ambient
クイックビュー
{"id":8777895149818,"title":"Big Hands \/\/ Thauma LP","handle":"big-hands-thauma-lp","description":"\u003cp\u003eイタリア出身イギリス在住のテクノ作家Big Handsが、2025年4月にカナダの異端土着レーベルMarionetteからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eトライバル・テクノ〜dnb〜ストレンジビーツ〜アンビエント10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Big Handsは、イタリア生まれでロンドンを拠点に活動するアーティスト、アンドレア・オットマーニの別名義であり、その作品は過去10年にわたって非の打ちどころのない均質性を保ってきた。彼のデビューアルバム『Thauma』は、2024年6月下旬、嵐に見舞われた地中海を横断していた2晩連続の夢の中で構想され、その後、夢で見たままの音と構造を保存することを意図して実現された。イタリア、ギリシャ、エジプト、トルコなど地中海を旅した際に録音された鐘やバラフォンなどの打楽器や、彼の才能あるミュージシャンたちとのコラボレーションが収録されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eパレスチナのアーティスト、بنت مبارح (Bint Mbareh)は、アブラハム・パーカーのサンプと対話しながら響き、慟哭し、Fuoco Lentoではイジー・カーペルのブラスが挿入され、A Juniper Tree Whose Roots Are Made of Fireではアラビア語で歌い始め、背筋を凍らせる。テナーサックス奏者のバスター・ウッドラフ＝ブライアントは、Sticks And Stonesでスネーク・チャーマーのワルツを奏で、続くRinascitaではユスフ・アーメッドのバンブー・キットの自然な音色をフィーチャーしたスピリチュアルなサックスソロを聴かせる。アルバムには、アンドレアのコミュニティーの録音とともにマントラが散りばめられており、音楽にまつわるノスタルジアとメランコリーを増幅させている。パーカッションの根底には、有機的なアコースティック楽器と完璧に調和するアルカイックな糸が織り込まれており、最終的にはエレクトロニックドラムやモジュラーシンセシスと区別がつかなくなる。海のフィールドレコーディング、セミの鳴き声、祈りの声、そして周囲から繰り返し聞こえてくる全体的なノイズが、鮮明な空間感覚を呼び起こし、この幻のサウンドを実現する土台となっている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2447243604\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mrn\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mrn\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Marionette releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12\" black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Armed Joy (For Alfredo) 06:31\u003cbr\u003e2. Fuoco Lento (with Bint Mbareh \u0026amp; Ottomani Parker) 06:27\u003cbr\u003e3. Cicadidae يَتَوقَّع 01:49\u003cbr\u003e4. Presagio - Hē thálassa hē kath'hēmâs 04:16\u003cbr\u003e5. Le Toille (XVII) 03:52\u003cbr\u003e6. Sticks and Stones (with Buster Woodruff-Bryant) 03:16\u003cbr\u003e7. A Juniper Tree Whose Roots Are Made of Fire - شجرة عرعار بشروشها نار و شرار (with Bint Mbareh) 07:26\u003cbr\u003e8. Tu Estómago (XVI) 02:10\u003cbr\u003e9. In My Recurring Dream (Sekizinci Iblissin) 03:16\u003cbr\u003e10. Rinascita (with Yusuf Ahmed \u0026amp; Buster Woodruff-Bryant) 04:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eMarionette:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBig Hands is the alias of Andrea Ottomani, an Italian-born, London-based artist, whose productions have maintained an impeccable level of homogeneity over the last decade. His debut album, titled Thauma, was conceived in dreams over two consecutive nights as he traversed the storm-ridden Mediterranean Sea in late June 2024 and was later brought to life with the intent of preserving the sounds and structures as they were originally dreamt. Composed of ten tracks that seamlessly morph into one another, the album contains recordings of tuned percussion instruments (such as bells and the balafon) captured whilst travelling across the Mediterranean (Italy, Greece, Egypt, and Turkey) as well as collaborations with his tight-knit orbit of talented musicians.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePalestinian artist, بنت مبارح (Bint Mbareh), echoes and wails in dialogue with Abraham Parker’s \u0026amp; Izzy Karpel’s brass interjections on Fuoco Lento, then proceeds to send chills down the spine as she starts singing in Arabic on A Juniper Tree Whose Roots Are Made of Fire. Tenor saxophonist, Buster Woodruff-Bryant, lays down snake charmer waltzes on Sticks And Stones, followed by a spiritual sax solo on Rinascita which features the natural timbres of Yusuf Ahmed’s bamboo kit. Mantras, along with recordings of Andrea’s\u003cspan class=\"bcTruncateMore\"\u003e community, are dispersed throughout the album, amplifying the nostalgia and melancholy associated with the music. There’s an underlying archaic thread woven into the percussion that meshes perfectly with the organic acoustic instruments, ultimately becoming indistinguishable from the electronic drums or modular synthesis. Field recordings of the sea, cicadas, call for prayer, and the overall recurring noise from the surroundings evoke a vivid sense of space and are the foundation for realizing this visionary sound.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Big Hands\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Marionette\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : Marionette026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-04T13:25:02+09:00","created_at":"2025-05-04T10:40:32+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","marionette","new","recommended","strange beats","techno \/ house"],"price":439000,"price_min":439000,"price_max":439000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47292184068346,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Big Hands \/\/ Thauma LP","public_title":null,"options":["Default Title"],"price":439000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/big1_122262f2-a0d8-41c5-bb2e-4aa9c29e4e87.jpg?v=1746322725","\/\/tobirarecords.com\/cdn\/shop\/files\/big2_b8af08fa-0c4a-4d8e-a65a-fed931699a3f.jpg?v=1746322725"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/big1_122262f2-a0d8-41c5-bb2e-4aa9c29e4e87.jpg?v=1746322725","options":["Title"],"media":[{"alt":null,"id":35975573766394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/big1_122262f2-a0d8-41c5-bb2e-4aa9c29e4e87.jpg?v=1746322725"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/big1_122262f2-a0d8-41c5-bb2e-4aa9c29e4e87.jpg?v=1746322725","width":700},{"alt":null,"id":35975573799162,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/big2_b8af08fa-0c4a-4d8e-a65a-fed931699a3f.jpg?v=1746322725"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/big2_b8af08fa-0c4a-4d8e-a65a-fed931699a3f.jpg?v=1746322725","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリア出身イギリス在住のテクノ作家Big Handsが、2025年4月にカナダの異端土着レーベルMarionetteからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eトライバル・テクノ〜dnb〜ストレンジビーツ〜アンビエント10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Big Handsは、イタリア生まれでロンドンを拠点に活動するアーティスト、アンドレア・オットマーニの別名義であり、その作品は過去10年にわたって非の打ちどころのない均質性を保ってきた。彼のデビューアルバム『Thauma』は、2024年6月下旬、嵐に見舞われた地中海を横断していた2晩連続の夢の中で構想され、その後、夢で見たままの音と構造を保存することを意図して実現された。イタリア、ギリシャ、エジプト、トルコなど地中海を旅した際に録音された鐘やバラフォンなどの打楽器や、彼の才能あるミュージシャンたちとのコラボレーションが収録されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eパレスチナのアーティスト、بنت مبارح (Bint Mbareh)は、アブラハム・パーカーのサンプと対話しながら響き、慟哭し、Fuoco Lentoではイジー・カーペルのブラスが挿入され、A Juniper Tree Whose Roots Are Made of Fireではアラビア語で歌い始め、背筋を凍らせる。テナーサックス奏者のバスター・ウッドラフ＝ブライアントは、Sticks And Stonesでスネーク・チャーマーのワルツを奏で、続くRinascitaではユスフ・アーメッドのバンブー・キットの自然な音色をフィーチャーしたスピリチュアルなサックスソロを聴かせる。アルバムには、アンドレアのコミュニティーの録音とともにマントラが散りばめられており、音楽にまつわるノスタルジアとメランコリーを増幅させている。パーカッションの根底には、有機的なアコースティック楽器と完璧に調和するアルカイックな糸が織り込まれており、最終的にはエレクトロニックドラムやモジュラーシンセシスと区別がつかなくなる。海のフィールドレコーディング、セミの鳴き声、祈りの声、そして周囲から繰り返し聞こえてくる全体的なノイズが、鮮明な空間感覚を呼び起こし、この幻のサウンドを実現する土台となっている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2447243604\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mrn\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mrn\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Marionette releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12\" black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Armed Joy (For Alfredo) 06:31\u003cbr\u003e2. Fuoco Lento (with Bint Mbareh \u0026amp; Ottomani Parker) 06:27\u003cbr\u003e3. Cicadidae يَتَوقَّع 01:49\u003cbr\u003e4. Presagio - Hē thálassa hē kath'hēmâs 04:16\u003cbr\u003e5. Le Toille (XVII) 03:52\u003cbr\u003e6. Sticks and Stones (with Buster Woodruff-Bryant) 03:16\u003cbr\u003e7. A Juniper Tree Whose Roots Are Made of Fire - شجرة عرعار بشروشها نار و شرار (with Bint Mbareh) 07:26\u003cbr\u003e8. Tu Estómago (XVI) 02:10\u003cbr\u003e9. In My Recurring Dream (Sekizinci Iblissin) 03:16\u003cbr\u003e10. Rinascita (with Yusuf Ahmed \u0026amp; Buster Woodruff-Bryant) 04:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eMarionette:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBig Hands is the alias of Andrea Ottomani, an Italian-born, London-based artist, whose productions have maintained an impeccable level of homogeneity over the last decade. His debut album, titled Thauma, was conceived in dreams over two consecutive nights as he traversed the storm-ridden Mediterranean Sea in late June 2024 and was later brought to life with the intent of preserving the sounds and structures as they were originally dreamt. Composed of ten tracks that seamlessly morph into one another, the album contains recordings of tuned percussion instruments (such as bells and the balafon) captured whilst travelling across the Mediterranean (Italy, Greece, Egypt, and Turkey) as well as collaborations with his tight-knit orbit of talented musicians.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePalestinian artist, بنت مبارح (Bint Mbareh), echoes and wails in dialogue with Abraham Parker’s \u0026amp; Izzy Karpel’s brass interjections on Fuoco Lento, then proceeds to send chills down the spine as she starts singing in Arabic on A Juniper Tree Whose Roots Are Made of Fire. Tenor saxophonist, Buster Woodruff-Bryant, lays down snake charmer waltzes on Sticks And Stones, followed by a spiritual sax solo on Rinascita which features the natural timbres of Yusuf Ahmed’s bamboo kit. Mantras, along with recordings of Andrea’s\u003cspan class=\"bcTruncateMore\"\u003e community, are dispersed throughout the album, amplifying the nostalgia and melancholy associated with the music. There’s an underlying archaic thread woven into the percussion that meshes perfectly with the organic acoustic instruments, ultimately becoming indistinguishable from the electronic drums or modular synthesis. Field recordings of the sea, cicadas, call for prayer, and the overall recurring noise from the surroundings evoke a vivid sense of space and are the foundation for realizing this visionary sound.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Big Hands\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Marionette\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : Marionette026\u003c\/span\u003e\u003c\/p\u003e"}
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イタリア出身イギリス在住のテクノ作家Big Handsが、2025年4月にカナダの異端土着レーベルMarionetteからリリースしたレコードです。 トライバル・テクノ〜dnb〜ストレンジビーツ〜アンビエント10曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "Big Handsは、イタリア生まれでロンドンを拠点に活動するアーティスト、アンドレア・オットマーニの別名義であり、その作品は過去10年にわたって非の打ちどころのない均質性を保ってきた。彼のデビューアルバム『Thauma』は、2024年6月下旬、嵐に見舞われた地中海を横断していた2晩連続の夢の中で構想され、その後、夢で見たままの音と構造を保存することを意図して実現された。イタリア、ギリシャ、エジプト、トルコなど地中海を旅した際に録音された鐘やバラフォンなどの打楽器や、彼の才能あるミュージシャンたちとのコラボレーションが収録されている。 パレスチナのアーティスト、بنت مبارح (Bint Mbareh)は、アブラハム・パーカーのサンプと対話しながら響き、慟哭し、Fuoco Lentoではイジー・カーペルのブラスが挿入され、A Juniper Tree...
¥4,390
クイックビュー
{"id":8777138831610,"title":"HolyKindOf \/\/ Stay \/ Sea CD","handle":"holykindof-stay-sea-cd","description":"\u003cp\u003e\u003cspan\u003eアメリカ・オハイオのアンビエント作家HolyKindOfが、2025年3月にフランスの\u003c\/span\u003eアンビエントレーベルlaaps \/ IIKKIからリリースした再発アルバムです。（オリジナルは2015年CDrリリース）\u003c\/p\u003e\n\u003cp\u003eテープやチェロを用いたアンビエントドローン3曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3222122357\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003ehere\u003c\/a\u003e to see more Laaps \/ IIKKI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve. \u003cbr\u003eReissue - originally released on Eilean Rec. in 2014. \u003cbr\u003eCD edition of 150. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Nocturne; in S Major 17:52\u003cbr\u003e2. Ceremonial Magnet (Part I) 10:36\u003cbr\u003e3. Requiem, Et Cetera 09:45\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLaaps:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFirstly released on eilean rec., 10 years ago, as a very limited CDr edition, it was obviously important to put a new light on the first and only complete release from HolyKindOf (J. Bryan Parks).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHolyKindOf is multi instrumentalist J. Bryan Parks from Akron, Ohio.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIs a part of Rubber City Noise. HolyKindOf is a solo venture that began its current incarnation in the late spring of 2012 in a cathartic response to personal tragedy.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eUsing dense layers of manipulated loops; primarily cello, field recordings, tape \u0026amp; voice. He sculpts viscerally; a requiem of repetitive phrase, culminating heady delicacies, evolving melodies \u0026amp; crescendo.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEach live performance is unique \u0026amp; written specifically for each space. With vague compositions \u0026amp; open ended construction -a quilt work of pieces, woven together- half written \u0026amp; half improvised.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e01- Nocturne; in S Major: Vinyl, Tape, Cello, Sleepdrone 5, Various Effects, Tape Decks, Voice, Quran\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e, Tape Loops.\u003cbr\u003e\u003cbr\u003e02 - Ceremonial Magnet (Part I): Vinyl, Tape, Cello, 1976 Yamaha DX-27, Various Effects Pedals, Tape Decks, \u0026amp; Tape Loops.\u003cbr\u003eA piece written for a performance at the Cleveland Museum of Contemporary Art in September 2013. Curated by Experimedia, the concert featured Duane Pitre \u0026amp; Eleh, as well as the first ever live collaboration of the 2, as Pitreleh.\u003cbr\u003e\u003cbr\u003e03 - Requiem, Et Cetera: Vinyl, Yamaha DX-27, Various Effects, Harp, Cello, Tape Loops.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : HolyKindOf\u003c\/p\u003e\n\u003cp\u003eLabel : Laaps\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003elaaps 042\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-02T13:21:38+09:00","created_at":"2025-05-02T08:58:34+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","Laaps","neo classical","new"],"price":239600,"price_min":239600,"price_max":239600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47289833980154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"HolyKindOf \/\/ Stay \/ Sea CD","public_title":null,"options":["Default Title"],"price":239600,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hol1_9465b866-6c17-47c3-8ed9-f997f9e75082.jpg?v=1746143948","\/\/tobirarecords.com\/cdn\/shop\/files\/hol3.jpg?v=1746143948"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hol1_9465b866-6c17-47c3-8ed9-f997f9e75082.jpg?v=1746143948","options":["Title"],"media":[{"alt":null,"id":35970970059002,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hol1_9465b866-6c17-47c3-8ed9-f997f9e75082.jpg?v=1746143948"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hol1_9465b866-6c17-47c3-8ed9-f997f9e75082.jpg?v=1746143948","width":700},{"alt":null,"id":35970970091770,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hol3.jpg?v=1746143948"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hol3.jpg?v=1746143948","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・オハイオのアンビエント作家HolyKindOfが、2025年3月にフランスの\u003c\/span\u003eアンビエントレーベルlaaps \/ IIKKIからリリースした再発アルバムです。（オリジナルは2015年CDrリリース）\u003c\/p\u003e\n\u003cp\u003eテープやチェロを用いたアンビエントドローン3曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3222122357\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003ehere\u003c\/a\u003e to see more Laaps \/ IIKKI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve. \u003cbr\u003eReissue - originally released on Eilean Rec. in 2014. \u003cbr\u003eCD edition of 150. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Nocturne; in S Major 17:52\u003cbr\u003e2. Ceremonial Magnet (Part I) 10:36\u003cbr\u003e3. Requiem, Et Cetera 09:45\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLaaps:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFirstly released on eilean rec., 10 years ago, as a very limited CDr edition, it was obviously important to put a new light on the first and only complete release from HolyKindOf (J. Bryan Parks).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHolyKindOf is multi instrumentalist J. Bryan Parks from Akron, Ohio.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIs a part of Rubber City Noise. HolyKindOf is a solo venture that began its current incarnation in the late spring of 2012 in a cathartic response to personal tragedy.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eUsing dense layers of manipulated loops; primarily cello, field recordings, tape \u0026amp; voice. He sculpts viscerally; a requiem of repetitive phrase, culminating heady delicacies, evolving melodies \u0026amp; crescendo.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEach live performance is unique \u0026amp; written specifically for each space. With vague compositions \u0026amp; open ended construction -a quilt work of pieces, woven together- half written \u0026amp; half improvised.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e01- Nocturne; in S Major: Vinyl, Tape, Cello, Sleepdrone 5, Various Effects, Tape Decks, Voice, Quran\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e, Tape Loops.\u003cbr\u003e\u003cbr\u003e02 - Ceremonial Magnet (Part I): Vinyl, Tape, Cello, 1976 Yamaha DX-27, Various Effects Pedals, Tape Decks, \u0026amp; Tape Loops.\u003cbr\u003eA piece written for a performance at the Cleveland Museum of Contemporary Art in September 2013. Curated by Experimedia, the concert featured Duane Pitre \u0026amp; Eleh, as well as the first ever live collaboration of the 2, as Pitreleh.\u003cbr\u003e\u003cbr\u003e03 - Requiem, Et Cetera: Vinyl, Yamaha DX-27, Various Effects, Harp, Cello, Tape Loops.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : HolyKindOf\u003c\/p\u003e\n\u003cp\u003eLabel : Laaps\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003elaaps 042\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・オハイオのアンビエント作家HolyKindOfが、2025年3月にフランスのアンビエントレーベルlaaps / IIKKIからリリースした再発アルバムです。（オリジナルは2015年CDrリリース） テープやチェロを用いたアンビエントドローン3曲を収録。 レーベルその他作品はこちら /// Click here to see more Laaps / IIKKI releases available at...
¥2,396
![HolyKindOf // Stay / Sea LP [COLOR]](http://tobirarecords.com/cdn/shop/files/hol1_9eac0e50-83a9-4ef6-81ec-3ef72ef61443_medium.jpg?v=1746143601)
クイックビュー
{"id":8777138667770,"title":"HolyKindOf \/\/ Stay \/ Sea LP [COLOR]","handle":"holykindof-stay-sea-lp-color","description":"\u003cp\u003e\u003cspan\u003eアメリカ・オハイオのアンビエント作家HolyKindOfが、2025年3月にフランスの\u003c\/span\u003eアンビエントレーベルlaaps \/ IIKKIからリリースした再発アルバムです。（オリジナルは2015年CDrリリース）\u003c\/p\u003e\n\u003cp\u003eテープやチェロを用いたアンビエントドローン3曲を収録。赤盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3222122357\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003ehere\u003c\/a\u003e to see more Laaps \/ IIKKI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" red vinyl.\u003cbr\u003eReissue - originally released on Eilean Rec. in 2014. \u003cbr\u003eVinyl edition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Nocturne; in S Major 17:52\u003cbr\u003e2. Ceremonial Magnet (Part I) 10:36\u003cbr\u003e3. Requiem, Et Cetera 09:45\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLaaps:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFirstly released on eilean rec., 10 years ago, as a very limited CDr edition, it was obviously important to put a new light on the first and only complete release from HolyKindOf (J. Bryan Parks).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHolyKindOf is multi instrumentalist J. Bryan Parks from Akron, Ohio.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIs a part of Rubber City Noise. HolyKindOf is a solo venture that began its current incarnation in the late spring of 2012 in a cathartic response to personal tragedy.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eUsing dense layers of manipulated loops; primarily cello, field recordings, tape \u0026amp; voice. He sculpts viscerally; a requiem of repetitive phrase, culminating heady delicacies, evolving melodies \u0026amp; crescendo.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEach live performance is unique \u0026amp; written specifically for each space. With vague compositions \u0026amp; open ended construction -a quilt work of pieces, woven together- half written \u0026amp; half improvised.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e01- Nocturne; in S Major: Vinyl, Tape, Cello, Sleepdrone 5, Various Effects, Tape Decks, Voice, Quran\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e, Tape Loops.\u003cbr\u003e\u003cbr\u003e02 - Ceremonial Magnet (Part I): Vinyl, Tape, Cello, 1976 Yamaha DX-27, Various Effects Pedals, Tape Decks, \u0026amp; Tape Loops.\u003cbr\u003eA piece written for a performance at the Cleveland Museum of Contemporary Art in September 2013. Curated by Experimedia, the concert featured Duane Pitre \u0026amp; Eleh, as well as the first ever live collaboration of the 2, as Pitreleh.\u003cbr\u003e\u003cbr\u003e03 - Requiem, Et Cetera: Vinyl, Yamaha DX-27, Various Effects, Harp, Cello, Tape Loops.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : HolyKindOf\u003c\/p\u003e\n\u003cp\u003eLabel : Laaps\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003elaaps 042\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-02T13:23:22+09:00","created_at":"2025-05-02T08:57:50+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","Laaps","lp","neo classical","new"],"price":389000,"price_min":389000,"price_max":389000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47289833718010,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"HolyKindOf \/\/ Stay \/ Sea LP [COLOR]","public_title":null,"options":["Default Title"],"price":389000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hol1_9eac0e50-83a9-4ef6-81ec-3ef72ef61443.jpg?v=1746143601","\/\/tobirarecords.com\/cdn\/shop\/files\/hol2_2b2b3fcd-f1c6-4da3-8da2-6f6b998d1f87.jpg?v=1746143601"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hol1_9eac0e50-83a9-4ef6-81ec-3ef72ef61443.jpg?v=1746143601","options":["Title"],"media":[{"alt":null,"id":35970963734778,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hol1_9eac0e50-83a9-4ef6-81ec-3ef72ef61443.jpg?v=1746143601"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hol1_9eac0e50-83a9-4ef6-81ec-3ef72ef61443.jpg?v=1746143601","width":700},{"alt":null,"id":35970963767546,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hol2_2b2b3fcd-f1c6-4da3-8da2-6f6b998d1f87.jpg?v=1746143601"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hol2_2b2b3fcd-f1c6-4da3-8da2-6f6b998d1f87.jpg?v=1746143601","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・オハイオのアンビエント作家HolyKindOfが、2025年3月にフランスの\u003c\/span\u003eアンビエントレーベルlaaps \/ IIKKIからリリースした再発アルバムです。（オリジナルは2015年CDrリリース）\u003c\/p\u003e\n\u003cp\u003eテープやチェロを用いたアンビエントドローン3曲を収録。赤盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3222122357\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003ehere\u003c\/a\u003e to see more Laaps \/ IIKKI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" red vinyl.\u003cbr\u003eReissue - originally released on Eilean Rec. in 2014. \u003cbr\u003eVinyl edition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Nocturne; in S Major 17:52\u003cbr\u003e2. Ceremonial Magnet (Part I) 10:36\u003cbr\u003e3. Requiem, Et Cetera 09:45\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLaaps:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFirstly released on eilean rec., 10 years ago, as a very limited CDr edition, it was obviously important to put a new light on the first and only complete release from HolyKindOf (J. Bryan Parks).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHolyKindOf is multi instrumentalist J. Bryan Parks from Akron, Ohio.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIs a part of Rubber City Noise. HolyKindOf is a solo venture that began its current incarnation in the late spring of 2012 in a cathartic response to personal tragedy.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eUsing dense layers of manipulated loops; primarily cello, field recordings, tape \u0026amp; voice. 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Curated by Experimedia, the concert featured Duane Pitre \u0026amp; Eleh, as well as the first ever live collaboration of the 2, as Pitreleh.\u003cbr\u003e\u003cbr\u003e03 - Requiem, Et Cetera: Vinyl, Yamaha DX-27, Various Effects, Harp, Cello, Tape Loops.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : HolyKindOf\u003c\/p\u003e\n\u003cp\u003eLabel : Laaps\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003elaaps 042\u003c\/span\u003e\u003c\/p\u003e"}
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¥3,890
クイックビュー
{"id":8777137881338,"title":"CHAM \u0026 KAZUMI MASUDA \/\/ AMBERCOAST TAPE","handle":"cham-kazumi-masuda-ambercoast-tape","description":"\u003cp\u003e日本のアンビエント作家CHAM aka CMTとKAZUMI MASUDAが、2025年4月にCHAM主宰レーベルPHANTOM MUSICからリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなギター・アンビエント3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1423184676\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. AMBERCOAST 10:46\u003cbr\u003e2. DRIFTWOOD 09:43\u003cbr\u003e3. LIVE AT FLOWERS OF ROMANCE 15:56\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePhantom Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCHAM \u0026amp; KAZUMI MASUDA's third collection “AMBERCOAST” released on limited edition cassette tape by PHANTOM MUSIC and FLOWERS OF ROMANCE, Ube.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eProduced in November 2024 at FLOWERS OF ROMANCE, a record store run by KAZUMI MASUDA in Ube City, Yamaguchi Prefecture, this album features two new songs that have been pushed further into the realm of isolated alternative guitar ambient, and the B-side includes a live recording from an event held at FLOWERS OF ROMANCE. The cover artwork is again by Kazumi Masuda.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : CHAM \u0026amp; KAZUMI MASUDA\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cspan\u003ePHANTOM MUSIC\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-02T19:33:00+09:00","created_at":"2025-05-02T08:51:19+09:00","vendor":"Tobira Records","type":"","tags":["ambient","asia","new","tape"],"price":200000,"price_min":200000,"price_max":200000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47289831883002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"CHAM \u0026 KAZUMI MASUDA \/\/ AMBERCOAST TAPE","public_title":null,"options":["Default Title"],"price":200000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cham1_8ffcc5ce-bed1-426f-819d-c078dbac49fe.jpg?v=1746143406","\/\/tobirarecords.com\/cdn\/shop\/files\/cham2_a7f8d384-c47b-45bc-b2e6-3ad7255c91fb.jpg?v=1746143407"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cham1_8ffcc5ce-bed1-426f-819d-c078dbac49fe.jpg?v=1746143406","options":["Title"],"media":[{"alt":null,"id":35970961703162,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cham1_8ffcc5ce-bed1-426f-819d-c078dbac49fe.jpg?v=1746143406"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cham1_8ffcc5ce-bed1-426f-819d-c078dbac49fe.jpg?v=1746143406","width":700},{"alt":null,"id":35970961735930,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cham2_a7f8d384-c47b-45bc-b2e6-3ad7255c91fb.jpg?v=1746143407"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cham2_a7f8d384-c47b-45bc-b2e6-3ad7255c91fb.jpg?v=1746143407","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本のアンビエント作家CHAM aka CMTとKAZUMI MASUDAが、2025年4月にCHAM主宰レーベルPHANTOM MUSICからリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなギター・アンビエント3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1423184676\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. AMBERCOAST 10:46\u003cbr\u003e2. DRIFTWOOD 09:43\u003cbr\u003e3. LIVE AT FLOWERS OF ROMANCE 15:56\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePhantom Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCHAM \u0026amp; KAZUMI MASUDA's third collection “AMBERCOAST” released on limited edition cassette tape by PHANTOM MUSIC and FLOWERS OF ROMANCE, Ube.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eProduced in November 2024 at FLOWERS OF ROMANCE, a record store run by KAZUMI MASUDA in Ube City, Yamaguchi Prefecture, this album features two new songs that have been pushed further into the realm of isolated alternative guitar ambient, and the B-side includes a live recording from an event held at FLOWERS OF ROMANCE. The cover artwork is again by Kazumi Masuda.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : CHAM \u0026amp; KAZUMI MASUDA\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cspan\u003ePHANTOM MUSIC\u003c\/span\u003e\u003c\/p\u003e"}
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日本のアンビエント作家CHAM aka CMTとKAZUMI MASUDAが、2025年4月にCHAM主宰レーベルPHANTOM MUSICからリリースした共作カセットです。 ドリーミーなギター・アンビエント3曲を収録。DLコード付属。 ----------------------------------------------------- Cassette in norelco case. Tracklist: 1. AMBERCOAST...
¥2,000
クイックビュー
{"id":8777137455354,"title":"Sons of Melancholia \/\/ Hyperliquid TAPE","handle":"sons-of-melancholia-hyperliquid-tape","description":"\u003cp\u003eベルギーのアンビエント作家Sons of Melancholiaが、\u003cspan\u003e2025年5月に\u003c\/span\u003eオーストラリア・タスマニアのアンビエントレーベル\u003cspan\u003ePerceptual Tapesから50本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアンビエントドローン10曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2408546813\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/prctltp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/prctltp\"\u003ehere\u003c\/a\u003e to see more Perceptual Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 50. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Neon EVM 05:36\u003cbr\u003e2. Pulsechain\u003cbr\u003e3. Gel\u003cbr\u003e4. Myria 04:42\u003cbr\u003e5. Aurora\u003cbr\u003e6. Vara 03:58\u003cbr\u003e7. Rose\u003cbr\u003e8. Aevo\u003cbr\u003e9. Aioz\u003cbr\u003e10. Arc\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePerceptual Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSons of Melancholia is a project of David Nizet, a Belgian electronic music producer operating under various aliases since the 90s. Now dedicated almost exclusively to experimental music, his new album ‘Hyperliquid’ is an introspective journey through atmospheric soundscapes, immersive drones, obscured textures and treated field recordings. The album takes the listener through varied sonic environments, from the light, airy and expansive to the submerged, hypnotic and contemplative. The compositions display a level of refinement and restraint, balanced with an ever-present emotional undercurrent, underscoring David’s experience and dedication to his craft.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sons of Melancholia\u003c\/p\u003e\n\u003cp\u003eLabel : Perceptual Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePER012\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-03T09:09:08+09:00","created_at":"2025-05-02T08:47:40+09:00","vendor":"Tobira Records","type":"","tags":["ambient","new","perceptual tapes","tape"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47289830670586,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sons of Melancholia \/\/ Hyperliquid TAPE","public_title":null,"options":["Default Title"],"price":215000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/son1_3278c488-aa42-451b-a883-86f9eeabdddd.jpg?v=1746143192","\/\/tobirarecords.com\/cdn\/shop\/files\/son2_ddd56a0d-7371-4b38-9428-bbe0ff641bda.jpg?v=1746143192"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/son1_3278c488-aa42-451b-a883-86f9eeabdddd.jpg?v=1746143192","options":["Title"],"media":[{"alt":null,"id":35970957082874,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/son1_3278c488-aa42-451b-a883-86f9eeabdddd.jpg?v=1746143192"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/son1_3278c488-aa42-451b-a883-86f9eeabdddd.jpg?v=1746143192","width":700},{"alt":null,"id":35970957115642,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/son2_ddd56a0d-7371-4b38-9428-bbe0ff641bda.jpg?v=1746143192"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/son2_ddd56a0d-7371-4b38-9428-bbe0ff641bda.jpg?v=1746143192","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギーのアンビエント作家Sons of Melancholiaが、\u003cspan\u003e2025年5月に\u003c\/span\u003eオーストラリア・タスマニアのアンビエントレーベル\u003cspan\u003ePerceptual Tapesから50本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアンビエントドローン10曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2408546813\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/prctltp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/prctltp\"\u003ehere\u003c\/a\u003e to see more Perceptual Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 50. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Neon EVM 05:36\u003cbr\u003e2. Pulsechain\u003cbr\u003e3. Gel\u003cbr\u003e4. Myria 04:42\u003cbr\u003e5. Aurora\u003cbr\u003e6. Vara 03:58\u003cbr\u003e7. Rose\u003cbr\u003e8. Aevo\u003cbr\u003e9. Aioz\u003cbr\u003e10. Arc\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePerceptual Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSons of Melancholia is a project of David Nizet, a Belgian electronic music producer operating under various aliases since the 90s. Now dedicated almost exclusively to experimental music, his new album ‘Hyperliquid’ is an introspective journey through atmospheric soundscapes, immersive drones, obscured textures and treated field recordings. The album takes the listener through varied sonic environments, from the light, airy and expansive to the submerged, hypnotic and contemplative. The compositions display a level of refinement and restraint, balanced with an ever-present emotional undercurrent, underscoring David’s experience and dedication to his craft.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sons of Melancholia\u003c\/p\u003e\n\u003cp\u003eLabel : Perceptual Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePER012\u003c\/span\u003e\u003c\/p\u003e"}
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ベルギーのアンビエント作家Sons of Melancholiaが、2025年5月にオーストラリア・タスマニアのアンビエントレーベルPerceptual Tapesから50本限定でリリースしたカセットです。 アンビエントドローン10曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Perceptual Tapes releases available at...
¥2,150
クイックビュー
{"id":8777137193210,"title":"Spectrical \/\/ Among Lunar Glaciers TAPE","handle":"spectrical-among-lunar-glaciers-tape","description":"\u003cp\u003eオーストラリア・タスマニアのアンビエントレーベル\u003cspan\u003ePerceptual Tapes主宰Spectricalが、2025年5月に50本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eギターとバイオリン、オープンリールによるアンビエントドローン6曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2528985459\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/prctltp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/prctltp\"\u003ehere\u003c\/a\u003e to see more Perceptual Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 50. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Frozen expanse 07:12\u003cbr\u003e2. Threading glacial depths\u003cbr\u003e3. Crystals gleaming amidst cavern mists\u003cbr\u003e4. Electromagnetic pools\u003cbr\u003e5. Hidden ocean beneath the ice 10:06\u003cbr\u003e6. Surfacing to the iridescent firmament\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePerceptual Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e‘\u003cem\u003eAmong Lunar Glaciers’ is an experimental ambient drone work, conceived as an imaginary soundtrack to an exploration of glaciers on an icy moon and the varied environments within the glacier’s depths. In making the album, Spectrical challenged himself by using only acoustic guitar, violin, and occasional analogue noise as the sole sound sources. The original recordings were transformed with various computer-based processes into otherworldly yet intimate soundscapes. A reel-to-reel tape machine was used and manipulated by hand to add vintage textures and imperfections, and a Eurorack system was used for additional sound design. The resulting aural environments invite the listener to daydream about crystalline caverns, subglacial oceans and iridescent atmospheres in a world far from our own.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Spectrical\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Perceptual Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : PER011\u003c\/p\u003e","published_at":"2025-05-03T09:06:16+09:00","created_at":"2025-05-02T08:45:32+09:00","vendor":"Tobira Records","type":"","tags":["ambient","new","perceptual tapes","tape"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47289830047994,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Spectrical \/\/ Among Lunar Glaciers TAPE","public_title":null,"options":["Default Title"],"price":215000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/amo1_d36d4c96-f13e-4584-8f46-336aba31390e.jpg?v=1746143050","\/\/tobirarecords.com\/cdn\/shop\/files\/amo2_03da98ca-e0ee-486a-8fb0-e5e0b24fb743.jpg?v=1746143050"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/amo1_d36d4c96-f13e-4584-8f46-336aba31390e.jpg?v=1746143050","options":["Title"],"media":[{"alt":null,"id":35970952560890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/amo1_d36d4c96-f13e-4584-8f46-336aba31390e.jpg?v=1746143050"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/amo1_d36d4c96-f13e-4584-8f46-336aba31390e.jpg?v=1746143050","width":700},{"alt":null,"id":35970952593658,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/amo2_03da98ca-e0ee-486a-8fb0-e5e0b24fb743.jpg?v=1746143050"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/amo2_03da98ca-e0ee-486a-8fb0-e5e0b24fb743.jpg?v=1746143050","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・タスマニアのアンビエントレーベル\u003cspan\u003ePerceptual Tapes主宰Spectricalが、2025年5月に50本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eギターとバイオリン、オープンリールによるアンビエントドローン6曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2528985459\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/prctltp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/prctltp\"\u003ehere\u003c\/a\u003e to see more Perceptual Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 50. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Frozen expanse 07:12\u003cbr\u003e2. Threading glacial depths\u003cbr\u003e3. Crystals gleaming amidst cavern mists\u003cbr\u003e4. Electromagnetic pools\u003cbr\u003e5. Hidden ocean beneath the ice 10:06\u003cbr\u003e6. Surfacing to the iridescent firmament\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePerceptual Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e‘\u003cem\u003eAmong Lunar Glaciers’ is an experimental ambient drone work, conceived as an imaginary soundtrack to an exploration of glaciers on an icy moon and the varied environments within the glacier’s depths. In making the album, Spectrical challenged himself by using only acoustic guitar, violin, and occasional analogue noise as the sole sound sources. The original recordings were transformed with various computer-based processes into otherworldly yet intimate soundscapes. A reel-to-reel tape machine was used and manipulated by hand to add vintage textures and imperfections, and a Eurorack system was used for additional sound design. The resulting aural environments invite the listener to daydream about crystalline caverns, subglacial oceans and iridescent atmospheres in a world far from our own.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Spectrical\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Perceptual Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : PER011\u003c\/p\u003e"}
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オーストラリア・タスマニアのアンビエントレーベルPerceptual Tapes主宰Spectricalが、2025年5月に50本限定でリリースしたカセットです。 ギターとバイオリン、オープンリールによるアンビエントドローン6曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Perceptual Tapes releases available at Tobira. ----------------------...
¥2,150
クイックビュー
{"id":8777135718650,"title":"Various Artists \/\/ Staying: Leaving Records Aid to Artists Impacted by the Los Angeles Wildfires 3xTAPE","handle":"various-artists-staying-leaving-records-aid-to-artists-impacted-by-the-los-angeles-wildfires-3xtape","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5\/11発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・LAのオールジャンルレーベルLeaving Recordsが、2025年5月にリリースしたコンピレーション3本組カセットです。\u003c\/p\u003e\n\u003cp\u003e怒涛の98曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、\u003cspan class=\"bcTruncateMore\"\u003eEmmett Shoemaker\u003c\/span\u003eによるエッセイです。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"すべてが変わり、今も変わり続けている。2025年の初頭（アメリカの政治的な地平線が暗くなりつつあることを考えると、この年はすでに危険な年である）、ロサンゼルスと呼ばれる土地に、想像を絶する破壊がもたらされた。1月7日（火）の朝から始まった山火事は、その規模と激しさにおいて、自然災害であれ人災であれ、ロサンゼルスの記憶にないものである。数千棟の家屋が倒壊した。本稿執筆時点で24人の命が失われ（この数はほぼ間違いなく増えるだろう）、無数の人生が永遠に変わってしまった。壊滅的な被害は突如として訪れ、衝撃的で超現実的な1週間を過ごした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e寝ないで朝を迎える。空気の質をチェックする。みんなでインストールしたアプリで火事の進捗状況を確認する（市の警報システムは誤作動を繰り返している）。ゴーバッグに写真を追加する。「8％封じ込め」とは一体どういう意味なのか、避難勧告が数分後に発令されたとき、「準備完了」と「完了」の違いは何なのか。警告が命令に変わったらどうなるのか。私たちは避難する。時間があれば、「保険のため 」に家の中を歩き回り、各部屋を記録し、すべての持ち物を説明する。時間がなければ、ただ避難する。安全な...より安全な？息を吐く。また警報。再び避難。バッグのチャックも開けていない。電話する。電話に出ない。たぶん大丈夫なんだろうけど、なんで出ないんだろう。おそらくあなたが出ないのと同じ理由だろう。時間がないし、考えることもできない。携帯電話が爆発している。親戚や友人がニュースを見ている。「どこまで近づいた？」 近すぎる。火事が続いているから、近くにいなくても近くにいるんだ。ケネス 「夕焼け」 風は変わり続けている。車はすべて道路に駐車され、鍵はすべてなくなっている。悪夢のようだ。逃げられない。それはここにあり、どこにでもある。そして、あまりに多くの人々にとって、この苦悩のサイクルは、想像を絶することがすでに起こった後にも繰り返され続けている： 家を失う。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの出来事の展開を明確に説明するのは難しい。前年の冬に未曾有の大雨に見舞われ、それ以来数ヶ月間、前例のないほど乾燥した状況が続いているため、この地域は現在、大火災に対して他に類を見ないほど脆弱な状態にある。イートン火災とパリセーズ火災は、すでに市の歴史上最も破壊的な2つの火災と推定され、徐々に鎮火に向かっているが、サンタアナの風は再び吹くと予想されている。それに伴い、さらなる恐怖と不安が待ち受けている。私たちは必死の思いで、古代の方法で雨乞いをする。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e誰もが疲れ果て、激怒し（いつもの容疑者たちは、よく言えば肩をすくめ、悪く言えば分断を縫い、儲け主義者たちはすでに唾を飲んでいる）、程度の差こそあれ、喪失感に呆然とし、悲しみに病み、それでもどうにかして、集団で行動する勇気とエネルギーを奮い立たせ、生命を守るために、どんな形であれ貢献しようとしている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私たちは壊滅的な打撃と行動の狭間で立ち往生している。。残されたものを守り、失ったものを取り戻すために。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの瞬間に影響を受けた個人やコミュニティは数多く、多岐にわたるが、ロサンゼルスの音楽コミュニティが根底から覆されたことは事実である。パリセーズ火災はマリブやトパンガ・キャニオンの古い地域にまで及び、イートン火災はアルタデナを事実上消滅させたが、ロサンゼルスで唯一、現役のミュージシャンが少しでも快適に暮らせる地域に影響を与えた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e特にアルタデナについて簡単に： 近年、アルタデナはあらゆるアーティストの豊かで活気ある拠点となっている。サン・ガブリエル山脈の下に位置するこの地域は、20世紀後半に人口動態が変化し、レッドライニング（人種差別撤廃）の歴史、その法的停止、そしてその後の白人逃亡が大きな要因となり、ロサンゼルスの中でも繁栄する黒人の飛び地となった。かつての住民には、オクタヴィア・バトラー（その『種まく人のたとえ』は、今となっては恐ろしいほど予言的である）やシドニー・ポワチエがいる。アルタディナが、ロサンゼルスでも数少ない、労働者家族やあらゆる分野のアーティストが家を所有できる地域であり続けているのは、偶然ではない。数え切れないほどの世代の住宅や歴史的な黒人経営のビジネスが破壊された。本稿執筆時点で失われたことが確認されている多様な施設のなかには、マッドリブの遺産、神智学協会のアーカイブ、バニー博物館だったキッチュで健全な祭壇などがある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e特にLeaving Recordsはアルタデナに深く根付いている。レーベル創設者のマシュー・デイヴィッドは、この界隈の自宅でJカードを印刷する仕事を始め、無数のLeaving Recordsがこの地域に住んでいる。これらのアーティストの多くは、決定的に家を失ったか、現在その運命を知るのを待っているところだ。再建への道筋（どれだけの時間がかかるのか、どれだけの費用がかかるのか、実現可能なのかどうか）はひどく不透明なままだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかし、できることをする、自分たちのベストを尽くすという精神に基づき、Leaving Recordsは、提携アーティストと広く支援者（その多くは本当にすべてを失っている）からなるベネフィット・コンピレーションをリリースするために、あらゆる手段を尽くした。数多くのGoFundMesや、現在復興活動を後押ししている、深く、しばしば悲惨な相互扶助の行為を補うために、また、第三者機関への寄付の代わりに、全収益は影響を受けた個人に直接寄付される。その50%は、ロサンゼルスのアーティストや音楽仲間で困っている人たちに、可能な限り公平に配分される。私たちは、私たちの身近なコミュニティで被災した人々の簡潔な内部リストとともに、すでに流通している既存の音楽コミュニティ支援のスプレッドシート／文書を参照する予定である。残りの50％は、やはり可能な限り公平に、火災の影響を受けた黒人の避難家族やコミュニティに割り当てられる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e個人的・集団的な癒し、生態系の回復、精神的超越、急進的な共同性--こうした関心事は、Leaving Recordsのカタログに織り込まれている。レーベルの歴史の中で、これらの原則を称え、実行することがこれほど求められたことはない。希望が何であるかはまだわからないかもしれないが、私たちはどこかにそれを見出している。それは連帯の中にあり、音楽の中にある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2111986195\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003cbr\u003e3 x cassette in long norelco case + OBI. \u003cbr\u003eCassette edition of 500. \u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eContains selected \u003cmeta charset=\"utf-8\"\u003ematerial across three tapes - roughly \u003cmeta charset=\"utf-8\"\u003e240mins of music from the digital album.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDigital Tracklist (Cassette contains material selected from below)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Celia Hollander \u0026amp; Photay - Live at LTMOITDUAT 10.14.23 04:45\u003cbr\u003e2. Laraaji - Joyous Dance '82 06:20\u003cbr\u003e3. Jon Makes Beats - The Mountain 03:14\u003cbr\u003e4. Sharada Shashidhar \/ Caleb Buchanan - Ghostly 02:30\u003cbr\u003e5. Baths \u0026amp; Rachika Nayar - Dried Apricot 03:14\u003cbr\u003e6. More Eaze - Point Dume 03:10\u003cbr\u003e7. Samantha Urbani - Cafe 101 01:50\u003cbr\u003e8. V.C.R - Charlene's Mantra 02:12\u003cbr\u003e9. Surya Botofasina - Our Cottage To Across The Stream (Carlos Niño \u0026amp; Friends Remix featuring Steve Spacek with Miles Spilsbury, Dntel, and J Rocc) 03:35\u003cbr\u003e10. Total Blue - Astral Mud 04:24\u003cbr\u003e11. John Carroll Kirby - Nucleo (Live) featuring Logan Hone, Benny Bock, John Paul Maramba, Tamir Barzilay 15:22\u003cbr\u003e12. Spencer Zahn, Dave Scalia, Jon Natchez - Peaches \u0026amp; Apricots 04:19\u003cbr\u003e13. Caural - Radiant Everything 03:37\u003cbr\u003e14. Sam Wilkes - Culebra 03:30\u003cbr\u003e15. Samiyam - Water 04:10\u003cbr\u003e16. Devonwho - Pulse 02:08\u003cbr\u003e17. Diego Gaeta - Earthseed 02:00\u003cbr\u003e18. Nina Keith - Come Back Different (Live At Zorthian Ranch) 05:24\u003cbr\u003e19. Julia Holter - Turn The Light On (Live at the Leaving Records 10-Year Anniversary) 04:23\u003cbr\u003e20. Nite Jewel - Cry In Time (Demo) 03:28\u003cbr\u003e21. Eddie Chacon - Fate 02:55\u003cbr\u003e22. Cool Maritime - Freshet 06:16\u003cbr\u003e23. MIZU - The Course Of Empire 15:29\u003cbr\u003e24. Arushi Jain - California 06:43\u003cbr\u003e25. Ahnnu - Red05 03:13\u003cbr\u003e26. Yama Fela Harmon Koh \u0026amp; Grandfather. - On The Other Side Of Fear And Complacency 05:07\u003cbr\u003e27. The Growth Eternal - Fire From The Palisades 01:28\u003cbr\u003e28. Peaking Lights - For Real 08:32\u003cbr\u003e29. Brijean - Strange Times (Live) 11:34\u003cbr\u003e30. Cole Pulice - A Prayer In My Pocket 03:43\u003cbr\u003e31. dak - Fresh Sprouts 04:25\u003cbr\u003e32. Daedelus - Making The Beat Scene 01:48\u003cbr\u003e33. Ryan York - Processional 02:42\u003cbr\u003e34. Glia - Gaal RDM 01:37\u003cbr\u003e35. Botany - Diode Congregation 02:54\u003cbr\u003e36. Asa Tone \u0026amp; Ariel Kalma - A Gentle Upward Spiral 04:04\u003cbr\u003e37. Mndsgn - Her Radiance Was Uncanny 07:27\u003cbr\u003e38. Kutmah - Ease Your Mind 03:02\u003cbr\u003e39. Cafe Ale - 60 W Palm 04:32\u003cbr\u003e40. Rhys Langston \u0026amp; EYEDRESS - Winding In The Light (I Saw You Last Night) 02:38\u003cbr\u003e41. Odd Nosdam x Trance Farmers - The Future's a Straightaway 02:08\u003cbr\u003e42. Automatic - Mq9 (demo) 04:02\u003cbr\u003e43. Toucan - Stay 02:43\u003cbr\u003e44. Kevin Haskins - These Boots Are Made For Walking '91 03:22\u003cbr\u003e45. Luke Schneider - Honeydrip 02:05\u003cbr\u003e46. Matt Baldwin - Naiad 05:52\u003cbr\u003e47. Lael Neale - How To Be Human 02:19\u003cbr\u003e48. Diatom Deli - God Is Change 04:44\u003cbr\u003e49. Diva \u0026amp; The Pearly Gates - Heartbeat (demo) 02:57\u003cbr\u003e50. Brin - Lonely 02:38\u003cbr\u003e51. yuk. - Hopeblanket 04:10\u003cbr\u003e52. Droopy Eye - imgofmyslf,3d 02:03\u003cbr\u003e53. Nate Mercereau - Juniper's Theme (Live in Twentynine Palms 121524) - Excerpt, with Aaron Shaw and Andres Renteria 04:13\u003cbr\u003e54. Ohma - Live at LTMOITDUAT 10.14.23 04:26\u003cbr\u003e55. Alia - Lullaby For A Sea Nymph 01:55\u003cbr\u003e56. Emily Sprague - Symbiosis 06:23\u003cbr\u003e57. Fumitake Tamura - Ma to Sa 04:05\u003cbr\u003e58. Xyla - Adjust 04:56\u003cbr\u003e59. Anenon - Matters Of Time 04:00\u003cbr\u003e60. Chakram featuring Miguel Atwood-Ferguson - Mirror Image Neurons 02:50\u003cbr\u003e61. Nailah Hunter - Rest Here (demo) 01:57\u003cbr\u003e62. Def Sound - I Been (Contour Remix) 04:14\u003cbr\u003e63. Tru - Skyscrapers 02:10\u003cbr\u003e64. EMV - On The One Hand 02:46\u003cbr\u003e65. Sweatson Klank - Find Our Way Back (Altadena) 03:09\u003cbr\u003e66. Steve Roach - FOR THE ANGELS 08:41\u003cbr\u003e67. Aisha Vaughan - Forever Dreaming 03:45\u003cbr\u003e68. White Magic - Moon 04:52\u003cbr\u003e69. Marine Eyes - Centuries 03:57\u003cbr\u003e70. Raays + Andrew CS - Rain In Los Angeles 04:58\u003cbr\u003e71. Tehn - averroes ii (antimatter) 03:56\u003cbr\u003e72. Dani Derks - Slopes 03:21\u003cbr\u003e73. David Moses x Tristan de Liege - Contour 02:45\u003cbr\u003e74. Kyle Parker \u0026amp; Alex Twomey - Numbers 03:27\u003cbr\u003e75. Hundred Waters - Pliocene 02:45\u003cbr\u003e76. Paul Livingstone featuring Partho Sarothy - Bear Heart 03:57\u003cbr\u003e77. Campus Christy featuring Piya Malik - Lezte Nachte 04:18\u003cbr\u003e78. Maylee Todd - Be A Dreamer 02:18\u003cbr\u003e79. M.A. Tiesenga - A Clearing 02:40\u003cbr\u003e80. Guy Blakeslee - Reprieve 13:06\u003cbr\u003e81. Earthtones with Shelley Burgon - Beyond Beyond 08:37\u003cbr\u003e82. Black Taffy - Setting Sun Shines Gold 05:08\u003cbr\u003e83. Kenny Segal - Sablefish 02:27\u003cbr\u003e84. Reggie Watts - Rondo In E Flat (Live at LTMOITDUAT 2.4.22) 04:04\u003cbr\u003e85. Muwosi \u0026amp; Lionmilk - The Rite Way 05:20\u003cbr\u003e86. 3V3RY1 - Sno 01:25\u003cbr\u003e87. Aisha Mars - Song For My Father 03:12\u003cbr\u003e88. Creme - Tear Drop 01:24\u003cbr\u003e89. MoRuf - Shining Like Jewels (demo) 01:48\u003cbr\u003e90. Vinyl Williams - Sunlight 03:50\u003cbr\u003e91. tstewart - Splendid 03:06\u003cbr\u003e92. Carlos Niño \u0026amp; Friends - Tribute to Ahmad, Dilla and Dove (featuring Nate Mercereau, Devin Daniels, Photay, and V.C.R) 04:10\u003cbr\u003e93. KMRU - Visions 03:00\u003cbr\u003e94. Tate EC - Wings 02:45\u003cbr\u003e95. Superposition - Glimmer 04:51\u003cbr\u003e96. N Kramer - What Now? 04:27\u003cbr\u003e97. Matthewdavid - Winter Trip Hop 04:08\u003cbr\u003e98. André 3000 - \"This is Where my room used to be.\" (featuring Carlos Niño, Alex Cline, and Pablo Calogero) 08:45\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eEssay written by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eEmmett Shoemaker for Leaving Records, January 13, 2025, ~10:30pm:\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Everything has changed, and it is changing still. The early days of 2025 (an already baleful year, vis-a-vis America’s darkening political horizon) have wrought heretofore unimaginable destruction in the land we now call Los Angeles. The wildfires that began on the morning of Tuesday, January 7th—and which are still raging—are, in scope and intensity, unlike any other disaster, natural or manmade, in the city’s living memory. Thousands of homes destroyed. Twenty four lives lost at the time of writing (that number will almost certainly rise), and innumerable lives forever altered. The devastation arrived suddenly, and has persisted over the course of a punishing and surreal week. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe rise in the morning after not sleeping. We check the air quality. We check the fires’ progress on the same app we’ve all installed (the City’s alert system keeps misfiring). We add another photo to the go bag. We wonder what the fuck the phrase “8% containment actually means,” or what distinguishes “ready” from “set” when the evacuation warnings are fired off within mere minutes of one another. And what happens when warnings turn to orders. We evacuate. If we have time, we walk through our homes, recording each room, narrating all our possessions, for “insurance purposes.” If we don’t have time we just go. We arrive somewhere…safe…safer? We\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e exhale. Another alert. We evacuate again. Hadn’t even unzipped the go bag. We text. We call. They’re not answering. They’re probably fine but why aren’t they answering. Probably the same reason you’re not answering. There’s no time and you can’t think. Your phone is exploding. Relatives and friends are watching the news. “How close are you?” You are too close. You are close even if you’re not close because the fires keep starting.” Kenneth.” “Sunset.” The winds keep shifting. The cars are all parked in the road and all the keys are gone. It is like a nightmare. You can’t get away. It is here and it is everywhere. And for all too many this agonizing cycle keeps on repeating after the unthinkable has already occurred: The loss of home. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe unfoldingness of this event is hard to articulate. Having experienced unprecedented rainfall the previous winter, and unprecedentedly dry conditions in the months since, the region is, at present, uniquely vulnerable to catastrophic fires. The Eaton and Palisades Fires, already estimated to be the two most destructive fires in the City’s history, are slowly being contained, but the Santa Ana winds are expected to return. With them, more fear and uncertainty. We pray for rain in a desperate and ancient way. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEveryone is exhausted, enraged (the usual suspects are at best shrugging and at worst sewing division; the profiteers are already salivating), to varying degrees stunned by loss and sick with grief, and still, somehow, mustering the courage and energy to act collectively, to contribute, however they might, towards the preservation of life. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe are stuck between (propelled by?) devastation and action. The impulse to simply break down, and the knowledge that there is tremendous work to be done, now and in the future. To preserve what remains, and to regain what we’ve lost. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe individuals and communities affected in this moment are numerous and varied, but it is the case that Los Angeles’s musical community has been absolutely upended. The Palisades fire, with its reach into older parts of Malibu and Topanga Canyon, and the Eaton fire, in its virtual erasure of Altadena, have affected some of the only areas in Los Angeles where working musicians could live with a modicum of comfort—Though, as we are all too aware in this moment, precarity has always been part of the bargain here.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA brief word on Altadena in particular: In recent years, Altadena has become a rich and vibrant hub for artists of all kinds. Nestled below the San Gabriel mountains, the region’s demography shifted in the latter half of the twentieth century—due in large part to a history of redlining, that practice’s legal cessation, and subsequent white flight—to become a thriving Black enclave within Los Angeles. Former residents include no less than Octavia Butler (whose Parable of the Sower rings now as terribly prophetic) and Sydney Poitier. That Altadena has remained one of the few areas within Los Angeles where home ownership is feasible for working families and artists of all stripes is no coincidence. Countless generational homes and historic Black-owned businesses have been destroyed. Among the diverse institutions confirmed to have been lost at the time of writing are Madlib’s estate, the Theosophical Society’s archives, and the altar of kitsch and wholesomeness that was The Bunny Museum. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLeaving Records in particular has deep roots in Altadena. Label founder MatthewDavid cut his teeth printing J cards at a home operation in the neighborhood, and countless Leaving artists reside in the area. Many of these artists have either definitively lost their homes, or are currently waiting to learn their fate. The path to rebuilding (how long it will take, what it will cost, whether it is even feasible) remains terribly unclear. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut, in the spirit of doing what we can, and doing what we do best, Leaving has pulled out all the proverbial stops to release a benefit compilation consisting of affiliated artists and supporters far and wide (many of whom have indeed lost everything). Seeking to supplement the numerous GoFundMes and the profound, often harrowing acts of mutual aid that are currently buoying recovery efforts, and in lieu of donating to a third party organization, all proceeds will be donated directly to impacted individuals. 50% will be meticulously, manually allocated to Los Angeles artists and music colleagues in need, as equitably as possible. We will be referencing existing music community aid spreadsheets \/ documents already circulating, alongside a succinct internal list of those affected in our immediate community. The other 50% of funds will be allocated to displaced Black families and community impacted by the fires, again, as equitably as possible.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePersonal and collective healing, ecological recuperation, spiritual transcendence, radical communality — these concerns are woven into Leaving’s roster and catalog. Never in the label’s history has it been so called upon to celebrate and implement these principles. Though we may not even know what “hope” constitutes yet, we know we’ve got it somewhere. We know it’s in solidarity, and we know it’s in the music. \"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various Aritsts\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Staying (Leaving Records)\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-03T08:58:28+09:00","created_at":"2025-05-02T08:39:02+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","hiphop \/ funk","house","jazz","leaving records","new","recommended","tape"],"price":458300,"price_min":458300,"price_max":458300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47289825362170,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists \/\/ Staying: Leaving Records Aid to Artists Impacted by the Los Angeles Wildfires 3xTAPE","public_title":null,"options":["Default Title"],"price":458300,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/le1_b2ade7f4-5fb3-4718-8008-b54e06f34c00.jpg?v=1746142829","\/\/tobirarecords.com\/cdn\/shop\/files\/le3.jpg?v=1746142829"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_b2ade7f4-5fb3-4718-8008-b54e06f34c00.jpg?v=1746142829","options":["Title"],"media":[{"alt":null,"id":35970944270586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_b2ade7f4-5fb3-4718-8008-b54e06f34c00.jpg?v=1746142829"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_b2ade7f4-5fb3-4718-8008-b54e06f34c00.jpg?v=1746142829","width":700},{"alt":null,"id":35970944303354,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le3.jpg?v=1746142829"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le3.jpg?v=1746142829","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5\/11発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・LAのオールジャンルレーベルLeaving Recordsが、2025年5月にリリースしたコンピレーション3本組カセットです。\u003c\/p\u003e\n\u003cp\u003e怒涛の98曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、\u003cspan class=\"bcTruncateMore\"\u003eEmmett Shoemaker\u003c\/span\u003eによるエッセイです。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"すべてが変わり、今も変わり続けている。2025年の初頭（アメリカの政治的な地平線が暗くなりつつあることを考えると、この年はすでに危険な年である）、ロサンゼルスと呼ばれる土地に、想像を絶する破壊がもたらされた。1月7日（火）の朝から始まった山火事は、その規模と激しさにおいて、自然災害であれ人災であれ、ロサンゼルスの記憶にないものである。数千棟の家屋が倒壊した。本稿執筆時点で24人の命が失われ（この数はほぼ間違いなく増えるだろう）、無数の人生が永遠に変わってしまった。壊滅的な被害は突如として訪れ、衝撃的で超現実的な1週間を過ごした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e寝ないで朝を迎える。空気の質をチェックする。みんなでインストールしたアプリで火事の進捗状況を確認する（市の警報システムは誤作動を繰り返している）。ゴーバッグに写真を追加する。「8％封じ込め」とは一体どういう意味なのか、避難勧告が数分後に発令されたとき、「準備完了」と「完了」の違いは何なのか。警告が命令に変わったらどうなるのか。私たちは避難する。時間があれば、「保険のため 」に家の中を歩き回り、各部屋を記録し、すべての持ち物を説明する。時間がなければ、ただ避難する。安全な...より安全な？息を吐く。また警報。再び避難。バッグのチャックも開けていない。電話する。電話に出ない。たぶん大丈夫なんだろうけど、なんで出ないんだろう。おそらくあなたが出ないのと同じ理由だろう。時間がないし、考えることもできない。携帯電話が爆発している。親戚や友人がニュースを見ている。「どこまで近づいた？」 近すぎる。火事が続いているから、近くにいなくても近くにいるんだ。ケネス 「夕焼け」 風は変わり続けている。車はすべて道路に駐車され、鍵はすべてなくなっている。悪夢のようだ。逃げられない。それはここにあり、どこにでもある。そして、あまりに多くの人々にとって、この苦悩のサイクルは、想像を絶することがすでに起こった後にも繰り返され続けている： 家を失う。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの出来事の展開を明確に説明するのは難しい。前年の冬に未曾有の大雨に見舞われ、それ以来数ヶ月間、前例のないほど乾燥した状況が続いているため、この地域は現在、大火災に対して他に類を見ないほど脆弱な状態にある。イートン火災とパリセーズ火災は、すでに市の歴史上最も破壊的な2つの火災と推定され、徐々に鎮火に向かっているが、サンタアナの風は再び吹くと予想されている。それに伴い、さらなる恐怖と不安が待ち受けている。私たちは必死の思いで、古代の方法で雨乞いをする。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e誰もが疲れ果て、激怒し（いつもの容疑者たちは、よく言えば肩をすくめ、悪く言えば分断を縫い、儲け主義者たちはすでに唾を飲んでいる）、程度の差こそあれ、喪失感に呆然とし、悲しみに病み、それでもどうにかして、集団で行動する勇気とエネルギーを奮い立たせ、生命を守るために、どんな形であれ貢献しようとしている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私たちは壊滅的な打撃と行動の狭間で立ち往生している。。残されたものを守り、失ったものを取り戻すために。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの瞬間に影響を受けた個人やコミュニティは数多く、多岐にわたるが、ロサンゼルスの音楽コミュニティが根底から覆されたことは事実である。パリセーズ火災はマリブやトパンガ・キャニオンの古い地域にまで及び、イートン火災はアルタデナを事実上消滅させたが、ロサンゼルスで唯一、現役のミュージシャンが少しでも快適に暮らせる地域に影響を与えた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e特にアルタデナについて簡単に： 近年、アルタデナはあらゆるアーティストの豊かで活気ある拠点となっている。サン・ガブリエル山脈の下に位置するこの地域は、20世紀後半に人口動態が変化し、レッドライニング（人種差別撤廃）の歴史、その法的停止、そしてその後の白人逃亡が大きな要因となり、ロサンゼルスの中でも繁栄する黒人の飛び地となった。かつての住民には、オクタヴィア・バトラー（その『種まく人のたとえ』は、今となっては恐ろしいほど予言的である）やシドニー・ポワチエがいる。アルタディナが、ロサンゼルスでも数少ない、労働者家族やあらゆる分野のアーティストが家を所有できる地域であり続けているのは、偶然ではない。数え切れないほどの世代の住宅や歴史的な黒人経営のビジネスが破壊された。本稿執筆時点で失われたことが確認されている多様な施設のなかには、マッドリブの遺産、神智学協会のアーカイブ、バニー博物館だったキッチュで健全な祭壇などがある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e特にLeaving Recordsはアルタデナに深く根付いている。レーベル創設者のマシュー・デイヴィッドは、この界隈の自宅でJカードを印刷する仕事を始め、無数のLeaving Recordsがこの地域に住んでいる。これらのアーティストの多くは、決定的に家を失ったか、現在その運命を知るのを待っているところだ。再建への道筋（どれだけの時間がかかるのか、どれだけの費用がかかるのか、実現可能なのかどうか）はひどく不透明なままだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかし、できることをする、自分たちのベストを尽くすという精神に基づき、Leaving Recordsは、提携アーティストと広く支援者（その多くは本当にすべてを失っている）からなるベネフィット・コンピレーションをリリースするために、あらゆる手段を尽くした。数多くのGoFundMesや、現在復興活動を後押ししている、深く、しばしば悲惨な相互扶助の行為を補うために、また、第三者機関への寄付の代わりに、全収益は影響を受けた個人に直接寄付される。その50%は、ロサンゼルスのアーティストや音楽仲間で困っている人たちに、可能な限り公平に配分される。私たちは、私たちの身近なコミュニティで被災した人々の簡潔な内部リストとともに、すでに流通している既存の音楽コミュニティ支援のスプレッドシート／文書を参照する予定である。残りの50％は、やはり可能な限り公平に、火災の影響を受けた黒人の避難家族やコミュニティに割り当てられる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e個人的・集団的な癒し、生態系の回復、精神的超越、急進的な共同性--こうした関心事は、Leaving Recordsのカタログに織り込まれている。レーベルの歴史の中で、これらの原則を称え、実行することがこれほど求められたことはない。希望が何であるかはまだわからないかもしれないが、私たちはどこかにそれを見出している。それは連帯の中にあり、音楽の中にある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2111986195\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003cbr\u003e3 x cassette in long norelco case + OBI. \u003cbr\u003eCassette edition of 500. \u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eContains selected \u003cmeta charset=\"utf-8\"\u003ematerial across three tapes - roughly \u003cmeta charset=\"utf-8\"\u003e240mins of music from the digital album.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDigital Tracklist (Cassette contains material selected from below)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Celia Hollander \u0026amp; Photay - Live at LTMOITDUAT 10.14.23 04:45\u003cbr\u003e2. Laraaji - Joyous Dance '82 06:20\u003cbr\u003e3. Jon Makes Beats - The Mountain 03:14\u003cbr\u003e4. Sharada Shashidhar \/ Caleb Buchanan - Ghostly 02:30\u003cbr\u003e5. Baths \u0026amp; Rachika Nayar - Dried Apricot 03:14\u003cbr\u003e6. More Eaze - Point Dume 03:10\u003cbr\u003e7. Samantha Urbani - Cafe 101 01:50\u003cbr\u003e8. V.C.R - Charlene's Mantra 02:12\u003cbr\u003e9. Surya Botofasina - Our Cottage To Across The Stream (Carlos Niño \u0026amp; Friends Remix featuring Steve Spacek with Miles Spilsbury, Dntel, and J Rocc) 03:35\u003cbr\u003e10. Total Blue - Astral Mud 04:24\u003cbr\u003e11. John Carroll Kirby - Nucleo (Live) featuring Logan Hone, Benny Bock, John Paul Maramba, Tamir Barzilay 15:22\u003cbr\u003e12. Spencer Zahn, Dave Scalia, Jon Natchez - Peaches \u0026amp; Apricots 04:19\u003cbr\u003e13. Caural - Radiant Everything 03:37\u003cbr\u003e14. Sam Wilkes - Culebra 03:30\u003cbr\u003e15. Samiyam - Water 04:10\u003cbr\u003e16. Devonwho - Pulse 02:08\u003cbr\u003e17. Diego Gaeta - Earthseed 02:00\u003cbr\u003e18. Nina Keith - Come Back Different (Live At Zorthian Ranch) 05:24\u003cbr\u003e19. Julia Holter - Turn The Light On (Live at the Leaving Records 10-Year Anniversary) 04:23\u003cbr\u003e20. Nite Jewel - Cry In Time (Demo) 03:28\u003cbr\u003e21. Eddie Chacon - Fate 02:55\u003cbr\u003e22. Cool Maritime - Freshet 06:16\u003cbr\u003e23. MIZU - The Course Of Empire 15:29\u003cbr\u003e24. Arushi Jain - California 06:43\u003cbr\u003e25. Ahnnu - Red05 03:13\u003cbr\u003e26. Yama Fela Harmon Koh \u0026amp; Grandfather. - On The Other Side Of Fear And Complacency 05:07\u003cbr\u003e27. The Growth Eternal - Fire From The Palisades 01:28\u003cbr\u003e28. Peaking Lights - For Real 08:32\u003cbr\u003e29. Brijean - Strange Times (Live) 11:34\u003cbr\u003e30. Cole Pulice - A Prayer In My Pocket 03:43\u003cbr\u003e31. dak - Fresh Sprouts 04:25\u003cbr\u003e32. Daedelus - Making The Beat Scene 01:48\u003cbr\u003e33. Ryan York - Processional 02:42\u003cbr\u003e34. Glia - Gaal RDM 01:37\u003cbr\u003e35. Botany - Diode Congregation 02:54\u003cbr\u003e36. Asa Tone \u0026amp; Ariel Kalma - A Gentle Upward Spiral 04:04\u003cbr\u003e37. Mndsgn - Her Radiance Was Uncanny 07:27\u003cbr\u003e38. Kutmah - Ease Your Mind 03:02\u003cbr\u003e39. Cafe Ale - 60 W Palm 04:32\u003cbr\u003e40. Rhys Langston \u0026amp; EYEDRESS - Winding In The Light (I Saw You Last Night) 02:38\u003cbr\u003e41. Odd Nosdam x Trance Farmers - The Future's a Straightaway 02:08\u003cbr\u003e42. Automatic - Mq9 (demo) 04:02\u003cbr\u003e43. Toucan - Stay 02:43\u003cbr\u003e44. Kevin Haskins - These Boots Are Made For Walking '91 03:22\u003cbr\u003e45. Luke Schneider - Honeydrip 02:05\u003cbr\u003e46. Matt Baldwin - Naiad 05:52\u003cbr\u003e47. Lael Neale - How To Be Human 02:19\u003cbr\u003e48. Diatom Deli - God Is Change 04:44\u003cbr\u003e49. Diva \u0026amp; The Pearly Gates - Heartbeat (demo) 02:57\u003cbr\u003e50. Brin - Lonely 02:38\u003cbr\u003e51. yuk. - Hopeblanket 04:10\u003cbr\u003e52. Droopy Eye - imgofmyslf,3d 02:03\u003cbr\u003e53. Nate Mercereau - Juniper's Theme (Live in Twentynine Palms 121524) - Excerpt, with Aaron Shaw and Andres Renteria 04:13\u003cbr\u003e54. Ohma - Live at LTMOITDUAT 10.14.23 04:26\u003cbr\u003e55. Alia - Lullaby For A Sea Nymph 01:55\u003cbr\u003e56. Emily Sprague - Symbiosis 06:23\u003cbr\u003e57. Fumitake Tamura - Ma to Sa 04:05\u003cbr\u003e58. Xyla - Adjust 04:56\u003cbr\u003e59. Anenon - Matters Of Time 04:00\u003cbr\u003e60. Chakram featuring Miguel Atwood-Ferguson - Mirror Image Neurons 02:50\u003cbr\u003e61. Nailah Hunter - Rest Here (demo) 01:57\u003cbr\u003e62. Def Sound - I Been (Contour Remix) 04:14\u003cbr\u003e63. Tru - Skyscrapers 02:10\u003cbr\u003e64. EMV - On The One Hand 02:46\u003cbr\u003e65. Sweatson Klank - Find Our Way Back (Altadena) 03:09\u003cbr\u003e66. Steve Roach - FOR THE ANGELS 08:41\u003cbr\u003e67. Aisha Vaughan - Forever Dreaming 03:45\u003cbr\u003e68. White Magic - Moon 04:52\u003cbr\u003e69. Marine Eyes - Centuries 03:57\u003cbr\u003e70. Raays + Andrew CS - Rain In Los Angeles 04:58\u003cbr\u003e71. Tehn - averroes ii (antimatter) 03:56\u003cbr\u003e72. Dani Derks - Slopes 03:21\u003cbr\u003e73. David Moses x Tristan de Liege - Contour 02:45\u003cbr\u003e74. Kyle Parker \u0026amp; Alex Twomey - Numbers 03:27\u003cbr\u003e75. Hundred Waters - Pliocene 02:45\u003cbr\u003e76. Paul Livingstone featuring Partho Sarothy - Bear Heart 03:57\u003cbr\u003e77. Campus Christy featuring Piya Malik - Lezte Nachte 04:18\u003cbr\u003e78. Maylee Todd - Be A Dreamer 02:18\u003cbr\u003e79. M.A. Tiesenga - A Clearing 02:40\u003cbr\u003e80. Guy Blakeslee - Reprieve 13:06\u003cbr\u003e81. Earthtones with Shelley Burgon - Beyond Beyond 08:37\u003cbr\u003e82. Black Taffy - Setting Sun Shines Gold 05:08\u003cbr\u003e83. Kenny Segal - Sablefish 02:27\u003cbr\u003e84. Reggie Watts - Rondo In E Flat (Live at LTMOITDUAT 2.4.22) 04:04\u003cbr\u003e85. Muwosi \u0026amp; Lionmilk - The Rite Way 05:20\u003cbr\u003e86. 3V3RY1 - Sno 01:25\u003cbr\u003e87. Aisha Mars - Song For My Father 03:12\u003cbr\u003e88. Creme - Tear Drop 01:24\u003cbr\u003e89. MoRuf - Shining Like Jewels (demo) 01:48\u003cbr\u003e90. Vinyl Williams - Sunlight 03:50\u003cbr\u003e91. tstewart - Splendid 03:06\u003cbr\u003e92. Carlos Niño \u0026amp; Friends - Tribute to Ahmad, Dilla and Dove (featuring Nate Mercereau, Devin Daniels, Photay, and V.C.R) 04:10\u003cbr\u003e93. KMRU - Visions 03:00\u003cbr\u003e94. Tate EC - Wings 02:45\u003cbr\u003e95. Superposition - Glimmer 04:51\u003cbr\u003e96. N Kramer - What Now? 04:27\u003cbr\u003e97. Matthewdavid - Winter Trip Hop 04:08\u003cbr\u003e98. André 3000 - \"This is Where my room used to be.\" (featuring Carlos Niño, Alex Cline, and Pablo Calogero) 08:45\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eEssay written by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eEmmett Shoemaker for Leaving Records, January 13, 2025, ~10:30pm:\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Everything has changed, and it is changing still. The early days of 2025 (an already baleful year, vis-a-vis America’s darkening political horizon) have wrought heretofore unimaginable destruction in the land we now call Los Angeles. The wildfires that began on the morning of Tuesday, January 7th—and which are still raging—are, in scope and intensity, unlike any other disaster, natural or manmade, in the city’s living memory. Thousands of homes destroyed. Twenty four lives lost at the time of writing (that number will almost certainly rise), and innumerable lives forever altered. The devastation arrived suddenly, and has persisted over the course of a punishing and surreal week. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe rise in the morning after not sleeping. We check the air quality. We check the fires’ progress on the same app we’ve all installed (the City’s alert system keeps misfiring). We add another photo to the go bag. We wonder what the fuck the phrase “8% containment actually means,” or what distinguishes “ready” from “set” when the evacuation warnings are fired off within mere minutes of one another. And what happens when warnings turn to orders. We evacuate. If we have time, we walk through our homes, recording each room, narrating all our possessions, for “insurance purposes.” If we don’t have time we just go. We arrive somewhere…safe…safer? We\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e exhale. Another alert. We evacuate again. Hadn’t even unzipped the go bag. We text. We call. They’re not answering. They’re probably fine but why aren’t they answering. Probably the same reason you’re not answering. There’s no time and you can’t think. Your phone is exploding. Relatives and friends are watching the news. “How close are you?” You are too close. You are close even if you’re not close because the fires keep starting.” Kenneth.” “Sunset.” The winds keep shifting. The cars are all parked in the road and all the keys are gone. It is like a nightmare. You can’t get away. It is here and it is everywhere. And for all too many this agonizing cycle keeps on repeating after the unthinkable has already occurred: The loss of home. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe unfoldingness of this event is hard to articulate. Having experienced unprecedented rainfall the previous winter, and unprecedentedly dry conditions in the months since, the region is, at present, uniquely vulnerable to catastrophic fires. The Eaton and Palisades Fires, already estimated to be the two most destructive fires in the City’s history, are slowly being contained, but the Santa Ana winds are expected to return. With them, more fear and uncertainty. We pray for rain in a desperate and ancient way. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEveryone is exhausted, enraged (the usual suspects are at best shrugging and at worst sewing division; the profiteers are already salivating), to varying degrees stunned by loss and sick with grief, and still, somehow, mustering the courage and energy to act collectively, to contribute, however they might, towards the preservation of life. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe are stuck between (propelled by?) devastation and action. The impulse to simply break down, and the knowledge that there is tremendous work to be done, now and in the future. To preserve what remains, and to regain what we’ve lost. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe individuals and communities affected in this moment are numerous and varied, but it is the case that Los Angeles’s musical community has been absolutely upended. The Palisades fire, with its reach into older parts of Malibu and Topanga Canyon, and the Eaton fire, in its virtual erasure of Altadena, have affected some of the only areas in Los Angeles where working musicians could live with a modicum of comfort—Though, as we are all too aware in this moment, precarity has always been part of the bargain here.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA brief word on Altadena in particular: In recent years, Altadena has become a rich and vibrant hub for artists of all kinds. Nestled below the San Gabriel mountains, the region’s demography shifted in the latter half of the twentieth century—due in large part to a history of redlining, that practice’s legal cessation, and subsequent white flight—to become a thriving Black enclave within Los Angeles. Former residents include no less than Octavia Butler (whose Parable of the Sower rings now as terribly prophetic) and Sydney Poitier. That Altadena has remained one of the few areas within Los Angeles where home ownership is feasible for working families and artists of all stripes is no coincidence. Countless generational homes and historic Black-owned businesses have been destroyed. Among the diverse institutions confirmed to have been lost at the time of writing are Madlib’s estate, the Theosophical Society’s archives, and the altar of kitsch and wholesomeness that was The Bunny Museum. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLeaving Records in particular has deep roots in Altadena. Label founder MatthewDavid cut his teeth printing J cards at a home operation in the neighborhood, and countless Leaving artists reside in the area. Many of these artists have either definitively lost their homes, or are currently waiting to learn their fate. The path to rebuilding (how long it will take, what it will cost, whether it is even feasible) remains terribly unclear. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut, in the spirit of doing what we can, and doing what we do best, Leaving has pulled out all the proverbial stops to release a benefit compilation consisting of affiliated artists and supporters far and wide (many of whom have indeed lost everything). Seeking to supplement the numerous GoFundMes and the profound, often harrowing acts of mutual aid that are currently buoying recovery efforts, and in lieu of donating to a third party organization, all proceeds will be donated directly to impacted individuals. 50% will be meticulously, manually allocated to Los Angeles artists and music colleagues in need, as equitably as possible. We will be referencing existing music community aid spreadsheets \/ documents already circulating, alongside a succinct internal list of those affected in our immediate community. The other 50% of funds will be allocated to displaced Black families and community impacted by the fires, again, as equitably as possible.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePersonal and collective healing, ecological recuperation, spiritual transcendence, radical communality — these concerns are woven into Leaving’s roster and catalog. Never in the label’s history has it been so called upon to celebrate and implement these principles. Though we may not even know what “hope” constitutes yet, we know we’ve got it somewhere. We know it’s in solidarity, and we know it’s in the music. \"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various Aritsts\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Staying (Leaving Records)\u003c\/span\u003e\u003c\/p\u003e"}
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※5/11発送開始します アメリカ・LAのオールジャンルレーベルLeaving Recordsが、2025年5月にリリースしたコンピレーション3本組カセットです。 怒涛の98曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、Emmett Shoemakerによるエッセイです。 "すべてが変わり、今も変わり続けている。2025年の初頭（アメリカの政治的な地平線が暗くなりつつあることを考えると、この年はすでに危険な年である）、ロサンゼルスと呼ばれる土地に、想像を絶する破壊がもたらされた。1月7日（火）の朝から始まった山火事は、その規模と激しさにおいて、自然災害であれ人災であれ、ロサンゼルスの記憶にないものである。数千棟の家屋が倒壊した。本稿執筆時点で24人の命が失われ（この数はほぼ間違いなく増えるだろう）、無数の人生が永遠に変わってしまった。壊滅的な被害は突如として訪れ、衝撃的で超現実的な1週間を過ごした。 寝ないで朝を迎える。空気の質をチェックする。みんなでインストールしたアプリで火事の進捗状況を確認する（市の警報システムは誤作動を繰り返している）。ゴーバッグに写真を追加する。「8％封じ込め」とは一体どういう意味なのか、避難勧告が数分後に発令されたとき、「準備完了」と「完了」の違いは何なのか。警告が命令に変わったらどうなるのか。私たちは避難する。時間があれば、「保険のため 」に家の中を歩き回り、各部屋を記録し、すべての持ち物を説明する。時間がなければ、ただ避難する。安全な...より安全な？息を吐く。また警報。再び避難。バッグのチャックも開けていない。電話する。電話に出ない。たぶん大丈夫なんだろうけど、なんで出ないんだろう。おそらくあなたが出ないのと同じ理由だろう。時間がないし、考えることもできない。携帯電話が爆発している。親戚や友人がニュースを見ている。「どこまで近づいた？」 近すぎる。火事が続いているから、近くにいなくても近くにいるんだ。ケネス 「夕焼け」 風は変わり続けている。車はすべて道路に駐車され、鍵はすべてなくなっている。悪夢のようだ。逃げられない。それはここにあり、どこにでもある。そして、あまりに多くの人々にとって、この苦悩のサイクルは、想像を絶することがすでに起こった後にも繰り返され続けている： 家を失う。...
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{"id":8777135522042,"title":"Various Artists \/\/ Staying: Leaving Records Aid to Artists Impacted by the Los Angeles Wildfires 2xLP","handle":"various-aritsts-staying-leaving-records-aid-to-artists-impacted-by-the-los-angeles-wildfires-2xlp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5\/11発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・LAのオールジャンルレーベルLeaving Recordsが、2025年5月にリリースしたコンピレーション2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e怒涛の98曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、\u003cspan class=\"bcTruncateMore\"\u003eEmmett Shoemaker\u003c\/span\u003eによるエッセイです。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"すべてが変わり、今も変わり続けている。2025年の初頭（アメリカの政治的な地平線が暗くなりつつあることを考えると、この年はすでに危険な年である）、ロサンゼルスと呼ばれる土地に、想像を絶する破壊がもたらされた。1月7日（火）の朝から始まった山火事は、その規模と激しさにおいて、自然災害であれ人災であれ、ロサンゼルスの記憶にないものである。数千棟の家屋が倒壊した。本稿執筆時点で24人の命が失われ（この数はほぼ間違いなく増えるだろう）、無数の人生が永遠に変わってしまった。壊滅的な被害は突如として訪れ、衝撃的で超現実的な1週間を過ごした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e寝ないで朝を迎える。空気の質をチェックする。みんなでインストールしたアプリで火事の進捗状況を確認する（市の警報システムは誤作動を繰り返している）。ゴーバッグに写真を追加する。「8％封じ込め」とは一体どういう意味なのか、避難勧告が数分後に発令されたとき、「準備完了」と「完了」の違いは何なのか。警告が命令に変わったらどうなるのか。私たちは避難する。時間があれば、「保険のため 」に家の中を歩き回り、各部屋を記録し、すべての持ち物を説明する。時間がなければ、ただ避難する。安全な...より安全な？息を吐く。また警報。再び避難。バッグのチャックも開けていない。電話する。電話に出ない。たぶん大丈夫なんだろうけど、なんで出ないんだろう。おそらくあなたが出ないのと同じ理由だろう。時間がないし、考えることもできない。携帯電話が爆発している。親戚や友人がニュースを見ている。「どこまで近づいた？」 近すぎる。火事が続いているから、近くにいなくても近くにいるんだ。ケネス 「夕焼け」 風は変わり続けている。車はすべて道路に駐車され、鍵はすべてなくなっている。悪夢のようだ。逃げられない。それはここにあり、どこにでもある。そして、あまりに多くの人々にとって、この苦悩のサイクルは、想像を絶することがすでに起こった後にも繰り返され続けている： 家を失う。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの出来事の展開を明確に説明するのは難しい。前年の冬に未曾有の大雨に見舞われ、それ以来数ヶ月間、前例のないほど乾燥した状況が続いているため、この地域は現在、大火災に対して他に類を見ないほど脆弱な状態にある。イートン火災とパリセーズ火災は、すでに市の歴史上最も破壊的な2つの火災と推定され、徐々に鎮火に向かっているが、サンタアナの風は再び吹くと予想されている。それに伴い、さらなる恐怖と不安が待ち受けている。私たちは必死の思いで、古代の方法で雨乞いをする。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e誰もが疲れ果て、激怒し（いつもの容疑者たちは、よく言えば肩をすくめ、悪く言えば分断を縫い、儲け主義者たちはすでに唾を飲んでいる）、程度の差こそあれ、喪失感に呆然とし、悲しみに病み、それでもどうにかして、集団で行動する勇気とエネルギーを奮い立たせ、生命を守るために、どんな形であれ貢献しようとしている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私たちは壊滅的な打撃と行動の狭間で立ち往生している。。残されたものを守り、失ったものを取り戻すために。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの瞬間に影響を受けた個人やコミュニティは数多く、多岐にわたるが、ロサンゼルスの音楽コミュニティが根底から覆されたことは事実である。パリセーズ火災はマリブやトパンガ・キャニオンの古い地域にまで及び、イートン火災はアルタデナを事実上消滅させたが、ロサンゼルスで唯一、現役のミュージシャンが少しでも快適に暮らせる地域に影響を与えた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e特にアルタデナについて簡単に： 近年、アルタデナはあらゆるアーティストの豊かで活気ある拠点となっている。サン・ガブリエル山脈の下に位置するこの地域は、20世紀後半に人口動態が変化し、レッドライニング（人種差別撤廃）の歴史、その法的停止、そしてその後の白人逃亡が大きな要因となり、ロサンゼルスの中でも繁栄する黒人の飛び地となった。かつての住民には、オクタヴィア・バトラー（その『種まく人のたとえ』は、今となっては恐ろしいほど予言的である）やシドニー・ポワチエがいる。アルタディナが、ロサンゼルスでも数少ない、労働者家族やあらゆる分野のアーティストが家を所有できる地域であり続けているのは、偶然ではない。数え切れないほどの世代の住宅や歴史的な黒人経営のビジネスが破壊された。本稿執筆時点で失われたことが確認されている多様な施設のなかには、マッドリブの遺産、神智学協会のアーカイブ、バニー博物館だったキッチュで健全な祭壇などがある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e特にLeaving Recordsはアルタデナに深く根付いている。レーベル創設者のマシュー・デイヴィッドは、この界隈の自宅でJカードを印刷する仕事を始め、無数のLeaving Recordsがこの地域に住んでいる。これらのアーティストの多くは、決定的に家を失ったか、現在その運命を知るのを待っているところだ。再建への道筋（どれだけの時間がかかるのか、どれだけの費用がかかるのか、実現可能なのかどうか）はひどく不透明なままだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかし、できることをする、自分たちのベストを尽くすという精神に基づき、Leaving Recordsは、提携アーティストと広く支援者（その多くは本当にすべてを失っている）からなるベネフィット・コンピレーションをリリースするために、あらゆる手段を尽くした。数多くのGoFundMesや、現在復興活動を後押ししている、深く、しばしば悲惨な相互扶助の行為を補うために、また、第三者機関への寄付の代わりに、全収益は影響を受けた個人に直接寄付される。その50%は、ロサンゼルスのアーティストや音楽仲間で困っている人たちに、可能な限り公平に配分される。私たちは、私たちの身近なコミュニティで被災した人々の簡潔な内部リストとともに、すでに流通している既存の音楽コミュニティ支援のスプレッドシート／文書を参照する予定である。残りの50％は、やはり可能な限り公平に、火災の影響を受けた黒人の避難家族やコミュニティに割り当てられる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e個人的・集団的な癒し、生態系の回復、精神的超越、急進的な共同性--こうした関心事は、Leaving Recordsのカタログに織り込まれている。レーベルの歴史の中で、これらの原則を称え、実行することがこれほど求められたことはない。希望が何であるかはまだわからないかもしれないが、私たちはどこかにそれを見出している。それは連帯の中にあり、音楽の中にある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2111986195\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003cbr\u003e2 x 12\" black vinyl.\u003cbr\u003eVinyl edition of 100. \u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eContains selected material across - roughly 80 minutes of music from the digital album. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eDigital Tracklist (Cassette contains material selected from below)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Celia Hollander \u0026amp; Photay - Live at LTMOITDUAT 10.14.23 04:45\u003cbr\u003e2. Laraaji - Joyous Dance '82 06:20\u003cbr\u003e3. Jon Makes Beats - The Mountain 03:14\u003cbr\u003e4. Sharada Shashidhar \/ Caleb Buchanan - Ghostly 02:30\u003cbr\u003e5. Baths \u0026amp; Rachika Nayar - Dried Apricot 03:14\u003cbr\u003e6. More Eaze - Point Dume 03:10\u003cbr\u003e7. Samantha Urbani - Cafe 101 01:50\u003cbr\u003e8. V.C.R - Charlene's Mantra 02:12\u003cbr\u003e9. Surya Botofasina - Our Cottage To Across The Stream (Carlos Niño \u0026amp; Friends Remix featuring Steve Spacek with Miles Spilsbury, Dntel, and J Rocc) 03:35\u003cbr\u003e10. Total Blue - Astral Mud 04:24\u003cbr\u003e11. John Carroll Kirby - Nucleo (Live) featuring Logan Hone, Benny Bock, John Paul Maramba, Tamir Barzilay 15:22\u003cbr\u003e12. Spencer Zahn, Dave Scalia, Jon Natchez - Peaches \u0026amp; Apricots 04:19\u003cbr\u003e13. Caural - Radiant Everything 03:37\u003cbr\u003e14. Sam Wilkes - Culebra 03:30\u003cbr\u003e15. Samiyam - Water 04:10\u003cbr\u003e16. Devonwho - Pulse 02:08\u003cbr\u003e17. Diego Gaeta - Earthseed 02:00\u003cbr\u003e18. Nina Keith - Come Back Different (Live At Zorthian Ranch) 05:24\u003cbr\u003e19. Julia Holter - Turn The Light On (Live at the Leaving Records 10-Year Anniversary) 04:23\u003cbr\u003e20. Nite Jewel - Cry In Time (Demo) 03:28\u003cbr\u003e21. Eddie Chacon - Fate 02:55\u003cbr\u003e22. Cool Maritime - Freshet 06:16\u003cbr\u003e23. MIZU - The Course Of Empire 15:29\u003cbr\u003e24. Arushi Jain - California 06:43\u003cbr\u003e25. Ahnnu - Red05 03:13\u003cbr\u003e26. Yama Fela Harmon Koh \u0026amp; Grandfather. - On The Other Side Of Fear And Complacency 05:07\u003cbr\u003e27. The Growth Eternal - Fire From The Palisades 01:28\u003cbr\u003e28. Peaking Lights - For Real 08:32\u003cbr\u003e29. Brijean - Strange Times (Live) 11:34\u003cbr\u003e30. Cole Pulice - A Prayer In My Pocket 03:43\u003cbr\u003e31. dak - Fresh Sprouts 04:25\u003cbr\u003e32. Daedelus - Making The Beat Scene 01:48\u003cbr\u003e33. Ryan York - Processional 02:42\u003cbr\u003e34. Glia - Gaal RDM 01:37\u003cbr\u003e35. Botany - Diode Congregation 02:54\u003cbr\u003e36. Asa Tone \u0026amp; Ariel Kalma - A Gentle Upward Spiral 04:04\u003cbr\u003e37. Mndsgn - Her Radiance Was Uncanny 07:27\u003cbr\u003e38. Kutmah - Ease Your Mind 03:02\u003cbr\u003e39. Cafe Ale - 60 W Palm 04:32\u003cbr\u003e40. Rhys Langston \u0026amp; EYEDRESS - Winding In The Light (I Saw You Last Night) 02:38\u003cbr\u003e41. Odd Nosdam x Trance Farmers - The Future's a Straightaway 02:08\u003cbr\u003e42. Automatic - Mq9 (demo) 04:02\u003cbr\u003e43. Toucan - Stay 02:43\u003cbr\u003e44. Kevin Haskins - These Boots Are Made For Walking '91 03:22\u003cbr\u003e45. Luke Schneider - Honeydrip 02:05\u003cbr\u003e46. Matt Baldwin - Naiad 05:52\u003cbr\u003e47. Lael Neale - How To Be Human 02:19\u003cbr\u003e48. Diatom Deli - God Is Change 04:44\u003cbr\u003e49. Diva \u0026amp; The Pearly Gates - Heartbeat (demo) 02:57\u003cbr\u003e50. Brin - Lonely 02:38\u003cbr\u003e51. yuk. - Hopeblanket 04:10\u003cbr\u003e52. Droopy Eye - imgofmyslf,3d 02:03\u003cbr\u003e53. Nate Mercereau - Juniper's Theme (Live in Twentynine Palms 121524) - Excerpt, with Aaron Shaw and Andres Renteria 04:13\u003cbr\u003e54. Ohma - Live at LTMOITDUAT 10.14.23 04:26\u003cbr\u003e55. Alia - Lullaby For A Sea Nymph 01:55\u003cbr\u003e56. Emily Sprague - Symbiosis 06:23\u003cbr\u003e57. Fumitake Tamura - Ma to Sa 04:05\u003cbr\u003e58. Xyla - Adjust 04:56\u003cbr\u003e59. Anenon - Matters Of Time 04:00\u003cbr\u003e60. Chakram featuring Miguel Atwood-Ferguson - Mirror Image Neurons 02:50\u003cbr\u003e61. Nailah Hunter - Rest Here (demo) 01:57\u003cbr\u003e62. Def Sound - I Been (Contour Remix) 04:14\u003cbr\u003e63. Tru - Skyscrapers 02:10\u003cbr\u003e64. EMV - On The One Hand 02:46\u003cbr\u003e65. Sweatson Klank - Find Our Way Back (Altadena) 03:09\u003cbr\u003e66. Steve Roach - FOR THE ANGELS 08:41\u003cbr\u003e67. Aisha Vaughan - Forever Dreaming 03:45\u003cbr\u003e68. White Magic - Moon 04:52\u003cbr\u003e69. Marine Eyes - Centuries 03:57\u003cbr\u003e70. Raays + Andrew CS - Rain In Los Angeles 04:58\u003cbr\u003e71. Tehn - averroes ii (antimatter) 03:56\u003cbr\u003e72. Dani Derks - Slopes 03:21\u003cbr\u003e73. David Moses x Tristan de Liege - Contour 02:45\u003cbr\u003e74. Kyle Parker \u0026amp; Alex Twomey - Numbers 03:27\u003cbr\u003e75. Hundred Waters - Pliocene 02:45\u003cbr\u003e76. Paul Livingstone featuring Partho Sarothy - Bear Heart 03:57\u003cbr\u003e77. Campus Christy featuring Piya Malik - Lezte Nachte 04:18\u003cbr\u003e78. Maylee Todd - Be A Dreamer 02:18\u003cbr\u003e79. M.A. Tiesenga - A Clearing 02:40\u003cbr\u003e80. Guy Blakeslee - Reprieve 13:06\u003cbr\u003e81. Earthtones with Shelley Burgon - Beyond Beyond 08:37\u003cbr\u003e82. Black Taffy - Setting Sun Shines Gold 05:08\u003cbr\u003e83. Kenny Segal - Sablefish 02:27\u003cbr\u003e84. Reggie Watts - Rondo In E Flat (Live at LTMOITDUAT 2.4.22) 04:04\u003cbr\u003e85. Muwosi \u0026amp; Lionmilk - The Rite Way 05:20\u003cbr\u003e86. 3V3RY1 - Sno 01:25\u003cbr\u003e87. Aisha Mars - Song For My Father 03:12\u003cbr\u003e88. Creme - Tear Drop 01:24\u003cbr\u003e89. MoRuf - Shining Like Jewels (demo) 01:48\u003cbr\u003e90. Vinyl Williams - Sunlight 03:50\u003cbr\u003e91. tstewart - Splendid 03:06\u003cbr\u003e92. Carlos Niño \u0026amp; Friends - Tribute to Ahmad, Dilla and Dove (featuring Nate Mercereau, Devin Daniels, Photay, and V.C.R) 04:10\u003cbr\u003e93. KMRU - Visions 03:00\u003cbr\u003e94. Tate EC - Wings 02:45\u003cbr\u003e95. Superposition - Glimmer 04:51\u003cbr\u003e96. N Kramer - What Now? 04:27\u003cbr\u003e97. Matthewdavid - Winter Trip Hop 04:08\u003cbr\u003e98. André 3000 - \"This is Where my room used to be.\" (featuring Carlos Niño, Alex Cline, and Pablo Calogero) 08:45\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eEssay written by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eEmmett Shoemaker for Leaving Records, January 13, 2025, ~10:30pm:\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Everything has changed, and it is changing still. The early days of 2025 (an already baleful year, vis-a-vis America’s darkening political horizon) have wrought heretofore unimaginable destruction in the land we now call Los Angeles. The wildfires that began on the morning of Tuesday, January 7th—and which are still raging—are, in scope and intensity, unlike any other disaster, natural or manmade, in the city’s living memory. Thousands of homes destroyed. Twenty four lives lost at the time of writing (that number will almost certainly rise), and innumerable lives forever altered. The devastation arrived suddenly, and has persisted over the course of a punishing and surreal week. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe rise in the morning after not sleeping. We check the air quality. We check the fires’ progress on the same app we’ve all installed (the City’s alert system keeps misfiring). We add another photo to the go bag. We wonder what the fuck the phrase “8% containment actually means,” or what distinguishes “ready” from “set” when the evacuation warnings are fired off within mere minutes of one another. And what happens when warnings turn to orders. We evacuate. If we have time, we walk through our homes, recording each room, narrating all our possessions, for “insurance purposes.” If we don’t have time we just go. We arrive somewhere…safe…safer? We\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e exhale. Another alert. We evacuate again. Hadn’t even unzipped the go bag. We text. We call. They’re not answering. They’re probably fine but why aren’t they answering. Probably the same reason you’re not answering. There’s no time and you can’t think. Your phone is exploding. Relatives and friends are watching the news. “How close are you?” You are too close. You are close even if you’re not close because the fires keep starting.” Kenneth.” “Sunset.” The winds keep shifting. The cars are all parked in the road and all the keys are gone. It is like a nightmare. You can’t get away. It is here and it is everywhere. And for all too many this agonizing cycle keeps on repeating after the unthinkable has already occurred: The loss of home. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe unfoldingness of this event is hard to articulate. Having experienced unprecedented rainfall the previous winter, and unprecedentedly dry conditions in the months since, the region is, at present, uniquely vulnerable to catastrophic fires. The Eaton and Palisades Fires, already estimated to be the two most destructive fires in the City’s history, are slowly being contained, but the Santa Ana winds are expected to return. With them, more fear and uncertainty. We pray for rain in a desperate and ancient way. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEveryone is exhausted, enraged (the usual suspects are at best shrugging and at worst sewing division; the profiteers are already salivating), to varying degrees stunned by loss and sick with grief, and still, somehow, mustering the courage and energy to act collectively, to contribute, however they might, towards the preservation of life. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe are stuck between (propelled by?) devastation and action. The impulse to simply break down, and the knowledge that there is tremendous work to be done, now and in the future. To preserve what remains, and to regain what we’ve lost. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe individuals and communities affected in this moment are numerous and varied, but it is the case that Los Angeles’s musical community has been absolutely upended. The Palisades fire, with its reach into older parts of Malibu and Topanga Canyon, and the Eaton fire, in its virtual erasure of Altadena, have affected some of the only areas in Los Angeles where working musicians could live with a modicum of comfort—Though, as we are all too aware in this moment, precarity has always been part of the bargain here.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA brief word on Altadena in particular: In recent years, Altadena has become a rich and vibrant hub for artists of all kinds. Nestled below the San Gabriel mountains, the region’s demography shifted in the latter half of the twentieth century—due in large part to a history of redlining, that practice’s legal cessation, and subsequent white flight—to become a thriving Black enclave within Los Angeles. Former residents include no less than Octavia Butler (whose Parable of the Sower rings now as terribly prophetic) and Sydney Poitier. That Altadena has remained one of the few areas within Los Angeles where home ownership is feasible for working families and artists of all stripes is no coincidence. Countless generational homes and historic Black-owned businesses have been destroyed. Among the diverse institutions confirmed to have been lost at the time of writing are Madlib’s estate, the Theosophical Society’s archives, and the altar of kitsch and wholesomeness that was The Bunny Museum. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLeaving Records in particular has deep roots in Altadena. Label founder MatthewDavid cut his teeth printing J cards at a home operation in the neighborhood, and countless Leaving artists reside in the area. Many of these artists have either definitively lost their homes, or are currently waiting to learn their fate. The path to rebuilding (how long it will take, what it will cost, whether it is even feasible) remains terribly unclear. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut, in the spirit of doing what we can, and doing what we do best, Leaving has pulled out all the proverbial stops to release a benefit compilation consisting of affiliated artists and supporters far and wide (many of whom have indeed lost everything). Seeking to supplement the numerous GoFundMes and the profound, often harrowing acts of mutual aid that are currently buoying recovery efforts, and in lieu of donating to a third party organization, all proceeds will be donated directly to impacted individuals. 50% will be meticulously, manually allocated to Los Angeles artists and music colleagues in need, as equitably as possible. We will be referencing existing music community aid spreadsheets \/ documents already circulating, alongside a succinct internal list of those affected in our immediate community. The other 50% of funds will be allocated to displaced Black families and community impacted by the fires, again, as equitably as possible.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePersonal and collective healing, ecological recuperation, spiritual transcendence, radical communality — these concerns are woven into Leaving’s roster and catalog. Never in the label’s history has it been so called upon to celebrate and implement these principles. Though we may not even know what “hope” constitutes yet, we know we’ve got it somewhere. We know it’s in solidarity, and we know it’s in the music. \"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various Aritsts\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Staying (Leaving Records)\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-03T08:57:04+09:00","created_at":"2025-05-02T08:38:32+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","hiphop \/ funk","house","jazz","leaving records","lp","new","recommended"],"price":552500,"price_min":552500,"price_max":552500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47289824379130,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists \/\/ Staying: Leaving Records Aid to Artists Impacted by the Los Angeles Wildfires 2xLP","public_title":null,"options":["Default Title"],"price":552500,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/le1_843f3fd9-3a26-444a-b29c-a23a8590a11a.jpg?v=1746142357","\/\/tobirarecords.com\/cdn\/shop\/files\/le2_5178d990-9515-4207-b597-acbc98222291.jpg?v=1746142357"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_843f3fd9-3a26-444a-b29c-a23a8590a11a.jpg?v=1746142357","options":["Title"],"media":[{"alt":null,"id":35970930245882,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_843f3fd9-3a26-444a-b29c-a23a8590a11a.jpg?v=1746142357"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_843f3fd9-3a26-444a-b29c-a23a8590a11a.jpg?v=1746142357","width":700},{"alt":null,"id":35970930278650,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le2_5178d990-9515-4207-b597-acbc98222291.jpg?v=1746142357"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le2_5178d990-9515-4207-b597-acbc98222291.jpg?v=1746142357","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5\/11発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・LAのオールジャンルレーベルLeaving Recordsが、2025年5月にリリースしたコンピレーション2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e怒涛の98曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、\u003cspan class=\"bcTruncateMore\"\u003eEmmett Shoemaker\u003c\/span\u003eによるエッセイです。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"すべてが変わり、今も変わり続けている。2025年の初頭（アメリカの政治的な地平線が暗くなりつつあることを考えると、この年はすでに危険な年である）、ロサンゼルスと呼ばれる土地に、想像を絶する破壊がもたらされた。1月7日（火）の朝から始まった山火事は、その規模と激しさにおいて、自然災害であれ人災であれ、ロサンゼルスの記憶にないものである。数千棟の家屋が倒壊した。本稿執筆時点で24人の命が失われ（この数はほぼ間違いなく増えるだろう）、無数の人生が永遠に変わってしまった。壊滅的な被害は突如として訪れ、衝撃的で超現実的な1週間を過ごした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e寝ないで朝を迎える。空気の質をチェックする。みんなでインストールしたアプリで火事の進捗状況を確認する（市の警報システムは誤作動を繰り返している）。ゴーバッグに写真を追加する。「8％封じ込め」とは一体どういう意味なのか、避難勧告が数分後に発令されたとき、「準備完了」と「完了」の違いは何なのか。警告が命令に変わったらどうなるのか。私たちは避難する。時間があれば、「保険のため 」に家の中を歩き回り、各部屋を記録し、すべての持ち物を説明する。時間がなければ、ただ避難する。安全な...より安全な？息を吐く。また警報。再び避難。バッグのチャックも開けていない。電話する。電話に出ない。たぶん大丈夫なんだろうけど、なんで出ないんだろう。おそらくあなたが出ないのと同じ理由だろう。時間がないし、考えることもできない。携帯電話が爆発している。親戚や友人がニュースを見ている。「どこまで近づいた？」 近すぎる。火事が続いているから、近くにいなくても近くにいるんだ。ケネス 「夕焼け」 風は変わり続けている。車はすべて道路に駐車され、鍵はすべてなくなっている。悪夢のようだ。逃げられない。それはここにあり、どこにでもある。そして、あまりに多くの人々にとって、この苦悩のサイクルは、想像を絶することがすでに起こった後にも繰り返され続けている： 家を失う。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの出来事の展開を明確に説明するのは難しい。前年の冬に未曾有の大雨に見舞われ、それ以来数ヶ月間、前例のないほど乾燥した状況が続いているため、この地域は現在、大火災に対して他に類を見ないほど脆弱な状態にある。イートン火災とパリセーズ火災は、すでに市の歴史上最も破壊的な2つの火災と推定され、徐々に鎮火に向かっているが、サンタアナの風は再び吹くと予想されている。それに伴い、さらなる恐怖と不安が待ち受けている。私たちは必死の思いで、古代の方法で雨乞いをする。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e誰もが疲れ果て、激怒し（いつもの容疑者たちは、よく言えば肩をすくめ、悪く言えば分断を縫い、儲け主義者たちはすでに唾を飲んでいる）、程度の差こそあれ、喪失感に呆然とし、悲しみに病み、それでもどうにかして、集団で行動する勇気とエネルギーを奮い立たせ、生命を守るために、どんな形であれ貢献しようとしている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私たちは壊滅的な打撃と行動の狭間で立ち往生している。。残されたものを守り、失ったものを取り戻すために。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの瞬間に影響を受けた個人やコミュニティは数多く、多岐にわたるが、ロサンゼルスの音楽コミュニティが根底から覆されたことは事実である。パリセーズ火災はマリブやトパンガ・キャニオンの古い地域にまで及び、イートン火災はアルタデナを事実上消滅させたが、ロサンゼルスで唯一、現役のミュージシャンが少しでも快適に暮らせる地域に影響を与えた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e特にアルタデナについて簡単に： 近年、アルタデナはあらゆるアーティストの豊かで活気ある拠点となっている。サン・ガブリエル山脈の下に位置するこの地域は、20世紀後半に人口動態が変化し、レッドライニング（人種差別撤廃）の歴史、その法的停止、そしてその後の白人逃亡が大きな要因となり、ロサンゼルスの中でも繁栄する黒人の飛び地となった。かつての住民には、オクタヴィア・バトラー（その『種まく人のたとえ』は、今となっては恐ろしいほど予言的である）やシドニー・ポワチエがいる。アルタディナが、ロサンゼルスでも数少ない、労働者家族やあらゆる分野のアーティストが家を所有できる地域であり続けているのは、偶然ではない。数え切れないほどの世代の住宅や歴史的な黒人経営のビジネスが破壊された。本稿執筆時点で失われたことが確認されている多様な施設のなかには、マッドリブの遺産、神智学協会のアーカイブ、バニー博物館だったキッチュで健全な祭壇などがある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e特にLeaving Recordsはアルタデナに深く根付いている。レーベル創設者のマシュー・デイヴィッドは、この界隈の自宅でJカードを印刷する仕事を始め、無数のLeaving Recordsがこの地域に住んでいる。これらのアーティストの多くは、決定的に家を失ったか、現在その運命を知るのを待っているところだ。再建への道筋（どれだけの時間がかかるのか、どれだけの費用がかかるのか、実現可能なのかどうか）はひどく不透明なままだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかし、できることをする、自分たちのベストを尽くすという精神に基づき、Leaving Recordsは、提携アーティストと広く支援者（その多くは本当にすべてを失っている）からなるベネフィット・コンピレーションをリリースするために、あらゆる手段を尽くした。数多くのGoFundMesや、現在復興活動を後押ししている、深く、しばしば悲惨な相互扶助の行為を補うために、また、第三者機関への寄付の代わりに、全収益は影響を受けた個人に直接寄付される。その50%は、ロサンゼルスのアーティストや音楽仲間で困っている人たちに、可能な限り公平に配分される。私たちは、私たちの身近なコミュニティで被災した人々の簡潔な内部リストとともに、すでに流通している既存の音楽コミュニティ支援のスプレッドシート／文書を参照する予定である。残りの50％は、やはり可能な限り公平に、火災の影響を受けた黒人の避難家族やコミュニティに割り当てられる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e個人的・集団的な癒し、生態系の回復、精神的超越、急進的な共同性--こうした関心事は、Leaving Recordsのカタログに織り込まれている。レーベルの歴史の中で、これらの原則を称え、実行することがこれほど求められたことはない。希望が何であるかはまだわからないかもしれないが、私たちはどこかにそれを見出している。それは連帯の中にあり、音楽の中にある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2111986195\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003cbr\u003e2 x 12\" black vinyl.\u003cbr\u003eVinyl edition of 100. \u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eContains selected material across - roughly 80 minutes of music from the digital album. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eDigital Tracklist (Cassette contains material selected from below)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Celia Hollander \u0026amp; Photay - Live at LTMOITDUAT 10.14.23 04:45\u003cbr\u003e2. Laraaji - Joyous Dance '82 06:20\u003cbr\u003e3. Jon Makes Beats - The Mountain 03:14\u003cbr\u003e4. Sharada Shashidhar \/ Caleb Buchanan - Ghostly 02:30\u003cbr\u003e5. Baths \u0026amp; Rachika Nayar - Dried Apricot 03:14\u003cbr\u003e6. More Eaze - Point Dume 03:10\u003cbr\u003e7. Samantha Urbani - Cafe 101 01:50\u003cbr\u003e8. V.C.R - Charlene's Mantra 02:12\u003cbr\u003e9. Surya Botofasina - Our Cottage To Across The Stream (Carlos Niño \u0026amp; Friends Remix featuring Steve Spacek with Miles Spilsbury, Dntel, and J Rocc) 03:35\u003cbr\u003e10. Total Blue - Astral Mud 04:24\u003cbr\u003e11. John Carroll Kirby - Nucleo (Live) featuring Logan Hone, Benny Bock, John Paul Maramba, Tamir Barzilay 15:22\u003cbr\u003e12. Spencer Zahn, Dave Scalia, Jon Natchez - Peaches \u0026amp; Apricots 04:19\u003cbr\u003e13. Caural - Radiant Everything 03:37\u003cbr\u003e14. Sam Wilkes - Culebra 03:30\u003cbr\u003e15. Samiyam - Water 04:10\u003cbr\u003e16. Devonwho - Pulse 02:08\u003cbr\u003e17. Diego Gaeta - Earthseed 02:00\u003cbr\u003e18. Nina Keith - Come Back Different (Live At Zorthian Ranch) 05:24\u003cbr\u003e19. Julia Holter - Turn The Light On (Live at the Leaving Records 10-Year Anniversary) 04:23\u003cbr\u003e20. Nite Jewel - Cry In Time (Demo) 03:28\u003cbr\u003e21. Eddie Chacon - Fate 02:55\u003cbr\u003e22. Cool Maritime - Freshet 06:16\u003cbr\u003e23. MIZU - The Course Of Empire 15:29\u003cbr\u003e24. Arushi Jain - California 06:43\u003cbr\u003e25. Ahnnu - Red05 03:13\u003cbr\u003e26. Yama Fela Harmon Koh \u0026amp; Grandfather. - On The Other Side Of Fear And Complacency 05:07\u003cbr\u003e27. The Growth Eternal - Fire From The Palisades 01:28\u003cbr\u003e28. Peaking Lights - For Real 08:32\u003cbr\u003e29. Brijean - Strange Times (Live) 11:34\u003cbr\u003e30. Cole Pulice - A Prayer In My Pocket 03:43\u003cbr\u003e31. dak - Fresh Sprouts 04:25\u003cbr\u003e32. Daedelus - Making The Beat Scene 01:48\u003cbr\u003e33. Ryan York - Processional 02:42\u003cbr\u003e34. Glia - Gaal RDM 01:37\u003cbr\u003e35. Botany - Diode Congregation 02:54\u003cbr\u003e36. Asa Tone \u0026amp; Ariel Kalma - A Gentle Upward Spiral 04:04\u003cbr\u003e37. Mndsgn - Her Radiance Was Uncanny 07:27\u003cbr\u003e38. Kutmah - Ease Your Mind 03:02\u003cbr\u003e39. Cafe Ale - 60 W Palm 04:32\u003cbr\u003e40. Rhys Langston \u0026amp; EYEDRESS - Winding In The Light (I Saw You Last Night) 02:38\u003cbr\u003e41. Odd Nosdam x Trance Farmers - The Future's a Straightaway 02:08\u003cbr\u003e42. Automatic - Mq9 (demo) 04:02\u003cbr\u003e43. Toucan - Stay 02:43\u003cbr\u003e44. Kevin Haskins - These Boots Are Made For Walking '91 03:22\u003cbr\u003e45. Luke Schneider - Honeydrip 02:05\u003cbr\u003e46. Matt Baldwin - Naiad 05:52\u003cbr\u003e47. Lael Neale - How To Be Human 02:19\u003cbr\u003e48. Diatom Deli - God Is Change 04:44\u003cbr\u003e49. Diva \u0026amp; The Pearly Gates - Heartbeat (demo) 02:57\u003cbr\u003e50. Brin - Lonely 02:38\u003cbr\u003e51. yuk. - Hopeblanket 04:10\u003cbr\u003e52. Droopy Eye - imgofmyslf,3d 02:03\u003cbr\u003e53. Nate Mercereau - Juniper's Theme (Live in Twentynine Palms 121524) - Excerpt, with Aaron Shaw and Andres Renteria 04:13\u003cbr\u003e54. Ohma - Live at LTMOITDUAT 10.14.23 04:26\u003cbr\u003e55. Alia - Lullaby For A Sea Nymph 01:55\u003cbr\u003e56. Emily Sprague - Symbiosis 06:23\u003cbr\u003e57. Fumitake Tamura - Ma to Sa 04:05\u003cbr\u003e58. Xyla - Adjust 04:56\u003cbr\u003e59. Anenon - Matters Of Time 04:00\u003cbr\u003e60. Chakram featuring Miguel Atwood-Ferguson - Mirror Image Neurons 02:50\u003cbr\u003e61. Nailah Hunter - Rest Here (demo) 01:57\u003cbr\u003e62. Def Sound - I Been (Contour Remix) 04:14\u003cbr\u003e63. Tru - Skyscrapers 02:10\u003cbr\u003e64. EMV - On The One Hand 02:46\u003cbr\u003e65. Sweatson Klank - Find Our Way Back (Altadena) 03:09\u003cbr\u003e66. Steve Roach - FOR THE ANGELS 08:41\u003cbr\u003e67. Aisha Vaughan - Forever Dreaming 03:45\u003cbr\u003e68. White Magic - Moon 04:52\u003cbr\u003e69. Marine Eyes - Centuries 03:57\u003cbr\u003e70. Raays + Andrew CS - Rain In Los Angeles 04:58\u003cbr\u003e71. Tehn - averroes ii (antimatter) 03:56\u003cbr\u003e72. Dani Derks - Slopes 03:21\u003cbr\u003e73. David Moses x Tristan de Liege - Contour 02:45\u003cbr\u003e74. Kyle Parker \u0026amp; Alex Twomey - Numbers 03:27\u003cbr\u003e75. Hundred Waters - Pliocene 02:45\u003cbr\u003e76. Paul Livingstone featuring Partho Sarothy - Bear Heart 03:57\u003cbr\u003e77. Campus Christy featuring Piya Malik - Lezte Nachte 04:18\u003cbr\u003e78. Maylee Todd - Be A Dreamer 02:18\u003cbr\u003e79. M.A. Tiesenga - A Clearing 02:40\u003cbr\u003e80. Guy Blakeslee - Reprieve 13:06\u003cbr\u003e81. Earthtones with Shelley Burgon - Beyond Beyond 08:37\u003cbr\u003e82. Black Taffy - Setting Sun Shines Gold 05:08\u003cbr\u003e83. Kenny Segal - Sablefish 02:27\u003cbr\u003e84. Reggie Watts - Rondo In E Flat (Live at LTMOITDUAT 2.4.22) 04:04\u003cbr\u003e85. Muwosi \u0026amp; Lionmilk - The Rite Way 05:20\u003cbr\u003e86. 3V3RY1 - Sno 01:25\u003cbr\u003e87. Aisha Mars - Song For My Father 03:12\u003cbr\u003e88. Creme - Tear Drop 01:24\u003cbr\u003e89. MoRuf - Shining Like Jewels (demo) 01:48\u003cbr\u003e90. Vinyl Williams - Sunlight 03:50\u003cbr\u003e91. tstewart - Splendid 03:06\u003cbr\u003e92. Carlos Niño \u0026amp; Friends - Tribute to Ahmad, Dilla and Dove (featuring Nate Mercereau, Devin Daniels, Photay, and V.C.R) 04:10\u003cbr\u003e93. KMRU - Visions 03:00\u003cbr\u003e94. Tate EC - Wings 02:45\u003cbr\u003e95. Superposition - Glimmer 04:51\u003cbr\u003e96. N Kramer - What Now? 04:27\u003cbr\u003e97. Matthewdavid - Winter Trip Hop 04:08\u003cbr\u003e98. André 3000 - \"This is Where my room used to be.\" (featuring Carlos Niño, Alex Cline, and Pablo Calogero) 08:45\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eEssay written by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eEmmett Shoemaker for Leaving Records, January 13, 2025, ~10:30pm:\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Everything has changed, and it is changing still. The early days of 2025 (an already baleful year, vis-a-vis America’s darkening political horizon) have wrought heretofore unimaginable destruction in the land we now call Los Angeles. The wildfires that began on the morning of Tuesday, January 7th—and which are still raging—are, in scope and intensity, unlike any other disaster, natural or manmade, in the city’s living memory. Thousands of homes destroyed. Twenty four lives lost at the time of writing (that number will almost certainly rise), and innumerable lives forever altered. The devastation arrived suddenly, and has persisted over the course of a punishing and surreal week. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe rise in the morning after not sleeping. We check the air quality. We check the fires’ progress on the same app we’ve all installed (the City’s alert system keeps misfiring). We add another photo to the go bag. We wonder what the fuck the phrase “8% containment actually means,” or what distinguishes “ready” from “set” when the evacuation warnings are fired off within mere minutes of one another. And what happens when warnings turn to orders. We evacuate. If we have time, we walk through our homes, recording each room, narrating all our possessions, for “insurance purposes.” If we don’t have time we just go. We arrive somewhere…safe…safer? We\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e exhale. Another alert. We evacuate again. Hadn’t even unzipped the go bag. We text. We call. They’re not answering. They’re probably fine but why aren’t they answering. Probably the same reason you’re not answering. There’s no time and you can’t think. Your phone is exploding. Relatives and friends are watching the news. “How close are you?” You are too close. You are close even if you’re not close because the fires keep starting.” Kenneth.” “Sunset.” The winds keep shifting. The cars are all parked in the road and all the keys are gone. It is like a nightmare. You can’t get away. It is here and it is everywhere. And for all too many this agonizing cycle keeps on repeating after the unthinkable has already occurred: The loss of home. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe unfoldingness of this event is hard to articulate. Having experienced unprecedented rainfall the previous winter, and unprecedentedly dry conditions in the months since, the region is, at present, uniquely vulnerable to catastrophic fires. The Eaton and Palisades Fires, already estimated to be the two most destructive fires in the City’s history, are slowly being contained, but the Santa Ana winds are expected to return. With them, more fear and uncertainty. We pray for rain in a desperate and ancient way. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEveryone is exhausted, enraged (the usual suspects are at best shrugging and at worst sewing division; the profiteers are already salivating), to varying degrees stunned by loss and sick with grief, and still, somehow, mustering the courage and energy to act collectively, to contribute, however they might, towards the preservation of life. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe are stuck between (propelled by?) devastation and action. The impulse to simply break down, and the knowledge that there is tremendous work to be done, now and in the future. To preserve what remains, and to regain what we’ve lost. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe individuals and communities affected in this moment are numerous and varied, but it is the case that Los Angeles’s musical community has been absolutely upended. The Palisades fire, with its reach into older parts of Malibu and Topanga Canyon, and the Eaton fire, in its virtual erasure of Altadena, have affected some of the only areas in Los Angeles where working musicians could live with a modicum of comfort—Though, as we are all too aware in this moment, precarity has always been part of the bargain here.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA brief word on Altadena in particular: In recent years, Altadena has become a rich and vibrant hub for artists of all kinds. Nestled below the San Gabriel mountains, the region’s demography shifted in the latter half of the twentieth century—due in large part to a history of redlining, that practice’s legal cessation, and subsequent white flight—to become a thriving Black enclave within Los Angeles. Former residents include no less than Octavia Butler (whose Parable of the Sower rings now as terribly prophetic) and Sydney Poitier. That Altadena has remained one of the few areas within Los Angeles where home ownership is feasible for working families and artists of all stripes is no coincidence. Countless generational homes and historic Black-owned businesses have been destroyed. Among the diverse institutions confirmed to have been lost at the time of writing are Madlib’s estate, the Theosophical Society’s archives, and the altar of kitsch and wholesomeness that was The Bunny Museum. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLeaving Records in particular has deep roots in Altadena. Label founder MatthewDavid cut his teeth printing J cards at a home operation in the neighborhood, and countless Leaving artists reside in the area. Many of these artists have either definitively lost their homes, or are currently waiting to learn their fate. The path to rebuilding (how long it will take, what it will cost, whether it is even feasible) remains terribly unclear. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut, in the spirit of doing what we can, and doing what we do best, Leaving has pulled out all the proverbial stops to release a benefit compilation consisting of affiliated artists and supporters far and wide (many of whom have indeed lost everything). Seeking to supplement the numerous GoFundMes and the profound, often harrowing acts of mutual aid that are currently buoying recovery efforts, and in lieu of donating to a third party organization, all proceeds will be donated directly to impacted individuals. 50% will be meticulously, manually allocated to Los Angeles artists and music colleagues in need, as equitably as possible. We will be referencing existing music community aid spreadsheets \/ documents already circulating, alongside a succinct internal list of those affected in our immediate community. The other 50% of funds will be allocated to displaced Black families and community impacted by the fires, again, as equitably as possible.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePersonal and collective healing, ecological recuperation, spiritual transcendence, radical communality — these concerns are woven into Leaving’s roster and catalog. Never in the label’s history has it been so called upon to celebrate and implement these principles. Though we may not even know what “hope” constitutes yet, we know we’ve got it somewhere. We know it’s in solidarity, and we know it’s in the music. \"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various Aritsts\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Staying (Leaving Records)\u003c\/span\u003e\u003c\/p\u003e"}
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※5/11発送開始します アメリカ・LAのオールジャンルレーベルLeaving Recordsが、2025年5月にリリースしたコンピレーション2枚組レコードです。 怒涛の98曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、Emmett Shoemakerによるエッセイです。 "すべてが変わり、今も変わり続けている。2025年の初頭（アメリカの政治的な地平線が暗くなりつつあることを考えると、この年はすでに危険な年である）、ロサンゼルスと呼ばれる土地に、想像を絶する破壊がもたらされた。1月7日（火）の朝から始まった山火事は、その規模と激しさにおいて、自然災害であれ人災であれ、ロサンゼルスの記憶にないものである。数千棟の家屋が倒壊した。本稿執筆時点で24人の命が失われ（この数はほぼ間違いなく増えるだろう）、無数の人生が永遠に変わってしまった。壊滅的な被害は突如として訪れ、衝撃的で超現実的な1週間を過ごした。 寝ないで朝を迎える。空気の質をチェックする。みんなでインストールしたアプリで火事の進捗状況を確認する（市の警報システムは誤作動を繰り返している）。ゴーバッグに写真を追加する。「8％封じ込め」とは一体どういう意味なのか、避難勧告が数分後に発令されたとき、「準備完了」と「完了」の違いは何なのか。警告が命令に変わったらどうなるのか。私たちは避難する。時間があれば、「保険のため 」に家の中を歩き回り、各部屋を記録し、すべての持ち物を説明する。時間がなければ、ただ避難する。安全な...より安全な？息を吐く。また警報。再び避難。バッグのチャックも開けていない。電話する。電話に出ない。たぶん大丈夫なんだろうけど、なんで出ないんだろう。おそらくあなたが出ないのと同じ理由だろう。時間がないし、考えることもできない。携帯電話が爆発している。親戚や友人がニュースを見ている。「どこまで近づいた？」 近すぎる。火事が続いているから、近くにいなくても近くにいるんだ。ケネス 「夕焼け」 風は変わり続けている。車はすべて道路に駐車され、鍵はすべてなくなっている。悪夢のようだ。逃げられない。それはここにあり、どこにでもある。そして、あまりに多くの人々にとって、この苦悩のサイクルは、想像を絶することがすでに起こった後にも繰り返され続けている： 家を失う。...
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{"id":8776299446522,"title":"Kory Reeder \u0026 Apartment House \/\/ Homestead CD","handle":"kory-reeder-apartment-house-homestead-cd","description":"\u003cp\u003eアメリカ・テキサスの作曲家Kory Reederが、2025年4月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベル\u003cspan\u003eAnother TimbreからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eバイオリン、ヴィオラ、チェロによるネオクラシカル・アンビエント〜コンテンポラリー5曲を収録。\u003cspan\u003eゲートフォルド\u003c\/span\u003eデジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e演奏はApartment Houseが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/kory-reeder-snow-cd\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Homestead』のアイデアは、2023年にネブラスカ州ベアトリスにあるホームステッド国立歴史公園にアーティストインレジデンスとして滞在していたときに思いついた。このプロジェクトは、ネブラスカ州民の5世として、チャティックス・シ・チャティックス族（ポーニー族）の原住民の土地で育った私が、学び、耳を傾け、故郷の土地とその管理者との関係を発展させる過程の一部である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1613878017\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Kory Reeder - I - Hymns: from a dog-eared book found in an unmarked box 11:42\u003cbr\u003e2. II - Sonata: from preserved quilts and fabrics 13:02\u003cbr\u003e3. Interlude 05:29\u003cbr\u003e4. III - Rondo: from several fragile plate negatives 15:05\u003cbr\u003e5. IV - Waltz: theme and variations from a hand-written fragment 08:54 \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eKory Reeder:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"The idea for Homestead came in 2023 during my time as Artist in Residence at Homestead National Historical Park in Beatrice, Nebraska, in whose archives I found the materials referenced in the titles of the movements, as well as the images on this album. As a fifth-generation Nebraskan, growing up on the native lands of the Chatiks si chatiks people (Pawnee), this project is a part of my process of learning, listening, and developing a relationship with the land and its stewards in my home state: a beautiful place with a rich history that is as much a part of me as it is part of the settler-colonial project of displacement and genocide through the Homestead Acts\". \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kory Reeder \u0026amp; Apartment House\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eat239\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-30T14:58:11+09:00","created_at":"2025-04-30T14:49:05+09:00","vendor":"Tobira Records","type":"","tags":["ambient","another timbre","cd","contemporary \/ sound poetry","neo classical","new"],"price":235000,"price_min":235000,"price_max":235000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47286893052154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kory Reeder \u0026 Apartment House \/\/ Homestead CD","public_title":null,"options":["Default Title"],"price":235000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/0039082087_10.jpg?v=1745992567"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/0039082087_10.jpg?v=1745992567","options":["Title"],"media":[{"alt":null,"id":35965912088826,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0039082087_10.jpg?v=1745992567"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0039082087_10.jpg?v=1745992567","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・テキサスの作曲家Kory Reederが、2025年4月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベル\u003cspan\u003eAnother TimbreからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eバイオリン、ヴィオラ、チェロによるネオクラシカル・アンビエント〜コンテンポラリー5曲を収録。\u003cspan\u003eゲートフォルド\u003c\/span\u003eデジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e演奏はApartment Houseが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/kory-reeder-snow-cd\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Homestead』のアイデアは、2023年にネブラスカ州ベアトリスにあるホームステッド国立歴史公園にアーティストインレジデンスとして滞在していたときに思いついた。このプロジェクトは、ネブラスカ州民の5世として、チャティックス・シ・チャティックス族（ポーニー族）の原住民の土地で育った私が、学び、耳を傾け、故郷の土地とその管理者との関係を発展させる過程の一部である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1613878017\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Kory Reeder - I - Hymns: from a dog-eared book found in an unmarked box 11:42\u003cbr\u003e2. II - Sonata: from preserved quilts and fabrics 13:02\u003cbr\u003e3. Interlude 05:29\u003cbr\u003e4. III - Rondo: from several fragile plate negatives 15:05\u003cbr\u003e5. IV - Waltz: theme and variations from a hand-written fragment 08:54 \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eKory Reeder:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"The idea for Homestead came in 2023 during my time as Artist in Residence at Homestead National Historical Park in Beatrice, Nebraska, in whose archives I found the materials referenced in the titles of the movements, as well as the images on this album. As a fifth-generation Nebraskan, growing up on the native lands of the Chatiks si chatiks people (Pawnee), this project is a part of my process of learning, listening, and developing a relationship with the land and its stewards in my home state: a beautiful place with a rich history that is as much a part of me as it is part of the settler-colonial project of displacement and genocide through the Homestead Acts\". \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kory Reeder \u0026amp; Apartment House\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eat239\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・テキサスの作曲家Kory Reederが、2025年4月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベルAnother TimbreからリリースしたCDです。 バイオリン、ヴィオラ、チェロによるネオクラシカル・アンビエント〜コンテンポラリー5曲を収録。ゲートフォルドデジスリーブ、シュリンク仕様です。 演奏はApartment Houseが担当しています。 前作もオススメです。 以下、作家本人による解説です。 "『Homestead』のアイデアは、2023年にネブラスカ州ベアトリスにあるホームステッド国立歴史公園にアーティストインレジデンスとして滞在していたときに思いついた。このプロジェクトは、ネブラスカ州民の5世として、チャティックス・シ・チャティックス族（ポーニー族）の原住民の土地で育った私が、学び、耳を傾け、故郷の土地とその管理者との関係を発展させる過程の一部である。" レーベルその他作品はこちら /// Click here to see more Another...
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{"id":8775367786746,"title":"DINA \/\/ Assembly CD","handle":"dina-assembly-cd","description":"\u003cp\u003eドイツ・ベルリンのテクノ作家DINAが、2025年5月にオーストリア・ウィーンのAIRWAYSからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eエレクトロニック・アンビエント〜アンビエント・テクノ〜IDM5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1262122771\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Assembly 06:08\u003cbr\u003e2. Cadre\u003cbr\u003e3. Cadre Part II\u003cbr\u003e4. Rift\u003cbr\u003e5. 10 Sunsets\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : DINA\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u0026lt;AIR WAYS\u0026gt;\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : AW02\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-01T12:51:16+09:00","created_at":"2025-04-29T14:42:12+09:00","vendor":"Tobira Records","type":"","tags":["ambient","house","lp","new","recommended","techno \/ house"],"price":258600,"price_min":258600,"price_max":258600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47284434338042,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"DINA \/\/ Assembly CD","public_title":null,"options":["Default Title"],"price":258600,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dina1.jpg?v=1745905254"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dina1.jpg?v=1745905254","options":["Title"],"media":[{"alt":null,"id":35960189419770,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dina1.jpg?v=1745905254"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dina1.jpg?v=1745905254","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンのテクノ作家DINAが、2025年5月にオーストリア・ウィーンのAIRWAYSからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eエレクトロニック・アンビエント〜アンビエント・テクノ〜IDM5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1262122771\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Assembly 06:08\u003cbr\u003e2. Cadre\u003cbr\u003e3. Cadre Part II\u003cbr\u003e4. Rift\u003cbr\u003e5. 10 Sunsets\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : DINA\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u0026lt;AIR WAYS\u0026gt;\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : AW02\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":8775357497594,"title":"Felbm \/\/ winterspring\/summerfall 2xLP","handle":"felbm-winterspring-summerfall-2xlp","description":"\u003cp\u003eオランダのアンビエント作家Felbmが、2025年5月にベルギーのアンビエントレーベルObjects \u0026amp; Soundsからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e二十四節気をコンセプトにしたポストニューエイジ・アンビエントジャズ24曲を収録。ブックレットとDLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4206154371\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/oas\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/oas\"\u003ehere\u003c\/a\u003e to see more Objects \u0026amp; Sounds releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eIncludes DL code. \u003cbr\u003e2 x 12\" black vinyl.\u003cbr\u003eIncludes insert\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e featuring photographs corresponding to each track and its seasonal point in the Japanese sekki calendar\u003c\/span\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. winter i 03:34\u003cbr\u003e2. winter ii 03:19\u003cbr\u003e3. winter iii 02:21\u003cbr\u003e4. winter iv 03:31\u003cbr\u003e5. winter v 03:12\u003cbr\u003e6. winter vi 05:11\u003cbr\u003e7. spring i 03:28\u003cbr\u003e8. spring ii 03:39\u003cbr\u003e9. spring iii 02:22\u003cbr\u003e10. spring iv 02:14\u003cbr\u003e11. spring v 03:21\u003cbr\u003e12. spring vi 03:25\u003cbr\u003e13. summer i\u003cbr\u003e14. summer ii\u003cbr\u003e15. summer iii\u003cbr\u003e16. summer iv\u003cbr\u003e17. summer v\u003cbr\u003e18. summer vi\u003cbr\u003e19. fall i\u003cbr\u003e20. fall ii\u003cbr\u003e21. fall iii\u003cbr\u003e22. fall iv\u003cbr\u003e23. fall v\u003cbr\u003e24. fall vi\u003cbr\u003e25. winter (i - vi)\u003cbr\u003e26. spring (i - vi)\u003cbr\u003e27. summer (i - vi)\u003cbr\u003e28. fall (i - vi)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eAllie Hatch, via the label: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Perhaps his most luminous work to date, multi-instrumentalist Eelco Topper, also known as Felbm, presents a resounding and timeless suite in winterspring\/summerfall. The work is a natural progression of his two latest solo feats, Elements of Nature and cycli infini, as it taps into nature and cyclical patterns while expanding upon these themes through the lens of Nijūshi-sekki, the Japanese 24-point seasonal system.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhilst reading a book about the Japanese tea ceremony, Felbm first came in touch with Nijūshi-sekki, a calendar used in Ancient China and Japan that, rather than dividing time into four seasons, uses 24 points, with six periods per season, to mark what is happening in nature at precise moments. The poetics of these markers intrigued Felbm. Beginning in November 2022, he decided to follow the Nijūshi-sekki for a year, tracking and recording his observations of nature in a journal—from cloud formations to weather patterns, animal life to plants sprouting—while collecting musical ideas inspired by the changes and reflections experienced per period. These musings slowly took shape over the course of the year and became winterspring\/summerfall.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusically, what we hear moves subtly with the\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e seasons. Winter’s elongated notes draw out a sense of expansiveness, time stretching in an endless slumber. Lumbering bass casts its heavy shadow, while moments of purity emerge, with crystalline percussion and birds swooping across a robin-egg sky.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWinter sheds its layers with the flickering rays of light as spring’s arrival spreads across the landscape. We hear the fluttering of life returning, instruments painting airy melodies that awaken the senses and move with refreshed vitality. These expressions are amplified by the beckoning of summer. Zesty, buoyant warmth captures the vegetative abundance this period yields, while refreshing downpours and swells of notes glisten in the sun’s mirage of heat. The transition to autumn harkens a hushed companionship, a sense of being held by the deep, rich wells of the season’s rooted, earthy textures and organic sounds. The smooth sounds of summer develop a crunchiness as fall arrives, rain showers inviting in the descent of colder months to come.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhat we hear and feel across the 24 seasonal points is nothing short of reverence for Earth’s splendor. Felbm is not just an observer of nature, but is attuned to the miraculous essentiality of every element—the role every birdsong, blade of grass, dewy drop, or pewter cloud plays in the continuous transformations we experience in daily life. winterspring\/summerfall is a gift to be cherished, and as guides, stewards, and co-conspirators of the world brimming around us, Felbm leaves us with one last request when listening to the album: “My final invitation is to absorb Henriëtte Roland Holst words 'nature’s silence knows many sounds' and listen to nature's silence.”\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Felbm\u003c\/p\u003e\n\u003cp\u003eLabel : Objects \u0026amp; Sounds\u003c\/p\u003e","published_at":"2025-04-30T13:47:56+09:00","created_at":"2025-04-29T14:14:47+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","Objects and Sounds","post newage","recommended"],"price":525000,"price_min":525000,"price_max":525000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47284418347258,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Felbm \/\/ winterspring\/summerfall 2xLP","public_title":null,"options":["Default Title"],"price":525000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/win1_36f4ad38-031f-41c8-b279-41d4983d259f.jpg?v=1745903373","\/\/tobirarecords.com\/cdn\/shop\/files\/win2_b39ccb66-752b-4ec2-8bf8-c9829725d2d2.jpg?v=1745903373","\/\/tobirarecords.com\/cdn\/shop\/files\/win3.jpg?v=1745903374"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/win1_36f4ad38-031f-41c8-b279-41d4983d259f.jpg?v=1745903373","options":["Title"],"media":[{"alt":null,"id":35960155865338,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win1_36f4ad38-031f-41c8-b279-41d4983d259f.jpg?v=1745903373"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win1_36f4ad38-031f-41c8-b279-41d4983d259f.jpg?v=1745903373","width":700},{"alt":null,"id":35960155898106,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win2_b39ccb66-752b-4ec2-8bf8-c9829725d2d2.jpg?v=1745903373"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win2_b39ccb66-752b-4ec2-8bf8-c9829725d2d2.jpg?v=1745903373","width":1200},{"alt":null,"id":35960155930874,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win3.jpg?v=1745903374"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win3.jpg?v=1745903374","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダのアンビエント作家Felbmが、2025年5月にベルギーのアンビエントレーベルObjects \u0026amp; Soundsからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e二十四節気をコンセプトにしたポストニューエイジ・アンビエントジャズ24曲を収録。ブックレットとDLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4206154371\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/oas\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/oas\"\u003ehere\u003c\/a\u003e to see more Objects \u0026amp; Sounds releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eIncludes DL code. \u003cbr\u003e2 x 12\" black vinyl.\u003cbr\u003eIncludes insert\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e featuring photographs corresponding to each track and its seasonal point in the Japanese sekki calendar\u003c\/span\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. winter i 03:34\u003cbr\u003e2. winter ii 03:19\u003cbr\u003e3. winter iii 02:21\u003cbr\u003e4. winter iv 03:31\u003cbr\u003e5. winter v 03:12\u003cbr\u003e6. winter vi 05:11\u003cbr\u003e7. spring i 03:28\u003cbr\u003e8. spring ii 03:39\u003cbr\u003e9. spring iii 02:22\u003cbr\u003e10. spring iv 02:14\u003cbr\u003e11. spring v 03:21\u003cbr\u003e12. spring vi 03:25\u003cbr\u003e13. summer i\u003cbr\u003e14. summer ii\u003cbr\u003e15. summer iii\u003cbr\u003e16. summer iv\u003cbr\u003e17. summer v\u003cbr\u003e18. summer vi\u003cbr\u003e19. fall i\u003cbr\u003e20. fall ii\u003cbr\u003e21. fall iii\u003cbr\u003e22. fall iv\u003cbr\u003e23. fall v\u003cbr\u003e24. fall vi\u003cbr\u003e25. winter (i - vi)\u003cbr\u003e26. spring (i - vi)\u003cbr\u003e27. summer (i - vi)\u003cbr\u003e28. fall (i - vi)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eAllie Hatch, via the label: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Perhaps his most luminous work to date, multi-instrumentalist Eelco Topper, also known as Felbm, presents a resounding and timeless suite in winterspring\/summerfall. The work is a natural progression of his two latest solo feats, Elements of Nature and cycli infini, as it taps into nature and cyclical patterns while expanding upon these themes through the lens of Nijūshi-sekki, the Japanese 24-point seasonal system.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhilst reading a book about the Japanese tea ceremony, Felbm first came in touch with Nijūshi-sekki, a calendar used in Ancient China and Japan that, rather than dividing time into four seasons, uses 24 points, with six periods per season, to mark what is happening in nature at precise moments. The poetics of these markers intrigued Felbm. Beginning in November 2022, he decided to follow the Nijūshi-sekki for a year, tracking and recording his observations of nature in a journal—from cloud formations to weather patterns, animal life to plants sprouting—while collecting musical ideas inspired by the changes and reflections experienced per period. These musings slowly took shape over the course of the year and became winterspring\/summerfall.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusically, what we hear moves subtly with the\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e seasons. Winter’s elongated notes draw out a sense of expansiveness, time stretching in an endless slumber. Lumbering bass casts its heavy shadow, while moments of purity emerge, with crystalline percussion and birds swooping across a robin-egg sky.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWinter sheds its layers with the flickering rays of light as spring’s arrival spreads across the landscape. We hear the fluttering of life returning, instruments painting airy melodies that awaken the senses and move with refreshed vitality. These expressions are amplified by the beckoning of summer. Zesty, buoyant warmth captures the vegetative abundance this period yields, while refreshing downpours and swells of notes glisten in the sun’s mirage of heat. The transition to autumn harkens a hushed companionship, a sense of being held by the deep, rich wells of the season’s rooted, earthy textures and organic sounds. The smooth sounds of summer develop a crunchiness as fall arrives, rain showers inviting in the descent of colder months to come.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhat we hear and feel across the 24 seasonal points is nothing short of reverence for Earth’s splendor. Felbm is not just an observer of nature, but is attuned to the miraculous essentiality of every element—the role every birdsong, blade of grass, dewy drop, or pewter cloud plays in the continuous transformations we experience in daily life. winterspring\/summerfall is a gift to be cherished, and as guides, stewards, and co-conspirators of the world brimming around us, Felbm leaves us with one last request when listening to the album: “My final invitation is to absorb Henriëtte Roland Holst words 'nature’s silence knows many sounds' and listen to nature's silence.”\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Felbm\u003c\/p\u003e\n\u003cp\u003eLabel : Objects \u0026amp; Sounds\u003c\/p\u003e"}
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オランダのアンビエント作家Felbmが、2025年5月にベルギーのアンビエントレーベルObjects & Soundsからリリースした2枚組レコードです。 二十四節気をコンセプトにしたポストニューエイジ・アンビエントジャズ24曲を収録。ブックレットとDLコード付属。 レーベルその他作品はこちら /// Click here to see more Objects & Sounds...
¥5,250
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{"id":8775129465082,"title":"The Lifted Index \/\/ Heat Shade TAPE","handle":"the-lifted-index-heat-shade-tape","description":"\u003cp\u003e\u003cspan\u003eアメリカ・ジョージアのアンビエント作家The Lifted Indexが、2022年9月にドイツ・フランクフルトのアンビエントレーベルSeil Recordsから\u003c\/span\u003e\u003cspan\u003e100本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eギターとシンセを用いたアンビエント12曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eポストロックやネオクラシカルリスナーにもオススメの一本です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4094185273\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eSeil Records その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eSeil Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e Edition of 100.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eMade with guitar, synthesizer, and voice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : The Lifted Index\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Seil Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-29T06:46:19+09:00","created_at":"2025-04-29T06:45:49+09:00","vendor":"Tobira Records","type":"","tags":["ambient","neo classical","new","seil records","tape"],"price":237000,"price_min":237000,"price_max":237000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47284021330170,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Lifted Index \/\/ Heat Shade TAPE","public_title":null,"options":["Default Title"],"price":237000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/he1_f6f18ec7-e830-41f8-90a5-7f9e2bdeac85.jpg?v=1665437937","\/\/tobirarecords.com\/cdn\/shop\/products\/he2_3e2f8e93-c837-418e-b52e-54cbdaa844d5.jpg?v=1665437937"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/he1_f6f18ec7-e830-41f8-90a5-7f9e2bdeac85.jpg?v=1665437937","options":["Title"],"media":[{"alt":null,"id":30710336323834,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/he1_f6f18ec7-e830-41f8-90a5-7f9e2bdeac85.jpg?v=1665437937"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/he1_f6f18ec7-e830-41f8-90a5-7f9e2bdeac85.jpg?v=1665437937","width":700},{"alt":null,"id":30710336356602,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/he2_3e2f8e93-c837-418e-b52e-54cbdaa844d5.jpg?v=1665437937"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/he2_3e2f8e93-c837-418e-b52e-54cbdaa844d5.jpg?v=1665437937","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・ジョージアのアンビエント作家The Lifted Indexが、2022年9月にドイツ・フランクフルトのアンビエントレーベルSeil Recordsから\u003c\/span\u003e\u003cspan\u003e100本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eギターとシンセを用いたアンビエント12曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eポストロックやネオクラシカルリスナーにもオススメの一本です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4094185273\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; 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{"id":8775128842490,"title":"weareforests \/\/ Where There Is No Ending TAPE","handle":"weareforests-where-there-is-no-ending-tape","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・コロラドのアンビエント作家weareforestsが、2023年1月にドイツ・フランクフルトのアンビエントレーベルSeilから120本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングとピアノ、シンセによる微睡系アンビエント8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e読書のお供にもぜひ。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2553849874\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2392318490\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2553849874\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=191008051\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eSeil Records その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eSeil Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 120. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ewater, water, water, a single loud grasshopper, loose tape flapping, sexually frustrated sea lions, quite the ruckus about boats, a dog not so well behaved, birds (always birds), she laughed, she took the picture, and of course there are s_o_u_n_d_s in here.\u003ci\u003e\"\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : weareforests\u003c\/p\u003e\n\u003cp\u003eLabel : Seil Records\u003c\/p\u003e","published_at":"2025-04-29T06:42:28+09:00","created_at":"2025-04-29T06:41:54+09:00","vendor":"Tobira Records","type":"","tags":["ambient","neo classical","new","seil records","tape"],"price":237000,"price_min":237000,"price_max":237000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47284018905338,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"weareforests \/\/ Where There Is No Ending TAPE","public_title":null,"options":["Default Title"],"price":237000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a1744131813_16.jpg?v=1675046084","\/\/tobirarecords.com\/cdn\/shop\/products\/0031083036_10.jpg?v=1675046084"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1744131813_16.jpg?v=1675046084","options":["Title"],"media":[{"alt":null,"id":31452646310138,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1744131813_16.jpg?v=1675046084"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1744131813_16.jpg?v=1675046084","width":700},{"alt":null,"id":31452646277370,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0031083036_10.jpg?v=1675046084"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0031083036_10.jpg?v=1675046084","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・コロラドのアンビエント作家weareforestsが、2023年1月にドイツ・フランクフルトのアンビエントレーベルSeilから120本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングとピアノ、シンセによる微睡系アンビエント8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e読書のお供にもぜひ。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2553849874\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2392318490\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2553849874\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=191008051\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eSeil Records その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eSeil Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 120. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ewater, water, water, a single loud grasshopper, loose tape flapping, sexually frustrated sea lions, quite the ruckus about boats, a dog not so well behaved, birds (always birds), she laughed, she took the picture, and of course there are s_o_u_n_d_s in here.\u003ci\u003e\"\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : weareforests\u003c\/p\u003e\n\u003cp\u003eLabel : Seil Records\u003c\/p\u003e"}
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アメリカ・コロラドのアンビエント作家weareforestsが、2023年1月にドイツ・フランクフルトのアンビエントレーベルSeilから120本限定でリリースしたカセットです。 フィールドレコーディングとピアノ、シンセによる微睡系アンビエント8曲を収録。DLコード付属。 読書のお供にもぜひ。 Seil Records その他作品はこちら /// Click here to see more Seil Records releases available at Tobira. ...
¥2,370
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{"id":8775128645882,"title":"Jogging House \/\/ Luften TAPE","handle":"jogging-house-luften-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・フランクフルトのアンビエントレーベルSeil Records主宰Jogging Houseが、2023年6月に20\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e0本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eモジュラーやカリンバ、ウクレレなどを用いてワンテイクでカセットに録音したアンビエントドローン8曲、1時間以上を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1108022628\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1439653446\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1108022628\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eSeil Records その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eSeil Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code and a photo. Edition of 200.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eMade with: Modular System, Kalimba, Ukulele, Chase Bliss Mood MK2 \u0026amp; Habit, OTO Bim \u0026amp; Bam. Recorded straight to cassette in single takes.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArtist : Jogging House\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Seil Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-29T06:41:11+09:00","created_at":"2025-04-29T06:40:38+09:00","vendor":"Tobira Records","type":"","tags":["ambient","new","seil records","tape"],"price":239000,"price_min":239000,"price_max":239000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47284018282746,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jogging House \/\/ Luften TAPE","public_title":null,"options":["Default Title"],"price":239000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0585020123_16.jpg?v=1690504320","\/\/tobirarecords.com\/cdn\/shop\/files\/0032683948_10.jpg?v=1690504321","\/\/tobirarecords.com\/cdn\/shop\/files\/0032683951_10.jpg?v=1690504322","\/\/tobirarecords.com\/cdn\/shop\/files\/0032683955_10.jpg?v=1690504323"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0585020123_16.jpg?v=1690504320","options":["Title"],"media":[{"alt":null,"id":32273088119034,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0585020123_16.jpg?v=1690504320"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0585020123_16.jpg?v=1690504320","width":700},{"alt":null,"id":32273088151802,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032683948_10.jpg?v=1690504321"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032683948_10.jpg?v=1690504321","width":1200},{"alt":null,"id":32273088315642,"position":3,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032683951_10.jpg?v=1690504322"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032683951_10.jpg?v=1690504322","width":1200},{"alt":null,"id":32273088348410,"position":4,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032683955_10.jpg?v=1690504323"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032683955_10.jpg?v=1690504323","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・フランクフルトのアンビエントレーベルSeil Records主宰Jogging Houseが、2023年6月に20\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e0本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eモジュラーやカリンバ、ウクレレなどを用いてワンテイクでカセットに録音したアンビエントドローン8曲、1時間以上を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1108022628\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1439653446\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1108022628\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eSeil Records その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eSeil Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code and a photo. Edition of 200.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eMade with: Modular System, Kalimba, Ukulele, Chase Bliss Mood MK2 \u0026amp; Habit, OTO Bim \u0026amp; Bam. Recorded straight to cassette in single takes.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArtist : Jogging House\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Seil Records\u003c\/span\u003e\u003c\/p\u003e"}
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ドイツ・フランクフルトのアンビエントレーベルSeil Records主宰Jogging Houseが、2023年6月に200本限定でリリースしたカセットです。 モジュラーやカリンバ、ウクレレなどを用いてワンテイクでカセットに録音したアンビエントドローン8曲、1時間以上を収録。DLコード付属。 Seil Records その他作品はこちら /// Click here to see more Seil Records releases available at...
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{"id":8775128514810,"title":"Jogging House \/\/ Danger TAPE","handle":"jogging-house-danger-tape","description":"\u003cp\u003eドイツ・フランクフルトのアンビエントレーベルSeil主宰Jogging Houseが、2023年3月に150本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eモジュラーやカリンバ、SP404、MK2を用いた清涼感溢れるアンビエント11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/jogging-house-face-tape\"\u003e前作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1920427734\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eSeil Records その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eSeil Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e Edition of 150.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSeil Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"A common language, a whisper through fears.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eMade with: SP404 MK2, Kalimba, Digitone, Cocoquantus, SuperDuber, some modular, some Lyra-8, Generation Loss, Bim \u0026amp; Bam. Recorded straight to 1\/4\" tape in single takes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Jogging House\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Seil Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-29T06:39:51+09:00","created_at":"2025-04-29T06:39:16+09:00","vendor":"Tobira Records","type":"","tags":["ambient","new","seil records","tape"],"price":237000,"price_min":237000,"price_max":237000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47284018053370,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jogging House \/\/ Danger TAPE","public_title":null,"options":["Default Title"],"price":237000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/da1_7f44113e-aed8-48b0-8906-496dcfec29d0.jpg?v=1680582214","\/\/tobirarecords.com\/cdn\/shop\/products\/da2_71cd38ae-5d3d-49ce-982f-3ed66df904ee.jpg?v=1680582214"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_7f44113e-aed8-48b0-8906-496dcfec29d0.jpg?v=1680582214","options":["Title"],"media":[{"alt":null,"id":31783399325946,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_7f44113e-aed8-48b0-8906-496dcfec29d0.jpg?v=1680582214"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_7f44113e-aed8-48b0-8906-496dcfec29d0.jpg?v=1680582214","width":700},{"alt":null,"id":31783399358714,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_71cd38ae-5d3d-49ce-982f-3ed66df904ee.jpg?v=1680582214"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_71cd38ae-5d3d-49ce-982f-3ed66df904ee.jpg?v=1680582214","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・フランクフルトのアンビエントレーベルSeil主宰Jogging Houseが、2023年3月に150本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eモジュラーやカリンバ、SP404、MK2を用いた清涼感溢れるアンビエント11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/jogging-house-face-tape\"\u003e前作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1920427734\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eSeil Records その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eSeil Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e Edition of 150.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSeil Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"A common language, a whisper through fears.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eMade with: SP404 MK2, Kalimba, Digitone, Cocoquantus, SuperDuber, some modular, some Lyra-8, Generation Loss, Bim \u0026amp; Bam. Recorded straight to 1\/4\" tape in single takes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Jogging House\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Seil Records\u003c\/span\u003e\u003c\/p\u003e"}
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ドイツ・フランクフルトのアンビエントレーベルSeil主宰Jogging Houseが、2023年3月に150本限定でリリースしたカセットです。 モジュラーやカリンバ、SP404、MK2を用いた清涼感溢れるアンビエント11曲を収録。DLコード付属。 前作もおすすめです。 Seil Records その他作品はこちら /// Click here to see more Seil Records releases available at...
¥2,370
![Zimoun // ModularGuitarFields I-VI LP [COLOR]](http://tobirarecords.com/cdn/shop/files/mod1_f254e771-1993-410e-8ba1-71a72db45ded_medium.jpg?v=1696063102)
クイックビュー
{"id":8775127990522,"title":"Zimoun \/\/ ModularGuitarFields I-VI LP [COLOR]","handle":"zimoun-modularguitarfields-i-vi-lp-color","description":"\u003cp\u003eスイスのアンビエント作家／インスタレーション作家Zimounが、2023年9月にアメリカ・NYのアンビエントレーベル12kからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eバリトンギターとアンプ、モジュラーシンセによるミニマルなアンビエントドローン6曲を収録。DLコード付属。 クリア盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"段ボール、DCモーター、その他の工業製品を使ったサイトスペシフィックな\u003cmeta charset=\"utf-8\"\u003e没入型インスタレーションで知られる。彼の機械化された環境は、世界中の著名な美術館やギャラリーで展示されている。最新作「ModularGuitarFields I-VI」は、テナーバリトンギターのサウンドをベースに、モジュラーシンセと1960年代のヴィンテージマグナトーンアンプを組み合わせている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eModularGuitarFields I-VIは、広大でアトモスフェリックな領域を網羅し、Zimounが生々しく温かみのあるサウンドやミニマルなコンセプトやアプローチに情熱を注いでいることを表現している。ミニマルでありながら、サイケデリアと硬質なマイクロサウンドのタッチを持つ、濃密なサウンドスケープである。これらのコンポジションは、彼のインスタレーション作品とは異なり、音の彫刻として理解することができ、動きがあり、催眠術のような大気効果を引き出し、没入感のある環境を作り出す。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e純粋にアコースティックな作品においても、彼は音の生成と音空間の創造に深い関心を持ち続けている。彼のコンポジションは、物語的な展開に従うというよりは、むしろ建築空間に似た場所の感覚を呼び起こす。個々のコンポジションは、時間の経過とともに最小限の変化を遂げることが多いが、その微細構造には継続的な発展と変化が見られる。何か別のものに進化するというよりは、常に変化し、生きている有機体のように感じられる。これは、シンプルな構造と要素の中に複雑さと多様なバリエーションを育み、ギターの音によって継続的に養われ、育まれるようなシステムを創り出すというZimounの基本的な関心を反映している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eModularGuitarFields I-VIは、12Kの仲間のアーティストたちの静寂と儚さから一歩踏み出し、より強烈なドローンベースのアルバムを届けている。最初は容赦のない、孤立した風景のような印象を受けるが、その中に隠されたレイヤーは、巨大な氷河の内部を探検するように、生命と動きに満ち溢れたディテールを見せてくれる。\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=516723672\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003ehere\u003c\/a\u003e to see more 12k releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" clear vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eModularGuitarFields I 12:15\u003c\/li\u003e\n\u003cli\u003eModularGuitarFields II 16:11\u003c\/li\u003e\n\u003cli\u003eModularGuitarFields III 13:11\u003c\/li\u003e\n\u003cli\u003eModularGuitarFields IV 01:04\u003c\/li\u003e\n\u003cli\u003eModularGuitarFields V 09:54\u003c\/li\u003e\n\u003cli\u003eModularGuitarFields VI 11:04\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e12k:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eZimoun is a multi-disciplilnary Swiss artist who is best recognized for his immersive and site-specific installations with cardboard, DC motors and other industrial objects to create large-scale installations of orchestrated noise and movement. His mechanized environments have been shown in prestigiuos museums and galleries worldwide. On his latest musical release, ModularGuitarFields I-VI is entirely based on the sounds of a Tenor Baritone Guitar, combined with select elements of a Modular Synth and a vintage 1960s Magnatone Amp.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eModularGuitarFields I-VI encompasses expansive and atmospheric realms, showcasing Zimoun’s passion for raw, warm sounds, as well as minimalist concepts and approaches. They are minimalist yet sonically dense soundscapes, with a touch of psychedelia and gritty microsounds. These compositions can be understood as sonic sculptures, teeming with movement, not unlike his installation work, and eliciting a hypnotic atmospheric effect and creating immersive environments..\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEven in his purely acoustic works, he maintains a profound interest in sound generation and the creation of sonic space. His compositions evoke a sense of place rather than following narrative developments somehow akin to architectural spaces. Although the\u003cspan class=\"bcTruncateMore\"\u003e individual compositions often undergo minimal changes over time, they exhibit continuous developments and variations in their microstructures. They feel more like an organism constantly transforming and living, rather than evolving into something different. This reflects Zimoun’s fundamental interest in creating systems that foster complexity and a multitude of variations within simple structures and elements, continuously nourished and nurtured by the guitar sounds.\u003cbr\u003e\u003cbr\u003eModularGuitarFields I-VI steps away from the quietude and fragility of his fellow 12k artists and and delivers a more intense, drone-based album. While it first comes across like an unforgiving, isolated landscape, the layers hidden within reveal details teeming with life and movement, like exploring the interior of a massive glacier.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Zimoun\u003c\/p\u003e\n\u003cp\u003eLabel : 12k\u003c\/p\u003e","published_at":"2025-04-29T06:33:57+09:00","created_at":"2025-04-29T06:33:04+09:00","vendor":"Tobira Records","type":"","tags":["12k","ambient","drone","lp","new"],"price":428000,"price_min":428000,"price_max":428000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47284011630842,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Zimoun \/\/ ModularGuitarFields I-VI LP [COLOR]","public_title":null,"options":["Default Title"],"price":428000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mod1_f254e771-1993-410e-8ba1-71a72db45ded.jpg?v=1696063102","\/\/tobirarecords.com\/cdn\/shop\/files\/mod2_0d5f4ee3-9ccb-4302-b055-7f22c3e33c11.jpg?v=1696063102"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mod1_f254e771-1993-410e-8ba1-71a72db45ded.jpg?v=1696063102","options":["Title"],"media":[{"alt":null,"id":32512863961338,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mod1_f254e771-1993-410e-8ba1-71a72db45ded.jpg?v=1696063102"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mod1_f254e771-1993-410e-8ba1-71a72db45ded.jpg?v=1696063102","width":700},{"alt":null,"id":32512863994106,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mod2_0d5f4ee3-9ccb-4302-b055-7f22c3e33c11.jpg?v=1696063102"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mod2_0d5f4ee3-9ccb-4302-b055-7f22c3e33c11.jpg?v=1696063102","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスイスのアンビエント作家／インスタレーション作家Zimounが、2023年9月にアメリカ・NYのアンビエントレーベル12kからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eバリトンギターとアンプ、モジュラーシンセによるミニマルなアンビエントドローン6曲を収録。DLコード付属。 クリア盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"段ボール、DCモーター、その他の工業製品を使ったサイトスペシフィックな\u003cmeta charset=\"utf-8\"\u003e没入型インスタレーションで知られる。彼の機械化された環境は、世界中の著名な美術館やギャラリーで展示されている。最新作「ModularGuitarFields I-VI」は、テナーバリトンギターのサウンドをベースに、モジュラーシンセと1960年代のヴィンテージマグナトーンアンプを組み合わせている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eModularGuitarFields I-VIは、広大でアトモスフェリックな領域を網羅し、Zimounが生々しく温かみのあるサウンドやミニマルなコンセプトやアプローチに情熱を注いでいることを表現している。ミニマルでありながら、サイケデリアと硬質なマイクロサウンドのタッチを持つ、濃密なサウンドスケープである。これらのコンポジションは、彼のインスタレーション作品とは異なり、音の彫刻として理解することができ、動きがあり、催眠術のような大気効果を引き出し、没入感のある環境を作り出す。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e純粋にアコースティックな作品においても、彼は音の生成と音空間の創造に深い関心を持ち続けている。彼のコンポジションは、物語的な展開に従うというよりは、むしろ建築空間に似た場所の感覚を呼び起こす。個々のコンポジションは、時間の経過とともに最小限の変化を遂げることが多いが、その微細構造には継続的な発展と変化が見られる。何か別のものに進化するというよりは、常に変化し、生きている有機体のように感じられる。これは、シンプルな構造と要素の中に複雑さと多様なバリエーションを育み、ギターの音によって継続的に養われ、育まれるようなシステムを創り出すというZimounの基本的な関心を反映している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eModularGuitarFields I-VIは、12Kの仲間のアーティストたちの静寂と儚さから一歩踏み出し、より強烈なドローンベースのアルバムを届けている。最初は容赦のない、孤立した風景のような印象を受けるが、その中に隠されたレイヤーは、巨大な氷河の内部を探検するように、生命と動きに満ち溢れたディテールを見せてくれる。\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=516723672\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003ehere\u003c\/a\u003e to see more 12k releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" clear vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eModularGuitarFields I 12:15\u003c\/li\u003e\n\u003cli\u003eModularGuitarFields II 16:11\u003c\/li\u003e\n\u003cli\u003eModularGuitarFields III 13:11\u003c\/li\u003e\n\u003cli\u003eModularGuitarFields IV 01:04\u003c\/li\u003e\n\u003cli\u003eModularGuitarFields V 09:54\u003c\/li\u003e\n\u003cli\u003eModularGuitarFields VI 11:04\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e12k:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eZimoun is a multi-disciplilnary Swiss artist who is best recognized for his immersive and site-specific installations with cardboard, DC motors and other industrial objects to create large-scale installations of orchestrated noise and movement. His mechanized environments have been shown in prestigiuos museums and galleries worldwide. On his latest musical release, ModularGuitarFields I-VI is entirely based on the sounds of a Tenor Baritone Guitar, combined with select elements of a Modular Synth and a vintage 1960s Magnatone Amp.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eModularGuitarFields I-VI encompasses expansive and atmospheric realms, showcasing Zimoun’s passion for raw, warm sounds, as well as minimalist concepts and approaches. They are minimalist yet sonically dense soundscapes, with a touch of psychedelia and gritty microsounds. These compositions can be understood as sonic sculptures, teeming with movement, not unlike his installation work, and eliciting a hypnotic atmospheric effect and creating immersive environments..\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEven in his purely acoustic works, he maintains a profound interest in sound generation and the creation of sonic space. His compositions evoke a sense of place rather than following narrative developments somehow akin to architectural spaces. Although the\u003cspan class=\"bcTruncateMore\"\u003e individual compositions often undergo minimal changes over time, they exhibit continuous developments and variations in their microstructures. They feel more like an organism constantly transforming and living, rather than evolving into something different. This reflects Zimoun’s fundamental interest in creating systems that foster complexity and a multitude of variations within simple structures and elements, continuously nourished and nurtured by the guitar sounds.\u003cbr\u003e\u003cbr\u003eModularGuitarFields I-VI steps away from the quietude and fragility of his fellow 12k artists and and delivers a more intense, drone-based album. While it first comes across like an unforgiving, isolated landscape, the layers hidden within reveal details teeming with life and movement, like exploring the interior of a massive glacier.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Zimoun\u003c\/p\u003e\n\u003cp\u003eLabel : 12k\u003c\/p\u003e"}
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スイスのアンビエント作家／インスタレーション作家Zimounが、2023年9月にアメリカ・NYのアンビエントレーベル12kからリリースしたレコードです。 バリトンギターとアンプ、モジュラーシンセによるミニマルなアンビエントドローン6曲を収録。DLコード付属。 クリア盤です。 以下、レーベルによる解説です。 "段ボール、DCモーター、その他の工業製品を使ったサイトスペシフィックな没入型インスタレーションで知られる。彼の機械化された環境は、世界中の著名な美術館やギャラリーで展示されている。最新作「ModularGuitarFields I-VI」は、テナーバリトンギターのサウンドをベースに、モジュラーシンセと1960年代のヴィンテージマグナトーンアンプを組み合わせている。ModularGuitarFields I-VIは、広大でアトモスフェリックな領域を網羅し、Zimounが生々しく温かみのあるサウンドやミニマルなコンセプトやアプローチに情熱を注いでいることを表現している。ミニマルでありながら、サイケデリアと硬質なマイクロサウンドのタッチを持つ、濃密なサウンドスケープである。これらのコンポジションは、彼のインスタレーション作品とは異なり、音の彫刻として理解することができ、動きがあり、催眠術のような大気効果を引き出し、没入感のある環境を作り出す。 純粋にアコースティックな作品においても、彼は音の生成と音空間の創造に深い関心を持ち続けている。彼のコンポジションは、物語的な展開に従うというよりは、むしろ建築空間に似た場所の感覚を呼び起こす。個々のコンポジションは、時間の経過とともに最小限の変化を遂げることが多いが、その微細構造には継続的な発展と変化が見られる。何か別のものに進化するというよりは、常に変化し、生きている有機体のように感じられる。これは、シンプルな構造と要素の中に複雑さと多様なバリエーションを育み、ギターの音によって継続的に養われ、育まれるようなシステムを創り出すというZimounの基本的な関心を反映している。ModularGuitarFields I-VIは、12Kの仲間のアーティストたちの静寂と儚さから一歩踏み出し、より強烈なドローンベースのアルバムを届けている。最初は容赦のない、孤立した風景のような印象を受けるが、その中に隠されたレイヤーは、巨大な氷河の内部を探検するように、生命と動きに満ち溢れたディテールを見せてくれる。" レーベルその他作品はこちら /// Click here to see more 12k...
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{"id":8774308430074,"title":"O Yuki Conjugate \/\/ 1983 Unearthed LP","handle":"o-yuki-conjugate-1983-unearthed-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e1982年から活動しているイギリスのポストインダストリアルバンドO Yuki Conjugateが、2025年5月リリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1983年に制作した幻のデビューアルバムです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"未発表のこれらのトラックは、バンドの『Untitled 10\"』とLP『Scene In Mirage』の間にあるミッシング・リンクである。ノッティンガムの19歳のグループが、エレクトロニカを取り入れつつもアンビエントへと向かう、サウンドを見つけるまでの内幕が描かれている。時に素朴だが、常にチャーミング。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの発掘は、彼らのアーカイヴの様々なカセットやマスターテープを深く掘り下げることに基づいている。OYCは『Ambiguism』のボックスセットで初期を十分に記録したつもりだったが、すぐにその作業が不完全であることが明らかになった。彼らは、以前は取るに足らない、価値のないものと考えていた未発表曲の数々を再評価した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『1983 Unearthed』は、『Scene in Mirage』の前身とも言える作品で、対照的な2面という同じフォーマットを共有している。U面（トラック1～6）は未発表のビート主体のカセットテープからコンパイルされ、Y面（トラック7～10）は主に初期の未発表版ビデオ『Peripheral Vision』のアンビエントサウンドトラックから構成されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e根本的に異なるアプローチにもかかわらず、このレコードは、1983年がバンドにとって、自分たちのサウンドを見つけようと努力した決定的な年であったことを示している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2336291060\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eContains unreleased OYC early years.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hour and Hour\u003cbr\u003e2. Lazarus\u003cbr\u003e3. Foundation\u003cbr\u003e4. Plagiarism\u003cbr\u003e5. London Unreal\u003cbr\u003e6. The Phoenix Program\u003cbr\u003e7. Twoflute Dreaming\u003cbr\u003e8. Wind on Wheels\u003cbr\u003e9. Gibbon Theory\u003cbr\u003e10. Transcontinental Levitation\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFinal Image:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePreviously unreleased, these tracks are the missing link between the band's Untitled 10\" and Scene In Mirage LP. A shadow album to their debut, it shows the inner workings of a group of Nottingham 19 year olds finding thier sound, embracing electronica but moving towards ambient. At times naive but always charming.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis excavation is based on a very deep dive into the various cassettes and master tapes of their archive. While OYC had thought they'd documented their early years sufficiently with the Ambiguism box set, it soon became obvious the task was incomplete. They reassessed many unreleased tracks they had previously thought insignificant and of no value, and were surprised to discover that wasn’t the case.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e1983 Unearthed can be seen as a forerunner to Scene in Mirage, sharing the same format of two opposed and contrasting sides. The U side (tracks 1-6) is compiled from unreleased beat-driven cassettes, while the Y side (tracks 7-10) is primarily from the ambient soundtrack to an early unreleased version of their Peripheral Vision video.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDespite the radically different approaches, this record shows that 1983 was a defining year for the band as they strove to\u003cspan class=\"bcTruncateMore\"\u003e find their sound.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : O Yuki Conjugate\u003c\/p\u003e\n\u003cp\u003eLabel : Final Image\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efin2\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-29T06:31:03+09:00","created_at":"2025-04-28T10:09:07+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","strange beats"],"price":398600,"price_min":398600,"price_max":398600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47282027757818,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"O Yuki Conjugate \/\/ 1983 Unearthed LP","public_title":null,"options":["Default Title"],"price":398600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/oyu1.jpg?v=1745802366","\/\/tobirarecords.com\/cdn\/shop\/files\/oyu2.jpg?v=1745802367"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/oyu1.jpg?v=1745802366","options":["Title"],"media":[{"alt":null,"id":35953026695418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oyu1.jpg?v=1745802366"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oyu1.jpg?v=1745802366","width":700},{"alt":null,"id":35953026728186,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oyu2.jpg?v=1745802367"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oyu2.jpg?v=1745802367","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e1982年から活動しているイギリスのポストインダストリアルバンドO Yuki Conjugateが、2025年5月リリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1983年に制作した幻のデビューアルバムです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"未発表のこれらのトラックは、バンドの『Untitled 10\"』とLP『Scene In Mirage』の間にあるミッシング・リンクである。ノッティンガムの19歳のグループが、エレクトロニカを取り入れつつもアンビエントへと向かう、サウンドを見つけるまでの内幕が描かれている。時に素朴だが、常にチャーミング。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの発掘は、彼らのアーカイヴの様々なカセットやマスターテープを深く掘り下げることに基づいている。OYCは『Ambiguism』のボックスセットで初期を十分に記録したつもりだったが、すぐにその作業が不完全であることが明らかになった。彼らは、以前は取るに足らない、価値のないものと考えていた未発表曲の数々を再評価した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『1983 Unearthed』は、『Scene in Mirage』の前身とも言える作品で、対照的な2面という同じフォーマットを共有している。U面（トラック1～6）は未発表のビート主体のカセットテープからコンパイルされ、Y面（トラック7～10）は主に初期の未発表版ビデオ『Peripheral Vision』のアンビエントサウンドトラックから構成されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e根本的に異なるアプローチにもかかわらず、このレコードは、1983年がバンドにとって、自分たちのサウンドを見つけようと努力した決定的な年であったことを示している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2336291060\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eContains unreleased OYC early years.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hour and Hour\u003cbr\u003e2. Lazarus\u003cbr\u003e3. Foundation\u003cbr\u003e4. Plagiarism\u003cbr\u003e5. London Unreal\u003cbr\u003e6. The Phoenix Program\u003cbr\u003e7. Twoflute Dreaming\u003cbr\u003e8. Wind on Wheels\u003cbr\u003e9. Gibbon Theory\u003cbr\u003e10. Transcontinental Levitation\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFinal Image:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePreviously unreleased, these tracks are the missing link between the band's Untitled 10\" and Scene In Mirage LP. A shadow album to their debut, it shows the inner workings of a group of Nottingham 19 year olds finding thier sound, embracing electronica but moving towards ambient. At times naive but always charming.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis excavation is based on a very deep dive into the various cassettes and master tapes of their archive. While OYC had thought they'd documented their early years sufficiently with the Ambiguism box set, it soon became obvious the task was incomplete. They reassessed many unreleased tracks they had previously thought insignificant and of no value, and were surprised to discover that wasn’t the case.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e1983 Unearthed can be seen as a forerunner to Scene in Mirage, sharing the same format of two opposed and contrasting sides. The U side (tracks 1-6) is compiled from unreleased beat-driven cassettes, while the Y side (tracks 7-10) is primarily from the ambient soundtrack to an early unreleased version of their Peripheral Vision video.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDespite the radically different approaches, this record shows that 1983 was a defining year for the band as they strove to\u003cspan class=\"bcTruncateMore\"\u003e find their sound.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : O Yuki Conjugate\u003c\/p\u003e\n\u003cp\u003eLabel : Final Image\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efin2\u003c\/span\u003e\u003c\/p\u003e"}
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※5月上旬再入荷後発送します 1982年から活動しているイギリスのポストインダストリアルバンドO Yuki Conjugateが、2025年5月リリースしたレコードです。 1983年に制作した幻のデビューアルバムです。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "未発表のこれらのトラックは、バンドの『Untitled 10"』とLP『Scene In Mirage』の間にあるミッシング・リンクである。ノッティンガムの19歳のグループが、エレクトロニカを取り入れつつもアンビエントへと向かう、サウンドを見つけるまでの内幕が描かれている。時に素朴だが、常にチャーミング。 この発掘は、彼らのアーカイヴの様々なカセットやマスターテープを深く掘り下げることに基づいている。OYCは『Ambiguism』のボックスセットで初期を十分に記録したつもりだったが、すぐにその作業が不完全であることが明らかになった。彼らは、以前は取るに足らない、価値のないものと考えていた未発表曲の数々を再評価した。 『1983 Unearthed』は、『Scene...
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{"id":8774302171386,"title":"Ferdinand Schwarz \u0026 AREPO ensemble \/\/ Listening Time CD","handle":"ferdinand-schwarz-arepo-ensemble-listening-time-cd","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eドイツ・ケルンの作曲家／トランペット奏者Ferdinand SchwarzとAREPO ensembleが、2025年4月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベル\u003cspan\u003eAnother Timbreからリリースした共作CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e45分のアコースティック・アンビエントドローン大作です\u003cspan\u003e。ゲートフォルド\u003c\/span\u003eデジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私は、静止の感覚に触れる形式を多く扱ってきた。私にとって音は、物語そのものを語るために使われるのではなく、聴き手が自分自身の物語を構築するためのプロットの構造である。私は、このような形態が提供するリスニング／プレイ体験が大好きだった。もともと壊れやすい構造なので、柔らかい手で浮き上がらせるためには、多くの注意と素早い決断が必要だ。そして、これを即興で演奏するのはかなり難しい。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそこで私は、まず『AREPO』のフォーム（プロットの構造）を書き、その後で一緒に素材を詰めていくことにした。私にとっては、これはまだ即興とつながっているが、時間の中で石化された即興である。私は素材について明確な考えを持っていて、それは私たち全員が持っていたものだと思う。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eだから私たちは、ハーモニーや音域を試しながら、少しずつ一緒にフォームを埋めていった。この曲で使われているジャスト・イントネーションの枠組みは私が指導したが、多くのアイデアはアンサンブルと私たちが共有したプロセスから生まれたものだ。何回かセッションを重ねるうちに、私たちが持っていた素材がとてもクリアになったので（そして時間が足りなくなったので）、曲の残り半分を完成させた。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1485720146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA 45-minute piece from 2024 composed by Ferdinand Schwarz in collaboration with AREPO ensemble.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Listening Time 43:44\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eI had been working a lot with forms that touch upon senses of stasis. I was intrigued by non-developmental music, where to me sound is not used to narrate the story itself, but is the structure of the plot on which listeners build their own narratives. I loved the listening\/playing experiences these forms offered. Fragile by nature, these structures need a lot of care and quick decision-making to be held afloat, with soft hands. And improvising this is quite challenging.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThus, I decided to write the form (structure of the plot) for AREPO first and then fill it with material together afterwards. To me it is still connected to improvisation, but improvisation which has been petrified in time. I had clear ideas of the material, which I think we all had: unforced, direct, plain.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSo we filled up the form with content together, bit by bit, testing harmonies and registers. I guided the just intonation framework that the piece uses, but many ideas came from the ensemble and our shared process. After a few of those sessions the material we had became so clear (and time so scarce), that I just finished the other half of the piece, filling in material, composing alone what we had figured out together.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ferdinand Schwarz \u0026amp; AREPO ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eat238\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-28T10:26:55+09:00","created_at":"2025-04-28T09:35:35+09:00","vendor":"Tobira Records","type":"","tags":["ambient","another timbre","cd","contemporary \/ sound poetry","drone","new"],"price":235000,"price_min":235000,"price_max":235000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47282002428154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ferdinand Schwarz \u0026 AREPO ensemble \/\/ Listening Time CD","public_title":null,"options":["Default Title"],"price":235000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fer1.jpg?v=1745800456","\/\/tobirarecords.com\/cdn\/shop\/files\/fer2.jpg?v=1745800456"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fer1.jpg?v=1745800456","options":["Title"],"media":[{"alt":null,"id":35952976724218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fer1.jpg?v=1745800456"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fer1.jpg?v=1745800456","width":700},{"alt":null,"id":35952976756986,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fer2.jpg?v=1745800456"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fer2.jpg?v=1745800456","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eドイツ・ケルンの作曲家／トランペット奏者Ferdinand SchwarzとAREPO ensembleが、2025年4月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベル\u003cspan\u003eAnother Timbreからリリースした共作CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e45分のアコースティック・アンビエントドローン大作です\u003cspan\u003e。ゲートフォルド\u003c\/span\u003eデジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私は、静止の感覚に触れる形式を多く扱ってきた。私にとって音は、物語そのものを語るために使われるのではなく、聴き手が自分自身の物語を構築するためのプロットの構造である。私は、このような形態が提供するリスニング／プレイ体験が大好きだった。もともと壊れやすい構造なので、柔らかい手で浮き上がらせるためには、多くの注意と素早い決断が必要だ。そして、これを即興で演奏するのはかなり難しい。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそこで私は、まず『AREPO』のフォーム（プロットの構造）を書き、その後で一緒に素材を詰めていくことにした。私にとっては、これはまだ即興とつながっているが、時間の中で石化された即興である。私は素材について明確な考えを持っていて、それは私たち全員が持っていたものだと思う。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eだから私たちは、ハーモニーや音域を試しながら、少しずつ一緒にフォームを埋めていった。この曲で使われているジャスト・イントネーションの枠組みは私が指導したが、多くのアイデアはアンサンブルと私たちが共有したプロセスから生まれたものだ。何回かセッションを重ねるうちに、私たちが持っていた素材がとてもクリアになったので（そして時間が足りなくなったので）、曲の残り半分を完成させた。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1485720146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA 45-minute piece from 2024 composed by Ferdinand Schwarz in collaboration with AREPO ensemble.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Listening Time 43:44\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eI had been working a lot with forms that touch upon senses of stasis. I was intrigued by non-developmental music, where to me sound is not used to narrate the story itself, but is the structure of the plot on which listeners build their own narratives. I loved the listening\/playing experiences these forms offered. Fragile by nature, these structures need a lot of care and quick decision-making to be held afloat, with soft hands. And improvising this is quite challenging.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThus, I decided to write the form (structure of the plot) for AREPO first and then fill it with material together afterwards. To me it is still connected to improvisation, but improvisation which has been petrified in time. I had clear ideas of the material, which I think we all had: unforced, direct, plain.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSo we filled up the form with content together, bit by bit, testing harmonies and registers. I guided the just intonation framework that the piece uses, but many ideas came from the ensemble and our shared process. After a few of those sessions the material we had became so clear (and time so scarce), that I just finished the other half of the piece, filling in material, composing alone what we had figured out together.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ferdinand Schwarz \u0026amp; AREPO ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eat238\u003c\/span\u003e\u003c\/p\u003e"}
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※5月中旬再入荷後発送します ドイツ・ケルンの作曲家／トランペット奏者Ferdinand SchwarzとAREPO ensembleが、2025年4月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベルAnother Timbreからリリースした共作CDです。 45分のアコースティック・アンビエントドローン大作です。ゲートフォルドデジスリーブ、シュリンク仕様です。 以下、作家本人による解説です。 私は、静止の感覚に触れる形式を多く扱ってきた。私にとって音は、物語そのものを語るために使われるのではなく、聴き手が自分自身の物語を構築するためのプロットの構造である。私は、このような形態が提供するリスニング／プレイ体験が大好きだった。もともと壊れやすい構造なので、柔らかい手で浮き上がらせるためには、多くの注意と素早い決断が必要だ。そして、これを即興で演奏するのはかなり難しい。 そこで私は、まず『AREPO』のフォーム（プロットの構造）を書き、その後で一緒に素材を詰めていくことにした。私にとっては、これはまだ即興とつながっているが、時間の中で石化された即興である。私は素材について明確な考えを持っていて、それは私たち全員が持っていたものだと思う。 だから私たちは、ハーモニーや音域を試しながら、少しずつ一緒にフォームを埋めていった。この曲で使われているジャスト・イントネーションの枠組みは私が指導したが、多くのアイデアはアンサンブルと私たちが共有したプロセスから生まれたものだ。何回かセッションを重ねるうちに、私たちが持っていた素材がとてもクリアになったので（そして時間が足りなくなったので）、曲の残り半分を完成させた。" レーベルその他作品はこちら /// Click here to see more...
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{"id":8774301745402,"title":"John Cage \/\/ Chamber Works 1943-1951 CD","handle":"john-cage-chamber-works-1943-1951-cd","description":"\u003cp\u003eアメリカの作曲家John Cage（1912-1992）が、2025年4月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベル\u003cspan\u003eAnother TimbreからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e彼が1943-1951に発表した室内楽18\u003c\/span\u003e\u003cspan\u003e曲を収録。ゲートフォルド\u003c\/span\u003eデジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e演奏はApartment Houseが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、\u003c\/span\u003e\u003cspan\u003eApartment HouseのKerry Yong\u003c\/span\u003eによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"プリペアド・ピアノには、何か儚く特別なものがある。それは、どの楽器がどのようにこのような処理に反応するかということに関係しているのだが、ケージの場合はかなり正確であったとしても、あまり厳密ではないということもある。彼が実際に使っていたピアノのモデルや、彼が話していた対象がわからない限り、常に調整しなければならない。準備することは、他の楽譜と同じで、解釈することがかなり必要だし、何を求められているのか、問題の核心が何なのかを聞き出し、想像することも必要だ。しかし、技術的に優れた機械に手を加えることは、常に興味深い結果を生む。ピアノを準備することは、演奏することと同様に、触覚的で実験的な喜びがあるのは確かだ。その音はいつも魔法のようで、新鮮で新しく、ピアニストとして、ちょっと空想しているような、偽者の打楽器奏者のような気分になる。それはまた、楽器との触覚的な関係を本当に壊してしまうからでもある。それは、新しい空間で演奏し、その音響に慣れ親しみ、その特徴や特異性を知ることに似ている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e誤解しないでほしいのだが、現代のスタインウェイは並外れた精巧な楽器で、信じられないほど反応がよく、色彩の幅も美しい！また、楽器から感じる不思議な距離感もある。これは関係ないように聞こえるかもしれないが、ピアノを習っている子供が、ピアノで音を出すことに関わることに飽きてしまうかもしれないのは理解できる。気柱や弦を振動させ続けるためには、演奏者はもっと多くの活動が必要だし、音を出し始め、終え、そして最も重要なのは音を継続させることに、ピアノ演奏に潜在的に欠けている何かを感じる。しかし、私にとってプリペアド・ピアノを弾くことは、不思議とその振動を感じる世界に身を置くことになる。しかし、それは単に、ピアノの準備をしている間、ピアノの中に入っていたことで、心理的に、自分が作っている音により没頭していたのかもしれない。\"幸いなことに、私は楽器作りに似たようなことに携わってきた。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2771861648\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003cbr\u003eEarly works by John Cage, performed by Apartment House (\u003cspan\u003eKerry Yong, \u003c\/span\u003e\u003cspan\u003eMira Benjamin, \u003c\/span\u003e\u003cspan\u003eGordon MacKay, \u003c\/span\u003e\u003cspan\u003eBridget Carey, \u003c\/span\u003e\u003cspan\u003eAnton Lukoszevieze, \u003c\/span\u003e\u003cspan\u003eSimon Limbrick)\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. In A Landscape 10:10\u003cbr\u003e2. Six Melodies 1 02:15\u003cbr\u003e3. Six Melodies 2 01:31\u003cbr\u003e4. Six Melodies 3 01:59\u003cbr\u003e5. Six Melodies 4 02:42\u003cbr\u003e6. Six Melodies 5 01:43\u003cbr\u003e7. Six Melodies 6 02:16\u003cbr\u003e8. Amores 1 01:14\u003cbr\u003e9. Amores 2 03:09\u003cbr\u003e10. Amores 3 01:17\u003cbr\u003e11. Amores 4 03:56\u003cbr\u003e12. Haikus 03:39\u003cbr\u003e13. String Quartet in Four Parts 1 03:42\u003cbr\u003e14. String Quartet in Four Parts 2 04:19\u003cbr\u003e15. String Quartet in Four Parts 3 10:10\u003cbr\u003e16. String Quartet in Four Parts 4 01:38\u003cbr\u003e17. Music for Marcel Duchamp 06:21\u003cbr\u003e18. Dream 08:00\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInterview excerpt with \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKerry Yong, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eThere is something quite ephemeral and special about the prepared piano – it’s mostly to do with how every instrument responds differently to these treatments but also that it’s not very exact, even if, in the case of Cage, is quite precise. His instructions seem quite prescriptive: although, unless you know actually piano model he was using and the objects he was talking about, you’re always making adjustments. The preparing is just like other notation – there is quite a bit of interpretation that needs to go on and a sort of listening out and imagining for what the crux of the matter is, as to what you are being asked for. But altering a fine piece of technological machinery always produces an interesting result. There is certainly a tactile and experimental pleasure in preparing a piano, as well as playing it. The sounds always seem magical, fresh and new and as a pianist, you feel a little bit like a fantasising and imposter percussionist. It’s also because it really does disrupt your tactile relationship with the instrument – it remains responsive to your touch, but altogether quite different. It’s not dissimilar to performing in a new space and getting acquainted and friendly with its acoustic and getting to know its distinctives and idiosyncrasies.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDon’t get me wrong, I think the modern Steinway is an extraordinary and exquisite instrument, incredibly responsive with a lovely range of colour – but it always comes out quite beautiful – even when you try to get it to bark, it tastes somewhat like melon! There’s also strange distance you feel from the instrument, and although this might sound unrelated, I can understand while a child learning the piano might get bored with what is involved in making sound on the piano – it’s relatively simple and fait accompli, even though I know this isn’t true. There is a lot more activity required by a performer to keep an air column or string vibrating and something they feel in starting, finishing, but most importantly, continuing the sound. I feel that is something that is potentially missing for piano playing, however, for me, playing a prepared piano, strangely puts me in that world of feeling its vibrations. But it could simply be that I’ve been involved in being inside the piano while preparing it, that psychologically has made me more invested in the sound I’m making – that somehow I’ve been involved in something akin to instrument making, fortunately with all the hard and most essential bits done for you.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Cage, \u003cmeta charset=\"utf-8\"\u003eApartment House (\u003cspan\u003eKerry Yong, \u003c\/span\u003e\u003cspan\u003eMira Benjamin, \u003c\/span\u003e\u003cspan\u003eGordon MacKay, \u003c\/span\u003e\u003cspan\u003eBridget Carey, \u003c\/span\u003e\u003cspan\u003eAnton Lukoszevieze, \u003c\/span\u003e\u003cspan\u003eSimon Limbrick)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eat240\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-28T10:17:03+09:00","created_at":"2025-04-28T09:30:54+09:00","vendor":"Tobira Records","type":"","tags":["ambient","another timbre","cd","contemporary \/ sound poetry","neo classical","new","recommended"],"price":235000,"price_min":235000,"price_max":235000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47282001871098,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Cage \/\/ Chamber Works 1943-1951 CD","public_title":null,"options":["Default Title"],"price":235000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cham2_12116744-ea25-41e5-a158-baf1d109c7f8.jpg?v=1745802968","\/\/tobirarecords.com\/cdn\/shop\/files\/cham1_f5be47a2-c89c-4f0a-bc70-67bbe52159eb.jpg?v=1745802968"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cham2_12116744-ea25-41e5-a158-baf1d109c7f8.jpg?v=1745802968","options":["Title"],"media":[{"alt":null,"id":35952947069178,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cham2_12116744-ea25-41e5-a158-baf1d109c7f8.jpg?v=1745802968"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cham2_12116744-ea25-41e5-a158-baf1d109c7f8.jpg?v=1745802968","width":1200},{"alt":null,"id":35952947036410,"position":2,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cham1_f5be47a2-c89c-4f0a-bc70-67bbe52159eb.jpg?v=1745802968"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cham1_f5be47a2-c89c-4f0a-bc70-67bbe52159eb.jpg?v=1745802968","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの作曲家John Cage（1912-1992）が、2025年4月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベル\u003cspan\u003eAnother TimbreからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e彼が1943-1951に発表した室内楽18\u003c\/span\u003e\u003cspan\u003e曲を収録。ゲートフォルド\u003c\/span\u003eデジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e演奏はApartment Houseが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、\u003c\/span\u003e\u003cspan\u003eApartment HouseのKerry Yong\u003c\/span\u003eによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"プリペアド・ピアノには、何か儚く特別なものがある。それは、どの楽器がどのようにこのような処理に反応するかということに関係しているのだが、ケージの場合はかなり正確であったとしても、あまり厳密ではないということもある。彼が実際に使っていたピアノのモデルや、彼が話していた対象がわからない限り、常に調整しなければならない。準備することは、他の楽譜と同じで、解釈することがかなり必要だし、何を求められているのか、問題の核心が何なのかを聞き出し、想像することも必要だ。しかし、技術的に優れた機械に手を加えることは、常に興味深い結果を生む。ピアノを準備することは、演奏することと同様に、触覚的で実験的な喜びがあるのは確かだ。その音はいつも魔法のようで、新鮮で新しく、ピアニストとして、ちょっと空想しているような、偽者の打楽器奏者のような気分になる。それはまた、楽器との触覚的な関係を本当に壊してしまうからでもある。それは、新しい空間で演奏し、その音響に慣れ親しみ、その特徴や特異性を知ることに似ている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e誤解しないでほしいのだが、現代のスタインウェイは並外れた精巧な楽器で、信じられないほど反応がよく、色彩の幅も美しい！また、楽器から感じる不思議な距離感もある。これは関係ないように聞こえるかもしれないが、ピアノを習っている子供が、ピアノで音を出すことに関わることに飽きてしまうかもしれないのは理解できる。気柱や弦を振動させ続けるためには、演奏者はもっと多くの活動が必要だし、音を出し始め、終え、そして最も重要なのは音を継続させることに、ピアノ演奏に潜在的に欠けている何かを感じる。しかし、私にとってプリペアド・ピアノを弾くことは、不思議とその振動を感じる世界に身を置くことになる。しかし、それは単に、ピアノの準備をしている間、ピアノの中に入っていたことで、心理的に、自分が作っている音により没頭していたのかもしれない。\"幸いなことに、私は楽器作りに似たようなことに携わってきた。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2771861648\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003cbr\u003eEarly works by John Cage, performed by Apartment House (\u003cspan\u003eKerry Yong, \u003c\/span\u003e\u003cspan\u003eMira Benjamin, \u003c\/span\u003e\u003cspan\u003eGordon MacKay, \u003c\/span\u003e\u003cspan\u003eBridget Carey, \u003c\/span\u003e\u003cspan\u003eAnton Lukoszevieze, \u003c\/span\u003e\u003cspan\u003eSimon Limbrick)\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. In A Landscape 10:10\u003cbr\u003e2. Six Melodies 1 02:15\u003cbr\u003e3. Six Melodies 2 01:31\u003cbr\u003e4. Six Melodies 3 01:59\u003cbr\u003e5. Six Melodies 4 02:42\u003cbr\u003e6. Six Melodies 5 01:43\u003cbr\u003e7. Six Melodies 6 02:16\u003cbr\u003e8. Amores 1 01:14\u003cbr\u003e9. Amores 2 03:09\u003cbr\u003e10. Amores 3 01:17\u003cbr\u003e11. Amores 4 03:56\u003cbr\u003e12. Haikus 03:39\u003cbr\u003e13. String Quartet in Four Parts 1 03:42\u003cbr\u003e14. String Quartet in Four Parts 2 04:19\u003cbr\u003e15. String Quartet in Four Parts 3 10:10\u003cbr\u003e16. String Quartet in Four Parts 4 01:38\u003cbr\u003e17. Music for Marcel Duchamp 06:21\u003cbr\u003e18. Dream 08:00\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInterview excerpt with \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKerry Yong, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eThere is something quite ephemeral and special about the prepared piano – it’s mostly to do with how every instrument responds differently to these treatments but also that it’s not very exact, even if, in the case of Cage, is quite precise. His instructions seem quite prescriptive: although, unless you know actually piano model he was using and the objects he was talking about, you’re always making adjustments. The preparing is just like other notation – there is quite a bit of interpretation that needs to go on and a sort of listening out and imagining for what the crux of the matter is, as to what you are being asked for. But altering a fine piece of technological machinery always produces an interesting result. There is certainly a tactile and experimental pleasure in preparing a piano, as well as playing it. The sounds always seem magical, fresh and new and as a pianist, you feel a little bit like a fantasising and imposter percussionist. It’s also because it really does disrupt your tactile relationship with the instrument – it remains responsive to your touch, but altogether quite different. It’s not dissimilar to performing in a new space and getting acquainted and friendly with its acoustic and getting to know its distinctives and idiosyncrasies.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDon’t get me wrong, I think the modern Steinway is an extraordinary and exquisite instrument, incredibly responsive with a lovely range of colour – but it always comes out quite beautiful – even when you try to get it to bark, it tastes somewhat like melon! There’s also strange distance you feel from the instrument, and although this might sound unrelated, I can understand while a child learning the piano might get bored with what is involved in making sound on the piano – it’s relatively simple and fait accompli, even though I know this isn’t true. There is a lot more activity required by a performer to keep an air column or string vibrating and something they feel in starting, finishing, but most importantly, continuing the sound. I feel that is something that is potentially missing for piano playing, however, for me, playing a prepared piano, strangely puts me in that world of feeling its vibrations. But it could simply be that I’ve been involved in being inside the piano while preparing it, that psychologically has made me more invested in the sound I’m making – that somehow I’ve been involved in something akin to instrument making, fortunately with all the hard and most essential bits done for you.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Cage, \u003cmeta charset=\"utf-8\"\u003eApartment House (\u003cspan\u003eKerry Yong, \u003c\/span\u003e\u003cspan\u003eMira Benjamin, \u003c\/span\u003e\u003cspan\u003eGordon MacKay, \u003c\/span\u003e\u003cspan\u003eBridget Carey, \u003c\/span\u003e\u003cspan\u003eAnton Lukoszevieze, \u003c\/span\u003e\u003cspan\u003eSimon Limbrick)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eat240\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカの作曲家John Cage（1912-1992）が、2025年4月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベルAnother TimbreからリリースしたCDです。 彼が1943-1951に発表した室内楽18曲を収録。ゲートフォルドデジスリーブ、シュリンク仕様です。 演奏はApartment Houseが担当しています。 以下、Apartment HouseのKerry Yongによる解説です。 "プリペアド・ピアノには、何か儚く特別なものがある。それは、どの楽器がどのようにこのような処理に反応するかということに関係しているのだが、ケージの場合はかなり正確であったとしても、あまり厳密ではないということもある。彼が実際に使っていたピアノのモデルや、彼が話していた対象がわからない限り、常に調整しなければならない。準備することは、他の楽譜と同じで、解釈することがかなり必要だし、何を求められているのか、問題の核心が何なのかを聞き出し、想像することも必要だ。しかし、技術的に優れた機械に手を加えることは、常に興味深い結果を生む。ピアノを準備することは、演奏することと同様に、触覚的で実験的な喜びがあるのは確かだ。その音はいつも魔法のようで、新鮮で新しく、ピアニストとして、ちょっと空想しているような、偽者の打楽器奏者のような気分になる。それはまた、楽器との触覚的な関係を本当に壊してしまうからでもある。それは、新しい空間で演奏し、その音響に慣れ親しみ、その特徴や特異性を知ることに似ている。 誤解しないでほしいのだが、現代のスタインウェイは並外れた精巧な楽器で、信じられないほど反応がよく、色彩の幅も美しい！また、楽器から感じる不思議な距離感もある。これは関係ないように聞こえるかもしれないが、ピアノを習っている子供が、ピアノで音を出すことに関わることに飽きてしまうかもしれないのは理解できる。気柱や弦を振動させ続けるためには、演奏者はもっと多くの活動が必要だし、音を出し始め、終え、そして最も重要なのは音を継続させることに、ピアノ演奏に潜在的に欠けている何かを感じる。しかし、私にとってプリペアド・ピアノを弾くことは、不思議とその振動を感じる世界に身を置くことになる。しかし、それは単に、ピアノの準備をしている間、ピアノの中に入っていたことで、心理的に、自分が作っている音により没頭していたのかもしれない。"幸いなことに、私は楽器作りに似たようなことに携わってきた。" レーベルその他作品はこちら /// Click here to see...
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{"id":8774298042618,"title":"J.T. Gladysz \/\/ Lush Vegetation TAPE","handle":"j-t-gladysz-lush-vegetation-tape","description":"\u003cp\u003eカナダ・バンクーバーのポストニューエイジ作家J.T. Gladyszが、2025年1月に50本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングを散りばめた、穏やかな時間を演出するポストニューエイジ・アンビエント10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eヨガや瞑想のお供にぜひ。既に廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=553925039\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=553925039\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=472185748\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=553925039\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3870355912\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=553925039\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2366343136\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=553925039\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2296632446\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 50. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mind Touching 03:12\u003cbr\u003e2. Sheltered Hut 03:30\u003cbr\u003e3. Outer Peace 03:39\u003cbr\u003e4. Earthen Void 04:47\u003cbr\u003e5. Tender Love 02:28\u003cbr\u003e6. Wild Cut Flowers 01:48\u003cbr\u003e7. Afternoon Glow 04:49\u003cbr\u003e8. Coastal Isle 03:10\u003cbr\u003e9. The End of Everything 04:40\u003cbr\u003e10. Cosmic Contact 03:55\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrédérique Duval and Christian Richer, via \u003c\/span\u003ethe label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan\u003e\u003cem\u003eThe first time we listened to Lush Vegetation, we felt a peaceful celebration of the world around us, followed by the smoothest lift-off into other realms. With a unique sensibility, J.T. Gladysz masterfully guides us on a voyage through moments of varying scales, revealed through artefacts hidden in field recording fragments and evocative titles. It’s a wonderful album that celebrates moments of serene solitude and meaningful connection—both human and cosmic in nature.\" \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : J.T. Gladysz\u003c\/p\u003e\n\u003cp\u003eLabel : isohyet\u003c\/p\u003e\n\u003cp\u003ecat no : IHT002\u003c\/p\u003e","published_at":"2025-04-28T14:05:57+09:00","created_at":"2025-04-28T08:38:23+09:00","vendor":"Tobira Records","type":"","tags":["ambient","new","post newage","recommended","tape"],"price":215300,"price_min":215300,"price_max":215300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47281986994426,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"J.T. Gladysz \/\/ Lush Vegetation TAPE","public_title":null,"options":["Default Title"],"price":215300,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/vege1.jpg?v=1745796976"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/vege1.jpg?v=1745796976","options":["Title"],"media":[{"alt":null,"id":35952683122938,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/vege1.jpg?v=1745796976"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/vege1.jpg?v=1745796976","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・バンクーバーのポストニューエイジ作家J.T. Gladyszが、2025年1月に50本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングを散りばめた、穏やかな時間を演出するポストニューエイジ・アンビエント10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eヨガや瞑想のお供にぜひ。既に廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=553925039\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=553925039\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=472185748\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=553925039\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3870355912\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=553925039\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2366343136\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=553925039\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2296632446\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 50. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mind Touching 03:12\u003cbr\u003e2. Sheltered Hut 03:30\u003cbr\u003e3. Outer Peace 03:39\u003cbr\u003e4. Earthen Void 04:47\u003cbr\u003e5. Tender Love 02:28\u003cbr\u003e6. Wild Cut Flowers 01:48\u003cbr\u003e7. Afternoon Glow 04:49\u003cbr\u003e8. Coastal Isle 03:10\u003cbr\u003e9. The End of Everything 04:40\u003cbr\u003e10. Cosmic Contact 03:55\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrédérique Duval and Christian Richer, via \u003c\/span\u003ethe label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan\u003e\u003cem\u003eThe first time we listened to Lush Vegetation, we felt a peaceful celebration of the world around us, followed by the smoothest lift-off into other realms. With a unique sensibility, J.T. Gladysz masterfully guides us on a voyage through moments of varying scales, revealed through artefacts hidden in field recording fragments and evocative titles. It’s a wonderful album that celebrates moments of serene solitude and meaningful connection—both human and cosmic in nature.\" \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : J.T. Gladysz\u003c\/p\u003e\n\u003cp\u003eLabel : isohyet\u003c\/p\u003e\n\u003cp\u003ecat no : IHT002\u003c\/p\u003e"}
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カナダ・バンクーバーのポストニューエイジ作家J.T. Gladyszが、2025年1月に50本限定でリリースしたカセットです。 フィールドレコーディングを散りばめた、穏やかな時間を演出するポストニューエイジ・アンビエント10曲を収録。DLコード付属。 ヨガや瞑想のお供にぜひ。既に廃盤です。 ------------------------------------------- Includes DL code.Cassette in norelco case.Edition of 50. Tracklist:...
¥2,153
クイックビュー
{"id":8774297518330,"title":"Yunam \/\/ Weightless TAPE","handle":"yunam-weightless-tape","description":"\u003cp\u003eカナダ・モントリオールのアンビエント作家Yunamが、2025年1月にモントリオールの新生アンビエントレーベルisohyetから50本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eメランコリックなシンセ・アンビエント11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2313084603\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4040516913\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2313084603\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 50. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. From a Distance 05:00\u003cbr\u003e2. Forgive us, Leika 02:07\u003cbr\u003e3. My Mind Wanders 04:34\u003cbr\u003e4. Pressurized Sadness 04:14\u003cbr\u003e5. Solar Storm 03:40\u003cbr\u003e6. Gravitropic 01:21\u003cbr\u003e7. Time to Put the Brakes 03:49\u003cbr\u003e8. What Comes Next? 06:24\u003cbr\u003e9. Dark Womb of Space 07:50\u003cbr\u003e10. Existence is a Hiatus 01:50\u003cbr\u003e11. Corpuscles of Light 06:42\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eisohyet:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Yunam is a Montreal-based electronic music producer with a background in experimental, band, and improvised music. He crafts musical soundscapes that blend the intensity of techno with emotional chord progressions, resulting in a sonic environment that evokes both melancholy and a sense of science fiction.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText written by Frédérique Duva, via the labell:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eWe first met Emmanuel Cameron (Yunam) on social media in 2020. An effortless friendship quickly developed through conversations, improvised jams, and listening sessions. The idea for this album emerged from a shared connection with ambient music and a casual dare we gave Emmanuel: to create an album with an even more ambient nature than his already well-refined approach to techno.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003eEmmanuel sent us the completed album much faster than we anticipated, and the result left us speechless. Weightless is a 50-minute, exquisitely paced odyssey, charged with rich textures and fluid movements—a continuous dreamlike narrative that heightens your awareness of emotions and temporality, while simultaneously giving the impression of gradually detaching from your own corporeality. Weightless, weightlessness, floating, floating in space.\u003c\/em\u003e\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Yunam\u003c\/p\u003e\n\u003cp\u003eLabel : isohyet\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIHT001\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-28T14:12:37+09:00","created_at":"2025-04-28T08:35:22+09:00","vendor":"Tobira Records","type":"","tags":["ambient","new","tape"],"price":199200,"price_min":199200,"price_max":199200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47281984733434,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Yunam \/\/ Weightless TAPE","public_title":null,"options":["Default Title"],"price":199200,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wei1_174a6a7d-b63f-4556-96c2-1f1f337ef3da.jpg?v=1745796788","\/\/tobirarecords.com\/cdn\/shop\/files\/wei2_fa44d4fc-d92d-41dd-a31d-48ca0b4bb6d2.jpg?v=1745796787"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wei1_174a6a7d-b63f-4556-96c2-1f1f337ef3da.jpg?v=1745796788","options":["Title"],"media":[{"alt":null,"id":35952666280186,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wei1_174a6a7d-b63f-4556-96c2-1f1f337ef3da.jpg?v=1745796788"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wei1_174a6a7d-b63f-4556-96c2-1f1f337ef3da.jpg?v=1745796788","width":700},{"alt":null,"id":35952666312954,"position":2,"preview_image":{"aspect_ratio":0.739,"height":1200,"width":887,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wei2_fa44d4fc-d92d-41dd-a31d-48ca0b4bb6d2.jpg?v=1745796787"},"aspect_ratio":0.739,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wei2_fa44d4fc-d92d-41dd-a31d-48ca0b4bb6d2.jpg?v=1745796787","width":887}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・モントリオールのアンビエント作家Yunamが、2025年1月にモントリオールの新生アンビエントレーベルisohyetから50本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eメランコリックなシンセ・アンビエント11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2313084603\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4040516913\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2313084603\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 50. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. From a Distance 05:00\u003cbr\u003e2. Forgive us, Leika 02:07\u003cbr\u003e3. My Mind Wanders 04:34\u003cbr\u003e4. Pressurized Sadness 04:14\u003cbr\u003e5. Solar Storm 03:40\u003cbr\u003e6. Gravitropic 01:21\u003cbr\u003e7. Time to Put the Brakes 03:49\u003cbr\u003e8. What Comes Next? 06:24\u003cbr\u003e9. Dark Womb of Space 07:50\u003cbr\u003e10. Existence is a Hiatus 01:50\u003cbr\u003e11. Corpuscles of Light 06:42\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eisohyet:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Yunam is a Montreal-based electronic music producer with a background in experimental, band, and improvised music. He crafts musical soundscapes that blend the intensity of techno with emotional chord progressions, resulting in a sonic environment that evokes both melancholy and a sense of science fiction.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText written by Frédérique Duva, via the labell:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eWe first met Emmanuel Cameron (Yunam) on social media in 2020. An effortless friendship quickly developed through conversations, improvised jams, and listening sessions. The idea for this album emerged from a shared connection with ambient music and a casual dare we gave Emmanuel: to create an album with an even more ambient nature than his already well-refined approach to techno.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003eEmmanuel sent us the completed album much faster than we anticipated, and the result left us speechless. Weightless is a 50-minute, exquisitely paced odyssey, charged with rich textures and fluid movements—a continuous dreamlike narrative that heightens your awareness of emotions and temporality, while simultaneously giving the impression of gradually detaching from your own corporeality. Weightless, weightlessness, floating, floating in space.\u003c\/em\u003e\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Yunam\u003c\/p\u003e\n\u003cp\u003eLabel : isohyet\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIHT001\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":8774296568058,"title":"daily rituals \/\/ careful not to break TAPE","handle":"daily-rituals-careful-not-to-break-tape","description":"\u003cp\u003e過去にLaapsなどから発表しているアメリカ・サンディエゴのアンビエント・フォーク作家daily rituals aka Brandon Taniが、2025年2月にドイツ・フランクフルトのアンビエントレーベルSeil Recordsから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングを散りばめた穏やかなアンビエント・フォーク7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eネオクラシカルリスナーにもおすすめです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3552088288\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eSeil Records その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003ehere\u003c\/a\u003e to see more Seil Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 100. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. old names, adages, \u0026amp; hands 09:36\u003cbr\u003e2. it‘s raining inside your childhood home 02:58\u003cbr\u003e3. off-center barely lit 05:08\u003cbr\u003e4. all the windows taken out 04:08\u003cbr\u003e5. if this should take some time 06:01\u003cbr\u003e6. root melodies - tiny paper cups 04:40\u003cbr\u003e7. dead birds sing in their sleep 10:04\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eSeil Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBrandon Tani is an interdisciplinary artist based in San Diego, California. His work seeks to find an intimate connection to the “hidden witness” which is performed, found, and captured in the space of a determinative encounter. He is drawn to what feels real and every day; to hold in it that which is both common and unique at once. Retracing those narratives through extrinsic lenses and larger concepts, simultaneously sacred and routine. He is particularly interested in working with field recording, electroacoustic practices, and post-documentary photography. A stillness always at hand. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : daily rituals\u003c\/p\u003e\n\u003cp\u003eLabel : Seil Records\u003c\/p\u003e","published_at":"2025-04-28T08:56:10+09:00","created_at":"2025-04-28T08:20:48+09:00","vendor":"Tobira Records","type":"","tags":["ambient","neo classical","new","seil records","tape"],"price":237000,"price_min":237000,"price_max":237000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47281983127802,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"daily rituals \/\/ careful not to break TAPE","public_title":null,"options":["Default Title"],"price":237000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/not1_766827f3-8a71-47df-97d5-b0135e5a507a.jpg?v=1745795973","\/\/tobirarecords.com\/cdn\/shop\/files\/not2_c7980cad-8c87-464a-8730-47e993d75356.jpg?v=1745795974"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/not1_766827f3-8a71-47df-97d5-b0135e5a507a.jpg?v=1745795973","options":["Title"],"media":[{"alt":null,"id":35952611524858,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/not1_766827f3-8a71-47df-97d5-b0135e5a507a.jpg?v=1745795973"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/not1_766827f3-8a71-47df-97d5-b0135e5a507a.jpg?v=1745795973","width":700},{"alt":null,"id":35952611557626,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/not2_c7980cad-8c87-464a-8730-47e993d75356.jpg?v=1745795974"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/not2_c7980cad-8c87-464a-8730-47e993d75356.jpg?v=1745795974","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にLaapsなどから発表しているアメリカ・サンディエゴのアンビエント・フォーク作家daily rituals aka Brandon Taniが、2025年2月にドイツ・フランクフルトのアンビエントレーベルSeil Recordsから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングを散りばめた穏やかなアンビエント・フォーク7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eネオクラシカルリスナーにもおすすめです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3552088288\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eSeil Records その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003ehere\u003c\/a\u003e to see more Seil Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 100. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. old names, adages, \u0026amp; hands 09:36\u003cbr\u003e2. it‘s raining inside your childhood home 02:58\u003cbr\u003e3. off-center barely lit 05:08\u003cbr\u003e4. all the windows taken out 04:08\u003cbr\u003e5. if this should take some time 06:01\u003cbr\u003e6. root melodies - tiny paper cups 04:40\u003cbr\u003e7. dead birds sing in their sleep 10:04\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eSeil Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBrandon Tani is an interdisciplinary artist based in San Diego, California. His work seeks to find an intimate connection to the “hidden witness” which is performed, found, and captured in the space of a determinative encounter. He is drawn to what feels real and every day; to hold in it that which is both common and unique at once. Retracing those narratives through extrinsic lenses and larger concepts, simultaneously sacred and routine. He is particularly interested in working with field recording, electroacoustic practices, and post-documentary photography. A stillness always at hand. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : daily rituals\u003c\/p\u003e\n\u003cp\u003eLabel : Seil Records\u003c\/p\u003e"}
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過去にLaapsなどから発表しているアメリカ・サンディエゴのアンビエント・フォーク作家daily rituals aka Brandon Taniが、2025年2月にドイツ・フランクフルトのアンビエントレーベルSeil Recordsから100本限定でリリースしたカセットです。 フィールドレコーディングを散りばめた穏やかなアンビエント・フォーク7曲を収録。DLコード付属。 ネオクラシカルリスナーにもおすすめです。 Seil Records その他作品はこちら /// Click here to see more Seil...
¥2,370
クイックビュー
{"id":8774296502522,"title":"Jogging House \/\/ Unrund 2xTAPE","handle":"jogging-house-unrund-2xtape","description":"\u003cp\u003eドイツ・フランクフルトのアンビエントレーベルSeil Records主宰\u003cspan\u003eJogging Houseが、\u003c\/span\u003e\u003cspan\u003e2025年3月にリリースした2本組カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eオープンリールに一発録音したアンビエント〜アンビエントドローン8曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e全曲13分以上の大作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2691295665\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eSeil Records その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003ehere\u003c\/a\u003e to see more Seil Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e2 x cassette in norelco case.\u003cbr\u003eEdition of 120. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Four 13:35\u003cbr\u003e2. Haystacks 13:17\u003cbr\u003e3. Astronaut 13:48\u003cbr\u003e4. Pivot 13:05\u003cbr\u003e5. Wurzel 13:04\u003cbr\u003e6. Queue 13:10\u003cbr\u003e7. Citadel 13:07\u003cbr\u003e8. Rug 13:10\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eSeil Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eStudies on the movement of time.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMade with a Modular System, Kalimba, Electric Guitar, Ferrous, Cocoquantus, Mood, Meraki, various types of paper. Recorded in single takes straight to 1\/4\" tape.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jogging House\u003c\/p\u003e\n\u003cp\u003eLabel : Seil Records\u003c\/p\u003e","published_at":"2025-04-28T09:00:14+09:00","created_at":"2025-04-28T08:18:34+09:00","vendor":"Tobira Records","type":"","tags":["ambient","new","recommended","seil records","tape"],"price":399400,"price_min":399400,"price_max":399400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47281982800122,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jogging House \/\/ Unrund 2xTAPE","public_title":null,"options":["Default Title"],"price":399400,"weight":120,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jog1.jpg?v=1745795778","\/\/tobirarecords.com\/cdn\/shop\/files\/jog2.jpg?v=1745795779"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jog1.jpg?v=1745795778","options":["Title"],"media":[{"alt":null,"id":35952596615418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jog1.jpg?v=1745795778"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jog1.jpg?v=1745795778","width":700},{"alt":null,"id":35952596648186,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jog2.jpg?v=1745795779"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jog2.jpg?v=1745795779","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・フランクフルトのアンビエントレーベルSeil Records主宰\u003cspan\u003eJogging Houseが、\u003c\/span\u003e\u003cspan\u003e2025年3月にリリースした2本組カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eオープンリールに一発録音したアンビエント〜アンビエントドローン8曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e全曲13分以上の大作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2691295665\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eSeil Records その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003ehere\u003c\/a\u003e to see more Seil Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e2 x cassette in norelco case.\u003cbr\u003eEdition of 120. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Four 13:35\u003cbr\u003e2. Haystacks 13:17\u003cbr\u003e3. Astronaut 13:48\u003cbr\u003e4. Pivot 13:05\u003cbr\u003e5. Wurzel 13:04\u003cbr\u003e6. Queue 13:10\u003cbr\u003e7. Citadel 13:07\u003cbr\u003e8. Rug 13:10\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eSeil Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eStudies on the movement of time.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMade with a Modular System, Kalimba, Electric Guitar, Ferrous, Cocoquantus, Mood, Meraki, various types of paper. Recorded in single takes straight to 1\/4\" tape.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jogging House\u003c\/p\u003e\n\u003cp\u003eLabel : Seil Records\u003c\/p\u003e"}
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¥3,994
クイックビュー
{"id":8774290309370,"title":"Martin Arnold \/\/ Flax CD","handle":"martin-arnold-flax-cd","description":"\u003cp\u003eカナダの作曲家Martin Arnoldが、2024年1月にイギリスのコンテンポラリー・クラシックレーベル\u003cspan data-mce-fragment=\"1\"\u003eAnother TimbreからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eピアノ独奏79分を収録。\u003c\/span\u003eデジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエントリスナーにもおすすめします。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Flaxは、カナダの作曲家Martin Arnoldによるピアノのための79分のソロ作品である。2020年にピアニストのPhlip Thomasに委嘱されたが、悲しいことにPhlipはその直後に深刻な体調不良に陥った。Martin Arnoldは2021年に作曲を完成させ、Philipが演奏できなくなったため、Philipの同意と支援のもと、Kerry Yongがプロジェクトを引き受けた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFlaxは2023年11月のハダースフィールド現代音楽祭でKerry Yongによって初演され、CD録音がリリースされた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの作品はPhlip Thomasに捧げられている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CwE11ly9JJo?si=cIob4BubF0l6v2Bg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Flax (79 minues): \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"'Flax' is a 79-minute solo work for piano by the Canadian composer Martin Arnold. It was commissioned in 2020 by the pianist Philip Thomas, but sadly Philip became seriously unwell shortly afterwards. Martin Arnold completed the composition in 2021, and - as Philip was now unable to perform it - the project was taken on by Kerry Yong, with Philip's agreement and support.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Flax' was premiered by Kerry Yong at the Huddersfield Contemporary Music Festival in November 2023, when the CD recording was released.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe piece is dedicated to Philip Thomas.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Flax' is a continuous piece, and is divided into four parts for this download simply because the piece exceeds the maximum file size required by Bandcamp. The division into four parts is not structural, and the files should ideally be listened to continuously without breaks (as they are on the CD).\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Martin Arnold\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eat221\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-28T07:26:06+09:00","created_at":"2025-04-28T07:21:08+09:00","vendor":"Tobira Records","type":"","tags":["ambient","another timbre","cd","contemporary \/ sound poetry","neo classical","new"],"price":235000,"price_min":235000,"price_max":235000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47281944133882,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Martin Arnold \/\/ Flax CD","public_title":null,"options":["Default Title"],"price":235000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fl1_500e0b00-3bea-496f-aa5d-9313140369f6.jpg?v=1709266787","\/\/tobirarecords.com\/cdn\/shop\/files\/fl3_a2135a4a-5d5c-48ce-b66c-83ad643e2401.jpg?v=1709266787"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fl1_500e0b00-3bea-496f-aa5d-9313140369f6.jpg?v=1709266787","options":["Title"],"media":[{"alt":null,"id":33268296057082,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fl1_500e0b00-3bea-496f-aa5d-9313140369f6.jpg?v=1709266787"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fl1_500e0b00-3bea-496f-aa5d-9313140369f6.jpg?v=1709266787","width":700},{"alt":null,"id":33268296122618,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fl3_a2135a4a-5d5c-48ce-b66c-83ad643e2401.jpg?v=1709266787"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fl3_a2135a4a-5d5c-48ce-b66c-83ad643e2401.jpg?v=1709266787","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダの作曲家Martin Arnoldが、2024年1月にイギリスのコンテンポラリー・クラシックレーベル\u003cspan data-mce-fragment=\"1\"\u003eAnother TimbreからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eピアノ独奏79分を収録。\u003c\/span\u003eデジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエントリスナーにもおすすめします。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Flaxは、カナダの作曲家Martin Arnoldによるピアノのための79分のソロ作品である。2020年にピアニストのPhlip Thomasに委嘱されたが、悲しいことにPhlipはその直後に深刻な体調不良に陥った。Martin Arnoldは2021年に作曲を完成させ、Philipが演奏できなくなったため、Philipの同意と支援のもと、Kerry Yongがプロジェクトを引き受けた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFlaxは2023年11月のハダースフィールド現代音楽祭でKerry Yongによって初演され、CD録音がリリースされた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの作品はPhlip Thomasに捧げられている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CwE11ly9JJo?si=cIob4BubF0l6v2Bg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Flax (79 minues): \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"'Flax' is a 79-minute solo work for piano by the Canadian composer Martin Arnold. It was commissioned in 2020 by the pianist Philip Thomas, but sadly Philip became seriously unwell shortly afterwards. Martin Arnold completed the composition in 2021, and - as Philip was now unable to perform it - the project was taken on by Kerry Yong, with Philip's agreement and support.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Flax' was premiered by Kerry Yong at the Huddersfield Contemporary Music Festival in November 2023, when the CD recording was released.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe piece is dedicated to Philip Thomas.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Flax' is a continuous piece, and is divided into four parts for this download simply because the piece exceeds the maximum file size required by Bandcamp. The division into four parts is not structural, and the files should ideally be listened to continuously without breaks (as they are on the CD).\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Martin Arnold\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eat221\u003c\/span\u003e\u003c\/p\u003e"}
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カナダの作曲家Martin Arnoldが、2024年1月にイギリスのコンテンポラリー・クラシックレーベルAnother TimbreからリリースしたCDです。 ピアノ独奏79分を収録。デジパック、シュリンク仕様です。 ネオクラシカル・アンビエントリスナーにもおすすめします。 以下、レーベルによる解説です。 "Flaxは、カナダの作曲家Martin Arnoldによるピアノのための79分のソロ作品である。2020年にピアニストのPhlip Thomasに委嘱されたが、悲しいことにPhlipはその直後に深刻な体調不良に陥った。Martin Arnoldは2021年に作曲を完成させ、Philipが演奏できなくなったため、Philipの同意と支援のもと、Kerry Yongがプロジェクトを引き受けた。Flaxは2023年11月のハダースフィールド現代音楽祭でKerry Yongによって初演され、CD録音がリリースされた。この作品はPhlip Thomasに捧げられている。" レーベルその他作品はこちら ///...
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{"id":8774289981690,"title":"Terry Riley + John Tilbury \/\/ Keyboard Studies CD","handle":"terry-riley-john-tilbury-keyboard-studies-cd","description":"\u003cp\u003eミニマル音楽の巨匠Terry Rileyの楽曲を盟友ピアニストJohn Tilburyが演奏した作品です。\u003c\/p\u003e\n\u003cp\u003e本人曰く、30年ほど前にドイツ・ハンブルグで録音したと思うがはっきり覚えていない、ただ覚えているのは一日で録音したこと、とのことです。\u003c\/p\u003e\n\u003cp\u003eピアノ連打系ミニマルアンビエント作品です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3647185434\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Another Timbre releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cspan class=\"Normal-C-C10\"\u003eTerry Riley and John Tilbury are both giants of experimental music. They were friends from the late 1960’s onwards, and John has performed Terry’s Keyboard Studies several times in concert, as well as recording them for BBC Radio in 1971.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Wp-Normal-P\"\u003e\u003cspan class=\"Normal-C-C10\"\u003eHowever, the recordings on the CD are not the BBC recordings. In fact John can’t remember exactly when the recordings were made, though he thinks they took place in Hamburg, Germany, probably about 30 years ago. He can’t recall the details, except that everything was recorded in one day - which was quite a feat given the amount of over-dubbing in Keyboard Study No.2.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Wp-Normal-P\"\u003e\u003cspan class=\"Normal-C-C10\"\u003eWhat is clear is that John was at the height of his considerable powers at the time the recordings were made.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Wp-Normal-P\"\u003e\u003cspan class=\"Normal-C-C10\"\u003eAside from the legendary ‘In C’, the Keyboard Studies are probably the most frequently performed of Terry Riley’s works. Written almost 60 years ago, virtually at the same time as ‘In C’, the Keyboard Studies are like short sketches for the performer to develop. At the time Terry was developing a semi-improvisational practice as a young keyboard player in San Francisco, and it is his music from this era which shot him to prominence in the late 1960’s. He has continued to work as both a performer and composer, and has had a particularly close relationship with the Kronos Quartet, writing many works for them, and for his son, the guitarist Gyan Riley.\u003c\/span\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Terry Riley + John Tilbury\u003c\/p\u003e\n\u003cp\u003elabel : another timbre\u003c\/p\u003e","published_at":"2025-04-28T07:16:10+09:00","created_at":"2025-04-28T07:15:36+09:00","vendor":"Tobira Records","type":"","tags":["ambient","another timbre","cd","contemporary \/ sound poetry","new"],"price":235000,"price_min":235000,"price_max":235000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47281943445754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Terry Riley + John Tilbury \/\/ Keyboard Studies CD","public_title":null,"options":["Default Title"],"price":235000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a3766170367_16.jpg?v=1654476767"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3766170367_16.jpg?v=1654476767","options":["Title"],"media":[{"alt":null,"id":29818490519802,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3766170367_16.jpg?v=1654476767"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3766170367_16.jpg?v=1654476767","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eミニマル音楽の巨匠Terry Rileyの楽曲を盟友ピアニストJohn Tilburyが演奏した作品です。\u003c\/p\u003e\n\u003cp\u003e本人曰く、30年ほど前にドイツ・ハンブルグで録音したと思うがはっきり覚えていない、ただ覚えているのは一日で録音したこと、とのことです。\u003c\/p\u003e\n\u003cp\u003eピアノ連打系ミニマルアンビエント作品です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3647185434\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Another Timbre releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cspan class=\"Normal-C-C10\"\u003eTerry Riley and John Tilbury are both giants of experimental music. They were friends from the late 1960’s onwards, and John has performed Terry’s Keyboard Studies several times in concert, as well as recording them for BBC Radio in 1971.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Wp-Normal-P\"\u003e\u003cspan class=\"Normal-C-C10\"\u003eHowever, the recordings on the CD are not the BBC recordings. In fact John can’t remember exactly when the recordings were made, though he thinks they took place in Hamburg, Germany, probably about 30 years ago. He can’t recall the details, except that everything was recorded in one day - which was quite a feat given the amount of over-dubbing in Keyboard Study No.2.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Wp-Normal-P\"\u003e\u003cspan class=\"Normal-C-C10\"\u003eWhat is clear is that John was at the height of his considerable powers at the time the recordings were made.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Wp-Normal-P\"\u003e\u003cspan class=\"Normal-C-C10\"\u003eAside from the legendary ‘In C’, the Keyboard Studies are probably the most frequently performed of Terry Riley’s works. Written almost 60 years ago, virtually at the same time as ‘In C’, the Keyboard Studies are like short sketches for the performer to develop. At the time Terry was developing a semi-improvisational practice as a young keyboard player in San Francisco, and it is his music from this era which shot him to prominence in the late 1960’s. He has continued to work as both a performer and composer, and has had a particularly close relationship with the Kronos Quartet, writing many works for them, and for his son, the guitarist Gyan Riley.\u003c\/span\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Terry Riley + John Tilbury\u003c\/p\u003e\n\u003cp\u003elabel : another timbre\u003c\/p\u003e"}
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{"id":8774289850618,"title":"Barbara Monk Feldman \/\/ Verses CD","handle":"barbara-monk-feldman-verses-cd","description":"\u003cp\u003eMorton Feldmanの妻Barbara Monk Feldmanが1988-1997年に制作した楽曲を\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGBSR Duo (Siwan Rhys \u0026amp; George Barton)とMira Benjaminが演奏したアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eピアノを主とした静謐な作品です。デジスリーブ、シュリンク仕様。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=543775812\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFive chamber and solo works by the Canadian composer Barbara Monk Feldman.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"I have been thinking about what is inside and what is outside. The everyday life and tragedy of what goes on around you, and the fact that to accomplish anything you need the isolation in the studio - I think about this moral issue. And then on another level, I think about an inside and an outside for art itself, and how ephemeral that is....What I am looking for is a way to notate the most intangible aspect of the music – for me that is the colour. Colour is not only the instrumentation. It also involves the ‘weight’ of the tones, and a kind of gravity in the relationship of the sound and silence, as well as the spacing of duration and registration.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Barbara Monk Feldman\u003c\/p\u003e\n\u003cp\u003elabel : another timbre\u003c\/p\u003e","published_at":"2025-04-28T07:14:09+09:00","created_at":"2025-04-28T07:13:44+09:00","vendor":"Tobira Records","type":"","tags":["ambient","another timbre","cd","contemporary \/ sound poetry","neo classical","new"],"price":235000,"price_min":235000,"price_max":235000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47281943085306,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Barbara Monk Feldman \/\/ Verses CD","public_title":null,"options":["Default Title"],"price":235000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/0024865707_10.jpg?v=1623720055"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/0024865707_10.jpg?v=1623720055","options":["Title"],"media":[{"alt":null,"id":22572632670373,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0024865707_10.jpg?v=1623720055"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0024865707_10.jpg?v=1623720055","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eMorton Feldmanの妻Barbara Monk Feldmanが1988-1997年に制作した楽曲を\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGBSR Duo (Siwan Rhys \u0026amp; George Barton)とMira Benjaminが演奏したアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eピアノを主とした静謐な作品です。デジスリーブ、シュリンク仕様。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=543775812\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFive chamber and solo works by the Canadian composer Barbara Monk Feldman.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"I have been thinking about what is inside and what is outside. The everyday life and tragedy of what goes on around you, and the fact that to accomplish anything you need the isolation in the studio - I think about this moral issue. And then on another level, I think about an inside and an outside for art itself, and how ephemeral that is....What I am looking for is a way to notate the most intangible aspect of the music – for me that is the colour. Colour is not only the instrumentation. It also involves the ‘weight’ of the tones, and a kind of gravity in the relationship of the sound and silence, as well as the spacing of duration and registration.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Barbara Monk Feldman\u003c\/p\u003e\n\u003cp\u003elabel : another timbre\u003c\/p\u003e"}
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Morton Feldmanの妻Barbara Monk Feldmanが1988-1997年に制作した楽曲をGBSR Duo (Siwan Rhys & George Barton)とMira Benjaminが演奏したアルバムです。 ピアノを主とした静謐な作品です。デジスリーブ、シュリンク仕様。 Five...
¥2,350
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{"id":8774289686778,"title":"Jim O'Rourke \/\/ Best That You Do This For Me CD","handle":"jim-orourke-best-that-you-do-this-for-me-cd","description":"\u003cp\u003e山梨の音楽家Jim O'Rourkeが、2021年にイギリスのコンテンポラリー・クラシックレーベル another timbreからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eApartment House演奏の声と弦楽器によるアコースティック・ドローン60分を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3516130159\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eComposition from 2020 for vocalising string trio, written for and performed by Apartment House.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jim O'Rourke\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e","published_at":"2025-04-28T07:12:19+09:00","created_at":"2025-04-28T07:11:50+09:00","vendor":"Tobira Records","type":"","tags":["ambient","another timbre","cd","contemporary \/ sound poetry","drone","monooto","new"],"price":235000,"price_min":235000,"price_max":235000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47281942298874,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jim O'Rourke \/\/ Best That You Do This For Me CD","public_title":null,"options":["Default Title"],"price":235000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/do1.jpg?v=1613002996","\/\/tobirarecords.com\/cdn\/shop\/products\/do2.jpg?v=1613002997"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1.jpg?v=1613002996","options":["Title"],"media":[{"alt":null,"id":16442481606821,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1.jpg?v=1613002996"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1.jpg?v=1613002996","width":700},{"alt":null,"id":16442481639589,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do2.jpg?v=1613002997"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do2.jpg?v=1613002997","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e山梨の音楽家Jim O'Rourkeが、2021年にイギリスのコンテンポラリー・クラシックレーベル another timbreからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eApartment House演奏の声と弦楽器によるアコースティック・ドローン60分を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3516130159\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eComposition from 2020 for vocalising string trio, written for and performed by Apartment House.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jim O'Rourke\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e"}
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{"id":8774289457402,"title":"Anthony Pateras \/\/ A Dread of Voids CD","handle":"anthony-pateras-a-dread-of-voids-cd","description":"\u003cp\u003eオーストラリア・メルボルンの作曲家Anthony Paterasが、2023年6月にイギリスのコンテンポラリー・クラシックレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother TimbreからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eメルボルンとベルリンで\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e行った室内楽曲2曲を収録。\u003c\/span\u003eデジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエントリスナーにもおすすめします。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1029239565\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3038570790\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1029239565\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack. \u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTwo beautiful recent works for ensemble by Australian composer Anthony Pateras, one performed in Naarm \/ Melbourne, Australia, the other in Berlin.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anthony Pateras\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e","published_at":"2025-04-28T07:09:57+09:00","created_at":"2025-04-28T07:09:27+09:00","vendor":"Tobira Records","type":"","tags":["ambient","another timbre","cd","contemporary \/ sound poetry","neo classical","new"],"price":235000,"price_min":235000,"price_max":235000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47281940070650,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Anthony Pateras \/\/ A Dread of Voids CD","public_title":null,"options":["Default Title"],"price":235000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/an1_b20afff0-ea84-4484-85ea-6bc92f180d64.jpg?v=1709174987","\/\/tobirarecords.com\/cdn\/shop\/files\/an2_bdb4a838-66f7-46f1-b04c-d8ce936189d2.jpg?v=1709174988"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/an1_b20afff0-ea84-4484-85ea-6bc92f180d64.jpg?v=1709174987","options":["Title"],"media":[{"alt":null,"id":33259896078586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/an1_b20afff0-ea84-4484-85ea-6bc92f180d64.jpg?v=1709174987"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/an1_b20afff0-ea84-4484-85ea-6bc92f180d64.jpg?v=1709174987","width":700},{"alt":null,"id":33259896111354,"position":2,"preview_image":{"aspect_ratio":1.043,"height":1150,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/an2_bdb4a838-66f7-46f1-b04c-d8ce936189d2.jpg?v=1709174988"},"aspect_ratio":1.043,"height":1150,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/an2_bdb4a838-66f7-46f1-b04c-d8ce936189d2.jpg?v=1709174988","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの作曲家Anthony Paterasが、2023年6月にイギリスのコンテンポラリー・クラシックレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother TimbreからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eメルボルンとベルリンで\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e行った室内楽曲2曲を収録。\u003c\/span\u003eデジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエントリスナーにもおすすめします。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1029239565\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3038570790\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1029239565\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack. \u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTwo beautiful recent works for ensemble by Australian composer Anthony Pateras, one performed in Naarm \/ Melbourne, Australia, the other in Berlin.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anthony Pateras\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e"}
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{"id":8774289129722,"title":"Sholto Dobie \/\/ 23 LP","handle":"sholto-dobie-23-lp","description":"\u003cp\u003eイギリス出身リトアニア在住の自作管楽器奏者Sholto Dobieが、2024年4月にイギリス・ロンドンのアンビエント作家Malvern Brume主宰レーベルInfant Treeから300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e自作管楽器によるアンビエントドローン〜ドローン7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Sholto DobieがソロデビューLP「23」を発表する。 荒々しく完成された練習の記録である。長年、パイプや空気と向き合ってきたSholto Dobieは、この『23』で現在の展開を示す。リトアニア、ベトナム、スウェーデンで活動した1年間に録音されたこのレコードは、音への幅広いアプローチを抽出し、演奏、集会、散歩、私生活からの録音を集めるために広い網を使った。ショルトは、異なる環境と、彼が扱う圧縮空気、チューブ、リード、フルート、タイマーなどの密接に記録されたネットワークとの間で、リスナーを注意深く導いていく。これらの録音では、生命が迎え入れられ、室内が聞こえ、感じられ、不明瞭な声、昆虫、森が漂い、私たちは見知らぬ風景の中を移動する。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSholto Dobieはエジンバラ生まれでヴィリニュス在住。長年かけて進化させたフランケンシュタインのようなセットアップを使い、自作の管楽器で演奏する。空気ポンプは、オルガン、バグパイプ、ケーネなど、さまざまな音源から取り寄せた葦や金属のパイプに取り付けられており、タイマー・モジュール、バルブ、スイング・マイクなど、相互に関連するシステムによって命を吹き込まれる。『23』は、Sholtoの演奏環境から生まれたパルス、ビート、呼吸の豊かな世界をとらえ、それらを独特のユニークなオーディオ作品に織り込んでいる。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2438406725\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2788771505\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2438406725\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/intr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/intr\"\u003ehere \u003c\/a\u003e\u003cspan\u003eto see more Infant Tree releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. 12\" black vinyl. Edition of 300. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLow time 07:26\u003c\/li\u003e\n\u003cli\u003eForest logic 05:23\u003c\/li\u003e\n\u003cli\u003eIce pancakes 06:27\u003c\/li\u003e\n\u003cli\u003eAmong intersecting breaths 06:40\u003c\/li\u003e\n\u003cli\u003ePassages 06:23\u003c\/li\u003e\n\u003cli\u003eHigh time 02:33\u003c\/li\u003e\n\u003cli\u003ehot steps 02:38\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eInfant Tree:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Sholto Dobie puts forth ‘23’ on Infant Tree, his debut solo LP. A wildly accomplished document of practice. After many years spent working with pipes and air, ‘23’ offers us his current developments. Recorded in a year in which the artist worked in Lithuania, Vietnam and Sweden, the record distills a broad approach to sound, using a wide net to gather recordings from performances, gatherings, walks and personal life. Sholto carefully leads the listener between distinct environments and the intimately documented network of compressed air, tubes, reeds, flutes and timers which he works with. In these recordings, life is welcomed in, interiors are heard and felt, obscured voices, insects, forests drift in and out of focus, as we are transported through an unfamiliar landscape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSholto Dobie was born in Edinburgh and lives in Vilnius, he performs with self-constructed wind instruments, using a frankenstein-like set up which has evolved over many years. An air pump is attached to a series of reeded and metal pipes from various sources - organs, bagpipes and khene - which are brought to life by an interrelated system of timer modules, valves and swinging microphones. ‘23’ captures the rich world of pulses, beatings and breaths that have emerged from Sholto’s performance settings, whilst\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e weaving them into a distinct and unique audio work.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor anyone more familiar with Sholto’s work you will no doubt be warmed by recognisably delicate and evocative styles reminiscent of previous solo recordings such as ‘Nevery’ and ‘The Ringer’ as well as influences from friends and collaborators such as Judith Hamann, Malvern Brume, Ahti \u0026amp; Ahti, Rie Nakajima and Shakeeb Abu Hamdan.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Sholto Dobie\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Infant Tree\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No.: ITLP01\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-28T07:06:01+09:00","created_at":"2025-04-28T07:05:38+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","infant tree","lp","new"],"price":449700,"price_min":449700,"price_max":449700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47281934172410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sholto Dobie \/\/ 23 LP","public_title":null,"options":["Default Title"],"price":449700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dob1.jpg?v=1713747368","\/\/tobirarecords.com\/cdn\/shop\/files\/dob2.jpg?v=1713747368"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dob1.jpg?v=1713747368","options":["Title"],"media":[{"alt":null,"id":33803887706362,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dob1.jpg?v=1713747368"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dob1.jpg?v=1713747368","width":700},{"alt":null,"id":33803887739130,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dob2.jpg?v=1713747368"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dob2.jpg?v=1713747368","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス出身リトアニア在住の自作管楽器奏者Sholto Dobieが、2024年4月にイギリス・ロンドンのアンビエント作家Malvern Brume主宰レーベルInfant Treeから300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e自作管楽器によるアンビエントドローン〜ドローン7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Sholto DobieがソロデビューLP「23」を発表する。 荒々しく完成された練習の記録である。長年、パイプや空気と向き合ってきたSholto Dobieは、この『23』で現在の展開を示す。リトアニア、ベトナム、スウェーデンで活動した1年間に録音されたこのレコードは、音への幅広いアプローチを抽出し、演奏、集会、散歩、私生活からの録音を集めるために広い網を使った。ショルトは、異なる環境と、彼が扱う圧縮空気、チューブ、リード、フルート、タイマーなどの密接に記録されたネットワークとの間で、リスナーを注意深く導いていく。これらの録音では、生命が迎え入れられ、室内が聞こえ、感じられ、不明瞭な声、昆虫、森が漂い、私たちは見知らぬ風景の中を移動する。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSholto Dobieはエジンバラ生まれでヴィリニュス在住。長年かけて進化させたフランケンシュタインのようなセットアップを使い、自作の管楽器で演奏する。空気ポンプは、オルガン、バグパイプ、ケーネなど、さまざまな音源から取り寄せた葦や金属のパイプに取り付けられており、タイマー・モジュール、バルブ、スイング・マイクなど、相互に関連するシステムによって命を吹き込まれる。『23』は、Sholtoの演奏環境から生まれたパルス、ビート、呼吸の豊かな世界をとらえ、それらを独特のユニークなオーディオ作品に織り込んでいる。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2438406725\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2788771505\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2438406725\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/intr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/intr\"\u003ehere \u003c\/a\u003e\u003cspan\u003eto see more Infant Tree releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. 12\" black vinyl. Edition of 300. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLow time 07:26\u003c\/li\u003e\n\u003cli\u003eForest logic 05:23\u003c\/li\u003e\n\u003cli\u003eIce pancakes 06:27\u003c\/li\u003e\n\u003cli\u003eAmong intersecting breaths 06:40\u003c\/li\u003e\n\u003cli\u003ePassages 06:23\u003c\/li\u003e\n\u003cli\u003eHigh time 02:33\u003c\/li\u003e\n\u003cli\u003ehot steps 02:38\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eInfant Tree:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Sholto Dobie puts forth ‘23’ on Infant Tree, his debut solo LP. A wildly accomplished document of practice. After many years spent working with pipes and air, ‘23’ offers us his current developments. Recorded in a year in which the artist worked in Lithuania, Vietnam and Sweden, the record distills a broad approach to sound, using a wide net to gather recordings from performances, gatherings, walks and personal life. Sholto carefully leads the listener between distinct environments and the intimately documented network of compressed air, tubes, reeds, flutes and timers which he works with. In these recordings, life is welcomed in, interiors are heard and felt, obscured voices, insects, forests drift in and out of focus, as we are transported through an unfamiliar landscape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSholto Dobie was born in Edinburgh and lives in Vilnius, he performs with self-constructed wind instruments, using a frankenstein-like set up which has evolved over many years. An air pump is attached to a series of reeded and metal pipes from various sources - organs, bagpipes and khene - which are brought to life by an interrelated system of timer modules, valves and swinging microphones. ‘23’ captures the rich world of pulses, beatings and breaths that have emerged from Sholto’s performance settings, whilst\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e weaving them into a distinct and unique audio work.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor anyone more familiar with Sholto’s work you will no doubt be warmed by recognisably delicate and evocative styles reminiscent of previous solo recordings such as ‘Nevery’ and ‘The Ringer’ as well as influences from friends and collaborators such as Judith Hamann, Malvern Brume, Ahti \u0026amp; Ahti, Rie Nakajima and Shakeeb Abu Hamdan.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Sholto Dobie\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Infant Tree\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No.: ITLP01\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス出身リトアニア在住の自作管楽器奏者Sholto Dobieが、2024年4月にイギリス・ロンドンのアンビエント作家Malvern Brume主宰レーベルInfant Treeから300部限定でリリースしたレコードです。 自作管楽器によるアンビエントドローン〜ドローン7曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ "Sholto DobieがソロデビューLP「23」を発表する。 荒々しく完成された練習の記録である。長年、パイプや空気と向き合ってきたSholto Dobieは、この『23』で現在の展開を示す。リトアニア、ベトナム、スウェーデンで活動した1年間に録音されたこのレコードは、音への幅広いアプローチを抽出し、演奏、集会、散歩、私生活からの録音を集めるために広い網を使った。ショルトは、異なる環境と、彼が扱う圧縮空気、チューブ、リード、フルート、タイマーなどの密接に記録されたネットワークとの間で、リスナーを注意深く導いていく。これらの録音では、生命が迎え入れられ、室内が聞こえ、感じられ、不明瞭な声、昆虫、森が漂い、私たちは見知らぬ風景の中を移動する。Sholto Dobieはエジンバラ生まれでヴィリニュス在住。長年かけて進化させたフランケンシュタインのようなセットアップを使い、自作の管楽器で演奏する。空気ポンプは、オルガン、バグパイプ、ケーネなど、さまざまな音源から取り寄せた葦や金属のパイプに取り付けられており、タイマー・モジュール、バルブ、スイング・マイクなど、相互に関連するシステムによって命を吹き込まれる。『23』は、Sholtoの演奏環境から生まれたパルス、ビート、呼吸の豊かな世界をとらえ、それらを独特のユニークなオーディオ作品に織り込んでいる。" レーベルその他作品はこちら /// Click here to see...
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{"id":8772472733946,"title":"Imryll \/\/ Obscure Blood \u0026 Love CD","handle":"imryll-obscure-blood-love-cd","description":"\u003cp\u003e台湾のアンビエント作家Imryllが、2025年5月にオーストラリア・シドニーの\u003cspan\u003eレフトフィールド・テクノレーベルTheory Therapyから\u003c\/span\u003eリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eエレクトロニック・アンビエント9曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"台湾を拠点に活動するアーティストImryllが、成長、変容、そして私たちを繋ぐライフサイクルについての瞑想作品『Obscure Blood \u0026amp; Love』を発表する。深みのあるオーガニックなテクスチャーに根ざし、素朴なリズム感に裏打ちされた『Obscure Blood \u0026amp; Love』は、囁くようなヴォーカルがガラスに息を吹きかけるような静かで親密な瞬間と、生命を脈打たせるダークで不穏なコンポジションのバランスをとっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e全9曲を通して、Imryllは催眠術のようなものと不協和音との間を行き来する。A Knit of My Own Fibers\/Concussionでは、ひび割れるようなテクスチャーが幻惑的で切迫したものへと変化していく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e他の曲では、「Kaguya」がソフトフォーカスレンズで濾過された光のような揺らめくテクスチャーを展開し、幽玄な対位法を提供している。Accurate AngelやBloodclotなどの他の曲では、Imryllは抽象的な表現を率直に取り入れており、彼らの声はレンズの下で胞子のように分裂と再生を繰り返す。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアルバムの中心となる「Spinal Spiral」は、Imryllのユニークなサウンド言語を凝縮している。静かに内省的な目的意識をもって展開される。アルバム全体がそうであるように、心に残るヴォーカルと洞窟のようなサウンドスケープは、消えゆく夢の名残のように、慰めにも幻惑にもなる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3282651910\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trytrpy\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trytrpy\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Theory Therapy releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003ereleases May 2, 2025\u003c\/span\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eCD in jewel case.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Morning After ft. Rắn Cạp Đuôi\u003cbr\u003e2. Spinal Spiral 03:24\u003cbr\u003e3. Étude\u003cbr\u003e4. A Knit Of My Own Fibers\/Concussion\u003cbr\u003e5. Accurate Angel\u003cbr\u003e6. Big Bunny Steps\u003cbr\u003e7. Kaguya\u003cbr\u003e8. Bloodclot\u003cbr\u003e9. I Am One Of Us All Along\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eTheory Therapy:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eTaiwan-based artist Imryll presents Obscure Blood \u0026amp; Love, a meditation on growth, transformation and the life cycles that connect us. Rooted in deep, organic textures and grounded by an elemental sense of rhythm, Obscure Blood \u0026amp; Love balances quiet, intimate moments – where whispered vocals hover like breath against glass – with darker, more unsettling compositions that pulse with life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAcross all nine tracks, Imryll shifts between the hypnotic and the cacophonous. On ‘A Knit of My Own Fibers\/Concussion,’ crackling textures build into something disorienting and urgent – an industrial beat and electronic fractures evoking a gothic, spectral presence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eElsewhere, ‘Kaguya’ offers an ethereal counterpoint – its shimmering textures unfolding like light filtered through a soft-focus lens. On other tracks such as ‘Accurate Angel’ and ‘Bloodclot’, Imryll openly embraces the abstract, their voice splitting and reforming like spores under a lens.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe centrepiece of the album, ‘Spinal Spiral’ encapsulates Imryll’s unique sonic language. It unfolds with a quietly reflective sense of purpose. Like the entire album, the haunting vocals and cavernous soundscapes can be both comforting and disorienting, like the fading remnants of a dream.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Imryll\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Theory Therapy\u003c\/p\u003e","published_at":"2025-04-27T06:34:00+09:00","created_at":"2025-04-26T08:47:43+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","new","theory therapy"],"price":248000,"price_min":248000,"price_max":248000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47277669679354,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Imryll \/\/ Obscure Blood \u0026 Love CD","public_title":null,"options":["Default Title"],"price":248000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ob1_c4a06132-3d43-417c-b125-855c3add3043.jpg?v=1745624748","\/\/tobirarecords.com\/cdn\/shop\/files\/ob2_e973089d-5d54-45a4-a9d7-6908b1573774.jpg?v=1745624748"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ob1_c4a06132-3d43-417c-b125-855c3add3043.jpg?v=1745624748","options":["Title"],"media":[{"alt":null,"id":35939076112634,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ob1_c4a06132-3d43-417c-b125-855c3add3043.jpg?v=1745624748"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ob1_c4a06132-3d43-417c-b125-855c3add3043.jpg?v=1745624748","width":1200},{"alt":null,"id":35939076145402,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ob2_e973089d-5d54-45a4-a9d7-6908b1573774.jpg?v=1745624748"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ob2_e973089d-5d54-45a4-a9d7-6908b1573774.jpg?v=1745624748","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e台湾のアンビエント作家Imryllが、2025年5月にオーストラリア・シドニーの\u003cspan\u003eレフトフィールド・テクノレーベルTheory Therapyから\u003c\/span\u003eリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eエレクトロニック・アンビエント9曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"台湾を拠点に活動するアーティストImryllが、成長、変容、そして私たちを繋ぐライフサイクルについての瞑想作品『Obscure Blood \u0026amp; Love』を発表する。深みのあるオーガニックなテクスチャーに根ざし、素朴なリズム感に裏打ちされた『Obscure Blood \u0026amp; Love』は、囁くようなヴォーカルがガラスに息を吹きかけるような静かで親密な瞬間と、生命を脈打たせるダークで不穏なコンポジションのバランスをとっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e全9曲を通して、Imryllは催眠術のようなものと不協和音との間を行き来する。A Knit of My Own Fibers\/Concussionでは、ひび割れるようなテクスチャーが幻惑的で切迫したものへと変化していく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e他の曲では、「Kaguya」がソフトフォーカスレンズで濾過された光のような揺らめくテクスチャーを展開し、幽玄な対位法を提供している。Accurate AngelやBloodclotなどの他の曲では、Imryllは抽象的な表現を率直に取り入れており、彼らの声はレンズの下で胞子のように分裂と再生を繰り返す。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアルバムの中心となる「Spinal Spiral」は、Imryllのユニークなサウンド言語を凝縮している。静かに内省的な目的意識をもって展開される。アルバム全体がそうであるように、心に残るヴォーカルと洞窟のようなサウンドスケープは、消えゆく夢の名残のように、慰めにも幻惑にもなる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3282651910\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trytrpy\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trytrpy\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Theory Therapy releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003ereleases May 2, 2025\u003c\/span\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eCD in jewel case.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Morning After ft. Rắn Cạp Đuôi\u003cbr\u003e2. Spinal Spiral 03:24\u003cbr\u003e3. Étude\u003cbr\u003e4. A Knit Of My Own Fibers\/Concussion\u003cbr\u003e5. Accurate Angel\u003cbr\u003e6. Big Bunny Steps\u003cbr\u003e7. Kaguya\u003cbr\u003e8. Bloodclot\u003cbr\u003e9. I Am One Of Us All Along\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eTheory Therapy:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eTaiwan-based artist Imryll presents Obscure Blood \u0026amp; Love, a meditation on growth, transformation and the life cycles that connect us. Rooted in deep, organic textures and grounded by an elemental sense of rhythm, Obscure Blood \u0026amp; Love balances quiet, intimate moments – where whispered vocals hover like breath against glass – with darker, more unsettling compositions that pulse with life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAcross all nine tracks, Imryll shifts between the hypnotic and the cacophonous. On ‘A Knit of My Own Fibers\/Concussion,’ crackling textures build into something disorienting and urgent – an industrial beat and electronic fractures evoking a gothic, spectral presence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eElsewhere, ‘Kaguya’ offers an ethereal counterpoint – its shimmering textures unfolding like light filtered through a soft-focus lens. On other tracks such as ‘Accurate Angel’ and ‘Bloodclot’, Imryll openly embraces the abstract, their voice splitting and reforming like spores under a lens.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe centrepiece of the album, ‘Spinal Spiral’ encapsulates Imryll’s unique sonic language. It unfolds with a quietly reflective sense of purpose. Like the entire album, the haunting vocals and cavernous soundscapes can be both comforting and disorienting, like the fading remnants of a dream.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Imryll\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Theory Therapy\u003c\/p\u003e"}
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台湾のアンビエント作家Imryllが、2025年5月にオーストラリア・シドニーのレフトフィールド・テクノレーベルTheory TherapyからリリースしたCDです。 エレクトロニック・アンビエント9曲を収録。 以下、レーベルによる解説です。 "台湾を拠点に活動するアーティストImryllが、成長、変容、そして私たちを繋ぐライフサイクルについての瞑想作品『Obscure Blood & Love』を発表する。深みのあるオーガニックなテクスチャーに根ざし、素朴なリズム感に裏打ちされた『Obscure Blood & Love』は、囁くようなヴォーカルがガラスに息を吹きかけるような静かで親密な瞬間と、生命を脈打たせるダークで不穏なコンポジションのバランスをとっている。 全9曲を通して、Imryllは催眠術のようなものと不協和音との間を行き来する。A Knit of...
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{"id":8772471259386,"title":"Glen Rey. \/\/ Of That Which We Cannot Speak... LP","handle":"glen-rey-of-that-which-we-cannot-speak-lp","description":"\u003cp\u003eオーストラリアのギタリストGlen Reyが、2025年3月に同国brierfield flood pressから150部限定でリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・アンビエントフォーク8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=585241901\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=585241901\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=89174739\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=585241901\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=591133347\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. 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I see no stars (but for with you) 04:39\u003cbr\u003e3. a painful case 02:02\u003cbr\u003e4. nothing is more real 04:03\u003cbr\u003e5. the light above my table and the darkness all around 04:18\u003cbr\u003e6. a thought to be going on with 02:15\u003cbr\u003e7. clarissa 03:40\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. it doesn't get easier 03:23\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : glen rey.\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ebrierfield flood press\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-27T09:56:35+09:00","created_at":"2025-04-26T08:38:49+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","lp","new"],"price":428000,"price_min":428000,"price_max":428000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47277667057914,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Glen Rey. \/\/ Of That Which We Cannot Speak... LP","public_title":null,"options":["Default Title"],"price":428000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/of1_bbc24279-c32f-4be8-b1e6-bea0e47e7524.jpg?v=1745624262","\/\/tobirarecords.com\/cdn\/shop\/files\/of2_9d8f892a-115e-4e3c-9ad1-9948dcf6b39e.jpg?v=1745624262"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/of1_bbc24279-c32f-4be8-b1e6-bea0e47e7524.jpg?v=1745624262","options":["Title"],"media":[{"alt":null,"id":35939031253242,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/of1_bbc24279-c32f-4be8-b1e6-bea0e47e7524.jpg?v=1745624262"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/of1_bbc24279-c32f-4be8-b1e6-bea0e47e7524.jpg?v=1745624262","width":700},{"alt":null,"id":35939031286010,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/of2_9d8f892a-115e-4e3c-9ad1-9948dcf6b39e.jpg?v=1745624262"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/of2_9d8f892a-115e-4e3c-9ad1-9948dcf6b39e.jpg?v=1745624262","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアのギタリストGlen Reyが、2025年3月に同国brierfield flood pressから150部限定でリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・アンビエントフォーク8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=585241901\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=585241901\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=89174739\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=585241901\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=591133347\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. ...we wrest with words in silence 04:45\u003cbr\u003e2. I see no stars (but for with you) 04:39\u003cbr\u003e3. a painful case 02:02\u003cbr\u003e4. nothing is more real 04:03\u003cbr\u003e5. the light above my table and the darkness all around 04:18\u003cbr\u003e6. a thought to be going on with 02:15\u003cbr\u003e7. clarissa 03:40\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. it doesn't get easier 03:23\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : glen rey.\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ebrierfield flood press\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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オーストラリアのギタリストGlen Reyが、2025年3月に同国brierfield flood pressから150部限定でリリースしたデビューレコードです。 ベッドルーム・アンビエントフォーク8曲を収録。DLコード付属。 ---------------------------------------------- 12" black vinyl. Includes DL code.Edition of 150. ...
¥4,280
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{"id":8772470866170,"title":"Sun Ark (Sun Araw) \/\/ Prayer Tapes: Vol 1 \u0026 2 2xTAPE","handle":"sun-ark-sun-araw-prayer-tapes-vol-1-2-2xtape","description":"\u003cp\u003eアメリカ・CAのサイケデリック作家Sun Arawが、2022年にオーストラリアのbrierfield flood pressから100部限定でリリースした2本組カセットです。\u003c\/p\u003e\n\u003cp\u003eオーバーダブ無しの即興Lo-Fiサイケデリック・アンビエント4曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3266115917\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2146865861\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e2 x cassette in poly case.\u003cbr\u003eEdition of 100. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSun Ark Prayer Tapes, Vol. 1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSide A\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e18:27\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSide B\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e18:27\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSun Ark Prayer Tapes, Vol. 2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eC\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSide A\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e19:13\u003cbr\u003eD\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSide B\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e18:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBrierfield Flood Press are thrilled to announce the long-overdue reissue of Sun Araw's Prayer Tapes. Originally released as two separate volumes in 2012, the Prayer Tapes feature 4 sides of solo improvisations, recorded live with no overdubs. Deeply exploratory \u0026amp; long out-of-print, these compelling sonic meditations are once again available in the physical realm, a full 10 years later.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWell-known for his collaborative work with Laaraji \u0026amp; the Congos, Cameron Stallones has been making music under his Sun Araw \/ Sun Ark moniker since the early 2000s. Stallones himself has described the intention behind Sun Araw as ‘the creation of psychedelic music, by which is meant a psychotropic music: not an aesthetic sensibility but a method of discontinuous experience’. The Prayer Tapes is a striking manifestation of this creative process, while also constituting an essential chapter in the increasingly formidable Sun Araw discography.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : sun ark (sun araw) \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ebrierfield flood press\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-27T10:02:25+09:00","created_at":"2025-04-26T08:36:23+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","new","post newage","tape"],"price":332800,"price_min":332800,"price_max":332800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47277666533626,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sun Ark (Sun Araw) \/\/ Prayer Tapes: Vol 1 \u0026 2 2xTAPE","public_title":null,"options":["Default Title"],"price":332800,"weight":120,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sun1_d19c2403-5c13-455e-a834-a6db31af6a41.jpg?v=1745623978","\/\/tobirarecords.com\/cdn\/shop\/files\/sun2_fdba0f02-dc38-4bc4-a710-4b020ea935b0.jpg?v=1745623978"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sun1_d19c2403-5c13-455e-a834-a6db31af6a41.jpg?v=1745623978","options":["Title"],"media":[{"alt":null,"id":35939011133690,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sun1_d19c2403-5c13-455e-a834-a6db31af6a41.jpg?v=1745623978"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sun1_d19c2403-5c13-455e-a834-a6db31af6a41.jpg?v=1745623978","width":700},{"alt":null,"id":35939011166458,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sun2_fdba0f02-dc38-4bc4-a710-4b020ea935b0.jpg?v=1745623978"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sun2_fdba0f02-dc38-4bc4-a710-4b020ea935b0.jpg?v=1745623978","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・CAのサイケデリック作家Sun Arawが、2022年にオーストラリアのbrierfield flood pressから100部限定でリリースした2本組カセットです。\u003c\/p\u003e\n\u003cp\u003eオーバーダブ無しの即興Lo-Fiサイケデリック・アンビエント4曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3266115917\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2146865861\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e2 x cassette in poly case.\u003cbr\u003eEdition of 100. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSun Ark Prayer Tapes, Vol. 1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSide A\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e18:27\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSide B\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e18:27\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSun Ark Prayer Tapes, Vol. 2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eC\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSide A\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e19:13\u003cbr\u003eD\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSide B\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e18:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBrierfield Flood Press are thrilled to announce the long-overdue reissue of Sun Araw's Prayer Tapes. Originally released as two separate volumes in 2012, the Prayer Tapes feature 4 sides of solo improvisations, recorded live with no overdubs. Deeply exploratory \u0026amp; long out-of-print, these compelling sonic meditations are once again available in the physical realm, a full 10 years later.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWell-known for his collaborative work with Laaraji \u0026amp; the Congos, Cameron Stallones has been making music under his Sun Araw \/ Sun Ark moniker since the early 2000s. Stallones himself has described the intention behind Sun Araw as ‘the creation of psychedelic music, by which is meant a psychotropic music: not an aesthetic sensibility but a method of discontinuous experience’. The Prayer Tapes is a striking manifestation of this creative process, while also constituting an essential chapter in the increasingly formidable Sun Araw discography.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : sun ark (sun araw) \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ebrierfield flood press\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・CAのサイケデリック作家Sun Arawが、2022年にオーストラリアのbrierfield flood pressから100部限定でリリースした2本組カセットです。 オーバーダブ無しの即興Lo-Fiサイケデリック・アンビエント4曲を収録。DLコード付属。廃盤です。 -------------------------------------------- Includes DL code.2 x cassette in poly case.Edition...
¥3,328
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クイックビュー
{"id":8772469981434,"title":"Cole Pulice \/\/ Land's End Eternal LP [PRE-ORDER]","handle":"cole-pulice-lands-end-eternal-lp-pre-order","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5\/9発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eアメリカ・カリフォルニアのアンビエント作家／サックス奏者Cole Puliceが、2025年5月にLAの老舗オールジャンルレーベルLeaving Recordsからリリースするレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eポストニューエイジ・アンビエント〜アンビエント・ジャズ6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1253547124\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003ereleases May 9, 2025\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eBlack vinyl edition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Fragments of a Slipstream Dream 05:13\u003cbr\u003e2. In a Hidden Nook Between Worlds I\u003cbr\u003e3. In a Hidden Nook Between Worlds II\u003cbr\u003e4. In a Hidden Nook Between Worlds III\u003cbr\u003e5. In This \u0026amp; Every Life\u003cbr\u003e6. After the Rain 09:00\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Leaving Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eElectroacoustic saxophonist, improviser, and composer Cole Pulice traffics in shimmering, otherworldly beauty. On the meditative ambient jazz of Land’s End Eternal, Cole adds a welcome new texture with the introduction of the electric guitar, an instrument previously unheard in their music, which took on a central role as a compositional and sonic tool for this record. In 2021, a friend asked to temporarily store their Stratocaster at Cole's during a move. In that window of time, Cole began experimenting with guitar as part of their compositional palette.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBefore we cross the bridge into new sonic worlds, we have to approach it. That’s just what Cole does on album opener “Fragments of a Slipstream Dream,” the last track made for this record but one that charts the clearest throughline to the celestial ambient soundscape of their previous release, the stunning 22-minute “If I Don’t See You in the Future, I’ll See You In the Pasture.” A similar ghostly touch pervades “Fragments,” an electroacoustic composition created almost entirely from signal processed saxophone, its undulating melodies rippling atop stippled, clipping textures. One hears shades of Coltrane but the intercession of technology pushes the maximalism of the saxophone drone into full-on deterioration. It’s jarring, snapping you to attention. Hard-cut edits further\u003cspan class=\"bcTruncateMore\"\u003e dissolve the piece from one plane to another, the aural embodiment of decay as seed for growth....\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cole Pulice\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e","published_at":"2025-04-26T09:10:21+09:00","created_at":"2025-04-26T08:26:45+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","leaving records","lp","new","post newage"],"price":388000,"price_min":388000,"price_max":388000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47277663453434,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Cole Pulice \/\/ Land's End Eternal LP [PRE-ORDER]","public_title":null,"options":["Default Title"],"price":388000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/end1_a8747a2e-f4ba-4e89-9feb-c1b21dec6d37.jpg?v=1745623415","\/\/tobirarecords.com\/cdn\/shop\/files\/end2_4c3a8dd7-a829-4c06-af23-e705c979b955.jpg?v=1745623415"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/end1_a8747a2e-f4ba-4e89-9feb-c1b21dec6d37.jpg?v=1745623415","options":["Title"],"media":[{"alt":null,"id":35938967519482,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/end1_a8747a2e-f4ba-4e89-9feb-c1b21dec6d37.jpg?v=1745623415"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/end1_a8747a2e-f4ba-4e89-9feb-c1b21dec6d37.jpg?v=1745623415","width":700},{"alt":null,"id":35938967552250,"position":2,"preview_image":{"aspect_ratio":1.034,"height":1160,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/end2_4c3a8dd7-a829-4c06-af23-e705c979b955.jpg?v=1745623415"},"aspect_ratio":1.034,"height":1160,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/end2_4c3a8dd7-a829-4c06-af23-e705c979b955.jpg?v=1745623415","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5\/9発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eアメリカ・カリフォルニアのアンビエント作家／サックス奏者Cole Puliceが、2025年5月にLAの老舗オールジャンルレーベルLeaving Recordsからリリースするレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eポストニューエイジ・アンビエント〜アンビエント・ジャズ6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1253547124\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003ereleases May 9, 2025\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eBlack vinyl edition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Fragments of a Slipstream Dream 05:13\u003cbr\u003e2. In a Hidden Nook Between Worlds I\u003cbr\u003e3. In a Hidden Nook Between Worlds II\u003cbr\u003e4. In a Hidden Nook Between Worlds III\u003cbr\u003e5. In This \u0026amp; Every Life\u003cbr\u003e6. After the Rain 09:00\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Leaving Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eElectroacoustic saxophonist, improviser, and composer Cole Pulice traffics in shimmering, otherworldly beauty. On the meditative ambient jazz of Land’s End Eternal, Cole adds a welcome new texture with the introduction of the electric guitar, an instrument previously unheard in their music, which took on a central role as a compositional and sonic tool for this record. In 2021, a friend asked to temporarily store their Stratocaster at Cole's during a move. In that window of time, Cole began experimenting with guitar as part of their compositional palette.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBefore we cross the bridge into new sonic worlds, we have to approach it. That’s just what Cole does on album opener “Fragments of a Slipstream Dream,” the last track made for this record but one that charts the clearest throughline to the celestial ambient soundscape of their previous release, the stunning 22-minute “If I Don’t See You in the Future, I’ll See You In the Pasture.” A similar ghostly touch pervades “Fragments,” an electroacoustic composition created almost entirely from signal processed saxophone, its undulating melodies rippling atop stippled, clipping textures. One hears shades of Coltrane but the intercession of technology pushes the maximalism of the saxophone drone into full-on deterioration. It’s jarring, snapping you to attention. Hard-cut edits further\u003cspan class=\"bcTruncateMore\"\u003e dissolve the piece from one plane to another, the aural embodiment of decay as seed for growth....\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cole Pulice\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e"}
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※5/9発送開始します アメリカ・カリフォルニアのアンビエント作家／サックス奏者Cole Puliceが、2025年5月にLAの老舗オールジャンルレーベルLeaving Recordsからリリースするレコードです。 ポストニューエイジ・アンビエント〜アンビエント・ジャズ6曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases...
¥3,880
クイックビュー
{"id":8772468670714,"title":"Nico Georis \/\/ Music Belongs To The Universe LP","handle":"nico-georis-music-belongs-to-the-universe-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eアメリカ・カリフォルニア\u003c\/span\u003e\u003cspan\u003eのマルチ奏者Nico Georisが、2025年4月にLAの老舗オールジャンルレーベルLeaving Recordsからリリースしたレコードです。\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eピアノをメインソースにした瞑想的なポストニューエイジ・アンビエント〜ネオクラシカル・アンビエント6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Nico Georisにとって、音楽は自然によく似ている。Leavingからリリースされた彼の最新作『Music Belongs To The Universe』は、牧歌的なメロディと砂漠のミニマリズムの境界線を行き来し、鳴り響き、そこから想起される風景と同じくらい広々としたサウンドを作り上げる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2021年から2023年にかけてレコーディングされた『Music Belongs To The Universe』は、砂漠の空のような、またはクリスタルのような音楽の探求の最新作である。2023年の『Cloud Suites』と2022年の『Desert Mirror』は、『Music Belongs To The Universe』とともに砂漠の瞑想の三部作となっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Music Belongs To The Universe』は、何よりもまず、感性の訓練であり、雑念のない知覚の訓練である。それは、「Geological Observations（地質学的観察）」の献身的で期待に満ちたうなり声にも表れている。Nico Georisの風通しの良いアレンジは、つま先立ちをし、腰を落とし、ついにはホバリングして、構想よりもチャンネルを絞ったような音楽への道を切り開く。リードシングル 「Who Knows The Path 」のループしたサウンドスケープの上を、キーボードが重荷を負わずに舞い上がると、そのタイトルは問いかけであり、呼びかけでもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかし、いかにトランス的であろうと、これは偶然の産物ではない。テリー・ライリーの『A Rainbow in Curved Air』を2022年に再解釈した際にNico Georisが初めて完成させたディレイテクニックによって、メロディーはMusic Belongs To The Universeのアンビエントサウンドの中にただ滲み出ているのではなく、まるで輝きを放つかのように、長く削られたコード進行から発散されているのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e砂漠のためのジムノペディのように、これらの録音は、太陽の光を浴びながら、ひらひらと広がっていく。ドラマを捨て、同調の余地を作るように、彼らは私たちに、最も注意深い種類の探求は、時には手放すように感じられることを思い出させる。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/JwWqfJ9l6w0?si=TCgNXyp457SFdHz8\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=356648851\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eVinyl contains 2 albums: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMusic Belongs To The Universe on side A and Desert Mirror on side B\u003c\/span\u003e\u003cbr\u003eBlack vinyl edition of 500.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMusic Belongs To The Universe:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Weather Report I 01:54\u003cbr\u003e2. Who Knows The Path 03:12\u003cbr\u003e3. Lens 02:53\u003cbr\u003e4. Lake-Eyes 03:39\u003cbr\u003e5. Golden Pools 01:46\u003cbr\u003e6. Geological Observations 04:03\u003cbr\u003e7. Weather Report II 02:15\u003cbr\u003e8. Sodium Trees 02:36\u003cbr\u003e9. Relation Ships 04:58\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDesert Mirror:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mirror I 03:34\u003cbr\u003e2. Tears of Gold 04:06\u003cbr\u003e3. The Funeral Mountains 01:06\u003cbr\u003e4. Mirror II 04:53\u003cbr\u003e5. Gone 06:10\u003cbr\u003e6. Mirror III 03:37\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLeaving Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFor Nico Georis, music is a lot like nature: you may actively confront it, or just let yourself channel it. Music Belongs To The Universe, his latest offering, out now on Leaving Records, threads the line between pastoral melody and desert minimalism, it rings out and warbles, crafting sounds as spacious as the landscapes from which it was conjured.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded between 2021 and 2023, Music Belongs To The Universe is the latest foray in a search for music as crystalline as the desert skies that Georis began in 2020, when he first moved out to a remote town outside of Death Valley. Here, he restored what became his studio, Granny’s Dancehall, communing with the elements on 2023’s Cloud Suites and 2022’s Desert Mirror which, along with Music Belongs To The Universe, present as a triptych of desert meditations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusic Belongs To The Universe, in fact, is first and foremost an exercise in sensitivity, in uncluttered perception. We hear this in the devoted, expectant warbling of “Geological Observations:” Georis’ airy arrangements tiptoe, sit back and finally hover, clearing the way for a kind of music that is more channelled than it is conceived. As keyboards soar, unburdened, above the looped-up soundscape of lead single “Who Knows The Path,” its title rings\u003cspan class=\"bcTruncateMore\"\u003e at once as a question and an invocation.\u003cbr\u003e\u003cbr\u003eNo matter how trance-like, however, nothing about this is accidental. Relying on delay techniques Georis first perfected on his 2022 reinterpretation of Terry Riley’s A Rainbow in Curved Air, melody isn’t just suffused into Music Belongs To The Universe’s ambient sounds; rather, these emanate out of long-hewn chord progressions as if in radiance.\u003cbr\u003e\u003cbr\u003eLike a gymnopédie for the desert, these recordings flutter and unfold, sunbleached; their arrangements, at once rapt and unobtrusive, attending to the massive world around. As they cast off drama to make room for attunement, they remind us that, sometimes, the most attentive kind of searching feels like letting go.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nico Georis\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e","published_at":"2025-04-26T09:18:58+09:00","created_at":"2025-04-26T08:18:07+09:00","vendor":"Tobira Records","type":"","tags":["ambient","leaving records","lp","neo classical","new","post newage"],"price":388000,"price_min":388000,"price_max":388000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47277660045562,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nico Georis \/\/ Music Belongs To The Universe LP","public_title":null,"options":["Default Title"],"price":388000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bel1_f49bd066-5804-4e21-8556-b32f6589d26c.jpg?v=1745622769","\/\/tobirarecords.com\/cdn\/shop\/files\/bel2_fef9e617-0073-4075-927d-c2ffbd8dc7b7.jpg?v=1745622769"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bel1_f49bd066-5804-4e21-8556-b32f6589d26c.jpg?v=1745622769","options":["Title"],"media":[{"alt":null,"id":35938927575290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bel1_f49bd066-5804-4e21-8556-b32f6589d26c.jpg?v=1745622769"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bel1_f49bd066-5804-4e21-8556-b32f6589d26c.jpg?v=1745622769","width":700},{"alt":null,"id":35938927608058,"position":2,"preview_image":{"aspect_ratio":1.034,"height":1160,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bel2_fef9e617-0073-4075-927d-c2ffbd8dc7b7.jpg?v=1745622769"},"aspect_ratio":1.034,"height":1160,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bel2_fef9e617-0073-4075-927d-c2ffbd8dc7b7.jpg?v=1745622769","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eアメリカ・カリフォルニア\u003c\/span\u003e\u003cspan\u003eのマルチ奏者Nico Georisが、2025年4月にLAの老舗オールジャンルレーベルLeaving Recordsからリリースしたレコードです。\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eピアノをメインソースにした瞑想的なポストニューエイジ・アンビエント〜ネオクラシカル・アンビエント6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Nico Georisにとって、音楽は自然によく似ている。Leavingからリリースされた彼の最新作『Music Belongs To The Universe』は、牧歌的なメロディと砂漠のミニマリズムの境界線を行き来し、鳴り響き、そこから想起される風景と同じくらい広々としたサウンドを作り上げる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2021年から2023年にかけてレコーディングされた『Music Belongs To The Universe』は、砂漠の空のような、またはクリスタルのような音楽の探求の最新作である。2023年の『Cloud Suites』と2022年の『Desert Mirror』は、『Music Belongs To The Universe』とともに砂漠の瞑想の三部作となっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Music Belongs To The Universe』は、何よりもまず、感性の訓練であり、雑念のない知覚の訓練である。それは、「Geological Observations（地質学的観察）」の献身的で期待に満ちたうなり声にも表れている。Nico Georisの風通しの良いアレンジは、つま先立ちをし、腰を落とし、ついにはホバリングして、構想よりもチャンネルを絞ったような音楽への道を切り開く。リードシングル 「Who Knows The Path 」のループしたサウンドスケープの上を、キーボードが重荷を負わずに舞い上がると、そのタイトルは問いかけであり、呼びかけでもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかし、いかにトランス的であろうと、これは偶然の産物ではない。テリー・ライリーの『A Rainbow in Curved Air』を2022年に再解釈した際にNico Georisが初めて完成させたディレイテクニックによって、メロディーはMusic Belongs To The Universeのアンビエントサウンドの中にただ滲み出ているのではなく、まるで輝きを放つかのように、長く削られたコード進行から発散されているのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e砂漠のためのジムノペディのように、これらの録音は、太陽の光を浴びながら、ひらひらと広がっていく。ドラマを捨て、同調の余地を作るように、彼らは私たちに、最も注意深い種類の探求は、時には手放すように感じられることを思い出させる。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/JwWqfJ9l6w0?si=TCgNXyp457SFdHz8\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=356648851\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eVinyl contains 2 albums: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMusic Belongs To The Universe on side A and Desert Mirror on side B\u003c\/span\u003e\u003cbr\u003eBlack vinyl edition of 500.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMusic Belongs To The Universe:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Weather Report I 01:54\u003cbr\u003e2. Who Knows The Path 03:12\u003cbr\u003e3. Lens 02:53\u003cbr\u003e4. Lake-Eyes 03:39\u003cbr\u003e5. Golden Pools 01:46\u003cbr\u003e6. Geological Observations 04:03\u003cbr\u003e7. Weather Report II 02:15\u003cbr\u003e8. Sodium Trees 02:36\u003cbr\u003e9. Relation Ships 04:58\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDesert Mirror:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mirror I 03:34\u003cbr\u003e2. Tears of Gold 04:06\u003cbr\u003e3. The Funeral Mountains 01:06\u003cbr\u003e4. Mirror II 04:53\u003cbr\u003e5. Gone 06:10\u003cbr\u003e6. Mirror III 03:37\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLeaving Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFor Nico Georis, music is a lot like nature: you may actively confront it, or just let yourself channel it. Music Belongs To The Universe, his latest offering, out now on Leaving Records, threads the line between pastoral melody and desert minimalism, it rings out and warbles, crafting sounds as spacious as the landscapes from which it was conjured.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded between 2021 and 2023, Music Belongs To The Universe is the latest foray in a search for music as crystalline as the desert skies that Georis began in 2020, when he first moved out to a remote town outside of Death Valley. Here, he restored what became his studio, Granny’s Dancehall, communing with the elements on 2023’s Cloud Suites and 2022’s Desert Mirror which, along with Music Belongs To The Universe, present as a triptych of desert meditations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusic Belongs To The Universe, in fact, is first and foremost an exercise in sensitivity, in uncluttered perception. We hear this in the devoted, expectant warbling of “Geological Observations:” Georis’ airy arrangements tiptoe, sit back and finally hover, clearing the way for a kind of music that is more channelled than it is conceived. As keyboards soar, unburdened, above the looped-up soundscape of lead single “Who Knows The Path,” its title rings\u003cspan class=\"bcTruncateMore\"\u003e at once as a question and an invocation.\u003cbr\u003e\u003cbr\u003eNo matter how trance-like, however, nothing about this is accidental. Relying on delay techniques Georis first perfected on his 2022 reinterpretation of Terry Riley’s A Rainbow in Curved Air, melody isn’t just suffused into Music Belongs To The Universe’s ambient sounds; rather, these emanate out of long-hewn chord progressions as if in radiance.\u003cbr\u003e\u003cbr\u003eLike a gymnopédie for the desert, these recordings flutter and unfold, sunbleached; their arrangements, at once rapt and unobtrusive, attending to the massive world around. As they cast off drama to make room for attunement, they remind us that, sometimes, the most attentive kind of searching feels like letting go.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nico Georis\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e"}
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※5月上旬再入荷後発送します アメリカ・カリフォルニアのマルチ奏者Nico Georisが、2025年4月にLAの老舗オールジャンルレーベルLeaving Recordsからリリースしたレコードです。 ピアノをメインソースにした瞑想的なポストニューエイジ・アンビエント〜ネオクラシカル・アンビエント6曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "Nico Georisにとって、音楽は自然によく似ている。Leavingからリリースされた彼の最新作『Music Belongs To The Universe』は、牧歌的なメロディと砂漠のミニマリズムの境界線を行き来し、鳴り響き、そこから想起される風景と同じくらい広々としたサウンドを作り上げる。 2021年から2023年にかけてレコーディングされた『Music...
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{"id":8772467163386,"title":"Steve Peters \u0026 Steve Roden \/\/ Not A Leaf Remains As It Was CD","handle":"steve-peters-steve-roden-not-a-leaf-remains-as-it-was-cd-1","description":"\u003cp\u003eアンビエント作家Steve Peters \u0026amp; Steve Rodenが、2012年にNYのアンビエントレーベル12kからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアンビエント〜アンビエントドローン4曲を収録。デジスリーブ、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3482411358\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003ehere\u003c\/a\u003e to see more 12k releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eCD in cardstock sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Winds Through Bleak Timber 11:18\u003cbr\u003e2. Fade Away Within 08:18\u003cbr\u003e3. Water Veins 07:27\u003cbr\u003e4. Two Or Three Fireflies 07:19\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003e12k:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eIn 1995 Steve Peters and Steve Roden toured as a trio with singer Anna Homler; sometimes they would vocalize behind her, and they liked the way their voices blended together. They then spent about 15 years saying that “someday” they should record a voice-based project together. Aside from the physical distance between them, the problem was always: What would we sing? Neither wanted to write or sing lyrics.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInspiration came in the form of a book of Japanese jisei – poems allegedly written by monks on their death bed – printed in both English translation and Romanized Japanese. Phonetically pronouncing the Japanese reminded Peters of the technique Roden has used of systematically chopping up the syllables in English texts to transform them into sound poems. Since neither of them speaks Japanese, it seemed like a good place to begin.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two of them applied for a residency at Jack Straw, a non-profit recording facility in Seattle that gives grants of\u003cspan class=\"bcTruncateMore\"\u003e studio time. They had no exact plans other than they intended to avoid electronic instruments, or directly referencing the poems’ literal meaning, or imitating any Japanese musical idioms or “Zen” stereotypes. Culling some of the poems that made references to sound and noting them on 3x5 cards, Peters and Roden sorted the cards into four groups according to the seasons of the year that the poems represented, divided the cards between them, and taped them to their music stands. They then sang random fragments from the various cards - a word here, a line there, maybe backwards, maybe the English translation. They made no effort to keep the poems intact or retain any of their meaning, instead treating the material simply as phonemes to put in their mouths.\u003cbr\u003e\u003cbr\u003eAll of the music was improvised in the studio, built up one track at a time. They worked intuitively, with no structural guidelines beyond using the texts. Three days later they emerged from the studio, not quite sure what they had done. After letting the material rest for several months Peters and Roden determined that Doug Haire, who recorded the sessions at Jack Straw, was the obvious choice to do the mixing. The album was completed in the fall of 2011.\u003cbr\u003e\u003cbr\u003e12k is known to be a label of understatement and restraint, however, Not A Leaf Remains As It Was is arguably the most hushed and delicate record in the label’s catalog. Every sound on the album’s four tracks, be it the artists’ voices, a pump organ or melodica hangs by a thread, played ever so slightly, with utmost care. Noises, created from turtle shells, leaves, and bells shuffle and flutter, as if they are quietly alive, in the background providing a textural backdrop to the sublime tones and ghostly voices.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Steve Peters \u0026amp; Steve Roden\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : 12k\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e12k1069\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-27T09:48:05+09:00","created_at":"2025-04-26T07:55:55+09:00","vendor":"Tobira Records","type":"","tags":["12k","ambient","cd","new"],"price":249000,"price_min":249000,"price_max":249000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47277652541690,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Steve Peters \u0026 Steve Roden \/\/ Not A Leaf Remains As It Was CD","public_title":null,"options":["Default Title"],"price":249000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/not1_67215e9b-4dff-4fb5-b330-296f39764506.jpg?v=1745621647","\/\/tobirarecords.com\/cdn\/shop\/files\/not2_04b3546d-2174-4a81-bb8f-55fbe02e6703.jpg?v=1745621648"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/not1_67215e9b-4dff-4fb5-b330-296f39764506.jpg?v=1745621647","options":["Title"],"media":[{"alt":null,"id":35938899263738,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/not1_67215e9b-4dff-4fb5-b330-296f39764506.jpg?v=1745621647"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/not1_67215e9b-4dff-4fb5-b330-296f39764506.jpg?v=1745621647","width":700},{"alt":null,"id":35938899296506,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/not2_04b3546d-2174-4a81-bb8f-55fbe02e6703.jpg?v=1745621648"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/not2_04b3546d-2174-4a81-bb8f-55fbe02e6703.jpg?v=1745621648","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアンビエント作家Steve Peters \u0026amp; Steve Rodenが、2012年にNYのアンビエントレーベル12kからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアンビエント〜アンビエントドローン4曲を収録。デジスリーブ、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3482411358\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003ehere\u003c\/a\u003e to see more 12k releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eCD in cardstock sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Winds Through Bleak Timber 11:18\u003cbr\u003e2. Fade Away Within 08:18\u003cbr\u003e3. Water Veins 07:27\u003cbr\u003e4. Two Or Three Fireflies 07:19\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003e12k:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eIn 1995 Steve Peters and Steve Roden toured as a trio with singer Anna Homler; sometimes they would vocalize behind her, and they liked the way their voices blended together. They then spent about 15 years saying that “someday” they should record a voice-based project together. Aside from the physical distance between them, the problem was always: What would we sing? Neither wanted to write or sing lyrics.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInspiration came in the form of a book of Japanese jisei – poems allegedly written by monks on their death bed – printed in both English translation and Romanized Japanese. Phonetically pronouncing the Japanese reminded Peters of the technique Roden has used of systematically chopping up the syllables in English texts to transform them into sound poems. Since neither of them speaks Japanese, it seemed like a good place to begin.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two of them applied for a residency at Jack Straw, a non-profit recording facility in Seattle that gives grants of\u003cspan class=\"bcTruncateMore\"\u003e studio time. They had no exact plans other than they intended to avoid electronic instruments, or directly referencing the poems’ literal meaning, or imitating any Japanese musical idioms or “Zen” stereotypes. Culling some of the poems that made references to sound and noting them on 3x5 cards, Peters and Roden sorted the cards into four groups according to the seasons of the year that the poems represented, divided the cards between them, and taped them to their music stands. They then sang random fragments from the various cards - a word here, a line there, maybe backwards, maybe the English translation. They made no effort to keep the poems intact or retain any of their meaning, instead treating the material simply as phonemes to put in their mouths.\u003cbr\u003e\u003cbr\u003eAll of the music was improvised in the studio, built up one track at a time. They worked intuitively, with no structural guidelines beyond using the texts. Three days later they emerged from the studio, not quite sure what they had done. After letting the material rest for several months Peters and Roden determined that Doug Haire, who recorded the sessions at Jack Straw, was the obvious choice to do the mixing. The album was completed in the fall of 2011.\u003cbr\u003e\u003cbr\u003e12k is known to be a label of understatement and restraint, however, Not A Leaf Remains As It Was is arguably the most hushed and delicate record in the label’s catalog. Every sound on the album’s four tracks, be it the artists’ voices, a pump organ or melodica hangs by a thread, played ever so slightly, with utmost care. Noises, created from turtle shells, leaves, and bells shuffle and flutter, as if they are quietly alive, in the background providing a textural backdrop to the sublime tones and ghostly voices.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Steve Peters \u0026amp; Steve Roden\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : 12k\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e12k1069\u003c\/span\u003e\u003c\/p\u003e"}
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アンビエント作家Steve Peters & Steve Rodenが、2012年にNYのアンビエントレーベル12kからリリースした共作CDです。 アンビエント〜アンビエントドローン4曲を収録。デジスリーブ、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more 12k releases available at...
¥2,490
クイックビュー
{"id":8772465983738,"title":"Arovane \u0026 Taylor Deupree \/\/ Skal_Ghost CD","handle":"arovane-taylor-deupree-skal_ghost-cd-2","description":"\u003cp\u003eドイツのArovaneとアメリカのTaylor Deupreeアンビエント作家2名が、2022年11月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTaylor Deupree主宰\u003c\/span\u003eレーベル12kからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e穏やかなアンビエント10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4161047896\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2665131639\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4161047896\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003ehere\u003c\/a\u003e to see more 12k releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD in cardstock sleeve. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAudd_Shut 04:14\u003c\/li\u003e\n\u003cli\u003ePfad_Onset 04:18\u003c\/li\u003e\n\u003cli\u003eDenn_Repp 06:35\u003c\/li\u003e\n\u003cli\u003eStill_Lili 04:27\u003c\/li\u003e\n\u003cli\u003eNeben_Ghost 04:49\u003c\/li\u003e\n\u003cli\u003eSomne_Tide 02:38\u003c\/li\u003e\n\u003cli\u003eStenn_Dispel 03:13\u003c\/li\u003e\n\u003cli\u003eEtta_Lorn 09:17\u003c\/li\u003e\n\u003cli\u003eEnner_Aer 04:35\u003c\/li\u003e\n\u003cli\u003eBarn_Abnd 03:14\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e12k:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e12k continues in its tradition of collaborative releases presenting a first-time pairing between German artist Arovane and 12k’s Taylor Deupree. Having become aquainted through their shared love of music technology, Uwe Zahn (Arovane) and Taylor Deupree only found it natural to work on a project together based around one of their favorite synthesizers. As Zahn recalls:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“After a long email conversation, Taylor and I came up with the idea of recording an album only with sound sources from the Nonlinear Labs C15 synthesizer that we both own. The first sketches were made with an exchanging of C15 patches and a constantly growing shared sound pool that led to the structure of the first songs. Prefering to work in person, but hampered by the pandemic, we resorted to sending projects back and forth. and developed an organic method that inspired and excited us.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt was very exciting to see how Taylor’s skills in the field of mixing combined with my experience in sound design. We both share a love of experimentation, gave each other very free rein in manipulating each other’s sounds. Most of the tracks are based on improvisations, loops and many layers of sounds processed in our studios. The results became our album\u003cspan class=\"bcTruncateMore\"\u003e Skal_Ghost.\u003cbr\u003e\u003cbr\u003eThe songs continued to evolve as the duo worked. Distilling the rich sounds down to their most important textures and forms and creating many layers of processed and re-processed sounds all embued with their love of synthesis and sound exploration. Arovane’s dense textural beds of tone and harmony lay the foundation for the more broken and fragile melodics of Deupree’s organic loops. Deupree concludes:\u003cbr\u003e\u003cbr\u003e“It was exciting for me to work with one of the great sound designers of our humble music scene. Uwe and I not only both have a love of all things music technology-related but quickly developed a friendship as well shared stories of food and our homes. The music really became the seed and bond of friendship. Working and exploring sounds together is great, but the real takeaway is the story-making, learning and enriching of our lives. This is always the true goal of collaborations for me.\u003cbr\u003e\u003cbr\u003eSkal_Ghost is a deep and haunting release with rich details and small worlds packed into each sound and movement. The album is a natural melding of styles and techniques and certainly not the last we will see from the collaboration.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Arovane \u0026amp; Taylor Deupree\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : 12k\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e12k1098\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-27T09:42:00+09:00","created_at":"2025-04-26T07:48:41+09:00","vendor":"Tobira Records","type":"","tags":["12k","ambient","cd","new"],"price":249000,"price_min":249000,"price_max":249000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47277650444538,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Arovane \u0026 Taylor Deupree \/\/ Skal_Ghost CD","public_title":null,"options":["Default Title"],"price":249000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gh1_e6d3c807-94cf-4c65-abff-4349f6b762de.jpg?v=1696063632","\/\/tobirarecords.com\/cdn\/shop\/files\/gh2_f3c9f3d0-7e96-47e6-8f6d-83fedab4903c.jpg?v=1696063632"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gh1_e6d3c807-94cf-4c65-abff-4349f6b762de.jpg?v=1696063632","options":["Title"],"media":[{"alt":null,"id":32512881295610,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gh1_e6d3c807-94cf-4c65-abff-4349f6b762de.jpg?v=1696063632"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gh1_e6d3c807-94cf-4c65-abff-4349f6b762de.jpg?v=1696063632","width":700},{"alt":null,"id":32512881328378,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gh2_f3c9f3d0-7e96-47e6-8f6d-83fedab4903c.jpg?v=1696063632"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gh2_f3c9f3d0-7e96-47e6-8f6d-83fedab4903c.jpg?v=1696063632","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツのArovaneとアメリカのTaylor Deupreeアンビエント作家2名が、2022年11月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTaylor Deupree主宰\u003c\/span\u003eレーベル12kからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e穏やかなアンビエント10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4161047896\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2665131639\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4161047896\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003ehere\u003c\/a\u003e to see more 12k releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD in cardstock sleeve. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAudd_Shut 04:14\u003c\/li\u003e\n\u003cli\u003ePfad_Onset 04:18\u003c\/li\u003e\n\u003cli\u003eDenn_Repp 06:35\u003c\/li\u003e\n\u003cli\u003eStill_Lili 04:27\u003c\/li\u003e\n\u003cli\u003eNeben_Ghost 04:49\u003c\/li\u003e\n\u003cli\u003eSomne_Tide 02:38\u003c\/li\u003e\n\u003cli\u003eStenn_Dispel 03:13\u003c\/li\u003e\n\u003cli\u003eEtta_Lorn 09:17\u003c\/li\u003e\n\u003cli\u003eEnner_Aer 04:35\u003c\/li\u003e\n\u003cli\u003eBarn_Abnd 03:14\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e12k:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e12k continues in its tradition of collaborative releases presenting a first-time pairing between German artist Arovane and 12k’s Taylor Deupree. Having become aquainted through their shared love of music technology, Uwe Zahn (Arovane) and Taylor Deupree only found it natural to work on a project together based around one of their favorite synthesizers. As Zahn recalls:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“After a long email conversation, Taylor and I came up with the idea of recording an album only with sound sources from the Nonlinear Labs C15 synthesizer that we both own. The first sketches were made with an exchanging of C15 patches and a constantly growing shared sound pool that led to the structure of the first songs. Prefering to work in person, but hampered by the pandemic, we resorted to sending projects back and forth. and developed an organic method that inspired and excited us.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt was very exciting to see how Taylor’s skills in the field of mixing combined with my experience in sound design. We both share a love of experimentation, gave each other very free rein in manipulating each other’s sounds. Most of the tracks are based on improvisations, loops and many layers of sounds processed in our studios. The results became our album\u003cspan class=\"bcTruncateMore\"\u003e Skal_Ghost.\u003cbr\u003e\u003cbr\u003eThe songs continued to evolve as the duo worked. Distilling the rich sounds down to their most important textures and forms and creating many layers of processed and re-processed sounds all embued with their love of synthesis and sound exploration. Arovane’s dense textural beds of tone and harmony lay the foundation for the more broken and fragile melodics of Deupree’s organic loops. Deupree concludes:\u003cbr\u003e\u003cbr\u003e“It was exciting for me to work with one of the great sound designers of our humble music scene. Uwe and I not only both have a love of all things music technology-related but quickly developed a friendship as well shared stories of food and our homes. The music really became the seed and bond of friendship. Working and exploring sounds together is great, but the real takeaway is the story-making, learning and enriching of our lives. This is always the true goal of collaborations for me.\u003cbr\u003e\u003cbr\u003eSkal_Ghost is a deep and haunting release with rich details and small worlds packed into each sound and movement. The album is a natural melding of styles and techniques and certainly not the last we will see from the collaboration.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Arovane \u0026amp; Taylor Deupree\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : 12k\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e12k1098\u003c\/span\u003e\u003c\/p\u003e"}
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ドイツのArovaneとアメリカのTaylor Deupreeアンビエント作家2名が、2022年11月にTaylor Deupree主宰レーベル12kからリリースした共作CDです。 穏やかなアンビエント10曲を収録。 レーベルその他作品はこちら /// Click here to see more 12k releases available at Tobira. ----------------------------...
¥2,490
クイックビュー
{"id":8772464804090,"title":"Christopher Bissonnette \/\/ In A Second Floor Window CD","handle":"christopher-bissonnette-in-a-second-floor-window-cd","description":"\u003cp\u003eカナダのアンビエント作家Christopher Bissonnetteが、2024年1月にアメリカ・NYのアンビエントレーベル12kからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアンビエント〜アンビエントドローン8曲を収録。デジスリーブ、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1726031196\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Christopher Bissonnette\" href=\"https:\/\/soundcloud.com\/christopherbissonnetteofficial\" target=\"_blank\"\u003eChristopher Bissonnette\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"In A Second Floor Window\" href=\"https:\/\/soundcloud.com\/christopherbissonnetteofficial\/sets\/from-a-second-floor-window\" target=\"_blank\"\u003eIn A Second Floor Window\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003ehere\u003c\/a\u003e to see more 12k releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD in cardstock sleeve.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Enclosure 06:20\u003cbr\u003e2. Maunder 05:43\u003cbr\u003e3. Follower 04:54\u003cbr\u003e4. Batiste 04:04\u003cbr\u003e5. Westerly 05:50\u003cbr\u003e6. Wend 01:55\u003cbr\u003e7. Patina 04:57\u003cbr\u003e8. Undertow 04:44\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e12k:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eChristopher Bissonnette’s In a Second Floor Window is a continuation of the methodology and aesthetic intentions set out from 2020’s release Wayfinding. While the preceding album was an examination of reclusiveness, this body of work is focused on the longer term effect of that isolation. Much of this material was produced from a new studio location, with an outlook from a second floor window.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBissonnette teased out subtle melancholic strains and implemented an increasingly reductive approach to the compositions. Despite a meticulous attention to detail on the final tracks, serendipitous moments were left intact, accidental fragments adding a sense of uneasiness to the mix. The sonics live in an environment caught between beauty and decay. A sense of wistfulness prevails among the typically graceful sounding instruments – piano tones, tines, pads – cast in a light of introspection and restlessness.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs a complimentary element, Bissonnette invited MA|DE, the joint authorship of Mark Laliberte and Jade Wallace, to respond to selected tracks with poems that reflect their perception of the work. These appear in a booklet included with the CD. Likewise, the accompanying photography reflects the partnership between the audio and the writing producing a third component, a visual manifestation of the work. A chain of responses that began at a time of intense uncertainty, culminating in a cathatric release of sonic self-expression.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christopher Bissonnette\u003c\/p\u003e\n\u003cp\u003eLabel : 12k\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e12k1100\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-27T09:31:40+09:00","created_at":"2025-04-26T07:42:34+09:00","vendor":"Tobira Records","type":"","tags":["12k","ambient","cd","new"],"price":249000,"price_min":249000,"price_max":249000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47277646774522,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Christopher Bissonnette \/\/ In A Second Floor Window CD","public_title":null,"options":["Default Title"],"price":249000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in1_fbcc9597-a183-4c9b-87e5-d964b8879080.jpg?v=1745620843","\/\/tobirarecords.com\/cdn\/shop\/files\/in2_b3eee9cf-f051-4164-bdb4-69ad3a8ffadb.jpg?v=1745620842"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_fbcc9597-a183-4c9b-87e5-d964b8879080.jpg?v=1745620843","options":["Title"],"media":[{"alt":null,"id":35938875277562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_fbcc9597-a183-4c9b-87e5-d964b8879080.jpg?v=1745620843"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_fbcc9597-a183-4c9b-87e5-d964b8879080.jpg?v=1745620843","width":700},{"alt":null,"id":35938875310330,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_b3eee9cf-f051-4164-bdb4-69ad3a8ffadb.jpg?v=1745620842"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_b3eee9cf-f051-4164-bdb4-69ad3a8ffadb.jpg?v=1745620842","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダのアンビエント作家Christopher Bissonnetteが、2024年1月にアメリカ・NYのアンビエントレーベル12kからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアンビエント〜アンビエントドローン8曲を収録。デジスリーブ、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1726031196\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Christopher Bissonnette\" href=\"https:\/\/soundcloud.com\/christopherbissonnetteofficial\" target=\"_blank\"\u003eChristopher Bissonnette\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"In A Second Floor Window\" href=\"https:\/\/soundcloud.com\/christopherbissonnetteofficial\/sets\/from-a-second-floor-window\" target=\"_blank\"\u003eIn A Second Floor Window\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003ehere\u003c\/a\u003e to see more 12k releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD in cardstock sleeve.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Enclosure 06:20\u003cbr\u003e2. Maunder 05:43\u003cbr\u003e3. Follower 04:54\u003cbr\u003e4. Batiste 04:04\u003cbr\u003e5. Westerly 05:50\u003cbr\u003e6. Wend 01:55\u003cbr\u003e7. Patina 04:57\u003cbr\u003e8. Undertow 04:44\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e12k:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eChristopher Bissonnette’s In a Second Floor Window is a continuation of the methodology and aesthetic intentions set out from 2020’s release Wayfinding. While the preceding album was an examination of reclusiveness, this body of work is focused on the longer term effect of that isolation. Much of this material was produced from a new studio location, with an outlook from a second floor window.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBissonnette teased out subtle melancholic strains and implemented an increasingly reductive approach to the compositions. Despite a meticulous attention to detail on the final tracks, serendipitous moments were left intact, accidental fragments adding a sense of uneasiness to the mix. The sonics live in an environment caught between beauty and decay. A sense of wistfulness prevails among the typically graceful sounding instruments – piano tones, tines, pads – cast in a light of introspection and restlessness.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs a complimentary element, Bissonnette invited MA|DE, the joint authorship of Mark Laliberte and Jade Wallace, to respond to selected tracks with poems that reflect their perception of the work. These appear in a booklet included with the CD. Likewise, the accompanying photography reflects the partnership between the audio and the writing producing a third component, a visual manifestation of the work. A chain of responses that began at a time of intense uncertainty, culminating in a cathatric release of sonic self-expression.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christopher Bissonnette\u003c\/p\u003e\n\u003cp\u003eLabel : 12k\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e12k1100\u003c\/span\u003e\u003c\/p\u003e"}
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カナダのアンビエント作家Christopher Bissonnetteが、2024年1月にアメリカ・NYのアンビエントレーベル12kからリリースしたCDです。 アンビエント〜アンビエントドローン8曲を収録。デジスリーブ、シュリンク仕様です。 Christopher Bissonnette · In A Second Floor Window レーベルその他作品はこちら /// Click here to see...
¥2,490
クイックビュー
{"id":8772464115962,"title":"Seaworthy \u0026 Matt Rösner \/\/ Deep Valley CD","handle":"seaworthy-matt-rosner-deep-valley-cd","description":"\u003cp\u003eオーストラリアのアンビエント作家SeaworthyとMatt Rösnerが、2024年9月にアメリカ・NYのアンビエントレーベル12kからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eフィールドレコーディングとギターによる穏やかなアンビエント〜アンビエント・フォーク10曲を収録。デジスリーブ、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3538605516\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003ehere\u003c\/a\u003e to see more 12k releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003cbr\u003eEdition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Cold Weather 03:13\u003cbr\u003e2. River Reflections 02:38\u003cbr\u003e3. Fallen Trees On The Far Shore 03:17\u003cbr\u003e4. Hidden Paths, Animal Tracks 09:15\u003cbr\u003e5. Whispered Surfaces 06:29\u003cbr\u003e6. Boundaries 03:03\u003cbr\u003e7. Beyond, Winter Sun 03:50\u003cbr\u003e8. Floodwater Debris 02:02\u003cbr\u003e9. Drawn From River Water 02:14\u003cbr\u003e10. Landscapes, Shared 03:39\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e12k:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eDeep Valley is a new work by Australian artists Seaworthy (Cameron Webb) and Matt Rösner, composed and recorded during a week long residency at Bundanon Art Museum on the south coast of New South Wales.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Bundanon property was gifted to the Australian people by renowned artist, Arthur Boyd and his wife Yvonne in the 1990’s. In making this gift, the Boyd’s opened a creative place for artists to immerse themselves in a truly distinctive Australian landscape. The property sits on the banks on the Shoalhaven River and surrounded by towering sandstone cliffs, dense forests and unique animal species that exist alongside historic studio buildings that were used by the Boyd family and many artists working in their footsteps.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWebb and Rosner spent a week in the Musicians Hut and exploring surrounding wildlife sanctuary. All the pieces featured in Deep Valley were composed using recordings of sounds of the outside environment and weaving them with guitars, piano and electronic processing to create a new work inspired by Arthur Boyd’s famous comment, “You can’t own a landscape”. The statement rings true even more today and Deep Valley reflects that perspective and a desire to record ecosystems in states of flux and\u003cspan class=\"bcTruncateMore\"\u003e transition.\u003cbr\u003e\u003cbr\u003eSeaworthy and Matt Rösner’s previous works on 12k featured the unique sounds of coastal wetlands, Two Lakes (2010), and the Australian alpine habitat, Snowmelt (2021) and whilst Deep Valley shares the same creative approach, instruments play a larger role against a subtle backdrop of birds, local waterways, and the wind swept woodlands and coastal heath.\u003cbr\u003e\u003cbr\u003eBoyd knew of the fleeting and changing visual nature of a landscape, and the aural world exists in parallel to this idea. Now, more ephemeral than ever. Our modern society is saturated by attempts to flood our visual channels and we’ve evolved to remember photos and the moving image at the expense of the complex auditory environments created by nature. The digital and ever present world has swept away pathways to a quiet space. Deep Valley, invites the listener to escape the zeitgeist, even if only for brief respite.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Seaworthy \u0026amp; Matt Rösner\u003c\/p\u003e\n\u003cp\u003eLabel : 12k\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e12k1102\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-27T09:23:52+09:00","created_at":"2025-04-26T07:39:53+09:00","vendor":"Tobira Records","type":"","tags":["12k","ambient","cd","new"],"price":249000,"price_min":249000,"price_max":249000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47277646086394,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Seaworthy \u0026 Matt Rösner \/\/ Deep Valley CD","public_title":null,"options":["Default Title"],"price":249000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/deep1_fa896d6e-214a-4de3-a510-a3a9c2111d35.jpg?v=1745620698","\/\/tobirarecords.com\/cdn\/shop\/files\/deep2_dc60bc54-c10c-417f-96a7-ae199cbabc1b.jpg?v=1745620698"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/deep1_fa896d6e-214a-4de3-a510-a3a9c2111d35.jpg?v=1745620698","options":["Title"],"media":[{"alt":null,"id":35938866888954,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/deep1_fa896d6e-214a-4de3-a510-a3a9c2111d35.jpg?v=1745620698"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/deep1_fa896d6e-214a-4de3-a510-a3a9c2111d35.jpg?v=1745620698","width":700},{"alt":null,"id":35938866921722,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/deep2_dc60bc54-c10c-417f-96a7-ae199cbabc1b.jpg?v=1745620698"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/deep2_dc60bc54-c10c-417f-96a7-ae199cbabc1b.jpg?v=1745620698","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアのアンビエント作家SeaworthyとMatt Rösnerが、2024年9月にアメリカ・NYのアンビエントレーベル12kからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eフィールドレコーディングとギターによる穏やかなアンビエント〜アンビエント・フォーク10曲を収録。デジスリーブ、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3538605516\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003ehere\u003c\/a\u003e to see more 12k releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003cbr\u003eEdition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Cold Weather 03:13\u003cbr\u003e2. River Reflections 02:38\u003cbr\u003e3. Fallen Trees On The Far Shore 03:17\u003cbr\u003e4. Hidden Paths, Animal Tracks 09:15\u003cbr\u003e5. Whispered Surfaces 06:29\u003cbr\u003e6. Boundaries 03:03\u003cbr\u003e7. Beyond, Winter Sun 03:50\u003cbr\u003e8. Floodwater Debris 02:02\u003cbr\u003e9. Drawn From River Water 02:14\u003cbr\u003e10. Landscapes, Shared 03:39\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e12k:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eDeep Valley is a new work by Australian artists Seaworthy (Cameron Webb) and Matt Rösner, composed and recorded during a week long residency at Bundanon Art Museum on the south coast of New South Wales.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Bundanon property was gifted to the Australian people by renowned artist, Arthur Boyd and his wife Yvonne in the 1990’s. In making this gift, the Boyd’s opened a creative place for artists to immerse themselves in a truly distinctive Australian landscape. The property sits on the banks on the Shoalhaven River and surrounded by towering sandstone cliffs, dense forests and unique animal species that exist alongside historic studio buildings that were used by the Boyd family and many artists working in their footsteps.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWebb and Rosner spent a week in the Musicians Hut and exploring surrounding wildlife sanctuary. All the pieces featured in Deep Valley were composed using recordings of sounds of the outside environment and weaving them with guitars, piano and electronic processing to create a new work inspired by Arthur Boyd’s famous comment, “You can’t own a landscape”. The statement rings true even more today and Deep Valley reflects that perspective and a desire to record ecosystems in states of flux and\u003cspan class=\"bcTruncateMore\"\u003e transition.\u003cbr\u003e\u003cbr\u003eSeaworthy and Matt Rösner’s previous works on 12k featured the unique sounds of coastal wetlands, Two Lakes (2010), and the Australian alpine habitat, Snowmelt (2021) and whilst Deep Valley shares the same creative approach, instruments play a larger role against a subtle backdrop of birds, local waterways, and the wind swept woodlands and coastal heath.\u003cbr\u003e\u003cbr\u003eBoyd knew of the fleeting and changing visual nature of a landscape, and the aural world exists in parallel to this idea. Now, more ephemeral than ever. Our modern society is saturated by attempts to flood our visual channels and we’ve evolved to remember photos and the moving image at the expense of the complex auditory environments created by nature. The digital and ever present world has swept away pathways to a quiet space. Deep Valley, invites the listener to escape the zeitgeist, even if only for brief respite.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Seaworthy \u0026amp; Matt Rösner\u003c\/p\u003e\n\u003cp\u003eLabel : 12k\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e12k1102\u003c\/span\u003e\u003c\/p\u003e"}
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オーストラリアのアンビエント作家SeaworthyとMatt Rösnerが、2024年9月にアメリカ・NYのアンビエントレーベル12kからリリースした共作CDです。 フィールドレコーディングとギターによる穏やかなアンビエント〜アンビエント・フォーク10曲を収録。デジスリーブ、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more 12k releases available at Tobira. ---------------------------- CD...
¥2,490
![Kara-Lis Coverdale // From Where You Came LP [PRE-ORDER]](http://tobirarecords.com/cdn/shop/files/kara1_e2047daf-ae9a-4d0d-83cc-04fba3ccf032_medium.jpg?v=1745587801)
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{"id":8771951100154,"title":"Kara-Lis Coverdale \/\/ From Where You Came LP [PRE-ORDER]","handle":"kara-lis-coverdale-from-where-you-came-lp-pre-order","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5\/9リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eカナダのアンビエント作家Kara-Lis Coverdaleが、2025年5月にノルウェー・オスロのオールジャンルレーベル\u003cspan\u003eSmalltown Supersoundからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eポストニューエイジ・アンビエント〜アンビエントドローン11曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=241475315\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003ehere\u003c\/a\u003e to see more Smalltown Supersound releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003ereleases May 9, 2025\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Eternity\u003cbr\u003e2. Flickers in the Air of Night\u003cbr\u003e3. The Placid Illusion\u003cbr\u003e4. Daze 05:16\u003cbr\u003e5. Coming Around\u003cbr\u003e6. Problem of No Name\u003cbr\u003e7. Freedom 06:58\u003cbr\u003e8. Offload Flip\u003cbr\u003e9. Habitat\u003cbr\u003e10. Equal Exchange\u003cbr\u003e11. The Ceremonial Entrance of Colour\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Smalltown Supersound:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFrom Where You Came unspools as a series of nocturnal transmissions, altered-state refinements, and vivid stories, rich in vibrant, illuminating qualities. Indexing 19th century programmatic music, mid-’70s jazz, and a distinctively colourful and multi-dimensional approach to composition that embraces improvisation, Coverdale alloys synthesis with live instrumentation in a gesture of reconnection with land and body through sound. Approaching composition as a diagnostic methodology to spiritual ends, she conducts emotional resonance like currents of charge, hard-wiring the purely felt into electronic signals.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThough written and recorded on several continents, including at the GRM Studio in Paris and the Elektronmusikstudion EMS in Stockholm, From Where You Came was completed in rural Ontario, Canada. Featuring contributions from multidisciplinary sound artist and cellist Anne Bourne and trombonist Kalia Vandever, the album’s 11 expansive yet condensed compositions incorporate strings, woodwind, brass, keys, software and modular synthesis, inscribing a musical language that resonates animations with unfiltered, striking clarity. Coverdale's own voice melts into air amidst the enveloping swell of the album’s opening prelude: “Everything you know is real\u003cspan class=\"bcTruncateMore\"\u003e,” she sings on “Eternity,” “I’m sorry, life is beautiful… .” As though in response, oscillating vividly between animism and animalism, the album that follows is brimming with life in all its stunning complexity...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kara-Lis Coverdale\u003c\/p\u003e\n\u003cp\u003eLabel : Smalltown Supersound\u003c\/p\u003e\n\u003cp\u003ecat no : STS420lp\u003c\/p\u003e","published_at":"2025-04-26T09:39:32+09:00","created_at":"2025-04-25T22:31:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","post newage","smalltown supersound"],"price":354000,"price_min":354000,"price_max":354000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47275613126906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kara-Lis Coverdale \/\/ From Where You Came LP [PRE-ORDER]","public_title":null,"options":["Default Title"],"price":354000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"7072822420109","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kara1_e2047daf-ae9a-4d0d-83cc-04fba3ccf032.jpg?v=1745587801","\/\/tobirarecords.com\/cdn\/shop\/files\/kara2_2be62ca8-6332-4105-b8b6-d55061b86bb0.jpg?v=1745587801"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kara1_e2047daf-ae9a-4d0d-83cc-04fba3ccf032.jpg?v=1745587801","options":["Title"],"media":[{"alt":null,"id":35935207719162,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kara1_e2047daf-ae9a-4d0d-83cc-04fba3ccf032.jpg?v=1745587801"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kara1_e2047daf-ae9a-4d0d-83cc-04fba3ccf032.jpg?v=1745587801","width":700},{"alt":null,"id":35935207751930,"position":2,"preview_image":{"aspect_ratio":1.4,"height":857,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kara2_2be62ca8-6332-4105-b8b6-d55061b86bb0.jpg?v=1745587801"},"aspect_ratio":1.4,"height":857,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kara2_2be62ca8-6332-4105-b8b6-d55061b86bb0.jpg?v=1745587801","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5\/9リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eカナダのアンビエント作家Kara-Lis Coverdaleが、2025年5月にノルウェー・オスロのオールジャンルレーベル\u003cspan\u003eSmalltown Supersoundからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eポストニューエイジ・アンビエント〜アンビエントドローン11曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=241475315\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003ehere\u003c\/a\u003e to see more Smalltown Supersound releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003ereleases May 9, 2025\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Eternity\u003cbr\u003e2. Flickers in the Air of Night\u003cbr\u003e3. The Placid Illusion\u003cbr\u003e4. Daze 05:16\u003cbr\u003e5. Coming Around\u003cbr\u003e6. Problem of No Name\u003cbr\u003e7. Freedom 06:58\u003cbr\u003e8. Offload Flip\u003cbr\u003e9. Habitat\u003cbr\u003e10. Equal Exchange\u003cbr\u003e11. The Ceremonial Entrance of Colour\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Smalltown Supersound:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFrom Where You Came unspools as a series of nocturnal transmissions, altered-state refinements, and vivid stories, rich in vibrant, illuminating qualities. Indexing 19th century programmatic music, mid-’70s jazz, and a distinctively colourful and multi-dimensional approach to composition that embraces improvisation, Coverdale alloys synthesis with live instrumentation in a gesture of reconnection with land and body through sound. Approaching composition as a diagnostic methodology to spiritual ends, she conducts emotional resonance like currents of charge, hard-wiring the purely felt into electronic signals.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThough written and recorded on several continents, including at the GRM Studio in Paris and the Elektronmusikstudion EMS in Stockholm, From Where You Came was completed in rural Ontario, Canada. Featuring contributions from multidisciplinary sound artist and cellist Anne Bourne and trombonist Kalia Vandever, the album’s 11 expansive yet condensed compositions incorporate strings, woodwind, brass, keys, software and modular synthesis, inscribing a musical language that resonates animations with unfiltered, striking clarity. Coverdale's own voice melts into air amidst the enveloping swell of the album’s opening prelude: “Everything you know is real\u003cspan class=\"bcTruncateMore\"\u003e,” she sings on “Eternity,” “I’m sorry, life is beautiful… .” As though in response, oscillating vividly between animism and animalism, the album that follows is brimming with life in all its stunning complexity...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kara-Lis Coverdale\u003c\/p\u003e\n\u003cp\u003eLabel : Smalltown Supersound\u003c\/p\u003e\n\u003cp\u003ecat no : STS420lp\u003c\/p\u003e"}
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※5/9リリースです カナダのアンビエント作家Kara-Lis Coverdaleが、2025年5月にノルウェー・オスロのオールジャンルレーベルSmalltown Supersoundからリリースしたレコードです。 ポストニューエイジ・アンビエント〜アンビエントドローン11曲を収録。 レーベルその他作品はこちら /// Click here to see more Smalltown Supersound releases available at...
¥3,540
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{"id":8771898114298,"title":"Giuseppe Ielasi \/\/ The Prospect CD","handle":"giuseppe-ielasi-the-prospect-cd","description":"\u003cp\u003eイタリアの実験レーベルSenufo Editions主宰Giuseppe Ielasiが、2022年6月にアメリカ・NYのアンビエントレーベル12kからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eエレキギターとアンプのみで一発録りしたインプロ2曲を収録。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eエコウォレット\u003c\/span\u003e、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=296248930\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003ehere\u003c\/a\u003e to see more 12k releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Prospect 22:37\u003c\/li\u003e\n\u003cli\u003eThe Way Back 19:19\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e12k:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGiuseppe Ielasi is back following his 2020 release Five Wooden Frames. There he returned to the guitar exploring shifting and modulating loops and the interplay of tuning and drifting to create five stark yet ethereal pieces. On The Prospect, Ielasi sticks to solo guitar but this time in a much more pure form. Each of the two pieces consists of parallel electric guitar lines recorded simply through a tube amplifier free of studio tricks or heavy editing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLike much music written over the past few years The Prospect is reflective and personal. Created during a time of tragic family loss there is clear melancholy in the stark arrangements where spaces between notes become the sounds of searching. Ielasi’s haunting guitar brings us along to a new phase in his life that is as unknown to us as it is to him.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giuseppe Ielasi\u003c\/p\u003e\n\u003cp\u003eLabel : 12k\u003c\/p\u003e","published_at":"2025-04-25T16:47:59+09:00","created_at":"2025-04-25T16:47:27+09:00","vendor":"Tobira Records","type":"","tags":["12k","ambient","cd","jazz","new"],"price":229600,"price_min":229600,"price_max":229600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47275497980154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Giuseppe Ielasi \/\/ The Prospect CD","public_title":null,"options":["Default Title"],"price":229600,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gi1_5560e2a0-4c1c-4028-a2bc-ebd6dae19c08.jpg?v=1696063830","\/\/tobirarecords.com\/cdn\/shop\/files\/gi2_f3520991-0498-4852-9a81-bbea1919f95a.jpg?v=1696063830"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gi1_5560e2a0-4c1c-4028-a2bc-ebd6dae19c08.jpg?v=1696063830","options":["Title"],"media":[{"alt":null,"id":32512885195002,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gi1_5560e2a0-4c1c-4028-a2bc-ebd6dae19c08.jpg?v=1696063830"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gi1_5560e2a0-4c1c-4028-a2bc-ebd6dae19c08.jpg?v=1696063830","width":700},{"alt":null,"id":32512885260538,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gi2_f3520991-0498-4852-9a81-bbea1919f95a.jpg?v=1696063830"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gi2_f3520991-0498-4852-9a81-bbea1919f95a.jpg?v=1696063830","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験レーベルSenufo Editions主宰Giuseppe Ielasiが、2022年6月にアメリカ・NYのアンビエントレーベル12kからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eエレキギターとアンプのみで一発録りしたインプロ2曲を収録。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eエコウォレット\u003c\/span\u003e、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=296248930\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003ehere\u003c\/a\u003e to see more 12k releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Prospect 22:37\u003c\/li\u003e\n\u003cli\u003eThe Way Back 19:19\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e12k:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGiuseppe Ielasi is back following his 2020 release Five Wooden Frames. There he returned to the guitar exploring shifting and modulating loops and the interplay of tuning and drifting to create five stark yet ethereal pieces. On The Prospect, Ielasi sticks to solo guitar but this time in a much more pure form. Each of the two pieces consists of parallel electric guitar lines recorded simply through a tube amplifier free of studio tricks or heavy editing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLike much music written over the past few years The Prospect is reflective and personal. Created during a time of tragic family loss there is clear melancholy in the stark arrangements where spaces between notes become the sounds of searching. Ielasi’s haunting guitar brings us along to a new phase in his life that is as unknown to us as it is to him.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giuseppe Ielasi\u003c\/p\u003e\n\u003cp\u003eLabel : 12k\u003c\/p\u003e"}
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¥2,296
クイックビュー
{"id":8771898015994,"title":"Will Samson \/\/ Harp Swells TAPE","handle":"will-samson-harp-swells-tape","description":"\u003cp\u003eイギリス・オックスフォードのアンビエント作家Will Samsonが、2023年9月にアメリカ・NYのアンビエントレーベル12kからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアコースティック楽器による穏やかなアンビエント・フォーク〜ネオクラシカル・アンビエント6曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3554772325\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=339026749\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3554772325\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003ehere\u003c\/a\u003e to see more 12k releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e Cassette in norelco case. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBeatrijs' Theremin 07:11\u003c\/li\u003e\n\u003cli\u003eFor Rubi 07:24\u003c\/li\u003e\n\u003cli\u003eAlways 05:01\u003c\/li\u003e\n\u003cli\u003eAnd Yet 03:03\u003c\/li\u003e\n\u003cli\u003eDouble Bass 05:13\u003c\/li\u003e\n\u003cli\u003eBamboo Uher 08:06\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e12k:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Conceived and composed in Almada, Portugal, in the makeshift studio space he shares with Casper Clausen of Efterklang, Harp Swells is both meditative and deliberately, consciously light. Where Samson’s previous work has been steered by melancholy – by a desire to heal himself through his music – here he strives for brightness; an antidote to the frustrations that had swelled within him over the past few years.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWill views his new work as an ‘anti-algorithm’ record. Consisting of six movements, and fundamentally shaped by his use of a UHER 4200, a 1970’s era portable tape recorder that intricately ties the whole album together, Harp Swells is designed to be consumed in one sitting, front to back. While he’s aware that this will could work against him in many ways, for the first time Will is releasing his latest album free of inhibitions and, perhaps most importantly, any expectations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCarrying that outlook through the entire project, Will made a pledge to himself that any time he began to feel frustrated with the creative process, he would step away from the music to watch the river outside his studio windows, to remind himself that the album should feel as easy and free flowing as the\u003cspan class=\"bcTruncateMore\"\u003e water.\u003cbr\u003e\u003cbr\u003eIf ideas weren’t flowing, if instruments failed, Will would simply take a break and a breath, always allowing the environment and circumstance to dictate the album’s character and flow. When the noise of the construction work happening below him got too loud, he would record the same melody on rhodes piano instead. When his violinist wasn’t available, he sampled a bamboo flute he found in the studio to create something that resembled a string arrangement. The result is a sprawling, mesmerising body of sound, a richly organic reflection on the world around him and the roots he‘d finally put in place. Inspired by the concept of Indian devotional music, with a focus on the art of healing, Harp Swells glistens with quiet power, wrapping listeners within its illusory flow as it gently pours forwards. It’s also a reaction to a shifting world, and an ode to the inner strength required to keep moving forwards as the walls of the real world continually feel like they’re closing in.\u003cbr\u003e\u003cbr\u003eFrom the ghostly fascination of the exquisite seven-minute opening track ‘Beatrijs’ Theremin’, through the tantalising three minutes of ‘And Yet’ (featuring the vocals of Bell Orchestre’s Michael Feuerstack and Irish performance artist Maia Nunes), which opens with layered hymn-like vocal samples before they’re slowly joined by beautiful strings which adorn the voices with a palpable sense of wonder, this is an album of both enchantment and transience. Pulled together from all manner of inspired instruments and ideas, it offers a gorgeously glowing flow for the listeners to climb inside; a truly alluring escape from the world.\u003cbr\u003e\u003cbr\u003eIn truly allowing all the superfluous noise to dissipate, on Harp Swells Will Samson has crafted perhaps the most absorbing work of his career, one which never allowed itself to be obstructed or curtailed by the many barriers it faced from the outset. Free from conjecture and supposition, it’s a stirring document of what it means to truly let go.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Will Samson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : 12k\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-25T16:46:31+09:00","created_at":"2025-04-25T16:45:47+09:00","vendor":"Tobira Records","type":"","tags":["12k","ambient","neo classical","new","tape"],"price":229600,"price_min":229600,"price_max":229600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47275497849082,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Will Samson \/\/ Harp Swells TAPE","public_title":null,"options":["Default Title"],"price":229600,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ha1_8046aec8-1f1c-4dd7-aad3-3d5b3ae5ca61.jpg?v=1709627456","\/\/tobirarecords.com\/cdn\/shop\/files\/ha2_18f0b37d-3a12-49a0-bbfd-4b615a8eddef.jpg?v=1709627457"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha1_8046aec8-1f1c-4dd7-aad3-3d5b3ae5ca61.jpg?v=1709627456","options":["Title"],"media":[{"alt":null,"id":33307804303610,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha1_8046aec8-1f1c-4dd7-aad3-3d5b3ae5ca61.jpg?v=1709627456"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha1_8046aec8-1f1c-4dd7-aad3-3d5b3ae5ca61.jpg?v=1709627456","width":700},{"alt":null,"id":33307804500218,"position":2,"preview_image":{"aspect_ratio":1.556,"height":771,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha2_18f0b37d-3a12-49a0-bbfd-4b615a8eddef.jpg?v=1709627457"},"aspect_ratio":1.556,"height":771,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha2_18f0b37d-3a12-49a0-bbfd-4b615a8eddef.jpg?v=1709627457","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・オックスフォードのアンビエント作家Will Samsonが、2023年9月にアメリカ・NYのアンビエントレーベル12kからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアコースティック楽器による穏やかなアンビエント・フォーク〜ネオクラシカル・アンビエント6曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3554772325\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=339026749\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3554772325\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003ehere\u003c\/a\u003e to see more 12k releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e Cassette in norelco case. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBeatrijs' Theremin 07:11\u003c\/li\u003e\n\u003cli\u003eFor Rubi 07:24\u003c\/li\u003e\n\u003cli\u003eAlways 05:01\u003c\/li\u003e\n\u003cli\u003eAnd Yet 03:03\u003c\/li\u003e\n\u003cli\u003eDouble Bass 05:13\u003c\/li\u003e\n\u003cli\u003eBamboo Uher 08:06\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e12k:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Conceived and composed in Almada, Portugal, in the makeshift studio space he shares with Casper Clausen of Efterklang, Harp Swells is both meditative and deliberately, consciously light. Where Samson’s previous work has been steered by melancholy – by a desire to heal himself through his music – here he strives for brightness; an antidote to the frustrations that had swelled within him over the past few years.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWill views his new work as an ‘anti-algorithm’ record. Consisting of six movements, and fundamentally shaped by his use of a UHER 4200, a 1970’s era portable tape recorder that intricately ties the whole album together, Harp Swells is designed to be consumed in one sitting, front to back. While he’s aware that this will could work against him in many ways, for the first time Will is releasing his latest album free of inhibitions and, perhaps most importantly, any expectations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCarrying that outlook through the entire project, Will made a pledge to himself that any time he began to feel frustrated with the creative process, he would step away from the music to watch the river outside his studio windows, to remind himself that the album should feel as easy and free flowing as the\u003cspan class=\"bcTruncateMore\"\u003e water.\u003cbr\u003e\u003cbr\u003eIf ideas weren’t flowing, if instruments failed, Will would simply take a break and a breath, always allowing the environment and circumstance to dictate the album’s character and flow. When the noise of the construction work happening below him got too loud, he would record the same melody on rhodes piano instead. When his violinist wasn’t available, he sampled a bamboo flute he found in the studio to create something that resembled a string arrangement. The result is a sprawling, mesmerising body of sound, a richly organic reflection on the world around him and the roots he‘d finally put in place. Inspired by the concept of Indian devotional music, with a focus on the art of healing, Harp Swells glistens with quiet power, wrapping listeners within its illusory flow as it gently pours forwards. It’s also a reaction to a shifting world, and an ode to the inner strength required to keep moving forwards as the walls of the real world continually feel like they’re closing in.\u003cbr\u003e\u003cbr\u003eFrom the ghostly fascination of the exquisite seven-minute opening track ‘Beatrijs’ Theremin’, through the tantalising three minutes of ‘And Yet’ (featuring the vocals of Bell Orchestre’s Michael Feuerstack and Irish performance artist Maia Nunes), which opens with layered hymn-like vocal samples before they’re slowly joined by beautiful strings which adorn the voices with a palpable sense of wonder, this is an album of both enchantment and transience. Pulled together from all manner of inspired instruments and ideas, it offers a gorgeously glowing flow for the listeners to climb inside; a truly alluring escape from the world.\u003cbr\u003e\u003cbr\u003eIn truly allowing all the superfluous noise to dissipate, on Harp Swells Will Samson has crafted perhaps the most absorbing work of his career, one which never allowed itself to be obstructed or curtailed by the many barriers it faced from the outset. Free from conjecture and supposition, it’s a stirring document of what it means to truly let go.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Will Samson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : 12k\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・オックスフォードのアンビエント作家Will Samsonが、2023年9月にアメリカ・NYのアンビエントレーベル12kからリリースしたカセットです。 アコースティック楽器による穏やかなアンビエント・フォーク〜ネオクラシカル・アンビエント6曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more 12k releases available at Tobira. ---------------------------- Includes...
¥2,296
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{"id":8771873472762,"title":"Rory Salter \/\/ On the Floor, by the Door CD","handle":"rory-salter-on-the-floor-by-the-door-cd","description":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルIndex Clean諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、イギリスの実験音楽家Rory Salter aka Malvern Brume\u003cspan data-mce-fragment=\"1\"\u003eが、2024年1月にリリースしたCDです\u003c\/span\u003e。\u003c\/p\u003e\n\u003cp\u003eスポークンワード〜物音コラージュ〜ドローン〜アンビエント9曲を収録。デジパック、シュリンク仕様です。廃盤です。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"音楽の背後にある2つの主なアイデアは、家庭と仕事の状況を利用することだ。この曲のほとんどは、昨年引っ越した新しいアパートで録音した。その部屋はとても面白い音響で、長年どんなアパートに住んでいても音楽を作ってきたので、レコーディングした場所やその周辺の音が本当に聞こえるようなものを作りたかったんだ。だから、多くのレコーディングはアパートの別の場所で行い、しばしばアパートに戻って再生したり、別のスピーカーやマイクを使って録音した。多くの素材は、普段の家事をしながら録音し、録音と同時に他の作業をして、部屋と部屋の間を走り回る時間がかなり長かった。『On the Floor, by the Door 』というトラック名は、かなりの部分を玄関のそばで録音したからだ。それと同じように、自分の仕事も作品に取り入れた。私は昼間は大学で音響技師として働き、夜は週に2、3回サウンドエンジニアとして働いている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e私は最近、仕事とアート制作について考えていて（そして多くのことを話していて）、その人たちが、仕事の技術や材料、時間などを再利用するような方法で、本業をアートに取り入れる方法を見つけた作品にとても夢中になっている。だから、とにかく私はこのようなことをたくさんした。自分が身につけた技術について本当によく考え、そうでなければ手に入らないような機材を借りる努力をした。その過程で、空間や音響的なものについてもたくさん考えた。つまり、空間の中に音を存在させたいということだ。これらの実践の多くは、私が開発したもので、仕事場でもよく話している。また、友人も比較的率直な形で登場し、あちこちのレコーディングに登場する。少し日常的で境界線が曖昧になるような、「生活」の音楽というものにたどり着きたいという願望があるのだと思う。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3790544872\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3790544872\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1274660895\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003ehere\u003c\/a\u003e to see more Index Clean releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Morbs 05:37\u003c\/li\u003e\n\u003cli\u003eOn the Floor, by the Door, in the Corner, Waving 06:00\u003c\/li\u003e\n\u003cli\u003eScored Guard 05:09\u003c\/li\u003e\n\u003cli\u003eIf He Clicks You Click Back 04:05\u003c\/li\u003e\n\u003cli\u003eThese Parts 02:24\u003c\/li\u003e\n\u003cli\u003eIt Ticks 02:32\u003c\/li\u003e\n\u003cli\u003eExhaust-ing the Window's Frame 06:44\u003c\/li\u003e\n\u003cli\u003eClips for Strings 02:28\u003c\/li\u003e\n\u003cli\u003eTiny Irritator 04:01\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eRory Salter\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The two main ideas behind the music are to make use of domestic and work situations. Most of it was recorded in a new flat I moved into last year. The place had a really interesting acoustic and after so many years of making music in whatever flat I was living in I wanted to do something where you could really hear the place it was recorded\/the surrounding area. So a lot of the recordings are done in different locations in the flat, and often re-played back into the flat and recorded using different speakers and microphones. A lot of material was recorded whilst performing usual domestic activities and would spend quite a lot of time running between rooms doing other tasks at the same time as recording. The name of the 'On the Floor, by the Door' track is because that's where I recorded a fair bit of it, by the front door. It's in a similar way that I used and included my job in the pieces. I work as a sound technician at a university in the day and as a sound engineer in the evenings a couple times a week. I've been thinking (and talking a lot of shit) about work and art making recently and I’m really into stuff where the persons found some way to include their day job in their art in a way that sort of re-purposes the skills, materials, time etc of work. So anyway I did a lot of this, really thinking about skills I've picked up and making the effort\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e to borrow some really otherwise unattainable equipment. I thought a lot about space and acoustic-ness during the process so a lot of it again is about me wanting sound to exist within a space; reamping sounds into spaces, or recording synthesised sounds through different speakers positioned in ways to filter and alter the sound. A lot of these practices are things I've developed and talked about a lot at work. Friends also feature quite a bit in relatively candid ways and crop up in recordings here and there. I guess there's a desire to get to a point of a 'life' music, where it feels a bit everyday and blurs the line a bit, that's when things are most interesting to me.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rory Salter\u003c\/p\u003e\n\u003cp\u003eLabel : Index Clean\u003c\/p\u003e","published_at":"2025-04-25T11:54:11+09:00","created_at":"2025-04-25T11:53:36+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","drone","index clean","monooto","new"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47275357077754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Rory Salter \/\/ On the Floor, by the Door CD","public_title":null,"options":["Default Title"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/on1_795a8ec0-6dc6-4bd5-a356-30b71d44293e.jpg?v=1707810417","\/\/tobirarecords.com\/cdn\/shop\/files\/on2_b39e9ccb-5f79-4f63-895c-0bdccca17199.jpg?v=1707810417","\/\/tobirarecords.com\/cdn\/shop\/files\/on3_8be14c8e-14ed-4566-86fb-4e96a95747ec.jpg?v=1707810417"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_795a8ec0-6dc6-4bd5-a356-30b71d44293e.jpg?v=1707810417","options":["Title"],"media":[{"alt":null,"id":33163809882362,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_795a8ec0-6dc6-4bd5-a356-30b71d44293e.jpg?v=1707810417"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_795a8ec0-6dc6-4bd5-a356-30b71d44293e.jpg?v=1707810417","width":700},{"alt":null,"id":33163809915130,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on2_b39e9ccb-5f79-4f63-895c-0bdccca17199.jpg?v=1707810417"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on2_b39e9ccb-5f79-4f63-895c-0bdccca17199.jpg?v=1707810417","width":1200},{"alt":null,"id":33163809947898,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on3_8be14c8e-14ed-4566-86fb-4e96a95747ec.jpg?v=1707810417"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on3_8be14c8e-14ed-4566-86fb-4e96a95747ec.jpg?v=1707810417","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルIndex Clean諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、イギリスの実験音楽家Rory Salter aka Malvern Brume\u003cspan data-mce-fragment=\"1\"\u003eが、2024年1月にリリースしたCDです\u003c\/span\u003e。\u003c\/p\u003e\n\u003cp\u003eスポークンワード〜物音コラージュ〜ドローン〜アンビエント9曲を収録。デジパック、シュリンク仕様です。廃盤です。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"音楽の背後にある2つの主なアイデアは、家庭と仕事の状況を利用することだ。この曲のほとんどは、昨年引っ越した新しいアパートで録音した。その部屋はとても面白い音響で、長年どんなアパートに住んでいても音楽を作ってきたので、レコーディングした場所やその周辺の音が本当に聞こえるようなものを作りたかったんだ。だから、多くのレコーディングはアパートの別の場所で行い、しばしばアパートに戻って再生したり、別のスピーカーやマイクを使って録音した。多くの素材は、普段の家事をしながら録音し、録音と同時に他の作業をして、部屋と部屋の間を走り回る時間がかなり長かった。『On the Floor, by the Door 』というトラック名は、かなりの部分を玄関のそばで録音したからだ。それと同じように、自分の仕事も作品に取り入れた。私は昼間は大学で音響技師として働き、夜は週に2、3回サウンドエンジニアとして働いている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e私は最近、仕事とアート制作について考えていて（そして多くのことを話していて）、その人たちが、仕事の技術や材料、時間などを再利用するような方法で、本業をアートに取り入れる方法を見つけた作品にとても夢中になっている。だから、とにかく私はこのようなことをたくさんした。自分が身につけた技術について本当によく考え、そうでなければ手に入らないような機材を借りる努力をした。その過程で、空間や音響的なものについてもたくさん考えた。つまり、空間の中に音を存在させたいということだ。これらの実践の多くは、私が開発したもので、仕事場でもよく話している。また、友人も比較的率直な形で登場し、あちこちのレコーディングに登場する。少し日常的で境界線が曖昧になるような、「生活」の音楽というものにたどり着きたいという願望があるのだと思う。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3790544872\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3790544872\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1274660895\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003ehere\u003c\/a\u003e to see more Index Clean releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Morbs 05:37\u003c\/li\u003e\n\u003cli\u003eOn the Floor, by the Door, in the Corner, Waving 06:00\u003c\/li\u003e\n\u003cli\u003eScored Guard 05:09\u003c\/li\u003e\n\u003cli\u003eIf He Clicks You Click Back 04:05\u003c\/li\u003e\n\u003cli\u003eThese Parts 02:24\u003c\/li\u003e\n\u003cli\u003eIt Ticks 02:32\u003c\/li\u003e\n\u003cli\u003eExhaust-ing the Window's Frame 06:44\u003c\/li\u003e\n\u003cli\u003eClips for Strings 02:28\u003c\/li\u003e\n\u003cli\u003eTiny Irritator 04:01\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eRory Salter\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The two main ideas behind the music are to make use of domestic and work situations. Most of it was recorded in a new flat I moved into last year. The place had a really interesting acoustic and after so many years of making music in whatever flat I was living in I wanted to do something where you could really hear the place it was recorded\/the surrounding area. So a lot of the recordings are done in different locations in the flat, and often re-played back into the flat and recorded using different speakers and microphones. A lot of material was recorded whilst performing usual domestic activities and would spend quite a lot of time running between rooms doing other tasks at the same time as recording. The name of the 'On the Floor, by the Door' track is because that's where I recorded a fair bit of it, by the front door. It's in a similar way that I used and included my job in the pieces. I work as a sound technician at a university in the day and as a sound engineer in the evenings a couple times a week. I've been thinking (and talking a lot of shit) about work and art making recently and I’m really into stuff where the persons found some way to include their day job in their art in a way that sort of re-purposes the skills, materials, time etc of work. So anyway I did a lot of this, really thinking about skills I've picked up and making the effort\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e to borrow some really otherwise unattainable equipment. I thought a lot about space and acoustic-ness during the process so a lot of it again is about me wanting sound to exist within a space; reamping sounds into spaces, or recording synthesised sounds through different speakers positioned in ways to filter and alter the sound. A lot of these practices are things I've developed and talked about a lot at work. Friends also feature quite a bit in relatively candid ways and crop up in recordings here and there. I guess there's a desire to get to a point of a 'life' music, where it feels a bit everyday and blurs the line a bit, that's when things are most interesting to me.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rory Salter\u003c\/p\u003e\n\u003cp\u003eLabel : Index Clean\u003c\/p\u003e"}
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オーストラリア・メルボルンの実験レーベルIndex Clean諸作を入荷しました。 本作は、イギリスの実験音楽家Rory Salter aka Malvern Brumeが、2024年1月にリリースしたCDです。 スポークンワード〜物音コラージュ〜ドローン〜アンビエント9曲を収録。デジパック、シュリンク仕様です。廃盤です。 以下、作家本人による解説です。 "音楽の背後にある2つの主なアイデアは、家庭と仕事の状況を利用することだ。この曲のほとんどは、昨年引っ越した新しいアパートで録音した。その部屋はとても面白い音響で、長年どんなアパートに住んでいても音楽を作ってきたので、レコーディングした場所やその周辺の音が本当に聞こえるようなものを作りたかったんだ。だから、多くのレコーディングはアパートの別の場所で行い、しばしばアパートに戻って再生したり、別のスピーカーやマイクを使って録音した。多くの素材は、普段の家事をしながら録音し、録音と同時に他の作業をして、部屋と部屋の間を走り回る時間がかなり長かった。『On the Floor, by the...
¥2,280
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{"id":8771859153146,"title":"Hammock \/\/ From the Void LP","handle":"hammock-from-the-void-lp","description":"\u003cp\u003eアメリカのポストロックデュオHammockが、2024年10月に自主リリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなネオクラシカル・アンビエント〜ポストロック8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1358021694\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. She Likes the Stormy Weather 06:00\u003cbr\u003e2. Hindrance 05:16\u003cbr\u003e3. Drugs and Religion 05:34\u003cbr\u003e4. Night As Bright As Day 03:53\u003cbr\u003e5. Southern Snow 05:47\u003cbr\u003e6. Ultrasound 04:16\u003cbr\u003e7. Arms Around Your Sorrow 04:14\u003cbr\u003e8. Eschata 03:43\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMarc Byrd:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“\u003cem\u003eThere are four songs we were considering for 'Love in the Void' that weren’t fully fleshed out. Listening to them again, we decided they deserved to be brought to life because of how they made us feel. In addition, we decided to create four new pieces inspired by LITV. Adding these pieces and pulling them from the void creates what we think is a bridge between LITV and our next LP, as well as a nice stand-alone document of music.”\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hammock\u003c\/p\u003e\n\u003cp\u003eLabel : Hammock\u003c\/p\u003e\n\u003cp\u003ecat no : HMK095lp\u003c\/p\u003e","published_at":"2025-04-27T07:46:40+09:00","created_at":"2025-04-25T09:50:01+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","lp","neo classical","new"],"price":368000,"price_min":368000,"price_max":368000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47275293278458,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hammock \/\/ From the Void LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"661706305723","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/from1_d2279a1d-4105-40f9-be93-5c0a20569e56.jpg?v=1745542100","\/\/tobirarecords.com\/cdn\/shop\/files\/from2_8832a902-737f-4ac5-846a-c78343b7fb1c.jpg?v=1745542100"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/from1_d2279a1d-4105-40f9-be93-5c0a20569e56.jpg?v=1745542100","options":["Title"],"media":[{"alt":null,"id":35933392699642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/from1_d2279a1d-4105-40f9-be93-5c0a20569e56.jpg?v=1745542100"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/from1_d2279a1d-4105-40f9-be93-5c0a20569e56.jpg?v=1745542100","width":700},{"alt":null,"id":35933392732410,"position":2,"preview_image":{"aspect_ratio":2.667,"height":450,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/from2_8832a902-737f-4ac5-846a-c78343b7fb1c.jpg?v=1745542100"},"aspect_ratio":2.667,"height":450,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/from2_8832a902-737f-4ac5-846a-c78343b7fb1c.jpg?v=1745542100","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのポストロックデュオHammockが、2024年10月に自主リリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなネオクラシカル・アンビエント〜ポストロック8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1358021694\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. She Likes the Stormy Weather 06:00\u003cbr\u003e2. Hindrance 05:16\u003cbr\u003e3. Drugs and Religion 05:34\u003cbr\u003e4. Night As Bright As Day 03:53\u003cbr\u003e5. Southern Snow 05:47\u003cbr\u003e6. Ultrasound 04:16\u003cbr\u003e7. Arms Around Your Sorrow 04:14\u003cbr\u003e8. Eschata 03:43\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMarc Byrd:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“\u003cem\u003eThere are four songs we were considering for 'Love in the Void' that weren’t fully fleshed out. Listening to them again, we decided they deserved to be brought to life because of how they made us feel. In addition, we decided to create four new pieces inspired by LITV. Adding these pieces and pulling them from the void creates what we think is a bridge between LITV and our next LP, as well as a nice stand-alone document of music.”\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hammock\u003c\/p\u003e\n\u003cp\u003eLabel : Hammock\u003c\/p\u003e\n\u003cp\u003ecat no : HMK095lp\u003c\/p\u003e"}
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¥3,680
クイックビュー
{"id":8771821764858,"title":"Andrew Lang \/\/ Frailty TAPE","handle":"andrew-lang-frailty-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・アデレイドのアンビエント作家\u003c\/span\u003eAndrew Langが、2024年11月に同国タスマニアのアンビエントドローンレーベル\u003cspan data-mce-fragment=\"1\"\u003ePerceptual Tapesから50本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eギターやサックス、フィールドレコーディングによるアンビエントドローン9曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1876908614\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"perceptual tapes\" href=\"https:\/\/soundcloud.com\/perceptual-tapes\" target=\"_blank\"\u003eperceptual tapes\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Andrew Lang - Frailty\" href=\"https:\/\/soundcloud.com\/perceptual-tapes\/sets\/andrew-lang-frailty\" target=\"_blank\"\u003eAndrew Lang - Frailty\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/prctltp\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/prctltp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/prctltp\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/prctltp\"\u003ehere\u003c\/a\u003e to see more Perceptual Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 50. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\" data-mce-style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Colour of Memory 01:53\u003cbr\u003e2. Regime Shift 06:11\u003cbr\u003e3. Fealty 01:36\u003cbr\u003e4. Frailty 05:20\u003cbr\u003e5. Years \u0026amp; Years 05:34\u003cbr\u003e6. Othering 01:32\u003cbr\u003e7. Tristan's Ascension 05:18\u003cbr\u003e8. \"There is a melancholy dimension to this grace...\" 08:43\u003cbr\u003e9. Rub Your Eyes on Light 02:30\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePerceptual Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e‘Frailty’ is the new album by Andrew Lang, a composer and musician from Adelaide, Australia. Frailty represents a new direction for Andrew, departing from his piano-centric neoclassical ambient compositional approach, and instead turning to electric guitars, effects pedals, synths, field recordings and tape machines. The result is a collection of dreamy, blissed-out dronescapes, which maintain the delicate, emotional sensibilities of his past music, while embracing thick, sustained tones and washes of noise.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe track ‘Years \u0026amp; Years’ features a guest saxophone performance by Derek Pascoe, which Andrew ran through a chain of effects to transform and blend into a ringing, reverberating fog of sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAndrew recorded the bulk of Frailty between 2020 and 2022, a time of emotional upheaval for him, due in part to the once-in-a-generation events of that period. This range of emotions, from nostalgia and loss to optimism and joy, is etched into the compositions that make up Frailty.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andrew Lang\u003c\/p\u003e\n\u003cp\u003eLabel : Perceptual Tapes\u003c\/p\u003e\n\u003cp\u003eCAT NO : PER010\u003c\/p\u003e","published_at":"2025-04-25T06:32:19+09:00","created_at":"2025-04-25T06:31:29+09:00","vendor":"Tobira Records","type":"","tags":["ambient","new","perceptual tapes","tape"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47275073831162,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Andrew Lang \/\/ Frailty TAPE","public_title":null,"options":["Default Title"],"price":215000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/lang1.jpg?v=1733280350","\/\/tobirarecords.com\/cdn\/shop\/files\/lang2.jpg?v=1733280350"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/lang1.jpg?v=1733280350","options":["Title"],"media":[{"alt":null,"id":35261558554874,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lang1.jpg?v=1733280350"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lang1.jpg?v=1733280350","width":700},{"alt":null,"id":35261558587642,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lang2.jpg?v=1733280350"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lang2.jpg?v=1733280350","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・アデレイドのアンビエント作家\u003c\/span\u003eAndrew Langが、2024年11月に同国タスマニアのアンビエントドローンレーベル\u003cspan data-mce-fragment=\"1\"\u003ePerceptual Tapesから50本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eギターやサックス、フィールドレコーディングによるアンビエントドローン9曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1876908614\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"perceptual tapes\" href=\"https:\/\/soundcloud.com\/perceptual-tapes\" target=\"_blank\"\u003eperceptual tapes\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Andrew Lang - Frailty\" href=\"https:\/\/soundcloud.com\/perceptual-tapes\/sets\/andrew-lang-frailty\" target=\"_blank\"\u003eAndrew Lang - Frailty\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/prctltp\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/prctltp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/prctltp\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/prctltp\"\u003ehere\u003c\/a\u003e to see more Perceptual Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 50. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\" data-mce-style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Colour of Memory 01:53\u003cbr\u003e2. Regime Shift 06:11\u003cbr\u003e3. Fealty 01:36\u003cbr\u003e4. Frailty 05:20\u003cbr\u003e5. Years \u0026amp; Years 05:34\u003cbr\u003e6. Othering 01:32\u003cbr\u003e7. Tristan's Ascension 05:18\u003cbr\u003e8. \"There is a melancholy dimension to this grace...\" 08:43\u003cbr\u003e9. Rub Your Eyes on Light 02:30\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePerceptual Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e‘Frailty’ is the new album by Andrew Lang, a composer and musician from Adelaide, Australia. Frailty represents a new direction for Andrew, departing from his piano-centric neoclassical ambient compositional approach, and instead turning to electric guitars, effects pedals, synths, field recordings and tape machines. The result is a collection of dreamy, blissed-out dronescapes, which maintain the delicate, emotional sensibilities of his past music, while embracing thick, sustained tones and washes of noise.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe track ‘Years \u0026amp; Years’ features a guest saxophone performance by Derek Pascoe, which Andrew ran through a chain of effects to transform and blend into a ringing, reverberating fog of sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAndrew recorded the bulk of Frailty between 2020 and 2022, a time of emotional upheaval for him, due in part to the once-in-a-generation events of that period. This range of emotions, from nostalgia and loss to optimism and joy, is etched into the compositions that make up Frailty.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andrew Lang\u003c\/p\u003e\n\u003cp\u003eLabel : Perceptual Tapes\u003c\/p\u003e\n\u003cp\u003eCAT NO : PER010\u003c\/p\u003e"}
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オーストラリア・アデレイドのアンビエント作家Andrew Langが、2024年11月に同国タスマニアのアンビエントドローンレーベルPerceptual Tapesから50本限定でリリースしたカセットです。 ギターやサックス、フィールドレコーディングによるアンビエントドローン9曲を収録。DLコード付属。 perceptual tapes · Andrew Lang - Frailty レーベルその他作品はこちら /// Click here to see...
¥2,150
クイックビュー
{"id":8769412563194,"title":"Perila \/\/ The Air Outside Feels Crazy Right Now LP","handle":"perila-the-air-outside-feels-crazy-right-now-lp-pre-order","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eTobiraインストアショーケースで素晴らしいライブを披露してくれたロシア出身ドイツ在住のアンビエント作家Perilaが、2025年4月にドイツ・ベルリンのアンビエントレーベル\u003cspan\u003eVaknar\u003c\/span\u003eからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e朧げなアンビエントドローン8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3440295098\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3440295098\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=543273453\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVaknar\/Vaagnerその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vaknar\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vaknar\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVaknar\/Vaagner releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-----------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Over me 04:46\u003cbr\u003e2. Barefeeter 04:05\u003cbr\u003e3. Gooshy 03:50\u003cbr\u003e4. Wanting is a substance derived from unexpressed 03:12\u003cbr\u003e5. The air outside is crazy right now 00:56\u003cbr\u003e6. Fossil 06:15\u003cbr\u003e7. Everyday hope 03:16\u003cbr\u003e8. Unseen 05:02\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eFrom the artist:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"This archival collection is very dear to me\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGrateful for Vaagner to release a sequel edition of memories in a physical form\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEach track feels like a door to a heavy feeling felt so clearly and processed lightly through sounds\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHere in my favourite state: talking through strings and keys, touching the instrument\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNo one feels me better then guitar\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHearing all these tracks bring sweetest nostalgia and reinforces desire to talk more and more through this mad resonance and quite acoustics as its pretty cathartic always\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpace which has no time when you enter it.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Perila\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Vaagner\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-22T13:13:55+09:00","created_at":"2025-04-22T09:39:08+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","Vaagner"],"price":425600,"price_min":425600,"price_max":425600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47268538941690,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Perila \/\/ The Air Outside Feels Crazy Right Now LP","public_title":null,"options":["Default Title"],"price":425600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/air1_720e68e8-42b0-411a-bca1-cf10a5edd58b.jpg?v=1745281919","\/\/tobirarecords.com\/cdn\/shop\/files\/air2_cbe151d2-33d0-41f5-a99c-4daf7417225f.jpg?v=1745281919"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/air1_720e68e8-42b0-411a-bca1-cf10a5edd58b.jpg?v=1745281919","options":["Title"],"media":[{"alt":null,"id":35910703022330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/air1_720e68e8-42b0-411a-bca1-cf10a5edd58b.jpg?v=1745281919"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/air1_720e68e8-42b0-411a-bca1-cf10a5edd58b.jpg?v=1745281919","width":700},{"alt":null,"id":35910703055098,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/air2_cbe151d2-33d0-41f5-a99c-4daf7417225f.jpg?v=1745281919"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/air2_cbe151d2-33d0-41f5-a99c-4daf7417225f.jpg?v=1745281919","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eTobiraインストアショーケースで素晴らしいライブを披露してくれたロシア出身ドイツ在住のアンビエント作家Perilaが、2025年4月にドイツ・ベルリンのアンビエントレーベル\u003cspan\u003eVaknar\u003c\/span\u003eからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e朧げなアンビエントドローン8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3440295098\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3440295098\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=543273453\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVaknar\/Vaagnerその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vaknar\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vaknar\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVaknar\/Vaagner releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-----------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Over me 04:46\u003cbr\u003e2. Barefeeter 04:05\u003cbr\u003e3. Gooshy 03:50\u003cbr\u003e4. Wanting is a substance derived from unexpressed 03:12\u003cbr\u003e5. The air outside is crazy right now 00:56\u003cbr\u003e6. Fossil 06:15\u003cbr\u003e7. Everyday hope 03:16\u003cbr\u003e8. Unseen 05:02\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eFrom the artist:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"This archival collection is very dear to me\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGrateful for Vaagner to release a sequel edition of memories in a physical form\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEach track feels like a door to a heavy feeling felt so clearly and processed lightly through sounds\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHere in my favourite state: talking through strings and keys, touching the instrument\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNo one feels me better then guitar\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHearing all these tracks bring sweetest nostalgia and reinforces desire to talk more and more through this mad resonance and quite acoustics as its pretty cathartic always\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpace which has no time when you enter it.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Perila\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Vaagner\u003c\/span\u003e\u003c\/p\u003e"}
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※5月中旬再入荷後発送します Tobiraインストアショーケースで素晴らしいライブを披露してくれたロシア出身ドイツ在住のアンビエント作家Perilaが、2025年4月にドイツ・ベルリンのアンビエントレーベルVaknarからリリースしたレコードです。 朧げなアンビエントドローン8曲を収録。DLコード付属。 Vaknar/Vaagnerその他作品はこちら /// Click here to see more Vaknar/Vaagner releases available at Tobira. ----------------------------------- Includes DL...
¥4,256
クイックビュー
{"id":8769410760954,"title":"Savvas Metaxas \/\/ folk tales and the rain TAPE","handle":"savvas-metaxas-folk-tales-and-the-rain-tape","description":"\u003cp\u003e\u003cspan\u003eギリシャの実験レーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dasa\"\u003eDasa Tapes\u003c\/a\u003e主宰Savvas Metaxas\u003c\/span\u003eが、2024年11月にフランスの実験レーベルWabi Sabiから50本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングとギターによるコラージュ・アンビエント2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/savvas-metaxas-new-relics-ii-cd\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3115585891\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWabi Sabi Tapesその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabi\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabi\"\u003ehere\u003c\/a\u003e to see more\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003eWabi Sabi Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. \u003cbr\u003eEdition of 50. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e14:40\u003cbr\u003e2. B \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e12:08\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWabi-Sabi :\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGreek composer Savvas Metaxas is based in Thessaloniki, Greece. His music revolves around field recordings, experimentation and minimalism. As a prolific musician and sound artist, his music has been released by Superpang, Glistening Examples, LINE, Falt and Flaming Pines among others. He works to defend experimental music through his active participation in the Granny Records and Dasa Tapes labels.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eField recordings, seen as a tool, are both the collection of samples of reality and the focus of shared simulacra. For the listener, the recording resonates like a time capsule and can conjure up certain memories while projecting them into a space far removed from our own time and place. The sounds of bells, birds, radio, flutes and rain that can be heard on the album are arranged in a multitude of reflections: ghostly echoes of a past life, phantasmal images that slip away.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor folk tales and the rain, Savvas Metaxas uses the guitar and its effects as if they were samples. A great importance is attached to the place of the stringed instrument in the spectrum. On the A side, it arrives in a very cinematographic way, an element of the decor that reveals itself, inviting the soundtracks of Wenders, Herzog\u003cspan class=\"bcTruncateMore\"\u003e and Lynch. Then, the artist combines saturation and reverb while stifling the attack on the strings at the start of side B. The result is a pungent texture that traces heavy furrows through the heart of the piece.\u003cbr\u003e\u003cbr\u003eRecorded in a mountain village in north-west Greece, Savvas Metaxas's composition acts as an essay in microhistory. By transcribing a scene that seems familiar to us, the music reveals aspects of the world that surrounds it. Folk tales and the rain is strewn with minute clues, both hidden in the enclave of a dry valley floor and resonating with our memory.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Savvas Metaxas\u003c\/p\u003e\n\u003cp\u003eLabel : Wabi-Sabi Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : WBSB-018\u003c\/p\u003e","published_at":"2025-05-03T14:52:34+09:00","created_at":"2025-04-22T09:15:58+09:00","vendor":"Tobira Records","type":"","tags":["ambient","monooto","new","tape","wabisabi"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47268533174522,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Savvas Metaxas \/\/ folk tales and the rain TAPE","public_title":null,"options":["Default Title"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/rain1_17405929-7014-444b-a02d-fd6eeef66fd0.jpg?v=1745280839","\/\/tobirarecords.com\/cdn\/shop\/files\/rain2_97e0e122-c365-49fa-91ae-f24f4fd077cb.jpg?v=1745280839"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain1_17405929-7014-444b-a02d-fd6eeef66fd0.jpg?v=1745280839","options":["Title"],"media":[{"alt":null,"id":35910689030394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain1_17405929-7014-444b-a02d-fd6eeef66fd0.jpg?v=1745280839"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain1_17405929-7014-444b-a02d-fd6eeef66fd0.jpg?v=1745280839","width":700},{"alt":null,"id":35910689063162,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain2_97e0e122-c365-49fa-91ae-f24f4fd077cb.jpg?v=1745280839"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain2_97e0e122-c365-49fa-91ae-f24f4fd077cb.jpg?v=1745280839","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eギリシャの実験レーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dasa\"\u003eDasa Tapes\u003c\/a\u003e主宰Savvas Metaxas\u003c\/span\u003eが、2024年11月にフランスの実験レーベルWabi Sabiから50本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングとギターによるコラージュ・アンビエント2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/savvas-metaxas-new-relics-ii-cd\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3115585891\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWabi Sabi Tapesその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabi\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabi\"\u003ehere\u003c\/a\u003e to see more\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003eWabi Sabi Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. \u003cbr\u003eEdition of 50. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e14:40\u003cbr\u003e2. B \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e12:08\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWabi-Sabi :\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGreek composer Savvas Metaxas is based in Thessaloniki, Greece. His music revolves around field recordings, experimentation and minimalism. As a prolific musician and sound artist, his music has been released by Superpang, Glistening Examples, LINE, Falt and Flaming Pines among others. He works to defend experimental music through his active participation in the Granny Records and Dasa Tapes labels.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eField recordings, seen as a tool, are both the collection of samples of reality and the focus of shared simulacra. For the listener, the recording resonates like a time capsule and can conjure up certain memories while projecting them into a space far removed from our own time and place. The sounds of bells, birds, radio, flutes and rain that can be heard on the album are arranged in a multitude of reflections: ghostly echoes of a past life, phantasmal images that slip away.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor folk tales and the rain, Savvas Metaxas uses the guitar and its effects as if they were samples. A great importance is attached to the place of the stringed instrument in the spectrum. On the A side, it arrives in a very cinematographic way, an element of the decor that reveals itself, inviting the soundtracks of Wenders, Herzog\u003cspan class=\"bcTruncateMore\"\u003e and Lynch. Then, the artist combines saturation and reverb while stifling the attack on the strings at the start of side B. The result is a pungent texture that traces heavy furrows through the heart of the piece.\u003cbr\u003e\u003cbr\u003eRecorded in a mountain village in north-west Greece, Savvas Metaxas's composition acts as an essay in microhistory. By transcribing a scene that seems familiar to us, the music reveals aspects of the world that surrounds it. Folk tales and the rain is strewn with minute clues, both hidden in the enclave of a dry valley floor and resonating with our memory.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Savvas Metaxas\u003c\/p\u003e\n\u003cp\u003eLabel : Wabi-Sabi Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : WBSB-018\u003c\/p\u003e"}
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ギリシャの実験レーベルDasa Tapes主宰Savvas Metaxasが、2024年11月にフランスの実験レーベルWabi Sabiから50本限定でリリースしたカセットです。 フィールドレコーディングとギターによるコラージュ・アンビエント2曲を収録。 前作もオススメです。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ Wabi Sabi Tapesその他作品はこちら /// Click here to see more Wabi Sabi...
¥1,780
クイックビュー
{"id":8768940278010,"title":"Lullatone \/\/ Music for Museum Gift Shops 2xCD","handle":"lullatone-music-for-museum-gift-shops-2xcd","description":"\u003cp\u003e名古屋のシンセ奏者／ポストニューエイジ作家Lullatoneが、\u003cspan\u003e2019年にリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eピアノをメインソースにしたポストニューエイジ・アンビエント52曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/77hpc49bMGE?si=-toXy6Y9-onI9R2J\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e2 x CD in cardstock sleeve.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. trying something again again (piano version) 02:42\u003cbr\u003e2. my second favorite song in the world (piano version) 04:43\u003cbr\u003e3. an ode to eaten snowflakes (piano version) 01:13\u003cbr\u003e4. a blanket of snow spotted from under the blankets in bed (piano version) 01:43\u003cbr\u003e5. morning coffee (piano version) 03:08\u003cbr\u003e6. fleeting years (piano version) 02:03\u003cbr\u003e7. an older couple holding hands (piano version) 02:42\u003cbr\u003e8. icicles melting (piano version) 03:09\u003cbr\u003e9. for all the forgotten resolutions (piano version) 02:37\u003cbr\u003e10. wake up wake up (piano version) 04:42\u003cbr\u003e11. another word for productivity (piano version) 02:00\u003cbr\u003e12. waking up on a picnic blanket (piano version) 02:44\u003cbr\u003e13. going to buy some strawberries (piano version) 01:43\u003cbr\u003e14. second day of school (piano version) 02:26\u003cbr\u003e15. sad grass (piano version) 02:16\u003cbr\u003e16. the biggest pile of leaves you have ever seen (piano version) 03:17\u003cbr\u003e17. thursday inverse (piano version) 02:01\u003cbr\u003e18. gathering sticks for a nest (piano version) 02:35\u003cbr\u003e19. afternoon nap for pets (piano version) 03:12\u003cbr\u003e20. a runaway kite (piano version) 01:39\u003cbr\u003e21. origami tulips (piano version) 01:54\u003cbr\u003e22. wet grass (piano version) 02:00\u003cbr\u003e23. starlight (piano version) 02:17\u003cbr\u003e24. make believe melody (piano version) 01:22\u003cbr\u003e25. we're better than this, were better than this (piano version) 02:39\u003cbr\u003e26. little by little (piano version) 03:15\u003cbr\u003e27. checking things off of a to-do list early in the morning (piano version) 02:01\u003cbr\u003e28. umbrella (piano version) 01:51\u003cbr\u003e29. good morning melody (piano version) 04:07\u003cbr\u003e30. race against the sunset (piano version) 02:51\u003cbr\u003e31. the kind of song you make up in your head when you are bored (piano version) 01:24\u003cbr\u003e32. fireflies and lightning bugs (piano version) 02:20\u003cbr\u003e33. the existential dilemma of a melting ice cream cone (piano version) 02:39\u003cbr\u003e34. perfectly organized cleaning supplies (piano version) 01:06\u003cbr\u003e35. still feeling the waves when you go to bed (piano version) (free) 03:13\u003cbr\u003e36. September Affective Disorder (piano version) 01:55\u003cbr\u003e37. a picture of your grandparents when they were young (piano version) 03:00\u003cbr\u003e38. falling asleep with a book on your chest (piano version) 03:14\u003cbr\u003e39. growing up (piano version) 03:20\u003cbr\u003e40. every little moment (piano version) 03:43\u003cbr\u003e41. stars on the ceiling of a planetarium (piano version) 01:29\u003cbr\u003e42. floating away (piano version) 05:19\u003cbr\u003e43. leaves falling (piano version) 03:18\u003cbr\u003e44. here comes the sweater weather (piano version) 01:35\u003cbr\u003e45. adventure music for migrating birds (piano version) 03:30\u003cbr\u003e46. finding a leaf in your girlfriend's hair (piano version) 04:08\u003cbr\u003e47. an awkward dinner conversation at a family gathering (piano version) 01:27\u003cbr\u003e48. a curtain dancing in the wind (piano version) 03:56\u003cbr\u003e49. how to tie a scarf (piano version) 03:15\u003cbr\u003e50. prelude for a single snowflake under a streetlight, falling like a star (piano version) 01:08\u003cbr\u003e51. a slow waltz (piano version) 03:28\u003cbr\u003e52. a little song about snowdrops (piano version) 09:03\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 2018 we recorded piano versions of our old songs every week for a year. We hope they can make a good soundtrack for your everyday life - riding a bike to the library, tending to houseplants, studying a foreign language or browsing through books in a museum gift shop. We’d love to hear when you like to listen to them.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lullatone\u003c\/p\u003e\n\u003cp\u003eLabel : Self-released\u003c\/p\u003e","published_at":"2025-04-22T14:30:37+09:00","created_at":"2025-04-21T08:08:17+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","lullatone","new","post newage"],"price":242000,"price_min":242000,"price_max":242000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47267174940922,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lullatone \/\/ Music for Museum Gift Shops 2xCD","public_title":null,"options":["Default Title"],"price":242000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/lulla1.jpg?v=1745190290","\/\/tobirarecords.com\/cdn\/shop\/files\/lulla2.jpg?v=1745190290"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/lulla1.jpg?v=1745190290","options":["Title"],"media":[{"alt":null,"id":35907692265722,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lulla1.jpg?v=1745190290"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lulla1.jpg?v=1745190290","width":700},{"alt":null,"id":35907692298490,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lulla2.jpg?v=1745190290"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lulla2.jpg?v=1745190290","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e名古屋のシンセ奏者／ポストニューエイジ作家Lullatoneが、\u003cspan\u003e2019年にリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eピアノをメインソースにしたポストニューエイジ・アンビエント52曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/77hpc49bMGE?si=-toXy6Y9-onI9R2J\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e2 x CD in cardstock sleeve.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. trying something again again (piano version) 02:42\u003cbr\u003e2. my second favorite song in the world (piano version) 04:43\u003cbr\u003e3. an ode to eaten snowflakes (piano version) 01:13\u003cbr\u003e4. a blanket of snow spotted from under the blankets in bed (piano version) 01:43\u003cbr\u003e5. morning coffee (piano version) 03:08\u003cbr\u003e6. fleeting years (piano version) 02:03\u003cbr\u003e7. an older couple holding hands (piano version) 02:42\u003cbr\u003e8. icicles melting (piano version) 03:09\u003cbr\u003e9. for all the forgotten resolutions (piano version) 02:37\u003cbr\u003e10. wake up wake up (piano version) 04:42\u003cbr\u003e11. another word for productivity (piano version) 02:00\u003cbr\u003e12. waking up on a picnic blanket (piano version) 02:44\u003cbr\u003e13. going to buy some strawberries (piano version) 01:43\u003cbr\u003e14. second day of school (piano version) 02:26\u003cbr\u003e15. sad grass (piano version) 02:16\u003cbr\u003e16. the biggest pile of leaves you have ever seen (piano version) 03:17\u003cbr\u003e17. thursday inverse (piano version) 02:01\u003cbr\u003e18. gathering sticks for a nest (piano version) 02:35\u003cbr\u003e19. afternoon nap for pets (piano version) 03:12\u003cbr\u003e20. a runaway kite (piano version) 01:39\u003cbr\u003e21. origami tulips (piano version) 01:54\u003cbr\u003e22. wet grass (piano version) 02:00\u003cbr\u003e23. starlight (piano version) 02:17\u003cbr\u003e24. make believe melody (piano version) 01:22\u003cbr\u003e25. we're better than this, were better than this (piano version) 02:39\u003cbr\u003e26. little by little (piano version) 03:15\u003cbr\u003e27. checking things off of a to-do list early in the morning (piano version) 02:01\u003cbr\u003e28. umbrella (piano version) 01:51\u003cbr\u003e29. good morning melody (piano version) 04:07\u003cbr\u003e30. race against the sunset (piano version) 02:51\u003cbr\u003e31. the kind of song you make up in your head when you are bored (piano version) 01:24\u003cbr\u003e32. fireflies and lightning bugs (piano version) 02:20\u003cbr\u003e33. the existential dilemma of a melting ice cream cone (piano version) 02:39\u003cbr\u003e34. perfectly organized cleaning supplies (piano version) 01:06\u003cbr\u003e35. still feeling the waves when you go to bed (piano version) (free) 03:13\u003cbr\u003e36. September Affective Disorder (piano version) 01:55\u003cbr\u003e37. a picture of your grandparents when they were young (piano version) 03:00\u003cbr\u003e38. falling asleep with a book on your chest (piano version) 03:14\u003cbr\u003e39. growing up (piano version) 03:20\u003cbr\u003e40. every little moment (piano version) 03:43\u003cbr\u003e41. stars on the ceiling of a planetarium (piano version) 01:29\u003cbr\u003e42. floating away (piano version) 05:19\u003cbr\u003e43. leaves falling (piano version) 03:18\u003cbr\u003e44. here comes the sweater weather (piano version) 01:35\u003cbr\u003e45. adventure music for migrating birds (piano version) 03:30\u003cbr\u003e46. finding a leaf in your girlfriend's hair (piano version) 04:08\u003cbr\u003e47. an awkward dinner conversation at a family gathering (piano version) 01:27\u003cbr\u003e48. a curtain dancing in the wind (piano version) 03:56\u003cbr\u003e49. how to tie a scarf (piano version) 03:15\u003cbr\u003e50. prelude for a single snowflake under a streetlight, falling like a star (piano version) 01:08\u003cbr\u003e51. a slow waltz (piano version) 03:28\u003cbr\u003e52. a little song about snowdrops (piano version) 09:03\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 2018 we recorded piano versions of our old songs every week for a year. We hope they can make a good soundtrack for your everyday life - riding a bike to the library, tending to houseplants, studying a foreign language or browsing through books in a museum gift shop. We’d love to hear when you like to listen to them.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lullatone\u003c\/p\u003e\n\u003cp\u003eLabel : Self-released\u003c\/p\u003e"}
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名古屋のシンセ奏者／ポストニューエイジ作家Lullatoneが、2019年にリリースしたアルバムです。 ピアノをメインソースにしたポストニューエイジ・アンビエント52曲を収録。 --------------------------------------------------- Includes DL code. 2 x CD in cardstock sleeve. Tracklist: 1. trying...
¥2,420
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{"id":8768939983098,"title":"Lullatone \/\/ Shapes \u0026 Time CD+ZINE","handle":"lullatone-shapes-time-cd-zine","description":"\u003cp\u003e名古屋のシンセ奏者／ポストニューエイジ作家Lullatoneが、\u003cspan\u003e2022年にリリースしたCD+ZINE\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e穏やかなポストニューエイジ・アンビエント12曲を収録。\u003cspan\u003e32ページのZINEにはイラストやエッセイ、ギターTAB譜、写真が掲載されています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Ya6GGT4-CwE?si=qZfMnB9feepEGVF1\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eRisograph printed zine with CD inside. \u003cbr\u003e32-page zine contains \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eessays, illustrations, sheet music, guitar tabs, photos and more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. a tape of a tape of a tape of a time 02:08\u003cbr\u003e2. kotatsu naps 03:18\u003cbr\u003e3. corduroy 01:49\u003cbr\u003e4. shapes in time 03:30\u003cbr\u003e5. like grains of sand in your hand 03:30\u003cbr\u003e6. make-believe birdsong 02:34\u003cbr\u003e7. rainy season again 02:10\u003cbr\u003e8. every movie needs a sad scene 02:28\u003cbr\u003e9. like pebbles in a stream 04:41\u003cbr\u003e10. late summer storms 02:40\u003cbr\u003e11. just spending time 02:02\u003cbr\u003e12. like breath 04:30\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI’ve always thought there's something magical about recordings that sound rough and unpolished. It’s as if not sounding perfect makes them more sincere - like they’re telling the listener a little secret.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChoosing the way you record something isn’t just technical. It’s an aesthetic choice - like deciding the type of materials you’d use in a painting. Light and airy like a watercolor? Hyper detailed on a smooth surface like photorealism? Dreamy slabs of impressionistic oil? You could have the same subject but express it in a totally different way with all of these little decisions. The same rule goes for melodies too - an intimidating but exciting chance!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCompared to notes scribbled on a sheet of staff paper, or instruments strummed at a show, recorded music hangs on choices of texture. The shapes of the sounds’ waves enter your ear holes and tickle little hairs inside your head making music something you truly do feel.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor this album I wanted to explore ways of recording that we hadn’t tried on older records. New textures for the tones, new shapes for the sounds. So I split it up. Instead of recording everything all at once, I decided to give each one a bit of time - one track per month. At the end of year we were left with this album, a little family of soft-spoken\u003cspan class=\"bcTruncateMore\"\u003e experiments.\u003cbr\u003e\u003cbr\u003eAlthough a lot of these melodies probably don’t seem “experimental” at first, they really were all born out of tiny trials and errors around the studio - some more ridiculous than you might imagine.\u003cbr\u003e\u003cbr\u003eIf you have a little time to spend, I’d love to tell you some stories about them in the info section of each track on here.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lullatone\u003c\/p\u003e\n\u003cp\u003eLabel : Self-released\u003c\/p\u003e","published_at":"2025-04-22T14:26:39+09:00","created_at":"2025-04-21T08:03:26+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","lullatone","new","post newage"],"price":253000,"price_min":253000,"price_max":253000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47267170943226,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lullatone \/\/ Shapes \u0026 Time CD+ZINE","public_title":null,"options":["Default Title"],"price":253000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/time1_6d9030d9-cf12-4ba2-837d-27f650c0e55f.jpg?v=1745189999","\/\/tobirarecords.com\/cdn\/shop\/files\/time2_0d24bc02-fc8b-4411-9c78-406c906cc2da.jpg?v=1745189999"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/time1_6d9030d9-cf12-4ba2-837d-27f650c0e55f.jpg?v=1745189999","options":["Title"],"media":[{"alt":null,"id":35907686629626,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/time1_6d9030d9-cf12-4ba2-837d-27f650c0e55f.jpg?v=1745189999"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/time1_6d9030d9-cf12-4ba2-837d-27f650c0e55f.jpg?v=1745189999","width":700},{"alt":null,"id":35907686662394,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/time2_0d24bc02-fc8b-4411-9c78-406c906cc2da.jpg?v=1745189999"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/time2_0d24bc02-fc8b-4411-9c78-406c906cc2da.jpg?v=1745189999","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e名古屋のシンセ奏者／ポストニューエイジ作家Lullatoneが、\u003cspan\u003e2022年にリリースしたCD+ZINE\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e穏やかなポストニューエイジ・アンビエント12曲を収録。\u003cspan\u003e32ページのZINEにはイラストやエッセイ、ギターTAB譜、写真が掲載されています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Ya6GGT4-CwE?si=qZfMnB9feepEGVF1\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eRisograph printed zine with CD inside. \u003cbr\u003e32-page zine contains \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eessays, illustrations, sheet music, guitar tabs, photos and more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. a tape of a tape of a tape of a time 02:08\u003cbr\u003e2. kotatsu naps 03:18\u003cbr\u003e3. corduroy 01:49\u003cbr\u003e4. shapes in time 03:30\u003cbr\u003e5. like grains of sand in your hand 03:30\u003cbr\u003e6. make-believe birdsong 02:34\u003cbr\u003e7. rainy season again 02:10\u003cbr\u003e8. every movie needs a sad scene 02:28\u003cbr\u003e9. like pebbles in a stream 04:41\u003cbr\u003e10. late summer storms 02:40\u003cbr\u003e11. just spending time 02:02\u003cbr\u003e12. like breath 04:30\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI’ve always thought there's something magical about recordings that sound rough and unpolished. It’s as if not sounding perfect makes them more sincere - like they’re telling the listener a little secret.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChoosing the way you record something isn’t just technical. It’s an aesthetic choice - like deciding the type of materials you’d use in a painting. Light and airy like a watercolor? Hyper detailed on a smooth surface like photorealism? Dreamy slabs of impressionistic oil? You could have the same subject but express it in a totally different way with all of these little decisions. The same rule goes for melodies too - an intimidating but exciting chance!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCompared to notes scribbled on a sheet of staff paper, or instruments strummed at a show, recorded music hangs on choices of texture. The shapes of the sounds’ waves enter your ear holes and tickle little hairs inside your head making music something you truly do feel.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor this album I wanted to explore ways of recording that we hadn’t tried on older records. New textures for the tones, new shapes for the sounds. So I split it up. Instead of recording everything all at once, I decided to give each one a bit of time - one track per month. At the end of year we were left with this album, a little family of soft-spoken\u003cspan class=\"bcTruncateMore\"\u003e experiments.\u003cbr\u003e\u003cbr\u003eAlthough a lot of these melodies probably don’t seem “experimental” at first, they really were all born out of tiny trials and errors around the studio - some more ridiculous than you might imagine.\u003cbr\u003e\u003cbr\u003eIf you have a little time to spend, I’d love to tell you some stories about them in the info section of each track on here.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lullatone\u003c\/p\u003e\n\u003cp\u003eLabel : Self-released\u003c\/p\u003e"}
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クイックビュー
{"id":8768773030138,"title":"William Tyler \/\/ Time Indefinite 2xLP [COLOR]","handle":"william-tyler-time-indefinite-2xlp-color","description":"\u003cp\u003eアメリカ・テネシーのギタリストWilliam Tylerが、2025年4月に同国インディーレーベルPsychic Hotlineからリリースした2枚組レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e牧歌的なアンビエント・アメリカーナ9曲を収録。ストリップカラー盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3656076705\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/psyht\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/psyht\"\u003ehere\u003c\/a\u003e to see more Psychic Hotline releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" 'indie exclusive' stripe vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Cabin Six 08:14\u003cbr\u003e2. Concern 05:29\u003cbr\u003e3. Star of Hope 05:32\u003cbr\u003e4. Howling at the Second Moon\u003cbr\u003e5. A Dream, A Flood\u003cbr\u003e6. Anima Hotel 05:02\u003cbr\u003e7. Electric Lake\u003cbr\u003e8. The Hardest Land to Harvest\u003cbr\u003e9. Held\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Psychic Hotline:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNo other solo American guitarist this century has impacted that fecund scene quite like William Tyler. After crucial stints in Silver Jews and Lambchop, this adopted son of Nashville emerged at the dawn of the last decade with a string of inquisitive albums that paired the measure of his country rearing and classical enthusiasm with his ardor for post-modern experimentation, field recordings and static drifts folded beneath exquisite melodies. Tyler dug Chet Atkins and Gavin Bryars, electroacoustic abstraction and endless boogie. His productive little enclave of instrumental music has increasingly followed such catholic tastes, not only ushering new sounds and textures into the form but also critical new voices and perspectives.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnd on the brilliant, bracing, and inexorably beautiful Time Indefinite, Tyler’s first solo album in five years, he steps at last into the widening gyre he helped create. The guitar serves as a starting point for an album that will make you reconsider not only Tyler but also the possibilities and reach of an entire field. A vortex of noise and harmony, ghosts and dreams, anguish and hope, Time Indefinite is not a great guitar record. It is a stunning record—a masterpiece of our collectively anxious time, really—by a great guitarist...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : William Tyler\u003c\/p\u003e\n\u003cp\u003eLabel : Psychic Hotline\u003c\/p\u003e\n\u003cp\u003ecat no : PSY049lp-C1\u003c\/p\u003e","published_at":"2025-04-21T07:06:00+09:00","created_at":"2025-04-20T08:36:23+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","post newage","psychic hotline"],"price":498000,"price_min":498000,"price_max":498000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47266490450170,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"William Tyler \/\/ Time Indefinite 2xLP [COLOR]","public_title":null,"options":["Default Title"],"price":498000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"850056058711","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in1_8bbd69c2-4d67-4f38-8054-6c1c7b945f9f.jpg?v=1745105460","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-04-20at9.30.19am.png?v=1745105460"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_8bbd69c2-4d67-4f38-8054-6c1c7b945f9f.jpg?v=1745105460","options":["Title"],"media":[{"alt":null,"id":35906610692346,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_8bbd69c2-4d67-4f38-8054-6c1c7b945f9f.jpg?v=1745105460"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_8bbd69c2-4d67-4f38-8054-6c1c7b945f9f.jpg?v=1745105460","width":700},{"alt":null,"id":35906610725114,"position":2,"preview_image":{"aspect_ratio":0.844,"height":326,"width":275,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-04-20at9.30.19am.png?v=1745105460"},"aspect_ratio":0.844,"height":326,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-04-20at9.30.19am.png?v=1745105460","width":275}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・テネシーのギタリストWilliam Tylerが、2025年4月に同国インディーレーベルPsychic Hotlineからリリースした2枚組レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e牧歌的なアンビエント・アメリカーナ9曲を収録。ストリップカラー盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3656076705\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/psyht\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/psyht\"\u003ehere\u003c\/a\u003e to see more Psychic Hotline releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" 'indie exclusive' stripe vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Cabin Six 08:14\u003cbr\u003e2. Concern 05:29\u003cbr\u003e3. Star of Hope 05:32\u003cbr\u003e4. Howling at the Second Moon\u003cbr\u003e5. A Dream, A Flood\u003cbr\u003e6. Anima Hotel 05:02\u003cbr\u003e7. Electric Lake\u003cbr\u003e8. The Hardest Land to Harvest\u003cbr\u003e9. Held\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Psychic Hotline:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNo other solo American guitarist this century has impacted that fecund scene quite like William Tyler. After crucial stints in Silver Jews and Lambchop, this adopted son of Nashville emerged at the dawn of the last decade with a string of inquisitive albums that paired the measure of his country rearing and classical enthusiasm with his ardor for post-modern experimentation, field recordings and static drifts folded beneath exquisite melodies. Tyler dug Chet Atkins and Gavin Bryars, electroacoustic abstraction and endless boogie. His productive little enclave of instrumental music has increasingly followed such catholic tastes, not only ushering new sounds and textures into the form but also critical new voices and perspectives.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnd on the brilliant, bracing, and inexorably beautiful Time Indefinite, Tyler’s first solo album in five years, he steps at last into the widening gyre he helped create. The guitar serves as a starting point for an album that will make you reconsider not only Tyler but also the possibilities and reach of an entire field. A vortex of noise and harmony, ghosts and dreams, anguish and hope, Time Indefinite is not a great guitar record. It is a stunning record—a masterpiece of our collectively anxious time, really—by a great guitarist...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : William Tyler\u003c\/p\u003e\n\u003cp\u003eLabel : Psychic Hotline\u003c\/p\u003e\n\u003cp\u003ecat no : PSY049lp-C1\u003c\/p\u003e"}
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アメリカ・テネシーのギタリストWilliam Tylerが、2025年4月に同国インディーレーベルPsychic Hotlineからリリースした2枚組レコードです。 牧歌的なアンビエント・アメリカーナ9曲を収録。ストリップカラー盤です。 レーベルその他作品はこちら /// Click here to see more Psychic Hotline releases...
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![Billow Observatory // The Glass Curtain LP [COLOR]](http://tobirarecords.com/cdn/shop/files/cu1_d9a24bac-ce69-4461-96c1-e23fe47516aa_medium.jpg?v=1745028997)
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{"id":8768372670714,"title":"Billow Observatory \/\/ The Glass Curtain LP [COLOR]","handle":"billow-observatory-the-glass-curtain-lp-color","description":"\u003cp\u003eアメリカのJason Kolb aka Auburn LullとデンマークのJonas Munk aka ManualによるデュオBillow Observatoryが、2025年4月にアメリカのインディーレーベルFalte Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなアンビエントドローン9曲を収録。黄色盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=398744918\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/felte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/felte\"\u003ehere\u003c\/a\u003e to see more Felte Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" yellow vinyl.\u003cbr\u003eEdition of 550. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Broken City\u003cbr\u003e2. Systol Nightshade \u003cbr\u003e3. Vanish Always\u003cbr\u003e4. Colza \u003cbr\u003e5. The Glass Curtain\u003cbr\u003e6. Shadow Through The Eyelet\u003cbr\u003e7. Armistice \u003cbr\u003e8. Arise And Perish\u003cbr\u003e9. Sundial\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFelte Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFollowing a string of increasingly electronica-minded releases, Billow Observatory returns to the haunted hunting grounds of their 2012 debut with a fully ambient, percussionless pearl.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEmbracing chance and randomness, spectral guitars rise, flitter, and crackle into dusty particulates as the concept of time is thrown out the window on each track. An increasingly hostile society no doubt contributes to the album's sense of introspection and the quest for \"otherness\". Brooding, spooky, and beautiful, listeners are rewarded with a highly detailed collection of songs evoking visions of slowly spinning globes being knocked slightly off axis.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTrans-Atlantic ambient duo Billow Observatory consists of Denmark's Jonas Munk and Jason Kolb from Michigan. Kolb has a background in the vibrant Michigan space rock scene as part of ambient-rock band Auburn Lull. Munk first received recognition for his solo work as Manual and has later collaborated with Ulrich Schnauss and worked as producer on a number of projects spanning a wide range of genres.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Billow Observatory\u003c\/p\u003e\n\u003cp\u003eLabel : Felte Records\u003c\/p\u003e\n\u003cp\u003ecat no : FLT110lp-C1\u003c\/p\u003e","published_at":"2025-04-20T13:47:54+09:00","created_at":"2025-04-19T11:16:05+09:00","vendor":"Tobira Records","type":"","tags":["ambient","felte records","lp","new"],"price":365000,"price_min":365000,"price_max":365000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47265504002298,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Billow Observatory \/\/ The Glass Curtain LP [COLOR]","public_title":null,"options":["Default Title"],"price":365000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"792105762876","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cu1_d9a24bac-ce69-4461-96c1-e23fe47516aa.jpg?v=1745028997","\/\/tobirarecords.com\/cdn\/shop\/files\/cu2_680921fd-af5d-40a3-845e-6ca321279f80.jpg?v=1745028997"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cu1_d9a24bac-ce69-4461-96c1-e23fe47516aa.jpg?v=1745028997","options":["Title"],"media":[{"alt":null,"id":35903706005754,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cu1_d9a24bac-ce69-4461-96c1-e23fe47516aa.jpg?v=1745028997"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cu1_d9a24bac-ce69-4461-96c1-e23fe47516aa.jpg?v=1745028997","width":700},{"alt":null,"id":35903706038522,"position":2,"preview_image":{"aspect_ratio":1.034,"height":1160,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cu2_680921fd-af5d-40a3-845e-6ca321279f80.jpg?v=1745028997"},"aspect_ratio":1.034,"height":1160,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cu2_680921fd-af5d-40a3-845e-6ca321279f80.jpg?v=1745028997","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのJason Kolb aka Auburn LullとデンマークのJonas Munk aka ManualによるデュオBillow Observatoryが、2025年4月にアメリカのインディーレーベルFalte Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなアンビエントドローン9曲を収録。黄色盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=398744918\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/felte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/felte\"\u003ehere\u003c\/a\u003e to see more Felte Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" yellow vinyl.\u003cbr\u003eEdition of 550. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Broken City\u003cbr\u003e2. Systol Nightshade \u003cbr\u003e3. Vanish Always\u003cbr\u003e4. Colza \u003cbr\u003e5. The Glass Curtain\u003cbr\u003e6. Shadow Through The Eyelet\u003cbr\u003e7. Armistice \u003cbr\u003e8. Arise And Perish\u003cbr\u003e9. Sundial\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFelte Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFollowing a string of increasingly electronica-minded releases, Billow Observatory returns to the haunted hunting grounds of their 2012 debut with a fully ambient, percussionless pearl.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEmbracing chance and randomness, spectral guitars rise, flitter, and crackle into dusty particulates as the concept of time is thrown out the window on each track. An increasingly hostile society no doubt contributes to the album's sense of introspection and the quest for \"otherness\". 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