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{"id":8951650713850,"title":"Joseph Shabason \/\/ The Fellowship CD","handle":"joseph-shabason-the-fellowship-cd","description":"\u003cp\u003eカナダ・トロントのサックス奏者Joseph Shabasonが、2021年4月にWestern Vinylからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3251703443\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCD in gatefold wallet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Life With My Grandparents 04:50\u003cbr\u003e2. Escape From North York 03:37\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. The Fellowship 05:14\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. 0-13 02:37\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. 13-15 05:10\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. 15-19 07:01\u003cbr\u003e\u003c\/span\u003e7. Comparative World Religions 03:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. So Long 07:06\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by Western Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAcross eight tracks that mesh jazz-laced, emotive, and spacious composition with fourth-world and adult-contemporary tonality, Toronto saxophonist Joseph Shabason sketches an auditory map of the transcendence, unity, conditioning, and eventual renunciation of his upbringing in an Islamic and Jewish dual-faith household. The resulting album The Fellowship bears the name of the insular Islamic community Shabason’s traditionally Jewish parents belonged to from a time before he was even born; a mental and spiritual push-pull which continued shaping, even controlling, his outlook well into his adulthood. As a listening experience The Fellowship follows a chronological arc that spans three generations covering his parents’ early lives, his own spiritual and physical adolescence, and his subsequent struggle to eschew the problematic habituations of such a conflicted past.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Life With My Grandparents” commences The Fellowship in overcast hues. A cassette recording of a child’s voice pops in and out of a murmuring brass tone as both elements drift like memories receding forever into the past. “My parents grew up in really difficult households. Both of my father’s parents had just survived the Holocaust only six years before he was born.” Shabason\u003cspan class=\"bcTruncateMore\"\u003e explains, cutting right to the root of what might have led his parents to diverge from their inherited spiritual conventions. \"My grandparents were deeply traumatized from having lost so many friends and family members, and even if the war hadn’t happened I don’t think they would have been particularly emotionally available.” Exchanging the gloom for tension, the anxiously experimental “Escape From North York” jolts the cadence forwards and backwards by way of skittering jazz percussion as a nauseated synth melody balloons into full-on terror, all while the melodic elements are ambushed from below by a flash flood of air-rending texture. The title (a play on John Carpenter’s Escape From New York) refers to the area of Toronto where Shabason’s parents were raised, and rebelliously fled in their twenties against their own parents’ wishes. The title track of The Fellowship swings toward relief and reflection, and buoys the mood up to something childlike. It is suffused with saxophone, upright bass, chorus-drenched guitar, and digitized pan flute; the kinds of 90’s jazz timbres that mark a time in Shabason’s adolescence when the dilemmas of his family’s faith were still obscured by comfort, community, and a dash of the forgivable naivete of early youth. At the same time, the piece shows Shabason at his most melodically athletic, darting around chord changes with fervor for the subject at hand.\u003cbr\u003e\u003cbr\u003eFrom here the perspective moves from third to first person as Shabason unpacks his teenage years across a three song suite, the titles of which mark the exact years they are meant to sonically illustrate. Where the previous track floated ever upward on innocence and clarity, “0-13” dispenses with both by its final third at which point things have unraveled into aleatoric unease representing “the first chink in the armour,” as Joseph admits, “and the first time I really started to question everything I’d been taught.” By “13-15” the pendulum is fully back on the side of apprehension as galloping percussion, an unrelenting synthetic marimba, an off-key wood flute, and jittering electric guitar tell a story of doubt and anger, dressed in fourth-world atonality. “By that time,” says Shabason, referring to the age denoted in the track name, “I was smoking weed and really getting into my head. According to my religion, smoking weed was gonna land me in hell, and all my friends who drank were also on the path to hell. The whole thing seemed totally absurd. The idea of a God that was that petty and vengeful made no sense. Those thoughts just swirled and created this background dissonance that existed all throughout my early teens. Middle school was fucked.”\u003cbr\u003e\u003cbr\u003e“15-19” is the sadness that follows outrage, when the dust settles and the pieces need putting back together, yet they simply won’t fit in light of a new found perspective. As such, this final movement is bathed in tragic, futile optimism. Under a bed of half-tempo RnB, muted trumpets glow like dying embers catching the wind. Shabason elucidates, “at that point, I’d discovered punk and hardcore and decided to be straight edge. It provided me with a community and a great cover for why I didn’t drink or do drugs. It felt like this really cool disguise. It kept me from questioning why I was doing it in the first place, but underlying it all was sadness. Why were my gay friends going to hell? Why did women have to be modest and not men? Why did God want to punish me for so many things? Was I going to hell because I had sex with my girlfriend? None of it made sense, but I was so completely brainwashed that I never thought to seriously question it. Instead, I just slipped up more and more, did drugs, fooled around, and tried to put the divine ramifications of my actions out of my head.”\u003cbr\u003e\u003cbr\u003e“Comparative World Religions” is a caffeinated gamelan named for the college course that caused Joseph-- and so many other young people engrossed in inherited repressive ideologies-- to see the irreconcilable nature of his beliefs from the outside in. Like the class itself, it stands apart from the backdrop of The Fellowship by replacing the seesaw of religious ecstasy and uncertainty with the type of transcendence that can only be arrived at through factual illumination. Using mournful brass and glassy keys, the aptly titled “So Long” represents the slow walking away that Shabason had to do mentally and emotionally, even long after the illusion had been cracked open. “It took me at least another twelve to fifteen years to fully deprogram myself from all the guilt and shame that was bred into me by religion, but I think that I’m finally free from it,” says Shabason of his present-day outlook. “This song is a final goodbye to that life… an exhale and deep inhale before I start a new chapter.” On The Fellowship, as on prior albums that bear his name, Joseph Shabason does what only the best instrumental music makers can: tell a story with emotional clarity that conveys even the subtlest of feelings, all without singing a single word. As wordless as ever-- with as complex a theme as ever-- this album may be his most emotionally articulate yet. Most importantly, those lost in the woods of repression and self-doubt that organized religion can be at its worst now have The Fellowship to help guide them into a softer light.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joseph Shabason\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWV226cd\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-11T12:34:27+09:00","created_at":"2025-10-10T09:11:42+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","jazz","new","western vinyl"],"price":219400,"price_min":219400,"price_max":219400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47808155746554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joseph Shabason \/\/ The Fellowship CD","public_title":null,"options":["Default Title"],"price":219400,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"843563134016","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fe1_d81ef0c3-9b5b-46bc-bd54-58ac07d51793.jpg?v=1635742810","\/\/tobirarecords.com\/cdn\/shop\/products\/fe3.jpg?v=1635742810"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fe1_d81ef0c3-9b5b-46bc-bd54-58ac07d51793.jpg?v=1635742810","options":["Title"],"media":[{"alt":null,"id":25676598640890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fe1_d81ef0c3-9b5b-46bc-bd54-58ac07d51793.jpg?v=1635742810"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fe1_d81ef0c3-9b5b-46bc-bd54-58ac07d51793.jpg?v=1635742810","width":700},{"alt":null,"id":25676598706426,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fe3.jpg?v=1635742810"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fe3.jpg?v=1635742810","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・トロントのサックス奏者Joseph Shabasonが、2021年4月にWestern Vinylからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3251703443\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCD in gatefold wallet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Life With My Grandparents 04:50\u003cbr\u003e2. Escape From North York 03:37\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. The Fellowship 05:14\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. 0-13 02:37\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. 13-15 05:10\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. 15-19 07:01\u003cbr\u003e\u003c\/span\u003e7. Comparative World Religions 03:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. So Long 07:06\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by Western Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAcross eight tracks that mesh jazz-laced, emotive, and spacious composition with fourth-world and adult-contemporary tonality, Toronto saxophonist Joseph Shabason sketches an auditory map of the transcendence, unity, conditioning, and eventual renunciation of his upbringing in an Islamic and Jewish dual-faith household. The resulting album The Fellowship bears the name of the insular Islamic community Shabason’s traditionally Jewish parents belonged to from a time before he was even born; a mental and spiritual push-pull which continued shaping, even controlling, his outlook well into his adulthood. As a listening experience The Fellowship follows a chronological arc that spans three generations covering his parents’ early lives, his own spiritual and physical adolescence, and his subsequent struggle to eschew the problematic habituations of such a conflicted past.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Life With My Grandparents” commences The Fellowship in overcast hues. A cassette recording of a child’s voice pops in and out of a murmuring brass tone as both elements drift like memories receding forever into the past. “My parents grew up in really difficult households. Both of my father’s parents had just survived the Holocaust only six years before he was born.” Shabason\u003cspan class=\"bcTruncateMore\"\u003e explains, cutting right to the root of what might have led his parents to diverge from their inherited spiritual conventions. \"My grandparents were deeply traumatized from having lost so many friends and family members, and even if the war hadn’t happened I don’t think they would have been particularly emotionally available.” Exchanging the gloom for tension, the anxiously experimental “Escape From North York” jolts the cadence forwards and backwards by way of skittering jazz percussion as a nauseated synth melody balloons into full-on terror, all while the melodic elements are ambushed from below by a flash flood of air-rending texture. The title (a play on John Carpenter’s Escape From New York) refers to the area of Toronto where Shabason’s parents were raised, and rebelliously fled in their twenties against their own parents’ wishes. The title track of The Fellowship swings toward relief and reflection, and buoys the mood up to something childlike. It is suffused with saxophone, upright bass, chorus-drenched guitar, and digitized pan flute; the kinds of 90’s jazz timbres that mark a time in Shabason’s adolescence when the dilemmas of his family’s faith were still obscured by comfort, community, and a dash of the forgivable naivete of early youth. At the same time, the piece shows Shabason at his most melodically athletic, darting around chord changes with fervor for the subject at hand.\u003cbr\u003e\u003cbr\u003eFrom here the perspective moves from third to first person as Shabason unpacks his teenage years across a three song suite, the titles of which mark the exact years they are meant to sonically illustrate. Where the previous track floated ever upward on innocence and clarity, “0-13” dispenses with both by its final third at which point things have unraveled into aleatoric unease representing “the first chink in the armour,” as Joseph admits, “and the first time I really started to question everything I’d been taught.” By “13-15” the pendulum is fully back on the side of apprehension as galloping percussion, an unrelenting synthetic marimba, an off-key wood flute, and jittering electric guitar tell a story of doubt and anger, dressed in fourth-world atonality. “By that time,” says Shabason, referring to the age denoted in the track name, “I was smoking weed and really getting into my head. According to my religion, smoking weed was gonna land me in hell, and all my friends who drank were also on the path to hell. The whole thing seemed totally absurd. The idea of a God that was that petty and vengeful made no sense. Those thoughts just swirled and created this background dissonance that existed all throughout my early teens. Middle school was fucked.”\u003cbr\u003e\u003cbr\u003e“15-19” is the sadness that follows outrage, when the dust settles and the pieces need putting back together, yet they simply won’t fit in light of a new found perspective. As such, this final movement is bathed in tragic, futile optimism. Under a bed of half-tempo RnB, muted trumpets glow like dying embers catching the wind. Shabason elucidates, “at that point, I’d discovered punk and hardcore and decided to be straight edge. It provided me with a community and a great cover for why I didn’t drink or do drugs. It felt like this really cool disguise. It kept me from questioning why I was doing it in the first place, but underlying it all was sadness. Why were my gay friends going to hell? Why did women have to be modest and not men? Why did God want to punish me for so many things? Was I going to hell because I had sex with my girlfriend? None of it made sense, but I was so completely brainwashed that I never thought to seriously question it. Instead, I just slipped up more and more, did drugs, fooled around, and tried to put the divine ramifications of my actions out of my head.”\u003cbr\u003e\u003cbr\u003e“Comparative World Religions” is a caffeinated gamelan named for the college course that caused Joseph-- and so many other young people engrossed in inherited repressive ideologies-- to see the irreconcilable nature of his beliefs from the outside in. Like the class itself, it stands apart from the backdrop of The Fellowship by replacing the seesaw of religious ecstasy and uncertainty with the type of transcendence that can only be arrived at through factual illumination. Using mournful brass and glassy keys, the aptly titled “So Long” represents the slow walking away that Shabason had to do mentally and emotionally, even long after the illusion had been cracked open. “It took me at least another twelve to fifteen years to fully deprogram myself from all the guilt and shame that was bred into me by religion, but I think that I’m finally free from it,” says Shabason of his present-day outlook. “This song is a final goodbye to that life… an exhale and deep inhale before I start a new chapter.” On The Fellowship, as on prior albums that bear his name, Joseph Shabason does what only the best instrumental music makers can: tell a story with emotional clarity that conveys even the subtlest of feelings, all without singing a single word. As wordless as ever-- with as complex a theme as ever-- this album may be his most emotionally articulate yet. Most importantly, those lost in the woods of repression and self-doubt that organized religion can be at its worst now have The Fellowship to help guide them into a softer light.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joseph Shabason\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWV226cd\u003c\/span\u003e\u003c\/p\u003e"}
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カナダ・トロントのサックス奏者Joseph Shabasonが、2021年4月にWestern Vinylからリリースしたアルバムです。 アンビエント・ジャズ8曲を収録。 レーベルその他作品はこちら /// Click here to see more Western Vinyl releases available at Tobira. ...
¥2,194
クイックビュー
{"id":8950240674042,"title":"Strategy \/\/ Graffiti In Space TAPE","handle":"strategy-graffiti-in-space-tape","description":"\u003cp\u003eアメリカ・ポートランドのレフトフィールド・テクノ作家Strategyが、2023年1月に同国オークランドの老舗アンビエントレーベルconstellation tatsuからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eミニマルなアンビエント・ダブテクノ6曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/strategy-everywhere-and-nowhere-cd\"\u003eこちら\u003c\/a\u003eと\u003ca href=\"https:\/\/tobirarecords.com\/products\/strategy-nectar-physical-edition-cd\"\u003eこちら\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1108886893\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ctatsu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ctatsu\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eConstellation Tatsu releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eInclude DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eReleasing under the moniker Strategy, Portlander Paul Dickow’s latest album explores the space of dub techno, extending beyond the genre and making it his own.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Strategy\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Tatsu\u003c\/p\u003e","published_at":"2025-10-08T15:27:38+09:00","created_at":"2025-10-08T15:27:10+09:00","vendor":"Tobira Records","type":"","tags":["ambient","constellation tatsu","new","tape","techno \/ house"],"price":168000,"price_min":168000,"price_max":168000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47803411759354,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Strategy \/\/ Graffiti In Space TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0762505955_16.jpg?v=1674009972"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0762505955_16.jpg?v=1674009972","options":["Title"],"media":[{"alt":null,"id":31393427226874,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0762505955_16.jpg?v=1674009972"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0762505955_16.jpg?v=1674009972","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ポートランドのレフトフィールド・テクノ作家Strategyが、2023年1月に同国オークランドの老舗アンビエントレーベルconstellation tatsuからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eミニマルなアンビエント・ダブテクノ6曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/strategy-everywhere-and-nowhere-cd\"\u003eこちら\u003c\/a\u003eと\u003ca href=\"https:\/\/tobirarecords.com\/products\/strategy-nectar-physical-edition-cd\"\u003eこちら\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1108886893\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ctatsu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ctatsu\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eConstellation Tatsu releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eInclude DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eReleasing under the moniker Strategy, Portlander Paul Dickow’s latest album explores the space of dub techno, extending beyond the genre and making it his own.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Strategy\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Tatsu\u003c\/p\u003e"}
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アメリカ・ポートランドのレフトフィールド・テクノ作家Strategyが、2023年1月に同国オークランドの老舗アンビエントレーベルconstellation tatsuからリリースしたカセットです。 ミニマルなアンビエント・ダブテクノ6曲を収録。DLコード付属。 こちらとこちらもおすすめです。 レーベルその他作品はこちら /// Click here to see more Constellation Tatsu releases available at Tobira. ---------------------------------------...
¥1,680
クイックビュー
{"id":8950239625466,"title":"Celer + Forest Management \/\/ TAPE","handle":"celer-forest-management-tape","description":"\u003cp\u003eアメリカのアンビエント作家CelerとForest Managementが、2024年6月に同国オークランドの老舗アンビエントレーベルConstellaiton Tatsuからリリースした再発アルバムです。（オリジナルは2018年リリース）\u003c\/p\u003e\n\u003cp\u003eミニマルなアンビエントドローン14曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2322695875\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ctatsu\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ctatsu\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConstellation Tatsu releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eInclude DL code. Cassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e7° 10° 77° 83° 09:53\u003c\/li\u003e\n\u003cli\u003eThe first steps onto their soil 02:43\u003c\/li\u003e\n\u003cli\u003eHotel Mona Lisa 03:58\u003c\/li\u003e\n\u003cli\u003eIndistinguishable from magic 05:48\u003c\/li\u003e\n\u003cli\u003eA big and strange place 00:34\u003c\/li\u003e\n\u003cli\u003eVolcanic institutions 01:19\u003c\/li\u003e\n\u003cli\u003eFrom fire, ice 03:15\u003c\/li\u003e\n\u003cli\u003eEmbera 04:34\u003c\/li\u003e\n\u003cli\u003e5,000 feet under the surface 00:38\u003c\/li\u003e\n\u003cli\u003eBlending all of the above 03:59\u003c\/li\u003e\n\u003cli\u003eS-shaped isthmus 02:32\u003c\/li\u003e\n\u003cli\u003eMagnified pieces of thermodynamics 06:26\u003c\/li\u003e\n\u003cli\u003eThe signs are everywhere 00:20\u003c\/li\u003e\n\u003cli\u003eRights of the idea or a machine 10:32\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eConstellation Tatsu:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCollaborating for the first time, Will Long and John Daniel combine their methods using tape machines, loops, and computers to score a reimagining of Peter Weir's film and Paul Theroux's novel \"The Mosquito Coast\". Sourcing inspiration from a view of the film and book as a historical pendulum, the musicians found that these reinterpretations left them nostalgic for a different time, something that's only partly imagined, and without the defined predictions about the life cycles of mass culture based on our limited understanding of current events.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Celer + Forest Management\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Tatsu\u003c\/p\u003e","published_at":"2025-10-08T15:22:23+09:00","created_at":"2025-10-08T15:20:58+09:00","vendor":"Tobira Records","type":"","tags":["ambient","constellation tatsu","new","tape"],"price":168000,"price_min":168000,"price_max":168000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47803408384250,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Celer + Forest Management \/\/ TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/land1.jpg?v=1699588114","\/\/tobirarecords.com\/cdn\/shop\/files\/land2.jpg?v=1699588115"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/land1.jpg?v=1699588114","options":["Title"],"media":[{"alt":null,"id":32670020600058,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/land1.jpg?v=1699588114"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/land1.jpg?v=1699588114","width":700},{"alt":null,"id":32670020632826,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/land2.jpg?v=1699588115"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/land2.jpg?v=1699588115","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのアンビエント作家CelerとForest Managementが、2024年6月に同国オークランドの老舗アンビエントレーベルConstellaiton Tatsuからリリースした再発アルバムです。（オリジナルは2018年リリース）\u003c\/p\u003e\n\u003cp\u003eミニマルなアンビエントドローン14曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2322695875\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ctatsu\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ctatsu\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConstellation Tatsu releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eInclude DL code. Cassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e7° 10° 77° 83° 09:53\u003c\/li\u003e\n\u003cli\u003eThe first steps onto their soil 02:43\u003c\/li\u003e\n\u003cli\u003eHotel Mona Lisa 03:58\u003c\/li\u003e\n\u003cli\u003eIndistinguishable from magic 05:48\u003c\/li\u003e\n\u003cli\u003eA big and strange place 00:34\u003c\/li\u003e\n\u003cli\u003eVolcanic institutions 01:19\u003c\/li\u003e\n\u003cli\u003eFrom fire, ice 03:15\u003c\/li\u003e\n\u003cli\u003eEmbera 04:34\u003c\/li\u003e\n\u003cli\u003e5,000 feet under the surface 00:38\u003c\/li\u003e\n\u003cli\u003eBlending all of the above 03:59\u003c\/li\u003e\n\u003cli\u003eS-shaped isthmus 02:32\u003c\/li\u003e\n\u003cli\u003eMagnified pieces of thermodynamics 06:26\u003c\/li\u003e\n\u003cli\u003eThe signs are everywhere 00:20\u003c\/li\u003e\n\u003cli\u003eRights of the idea or a machine 10:32\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eConstellation Tatsu:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCollaborating for the first time, Will Long and John Daniel combine their methods using tape machines, loops, and computers to score a reimagining of Peter Weir's film and Paul Theroux's novel \"The Mosquito Coast\". Sourcing inspiration from a view of the film and book as a historical pendulum, the musicians found that these reinterpretations left them nostalgic for a different time, something that's only partly imagined, and without the defined predictions about the life cycles of mass culture based on our limited understanding of current events.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Celer + Forest Management\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Tatsu\u003c\/p\u003e"}
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¥1,680
クイックビュー
{"id":8949956804858,"title":"Oberlin \/\/ The Gold Pit Sessions Vol. 1 CDr","handle":"oberlin-the-gold-pit-sessions-vol-1-cd","description":"\u003cp\u003e\u003cspan\u003eドイツのアンビエント作家\u003c\/span\u003e\u003cspan\u003eOberlin aka \u003c\/span\u003eAlexander Holtzが、2025年9月に同国ネオクラシカルレーベルOscarsonから52部限定でリリースしたCDrです。\u003c\/p\u003e\n\u003cp\u003eアンビエント〜アンビエントドローン4曲を収録。ハンドメイドのカードストックゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/oberlin-the-softest-lace-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3853562416\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/oscarson\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/oscarson\"\u003ehere\u003c\/a\u003e to see more Oscarson releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eCDr in cardstock gatefold sleeve.\u003cbr\u003eEdition of 52.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Thought I Heard Somebody Call My Name 12:40\u003cbr\u003e2. A Sense Of Longing 04:59\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. A Garden Of Tangles 08:34\u003cbr\u003e\u003c\/span\u003e4. Sleepward Ho 08:16\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRecorded by Alexander Holtz in his Gold-Pit-home studio in Koblenz, Germany in September 2022.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUsed instruments were a 9HE Eurorack, a Moog Grandmother and an Ibanez Custom guitar.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMany thanks to G. Sahbaz for paving the way, to E. Stoffel for welcome and introduction, to H. Piesch for nearness from the distance and to my family for patience and understanding.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMany thanks also for J. Plackties for checking the frequencies.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVery special thanks to M. Rehling for his beautiful care about this release.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oberlin\u003c\/p\u003e\n\u003cp\u003eLabel : Oscarson\u003c\/p\u003e\n\u003cp\u003ecat no : Lc29\u003c\/p\u003e","published_at":"2025-10-09T09:36:43+09:00","created_at":"2025-10-08T09:57:32+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","new","oscarson"],"price":184000,"price_min":184000,"price_max":184000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47802706395386,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Oberlin \/\/ The Gold Pit Sessions Vol. 1 CDr","public_title":null,"options":["Default Title"],"price":184000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gol1_874cc9fc-a1b7-44b7-a57e-5f4dd0f3cd81.jpg?v=1759884909","\/\/tobirarecords.com\/cdn\/shop\/files\/gol2_aed9a20d-d1eb-4a7c-b406-68be0b0824d9.jpg?v=1759884909","\/\/tobirarecords.com\/cdn\/shop\/files\/gol3.jpg?v=1759884909"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gol1_874cc9fc-a1b7-44b7-a57e-5f4dd0f3cd81.jpg?v=1759884909","options":["Title"],"media":[{"alt":null,"id":37033826451706,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gol1_874cc9fc-a1b7-44b7-a57e-5f4dd0f3cd81.jpg?v=1759884909"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gol1_874cc9fc-a1b7-44b7-a57e-5f4dd0f3cd81.jpg?v=1759884909","width":700},{"alt":null,"id":37033826484474,"position":2,"preview_image":{"aspect_ratio":1.474,"height":814,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gol2_aed9a20d-d1eb-4a7c-b406-68be0b0824d9.jpg?v=1759884909"},"aspect_ratio":1.474,"height":814,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gol2_aed9a20d-d1eb-4a7c-b406-68be0b0824d9.jpg?v=1759884909","width":1200},{"alt":null,"id":37033826517242,"position":3,"preview_image":{"aspect_ratio":1.671,"height":718,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gol3.jpg?v=1759884909"},"aspect_ratio":1.671,"height":718,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gol3.jpg?v=1759884909","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eドイツのアンビエント作家\u003c\/span\u003e\u003cspan\u003eOberlin aka \u003c\/span\u003eAlexander Holtzが、2025年9月に同国ネオクラシカルレーベルOscarsonから52部限定でリリースしたCDrです。\u003c\/p\u003e\n\u003cp\u003eアンビエント〜アンビエントドローン4曲を収録。ハンドメイドのカードストックゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/oberlin-the-softest-lace-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3853562416\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/oscarson\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/oscarson\"\u003ehere\u003c\/a\u003e to see more Oscarson releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eCDr in cardstock gatefold sleeve.\u003cbr\u003eEdition of 52.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Thought I Heard Somebody Call My Name 12:40\u003cbr\u003e2. A Sense Of Longing 04:59\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. A Garden Of Tangles 08:34\u003cbr\u003e\u003c\/span\u003e4. Sleepward Ho 08:16\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRecorded by Alexander Holtz in his Gold-Pit-home studio in Koblenz, Germany in September 2022.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUsed instruments were a 9HE Eurorack, a Moog Grandmother and an Ibanez Custom guitar.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMany thanks to G. Sahbaz for paving the way, to E. Stoffel for welcome and introduction, to H. Piesch for nearness from the distance and to my family for patience and understanding.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMany thanks also for J. Plackties for checking the frequencies.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVery special thanks to M. Rehling for his beautiful care about this release.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oberlin\u003c\/p\u003e\n\u003cp\u003eLabel : Oscarson\u003c\/p\u003e\n\u003cp\u003ecat no : Lc29\u003c\/p\u003e"}
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ドイツのアンビエント作家Oberlin aka Alexander Holtzが、2025年9月に同国ネオクラシカルレーベルOscarsonから52部限定でリリースしたCDrです。 アンビエント〜アンビエントドローン4曲を収録。ハンドメイドのカードストックゲートフォルド仕様です。 前作もオススメです。 レーベルその他作品はこちら /// Click here to see more Oscarson releases available at...
¥1,840