-instrumentalist Christer Bothén. Active in the Swedish jazz and improvisation scene since the 1970s, often heard on bass clarinet, Bothén travelled to Mali in 1971, eventually making his way to the Wassoulou region in the country’s south where he encountered the Donso n’goni, the sacred harp of the hunter caste of Wassoulou society. Though playing the instrument has traditionally been restricted to those who belong to the hunters’ brotherhood, Bothén found an enthusiastic teacher in Brouema Dobia, who, after many months of intensive one-on-one lessons, gave Bothén his blessing to play the instrument both traditionally and in his own style. Returning to Sweden, he would go on to pass on what he had learned to Don Cherry and play the Donso n’goni in a wide variety of inventive settings, including the driving Afro-jazz-fusion of his Trancedance (reissued as BT118).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe seven pieces of Christer Bothén Donso n’goni offer up a stunning showcase of Bothén’s work on this remarkable instrument, heard entirely unaccompanied, except for the final piece where he is joined on a second Donso n’goni by his student and collaborator, the virtuoso bassist Kansan\/Torbjorn Zetterberg, and Marianne\u003cspan class=\"bcTruncateMore\"\u003e N’Lemvo Linden on the metal Karanjang scraper. Produced by Johan Berthling (of Fire! \u0026amp; Ghosted) and recorded in three sessions in Stockholm between 2019 and 2023 in richly detailed high fidelity, the instrument’s buzzing, sonorous bass strings make an immediate, overwhelming sonic impression. Hyper-focused on hypnotically repeating pentatonic patterns, the seven pieces are at once relentlessly single-minded and endlessly rich in subtle variations. The concentrated listening environment turns small details, such as the deployment of the instrument’s segesege rattle on two of the pieces, into major events. Six of the seven pieces are traditional, with Bothén contributing the remaining ‘La Baraka’, but the line between tradition and the individual talent is imaginary here: as Bothén explained in a recent interview with The Wire’s Clive Bell, ‘I play traditional and untraditional, and I play the music forward and backward’. While the traditional Wassoulou pieces provide the rhythmic and harmonic elements, Bothén’s individuality as a performer is alive in every moment, felt acutely in boundless variations of attack, improvisational flourishes, and unexpected accelerations and decelerations. Captured entirely live and bristling with spontaneity, this music is undeniably the product of almost half a decade of Bothén’s devotion to the Donso n’goni and its traditional music.\u003cbr\u003e\u003cbr\u003eAccompanied by detailed new liner notes by Bothén and stunning colour photos from his time in Mali, Christer Bothén Donso n’goni is a stunning document of a remarkable instrument, played with an almost spiritual intensity by one of contemporary music’s great explorers\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christer Bothén\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 133\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-12T06:28:43+09:00","created_at":"2025-08-11T12:13:01+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","field recording","jazz","lp","new"],"price":467500,"price_min":467500,"price_max":467500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47603010568442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Christer Bothén \/\/ Christer Bothén Donso n’goni LP","public_title":null,"options":["Default Title"],"price":467500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101485251","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/donso1.jpg?v=1754881884","\/\/tobirarecords.com\/cdn\/shop\/files\/donso2.jpg?v=1754881884"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/donso1.jpg?v=1754881884","options":["Title"],"media":[{"alt":null,"id":36521633513722,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/donso1.jpg?v=1754881884"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/donso1.jpg?v=1754881884","width":700},{"alt":null,"id":36521633546490,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/donso2.jpg?v=1754881884"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/donso2.jpg?v=1754881884","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデンのマルチ奏者Christer Bothénが、2025年9月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアフリカの民族楽器ドンソンゴニを用いたワスルの伝統音楽とインプロ7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3777610072\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Zindi Windi 04:06\u003cbr\u003e2. Kakani Kakani 03:31\u003cbr\u003e3. Reh Chergi\u003cbr\u003e4. Fantasma\u003cbr\u003e5. Yalla\u003cbr\u003e6. La Baraka\u003cbr\u003e7. Waso Manjé\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is thrilled to present the first ever solo Donso n’goni recording from octogenarian Swedish multi-instrumentalist Christer Bothén. Active in the Swedish jazz and improvisation scene since the 1970s, often heard on bass clarinet, Bothén travelled to Mali in 1971, eventually making his way to the Wassoulou region in the country’s south where he encountered the Donso n’goni, the sacred harp of the hunter caste of Wassoulou society. Though playing the instrument has traditionally been restricted to those who belong to the hunters’ brotherhood, Bothén found an enthusiastic teacher in Brouema Dobia, who, after many months of intensive one-on-one lessons, gave Bothén his blessing to play the instrument both traditionally and in his own style. Returning to Sweden, he would go on to pass on what he had learned to Don Cherry and play the Donso n’goni in a wide variety of inventive settings, including the driving Afro-jazz-fusion of his Trancedance (reissued as BT118).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe seven pieces of Christer Bothén Donso n’goni offer up a stunning showcase of Bothén’s work on this remarkable instrument, heard entirely unaccompanied, except for the final piece where he is joined on a second Donso n’goni by his student and collaborator, the virtuoso bassist Kansan\/Torbjorn Zetterberg, and Marianne\u003cspan class=\"bcTruncateMore\"\u003e N’Lemvo Linden on the metal Karanjang scraper. Produced by Johan Berthling (of Fire! \u0026amp; Ghosted) and recorded in three sessions in Stockholm between 2019 and 2023 in richly detailed high fidelity, the instrument’s buzzing, sonorous bass strings make an immediate, overwhelming sonic impression. Hyper-focused on hypnotically repeating pentatonic patterns, the seven pieces are at once relentlessly single-minded and endlessly rich in subtle variations. The concentrated listening environment turns small details, such as the deployment of the instrument’s segesege rattle on two of the pieces, into major events. Six of the seven pieces are traditional, with Bothén contributing the remaining ‘La Baraka’, but the line between tradition and the individual talent is imaginary here: as Bothén explained in a recent interview with The Wire’s Clive Bell, ‘I play traditional and untraditional, and I play the music forward and backward’. While the traditional Wassoulou pieces provide the rhythmic and harmonic elements, Bothén’s individuality as a performer is alive in every moment, felt acutely in boundless variations of attack, improvisational flourishes, and unexpected accelerations and decelerations. Captured entirely live and bristling with spontaneity, this music is undeniably the product of almost half a decade of Bothén’s devotion to the Donso n’goni and its traditional music.\u003cbr\u003e\u003cbr\u003eAccompanied by detailed new liner notes by Bothén and stunning colour photos from his time in Mali, Christer Bothén Donso n’goni is a stunning document of a remarkable instrument, played with an almost spiritual intensity by one of contemporary music’s great explorers\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christer Bothén\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 133\u003c\/span\u003e\u003c\/p\u003e"}
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スウェーデンのマルチ奏者Christer Bothénが、2025年9月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。 アフリカの民族楽器ドンソンゴニを用いたワスルの伝統音楽とインプロ7曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
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{"id":8884826898682,"title":"Sombat Simla \/\/ Master Of Bamboo Mouth Organ - Isan, Thailand LP","handle":"sombat-simla-master-of-bamboo-mouth-organ-isan-thailand-lp-1","description":"\u003cp\u003eタイの竹笛オルガン「ケーン」奏者Sombat Simlaが、2023年11月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eライナーノート付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2806481222\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLine Rod Fai - Train 04:33\u003c\/li\u003e\n\u003cli\u003eTuey Non Tarn 03:06\u003c\/li\u003e\n\u003cli\u003eLom Phat Prow 03:11\u003c\/li\u003e\n\u003cli\u003eTang Waii - Wicker Stool 02:42\u003c\/li\u003e\n\u003cli\u003eLai Soy Puen Baan 03:25\u003c\/li\u003e\n\u003cli\u003eLine Khene Racing 04:36\u003c\/li\u003e\n\u003cli\u003eHak Sao Siang Khene 03:17\u003c\/li\u003e\n\u003cli\u003eSeung Swing 03:09\u003c\/li\u003e\n\u003cli\u003eSiang Khene Hoy Hooun 03:05\u003c\/li\u003e\n\u003cli\u003eKhene Lam Sing 03:30\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is pleased to announce the first LP documenting master khene player Sombat Simla, the label’s first collaboration with Japanese sound artist, field recordist, and researcher Yasuhiro Morinaga. Simla is known in Thailand as one of the greatest living players of the khene, the ancient bamboo mouth organ particularly associated with Laos but found throughout East and Southeast Asia. His virtuosic and endlessly inventive renditions of traditional and popular songs have earned him the title ‘the god of khene’, and he is known for his innovative techniques and ability to mimic other instruments and non-musical sound, including, as a writer for the Bangkok Post describes, ‘the sound of a train journey, complete with traffic crossings and the call of barbecue chicken vendors’.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAided by a group of Thai friends, in 2018 Morinaga travelled to the Maha Sarakham province in the Isan region, arranging to meet Simla in a remote spot surrounded by rice fields. Then and there, Morinaga recorded the solo performances heard on the LP’s first side. At Morinaga’s request, Simla began with a rendition of the train song ‘Lot Fay Tay Lang’. Beginning with long tones that seem to mimic a train horn, the performance soon moves into a rapid chugging rhythm, interrupted at points by vocal exclamations and the\u003cspan class=\"bcTruncateMore\"\u003e remarkable timbre Simla produces by singing through the khene. To listeners unfamiliar with Thai music, the pentatonic scales and rhythmic chug of many of the pieces can have surprising echoes of the rawest American blues. The range of Simla’s performance is astonishing, moving from compulsive rhythmic workouts on single chords and rapid-fire runs of single notes to gentle sing-song melodies, and using a fascinating array of techniques, including a rapid tremolo that sometimes sounds almost electronic.\u003cbr\u003e\u003cbr\u003eLater the same day, Morinaga followed Simla to a cattle shed where he met percussionist Mali Moodsansee to play some molam (folk songs found in Isan and neighbouring Laos), with Pattardon Ekchatree joining in on cymbal. At times, these molam songs have a wistful, romantic character quite different from the solo pieces. Backed up by the propulsive hand drums, Simla again dazzles with his melodic fluidity, rhythmic drive, and wild displays of unorthodox technique.\u003cbr\u003eAs Morinaga writes, ‘It felt like they had been playing together so long that their breathing was perfectly in sync, and it was like listening to the precision of James Brown’s funk’. Accompanied by extensive liner notes by Morinaga detailing the day of recording, this is a stunning document of a master musician, seamlessly integrating tradition and innovation.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sombat Simla\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 112\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-13T11:13:23+09:00","created_at":"2025-08-11T12:03:35+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","field recording","lp","new"],"price":465300,"price_min":465300,"price_max":465300,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47603006439674,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sombat Simla \/\/ Master Of Bamboo Mouth Organ - Isan, Thailand LP","public_title":null,"options":["Default Title"],"price":465300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101456763","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mas1_a57003c2-aa2a-442f-8169-112eb55f2258.jpg?v=1703302708","\/\/tobirarecords.com\/cdn\/shop\/files\/mas2.jpg?v=1703302708"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mas1_a57003c2-aa2a-442f-8169-112eb55f2258.jpg?v=1703302708","options":["Title"],"media":[{"alt":null,"id":32869964218618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mas1_a57003c2-aa2a-442f-8169-112eb55f2258.jpg?v=1703302708"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mas1_a57003c2-aa2a-442f-8169-112eb55f2258.jpg?v=1703302708","width":700},{"alt":null,"id":32869964251386,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mas2.jpg?v=1703302708"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mas2.jpg?v=1703302708","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eタイの竹笛オルガン「ケーン」奏者Sombat Simlaが、2023年11月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eライナーノート付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2806481222\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLine Rod Fai - Train 04:33\u003c\/li\u003e\n\u003cli\u003eTuey Non Tarn 03:06\u003c\/li\u003e\n\u003cli\u003eLom Phat Prow 03:11\u003c\/li\u003e\n\u003cli\u003eTang Waii - Wicker Stool 02:42\u003c\/li\u003e\n\u003cli\u003eLai Soy Puen Baan 03:25\u003c\/li\u003e\n\u003cli\u003eLine Khene Racing 04:36\u003c\/li\u003e\n\u003cli\u003eHak Sao Siang Khene 03:17\u003c\/li\u003e\n\u003cli\u003eSeung Swing 03:09\u003c\/li\u003e\n\u003cli\u003eSiang Khene Hoy Hooun 03:05\u003c\/li\u003e\n\u003cli\u003eKhene Lam Sing 03:30\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is pleased to announce the first LP documenting master khene player Sombat Simla, the label’s first collaboration with Japanese sound artist, field recordist, and researcher Yasuhiro Morinaga. Simla is known in Thailand as one of the greatest living players of the khene, the ancient bamboo mouth organ particularly associated with Laos but found throughout East and Southeast Asia. His virtuosic and endlessly inventive renditions of traditional and popular songs have earned him the title ‘the god of khene’, and he is known for his innovative techniques and ability to mimic other instruments and non-musical sound, including, as a writer for the Bangkok Post describes, ‘the sound of a train journey, complete with traffic crossings and the call of barbecue chicken vendors’.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAided by a group of Thai friends, in 2018 Morinaga travelled to the Maha Sarakham province in the Isan region, arranging to meet Simla in a remote spot surrounded by rice fields. Then and there, Morinaga recorded the solo performances heard on the LP’s first side. At Morinaga’s request, Simla began with a rendition of the train song ‘Lot Fay Tay Lang’. Beginning with long tones that seem to mimic a train horn, the performance soon moves into a rapid chugging rhythm, interrupted at points by vocal exclamations and the\u003cspan class=\"bcTruncateMore\"\u003e remarkable timbre Simla produces by singing through the khene. To listeners unfamiliar with Thai music, the pentatonic scales and rhythmic chug of many of the pieces can have surprising echoes of the rawest American blues. The range of Simla’s performance is astonishing, moving from compulsive rhythmic workouts on single chords and rapid-fire runs of single notes to gentle sing-song melodies, and using a fascinating array of techniques, including a rapid tremolo that sometimes sounds almost electronic.\u003cbr\u003e\u003cbr\u003eLater the same day, Morinaga followed Simla to a cattle shed where he met percussionist Mali Moodsansee to play some molam (folk songs found in Isan and neighbouring Laos), with Pattardon Ekchatree joining in on cymbal. At times, these molam songs have a wistful, romantic character quite different from the solo pieces. Backed up by the propulsive hand drums, Simla again dazzles with his melodic fluidity, rhythmic drive, and wild displays of unorthodox technique.\u003cbr\u003eAs Morinaga writes, ‘It felt like they had been playing together so long that their breathing was perfectly in sync, and it was like listening to the precision of James Brown’s funk’. Accompanied by extensive liner notes by Morinaga detailing the day of recording, this is a stunning document of a master musician, seamlessly integrating tradition and innovation.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sombat Simla\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 112\u003c\/span\u003e\u003c\/p\u003e"}
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タイの竹笛オルガン「ケーン」奏者Sombat Simlaが、2023年11月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。 ライナーノート付属。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
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{"id":8859744895226,"title":"Kink Gong \/\/ Zomia Vol.1 LP","handle":"kink-gong-zomia-vol-1-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eポルトガル・リスボンの密林大巣窟Discrepant諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、ドイツ・ベルリンのストレンジビーツ作家\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eLaurent Jeanneau aka Kink Gongがリリースしたレコードです。\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eJames C Scottが『The Art of Not Being Governed, an Anarchist History of Upland South East Asia』の中で提唱したZOMIA(=国家のルールが適用されない半ユートピア的な地域)\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eにインスパイアされ制作した作品です。\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e彼が東南アジアの高地で何年にもわたって録音・記録してきた音楽に、独自の解釈を加えた神話的サウンドスケープ9曲を収録。\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=969712805\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eKink Gong is back with his unique take and re-interpretation of the music he’s been recording and documenting for years in the South East Asian highlands.\u003c\/em\u003e \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cbr\u003eZomia Vol.1 takes the conceptual idea of ZOMIA, proposed by James C Scott in The Art of Not Being Governed, an Anarchist History of Upland South East Asia, to construct its very own mythological soundscape inspired by a semi-utopic region where state rules don’t apply. Zomia might be (almost) gone but Kink Gong is keen keep its spirit alive by releasing a series of albums celebrating the region’s quasi mythological features.\u003cbr\u003e\u003cbr\u003e‘’Zomia is an idea, a concept that, not so long ago, there were two very distinct worlds in southeast Asia, the valley VS highland\/hinterland, the civilisation VS the primitive, paddy rice VS slash and burn agriculture, Buddhism VS Animism, fixed territory VS movement\/migration, written system VS oral culture, the state VS anarchy, property VS squat, controlled population VS autonomy, bricks VS bamboo and wood and, at my level museumified traditional mainstream music VS real emotions\/songs of devastated lives and\/or gongs ceremonies with buffalo sacrifices, extreme heat in the valleys VS shade in the jungle. I could go on and on but let’s not\u003cspan class=\"bcTruncateMore\"\u003e forget that ZOMIA is disappearing fast, if not altogether already. How many of the people I’ve recorded are still alive?\u003cbr\u003e\u003cbr\u003eAs you might know, before composing new music from my own ZOMIAN experience (from 2001 to 2014 in Cambodia, Laos, Vietnam, Thailand and China) I had to find those musicians, be able to communicate with them, record them as good as I could with very limited finances and gradually release a collection of 160 CDrs. It is very important for me to make sure you to listen to the fantastic original recordings before or after you’ve listened to this experimental reconstruction I called ZOMIA!\u003cbr\u003e\u003cbr\u003eExpect more volumes to come, this is my biggest source of inspiration, and the reason why I’ve been involved for years in constructing a mythological experimental musical ZOMIAN soundscape.’’\u003cbr\u003e-Laurent Jeanneau, Berlin 2020\u003c\/span\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Kink Gong \u003c\/p\u003e\n\u003cp\u003elabel : Discrepant\u003c\/p\u003e","published_at":"2025-07-14T07:42:55+09:00","created_at":"2025-07-14T07:42:25+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Discrepant","field recording","lp","new","post newage","strange beats"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47510136783098,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Kink Gong \/\/ Zomia Vol.1 LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2065947443_16.jpg?v=1619311245"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2065947443_16.jpg?v=1619311245","options":["Title"],"media":[{"alt":null,"id":21810011439269,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2065947443_16.jpg?v=1619311245"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2065947443_16.jpg?v=1619311245","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eポルトガル・リスボンの密林大巣窟Discrepant諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、ドイツ・ベルリンのストレンジビーツ作家\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eLaurent Jeanneau aka Kink Gongがリリースしたレコードです。\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eJames C Scottが『The Art of Not Being Governed, an Anarchist History of Upland South East Asia』の中で提唱したZOMIA(=国家のルールが適用されない半ユートピア的な地域)\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eにインスパイアされ制作した作品です。\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e彼が東南アジアの高地で何年にもわたって録音・記録してきた音楽に、独自の解釈を加えた神話的サウンドスケープ9曲を収録。\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=969712805\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eKink Gong is back with his unique take and re-interpretation of the music he’s been recording and documenting for years in the South East Asian highlands.\u003c\/em\u003e \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cbr\u003eZomia Vol.1 takes the conceptual idea of ZOMIA, proposed by James C Scott in The Art of Not Being Governed, an Anarchist History of Upland South East Asia, to construct its very own mythological soundscape inspired by a semi-utopic region where state rules don’t apply. Zomia might be (almost) gone but Kink Gong is keen keep its spirit alive by releasing a series of albums celebrating the region’s quasi mythological features.\u003cbr\u003e\u003cbr\u003e‘’Zomia is an idea, a concept that, not so long ago, there were two very distinct worlds in southeast Asia, the valley VS highland\/hinterland, the civilisation VS the primitive, paddy rice VS slash and burn agriculture, Buddhism VS Animism, fixed territory VS movement\/migration, written system VS oral culture, the state VS anarchy, property VS squat, controlled population VS autonomy, bricks VS bamboo and wood and, at my level museumified traditional mainstream music VS real emotions\/songs of devastated lives and\/or gongs ceremonies with buffalo sacrifices, extreme heat in the valleys VS shade in the jungle. I could go on and on but let’s not\u003cspan class=\"bcTruncateMore\"\u003e forget that ZOMIA is disappearing fast, if not altogether already. How many of the people I’ve recorded are still alive?\u003cbr\u003e\u003cbr\u003eAs you might know, before composing new music from my own ZOMIAN experience (from 2001 to 2014 in Cambodia, Laos, Vietnam, Thailand and China) I had to find those musicians, be able to communicate with them, record them as good as I could with very limited finances and gradually release a collection of 160 CDrs. It is very important for me to make sure you to listen to the fantastic original recordings before or after you’ve listened to this experimental reconstruction I called ZOMIA!\u003cbr\u003e\u003cbr\u003eExpect more volumes to come, this is my biggest source of inspiration, and the reason why I’ve been involved for years in constructing a mythological experimental musical ZOMIAN soundscape.’’\u003cbr\u003e-Laurent Jeanneau, Berlin 2020\u003c\/span\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Kink Gong \u003c\/p\u003e\n\u003cp\u003elabel : Discrepant\u003c\/p\u003e"}
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ポルトガル・リスボンの密林大巣窟Discrepant諸作を入荷しました。 本作は、ドイツ・ベルリンのストレンジビーツ作家Laurent Jeanneau aka Kink Gongがリリースしたレコードです。 James C Scottが『The Art of Not Being Governed,...
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{"id":8855557079290,"title":"Marc Namblard \/\/ Arctic Summer CD","handle":"marc-namblard-arctic-summer-cd","description":"\u003cp\u003eフランスのフィールドレコーディング作家／ネイチャーガイドMarc Namblardが、2025年3月にドイツ・ベルリンのフィールドレコーディングレーベルforms of minutiaeから500部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eアイスランドでのフィールドレコーディング12曲を収録。6面デジパック仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"国連は2025年を「国際氷河保存年」と定め、今年から毎年3月21日を「世界氷河デー」とすることを宣言した。これは、気候システムと水循環における氷河、雪、氷の重要な役割と、地球の雪氷圏の差し迫った変化が経済的、社会的、環境的に及ぼす影響について、世界的な認識を高める機会である。この決定を記念して、forms of minutiaeは、氷河と氷の音響的多重性に特化した一連のアルバムを発表する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのシリーズは1年を通して展開され、世界氷河デーには、野生動物のサウンドレコーディストでありネイチャーガイドでもあるMarc Namblardによる、アイスランドとスヴァールバルの音の生態系を巡る旅『arctic summer』からスタートする。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『arctic summer』とその12曲は、ドキュメンタリーのように展開する長い連続作品を形成している。Namblardの清らかな録音は、リスナーを2つの極地の島々の熱気へと誘う。繊細だが賑やかな火山、動物、氷河のタペストリーの中で、シーンが互いに続いていく。この綿密な構成によって、私たちは極低温圏の広大さと微細さ、そして極低温圏が育む生命を垣間見ることができる。鳥や哺乳類は、独特の音響行動でアルバムに拍子を刻む。空気はパフィンの羽ばたき、キョクアジサシの鳴き声、キンクロハジロの鋭い鳴き声、イソヒヨドリの鼻鳴き声、そして一般的な棘のある音で満たされている。眼下では、ホッキョクギツネが薄明かりの中で鳴き、クジラが沖合で噴き出し、セイウチがうなり声を上げ、蒸し上がったエンジンのように息を吐く。しかし、これらの動物の声は単独で響いているのではない。地質の声に包まれているのだ。小石を敷き詰めた潮の流れは、私たちを地下に潜む火山の鼓動へと導く。地熱泥のプールは粘性のあるドラム音を立てて泡立ち、硫黄の噴出孔は絶え間ないため息を吹きかける。泥水には囁きがある。焦土は膨張する。地球が焼ける。この灼熱のサウンドスケープは、次第に夏の暑さへと蒸発し、氷の融解をもたらす。その際、氷は形も音も見事に変化する。氷河は轟音を立てて崩れ落ち、氷山はうなり声を上げて漂い、モレーンは雫のカーテンをなびかせる。風景は解凍され、水漏れを起こす。氷河は薄くなる。地球はにじみ出る。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの北極圏の生物音響のるつぼは、ツンドラ地帯を横切る想像上の音散歩へと紡がれ、Namblardの環境に対する深い愛情を感じさせる。彼の妥協を許さない繊細さは、極寒の大地をよりよく理解し、育むために耳を傾けるよう誘う。耳のための映画館『arctic summer』は、変わりゆく世界の壊れやすいサウンドスケープと生態系をマッピングしたタイムカプセルである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=155058802\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003ehere\u003c\/a\u003e to see more Forms of Minutiae releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCD in 6 printed-panel sleeve.\u003cbr\u003eEdition of 500.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. emergence 03:34\u003cbr\u003e2. gravel beach 06:46\u003cbr\u003e3. under the cliff 04:03\u003cbr\u003e4. tundra 04:40\u003cbr\u003e5. hot springs 13:54\u003cbr\u003e6. commissure 03:12\u003cbr\u003e7. calving 07:03\u003cbr\u003e8. ice waves 04:44\u003cbr\u003e9. drift and melt 10:49\u003cbr\u003e10. moraine 06:19\u003cbr\u003e11. walruses on a sand beach 06:07\u003cbr\u003e12. off the coast 06:06\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eForms of Minutiae:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e2025 was declared the International Year of Glaciers’ Preservation by the United Nations, accompanied by the proclamation of March 21st of each year as the World Day for Glaciers starting this year. As they put it, “this is an opportunity to raise global awareness about the critical role of glaciers, snow and ice in the climate system and the hydrological cycle, and the economic, social and environmental impacts of the impending changes in the Earth’s cryosphere.” To celebrate this decision forms of minutiae presents a series of albums dedicated to glaciers and the acoustic multiplicity of\u003cspan class=\"bcTruncateMore\"\u003e the ice with field recording works by Marc Namblard, Ludwig Berger, Yoichi Kamimura, Cheryl E. Leonard, and Pablo Diserens.\u003cbr\u003e\u003cbr\u003eSprinkled throughout the year, the series launches on World Day of Glaciers with the album \"arctic summer\", a journey across the sonic ecologies of Iceland and Svalbard, by wildlife sound recordist and nature guide Marc Namblard.\u2028\u003cbr\u003e\u003cbr\u003e\"arctic summer\" and its 12 tracks form a long continuous piece which unfolds in a documentary fashion. Here, Namblard’s pristine recordings invite listeners into the estival effervescence of the two polar islands. Scenes follow one another in a delicate but bustling volcanic, animal, and glacial tapestry, whose dimensions materialize through the artist’s play on perspective and space. This meticulous composition enables us to eavesdrop both on the vastness and the minute of the cryosphere and the life it fosters. Birds and mammals cadence the album with distinct acoustic behaviors. The air is filled with puffin wing flutters, arctic tern shrills, golden plover sharp pings, kittiwake nasal cries, and the uncanny winnowing sound of common spines. Below, an arctic fox calls in the twilight, a whale spouts off the coast, and walruses growl, grunt, and exhale like washed up steaming engines. Yet these animal voices aren’t sounding alone. They are enveloped by the voices of geologies. Pebble-laden tides lead us to the beating volcanic heart that lies beneath the ground. Geothermal mud pools bubble in viscous drummings, while sulphur vents whistle in perpetual sighs. There are whispers in the slurry. The scorched soil swells. The Earth sizzles. Geyser! This scalding soundscape gradually evaporates into the heat of summer, bringing about the melting of the ice. In doing so, the ice shares a splendid variety both in form and sound. Glaciers crash in thundering calvings, icebergs drift in fizzling growls, while the moraine trickles in curtains of drops. The landscape thaws and leaks. The glaciers thin. The Earth oozes.\u003cbr\u003e\u003cbr\u003eThis melting pot of arctic bioacoustics weaves into an imaginary sound walk across the tundra, making Namblard’s profound affection for the environment palpable. His uncompromising delicacy is an invitation to listen to the cryosphere in order to better understand and nurture it. A cinema for the ears, \"arctic summer\" is a time capsule that maps the fragile soundscapes and ecosystems of a changing world.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marc Namblard\u003c\/p\u003e\n\u003cp\u003eLabel : Forms of Minutiae\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efom14\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-07-10T10:15:26+09:00","created_at":"2025-07-09T10:19:37+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","field recording","forms of minutiae","monooto","new"],"price":257500,"price_min":257500,"price_max":257500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47492254204154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Marc Namblard \/\/ Arctic Summer CD","public_title":null,"options":["Default Title"],"price":257500,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sum1_0834d9ee-4bbf-43a4-aee3-33a36774f40f.jpg?v=1752023875","\/\/tobirarecords.com\/cdn\/shop\/files\/sum2_c50d0109-f9fc-4767-a402-c608b4466824.jpg?v=1752023875","\/\/tobirarecords.com\/cdn\/shop\/files\/sum3.jpg?v=1752023875"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sum1_0834d9ee-4bbf-43a4-aee3-33a36774f40f.jpg?v=1752023875","options":["Title"],"media":[{"alt":null,"id":36339841499386,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sum1_0834d9ee-4bbf-43a4-aee3-33a36774f40f.jpg?v=1752023875"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sum1_0834d9ee-4bbf-43a4-aee3-33a36774f40f.jpg?v=1752023875","width":700},{"alt":null,"id":36339841532154,"position":2,"preview_image":{"aspect_ratio":1.471,"height":816,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sum2_c50d0109-f9fc-4767-a402-c608b4466824.jpg?v=1752023875"},"aspect_ratio":1.471,"height":816,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sum2_c50d0109-f9fc-4767-a402-c608b4466824.jpg?v=1752023875","width":1200},{"alt":null,"id":36339841564922,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sum3.jpg?v=1752023875"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sum3.jpg?v=1752023875","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのフィールドレコーディング作家／ネイチャーガイドMarc Namblardが、2025年3月にドイツ・ベルリンのフィールドレコーディングレーベルforms of minutiaeから500部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eアイスランドでのフィールドレコーディング12曲を収録。6面デジパック仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"国連は2025年を「国際氷河保存年」と定め、今年から毎年3月21日を「世界氷河デー」とすることを宣言した。これは、気候システムと水循環における氷河、雪、氷の重要な役割と、地球の雪氷圏の差し迫った変化が経済的、社会的、環境的に及ぼす影響について、世界的な認識を高める機会である。この決定を記念して、forms of minutiaeは、氷河と氷の音響的多重性に特化した一連のアルバムを発表する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのシリーズは1年を通して展開され、世界氷河デーには、野生動物のサウンドレコーディストでありネイチャーガイドでもあるMarc Namblardによる、アイスランドとスヴァールバルの音の生態系を巡る旅『arctic summer』からスタートする。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『arctic summer』とその12曲は、ドキュメンタリーのように展開する長い連続作品を形成している。Namblardの清らかな録音は、リスナーを2つの極地の島々の熱気へと誘う。繊細だが賑やかな火山、動物、氷河のタペストリーの中で、シーンが互いに続いていく。この綿密な構成によって、私たちは極低温圏の広大さと微細さ、そして極低温圏が育む生命を垣間見ることができる。鳥や哺乳類は、独特の音響行動でアルバムに拍子を刻む。空気はパフィンの羽ばたき、キョクアジサシの鳴き声、キンクロハジロの鋭い鳴き声、イソヒヨドリの鼻鳴き声、そして一般的な棘のある音で満たされている。眼下では、ホッキョクギツネが薄明かりの中で鳴き、クジラが沖合で噴き出し、セイウチがうなり声を上げ、蒸し上がったエンジンのように息を吐く。しかし、これらの動物の声は単独で響いているのではない。地質の声に包まれているのだ。小石を敷き詰めた潮の流れは、私たちを地下に潜む火山の鼓動へと導く。地熱泥のプールは粘性のあるドラム音を立てて泡立ち、硫黄の噴出孔は絶え間ないため息を吹きかける。泥水には囁きがある。焦土は膨張する。地球が焼ける。この灼熱のサウンドスケープは、次第に夏の暑さへと蒸発し、氷の融解をもたらす。その際、氷は形も音も見事に変化する。氷河は轟音を立てて崩れ落ち、氷山はうなり声を上げて漂い、モレーンは雫のカーテンをなびかせる。風景は解凍され、水漏れを起こす。氷河は薄くなる。地球はにじみ出る。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの北極圏の生物音響のるつぼは、ツンドラ地帯を横切る想像上の音散歩へと紡がれ、Namblardの環境に対する深い愛情を感じさせる。彼の妥協を許さない繊細さは、極寒の大地をよりよく理解し、育むために耳を傾けるよう誘う。耳のための映画館『arctic summer』は、変わりゆく世界の壊れやすいサウンドスケープと生態系をマッピングしたタイムカプセルである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=155058802\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003ehere\u003c\/a\u003e to see more Forms of Minutiae releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCD in 6 printed-panel sleeve.\u003cbr\u003eEdition of 500.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. emergence 03:34\u003cbr\u003e2. gravel beach 06:46\u003cbr\u003e3. under the cliff 04:03\u003cbr\u003e4. tundra 04:40\u003cbr\u003e5. hot springs 13:54\u003cbr\u003e6. commissure 03:12\u003cbr\u003e7. calving 07:03\u003cbr\u003e8. ice waves 04:44\u003cbr\u003e9. drift and melt 10:49\u003cbr\u003e10. moraine 06:19\u003cbr\u003e11. walruses on a sand beach 06:07\u003cbr\u003e12. off the coast 06:06\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eForms of Minutiae:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e2025 was declared the International Year of Glaciers’ Preservation by the United Nations, accompanied by the proclamation of March 21st of each year as the World Day for Glaciers starting this year. As they put it, “this is an opportunity to raise global awareness about the critical role of glaciers, snow and ice in the climate system and the hydrological cycle, and the economic, social and environmental impacts of the impending changes in the Earth’s cryosphere.” To celebrate this decision forms of minutiae presents a series of albums dedicated to glaciers and the acoustic multiplicity of\u003cspan class=\"bcTruncateMore\"\u003e the ice with field recording works by Marc Namblard, Ludwig Berger, Yoichi Kamimura, Cheryl E. Leonard, and Pablo Diserens.\u003cbr\u003e\u003cbr\u003eSprinkled throughout the year, the series launches on World Day of Glaciers with the album \"arctic summer\", a journey across the sonic ecologies of Iceland and Svalbard, by wildlife sound recordist and nature guide Marc Namblard.\u2028\u003cbr\u003e\u003cbr\u003e\"arctic summer\" and its 12 tracks form a long continuous piece which unfolds in a documentary fashion. Here, Namblard’s pristine recordings invite listeners into the estival effervescence of the two polar islands. Scenes follow one another in a delicate but bustling volcanic, animal, and glacial tapestry, whose dimensions materialize through the artist’s play on perspective and space. This meticulous composition enables us to eavesdrop both on the vastness and the minute of the cryosphere and the life it fosters. Birds and mammals cadence the album with distinct acoustic behaviors. The air is filled with puffin wing flutters, arctic tern shrills, golden plover sharp pings, kittiwake nasal cries, and the uncanny winnowing sound of common spines. Below, an arctic fox calls in the twilight, a whale spouts off the coast, and walruses growl, grunt, and exhale like washed up steaming engines. Yet these animal voices aren’t sounding alone. They are enveloped by the voices of geologies. Pebble-laden tides lead us to the beating volcanic heart that lies beneath the ground. Geothermal mud pools bubble in viscous drummings, while sulphur vents whistle in perpetual sighs. There are whispers in the slurry. The scorched soil swells. The Earth sizzles. Geyser! This scalding soundscape gradually evaporates into the heat of summer, bringing about the melting of the ice. In doing so, the ice shares a splendid variety both in form and sound. Glaciers crash in thundering calvings, icebergs drift in fizzling growls, while the moraine trickles in curtains of drops. The landscape thaws and leaks. The glaciers thin. The Earth oozes.\u003cbr\u003e\u003cbr\u003eThis melting pot of arctic bioacoustics weaves into an imaginary sound walk across the tundra, making Namblard’s profound affection for the environment palpable. His uncompromising delicacy is an invitation to listen to the cryosphere in order to better understand and nurture it. A cinema for the ears, \"arctic summer\" is a time capsule that maps the fragile soundscapes and ecosystems of a changing world.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marc Namblard\u003c\/p\u003e\n\u003cp\u003eLabel : Forms of Minutiae\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efom14\u003c\/span\u003e\u003c\/p\u003e"}
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フランスのフィールドレコーディング作家／ネイチャーガイドMarc Namblardが、2025年3月にドイツ・ベルリンのフィールドレコーディングレーベルforms of minutiaeから500部限定でリリースしたCDです。 アイスランドでのフィールドレコーディング12曲を収録。6面デジパック仕様です。 以下、レーベルによる解説です。 "国連は2025年を「国際氷河保存年」と定め、今年から毎年3月21日を「世界氷河デー」とすることを宣言した。これは、気候システムと水循環における氷河、雪、氷の重要な役割と、地球の雪氷圏の差し迫った変化が経済的、社会的、環境的に及ぼす影響について、世界的な認識を高める機会である。この決定を記念して、forms of minutiaeは、氷河と氷の音響的多重性に特化した一連のアルバムを発表する。 このシリーズは1年を通して展開され、世界氷河デーには、野生動物のサウンドレコーディストでありネイチャーガイドでもあるMarc Namblardによる、アイスランドとスヴァールバルの音の生態系を巡る旅『arctic summer』からスタートする。 『arctic summer』とその12曲は、ドキュメンタリーのように展開する長い連続作品を形成している。Namblardの清らかな録音は、リスナーを2つの極地の島々の熱気へと誘う。繊細だが賑やかな火山、動物、氷河のタペストリーの中で、シーンが互いに続いていく。この綿密な構成によって、私たちは極低温圏の広大さと微細さ、そして極低温圏が育む生命を垣間見ることができる。鳥や哺乳類は、独特の音響行動でアルバムに拍子を刻む。空気はパフィンの羽ばたき、キョクアジサシの鳴き声、キンクロハジロの鋭い鳴き声、イソヒヨドリの鼻鳴き声、そして一般的な棘のある音で満たされている。眼下では、ホッキョクギツネが薄明かりの中で鳴き、クジラが沖合で噴き出し、セイウチがうなり声を上げ、蒸し上がったエンジンのように息を吐く。しかし、これらの動物の声は単独で響いているのではない。地質の声に包まれているのだ。小石を敷き詰めた潮の流れは、私たちを地下に潜む火山の鼓動へと導く。地熱泥のプールは粘性のあるドラム音を立てて泡立ち、硫黄の噴出孔は絶え間ないため息を吹きかける。泥水には囁きがある。焦土は膨張する。地球が焼ける。この灼熱のサウンドスケープは、次第に夏の暑さへと蒸発し、氷の融解をもたらす。その際、氷は形も音も見事に変化する。氷河は轟音を立てて崩れ落ち、氷山はうなり声を上げて漂い、モレーンは雫のカーテンをなびかせる。風景は解凍され、水漏れを起こす。氷河は薄くなる。地球はにじみ出る。...
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{"id":8855553507578,"title":"Ludwig Berger \u0026 Vadret da Morteratsch \/\/ Crying Glacier LP","handle":"ludwig-berger-vadret-da-morteratsch-crying-glacier-lp","description":"\u003cp\u003eスイスの実験音楽家Ludwig Bergerが、2025年7月にドイツ・ベルリンのフィールドレコーディングレーベルforms of minutiaeから200部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eモルテラッチ氷河でのフィールドレコーディング9曲を収録。DLコード付属。45RPMです。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/berger-dombois-konig-u5-wang-struck-modernism-figure-x-a-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"国連は2025年を「国際氷河保存年」と定め、今年から毎年3月21日を「世界氷河デー」とすることを宣言した。これは、気候システムと水循環における氷河、雪、氷の重要な役割と、地球の雪氷圏の差し迫った変化が経済的、社会的、環境的に及ぼす影響について、世界的な認識を高める機会である。この決定を記念して、forms of minutiaeは、氷河と氷の音響的多重性に特化した一連のアルバムを発表する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMarc Namblardの「arctic summer」に続く第2弾は、ヴァドレ・ダ・モルテラッチュ（モルテラッチュ氷河）とランドスケープ・サウンドアーティストで教育者でもあるLudwig Bergerの親密なコラボレーションによるアルバム「crying glacier」だ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのアルバムは、Ludwig Bergerがスイス・アルプスのモルテラッチ氷河でレコーディングを行った様子を記録した、ルッツ・スタウトナー監督による同名の映画『Crying Glacier』（上掲）の撮影中に主に録音された。ドキュメンタリーと同様、LP版は氷河とリスナーの深い関係を明らかにしている。Ludwig Bergerは10年間、モルテラッチ氷河を頻繁に訪れ、そのたびに「何か」ではなく「誰か」に会いに来たような感覚を覚えたという。「旧友に会うように」と彼は映画のナレーションで語っている。この親密さはアルバム全体を通して感じられる。各トラックで、氷河の繊細かつ複雑なサウンドスケープが、無数の音のアーティキュレーションで展開される。溶けた氷は、うなり、うなり、泡立ち、ひび割れ、割れ、折れ、湧き出し、流れ、漏れる。「言語の一形態」とベルガーは言う。実際、モルテラッチュが生み出した語彙の豊富さは、誇張しすぎることはない。氷河が溶けるときに放出する気泡の糸は、地球の太古の大気だけでなく、驚くほど幅広い表現力を備えている。水で満たされたクレバスの中で、それぞれが独自のリズムとフレージングを持つ奇妙な声が実体化する。あるものは鳥の鳴き声、あるものは哺乳類のうなり声、あるものは人間の話し声、そしてあるものはシンセサイザーの擬態語まで。アルバムを通して、これらの声は分厚く多層的な氷河のノイズとなって蓄積され、まるでLudwig Bergerが我々を氷の小宇宙に招き入れたかのようだ。この極端な近接性は、時折、突然のズームアウトによって中断され、周囲の渓谷の乾燥したサウンドスケープが明らかになる。「氷河が最近溶けた地帯は砂漠のようだ」とLudwig Bergerは警告しているが、この警告は、氷河を取り除いたモルテラッチュ渓谷の未来のサウンドスケープを想像させるアルバムのラストトラックで体現されている。かつてこの土地に息づいていた精巧な言語は、今や失われている。その代わりに、鳥のさえずり、昆虫の鳴き声、飛行機のモーター音が空気中に充満し、アルプスを待ち受ける暑さを予感させる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「気候保護がなければ、Ludwig Bergerの録音はアルプスの氷河よりも長生きする可能性がある」と、緑に覆われた谷を映したラストショットで映画は警告している。大げさではない。氷は何千年もの間、地球の歴史を担ってきたが、驚くべき速さで消滅しつつある。その応答として、このアルバムは、Ludwig Bergerのハイドロフォンによって優しく聴こえる、生命に満ちた身体としての氷河へのリスナーの共感を誘うLudwig Bergerは、「Crying Glacier」とその本質的な人間以上の共同性によって、モルテラッチ氷河の声を増幅させ、その人間性を強調する。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4177826037\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003ehere\u003c\/a\u003e to see more Forms of Minutiae releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. on a different scale 04:03\u003cbr\u003e2. someone, not something 03:46\u003cbr\u003e3. a form of language 04:46\u003cbr\u003e4. the more alive he seems, the more he is dying 03:55\u003cbr\u003e5. hundreds, thousands of years old 01:55\u003cbr\u003e6. a kind of person 02:47\u003cbr\u003e7. becoming a desert 03:06\u003cbr\u003e8. nothing returns 03:03\u003cbr\u003e9. what the valley will sound like 03:07\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eForms of Minutiae:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e2025 was declared the International Year of Glaciers’ Preservation by the United Nations, accompanied by the proclamation of March 21st of each year as the World Day for Glaciers starting this year. As they put it, “this is an opportunity to raise global awareness about the critical role of glaciers, snow and ice in the climate system and the hydrological cycle, and the economic, social and environmental impacts of the impending changes in the Earth’s cryosphere.” To celebrate this decision forms of minutiae presents a series of albums dedicated to glaciers and the acoustic multiplicity of the ice with field recording works by Marc Namblard, Ludwig Berger, Yoichi Kamimura, Cheryl E. Leonard, and Pablo Diserens\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowing Marc Namblard’s \"arctic summer\", the series continues with its second album, \"crying glacier\", an intimate collaboration between the Vadret da Morteratsch (Morteratsch Glacier) and landscape sound artist and educator Ludwig Berger.\u2028\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album was mainly recorded during the filming of the eponymous film \"Crying Glacier\", directed by Lutz Stautner (featured above), which documents Ludwig Berger’s recording and listening\u003cspan class=\"bcTruncateMore\"\u003e practice with the Morteratsch Glacier in the Swiss Alps. Much like the documentary, the LP version unveils the profound relationship between the glacier and the listener. Berger spent a decade visiting Morteratsch, so frequently that each time he returned, it felt like he was coming back to someone, not just something. “Like seeing an old friend” he shares in the film’s voice over. This intimacy is made palpable throughout the album. With each track the subtle, yet complex, soundscape of the glacier unfolds in myriads of sonic articulations. The melting ice grunts, growls, bubbles, cracks, breaks, snaps, gushes, trickles, and leaks — all in a splendid and intricate vocabulary. “A form of language” states Berger. Indeed, the abundance of lexicon birthed by the Morteratsch cannot be overstated. The strings of bubbles that the glacier releases as it melts bear not only the Earth’s ancient atmosphere but also a stunning range of expressivity. Bizarre voices materialize in water-filled crevasses, each with their own rhythm and phrasing. Some echo avian songs, some mammal grunts, some human speech, and some even venture into synthesizer mimicry. Throughout the album, these voices accumulate into a thick, multi-layered, glacial noise, as if Berger invited us into the microcosm of the ice. This extreme proximity is only occasionally interrupted by sudden zoom-outs that reveal the arid soundscape of the surrounding valley. “The zone where the glacier has recently melted is like a desert”, alerts Berger, a warning embodied by the album’s last track which imagines the future soundscape of the Morteratsch Valley stripped of its glacier. The elaborate language that once inhabited this land is now gone. In its place the air is filled by bird songs, insect stridulations, and airplane motors, all foreshadowing the possible heat that awaits the Alps. \u2028\u2028\u003cbr\u003e\u003cbr\u003e“Without climate protection, it is likely that Ludwig Berger’s recordings will outlive alpine glaciers”, warns the film in its last shot, showing the valley overtaken by greenery. It is not exaggerated. The ice carried the planet’s history for millennia yet it is disappearing at an alarming rate. As a response, the album invites listeners to relate to the glacier as a body, filled with life, here gently auscultated by Berger’s hydrophones. With \"crying glacier\" and its intrinsic more-than-human collaborative nature, Ludwig Berger amplifies the Morteratsch Glacier’s voice to emphasize its personhood, and other glaciers' urgent need for recognition and preservation.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : ludwig berger \u0026amp; vadret da morteratsch\u003c\/p\u003e\n\u003cp\u003eLabel : Forms of Minutiae\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efom15\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-07-10T10:04:55+09:00","created_at":"2025-07-09T10:12:34+09:00","vendor":"Tobira Records","type":"","tags":["field recording","forms of minutiae","lp","monooto","new"],"price":423600,"price_min":423600,"price_max":423600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47492244996346,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ludwig Berger \u0026 Vadret da Morteratsch \/\/ Crying Glacier LP","public_title":null,"options":["Default Title"],"price":423600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gla1.jpg?v=1752023458","\/\/tobirarecords.com\/cdn\/shop\/files\/gla2.jpg?v=1752023458"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gla1.jpg?v=1752023458","options":["Title"],"media":[{"alt":null,"id":36339810468090,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gla1.jpg?v=1752023458"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gla1.jpg?v=1752023458","width":700},{"alt":null,"id":36339810533626,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gla2.jpg?v=1752023458"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gla2.jpg?v=1752023458","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスイスの実験音楽家Ludwig Bergerが、2025年7月にドイツ・ベルリンのフィールドレコーディングレーベルforms of minutiaeから200部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eモルテラッチ氷河でのフィールドレコーディング9曲を収録。DLコード付属。45RPMです。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/berger-dombois-konig-u5-wang-struck-modernism-figure-x-a-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"国連は2025年を「国際氷河保存年」と定め、今年から毎年3月21日を「世界氷河デー」とすることを宣言した。これは、気候システムと水循環における氷河、雪、氷の重要な役割と、地球の雪氷圏の差し迫った変化が経済的、社会的、環境的に及ぼす影響について、世界的な認識を高める機会である。この決定を記念して、forms of minutiaeは、氷河と氷の音響的多重性に特化した一連のアルバムを発表する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMarc Namblardの「arctic summer」に続く第2弾は、ヴァドレ・ダ・モルテラッチュ（モルテラッチュ氷河）とランドスケープ・サウンドアーティストで教育者でもあるLudwig Bergerの親密なコラボレーションによるアルバム「crying glacier」だ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのアルバムは、Ludwig Bergerがスイス・アルプスのモルテラッチ氷河でレコーディングを行った様子を記録した、ルッツ・スタウトナー監督による同名の映画『Crying Glacier』（上掲）の撮影中に主に録音された。ドキュメンタリーと同様、LP版は氷河とリスナーの深い関係を明らかにしている。Ludwig Bergerは10年間、モルテラッチ氷河を頻繁に訪れ、そのたびに「何か」ではなく「誰か」に会いに来たような感覚を覚えたという。「旧友に会うように」と彼は映画のナレーションで語っている。この親密さはアルバム全体を通して感じられる。各トラックで、氷河の繊細かつ複雑なサウンドスケープが、無数の音のアーティキュレーションで展開される。溶けた氷は、うなり、うなり、泡立ち、ひび割れ、割れ、折れ、湧き出し、流れ、漏れる。「言語の一形態」とベルガーは言う。実際、モルテラッチュが生み出した語彙の豊富さは、誇張しすぎることはない。氷河が溶けるときに放出する気泡の糸は、地球の太古の大気だけでなく、驚くほど幅広い表現力を備えている。水で満たされたクレバスの中で、それぞれが独自のリズムとフレージングを持つ奇妙な声が実体化する。あるものは鳥の鳴き声、あるものは哺乳類のうなり声、あるものは人間の話し声、そしてあるものはシンセサイザーの擬態語まで。アルバムを通して、これらの声は分厚く多層的な氷河のノイズとなって蓄積され、まるでLudwig Bergerが我々を氷の小宇宙に招き入れたかのようだ。この極端な近接性は、時折、突然のズームアウトによって中断され、周囲の渓谷の乾燥したサウンドスケープが明らかになる。「氷河が最近溶けた地帯は砂漠のようだ」とLudwig Bergerは警告しているが、この警告は、氷河を取り除いたモルテラッチュ渓谷の未来のサウンドスケープを想像させるアルバムのラストトラックで体現されている。かつてこの土地に息づいていた精巧な言語は、今や失われている。その代わりに、鳥のさえずり、昆虫の鳴き声、飛行機のモーター音が空気中に充満し、アルプスを待ち受ける暑さを予感させる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「気候保護がなければ、Ludwig Bergerの録音はアルプスの氷河よりも長生きする可能性がある」と、緑に覆われた谷を映したラストショットで映画は警告している。大げさではない。氷は何千年もの間、地球の歴史を担ってきたが、驚くべき速さで消滅しつつある。その応答として、このアルバムは、Ludwig Bergerのハイドロフォンによって優しく聴こえる、生命に満ちた身体としての氷河へのリスナーの共感を誘うLudwig Bergerは、「Crying Glacier」とその本質的な人間以上の共同性によって、モルテラッチ氷河の声を増幅させ、その人間性を強調する。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4177826037\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003ehere\u003c\/a\u003e to see more Forms of Minutiae releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. on a different scale 04:03\u003cbr\u003e2. someone, not something 03:46\u003cbr\u003e3. a form of language 04:46\u003cbr\u003e4. the more alive he seems, the more he is dying 03:55\u003cbr\u003e5. hundreds, thousands of years old 01:55\u003cbr\u003e6. a kind of person 02:47\u003cbr\u003e7. becoming a desert 03:06\u003cbr\u003e8. nothing returns 03:03\u003cbr\u003e9. what the valley will sound like 03:07\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eForms of Minutiae:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e2025 was declared the International Year of Glaciers’ Preservation by the United Nations, accompanied by the proclamation of March 21st of each year as the World Day for Glaciers starting this year. As they put it, “this is an opportunity to raise global awareness about the critical role of glaciers, snow and ice in the climate system and the hydrological cycle, and the economic, social and environmental impacts of the impending changes in the Earth’s cryosphere.” To celebrate this decision forms of minutiae presents a series of albums dedicated to glaciers and the acoustic multiplicity of the ice with field recording works by Marc Namblard, Ludwig Berger, Yoichi Kamimura, Cheryl E. Leonard, and Pablo Diserens\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowing Marc Namblard’s \"arctic summer\", the series continues with its second album, \"crying glacier\", an intimate collaboration between the Vadret da Morteratsch (Morteratsch Glacier) and landscape sound artist and educator Ludwig Berger.\u2028\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album was mainly recorded during the filming of the eponymous film \"Crying Glacier\", directed by Lutz Stautner (featured above), which documents Ludwig Berger’s recording and listening\u003cspan class=\"bcTruncateMore\"\u003e practice with the Morteratsch Glacier in the Swiss Alps. Much like the documentary, the LP version unveils the profound relationship between the glacier and the listener. Berger spent a decade visiting Morteratsch, so frequently that each time he returned, it felt like he was coming back to someone, not just something. “Like seeing an old friend” he shares in the film’s voice over. This intimacy is made palpable throughout the album. With each track the subtle, yet complex, soundscape of the glacier unfolds in myriads of sonic articulations. The melting ice grunts, growls, bubbles, cracks, breaks, snaps, gushes, trickles, and leaks — all in a splendid and intricate vocabulary. “A form of language” states Berger. Indeed, the abundance of lexicon birthed by the Morteratsch cannot be overstated. The strings of bubbles that the glacier releases as it melts bear not only the Earth’s ancient atmosphere but also a stunning range of expressivity. Bizarre voices materialize in water-filled crevasses, each with their own rhythm and phrasing. Some echo avian songs, some mammal grunts, some human speech, and some even venture into synthesizer mimicry. Throughout the album, these voices accumulate into a thick, multi-layered, glacial noise, as if Berger invited us into the microcosm of the ice. This extreme proximity is only occasionally interrupted by sudden zoom-outs that reveal the arid soundscape of the surrounding valley. “The zone where the glacier has recently melted is like a desert”, alerts Berger, a warning embodied by the album’s last track which imagines the future soundscape of the Morteratsch Valley stripped of its glacier. The elaborate language that once inhabited this land is now gone. In its place the air is filled by bird songs, insect stridulations, and airplane motors, all foreshadowing the possible heat that awaits the Alps. \u2028\u2028\u003cbr\u003e\u003cbr\u003e“Without climate protection, it is likely that Ludwig Berger’s recordings will outlive alpine glaciers”, warns the film in its last shot, showing the valley overtaken by greenery. It is not exaggerated. The ice carried the planet’s history for millennia yet it is disappearing at an alarming rate. As a response, the album invites listeners to relate to the glacier as a body, filled with life, here gently auscultated by Berger’s hydrophones. With \"crying glacier\" and its intrinsic more-than-human collaborative nature, Ludwig Berger amplifies the Morteratsch Glacier’s voice to emphasize its personhood, and other glaciers' urgent need for recognition and preservation.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : ludwig berger \u0026amp; vadret da morteratsch\u003c\/p\u003e\n\u003cp\u003eLabel : Forms of Minutiae\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efom15\u003c\/span\u003e\u003c\/p\u003e"}
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スイスの実験音楽家Ludwig Bergerが、2025年7月にドイツ・ベルリンのフィールドレコーディングレーベルforms of minutiaeから200部限定でリリースしたレコードです。 モルテラッチ氷河でのフィールドレコーディング9曲を収録。DLコード付属。45RPMです。 前作もオススメです。 以下、レーベルによる解説です。 "国連は2025年を「国際氷河保存年」と定め、今年から毎年3月21日を「世界氷河デー」とすることを宣言した。これは、気候システムと水循環における氷河、雪、氷の重要な役割と、地球の雪氷圏の差し迫った変化が経済的、社会的、環境的に及ぼす影響について、世界的な認識を高める機会である。この決定を記念して、forms of minutiaeは、氷河と氷の音響的多重性に特化した一連のアルバムを発表する。 Marc Namblardの「arctic summer」に続く第2弾は、ヴァドレ・ダ・モルテラッチュ（モルテラッチュ氷河）とランドスケープ・サウンドアーティストで教育者でもあるLudwig Bergerの親密なコラボレーションによるアルバム「crying...
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{"id":8847431565562,"title":"Sid Frank \/\/ Beijing 1988 TAPE","handle":"sid-frank-beijing-1988-tape","description":"\u003cp\u003eカナダ・モントリオールのドローン作家Sid Frankが、2024年11月に中国・北京の実験レーベルZoomin' Nightからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eA面はロングフォームなドローン、B面は1988年に北京で収集したフィールドレコーディングを収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3011141400\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eZoomin' Nightその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Zoomin' Night releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003cbr\u003eCassette in norelco case.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Beijing 1988 30:31\u003cbr\u003e2. Beijing Normal University 01:48\u003cbr\u003e3. Beitaipingzhuang Market 01:46\u003cbr\u003e4. Houhai 03:11\u003cbr\u003e5. Qianhai 02:07\u003cbr\u003e6. Yaer Hutong and Dianmenwai Street 04:26\u003cbr\u003e7. Forbidden City East Wall 01:18\u003cbr\u003e8. Wangfujing 01:46\u003cbr\u003e9. Donghuamen 00:53\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eFrom the artist:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"On a sunny Beijing morning in July 1988, I headed out on my Forever brand bicycle, with a bulky VHS video camera in my carrier. I had borrowed the camera, which I was using for the first time, from the university where I had taught for the previous seven months. I intended to film the alleys, parks, markets and streets that had been a regular part of my daily routine. I was hoping to have a personal record of a city that had had a profound impact on my life.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eUpon my return to Canada shortly afterwards, I showed the video to family and friends and viewed it with my partner from time to time to allay our longing to return to China. Eventually, we did return, and the video was left to gather dust in storage.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eA few years ago, back in Canada to stay, I watched the video again. I was surprised at how well it conveyed – both in images and in audio - how it felt to wander the streets in Beijing at that time. It is a record of a city that has subsequently changed dramatically.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI was also surprised at how little I remembered of having made the recording and how much I also had changed.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBeijing 1988 is my reflection on memory and change. By adding my own soundtrack to the video decades after having recorded it, I hoped to bring the past into the present. In my\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e soundtrack, I incorporate elements of the original audio that, like memory, transform and distort over time. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis recording was developed from a series of live performances in China and Japan at the end of 2023. While performing at fruityspace in Beijing, I felt that I was bringing the video home.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI am hopeful that the recording stands on its own without the images, and that by focusing on the sound alone, the listener will experience the disorientation and subsequent tranquility I felt when discovering the unique sounds of Beijing decades ago.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOn Zhu Wenbo’s excellent suggestion, I have included excerpts from the original audio which show how significantly the “soundtrack” to daily life in Beijing has changed since 1988. (The ubiquitous bicycle bells of 1988 have disappeared!)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI would like to thank Zhu Wenbo for his willingness to release this project – and for his friendship over the years.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eImmeasurable thanks to my sons, Joshua and Simon, and my wife Ivy, for their boundless encouragement and unflagging support of this project and all my musical endeavours.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Sid Frank\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Zoomin' Night\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : ZMY 079\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-07-05T08:16:11+09:00","created_at":"2025-07-01T11:11:26+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","field recording","monooto","new","tape","Zoomin’ night"],"price":198800,"price_min":198800,"price_max":198800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47464726364410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sid Frank \/\/ Beijing 1988 TAPE","public_title":null,"options":["Default Title"],"price":198800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bei1.jpg?v=1751335810","\/\/tobirarecords.com\/cdn\/shop\/files\/bei2.jpg?v=1751335810"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bei1.jpg?v=1751335810","options":["Title"],"media":[{"alt":null,"id":36301014171898,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bei1.jpg?v=1751335810"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bei1.jpg?v=1751335810","width":700},{"alt":null,"id":36301014204666,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bei2.jpg?v=1751335810"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bei2.jpg?v=1751335810","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・モントリオールのドローン作家Sid Frankが、2024年11月に中国・北京の実験レーベルZoomin' Nightからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eA面はロングフォームなドローン、B面は1988年に北京で収集したフィールドレコーディングを収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3011141400\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eZoomin' Nightその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zoni\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Zoomin' Night releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003cbr\u003eCassette in norelco case.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Beijing 1988 30:31\u003cbr\u003e2. Beijing Normal University 01:48\u003cbr\u003e3. Beitaipingzhuang Market 01:46\u003cbr\u003e4. Houhai 03:11\u003cbr\u003e5. Qianhai 02:07\u003cbr\u003e6. Yaer Hutong and Dianmenwai Street 04:26\u003cbr\u003e7. Forbidden City East Wall 01:18\u003cbr\u003e8. Wangfujing 01:46\u003cbr\u003e9. Donghuamen 00:53\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eFrom the artist:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"On a sunny Beijing morning in July 1988, I headed out on my Forever brand bicycle, with a bulky VHS video camera in my carrier. I had borrowed the camera, which I was using for the first time, from the university where I had taught for the previous seven months. I intended to film the alleys, parks, markets and streets that had been a regular part of my daily routine. I was hoping to have a personal record of a city that had had a profound impact on my life.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eUpon my return to Canada shortly afterwards, I showed the video to family and friends and viewed it with my partner from time to time to allay our longing to return to China. Eventually, we did return, and the video was left to gather dust in storage.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eA few years ago, back in Canada to stay, I watched the video again. I was surprised at how well it conveyed – both in images and in audio - how it felt to wander the streets in Beijing at that time. It is a record of a city that has subsequently changed dramatically.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI was also surprised at how little I remembered of having made the recording and how much I also had changed.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBeijing 1988 is my reflection on memory and change. By adding my own soundtrack to the video decades after having recorded it, I hoped to bring the past into the present. In my\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e soundtrack, I incorporate elements of the original audio that, like memory, transform and distort over time. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis recording was developed from a series of live performances in China and Japan at the end of 2023. While performing at fruityspace in Beijing, I felt that I was bringing the video home.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI am hopeful that the recording stands on its own without the images, and that by focusing on the sound alone, the listener will experience the disorientation and subsequent tranquility I felt when discovering the unique sounds of Beijing decades ago.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOn Zhu Wenbo’s excellent suggestion, I have included excerpts from the original audio which show how significantly the “soundtrack” to daily life in Beijing has changed since 1988. (The ubiquitous bicycle bells of 1988 have disappeared!)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI would like to thank Zhu Wenbo for his willingness to release this project – and for his friendship over the years.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eImmeasurable thanks to my sons, Joshua and Simon, and my wife Ivy, for their boundless encouragement and unflagging support of this project and all my musical endeavours.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Sid Frank\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Zoomin' Night\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : ZMY 079\u003c\/span\u003e\u003c\/p\u003e"}
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カナダ・モントリオールのドローン作家Sid Frankが、2024年11月に中国・北京の実験レーベルZoomin' Nightからリリースしたカセットです。 A面はロングフォームなドローン、B面は1988年に北京で収集したフィールドレコーディングを収録。DLコード付属。 Zoomin' Nightその他作品はこちら /// Click here to see more Zoomin' Night releases available at...
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