Mike Hovancsek // Texture Studies TAPE
Mike Hovancsek // Texture Studies TAPE
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1990年代から活動しているアメリカの実験フォーク作家Mike Hovancsekが、2023年にベルギーのSloow Tapesから70本限定でリリースしたカセットです。
インプロ4曲、90分を収録。
カセットのみでの発表となります。
以下、レーベルによる解説です。
"深夜の雰囲気を醸す2本の短編映画のためのサウンドトラック。『Aea』は数多くの名器を用いたアコースティック即興演奏で、リディア・シュナイダーによる三味線と尺八、モホンビーナ・ソウマラヤ・ムカジーによるスライドギターが参加。『Antroposcene』は、我々が世界に与えた壊滅的な汚染を、浮遊する電子音で瞑想的に描く。"
レーベルその他作品はこちら /// Click here to see more sloow tapes releases available at Tobira.
----------------------------------------
Cassette in norelco case.
Edition of 70.
Tracklist:
A1. Aea - Espiral
A2. Texture Study
B1. Anthroposcene
B2. Anthroposcene Redux
sloow tapes:
"Late night atmospheric soundtracks for two short movies. 'Aea' is an acoustic improvisation with tons of illustrious instruments and contributions on shamisen and shakuhachi by Lydia Schneider and slide guitar by Mohonbeena Soumalaya Mukherjee. 'Antroposcene' is a meditation of floating electronics on our disastrous pollution of the world. Mike Hovancsek is a former member of Pointless Orchestra and collaborated with Egyptian composer Halim El-Dabh (who composed some of the earliest tape music in 1944)."
Artist : Mike Hovancsek
Label : sloow tapes
1990年代から活動しているアメリカの実験フォーク作家Mike Hovancsekが、2023年にベルギーのSloow Tapesから70本限定でリリースしたカセットです。
インプロ4曲、90分を収録。
カセットのみでの発表となります。
以下、レーベルによる解説です。
"深夜の雰囲気を醸す2本の短編映画のためのサウンドトラック。『Aea』は数多くの名器を用いたアコースティック即興演奏で、リディア・シュナイダーによる三味線と尺八、モホンビーナ・ソウマラヤ・ムカジーによるスライドギターが参加。『Antroposcene』は、我々が世界に与えた壊滅的な汚染を、浮遊する電子音で瞑想的に描く。"
sloowtapes · Mike Hovancsekレーベルその他作品はこちら /// Click here to see more sloow tapes releases available at Tobira.
----------------------------------------
Cassette in norelco case.
Edition of 70.
Tracklist:
A1. Aea - Espiral
A2. Texture Study
B1. Anthroposcene
B2. Anthroposcene Redux
sloow tapes:
"Late night atmospheric soundtracks for two short movies. 'Aea' is an acoustic improvisation with tons of illustrious instruments and contributions on shamisen and shakuhachi by Lydia Schneider and slide guitar by Mohonbeena Soumalaya Mukherjee. 'Antroposcene' is a meditation of floating electronics on our disastrous pollution of the world. Mike Hovancsek is a former member of Pointless Orchestra and collaborated with Egyptian composer Halim El-Dabh (who composed some of the earliest tape music in 1944)."
Artist : Mike Hovancsek
Label : sloow tapes
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mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eインターネット嘘話\u003c\/span\u003e 02:46\u003cbr\u003e2. seeing is \/ \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e見ることは\u003c\/span\u003e 02:50\u003cbr\u003e3. tang sang sen \/ \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e炭酸泉\u003c\/span\u003e 04:55\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. fortunetelling,spells,don't believe it \/ \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e占い、まじない、信じない\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e 04:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. one pair \/ 1\u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e人ペア\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e 01:17\u003cbr\u003e\u003c\/span\u003e6. about the same, maybe something \/ \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eだいたい同じぐらいでたぶん何かだ\u003c\/span\u003e 04:59\u003cbr\u003e7. wilderness yawn \/ \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e荒野のあくび\u003c\/span\u003e 04:04\u003cbr\u003e8. boredom is everything \/ \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e退屈がすべて\u003c\/span\u003e 05:26\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInner Ocean:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eNekomachi out of Tokyo, JP has a prolific history making music with his trusty 1998 classic, the YAMAHA QY100 sequencer. Using no PC \/ DAW, he utilizes old sequences he's stored on there over the past 15 years, running them through various effects and adding samples and some synthesizer.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the artist:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Personally, I think it's inner music.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDay by day, the world of one person goes by slowly. We only melt our time into something uneducational.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eToday I face my inner self a little, to find a different loop than yesterday. In the view of one person in the same loop for decades.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe music of bright laz.\"\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Nekomachi\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Inner Ocean Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eINNER209\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 28th November 2025\u003c\/span\u003e\u003c\/p\u003e"}
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Tobiraインストアショーケースでも素晴らしいライブを披露してくれた東京のアンビエント作家猫町が、2025年11月にカナダのLo-FiヒップホップレーベルInner Ocean Recordsからリリースしたカセットです。 アンビエント8曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Inner Ocean Records releases available at...
¥2,800
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{"id":9014166323450,"title":"Matt Bachmann \/\/ Compost Karaoke TAPE","handle":"matt-bachmann-compost-karaoke-tape","description":"\u003cp\u003eアメリカ・NYのマルチ奏者Matt Bachmannが、2025年9月にシカゴのインディーフォークレーベルOrindalから150本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・アンビエントジャズ10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/matt-bachmann-dream-logic-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003eMatt Bachmann - Synths\u003cbr\u003eDerek Baron - Flute\u003cbr\u003eJeff Tobias - Alto Saxophone\u003cbr\u003eKyle Boston - Guitar, Tuning Forks \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2539480991\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2539480991\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3413389500\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2539480991\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2659331773\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCassette in norelco case. \u003cbr\u003eCassette edition of 50. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Summer's Last Gasp 00:33\u003cbr\u003e2. Autumnal Cycle 05:58\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Heavy Step 02:04\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Jazz Mateo 02:27\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. TIAGDTD 05:17\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Holy Holy Holy 00:55\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Compost Karaoke 03:08\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Out the Door 06:31\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Dark Flute Reprise 02:05\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Long Road 02:57\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMatt Bachmann has grown obsessed with listening to film scores–getting lost in their striking themes and the incidental pieces that bring the listener from point A to B. It’s no wonder his latest record, Compost Karaoke, sounds like a soundtrack to a film that has yet to be made, like some kind of imaginary documentary of natural decomposition. Weaving elements of propulsive jazz, bedroom chamber music, and 80s Japanese synthwork, Bachmann tells a story that’s as dramatic as it is intimate, beautiful as it is bombastic. Cinematic in sound and structure, Compost Karaoke unfolds like a journey through a honeycomb – each track a unique chamber connected by sonic fibers to the whole. Compact vignettes act as connective tissue, scaffolding the longer repetitive thematic pillars.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCompost Karaoke is Bachmann’s fourth release with Orindal Records and his first release since becoming a licensed social worker in New York. For Bachmann, Compost Karaoke translates to “songs of change,” marking a transition from past years dominated by touring as the bassist of Mega Bog and his own music to rooting in new work. He explains:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“At the heart of this transition was a personal struggle between the ‘clouds’ (art) and the ‘earth’ (the systemic\u003cspan class=\"bcTruncateMore\"\u003e problems of New York\/US\/world). Doing this more earthly work and having less time for the clouds changed my relationship to music. I had been so inside the music world that I had become blind to its generosity– the way it brings us together and allows us to collectively feel, dream, and escape. Making this record was a lifeline– an opportunity to put my sometimes isolating earthly work aside, and dream a bit with friends.”\u003cbr\u003e\u003cbr\u003eRiding this renewed spirit of collaboration, Bachmann leaned heavier on his oldest creative confidants. He enlisted Derek Baron (Reading Group Records) to write woodwind arrangements for the skeletal piano sketches and recorded Baron on drums during an overnight session at the Bunker Studio in Brooklyn; Jeff Tobias (Modern Nature, Sunwatchers) expanded on Baron’s arrangements in moments of improvised rapture on alto saxophone and bass clarinet; and James Krichenia (Big Thief) gummed up the groove with hand drums and percussion. Decorated with synths, vibraphones, and guitar pedal sonic reimagining, Compost Karaoke is a musical habitat wholly unique, yet nodding to Bachmann’s guiding stars—Ryuichi Sakamoto, Natural Information Society, and RJ Miller, to name a few.\u003cbr\u003e\u003cbr\u003eTo achieve a healthy compost, you need both greens (food scraps) and browns (dead leaves, cardboard, etc.). Compost Karaoke is Bachmann’s attempt to strike a balance; the score to his latest life transition. For the listener, the imaginative movies that play along in their heads are endless.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matt Bachmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD87\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 12th September 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-29T13:58:06+09:00","created_at":"2025-11-29T09:23:03+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","new","orindal","tape"],"price":229000,"price_min":229000,"price_max":229000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48025788842234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Matt Bachmann \/\/ Compost Karaoke TAPE","public_title":null,"options":["Default Title"],"price":229000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/com1_ed152414-40e3-466f-8548-7f64decea331.jpg?v=1764375675","\/\/tobirarecords.com\/cdn\/shop\/files\/com2_8f8b1431-e864-4d55-b4bf-93de2c77da78.jpg?v=1764375675"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_ed152414-40e3-466f-8548-7f64decea331.jpg?v=1764375675","options":["Title"],"media":[{"alt":null,"id":37647036416250,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_ed152414-40e3-466f-8548-7f64decea331.jpg?v=1764375675"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_ed152414-40e3-466f-8548-7f64decea331.jpg?v=1764375675","width":700},{"alt":null,"id":37647036449018,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com2_8f8b1431-e864-4d55-b4bf-93de2c77da78.jpg?v=1764375675"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com2_8f8b1431-e864-4d55-b4bf-93de2c77da78.jpg?v=1764375675","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのマルチ奏者Matt Bachmannが、2025年9月にシカゴのインディーフォークレーベルOrindalから150本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・アンビエントジャズ10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/matt-bachmann-dream-logic-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003eMatt Bachmann - Synths\u003cbr\u003eDerek Baron - Flute\u003cbr\u003eJeff Tobias - Alto Saxophone\u003cbr\u003eKyle Boston - Guitar, Tuning Forks \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2539480991\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2539480991\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3413389500\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2539480991\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2659331773\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCassette in norelco case. \u003cbr\u003eCassette edition of 50. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Summer's Last Gasp 00:33\u003cbr\u003e2. Autumnal Cycle 05:58\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Heavy Step 02:04\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Jazz Mateo 02:27\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. TIAGDTD 05:17\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Holy Holy Holy 00:55\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Compost Karaoke 03:08\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Out the Door 06:31\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Dark Flute Reprise 02:05\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Long Road 02:57\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMatt Bachmann has grown obsessed with listening to film scores–getting lost in their striking themes and the incidental pieces that bring the listener from point A to B. It’s no wonder his latest record, Compost Karaoke, sounds like a soundtrack to a film that has yet to be made, like some kind of imaginary documentary of natural decomposition. Weaving elements of propulsive jazz, bedroom chamber music, and 80s Japanese synthwork, Bachmann tells a story that’s as dramatic as it is intimate, beautiful as it is bombastic. Cinematic in sound and structure, Compost Karaoke unfolds like a journey through a honeycomb – each track a unique chamber connected by sonic fibers to the whole. Compact vignettes act as connective tissue, scaffolding the longer repetitive thematic pillars.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCompost Karaoke is Bachmann’s fourth release with Orindal Records and his first release since becoming a licensed social worker in New York. For Bachmann, Compost Karaoke translates to “songs of change,” marking a transition from past years dominated by touring as the bassist of Mega Bog and his own music to rooting in new work. He explains:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“At the heart of this transition was a personal struggle between the ‘clouds’ (art) and the ‘earth’ (the systemic\u003cspan class=\"bcTruncateMore\"\u003e problems of New York\/US\/world). Doing this more earthly work and having less time for the clouds changed my relationship to music. I had been so inside the music world that I had become blind to its generosity– the way it brings us together and allows us to collectively feel, dream, and escape. Making this record was a lifeline– an opportunity to put my sometimes isolating earthly work aside, and dream a bit with friends.”\u003cbr\u003e\u003cbr\u003eRiding this renewed spirit of collaboration, Bachmann leaned heavier on his oldest creative confidants. He enlisted Derek Baron (Reading Group Records) to write woodwind arrangements for the skeletal piano sketches and recorded Baron on drums during an overnight session at the Bunker Studio in Brooklyn; Jeff Tobias (Modern Nature, Sunwatchers) expanded on Baron’s arrangements in moments of improvised rapture on alto saxophone and bass clarinet; and James Krichenia (Big Thief) gummed up the groove with hand drums and percussion. Decorated with synths, vibraphones, and guitar pedal sonic reimagining, Compost Karaoke is a musical habitat wholly unique, yet nodding to Bachmann’s guiding stars—Ryuichi Sakamoto, Natural Information Society, and RJ Miller, to name a few.\u003cbr\u003e\u003cbr\u003eTo achieve a healthy compost, you need both greens (food scraps) and browns (dead leaves, cardboard, etc.). Compost Karaoke is Bachmann’s attempt to strike a balance; the score to his latest life transition. For the listener, the imaginative movies that play along in their heads are endless.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matt Bachmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD87\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 12th September 2025\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYのマルチ奏者Matt Bachmannが、2025年9月にシカゴのインディーフォークレーベルOrindalから150本限定でリリースしたカセットです。 ベッドルーム・アンビエントジャズ10曲を収録。DLコード付属。 前作もオススメです。 Matt Bachmann - SynthsDerek Baron - FluteJeff Tobias - Alto...
¥2,290
クイックビュー
{"id":9012370505978,"title":"Toni Dimitrov \/\/ Ghosts Of Atlantis CDr","handle":"toni-dimitrov-ghosts-of-atlantis-cdr","description":"\u003cp\u003e\u003cspan\u003e東京の実験音楽家Broken Shoulder主宰レーベルKirigirisu Recordings諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、マケドニアのアンビエント作家Toni Dimitrovが、2025年11月に40部限定でリリースしたCDrです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングを用いたアンビエントドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=217173047\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kiri\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kiri\"\u003ehere\u003c\/a\u003e to see more Kirigirsu Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCDr in cardstock sleeve with \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efront image printed on photo paper and back information sticker.\u003c\/span\u003e\u003cbr\u003eEdition of 40.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ghosts Of Atlantis 28:16\u003cbr\u003e2. African Temples 28:16\u003c\/p\u003e\n\u003cp\u003eKirigirisu Recordings:\"\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“\u003cem\u003eGhosts of Atlantis” unfolds as a sweeping, immersive soundscape. From the opening of the first track, “Ghosts of Atlantis”, you’re plunged into a submerged realm where ambient textures stretch out like the endless deep. Layers of drifting drones and subtle hums evoke the vastness of an ancient sunken continent, while intermittent glitches, crackles, and bursts of feedback add a tension that disrupts the calm — the sound remains ambient at its core, but is threaded through with noise elements that hint at decay, ruin, and the passage of time. The piece moves slowly, evolving almost imperceptibly, so that one becomes aware less of melodic development than of shifting atmospheres, pressure changes, and the slow dissolution of forms.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eThe second track, “African Temples”, extends this sonic exploration into a different terrain — less mythic undersea ruin, more primordial landmass, ancient rhythms, and continental drift. Again, the ambient base is present: washes of sound, shimmering high harmonics, subterranean rumbles. But the noise elements here are more visceral — metallic rattles, distant percussive blasts, hiss and static, like tectonic plates grinding beneath a hidden land, or a ghost-memory of some lost civilization rising and falling. The track is long-form, meditative yet uneasy — it invites the listener to sink\u003cspan class=\"bcTruncateMore\"\u003e into a state of listening rather than simply hearing, to inhabit a sound world of half-remembered geographies and fading empires. In both pieces, the dual qualities of serenity and unrest are held in tension: ambient calm meets the raw energy of noise, and the result is haunting, expansive, and richly textured.\u003cbr\u003eTogether, the two long-form compositions function as a diptych — an exploration of the watery underworld of a mythic lost empire that gradually extends its metaphor into land, drift, origins, and memory. The ambient core of each piece invites deep listening, focusing on atmosphere rather than melody, while the noise elements draw the listener into a palpable sense of impermanence and collapse. This is sound art that rewards patience, offering an auditory architecture built from memory, myth, and erasure.\u003cbr\u003e\u003cbr\u003eAtlantis as an Obsession\u003cbr\u003eToni Dimitrov’s fascination with the myth of Atlantis serves as the conceptual backbone for this album. Atlantis, in its classical formulation, is the lost island — the vanished super-civilization, the memory of something once mighty and now gone beneath the waves. For Dimitrov, Atlantis becomes a metaphor: for forgotten histories, collapsed ecologies, and the ghost-echoes of human ambition. His obsession manifests in the sonic architecture of the album — the submerged drones mirror the ocean’s enveloping power; the noise bursts reflect collapse and rupture; and the long-form structure echoes geological or mythic time rather than conventional track sequencing. In this way, the album becomes less a collection of songs and more a mythic sound-journey: one enters the realm of Atlantis, wanders through its ruins, listens to the water reclaiming walls and towers, and contemplates what remains when a civilisation disappears. In “African Temples”, he extends this obsession outward — Atlantis as a metaphor for other lost or hidden worlds, for the deep time of continents, and for the sense that beneath the surface of what we see lies something far older and far stranger.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Toni Dimitrov\u003c\/p\u003e\n\u003cp\u003eLabel : Kirigirisu Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ekgr064\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 14th November 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-28T13:27:46+09:00","created_at":"2025-11-28T09:35:10+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","kirigirisu","new"],"price":80000,"price_min":80000,"price_max":80000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48012477169914,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Toni Dimitrov \/\/ Ghosts Of Atlantis CDr","public_title":null,"options":["Default Title"],"price":80000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gho1_bb82cf1b-326c-4dce-8e77-8e43beed07cf.jpg?v=1764290035","\/\/tobirarecords.com\/cdn\/shop\/files\/gho.jpg?v=1764290035"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gho1_bb82cf1b-326c-4dce-8e77-8e43beed07cf.jpg?v=1764290035","options":["Title"],"media":[{"alt":null,"id":37635865411834,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gho1_bb82cf1b-326c-4dce-8e77-8e43beed07cf.jpg?v=1764290035"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gho1_bb82cf1b-326c-4dce-8e77-8e43beed07cf.jpg?v=1764290035","width":700},{"alt":null,"id":37635865379066,"position":2,"preview_image":{"aspect_ratio":1.012,"height":1186,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gho.jpg?v=1764290035"},"aspect_ratio":1.012,"height":1186,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gho.jpg?v=1764290035","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e東京の実験音楽家Broken Shoulder主宰レーベルKirigirisu Recordings諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、マケドニアのアンビエント作家Toni Dimitrovが、2025年11月に40部限定でリリースしたCDrです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングを用いたアンビエントドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=217173047\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kiri\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kiri\"\u003ehere\u003c\/a\u003e to see more Kirigirsu Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCDr in cardstock sleeve with \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efront image printed on photo paper and back information sticker.\u003c\/span\u003e\u003cbr\u003eEdition of 40.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ghosts Of Atlantis 28:16\u003cbr\u003e2. African Temples 28:16\u003c\/p\u003e\n\u003cp\u003eKirigirisu Recordings:\"\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“\u003cem\u003eGhosts of Atlantis” unfolds as a sweeping, immersive soundscape. From the opening of the first track, “Ghosts of Atlantis”, you’re plunged into a submerged realm where ambient textures stretch out like the endless deep. Layers of drifting drones and subtle hums evoke the vastness of an ancient sunken continent, while intermittent glitches, crackles, and bursts of feedback add a tension that disrupts the calm — the sound remains ambient at its core, but is threaded through with noise elements that hint at decay, ruin, and the passage of time. The piece moves slowly, evolving almost imperceptibly, so that one becomes aware less of melodic development than of shifting atmospheres, pressure changes, and the slow dissolution of forms.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eThe second track, “African Temples”, extends this sonic exploration into a different terrain — less mythic undersea ruin, more primordial landmass, ancient rhythms, and continental drift. Again, the ambient base is present: washes of sound, shimmering high harmonics, subterranean rumbles. But the noise elements here are more visceral — metallic rattles, distant percussive blasts, hiss and static, like tectonic plates grinding beneath a hidden land, or a ghost-memory of some lost civilization rising and falling. The track is long-form, meditative yet uneasy — it invites the listener to sink\u003cspan class=\"bcTruncateMore\"\u003e into a state of listening rather than simply hearing, to inhabit a sound world of half-remembered geographies and fading empires. In both pieces, the dual qualities of serenity and unrest are held in tension: ambient calm meets the raw energy of noise, and the result is haunting, expansive, and richly textured.\u003cbr\u003eTogether, the two long-form compositions function as a diptych — an exploration of the watery underworld of a mythic lost empire that gradually extends its metaphor into land, drift, origins, and memory. The ambient core of each piece invites deep listening, focusing on atmosphere rather than melody, while the noise elements draw the listener into a palpable sense of impermanence and collapse. This is sound art that rewards patience, offering an auditory architecture built from memory, myth, and erasure.\u003cbr\u003e\u003cbr\u003eAtlantis as an Obsession\u003cbr\u003eToni Dimitrov’s fascination with the myth of Atlantis serves as the conceptual backbone for this album. Atlantis, in its classical formulation, is the lost island — the vanished super-civilization, the memory of something once mighty and now gone beneath the waves. For Dimitrov, Atlantis becomes a metaphor: for forgotten histories, collapsed ecologies, and the ghost-echoes of human ambition. His obsession manifests in the sonic architecture of the album — the submerged drones mirror the ocean’s enveloping power; the noise bursts reflect collapse and rupture; and the long-form structure echoes geological or mythic time rather than conventional track sequencing. In this way, the album becomes less a collection of songs and more a mythic sound-journey: one enters the realm of Atlantis, wanders through its ruins, listens to the water reclaiming walls and towers, and contemplates what remains when a civilisation disappears. In “African Temples”, he extends this obsession outward — Atlantis as a metaphor for other lost or hidden worlds, for the deep time of continents, and for the sense that beneath the surface of what we see lies something far older and far stranger.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Toni Dimitrov\u003c\/p\u003e\n\u003cp\u003eLabel : Kirigirisu Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ekgr064\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 14th November 2025\u003c\/span\u003e\u003c\/p\u003e"}
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東京の実験音楽家Broken Shoulder主宰レーベルKirigirisu Recordings諸作を入荷しました。 本作は、マケドニアのアンビエント作家Toni Dimitrovが、2025年11月に40部限定でリリースしたCDrです。 フィールドレコーディングを用いたアンビエントドローン2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Kirigirsu Recordings releases...
¥800
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{"id":9012368638202,"title":"The Ullulators \/\/ Simply Conscious Dub b\/w Eternal Now 12inch","handle":"the-ullulators-simply-conscious-dub-b-w-eternal-now-12inch","description":"\u003cp\u003eイギリスのダブデュオThe Ullulatorsが、2025年10月にカナダ・トロントのオールジャンルレーベル\u003cspan\u003eTelephone Explosion RecordsサブラインSpiritual Worldからリリースした再発12\"です。（オリジナルは1985年と1986年にカセットリリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・ダブ〜アンビエント2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"英国バース発の実験的ダブ＆グローバル・ミュージック・アンサンブルThe Ullulatorsは、1980年代半ばに遡る創造的系譜を持ち、長年にわたり英国のフリー・フェスティバル運動と深く関わってきた。今回、カセット盤のみでリリースされていた初期作品群から、重要な2曲「Simply Conscious Dub」と「Eternal Now」が史上初めて12インチ・ヴァイナルで発表され、スピリチュアル・ワールドからの初のアーカイヴ作品となる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA面「Simply Conscious Dub」は、1986年カセット『Beyond the Gates of Ull』に収録された楽曲で、重厚なダブ・リズムと広がりある陶酔的なエレクトロニクスを融合させたバンドの代名詞的サウンドを体現している。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e対照的に、B面「Eternal Now」は1985年カセット『Share a Calm with the Ullulators』収録曲で、より内省的な音響領域へ踏み込む。ミニマルな構造とアンビエントな質感で構築され、コズミックミュージックの伝統を想起させ、マヌエル・ゲッチングのE2-E4が持つ空間的感性と共鳴する。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2634530138\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2634530138\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4200991686\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/teex\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/teex\"\u003ehere\u003c\/a\u003e to see more Telephone Explosion Records \/ Spiritual World releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eReissue - tracks originally recorded in 1985-1986. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Simply Conscious Dub 06:41\u003cbr\u003e2. Eternal Now 05:52\u003c\/p\u003e\n\u003cp\u003eSpiritual World:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Spiritual World's first archival 12\" vinyl release from the UK’s free festival dub pioneers\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Ullulators, an experimental dub and global music ensemble from Bath, UK, have long been associated with the UK’s free festival movement, tracing their creative lineage back to the mid-1980s. For the first time ever, two pivotal tracks from their early cassette-only discography—“Simply Conscious Dub” and “Eternal Now”—are being issued on 12” vinyl, marking the first archival release on Spiritual World.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe A-side, “Simply Conscious Dub”, originally featured on the 1986 cassette Beyond the Gates of Ull, exemplifies the band’s signature fusion of weighty dub rhythms with expansive and euphoric electronics.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn contrast, the B-side, “Eternal Now”, drawn from the 1985 cassette Share a Calm with the Ullulators, ventures into more introspective sonic territory. Built on minimalist structures and ambient textures, it evokes the kosmische tradition and aligns with the spatial sensibilities of Manuel Göttsching’s E2-E4.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTogether, these tracks not only showcase the group’s wide stylistic range but also underscore their forward-thinking approach to genre hybridity. This release stands as a unique document of a formative era in the evolution of UK underground, dub, and ambient music.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Ullulators\u003c\/p\u003e\n\u003cp\u003eLabel : Spiritual World (Telephone Explosion sublabel)\u003c\/p\u003e\n\u003cp\u003ecat no : SW012\u003c\/p\u003e\n\u003cp\u003eRelease date : 19th September 2025\u003c\/p\u003e","published_at":"2025-11-28T09:57:34+09:00","created_at":"2025-11-28T09:18:31+09:00","vendor":"Tobira Records","type":"","tags":["ambient","hiphop \/ funk","lp","new","telephone explosion","Telephone Explosion Records"],"price":387800,"price_min":387800,"price_max":387800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48012461801722,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Ullulators \/\/ Simply Conscious Dub b\/w Eternal Now 12inch","public_title":null,"options":["Default Title"],"price":387800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sim1_8b1ca638-6f62-4383-a1c4-bda5841fa47d.jpg?v=1764288881","\/\/tobirarecords.com\/cdn\/shop\/files\/sim2_b8346d83-3b08-4575-b9b7-39ee8bb3c298.jpg?v=1764288881"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sim1_8b1ca638-6f62-4383-a1c4-bda5841fa47d.jpg?v=1764288881","options":["Title"],"media":[{"alt":null,"id":37635704783098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sim1_8b1ca638-6f62-4383-a1c4-bda5841fa47d.jpg?v=1764288881"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sim1_8b1ca638-6f62-4383-a1c4-bda5841fa47d.jpg?v=1764288881","width":700},{"alt":null,"id":37635704815866,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sim2_b8346d83-3b08-4575-b9b7-39ee8bb3c298.jpg?v=1764288881"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sim2_b8346d83-3b08-4575-b9b7-39ee8bb3c298.jpg?v=1764288881","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのダブデュオThe Ullulatorsが、2025年10月にカナダ・トロントのオールジャンルレーベル\u003cspan\u003eTelephone Explosion RecordsサブラインSpiritual Worldからリリースした再発12\"です。（オリジナルは1985年と1986年にカセットリリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・ダブ〜アンビエント2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"英国バース発の実験的ダブ＆グローバル・ミュージック・アンサンブルThe Ullulatorsは、1980年代半ばに遡る創造的系譜を持ち、長年にわたり英国のフリー・フェスティバル運動と深く関わってきた。今回、カセット盤のみでリリースされていた初期作品群から、重要な2曲「Simply Conscious Dub」と「Eternal Now」が史上初めて12インチ・ヴァイナルで発表され、スピリチュアル・ワールドからの初のアーカイヴ作品となる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA面「Simply Conscious Dub」は、1986年カセット『Beyond the Gates of Ull』に収録された楽曲で、重厚なダブ・リズムと広がりある陶酔的なエレクトロニクスを融合させたバンドの代名詞的サウンドを体現している。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e対照的に、B面「Eternal Now」は1985年カセット『Share a Calm with the Ullulators』収録曲で、より内省的な音響領域へ踏み込む。ミニマルな構造とアンビエントな質感で構築され、コズミックミュージックの伝統を想起させ、マヌエル・ゲッチングのE2-E4が持つ空間的感性と共鳴する。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2634530138\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2634530138\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4200991686\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/teex\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/teex\"\u003ehere\u003c\/a\u003e to see more Telephone Explosion Records \/ Spiritual World releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eReissue - tracks originally recorded in 1985-1986. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Simply Conscious Dub 06:41\u003cbr\u003e2. Eternal Now 05:52\u003c\/p\u003e\n\u003cp\u003eSpiritual World:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Spiritual World's first archival 12\" vinyl release from the UK’s free festival dub pioneers\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Ullulators, an experimental dub and global music ensemble from Bath, UK, have long been associated with the UK’s free festival movement, tracing their creative lineage back to the mid-1980s. For the first time ever, two pivotal tracks from their early cassette-only discography—“Simply Conscious Dub” and “Eternal Now”—are being issued on 12” vinyl, marking the first archival release on Spiritual World.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe A-side, “Simply Conscious Dub”, originally featured on the 1986 cassette Beyond the Gates of Ull, exemplifies the band’s signature fusion of weighty dub rhythms with expansive and euphoric electronics.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn contrast, the B-side, “Eternal Now”, drawn from the 1985 cassette Share a Calm with the Ullulators, ventures into more introspective sonic territory. Built on minimalist structures and ambient textures, it evokes the kosmische tradition and aligns with the spatial sensibilities of Manuel Göttsching’s E2-E4.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTogether, these tracks not only showcase the group’s wide stylistic range but also underscore their forward-thinking approach to genre hybridity. This release stands as a unique document of a formative era in the evolution of UK underground, dub, and ambient music.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Ullulators\u003c\/p\u003e\n\u003cp\u003eLabel : Spiritual World (Telephone Explosion sublabel)\u003c\/p\u003e\n\u003cp\u003ecat no : SW012\u003c\/p\u003e\n\u003cp\u003eRelease date : 19th September 2025\u003c\/p\u003e"}
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イギリスのダブデュオThe Ullulatorsが、2025年10月にカナダ・トロントのオールジャンルレーベルTelephone Explosion RecordsサブラインSpiritual Worldからリリースした再発12"です。（オリジナルは1985年と1986年にカセットリリース） レフトフィールド・ダブ〜アンビエント2曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "英国バース発の実験的ダブ＆グローバル・ミュージック・アンサンブルThe Ullulatorsは、1980年代半ばに遡る創造的系譜を持ち、長年にわたり英国のフリー・フェスティバル運動と深く関わってきた。今回、カセット盤のみでリリースされていた初期作品群から、重要な2曲「Simply Conscious Dub」と「Eternal Now」が史上初めて12インチ・ヴァイナルで発表され、スピリチュアル・ワールドからの初のアーカイヴ作品となる。 A面「Simply...
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