ato.archives

クイックビュー {"id":8788537770234,"title":"Takashi Makino \/\/ Space Noise TAPE","handle":"takashi-makino-space-noise-tape","description":"\u003cp\u003e\u003cspan\u003e神奈川の映像作家Takashi Makino\u003c\/span\u003eが、2025年4月に東京の実験レーベルato.archivesからリリースしたカセットです。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このテープ作品は次のような構成になっている：片面には、私が2011年から展開しているオーディオビジュアル3Dパフォーマンス作品『Space Noise』のサウンドトラックから15分の抜粋と、私が2017年に制作した長編映画『Memento Stella』のサウンドトラックから15分の抜粋を収録している。抜粋と編集はato.archivesが担当した。B面には、私の短編映画『2012』のサウンドトラックが収録されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=447724803\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/atoa\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/atoa\"\u003ehere\u003c\/a\u003e to see more ato.archives releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Space Noise 14:55\u003cbr\u003e2. Memento Stella 15:05\u003cbr\u003e3. 2012 29:41\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This tape work is structured as follows: one side features a 15-minute excerpt from the soundtrack of my ongoing audiovisual 3D performance piece, Space Noise, which I have been developing since 2011, and a 15-minute excerpt from the soundtrack of my 2017 feature film, Memento Stella. The excerpts and editing were done by ato.archives. The other side contains the soundtrack from my short film, 2012.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e(Excerpt from the text on the tape sleeve.)\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003cbr\u003e\u003cbr\u003eArtist bio, via the label:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Born in Tokyo, 1978. Lives and works in Kanagawa.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTakashi Makino graduated from Cinematography \/ Sound Recording course at Department of Cinema at Nihon University College of Art, Japan in 2001 and he studied about film, lighting, and music under Quay Brothers at Atelier Koninck QBFZ in London in 2001. Makino gained his skills relating to film and videos while he was undertaking coloration as a Colorist on various filmography, CF, and music videos from 2001 to 2011. He has been started screening his works since 2004. He captures video of ready-made objects\u003cspan class=\"bcTruncateMore\"\u003e including natural phenomena, human, and cities with various formats. And he layers and configures them while in an editing process, his quite organic yet imaginative films, which seem like bursting unlimitedly are highly regarded internationally. Makino is currently based in Japan and presents movies, music, installation, audiovisual performances around the world. Makino awarded the Tiger Award at International Film Festival Rotterdam in 2011 and he also received various awards at several international film festivals including Hamburg International Short Film Festival, Moscow International Film Festival, and he also awarded the Grand Prize at 25FPS International Experimental Film and Video Festival. His cinema works were screened in over 120 cities in the world. Recently screened in documenta 14, Athens, Greece (2017); Austrian Film Festival, Vienna, Austria (2017); New York Film Festival, New York, USA (2014, 2017); Whitechapel Gallery, London, UK (2016); The Korean Film Archive, Seoul, Korea (2016); BFI IMAX Theatre, London, UK (2016); MoMAPS1, New York, USA (2013); San Francisco MoMA, USA (2009); New Museum of Contemporary Art, New York, USA (2008).\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Takashi Makino\u003c\/p\u003e\n\u003cp\u003eLabel : ato.archives\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eata012\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-23T07:57:38+09:00","created_at":"2025-05-19T11:26:07+09:00","vendor":"Tobira Records","type":"","tags":["ato.archives","drone","new","tape"],"price":180000,"price_min":180000,"price_max":180000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47324509274362,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Takashi Makino \/\/ Space Noise TAPE","public_title":null,"options":["Default Title"],"price":180000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/noi1_1f1acfb8-38b4-4156-90c6-8c7d740d2e51.jpg?v=1747621486"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/noi1_1f1acfb8-38b4-4156-90c6-8c7d740d2e51.jpg?v=1747621486","options":["Title"],"media":[{"alt":null,"id":36051824869626,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/noi1_1f1acfb8-38b4-4156-90c6-8c7d740d2e51.jpg?v=1747621486"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/noi1_1f1acfb8-38b4-4156-90c6-8c7d740d2e51.jpg?v=1747621486","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e神奈川の映像作家Takashi Makino\u003c\/span\u003eが、2025年4月に東京の実験レーベルato.archivesからリリースしたカセットです。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このテープ作品は次のような構成になっている：片面には、私が2011年から展開しているオーディオビジュアル3Dパフォーマンス作品『Space Noise』のサウンドトラックから15分の抜粋と、私が2017年に制作した長編映画『Memento Stella』のサウンドトラックから15分の抜粋を収録している。抜粋と編集はato.archivesが担当した。B面には、私の短編映画『2012』のサウンドトラックが収録されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=447724803\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/atoa\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/atoa\"\u003ehere\u003c\/a\u003e to see more ato.archives releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Space Noise 14:55\u003cbr\u003e2. Memento Stella 15:05\u003cbr\u003e3. 2012 29:41\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This tape work is structured as follows: one side features a 15-minute excerpt from the soundtrack of my ongoing audiovisual 3D performance piece, Space Noise, which I have been developing since 2011, and a 15-minute excerpt from the soundtrack of my 2017 feature film, Memento Stella. The excerpts and editing were done by ato.archives. The other side contains the soundtrack from my short film, 2012.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e(Excerpt from the text on the tape sleeve.)\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003cbr\u003e\u003cbr\u003eArtist bio, via the label:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Born in Tokyo, 1978. Lives and works in Kanagawa.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTakashi Makino graduated from Cinematography \/ Sound Recording course at Department of Cinema at Nihon University College of Art, Japan in 2001 and he studied about film, lighting, and music under Quay Brothers at Atelier Koninck QBFZ in London in 2001. Makino gained his skills relating to film and videos while he was undertaking coloration as a Colorist on various filmography, CF, and music videos from 2001 to 2011. He has been started screening his works since 2004. He captures video of ready-made objects\u003cspan class=\"bcTruncateMore\"\u003e including natural phenomena, human, and cities with various formats. And he layers and configures them while in an editing process, his quite organic yet imaginative films, which seem like bursting unlimitedly are highly regarded internationally. Makino is currently based in Japan and presents movies, music, installation, audiovisual performances around the world. Makino awarded the Tiger Award at International Film Festival Rotterdam in 2011 and he also received various awards at several international film festivals including Hamburg International Short Film Festival, Moscow International Film Festival, and he also awarded the Grand Prize at 25FPS International Experimental Film and Video Festival. His cinema works were screened in over 120 cities in the world. Recently screened in documenta 14, Athens, Greece (2017); Austrian Film Festival, Vienna, Austria (2017); New York Film Festival, New York, USA (2014, 2017); Whitechapel Gallery, London, UK (2016); The Korean Film Archive, Seoul, Korea (2016); BFI IMAX Theatre, London, UK (2016); MoMAPS1, New York, USA (2013); San Francisco MoMA, USA (2009); New Museum of Contemporary Art, New York, USA (2008).\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Takashi Makino\u003c\/p\u003e\n\u003cp\u003eLabel : ato.archives\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eata012\u003c\/span\u003e\u003c\/p\u003e"}

ブラジルの映像作家AGORAが、2025年4月に東京の実験レーベルato.archivesからリリースしたカセットです。DLコード付属。以下、レーベルによる解説です。 "イパネマ・ビーチで60℃を超える暑さに耐えながら、小指でココナッツを割り、中の果肉を食べ、海に飛び込むことを繰り返す毎日。ビーチ近くを自転車で走るときのサウンドトラックはバーデン・パウエル。飼い犬のジャーマンシェパードとはいつも一緒だ。今度のテープリリースのキュレーターであるTetsuya Maruyamaとは、まさにこの犬を通じてつながった（Maruyamaも犬も、道端の物音に惹かれたのだ）。汗とビールと小便が充満するカーニバルの熱狂的なエネルギーとはかけ離れたAGORAは、薄暗い部屋で静かにフィルムやカセットテープの実験をしているパートタイム・アーティストだ。" レーベルその他作品はこちら /// Click here to see more ato.archives releases available...

¥1,800

クイックビュー {"id":8788537147642,"title":"Various Artists \/\/ Cinema Ouvido: Experimental music by filmmakers from Latin America TAPE","handle":"various-artists-cinema-ouvido-experimental-music-by-filmmakers-from-latin-america-tape","description":"\u003cp\u003e東京の実験レーベルato.archivesが、2025年4月にリリースしたコンピレーションカセットです。\u003c\/p\u003e\n\u003cp\u003eラテンアメリカの映像作家10名が参加しています。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2569296827\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/atoa\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/atoa\"\u003ehere\u003c\/a\u003e to see more ato.archives releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCassette in norelco case.\u003cbr\u003e\u003cspan\u003eCompilation introduces the sound pieces created by the Latin American experimental filmmakers, \u003c\/span\u003e\u003cspan\u003ecurated by the film artist Tetsuya Maruyama.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. \u003cmeta charset=\"utf-8\"\u003eЖ - water melon blues (Brazil) 07:07\u003cbr\u003e2. \u003cmeta charset=\"utf-8\"\u003eJohn Melo - Memorias de una montaña (Colombia) 04:58\u003cbr\u003e3. \u003cmeta charset=\"utf-8\"\u003eRodrigo Faustini - Inseto Vencendo o Silêncio (Brazil) 02:00\u003cbr\u003e4. \u003cmeta charset=\"utf-8\"\u003eFrancisco Álvarez - Educación Perdida (Equador) 09:03\u003cbr\u003e5. \u003cmeta charset=\"utf-8\"\u003eMartin Baus - cielo abierto \/ mar abierto \/ suelo abierto (Chile, Ecuador) 04:10\u003cbr\u003e6. \u003cmeta charset=\"utf-8\"\u003eLucía Malandro - Ejemplo (Uruguay) 06:36\u003cbr\u003e7. \u003cmeta charset=\"utf-8\"\u003eIvonne Sheen Mogollón - Abc Cine (Peru) 02:53\u003cbr\u003e8. \u003cmeta charset=\"utf-8\"\u003eavier Plano - CONTACTOR STARTER (Cruz de Malta) (Argentina) 06:06\u003cbr\u003e9. \u003cmeta charset=\"utf-8\"\u003ePablo Mazzolo - Tectonic incident (Oaxaca-Tohoku) (Argentina) 09:36\u003cbr\u003e10. \u003cmeta charset=\"utf-8\"\u003eRosana Cacciatore - Rasgos (Brazil) 03:54\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist bios, via the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eЖ:\u003cbr\u003eЖ (São Paulo, 198-) film-designer, programmer, educator \u0026amp; editor\u003cbr\u003eHas a non-specialised and situated practice that explores the energetic, material,economic, political, and emotional cycles of (semio)capitalism. His work uses various strategies, materials, and media to reveal how these forces shape perception,memory, and subjectivity, especially in the context of our current ecological crisis.\u003cbr\u003eHis artistic propositions have taken the form of films, video installations, counter-spaces, writings, performances, and public space interventions, all aimed at reintegrating artistic practice into specific social and political contexts.\u003cbr\u003e\u003cbr\u003eJohn Melo:\u003cbr\u003eVisual artist, designer, and teacher of audiovisual arts. Graduated from the MAE (Master's in Technology and Aesthetics of Electronic Arts) at the National University of Tres de Febrero (UNTREF), Argentina. Interested in the relationship between arts, technology, ancestry, and transdisciplinary and experimental work. Studies non-linearity in artistic creation processes, poetic thinking, magical thinking, spirituality, and political and social actions, with a deep interest in pedagogy. Their work combines creative languages such as installation, sculpture, illustration, writing, sound, and video primarily. Previously a tutor in the training program for self-taught artists at the Museum of Modern Art in Bogotá (MAMBO PFA)\u003cbr\u003e\u003cbr\u003eIn 2022, founded SEPAE (Seminar of Editing and Experimental Audiovisual Thinking). Also involved in\"Colectivo Tal Cosa,\" a transdisciplinary project combining biology, sound\u003cbr\u003eexploration, intuition, and non-linear thinking in creative processes. A member of \"2 horas de diferencia coletivo,\" a space connecting Brazil, Argentina, and Colombia for projects that conceptually link the three territories. Part of the art collective \"Blanco Conejo\" in Bogotá, aiming to share, promote, and experiment with contemporary\u003cbr\u003emodes of creation.\u003cbr\u003e\u003cbr\u003eRodrigo Faustini:\u003cbr\u003eRodrigo Faustini is a Brazilian artist and researcher, based in São Paulo\/ Campinas. His practice focuses on mediation, materiality and noise in audiovisual forms. His work has been exhibited at Centro Cultural Kirchner, Images Festival, Bienal de la Imagen en Movimiento, Annecy international animation festival, Vienna Shorts, Festival de Cine de la Habana, and others.\u003cbr\u003e\u003cbr\u003eFrancisco Álvarez Ríos:\u003cbr\u003eFrancisco Álvarez Ríos (1991 - Ecuador) is a filmmaker, curator, archivist, and visual and sound artist. He currently serves as the director and curator of the Festival Internacional de Cine Contemporáneo Cámara Lúcida\u003cbr\u003eAs a filmmaker, he explores reality and its escapes, focusing on the demystification of the image beyond the literal recording of the real. His current practice delves into moving images, sound interpretation, film installation, and performance film—practices that coexist and interact within the less-defined territory of the contemporary expanded cinema.\u003cbr\u003e\u003cbr\u003eMartín Baus:\u003cbr\u003eMultimedia artist, filmmaker, musician, researcher and teacher. My artistic practice investigates the relationships between history, materialism and perception, converging my interest in the political dimensions of listening, the reappropriation of archives, and the procedures of translation between materialities such as celluloid,sound and text. I’m a member of CEIS8, a collective for experimentation with film formats and photochemical processes based in Santiago de Chile, and co-director along with Andrés Baus, of the independent record label Radio Fome, which releases improvisation-based music and sound pieces. I’m interested in aurality as a tool for a radical pedagogy from Latin America, as well as methodology for artistic and practice-based research.\u003cbr\u003e\u003cbr\u003eI enjoy engaging with the sonic realm from non-audible or non-sonorous approaches, therefore, I’ve done poetry books related to listening and wording, text installations that engage with opaque language translation procedures, publications around the links between salsa rhythms, migration and working-class struggles, and fictional writings that speculate on the future of sound archives and digital archeology.\u003cbr\u003e\u003cbr\u003eLucía Malandro:\u003cbr\u003eLucía Malandro is a renowned Uruguayan filmmaker dedicated to the preservation and restoration of cinematic and photographic heritage.\u003cbr\u003eA graduate of the Escuela de Cine y Televisión de San Antonio de los Baños, Cuba, with a specialization in Documentary Directing, she continued her studies with a master’s degree at Elías Querejeta Zine Eskola at the University of the Basque Country, Spain. As the founder of the Archivistas Salvajes collective, Malandro has taken initiative to rescue a little-known legacy: Cuba’s underground cinema of the 1970s and 1980s, a clandestine movement that emerged on Havana’s rooftops in response to official restrictions.\u003cbr\u003eSince 2019, she has directed several short films focused on the reuse and revaluation of cinematic and photographic archives, earning recognition at prestigious international festivals. Additionally, she has contributed as a film critic to various publications, including the official newspaper of the San Sebastián Film Festival in 2023.\u003cbr\u003eMalandro has worked on the restoration of archives at the Cinemateca Portuguesa and has contributed to research and archival projects such as Piezas Cinéticas and Vanguardia Scópica, collaborating with institutions like Gordailua, the Basque Film\u003cbr\u003e\u003cbr\u003eIvonne Sheen Mogollón:\u003cbr\u003eMy projects are developed as experimental audiovisual, photographic and sound works, publications, texts, curatorial work and organization of cultural initiatives. From a personal and critical voice, I explore questions and reinterpretations about my surroundings, structures, archive images, my family history and the hegemonic learning that we assimilate. I am interested in self-management and the collective creation of spaces and experiences. I currently live in between Cologne, Germany, and Lima, Peru. My film Animal Within co-directed with Rebeca Alvan has been showcased in different platforms and festivals in Latin America, Europe and the USA. I am co founder of Taller Helios and associate collaborator of Isole_islas.\u003cbr\u003e\u003cbr\u003eJavier Plano:\u003cbr\u003eJavier Plano is an artist and university professor that works and lives in Buenos Aires. He has a college degree in Electronic Arts from UNTREF, where since 2014 he has been teaching courses about time based media and audiovisual performance arts. He’s currently doing a master’s degree in Sound Art at UNTREF. In 2007, he begins to produce video works and installations, participating in various festivals and exhibitions organized by institutions locally and abroad. He has received numerous distinctions for his works, among others an honorable mention in the MAMbA \/ Fundación Telefónica Award for Arts and New Technologies, the 3rd prize in the UNTREF award to the Electronics Arts, and three different honorable mentions at the National Salon of Visual Arts. On 2016, he has his first solo exhibition, titled \"Test Patterns\", in the MACLA (La Plata, Argentina). That same year he attends an artistic residence program on Signal Culture (NY, USA), with a scholarship granted by the Department of Cultural Affairs of Argentina. In 2019, he does his first solo exhibition in Buenos Aires at the Eduardo Sívori Museum, and wins a Scholarship of the Fondo Nacional de las Artes to develop a new project.\u003cbr\u003e\u003cbr\u003ePablo Mazzolo:\u003cbr\u003ePablo Mazzolo (Argentina) is a filmmaker and educator born in Buenos Aires in 1976. He works exclusively in analogue film formats exploring the optical and chemical properties of the medium, with a particular focus on human and natural landscapes. His work has tackled themes such as indigenous sovereignty, the spectre of military dictatorship, extinction and environmental catastrophe.\u003cbr\u003e\u003cbr\u003eHe received an MFA from the University of Buenos Aires (2001). His films, including Diego La Silla (2000), Oaxaca Tohoku (2011), El Quilpo sueña cataratas (2012), Fotooxidación (2013), and Ceniza Verde (2019), have been widely exhibited at festivals, museums, and galleries internationally, including Arsenal Institute for Film and Video Art, Museo Nacional Centro de Arte Reina Sofía, Melbourne International Film Festival, Berkeley Art Museum and Pacific Film Archive, The Block Museum of Art, Govett-Brewster Art Gallery, Anthology Film Archives, Mar del Plata International Film Festival, Brooklyn Museum, The Buenos Aires Museum of Modern Art, TIFF Wavelength, International Film Festival Rotterdam, New York Film Festival, Edinburgh International Film Festival, Punto de Vista Festival, Frontera Sur International Non-Fiction Festival, Museo Tamayo, Valdivia International Film Festival, FAMU International, The Latin American Museum of Art Buenos Aires, Chicago Underground Film Festival, San Francisco Cinematheque, The Friedl Kubelka School for Independent Film, (S8) Mostra de Cinema Periférico, and Cinemateca Madrid, among many others.\u003cbr\u003e\u003cbr\u003eHis film Conjectures (2013) won Grand Prize, Media City Film Festival (2013); Fish Point (2015) was awarded the Kodak Cinematic Vision Award, Ann Arbor Film Festival (2016); and Cineza Verda (2019) was awarded Grand Prize, Buenos Aires International Festival of Independent Cinema (2019). Mazzolo is Professor at the National University of Quilmes, works as a freelance documentary film editor, and teaches workshops on visual perception and image creation to young people living with autism. He lives and works in Buenos Aires, Argentina\u003cbr\u003e\u003cbr\u003eRosana Cacciotore:\u003cbr\u003eExperimental filmmaker, documentary filmmaker, photographer, teacher, and\u003cbr\u003eaudiovisual researcher. Graduated in social communication with a master's and a PhD degree (thesis defense) in literary theory from UFSC\/BR. She has taught film and visual poetics courses, had films screened in national and international festivals, and participated as a debater, curator, judge, and reviewer in festivals, shows, and film notices. She has a book and articles published.\u003cbr\u003eIn experimental work, I usually make the sound myself; I think it is part of the creation process. About sound in these works, I assume sound is an image that produces meaning (or sensation) as a sign independent of the image.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : ato.archives\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eata014\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-23T08:06:27+09:00","created_at":"2025-05-19T11:21:09+09:00","vendor":"Tobira Records","type":"","tags":["ato.archives","drone","monooto","new","noise","tape"],"price":180000,"price_min":180000,"price_max":180000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47324503834874,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists \/\/ Cinema Ouvido: Experimental music by filmmakers from Latin America TAPE","public_title":null,"options":["Default Title"],"price":180000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ou1_57e52cfe-6446-41ef-9242-79d346900718.jpg?v=1747621056"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou1_57e52cfe-6446-41ef-9242-79d346900718.jpg?v=1747621056","options":["Title"],"media":[{"alt":null,"id":36051815366906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou1_57e52cfe-6446-41ef-9242-79d346900718.jpg?v=1747621056"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou1_57e52cfe-6446-41ef-9242-79d346900718.jpg?v=1747621056","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京の実験レーベルato.archivesが、2025年4月にリリースしたコンピレーションカセットです。\u003c\/p\u003e\n\u003cp\u003eラテンアメリカの映像作家10名が参加しています。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2569296827\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/atoa\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/atoa\"\u003ehere\u003c\/a\u003e to see more ato.archives releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCassette in norelco case.\u003cbr\u003e\u003cspan\u003eCompilation introduces the sound pieces created by the Latin American experimental filmmakers, \u003c\/span\u003e\u003cspan\u003ecurated by the film artist Tetsuya Maruyama.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. \u003cmeta charset=\"utf-8\"\u003eЖ - water melon blues (Brazil) 07:07\u003cbr\u003e2. \u003cmeta charset=\"utf-8\"\u003eJohn Melo - Memorias de una montaña (Colombia) 04:58\u003cbr\u003e3. \u003cmeta charset=\"utf-8\"\u003eRodrigo Faustini - Inseto Vencendo o Silêncio (Brazil) 02:00\u003cbr\u003e4. \u003cmeta charset=\"utf-8\"\u003eFrancisco Álvarez - Educación Perdida (Equador) 09:03\u003cbr\u003e5. \u003cmeta charset=\"utf-8\"\u003eMartin Baus - cielo abierto \/ mar abierto \/ suelo abierto (Chile, Ecuador) 04:10\u003cbr\u003e6. \u003cmeta charset=\"utf-8\"\u003eLucía Malandro - Ejemplo (Uruguay) 06:36\u003cbr\u003e7. \u003cmeta charset=\"utf-8\"\u003eIvonne Sheen Mogollón - Abc Cine (Peru) 02:53\u003cbr\u003e8. \u003cmeta charset=\"utf-8\"\u003eavier Plano - CONTACTOR STARTER (Cruz de Malta) (Argentina) 06:06\u003cbr\u003e9. \u003cmeta charset=\"utf-8\"\u003ePablo Mazzolo - Tectonic incident (Oaxaca-Tohoku) (Argentina) 09:36\u003cbr\u003e10. \u003cmeta charset=\"utf-8\"\u003eRosana Cacciatore - Rasgos (Brazil) 03:54\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist bios, via the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eЖ:\u003cbr\u003eЖ (São Paulo, 198-) film-designer, programmer, educator \u0026amp; editor\u003cbr\u003eHas a non-specialised and situated practice that explores the energetic, material,economic, political, and emotional cycles of (semio)capitalism. His work uses various strategies, materials, and media to reveal how these forces shape perception,memory, and subjectivity, especially in the context of our current ecological crisis.\u003cbr\u003eHis artistic propositions have taken the form of films, video installations, counter-spaces, writings, performances, and public space interventions, all aimed at reintegrating artistic practice into specific social and political contexts.\u003cbr\u003e\u003cbr\u003eJohn Melo:\u003cbr\u003eVisual artist, designer, and teacher of audiovisual arts. Graduated from the MAE (Master's in Technology and Aesthetics of Electronic Arts) at the National University of Tres de Febrero (UNTREF), Argentina. Interested in the relationship between arts, technology, ancestry, and transdisciplinary and experimental work. Studies non-linearity in artistic creation processes, poetic thinking, magical thinking, spirituality, and political and social actions, with a deep interest in pedagogy. Their work combines creative languages such as installation, sculpture, illustration, writing, sound, and video primarily. Previously a tutor in the training program for self-taught artists at the Museum of Modern Art in Bogotá (MAMBO PFA)\u003cbr\u003e\u003cbr\u003eIn 2022, founded SEPAE (Seminar of Editing and Experimental Audiovisual Thinking). Also involved in\"Colectivo Tal Cosa,\" a transdisciplinary project combining biology, sound\u003cbr\u003eexploration, intuition, and non-linear thinking in creative processes. A member of \"2 horas de diferencia coletivo,\" a space connecting Brazil, Argentina, and Colombia for projects that conceptually link the three territories. Part of the art collective \"Blanco Conejo\" in Bogotá, aiming to share, promote, and experiment with contemporary\u003cbr\u003emodes of creation.\u003cbr\u003e\u003cbr\u003eRodrigo Faustini:\u003cbr\u003eRodrigo Faustini is a Brazilian artist and researcher, based in São Paulo\/ Campinas. His practice focuses on mediation, materiality and noise in audiovisual forms. His work has been exhibited at Centro Cultural Kirchner, Images Festival, Bienal de la Imagen en Movimiento, Annecy international animation festival, Vienna Shorts, Festival de Cine de la Habana, and others.\u003cbr\u003e\u003cbr\u003eFrancisco Álvarez Ríos:\u003cbr\u003eFrancisco Álvarez Ríos (1991 - Ecuador) is a filmmaker, curator, archivist, and visual and sound artist. He currently serves as the director and curator of the Festival Internacional de Cine Contemporáneo Cámara Lúcida\u003cbr\u003eAs a filmmaker, he explores reality and its escapes, focusing on the demystification of the image beyond the literal recording of the real. His current practice delves into moving images, sound interpretation, film installation, and performance film—practices that coexist and interact within the less-defined territory of the contemporary expanded cinema.\u003cbr\u003e\u003cbr\u003eMartín Baus:\u003cbr\u003eMultimedia artist, filmmaker, musician, researcher and teacher. My artistic practice investigates the relationships between history, materialism and perception, converging my interest in the political dimensions of listening, the reappropriation of archives, and the procedures of translation between materialities such as celluloid,sound and text. I’m a member of CEIS8, a collective for experimentation with film formats and photochemical processes based in Santiago de Chile, and co-director along with Andrés Baus, of the independent record label Radio Fome, which releases improvisation-based music and sound pieces. I’m interested in aurality as a tool for a radical pedagogy from Latin America, as well as methodology for artistic and practice-based research.\u003cbr\u003e\u003cbr\u003eI enjoy engaging with the sonic realm from non-audible or non-sonorous approaches, therefore, I’ve done poetry books related to listening and wording, text installations that engage with opaque language translation procedures, publications around the links between salsa rhythms, migration and working-class struggles, and fictional writings that speculate on the future of sound archives and digital archeology.\u003cbr\u003e\u003cbr\u003eLucía Malandro:\u003cbr\u003eLucía Malandro is a renowned Uruguayan filmmaker dedicated to the preservation and restoration of cinematic and photographic heritage.\u003cbr\u003eA graduate of the Escuela de Cine y Televisión de San Antonio de los Baños, Cuba, with a specialization in Documentary Directing, she continued her studies with a master’s degree at Elías Querejeta Zine Eskola at the University of the Basque Country, Spain. As the founder of the Archivistas Salvajes collective, Malandro has taken initiative to rescue a little-known legacy: Cuba’s underground cinema of the 1970s and 1980s, a clandestine movement that emerged on Havana’s rooftops in response to official restrictions.\u003cbr\u003eSince 2019, she has directed several short films focused on the reuse and revaluation of cinematic and photographic archives, earning recognition at prestigious international festivals. Additionally, she has contributed as a film critic to various publications, including the official newspaper of the San Sebastián Film Festival in 2023.\u003cbr\u003eMalandro has worked on the restoration of archives at the Cinemateca Portuguesa and has contributed to research and archival projects such as Piezas Cinéticas and Vanguardia Scópica, collaborating with institutions like Gordailua, the Basque Film\u003cbr\u003e\u003cbr\u003eIvonne Sheen Mogollón:\u003cbr\u003eMy projects are developed as experimental audiovisual, photographic and sound works, publications, texts, curatorial work and organization of cultural initiatives. From a personal and critical voice, I explore questions and reinterpretations about my surroundings, structures, archive images, my family history and the hegemonic learning that we assimilate. I am interested in self-management and the collective creation of spaces and experiences. I currently live in between Cologne, Germany, and Lima, Peru. My film Animal Within co-directed with Rebeca Alvan has been showcased in different platforms and festivals in Latin America, Europe and the USA. I am co founder of Taller Helios and associate collaborator of Isole_islas.\u003cbr\u003e\u003cbr\u003eJavier Plano:\u003cbr\u003eJavier Plano is an artist and university professor that works and lives in Buenos Aires. He has a college degree in Electronic Arts from UNTREF, where since 2014 he has been teaching courses about time based media and audiovisual performance arts. He’s currently doing a master’s degree in Sound Art at UNTREF. In 2007, he begins to produce video works and installations, participating in various festivals and exhibitions organized by institutions locally and abroad. He has received numerous distinctions for his works, among others an honorable mention in the MAMbA \/ Fundación Telefónica Award for Arts and New Technologies, the 3rd prize in the UNTREF award to the Electronics Arts, and three different honorable mentions at the National Salon of Visual Arts. On 2016, he has his first solo exhibition, titled \"Test Patterns\", in the MACLA (La Plata, Argentina). That same year he attends an artistic residence program on Signal Culture (NY, USA), with a scholarship granted by the Department of Cultural Affairs of Argentina. In 2019, he does his first solo exhibition in Buenos Aires at the Eduardo Sívori Museum, and wins a Scholarship of the Fondo Nacional de las Artes to develop a new project.\u003cbr\u003e\u003cbr\u003ePablo Mazzolo:\u003cbr\u003ePablo Mazzolo (Argentina) is a filmmaker and educator born in Buenos Aires in 1976. He works exclusively in analogue film formats exploring the optical and chemical properties of the medium, with a particular focus on human and natural landscapes. His work has tackled themes such as indigenous sovereignty, the spectre of military dictatorship, extinction and environmental catastrophe.\u003cbr\u003e\u003cbr\u003eHe received an MFA from the University of Buenos Aires (2001). His films, including Diego La Silla (2000), Oaxaca Tohoku (2011), El Quilpo sueña cataratas (2012), Fotooxidación (2013), and Ceniza Verde (2019), have been widely exhibited at festivals, museums, and galleries internationally, including Arsenal Institute for Film and Video Art, Museo Nacional Centro de Arte Reina Sofía, Melbourne International Film Festival, Berkeley Art Museum and Pacific Film Archive, The Block Museum of Art, Govett-Brewster Art Gallery, Anthology Film Archives, Mar del Plata International Film Festival, Brooklyn Museum, The Buenos Aires Museum of Modern Art, TIFF Wavelength, International Film Festival Rotterdam, New York Film Festival, Edinburgh International Film Festival, Punto de Vista Festival, Frontera Sur International Non-Fiction Festival, Museo Tamayo, Valdivia International Film Festival, FAMU International, The Latin American Museum of Art Buenos Aires, Chicago Underground Film Festival, San Francisco Cinematheque, The Friedl Kubelka School for Independent Film, (S8) Mostra de Cinema Periférico, and Cinemateca Madrid, among many others.\u003cbr\u003e\u003cbr\u003eHis film Conjectures (2013) won Grand Prize, Media City Film Festival (2013); Fish Point (2015) was awarded the Kodak Cinematic Vision Award, Ann Arbor Film Festival (2016); and Cineza Verda (2019) was awarded Grand Prize, Buenos Aires International Festival of Independent Cinema (2019). Mazzolo is Professor at the National University of Quilmes, works as a freelance documentary film editor, and teaches workshops on visual perception and image creation to young people living with autism. He lives and works in Buenos Aires, Argentina\u003cbr\u003e\u003cbr\u003eRosana Cacciotore:\u003cbr\u003eExperimental filmmaker, documentary filmmaker, photographer, teacher, and\u003cbr\u003eaudiovisual researcher. Graduated in social communication with a master's and a PhD degree (thesis defense) in literary theory from UFSC\/BR. She has taught film and visual poetics courses, had films screened in national and international festivals, and participated as a debater, curator, judge, and reviewer in festivals, shows, and film notices. She has a book and articles published.\u003cbr\u003eIn experimental work, I usually make the sound myself; I think it is part of the creation process. About sound in these works, I assume sound is an image that produces meaning (or sensation) as a sign independent of the image.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : ato.archives\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eata014\u003c\/span\u003e\u003c\/p\u003e"}

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