Ki Oni 'A Leisurely Swim' Dad CAP
Ki Oni 'A Leisurely Swim' Dad CAP
¥4,466
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アメリカ・LA在住の中国系アメリカ人アンビエント作家Ki Oni aka Chuck Soo-Hooが、2023年8月に同国LAのオールジャンルレーベルAKPからリリースしたCAPです。
DLコード付属。
Light blue embroider cap with adjustable clasp.
レーベルその他作品はこちら /// Click here to see more AKP Records releases available at Tobira.
Label : AKP Records
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{"id":9046045393146,"title":"Saapato \/\/ In Alaska TAPE","handle":"saapato-in-alaska-tape","description":"\u003cp\u003e\u003cspan\u003eアメリカ・NYの\u003c\/span\u003e\u003cspan\u003eアンビエント作家Saapato\u003c\/span\u003eが、2025年11月に同国LAのオールジャンルレーベルAKPからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアラスカのフィールドレコーディングを散りばめたポストニューエイジ・アンビエント〜アンビエントドローン6\u003c\/span\u003e曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=286169447\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003ehere\u003c\/a\u003e to see more AKP Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e \u003cbr\u003eCassette in cardstock folded box. \u003cbr\u003eIncludes cassette-only bonus track.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. West Glacier Trail 06:16\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Ravens 04:05\u003cbr\u003e\u003c\/span\u003e3. 6am Rainforest Drone 08:53\u003cbr\u003e4. Echo Cove 07:26\u003cbr\u003e5. Salmon Run 03:10\u003cbr\u003e6. Port Snettisham 07:41\u003cbr\u003e7. Whale Watching Boats 05:18\u003cbr\u003e+ bonus track.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eAKP Recordings:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn Alaska, the latest effort from Saapato and first for AKP Recordings, is a sweeping study of abundance, grandeur, intrusion, and the weight of what may soon be lost. Weaving panoramic hydrophone recordings with supple synth melodies and textures, In Alaska renders seven site specific compositions that feel as vast as the land they came from.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCreated during a residency with Alaska State Park Service in August of 2023, Saapato spent the days exploring and capturing field recordings around Juneau, the nights composing. “A lot of my process is following a thread of feeling and letting that guide me,” shares Saapato. “I would sit listening to the field recordings and improvising over them while looking out over the channel where the moon hung above the water. I wanted the music to breathe as widely as the landscape while maintaining the ongoing interruptions of cruise ships, helicopters, and tourists.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBy allowing the music to mirror the immensity of the land the compositions emerged less fragile than previous work, more expansive, and almost symphonic in scope. The work is driven by circumstance, entropy, evolving textures, and morphing sonic landscapes. It layers field recordings of whales, water, wind, birds, fish, and boats with synthesizers pulled through a\u003cspan class=\"bcTruncateMore\"\u003e whole mess of guitar pedals. Dreamy passages are juxtaposed with recordings of sightseeing helicopters, whale watching boats, and massive cruise ships. Despite the weight of humanity the compositions remain buoyant, expanding and contracting with the landscape.\u003cbr\u003e\u003cbr\u003eA modern addition into the strong lineage of environmental\/new age records helmed by torchbearers Steve Halpern, Steve Roach, Don Slepian, and Bearns \u0026amp; Dexter, In Alaska conceptually falls in line with the larger body of work Saapato has been chiseling away at for the past few years; highlighting changing forms, deconstruction, decomposition, resynthesizing, and collage while reimagining space and time.\u003cbr\u003e\u003cbr\u003e“The Alaskan soundscapes revealed extremes; a celebration of abundance and a warning of its fragility. Holding these simultaneously I've never felt more in awe of nature and disgusted with humanity’s impact.\"\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Saapato\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : AKP Recordings\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eAKP043\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 14th November 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-01-04T13:34:15+09:00","created_at":"2026-01-04T11:19:47+09:00","vendor":"Tobira Records","type":"","tags":["akp","ambient","new","post newage","tape"],"price":259200,"price_min":259200,"price_max":259200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48183808917754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Saapato \/\/ In Alaska TAPE","public_title":null,"options":["Default Title"],"price":259200,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ala1_9895c78f-c1a4-40b1-9360-cd939f921b7c.jpg?v=1767493067","\/\/tobirarecords.com\/cdn\/shop\/files\/ala2_b31dd48c-53fd-4b60-b6bd-3d1e1ea0997a.jpg?v=1767493067","\/\/tobirarecords.com\/cdn\/shop\/files\/ala3.jpg?v=1767493067"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ala1_9895c78f-c1a4-40b1-9360-cd939f921b7c.jpg?v=1767493067","options":["Title"],"media":[{"alt":null,"id":37972956512506,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ala1_9895c78f-c1a4-40b1-9360-cd939f921b7c.jpg?v=1767493067"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ala1_9895c78f-c1a4-40b1-9360-cd939f921b7c.jpg?v=1767493067","width":700},{"alt":null,"id":37972956545274,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ala2_b31dd48c-53fd-4b60-b6bd-3d1e1ea0997a.jpg?v=1767493067"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ala2_b31dd48c-53fd-4b60-b6bd-3d1e1ea0997a.jpg?v=1767493067","width":900},{"alt":null,"id":37972956578042,"position":3,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ala3.jpg?v=1767493067"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ala3.jpg?v=1767493067","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・NYの\u003c\/span\u003e\u003cspan\u003eアンビエント作家Saapato\u003c\/span\u003eが、2025年11月に同国LAのオールジャンルレーベルAKPからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアラスカのフィールドレコーディングを散りばめたポストニューエイジ・アンビエント〜アンビエントドローン6\u003c\/span\u003e曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=286169447\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003ehere\u003c\/a\u003e to see more AKP Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e \u003cbr\u003eCassette in cardstock folded box. \u003cbr\u003eIncludes cassette-only bonus track.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. West Glacier Trail 06:16\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Ravens 04:05\u003cbr\u003e\u003c\/span\u003e3. 6am Rainforest Drone 08:53\u003cbr\u003e4. Echo Cove 07:26\u003cbr\u003e5. Salmon Run 03:10\u003cbr\u003e6. Port Snettisham 07:41\u003cbr\u003e7. Whale Watching Boats 05:18\u003cbr\u003e+ bonus track.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eAKP Recordings:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn Alaska, the latest effort from Saapato and first for AKP Recordings, is a sweeping study of abundance, grandeur, intrusion, and the weight of what may soon be lost. Weaving panoramic hydrophone recordings with supple synth melodies and textures, In Alaska renders seven site specific compositions that feel as vast as the land they came from.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCreated during a residency with Alaska State Park Service in August of 2023, Saapato spent the days exploring and capturing field recordings around Juneau, the nights composing. “A lot of my process is following a thread of feeling and letting that guide me,” shares Saapato. “I would sit listening to the field recordings and improvising over them while looking out over the channel where the moon hung above the water. I wanted the music to breathe as widely as the landscape while maintaining the ongoing interruptions of cruise ships, helicopters, and tourists.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBy allowing the music to mirror the immensity of the land the compositions emerged less fragile than previous work, more expansive, and almost symphonic in scope. The work is driven by circumstance, entropy, evolving textures, and morphing sonic landscapes. It layers field recordings of whales, water, wind, birds, fish, and boats with synthesizers pulled through a\u003cspan class=\"bcTruncateMore\"\u003e whole mess of guitar pedals. Dreamy passages are juxtaposed with recordings of sightseeing helicopters, whale watching boats, and massive cruise ships. Despite the weight of humanity the compositions remain buoyant, expanding and contracting with the landscape.\u003cbr\u003e\u003cbr\u003eA modern addition into the strong lineage of environmental\/new age records helmed by torchbearers Steve Halpern, Steve Roach, Don Slepian, and Bearns \u0026amp; Dexter, In Alaska conceptually falls in line with the larger body of work Saapato has been chiseling away at for the past few years; highlighting changing forms, deconstruction, decomposition, resynthesizing, and collage while reimagining space and time.\u003cbr\u003e\u003cbr\u003e“The Alaskan soundscapes revealed extremes; a celebration of abundance and a warning of its fragility. Holding these simultaneously I've never felt more in awe of nature and disgusted with humanity’s impact.\"\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Saapato\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : AKP Recordings\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eAKP043\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 14th November 2025\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYのアンビエント作家Saapatoが、2025年11月に同国LAのオールジャンルレーベルAKPからリリースしたカセットです。 アラスカのフィールドレコーディングを散りばめたポストニューエイジ・アンビエント〜アンビエントドローン6曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more AKP Records releases available at Tobira. -----------------------------------------------...
¥2,592
クイックビュー
{"id":9046044606714,"title":"Chris Williams \/\/ Odu: Vibration II LP","handle":"chris-williams-odu-vibration-ii-lp","description":"\u003cp\u003eアメリカ・NYの管楽器奏者Chris Williamsが、2025年9月に同国LAのオールジャンルレーベルAKP Recordingsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアンビエント・ジャズ〜実験ジャズ〜コラージュ・ドローン6\u003c\/span\u003e曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"漂う軽やかさと彫刻的な造形の間でバランスを取る『Odu: Vibration II』は、Chris WilliamsがAKP Recordingsより9月26日にリリースするデビュー作である。三つのホルンと氷河のようなシンセサイザーが融合し、ゆっくりと現れ、恍惚の可能性を喚起する音楽を紡ぎ出す。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアピチャッポン・ウィーラセタクンの湿潤な神秘性、三管楽器の伝統、洞窟空間の振動詩学を並列に描く本作は、共鳴と身体の反応を探求する。「この作品は、私を音と最も深く結びつける場所——恍惚の超越へ至る方法、空間化、黒人即興の実践、アンビエント音楽——から作曲しました」とWilliamsは語る。「畏敬の念、眩暈を催す壮大さ、狂乱の不協和音に導かれ、想像上の洞窟へ降りていくように展開するのです」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eブルックリンの実験的なサウンドコミュニティの中心人物であり、ピョートル・オルロフの「リズム、即興、コミュニティ」というダダストレインの公理によって形作られたWilliamsは、ここでは作曲家およびコンセプトのリーダーとして一歩前に踏み出している。彼の創造的な道筋は、師匠たちとの協力関係によって形作られてきた。ベニー・マウピン、ニコール・ミッチェル、ラス・G といった、視野の広い先輩たちとの長年にわたる共同作業、ピンク・シーフーやルーク・スチュワートが率いるアンサンブルでの演奏、HxH やヒストリー・ドッグといった長期プロジェクトの共同開発などである。ロサンゼルスからニューヨークに移住して以来、これらの経験は試練の場となり、霧の中から明確かつ目的を持って浮かび上がる、唯一無二の声を鍛え上げた。その精神は、モーピンの『A Jewel in the Lotus』を彷彿とさせる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eルーレット・インターメディアでのライブ演奏から抜粋された本作は、パトリック・シロイシとカリア・ヴァンデヴァーの独特な歌声が、レコードの重層的な感情のスペクトルを増幅させている。「カリアの驚くほど豊かな音色と、パトリックがサックスで真に魂を込めて演奏する能力が、トランペットをより憂鬱で内省的な方法でアプローチすることを可能にしてくれました」とWilliamsは説明する。「電子音は彫刻ツールのように扱いました——石を削ったり地形を形作るように。それぞれの振動は、その彫刻的な好奇心から生まれます」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eその結果生まれたのは、息遣いと音色と質感が織りなす、艶やかでありながら脆い複合体だ。うねるようなホルン、フィルターをかけた鐘の音、デジタルの霞が、静電気と不協和音の波となって収束する。熱は高まり、一瞬不安に近いものへと膨れ上がるが、夢のように瞬く間に消え去る。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e今年前半、Williamsは他の2つの重要作を発表している。HxHとの『STARK PHENOMENA (OFNOT)』、ヒストリー・ドッグとの『Root Systems (Otherly Love)』。本作『Odu: Vibration II』はそれらのプロジェクトの交差点に位置し、Williamsのトランペットへの進化する関係性——単なる楽器としてではなく、振動・記憶・変容の器としての——を貫く一筋の線を描き出す。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1780442095\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1780442095\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=115628497\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003ehere\u003c\/a\u003e to see more AKP Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e \u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 300. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Moon 09:13\u003cbr\u003e2. Visage (feat. Kalia Vandever) 05:35\u003cbr\u003e3. location.echo 04:42\u003cbr\u003e4. Waning 03:14\u003cbr\u003e5. Stemmed outwards (feat. Patrick Shiroishi) 14:33\u003cbr\u003e6. Stemmed inwards 01:51\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAKP Recordings:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eStriking a balance between drifting levity and sculpted form, Odu: Vibration II the debut release from Chris Williams on AKP Recordings out September 26, melds a trio of horns with glacial synthesizers to evoke a music of slow emergence and ecstatic possibility.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDrawing parallels between the humid mystique of Apichatpong Weerasethakul’s cinema, the traditions of three-horn music, and the vibrational poetics of cave spaces, Odu: Vibration II is a deep study of resonance and the body’s response to it. “I composed from the place that connects me to sound most, modes of reaching ecstatic transcendence, spatialization, Black improvisational practices, and ambient music,” Williams shares. “The piece unfolds like a descent into an imagined cave, guided by a search awe, dizzying grandeur, and frenzied dissonance.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA central figure in Brooklyn’s experimental sound community, one shaped by Piotr Orlov’s Dadastrain axiom of “rhythm, improvisation, community”, Williams steps forward here as a composer and conceptual leader. His creative path has been shaped by mentorship and collaboration: years spent working with expansive elders like Bennie Maupin, Nicole Mitchell, and Ras G; performing in\u003cspan class=\"bcTruncateMore\"\u003e ensembles led by Pink Siifu and Luke Stewart; and co-developing long-form projects such as HxH and History Dog. Since relocating from Los Angeles to New York, these experiences have formed a crucible, forging a singular voice that emerges from the haze with clarity and purpose—reminiscent in spirit only of Maupin’s A Jewel in the Lotus.\u003cbr\u003e\u003cbr\u003eCulled from a live performance at Roulette Intermedium, the album features Patrick Shiroishi and Kalia Vandever, whose distinct voices amplify the record’s layered emotional spectrum. “Kalia’s incredibly lush sound and Patrick’s ability to truly wail on the sax allowed me to approach the trumpet in a more melancholic, introspective way,” Williams explains. “I used electronics as a kind of sculpting tool—as you might use to carve stone or shape a terrain. Each vibration emerges from that sculptural curiosity.”\u003cbr\u003e\u003cbr\u003eThe result is a glossy yet fragile composite of breath, tone, and texture: billowing horns, filtered bells, and digital haze converge in waves of static and dissonance. The fever builds, momentarily swelling into something close to anxiety, before dissolving as quickly as a dream.\u003cbr\u003e\u003cbr\u003eEarlier this year, Williams released two other key works: STARK PHENOMENA (OFNOT) with HxH and Root Systems (Otherly Love) with History Dog. Odu: Vibration II sits at the intersection of those projects, tracing a throughline in Williams’ evolving relationship to the trumpet—not simply as an instrument, but as a vessel for vibration, memory, and transformation.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Chris Williams\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : AKP Recordings\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eAKP039\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 26th September 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-01-07T11:31:06+09:00","created_at":"2026-01-04T11:15:07+09:00","vendor":"Tobira Records","type":"","tags":["akp","ambient","jazz","lp","new"],"price":482100,"price_min":482100,"price_max":482100,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48183805477114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chris Williams \/\/ Odu: Vibration II LP","public_title":null,"options":["Default Title"],"price":482100,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/odu1.jpg?v=1767492805","\/\/tobirarecords.com\/cdn\/shop\/files\/odu2.jpg?v=1767492805"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/odu1.jpg?v=1767492805","options":["Title"],"media":[{"alt":null,"id":37972949172474,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/odu1.jpg?v=1767492805"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/odu1.jpg?v=1767492805","width":700},{"alt":null,"id":37972949205242,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/odu2.jpg?v=1767492805"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/odu2.jpg?v=1767492805","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYの管楽器奏者Chris Williamsが、2025年9月に同国LAのオールジャンルレーベルAKP Recordingsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアンビエント・ジャズ〜実験ジャズ〜コラージュ・ドローン6\u003c\/span\u003e曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"漂う軽やかさと彫刻的な造形の間でバランスを取る『Odu: Vibration II』は、Chris WilliamsがAKP Recordingsより9月26日にリリースするデビュー作である。三つのホルンと氷河のようなシンセサイザーが融合し、ゆっくりと現れ、恍惚の可能性を喚起する音楽を紡ぎ出す。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアピチャッポン・ウィーラセタクンの湿潤な神秘性、三管楽器の伝統、洞窟空間の振動詩学を並列に描く本作は、共鳴と身体の反応を探求する。「この作品は、私を音と最も深く結びつける場所——恍惚の超越へ至る方法、空間化、黒人即興の実践、アンビエント音楽——から作曲しました」とWilliamsは語る。「畏敬の念、眩暈を催す壮大さ、狂乱の不協和音に導かれ、想像上の洞窟へ降りていくように展開するのです」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eブルックリンの実験的なサウンドコミュニティの中心人物であり、ピョートル・オルロフの「リズム、即興、コミュニティ」というダダストレインの公理によって形作られたWilliamsは、ここでは作曲家およびコンセプトのリーダーとして一歩前に踏み出している。彼の創造的な道筋は、師匠たちとの協力関係によって形作られてきた。ベニー・マウピン、ニコール・ミッチェル、ラス・G といった、視野の広い先輩たちとの長年にわたる共同作業、ピンク・シーフーやルーク・スチュワートが率いるアンサンブルでの演奏、HxH やヒストリー・ドッグといった長期プロジェクトの共同開発などである。ロサンゼルスからニューヨークに移住して以来、これらの経験は試練の場となり、霧の中から明確かつ目的を持って浮かび上がる、唯一無二の声を鍛え上げた。その精神は、モーピンの『A Jewel in the Lotus』を彷彿とさせる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eルーレット・インターメディアでのライブ演奏から抜粋された本作は、パトリック・シロイシとカリア・ヴァンデヴァーの独特な歌声が、レコードの重層的な感情のスペクトルを増幅させている。「カリアの驚くほど豊かな音色と、パトリックがサックスで真に魂を込めて演奏する能力が、トランペットをより憂鬱で内省的な方法でアプローチすることを可能にしてくれました」とWilliamsは説明する。「電子音は彫刻ツールのように扱いました——石を削ったり地形を形作るように。それぞれの振動は、その彫刻的な好奇心から生まれます」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eその結果生まれたのは、息遣いと音色と質感が織りなす、艶やかでありながら脆い複合体だ。うねるようなホルン、フィルターをかけた鐘の音、デジタルの霞が、静電気と不協和音の波となって収束する。熱は高まり、一瞬不安に近いものへと膨れ上がるが、夢のように瞬く間に消え去る。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e今年前半、Williamsは他の2つの重要作を発表している。HxHとの『STARK PHENOMENA (OFNOT)』、ヒストリー・ドッグとの『Root Systems (Otherly Love)』。本作『Odu: Vibration II』はそれらのプロジェクトの交差点に位置し、Williamsのトランペットへの進化する関係性——単なる楽器としてではなく、振動・記憶・変容の器としての——を貫く一筋の線を描き出す。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1780442095\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1780442095\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=115628497\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003ehere\u003c\/a\u003e to see more AKP Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e \u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 300. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Moon 09:13\u003cbr\u003e2. Visage (feat. Kalia Vandever) 05:35\u003cbr\u003e3. location.echo 04:42\u003cbr\u003e4. Waning 03:14\u003cbr\u003e5. Stemmed outwards (feat. Patrick Shiroishi) 14:33\u003cbr\u003e6. Stemmed inwards 01:51\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAKP Recordings:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eStriking a balance between drifting levity and sculpted form, Odu: Vibration II the debut release from Chris Williams on AKP Recordings out September 26, melds a trio of horns with glacial synthesizers to evoke a music of slow emergence and ecstatic possibility.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDrawing parallels between the humid mystique of Apichatpong Weerasethakul’s cinema, the traditions of three-horn music, and the vibrational poetics of cave spaces, Odu: Vibration II is a deep study of resonance and the body’s response to it. “I composed from the place that connects me to sound most, modes of reaching ecstatic transcendence, spatialization, Black improvisational practices, and ambient music,” Williams shares. “The piece unfolds like a descent into an imagined cave, guided by a search awe, dizzying grandeur, and frenzied dissonance.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA central figure in Brooklyn’s experimental sound community, one shaped by Piotr Orlov’s Dadastrain axiom of “rhythm, improvisation, community”, Williams steps forward here as a composer and conceptual leader. His creative path has been shaped by mentorship and collaboration: years spent working with expansive elders like Bennie Maupin, Nicole Mitchell, and Ras G; performing in\u003cspan class=\"bcTruncateMore\"\u003e ensembles led by Pink Siifu and Luke Stewart; and co-developing long-form projects such as HxH and History Dog. Since relocating from Los Angeles to New York, these experiences have formed a crucible, forging a singular voice that emerges from the haze with clarity and purpose—reminiscent in spirit only of Maupin’s A Jewel in the Lotus.\u003cbr\u003e\u003cbr\u003eCulled from a live performance at Roulette Intermedium, the album features Patrick Shiroishi and Kalia Vandever, whose distinct voices amplify the record’s layered emotional spectrum. “Kalia’s incredibly lush sound and Patrick’s ability to truly wail on the sax allowed me to approach the trumpet in a more melancholic, introspective way,” Williams explains. “I used electronics as a kind of sculpting tool—as you might use to carve stone or shape a terrain. Each vibration emerges from that sculptural curiosity.”\u003cbr\u003e\u003cbr\u003eThe result is a glossy yet fragile composite of breath, tone, and texture: billowing horns, filtered bells, and digital haze converge in waves of static and dissonance. The fever builds, momentarily swelling into something close to anxiety, before dissolving as quickly as a dream.\u003cbr\u003e\u003cbr\u003eEarlier this year, Williams released two other key works: STARK PHENOMENA (OFNOT) with HxH and Root Systems (Otherly Love) with History Dog. Odu: Vibration II sits at the intersection of those projects, tracing a throughline in Williams’ evolving relationship to the trumpet—not simply as an instrument, but as a vessel for vibration, memory, and transformation.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Chris Williams\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : AKP Recordings\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eAKP039\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 26th September 2025\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYの管楽器奏者Chris Williamsが、2025年9月に同国LAのオールジャンルレーベルAKP Recordingsからリリースしたレコードです。 アンビエント・ジャズ〜実験ジャズ〜コラージュ・ドローン6曲を収録。DLコード付属。 以下、レーベルによる解説です。 "漂う軽やかさと彫刻的な造形の間でバランスを取る『Odu: Vibration II』は、Chris WilliamsがAKP Recordingsより9月26日にリリースするデビュー作である。三つのホルンと氷河のようなシンセサイザーが融合し、ゆっくりと現れ、恍惚の可能性を喚起する音楽を紡ぎ出す。 アピチャッポン・ウィーラセタクンの湿潤な神秘性、三管楽器の伝統、洞窟空間の振動詩学を並列に描く本作は、共鳴と身体の反応を探求する。「この作品は、私を音と最も深く結びつける場所——恍惚の超越へ至る方法、空間化、黒人即興の実践、アンビエント音楽——から作曲しました」とWilliamsは語る。「畏敬の念、眩暈を催す壮大さ、狂乱の不協和音に導かれ、想像上の洞窟へ降りていくように展開するのです」 ブルックリンの実験的なサウンドコミュニティの中心人物であり、ピョートル・オルロフの「リズム、即興、コミュニティ」というダダストレインの公理によって形作られたWilliamsは、ここでは作曲家およびコンセプトのリーダーとして一歩前に踏み出している。彼の創造的な道筋は、師匠たちとの協力関係によって形作られてきた。ベニー・マウピン、ニコール・ミッチェル、ラス・G といった、視野の広い先輩たちとの長年にわたる共同作業、ピンク・シーフーやルーク・スチュワートが率いるアンサンブルでの演奏、HxH やヒストリー・ドッグといった長期プロジェクトの共同開発などである。ロサンゼルスからニューヨークに移住して以来、これらの経験は試練の場となり、霧の中から明確かつ目的を持って浮かび上がる、唯一無二の声を鍛え上げた。その精神は、モーピンの『A...
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{"id":9046043427066,"title":"Kalia Vandever \/\/ We Fell In Turn LP","handle":"kalia-vandever-we-fell-in-turn-lp","description":"\u003cp\u003eアメリカ・NYのトロンボーン奏者Kalia Vandeverが、2025年12月に同国LAのオールジャンルレーベルAKPからリリースした再発レコードです。（オリジナルは2023年リリース）\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eトロンボーンのみによるアンビエント・ジャズ\u003c\/span\u003e10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=837343015\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003ehere\u003c\/a\u003e to see more AKP Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e \u003cbr\u003e12\" black vinyl.\u003cbr\u003e2025 vinyl repress - originally released in 2023. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Recollections From Shore 03:53\u003cbr\u003e2. Imagine Being Told 02:25\u003cbr\u003e3. Stillness In Hand 01:58\u003cbr\u003e4. Mirrored Solitude 03:26\u003cbr\u003e5. Center 04:15\u003cbr\u003e6. Temper the Wound 03:44\u003cbr\u003e7. Teased Traces 02:55\u003cbr\u003e8. Held In 02:34\u003cbr\u003e9. We Wept in Turn 03:09\u003cbr\u003e10. Unfaltering 02:39\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAKP Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e'We Fell In Turn' is the solo debut from Brooklyn-based trombonist, composer, and quartet leader Kalia Vandever. Vandever, who plays with Harry Styles and Japanese Breakfast, “sculpts her trombone’s golden tones into dazzling compositions” (Pitchfork), writing music that tends to “dip you into a feeling or a pattern or a breathing speed, and keep you there” (The New York Times). In 2022, Vandever released Regrowth, an album that “features the ecstatic, brilliant melodies that have become Vandever’s signature sound” (Bandcamp). This spring, Vandever brings contemplative reflection to We Fell in Turn, a brave and understated work from an ascending voice in American jazz.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded over three days in upstate New York, 'We Fell In Turn' is improvisational — a stark palate of solo trombone, voice, effects, and little more. “My solo process has always been heavily rooted in improvisation,” says Vandever. “I wanted the process to feel similar to the way I perform. Lee Meadvin, who engineered and produced the album, had a heavy hand in the creative process as well. He would dictate prompts before I started improvising and those pieces ended up shaping a lot of the imagery that comes up throughout the record.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eConnecting the dots between Jeff Parker’s 'Forfolks'\u003cspan class=\"bcTruncateMore\"\u003e, and early releases from Grouper, 'We Fell In Turn' is a study of space and patience, embracing vulnerability in its sparse adornment. At times, the album is reminiscent of Patrick Shiroishi’s 'Hidemi', both in its familial inspiration and solo instrument study, while sharing the ineffable feel of William Basinski’s 'The Disintegration Loops' — the traces of her trombone folding in on themselves in an organic loop. Emotionally generous throughout, Vandever acts as a torchbearer for jazz’s historical yearning for connection.\u003cbr\u003e\u003cbr\u003eOn 'We Fell in Turn' Vandever draws inspiration from childhood memories — events that shaped her approach to love, community, and partnership, and her maternal homeland of Hawaii. “We were exploring childhood memories, earliest experiences with disappointment and pain, and my Hawaiian roots,” says Vandever. “We Fell In Turn came after I titled the track \"We Wept In Turn\". Both come from the intangible feeling of waking up from vivid dreams, particularly the experience of falling right before waking up or waking up in tears.”\u003cbr\u003e\u003cbr\u003eThrough this exploration into her heritage, Vandever also found guidance. “In Hawaiian mythology, ‘aumākua are known as ancestral spiritual guides that manifest in different forms, whether physical or intangible,” says Vandever. “My ‘aumākua visits me in my dreams, usually with a reassuring hug or a reminder of my past. Memories and early experiences seem to escape me, but find their way back in dreams.” And now they’ve found their way into 'We Fell in Turn', Kalia Vandever’s stunning solo debut.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Kalia Vandever\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : AKP Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eAKP016\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 31st March 2023\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-01-04T14:15:16+09:00","created_at":"2026-01-04T11:11:43+09:00","vendor":"Tobira Records","type":"","tags":["akp","ambient","jazz","lp","new"],"price":458000,"price_min":458000,"price_max":458000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48183803740410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kalia Vandever \/\/ We Fell In Turn LP","public_title":null,"options":["Default Title"],"price":458000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kalia1.jpg?v=1767492540","\/\/tobirarecords.com\/cdn\/shop\/files\/kalia2.jpg?v=1767492540"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kalia1.jpg?v=1767492540","options":["Title"],"media":[{"alt":null,"id":37972939079930,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kalia1.jpg?v=1767492540"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kalia1.jpg?v=1767492540","width":700},{"alt":null,"id":37972939112698,"position":2,"preview_image":{"aspect_ratio":0.667,"height":1200,"width":800,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kalia2.jpg?v=1767492540"},"aspect_ratio":0.667,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kalia2.jpg?v=1767492540","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのトロンボーン奏者Kalia Vandeverが、2025年12月に同国LAのオールジャンルレーベルAKPからリリースした再発レコードです。（オリジナルは2023年リリース）\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eトロンボーンのみによるアンビエント・ジャズ\u003c\/span\u003e10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=837343015\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003ehere\u003c\/a\u003e to see more AKP Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e \u003cbr\u003e12\" black vinyl.\u003cbr\u003e2025 vinyl repress - originally released in 2023. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Recollections From Shore 03:53\u003cbr\u003e2. Imagine Being Told 02:25\u003cbr\u003e3. Stillness In Hand 01:58\u003cbr\u003e4. Mirrored Solitude 03:26\u003cbr\u003e5. Center 04:15\u003cbr\u003e6. Temper the Wound 03:44\u003cbr\u003e7. Teased Traces 02:55\u003cbr\u003e8. Held In 02:34\u003cbr\u003e9. We Wept in Turn 03:09\u003cbr\u003e10. Unfaltering 02:39\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAKP Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e'We Fell In Turn' is the solo debut from Brooklyn-based trombonist, composer, and quartet leader Kalia Vandever. Vandever, who plays with Harry Styles and Japanese Breakfast, “sculpts her trombone’s golden tones into dazzling compositions” (Pitchfork), writing music that tends to “dip you into a feeling or a pattern or a breathing speed, and keep you there” (The New York Times). In 2022, Vandever released Regrowth, an album that “features the ecstatic, brilliant melodies that have become Vandever’s signature sound” (Bandcamp). This spring, Vandever brings contemplative reflection to We Fell in Turn, a brave and understated work from an ascending voice in American jazz.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded over three days in upstate New York, 'We Fell In Turn' is improvisational — a stark palate of solo trombone, voice, effects, and little more. “My solo process has always been heavily rooted in improvisation,” says Vandever. “I wanted the process to feel similar to the way I perform. Lee Meadvin, who engineered and produced the album, had a heavy hand in the creative process as well. He would dictate prompts before I started improvising and those pieces ended up shaping a lot of the imagery that comes up throughout the record.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eConnecting the dots between Jeff Parker’s 'Forfolks'\u003cspan class=\"bcTruncateMore\"\u003e, and early releases from Grouper, 'We Fell In Turn' is a study of space and patience, embracing vulnerability in its sparse adornment. At times, the album is reminiscent of Patrick Shiroishi’s 'Hidemi', both in its familial inspiration and solo instrument study, while sharing the ineffable feel of William Basinski’s 'The Disintegration Loops' — the traces of her trombone folding in on themselves in an organic loop. Emotionally generous throughout, Vandever acts as a torchbearer for jazz’s historical yearning for connection.\u003cbr\u003e\u003cbr\u003eOn 'We Fell in Turn' Vandever draws inspiration from childhood memories — events that shaped her approach to love, community, and partnership, and her maternal homeland of Hawaii. “We were exploring childhood memories, earliest experiences with disappointment and pain, and my Hawaiian roots,” says Vandever. “We Fell In Turn came after I titled the track \"We Wept In Turn\". Both come from the intangible feeling of waking up from vivid dreams, particularly the experience of falling right before waking up or waking up in tears.”\u003cbr\u003e\u003cbr\u003eThrough this exploration into her heritage, Vandever also found guidance. “In Hawaiian mythology, ‘aumākua are known as ancestral spiritual guides that manifest in different forms, whether physical or intangible,” says Vandever. “My ‘aumākua visits me in my dreams, usually with a reassuring hug or a reminder of my past. Memories and early experiences seem to escape me, but find their way back in dreams.” And now they’ve found their way into 'We Fell in Turn', Kalia Vandever’s stunning solo debut.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Kalia Vandever\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : AKP Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eAKP016\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 31st March 2023\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYのトロンボーン奏者Kalia Vandeverが、2025年12月に同国LAのオールジャンルレーベルAKPからリリースした再発レコードです。（オリジナルは2023年リリース） トロンボーンのみによるアンビエント・ジャズ10曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more AKP Records releases available at Tobira....
¥4,580
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{"id":8857789923578,"title":"Briana Marela \/\/ My Inner Rest TAPE","handle":"briana-marela-my-inner-rest-tape","description":"\u003cp\u003eペルー／アメリカのアンビエント・ポップ作家Briana Marelaが、2025年6月に同国LAのオールジャンルレーベルAKPからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eドリーミーでちょっぴり切ないアンビエント・ポップ〜アンビエント12\u003c\/span\u003e曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『My Inner Rest』は、Briana Marelaがミルズ・カレッジのコンサートホールでライブ演奏した12曲のエレクトロアコースティック・ソング集である。エモーショナルなヴォーカル・パフォーマンスを中心に、彼女はミニマルでありながらみずみずしい空間を創り出し、渦を巻いて飛び交うシンセ、ヴォーカルサンプリング、ライブプロセッシングが、創造的な精神と再びつながる旅に寄り添う。自信喪失と闘いながら、芸術的実践との関係を再定義した『My Inner Rest』は、自分自身を愛し、慈しむ方法を学ぶための重要な記録である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1474914893\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1474914893\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2118712402\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003ehere\u003c\/a\u003e to see more AKP Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e \u003cbr\u003eCassette in norelco case. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Selfless 04:39\u003cbr\u003e2. Vibrant Sheen 05:23\u003cbr\u003e3. Value 06:02\u003cbr\u003e4. My Inner Rest 08:05\u003cbr\u003e5. Wash Away 01:13\u003cbr\u003e6. Abandon 05:47\u003cbr\u003e7. Willful or Self-willed 07:53\u003cbr\u003e8. Golden Sun 01:34\u003cbr\u003e9. Grasshopper 06:04\u003cbr\u003e10. Brightest Star 04:06\u003cbr\u003e11. Suspended 01:42\u003cbr\u003e12. Violent Impulse 06:50\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eAKP Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eMy Inner Rest is a collection of 12 electroacoustic songs performed live by Briana Marela in the Mills College concert hall. With her emotional vocal performance as the focal point, she carves out a minimal yet lush space for swirling and skittering synths, vocal sampling, and live processing to caress and accompany her journey of reconnecting with her creative spirit. Combating self-doubt while redefining her relationship to her artistic practice, My Inner Rest is a vital document in learning how to love and have compassion for oneself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInvoking magical realism, Marela uses a visual programming language to build custom tools and effects to process her voice and transform non-musical objects into playable instruments. A handheld mirror, when held to her face, warps and pitch shifts her words into a “voice of uncertainty.” A silver bowl of water spins back echoes of her voice within its watery metallic filter. An orange light bulb captures and plays back samples of Marela’s voice in real time while casting shadows around the room. These compositions draw from elements of experimental music, theater, performance art, and popular song. She envisioned this way of approaching performance as a vocalist seeking an embodied physical experience on stage without\u003cspan class=\"bcTruncateMore\"\u003e the need to be proficient at playing a traditional instrument. She makes use of subtle movements of her body, as well as different gestural mappings using sensors, microprocessors, and training with a neural network to inform her live vocal processing. This allows her the freedom of improvisation within composed parameters to control discrete electronic and sampled sounds. Her voice acts as a storyteller and guides the audience through an embodied exploration of self in relation to creative identity.\u003cbr\u003e\u003cbr\u003eUnlike Marela’s previously released albums, My Inner Rest was written and composed to be performed live. She was set to start recording after graduating with an MFA from Mills College in 2020, however due to the pandemic and the death of her father, the album was shelved and she left the Bay Area for two years. After deciding to return to Oakland to be closer to friends and her music community, the album was eventually recorded at Littlefield Concert Hall. Former Mills technical director and friend Brendan Glasson engineered several sessions between 2022-23, capturing what would become My Inner Rest in a cathartic close to both Marela's time at Mills College, and the institution itself. The unexpected gestation period gave Marela deeper insight into the power of her creative endeavor, and crystallized the need to perform the material live. Each piece was ultimately recorded on stage, wearing a wireless headset mic and no headphones, as the singer was immersed with her sounds amplified in the room. Some songs took as many as 30 takes in order to capture her ideal performance. After a year of listening and refining these recordings, Marela has yielded a cohesive and intriguing collection of songs that exist apart from the live performances, in their own time and space.\u003cbr\u003e\u003cbr\u003eThe title My Inner Rest is borrowed from an encounter with the work of outsider visual artist Madge Gill on display at the Collection de l'Art Brut in Lausanne, Switzerland. Gill believed to have been creatively guided by a spirit she called \"Myrninerest\" to complete many mediumistic works. Marela encountered Gill’s work at a time of transition, losing touch with her creative spirit after a stifling encounter with the music industry. Having signed with a big indie label in her mid twenties, the experience left her disenchanted and artistically stagnant. Marela wished to return to a mindset of being a vessel for creative spirit to flow through, and to move further away from a capitalistic mindset of branding and profit. Many artists go through phases of their life where they become disconnected to their identity as an artist and their own work. In the process of struggling through this difficult time in her life, Marela’s path to reconnecting with her creative spirit again was a deeply healing and meditative undertaking. It is her hope that by letting others bear witness to her process, she can inspire other creative spirits to return to their lost vessels, to help repair the soul during times of dissonance.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Briana Marela\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : AKP Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eAKP038\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-07-13T09:57:37+09:00","created_at":"2025-07-11T10:56:31+09:00","vendor":"Tobira Records","type":"","tags":["akp","ambient","folk \/ left-field pop","new","tape"],"price":244900,"price_min":244900,"price_max":244900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47502277673210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Briana Marela \/\/ My Inner Rest TAPE","public_title":null,"options":["Default Title"],"price":244900,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/inn1_e8300627-8af2-4df3-a272-76e8f6ca6568.jpg?v=1752199006","\/\/tobirarecords.com\/cdn\/shop\/files\/inn3.jpg?v=1752199006"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn1_e8300627-8af2-4df3-a272-76e8f6ca6568.jpg?v=1752199006","options":["Title"],"media":[{"alt":null,"id":36352354844922,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn1_e8300627-8af2-4df3-a272-76e8f6ca6568.jpg?v=1752199006"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn1_e8300627-8af2-4df3-a272-76e8f6ca6568.jpg?v=1752199006","width":700},{"alt":null,"id":36352354877690,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn3.jpg?v=1752199006"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn3.jpg?v=1752199006","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eペルー／アメリカのアンビエント・ポップ作家Briana Marelaが、2025年6月に同国LAのオールジャンルレーベルAKPからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eドリーミーでちょっぴり切ないアンビエント・ポップ〜アンビエント12\u003c\/span\u003e曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『My Inner Rest』は、Briana Marelaがミルズ・カレッジのコンサートホールでライブ演奏した12曲のエレクトロアコースティック・ソング集である。エモーショナルなヴォーカル・パフォーマンスを中心に、彼女はミニマルでありながらみずみずしい空間を創り出し、渦を巻いて飛び交うシンセ、ヴォーカルサンプリング、ライブプロセッシングが、創造的な精神と再びつながる旅に寄り添う。自信喪失と闘いながら、芸術的実践との関係を再定義した『My Inner Rest』は、自分自身を愛し、慈しむ方法を学ぶための重要な記録である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1474914893\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1474914893\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2118712402\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003ehere\u003c\/a\u003e to see more AKP Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e \u003cbr\u003eCassette in norelco case. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Selfless 04:39\u003cbr\u003e2. Vibrant Sheen 05:23\u003cbr\u003e3. Value 06:02\u003cbr\u003e4. My Inner Rest 08:05\u003cbr\u003e5. Wash Away 01:13\u003cbr\u003e6. Abandon 05:47\u003cbr\u003e7. Willful or Self-willed 07:53\u003cbr\u003e8. Golden Sun 01:34\u003cbr\u003e9. Grasshopper 06:04\u003cbr\u003e10. Brightest Star 04:06\u003cbr\u003e11. Suspended 01:42\u003cbr\u003e12. Violent Impulse 06:50\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eAKP Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eMy Inner Rest is a collection of 12 electroacoustic songs performed live by Briana Marela in the Mills College concert hall. With her emotional vocal performance as the focal point, she carves out a minimal yet lush space for swirling and skittering synths, vocal sampling, and live processing to caress and accompany her journey of reconnecting with her creative spirit. Combating self-doubt while redefining her relationship to her artistic practice, My Inner Rest is a vital document in learning how to love and have compassion for oneself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInvoking magical realism, Marela uses a visual programming language to build custom tools and effects to process her voice and transform non-musical objects into playable instruments. A handheld mirror, when held to her face, warps and pitch shifts her words into a “voice of uncertainty.” A silver bowl of water spins back echoes of her voice within its watery metallic filter. An orange light bulb captures and plays back samples of Marela’s voice in real time while casting shadows around the room. These compositions draw from elements of experimental music, theater, performance art, and popular song. She envisioned this way of approaching performance as a vocalist seeking an embodied physical experience on stage without\u003cspan class=\"bcTruncateMore\"\u003e the need to be proficient at playing a traditional instrument. She makes use of subtle movements of her body, as well as different gestural mappings using sensors, microprocessors, and training with a neural network to inform her live vocal processing. This allows her the freedom of improvisation within composed parameters to control discrete electronic and sampled sounds. Her voice acts as a storyteller and guides the audience through an embodied exploration of self in relation to creative identity.\u003cbr\u003e\u003cbr\u003eUnlike Marela’s previously released albums, My Inner Rest was written and composed to be performed live. She was set to start recording after graduating with an MFA from Mills College in 2020, however due to the pandemic and the death of her father, the album was shelved and she left the Bay Area for two years. After deciding to return to Oakland to be closer to friends and her music community, the album was eventually recorded at Littlefield Concert Hall. Former Mills technical director and friend Brendan Glasson engineered several sessions between 2022-23, capturing what would become My Inner Rest in a cathartic close to both Marela's time at Mills College, and the institution itself. The unexpected gestation period gave Marela deeper insight into the power of her creative endeavor, and crystallized the need to perform the material live. Each piece was ultimately recorded on stage, wearing a wireless headset mic and no headphones, as the singer was immersed with her sounds amplified in the room. Some songs took as many as 30 takes in order to capture her ideal performance. After a year of listening and refining these recordings, Marela has yielded a cohesive and intriguing collection of songs that exist apart from the live performances, in their own time and space.\u003cbr\u003e\u003cbr\u003eThe title My Inner Rest is borrowed from an encounter with the work of outsider visual artist Madge Gill on display at the Collection de l'Art Brut in Lausanne, Switzerland. Gill believed to have been creatively guided by a spirit she called \"Myrninerest\" to complete many mediumistic works. Marela encountered Gill’s work at a time of transition, losing touch with her creative spirit after a stifling encounter with the music industry. Having signed with a big indie label in her mid twenties, the experience left her disenchanted and artistically stagnant. Marela wished to return to a mindset of being a vessel for creative spirit to flow through, and to move further away from a capitalistic mindset of branding and profit. Many artists go through phases of their life where they become disconnected to their identity as an artist and their own work. In the process of struggling through this difficult time in her life, Marela’s path to reconnecting with her creative spirit again was a deeply healing and meditative undertaking. It is her hope that by letting others bear witness to her process, she can inspire other creative spirits to return to their lost vessels, to help repair the soul during times of dissonance.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Briana Marela\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : AKP Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eAKP038\u003c\/span\u003e\u003c\/p\u003e"}
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ペルー／アメリカのアンビエント・ポップ作家Briana Marelaが、2025年6月に同国LAのオールジャンルレーベルAKPからリリースしたアルバムです。 ドリーミーでちょっぴり切ないアンビエント・ポップ〜アンビエント12曲を収録。DLコード付属。 以下、レーベルによる解説です。 "『My Inner Rest』は、Briana Marelaがミルズ・カレッジのコンサートホールでライブ演奏した12曲のエレクトロアコースティック・ソング集である。エモーショナルなヴォーカル・パフォーマンスを中心に、彼女はミニマルでありながらみずみずしい空間を創り出し、渦を巻いて飛び交うシンセ、ヴォーカルサンプリング、ライブプロセッシングが、創造的な精神と再びつながる旅に寄り添う。自信喪失と闘いながら、芸術的実践との関係を再定義した『My Inner Rest』は、自分自身を愛し、慈しむ方法を学ぶための重要な記録である。" レーベルその他作品はこちら /// Click here to see...
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