Alessandra Novaga // I Should Have Been a Gardener LP
Alessandra Novaga is among the leading figures within Italy’s thriving new, experimental, and improvised music scene, consistently rendering striking solo efforts, as well as equally noteworthy collaborating with Stefano Pilia, Paula Matthusen, Elliott Sharp, Sandro Mussida, Travis Just, and others. Remarkably ambitious and forward thinking, her approach to the guitar veers from the trajectories of visceral emotiveness and textural extended techniques that have held sway over the instruments applications within avant-garde contexts over the last half century, encountering her relentlessly deconstructing and rethinking its unique properties through applications of structure, resonance, space, and tone.
"I Should Have Been a Gardener" - building on from the territory explored within 2017’s "Fassbinder Wunderkammer" - is Novaga’s second LP to draw conceptually on her love for film. Rather than focusing on a fixed point of inspiration, the album takes form as a distillation, pulling from across the unique life, death, work, political commitment, and diaries of Derek Jarman. Emerging as an ethereal aural portrait of the man, sound - interventions of tonality with non-instrumental sources - and silence join in a single, unified body that seeks redemption and purification at the boundaries of life; an imprint that, like Jarman’s garden at Prospect Cottage, is magical - flowers blooming between the stones - hovering in the stark space between an endless sea and post-modern shadow of a nuclear power plant.
As remarkably listenable as it is challenging and pregnant with ideas, Novaga’s "I Should Have Been a Gardener" represents a strikingly at ease step forward in the potentialities of experimental music. Bravely taking on the ubiquitous expectations of the guitar, Novaga refused to relinquish the clarity of source and sound, forcing the ear to rethink what is accepted and known at every turn. An immersive journey from one of Italy's most important contemporary voices, available from Die Schachtel in a very limited Edition of 200 copied on 180 gr. heavyweight, yellow vinyl, accompanied by an extensive, exploratory booklet. artist : Alessandra Novaga label : Die Schachtel
Alessandra Novaga // I Should Have Been a Gardener LP
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イタリア人女性ギタリストAlessandra Novagaによる2020年7月リリースの新作。題が示す通り、本作は映像作家兼園芸家Derek Jarmanに捧げるギターアンビエント作品となっています。Loren Connors諸作がお好きな方にもおすすめします。180g重量イエローヴァイナル仕様。200部限定です。
Offering a visionary approach to the solo guitar, Milanese experimentalist Alessandra Novaga, delivers an expansive meditation on the late filmmaker, Derek Jarman, with "I Should Have Been a Gardener", proudly presented by Die Schachtel.
Alessandra Novaga is among the leading figures within Italy’s thriving new, experimental, and improvised music scene, consistently rendering striking solo efforts, as well as equally noteworthy collaborating with Stefano Pilia, Paula Matthusen, Elliott Sharp, Sandro Mussida, Travis Just, and others. Remarkably ambitious and forward thinking, her approach to the guitar veers from the trajectories of visceral emotiveness and textural extended techniques that have held sway over the instruments applications within avant-garde contexts over the last half century, encountering her relentlessly deconstructing and rethinking its unique properties through applications of structure, resonance, space, and tone.
"I Should Have Been a Gardener" - building on from the territory explored within 2017’s "Fassbinder Wunderkammer" - is Novaga’s second LP to draw conceptually on her love for film. Rather than focusing on a fixed point of inspiration, the album takes form as a distillation, pulling from across the unique life, death, work, political commitment, and diaries of Derek Jarman. Emerging as an ethereal aural portrait of the man, sound - interventions of tonality with non-instrumental sources - and silence join in a single, unified body that seeks redemption and purification at the boundaries of life; an imprint that, like Jarman’s garden at Prospect Cottage, is magical - flowers blooming between the stones - hovering in the stark space between an endless sea and post-modern shadow of a nuclear power plant.
As remarkably listenable as it is challenging and pregnant with ideas, Novaga’s "I Should Have Been a Gardener" represents a strikingly at ease step forward in the potentialities of experimental music. Bravely taking on the ubiquitous expectations of the guitar, Novaga refused to relinquish the clarity of source and sound, forcing the ear to rethink what is accepted and known at every turn. An immersive journey from one of Italy's most important contemporary voices, available from Die Schachtel in a very limited Edition of 200 copied on 180 gr. heavyweight, yellow vinyl, accompanied by an extensive, exploratory booklet.
Alessandra Novaga is among the leading figures within Italy’s thriving new, experimental, and improvised music scene, consistently rendering striking solo efforts, as well as equally noteworthy collaborating with Stefano Pilia, Paula Matthusen, Elliott Sharp, Sandro Mussida, Travis Just, and others. Remarkably ambitious and forward thinking, her approach to the guitar veers from the trajectories of visceral emotiveness and textural extended techniques that have held sway over the instruments applications within avant-garde contexts over the last half century, encountering her relentlessly deconstructing and rethinking its unique properties through applications of structure, resonance, space, and tone.
"I Should Have Been a Gardener" - building on from the territory explored within 2017’s "Fassbinder Wunderkammer" - is Novaga’s second LP to draw conceptually on her love for film. Rather than focusing on a fixed point of inspiration, the album takes form as a distillation, pulling from across the unique life, death, work, political commitment, and diaries of Derek Jarman. Emerging as an ethereal aural portrait of the man, sound - interventions of tonality with non-instrumental sources - and silence join in a single, unified body that seeks redemption and purification at the boundaries of life; an imprint that, like Jarman’s garden at Prospect Cottage, is magical - flowers blooming between the stones - hovering in the stark space between an endless sea and post-modern shadow of a nuclear power plant.
As remarkably listenable as it is challenging and pregnant with ideas, Novaga’s "I Should Have Been a Gardener" represents a strikingly at ease step forward in the potentialities of experimental music. Bravely taking on the ubiquitous expectations of the guitar, Novaga refused to relinquish the clarity of source and sound, forcing the ear to rethink what is accepted and known at every turn. An immersive journey from one of Italy's most important contemporary voices, available from Die Schachtel in a very limited Edition of 200 copied on 180 gr. heavyweight, yellow vinyl, accompanied by an extensive, exploratory booklet.
artist : Alessandra Novaga
label : Die Schachtel
イタリア人女性ギタリストAlessandra Novagaによる2020年7月リリースの新作。題が示す通り、本作は映像作家兼園芸家Derek Jarmanに捧げるギターアンビエント作品となっています。Loren Connors諸作がお好きな方にもおすすめします。180g重量イエローヴァイナル仕様。200部限定です。
Offering a visionary approach to the solo guitar, Milanese experimentalist Alessandra Novaga, delivers an expansive meditation on the late filmmaker, Derek Jarman, with "I Should Have Been a Gardener", proudly presented by Die Schachtel.Alessandra Novaga is among the leading figures within Italy’s thriving new, experimental, and improvised music scene, consistently rendering striking solo efforts, as well as equally noteworthy collaborating with Stefano Pilia, Paula Matthusen, Elliott Sharp, Sandro Mussida, Travis Just, and others. Remarkably ambitious and forward thinking, her approach to the guitar veers from the trajectories of visceral emotiveness and textural extended techniques that have held sway over the instruments applications within avant-garde contexts over the last half century, encountering her relentlessly deconstructing and rethinking its unique properties through applications of structure, resonance, space, and tone.
"I Should Have Been a Gardener" - building on from the territory explored within 2017’s "Fassbinder Wunderkammer" - is Novaga’s second LP to draw conceptually on her love for film. Rather than focusing on a fixed point of inspiration, the album takes form as a distillation, pulling from across the unique life, death, work, political commitment, and diaries of Derek Jarman. Emerging as an ethereal aural portrait of the man, sound - interventions of tonality with non-instrumental sources - and silence join in a single, unified body that seeks redemption and purification at the boundaries of life; an imprint that, like Jarman’s garden at Prospect Cottage, is magical - flowers blooming between the stones - hovering in the stark space between an endless sea and post-modern shadow of a nuclear power plant.
As remarkably listenable as it is challenging and pregnant with ideas, Novaga’s "I Should Have Been a Gardener" represents a strikingly at ease step forward in the potentialities of experimental music. Bravely taking on the ubiquitous expectations of the guitar, Novaga refused to relinquish the clarity of source and sound, forcing the ear to rethink what is accepted and known at every turn. An immersive journey from one of Italy's most important contemporary voices, available from Die Schachtel in a very limited Edition of 200 copied on 180 gr. heavyweight, yellow vinyl, accompanied by an extensive, exploratory booklet. artist : Alessandra Novaga label : Die Schachtel
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{"id":8670457626874,"title":"Richter Band \/\/ Smetana LP","handle":"richter-band-smetana-lp","description":"\u003cp\u003e70-80年代チェコアンダーグラウンドシーンで暗躍したギタリストPavel Richter率いるストレンジビーツバンドRichter Bandが、2024年11月にイギリスの発掘専門レーベルInfinite Expanseからリリースした再発レコードです。(オリジナルは1990年にカセットリリース)\u003c\/p\u003e\n\u003cp\u003e自作打楽器による瞑想的なストレンジビーツ10曲を収録。\u003c\/p\u003e\n\u003cp\u003eニューエイジやアンビエントリスナーにもオススメします。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1990年にリリースされたRichter Bandのファースト・アルバム『スメタナ』(チェコ語で「クリーム」の意)のリイシューでチェコ共和国に帰還。Pavel Richterは、Švehlík, Marno Union、Elektrobusなど数多くのチェコのアヴァンギャルド・ロック・グループで活動し、ギタリストとして高い評価を得て、70年代から80年代にかけての社会主義政権に反対したプラハシーンの第一人者となった。80年代半ばになると、穏やかな音楽と繊細なサウンド構造に重点を置くようになり、オルドジッチ・ヤノタやルボシュ・フィドラーとともにそのエネルギーを注ぎ込むライブを数多く行い、最終的にはシュチェパーン・ペチールカやヤロスラフ・コジャンとともに新しいグループを結成した。リヒターの穏やかなエレクトリックギターと、フィドラーが発明したフィドラーフォーン(壷で作られ、プラスチックのストレーナーで叩かれるユニークな打楽器)の融合が特徴で、その音色はチベットのボウルやガムランに似ている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ACmIxaBACSA?si=wTbfY2TdFWD2Iq3R\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inex\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inex\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inex\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inex\"\u003ehere\u003c\/a\u003e to see more Infinite Expanse releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\" data-mce-style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\" data-mce-style=\"mso-tab-count: 1;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan style=\"mso-tab-count: 1;\" data-mce-style=\"mso-tab-count: 1;\"\u003e1. V Muzeu 05:12\u003cbr\u003e2. Čínský Potůček \/ Poloviční Chytání 07:43\u003cbr\u003e3. Česká Řeka 06:54\u003cbr\u003e4. Dvanáct Hodin 08:50\u003cbr\u003e5. Náhodná 03:32\u003cbr\u003e6. Líbivá 05:31\u003cbr\u003e7. Sbohem 04:23\u003cbr\u003e8. Hučivá 05:53\u003cbr\u003e9. Nic 05:11\u003cbr\u003e10. Český Smutek 04:11 \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInfinite Expanse:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cem\u003eReturning to the Czech Republic with a reissue of Richter Band’s first album, Smetana (Czech for ‘Cream’), released originally in 1990. Pavel Richter gained a considerable reputation as a guitarist, playing in a number of Czech avant-garde rock groups, including Švehlík, Marno Union and Elektrobus, and became one of foremost figures of the Prague scene which opposed the socialist regime of the 70’s and 80’s. Towards the mid 80’s, he began to focus on calm music and subtle sound structures, playing a number of gigs channelling this energy wtih Oldřich Janota and Luboš Fidler, and eventually forming a new group alongside Štěpán Pečírka and Jaroslav Kořán. Smetana is one of the highlights of that creative period, characterised by a fusion of Richter’s gentle electric guitar alongside the fidlerophone, a unique percussive instrument, invented by Fidler, made of jars and struck by plastic strainers, and whose sound is similar in character to Tibetan bowls or Gamelan.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecorded in the spring of 1990 in the apartments of Štěpán Pečírka and Pavel Richter. Track 1 recorded in October 1988 at the Museum of Decorative Arts in Prague. Overdubs and track 10 recorded in October 1988 in the apartment of Pavel Richter.\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Richter Band\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Infinite Expanse\u003c\/p\u003e\n\u003cp\u003eCat no : IE05\u003c\/p\u003e","published_at":"2024-11-25T21:00:22+09:00","created_at":"2024-11-25T20:28:27+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Infinite Expanse","lp","new","post newage","recommended","strange beats"],"price":436200,"price_min":436200,"price_max":436200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46891888836858,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Richter Band \/\/ Smetana LP","public_title":null,"options":["Default Title"],"price":436200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1940313114_10.jpg?v=1732535446"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1940313114_10.jpg?v=1732535446","options":["Title"],"media":[{"alt":null,"id":35227621392634,"position":1,"preview_image":{"aspect_ratio":0.993,"height":1200,"width":1192,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1940313114_10.jpg?v=1732535446"},"aspect_ratio":0.993,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1940313114_10.jpg?v=1732535446","width":1192}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e70-80年代チェコアンダーグラウンドシーンで暗躍したギタリストPavel Richter率いるストレンジビーツバンドRichter Bandが、2024年11月にイギリスの発掘専門レーベルInfinite Expanseからリリースした再発レコードです。(オリジナルは1990年にカセットリリース)\u003c\/p\u003e\n\u003cp\u003e自作打楽器による瞑想的なストレンジビーツ10曲を収録。\u003c\/p\u003e\n\u003cp\u003eニューエイジやアンビエントリスナーにもオススメします。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1990年にリリースされたRichter Bandのファースト・アルバム『スメタナ』(チェコ語で「クリーム」の意)のリイシューでチェコ共和国に帰還。Pavel Richterは、Švehlík, Marno Union、Elektrobusなど数多くのチェコのアヴァンギャルド・ロック・グループで活動し、ギタリストとして高い評価を得て、70年代から80年代にかけての社会主義政権に反対したプラハシーンの第一人者となった。80年代半ばになると、穏やかな音楽と繊細なサウンド構造に重点を置くようになり、オルドジッチ・ヤノタやルボシュ・フィドラーとともにそのエネルギーを注ぎ込むライブを数多く行い、最終的にはシュチェパーン・ペチールカやヤロスラフ・コジャンとともに新しいグループを結成した。リヒターの穏やかなエレクトリックギターと、フィドラーが発明したフィドラーフォーン(壷で作られ、プラスチックのストレーナーで叩かれるユニークな打楽器)の融合が特徴で、その音色はチベットのボウルやガムランに似ている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ACmIxaBACSA?si=wTbfY2TdFWD2Iq3R\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inex\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inex\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inex\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inex\"\u003ehere\u003c\/a\u003e to see more Infinite Expanse releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\" data-mce-style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\" data-mce-style=\"mso-tab-count: 1;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan style=\"mso-tab-count: 1;\" data-mce-style=\"mso-tab-count: 1;\"\u003e1. V Muzeu 05:12\u003cbr\u003e2. Čínský Potůček \/ Poloviční Chytání 07:43\u003cbr\u003e3. Česká Řeka 06:54\u003cbr\u003e4. Dvanáct Hodin 08:50\u003cbr\u003e5. Náhodná 03:32\u003cbr\u003e6. Líbivá 05:31\u003cbr\u003e7. Sbohem 04:23\u003cbr\u003e8. Hučivá 05:53\u003cbr\u003e9. Nic 05:11\u003cbr\u003e10. Český Smutek 04:11 \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInfinite Expanse:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cem\u003eReturning to the Czech Republic with a reissue of Richter Band’s first album, Smetana (Czech for ‘Cream’), released originally in 1990. Pavel Richter gained a considerable reputation as a guitarist, playing in a number of Czech avant-garde rock groups, including Švehlík, Marno Union and Elektrobus, and became one of foremost figures of the Prague scene which opposed the socialist regime of the 70’s and 80’s. Towards the mid 80’s, he began to focus on calm music and subtle sound structures, playing a number of gigs channelling this energy wtih Oldřich Janota and Luboš Fidler, and eventually forming a new group alongside Štěpán Pečírka and Jaroslav Kořán. Smetana is one of the highlights of that creative period, characterised by a fusion of Richter’s gentle electric guitar alongside the fidlerophone, a unique percussive instrument, invented by Fidler, made of jars and struck by plastic strainers, and whose sound is similar in character to Tibetan bowls or Gamelan.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecorded in the spring of 1990 in the apartments of Štěpán Pečírka and Pavel Richter. Track 1 recorded in October 1988 at the Museum of Decorative Arts in Prague. Overdubs and track 10 recorded in October 1988 in the apartment of Pavel Richter.\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Richter Band\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Infinite Expanse\u003c\/p\u003e\n\u003cp\u003eCat no : IE05\u003c\/p\u003e"}
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70-80年代チェコアンダーグラウンドシーンで暗躍したギタリストPavel Richter率いるストレンジビーツバンドRichter Bandが、2024年11月にイギリスの発掘専門レーベルInfinite Expanseからリリースした再発レコードです。(オリジナルは1990年にカセットリリース) 自作打楽器による瞑想的なストレンジビーツ10曲を収録。 ニューエイジやアンビエントリスナーにもオススメします。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "1990年にリリースされたRichter Bandのファースト・アルバム『スメタナ』(チェコ語で「クリーム」の意)のリイシューでチェコ共和国に帰還。Pavel Richterは、Švehlík, Marno Union、Elektrobusなど数多くのチェコのアヴァンギャルド・ロック・グループで活動し、ギタリストとして高い評価を得て、70年代から80年代にかけての社会主義政権に反対したプラハシーンの第一人者となった。80年代半ばになると、穏やかな音楽と繊細なサウンド構造に重点を置くようになり、オルドジッチ・ヤノタやルボシュ・フィドラーとともにそのエネルギーを注ぎ込むライブを数多く行い、最終的にはシュチェパーン・ペチールカやヤロスラフ・コジャンとともに新しいグループを結成した。リヒターの穏やかなエレクトリックギターと、フィドラーが発明したフィドラーフォーン(壷で作られ、プラスチックのストレーナーで叩かれるユニークな打楽器)の融合が特徴で、その音色はチベットのボウルやガムランに似ている。" レーベルその他作品はこちら ///...
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クイックビュー
{"id":8669912596730,"title":"The National Park Service \/\/ Room for Love TAPE","handle":"the-national-park-service-room-for-love-tape","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・オハイオのポストロック作家The National Park Serviceが、2023年4月に同国NYのアンビエントレーベルLily Tapesから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e牧歌的なポストロック〜アンビエント・フォーク8曲、1時間以上を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2685214344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=566019869\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2685214344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ltad\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ltad\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ltad\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ltad\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Lily Tapes \u0026amp; Discs releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. Cassette in norelco case. Edition of 100.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI curl up in my hollow tree and dream about spring 04:02\u003c\/li\u003e\n\u003cli\u003eWhat is the sound? 09:34\u003c\/li\u003e\n\u003cli\u003eWinter 06:35\u003c\/li\u003e\n\u003cli\u003eLavender loop 09:54\u003c\/li\u003e\n\u003cli\u003eBasement hum 05:10\u003c\/li\u003e\n\u003cli\u003eRoom for love 10:21\u003c\/li\u003e\n\u003cli\u003eAmplifier cold front 10:00\u003c\/li\u003e\n\u003cli\u003eKids 09:41\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLily Tapes \u0026amp; Discs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eArguably the National Park Service's most personal work, a massive statement built of meditations from the brink of parenthood, being given the physical release it deserves.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : The National Park Service\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Lily Tapes \u0026amp; Discs\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-11-25T06:40:40+09:00","created_at":"2024-11-25T06:40:08+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","Lily Tapes and Disks","new","recommended","tape"],"price":227900,"price_min":227900,"price_max":227900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46889325494522,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The National Park Service \/\/ Room for Love TAPE","public_title":null,"options":["Default Title"],"price":227900,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/room1_2f1b0aa0-1afe-4073-9bf4-2d34eb3ada49.jpg?v=1708922771","\/\/tobirarecords.com\/cdn\/shop\/files\/room2_0ea4fdec-ffba-42ee-a988-d2a49cf2929d.jpg?v=1708922771"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/room1_2f1b0aa0-1afe-4073-9bf4-2d34eb3ada49.jpg?v=1708922771","options":["Title"],"media":[{"alt":null,"id":33239140794618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/room1_2f1b0aa0-1afe-4073-9bf4-2d34eb3ada49.jpg?v=1708922771"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/room1_2f1b0aa0-1afe-4073-9bf4-2d34eb3ada49.jpg?v=1708922771","width":700},{"alt":null,"id":33239140827386,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/room2_0ea4fdec-ffba-42ee-a988-d2a49cf2929d.jpg?v=1708922771"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/room2_0ea4fdec-ffba-42ee-a988-d2a49cf2929d.jpg?v=1708922771","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・オハイオのポストロック作家The National Park Serviceが、2023年4月に同国NYのアンビエントレーベルLily Tapesから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e牧歌的なポストロック〜アンビエント・フォーク8曲、1時間以上を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2685214344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=566019869\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2685214344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ltad\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ltad\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ltad\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ltad\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Lily Tapes \u0026amp; Discs releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. Cassette in norelco case. Edition of 100.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI curl up in my hollow tree and dream about spring 04:02\u003c\/li\u003e\n\u003cli\u003eWhat is the sound? 09:34\u003c\/li\u003e\n\u003cli\u003eWinter 06:35\u003c\/li\u003e\n\u003cli\u003eLavender loop 09:54\u003c\/li\u003e\n\u003cli\u003eBasement hum 05:10\u003c\/li\u003e\n\u003cli\u003eRoom for love 10:21\u003c\/li\u003e\n\u003cli\u003eAmplifier cold front 10:00\u003c\/li\u003e\n\u003cli\u003eKids 09:41\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLily Tapes \u0026amp; Discs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eArguably the National Park Service's most personal work, a massive statement built of meditations from the brink of parenthood, being given the physical release it deserves.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : The National Park Service\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Lily Tapes \u0026amp; Discs\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・オハイオのポストロック作家The National Park Serviceが、2023年4月に同国NYのアンビエントレーベルLily Tapesから100本限定でリリースしたカセットです。 牧歌的なポストロック〜アンビエント・フォーク8曲、1時間以上を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Lily Tapes & Discs...
¥2,279
クイックビュー
{"id":8669166928122,"title":"Seahawks \/\/ Time Enough For Love LP","handle":"seahawks-time-enough-for-love-lp","description":"\u003cp\u003eイギリス・ロンドンのダウンテンポデュオSeahawksが、2024年12月にアメリカ・NYのCascineからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eバレアリック・ダウンテンポ〜ポストニューエイジIDM9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3389201996\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cscn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cscn\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cscn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cscn\"\u003ehere\u003c\/a\u003e to see more Cascine releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Time Enough For Love 04:56\u003cbr\u003e2. Sail Across The Moon 04:27\u003cbr\u003e3. Messengers\u003cbr\u003e4. Falling Deep\u003cbr\u003e5. Like A Grain Of Sand\u003cbr\u003e6. A New Star In The Sky\u003cbr\u003e7. Shining Dream\u003cbr\u003e8. Journeys Out Of Mind\u003cbr\u003e9. Time Enough For Love (Purelink Mix)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eCascine:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eIn the fall of 2022, celebrated UK chill-out institution Seahawks landed in Los Angeles for the first time in their 15-year history, with plans to record a sweeping new age downtempo “exploration of visionary California.” Instead, they immediately fell ill with flu (Fowler collapsed next to a taco truck; 911 was called), and were bedridden for the better part of a week. Upon recovering, they resituated at the synthesizer sanctuary of Brian Foote (Peak Oil, Kranky, Leech), channeling their post-sickness psychedelia into one of the band’s lushest and most elevated creations to date: Time Enough For Love.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInspired by the “groove and mood” of Harry Nilsson demos, as well as its wider 70’s wavelength – Rhodes, Wurlitzer, wood paneling – Seahawks transposed their classic post-rave ambient exotica onto a warm and woozy Golden State palette. Buoyed by the liquid touch of English maestro Kenny Dickenson on keys, the results rank high among the duo’s smoothest and most multi-sensory voyages. “Sail Across The Moon” delivers on its title, a simmering, phaser-smeared cruise through the beauty of the night. “Messengers” echoes the cosmic lounge of Air’s Moon Safari, shuffling, weightless, and ethereal, while “Falling Deep” reaches for the stars, pure cascading bliss, the ecstatic moment writ\u003cspan class=\"bcTruncateMore\"\u003e large.\u003cbr\u003e\u003cbr\u003eThe album skews steadily more astral as it progresses, drifting towards jazzy, galactic outer reaches. “Like A Grain Of Sand” opens with a spoken sample by the celebrated late American poet Rachel Sherwood (“The children watch, breathless \/ with the birds \/ They feel an emanation \/ from this shuddering place”), before taking flight on a Balearic trip through island house, PM Dawn gold dust, upright bass meditation, and kaleidoscopic light. A remix of the title track by Chicago trio Purelink closes the record in a suitably subdued and skittery state of mind.\u003cbr\u003e\u003cbr\u003eTime Enough For Love radiates color, complexity, and positivity, infused by the “life enhancing” nature of the band's time in Los Angeles – sunsets, sound systems, and sativa, framed by coastlines and cloudbanks, the city’s mystic sprawl glittering beneath purple dusk.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Seahawks\u003c\/p\u003e\n\u003cp\u003eLabel : Cascine\u003c\/p\u003e\n\u003cp\u003eCAT No : CSN189\u003c\/p\u003e","published_at":"2024-11-25T14:55:17+09:00","created_at":"2024-11-22T19:10:54+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cascine","house","lp","new","post newage","techno \/ house"],"price":359500,"price_min":359500,"price_max":359500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46883567108346,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Seahawks \/\/ Time Enough For Love LP","public_title":null,"options":["Default Title"],"price":359500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"619165205986","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/love1_2659d447-6f64-4fc2-91b1-a6d3f7f88468.jpg?v=1732270151"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/love1_2659d447-6f64-4fc2-91b1-a6d3f7f88468.jpg?v=1732270151","options":["Title"],"media":[{"alt":null,"id":35217730470138,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/love1_2659d447-6f64-4fc2-91b1-a6d3f7f88468.jpg?v=1732270151"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/love1_2659d447-6f64-4fc2-91b1-a6d3f7f88468.jpg?v=1732270151","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンのダウンテンポデュオSeahawksが、2024年12月にアメリカ・NYのCascineからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eバレアリック・ダウンテンポ〜ポストニューエイジIDM9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3389201996\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cscn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cscn\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cscn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cscn\"\u003ehere\u003c\/a\u003e to see more Cascine releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Time Enough For Love 04:56\u003cbr\u003e2. Sail Across The Moon 04:27\u003cbr\u003e3. Messengers\u003cbr\u003e4. Falling Deep\u003cbr\u003e5. Like A Grain Of Sand\u003cbr\u003e6. A New Star In The Sky\u003cbr\u003e7. Shining Dream\u003cbr\u003e8. Journeys Out Of Mind\u003cbr\u003e9. Time Enough For Love (Purelink Mix)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eCascine:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eIn the fall of 2022, celebrated UK chill-out institution Seahawks landed in Los Angeles for the first time in their 15-year history, with plans to record a sweeping new age downtempo “exploration of visionary California.” Instead, they immediately fell ill with flu (Fowler collapsed next to a taco truck; 911 was called), and were bedridden for the better part of a week. Upon recovering, they resituated at the synthesizer sanctuary of Brian Foote (Peak Oil, Kranky, Leech), channeling their post-sickness psychedelia into one of the band’s lushest and most elevated creations to date: Time Enough For Love.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInspired by the “groove and mood” of Harry Nilsson demos, as well as its wider 70’s wavelength – Rhodes, Wurlitzer, wood paneling – Seahawks transposed their classic post-rave ambient exotica onto a warm and woozy Golden State palette. Buoyed by the liquid touch of English maestro Kenny Dickenson on keys, the results rank high among the duo’s smoothest and most multi-sensory voyages. “Sail Across The Moon” delivers on its title, a simmering, phaser-smeared cruise through the beauty of the night. “Messengers” echoes the cosmic lounge of Air’s Moon Safari, shuffling, weightless, and ethereal, while “Falling Deep” reaches for the stars, pure cascading bliss, the ecstatic moment writ\u003cspan class=\"bcTruncateMore\"\u003e large.\u003cbr\u003e\u003cbr\u003eThe album skews steadily more astral as it progresses, drifting towards jazzy, galactic outer reaches. “Like A Grain Of Sand” opens with a spoken sample by the celebrated late American poet Rachel Sherwood (“The children watch, breathless \/ with the birds \/ They feel an emanation \/ from this shuddering place”), before taking flight on a Balearic trip through island house, PM Dawn gold dust, upright bass meditation, and kaleidoscopic light. A remix of the title track by Chicago trio Purelink closes the record in a suitably subdued and skittery state of mind.\u003cbr\u003e\u003cbr\u003eTime Enough For Love radiates color, complexity, and positivity, infused by the “life enhancing” nature of the band's time in Los Angeles – sunsets, sound systems, and sativa, framed by coastlines and cloudbanks, the city’s mystic sprawl glittering beneath purple dusk.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Seahawks\u003c\/p\u003e\n\u003cp\u003eLabel : Cascine\u003c\/p\u003e\n\u003cp\u003eCAT No : CSN189\u003c\/p\u003e"}
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イギリス・ロンドンのダウンテンポデュオSeahawksが、2024年12月にアメリカ・NYのCascineからリリースしたレコードです。 バレアリック・ダウンテンポ〜ポストニューエイジIDM9曲を収録。 レーベルその他作品はこちら /// Click here to see more Cascine releases available at Tobira....
¥3,595
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{"id":8669161652474,"title":"Hair and Space Museum \/\/ Human Presence TAPE","handle":"hair-and-space-museum-human-presence-tape","description":"\u003cp\u003eアメリカ・シアトルの\u003cspan data-mce-fragment=\"1\"\u003eアンビエントデュオHair and Space Museum\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eが、2024年9月に同国エレクトロニックレーベルBeacon Soundから100本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eロングフォームなアンビエントドローン2曲を収録。特殊紙ケース仕様です。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=226616253\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/beasou\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/beasou\"\u003ehere\u003c\/a\u003e to see more Beacon Sound releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in cardstock case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Heliosheath 23:50\u003cbr\u003e2. Passage 25:20\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBeacon Sound:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cem\u003eThe music I’ve heard feels a bit like watching the birth of humanity from space.' This is how the artist Joey Veltkamp described the first music that Emily Pothast and David Golightly released under the name Midday Veil in 2009. At the time, the duo was recording at home, primarily using vintage analog synthesizers and richly textured, often wordless vocals to weave shimmering, slow-building sonic tapestries.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile Midday Veil morphed into a rock band, Pothast and Golightly continued to work as a duo, performing long-form improvised soundscapes and creating immersive audiovisual installations under the name Hair and Space Museum. During its first decade, HaSM organized sleepover concerts, performed in a planetarium with a live laser artist, and shared stages with Hans-Joachim Roedelius, Norm Chambers, and Laraaji. Their recorded output, however, has thus far remained elusive.\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two side-long tracks on Human Presence were recorded in Seattle in 2012, the year we were promised the world would end, but it didn’t. Each was recorded in a single take with no overdubs.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first track, “Heliosheath,” was produced just as the Voyager 1 space probe became the first manmade object to pass\u003cspan class=\"bcTruncateMore\"\u003e beyond the outermost region of the solar system. The music conjures a sense of rapturous awe tinged with melancholy, both for the otherworldly aspirations embodied in this lonely little object and the equally profound misguidedness of the military-industrial culture that launched it — the irony of yearning for extraterrestrial contact while subjecting the miraculous richness of life on Earth to extractive violence in the same gesture. This recording subsequently provided the soundtrack for the Hair and Space Museum installation “Infinity Music Machine,” where audiences could listen on headphones while zoning out inside a light-tight black pyramid as an earthbound alternative to interstellar travel. \u2028\u003cbr\u003e\u003cbr\u003eA drifting galaxy of twinkling arpeggiators and diaphanous drone, “Passage” is the audio component of a multimedia installation created by HaSM for Seattle’s Bumbershoot Festival in 2012. This installation also featured a ceiling-mounted projector that generated analog video feedback in real time so that visitors entering the exhibition hall would transform the flowing, organic patterns on the floor by walking through them, creating a constantly shifting visual echo of their presence. Like “Heliosheath,” its tone is ecstatic and elegiac—an ambivalent witness to the cursed blessings of the human project.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hair and Space Museum\u003c\/p\u003e\n\u003cp\u003eLabel : Beacon Sound\u003c\/p\u003e","published_at":"2024-11-24T06:28:33+09:00","created_at":"2024-11-22T18:34:16+09:00","vendor":"Tobira Records","type":"","tags":["ambient","beacon sound","drone","new","tape"],"price":227300,"price_min":227300,"price_max":227300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46883540730106,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hair and Space Museum \/\/ Human Presence TAPE","public_title":null,"options":["Default Title"],"price":227300,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pre1_b8ace057-1c3e-4f16-a64e-f8fb4a09fdd8.jpg?v=1732267983","\/\/tobirarecords.com\/cdn\/shop\/files\/pre2_5eeffcdc-095b-4ac6-944e-5da0910f8ffd.jpg?v=1732267983","\/\/tobirarecords.com\/cdn\/shop\/files\/pre3.jpg?v=1732267983"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pre1_b8ace057-1c3e-4f16-a64e-f8fb4a09fdd8.jpg?v=1732267983","options":["Title"],"media":[{"alt":null,"id":35217671028986,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pre1_b8ace057-1c3e-4f16-a64e-f8fb4a09fdd8.jpg?v=1732267983"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pre1_b8ace057-1c3e-4f16-a64e-f8fb4a09fdd8.jpg?v=1732267983","width":700},{"alt":null,"id":35217671061754,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pre2_5eeffcdc-095b-4ac6-944e-5da0910f8ffd.jpg?v=1732267983"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pre2_5eeffcdc-095b-4ac6-944e-5da0910f8ffd.jpg?v=1732267983","width":1200},{"alt":null,"id":35217671094522,"position":3,"preview_image":{"aspect_ratio":1.326,"height":905,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pre3.jpg?v=1732267983"},"aspect_ratio":1.326,"height":905,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pre3.jpg?v=1732267983","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シアトルの\u003cspan data-mce-fragment=\"1\"\u003eアンビエントデュオHair and Space Museum\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eが、2024年9月に同国エレクトロニックレーベルBeacon Soundから100本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eロングフォームなアンビエントドローン2曲を収録。特殊紙ケース仕様です。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=226616253\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/beasou\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/beasou\"\u003ehere\u003c\/a\u003e to see more Beacon Sound releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in cardstock case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Heliosheath 23:50\u003cbr\u003e2. Passage 25:20\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBeacon Sound:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cem\u003eThe music I’ve heard feels a bit like watching the birth of humanity from space.' This is how the artist Joey Veltkamp described the first music that Emily Pothast and David Golightly released under the name Midday Veil in 2009. At the time, the duo was recording at home, primarily using vintage analog synthesizers and richly textured, often wordless vocals to weave shimmering, slow-building sonic tapestries.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile Midday Veil morphed into a rock band, Pothast and Golightly continued to work as a duo, performing long-form improvised soundscapes and creating immersive audiovisual installations under the name Hair and Space Museum. During its first decade, HaSM organized sleepover concerts, performed in a planetarium with a live laser artist, and shared stages with Hans-Joachim Roedelius, Norm Chambers, and Laraaji. Their recorded output, however, has thus far remained elusive.\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two side-long tracks on Human Presence were recorded in Seattle in 2012, the year we were promised the world would end, but it didn’t. Each was recorded in a single take with no overdubs.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first track, “Heliosheath,” was produced just as the Voyager 1 space probe became the first manmade object to pass\u003cspan class=\"bcTruncateMore\"\u003e beyond the outermost region of the solar system. The music conjures a sense of rapturous awe tinged with melancholy, both for the otherworldly aspirations embodied in this lonely little object and the equally profound misguidedness of the military-industrial culture that launched it — the irony of yearning for extraterrestrial contact while subjecting the miraculous richness of life on Earth to extractive violence in the same gesture. This recording subsequently provided the soundtrack for the Hair and Space Museum installation “Infinity Music Machine,” where audiences could listen on headphones while zoning out inside a light-tight black pyramid as an earthbound alternative to interstellar travel. \u2028\u003cbr\u003e\u003cbr\u003eA drifting galaxy of twinkling arpeggiators and diaphanous drone, “Passage” is the audio component of a multimedia installation created by HaSM for Seattle’s Bumbershoot Festival in 2012. This installation also featured a ceiling-mounted projector that generated analog video feedback in real time so that visitors entering the exhibition hall would transform the flowing, organic patterns on the floor by walking through them, creating a constantly shifting visual echo of their presence. Like “Heliosheath,” its tone is ecstatic and elegiac—an ambivalent witness to the cursed blessings of the human project.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hair and Space Museum\u003c\/p\u003e\n\u003cp\u003eLabel : Beacon Sound\u003c\/p\u003e"}
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アメリカ・シアトルのアンビエントデュオHair and Space Museumが、2024年9月に同国エレクトロニックレーベルBeacon Soundから100本限定でリリースしたカセットです。 ロングフォームなアンビエントドローン2曲を収録。特殊紙ケース仕様です。廃盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Beacon Sound releases...
¥2,273