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{"id":7719404929274,"title":"Charles Stepney \/\/ Step on Step 2xLP \/ TAPE","handle":"charles-stepney-step-on-step-2xlp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e1976年に45歳の若さで他界したアメリカ・シカゴのプロデューサーCharles Stepneyが、60-70年代に自宅の地下スタジオで録音していた作品をコンパイルした未発表作品集です。\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e今聴いても新鮮な21曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4113308018\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDouble gold vinyl edition of 555 \/ Classic black double vinyl.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eInternational Anthem is proud to present 'Step on Step', a double LP collection of home recordings marking the de-facto eponymous debut album by enigmatic producer, arranger, and composer Charles Stepney (1931-1976). The music that makes up Step on Step was created by Stepney alone, in the basement of his home on the Southside of Chicago, sometime in the late 1960s and early 1970s, before his untimely death in 1976.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA Chicago born and bred arranger, producer, multi-instrumentalist and songwriter, Stepney is known for his work with Earth, Wind \u0026amp; Fire, Deniece Williams, and Ramsey Lewis, and as a staff producer for Chess Records in the 1960s, where he was an essential creative force behind seminal recordings by Rotary Connection, Minnie Riperton, Marlena Shaw, Muddy Waters, Howlin Wolf, Terry Callier, The Dells, The Emotions, and many more. In the decades since his passing, the presence of his name in liner notes and on vinyl labels has become a seal of quality for record collectors, music historians, and aficionados, while his sound has been used by countless samplers in the hip-hop world including Kanye West, A Tribe Called Quest, The Fugees, MF Doom, and Madlib. But in comparison to the post-mortem renown of his sound, or the music he created and the artists he\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e supported while he was alive, Stepney is a greatly underappreciated figure… a genius relegated to the shadows.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the signature elements of his “baroque soul” sound is the epic, expansive, orchestral expression of his horn and string arrangements (in many cases brought to life by members of the Chicago Symphony Orchestra), as heard on Minnie Riperton’s “Les Fleurs,” or Marlena Shaw’s “California Soul,” or Terry Callier’s “What Color Is Love.” Hence making it even more special that his de-facto debut LP Step on Step, which sees its first wide release nearly five decades after his death, is a collection of stripped-down 4-track tape recordings featuring Stepney, alone, performing all instruments with minimal means. It is, as said by Chicago culture historian (and author of Step on Step liner notes) Ayana Contreras, “the uncut funk,” an unprecedented depiction of an imbued composer imagining and conceiving music (some of which would eventually become massive studio productions) in its primal state.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStep on Step features 23 tracks, most of which are original compositions by Stepney that were never again recorded by him or any other artist. It also features prototypical, seedling-style demos of Stepney compositions for Earth, Wind \u0026amp; Fire, including “That’s The Way of The World,” “Imagination,” and “On Your Face,” as well as the original version of “Black Gold,” which would eventually be recorded by Rotary Connection (as “I Am The Black Gold of The Sun,” with lyrics by Richard Rudolph). And in addition to the wordless croons of Stepney original and early single “Daddy’s Diddies,” Stepney’s actual voice is heard on a couple occasions across the album, testing microphones and inputs on his tape machine.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll of the otherwise unrecorded, previously unnamed original compositions contained on Step on Step were given their titles by Stepney’s daughters Eibur, Charlene, and Chanté Stepney, whose voices are also heard throughout the album, telling stories and sharing memories about their father. The Stepney Sisters, who produced this album over many years, have long been engaged in efforts to celebrate their father’s legacy and bring his work into brighter light. They’ve cherished the tape reels left behind by their father in the basement of their home, transferring the audio on multiple occasions, and originally compiling the recordings for an ultra-limited CD on their own DIY label (The Charles Stepney Masters) in the early 2010s. “We always talk about how we were trying to develop this and would go to different people and they would go ‘what is this raw stuff…’ It was just the first level of something that became something really great,” says Chanté. “To get this type of intimate look into an artist’s process is really unknown and unheard of… so I just really appreciate the opportunity to give this. I am very happy for my Dad that we’re able to share this with the world in this way, with this amount of respect.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis new double LP collection on International Anthem presents “a genuine, beautiful, deeply emotional and personal effort by three women to reconnect with their father and validate their own memories of his passion and brilliance,” says label co-founder Scott McNiece. And it’s a long-overdue fulfillment of Stepney’s unsatiated plan to release a solo album – which he once vowed to his daughters that he would do, and that he would name it: “Step on Step.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Charles Stepney\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2022-08-30T05:59:29+09:00","created_at":"2022-08-27T12:05:31+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","tape"],"price":238000,"price_min":238000,"price_max":538000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43167267422458,"title":"2xLP","option1":"2xLP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37780065059066,"product_id":7719404929274,"position":2,"created_at":"2022-08-27T12:05:31+09:00","updated_at":"2022-08-27T12:05:34+09:00","alt":null,"width":1200,"height":929,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on3_cd035725-c7fc-4aa7-838d-2009d543db33.jpg?v=1661569534","variant_ids":[43167267422458]},"available":false,"name":"Charles Stepney \/\/ Step on Step 2xLP \/ TAPE - 2xLP","public_title":"2xLP","options":["2xLP"],"price":538000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":30364035612922,"position":2,"preview_image":{"aspect_ratio":1.292,"height":929,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on3_cd035725-c7fc-4aa7-838d-2009d543db33.jpg?v=1661569534"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":43167267455226,"title":"TAPE","option1":"TAPE","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":38637099024634,"product_id":7719404929274,"position":3,"created_at":"2022-12-22T15:15:56+09:00","updated_at":"2022-12-22T15:15:57+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0029775635_10.jpg?v=1671689757","variant_ids":[43167267455226]},"available":false,"name":"Charles Stepney \/\/ Step on Step 2xLP \/ TAPE - TAPE","public_title":"TAPE","options":["TAPE"],"price":238000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":31237478646010,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0029775635_10.jpg?v=1671689757"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533","\/\/tobirarecords.com\/cdn\/shop\/products\/on3_cd035725-c7fc-4aa7-838d-2009d543db33.jpg?v=1661569534","\/\/tobirarecords.com\/cdn\/shop\/products\/0029775635_10.jpg?v=1671689757","\/\/tobirarecords.com\/cdn\/shop\/products\/0029775641_10.jpg?v=1701205291"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533","options":["Format"],"media":[{"alt":null,"id":30364035514618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533","width":700},{"alt":null,"id":30364035612922,"position":2,"preview_image":{"aspect_ratio":1.292,"height":929,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on3_cd035725-c7fc-4aa7-838d-2009d543db33.jpg?v=1661569534"},"aspect_ratio":1.292,"height":929,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on3_cd035725-c7fc-4aa7-838d-2009d543db33.jpg?v=1661569534","width":1200},{"alt":null,"id":31237478646010,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0029775635_10.jpg?v=1671689757"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0029775635_10.jpg?v=1671689757","width":1200},{"alt":null,"id":31237478809850,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0029775641_10.jpg?v=1701205291"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0029775641_10.jpg?v=1701205291","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e1976年に45歳の若さで他界したアメリカ・シカゴのプロデューサーCharles Stepneyが、60-70年代に自宅の地下スタジオで録音していた作品をコンパイルした未発表作品集です。\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e今聴いても新鮮な21曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4113308018\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDouble gold vinyl edition of 555 \/ Classic black double vinyl.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eInternational Anthem is proud to present 'Step on Step', a double LP collection of home recordings marking the de-facto eponymous debut album by enigmatic producer, arranger, and composer Charles Stepney (1931-1976). The music that makes up Step on Step was created by Stepney alone, in the basement of his home on the Southside of Chicago, sometime in the late 1960s and early 1970s, before his untimely death in 1976.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA Chicago born and bred arranger, producer, multi-instrumentalist and songwriter, Stepney is known for his work with Earth, Wind \u0026amp; Fire, Deniece Williams, and Ramsey Lewis, and as a staff producer for Chess Records in the 1960s, where he was an essential creative force behind seminal recordings by Rotary Connection, Minnie Riperton, Marlena Shaw, Muddy Waters, Howlin Wolf, Terry Callier, The Dells, The Emotions, and many more. In the decades since his passing, the presence of his name in liner notes and on vinyl labels has become a seal of quality for record collectors, music historians, and aficionados, while his sound has been used by countless samplers in the hip-hop world including Kanye West, A Tribe Called Quest, The Fugees, MF Doom, and Madlib. But in comparison to the post-mortem renown of his sound, or the music he created and the artists he\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e supported while he was alive, Stepney is a greatly underappreciated figure… a genius relegated to the shadows.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the signature elements of his “baroque soul” sound is the epic, expansive, orchestral expression of his horn and string arrangements (in many cases brought to life by members of the Chicago Symphony Orchestra), as heard on Minnie Riperton’s “Les Fleurs,” or Marlena Shaw’s “California Soul,” or Terry Callier’s “What Color Is Love.” Hence making it even more special that his de-facto debut LP Step on Step, which sees its first wide release nearly five decades after his death, is a collection of stripped-down 4-track tape recordings featuring Stepney, alone, performing all instruments with minimal means. It is, as said by Chicago culture historian (and author of Step on Step liner notes) Ayana Contreras, “the uncut funk,” an unprecedented depiction of an imbued composer imagining and conceiving music (some of which would eventually become massive studio productions) in its primal state.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStep on Step features 23 tracks, most of which are original compositions by Stepney that were never again recorded by him or any other artist. It also features prototypical, seedling-style demos of Stepney compositions for Earth, Wind \u0026amp; Fire, including “That’s The Way of The World,” “Imagination,” and “On Your Face,” as well as the original version of “Black Gold,” which would eventually be recorded by Rotary Connection (as “I Am The Black Gold of The Sun,” with lyrics by Richard Rudolph). And in addition to the wordless croons of Stepney original and early single “Daddy’s Diddies,” Stepney’s actual voice is heard on a couple occasions across the album, testing microphones and inputs on his tape machine.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll of the otherwise unrecorded, previously unnamed original compositions contained on Step on Step were given their titles by Stepney’s daughters Eibur, Charlene, and Chanté Stepney, whose voices are also heard throughout the album, telling stories and sharing memories about their father. The Stepney Sisters, who produced this album over many years, have long been engaged in efforts to celebrate their father’s legacy and bring his work into brighter light. They’ve cherished the tape reels left behind by their father in the basement of their home, transferring the audio on multiple occasions, and originally compiling the recordings for an ultra-limited CD on their own DIY label (The Charles Stepney Masters) in the early 2010s. “We always talk about how we were trying to develop this and would go to different people and they would go ‘what is this raw stuff…’ It was just the first level of something that became something really great,” says Chanté. “To get this type of intimate look into an artist’s process is really unknown and unheard of… so I just really appreciate the opportunity to give this. I am very happy for my Dad that we’re able to share this with the world in this way, with this amount of respect.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis new double LP collection on International Anthem presents “a genuine, beautiful, deeply emotional and personal effort by three women to reconnect with their father and validate their own memories of his passion and brilliance,” says label co-founder Scott McNiece. And it’s a long-overdue fulfillment of Stepney’s unsatiated plan to release a solo album – which he once vowed to his daughters that he would do, and that he would name it: “Step on Step.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Charles Stepney\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e"}
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1976年に45歳の若さで他界したアメリカ・シカゴのプロデューサーCharles Stepneyが、60-70年代に自宅の地下スタジオで録音していた作品をコンパイルした未発表作品集です。 今聴いても新鮮な21曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ------------------------------...
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{"id":7718524289274,"title":"Allen Ravenstine \/\/ Nautilus + Rue Du Poisson Noir LP","handle":"allen-ravenstine-nautilus-rue-du-poisson-noir-lp","description":"\u003cp\u003eポストパンクバンド\u003cmeta charset=\"utf-8\"\u003ePere Ubuオリジナルメンバーでもあるシンセ奏者Allen Ravenstineが、2021年にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・ネオクラシカル・ジャズ22曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2894474281\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003eText by Waveshaper Media:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAllen Ravenstine's turbulent futurism behind the synthesizer was a key ingredient in American post-punk innovators Pere Ubu's distinctive sound. Just as Brian Eno's malevolent modulations had adulterated the glam-rock swagger of Roxy Music before him, Ravenstine's corrosive tones oozed through his band's songs like radioactive seepage, illuminating their otherwise guitar-driven landscapes with a strange chemical glow.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn addition to playing with them from 1975-1989, he also co-owned the Plaza, a historic apartment complex in Central Cleveland where Pere Ubu members lived and created alongside a vibrant community of other artists. Music took a backseat for Ravenstine afer\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e leaving the group, among other things he obtained his pilot's license and wrote a novel. The invitation to spar with fellow synthesist Robert Wheeler in 2012 for Waveshaper Media's acclaimed synth documentary I Dream Of Wires reignited his dormant sonic interests. Since then, he's unleashed a handful of recordings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe analog abstraction for which he became known remains a significant part of Ravenstine's current sound palette, but recent years have seen him turn increasingly toward outlandish eclecticism as his foundation. 2018's celebrated Waiting for the Bomb (RER Megacorp) bounded freely between disparate styles and instrumentation, all the while managing to convey a cohesive (albeit of-kilter) identity.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRavenstine is now launching his much-anticipated follow-upon Waveshaper—a series of four EPs collectively entitled The Tyranny of Fiction. Materializing as a pair of LPs with one EP per side, or as two double CD sets, these works continue to chronicle the approach unveiled on their predecessor. The cheeky series title hints at a tension that's fundamental to these recordings. Ravenstine's use of genre suggests it's almost a literary device to him—unsurprising, given his forays into the realm prose. Styles will ofen allude to underlying thematic or narrative elements. However, friction begins to arise when this is juxtaposed with his surreal sense of orchestration. He takes pure electronic sound, nuggets of real -world recordings, live instrumentation and the latter's sampled counterparts and stirs them all together vigorously. This makes for decidedly unfaithful reproductions of the various musical idioms his composition cite, leaving the listener to contend with constant dissonance—every feature of the music feels at once completely familiar and utterly inscrutable.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEven within the brief span of each installment of The Tyranny of Fiction, Ravenstine gleefully embraces a panoply of modalities. ElectronMusic, the first of the bunch, uses ornery ambient music as its jumping-of point, embarking on excursions into hyperreal chamber music, and swarming sci-fi synthesizer. Shore Leave announces itself with a spartan piano miniature decorated with a sof trickling sound before a meandering into cubist exotica, sinister new age music, and what sound like 21st century nocturnes. A host of other mongrel styles spill forth over the course of Nautilus. Each track weaves its own wayward travelogue amidst stray bits of audio verité and wafting musical fragrances—by turns tropical and foreboding. Rue De Poisson Noir takes cues from its fragmentary companion, slithering between cinematic intrigue, of-brand jazz, avant-garde mischief, and fried electro without batting an eye. At various points throughout, Ravenstine's fried citationality might recall a young generation of Ohioan oddballs, Orange Milk Records. Like many acts on the innovative electronic music imprint, Ravenstine's colorful, innuendo-rich music is restless, playful, inquisitive and most of all evocative—never resorting to irony or other such ploys.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Allen Ravenstine\u003c\/p\u003e\n\u003cp\u003eLabel : Waveshaper Media\u003c\/p\u003e","published_at":"2022-08-26T14:59:38+09:00","created_at":"2022-08-26T12:25:55+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","neo classical","post newage"],"price":358000,"price_min":358000,"price_max":358000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43163520499962,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Allen Ravenstine \/\/ Nautilus + Rue Du Poisson Noir LP","public_title":null,"options":["Default Title"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/no1_87f91404-1a70-4095-af94-e00b970fd320.jpg?v=1661484357"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/no1_87f91404-1a70-4095-af94-e00b970fd320.jpg?v=1661484357","options":["Title"],"media":[{"alt":null,"id":30359140565242,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no1_87f91404-1a70-4095-af94-e00b970fd320.jpg?v=1661484357"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no1_87f91404-1a70-4095-af94-e00b970fd320.jpg?v=1661484357","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポストパンクバンド\u003cmeta charset=\"utf-8\"\u003ePere Ubuオリジナルメンバーでもあるシンセ奏者Allen Ravenstineが、2021年にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・ネオクラシカル・ジャズ22曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2894474281\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003eText by Waveshaper Media:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAllen Ravenstine's turbulent futurism behind the synthesizer was a key ingredient in American post-punk innovators Pere Ubu's distinctive sound. Just as Brian Eno's malevolent modulations had adulterated the glam-rock swagger of Roxy Music before him, Ravenstine's corrosive tones oozed through his band's songs like radioactive seepage, illuminating their otherwise guitar-driven landscapes with a strange chemical glow.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn addition to playing with them from 1975-1989, he also co-owned the Plaza, a historic apartment complex in Central Cleveland where Pere Ubu members lived and created alongside a vibrant community of other artists. Music took a backseat for Ravenstine afer\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e leaving the group, among other things he obtained his pilot's license and wrote a novel. The invitation to spar with fellow synthesist Robert Wheeler in 2012 for Waveshaper Media's acclaimed synth documentary I Dream Of Wires reignited his dormant sonic interests. Since then, he's unleashed a handful of recordings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe analog abstraction for which he became known remains a significant part of Ravenstine's current sound palette, but recent years have seen him turn increasingly toward outlandish eclecticism as his foundation. 2018's celebrated Waiting for the Bomb (RER Megacorp) bounded freely between disparate styles and instrumentation, all the while managing to convey a cohesive (albeit of-kilter) identity.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRavenstine is now launching his much-anticipated follow-upon Waveshaper—a series of four EPs collectively entitled The Tyranny of Fiction. Materializing as a pair of LPs with one EP per side, or as two double CD sets, these works continue to chronicle the approach unveiled on their predecessor. The cheeky series title hints at a tension that's fundamental to these recordings. Ravenstine's use of genre suggests it's almost a literary device to him—unsurprising, given his forays into the realm prose. Styles will ofen allude to underlying thematic or narrative elements. However, friction begins to arise when this is juxtaposed with his surreal sense of orchestration. He takes pure electronic sound, nuggets of real -world recordings, live instrumentation and the latter's sampled counterparts and stirs them all together vigorously. This makes for decidedly unfaithful reproductions of the various musical idioms his composition cite, leaving the listener to contend with constant dissonance—every feature of the music feels at once completely familiar and utterly inscrutable.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEven within the brief span of each installment of The Tyranny of Fiction, Ravenstine gleefully embraces a panoply of modalities. ElectronMusic, the first of the bunch, uses ornery ambient music as its jumping-of point, embarking on excursions into hyperreal chamber music, and swarming sci-fi synthesizer. Shore Leave announces itself with a spartan piano miniature decorated with a sof trickling sound before a meandering into cubist exotica, sinister new age music, and what sound like 21st century nocturnes. A host of other mongrel styles spill forth over the course of Nautilus. Each track weaves its own wayward travelogue amidst stray bits of audio verité and wafting musical fragrances—by turns tropical and foreboding. Rue De Poisson Noir takes cues from its fragmentary companion, slithering between cinematic intrigue, of-brand jazz, avant-garde mischief, and fried electro without batting an eye. At various points throughout, Ravenstine's fried citationality might recall a young generation of Ohioan oddballs, Orange Milk Records. Like many acts on the innovative electronic music imprint, Ravenstine's colorful, innuendo-rich music is restless, playful, inquisitive and most of all evocative—never resorting to irony or other such ploys.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Allen Ravenstine\u003c\/p\u003e\n\u003cp\u003eLabel : Waveshaper Media\u003c\/p\u003e"}
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ポストパンクバンドPere Ubuオリジナルメンバーでもあるシンセ奏者Allen Ravenstineが、2021年にリリースしたレコードです。 ポストニューエイジ・ネオクラシカル・ジャズ22曲を収録。 ----------------------------------- Text by Waveshaper Media: "Allen Ravenstine's turbulent futurism behind...
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{"id":7718520127738,"title":"MattxIbarra \/\/ Head Face \u0026 Meat 12\"","handle":"mahfm","description":"\u003cp\u003eアメリカ・カリフォルニアのレフトフィールドテクノレーベルStrange Tapes \/ h2l主宰MattxIbarraが、2022年8月にリリースした最新12\"です。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアルテクノ4曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3927100432\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eBrandon Hill\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"‘Techno’ has always avoided definition. Be it referencing the classic experimental and working class sounds from its origins in the early 80’s in Germany or later in Detroit - to the now bloated mass that is electronic music \/ EDM as a whole, encompassing a seemingly impossibly vast range of tempos and stylistic choices. Regardless, outside of the commercialized mega-sphere of big room elite European techno, and ignoring whatever ones choice of definition for the genre, one thing has always been true of real underground techno and electronics: Innovation. Innovation is the essence of not just creating a unique record, but utilizing and maximizing (or perhaps more accurately, exercising effective reduction) to achieve new found results with what one has available. This is not music born of luxury apartments, impossibly expensive studios, or magazine covers, but rather that of an honest, highly studied and passionate voice in sound design and structure. It is with this voice Ibarra dismantles and reconstructs the genre with a unique, industrial tinged vision, creating an entirely distinct and powerful, engrossing realm all of his own. Techno (whatever that may be) spanning tracks that often leave behind traditional ‘beat’ centric structures, and lean more towards territories of melancholic music concrete and\u003cspan class=\"bcTruncateMore\"\u003e minimalist power electronics, marching into near tragedy ridden dystopian sci-fi bass heavy dirge colored by vibrant, filter squelched synths and radiating reverb soaked atmospheres- and then slamming back into impossibly massive Axis \/ Drumcode era 4x4 high BPM rolling kick drums. Above all, and most importantly, the innovation of his work is omnipresent.” \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : MattxIbarra\u003c\/p\u003e\n\u003cp\u003eLabel : h2l\u003c\/p\u003e","published_at":"2022-08-26T15:13:32+09:00","created_at":"2022-08-26T12:23:34+09:00","vendor":"Tobira Records","type":"","tags":["lp","self-released","techno \/ house"],"price":378000,"price_min":378000,"price_max":378000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43163509391610,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"MattxIbarra \/\/ Head Face \u0026 Meat 12\"","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/he1_ba537673-e753-4ef1-bea0-f1446d5a131e.jpg?v=1661484216","\/\/tobirarecords.com\/cdn\/shop\/products\/he2_348451c6-bd6f-40b9-87a6-1b75a32b883f.jpg?v=1661484217","\/\/tobirarecords.com\/cdn\/shop\/products\/he3_bdb17c9f-0e8d-41da-b644-1235a2dc70f0.jpg?v=1661484216"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/he1_ba537673-e753-4ef1-bea0-f1446d5a131e.jpg?v=1661484216","options":["Title"],"media":[{"alt":null,"id":30359131029754,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/he1_ba537673-e753-4ef1-bea0-f1446d5a131e.jpg?v=1661484216"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/he1_ba537673-e753-4ef1-bea0-f1446d5a131e.jpg?v=1661484216","width":700},{"alt":null,"id":30359131062522,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/he2_348451c6-bd6f-40b9-87a6-1b75a32b883f.jpg?v=1661484217"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/he2_348451c6-bd6f-40b9-87a6-1b75a32b883f.jpg?v=1661484217","width":1200},{"alt":null,"id":30359131095290,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/he3_bdb17c9f-0e8d-41da-b644-1235a2dc70f0.jpg?v=1661484216"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/he3_bdb17c9f-0e8d-41da-b644-1235a2dc70f0.jpg?v=1661484216","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・カリフォルニアのレフトフィールドテクノレーベルStrange Tapes \/ h2l主宰MattxIbarraが、2022年8月にリリースした最新12\"です。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアルテクノ4曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3927100432\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eBrandon Hill\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"‘Techno’ has always avoided definition. Be it referencing the classic experimental and working class sounds from its origins in the early 80’s in Germany or later in Detroit - to the now bloated mass that is electronic music \/ EDM as a whole, encompassing a seemingly impossibly vast range of tempos and stylistic choices. Regardless, outside of the commercialized mega-sphere of big room elite European techno, and ignoring whatever ones choice of definition for the genre, one thing has always been true of real underground techno and electronics: Innovation. Innovation is the essence of not just creating a unique record, but utilizing and maximizing (or perhaps more accurately, exercising effective reduction) to achieve new found results with what one has available. This is not music born of luxury apartments, impossibly expensive studios, or magazine covers, but rather that of an honest, highly studied and passionate voice in sound design and structure. 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{"id":7718513574138,"title":"Conjunto Primitivo \/\/ Morir y Renacer LP","handle":"conjunto-primitivo-morir-y-renacer-lp","description":"\u003cp\u003eコロンビアのポストインダストリアルデュオConjunto Primitivoが、2022年8月にアメリカのChicago Researchからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eコロンビアの伝統音楽クンビアとシンセポップを融合したインダストリアル・ポストパンク8曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2221677892\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/chicre\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/chicre\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/chicre\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/chicre\"\u003ehere\u003c\/a\u003e to see more Chicago Research releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003eChicago Research:\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"‘\u003cem\u003eMorir Y Renacer’, the debut full-length from Chicago’s Conjunto Primitivo unfurls like a venomous, night-blooming flower. The duo adorns a foundation of barbed, mechanical rhythms with cascades of romantic synthesizers \u0026amp; vocals.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThroughout the record, we can hear echoes of reggaeton, stabs of industrial, essences of synth pop \u0026amp; cumbia— for Conjunto, influence \u0026amp; execution are equally crucial . The duo displays a great amount of care in constructing a cohesive \u0026amp; atmospheric front-to-back listen.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs equally familiar as it is alienatingly tense, ‘Morir Y Renacer’ is an electrifying glimpse into a Conjunto Primitivo’s hazy, delirious underworld.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Conjunto Primitivo\u003c\/p\u003e\n\u003cp\u003eLabel : Chicago Research\u003c\/p\u003e","published_at":"2022-08-26T14:52:48+09:00","created_at":"2022-08-26T12:16:41+09:00","vendor":"Tobira Records","type":"","tags":["chicago research","folk \/ left-field pop","lp","strange beats"],"price":348000,"price_min":348000,"price_max":348000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43163483472122,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Conjunto Primitivo \/\/ Morir y Renacer LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_cd5e58bc-a617-45a1-ac76-c19671d7c31b.jpg?v=1661483803","\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_1f1f24a8-a518-489b-8b6b-260b02c0178a.jpg?v=1661483803"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_cd5e58bc-a617-45a1-ac76-c19671d7c31b.jpg?v=1661483803","options":["Title"],"media":[{"alt":null,"id":30359110713594,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_cd5e58bc-a617-45a1-ac76-c19671d7c31b.jpg?v=1661483803"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_cd5e58bc-a617-45a1-ac76-c19671d7c31b.jpg?v=1661483803","width":700},{"alt":null,"id":30359110746362,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_1f1f24a8-a518-489b-8b6b-260b02c0178a.jpg?v=1661483803"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_1f1f24a8-a518-489b-8b6b-260b02c0178a.jpg?v=1661483803","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eコロンビアのポストインダストリアルデュオConjunto Primitivoが、2022年8月にアメリカのChicago Researchからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eコロンビアの伝統音楽クンビアとシンセポップを融合したインダストリアル・ポストパンク8曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2221677892\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/chicre\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/chicre\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/chicre\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/chicre\"\u003ehere\u003c\/a\u003e to see more Chicago Research releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003eChicago Research:\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"‘\u003cem\u003eMorir Y Renacer’, the debut full-length from Chicago’s Conjunto Primitivo unfurls like a venomous, night-blooming flower. The duo adorns a foundation of barbed, mechanical rhythms with cascades of romantic synthesizers \u0026amp; vocals.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThroughout the record, we can hear echoes of reggaeton, stabs of industrial, essences of synth pop \u0026amp; cumbia— for Conjunto, influence \u0026amp; execution are equally crucial . The duo displays a great amount of care in constructing a cohesive \u0026amp; atmospheric front-to-back listen.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs equally familiar as it is alienatingly tense, ‘Morir Y Renacer’ is an electrifying glimpse into a Conjunto Primitivo’s hazy, delirious underworld.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Conjunto Primitivo\u003c\/p\u003e\n\u003cp\u003eLabel : Chicago Research\u003c\/p\u003e"}
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コロンビアのポストインダストリアルデュオConjunto Primitivoが、2022年8月にアメリカのChicago Researchからリリースしたデビューレコードです。 コロンビアの伝統音楽クンビアとシンセポップを融合したインダストリアル・ポストパンク8曲を収録。 レーベルその他作品はこちら /// Click here to see more Chicago Research releases available at Tobira. ...
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{"id":7711089688826,"title":"James Ferraro \/\/ Hacker Track LP","handle":"james-ferraro-hacker-track-lp","description":"\u003cp\u003eアメリカ・NYの実験音楽家James Ferraroが、2022年7月にRetrac Recordingsからリリースした再発レコードです。（オリジナルは2009年にCDRリリース）\u003c\/p\u003e\n\u003cp\u003e中毒性の高いフロア棒立ち系コラージュ・テクノ2曲を収録。\u003c\/p\u003e\n\u003cp\u003eA面 33rpm、B面 45rpmです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3241553490\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/retrac\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/retrac\"\u003ehere\u003c\/a\u003e to see more Retrac Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 400. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSide A plays at 33 rpm, B at 45.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by Retrac Recordings:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ewarning Hacker Track™ is an eXtremely addictive cyber drug downloadable online into your brain\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRECORDED 2009\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEthically sourced from scans and rips from the original CDr, “Hacker Track” is made available for public recreational use once more. Please use responsibly. Side A, entitled “Hack Your Mind,” plays at 33 rpm. Side B, entitled “Hack Your Mind,” plays at 45 rpm for faster download speeds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSince the reissue of the epic “Rerex” on glorious triple vinyl, the next entry in James Ferraro’s “Summer Headrush” series to get immortalized forever into wax is likely its most polarizing one: “Hacker Track.” This release is a standout in Ferraro’s discography of the time as very little in the way of melodic or musical content appears. What instead plays out is more or less two digital audio collages featuring disjointed loops of various sounds including (but not limited to): keyboard clacking, computer chimes, mechanical whirring, pitched vocals, water splashing, and the THX logo noise. “Hacker Track” is a slow burner but uber-rewarding; the last five minutes of the record will absolutely Hack Your Mind.'\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : James Ferraro\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRetrac Recordings\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-08-27T19:26:05+09:00","created_at":"2022-08-19T11:49:16+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","recommended","retrac","techno \/ house"],"price":348000,"price_min":348000,"price_max":348000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43134095393018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"James Ferraro \/\/ Hacker Track LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_828127fe-930a-424f-be5d-7f1d7c224a9d.jpg?v=1660877357","\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_e04b2477-af85-412f-840a-d7bd3ebd5945.jpg?v=1660877358"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_828127fe-930a-424f-be5d-7f1d7c224a9d.jpg?v=1660877357","options":["Title"],"media":[{"alt":null,"id":30318072987898,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_828127fe-930a-424f-be5d-7f1d7c224a9d.jpg?v=1660877357"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_828127fe-930a-424f-be5d-7f1d7c224a9d.jpg?v=1660877357","width":700},{"alt":null,"id":30318073020666,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_e04b2477-af85-412f-840a-d7bd3ebd5945.jpg?v=1660877358"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_e04b2477-af85-412f-840a-d7bd3ebd5945.jpg?v=1660877358","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYの実験音楽家James Ferraroが、2022年7月にRetrac Recordingsからリリースした再発レコードです。（オリジナルは2009年にCDRリリース）\u003c\/p\u003e\n\u003cp\u003e中毒性の高いフロア棒立ち系コラージュ・テクノ2曲を収録。\u003c\/p\u003e\n\u003cp\u003eA面 33rpm、B面 45rpmです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3241553490\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/retrac\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/retrac\"\u003ehere\u003c\/a\u003e to see more Retrac Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 400. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSide A plays at 33 rpm, B at 45.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by Retrac Recordings:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ewarning Hacker Track™ is an eXtremely addictive cyber drug downloadable online into your brain\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRECORDED 2009\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEthically sourced from scans and rips from the original CDr, “Hacker Track” is made available for public recreational use once more. Please use responsibly. Side A, entitled “Hack Your Mind,” plays at 33 rpm. Side B, entitled “Hack Your Mind,” plays at 45 rpm for faster download speeds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSince the reissue of the epic “Rerex” on glorious triple vinyl, the next entry in James Ferraro’s “Summer Headrush” series to get immortalized forever into wax is likely its most polarizing one: “Hacker Track.” This release is a standout in Ferraro’s discography of the time as very little in the way of melodic or musical content appears. What instead plays out is more or less two digital audio collages featuring disjointed loops of various sounds including (but not limited to): keyboard clacking, computer chimes, mechanical whirring, pitched vocals, water splashing, and the THX logo noise. “Hacker Track” is a slow burner but uber-rewarding; the last five minutes of the record will absolutely Hack Your Mind.'\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : James Ferraro\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRetrac Recordings\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYの実験音楽家James Ferraroが、2022年7月にRetrac Recordingsからリリースした再発レコードです。（オリジナルは2009年にCDRリリース） 中毒性の高いフロア棒立ち系コラージュ・テクノ2曲を収録。 A面 33rpm、B面 45rpmです。 レーベルその他作品はこちら /// Click here to see more Retrac Recordings releases...
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{"id":7711088214266,"title":"Shlohmo \/\/ The End 2xLP","handle":"shlohmo-the-end-2xlp","description":"\u003cp\u003eアメリカ・LAのエレクトロニカ作家Shlohmoが、 2019年に同州Friend of Friendsからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eIDM〜アブストラクトヒップホップ13曲を収録。DLコード付属。ピンク盤です。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1553215136\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fofm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fofm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fofm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fofm\"\u003ehere\u003c\/a\u003e to see more Friends of Friends releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. PINK VINYL. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eThree years after its initial release, Friends of Friends present Shlohmo's seminal third studio album 'The End' on pink vinyl for the first time.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e“The album is vaguely about the end of the world, but from the viewpoint of smoking on the couch during the extinction event. Reading a nice book while the meteor hits. The fake peace of insularity during chaos”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shlohmo\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFriends of Friends\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-09-08T18:49:15+09:00","created_at":"2022-08-19T11:46:14+09:00","vendor":"Tobira Records","type":"","tags":["friends of friends","hiphop \/ funk","house","lp"],"price":498000,"price_min":498000,"price_max":498000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43134092247290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Shlohmo \/\/ The End 2xLP","public_title":null,"options":["Default Title"],"price":498000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/en1_a63ac242-d8ec-4cb6-aa1e-83172de0a575.jpg?v=1660877175","\/\/tobirarecords.com\/cdn\/shop\/products\/en2_bd456860-a6e8-47de-8ffd-1a51f0153e80.jpg?v=1660877176"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/en1_a63ac242-d8ec-4cb6-aa1e-83172de0a575.jpg?v=1660877175","options":["Title"],"media":[{"alt":null,"id":30318062174458,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/en1_a63ac242-d8ec-4cb6-aa1e-83172de0a575.jpg?v=1660877175"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/en1_a63ac242-d8ec-4cb6-aa1e-83172de0a575.jpg?v=1660877175","width":700},{"alt":null,"id":30318062207226,"position":2,"preview_image":{"aspect_ratio":1.356,"height":885,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/en2_bd456860-a6e8-47de-8ffd-1a51f0153e80.jpg?v=1660877176"},"aspect_ratio":1.356,"height":885,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/en2_bd456860-a6e8-47de-8ffd-1a51f0153e80.jpg?v=1660877176","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのエレクトロニカ作家Shlohmoが、 2019年に同州Friend of Friendsからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eIDM〜アブストラクトヒップホップ13曲を収録。DLコード付属。ピンク盤です。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1553215136\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fofm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fofm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fofm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fofm\"\u003ehere\u003c\/a\u003e to see more Friends of Friends releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. PINK VINYL. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eThree years after its initial release, Friends of Friends present Shlohmo's seminal third studio album 'The End' on pink vinyl for the first time.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e“The album is vaguely about the end of the world, but from the viewpoint of smoking on the couch during the extinction event. Reading a nice book while the meteor hits. The fake peace of insularity during chaos”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shlohmo\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFriends of Friends\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":7711085101306,"title":"Sweatson Klank \/\/ Postcards LP","handle":"sweatson-klank-postcards-lp","description":"\u003cp\u003eアメリカ・LAのファンク・ハウス作家Sweatson Klankが、2022年6月に35部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eノンビートのポストニューエイジ・アンビエント10曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3249288405\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fofm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fofm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fofm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fofm\"\u003ehere\u003c\/a\u003e to see more Friends of Friends releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eArtist : Sweatson Klank\u003c\/p\u003e\n\u003cp\u003eLabel : Friends of Friends\u003c\/p\u003e","published_at":"2022-08-29T13:13:00+09:00","created_at":"2022-08-19T11:40:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","friends of friends","lp","post newage"],"price":748000,"price_min":748000,"price_max":748000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43134081237242,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sweatson Klank \/\/ Postcards LP","public_title":null,"options":["Default Title"],"price":748000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/po1_b414d807-4f7c-45bf-8d5b-e38c6387e484.jpg?v=1660876861","\/\/tobirarecords.com\/cdn\/shop\/products\/po_5161192a-c359-406f-83a1-a093296974f3.jpg?v=1661745833"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/po1_b414d807-4f7c-45bf-8d5b-e38c6387e484.jpg?v=1660876861","options":["Title"],"media":[{"alt":null,"id":30318042087674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po1_b414d807-4f7c-45bf-8d5b-e38c6387e484.jpg?v=1660876861"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po1_b414d807-4f7c-45bf-8d5b-e38c6387e484.jpg?v=1660876861","width":700},{"alt":null,"id":30372052304122,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po_5161192a-c359-406f-83a1-a093296974f3.jpg?v=1661745833"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po_5161192a-c359-406f-83a1-a093296974f3.jpg?v=1661745833","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのファンク・ハウス作家Sweatson Klankが、2022年6月に35部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eノンビートのポストニューエイジ・アンビエント10曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3249288405\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fofm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fofm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fofm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fofm\"\u003ehere\u003c\/a\u003e to see more Friends of Friends releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eArtist : Sweatson Klank\u003c\/p\u003e\n\u003cp\u003eLabel : Friends of Friends\u003c\/p\u003e"}
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アメリカ・LAのファンク・ハウス作家Sweatson Klankが、2022年6月に35部限定でリリースしたレコードです。 ノンビートのポストニューエイジ・アンビエント10曲を収録。DLコード付属。廃盤です。 レーベルその他作品はこちら /// Click here to see more Friends of Friends releases available at Tobira. ...
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{"id":7711072289018,"title":"Liebezeit I Friedman I Pais \/\/ Eurydike LP","handle":"liebezeit-i-friedman-i-pais-eurydike-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツの実験ダンス作家Burnt FriedmanとポルトガルのパーカッショニストJoão Pais Filipe、\u003cmeta charset=\"utf-8\"\u003eJaki Liebezeitによる共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eポリリズム溢れるレフトフィールド土着テクノ4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3103717718\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nonplace\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nonplace\"\u003ehere\u003c\/a\u003e to see more N O N P L A C E releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack information:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSide A | Friedman \u0026amp; Pais\u2028\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJoão Pais Filipe drums and Burnt Friedman electronics ultimately activate cosmic mechanics, as a form of automatic music, with a focus on odd rhythmic modes; Friedman \u0026amp; Pais develop an immersive, archaic new level–dance music, rooted in natural laws of motion.\u2028\u2028\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSide B | Liebezeit \u0026amp; Friedman\u2028\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2 new Secret Rhythms–contributions, recorded in 2016 and played lived frequently. Central to the so–called Secret Rhythms– concept is Jaki Liebezeit’s radical “drum code”, which organizes pressure mediation according to mother nature (Eurydike).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist bio (via the label):\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u2028João Pais Filipe (born 1980) is a gong–building, cymbal–smithing drummer\/percussionist from Porto. Known for his solo releases, he has also been working with HHY \u0026amp; The Macumbas, CZN, Paisiel, and has collaborated with Z’EV, Fritz Hauser and Manongo Mujica.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u2028Jaki Liebezeit (1938-2017) numbers among the world’s foremost drummers. Between 1968 and 1978, playing as a founding member of the legendary Can, he produced rhythms to be heard nowhere else, anticipating by many years the loops of modern club music. His delicate and peerlessly precise drum sound is audible in\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e countless studio productions by a range of artists from Conny Plank to Jah Wobble, from Eno to Depeche Mode. But by the early 1990s Liebezeit felt he had exhausted the possibilities of conventional drums. He made a radical break, and began to re-define, or re-invent, what drumming was about.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e***\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u2028Artist statement, Jaki Liebezeit:\u003cbr data-mce-fragment=\"1\"\u003e“\u003cem\u003eThat explains why I’ve meanwhile abandoned conventional drums, the standard American kit. I looked around for something different, and now I just play drums. People keep saying my drumming is so reduced, but there’s nothing minimalist about the way I play, I just leave out the superfluous stuff.”\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Burnt Friedman, João Pais Filipe, Jaki Liebezeit\u003c\/p\u003e\n\u003cp\u003eLabel : N O N P L A C E \u003c\/p\u003e","published_at":"2022-09-17T18:40:15+09:00","created_at":"2022-08-19T11:22:37+09:00","vendor":"Tobira Records","type":"","tags":["lp","nonplace","techno \/ house"],"price":269000,"price_min":269000,"price_max":269000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43134042112250,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Liebezeit I Friedman I Pais \/\/ Eurydike LP","public_title":null,"options":["Default Title"],"price":269000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/eu1_581b3ad6-3fff-438b-be49-c35c410c4e1d.jpg?v=1660875759","\/\/tobirarecords.com\/cdn\/shop\/products\/eu2_a2d4df40-3654-4171-9f3d-a9c63e3e3e81.jpg?v=1660875760"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/eu1_581b3ad6-3fff-438b-be49-c35c410c4e1d.jpg?v=1660875759","options":["Title"],"media":[{"alt":null,"id":30317973963002,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/eu1_581b3ad6-3fff-438b-be49-c35c410c4e1d.jpg?v=1660875759"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/eu1_581b3ad6-3fff-438b-be49-c35c410c4e1d.jpg?v=1660875759","width":700},{"alt":null,"id":30317973995770,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/eu2_a2d4df40-3654-4171-9f3d-a9c63e3e3e81.jpg?v=1660875760"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/eu2_a2d4df40-3654-4171-9f3d-a9c63e3e3e81.jpg?v=1660875760","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツの実験ダンス作家Burnt FriedmanとポルトガルのパーカッショニストJoão Pais Filipe、\u003cmeta charset=\"utf-8\"\u003eJaki Liebezeitによる共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eポリリズム溢れるレフトフィールド土着テクノ4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3103717718\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nonplace\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nonplace\"\u003ehere\u003c\/a\u003e to see more N O N P L A C E releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack information:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSide A | Friedman \u0026amp; Pais\u2028\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJoão Pais Filipe drums and Burnt Friedman electronics ultimately activate cosmic mechanics, as a form of automatic music, with a focus on odd rhythmic modes; Friedman \u0026amp; Pais develop an immersive, archaic new level–dance music, rooted in natural laws of motion.\u2028\u2028\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSide B | Liebezeit \u0026amp; Friedman\u2028\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2 new Secret Rhythms–contributions, recorded in 2016 and played lived frequently. Central to the so–called Secret Rhythms– concept is Jaki Liebezeit’s radical “drum code”, which organizes pressure mediation according to mother nature (Eurydike).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist bio (via the label):\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u2028João Pais Filipe (born 1980) is a gong–building, cymbal–smithing drummer\/percussionist from Porto. Known for his solo releases, he has also been working with HHY \u0026amp; The Macumbas, CZN, Paisiel, and has collaborated with Z’EV, Fritz Hauser and Manongo Mujica.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u2028Jaki Liebezeit (1938-2017) numbers among the world’s foremost drummers. Between 1968 and 1978, playing as a founding member of the legendary Can, he produced rhythms to be heard nowhere else, anticipating by many years the loops of modern club music. His delicate and peerlessly precise drum sound is audible in\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e countless studio productions by a range of artists from Conny Plank to Jah Wobble, from Eno to Depeche Mode. But by the early 1990s Liebezeit felt he had exhausted the possibilities of conventional drums. He made a radical break, and began to re-define, or re-invent, what drumming was about.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e***\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u2028Artist statement, Jaki Liebezeit:\u003cbr data-mce-fragment=\"1\"\u003e“\u003cem\u003eThat explains why I’ve meanwhile abandoned conventional drums, the standard American kit. I looked around for something different, and now I just play drums. People keep saying my drumming is so reduced, but there’s nothing minimalist about the way I play, I just leave out the superfluous stuff.”\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Burnt Friedman, João Pais Filipe, Jaki Liebezeit\u003c\/p\u003e\n\u003cp\u003eLabel : N O N P L A C E \u003c\/p\u003e"}
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ドイツの実験ダンス作家Burnt FriedmanとポルトガルのパーカッショニストJoão Pais Filipe、Jaki Liebezeitによる共作レコードです。 ポリリズム溢れるレフトフィールド土着テクノ4曲を収録。 レーベルその他作品はこちら /// Click here to see more N O N P...
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{"id":7711070421242,"title":"Burnt Friedman W\/ Daniel Dodd Ellis \/\/ Cease To Matter LP+CD","handle":"burnt-friedman-w-daniel-dodd-ellis-cease-to-matter-cd","description":"\u003cp\u003eドイツのレフトフィールドテクノ作家Burnt Friedmanとアメリカの俳優Daniel Dodd Ellisが、2014年にFriedman主宰NONPLACEからリリースした共作12\"です。\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・ミニマルテクノ11曲を収録。CDが付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3527241294\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nonplace\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nonplace\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nonplace\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nonplace\"\u003ehere\u003c\/a\u003e to see more N O N P L A C E releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eN O N P L A C E:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMoods and impressions from Friedman’s Sub-Saharan concert tour in 2013 as well as fragments of memories of an imaginary future fuse together in the music and text of all eleven tracks. These responses to real-life “kpafuca” (“things falling apart”) – conditions in African metropolises – collapse into grooves and phrases reminiscent of Chris Marker’s sci-fi apocalypticism (La Jette, Sans Soleil).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe impact of the eleven sound poems derives less from intentional meaning and symbolism than from fortuitous coincidences, cut-ups, and flashes of inspiration in the course of handling the audio material. Rather than a composed narrative the tracks reflect the inner reality of the authors Burnt Friedman and Daniel Dodd-Elis.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis polyphony of non-places also includes the spirit of sound explorers such as the musical-ethnological practitioners Hartmut Geerken and Roman Bunka (Embryo) whose visions and musical activities refuse to succumb to reductionist and essentialist staging. In “Cease to Matter”, Friedman intuitively pits the liberating power of noise, of über-mensch-maschinen music, against those cultural landscapes repeatedly automatically inscribed into music. Odd beats and random technical defects – that is to say, disobedience (“Un-gehör-sam”, Johannes Ismaiel-Wendt) – are pitted\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e against the normative interpretational supremacy of musical world maps.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Burnt Friedman W\/ Daniel Dodd Ellis\u003c\/p\u003e\n\u003cp\u003eLabel : N O N P L A C E\u003c\/p\u003e","published_at":"2022-09-02T19:40:43+09:00","created_at":"2022-08-19T11:17:58+09:00","vendor":"Tobira Records","type":"","tags":["lp","nonplace","techno \/ house"],"price":319000,"price_min":319000,"price_max":319000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43134032838906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Burnt Friedman W\/ Daniel Dodd Ellis \/\/ Cease To Matter LP+CD","public_title":null,"options":["Default Title"],"price":319000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ce1_dbe7b787-0971-4089-9d0a-e0736da366f4.jpg?v=1660875480","\/\/tobirarecords.com\/cdn\/shop\/products\/ce3.jpg?v=1660875480"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ce1_dbe7b787-0971-4089-9d0a-e0736da366f4.jpg?v=1660875480","options":["Title"],"media":[{"alt":null,"id":30317963804922,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ce1_dbe7b787-0971-4089-9d0a-e0736da366f4.jpg?v=1660875480"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ce1_dbe7b787-0971-4089-9d0a-e0736da366f4.jpg?v=1660875480","width":700},{"alt":null,"id":30317963837690,"position":2,"preview_image":{"aspect_ratio":1.626,"height":738,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ce3.jpg?v=1660875480"},"aspect_ratio":1.626,"height":738,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ce3.jpg?v=1660875480","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツのレフトフィールドテクノ作家Burnt Friedmanとアメリカの俳優Daniel Dodd Ellisが、2014年にFriedman主宰NONPLACEからリリースした共作12\"です。\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・ミニマルテクノ11曲を収録。CDが付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3527241294\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nonplace\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nonplace\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nonplace\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nonplace\"\u003ehere\u003c\/a\u003e to see more N O N P L A C E releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eN O N P L A C E:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMoods and impressions from Friedman’s Sub-Saharan concert tour in 2013 as well as fragments of memories of an imaginary future fuse together in the music and text of all eleven tracks. These responses to real-life “kpafuca” (“things falling apart”) – conditions in African metropolises – collapse into grooves and phrases reminiscent of Chris Marker’s sci-fi apocalypticism (La Jette, Sans Soleil).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe impact of the eleven sound poems derives less from intentional meaning and symbolism than from fortuitous coincidences, cut-ups, and flashes of inspiration in the course of handling the audio material. Rather than a composed narrative the tracks reflect the inner reality of the authors Burnt Friedman and Daniel Dodd-Elis.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis polyphony of non-places also includes the spirit of sound explorers such as the musical-ethnological practitioners Hartmut Geerken and Roman Bunka (Embryo) whose visions and musical activities refuse to succumb to reductionist and essentialist staging. In “Cease to Matter”, Friedman intuitively pits the liberating power of noise, of über-mensch-maschinen music, against those cultural landscapes repeatedly automatically inscribed into music. Odd beats and random technical defects – that is to say, disobedience (“Un-gehör-sam”, Johannes Ismaiel-Wendt) – are pitted\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e against the normative interpretational supremacy of musical world maps.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Burnt Friedman W\/ Daniel Dodd Ellis\u003c\/p\u003e\n\u003cp\u003eLabel : N O N P L A C E\u003c\/p\u003e"}
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ドイツのレフトフィールドテクノ作家Burnt Friedmanとアメリカの俳優Daniel Dodd Ellisが、2014年にFriedman主宰NONPLACEからリリースした共作12"です。 レフトフィールド・ミニマルテクノ11曲を収録。CDが付属。 レーベルその他作品はこちら /// Click here to see more N O N P L...
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{"id":7711066915066,"title":"Shackleton \/\/ Departing Like Rivers 2xLP","handle":"shackleton-departing-like-rivers-lp","description":"\u003cp\u003eドイツ・ベルリンのテクノ〜ダブステップ作家Shackletonが、2021年9月にリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eトライバル・テクノ7曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1594058635\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eShackleton\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“\u003cem\u003eUnlike much of my work recently, it is not a ‘concept album’ and is without any collaborators. I just wanted to focus on my core sound really but without any of the genre tropes that may have been present the last time I made a solo album.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI had hoped that the album could work on multiple levels. In that respect, it is intended as a psychedelic album as much as anything. You can listen to it in a more meditative way without getting distracted by the details. I suppose that is why the frequency spectrum is more similar to my earlier work, but there is a lot going on under the surface and it can be quite demanding if you are paying attention as there are odd time signatures and dissonant elements in there too. Light and shadow I guess. I am hoping that it may be the kind of album that people play at the end of an excessive night, like after a club being back home with some friends, sleep deprivation and whatever else kicking in together with the music helping to launch your mind into space! I am also hoping though that it will be interesting enough to stand up in the cold sober light of day as ‘just good engaging music’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt is quite foggy and scuzzy in feel and I am using a lot of filtering and reverb to get this. I think the vocal samples are an attempt to offset this, to bring a bit of light to the murkiness. I also\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e wanted the vocal aspects to reflect influences or things I could closely identify with for the most part, so there are a few hints at British folk songs in amongst the music, albeit rather ghostly and not directly recognisable. But anyway, all this is much more a question of feel, rather than a signifier in this respect. I like the haunting, melancholic aspects of these songs I suppose.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI am putting it out on my own label, Woe To The Septic Heart! I just felt it was time for that. It is a bad time for pressing records but conversely, Bandcamp has proved to be useful in showing you do not need to have the backing of an established label. I think I can do something independently and hope that it will still reach the public.”\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Shackleton\u003c\/p\u003e\n\u003cp\u003eLabel : Woe To The Septic Heart!\u003c\/p\u003e","published_at":"2022-09-07T15:00:27+09:00","created_at":"2022-08-19T11:14:08+09:00","vendor":"Tobira Records","type":"","tags":["lp","techno \/ house"],"price":399000,"price_min":399000,"price_max":399000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43134019993850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Shackleton \/\/ Departing Like Rivers 2xLP","public_title":null,"options":["Default Title"],"price":399000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/de1_34208eaf-6887-4fd9-83e7-91e7bcfd94c1.jpg?v=1660875252","\/\/tobirarecords.com\/cdn\/shop\/products\/de2_6ebad4c0-fce2-42b4-9920-3457123a11f0.jpg?v=1660875250"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_34208eaf-6887-4fd9-83e7-91e7bcfd94c1.jpg?v=1660875252","options":["Title"],"media":[{"alt":null,"id":30317950632186,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_34208eaf-6887-4fd9-83e7-91e7bcfd94c1.jpg?v=1660875252"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_34208eaf-6887-4fd9-83e7-91e7bcfd94c1.jpg?v=1660875252","width":700},{"alt":null,"id":30317950664954,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_6ebad4c0-fce2-42b4-9920-3457123a11f0.jpg?v=1660875250"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_6ebad4c0-fce2-42b4-9920-3457123a11f0.jpg?v=1660875250","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンのテクノ〜ダブステップ作家Shackletonが、2021年9月にリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eトライバル・テクノ7曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1594058635\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eShackleton\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“\u003cem\u003eUnlike much of my work recently, it is not a ‘concept album’ and is without any collaborators. I just wanted to focus on my core sound really but without any of the genre tropes that may have been present the last time I made a solo album.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI had hoped that the album could work on multiple levels. In that respect, it is intended as a psychedelic album as much as anything. You can listen to it in a more meditative way without getting distracted by the details. I suppose that is why the frequency spectrum is more similar to my earlier work, but there is a lot going on under the surface and it can be quite demanding if you are paying attention as there are odd time signatures and dissonant elements in there too. Light and shadow I guess. I am hoping that it may be the kind of album that people play at the end of an excessive night, like after a club being back home with some friends, sleep deprivation and whatever else kicking in together with the music helping to launch your mind into space! I am also hoping though that it will be interesting enough to stand up in the cold sober light of day as ‘just good engaging music’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt is quite foggy and scuzzy in feel and I am using a lot of filtering and reverb to get this. I think the vocal samples are an attempt to offset this, to bring a bit of light to the murkiness. I also\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e wanted the vocal aspects to reflect influences or things I could closely identify with for the most part, so there are a few hints at British folk songs in amongst the music, albeit rather ghostly and not directly recognisable. But anyway, all this is much more a question of feel, rather than a signifier in this respect. I like the haunting, melancholic aspects of these songs I suppose.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI am putting it out on my own label, Woe To The Septic Heart! I just felt it was time for that. It is a bad time for pressing records but conversely, Bandcamp has proved to be useful in showing you do not need to have the backing of an established label. I think I can do something independently and hope that it will still reach the public.”\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Shackleton\u003c\/p\u003e\n\u003cp\u003eLabel : Woe To The Septic Heart!\u003c\/p\u003e"}
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{"id":7711065309434,"title":"Fiedel | Espen Lauritzen \/\/ Revisited 12\"","handle":"felr","description":"\u003cp\u003eドイツ・ベルリンのテクノ作家Fiedelとノルウェー・ベルゲンのテクノ作家Espen Lauritzenが、2022年3月にリリースしたスプリット12\"リイシューです。\u003c\/p\u003e\n\u003cp\u003eシンプルにフロアのことだけを考えた、エフェクティブなDJツール用ディープテクノカッツ2曲を収録。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/tjw_LcIC9pw\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003eArtist : Fiedel, Espen Lauritzen \u003c\/p\u003e\n\u003cp\u003eLabel : Fiedeltwo\u003c\/p\u003e","published_at":"2022-09-07T15:06:53+09:00","created_at":"2022-08-19T11:08:51+09:00","vendor":"Tobira Records","type":"","tags":["lp","techno \/ house"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43134014324986,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Fiedel | Espen Lauritzen \/\/ Revisited 12\"","public_title":null,"options":["Default Title"],"price":198000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fi1.webp?v=1660874932","\/\/tobirarecords.com\/cdn\/shop\/products\/re1_1f11a80a-0071-4616-8a3f-0ae25db7e1a5.jpg?v=1660874932"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fi1.webp?v=1660874932","options":["Title"],"media":[{"alt":null,"id":30317939851514,"position":1,"preview_image":{"aspect_ratio":1.0,"height":300,"width":300,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fi1.webp?v=1660874932"},"aspect_ratio":1.0,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fi1.webp?v=1660874932","width":300},{"alt":null,"id":30317939884282,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re1_1f11a80a-0071-4616-8a3f-0ae25db7e1a5.jpg?v=1660874932"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re1_1f11a80a-0071-4616-8a3f-0ae25db7e1a5.jpg?v=1660874932","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンのテクノ作家Fiedelとノルウェー・ベルゲンのテクノ作家Espen Lauritzenが、2022年3月にリリースしたスプリット12\"リイシューです。\u003c\/p\u003e\n\u003cp\u003eシンプルにフロアのことだけを考えた、エフェクティブなDJツール用ディープテクノカッツ2曲を収録。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/tjw_LcIC9pw\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003eArtist : Fiedel, Espen Lauritzen \u003c\/p\u003e\n\u003cp\u003eLabel : Fiedeltwo\u003c\/p\u003e"}
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シンプルにフロアのことだけを考えた、エフェクティブなDJツール用ディープテクノカッツ2曲を収録。
------------------------------------
Artist : Fiedel, Espen Lauritzen
Label : Fiedeltwo
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![Urbanfailure // Radical Rest | [ / ] no. 42 LP](http://tobirarecords.com/cdn/shop/products/ra1_7093b4d0-94da-424c-9658-a080eca982b2_medium.jpg?v=1660714954)
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{"id":7708912681210,"title":"Urbanfailure \/\/ Radical Rest | [ \/ ] no. 42 LP","handle":"urbanfailure-radical-rest-no-42-lp","description":"\u003cp\u003eスロバキアのポストインダストリアル・テクノレーベル\u003cspan data-mce-fragment=\"1\"\u003eUrbsoundsが、2018年にリリースしたコンピレーションレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eポストインダストリアル・テクノ13曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1206847286\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 202. Red vinyl. \u003c\/p\u003e\n\u003cp\u003eUrbsounds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSlovakia's urbanfailure has pursued an abstracted, cybernetic electronica since the late '90s. Central to the work is the exploratory interlocution of synths and hardware in crafting a barrage of machined rhythm and terse eruptions of noise. Urbanfailure transmits mutating patterns and sequences from his electronics that are as nimble as they are brutal. Quick turns, jump scares and slights of hand run rampant amidst the crunchy drum programming and granular modulations. Radical Rest is a milestone album for urbanfailure, as these live skills have been honed within the controlled environment of the studio. Cybernetic tendrils of raw electricity erupt and collapse along these unstable spines of rhythm.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe plastic morphology of Radical Rest hinges upon urbanfailure's labyrinthine approach to rhythm. The album's steady pulse leaps through innovative tangents and detours that are intentionally spare on melody and devoid of anthemic hooks. \"Spread Exploded\" scatters an intricate dispersion of mechanoid samples before coalescing into a muscular techno groove, complete with throbbed basslines. The diptych of \"Primitive Past\" and \"Dystopian Future\" boils with a jackbooted, high-octane hard house excess and industrial\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e bruitism.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUrbanfailure's origins date back to the time after the collapse of the Iron Curtain and the rush towards a globalized free market. With the opportunities for cultural exchange and economic prosperity made manifest, Slovak (like other post-Soviet countries) was open to a Pandora's Box of influences. Punk. Techno. Metal. Noise. All of these inspired the DIY underground, but at the same time, many of the agents and operatives in the Slovak music community were quick to take inspiration from the gritty immediacy of social turmoil and upheaval. Urbanfailure's process of construction and destruction of sound becomes a mirror to the changing Slovak society that he has witnessed for the two decades.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBold in execution and dynamic in content, Radical Rest is a vibrant synthesis of error, emptiness, and raw energy, with parallels emergent in Chu Ishikawa's Testuo, The Iron Man soundtracks, the Lagowski productions for GPR, and the final fruits from Pan Sonic\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Urbanfailure\u003c\/p\u003e\n\u003cp\u003eLabel : Urbsounds\u003c\/p\u003e","published_at":"2022-08-19T12:03:51+09:00","created_at":"2022-08-17T14:42:32+09:00","vendor":"Tobira Records","type":"","tags":["lp","techno \/ house"],"price":238000,"price_min":238000,"price_max":238000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43126664888570,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Urbanfailure \/\/ Radical Rest | [ \/ ] no. 42 LP","public_title":null,"options":["Default Title"],"price":238000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ra1_7093b4d0-94da-424c-9658-a080eca982b2.jpg?v=1660714954","\/\/tobirarecords.com\/cdn\/shop\/products\/ra2_2683a47f-2b29-4e03-b259-390062c3dd54.jpg?v=1660714955","\/\/tobirarecords.com\/cdn\/shop\/products\/ra3_8c3af5c3-d5e3-4b2e-ad98-10c5115a121e.jpg?v=1660714954"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ra1_7093b4d0-94da-424c-9658-a080eca982b2.jpg?v=1660714954","options":["Title"],"media":[{"alt":null,"id":30307808018682,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ra1_7093b4d0-94da-424c-9658-a080eca982b2.jpg?v=1660714954"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ra1_7093b4d0-94da-424c-9658-a080eca982b2.jpg?v=1660714954","width":700},{"alt":null,"id":30307808051450,"position":2,"preview_image":{"aspect_ratio":1.504,"height":798,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ra2_2683a47f-2b29-4e03-b259-390062c3dd54.jpg?v=1660714955"},"aspect_ratio":1.504,"height":798,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ra2_2683a47f-2b29-4e03-b259-390062c3dd54.jpg?v=1660714955","width":1200},{"alt":null,"id":30307808084218,"position":3,"preview_image":{"aspect_ratio":1.504,"height":798,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ra3_8c3af5c3-d5e3-4b2e-ad98-10c5115a121e.jpg?v=1660714954"},"aspect_ratio":1.504,"height":798,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ra3_8c3af5c3-d5e3-4b2e-ad98-10c5115a121e.jpg?v=1660714954","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスロバキアのポストインダストリアル・テクノレーベル\u003cspan data-mce-fragment=\"1\"\u003eUrbsoundsが、2018年にリリースしたコンピレーションレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eポストインダストリアル・テクノ13曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1206847286\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 202. Red vinyl. \u003c\/p\u003e\n\u003cp\u003eUrbsounds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSlovakia's urbanfailure has pursued an abstracted, cybernetic electronica since the late '90s. Central to the work is the exploratory interlocution of synths and hardware in crafting a barrage of machined rhythm and terse eruptions of noise. Urbanfailure transmits mutating patterns and sequences from his electronics that are as nimble as they are brutal. Quick turns, jump scares and slights of hand run rampant amidst the crunchy drum programming and granular modulations. Radical Rest is a milestone album for urbanfailure, as these live skills have been honed within the controlled environment of the studio. Cybernetic tendrils of raw electricity erupt and collapse along these unstable spines of rhythm.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe plastic morphology of Radical Rest hinges upon urbanfailure's labyrinthine approach to rhythm. The album's steady pulse leaps through innovative tangents and detours that are intentionally spare on melody and devoid of anthemic hooks. \"Spread Exploded\" scatters an intricate dispersion of mechanoid samples before coalescing into a muscular techno groove, complete with throbbed basslines. The diptych of \"Primitive Past\" and \"Dystopian Future\" boils with a jackbooted, high-octane hard house excess and industrial\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e bruitism.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUrbanfailure's origins date back to the time after the collapse of the Iron Curtain and the rush towards a globalized free market. With the opportunities for cultural exchange and economic prosperity made manifest, Slovak (like other post-Soviet countries) was open to a Pandora's Box of influences. Punk. Techno. Metal. Noise. All of these inspired the DIY underground, but at the same time, many of the agents and operatives in the Slovak music community were quick to take inspiration from the gritty immediacy of social turmoil and upheaval. Urbanfailure's process of construction and destruction of sound becomes a mirror to the changing Slovak society that he has witnessed for the two decades.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBold in execution and dynamic in content, Radical Rest is a vibrant synthesis of error, emptiness, and raw energy, with parallels emergent in Chu Ishikawa's Testuo, The Iron Man soundtracks, the Lagowski productions for GPR, and the final fruits from Pan Sonic\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Urbanfailure\u003c\/p\u003e\n\u003cp\u003eLabel : Urbsounds\u003c\/p\u003e"}
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スロバキアのポストインダストリアル・テクノレーベルUrbsoundsが、2018年にリリースしたコンピレーションレコードです。 ポストインダストリアル・テクノ13曲を収録。 ------------------------------------- Includes DL code. Edition of 202. Red vinyl. Urbsounds: "Slovakia's urbanfailure...
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{"id":7708911075578,"title":"Various Artists \/\/ Unpolished Fidelity LP","handle":"unfi","description":"\u003cp\u003eスロバキア・ブラチスラヴァでレーベル運営やパーティオーガナイズを行う地下コレクティブ\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrbsoundsが、2022年8月に100部限定でリリースした発足20周年記念コンピレーションレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eヒプノティックテクノ〜インダストリアル・IDM〜ドローンなど\u003cmeta charset=\"utf-8\"\u003eブラチスラヴァの現行地下クラブミュージックシーンが垣間見える一枚です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e180g重量緑マーブル盤です。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2195401651\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2062131062\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2195401651\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMusic by Daniel Kordik, NDS, Vrtacky Po Desate Hodine, Makkatu, Monika Subrtova, Dead Janitor, Urbanfailure, Hlukar, Maraki, Rbnx.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUrbsounds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Bratislava DIY collective celebrates its twentieth anniversary with new, unheard music on vinyl. The world has changed a lot since the beginning of the millennium. However, Urbsounds still go for noisy and dirty experimental electronics, from which you can feel the spirit of abandoned industrial spaces and punk squats. They commemorate their 20th anniversary with ten tracks created especially for the Unpolished fidelity compilation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt's an abstract, raw, aggressive statement, attempting to tame their energy on record. It's music that takes no prisoners.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eUrbsounds have never forgotten their punk past, carrying this as the main line throughout their twenty years. The DIY approach to making and releasing music and organizing parties remained. Synths and tone generators replaced punk guitars. It is a spontaneous, immediate piece built on interaction with hardware. Capturing the moment of jamming on sound modules, effects, and other boxes is more important than composition and studio procedures. It's music that will never be popular. It's music for the faithful, for the community. Urbsounds have been maintaining it for twenty years, but they are open to new people - both listeners and creators. Urbsounds also released foreign musicians, but on LP Unpolished Fidelity\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, you will find their hardcore, only Slovak music.\u003cbr data-mce-fragment=\"1\"\u003eTracks are by the founders of the collective – Urbanfailure and RBNX. Ex-Jamka Daniel Kordík and Monika Šubrtová are today respected soloists known internationally. Here we find samples of their current sound, i.e., modular worlds and dystopian, slow techno.\u003cbr data-mce-fragment=\"1\"\u003eIt's not just noise here. On Unpolished Fidelity, you can hear IDM (NDS), hypnotic techno (Makkatu), deep psychedelic dives (Vŕtačky po desáté hodine), industrial (Dead Janitor), and tekno (Maraki).\u003cbr data-mce-fragment=\"1\"\u003eMusic never sounds the same, and you can always find something new in it. It's music that must be listened to loud, on noisy equipment.\u003cbr data-mce-fragment=\"1\"\u003eAdam Matej, a generation younger creator of electronic music performing as DJ GÄP, took care of the Unpolished Fidelity master. Boris Vitázek, a renowned new media artist, designed the cover art and design.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Urbsounds\u003c\/p\u003e","published_at":"2022-08-17T16:30:06+09:00","created_at":"2022-08-17T14:39:31+09:00","vendor":"Tobira Records","type":"","tags":["drone","house","lp","techno \/ house"],"price":368000,"price_min":368000,"price_max":368000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43126660890874,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Various Artists \/\/ Unpolished Fidelity LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/urb1.jpg?v=1660714773"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/urb1.jpg?v=1660714773","options":["Title"],"media":[{"alt":null,"id":30307801858298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/urb1.jpg?v=1660714773"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/urb1.jpg?v=1660714773","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスロバキア・ブラチスラヴァでレーベル運営やパーティオーガナイズを行う地下コレクティブ\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUrbsoundsが、2022年8月に100部限定でリリースした発足20周年記念コンピレーションレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eヒプノティックテクノ〜インダストリアル・IDM〜ドローンなど\u003cmeta charset=\"utf-8\"\u003eブラチスラヴァの現行地下クラブミュージックシーンが垣間見える一枚です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e180g重量緑マーブル盤です。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2195401651\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2062131062\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2195401651\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMusic by Daniel Kordik, NDS, Vrtacky Po Desate Hodine, Makkatu, Monika Subrtova, Dead Janitor, Urbanfailure, Hlukar, Maraki, Rbnx.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUrbsounds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Bratislava DIY collective celebrates its twentieth anniversary with new, unheard music on vinyl. The world has changed a lot since the beginning of the millennium. However, Urbsounds still go for noisy and dirty experimental electronics, from which you can feel the spirit of abandoned industrial spaces and punk squats. They commemorate their 20th anniversary with ten tracks created especially for the Unpolished fidelity compilation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt's an abstract, raw, aggressive statement, attempting to tame their energy on record. It's music that takes no prisoners.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eUrbsounds have never forgotten their punk past, carrying this as the main line throughout their twenty years. The DIY approach to making and releasing music and organizing parties remained. Synths and tone generators replaced punk guitars. It is a spontaneous, immediate piece built on interaction with hardware. Capturing the moment of jamming on sound modules, effects, and other boxes is more important than composition and studio procedures. It's music that will never be popular. It's music for the faithful, for the community. Urbsounds have been maintaining it for twenty years, but they are open to new people - both listeners and creators. Urbsounds also released foreign musicians, but on LP Unpolished Fidelity\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, you will find their hardcore, only Slovak music.\u003cbr data-mce-fragment=\"1\"\u003eTracks are by the founders of the collective – Urbanfailure and RBNX. Ex-Jamka Daniel Kordík and Monika Šubrtová are today respected soloists known internationally. Here we find samples of their current sound, i.e., modular worlds and dystopian, slow techno.\u003cbr data-mce-fragment=\"1\"\u003eIt's not just noise here. On Unpolished Fidelity, you can hear IDM (NDS), hypnotic techno (Makkatu), deep psychedelic dives (Vŕtačky po desáté hodine), industrial (Dead Janitor), and tekno (Maraki).\u003cbr data-mce-fragment=\"1\"\u003eMusic never sounds the same, and you can always find something new in it. It's music that must be listened to loud, on noisy equipment.\u003cbr data-mce-fragment=\"1\"\u003eAdam Matej, a generation younger creator of electronic music performing as DJ GÄP, took care of the Unpolished Fidelity master. Boris Vitázek, a renowned new media artist, designed the cover art and design.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Urbsounds\u003c\/p\u003e"}
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スロバキア・ブラチスラヴァでレーベル運営やパーティオーガナイズを行う地下コレクティブUrbsoundsが、2022年8月に100部限定でリリースした発足20周年記念コンピレーションレコードです。 ヒプノティックテクノ〜インダストリアル・IDM〜ドローンなどブラチスラヴァの現行地下クラブミュージックシーンが垣間見える一枚です。 180g重量緑マーブル盤です。DLコード付属。 -------------------------------- Includes DL code. Music by Daniel Kordik, NDS, Vrtacky Po...
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{"id":7708850323706,"title":"Kompo \/\/ The Void Project (V.P.005) 12\"","handle":"kotvp","description":"\u003cp\u003eベルギーのハウス作家Kompoが、2022年6月に同国ブリュッセルのレーベル／パーティーコレクティブ\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Void Projectからリリースした12\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eミニマルなテックハウス〜エレクトロ4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1656669944\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3723793836\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1656669944\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. \u003c\/p\u003e\n\u003cp\u003eFirst solo EP from newest member of the Void Project.\u003c\/p\u003e\n\u003cp\u003eArtist : Kompo\u003c\/p\u003e\n\u003cp\u003eLabel : The Void Project\u003c\/p\u003e","published_at":"2022-08-17T19:12:16+09:00","created_at":"2022-08-17T12:08:22+09:00","vendor":"Tobira Records","type":"","tags":["lp","techno \/ house"],"price":228000,"price_min":228000,"price_max":228000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43126154166522,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Kompo \/\/ The Void Project (V.P.005) 12\"","public_title":null,"options":["Default Title"],"price":228000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/th1_47c4c595-37f9-4b4e-b9f0-ee0ae1cf29d5.jpg?v=1660705704","\/\/tobirarecords.com\/cdn\/shop\/products\/th2_6c09bfcf-5b9f-4998-8e04-836e94fb22a0.jpg?v=1660705704"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/th1_47c4c595-37f9-4b4e-b9f0-ee0ae1cf29d5.jpg?v=1660705704","options":["Title"],"media":[{"alt":null,"id":30307383771386,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th1_47c4c595-37f9-4b4e-b9f0-ee0ae1cf29d5.jpg?v=1660705704"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th1_47c4c595-37f9-4b4e-b9f0-ee0ae1cf29d5.jpg?v=1660705704","width":700},{"alt":null,"id":30307383804154,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th2_6c09bfcf-5b9f-4998-8e04-836e94fb22a0.jpg?v=1660705704"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th2_6c09bfcf-5b9f-4998-8e04-836e94fb22a0.jpg?v=1660705704","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギーのハウス作家Kompoが、2022年6月に同国ブリュッセルのレーベル／パーティーコレクティブ\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Void Projectからリリースした12\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eミニマルなテックハウス〜エレクトロ4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1656669944\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3723793836\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1656669944\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. \u003c\/p\u003e\n\u003cp\u003eFirst solo EP from newest member of the Void Project.\u003c\/p\u003e\n\u003cp\u003eArtist : Kompo\u003c\/p\u003e\n\u003cp\u003eLabel : The Void Project\u003c\/p\u003e"}
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ベルギーのハウス作家Kompoが、2022年6月に同国ブリュッセルのレーベル／パーティーコレクティブThe Void Projectからリリースした12"です。 ミニマルなテックハウス〜エレクトロ4曲を収録。 --------------------------------- Edition of 300. First solo EP from newest member...
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{"id":7708849504506,"title":"Picture Music \/\/ Picture Music 2xLP","handle":"picture-music-picture-music-lp","description":"\u003cp\u003eオーストラリア・南ブリスベンのアンビエントジャズバンドPicture Musicが、1987年に自主出版したカセットが2枚組レコードで再発。\u003c\/p\u003e\n\u003cp\u003e今聴いても全く色褪せることのないニューエイジ・アンビエントジャズ〜アンビエント11曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=493070050\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leftear\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/leftear\"\u003ehere\u003c\/a\u003e to see more Left Ear Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eLeft Ear Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eConcocted in a share house in the South of Brisbane in the mid-80s, a small collective of well-acquainted musicians including Jon Anderson, Rainer Guth, Gary McFeat \u0026amp; Rod Owen gathered to compose film soundtracks, music for pictures, therefore ‘Picture Music’. To this end, a ‘spec’ tape of Picture Music recordings would be produced to give to potential clients and or sold to local stores. A distinct album comprising a collection of ambient, minimal-jazz and experimental music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIf there is a red thread running through the Picture Music album, it is its \"late night\" ambience. The wrath of the sub-tropical summer heat of Brisbane is not kind on electronic equipment, which would crash regularly by day. So, all recording was done in the relative\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"peekaboo-text\" id=\"package_description_0\"\u003ecool of the late evening, in a room only dimly lit by lamp and candle. The Picture Music collective would make music and party all through the night, departing around sunrise. They would sleep through the heat of the day, only to return in the evening for more of the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis 2021 reissue of their self-titled 1987 cassette, was taken from the original master tapes and remains an evocative representation of the music that resulted from the late-night, dimly-lit, atmospheric-enabled environment, that sparked the creativity of a group of like-minded friends in a tiny corner of Brisbane. Dedicated to the memory Rainer Guth.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Picture Music\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLeft Ear Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-08-17T19:40:55+09:00","created_at":"2022-08-17T12:02:37+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","left ear","lp","post newage"],"price":498000,"price_min":498000,"price_max":498000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43126147842298,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Picture Music \/\/ Picture Music 2xLP","public_title":null,"options":["Default Title"],"price":498000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mu1_bc304804-679a-4957-94b3-4fb7f483c74d.jpg?v=1660705359","\/\/tobirarecords.com\/cdn\/shop\/products\/mu2_874095d2-6c41-410b-9eba-cf407b42dd14.jpg?v=1660705359"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mu1_bc304804-679a-4957-94b3-4fb7f483c74d.jpg?v=1660705359","options":["Title"],"media":[{"alt":null,"id":30307371122938,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mu1_bc304804-679a-4957-94b3-4fb7f483c74d.jpg?v=1660705359"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mu1_bc304804-679a-4957-94b3-4fb7f483c74d.jpg?v=1660705359","width":700},{"alt":null,"id":30307371155706,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mu2_874095d2-6c41-410b-9eba-cf407b42dd14.jpg?v=1660705359"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mu2_874095d2-6c41-410b-9eba-cf407b42dd14.jpg?v=1660705359","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・南ブリスベンのアンビエントジャズバンドPicture Musicが、1987年に自主出版したカセットが2枚組レコードで再発。\u003c\/p\u003e\n\u003cp\u003e今聴いても全く色褪せることのないニューエイジ・アンビエントジャズ〜アンビエント11曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=493070050\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leftear\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/leftear\"\u003ehere\u003c\/a\u003e to see more Left Ear Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eLeft Ear Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eConcocted in a share house in the South of Brisbane in the mid-80s, a small collective of well-acquainted musicians including Jon Anderson, Rainer Guth, Gary McFeat \u0026amp; Rod Owen gathered to compose film soundtracks, music for pictures, therefore ‘Picture Music’. To this end, a ‘spec’ tape of Picture Music recordings would be produced to give to potential clients and or sold to local stores. A distinct album comprising a collection of ambient, minimal-jazz and experimental music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIf there is a red thread running through the Picture Music album, it is its \"late night\" ambience. The wrath of the sub-tropical summer heat of Brisbane is not kind on electronic equipment, which would crash regularly by day. So, all recording was done in the relative\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"peekaboo-text\" id=\"package_description_0\"\u003ecool of the late evening, in a room only dimly lit by lamp and candle. The Picture Music collective would make music and party all through the night, departing around sunrise. They would sleep through the heat of the day, only to return in the evening for more of the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis 2021 reissue of their self-titled 1987 cassette, was taken from the original master tapes and remains an evocative representation of the music that resulted from the late-night, dimly-lit, atmospheric-enabled environment, that sparked the creativity of a group of like-minded friends in a tiny corner of Brisbane. Dedicated to the memory Rainer Guth.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Picture Music\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLeft Ear Records\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":8777403465978,"title":"Jeff Parker ETA IVtet \/\/ The Way Out of Easy 2xLP","handle":"jeff-parker-eta-ivtet-the-way-out-of-easy-2xlp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカのギタリストJeff Parker率いるJeff Parker ETA IVtet (Josh Johnson、Anna Butterss、Jay Bellerose)が、2024年11月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eライブセッション4曲を収録。ゲートフォルド仕様です。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2023年1月2日。ロサンゼルスのETAでは、ギタリストのジェフ・パーカーが、サックス奏者のジョシュ・ジョンソン、ベーシストのアンナ・バタース、ドラマーのジェイ・ベローズとともにETA IVtetを結成し、2016年から月曜日の定期ギグを開催していた。当時は、それがETAが営業する昨年最初のギグだとは誰も知らなかった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eパーカーのETAアンサンブルは、そのレジデンスを7年間続けるうちに、主にスタンダードを演奏するバンドから、グルーヴ志向、絵画的、ポリリズム、ミニマル、マントラ即興音楽など、革新的でしばしば未知の領域への超越的で長大な（時には45分以上に及ぶ）旅で知られるグループへと進化した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのような音楽的成長とともに、ETAでのパーカーと彼のバンドの観客も年々増えていった。当初は、平日の夜に酒を飲む人、友人、家族、シカゴの外国人（パーカーが00年代から10年代初頭にかけてローダンで創り上げていた雰囲気を懐かしむためにやってくる）などがまばらに集まっていたのが、今ではロサンゼルスのナイトライフの定番となり、ライブのたびに満員の客席とブロック下まで続く列ができるまでになった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIVtetは毎週、スタンダード曲や一曲でライヴを終えるのが慣例となっていた。パーカーも、長い夜を創造的な肢体で駆け抜けた観客に、何か温かく親しみのあるものを持ち帰ってもらいたいと、この習慣を受け入れていた。バート・バカラックの 「This Guy's In Love With You」、エディ・ハリスの 「1974 Blues」、ホレス・シルヴァーの 「Peace 」などが、パーカーがよく演奏した曲である。このセットでは、IVtetはおなじみの曲ではなく、ダブ／レゲエ・グルーヴ（パーカーがポストで 「Chrome Dome 」と命名）という形でおなじみのサウンドで締めくくっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2023年12月初旬、ETAの共同経営者であるライアン・ジュリオは、年末に同会場を永久閉鎖するという突然の発表を余儀なくされた。12月23日、パーカーとバンドはETAで最後の演奏を行った。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2024年7月22日、ETA IVtetはロサンゼルスのZebulonで、数百人のソールドアウトした聴衆（その中には笑顔のライアン・ジュリオもいた）のために演奏し、それ以来初めて一緒に演奏するために集まった。ゴンザレスはその場にいて、ステージ上のバンドのすぐ後ろでコンパクトなアナログ・セットアップを使って録音していた。スペースはなくなっても、その精神は生き続け、音楽は新たな器へと前進する。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=501070633\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 2 x 12\" black viny in reverse-board sleeve w\/ OBI.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. Freakadelic\u003cbr\u003e2. Late Autumn \u003cbr\u003e3. Easy Way Out\u003cbr\u003e4. Chrome Dome \u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“\u003c\/span\u003e\u003cem\u003e January 2nd, 2023. Aside from being the second of a new year, it was a pretty ordinary night at ETA in Los Angeles, where guitarist Jeff Parker - alongside his ETA IVtet with saxophonist Josh Johnson, bassist Anna Butterss, and drummer Jay Bellerose - had been holding down a regular Monday gig since 2016. At the time, nobody knew it was the first gig of the last year that ETA would be open for business.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOver seven years of holding down that residency, Parker’s ETA ensemble evolved from a band that played mostly standards into a group known for its transcendent, long-form (sometimes stretching out for 45 minutes or more) journeys into innovative, often uncharted territories of groove-oriented, painterly, polyrhythmic, minimalist and mantric improvised music.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWith that musical growth, the crowds for Parker and his band at ETA grew across the years too. What started as a sparse gathering of weeknight drinkers, friends, family, and Chicago expats (coming to get a shot of nostalgia for the atmospheres Parker used to create at Rodan across the ‘00s and early ‘10s) grew into a Los Angeles nightlife staple with a packed house and a line of down the block for every show. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eIt had become customary for the IVtet to end their shows every week with a standard or a tune – a practice that Parker embraced for wanting to give the audience something warm and familiar to take home after a long night of taking them out on creative limbs. Some of Parker’s more common calls were “This Guy’s In Love With You” by Burt Bacharach, “1974 Blues” by Eddie Harris, or “Peace” by Horace Silver. In this set, the IVtet closes not with a familiar song, but a familiar sound in the form of a dub\/reggae groove (given the name “Chrome Dome” by Parker in post), developing spontaneously out of lyrical ad libs by Johnson on solo saxophone. \u003cbr\u003e\u003cbr\u003eIn early December of 2023, ETA co-owner Ryan Julio was forced to make a sudden announcement that the venue would permanently shutter at the end of the year. On December 23rd, Parker and the band played at ETA for the last time. \u003cbr\u003e\u003cbr\u003eOn July 22nd, 2024, the ETA IVtet gathered to perform together for the first time since then, playing for a sold-out crowd of several hundred listeners – a smiling Ryan Julio among them – at Zebulon in Los Angeles. Gonzales was there, recording with his compact analog setup just behind the band on stage. The space may be gone but its spirit lives and the music moves forward into new vessels.\u003c\/span\u003e \"\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker ETA IVtet\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No : IARC0089\u003c\/p\u003e","published_at":"2025-05-03T06:16:05+09:00","created_at":"2025-05-03T06:15:20+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new","recommended"],"price":568000,"price_min":568000,"price_max":568000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47290728415482,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jeff Parker ETA IVtet \/\/ The Way Out of Easy 2xLP","public_title":null,"options":["Default Title"],"price":568000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"075597897876","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/05-IARC0089_Coverart_DavidHaskell.jpg?v=1730329747","\/\/tobirarecords.com\/cdn\/shop\/files\/0037406710_10.jpg?v=1730329750"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/05-IARC0089_Coverart_DavidHaskell.jpg?v=1730329747","options":["Title"],"media":[{"alt":null,"id":35131059273978,"position":1,"preview_image":{"aspect_ratio":0.99,"height":3756,"width":3720,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/05-IARC0089_Coverart_DavidHaskell.jpg?v=1730329747"},"aspect_ratio":0.99,"height":3756,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/05-IARC0089_Coverart_DavidHaskell.jpg?v=1730329747","width":3720},{"alt":null,"id":35131059437818,"position":2,"preview_image":{"aspect_ratio":1.316,"height":912,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037406710_10.jpg?v=1730329750"},"aspect_ratio":1.316,"height":912,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037406710_10.jpg?v=1730329750","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカのギタリストJeff Parker率いるJeff Parker ETA IVtet (Josh Johnson、Anna Butterss、Jay Bellerose)が、2024年11月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eライブセッション4曲を収録。ゲートフォルド仕様です。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2023年1月2日。ロサンゼルスのETAでは、ギタリストのジェフ・パーカーが、サックス奏者のジョシュ・ジョンソン、ベーシストのアンナ・バタース、ドラマーのジェイ・ベローズとともにETA IVtetを結成し、2016年から月曜日の定期ギグを開催していた。当時は、それがETAが営業する昨年最初のギグだとは誰も知らなかった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eパーカーのETAアンサンブルは、そのレジデンスを7年間続けるうちに、主にスタンダードを演奏するバンドから、グルーヴ志向、絵画的、ポリリズム、ミニマル、マントラ即興音楽など、革新的でしばしば未知の領域への超越的で長大な（時には45分以上に及ぶ）旅で知られるグループへと進化した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのような音楽的成長とともに、ETAでのパーカーと彼のバンドの観客も年々増えていった。当初は、平日の夜に酒を飲む人、友人、家族、シカゴの外国人（パーカーが00年代から10年代初頭にかけてローダンで創り上げていた雰囲気を懐かしむためにやってくる）などがまばらに集まっていたのが、今ではロサンゼルスのナイトライフの定番となり、ライブのたびに満員の客席とブロック下まで続く列ができるまでになった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIVtetは毎週、スタンダード曲や一曲でライヴを終えるのが慣例となっていた。パーカーも、長い夜を創造的な肢体で駆け抜けた観客に、何か温かく親しみのあるものを持ち帰ってもらいたいと、この習慣を受け入れていた。バート・バカラックの 「This Guy's In Love With You」、エディ・ハリスの 「1974 Blues」、ホレス・シルヴァーの 「Peace 」などが、パーカーがよく演奏した曲である。このセットでは、IVtetはおなじみの曲ではなく、ダブ／レゲエ・グルーヴ（パーカーがポストで 「Chrome Dome 」と命名）という形でおなじみのサウンドで締めくくっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2023年12月初旬、ETAの共同経営者であるライアン・ジュリオは、年末に同会場を永久閉鎖するという突然の発表を余儀なくされた。12月23日、パーカーとバンドはETAで最後の演奏を行った。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2024年7月22日、ETA IVtetはロサンゼルスのZebulonで、数百人のソールドアウトした聴衆（その中には笑顔のライアン・ジュリオもいた）のために演奏し、それ以来初めて一緒に演奏するために集まった。ゴンザレスはその場にいて、ステージ上のバンドのすぐ後ろでコンパクトなアナログ・セットアップを使って録音していた。スペースはなくなっても、その精神は生き続け、音楽は新たな器へと前進する。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=501070633\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 2 x 12\" black viny in reverse-board sleeve w\/ OBI.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. Freakadelic\u003cbr\u003e2. Late Autumn \u003cbr\u003e3. Easy Way Out\u003cbr\u003e4. Chrome Dome \u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“\u003c\/span\u003e\u003cem\u003e January 2nd, 2023. Aside from being the second of a new year, it was a pretty ordinary night at ETA in Los Angeles, where guitarist Jeff Parker - alongside his ETA IVtet with saxophonist Josh Johnson, bassist Anna Butterss, and drummer Jay Bellerose - had been holding down a regular Monday gig since 2016. At the time, nobody knew it was the first gig of the last year that ETA would be open for business.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOver seven years of holding down that residency, Parker’s ETA ensemble evolved from a band that played mostly standards into a group known for its transcendent, long-form (sometimes stretching out for 45 minutes or more) journeys into innovative, often uncharted territories of groove-oriented, painterly, polyrhythmic, minimalist and mantric improvised music.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWith that musical growth, the crowds for Parker and his band at ETA grew across the years too. What started as a sparse gathering of weeknight drinkers, friends, family, and Chicago expats (coming to get a shot of nostalgia for the atmospheres Parker used to create at Rodan across the ‘00s and early ‘10s) grew into a Los Angeles nightlife staple with a packed house and a line of down the block for every show. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eIt had become customary for the IVtet to end their shows every week with a standard or a tune – a practice that Parker embraced for wanting to give the audience something warm and familiar to take home after a long night of taking them out on creative limbs. Some of Parker’s more common calls were “This Guy’s In Love With You” by Burt Bacharach, “1974 Blues” by Eddie Harris, or “Peace” by Horace Silver. In this set, the IVtet closes not with a familiar song, but a familiar sound in the form of a dub\/reggae groove (given the name “Chrome Dome” by Parker in post), developing spontaneously out of lyrical ad libs by Johnson on solo saxophone. \u003cbr\u003e\u003cbr\u003eIn early December of 2023, ETA co-owner Ryan Julio was forced to make a sudden announcement that the venue would permanently shutter at the end of the year. On December 23rd, Parker and the band played at ETA for the last time. \u003cbr\u003e\u003cbr\u003eOn July 22nd, 2024, the ETA IVtet gathered to perform together for the first time since then, playing for a sold-out crowd of several hundred listeners – a smiling Ryan Julio among them – at Zebulon in Los Angeles. Gonzales was there, recording with his compact analog setup just behind the band on stage. The space may be gone but its spirit lives and the music moves forward into new vessels.\u003c\/span\u003e \"\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker ETA IVtet\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No : IARC0089\u003c\/p\u003e"}
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※5月中旬再入荷後発送します アメリカのギタリストJeff Parker率いるJeff Parker ETA IVtet (Josh Johnson、Anna Butterss、Jay Bellerose)が、2024年11月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。 ライブセッション4曲を収録。ゲートフォルド仕様です。廃盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。...
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