Shortness Of Breath // While No Blossoms... TAPE
Shortness Of Breath // While No Blossoms... TAPE
¥2,353
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アメリカのノイズ作家John Grimaldi (Hand & Knee, Detachment Programs label)とScott Kindberg (Silver Moult, Begin Hostilities label)によるデュオShortness Of Breathが、2026年4月にノースカロライナの実験／ノイズレーベルTribe Tapesからリリースしたデビューカセットです。
ノイズ・コンクレート2曲を収録。
Tribe Tapes その他作品はこちら /// Click here to see more Tribe Tapes releases available at Tobira.
--------------------------------------------
Recycled cassette in norelco case.
Edition of 100 copies.
Tracklist:
1. Fever, Sweats Or Chills 14:56
2. Shortness Of Breath 14:59
Artist : Shortness Of Breath
Label : Tribe Tapes
cat no : TRIBE 112
Release date : 17th April 2026
アメリカのノイズ作家John Grimaldi (Hand & Knee, Detachment Programs label)とScott Kindberg (Silver Moult, Begin Hostilities label)によるデュオShortness Of Breathが、2026年4月にノースカロライナの実験／ノイズレーベルTribe Tapesからリリースしたデビューカセットです。
ノイズ・コンクレート2曲を収録。
Tribe Tapes その他作品はこちら /// Click here to see more Tribe Tapes releases available at Tobira.
--------------------------------------------
Recycled cassette in norelco case.
Edition of 100 copies.
Tracklist:
1. Fever, Sweats Or Chills 14:56
2. Shortness Of Breath 14:59
Artist : Shortness Of Breath
Label : Tribe Tapes
cat no : TRIBE 112
Release date : 17th April 2026
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Step Into The Step - Part One 08:16 \u003cbr\u003e2. Step Into The Step - Part Two 06:05 \u003cbr\u003e3. Step Into The Step - Part Three 04:29 \u003cbr\u003e4. Step Into The Step - Part Four 04:40 \u003cbr\u003e5. Step Into The Step - Part Five 07:39 \u003cbr\u003e6. Step Into The Step - Part Six 06:42\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOriginally released in 1990 on Harsh Reality Music, heavyweight collaboration \/ cassette culture meeting of minds featuring source material by PBK, City Of Worms (Jeph Jerman), and John Hudak mixed by Illusion Of Safety. Harsh electronics and early SK-1 sampler abuse, psych-industrial concrete at its finest. Newly remastered for compact disc by Grant Richardson.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : PBK, City Of Worms, John Hudak, \u0026amp; Illusion Of Safety\u003c\/p\u003e\n\u003cp\u003eLabel : Tribe Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTRIBE 104\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 17th April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-20T13:15:21+09:00","created_at":"2026-05-20T09:47:26+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","new","noise","tribe tapes"],"price":249800,"price_min":249800,"price_max":249800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48912409100538,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PBK, City Of Worms, John Hudak, \u0026 Illusion Of Safety \/\/ Step Into The Step CD","public_title":null,"options":["Default Title"],"price":249800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/step1_30406f28-a1e5-436f-b014-4f761f9fd0cc.jpg?v=1779237919","\/\/tobirarecords.com\/cdn\/shop\/files\/step2_81cce457-8467-417b-b593-3e71306424cf.jpg?v=1779237919","\/\/tobirarecords.com\/cdn\/shop\/files\/step3_a5bb4d2d-9e9e-471f-92fe-073d58e6228c.jpg?v=1779237919"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/step1_30406f28-a1e5-436f-b014-4f761f9fd0cc.jpg?v=1779237919","options":["Title"],"media":[{"alt":null,"id":39429376835834,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/step1_30406f28-a1e5-436f-b014-4f761f9fd0cc.jpg?v=1779237919"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/step1_30406f28-a1e5-436f-b014-4f761f9fd0cc.jpg?v=1779237919","width":350},{"alt":null,"id":39429376868602,"position":2,"preview_image":{"aspect_ratio":1.161,"height":1034,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/step2_81cce457-8467-417b-b593-3e71306424cf.jpg?v=1779237919"},"aspect_ratio":1.161,"height":1034,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/step2_81cce457-8467-417b-b593-3e71306424cf.jpg?v=1779237919","width":1200},{"alt":null,"id":39429376901370,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/step3_a5bb4d2d-9e9e-471f-92fe-073d58e6228c.jpg?v=1779237919"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/step3_a5bb4d2d-9e9e-471f-92fe-073d58e6228c.jpg?v=1779237919","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003ePBK, City Of Worms (Jeph Jerman)、John Hudak、Illusion Of Safetyが、2026年4月にアメリカ・ノースカロライナの実験／ノイズレーベルTribe Tapesからリリースした再発CDです。（オリジナルは1990年リリース）\u003c\/p\u003e\n\u003cp\u003eノイズ・コンクレート6曲を収録。ジュエルケース、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003ci\u003e1990年にHarsh Reality Musicからリリースされた本作は、PBK、City Of Worms（Jeph Jerman）、John Hudakによる音源をIllusion Of Safetyがミックスした、重鎮たちによるコラボレーションであり、カセット・カルチャーの精神が結集した作品だ。過激なエレクトロニクスと初期SK-1サンプラーの乱用が織りなす、サイケデリック・インダストリアル・コンクリートの最高傑作。Grant RichardsonによるCD用新リマスター版。\u003c\/i\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=227655746\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eTribe Tapes その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tribe\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tribe\"\u003ehere\u003c\/a\u003e to see more Tribe Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in jewel case.\u003cbr\u003eEdition of 200 copies.\u003cbr\u003e2026 CD reissue - originally released in 1990. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Step Into The Step - Part One 08:16 \u003cbr\u003e2. Step Into The Step - Part Two 06:05 \u003cbr\u003e3. Step Into The Step - Part Three 04:29 \u003cbr\u003e4. Step Into The Step - Part Four 04:40 \u003cbr\u003e5. Step Into The Step - Part Five 07:39 \u003cbr\u003e6. Step Into The Step - Part Six 06:42\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOriginally released in 1990 on Harsh Reality Music, heavyweight collaboration \/ cassette culture meeting of minds featuring source material by PBK, City Of Worms (Jeph Jerman), and John Hudak mixed by Illusion Of Safety. Harsh electronics and early SK-1 sampler abuse, psych-industrial concrete at its finest. Newly remastered for compact disc by Grant Richardson.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : PBK, City Of Worms, John Hudak, \u0026amp; Illusion Of Safety\u003c\/p\u003e\n\u003cp\u003eLabel : Tribe Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTRIBE 104\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 17th April 2026\u003c\/span\u003e\u003c\/p\u003e"}
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PBK, City Of Worms (Jeph Jerman)、John Hudak、Illusion Of Safetyが、2026年4月にアメリカ・ノースカロライナの実験／ノイズレーベルTribe Tapesからリリースした再発CDです。（オリジナルは1990年リリース） ノイズ・コンクレート6曲を収録。ジュエルケース、シュリンク仕様です。 以下、レーベルによる解説です。 "1990年にHarsh Reality...
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Produced by Randall Dunn (Sunn O))), Thurston Moore), the album revisits the raw electricity of Torn’s early processing language while carrying it forward with the perspective of decades of exploration. Visceral yet weightless, it deepens his long-standing dialogue between alternate tunings, looping systems, and touch-sensitive electronics. Melody, noise, and atmosphere move through one another in a continuously shifting field of tone.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA pioneering figure in electric guitar processing, Torn has exerted a quiet but far-reaching influence on both film scoring and contemporary electro-acoustic music. In addition to his own scores, he has made formative creative contributions to works by Carter Burwell, Ryuichi Sakamoto, Cliff Martinez, Howard Shore, and Mark Isham. Across these collaborations, his guitar language helped shape a cinematic vocabulary that feels atmospheric, psychological, and texturally alive.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBeyond film, Torn’s presence spans an unusually broad range of artists, including David Bowie, Madonna, John Legend, Tori Amos, k.d. lang, Don Cherry, Bill Bruford, Tony Levin, and David\u003cspan class=\"bcTruncateMore\"\u003e Sylvian. His recordings for ECM Records further defined an immersive, spatial approach to processed guitar that continues to resonate across generations...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Torn\u003c\/p\u003e\n\u003cp\u003eLabel : Kou Records\u003c\/p\u003e\n\u003cp\u003ecat no : KOU005lp\u003c\/p\u003e","published_at":"2026-05-19T07:55:32+09:00","created_at":"2026-05-16T10:23:32+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","kou records","lp","new"],"price":579600,"price_min":579600,"price_max":579600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48894234427642,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"David Torn \/\/ now i imagine a place not the same 2xLP","public_title":null,"options":["Default Title"],"price":579600,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"850077743207","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/im1_209c991e-a725-401b-ab2b-24acdacb437a.jpg?v=1778894288","\/\/tobirarecords.com\/cdn\/shop\/files\/im2_f5662383-0650-4432-b2e8-d50d91f07070.jpg?v=1778894288"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/im1_209c991e-a725-401b-ab2b-24acdacb437a.jpg?v=1778894288","options":["Title"],"media":[{"alt":null,"id":39387855061242,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/im1_209c991e-a725-401b-ab2b-24acdacb437a.jpg?v=1778894288"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/im1_209c991e-a725-401b-ab2b-24acdacb437a.jpg?v=1778894288","width":350},{"alt":null,"id":39387855094010,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/im2_f5662383-0650-4432-b2e8-d50d91f07070.jpg?v=1778894288"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/im2_f5662383-0650-4432-b2e8-d50d91f07070.jpg?v=1778894288","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5\/29リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカのギタリストDavid Tornが、2026年5月にNYの実験レーベル\u003cspan class=\"title\"\u003eKou Records\u003c\/span\u003eからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eギターによるインプロ〜ドローン11曲を収録。ゲートフォルド仕様です。ライナーノーツとDLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"エレキ・ギタリスト兼作曲家のDavid Tornが、5月29日にKou Recordsよりリリースされる大作ニュー・ダブルLP『now i imagine a place not the same』を発表した。ランドール・ダン（Sunn O)))、サーストン・ムーア）がプロデュースを手掛けた本作は、Tornの初期のエフェクト処理手法が持つ生々しいエネルギーを再訪しつつ、数十年にわたる探求の視点を通じてそれを進化させている。本能的でありながら軽やかで、独自チューニング、ループシステム、タッチセンシティブなエレクトロニクスとの長年にわたる対話をさらに深めている。メロディ、ノイズ、そして雰囲気が、絶えず変化し続ける音響のフィールドの中で互いに交錯し合う。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eエレクトリックギター・プロセッシングの先駆者であるTornは、映画音楽と現代のエレクトロアコースティック音楽の両方に、静かでありながら広範な影響を与えてきた。自身のスコアに加え、カーター・バーウェル、坂本龍一、クリフ・マルティネス、ハワード・ショア、マーク・アイシャムらの作品にも、形成期における創造的な貢献を果たしている。これらのコラボレーションを通じて、彼のギター・ランゲージは、雰囲気があり、心理的で、質感に満ちた映画的な語彙を形作る一助となった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e映画の分野を超えて、Tornの活動はデヴィッド・ボウイ、マドンナ、ジョン・レジェンド、トーリ・エイモス、k.d.ラング、ドン・チェリー、ビル・ブルフォード、トニー・レヴィン、デヴィッド・シルヴィアンなど、異例なほど幅広いアーティストに及んでいる。ECMレコードでの彼の録音は、没入感あふれる空間的なアプローチによるギター・プロセッシングをさらに確立し、その響きは世代を超えて今もなお続いている……\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=952357333\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kou\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kou\"\u003ehere\u003c\/a\u003e to see more Kou Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 29th May 2026\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e2 x 12\" black vinyl in gatefold sleeve.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes original gatefold artwork by Arik Roper, concrete poem by Stephen O'Malley, writing and notes by David Torn and liner notes by Randall Dunn.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. ice-shock cold of illusion \u003cbr\u003e2. shapes of newborn warming stars \u003cbr\u003e3. the red door #1 \u003cbr\u003e4. its own dimension \u003cbr\u003e5. within dimension behind dimension \u003cbr\u003e6. inconclusive \u003cbr\u003e7. the road (past the beehive) to the river \u003cbr\u003e8. when the birds flock 'round my head \u003cbr\u003e9. gold and its oxide \u003cbr\u003e10. bones of home, fly east... \u003cbr\u003e11. the (once green) red door #2\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eElectric guitarist and composer David Torn announces \"now i imagine a place not the same,\" an expansive new double LP out May 29 via Kou Records. Produced by Randall Dunn (Sunn O))), Thurston Moore), the album revisits the raw electricity of Torn’s early processing language while carrying it forward with the perspective of decades of exploration. Visceral yet weightless, it deepens his long-standing dialogue between alternate tunings, looping systems, and touch-sensitive electronics. Melody, noise, and atmosphere move through one another in a continuously shifting field of tone.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA pioneering figure in electric guitar processing, Torn has exerted a quiet but far-reaching influence on both film scoring and contemporary electro-acoustic music. In addition to his own scores, he has made formative creative contributions to works by Carter Burwell, Ryuichi Sakamoto, Cliff Martinez, Howard Shore, and Mark Isham. Across these collaborations, his guitar language helped shape a cinematic vocabulary that feels atmospheric, psychological, and texturally alive.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBeyond film, Torn’s presence spans an unusually broad range of artists, including David Bowie, Madonna, John Legend, Tori Amos, k.d. lang, Don Cherry, Bill Bruford, Tony Levin, and David\u003cspan class=\"bcTruncateMore\"\u003e Sylvian. His recordings for ECM Records further defined an immersive, spatial approach to processed guitar that continues to resonate across generations...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Torn\u003c\/p\u003e\n\u003cp\u003eLabel : Kou Records\u003c\/p\u003e\n\u003cp\u003ecat no : KOU005lp\u003c\/p\u003e"}
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※5/29リリースです アメリカのギタリストDavid Tornが、2026年5月にNYの実験レーベルKou Recordsからリリースした2枚組レコードです。 ギターによるインプロ〜ドローン11曲を収録。ゲートフォルド仕様です。ライナーノーツとDLコード付属。 以下、レーベルによる解説です。 "エレキ・ギタリスト兼作曲家のDavid Tornが、5月29日にKou Recordsよりリリースされる大作ニュー・ダブルLP『now i imagine a place not...
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{"id":9226855547130,"title":"Nijiumu \/\/ When I sing, I slip into the microphone. Into that void... 2xLP","handle":"nijiumu-when-i-sing","description":"\u003cp\u003e灰野敬二率いるNijiumuが、2025年10月にオーストラリアの実験レーベルBlack Truffleからリリースした再発2枚組レコードです。（オリジナルは1990年にCDリリース）\u003c\/p\u003e\n\u003cp\u003e未発表音源を含む4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=315755393\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part I 03:10\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part II 49:38\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part III 12:29\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4. 4th Movement: The kotodama that attempts to take back all energy into itself 26:36\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAmong the true Keiji Haino devotees, Nijiumu’s Era of Sad Wings (released on P.S.F. in 1993) has always held a special place in the pantheon. Operating for only a few years in the early 90s and apparently only performing a handful of shows, Nijiumu operated at the opposite end of the dynamic spectrum to Haino’s famed power trio Fushitsusha, dwelling in a hushed, meditative realm of mysterious droning sonorities and free-floating melodies that occasionally erupts into violence. Black Truffle is pleased to announce a new double-LP edition of a lesser-known 1994 Nijiumu recording, When I sing, I slip into the microphone. Into that void, I bring comrade “prayers”, then, turning to face the outside, together we explode. Here, Nijiumu is the trio of Haino, Tetuzi Akiyama and the obscure Takashi Matsuoka, the three performing on a wide variety of string, wind and percussion instruments, as well as electric guitar and bass, and Haino’s unmistakeable voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLike on the early solo Haino album that shares the group’s name (released on P.S.F. in 1990), the instrumentation swims in reverb (the use of which Akiyama recalls as ‘a kind of point of the band’), often obscuring the instrumental sources. On the short opening piece, a distant reed instrument arcs long buzzing\u003cspan class=\"bcTruncateMore\"\u003e melodies over a bed of cymbals and gongs, like a psychedelic take on Tibetan music. The epic second part, occupying almost 50 minutes, begins as a splayed, near-formless cloud of electric guitar and bass, shadowed by bowed and plucked strings, the three elements working through twisting atonal shapes. At various points in the recording, we hear what seems to be the sounds of musicians moving between instruments, their shuffling and bumps fitting seamlessly into this radically open music. Eventually, what sounds like electric guitar moves closer to the foreground, fixing on a repeated melodic cell around which hover mysterious clouds of long tones and a sporadic shaker. At the half-hour mark, the music begins to build to a violently emotive climax, Haino’s impassioned vocal cries punctuating a lumbering, bass-heavy murk, contrasted at points by what sounds like a tin whistle. Suddenly, the volume drops to a near-whisper, opening the way for the stunning final moments, which touch on the slow-motion balladry of Haino’s classic Affection, here given an eccentric twist by an occasional woodblock hit.\u003cbr\u003e\u003cbr\u003eThe third piece opens with a hazy trio of rumbling bass, bowed strings and abstracted slide guitar, the latter calling to mind some of Akiyama’s later solo work. Eventually joined by Haino’s voice, its fragile, haunted tone might remind the listener of the man in black’s documented love of the madrigals of the murderous Count Gesualdo, before the recording abruptly breaks off mid-note. In this new edition, the Nijiumu trio recording is supplemented by a piece recorded solo by Haino in 1973, a bracing electronic blowout stretching almost half an hour. Using a homemade electronics setup to unleash a barrage of crunching distortion and shuddering harmonic fuzz, it takes its place in the canon of extreme live electronics next to Robert Ashley’s Wolfman and Walter Marchetti’s Osmanthus fragrans, looking forward to extreme noise years before Merzbow. Taken as a whole, these four sides of music are a stunning document of some of the lesser-known waystations of Haino’s singular creative path.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nijiumu\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 135\u003c\/p\u003e","published_at":"2026-05-15T07:14:41+09:00","created_at":"2026-05-15T07:13:55+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","jazz","lp","new","noise"],"price":787000,"price_min":787000,"price_max":787000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48890735558906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nijiumu \/\/ When I sing, I slip into the microphone. Into that void... 2xLP","public_title":null,"options":["Default Title"],"price":787000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101486524","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in1_6cad967e-4341-48a8-b8d8-d897bad011b7.jpg?v=1763091941","\/\/tobirarecords.com\/cdn\/shop\/files\/in2_b34bb3ec-f8a2-4687-86f0-19533b5c4c22.jpg?v=1763091942"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_6cad967e-4341-48a8-b8d8-d897bad011b7.jpg?v=1763091941","options":["Title"],"media":[{"alt":null,"id":37502565581050,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_6cad967e-4341-48a8-b8d8-d897bad011b7.jpg?v=1763091941"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_6cad967e-4341-48a8-b8d8-d897bad011b7.jpg?v=1763091941","width":700},{"alt":null,"id":37502565613818,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_b34bb3ec-f8a2-4687-86f0-19533b5c4c22.jpg?v=1763091942"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_b34bb3ec-f8a2-4687-86f0-19533b5c4c22.jpg?v=1763091942","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e灰野敬二率いるNijiumuが、2025年10月にオーストラリアの実験レーベルBlack Truffleからリリースした再発2枚組レコードです。（オリジナルは1990年にCDリリース）\u003c\/p\u003e\n\u003cp\u003e未発表音源を含む4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=315755393\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part I 03:10\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part II 49:38\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part III 12:29\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4. 4th Movement: The kotodama that attempts to take back all energy into itself 26:36\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAmong the true Keiji Haino devotees, Nijiumu’s Era of Sad Wings (released on P.S.F. in 1993) has always held a special place in the pantheon. Operating for only a few years in the early 90s and apparently only performing a handful of shows, Nijiumu operated at the opposite end of the dynamic spectrum to Haino’s famed power trio Fushitsusha, dwelling in a hushed, meditative realm of mysterious droning sonorities and free-floating melodies that occasionally erupts into violence. Black Truffle is pleased to announce a new double-LP edition of a lesser-known 1994 Nijiumu recording, When I sing, I slip into the microphone. Into that void, I bring comrade “prayers”, then, turning to face the outside, together we explode. Here, Nijiumu is the trio of Haino, Tetuzi Akiyama and the obscure Takashi Matsuoka, the three performing on a wide variety of string, wind and percussion instruments, as well as electric guitar and bass, and Haino’s unmistakeable voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLike on the early solo Haino album that shares the group’s name (released on P.S.F. in 1990), the instrumentation swims in reverb (the use of which Akiyama recalls as ‘a kind of point of the band’), often obscuring the instrumental sources. On the short opening piece, a distant reed instrument arcs long buzzing\u003cspan class=\"bcTruncateMore\"\u003e melodies over a bed of cymbals and gongs, like a psychedelic take on Tibetan music. The epic second part, occupying almost 50 minutes, begins as a splayed, near-formless cloud of electric guitar and bass, shadowed by bowed and plucked strings, the three elements working through twisting atonal shapes. At various points in the recording, we hear what seems to be the sounds of musicians moving between instruments, their shuffling and bumps fitting seamlessly into this radically open music. Eventually, what sounds like electric guitar moves closer to the foreground, fixing on a repeated melodic cell around which hover mysterious clouds of long tones and a sporadic shaker. At the half-hour mark, the music begins to build to a violently emotive climax, Haino’s impassioned vocal cries punctuating a lumbering, bass-heavy murk, contrasted at points by what sounds like a tin whistle. Suddenly, the volume drops to a near-whisper, opening the way for the stunning final moments, which touch on the slow-motion balladry of Haino’s classic Affection, here given an eccentric twist by an occasional woodblock hit.\u003cbr\u003e\u003cbr\u003eThe third piece opens with a hazy trio of rumbling bass, bowed strings and abstracted slide guitar, the latter calling to mind some of Akiyama’s later solo work. Eventually joined by Haino’s voice, its fragile, haunted tone might remind the listener of the man in black’s documented love of the madrigals of the murderous Count Gesualdo, before the recording abruptly breaks off mid-note. In this new edition, the Nijiumu trio recording is supplemented by a piece recorded solo by Haino in 1973, a bracing electronic blowout stretching almost half an hour. Using a homemade electronics setup to unleash a barrage of crunching distortion and shuddering harmonic fuzz, it takes its place in the canon of extreme live electronics next to Robert Ashley’s Wolfman and Walter Marchetti’s Osmanthus fragrans, looking forward to extreme noise years before Merzbow. Taken as a whole, these four sides of music are a stunning document of some of the lesser-known waystations of Haino’s singular creative path.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nijiumu\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 135\u003c\/p\u003e"}
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灰野敬二率いるNijiumuが、2025年10月にオーストラリアの実験レーベルBlack Truffleからリリースした再発2枚組レコードです。（オリジナルは1990年にCDリリース） 未発表音源を含む4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ----------------------------...
¥7,870
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{"id":9226854400250,"title":"Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi \/\/ With pats on the head, just one too few is evil one too many is good that's all it is 3xLP","handle":"keiji-haino-jim-orourke-oren-ambarchi-with-pats-on-the-head-just-one-too-few-is-evil-one-too-many-is-good-thats-all-it-is-3xlp","description":"\u003cp\u003eKeiji HainoとJim O'Rourke、Oren Ambarchiが、2018年11月にスーパーデラックスで行ったライブ録音です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9qYQ1MuTzJw?si=iFjY99sFVjc5Ra5Q\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e3x12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy “Watashi Dake?” is definitely not included in this unequal treaty, is it? 13:13\u003c\/li\u003e\n\u003cli\u003eRight brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these? 09:57\u003c\/li\u003e\n\u003cli\u003e“Critical consciousness?” That’s been abandoned in corner of a shower room in a 53-storey apartment building inhabited by extra-terrestrial lifeforms….. 11:17\u003c\/li\u003e\n\u003cli\u003eI thought I had pulverized it summarily but there are just too many who lack reality or who are cowards so I cannot change a thing 15:17\u003c\/li\u003e\n\u003cli\u003eStill divided into pieces? Let’s reconnect them Recognise that you are a point And the longest line Let it become light 22:41\u003c\/li\u003e\n\u003cli\u003eI can no longer sense that sacred feeling of expression Just the loitering of vulgar vibrations that can only be described as a half-hearted class reunion Will you consent to this? 23:33\u003c\/li\u003e\n\u003cli\u003eThere are always things I wish to say but I can only convey them in this language August 6 August 9 16:59\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe heavyweight trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return with their 12th and most epic release to date, the triple LP With pats on the head, just one too few is evil one too many is good that's all it is. Documenting the entirety of their final performance at the dearly departed Roppongi home of Tokyo underground institution SuperDeluxe in November 2018, the music spread across these six sides splits the difference between the guitar-bass-drums power trio moves and experiments with novel instrumentation that have defined the trio’s decade of working together. Containing some of the most delicate music the three have committed to wax since the gorgeous 12-string acoustic guitar and dulcimer tones of Only wanting to melt beautifully away is it a lack of contentment that stirs affection for those things said to be as of yet unseen (BT011), this wide-ranging release also offers up some of their most blistering free rock performances yet.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe side-long opening piece finds Haino on a single snare drum in duet with O’Rourke on unamplified electric guitar, playing in the lovely post-Bailey vein heard on his classic 90s recordings with Henry Kaiser and Mats Gustafsson. Spiky dissonance and ringing harmonics interweave with flowing melodic fragments as Haino\u003cspan class=\"bcTruncateMore\"\u003e single-mindedly explores the resonance of the snare like an untutored Han Bennink. On ‘Right brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these?’, O’Rourke moves to synth and electronics, joined by Ambarchi on drums, who at first focuses on sizzle cymbals before hypnotic cycles of gentle tom rhythms combine with electronic burbles and flutters to suggest a dream collaboration between Masahiko Togashi and Jean Schwarz. Ambarchi’s percussion is then joined by Haino on wandering, overblown flute, before the man in black switches back to the snare for a bizarre, stuttering drum duet.\u003cbr\u003e\u003cbr\u003eFor the first trio performance, Haino makes another new addition to his seemingly infinite catalogue of instruments, this time a homemade contraption he refers to as ‘Strings of Dubious Reputation’. Joined by O’Rourke on increasingly spaced-out electric guitar and Ambarchi on skittering percussion, Haino’s wonky, slack strings adds a definite ‘musique brut’ edge to this side-long performance, certainly one of the most enchantingly odd in the trio’s discography. When the group reconvene for the second set, spread out across the final three sides, they seem ready to breathe fire from the first instant. O’Rourke slashes distorted chords on the six-string bass, Ambarchi breaks into his signature irregular caveman thump, and Haino squeals and squawks on heavily delayed oboe before unleashing an overpowering electrical storm when he first picks up the guitar. For over half an hour, the trio pound out one of their most relentless performances, a constantly rearranging kaleidoscope of tortured fuzz guitar, insanely busy bass riffing and propulsive, tumbling drums. A hushed atmosphere initially reigns on the final long piece, given the mournful title ‘There are always things I wish to say but I can only convey them in this language August 6 August 9’. Haino’s clean guitar strumming calls up the shimmering tones of his PSF classic Affection, gradually building to a surging wall of sound, bass and drums lumbering through a roar of jet-engine guitar.\u003cbr\u003e\u003cbr\u003eArriving in a deluxe trifold package with photos by Lasse Marhaug alongside inner sleeves with extensive live images, this epic release is perhaps the most remarkable document yet of this unique trio’s stamina and continuing inventiveness.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCat No : Black Truffle113\u003c\/p\u003e","published_at":"2026-05-15T07:09:56+09:00","created_at":"2026-05-15T07:09:25+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","jazz","lp","new"],"price":836900,"price_min":836900,"price_max":836900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48890731561210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi \/\/ With pats on the head, just one too few is evil one too many is good that's all it is 3xLP","public_title":null,"options":["Default Title"],"price":836900,"weight":730,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101461378","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101","\/\/tobirarecords.com\/cdn\/shop\/files\/pat2.jpg?v=1706077101","\/\/tobirarecords.com\/cdn\/shop\/files\/pat3.jpg?v=1706077101"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101","options":["Title"],"media":[{"alt":null,"id":33040456646906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101","width":700},{"alt":null,"id":33040456679674,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat2.jpg?v=1706077101"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat2.jpg?v=1706077101","width":1200},{"alt":null,"id":33040456712442,"position":3,"preview_image":{"aspect_ratio":2.065,"height":581,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat3.jpg?v=1706077101"},"aspect_ratio":2.065,"height":581,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat3.jpg?v=1706077101","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eKeiji HainoとJim O'Rourke、Oren Ambarchiが、2018年11月にスーパーデラックスで行ったライブ録音です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9qYQ1MuTzJw?si=iFjY99sFVjc5Ra5Q\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e3x12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy “Watashi Dake?” is definitely not included in this unequal treaty, is it? 13:13\u003c\/li\u003e\n\u003cli\u003eRight brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these? 09:57\u003c\/li\u003e\n\u003cli\u003e“Critical consciousness?” That’s been abandoned in corner of a shower room in a 53-storey apartment building inhabited by extra-terrestrial lifeforms….. 11:17\u003c\/li\u003e\n\u003cli\u003eI thought I had pulverized it summarily but there are just too many who lack reality or who are cowards so I cannot change a thing 15:17\u003c\/li\u003e\n\u003cli\u003eStill divided into pieces? Let’s reconnect them Recognise that you are a point And the longest line Let it become light 22:41\u003c\/li\u003e\n\u003cli\u003eI can no longer sense that sacred feeling of expression Just the loitering of vulgar vibrations that can only be described as a half-hearted class reunion Will you consent to this? 23:33\u003c\/li\u003e\n\u003cli\u003eThere are always things I wish to say but I can only convey them in this language August 6 August 9 16:59\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe heavyweight trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return with their 12th and most epic release to date, the triple LP With pats on the head, just one too few is evil one too many is good that's all it is. Documenting the entirety of their final performance at the dearly departed Roppongi home of Tokyo underground institution SuperDeluxe in November 2018, the music spread across these six sides splits the difference between the guitar-bass-drums power trio moves and experiments with novel instrumentation that have defined the trio’s decade of working together. Containing some of the most delicate music the three have committed to wax since the gorgeous 12-string acoustic guitar and dulcimer tones of Only wanting to melt beautifully away is it a lack of contentment that stirs affection for those things said to be as of yet unseen (BT011), this wide-ranging release also offers up some of their most blistering free rock performances yet.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe side-long opening piece finds Haino on a single snare drum in duet with O’Rourke on unamplified electric guitar, playing in the lovely post-Bailey vein heard on his classic 90s recordings with Henry Kaiser and Mats Gustafsson. Spiky dissonance and ringing harmonics interweave with flowing melodic fragments as Haino\u003cspan class=\"bcTruncateMore\"\u003e single-mindedly explores the resonance of the snare like an untutored Han Bennink. On ‘Right brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these?’, O’Rourke moves to synth and electronics, joined by Ambarchi on drums, who at first focuses on sizzle cymbals before hypnotic cycles of gentle tom rhythms combine with electronic burbles and flutters to suggest a dream collaboration between Masahiko Togashi and Jean Schwarz. Ambarchi’s percussion is then joined by Haino on wandering, overblown flute, before the man in black switches back to the snare for a bizarre, stuttering drum duet.\u003cbr\u003e\u003cbr\u003eFor the first trio performance, Haino makes another new addition to his seemingly infinite catalogue of instruments, this time a homemade contraption he refers to as ‘Strings of Dubious Reputation’. Joined by O’Rourke on increasingly spaced-out electric guitar and Ambarchi on skittering percussion, Haino’s wonky, slack strings adds a definite ‘musique brut’ edge to this side-long performance, certainly one of the most enchantingly odd in the trio’s discography. When the group reconvene for the second set, spread out across the final three sides, they seem ready to breathe fire from the first instant. O’Rourke slashes distorted chords on the six-string bass, Ambarchi breaks into his signature irregular caveman thump, and Haino squeals and squawks on heavily delayed oboe before unleashing an overpowering electrical storm when he first picks up the guitar. For over half an hour, the trio pound out one of their most relentless performances, a constantly rearranging kaleidoscope of tortured fuzz guitar, insanely busy bass riffing and propulsive, tumbling drums. A hushed atmosphere initially reigns on the final long piece, given the mournful title ‘There are always things I wish to say but I can only convey them in this language August 6 August 9’. Haino’s clean guitar strumming calls up the shimmering tones of his PSF classic Affection, gradually building to a surging wall of sound, bass and drums lumbering through a roar of jet-engine guitar.\u003cbr\u003e\u003cbr\u003eArriving in a deluxe trifold package with photos by Lasse Marhaug alongside inner sleeves with extensive live images, this epic release is perhaps the most remarkable document yet of this unique trio’s stamina and continuing inventiveness.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCat No : Black Truffle113\u003c\/p\u003e"}
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Keiji HainoとJim O'Rourke、Oren Ambarchiが、2018年11月にスーパーデラックスで行ったライブ録音です。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
¥8,369