CRAVUNE // Quiver TAPE
CRAVUNE // Quiver TAPE
¥1,650
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フランス・マルセイユの物音作家Chemiefaserwerkが主宰するレーベルFalt諸作を入荷しました。
本作は、ドローン作家CRAVUNEが2021年にリリースしたカセットです。
低空飛行なドローン3曲を収録。DLコード付属。廃盤です。
レーベルその他作品はこちら /// Click here to see more Falt releases available at Tobira.
-----------------------------
cassette wrapped in printed paper.
Artist : CRAVUNE
Label : Falt
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See below for details:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sfaldamento Endometriale 09:27\u003cbr\u003e2. Amon-Ra Nipnoiz 12:57\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Remslutan Pad 10:59\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Naoram Zionpin 12:26\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. 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※当店限定販売です ドイツの実験レーベルFrenetic Magic Sounds、2025年8月にリリースしたコンピレーションカセットです。 アルゼンチン・ロサリオを拠点として活動しているアーティストによるアンビエント〜ノーウェーブ〜フリージャズ〜ドローン〜ノイズ16曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ -------------------------------------------------- Cassette in slipcase. Tracklist: 1. Gastón Höppeler...
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クイックビュー
{"id":9006815084794,"title":"Iris Our \/\/ Victual Vittle Bottle Cunt CD","handle":"iris-our-victual-vittle-bottle-cunt-cd","description":"\u003cp\u003e過去にRecitalから発表しているアメリカの実験音楽家Kiera MulhernとSydney SpannによるデュオIris Ourが、2025年10月にRecitalからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー〜コラージュ・ドローン5曲を収録。ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Kiera MulhernとSydney Spannは、Recitalで高く評価されたソロ作品を発表している。Mulhernの『De ossibus 20』（2020年）とSpannの『Sending Up A Spiral Of』（2023年）である。親しい友人同士である二人は毎週土曜日に集まり、録音を行っていた。そこには二人の愛、不安、機知が込められている。友情が生み出す相乗効果は明らかだ：詩を交互に朗読し、互いの音節と呼吸を補完し合う。声、シンセシス、様々な電子音、そして（しばしば二人の共有生活から採られた）動的なフィールドレコーディングが素材を構成する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e本作の概念的核は、拡散・模倣・恐怖を通じて理解される女性性であり、負債・依存・継承といったテーマと並行する。CDから漏れる工業的なヒス音を通じた言語的交わりに、それらの痕跡が聴き取れる。アーティストが記すように「吸い、食べ、語る口と、命じ、慰め、呪う声という、卑猥なまでの不可能性」がそこにある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e多くのテキストは、デュオによる手描きの具体詩として始まった。「Urnshaped Murmuration」では、彼女たちが左右のチャンネルでテキストを朗読し、影の音の波打つ海で互いを追いかけ合う。最終トラック「Erections of Angels Directed at Me」は圧倒的だ。静かなThis Mortal Coil風のメロディが歌われる中、フラッシュオシレーターが自律的に渦巻く。くすぶるフルートの光が、遠くの金属的な破壊の前方に輝く。26分という凝縮された演奏時間にもかかわらず、このアルバムは濃密で威圧的、そして完全な一体感を放っている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eその結果生まれたのは、本物で鋭い神話——「使い捨ての身体、医学の対象としての身体、言葉で刻まれた身体、反逆する身体」への内臓的な探求である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1459066572\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003eCD in cardstock gatefold sleeve w\/ 12-page booklet. \u003cbr\u003eEdition of 200 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Columns of Echo’s Lymphatic Library 05:12\u003cbr\u003e2. Debris Promise 02:19\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Urnshaped Murmuration 07:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Splits and Wants 02:53\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Erections of Angels Directed at Me 08:09\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRecital :\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIris Our is the new surrealist duo of artists Kiera Mulhern and Sydney Spann. Recital is honored to present their debut album, Victual Vittle Bottle Cunt.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBoth Mulhern and Spann have released celebrated solo works on Recital: Mulhern’s De ossibus 20 (2020) and Spann’s Sending Up A Spiral Of (2023). Close friends, they would meet up weekly on Saturdays to record; channeling their love, angst, and wit. The synergism of their friendship is evident: poems read in tandem, flanking each other's syllables and breaths. Voice, synthesis, various electronics, and kinetic field recordings (often from their shared lives) form the material.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album’s conceptual core is femininity understood through diffusion, imitation, and horror, alongside themes of debt, addiction, and inheritance. Vestiges of these can be heard in verbal intercourses through an industrial hiss emerging from the CD. As the artists write: “the obscene impossibility of having a mouth that sucks, eats and speaks, and of a voice that commands, soothes, and curses.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMany of the texts began as hand-drawn concrete poems by the duo. “Urnshaped Murmuration” stages Spann and Mulhern reciting texts in the left and right channels, chasing each other in a\u003cspan class=\"bcTruncateMore\"\u003e lapping ocean of shadow sounds. The final track “Erections of Angels Directed at Me” is immense. A hushed This Mortal Coil-esque melody is sung, as flush oscillators churn autonomously. Smoldering flutes glow ahead of distant metallic havoc. Despite its condensed 26-minute runtime, the album feels dense, commanding, and total.\u003cbr\u003e\u003cbr\u003eThe result is an authentic, sharp mythology—visceral research into “the body as disposable, the body as the object of medicine, the body as etched with words, the body in revolt.”\u003cbr\u003e\u003cbr\u003eVictual Vittle Bottle Cunt was engineered by Katie Von Schleicher, mixed by Theodore Cale Schafer, and mastered by Sean McCann. The pastel album cover by Maggie Fitzpatrick showcases a barren alley with a parked Tesla engulfed in flames. The release includes a booklet of concrete poems, artwork by the duo, and artist portraits by Gram Hummell.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Iris Our\u003c\/p\u003e\n\u003cp\u003eLabel : Recital \u003c\/p\u003e\n\u003cp\u003ecat no : R\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e115\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-20T09:41:57+09:00","created_at":"2025-11-19T11:44:14+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","monooto","new","Recital"],"price":299000,"price_min":299000,"price_max":299000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47981587464442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Iris Our \/\/ Victual Vittle Bottle Cunt CD","public_title":null,"options":["Default Title"],"price":299000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cun1_5ce3a463-0c76-4074-be6f-d67b68aad018.jpg?v=1763520161","\/\/tobirarecords.com\/cdn\/shop\/files\/cun5.jpg?v=1763520161","\/\/tobirarecords.com\/cdn\/shop\/files\/cun3.jpg?v=1763520161","\/\/tobirarecords.com\/cdn\/shop\/files\/cun4.jpg?v=1763520161"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cun1_5ce3a463-0c76-4074-be6f-d67b68aad018.jpg?v=1763520161","options":["Title"],"media":[{"alt":null,"id":37549171638522,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cun1_5ce3a463-0c76-4074-be6f-d67b68aad018.jpg?v=1763520161"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cun1_5ce3a463-0c76-4074-be6f-d67b68aad018.jpg?v=1763520161","width":700},{"alt":null,"id":37549171769594,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cun5.jpg?v=1763520161"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cun5.jpg?v=1763520161","width":1200},{"alt":null,"id":37549171704058,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cun3.jpg?v=1763520161"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cun3.jpg?v=1763520161","width":1200},{"alt":null,"id":37549171736826,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cun4.jpg?v=1763520161"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cun4.jpg?v=1763520161","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にRecitalから発表しているアメリカの実験音楽家Kiera MulhernとSydney SpannによるデュオIris Ourが、2025年10月にRecitalからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー〜コラージュ・ドローン5曲を収録。ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Kiera MulhernとSydney Spannは、Recitalで高く評価されたソロ作品を発表している。Mulhernの『De ossibus 20』（2020年）とSpannの『Sending Up A Spiral Of』（2023年）である。親しい友人同士である二人は毎週土曜日に集まり、録音を行っていた。そこには二人の愛、不安、機知が込められている。友情が生み出す相乗効果は明らかだ：詩を交互に朗読し、互いの音節と呼吸を補完し合う。声、シンセシス、様々な電子音、そして（しばしば二人の共有生活から採られた）動的なフィールドレコーディングが素材を構成する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e本作の概念的核は、拡散・模倣・恐怖を通じて理解される女性性であり、負債・依存・継承といったテーマと並行する。CDから漏れる工業的なヒス音を通じた言語的交わりに、それらの痕跡が聴き取れる。アーティストが記すように「吸い、食べ、語る口と、命じ、慰め、呪う声という、卑猥なまでの不可能性」がそこにある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e多くのテキストは、デュオによる手描きの具体詩として始まった。「Urnshaped Murmuration」では、彼女たちが左右のチャンネルでテキストを朗読し、影の音の波打つ海で互いを追いかけ合う。最終トラック「Erections of Angels Directed at Me」は圧倒的だ。静かなThis Mortal Coil風のメロディが歌われる中、フラッシュオシレーターが自律的に渦巻く。くすぶるフルートの光が、遠くの金属的な破壊の前方に輝く。26分という凝縮された演奏時間にもかかわらず、このアルバムは濃密で威圧的、そして完全な一体感を放っている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eその結果生まれたのは、本物で鋭い神話——「使い捨ての身体、医学の対象としての身体、言葉で刻まれた身体、反逆する身体」への内臓的な探求である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1459066572\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003eCD in cardstock gatefold sleeve w\/ 12-page booklet. \u003cbr\u003eEdition of 200 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Columns of Echo’s Lymphatic Library 05:12\u003cbr\u003e2. Debris Promise 02:19\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Urnshaped Murmuration 07:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Splits and Wants 02:53\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Erections of Angels Directed at Me 08:09\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRecital :\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIris Our is the new surrealist duo of artists Kiera Mulhern and Sydney Spann. Recital is honored to present their debut album, Victual Vittle Bottle Cunt.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBoth Mulhern and Spann have released celebrated solo works on Recital: Mulhern’s De ossibus 20 (2020) and Spann’s Sending Up A Spiral Of (2023). Close friends, they would meet up weekly on Saturdays to record; channeling their love, angst, and wit. The synergism of their friendship is evident: poems read in tandem, flanking each other's syllables and breaths. Voice, synthesis, various electronics, and kinetic field recordings (often from their shared lives) form the material.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album’s conceptual core is femininity understood through diffusion, imitation, and horror, alongside themes of debt, addiction, and inheritance. Vestiges of these can be heard in verbal intercourses through an industrial hiss emerging from the CD. As the artists write: “the obscene impossibility of having a mouth that sucks, eats and speaks, and of a voice that commands, soothes, and curses.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMany of the texts began as hand-drawn concrete poems by the duo. “Urnshaped Murmuration” stages Spann and Mulhern reciting texts in the left and right channels, chasing each other in a\u003cspan class=\"bcTruncateMore\"\u003e lapping ocean of shadow sounds. The final track “Erections of Angels Directed at Me” is immense. A hushed This Mortal Coil-esque melody is sung, as flush oscillators churn autonomously. Smoldering flutes glow ahead of distant metallic havoc. Despite its condensed 26-minute runtime, the album feels dense, commanding, and total.\u003cbr\u003e\u003cbr\u003eThe result is an authentic, sharp mythology—visceral research into “the body as disposable, the body as the object of medicine, the body as etched with words, the body in revolt.”\u003cbr\u003e\u003cbr\u003eVictual Vittle Bottle Cunt was engineered by Katie Von Schleicher, mixed by Theodore Cale Schafer, and mastered by Sean McCann. The pastel album cover by Maggie Fitzpatrick showcases a barren alley with a parked Tesla engulfed in flames. The release includes a booklet of concrete poems, artwork by the duo, and artist portraits by Gram Hummell.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Iris Our\u003c\/p\u003e\n\u003cp\u003eLabel : Recital \u003c\/p\u003e\n\u003cp\u003ecat no : R\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e115\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":9002435182842,"title":"Ben Bennett \/\/ ANSWERS LP","handle":"ben-bennett-answers-lp","description":"\u003cp\u003eアメリカ・ペンシルベニアのパーカッショニストBen Bennettが、2025年10月に同国NYのアンビエント作家\u003ca href=\"https:\/\/tobirarecords.com\/products\/post-moves-heart-music-2xlp\"\u003ePost Moves\u003c\/a\u003e主宰レーベルLobby Artからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eインプロ〜ドローン7曲を収録。帯付属。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2210925249\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003ehere\u003c\/a\u003e to see more Lobby Art releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e1. What a normal day is like 06:46\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e2. How you sound when you’re criticizing me 05:52\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Me when I was incredibly small 06:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Toroid - like a bagel or a donut 05:04\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. How I walk when I’m downtown 04:21\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e6. What my dog would sound like if I had one 05:02\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Me when I’m having some work done 03:10\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eJonathan Pfeffer, via the label: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"I often think about a video that Ben made in the mid-2000s, shot in profile with his shadow cast on a dimly lit Ohio punk house wall. In the video, Ben emits, intones, and then barks “yeah” relentlessly for an uninterrupted fifteen minutes. He pushes his reedy, anonymous voice—which in conversation conveys a kind of gentle bemusement—into guttural terrain that flirts with overtone singing (or screeching). The gesture feels raw and spontaneous, suspended in a vacuum.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe video has echoes of late ’60s and early ’70s American performance art—Bruce Nauman’s Lip Sync, Paul McCarthy’s Ma Bell—but Ben is not building a persona or engaging in clever language games. He pushes straight into the realm of pure sound, teasing out subtle variations from a barebones fragment of reckless affirmation—or maybe sarcasm—using democratic tools: his voice and a single, quintessentially American interjection that barely qualifies as language. It is obvious how much pleasure Ben takes in the act of listening. He punctuates the performance with silences, burrowing into the room’s resonance, which seems to surprise and delight him. Distilled to its simplest form, Ben transforms the utterance into an act of destructive glee that carries no trace of angst. Over time, his unwavering commitment to a stupid and very human\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e endeavor becomes a devotional ritual that collides with the divine, without relying on a religious object.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn ANSWERS (all-caps notwithstanding), Ben modestly continues to offer profound “answers” to questions about survival in the empty field. The actions it contains are not extreme; it operates at a relatively low dynamic, neither at the edge of inaudibility nor at the volume of inflammatory rage-bait. Microscopic but still visible, the sounds suggest the early stirrings of new, dumb lifeforms. ANSWERS is provocative in its lack of ornament—born of the post-industrial and natural worlds, hovering above quotidian realities. Ben continues to operate on the edge of not being aesthetic at all—subject dissolving into object—plumbing the nature of reality with his homespun spring-steel idiophone and coffee-can aerophone, until it verges on bathroom drainage.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs a percussionist, Ben has a lithe touch, moving seamlessly between sticks and his bare hands. Like Toshi Makihara and Sean Meehan, Ben is concerned with friction, yet his work is closer in spirit to Kieran Daly’s slowly unfolding monophonic MIDI investigations, which balance formal rigor, a cultivated openness to “dumbness,” and an abstract connection to the jazz tradition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMy favorite moments on Answers are when the boundary between music and non-music becomes unstable, and when Ben abandons the drums and “music” entirely—\"How you sound when you’re criticizing me,” “Me when I’m having some work done,” and “Toroid – like a bagel or a donut”—where the album’s harsh plainness gives way to austere beauty, as if the vacuum momentarily ruptured.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eANSWERS feels as though it unfolds in isolation, yet the faintest vapors of the detritus, dust, and rubble of recognizable worlds drift in, giving rise to sounds that evoke goose honks, rapier blades, and field recordings from a Home Depot loading dock. Ben displays extraordinary sensitivity to vibrations that bloom briefly, then vanish. The record closes with twenty seconds of silence, a quiet void where everything disappears. It simply ends, draining back into the big ol’ cosmic sewer from which we were all\u003c\/em\u003e\u003cbr\u003e\u003cem\u003econjured.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Bennett\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLA023\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-18T13:06:28+09:00","created_at":"2025-11-17T10:29:45+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","lobby art","lp","new","strange beats"],"price":465000,"price_min":465000,"price_max":465000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47966605410554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ben Bennett \/\/ ANSWERS LP","public_title":null,"options":["Default Title"],"price":465000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_14b8b02c-fe95-4e15-98d9-26f869bfb5eb.jpg?v=1763342825","\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_ea134d92-3d1f-40b6-97c0-d2e71d4ec2bd.jpg?v=1763342825"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_14b8b02c-fe95-4e15-98d9-26f869bfb5eb.jpg?v=1763342825","options":["Title"],"media":[{"alt":null,"id":37529691259130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_14b8b02c-fe95-4e15-98d9-26f869bfb5eb.jpg?v=1763342825"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_14b8b02c-fe95-4e15-98d9-26f869bfb5eb.jpg?v=1763342825","width":700},{"alt":null,"id":37529691291898,"position":2,"preview_image":{"aspect_ratio":1.506,"height":797,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_ea134d92-3d1f-40b6-97c0-d2e71d4ec2bd.jpg?v=1763342825"},"aspect_ratio":1.506,"height":797,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_ea134d92-3d1f-40b6-97c0-d2e71d4ec2bd.jpg?v=1763342825","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ペンシルベニアのパーカッショニストBen Bennettが、2025年10月に同国NYのアンビエント作家\u003ca href=\"https:\/\/tobirarecords.com\/products\/post-moves-heart-music-2xlp\"\u003ePost Moves\u003c\/a\u003e主宰レーベルLobby Artからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eインプロ〜ドローン7曲を収録。帯付属。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2210925249\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003ehere\u003c\/a\u003e to see more Lobby Art releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e1. What a normal day is like 06:46\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e2. How you sound when you’re criticizing me 05:52\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Me when I was incredibly small 06:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Toroid - like a bagel or a donut 05:04\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. How I walk when I’m downtown 04:21\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e6. What my dog would sound like if I had one 05:02\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Me when I’m having some work done 03:10\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eJonathan Pfeffer, via the label: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"I often think about a video that Ben made in the mid-2000s, shot in profile with his shadow cast on a dimly lit Ohio punk house wall. In the video, Ben emits, intones, and then barks “yeah” relentlessly for an uninterrupted fifteen minutes. He pushes his reedy, anonymous voice—which in conversation conveys a kind of gentle bemusement—into guttural terrain that flirts with overtone singing (or screeching). The gesture feels raw and spontaneous, suspended in a vacuum.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe video has echoes of late ’60s and early ’70s American performance art—Bruce Nauman’s Lip Sync, Paul McCarthy’s Ma Bell—but Ben is not building a persona or engaging in clever language games. He pushes straight into the realm of pure sound, teasing out subtle variations from a barebones fragment of reckless affirmation—or maybe sarcasm—using democratic tools: his voice and a single, quintessentially American interjection that barely qualifies as language. It is obvious how much pleasure Ben takes in the act of listening. He punctuates the performance with silences, burrowing into the room’s resonance, which seems to surprise and delight him. Distilled to its simplest form, Ben transforms the utterance into an act of destructive glee that carries no trace of angst. Over time, his unwavering commitment to a stupid and very human\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e endeavor becomes a devotional ritual that collides with the divine, without relying on a religious object.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn ANSWERS (all-caps notwithstanding), Ben modestly continues to offer profound “answers” to questions about survival in the empty field. The actions it contains are not extreme; it operates at a relatively low dynamic, neither at the edge of inaudibility nor at the volume of inflammatory rage-bait. Microscopic but still visible, the sounds suggest the early stirrings of new, dumb lifeforms. ANSWERS is provocative in its lack of ornament—born of the post-industrial and natural worlds, hovering above quotidian realities. Ben continues to operate on the edge of not being aesthetic at all—subject dissolving into object—plumbing the nature of reality with his homespun spring-steel idiophone and coffee-can aerophone, until it verges on bathroom drainage.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs a percussionist, Ben has a lithe touch, moving seamlessly between sticks and his bare hands. Like Toshi Makihara and Sean Meehan, Ben is concerned with friction, yet his work is closer in spirit to Kieran Daly’s slowly unfolding monophonic MIDI investigations, which balance formal rigor, a cultivated openness to “dumbness,” and an abstract connection to the jazz tradition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMy favorite moments on Answers are when the boundary between music and non-music becomes unstable, and when Ben abandons the drums and “music” entirely—\"How you sound when you’re criticizing me,” “Me when I’m having some work done,” and “Toroid – like a bagel or a donut”—where the album’s harsh plainness gives way to austere beauty, as if the vacuum momentarily ruptured.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eANSWERS feels as though it unfolds in isolation, yet the faintest vapors of the detritus, dust, and rubble of recognizable worlds drift in, giving rise to sounds that evoke goose honks, rapier blades, and field recordings from a Home Depot loading dock. Ben displays extraordinary sensitivity to vibrations that bloom briefly, then vanish. The record closes with twenty seconds of silence, a quiet void where everything disappears. It simply ends, draining back into the big ol’ cosmic sewer from which we were all\u003c\/em\u003e\u003cbr\u003e\u003cem\u003econjured.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Bennett\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLA023\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・ペンシルベニアのパーカッショニストBen Bennettが、2025年10月に同国NYのアンビエント作家Post Moves主宰レーベルLobby Artからリリースしたレコードです。 インプロ〜ドローン7曲を収録。帯付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Lobby Art releases available...
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