Ant'lrd // Sleep Drive LP
Ant'lrd // Sleep Drive LP
¥2,480
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DigitalisやMuzan Editions、Moss Archiveなどから作品を発表してきた米国ポートランドの作家Ant'lrdが2016年にWhite SepulchreよりリリースしたLP。歪みを効かせたアンビエントシューゲイズ3曲を収録。クリアヴァイナル仕様です。
Whited Sepulchre Recordsその他作品はこちら /// Click here to see more Whited Sepulchre Records releases available at Tobira.
Artist : Ant'lrd
Label : Whited Sepulchre Records
DigitalisやMuzan Editions、Moss Archiveなどから作品を発表してきた米国ポートランドの作家Ant'lrdが2016年にWhite SepulchreよりリリースしたLP。歪みを効かせたアンビエントシューゲイズ3曲を収録。クリアヴァイナル仕様です。
Whited Sepulchre Recordsその他作品はこちら /// Click here to see more Whited Sepulchre Records releases available at Tobira.
Artist : Ant'lrd
Label : Whited Sepulchre Records
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{"id":8572040872186,"title":"Joy Guidry \/\/ Amen LP","handle":"joy-guidry-amen-lp","description":"\u003cp\u003eアメリカ・NYのノンバイナリー／ファゴット奏者Joy Guidryが、2024年6月に同国アンビエントレーベルWhited Sepulchreからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜スピリチュアル・ジャズ〜ゴスペル8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/joy-guidry-radical-acceptance-lp-color\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=637979315\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=121409052\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=637979315\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2290598502\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=637979315\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. 12\" black vinyl. Edition of 300. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Psalm 138:7 2:36\u003cbr\u003eA2 It's Okay To Let me Go 3:32\u003cbr\u003eA3 Pick And Choose 0:42\u003cbr\u003eA4 Members Don't Get Weary 5:55\u003cbr\u003eB1 Day By Bay 2:47\u003cbr\u003eB2 Angels 7:03\u003cbr\u003eB3 I Will Always Miss You 3:58\u003cbr\u003eB4 Revelations 7:16-17 2:22\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText excerpt by Whited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"AMEN is the 3rd release by bassoonist \/ composer \/ producer Joy Guidry. Representing a major step up in her ability to fully realize and embody a sound and concept, AMEN moves from rousing, rafter-splitting spiritual jazz and gospel compositions to ambient compositions that create a powerful statement of communal healing and peace. The album features contributions by Niecy Blues, Kalia Vandever, Jillian Grace, and Jessie Cox. \u003cbr\u003e\u003cbr\u003eLove is a verb. It is an action taken, one that must be renewed within the self. It is a process of learning, evolution, and the very nature of what it means to nurture ourselves and others. And few artists know this as intimately as Joy Guidry, the Texas-bred, California-based bassoonist. The fruits of her efforts can be heard through Guidry's latest album, Amen. \u003cbr\u003e\u003cbr\u003e“I hear other artists say, ‘I put my life and soul into this.’ And I could never relate because I have never been in an emotional place where I can just let go and not be afraid of vulnerability,” says Guidry. “But now, I've finally made a project that resonates with me so deeply from beginning to end. I'm so happy where I am in life, and “Amen” truly represents that there was no bullshit as I went into this.” \u003cbr\u003e\u003cbr\u003eBorn and raised in Houston Texas, Guidry first found\u003cspan class=\"bcTruncateMore\"\u003e music through the church. Growing up, if r\u0026amp;b was for cleaning on Saturdays, then gospel, says Guidry, was the standard for Sundays. \u003cbr\u003e\u003cbr\u003eGuidry is a visionary. Her keen understanding of how different genres of music can speak to and meld into one another mimics the intricacies and interwoven elements of life. Her releases include commissioned works as well as her debut full-length Radical Acceptance released in 2022. \u003cbr\u003e\u003cbr\u003eRecognizing her trans identity and embracing the need to make difficult decisions with the people in her life brought forth the heart of Radical Acceptance. “There's nothing wrong with us. There's nothing wrong with any of us, when we look in the mirror, and we see something wrong, that was purely taught,” Guidry says. “I felt like I could never walk into my life. So after releasing Radical Acceptance, it was time for me to truly practice radical acceptance and understanding and practicing radical self love.” \u003cbr\u003e\u003cbr\u003eAmen is the next step forward, one that calls in the power of community when embodying our true selves. “I wanted to give a voice and give power and provide community to the people I love and truly care for on this record by tackling songs and challenging myself,” Guidry says. “I knew I got the right people, the right community to drive it home, to take my ideas and really bring it together.” \u003cbr\u003e\u003cbr\u003eSometimes, we think of change as a settled process, one that marks a beginning, a middle, and an end. But Guidry knows the truth, one that requires each of us to keep digging, keep pushing ourselves beyond the limitations of our comfort zones. And Amen tells the story—in playful genre experimentations and heady ruminations of richly embodied instrumentation. \u003cbr\u003e\u003cbr\u003eIn part, this can be heard in Guidry's sources of inspiration. Her musical origins begin in the South, in the springy rhythms of zydeco and the liberating voices of gospel. \u003cbr\u003e\u003cbr\u003eOther influences find a home in her work, too. If Jazmine Sullivan were to make a bassoon record, it would be this. Piercing and purposeful, raw and real, Guidry’s past and present music permeates with intelligence and openness. Sonically, the meditative pulses of ambient music blended with elements of jazz and soul, forming something new and true. \u003cbr\u003e\u003cbr\u003eBut the most impactful moments were born within Guidry herself. Art manifests in all of life's stages and circumstances, but the most powerful and piercing forms of art—of music—are a manifestation of the creator's greatest truths. “How do you survive? How do I survive? How do my friends survive?” asks Guidry. “The writing process is kind of like therapy in a way. And I really feel like a different person now.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Joy Guidry\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-07-26T17:25:49+09:00","created_at":"2024-07-26T17:16:11+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","Whited Sepulchre Records"],"price":394700,"price_min":394700,"price_max":394700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46459474903290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joy Guidry \/\/ Amen LP","public_title":null,"options":["Default Title"],"price":394700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a2120037834_16.jpg?v=1721982160","\/\/tobirarecords.com\/cdn\/shop\/files\/0035069458_10.jpg?v=1721982165"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2120037834_16.jpg?v=1721982160","options":["Title"],"media":[{"alt":null,"id":34610006556922,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2120037834_16.jpg?v=1721982160"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2120037834_16.jpg?v=1721982160","width":700},{"alt":null,"id":34610006687994,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035069458_10.jpg?v=1721982165"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035069458_10.jpg?v=1721982165","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのノンバイナリー／ファゴット奏者Joy Guidryが、2024年6月に同国アンビエントレーベルWhited Sepulchreからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜スピリチュアル・ジャズ〜ゴスペル8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/joy-guidry-radical-acceptance-lp-color\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=637979315\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=121409052\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=637979315\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2290598502\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=637979315\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. 12\" black vinyl. Edition of 300. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Psalm 138:7 2:36\u003cbr\u003eA2 It's Okay To Let me Go 3:32\u003cbr\u003eA3 Pick And Choose 0:42\u003cbr\u003eA4 Members Don't Get Weary 5:55\u003cbr\u003eB1 Day By Bay 2:47\u003cbr\u003eB2 Angels 7:03\u003cbr\u003eB3 I Will Always Miss You 3:58\u003cbr\u003eB4 Revelations 7:16-17 2:22\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText excerpt by Whited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"AMEN is the 3rd release by bassoonist \/ composer \/ producer Joy Guidry. Representing a major step up in her ability to fully realize and embody a sound and concept, AMEN moves from rousing, rafter-splitting spiritual jazz and gospel compositions to ambient compositions that create a powerful statement of communal healing and peace. The album features contributions by Niecy Blues, Kalia Vandever, Jillian Grace, and Jessie Cox. \u003cbr\u003e\u003cbr\u003eLove is a verb. It is an action taken, one that must be renewed within the self. It is a process of learning, evolution, and the very nature of what it means to nurture ourselves and others. And few artists know this as intimately as Joy Guidry, the Texas-bred, California-based bassoonist. The fruits of her efforts can be heard through Guidry's latest album, Amen. \u003cbr\u003e\u003cbr\u003e“I hear other artists say, ‘I put my life and soul into this.’ And I could never relate because I have never been in an emotional place where I can just let go and not be afraid of vulnerability,” says Guidry. “But now, I've finally made a project that resonates with me so deeply from beginning to end. I'm so happy where I am in life, and “Amen” truly represents that there was no bullshit as I went into this.” \u003cbr\u003e\u003cbr\u003eBorn and raised in Houston Texas, Guidry first found\u003cspan class=\"bcTruncateMore\"\u003e music through the church. Growing up, if r\u0026amp;b was for cleaning on Saturdays, then gospel, says Guidry, was the standard for Sundays. \u003cbr\u003e\u003cbr\u003eGuidry is a visionary. Her keen understanding of how different genres of music can speak to and meld into one another mimics the intricacies and interwoven elements of life. Her releases include commissioned works as well as her debut full-length Radical Acceptance released in 2022. \u003cbr\u003e\u003cbr\u003eRecognizing her trans identity and embracing the need to make difficult decisions with the people in her life brought forth the heart of Radical Acceptance. “There's nothing wrong with us. There's nothing wrong with any of us, when we look in the mirror, and we see something wrong, that was purely taught,” Guidry says. “I felt like I could never walk into my life. So after releasing Radical Acceptance, it was time for me to truly practice radical acceptance and understanding and practicing radical self love.” \u003cbr\u003e\u003cbr\u003eAmen is the next step forward, one that calls in the power of community when embodying our true selves. “I wanted to give a voice and give power and provide community to the people I love and truly care for on this record by tackling songs and challenging myself,” Guidry says. “I knew I got the right people, the right community to drive it home, to take my ideas and really bring it together.” \u003cbr\u003e\u003cbr\u003eSometimes, we think of change as a settled process, one that marks a beginning, a middle, and an end. But Guidry knows the truth, one that requires each of us to keep digging, keep pushing ourselves beyond the limitations of our comfort zones. And Amen tells the story—in playful genre experimentations and heady ruminations of richly embodied instrumentation. \u003cbr\u003e\u003cbr\u003eIn part, this can be heard in Guidry's sources of inspiration. Her musical origins begin in the South, in the springy rhythms of zydeco and the liberating voices of gospel. \u003cbr\u003e\u003cbr\u003eOther influences find a home in her work, too. If Jazmine Sullivan were to make a bassoon record, it would be this. Piercing and purposeful, raw and real, Guidry’s past and present music permeates with intelligence and openness. Sonically, the meditative pulses of ambient music blended with elements of jazz and soul, forming something new and true. \u003cbr\u003e\u003cbr\u003eBut the most impactful moments were born within Guidry herself. Art manifests in all of life's stages and circumstances, but the most powerful and piercing forms of art—of music—are a manifestation of the creator's greatest truths. “How do you survive? How do I survive? How do my friends survive?” asks Guidry. “The writing process is kind of like therapy in a way. And I really feel like a different person now.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Joy Guidry\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYのノンバイナリー／ファゴット奏者Joy Guidryが、2024年6月に同国アンビエントレーベルWhited Sepulchreからリリースしたレコードです。 アンビエント・ジャズ〜スピリチュアル・ジャズ〜ゴスペル8曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 前作もオススメです。 Whited Sepulchre Recordsその他作品はこちら /// Click here to see more Whited Sepulchre Records...
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{"id":8094825251066,"title":"Field of Fear \/\/ Beyond the Reach of Light LP","handle":"field-of-fear-beyond-the-reach-of-light-lp-pre-order","description":"\u003cp\u003eアメリカ・オークランドのポストインダストリアル作家Field of Fearが、2023年9月に同国アンビエントレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchre Recordsから300部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eノイズ・ドローン〜ドローン・テクノ8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2142210134\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3200308970\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2142210134\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12\" black vinyl. Vinyl edition of 300. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDusk 04:03\u003c\/li\u003e\n\u003cli\u003eShadowed 05:16\u003c\/li\u003e\n\u003cli\u003eDarkness 02:56\u003c\/li\u003e\n\u003cli\u003eCold 02:18\u003c\/li\u003e\n\u003cli\u003eConsumed 04:26\u003c\/li\u003e\n\u003cli\u003eDescent 02:56\u003c\/li\u003e\n\u003cli\u003eFamiliar 02:38\u003c\/li\u003e\n\u003cli\u003eLost 05:54\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBeyond the Reach of Light is the 4th release from Oakland-based drone musician Field of Fear. The band’s most personal record, Beyond the Reach of Light chronicles the ebbs and flows of depression with harrowing precision. The album is an emotionally raw and sonically varied experience - in a moment changing from aggressive industrial charges in “Darkness” to subdued ambient drone throbs in “Cold.” Album closer “Lost” emparts a sense of someone emotionally spent and yet nowhere near the end of the journey.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWritten under the guidance of New York–based experimentalist David First, Beyond the Reach of Light combines drone underpinnings with industrial guitar riffs, repetitive rhythms, power electronics-inspired synthetic feedback and electronic noise to deliver shortform pieces - out of step with the genre’s tendency toward lengthy track times.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Field of Fear\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-11-29T07:52:49+09:00","created_at":"2023-11-26T12:37:54+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","new","noise","techno \/ house","Whited Sepulchre Records"],"price":414500,"price_min":414500,"price_max":414500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44812298879226,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Field of Fear \/\/ Beyond the Reach of Light LP","public_title":null,"options":["Default Title"],"price":414500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_bfa7722b-79ae-451a-a8da-4d7ef77b78db.jpg?v=1700969876","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_4bac903b-c197-4163-8129-4d6296478d1a.jpg?v=1700969876"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_bfa7722b-79ae-451a-a8da-4d7ef77b78db.jpg?v=1700969876","options":["Title"],"media":[{"alt":null,"id":32747897094394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_bfa7722b-79ae-451a-a8da-4d7ef77b78db.jpg?v=1700969876"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_bfa7722b-79ae-451a-a8da-4d7ef77b78db.jpg?v=1700969876","width":700},{"alt":null,"id":32747897127162,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_4bac903b-c197-4163-8129-4d6296478d1a.jpg?v=1700969876"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_4bac903b-c197-4163-8129-4d6296478d1a.jpg?v=1700969876","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・オークランドのポストインダストリアル作家Field of Fearが、2023年9月に同国アンビエントレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchre Recordsから300部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eノイズ・ドローン〜ドローン・テクノ8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2142210134\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3200308970\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2142210134\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12\" black vinyl. Vinyl edition of 300. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDusk 04:03\u003c\/li\u003e\n\u003cli\u003eShadowed 05:16\u003c\/li\u003e\n\u003cli\u003eDarkness 02:56\u003c\/li\u003e\n\u003cli\u003eCold 02:18\u003c\/li\u003e\n\u003cli\u003eConsumed 04:26\u003c\/li\u003e\n\u003cli\u003eDescent 02:56\u003c\/li\u003e\n\u003cli\u003eFamiliar 02:38\u003c\/li\u003e\n\u003cli\u003eLost 05:54\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBeyond the Reach of Light is the 4th release from Oakland-based drone musician Field of Fear. The band’s most personal record, Beyond the Reach of Light chronicles the ebbs and flows of depression with harrowing precision. The album is an emotionally raw and sonically varied experience - in a moment changing from aggressive industrial charges in “Darkness” to subdued ambient drone throbs in “Cold.” Album closer “Lost” emparts a sense of someone emotionally spent and yet nowhere near the end of the journey.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWritten under the guidance of New York–based experimentalist David First, Beyond the Reach of Light combines drone underpinnings with industrial guitar riffs, repetitive rhythms, power electronics-inspired synthetic feedback and electronic noise to deliver shortform pieces - out of step with the genre’s tendency toward lengthy track times.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Field of Fear\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・オークランドのポストインダストリアル作家Field of Fearが、2023年9月に同国アンビエントレーベルWhited Sepulchre Recordsから300部限定でリリースしたレコードです。 ノイズ・ドローン〜ドローン・テクノ8曲を収録。 Whited Sepulchre Recordsその他作品はこちら /// Click here to see more Whited Sepulchre Records...
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{"id":7977791521018,"title":"Jason Doell \/\/ becoming in shadows ~ of being touched LP","handle":"jason-doell-becoming-in-shadows-of-being-touched-lp","description":"\u003cp\u003eカナダ・トロントの実験音楽家Jason Doellが、2023年4月にアメリカ・オハイオの実験／アンビエントレーベルWhited Sepulchre Recordsから300部限定でリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノとコンピューターによるエレクトロアコースティック〜ドローン3曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3756546338\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300. Includes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIt's hard to parse exactly what you're listening to when you immerse yourself in Jason Doell's new recording, Becoming In Shadows ~ Of Being Touched. The old adage about never judging a book by its cover may often hold true but somehow Xuan Ye's beautiful design speaks volumes about both the sonics and structure of this bewildering document by the Toronto-based composer and sound artist. Though the imagery is blatantly computer-generated, it's rife with references to vegetation, bones, water, and buildings. Similarly, one of the most beguiling aspects of Doell's music here is the friction that builds up between its organic surface and the elusive, unruly quality that permeates just about everything else. Piano is audibly the album's lone instrument, but even with that anchor of familiarity, one still finds themselves confronted with something disorienting, but utterly captivating—tangled layers, meandering forms, subtle idiosyncratic manipulations. Doell's performance brims with improvisatory warmth and bears the unmistakable physicality of a human interacting with an instrument however there's another far less comprehensible force at play—a mystifying undertow that pulls the ear toward murky sonic depths.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe process that birthed this album—his vinyl\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e debut—unquestionably plays a key role in establishing the feverish liminal space it inhabits. While in a winter residency at the Banff Centre, Doell began each day limbering up with some freeform playing at the piano that had been provided to him. The instrument offered the perfect tool for such open-ended forays —as a guitarist primarily, it liberated him from his internalized technical vocabulary, and yet as a seasoned composer he also had enough keyboard facility to get lost in his own spontaneous playing. From the outset, these daily sessions were recorded, just in case they yielded raw compositional material. Yet, as he captured more of these improvisations the motivation behind the exercise shifted from warm-up to explicitly accumulating piano recordings. This culminated in him digging out a dilapidated piano that had been buried in a snow bank expressly to record it.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt wasn't until he returned home that he discovered just what to do with all the raw footage he had collected. Doell had been developing an algorithmic compositional tool for himself that would generate music based on a user-defined catalogue of sounds and various parameters. Each of the three pieces found on Becoming In Shadows ~ Of Being Touched was spawned through exploring this very software. Yet in spite of them being produced through this process, Doell seems to have little interest in making this about the technology. Instead, he lets the distinctly alien character of computerized decision-making imprint itself upon the material to spellbinding effect.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album is due for release April 21, 2023 with noted American imprint Whited Sepulchre, home to music from Joy Guidry, Endlings (the duo of Pulitzer Prize-winner Raven Chacon and John Dieterich), Lake Mary, and claire rousay.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOver the past 15 years, Jason Doell has become an integral member of Canada's experimental and contemporary music community. Though he remains an active participant among strictly musical circles, his areas of interests distinguish him given their tendency toward the interdisciplinary, including site\/context-specific works, live coding, and signal chain manipulation. These preoccupations have yielded a number of major projects such as beneath a landscape, a 30-minute open-instrumentation work commissioned by Toronto's INTERsection festival and unveiled in a subway station, the sprawling online interactive work TURNONANDBENOTALONE presented by the Music Gallery, and the algorithmic piece to be talking about something that is unlikely to happen which debuted at MaerzMusik in Berlin. He is a member of the duo Invisible Out alongside multidisciplinary artist Xuan Ye (who provide this album's cover art) and the trio Nidus with writer\/ sound artist Marc Couroux and Matthew Ramolo (AKA Constellation Records' Khôra). Doell has also worked with several notable ensembles and performer such as Quatuor Bozzini, contaQt, Continuum, Thin Edge New Music Collective, junctQín, Yang Chen and Cheryl Duvall. In 2014 he was the winner of both Toronto Emerging Composer award in and NonClassical's International Composers’ Competition.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Jason Doell\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel :Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-23T15:49:36+09:00","created_at":"2023-05-22T14:41:14+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","Whited Sepulchre Records"],"price":378000,"price_min":378000,"price_max":378000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44247316300026,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jason Doell \/\/ becoming in shadows ~ of being touched LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_12b9c00c-419f-4c28-86f1-1607d4e1d207.jpg?v=1684734076","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_6894c67e-7354-4cbe-8b88-41e749e4b1fe.jpg?v=1684734076"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_12b9c00c-419f-4c28-86f1-1607d4e1d207.jpg?v=1684734076","options":["Title"],"media":[{"alt":null,"id":32002125824250,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_12b9c00c-419f-4c28-86f1-1607d4e1d207.jpg?v=1684734076"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_12b9c00c-419f-4c28-86f1-1607d4e1d207.jpg?v=1684734076","width":700},{"alt":null,"id":32002125857018,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_6894c67e-7354-4cbe-8b88-41e749e4b1fe.jpg?v=1684734076"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_6894c67e-7354-4cbe-8b88-41e749e4b1fe.jpg?v=1684734076","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・トロントの実験音楽家Jason Doellが、2023年4月にアメリカ・オハイオの実験／アンビエントレーベルWhited Sepulchre Recordsから300部限定でリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノとコンピューターによるエレクトロアコースティック〜ドローン3曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3756546338\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300. Includes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIt's hard to parse exactly what you're listening to when you immerse yourself in Jason Doell's new recording, Becoming In Shadows ~ Of Being Touched. The old adage about never judging a book by its cover may often hold true but somehow Xuan Ye's beautiful design speaks volumes about both the sonics and structure of this bewildering document by the Toronto-based composer and sound artist. Though the imagery is blatantly computer-generated, it's rife with references to vegetation, bones, water, and buildings. Similarly, one of the most beguiling aspects of Doell's music here is the friction that builds up between its organic surface and the elusive, unruly quality that permeates just about everything else. Piano is audibly the album's lone instrument, but even with that anchor of familiarity, one still finds themselves confronted with something disorienting, but utterly captivating—tangled layers, meandering forms, subtle idiosyncratic manipulations. Doell's performance brims with improvisatory warmth and bears the unmistakable physicality of a human interacting with an instrument however there's another far less comprehensible force at play—a mystifying undertow that pulls the ear toward murky sonic depths.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe process that birthed this album—his vinyl\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e debut—unquestionably plays a key role in establishing the feverish liminal space it inhabits. While in a winter residency at the Banff Centre, Doell began each day limbering up with some freeform playing at the piano that had been provided to him. The instrument offered the perfect tool for such open-ended forays —as a guitarist primarily, it liberated him from his internalized technical vocabulary, and yet as a seasoned composer he also had enough keyboard facility to get lost in his own spontaneous playing. From the outset, these daily sessions were recorded, just in case they yielded raw compositional material. Yet, as he captured more of these improvisations the motivation behind the exercise shifted from warm-up to explicitly accumulating piano recordings. This culminated in him digging out a dilapidated piano that had been buried in a snow bank expressly to record it.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt wasn't until he returned home that he discovered just what to do with all the raw footage he had collected. Doell had been developing an algorithmic compositional tool for himself that would generate music based on a user-defined catalogue of sounds and various parameters. Each of the three pieces found on Becoming In Shadows ~ Of Being Touched was spawned through exploring this very software. Yet in spite of them being produced through this process, Doell seems to have little interest in making this about the technology. Instead, he lets the distinctly alien character of computerized decision-making imprint itself upon the material to spellbinding effect.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album is due for release April 21, 2023 with noted American imprint Whited Sepulchre, home to music from Joy Guidry, Endlings (the duo of Pulitzer Prize-winner Raven Chacon and John Dieterich), Lake Mary, and claire rousay.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOver the past 15 years, Jason Doell has become an integral member of Canada's experimental and contemporary music community. Though he remains an active participant among strictly musical circles, his areas of interests distinguish him given their tendency toward the interdisciplinary, including site\/context-specific works, live coding, and signal chain manipulation. These preoccupations have yielded a number of major projects such as beneath a landscape, a 30-minute open-instrumentation work commissioned by Toronto's INTERsection festival and unveiled in a subway station, the sprawling online interactive work TURNONANDBENOTALONE presented by the Music Gallery, and the algorithmic piece to be talking about something that is unlikely to happen which debuted at MaerzMusik in Berlin. He is a member of the duo Invisible Out alongside multidisciplinary artist Xuan Ye (who provide this album's cover art) and the trio Nidus with writer\/ sound artist Marc Couroux and Matthew Ramolo (AKA Constellation Records' Khôra). Doell has also worked with several notable ensembles and performer such as Quatuor Bozzini, contaQt, Continuum, Thin Edge New Music Collective, junctQín, Yang Chen and Cheryl Duvall. In 2014 he was the winner of both Toronto Emerging Composer award in and NonClassical's International Composers’ Competition.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Jason Doell\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel :Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e"}
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カナダ・トロントの実験音楽家Jason Doellが、2023年4月にアメリカ・オハイオの実験／アンビエントレーベルWhited Sepulchre Recordsから300部限定でリリースしたデビューレコードです。 ピアノとコンピューターによるエレクトロアコースティック〜ドローン3曲を収録。DLコード付属。 Whited Sepulchre Recordsその他作品はこちら /// Click here to see more Whited Sepulchre Records releases...
¥3,780
クイックビュー
{"id":7947706269946,"title":"Bailey Miller \/\/ love is a dying TAPE","handle":"bailey-miller-love-is-a-dying-tape","description":"\u003cp\u003eアメリカ・オハイオのシンガーソングライターBailey Millerが、2023年2月に同国アンビエント〜ポップレーベル\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchreから100本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアコギを主体としたミニマルなベッドルームフォーク11曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eマスタリングはSean McCannが担当しています。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3648544352\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1427987293\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3648544352\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3648544352\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3924419983\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 100.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWhile producer, singer, and multi-instrumentalist Bailey Miller’s debut full-length, Still Water, found great depth in the juxtaposition and interweaving of tactile instruments with otherworldly sounds, Miller’s\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003efollow-up love is a dying follows a considerably more direct path to intention and meaning.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNot unlike Richard Youngs, Miller explores minimalist, meditative songwriting to great effect and in a way that seems to proceed as economically as possible from each song’s emotional germination. One has the sense that the work is necessary, that these songs serve fundamentally to process the realities of life and loss, that in the playing, Miller finds comfort and meaning.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMany of the songs on love is a dying are in fact first takes, recorded spontaneously in the very earliest stages of development. The record itself is therefore both seed and blossom. Miller says that these songs\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“resisted being re-recorded” and that “once a song seemed to work its magic and help me to process an event or an emotion, I let that song be done.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom one song to the next, Miller trades instruments. On “cul-de-sac,” she turns careful phrases over and over on an electric baritone guitar (which makes multiple appearances throughout\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e the record). “You’re so\u003cbr data-mce-fragment=\"1\"\u003eclose \/ and I should be too \/ but nothing’s getting through to you.” There is a sense of emotional frustration but also an opening through acceptance: “But I’m out of hope \/ for being seen. \/ How do you\u003cbr data-mce-fragment=\"1\"\u003enot see me? \/ The car pulls up to the cul-de-sac \/ and then it fades to black \/ then it fades to black.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNot only are most of the songs on love is a dying first takes, but the record is sequenced in the order that the songs were written. It is a story emerging. The title, Miller says, is meant to express a powerful\u003cbr data-mce-fragment=\"1\"\u003edichotomy. Love is a kind of dying whether that love is a successful, loving relationship or if it means heartbreak and grief. In the former case, one experiences a dying of oneself and expectations of another,\u003cbr data-mce-fragment=\"1\"\u003ewhile the latter brings painful loss.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs on her previous work, the focus here is Miller’s voice, spare and clear. It is a voice that disarms and communicates intensity largely through a power withheld, implied. Fans of Tiny Vipers and Cross\u003cbr data-mce-fragment=\"1\"\u003eRecord and Sybille Baer will find this quality familiar and easy to love, while all of Miller’s work and processes are shot through with a spiritual charge reminiscent of David Åhlen. Miller counts philosopher\u003cbr data-mce-fragment=\"1\"\u003eSimone Weil among her most crucial influences and discerning listeners will certainly understand that Miller’s preoccupations with mortality and transfiguration are complex, even theological.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn “goldfinch,” Miller accompanies her crystal clear singing with only a gentle, looped recording of frogs singing and the effect is one of profound timelessness like Shirley Collins’ Crowlink or Elephant\u003cbr data-mce-fragment=\"1\"\u003eMicah’s Genericana. And here “timelinessnes”s means not only having qualities from some time now past, but from any distant human future to come, including perhaps the very moment when one is hearing\u003cbr data-mce-fragment=\"1\"\u003ethis music for the first time. Miller’s depth and directness, her ability and willingness to experiment with processes sees to it that her musings will feel shimmeringly potent and intimate wherever and whenever there is a mind to wonder.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Bailey Miller\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-04-05T07:27:59+09:00","created_at":"2023-04-01T11:40:27+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","tape","Whited Sepulchre Records"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44139530354938,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bailey Miller \/\/ love is a dying TAPE","public_title":null,"options":["Default Title"],"price":215000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_cb3e15a7-12bb-453b-a388-aa81a37c14d3.jpg?v=1680316828","\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_21aeaf28-3931-491b-9bfd-4189aa42b0b4.jpg?v=1680316829"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_cb3e15a7-12bb-453b-a388-aa81a37c14d3.jpg?v=1680316828","options":["Title"],"media":[{"alt":null,"id":31763900039418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_cb3e15a7-12bb-453b-a388-aa81a37c14d3.jpg?v=1680316828"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_cb3e15a7-12bb-453b-a388-aa81a37c14d3.jpg?v=1680316828","width":700},{"alt":null,"id":31763900072186,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_21aeaf28-3931-491b-9bfd-4189aa42b0b4.jpg?v=1680316829"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_21aeaf28-3931-491b-9bfd-4189aa42b0b4.jpg?v=1680316829","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・オハイオのシンガーソングライターBailey Millerが、2023年2月に同国アンビエント〜ポップレーベル\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchreから100本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアコギを主体としたミニマルなベッドルームフォーク11曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eマスタリングはSean McCannが担当しています。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3648544352\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1427987293\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3648544352\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3648544352\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3924419983\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 100.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWhile producer, singer, and multi-instrumentalist Bailey Miller’s debut full-length, Still Water, found great depth in the juxtaposition and interweaving of tactile instruments with otherworldly sounds, Miller’s\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003efollow-up love is a dying follows a considerably more direct path to intention and meaning.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNot unlike Richard Youngs, Miller explores minimalist, meditative songwriting to great effect and in a way that seems to proceed as economically as possible from each song’s emotional germination. One has the sense that the work is necessary, that these songs serve fundamentally to process the realities of life and loss, that in the playing, Miller finds comfort and meaning.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMany of the songs on love is a dying are in fact first takes, recorded spontaneously in the very earliest stages of development. The record itself is therefore both seed and blossom. Miller says that these songs\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“resisted being re-recorded” and that “once a song seemed to work its magic and help me to process an event or an emotion, I let that song be done.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom one song to the next, Miller trades instruments. On “cul-de-sac,” she turns careful phrases over and over on an electric baritone guitar (which makes multiple appearances throughout\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e the record). “You’re so\u003cbr data-mce-fragment=\"1\"\u003eclose \/ and I should be too \/ but nothing’s getting through to you.” There is a sense of emotional frustration but also an opening through acceptance: “But I’m out of hope \/ for being seen. \/ How do you\u003cbr data-mce-fragment=\"1\"\u003enot see me? \/ The car pulls up to the cul-de-sac \/ and then it fades to black \/ then it fades to black.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNot only are most of the songs on love is a dying first takes, but the record is sequenced in the order that the songs were written. It is a story emerging. The title, Miller says, is meant to express a powerful\u003cbr data-mce-fragment=\"1\"\u003edichotomy. Love is a kind of dying whether that love is a successful, loving relationship or if it means heartbreak and grief. In the former case, one experiences a dying of oneself and expectations of another,\u003cbr data-mce-fragment=\"1\"\u003ewhile the latter brings painful loss.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs on her previous work, the focus here is Miller’s voice, spare and clear. It is a voice that disarms and communicates intensity largely through a power withheld, implied. Fans of Tiny Vipers and Cross\u003cbr data-mce-fragment=\"1\"\u003eRecord and Sybille Baer will find this quality familiar and easy to love, while all of Miller’s work and processes are shot through with a spiritual charge reminiscent of David Åhlen. Miller counts philosopher\u003cbr data-mce-fragment=\"1\"\u003eSimone Weil among her most crucial influences and discerning listeners will certainly understand that Miller’s preoccupations with mortality and transfiguration are complex, even theological.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn “goldfinch,” Miller accompanies her crystal clear singing with only a gentle, looped recording of frogs singing and the effect is one of profound timelessness like Shirley Collins’ Crowlink or Elephant\u003cbr data-mce-fragment=\"1\"\u003eMicah’s Genericana. And here “timelinessnes”s means not only having qualities from some time now past, but from any distant human future to come, including perhaps the very moment when one is hearing\u003cbr data-mce-fragment=\"1\"\u003ethis music for the first time. Miller’s depth and directness, her ability and willingness to experiment with processes sees to it that her musings will feel shimmeringly potent and intimate wherever and whenever there is a mind to wonder.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Bailey Miller\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・オハイオのシンガーソングライターBailey Millerが、2023年2月に同国アンビエント〜ポップレーベルWhited Sepulchreから100本限定でリリースしたカセットです。 アコギを主体としたミニマルなベッドルームフォーク11曲を収録。DLコード付属。 マスタリングはSean McCannが担当しています。 Whited Sepulchre Recordsその他作品はこちら /// Click here to see more Whited Sepulchre Records...
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