jazz / impro
クイックビュー
{"id":9226963091706,"title":"Vladislav Delay Quintet \/\/ vd5 LP","handle":"vladislav-delay-quintet-vd5-lp","description":"\u003cp\u003eフィンランドのエレクトロニック作家Vladislav Delay率いるVladislav Delay Quintetが、2026年5月に同国ジャズレーベルWe Jazzからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2559861354\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wjzz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wjzz\"\u003ehere\u003c\/a\u003e to see more We Jazz Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. two 03:22 \u003cbr\u003e2. twelve 04:22 \u003cbr\u003e3. nineteen 04:45 \u003cbr\u003e4. nine 04:37 \u003cbr\u003e5. fourteen 05:31 \u003cbr\u003e6. thirteen 06:24 \u003cbr\u003e7. twenty 03:39 \u003cbr\u003e8. fifteen 04:28 \u003cbr\u003e9. ten 03:40 \u003cbr\u003e10. three 04:00\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eVladislav Delay, primarily known as a highly regarded electronic music innovator, steps ahead with his acoustic jazz quintet, releasing \"vd5\" on We Jazz Records, 8th May. Echoing the forward-looking vd musical vision always ahead of the curve, the new album does not fit into any specific category, forging a path of its own across the 10 tracks. Recorded at Candybomber Studio in Berlin, the album brings vd together with Maria Bertel, Lucio Capece, Derek Shirley and Max Loderbauer. This is shape-shifting, elastic music that exists left of any given timeline.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBased in Hailuoto in Northern Finland, Vladislav Delay has never fit into any preset mould as an artist. His prolific, at times mythical output has elevated him to a veritable legend status in all music cycles appreciating a unique artistic voice. Be it his forward-reaching recent releases as Vladislav Delay on his own Rajaton imprint, his Ripatti alias, or playing metallic percussion with the Moritz Von Oswald Trio, Vladislav Delay always has A SOUND. And that sound is ever-evolving, as his new jazz album shows. What \"jazz\" is this? There are certainly liquid elements there in the mix, not unlike the ones heard on previous vd productions. Then again, this is acoustic quintet music by and large, but not any specific kind we have ever heard before. Isn't that the whole point of \"jazz\"? Whatever came before is a springboard, not a limitation.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Vladislav Delay Quintet\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eWe Jazz Records\u003c\/p\u003e\n\u003cp\u003ecat no : WJLP88\u003c\/p\u003e\n\u003cp\u003eRelease date : 29th April 2026\u003c\/p\u003e","published_at":"2026-05-15T15:03:54+09:00","created_at":"2026-05-15T12:17:24+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","strange beats","we jazz records"],"price":498500,"price_min":498500,"price_max":498500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48891262894330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Vladislav Delay Quintet \/\/ vd5 LP","public_title":null,"options":["Default Title"],"price":498500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4062548136548","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/del1_6a9fe01e-6eab-41dc-a0f5-0d4107ecd686.jpg?v=1778814955","\/\/tobirarecords.com\/cdn\/shop\/files\/del2_0683053f-f3be-4616-9018-1b5a5baade49.jpg?v=1778814955"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/del1_6a9fe01e-6eab-41dc-a0f5-0d4107ecd686.jpg?v=1778814955","options":["Title"],"media":[{"alt":null,"id":39377747149050,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del1_6a9fe01e-6eab-41dc-a0f5-0d4107ecd686.jpg?v=1778814955"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del1_6a9fe01e-6eab-41dc-a0f5-0d4107ecd686.jpg?v=1778814955","width":350},{"alt":null,"id":39377747181818,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del2_0683053f-f3be-4616-9018-1b5a5baade49.jpg?v=1778814955"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del2_0683053f-f3be-4616-9018-1b5a5baade49.jpg?v=1778814955","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランドのエレクトロニック作家Vladislav Delay率いるVladislav Delay Quintetが、2026年5月に同国ジャズレーベルWe Jazzからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2559861354\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wjzz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wjzz\"\u003ehere\u003c\/a\u003e to see more We Jazz Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. two 03:22 \u003cbr\u003e2. twelve 04:22 \u003cbr\u003e3. nineteen 04:45 \u003cbr\u003e4. nine 04:37 \u003cbr\u003e5. fourteen 05:31 \u003cbr\u003e6. thirteen 06:24 \u003cbr\u003e7. twenty 03:39 \u003cbr\u003e8. fifteen 04:28 \u003cbr\u003e9. ten 03:40 \u003cbr\u003e10. three 04:00\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eVladislav Delay, primarily known as a highly regarded electronic music innovator, steps ahead with his acoustic jazz quintet, releasing \"vd5\" on We Jazz Records, 8th May. Echoing the forward-looking vd musical vision always ahead of the curve, the new album does not fit into any specific category, forging a path of its own across the 10 tracks. Recorded at Candybomber Studio in Berlin, the album brings vd together with Maria Bertel, Lucio Capece, Derek Shirley and Max Loderbauer. This is shape-shifting, elastic music that exists left of any given timeline.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBased in Hailuoto in Northern Finland, Vladislav Delay has never fit into any preset mould as an artist. His prolific, at times mythical output has elevated him to a veritable legend status in all music cycles appreciating a unique artistic voice. Be it his forward-reaching recent releases as Vladislav Delay on his own Rajaton imprint, his Ripatti alias, or playing metallic percussion with the Moritz Von Oswald Trio, Vladislav Delay always has A SOUND. And that sound is ever-evolving, as his new jazz album shows. What \"jazz\" is this? There are certainly liquid elements there in the mix, not unlike the ones heard on previous vd productions. Then again, this is acoustic quintet music by and large, but not any specific kind we have ever heard before. Isn't that the whole point of \"jazz\"? Whatever came before is a springboard, not a limitation.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Vladislav Delay Quintet\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eWe Jazz Records\u003c\/p\u003e\n\u003cp\u003ecat no : WJLP88\u003c\/p\u003e\n\u003cp\u003eRelease date : 29th April 2026\u003c\/p\u003e"}
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フィンランドのエレクトロニック作家Vladislav Delay率いるVladislav Delay Quintetが、2026年5月に同国ジャズレーベルWe Jazzからリリースしたレコードです。 実験ジャズ10曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more...
¥4,985
クイックビュー
{"id":9226918985978,"title":"Lori Vambe \/\/ Space-Time Dreamtime: The Four-Dimensional Music Of Lori Vambe 2xLP","handle":"lori-vambe-space-time-dreamtime-lp","description":"\u003cp\u003eジンバブエ出身のアウトサイダー作家／自作楽器奏者Lori Vambeが、2023年にStrut\u003cspan\u003eからリリースした再発2枚組レコードです。（オリジナルは1982年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e自作楽器ドラムギターとピアノによるスピリチュアル・ジャズ〜ストレンジビーツ20曲を収録。ブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2909219867\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/strut\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/strut\"\u003ehere\u003c\/a\u003e to see more Strut releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDRUMGITA SOLO\u003c\/strong\u003e\u003cbr\u003eA1. INTRO 3.30\u003cbr\u003eA2. DRUMGITA 8.14\u003cbr\u003eA3. ANCIENT BOOGIE (MANTRA) 1.56\u003cbr\u003eA4. ARTNAM 1.00\u003cbr\u003eA5. MANTRA 1.53\u003cbr\u003eA6. (ONE) BOOGIE HOME GOING 4.11\u003cbr\u003eB1. GOING HOME BOOGIE (ONE) 5.38\u003cbr\u003eB2. UN MINUTO (ONE) 1.00\u003cbr\u003eB3. UN MINUTO (TWO) 1.21\u003cbr\u003eB4. GOING HOME BOOGIE (TWO) 5.48\u003cbr\u003eB5. GOING HOME BOOGIE (THREE) 2.49\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDRUMLAND DREAMLAND (PART ONE)\u003c\/strong\u003e\u003cbr\u003eC1. DRUMSONG (ONE) 6.49\u003cbr\u003eC2. DRUMSONG (TWO) 7.49\u003cbr\u003eC3. DRUMSONG (THREE) 2.13\u003cbr\u003eC4. STRUMELODY 4.12\u003cbr\u003eD1. DRUMELODY (ONE) 4.08\u003cbr\u003eD2. DRUMELODY (TWO) 5.27\u003cbr\u003eD3. YDOLEMURD 3.28\u003cbr\u003eD4. HUM DRUM DRING (ONE) 1.35\u003cbr\u003eD5. HUM DRUM DRING (TWO) (THE FREEDRUM SONG) 5.41\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOccasionally, you find music outside the commercial mainstream, outside of everything – the music of visionaries, eccentrics, inventors, loners, the keepers of secrets, the path-finders. Moondog, Daphne Oram, Harry Partch are from this mould. And so too is Lori Vambe.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNew on Strut, the first ever reissue of Vambe’s privately pressed original albums from 1982, Drumland Dreamland and Drumgita Solo. A self-taught drummer, inventor, and sonic experimentalist, Lori Vambe is a unique figure in British music. Creator of his own instrument, the drumgita (pronounced ‘drum-guitar’) or string-drum, Vambe intended to create a kind of music that had never been made in order to pursue access to the fourth dimension.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVambe was born in Harare, Zimbabwe and his father, Lawrence Vambe, was a noted Zimbabwean journalist and author. Moving to London in 1959, Vambe immersed himself in the Brixton squat movement of the early 1970s, teaching himself to drum and creating a short-lived performance group, The Healing Drums of Brixton (Vambe, the sculptor Alexander Sokolov and outsider musician Michael O’Shea). Vambe later had a dream-vision involving a feeling of ecstasy while playing an unknown instrument that extended from his own umbilical cord; the instrument would manifest\u003cspan class=\"bcTruncateMore\"\u003e itself as the drumgita. In 1982, he privately produced a pair of home recordings, the diptych set Drumgita Solo and Drumland Dreamland, releasing them on his own label Drumony. On these records, he rejected any commercial aesthetic and employed tape effects, temporal shifts, reversed sound and overdubbing to investigate space-time and access the fourth dimension. Combining layered drums with the rhythmic throb of the drumgita and, on Drumland Dreamland, an improvised piano performance by Brazilian concert pianist Rafael Dos Santos, the albums are both hypnotic and perturbing.\u003cbr\u003e\u003cbr\u003eBoth albums were cut at Portland Studios by Chas Chandler and stand as a concealed monument of Black British experimental music. 500 copies of each record were originally pressed, and both were released together. The albums were never performed live.\u003cbr\u003e\u003cbr\u003eFor this first ever reissue of Drumland Drumland and Drumgita Solo, Strut presents the two albums in their original artwork, housed in a deluxe slipcase including an additional 8-page 12”-sized booklet featuring unseen photos, liner notes and an interview with Lori Vambe by The Wire magazine writer Francis Gooding. Both albums are fully remastered by The Carvery.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lori Vambe\u003c\/p\u003e\n\u003cp\u003eLabel : Strut\u003c\/p\u003e\n\u003cp\u003ecat no : STRUT340LPB\u003c\/p\u003e\n\u003cp\u003eRelease date : 29th September 2023\u003c\/p\u003e","published_at":"2026-05-17T05:22:02+09:00","created_at":"2026-05-15T11:42:13+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","strange beats","strut"],"price":787900,"price_min":787900,"price_max":787900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48891007009018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lori Vambe \/\/ Space-Time Dreamtime: The Four-Dimensional Music Of Lori Vambe 2xLP","public_title":null,"options":["Default Title"],"price":787900,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"4062548064445","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/space1_8ab32d68-ee07-4ceb-baab-6deca8e173fb.jpg?v=1778813065","\/\/tobirarecords.com\/cdn\/shop\/files\/space3.jpg?v=1778813065"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/space1_8ab32d68-ee07-4ceb-baab-6deca8e173fb.jpg?v=1778813065","options":["Title"],"media":[{"alt":null,"id":39377301569786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/space1_8ab32d68-ee07-4ceb-baab-6deca8e173fb.jpg?v=1778813065"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/space1_8ab32d68-ee07-4ceb-baab-6deca8e173fb.jpg?v=1778813065","width":350},{"alt":null,"id":39377301602554,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/space3.jpg?v=1778813065"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/space3.jpg?v=1778813065","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eジンバブエ出身のアウトサイダー作家／自作楽器奏者Lori Vambeが、2023年にStrut\u003cspan\u003eからリリースした再発2枚組レコードです。（オリジナルは1982年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e自作楽器ドラムギターとピアノによるスピリチュアル・ジャズ〜ストレンジビーツ20曲を収録。ブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2909219867\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/strut\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/strut\"\u003ehere\u003c\/a\u003e to see more Strut releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDRUMGITA SOLO\u003c\/strong\u003e\u003cbr\u003eA1. INTRO 3.30\u003cbr\u003eA2. DRUMGITA 8.14\u003cbr\u003eA3. ANCIENT BOOGIE (MANTRA) 1.56\u003cbr\u003eA4. ARTNAM 1.00\u003cbr\u003eA5. MANTRA 1.53\u003cbr\u003eA6. (ONE) BOOGIE HOME GOING 4.11\u003cbr\u003eB1. GOING HOME BOOGIE (ONE) 5.38\u003cbr\u003eB2. UN MINUTO (ONE) 1.00\u003cbr\u003eB3. UN MINUTO (TWO) 1.21\u003cbr\u003eB4. GOING HOME BOOGIE (TWO) 5.48\u003cbr\u003eB5. GOING HOME BOOGIE (THREE) 2.49\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDRUMLAND DREAMLAND (PART ONE)\u003c\/strong\u003e\u003cbr\u003eC1. DRUMSONG (ONE) 6.49\u003cbr\u003eC2. DRUMSONG (TWO) 7.49\u003cbr\u003eC3. DRUMSONG (THREE) 2.13\u003cbr\u003eC4. STRUMELODY 4.12\u003cbr\u003eD1. DRUMELODY (ONE) 4.08\u003cbr\u003eD2. DRUMELODY (TWO) 5.27\u003cbr\u003eD3. YDOLEMURD 3.28\u003cbr\u003eD4. HUM DRUM DRING (ONE) 1.35\u003cbr\u003eD5. HUM DRUM DRING (TWO) (THE FREEDRUM SONG) 5.41\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOccasionally, you find music outside the commercial mainstream, outside of everything – the music of visionaries, eccentrics, inventors, loners, the keepers of secrets, the path-finders. Moondog, Daphne Oram, Harry Partch are from this mould. And so too is Lori Vambe.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNew on Strut, the first ever reissue of Vambe’s privately pressed original albums from 1982, Drumland Dreamland and Drumgita Solo. A self-taught drummer, inventor, and sonic experimentalist, Lori Vambe is a unique figure in British music. Creator of his own instrument, the drumgita (pronounced ‘drum-guitar’) or string-drum, Vambe intended to create a kind of music that had never been made in order to pursue access to the fourth dimension.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVambe was born in Harare, Zimbabwe and his father, Lawrence Vambe, was a noted Zimbabwean journalist and author. Moving to London in 1959, Vambe immersed himself in the Brixton squat movement of the early 1970s, teaching himself to drum and creating a short-lived performance group, The Healing Drums of Brixton (Vambe, the sculptor Alexander Sokolov and outsider musician Michael O’Shea). Vambe later had a dream-vision involving a feeling of ecstasy while playing an unknown instrument that extended from his own umbilical cord; the instrument would manifest\u003cspan class=\"bcTruncateMore\"\u003e itself as the drumgita. In 1982, he privately produced a pair of home recordings, the diptych set Drumgita Solo and Drumland Dreamland, releasing them on his own label Drumony. On these records, he rejected any commercial aesthetic and employed tape effects, temporal shifts, reversed sound and overdubbing to investigate space-time and access the fourth dimension. Combining layered drums with the rhythmic throb of the drumgita and, on Drumland Dreamland, an improvised piano performance by Brazilian concert pianist Rafael Dos Santos, the albums are both hypnotic and perturbing.\u003cbr\u003e\u003cbr\u003eBoth albums were cut at Portland Studios by Chas Chandler and stand as a concealed monument of Black British experimental music. 500 copies of each record were originally pressed, and both were released together. The albums were never performed live.\u003cbr\u003e\u003cbr\u003eFor this first ever reissue of Drumland Drumland and Drumgita Solo, Strut presents the two albums in their original artwork, housed in a deluxe slipcase including an additional 8-page 12”-sized booklet featuring unseen photos, liner notes and an interview with Lori Vambe by The Wire magazine writer Francis Gooding. Both albums are fully remastered by The Carvery.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lori Vambe\u003c\/p\u003e\n\u003cp\u003eLabel : Strut\u003c\/p\u003e\n\u003cp\u003ecat no : STRUT340LPB\u003c\/p\u003e\n\u003cp\u003eRelease date : 29th September 2023\u003c\/p\u003e"}
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ジンバブエ出身のアウトサイダー作家／自作楽器奏者Lori Vambeが、2023年にStrutからリリースした再発2枚組レコードです。（オリジナルは1982年リリース） 自作楽器ドラムギターとピアノによるスピリチュアル・ジャズ〜ストレンジビーツ20曲を収録。ブックレット付属。 レーベルその他作品はこちら /// Click here to see more Strut releases available at...
¥7,879
クイックビュー
{"id":9226918363386,"title":"Bolbec \/\/ Foutu Félin LP","handle":"bolbec-foutu-felin-lp","description":"\u003cp\u003eフランスのジャズデュオBolbecが、2026年5月にBatov Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eシネマティックなラウンジ〜フュージョン〜ジャズ・ポップ10曲を収録。\u003c\/p\u003e\n\u003cp\u003eMoon Mullinsが好きな方にオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=229925016\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2536158410\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=229925016\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1792652052\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=229925016\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Café Frappé 03:03\u003cbr\u003e2. Le Prof de Gong 02:06\u003cbr\u003e3. Fanny 03:14\u003cbr\u003e4. Foutu Félin 03:20\u003cbr\u003e5. Ponto Final 03:23\u003cbr\u003e6. Machine Arrière 02:42\u003cbr\u003e7. En Voiture 04:37\u003cbr\u003e8. Fanny au Phare 03:56\u003cbr\u003e9. Le Fou-Rire 02:06\u003cbr\u003e10. Terrassée 04:46\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Bolbec duo return with their sophomore album Foutu Félin, a richly cinematic collection of instrumental music that unfolds like an imaginary soundtrack, melodic, tactile and transportive. The record is inspired as much by the cut-and-paste production techniques of Portishead and the Beastie Boys as by the legendary composers of le cinéma français and il cinema italiano.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowing directly from their debut Victime De L’aube, Foutu Félin feels like a continuation rather than a departure, a second reel instead of a reset. Axel Concato and Barth Corbelet each wrote five pieces independently, deliberately exploring as instinctively and introspectively as possible before reshaping their embryonic ideas together into bigger, brighter compositions, uncovering hidden humour along the way.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCinema remains Bolbec’s primary language. \"We always think in movie scenes”,, they explain. Barth points to Alberto Iglesias as a key influence, while Axel draws inspiration from the melodic logic of film scores from the 60s to the 80s, where characters carried themes and melody mattered as much as atmosphere. In\u003cspan class=\"bcTruncateMore\"\u003e contrast to contemporary soundtrack trends that prioritise texture over tune, Bolbec consciously foreground melody, harmony and rhythm in search of a personal musical signature.\u003cbr\u003e\u003cbr\u003eThat philosophy extends to the album’s French-language titles, which act as scene headings rather than explanations. Often playful and sometimes absurd, names such as ‘Café Frappé’, ‘Foutu Félin’ and ‘Le Prof de Gong’ sound like fragments of half-remembered films, inviting listeners to project their own narratives.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bolbec\u003c\/p\u003e\n\u003cp\u003eLabel : Batov Records\u003c\/p\u003e\n\u003cp\u003ecat no : BTR136LP\u003c\/p\u003e\n\u003cp\u003eRelease date : 1st May 2026\u003c\/p\u003e","published_at":"2026-05-17T06:55:59+09:00","created_at":"2026-05-15T11:38:14+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","jazz","lp","new"],"price":449000,"price_min":449000,"price_max":449000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48890992394490,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bolbec \/\/ Foutu Félin LP","public_title":null,"options":["Default Title"],"price":449000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4062548136586","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bol1_69502ad1-dedb-4731-be6c-8e1f1cf7b37c.jpg?v=1778812577","\/\/tobirarecords.com\/cdn\/shop\/files\/bol2.jpg?v=1778812577"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bol1_69502ad1-dedb-4731-be6c-8e1f1cf7b37c.jpg?v=1778812577","options":["Title"],"media":[{"alt":null,"id":39377274208506,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bol1_69502ad1-dedb-4731-be6c-8e1f1cf7b37c.jpg?v=1778812577"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bol1_69502ad1-dedb-4731-be6c-8e1f1cf7b37c.jpg?v=1778812577","width":350},{"alt":null,"id":39377274241274,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bol2.jpg?v=1778812577"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bol2.jpg?v=1778812577","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのジャズデュオBolbecが、2026年5月にBatov Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eシネマティックなラウンジ〜フュージョン〜ジャズ・ポップ10曲を収録。\u003c\/p\u003e\n\u003cp\u003eMoon Mullinsが好きな方にオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=229925016\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2536158410\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=229925016\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1792652052\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=229925016\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Café Frappé 03:03\u003cbr\u003e2. Le Prof de Gong 02:06\u003cbr\u003e3. Fanny 03:14\u003cbr\u003e4. Foutu Félin 03:20\u003cbr\u003e5. Ponto Final 03:23\u003cbr\u003e6. Machine Arrière 02:42\u003cbr\u003e7. En Voiture 04:37\u003cbr\u003e8. Fanny au Phare 03:56\u003cbr\u003e9. Le Fou-Rire 02:06\u003cbr\u003e10. Terrassée 04:46\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Bolbec duo return with their sophomore album Foutu Félin, a richly cinematic collection of instrumental music that unfolds like an imaginary soundtrack, melodic, tactile and transportive. The record is inspired as much by the cut-and-paste production techniques of Portishead and the Beastie Boys as by the legendary composers of le cinéma français and il cinema italiano.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowing directly from their debut Victime De L’aube, Foutu Félin feels like a continuation rather than a departure, a second reel instead of a reset. Axel Concato and Barth Corbelet each wrote five pieces independently, deliberately exploring as instinctively and introspectively as possible before reshaping their embryonic ideas together into bigger, brighter compositions, uncovering hidden humour along the way.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCinema remains Bolbec’s primary language. \"We always think in movie scenes”,, they explain. Barth points to Alberto Iglesias as a key influence, while Axel draws inspiration from the melodic logic of film scores from the 60s to the 80s, where characters carried themes and melody mattered as much as atmosphere. In\u003cspan class=\"bcTruncateMore\"\u003e contrast to contemporary soundtrack trends that prioritise texture over tune, Bolbec consciously foreground melody, harmony and rhythm in search of a personal musical signature.\u003cbr\u003e\u003cbr\u003eThat philosophy extends to the album’s French-language titles, which act as scene headings rather than explanations. Often playful and sometimes absurd, names such as ‘Café Frappé’, ‘Foutu Félin’ and ‘Le Prof de Gong’ sound like fragments of half-remembered films, inviting listeners to project their own narratives.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bolbec\u003c\/p\u003e\n\u003cp\u003eLabel : Batov Records\u003c\/p\u003e\n\u003cp\u003ecat no : BTR136LP\u003c\/p\u003e\n\u003cp\u003eRelease date : 1st May 2026\u003c\/p\u003e"}
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フランスのジャズデュオBolbecが、2026年5月にBatov Recordsからリリースしたレコードです。 シネマティックなラウンジ〜フュージョン〜ジャズ・ポップ10曲を収録。 Moon Mullinsが好きな方にオススメです。 ---------------------------------------------------- 12" black vinyl. Tracklist: 1. Café Frappé 03:032....
¥4,490
クイックビュー
{"id":9226916954362,"title":"Lori Vambe \/\/ Space-Time Dreamtime: The Four-Dimensional Music Of Lori Vambe CD","handle":"lori-vambe-space-time-dreamtime-cd","description":"\u003cp\u003eジンバブエ出身のアウトサイダー作家／自作楽器奏者Lori Vambeが、2023年にStrut\u003cspan\u003eからリリースした再発CDです。（オリジナルは1982年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e自作楽器ドラムギターとピアノによるスピリチュアル・ジャズ〜ストレンジビーツ20曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2909219867\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/strut\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/strut\"\u003ehere\u003c\/a\u003e to see more Strut releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDRUMGITA SOLO\u003c\/strong\u003e \u003cbr\u003e1. INTRO 3.30 \u003cbr\u003e2. DRUMGITA 8.14 \u003cbr\u003e3. ANCIENT BOOGIE (MANTRA) 1.56 \u003cbr\u003e4. ARTNAM 1.00 \u003cbr\u003e5. MANTRA 1.53 \u003cbr\u003e6. (ONE) BOOGIE HOME GOING 4.11 \u003cbr\u003e7. GOING HOME BOOGIE (ONE) 5.38 \u003cbr\u003e8. UN MINUTO (ONE) 1.00 \u003cbr\u003e9. UN MINUTO (TWO) 1.21 \u003cbr\u003e10. GOING HOME BOOGIE (TWO) 5.48 \u003cbr\u003e11. GOING HOME BOOGIE (THREE) 2.49\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDRUMLAND DREAMLAND (PART ONE) \u003c\/strong\u003e\u003cbr\u003e12. DRUMSONG (ONE) 6.49 \u003cbr\u003e13. DRUMSONG (TWO) 7.49 \u003cbr\u003e14. DRUMSONG (THREE) 2.13 \u003cbr\u003e15. STRUMELODY 4.12 \u003cbr\u003e16. DRUMELODY (ONE) 4.08 \u003cbr\u003e17. DRUMELODY (TWO) 5.27 \u003cbr\u003e18. YDOLEMURD 3.28 \u003cbr\u003e19. HUM DRUM DRING (ONE) 1.35 \u003cbr\u003e20. HUM DRUM DRING (TWO) (THE FREEDRUM SONG) 5.41\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOccasionally, you find music outside the commercial mainstream, outside of everything – the music of visionaries, eccentrics, inventors, loners, the keepers of secrets, the path-finders. Moondog, Daphne Oram, Harry Partch are from this mould. And so too is Lori Vambe.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNew on Strut, the first ever reissue of Vambe’s privately pressed original albums from 1982, Drumland Dreamland and Drumgita Solo. A self-taught drummer, inventor, and sonic experimentalist, Lori Vambe is a unique figure in British music. Creator of his own instrument, the drumgita (pronounced ‘drum-guitar’) or string-drum, Vambe intended to create a kind of music that had never been made in order to pursue access to the fourth dimension.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVambe was born in Harare, Zimbabwe and his father, Lawrence Vambe, was a noted Zimbabwean journalist and author. Moving to London in 1959, Vambe immersed himself in the Brixton squat movement of the early 1970s, teaching himself to drum and creating a short-lived performance group, The Healing Drums of Brixton (Vambe, the sculptor Alexander Sokolov and outsider musician Michael O’Shea). Vambe later had a dream-vision involving a feeling of ecstasy while playing an unknown instrument that extended from his own umbilical cord; the instrument would manifest\u003cspan class=\"bcTruncateMore\"\u003e itself as the drumgita. In 1982, he privately produced a pair of home recordings, the diptych set Drumgita Solo and Drumland Dreamland, releasing them on his own label Drumony. On these records, he rejected any commercial aesthetic and employed tape effects, temporal shifts, reversed sound and overdubbing to investigate space-time and access the fourth dimension. Combining layered drums with the rhythmic throb of the drumgita and, on Drumland Dreamland, an improvised piano performance by Brazilian concert pianist Rafael Dos Santos, the albums are both hypnotic and perturbing.\u003cbr\u003e\u003cbr\u003eBoth albums were cut at Portland Studios by Chas Chandler and stand as a concealed monument of Black British experimental music. 500 copies of each record were originally pressed, and both were released together. The albums were never performed live.\u003cbr\u003e\u003cbr\u003eFor this first ever reissue of Drumland Drumland and Drumgita Solo, Strut presents the two albums in their original artwork, housed in a deluxe slipcase including an additional 8-page 12”-sized booklet featuring unseen photos, liner notes and an interview with Lori Vambe by The Wire magazine writer Francis Gooding. Both albums are fully remastered by The Carvery.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lori Vambe\u003c\/p\u003e\n\u003cp\u003eLabel : Strut\u003c\/p\u003e\n\u003cp\u003ecat no : STRUT340CD\u003c\/p\u003e\n\u003cp\u003eRelease date : 29th September 2023\u003c\/p\u003e","published_at":"2026-05-17T05:23:49+09:00","created_at":"2026-05-15T11:29:49+09:00","vendor":"Tobira Records","type":"","tags":["cd","jazz","new","strange beats","strut"],"price":279400,"price_min":279400,"price_max":279400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48890988724474,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lori Vambe \/\/ Space-Time Dreamtime: The Four-Dimensional Music Of Lori Vambe CD","public_title":null,"options":["Default Title"],"price":279400,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"4062548064476","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/space1_9a7d1d91-7496-4dec-8fa8-36459c9b1fde.jpg?v=1778811827","\/\/tobirarecords.com\/cdn\/shop\/files\/space2_77774432-674a-4219-a8e4-b31a3e69dd39.jpg?v=1778811827"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/space1_9a7d1d91-7496-4dec-8fa8-36459c9b1fde.jpg?v=1778811827","options":["Title"],"media":[{"alt":null,"id":39377245503738,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/space1_9a7d1d91-7496-4dec-8fa8-36459c9b1fde.jpg?v=1778811827"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/space1_9a7d1d91-7496-4dec-8fa8-36459c9b1fde.jpg?v=1778811827","width":350},{"alt":null,"id":39377245536506,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/space2_77774432-674a-4219-a8e4-b31a3e69dd39.jpg?v=1778811827"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/space2_77774432-674a-4219-a8e4-b31a3e69dd39.jpg?v=1778811827","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eジンバブエ出身のアウトサイダー作家／自作楽器奏者Lori Vambeが、2023年にStrut\u003cspan\u003eからリリースした再発CDです。（オリジナルは1982年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e自作楽器ドラムギターとピアノによるスピリチュアル・ジャズ〜ストレンジビーツ20曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2909219867\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/strut\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/strut\"\u003ehere\u003c\/a\u003e to see more Strut releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDRUMGITA SOLO\u003c\/strong\u003e \u003cbr\u003e1. INTRO 3.30 \u003cbr\u003e2. DRUMGITA 8.14 \u003cbr\u003e3. ANCIENT BOOGIE (MANTRA) 1.56 \u003cbr\u003e4. ARTNAM 1.00 \u003cbr\u003e5. MANTRA 1.53 \u003cbr\u003e6. (ONE) BOOGIE HOME GOING 4.11 \u003cbr\u003e7. GOING HOME BOOGIE (ONE) 5.38 \u003cbr\u003e8. UN MINUTO (ONE) 1.00 \u003cbr\u003e9. UN MINUTO (TWO) 1.21 \u003cbr\u003e10. GOING HOME BOOGIE (TWO) 5.48 \u003cbr\u003e11. GOING HOME BOOGIE (THREE) 2.49\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDRUMLAND DREAMLAND (PART ONE) \u003c\/strong\u003e\u003cbr\u003e12. DRUMSONG (ONE) 6.49 \u003cbr\u003e13. DRUMSONG (TWO) 7.49 \u003cbr\u003e14. DRUMSONG (THREE) 2.13 \u003cbr\u003e15. STRUMELODY 4.12 \u003cbr\u003e16. DRUMELODY (ONE) 4.08 \u003cbr\u003e17. DRUMELODY (TWO) 5.27 \u003cbr\u003e18. YDOLEMURD 3.28 \u003cbr\u003e19. HUM DRUM DRING (ONE) 1.35 \u003cbr\u003e20. HUM DRUM DRING (TWO) (THE FREEDRUM SONG) 5.41\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOccasionally, you find music outside the commercial mainstream, outside of everything – the music of visionaries, eccentrics, inventors, loners, the keepers of secrets, the path-finders. Moondog, Daphne Oram, Harry Partch are from this mould. And so too is Lori Vambe.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNew on Strut, the first ever reissue of Vambe’s privately pressed original albums from 1982, Drumland Dreamland and Drumgita Solo. A self-taught drummer, inventor, and sonic experimentalist, Lori Vambe is a unique figure in British music. Creator of his own instrument, the drumgita (pronounced ‘drum-guitar’) or string-drum, Vambe intended to create a kind of music that had never been made in order to pursue access to the fourth dimension.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVambe was born in Harare, Zimbabwe and his father, Lawrence Vambe, was a noted Zimbabwean journalist and author. Moving to London in 1959, Vambe immersed himself in the Brixton squat movement of the early 1970s, teaching himself to drum and creating a short-lived performance group, The Healing Drums of Brixton (Vambe, the sculptor Alexander Sokolov and outsider musician Michael O’Shea). Vambe later had a dream-vision involving a feeling of ecstasy while playing an unknown instrument that extended from his own umbilical cord; the instrument would manifest\u003cspan class=\"bcTruncateMore\"\u003e itself as the drumgita. In 1982, he privately produced a pair of home recordings, the diptych set Drumgita Solo and Drumland Dreamland, releasing them on his own label Drumony. On these records, he rejected any commercial aesthetic and employed tape effects, temporal shifts, reversed sound and overdubbing to investigate space-time and access the fourth dimension. Combining layered drums with the rhythmic throb of the drumgita and, on Drumland Dreamland, an improvised piano performance by Brazilian concert pianist Rafael Dos Santos, the albums are both hypnotic and perturbing.\u003cbr\u003e\u003cbr\u003eBoth albums were cut at Portland Studios by Chas Chandler and stand as a concealed monument of Black British experimental music. 500 copies of each record were originally pressed, and both were released together. The albums were never performed live.\u003cbr\u003e\u003cbr\u003eFor this first ever reissue of Drumland Drumland and Drumgita Solo, Strut presents the two albums in their original artwork, housed in a deluxe slipcase including an additional 8-page 12”-sized booklet featuring unseen photos, liner notes and an interview with Lori Vambe by The Wire magazine writer Francis Gooding. Both albums are fully remastered by The Carvery.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lori Vambe\u003c\/p\u003e\n\u003cp\u003eLabel : Strut\u003c\/p\u003e\n\u003cp\u003ecat no : STRUT340CD\u003c\/p\u003e\n\u003cp\u003eRelease date : 29th September 2023\u003c\/p\u003e"}
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ジンバブエ出身のアウトサイダー作家／自作楽器奏者Lori Vambeが、2023年にStrutからリリースした再発CDです。（オリジナルは1982年リリース） 自作楽器ドラムギターとピアノによるスピリチュアル・ジャズ〜ストレンジビーツ20曲を収録。 レーベルその他作品はこちら /// Click here to see more Strut releases available at...
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{"id":9226857447674,"title":"Mark Fell \u0026 Pat Thomas \/\/ Reality Is Not A Theory LP","handle":"mark-fell-pat-thomas-reality-is-not-a-theory-lp","description":"\u003cp\u003eイギリスの実験音楽家Mark Fellとジャズ・ピアニストPat Thomasが、2025年11月にオーストラリアの実験レーベルBlack Truffleからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eシェフィールド大学のコンサートホールで録音したインプロ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2025年3月、シェフィールド大学でのコンサートにて録音された『Reality Is Not A Theory』は、Mark Fell \u0026amp; Pat Thomasの初のコラボレーション作品である。1990年代以降の英国実験音楽界を代表する二人であるフェルとトーマスは、根本的に異なる背景と視点から厳格な実践を発展させてきた。フェルの独創的な合成抽象表現がシェフィールドの電子音楽アンダーグラウンドから生まれたのに対し、トーマスはジャズと現代芸術音楽に深く根ざした即興演奏の達人であり、同時に数十年にわたりサンプラーベースの電子音楽も手がけてきた。本作の学術的な副題が示す通り、ここでは「コンピューターとピアノのためのアルゴリズム的かつ即興的な音楽」の二面性が提示され、両プレイヤーが新たな（時に居心地の悪い）演奏状況を探求し続ける飽くなき姿勢が体現されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e演奏はフェルの電子音がアコースティック打楽器の音色に近づくところから始まる。木、金属、あるいはガラスを思わせるアタックが速いパルスに沿って紡がれる一方、トーマスはピアノの最低音域に集中し、弦の響きを消していく。フェルの電子音が響き渡り和声的空間を占めるにつれ、トーマスは広範な反復クラスターへと移行し、それが徐々に和音のパターンへと展開していく。近年のソロ録音やジョエル・グリップ、アントン・ジェルバルとのトリオ活動と同様、トーマスの演奏は極限の不協和音と深い叙情性を併せ持つ。フェルの作品は次第にドラム音へと焦点が移り、ここ数十年彼の創作を特徴づけてきた微細な時間的プロセスを駆使する。トーマスの探求的なピアノと共鳴するコンピューター音は、ポール・ローヴェンスやトニー・オクスリーといった即興ドラマーの「音色（クランファルベン）」的戯れを予期せぬ形で想起させる。後半にかけて音楽はますます狂乱を極め、トーマスが高速で不規則に反復されるフレーズと高音域の美しく酸っぱい和音を響かせる一方、フェルの打楽器は角張ったパンパイプ風のフィードバックとグリッサンドの波へと発展する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eフェルとトーマスは、大きな自信と忍耐をもって、しばしばそれぞれの演奏をリズム的に明確に区別し、同期させないままにしておく。そうすることで、予期せぬ呼応や偶然が音楽の発展を導くのだ。シェフィールドの鉄鋼メーカーであり、マスター・カトラー（刃物職人組合長）でもあったマーク・ファースに因んで名付けられたホールで録音された本作は、フェルとトーマスの相互作用を理解する一つのモデルを示唆しているかもしれない。同じ工房で働く二人の職人が、それぞれ生産工程の異なる部分に没頭しているように。マーク・フェルによる印象的なジャケットデザイン、フランシス・プラニュのライナーノーツを伴って到着した『Reality Is Not A Theory』は、現代音楽の異端児二人の邂逅を活き活きと記録した作品である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1785922087\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mark Fell \u0026amp; Pat Thomas - set two, part one\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. \u003cmeta charset=\"utf-8\"\u003eMark Fell \u0026amp; Pat Thomas - set two, part two 22:21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRecorded in concert at the University of Sheffield in March 2025, Reality Is Not A Theory is the first collaboration between Mark Fell and Pat Thomas. Major figures in British experimental music since the 1990s, Fell and Thomas have developed their rigorous practices from radically different backgrounds and perspectives: where Fell’s singular take on synthetic abstraction emerged from Sheffield’s electronic underground, Thomas is a virtuoso improvising pianist steeped in jazz and modernist art music who has simultaneously worked with sampler-based electronics for decades. As the record’s wonderfully academic subtitle explains, we are presented here with two sides of ‘algorithmic and improvised music for computer and piano’, exemplifying both players’ insatiable search for new (and sometimes uncomfortable) playing situations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance begins with Fell’s electronics close to the timbres of acoustic percussion, attacks that suggest wood, metal or glass threaded along a rapid pulse while Thomas focuses on the lowest registers of the piano, deadening the strings. As Fell’s electronics start to ring out and occupy more harmonic space, Thomas turns to wide, repeated clusters, which slowly expand into patterns of chords. Like in his recent solo recordings and his trio work\u003cspan class=\"bcTruncateMore\"\u003e with Joel Grip and Anton Gerbal, Thomas’ playing combines extreme dissonance with a deep lyrical sense. Fell’s work gradually shifts its focus toward drum sounds, drawing on the microtemporal processes that have characterized his practice in recent decades. Heard together with Thomas’ probing piano, the computer sounds call up unexpected associations with the klangfarben antics of improv drummers like Paul Lovens or Tony Oxley. Throughout its second half, the music grows increasingly frenetic, as Thomas sounds out rapid, irregularly repeated figures and beautifully sour chords in the upper register, while Fell’s percussion develops into angular pan-pipe-like feedback and waves of glissandi.\u003cbr\u003e\u003cbr\u003eWith great confidence and patience, Fell and Thomas often let their individual contributions remain rhythmically distinct and unsynchronised, allowing unexpected correspondence and coincidence to guide the music’s development. Recorded in a hall named after Sheffield steel manufacturer and Master Cutler Mark Firth, the location might suggest a model for understanding how Fell and Thomas interact here: two workers in the same workshop, each immersed in their own part of the production process. Arriving in a striking sleeve designed by Mark Fell, with liner notes by Francis Plagne, Reality Is Not A Theory is an invigorating document of the meeting of two mavericks of contemporary music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mark Fell \u0026amp; Pat Thomas\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 137\u003c\/p\u003e","published_at":"2026-05-15T07:21:11+09:00","created_at":"2026-05-15T07:20:46+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","contemporary \/ sound poetry","jazz","lp","new","recommended","strange beats"],"price":532700,"price_min":532700,"price_max":532700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48890741948666,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mark Fell \u0026 Pat Thomas \/\/ Reality Is Not A Theory LP","public_title":null,"options":["Default Title"],"price":532700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101489839","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/not1_3152313a-0183-4b1a-ad57-88c04c7b0cff.jpg?v=1763092283","\/\/tobirarecords.com\/cdn\/shop\/files\/not2_652a711d-52cf-4551-bb92-67d6c45a23aa.jpg?v=1763092283"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/not1_3152313a-0183-4b1a-ad57-88c04c7b0cff.jpg?v=1763092283","options":["Title"],"media":[{"alt":null,"id":37502634393850,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/not1_3152313a-0183-4b1a-ad57-88c04c7b0cff.jpg?v=1763092283"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/not1_3152313a-0183-4b1a-ad57-88c04c7b0cff.jpg?v=1763092283","width":700},{"alt":null,"id":37502634426618,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/not2_652a711d-52cf-4551-bb92-67d6c45a23aa.jpg?v=1763092283"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/not2_652a711d-52cf-4551-bb92-67d6c45a23aa.jpg?v=1763092283","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験音楽家Mark Fellとジャズ・ピアニストPat Thomasが、2025年11月にオーストラリアの実験レーベルBlack Truffleからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eシェフィールド大学のコンサートホールで録音したインプロ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2025年3月、シェフィールド大学でのコンサートにて録音された『Reality Is Not A Theory』は、Mark Fell \u0026amp; Pat Thomasの初のコラボレーション作品である。1990年代以降の英国実験音楽界を代表する二人であるフェルとトーマスは、根本的に異なる背景と視点から厳格な実践を発展させてきた。フェルの独創的な合成抽象表現がシェフィールドの電子音楽アンダーグラウンドから生まれたのに対し、トーマスはジャズと現代芸術音楽に深く根ざした即興演奏の達人であり、同時に数十年にわたりサンプラーベースの電子音楽も手がけてきた。本作の学術的な副題が示す通り、ここでは「コンピューターとピアノのためのアルゴリズム的かつ即興的な音楽」の二面性が提示され、両プレイヤーが新たな（時に居心地の悪い）演奏状況を探求し続ける飽くなき姿勢が体現されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e演奏はフェルの電子音がアコースティック打楽器の音色に近づくところから始まる。木、金属、あるいはガラスを思わせるアタックが速いパルスに沿って紡がれる一方、トーマスはピアノの最低音域に集中し、弦の響きを消していく。フェルの電子音が響き渡り和声的空間を占めるにつれ、トーマスは広範な反復クラスターへと移行し、それが徐々に和音のパターンへと展開していく。近年のソロ録音やジョエル・グリップ、アントン・ジェルバルとのトリオ活動と同様、トーマスの演奏は極限の不協和音と深い叙情性を併せ持つ。フェルの作品は次第にドラム音へと焦点が移り、ここ数十年彼の創作を特徴づけてきた微細な時間的プロセスを駆使する。トーマスの探求的なピアノと共鳴するコンピューター音は、ポール・ローヴェンスやトニー・オクスリーといった即興ドラマーの「音色（クランファルベン）」的戯れを予期せぬ形で想起させる。後半にかけて音楽はますます狂乱を極め、トーマスが高速で不規則に反復されるフレーズと高音域の美しく酸っぱい和音を響かせる一方、フェルの打楽器は角張ったパンパイプ風のフィードバックとグリッサンドの波へと発展する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eフェルとトーマスは、大きな自信と忍耐をもって、しばしばそれぞれの演奏をリズム的に明確に区別し、同期させないままにしておく。そうすることで、予期せぬ呼応や偶然が音楽の発展を導くのだ。シェフィールドの鉄鋼メーカーであり、マスター・カトラー（刃物職人組合長）でもあったマーク・ファースに因んで名付けられたホールで録音された本作は、フェルとトーマスの相互作用を理解する一つのモデルを示唆しているかもしれない。同じ工房で働く二人の職人が、それぞれ生産工程の異なる部分に没頭しているように。マーク・フェルによる印象的なジャケットデザイン、フランシス・プラニュのライナーノーツを伴って到着した『Reality Is Not A Theory』は、現代音楽の異端児二人の邂逅を活き活きと記録した作品である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1785922087\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mark Fell \u0026amp; Pat Thomas - set two, part one\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. \u003cmeta charset=\"utf-8\"\u003eMark Fell \u0026amp; Pat Thomas - set two, part two 22:21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRecorded in concert at the University of Sheffield in March 2025, Reality Is Not A Theory is the first collaboration between Mark Fell and Pat Thomas. Major figures in British experimental music since the 1990s, Fell and Thomas have developed their rigorous practices from radically different backgrounds and perspectives: where Fell’s singular take on synthetic abstraction emerged from Sheffield’s electronic underground, Thomas is a virtuoso improvising pianist steeped in jazz and modernist art music who has simultaneously worked with sampler-based electronics for decades. As the record’s wonderfully academic subtitle explains, we are presented here with two sides of ‘algorithmic and improvised music for computer and piano’, exemplifying both players’ insatiable search for new (and sometimes uncomfortable) playing situations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance begins with Fell’s electronics close to the timbres of acoustic percussion, attacks that suggest wood, metal or glass threaded along a rapid pulse while Thomas focuses on the lowest registers of the piano, deadening the strings. As Fell’s electronics start to ring out and occupy more harmonic space, Thomas turns to wide, repeated clusters, which slowly expand into patterns of chords. Like in his recent solo recordings and his trio work\u003cspan class=\"bcTruncateMore\"\u003e with Joel Grip and Anton Gerbal, Thomas’ playing combines extreme dissonance with a deep lyrical sense. Fell’s work gradually shifts its focus toward drum sounds, drawing on the microtemporal processes that have characterized his practice in recent decades. Heard together with Thomas’ probing piano, the computer sounds call up unexpected associations with the klangfarben antics of improv drummers like Paul Lovens or Tony Oxley. Throughout its second half, the music grows increasingly frenetic, as Thomas sounds out rapid, irregularly repeated figures and beautifully sour chords in the upper register, while Fell’s percussion develops into angular pan-pipe-like feedback and waves of glissandi.\u003cbr\u003e\u003cbr\u003eWith great confidence and patience, Fell and Thomas often let their individual contributions remain rhythmically distinct and unsynchronised, allowing unexpected correspondence and coincidence to guide the music’s development. Recorded in a hall named after Sheffield steel manufacturer and Master Cutler Mark Firth, the location might suggest a model for understanding how Fell and Thomas interact here: two workers in the same workshop, each immersed in their own part of the production process. Arriving in a striking sleeve designed by Mark Fell, with liner notes by Francis Plagne, Reality Is Not A Theory is an invigorating document of the meeting of two mavericks of contemporary music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mark Fell \u0026amp; Pat Thomas\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 137\u003c\/p\u003e"}
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イギリスの実験音楽家Mark Fellとジャズ・ピアニストPat Thomasが、2025年11月にオーストラリアの実験レーベルBlack Truffleからリリースした共作レコードです。 シェフィールド大学のコンサートホールで録音したインプロ2曲を収録。DLコード付属。 以下、レーベルによる解説です。 "2025年3月、シェフィールド大学でのコンサートにて録音された『Reality Is Not A Theory』は、Mark Fell & Pat...
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{"id":9226855547130,"title":"Nijiumu \/\/ When I sing, I slip into the microphone. Into that void... 2xLP","handle":"nijiumu-when-i-sing","description":"\u003cp\u003e灰野敬二率いるNijiumuが、2025年10月にオーストラリアの実験レーベルBlack Truffleからリリースした再発2枚組レコードです。（オリジナルは1990年にCDリリース）\u003c\/p\u003e\n\u003cp\u003e未発表音源を含む4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=315755393\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part I 03:10\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part II 49:38\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part III 12:29\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4. 4th Movement: The kotodama that attempts to take back all energy into itself 26:36\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAmong the true Keiji Haino devotees, Nijiumu’s Era of Sad Wings (released on P.S.F. in 1993) has always held a special place in the pantheon. Operating for only a few years in the early 90s and apparently only performing a handful of shows, Nijiumu operated at the opposite end of the dynamic spectrum to Haino’s famed power trio Fushitsusha, dwelling in a hushed, meditative realm of mysterious droning sonorities and free-floating melodies that occasionally erupts into violence. Black Truffle is pleased to announce a new double-LP edition of a lesser-known 1994 Nijiumu recording, When I sing, I slip into the microphone. Into that void, I bring comrade “prayers”, then, turning to face the outside, together we explode. Here, Nijiumu is the trio of Haino, Tetuzi Akiyama and the obscure Takashi Matsuoka, the three performing on a wide variety of string, wind and percussion instruments, as well as electric guitar and bass, and Haino’s unmistakeable voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLike on the early solo Haino album that shares the group’s name (released on P.S.F. in 1990), the instrumentation swims in reverb (the use of which Akiyama recalls as ‘a kind of point of the band’), often obscuring the instrumental sources. On the short opening piece, a distant reed instrument arcs long buzzing\u003cspan class=\"bcTruncateMore\"\u003e melodies over a bed of cymbals and gongs, like a psychedelic take on Tibetan music. The epic second part, occupying almost 50 minutes, begins as a splayed, near-formless cloud of electric guitar and bass, shadowed by bowed and plucked strings, the three elements working through twisting atonal shapes. At various points in the recording, we hear what seems to be the sounds of musicians moving between instruments, their shuffling and bumps fitting seamlessly into this radically open music. Eventually, what sounds like electric guitar moves closer to the foreground, fixing on a repeated melodic cell around which hover mysterious clouds of long tones and a sporadic shaker. At the half-hour mark, the music begins to build to a violently emotive climax, Haino’s impassioned vocal cries punctuating a lumbering, bass-heavy murk, contrasted at points by what sounds like a tin whistle. Suddenly, the volume drops to a near-whisper, opening the way for the stunning final moments, which touch on the slow-motion balladry of Haino’s classic Affection, here given an eccentric twist by an occasional woodblock hit.\u003cbr\u003e\u003cbr\u003eThe third piece opens with a hazy trio of rumbling bass, bowed strings and abstracted slide guitar, the latter calling to mind some of Akiyama’s later solo work. Eventually joined by Haino’s voice, its fragile, haunted tone might remind the listener of the man in black’s documented love of the madrigals of the murderous Count Gesualdo, before the recording abruptly breaks off mid-note. In this new edition, the Nijiumu trio recording is supplemented by a piece recorded solo by Haino in 1973, a bracing electronic blowout stretching almost half an hour. Using a homemade electronics setup to unleash a barrage of crunching distortion and shuddering harmonic fuzz, it takes its place in the canon of extreme live electronics next to Robert Ashley’s Wolfman and Walter Marchetti’s Osmanthus fragrans, looking forward to extreme noise years before Merzbow. Taken as a whole, these four sides of music are a stunning document of some of the lesser-known waystations of Haino’s singular creative path.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nijiumu\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 135\u003c\/p\u003e","published_at":"2026-05-15T07:14:41+09:00","created_at":"2026-05-15T07:13:55+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","jazz","lp","new","noise"],"price":787000,"price_min":787000,"price_max":787000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48890735558906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nijiumu \/\/ When I sing, I slip into the microphone. Into that void... 2xLP","public_title":null,"options":["Default Title"],"price":787000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101486524","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in1_6cad967e-4341-48a8-b8d8-d897bad011b7.jpg?v=1763091941","\/\/tobirarecords.com\/cdn\/shop\/files\/in2_b34bb3ec-f8a2-4687-86f0-19533b5c4c22.jpg?v=1763091942"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_6cad967e-4341-48a8-b8d8-d897bad011b7.jpg?v=1763091941","options":["Title"],"media":[{"alt":null,"id":37502565581050,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_6cad967e-4341-48a8-b8d8-d897bad011b7.jpg?v=1763091941"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_6cad967e-4341-48a8-b8d8-d897bad011b7.jpg?v=1763091941","width":700},{"alt":null,"id":37502565613818,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_b34bb3ec-f8a2-4687-86f0-19533b5c4c22.jpg?v=1763091942"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_b34bb3ec-f8a2-4687-86f0-19533b5c4c22.jpg?v=1763091942","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e灰野敬二率いるNijiumuが、2025年10月にオーストラリアの実験レーベルBlack Truffleからリリースした再発2枚組レコードです。（オリジナルは1990年にCDリリース）\u003c\/p\u003e\n\u003cp\u003e未発表音源を含む4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=315755393\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part I 03:10\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part II 49:38\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part III 12:29\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4. 4th Movement: The kotodama that attempts to take back all energy into itself 26:36\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAmong the true Keiji Haino devotees, Nijiumu’s Era of Sad Wings (released on P.S.F. in 1993) has always held a special place in the pantheon. Operating for only a few years in the early 90s and apparently only performing a handful of shows, Nijiumu operated at the opposite end of the dynamic spectrum to Haino’s famed power trio Fushitsusha, dwelling in a hushed, meditative realm of mysterious droning sonorities and free-floating melodies that occasionally erupts into violence. Black Truffle is pleased to announce a new double-LP edition of a lesser-known 1994 Nijiumu recording, When I sing, I slip into the microphone. Into that void, I bring comrade “prayers”, then, turning to face the outside, together we explode. Here, Nijiumu is the trio of Haino, Tetuzi Akiyama and the obscure Takashi Matsuoka, the three performing on a wide variety of string, wind and percussion instruments, as well as electric guitar and bass, and Haino’s unmistakeable voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLike on the early solo Haino album that shares the group’s name (released on P.S.F. in 1990), the instrumentation swims in reverb (the use of which Akiyama recalls as ‘a kind of point of the band’), often obscuring the instrumental sources. On the short opening piece, a distant reed instrument arcs long buzzing\u003cspan class=\"bcTruncateMore\"\u003e melodies over a bed of cymbals and gongs, like a psychedelic take on Tibetan music. The epic second part, occupying almost 50 minutes, begins as a splayed, near-formless cloud of electric guitar and bass, shadowed by bowed and plucked strings, the three elements working through twisting atonal shapes. At various points in the recording, we hear what seems to be the sounds of musicians moving between instruments, their shuffling and bumps fitting seamlessly into this radically open music. Eventually, what sounds like electric guitar moves closer to the foreground, fixing on a repeated melodic cell around which hover mysterious clouds of long tones and a sporadic shaker. At the half-hour mark, the music begins to build to a violently emotive climax, Haino’s impassioned vocal cries punctuating a lumbering, bass-heavy murk, contrasted at points by what sounds like a tin whistle. Suddenly, the volume drops to a near-whisper, opening the way for the stunning final moments, which touch on the slow-motion balladry of Haino’s classic Affection, here given an eccentric twist by an occasional woodblock hit.\u003cbr\u003e\u003cbr\u003eThe third piece opens with a hazy trio of rumbling bass, bowed strings and abstracted slide guitar, the latter calling to mind some of Akiyama’s later solo work. Eventually joined by Haino’s voice, its fragile, haunted tone might remind the listener of the man in black’s documented love of the madrigals of the murderous Count Gesualdo, before the recording abruptly breaks off mid-note. In this new edition, the Nijiumu trio recording is supplemented by a piece recorded solo by Haino in 1973, a bracing electronic blowout stretching almost half an hour. Using a homemade electronics setup to unleash a barrage of crunching distortion and shuddering harmonic fuzz, it takes its place in the canon of extreme live electronics next to Robert Ashley’s Wolfman and Walter Marchetti’s Osmanthus fragrans, looking forward to extreme noise years before Merzbow. Taken as a whole, these four sides of music are a stunning document of some of the lesser-known waystations of Haino’s singular creative path.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nijiumu\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 135\u003c\/p\u003e"}
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灰野敬二率いるNijiumuが、2025年10月にオーストラリアの実験レーベルBlack Truffleからリリースした再発2枚組レコードです。（オリジナルは1990年にCDリリース） 未発表音源を含む4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ----------------------------...
¥7,870
クイックビュー
{"id":9226854400250,"title":"Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi \/\/ With pats on the head, just one too few is evil one too many is good that's all it is 3xLP","handle":"keiji-haino-jim-orourke-oren-ambarchi-with-pats-on-the-head-just-one-too-few-is-evil-one-too-many-is-good-thats-all-it-is-3xlp","description":"\u003cp\u003eKeiji HainoとJim O'Rourke、Oren Ambarchiが、2018年11月にスーパーデラックスで行ったライブ録音です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9qYQ1MuTzJw?si=iFjY99sFVjc5Ra5Q\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e3x12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy “Watashi Dake?” is definitely not included in this unequal treaty, is it? 13:13\u003c\/li\u003e\n\u003cli\u003eRight brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these? 09:57\u003c\/li\u003e\n\u003cli\u003e“Critical consciousness?” That’s been abandoned in corner of a shower room in a 53-storey apartment building inhabited by extra-terrestrial lifeforms….. 11:17\u003c\/li\u003e\n\u003cli\u003eI thought I had pulverized it summarily but there are just too many who lack reality or who are cowards so I cannot change a thing 15:17\u003c\/li\u003e\n\u003cli\u003eStill divided into pieces? Let’s reconnect them Recognise that you are a point And the longest line Let it become light 22:41\u003c\/li\u003e\n\u003cli\u003eI can no longer sense that sacred feeling of expression Just the loitering of vulgar vibrations that can only be described as a half-hearted class reunion Will you consent to this? 23:33\u003c\/li\u003e\n\u003cli\u003eThere are always things I wish to say but I can only convey them in this language August 6 August 9 16:59\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe heavyweight trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return with their 12th and most epic release to date, the triple LP With pats on the head, just one too few is evil one too many is good that's all it is. Documenting the entirety of their final performance at the dearly departed Roppongi home of Tokyo underground institution SuperDeluxe in November 2018, the music spread across these six sides splits the difference between the guitar-bass-drums power trio moves and experiments with novel instrumentation that have defined the trio’s decade of working together. Containing some of the most delicate music the three have committed to wax since the gorgeous 12-string acoustic guitar and dulcimer tones of Only wanting to melt beautifully away is it a lack of contentment that stirs affection for those things said to be as of yet unseen (BT011), this wide-ranging release also offers up some of their most blistering free rock performances yet.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe side-long opening piece finds Haino on a single snare drum in duet with O’Rourke on unamplified electric guitar, playing in the lovely post-Bailey vein heard on his classic 90s recordings with Henry Kaiser and Mats Gustafsson. Spiky dissonance and ringing harmonics interweave with flowing melodic fragments as Haino\u003cspan class=\"bcTruncateMore\"\u003e single-mindedly explores the resonance of the snare like an untutored Han Bennink. On ‘Right brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these?’, O’Rourke moves to synth and electronics, joined by Ambarchi on drums, who at first focuses on sizzle cymbals before hypnotic cycles of gentle tom rhythms combine with electronic burbles and flutters to suggest a dream collaboration between Masahiko Togashi and Jean Schwarz. Ambarchi’s percussion is then joined by Haino on wandering, overblown flute, before the man in black switches back to the snare for a bizarre, stuttering drum duet.\u003cbr\u003e\u003cbr\u003eFor the first trio performance, Haino makes another new addition to his seemingly infinite catalogue of instruments, this time a homemade contraption he refers to as ‘Strings of Dubious Reputation’. Joined by O’Rourke on increasingly spaced-out electric guitar and Ambarchi on skittering percussion, Haino’s wonky, slack strings adds a definite ‘musique brut’ edge to this side-long performance, certainly one of the most enchantingly odd in the trio’s discography. When the group reconvene for the second set, spread out across the final three sides, they seem ready to breathe fire from the first instant. O’Rourke slashes distorted chords on the six-string bass, Ambarchi breaks into his signature irregular caveman thump, and Haino squeals and squawks on heavily delayed oboe before unleashing an overpowering electrical storm when he first picks up the guitar. For over half an hour, the trio pound out one of their most relentless performances, a constantly rearranging kaleidoscope of tortured fuzz guitar, insanely busy bass riffing and propulsive, tumbling drums. A hushed atmosphere initially reigns on the final long piece, given the mournful title ‘There are always things I wish to say but I can only convey them in this language August 6 August 9’. Haino’s clean guitar strumming calls up the shimmering tones of his PSF classic Affection, gradually building to a surging wall of sound, bass and drums lumbering through a roar of jet-engine guitar.\u003cbr\u003e\u003cbr\u003eArriving in a deluxe trifold package with photos by Lasse Marhaug alongside inner sleeves with extensive live images, this epic release is perhaps the most remarkable document yet of this unique trio’s stamina and continuing inventiveness.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCat No : Black Truffle113\u003c\/p\u003e","published_at":"2026-05-15T07:09:56+09:00","created_at":"2026-05-15T07:09:25+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","jazz","lp","new"],"price":836900,"price_min":836900,"price_max":836900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48890731561210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi \/\/ With pats on the head, just one too few is evil one too many is good that's all it is 3xLP","public_title":null,"options":["Default Title"],"price":836900,"weight":730,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101461378","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101","\/\/tobirarecords.com\/cdn\/shop\/files\/pat2.jpg?v=1706077101","\/\/tobirarecords.com\/cdn\/shop\/files\/pat3.jpg?v=1706077101"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101","options":["Title"],"media":[{"alt":null,"id":33040456646906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101","width":700},{"alt":null,"id":33040456679674,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat2.jpg?v=1706077101"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat2.jpg?v=1706077101","width":1200},{"alt":null,"id":33040456712442,"position":3,"preview_image":{"aspect_ratio":2.065,"height":581,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat3.jpg?v=1706077101"},"aspect_ratio":2.065,"height":581,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat3.jpg?v=1706077101","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eKeiji HainoとJim O'Rourke、Oren Ambarchiが、2018年11月にスーパーデラックスで行ったライブ録音です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9qYQ1MuTzJw?si=iFjY99sFVjc5Ra5Q\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e3x12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy “Watashi Dake?” is definitely not included in this unequal treaty, is it? 13:13\u003c\/li\u003e\n\u003cli\u003eRight brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these? 09:57\u003c\/li\u003e\n\u003cli\u003e“Critical consciousness?” That’s been abandoned in corner of a shower room in a 53-storey apartment building inhabited by extra-terrestrial lifeforms….. 11:17\u003c\/li\u003e\n\u003cli\u003eI thought I had pulverized it summarily but there are just too many who lack reality or who are cowards so I cannot change a thing 15:17\u003c\/li\u003e\n\u003cli\u003eStill divided into pieces? Let’s reconnect them Recognise that you are a point And the longest line Let it become light 22:41\u003c\/li\u003e\n\u003cli\u003eI can no longer sense that sacred feeling of expression Just the loitering of vulgar vibrations that can only be described as a half-hearted class reunion Will you consent to this? 23:33\u003c\/li\u003e\n\u003cli\u003eThere are always things I wish to say but I can only convey them in this language August 6 August 9 16:59\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe heavyweight trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return with their 12th and most epic release to date, the triple LP With pats on the head, just one too few is evil one too many is good that's all it is. Documenting the entirety of their final performance at the dearly departed Roppongi home of Tokyo underground institution SuperDeluxe in November 2018, the music spread across these six sides splits the difference between the guitar-bass-drums power trio moves and experiments with novel instrumentation that have defined the trio’s decade of working together. Containing some of the most delicate music the three have committed to wax since the gorgeous 12-string acoustic guitar and dulcimer tones of Only wanting to melt beautifully away is it a lack of contentment that stirs affection for those things said to be as of yet unseen (BT011), this wide-ranging release also offers up some of their most blistering free rock performances yet.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe side-long opening piece finds Haino on a single snare drum in duet with O’Rourke on unamplified electric guitar, playing in the lovely post-Bailey vein heard on his classic 90s recordings with Henry Kaiser and Mats Gustafsson. Spiky dissonance and ringing harmonics interweave with flowing melodic fragments as Haino\u003cspan class=\"bcTruncateMore\"\u003e single-mindedly explores the resonance of the snare like an untutored Han Bennink. On ‘Right brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these?’, O’Rourke moves to synth and electronics, joined by Ambarchi on drums, who at first focuses on sizzle cymbals before hypnotic cycles of gentle tom rhythms combine with electronic burbles and flutters to suggest a dream collaboration between Masahiko Togashi and Jean Schwarz. Ambarchi’s percussion is then joined by Haino on wandering, overblown flute, before the man in black switches back to the snare for a bizarre, stuttering drum duet.\u003cbr\u003e\u003cbr\u003eFor the first trio performance, Haino makes another new addition to his seemingly infinite catalogue of instruments, this time a homemade contraption he refers to as ‘Strings of Dubious Reputation’. Joined by O’Rourke on increasingly spaced-out electric guitar and Ambarchi on skittering percussion, Haino’s wonky, slack strings adds a definite ‘musique brut’ edge to this side-long performance, certainly one of the most enchantingly odd in the trio’s discography. When the group reconvene for the second set, spread out across the final three sides, they seem ready to breathe fire from the first instant. O’Rourke slashes distorted chords on the six-string bass, Ambarchi breaks into his signature irregular caveman thump, and Haino squeals and squawks on heavily delayed oboe before unleashing an overpowering electrical storm when he first picks up the guitar. For over half an hour, the trio pound out one of their most relentless performances, a constantly rearranging kaleidoscope of tortured fuzz guitar, insanely busy bass riffing and propulsive, tumbling drums. A hushed atmosphere initially reigns on the final long piece, given the mournful title ‘There are always things I wish to say but I can only convey them in this language August 6 August 9’. Haino’s clean guitar strumming calls up the shimmering tones of his PSF classic Affection, gradually building to a surging wall of sound, bass and drums lumbering through a roar of jet-engine guitar.\u003cbr\u003e\u003cbr\u003eArriving in a deluxe trifold package with photos by Lasse Marhaug alongside inner sleeves with extensive live images, this epic release is perhaps the most remarkable document yet of this unique trio’s stamina and continuing inventiveness.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCat No : Black Truffle113\u003c\/p\u003e"}
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Keiji HainoとJim O'Rourke、Oren Ambarchiが、2018年11月にスーパーデラックスで行ったライブ録音です。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
¥8,369
クイックビュー
{"id":9225260433658,"title":"Sam Gendel \u0026 Sam Wilkes \/\/ Unrelated LP","handle":"sam-gendel-sam-wilkes-unrelated","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※7月中旬発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eアメリカ・LAのサックス奏者Sam GendelとベーシストSam Wilkesが、2026年7月に自主リリースする共作第4弾です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGendelはサックスではなくギターとシンセサイザーを用いたアンビエント・ジャズ8\u003c\/span\u003e\u003cspan\u003e曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4200954415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u0026gt;\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4200954415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2390955310\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4200954415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3931804651\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4200954415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2526328215\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSam Gendel\u003c\/span\u003e\u003cspan\u003eその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gendel\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gendel\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Sam Gendel releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eShipping begins mid July.\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eAvailable on 12\" black vinyl. Ask us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. RAPWORLD 04:51\u003cbr\u003e2. LOS 02:11\u003cbr\u003e3. HORSE MASTER 02:44\u003cbr\u003e4. JAGUAR PAW 03:10\u003cbr\u003e5. RAPMAN 02:57\u003cbr\u003e6. DOME 04:21\u003cbr\u003e7. FIEFDOM 03:42\u003cbr\u003e8. PI-PI MALAGUII 03:55 \u003c\/p\u003e\n\u003cp\u003eSam Gendel:\u003cbr\u003eGuitar\u003cbr\u003eGuitar Synthesizer\u003cbr\u003eWind Synthesizer\u003c\/p\u003e\n\u003cp\u003eSam Wilkes:\u003cbr\u003eGuitar\u003cbr\u003eGuitar Synthesizer\u003cbr\u003eBass Guitar \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Sam Gendel \u0026amp; Sam Wilkes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-14T10:43:24+09:00","created_at":"2026-05-14T10:32:21+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","recommended","sam gendel"],"price":539000,"price_min":539000,"price_max":539000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48883678413050,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sam Gendel \u0026 Sam Wilkes \/\/ Unrelated LP","public_title":null,"options":["Default Title"],"price":539000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3708436456_10.jpg?v=1778722680"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3708436456_10.jpg?v=1778722680","options":["Title"],"media":[{"alt":null,"id":39363662381306,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3708436456_10.jpg?v=1778722680"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3708436456_10.jpg?v=1778722680","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※7月中旬発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eアメリカ・LAのサックス奏者Sam GendelとベーシストSam Wilkesが、2026年7月に自主リリースする共作第4弾です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGendelはサックスではなくギターとシンセサイザーを用いたアンビエント・ジャズ8\u003c\/span\u003e\u003cspan\u003e曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4200954415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u0026gt;\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4200954415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2390955310\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4200954415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3931804651\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4200954415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2526328215\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSam Gendel\u003c\/span\u003e\u003cspan\u003eその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gendel\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gendel\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Sam Gendel releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eShipping begins mid July.\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eAvailable on 12\" black vinyl. Ask us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. RAPWORLD 04:51\u003cbr\u003e2. LOS 02:11\u003cbr\u003e3. HORSE MASTER 02:44\u003cbr\u003e4. JAGUAR PAW 03:10\u003cbr\u003e5. RAPMAN 02:57\u003cbr\u003e6. DOME 04:21\u003cbr\u003e7. FIEFDOM 03:42\u003cbr\u003e8. PI-PI MALAGUII 03:55 \u003c\/p\u003e\n\u003cp\u003eSam Gendel:\u003cbr\u003eGuitar\u003cbr\u003eGuitar Synthesizer\u003cbr\u003eWind Synthesizer\u003c\/p\u003e\n\u003cp\u003eSam Wilkes:\u003cbr\u003eGuitar\u003cbr\u003eGuitar Synthesizer\u003cbr\u003eBass Guitar \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Sam Gendel \u0026amp; Sam Wilkes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e"}
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※7月中旬発送開始します アメリカ・LAのサックス奏者Sam GendelとベーシストSam Wilkesが、2026年7月に自主リリースする共作第4弾です。 Gendelはサックスではなくギターとシンセサイザーを用いたアンビエント・ジャズ8曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ > Sam Gendelその他作品はこちら /// Click here to see more Sam...
¥5,390
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{"id":9223053639930,"title":"Sam Wilkes \/\/ iiyo iiyo iiyo LP","handle":"sam-wilkes-iiyo-iiyo-iiyo-lp","description":"\u003cp\u003eアメリカ・LAのベーシストSam Wilkesが、2026年5月に自主リリースした再発レコードです。（オリジナルは2024年リリース）\u003c\/p\u003e\n\u003cp\u003e日本で行ったライブ録音5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、Sadie Sartini Garnerによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"FRUE fesの主催者が、Sam Wilkesに2022年のフェスティバルのためのアンサンブルの編成を依頼したとき、彼らは当初、彼が2021年のアルバム One Theme \u0026amp; Subsequent Improvisation のために制作したバンドに依頼した。キーボーディストのクリス・フィッシュマン（パット・メセニー、ルイス・コール）だけがそのグループのメンバーで都合がついたため、Wilkesは主催者に代替案として2つのグループのうちの1つを選ぶよう求めた。ドラマー、クレイグ・ワインリブ（ヘンリー・スレッドギル、アーメン・デューンズ）とギタリスト、ディラン・デイ（ジェニー・ルイス、ジャクソン・ブラウン）をフィーチャーしたトリオ（Wilkesは最近トリオ・アルバムをリリースした）、またはワインリブ、フィッシュマン、キーボーディスト兼ギタリストのトム・ギル（KNOWER、ジョセフ・シャバソン）をフィーチャーしたカルテットだ。「どのバンドを連れてくるべきか決断できず、とても迷いました」と彼は言う。WilkesとFRUEのオーガナイザーは、奇妙な行き違い、あるいは単なるセレンディピティ（偶然の一致）を通して、もう一方が両グループのメンバーを含むクインテットへの統合を提案したと考えた。どちらも口に出さなかったアイデアが、いつの間にか当然の選択となったのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e iiyo iiyo iiyoは、Wilkesがバンドリーダー兼アレンジャーとして発表した5枚目のアルバムで、その雰囲気はスピーカーからこぼれ落ちるほど豊かだ。クインテットの出会いを記録したこのアルバムは、掛川のFRUEと東京のWWWXでライブ録音された。演奏者間の親密な相互作用や、小さな部屋で録音されたような雰囲気からは想像もつかないだろう。Wilkesが2018年にリリースしたセルフタイトルアルバムでデビューを飾ったオープニング曲「Descending」では、ホール後方で遊ぶ子供たちの声がサンプリングされたのではないかと思うほど居心地の良いムードが漂っている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWilkesにとって、演奏やレコーディングに適切なトーンを設定することは最も重要であり、それは彼がベーシストとしての役割をどう理解しているかということと切り離せない。「私が自分のこと、つまり音楽で最も大切にしていることを理解するための入り口は、伴奏だった。伴奏には、エネルギーという言葉にできないものがある。例えば、ディランがメロディーを弾くために、あるいはトムがメロディーを弾くために、究極の環境を作るためのアレンジやオーケストレーションをする。綿密な準備と完全な即興が同程度に組み合わさっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eタイトルの「iiyo iiyo iiyo」は、感謝の言葉に対して使われる日本語の表現で、自分への賞賛を払いのけるチーキーな言い方である。したがって、このレコードはチャーミングで家庭的な個性に溢れている。スタンダード曲I Wanna Be Lovedのゴージャスなヴァージョンで、デイは洗礼されたアンビエント・ガーゼと、ダイナ・ワシントンのオリジナルを彷彿とさせる伝統的な美しいラインの間を行き来するようにメロディーを奏でる。Descendingでは、バンドがマントリックなメロディーを循環させる一方で、フィッシュマンがMoog Oneでメロディーを点描し、ウィルクス・スタンダードとなった曲に新たな継ぎ目を開いている。ワインリブの忍耐強く印象主義的な筆致は、メロディーの下で渦を巻いているようであり、ギルは鍵盤から厚くリバーブの効いた伴奏で部屋を曇らせている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWilkesはどこにいるのだろう？彼は友人たちを導き、彼自身が建てた部屋の飾り付けを手伝い、この曲の切なく、希望に満ちた、地に足の着いた雰囲気に深く引き込んでいる。彼の演奏の特徴であるポリフォニックなヴォイシングは、曲の境界線を定め、音楽的・感情的なアンカーの役割を果たしている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれは、Wilkesがアルバム全体でとっているアプローチであり、彼のフレージングを音楽の重心と心臓の両方として使っているのだが、Girl の冒頭1分ほどで彼はそれを完璧にやってのけている。この曲は元々、Wilkes 「Sings」（2014-2016）に収録されていたもので、本人は 「サイコティックなほど異なるアレンジ 」と呼んでいる。掛川のステージでは、彼はこの曲をスロー再生し、中心となるコードを分離する。彼はその和音を優しく辛抱強く演奏し、混乱した気持ちをすべて吐き出した人のように明瞭に声を出す。Wilkesが言うように、彼のベーシストとしての役割は、これらの曲の土台となることであり、土台はその性質上、不明瞭になりがちである。ここで、ある素敵な瞬間のために、彼はすべてを解体し、この奇跡的な音楽を支えている緑豊かな建築物を明らかにした。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=53010074\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3091666111\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=53010074\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=53010074\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3242546102\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u0026lt;\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wilkes\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wilkes\"\u003ehere\u003c\/a\u003e to see more Wilkes Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003e1. Descending (Frue)\u003cbr\u003e2. I Wanna Be Loved 03:51\u003cbr\u003e3. Girl\u003cbr\u003e4. Rain \u0026amp; Snow\u003cbr\u003e5. Descending (WWW) \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Wilkes\u003c\/p\u003e\n\u003cp\u003eLabel : Wilkes Records\u003c\/p\u003e\n\u003cp\u003eCat. No : WR-002\u003c\/p\u003e","published_at":"2026-05-12T15:31:26+09:00","created_at":"2026-05-12T15:30:52+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","jazz","lp","new","recommended","wilkes records"],"price":468000,"price_min":468000,"price_max":468000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48876535415034,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sam Wilkes \/\/ iiyo iiyo iiyo LP","public_title":null,"options":["Default Title"],"price":468000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3273234151_16.jpg?v=1727046830","\/\/tobirarecords.com\/cdn\/shop\/files\/0036988637_10.jpg?v=1734825947","\/\/tobirarecords.com\/cdn\/shop\/files\/0036988639_10.jpg?v=1734825947"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3273234151_16.jpg?v=1727046830","options":["Title"],"media":[{"alt":null,"id":34923350393082,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3273234151_16.jpg?v=1727046830"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3273234151_16.jpg?v=1727046830","width":700},{"alt":null,"id":35066739589370,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036988637_10.jpg?v=1734825947"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036988637_10.jpg?v=1734825947","width":1200},{"alt":null,"id":35066739654906,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036988639_10.jpg?v=1734825947"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036988639_10.jpg?v=1734825947","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのベーシストSam Wilkesが、2026年5月に自主リリースした再発レコードです。（オリジナルは2024年リリース）\u003c\/p\u003e\n\u003cp\u003e日本で行ったライブ録音5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、Sadie Sartini Garnerによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"FRUE fesの主催者が、Sam Wilkesに2022年のフェスティバルのためのアンサンブルの編成を依頼したとき、彼らは当初、彼が2021年のアルバム One Theme \u0026amp; Subsequent Improvisation のために制作したバンドに依頼した。キーボーディストのクリス・フィッシュマン（パット・メセニー、ルイス・コール）だけがそのグループのメンバーで都合がついたため、Wilkesは主催者に代替案として2つのグループのうちの1つを選ぶよう求めた。ドラマー、クレイグ・ワインリブ（ヘンリー・スレッドギル、アーメン・デューンズ）とギタリスト、ディラン・デイ（ジェニー・ルイス、ジャクソン・ブラウン）をフィーチャーしたトリオ（Wilkesは最近トリオ・アルバムをリリースした）、またはワインリブ、フィッシュマン、キーボーディスト兼ギタリストのトム・ギル（KNOWER、ジョセフ・シャバソン）をフィーチャーしたカルテットだ。「どのバンドを連れてくるべきか決断できず、とても迷いました」と彼は言う。WilkesとFRUEのオーガナイザーは、奇妙な行き違い、あるいは単なるセレンディピティ（偶然の一致）を通して、もう一方が両グループのメンバーを含むクインテットへの統合を提案したと考えた。どちらも口に出さなかったアイデアが、いつの間にか当然の選択となったのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e iiyo iiyo iiyoは、Wilkesがバンドリーダー兼アレンジャーとして発表した5枚目のアルバムで、その雰囲気はスピーカーからこぼれ落ちるほど豊かだ。クインテットの出会いを記録したこのアルバムは、掛川のFRUEと東京のWWWXでライブ録音された。演奏者間の親密な相互作用や、小さな部屋で録音されたような雰囲気からは想像もつかないだろう。Wilkesが2018年にリリースしたセルフタイトルアルバムでデビューを飾ったオープニング曲「Descending」では、ホール後方で遊ぶ子供たちの声がサンプリングされたのではないかと思うほど居心地の良いムードが漂っている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWilkesにとって、演奏やレコーディングに適切なトーンを設定することは最も重要であり、それは彼がベーシストとしての役割をどう理解しているかということと切り離せない。「私が自分のこと、つまり音楽で最も大切にしていることを理解するための入り口は、伴奏だった。伴奏には、エネルギーという言葉にできないものがある。例えば、ディランがメロディーを弾くために、あるいはトムがメロディーを弾くために、究極の環境を作るためのアレンジやオーケストレーションをする。綿密な準備と完全な即興が同程度に組み合わさっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eタイトルの「iiyo iiyo iiyo」は、感謝の言葉に対して使われる日本語の表現で、自分への賞賛を払いのけるチーキーな言い方である。したがって、このレコードはチャーミングで家庭的な個性に溢れている。スタンダード曲I Wanna Be Lovedのゴージャスなヴァージョンで、デイは洗礼されたアンビエント・ガーゼと、ダイナ・ワシントンのオリジナルを彷彿とさせる伝統的な美しいラインの間を行き来するようにメロディーを奏でる。Descendingでは、バンドがマントリックなメロディーを循環させる一方で、フィッシュマンがMoog Oneでメロディーを点描し、ウィルクス・スタンダードとなった曲に新たな継ぎ目を開いている。ワインリブの忍耐強く印象主義的な筆致は、メロディーの下で渦を巻いているようであり、ギルは鍵盤から厚くリバーブの効いた伴奏で部屋を曇らせている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWilkesはどこにいるのだろう？彼は友人たちを導き、彼自身が建てた部屋の飾り付けを手伝い、この曲の切なく、希望に満ちた、地に足の着いた雰囲気に深く引き込んでいる。彼の演奏の特徴であるポリフォニックなヴォイシングは、曲の境界線を定め、音楽的・感情的なアンカーの役割を果たしている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれは、Wilkesがアルバム全体でとっているアプローチであり、彼のフレージングを音楽の重心と心臓の両方として使っているのだが、Girl の冒頭1分ほどで彼はそれを完璧にやってのけている。この曲は元々、Wilkes 「Sings」（2014-2016）に収録されていたもので、本人は 「サイコティックなほど異なるアレンジ 」と呼んでいる。掛川のステージでは、彼はこの曲をスロー再生し、中心となるコードを分離する。彼はその和音を優しく辛抱強く演奏し、混乱した気持ちをすべて吐き出した人のように明瞭に声を出す。Wilkesが言うように、彼のベーシストとしての役割は、これらの曲の土台となることであり、土台はその性質上、不明瞭になりがちである。ここで、ある素敵な瞬間のために、彼はすべてを解体し、この奇跡的な音楽を支えている緑豊かな建築物を明らかにした。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=53010074\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3091666111\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=53010074\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=53010074\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3242546102\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u0026lt;\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wilkes\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wilkes\"\u003ehere\u003c\/a\u003e to see more Wilkes Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003e1. Descending (Frue)\u003cbr\u003e2. I Wanna Be Loved 03:51\u003cbr\u003e3. Girl\u003cbr\u003e4. Rain \u0026amp; Snow\u003cbr\u003e5. Descending (WWW) \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Wilkes\u003c\/p\u003e\n\u003cp\u003eLabel : Wilkes Records\u003c\/p\u003e\n\u003cp\u003eCat. No : WR-002\u003c\/p\u003e"}
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アメリカ・LAのベーシストSam Wilkesが、2026年5月に自主リリースした再発レコードです。（オリジナルは2024年リリース） 日本で行ったライブ録音5曲を収録。DLコード付属。 以下、Sadie Sartini Garnerによる解説です。 "FRUE fesの主催者が、Sam Wilkesに2022年のフェスティバルのためのアンサンブルの編成を依頼したとき、彼らは当初、彼が2021年のアルバム One Theme & Subsequent Improvisation...
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{"id":9222282379514,"title":"Durand Jones \u0026 The Indications \/\/ Flowers LP [BLACK]","handle":"durand-jones-the-indications-flowers-lp-black","description":"\u003cp\u003eアメリカ・インディアナのファンクトリオDurand Jones \u0026amp; The Indicationsが、\u003cspan\u003e2025年6月に\u003c\/span\u003eインディアナのインディーレーベルDead Oceansからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e夏の昼下がりにぴったりなネオソウル〜コンテンポラリーR\u0026amp;B11曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1625189969\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=107566466\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1625189969\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2981197565\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003ehere\u003c\/a\u003e to see more Dead Oceans releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Flowers\u003cbr\u003e2. Paradise\u003cbr\u003e3. Lovers' Holiday 03:25\u003cbr\u003e4. I Need The Answer\u003cbr\u003e5. Flower Moon 04:56\u003cbr\u003e6. Really Wanna Be With You\u003cbr\u003e7. Been So Long 03:16\u003cbr\u003e8. Everything\u003cbr\u003e9. Rust and Steel\u003cbr\u003e10. If Not For Love\u003cbr\u003e11. Without You\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Dead Oceans:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"...For as far as Durand Jones and The Indications have come, Flowers grew from the desire to return to their roots in a Bloomington basement, a space where they first found camaraderie in gritty funk and Southern soul that would inspire their self-titled debut.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs on that 2016 release (which was recorded on a Tascam four-track tape machine), The Indications prioritized collaboration while creating Flowers. Much of the self-produced album was written together at Rhein's Chicago studio, and many tracks are based on one-take demos — proof that vibes were particularly high, each member pulling from their refined tool kits with ease. Notes Frazer: \"We took the spirit of play that started the project, and added in the wisdom and lessons that we've acquired through the years.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"When I think of Flowers, I think of this sense of naturalness. There's a lot of courage in showing the human side of making music,\" adds Rhein. \"We spent the most energy playing to each other’s strengths and learning how to support each other. Being able to make art from an intuitive level takes a lot of confidence, not second guessing yourself, not asking if it's going to be well received.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJones says Flowers is the result of significant personal transformation. \"I had spent the last year and a half laying everything out that I felt insecure about — I felt insecure about my sexuality, growing up poor; about a myriad of things. I laid all of that out on the table and it made me such a stronger person, to the point that I got back to the Indications and I was way more sure of myself.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePulling sonically and spiritually from each of the group's previous releases and solo work — Jones released his debut album, Wait Til I Get Over, in 2023; Frazer followed with his sophomore effort, Into The Blue, in 2024; and Rhein writes and releases as Patchwork Inc. — Flowers is the next stage of DJI's inspired soulful discography. DJI are not only accepting their flowers, but indulging in their sweet and sexy fragrance...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Durand Jones \u0026amp; The Indications\u003c\/p\u003e\n\u003cp\u003eLabel : Dead Oceans\u003c\/p\u003e\n\u003cp\u003ecat no : DOC367lp\u003c\/p\u003e","published_at":"2026-05-11T05:53:58+09:00","created_at":"2026-05-11T05:53:29+09:00","vendor":"Tobira Records","type":"","tags":["dead oceans","folk \/ left-field pop","hiphop \/ funk","jazz","lp","new","recommended"],"price":384300,"price_min":384300,"price_max":384300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48871073644794,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Durand Jones \u0026 The Indications \/\/ Flowers LP [BLACK]","public_title":null,"options":["Default Title"],"price":384300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"656605166711","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/du1_c4020f77-c861-4892-942d-766f1f42efbb.jpg?v=1749090215"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/du1_c4020f77-c861-4892-942d-766f1f42efbb.jpg?v=1749090215","options":["Title"],"media":[{"alt":null,"id":36133481971962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/du1_c4020f77-c861-4892-942d-766f1f42efbb.jpg?v=1749090215"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/du1_c4020f77-c861-4892-942d-766f1f42efbb.jpg?v=1749090215","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・インディアナのファンクトリオDurand Jones \u0026amp; The Indicationsが、\u003cspan\u003e2025年6月に\u003c\/span\u003eインディアナのインディーレーベルDead Oceansからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e夏の昼下がりにぴったりなネオソウル〜コンテンポラリーR\u0026amp;B11曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1625189969\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=107566466\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1625189969\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2981197565\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003ehere\u003c\/a\u003e to see more Dead Oceans releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Flowers\u003cbr\u003e2. Paradise\u003cbr\u003e3. Lovers' Holiday 03:25\u003cbr\u003e4. I Need The Answer\u003cbr\u003e5. Flower Moon 04:56\u003cbr\u003e6. Really Wanna Be With You\u003cbr\u003e7. Been So Long 03:16\u003cbr\u003e8. Everything\u003cbr\u003e9. Rust and Steel\u003cbr\u003e10. If Not For Love\u003cbr\u003e11. Without You\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Dead Oceans:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"...For as far as Durand Jones and The Indications have come, Flowers grew from the desire to return to their roots in a Bloomington basement, a space where they first found camaraderie in gritty funk and Southern soul that would inspire their self-titled debut.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs on that 2016 release (which was recorded on a Tascam four-track tape machine), The Indications prioritized collaboration while creating Flowers. Much of the self-produced album was written together at Rhein's Chicago studio, and many tracks are based on one-take demos — proof that vibes were particularly high, each member pulling from their refined tool kits with ease. Notes Frazer: \"We took the spirit of play that started the project, and added in the wisdom and lessons that we've acquired through the years.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"When I think of Flowers, I think of this sense of naturalness. There's a lot of courage in showing the human side of making music,\" adds Rhein. \"We spent the most energy playing to each other’s strengths and learning how to support each other. Being able to make art from an intuitive level takes a lot of confidence, not second guessing yourself, not asking if it's going to be well received.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJones says Flowers is the result of significant personal transformation. \"I had spent the last year and a half laying everything out that I felt insecure about — I felt insecure about my sexuality, growing up poor; about a myriad of things. I laid all of that out on the table and it made me such a stronger person, to the point that I got back to the Indications and I was way more sure of myself.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePulling sonically and spiritually from each of the group's previous releases and solo work — Jones released his debut album, Wait Til I Get Over, in 2023; Frazer followed with his sophomore effort, Into The Blue, in 2024; and Rhein writes and releases as Patchwork Inc. — Flowers is the next stage of DJI's inspired soulful discography. DJI are not only accepting their flowers, but indulging in their sweet and sexy fragrance...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Durand Jones \u0026amp; The Indications\u003c\/p\u003e\n\u003cp\u003eLabel : Dead Oceans\u003c\/p\u003e\n\u003cp\u003ecat no : DOC367lp\u003c\/p\u003e"}
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アメリカ・インディアナのファンクトリオDurand Jones & The Indicationsが、2025年6月にインディアナのインディーレーベルDead Oceansからリリースしたレコードです。 夏の昼下がりにぴったりなネオソウル〜コンテンポラリーR&B11曲を収録。 レーベルその他作品はこちら /// Click here to see more...
¥3,843
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{"id":9221247959290,"title":"Aaron Shaw \/\/ And So It Is LP","handle":"aaron-shaw-and-so-it-is-lp","description":"\u003cp\u003eアメリカ・LAのマルチ奏者Aaron Shawが、2026年2月にLAの老舗レーベルStones Throwからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・アンビエントジャズ8曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"決して秘密というわけではなく（需要も絶えない）、しかし間違いなく「知る人ぞ知る」存在であるマルチ・インストゥルメンタリストAaron Shawは、ロサンゼルスで最も注目すべき若手作曲家、プロデューサー、編曲家、バンドリーダー、そして音楽監督の一人だ。兄のローレンス（二人でグループ「ブラック・ナイル」を結成）と共有するホームスタジオでは、Aaron Shawがサックス、クラリネット、フルート、キーボード、ドラムマシンを演奏したり、レコーディングのエンジニアリングを手掛けたりする姿が見られる。ライマート・パークの「ザ・ワールド・ステージ」の常連であるAaron Shawは、Pan Afrikan Peoples Arkestra, Phil Ranelin, Herbie Hancock, and Miguel Atwood-Ferguson, Mary J. Blige, Dave Chapelle, Tyler, The Creator, Anderson .Paak, Nightmares on Waxをはじめ、LAのジャズ、ヒップホップ、ラップ、エレクトロニック、実験音楽シーンにおいて、名だたるベテランから新進気鋭、アンダーグラウンドのアーティストに至るまで、数多くのアーティストと共演している。ラデラ・ハイツで生まれ育った彼は、フェルナンド・プラム・コミュニティ・アーツ・センターやLAカウンティ・ハイスクール・フォー・ザ・アーツ（LACHSA）で腕を磨き、やがてカマシ・ワシントンの指導を受けるようになった。2025年リリースの『Saul Williams meets Carlos Niño \u0026amp; Friends at TreePeople』では、全編にわたりカマシ・ワシントンとの音楽的な対話を繰り広げている。長年の研鑽、献身、そしてライブ活動を経て、初のフルアルバムリリースへの道のりは険しいものとなっ\u003c\/em\u003e\u003cem\u003eた。2月13日にLeaving Recordsよりリリースされる『And So It Is』は、すでに並外れた才能を持つ彼に突きつけられた、肉体的、音楽的、そして精神的な変容を記録した作品である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2023年、27歳の時、数ヶ月にわたる不穏な症状と医療上の行き詰まりを経て、Shawは骨髄不全と診断された。彼はこの状況を「厳しい」と簡潔に表現している。そのような診断に伴う疎外感、疲労、恐怖――果てしない検査や治療プロトコルは言うまでもなく――6年生以来、意識的に人生を捧げてきた音楽という技芸そのものを奏でるShawの能力が、突如として根本から覆された。核心となったのはShawの赤血球数と、十分な酸素を供給できない状態だった。管楽器の原動力である「息」が、今や不足していたのだ。かつてはごく普通のライブだったものが、医療的な賭け事へと変わった。ステージまで何段の階段があるか？標高の高いアイディルワイルドで演奏できるだろうか？\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eその後の受容のプロセスは（重大な健康上の試練がそうであるように）困難で、直線的ではなかった。感情的な消耗（泣き崩れる時期、社会的孤立）の時期と、自身の限界を克服しようとする勇敢な試み（新しいマウスピースやリードの試行、姿勢の変更）が交錯していた。当初、音色の変化に苛立ちを覚えたShawだったが、それを乗り越えた。音楽を奏でることが、依然として彼にとって最大の慰めだったのだ。この自己療法と、新たな演奏スタイルという制約の中で、楽曲は徐々に形を成していった。「And So It Is（そういうことなのだ）」——Shawが教会音楽に浸っていた幼少期に遡るこの言葉は、この創作期間のマントラとなり、やがてアルバムタイトルとなった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLeaving Recordsの関連アーティストであるカルロス・ニーニョ（パーカッショニストであり、特にアンドレ3000の『New Blue Sun』のプロデューサーとしても知られる）の温かい見守りの下、『And So It Is』は徐々に形を成していった。これは、絶望と孤立の深淵、そして自らの死と向き合うことから生まれる奇妙な明晰さを掘り下げる、8曲からなる連作である。その名にふさわしい1曲目「Soul Journey」が、リスナーをその世界へと導く。最初は不協和で、物思いにふけり、まるで雨に打たれたような動きが、より集中し推進力のある中間部へと移行する（ここには、前進への意欲を感じさせる粘り強さがある）。そして徐々に、チェロとハープの響きの上に落ち着いていく。『And So It Is』は全編を通じて内省的な視点を保ちつつ、超越的な瞬間も存在する。それは、Shawを悩ませていた個人的な懸念が、音楽形式の発見と表現における純粋な喜びへと道を譲るかのような瞬間である……\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1718169522\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eIncludes insert.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Soul Journey 04:31\u003cbr\u003e2. Heart of a Phoenix 09:27\u003cbr\u003e3. Windows to the Soul 05:01\u003cbr\u003e4. The Path to Clarity 03:48\u003cbr\u003e5. Echoes of the Heart 02:52\u003cbr\u003e6. Jubilant Voyage 05:10\u003cbr\u003e7. Inner Compass 04:41\u003cbr\u003e8. Never Catch Me Out of Alignment 06:46\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBy no means a secret, (and in steady demand,) but certainly in the category of IYKYK, multi-instrumentalist Aaron Shaw is one of Los Angeles’s brightest young Composers, Producers, Arrangers, Band Leaders, and Music Directors. In his Home Studio that he shares with his older Brother, Lawrence (together making up the group Black Nile), Shaw can be found playing Saxophones, Clarinets, Flutes, Keyboards, Drum Machines, and also Engineering Sessions. A frequent fixture at The World Stage in Leimert Park, Shaw has collaborated with everyone from Pan Afrikan Peoples Arkestra, Phil Ranelin, Herbie Hancock, and Miguel Atwood-Ferguson, to Mary J. Blige, Dave Chapelle, Tyler, The Creator, Anderson .Paak, Nightmares on Wax and many more less well known OG, established, emerging, and underground Artists in the LA Jazz, Hip-Hop, Rap, Electronic, and Experimental Music scenes. Born and raised in Ladera Heights, he cut his teeth at the Fernando Pullum Community Arts Center and the LA County High School for the Arts (LACHSA) before eventually entering the tutelage of Kamasi Washington, who he is featured with in tandem Musical conversation on the entirety of the 2025 release Saul Williams meets Carlos Niño \u0026amp; Friends at TreePeople. After years of study, dedication, and gig-work, the path to his first full\u003cspan class=\"bcTruncateMore\"\u003e-length release proved to be a perilous one. And So It Is, out February 13th on Leaving Records, documents the physical, musical, and spiritual transformation thrust upon an already extraordinary talent.\u003cbr\u003e\u003cbr\u003eIn 2023, at age 27, and after months of troubling symptoms and medical dead-ends, Shaw was diagnosed with bone marrow failure—a state of affairs he succinctly describes as “grim.” To say nothing of the alienation, exhaustion, and fear that accompanies such a diagnosis—the endless testing and treatment protocols—Shaw’s very capacity to play music, the craft to which he had consciously dedicated his life since the sixth grade, was suddenly, radically altered. The key matter was Shaw’s red blood cell count, and his incapacity to produce sufficient oxygen. Breath, the activating force of the wind instrument, was now in short supply. A once-normal gig became a medical gamble. How many stairs to the stage? Could he play in Idyllwild’s higher altitude?\u003cbr\u003e\u003cbr\u003eThe subsequent process of acceptance was fraught and non-linear (as major health journeys tend to be), characterized by periods of emotional exhaustion (crying spells, social isolation), as well as brave attempts to troubleshoot his limitations (experimenting with new mouthpieces and reeds, changing his posture). Initially frustrated by the resultant changes to his sound, Shaw pushed through. Playing music was still his primary source of solace. Through this self-therapy, and within the constraints of a new playing style, songs began to coalesce. “And So It Is,” a saying Shaw traces back to a childhood immersed in church music, became the mantra for this creative period, and eventually the collection’s title.\u003cbr\u003e\u003cbr\u003eUnder the nurturing eye of Leaving Record’s affiliate Carlos Niño (percussionist and, notably, the Producer for Andre 3000’s New Blue Sun) And So It Is slowly took shape—An eight song cycle that plums the depths of despair and isolation, as well as the strange clarity that comes from confronting one’s mortality. The aptly-titled first track, “Soul Journey” orients the listener. An initially off-kilter, ruminative, almost rainswept movement gives way to a more focused and propulsive mid-section (one senses grit here, a desire for forward momentum), before gradually laying down to a bed of cello and harp. And So It Is retains an inward focus throughout, and there are moments of transcendence, when the individual concerns plaguing Shaw seem to give way to pure delight in the discovery and expression of musical forms...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aaron Shaw\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLR297\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 13th February 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-09T15:01:59+09:00","created_at":"2026-05-09T10:01:20+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","leaving records","lp","new"],"price":449500,"price_min":449500,"price_max":449500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48866125807866,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Aaron Shaw \/\/ And So It Is LP","public_title":null,"options":["Default Title"],"price":449500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"198704743085","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aa1.jpg?v=1778288359","\/\/tobirarecords.com\/cdn\/shop\/files\/aa2.jpg?v=1778288358"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa1.jpg?v=1778288359","options":["Title"],"media":[{"alt":null,"id":39310060126458,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa1.jpg?v=1778288359"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa1.jpg?v=1778288359","width":350},{"alt":null,"id":39310060159226,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa2.jpg?v=1778288358"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa2.jpg?v=1778288358","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのマルチ奏者Aaron Shawが、2026年2月にLAの老舗レーベルStones Throwからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・アンビエントジャズ8曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"決して秘密というわけではなく（需要も絶えない）、しかし間違いなく「知る人ぞ知る」存在であるマルチ・インストゥルメンタリストAaron Shawは、ロサンゼルスで最も注目すべき若手作曲家、プロデューサー、編曲家、バンドリーダー、そして音楽監督の一人だ。兄のローレンス（二人でグループ「ブラック・ナイル」を結成）と共有するホームスタジオでは、Aaron Shawがサックス、クラリネット、フルート、キーボード、ドラムマシンを演奏したり、レコーディングのエンジニアリングを手掛けたりする姿が見られる。ライマート・パークの「ザ・ワールド・ステージ」の常連であるAaron Shawは、Pan Afrikan Peoples Arkestra, Phil Ranelin, Herbie Hancock, and Miguel Atwood-Ferguson, Mary J. Blige, Dave Chapelle, Tyler, The Creator, Anderson .Paak, Nightmares on Waxをはじめ、LAのジャズ、ヒップホップ、ラップ、エレクトロニック、実験音楽シーンにおいて、名だたるベテランから新進気鋭、アンダーグラウンドのアーティストに至るまで、数多くのアーティストと共演している。ラデラ・ハイツで生まれ育った彼は、フェルナンド・プラム・コミュニティ・アーツ・センターやLAカウンティ・ハイスクール・フォー・ザ・アーツ（LACHSA）で腕を磨き、やがてカマシ・ワシントンの指導を受けるようになった。2025年リリースの『Saul Williams meets Carlos Niño \u0026amp; Friends at TreePeople』では、全編にわたりカマシ・ワシントンとの音楽的な対話を繰り広げている。長年の研鑽、献身、そしてライブ活動を経て、初のフルアルバムリリースへの道のりは険しいものとなっ\u003c\/em\u003e\u003cem\u003eた。2月13日にLeaving Recordsよりリリースされる『And So It Is』は、すでに並外れた才能を持つ彼に突きつけられた、肉体的、音楽的、そして精神的な変容を記録した作品である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2023年、27歳の時、数ヶ月にわたる不穏な症状と医療上の行き詰まりを経て、Shawは骨髄不全と診断された。彼はこの状況を「厳しい」と簡潔に表現している。そのような診断に伴う疎外感、疲労、恐怖――果てしない検査や治療プロトコルは言うまでもなく――6年生以来、意識的に人生を捧げてきた音楽という技芸そのものを奏でるShawの能力が、突如として根本から覆された。核心となったのはShawの赤血球数と、十分な酸素を供給できない状態だった。管楽器の原動力である「息」が、今や不足していたのだ。かつてはごく普通のライブだったものが、医療的な賭け事へと変わった。ステージまで何段の階段があるか？標高の高いアイディルワイルドで演奏できるだろうか？\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eその後の受容のプロセスは（重大な健康上の試練がそうであるように）困難で、直線的ではなかった。感情的な消耗（泣き崩れる時期、社会的孤立）の時期と、自身の限界を克服しようとする勇敢な試み（新しいマウスピースやリードの試行、姿勢の変更）が交錯していた。当初、音色の変化に苛立ちを覚えたShawだったが、それを乗り越えた。音楽を奏でることが、依然として彼にとって最大の慰めだったのだ。この自己療法と、新たな演奏スタイルという制約の中で、楽曲は徐々に形を成していった。「And So It Is（そういうことなのだ）」——Shawが教会音楽に浸っていた幼少期に遡るこの言葉は、この創作期間のマントラとなり、やがてアルバムタイトルとなった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLeaving Recordsの関連アーティストであるカルロス・ニーニョ（パーカッショニストであり、特にアンドレ3000の『New Blue Sun』のプロデューサーとしても知られる）の温かい見守りの下、『And So It Is』は徐々に形を成していった。これは、絶望と孤立の深淵、そして自らの死と向き合うことから生まれる奇妙な明晰さを掘り下げる、8曲からなる連作である。その名にふさわしい1曲目「Soul Journey」が、リスナーをその世界へと導く。最初は不協和で、物思いにふけり、まるで雨に打たれたような動きが、より集中し推進力のある中間部へと移行する（ここには、前進への意欲を感じさせる粘り強さがある）。そして徐々に、チェロとハープの響きの上に落ち着いていく。『And So It Is』は全編を通じて内省的な視点を保ちつつ、超越的な瞬間も存在する。それは、Shawを悩ませていた個人的な懸念が、音楽形式の発見と表現における純粋な喜びへと道を譲るかのような瞬間である……\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1718169522\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eIncludes insert.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Soul Journey 04:31\u003cbr\u003e2. Heart of a Phoenix 09:27\u003cbr\u003e3. Windows to the Soul 05:01\u003cbr\u003e4. The Path to Clarity 03:48\u003cbr\u003e5. Echoes of the Heart 02:52\u003cbr\u003e6. Jubilant Voyage 05:10\u003cbr\u003e7. Inner Compass 04:41\u003cbr\u003e8. Never Catch Me Out of Alignment 06:46\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBy no means a secret, (and in steady demand,) but certainly in the category of IYKYK, multi-instrumentalist Aaron Shaw is one of Los Angeles’s brightest young Composers, Producers, Arrangers, Band Leaders, and Music Directors. In his Home Studio that he shares with his older Brother, Lawrence (together making up the group Black Nile), Shaw can be found playing Saxophones, Clarinets, Flutes, Keyboards, Drum Machines, and also Engineering Sessions. A frequent fixture at The World Stage in Leimert Park, Shaw has collaborated with everyone from Pan Afrikan Peoples Arkestra, Phil Ranelin, Herbie Hancock, and Miguel Atwood-Ferguson, to Mary J. Blige, Dave Chapelle, Tyler, The Creator, Anderson .Paak, Nightmares on Wax and many more less well known OG, established, emerging, and underground Artists in the LA Jazz, Hip-Hop, Rap, Electronic, and Experimental Music scenes. Born and raised in Ladera Heights, he cut his teeth at the Fernando Pullum Community Arts Center and the LA County High School for the Arts (LACHSA) before eventually entering the tutelage of Kamasi Washington, who he is featured with in tandem Musical conversation on the entirety of the 2025 release Saul Williams meets Carlos Niño \u0026amp; Friends at TreePeople. After years of study, dedication, and gig-work, the path to his first full\u003cspan class=\"bcTruncateMore\"\u003e-length release proved to be a perilous one. And So It Is, out February 13th on Leaving Records, documents the physical, musical, and spiritual transformation thrust upon an already extraordinary talent.\u003cbr\u003e\u003cbr\u003eIn 2023, at age 27, and after months of troubling symptoms and medical dead-ends, Shaw was diagnosed with bone marrow failure—a state of affairs he succinctly describes as “grim.” To say nothing of the alienation, exhaustion, and fear that accompanies such a diagnosis—the endless testing and treatment protocols—Shaw’s very capacity to play music, the craft to which he had consciously dedicated his life since the sixth grade, was suddenly, radically altered. The key matter was Shaw’s red blood cell count, and his incapacity to produce sufficient oxygen. Breath, the activating force of the wind instrument, was now in short supply. A once-normal gig became a medical gamble. How many stairs to the stage? Could he play in Idyllwild’s higher altitude?\u003cbr\u003e\u003cbr\u003eThe subsequent process of acceptance was fraught and non-linear (as major health journeys tend to be), characterized by periods of emotional exhaustion (crying spells, social isolation), as well as brave attempts to troubleshoot his limitations (experimenting with new mouthpieces and reeds, changing his posture). Initially frustrated by the resultant changes to his sound, Shaw pushed through. Playing music was still his primary source of solace. Through this self-therapy, and within the constraints of a new playing style, songs began to coalesce. “And So It Is,” a saying Shaw traces back to a childhood immersed in church music, became the mantra for this creative period, and eventually the collection’s title.\u003cbr\u003e\u003cbr\u003eUnder the nurturing eye of Leaving Record’s affiliate Carlos Niño (percussionist and, notably, the Producer for Andre 3000’s New Blue Sun) And So It Is slowly took shape—An eight song cycle that plums the depths of despair and isolation, as well as the strange clarity that comes from confronting one’s mortality. The aptly-titled first track, “Soul Journey” orients the listener. An initially off-kilter, ruminative, almost rainswept movement gives way to a more focused and propulsive mid-section (one senses grit here, a desire for forward momentum), before gradually laying down to a bed of cello and harp. And So It Is retains an inward focus throughout, and there are moments of transcendence, when the individual concerns plaguing Shaw seem to give way to pure delight in the discovery and expression of musical forms...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aaron Shaw\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLR297\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 13th February 2026\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・LAのマルチ奏者Aaron Shawが、2026年2月にLAの老舗レーベルStones Throwからリリースしたレコードです。 スピリチュアル・アンビエントジャズ8曲を収録。インサート付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "決して秘密というわけではなく（需要も絶えない）、しかし間違いなく「知る人ぞ知る」存在であるマルチ・インストゥルメンタリストAaron Shawは、ロサンゼルスで最も注目すべき若手作曲家、プロデューサー、編曲家、バンドリーダー、そして音楽監督の一人だ。兄のローレンス（二人でグループ「ブラック・ナイル」を結成）と共有するホームスタジオでは、Aaron Shawがサックス、クラリネット、フルート、キーボード、ドラムマシンを演奏したり、レコーディングのエンジニアリングを手掛けたりする姿が見られる。ライマート・パークの「ザ・ワールド・ステージ」の常連であるAaron Shawは、Pan Afrikan Peoples Arkestra, Phil...
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{"id":9221154013434,"title":"Sam Wilkes \/\/ Wilkes LP","handle":"sam-wilkes-wilkes-lp","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※5月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・LAのベーシストSam Wilkesが、2023年5月にLAの老舗レーベルStones Throwからリリースした再発レコードです。(オリジナルは2018年にリリース）\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・アンビエントジャズ〜ジャズ・ヒップホップ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1909343724\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInterview with Sam Wilkes and\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003elabelmate Carlos Niño: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eListening to WILKES numerous times, considering \u003c\/em\u003e\u003cem\u003ewhat I might write about it for a Press Release, (which I \u003c\/em\u003e\u003cem\u003eagreed to do because I'm a fan of his Music and his \u003c\/em\u003e\u003cem\u003ecollaborations with Sam Gendel and Louis Cole \/ Knower,) \u003c\/em\u003e\u003cem\u003eI was growing in enthusiasm, looking forward to my \u003c\/em\u003e\u003cem\u003enext radio show or DJ set including the song \"Today\" \u003c\/em\u003e\u003cem\u003eso I could hear it bump in a nice system. I was hyped \u003c\/em\u003e\u003cem\u003ethe more I took in this 6 song offering. I thought to ask \u003c\/em\u003e\u003cem\u003eSam about his new record and use his answers as aid \u003c\/em\u003e\u003cem\u003eto illustrate some of my feelings, but when I read his \u003c\/em\u003e\u003cem\u003ereply I thought you should too. It's so descriptive \u003c\/em\u003e\u003cem\u003eand visual, perfect to pull from and quote.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e.................................\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eWhat does your last name Wilkes mean?\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI actually just found that It means Wolf in Lithuanian. Which is \u003c\/em\u003e\u003cem\u003ecrazy because It was changed from Wolff to Wilkes upon immigration \u003c\/em\u003e\u003cem\u003eto the U.S. due to fear of a Judaic last name inhibiting my\u003cspan class=\"bcTruncateMore\"\u003e families ability to get work here. My heritage is a mix of Romanian, Russian, Polish, Liuthanian, and Austrian\/German I believe.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat does your last name Wilkes mean to you?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIt's vast. It provokes a different sentiment in me in different situations. I.e my dad's side of the family is one, while my immediate family is another, and within my musical community in Los Angeles and elsewhere it's also another. The latter is the sentiment \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eI'm really coming from on this record. Myself within the context of my beautiful community. This record does not exist without that community. My friend and collaborator, Sam Gendel calls me Wilkes and our friendship and musical relationship began to take a new form when I started to record him playing these songs of mine. Sam and my other dearest friends beginning to call me \"Wilkes\" (especially with humor) more and more coincided with a new era for me, which was the start of this record\/chapter.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat does your new record WILKES mean to you?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIt is the first part of a two part chapter.\u003cbr\u003eIt's the product of realizing that I HAD to make my own art, instead of just working with\/for other projects (as I had done up until this point). Upon jumping into that pool and then swimming on my own for the first time, I realized that I could compose and produce the music that I want to hear; which I got VERY excited about. I have a pretty belligerent need to create and once I began, working on my own music became a daily necessity for fulfillment and to deal with what I was going through at the time.\u003cbr\u003eI expressed this through composition, production, sonics, and creating and curating an environment for Sam Gendel's, Brian Green's, Louis Cole's, and Christian Euman's genius to be heard and featured (i.e featuring personal cornerstones of that community I was talking about.) this, rather than, say, making music for the sake of making a \"bass record\", was the outlet I needed; it wasn't really an option, this was just the vehicle for my observations, experience, philosophy, love . . .\u003cbr\u003eIt's a snapshot, one that I worked so hard on, of who and where I was from 2015-2017.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDo you have visions about how this record may affect people?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eI can't really articulate it.\u003cbr\u003eBut:\u003cbr\u003eI think Sam Gendel is the greatest saxophone player alive.\u003cbr\u003eI hope it makes some people feel that way too. This music was made to be played by him.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat were your biggest inspirations while making this record?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eJohn Coltrane\u003cbr\u003ePharaoh Sanders\u003cbr\u003eMiles Davis\u003cbr\u003eJoe Zawinul\u003cbr\u003eSam Gendel\u003cbr\u003eLouis Cole\u003cbr\u003eDaniel Lanois\u003cbr\u003eMilton Nascimento\u003cbr\u003eRahsaan Roland Kirk\u003cbr\u003eQuincy Jones\u003cbr\u003eBrian Eno\u003cbr\u003eJames \"J Dilla\" Yancey\u003cbr\u003ePete Rock\u003cbr\u003eRudy Van Gelder\u003cbr\u003eJoseph Campbell\u003cbr\u003eGenevieve Artadi\u003cbr\u003eAlice Coltrane\u003cbr\u003eChanting\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat are your biggest general inspirations?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThis is infinite but, a short list:\u003cbr\u003eMy parents\u003cbr\u003eMy whole family\u003cbr\u003eHerman Hesse\u003cbr\u003ePatrice Rushen\u003cbr\u003eNdugu Chancler\u003cbr\u003eAlphonso Johnson\u003cbr\u003eJohn Daversa\u003cbr\u003eMichael Jordan\u003cbr\u003eDaniel Lanois\u003cbr\u003eQuincy Jones\u003cbr\u003eRay Brown\u003cbr\u003eStefan Sagmeister\u003cbr\u003eSam Gendel\u003cbr\u003eLouis Cole\u003cbr\u003eBrian Green\u003cbr\u003eMythology\u003cbr\u003eJackson Pollack\u003cbr\u003eErnst Barlach\u003cbr\u003eWilliam Shakespeare\u003cbr\u003eRainer Maria Rilke\u003cbr\u003e\u003cbr\u003eand From my childhood -\u003cbr\u003ePhish\u003cbr\u003eThe Grateful Dead\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHow would you describe the sound of your Bass, what do you see \/ envision when you're playing?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eI would describe the sound of my bass as: Sam Wilkes.\u003cbr\u003eFor seeing and envisioning, It depends on the feeling I'm trying to express. Sometimes it's just colors or an image, but something I've gone back to a bit for whatever reason in some sessions as of late is the feeling of seeing fireworks and having a hot dog on the fourth of July as a kid, knowing that I didn't have to go to school the next day because it was summer and I was free, and just being happy and excited and full of love for my family and my best friends (kind of like that scene in that movie \"The Sandlot\"), and the feeling of knowing that I could go home and play or listen to CDs in my room and dance.\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Wilkes\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records \/ Stones Throw\u003c\/p\u003e","published_at":"2026-05-09T06:56:35+09:00","created_at":"2026-05-09T06:56:08+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","leaving records","lp","new","recommended"],"price":485200,"price_min":485200,"price_max":485200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48865784365306,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sam Wilkes \/\/ Wilkes LP","public_title":null,"options":["Default Title"],"price":485200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"659457525118","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3565543305_16_8f94166c-696b-4c9c-83b9-aeacedc308cf.jpg?v=1697586228","\/\/tobirarecords.com\/cdn\/shop\/files\/0014404780_10_3b88b10e-d8f0-4827-a424-7755fef996a6.jpg?v=1697586228"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3565543305_16_8f94166c-696b-4c9c-83b9-aeacedc308cf.jpg?v=1697586228","options":["Title"],"media":[{"alt":null,"id":32571747336442,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3565543305_16_8f94166c-696b-4c9c-83b9-aeacedc308cf.jpg?v=1697586228"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3565543305_16_8f94166c-696b-4c9c-83b9-aeacedc308cf.jpg?v=1697586228","width":700},{"alt":null,"id":32571747369210,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0014404780_10_3b88b10e-d8f0-4827-a424-7755fef996a6.jpg?v=1697586228"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0014404780_10_3b88b10e-d8f0-4827-a424-7755fef996a6.jpg?v=1697586228","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※5月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・LAのベーシストSam Wilkesが、2023年5月にLAの老舗レーベルStones Throwからリリースした再発レコードです。(オリジナルは2018年にリリース）\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・アンビエントジャズ〜ジャズ・ヒップホップ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1909343724\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInterview with Sam Wilkes and\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003elabelmate Carlos Niño: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eListening to WILKES numerous times, considering \u003c\/em\u003e\u003cem\u003ewhat I might write about it for a Press Release, (which I \u003c\/em\u003e\u003cem\u003eagreed to do because I'm a fan of his Music and his \u003c\/em\u003e\u003cem\u003ecollaborations with Sam Gendel and Louis Cole \/ Knower,) \u003c\/em\u003e\u003cem\u003eI was growing in enthusiasm, looking forward to my \u003c\/em\u003e\u003cem\u003enext radio show or DJ set including the song \"Today\" \u003c\/em\u003e\u003cem\u003eso I could hear it bump in a nice system. I was hyped \u003c\/em\u003e\u003cem\u003ethe more I took in this 6 song offering. I thought to ask \u003c\/em\u003e\u003cem\u003eSam about his new record and use his answers as aid \u003c\/em\u003e\u003cem\u003eto illustrate some of my feelings, but when I read his \u003c\/em\u003e\u003cem\u003ereply I thought you should too. It's so descriptive \u003c\/em\u003e\u003cem\u003eand visual, perfect to pull from and quote.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e.................................\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eWhat does your last name Wilkes mean?\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI actually just found that It means Wolf in Lithuanian. Which is \u003c\/em\u003e\u003cem\u003ecrazy because It was changed from Wolff to Wilkes upon immigration \u003c\/em\u003e\u003cem\u003eto the U.S. due to fear of a Judaic last name inhibiting my\u003cspan class=\"bcTruncateMore\"\u003e families ability to get work here. My heritage is a mix of Romanian, Russian, Polish, Liuthanian, and Austrian\/German I believe.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat does your last name Wilkes mean to you?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIt's vast. It provokes a different sentiment in me in different situations. I.e my dad's side of the family is one, while my immediate family is another, and within my musical community in Los Angeles and elsewhere it's also another. The latter is the sentiment \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eI'm really coming from on this record. Myself within the context of my beautiful community. This record does not exist without that community. My friend and collaborator, Sam Gendel calls me Wilkes and our friendship and musical relationship began to take a new form when I started to record him playing these songs of mine. Sam and my other dearest friends beginning to call me \"Wilkes\" (especially with humor) more and more coincided with a new era for me, which was the start of this record\/chapter.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat does your new record WILKES mean to you?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIt is the first part of a two part chapter.\u003cbr\u003eIt's the product of realizing that I HAD to make my own art, instead of just working with\/for other projects (as I had done up until this point). Upon jumping into that pool and then swimming on my own for the first time, I realized that I could compose and produce the music that I want to hear; which I got VERY excited about. I have a pretty belligerent need to create and once I began, working on my own music became a daily necessity for fulfillment and to deal with what I was going through at the time.\u003cbr\u003eI expressed this through composition, production, sonics, and creating and curating an environment for Sam Gendel's, Brian Green's, Louis Cole's, and Christian Euman's genius to be heard and featured (i.e featuring personal cornerstones of that community I was talking about.) this, rather than, say, making music for the sake of making a \"bass record\", was the outlet I needed; it wasn't really an option, this was just the vehicle for my observations, experience, philosophy, love . . .\u003cbr\u003eIt's a snapshot, one that I worked so hard on, of who and where I was from 2015-2017.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDo you have visions about how this record may affect people?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eI can't really articulate it.\u003cbr\u003eBut:\u003cbr\u003eI think Sam Gendel is the greatest saxophone player alive.\u003cbr\u003eI hope it makes some people feel that way too. This music was made to be played by him.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat were your biggest inspirations while making this record?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eJohn Coltrane\u003cbr\u003ePharaoh Sanders\u003cbr\u003eMiles Davis\u003cbr\u003eJoe Zawinul\u003cbr\u003eSam Gendel\u003cbr\u003eLouis Cole\u003cbr\u003eDaniel Lanois\u003cbr\u003eMilton Nascimento\u003cbr\u003eRahsaan Roland Kirk\u003cbr\u003eQuincy Jones\u003cbr\u003eBrian Eno\u003cbr\u003eJames \"J Dilla\" Yancey\u003cbr\u003ePete Rock\u003cbr\u003eRudy Van Gelder\u003cbr\u003eJoseph Campbell\u003cbr\u003eGenevieve Artadi\u003cbr\u003eAlice Coltrane\u003cbr\u003eChanting\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat are your biggest general inspirations?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThis is infinite but, a short list:\u003cbr\u003eMy parents\u003cbr\u003eMy whole family\u003cbr\u003eHerman Hesse\u003cbr\u003ePatrice Rushen\u003cbr\u003eNdugu Chancler\u003cbr\u003eAlphonso Johnson\u003cbr\u003eJohn Daversa\u003cbr\u003eMichael Jordan\u003cbr\u003eDaniel Lanois\u003cbr\u003eQuincy Jones\u003cbr\u003eRay Brown\u003cbr\u003eStefan Sagmeister\u003cbr\u003eSam Gendel\u003cbr\u003eLouis Cole\u003cbr\u003eBrian Green\u003cbr\u003eMythology\u003cbr\u003eJackson Pollack\u003cbr\u003eErnst Barlach\u003cbr\u003eWilliam Shakespeare\u003cbr\u003eRainer Maria Rilke\u003cbr\u003e\u003cbr\u003eand From my childhood -\u003cbr\u003ePhish\u003cbr\u003eThe Grateful Dead\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHow would you describe the sound of your Bass, what do you see \/ envision when you're playing?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eI would describe the sound of my bass as: Sam Wilkes.\u003cbr\u003eFor seeing and envisioning, It depends on the feeling I'm trying to express. Sometimes it's just colors or an image, but something I've gone back to a bit for whatever reason in some sessions as of late is the feeling of seeing fireworks and having a hot dog on the fourth of July as a kid, knowing that I didn't have to go to school the next day because it was summer and I was free, and just being happy and excited and full of love for my family and my best friends (kind of like that scene in that movie \"The Sandlot\"), and the feeling of knowing that I could go home and play or listen to CDs in my room and dance.\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Wilkes\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records \/ Stones Throw\u003c\/p\u003e"}
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※5月中旬再入荷後発送します アメリカ・LAのベーシストSam Wilkesが、2023年5月にLAの老舗レーベルStones Throwからリリースした再発レコードです。(オリジナルは2018年にリリース） スピリチュアル・アンビエントジャズ〜ジャズ・ヒップホップ6曲を収録。 レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases available...
¥4,852
クイックビュー
{"id":9221153652986,"title":"Time Wharp \/\/ Spiro World LP","handle":"time-wharp-spiro-world-lp","description":"\u003cp\u003e\u003cspan\u003eアメリカ・NY\u003c\/span\u003e\u003cspan\u003eのマルチ奏者Time Wharpが、2022年6月に同国LAの老舗オールジャンルレーベルLeaving Recordsからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eほぼ全ての楽器を一人で演奏したアンビエント〜アンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3451609423\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2159575615\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3451609423\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3451609423\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3345276452\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. 12\" black vinyl \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEast River Dusk 02:47\u003c\/li\u003e\n\u003cli\u003eLupron 04:01\u003c\/li\u003e\n\u003cli\u003eTOTP 01:59\u003c\/li\u003e\n\u003cli\u003eMixo World 04:46\u003c\/li\u003e\n\u003cli\u003eNo Furniture\/Tanagra 08:25\u003c\/li\u003e\n\u003cli\u003eTezeta 06:06\u003c\/li\u003e\n\u003cli\u003eSpiro World 04:38\u003c\/li\u003e\n\u003cli\u003eDelay I 06:06\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eLeaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eSpiro World (or One Must First Become Aware Of The Body) is the definitive Time Wharp full-length coming of age collection. Unhinged to any particular music scene, Spiro’s (in reference to prescription drug spironolactone) unabashed yet vulnerable all genre album story by its Brooklyn-based artist Kaye Loggins describes somatically profound personal experiences of derealization, the endocrinological mixolydian heaven \u0026amp; pharma hell on earth, and love letters to New York.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Time Wharp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-09T06:55:57+09:00","created_at":"2026-05-09T06:55:31+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","leaving records","lp","new"],"price":485200,"price_min":485200,"price_max":485200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48865782825210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Time Wharp \/\/ Spiro World LP","public_title":null,"options":["Default Title"],"price":485200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"669158566419","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wo1_0f91a3c9-7851-4415-a3df-d4530f2cc479.jpg?v=1698988142","\/\/tobirarecords.com\/cdn\/shop\/files\/wo2_71da3541-f86f-4a2b-b8ef-a7dc70427baf.jpg?v=1698988142"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo1_0f91a3c9-7851-4415-a3df-d4530f2cc479.jpg?v=1698988142","options":["Title"],"media":[{"alt":null,"id":32637322199290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo1_0f91a3c9-7851-4415-a3df-d4530f2cc479.jpg?v=1698988142"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo1_0f91a3c9-7851-4415-a3df-d4530f2cc479.jpg?v=1698988142","width":700},{"alt":null,"id":32637322232058,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo2_71da3541-f86f-4a2b-b8ef-a7dc70427baf.jpg?v=1698988142"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo2_71da3541-f86f-4a2b-b8ef-a7dc70427baf.jpg?v=1698988142","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・NY\u003c\/span\u003e\u003cspan\u003eのマルチ奏者Time Wharpが、2022年6月に同国LAの老舗オールジャンルレーベルLeaving Recordsからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eほぼ全ての楽器を一人で演奏したアンビエント〜アンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3451609423\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2159575615\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3451609423\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3451609423\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3345276452\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. 12\" black vinyl \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEast River Dusk 02:47\u003c\/li\u003e\n\u003cli\u003eLupron 04:01\u003c\/li\u003e\n\u003cli\u003eTOTP 01:59\u003c\/li\u003e\n\u003cli\u003eMixo World 04:46\u003c\/li\u003e\n\u003cli\u003eNo Furniture\/Tanagra 08:25\u003c\/li\u003e\n\u003cli\u003eTezeta 06:06\u003c\/li\u003e\n\u003cli\u003eSpiro World 04:38\u003c\/li\u003e\n\u003cli\u003eDelay I 06:06\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eLeaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eSpiro World (or One Must First Become Aware Of The Body) is the definitive Time Wharp full-length coming of age collection. Unhinged to any particular music scene, Spiro’s (in reference to prescription drug spironolactone) unabashed yet vulnerable all genre album story by its Brooklyn-based artist Kaye Loggins describes somatically profound personal experiences of derealization, the endocrinological mixolydian heaven \u0026amp; pharma hell on earth, and love letters to New York.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Time Wharp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYのマルチ奏者Time Wharpが、2022年6月に同国LAの老舗オールジャンルレーベルLeaving Recordsからリリースしたアルバムです。 ほぼ全ての楽器を一人で演奏したアンビエント〜アンビエント・ジャズ8曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases available...
¥4,852
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{"id":9218954789114,"title":"Yea Big, Jon Byler Dann, and Tatsuya Nakatani \/\/ To Lower the Fever of Feeling CD","handle":"yea-big-jon-byler-dann-and-tatsuya-nakatani-to-lower-the-fever-of-feeling-cd","description":"\u003cp\u003eアメリカのインプロ奏者Yea Big, Jon Byler Dann, Tatsuya Nakataniが、2025年12月にイリノイのBlack Flag Bonsai ClubからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eフリージャズ5曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=678400783\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Fever One 05:12\u003cbr\u003e2. Fever Two 04:25\u003cbr\u003e3. Fever Three 33:17\u003cbr\u003e4. Fever Four 01:50\u003cbr\u003e5. Fever Five 03:56\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTo Lower The Fever of Feeling is the first recorded collaboration of Yea Big (Stefen Robinson), Jon Byler Dann, and Tatsuya Nakatani. To Lower The Fever of Feeling marks the first release from Black Flag Bonsai Club.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePortuguese author, Fernando Pessoa wrote, “I write down what I feel in order to lower the fever of feeling.” In a sense, that’s why Yea Big, Jon Byler Dann, and Tatsuya Nakatani made this music together.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe trio of YB, Byler Dann, and Nakatani first performed together a couple years back when Robinson booked the Nakakatani Gong Orchestra and arranged for the trio to open the concert. They resonated and made plans to do it again. On this particular recording, Robinson’s bass clarinet is, indeed, feverish, heating up the body, making the songs themselves sick. Nakatani’s percussion propels, replicates, and spreads out like a virus, his sounds infecting everything and everyone. The body, in this metaphor, is held together by Byler Dann, with his bass providing the connective tissue through which the blood, the breath, and the beat are all kept whole.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Yea Big, Jon Byler Dann, and Tatsuya Nakatani\u003c\/p\u003e\n\u003cp\u003eLabel : Black Flag Bonsai Club\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBFBC 001\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 5th December 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-11T15:41:09+09:00","created_at":"2026-05-07T13:37:20+09:00","vendor":"Tobira Records","type":"","tags":["black flag bonsai club","cd","jazz","new"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48856511807738,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Yea Big, Jon Byler Dann, and Tatsuya Nakatani \/\/ To Lower the Fever of Feeling CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fee1_cfb3444e-3fd7-4c34-b214-3269270e9e21.jpg?v=1778128532","\/\/tobirarecords.com\/cdn\/shop\/files\/fee2_f1114288-7c6e-4ac1-9824-2434b9606bc5.jpg?v=1778128532"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fee1_cfb3444e-3fd7-4c34-b214-3269270e9e21.jpg?v=1778128532","options":["Title"],"media":[{"alt":null,"id":39283825311994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fee1_cfb3444e-3fd7-4c34-b214-3269270e9e21.jpg?v=1778128532"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fee1_cfb3444e-3fd7-4c34-b214-3269270e9e21.jpg?v=1778128532","width":350},{"alt":null,"id":39283825344762,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fee2_f1114288-7c6e-4ac1-9824-2434b9606bc5.jpg?v=1778128532"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fee2_f1114288-7c6e-4ac1-9824-2434b9606bc5.jpg?v=1778128532","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのインプロ奏者Yea Big, Jon Byler Dann, Tatsuya Nakataniが、2025年12月にイリノイのBlack Flag Bonsai ClubからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eフリージャズ5曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=678400783\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Fever One 05:12\u003cbr\u003e2. Fever Two 04:25\u003cbr\u003e3. Fever Three 33:17\u003cbr\u003e4. Fever Four 01:50\u003cbr\u003e5. Fever Five 03:56\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTo Lower The Fever of Feeling is the first recorded collaboration of Yea Big (Stefen Robinson), Jon Byler Dann, and Tatsuya Nakatani. To Lower The Fever of Feeling marks the first release from Black Flag Bonsai Club.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePortuguese author, Fernando Pessoa wrote, “I write down what I feel in order to lower the fever of feeling.” In a sense, that’s why Yea Big, Jon Byler Dann, and Tatsuya Nakatani made this music together.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe trio of YB, Byler Dann, and Nakatani first performed together a couple years back when Robinson booked the Nakakatani Gong Orchestra and arranged for the trio to open the concert. They resonated and made plans to do it again. On this particular recording, Robinson’s bass clarinet is, indeed, feverish, heating up the body, making the songs themselves sick. Nakatani’s percussion propels, replicates, and spreads out like a virus, his sounds infecting everything and everyone. The body, in this metaphor, is held together by Byler Dann, with his bass providing the connective tissue through which the blood, the breath, and the beat are all kept whole.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Yea Big, Jon Byler Dann, and Tatsuya Nakatani\u003c\/p\u003e\n\u003cp\u003eLabel : Black Flag Bonsai Club\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBFBC 001\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 5th December 2025\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカのインプロ奏者Yea Big, Jon Byler Dann, Tatsuya Nakataniが、2025年12月にイリノイのBlack Flag Bonsai ClubからリリースしたCDです。 フリージャズ5曲を収録。デジパック、シュリンク仕様です。 -------------------------------------------------- CD in...
¥1,980
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{"id":9218953642234,"title":"Normal Community High School Experimental Ensemble \/\/ A Moment of Yet LP","handle":"normal-community-high-school-experimental-ensemble-a-moment-of-yet-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・イリノイにあるノーマル高校の生徒8名によるアンサンブルNormal Community High School Experimental Ensembleが、2026年4月にイリノイのBlack Flag Bonsai Clubから100部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜ドローン・ジャズ7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2572690649\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2572690649\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1555997675\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2572690649\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3080476631\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. A Moment of Yet 03:21 \u003cbr\u003e2. To Listen 05:23 \u003cbr\u003e3. Track 14 02:52 \u003cbr\u003e4. Fragments of It 05:26 \u003cbr\u003e5. A Moment to Breathe 03:40 \u003cbr\u003e6. SLOW DOWN! The Fall 08:31 \u003cbr\u003e7. Return 05:48\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"We're stoked to bring to you the fourth release from the world's most rad high school band, Normal Community High School Experimental Ensemble. And we're going big with an LP! Stock will be limited, so don't sleep on this.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music on this LP is really incredible. Nuanced, thoughtful, emotional, occasionally humorous, and polished while simultaneously maintaining a rawness that pushes but doesn't alienate.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music here was composed and recorded throughout January and February of 2026 in an unconventional classroom at NCHS.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Normal Community High School Experimental Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : Black Flag Bonsai Club\u003c\/p\u003e\n\u003cp\u003ecat no : BFBC #002\u003c\/p\u003e\n\u003cp\u003eRelease date : 17th April 2026\u003c\/p\u003e","published_at":"2026-05-07T15:37:30+09:00","created_at":"2026-05-07T13:33:37+09:00","vendor":"Tobira Records","type":"","tags":["ambient","black flag bonsai club","drone","jazz","lp","new"],"price":469600,"price_min":469600,"price_max":469600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48856508924154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Normal Community High School Experimental Ensemble \/\/ A Moment of Yet LP","public_title":null,"options":["Default Title"],"price":469600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mom1_e680c483-a6ad-4649-83de-7006f9c7a4cb.jpg?v=1778128409","\/\/tobirarecords.com\/cdn\/shop\/files\/mom2_ddd50b53-9ca8-4603-bca1-37b3b997de39.jpg?v=1778128409"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mom1_e680c483-a6ad-4649-83de-7006f9c7a4cb.jpg?v=1778128409","options":["Title"],"media":[{"alt":null,"id":39283809190138,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mom1_e680c483-a6ad-4649-83de-7006f9c7a4cb.jpg?v=1778128409"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mom1_e680c483-a6ad-4649-83de-7006f9c7a4cb.jpg?v=1778128409","width":350},{"alt":null,"id":39283809222906,"position":2,"preview_image":{"aspect_ratio":0.997,"height":1200,"width":1196,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mom2_ddd50b53-9ca8-4603-bca1-37b3b997de39.jpg?v=1778128409"},"aspect_ratio":0.997,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mom2_ddd50b53-9ca8-4603-bca1-37b3b997de39.jpg?v=1778128409","width":1196}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・イリノイにあるノーマル高校の生徒8名によるアンサンブルNormal Community High School Experimental Ensembleが、2026年4月にイリノイのBlack Flag Bonsai Clubから100部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜ドローン・ジャズ7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2572690649\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2572690649\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1555997675\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2572690649\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3080476631\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. A Moment of Yet 03:21 \u003cbr\u003e2. To Listen 05:23 \u003cbr\u003e3. Track 14 02:52 \u003cbr\u003e4. Fragments of It 05:26 \u003cbr\u003e5. A Moment to Breathe 03:40 \u003cbr\u003e6. SLOW DOWN! The Fall 08:31 \u003cbr\u003e7. Return 05:48\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"We're stoked to bring to you the fourth release from the world's most rad high school band, Normal Community High School Experimental Ensemble. And we're going big with an LP! Stock will be limited, so don't sleep on this.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music on this LP is really incredible. Nuanced, thoughtful, emotional, occasionally humorous, and polished while simultaneously maintaining a rawness that pushes but doesn't alienate.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music here was composed and recorded throughout January and February of 2026 in an unconventional classroom at NCHS.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Normal Community High School Experimental Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : Black Flag Bonsai Club\u003c\/p\u003e\n\u003cp\u003ecat no : BFBC #002\u003c\/p\u003e\n\u003cp\u003eRelease date : 17th April 2026\u003c\/p\u003e"}
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※5月下旬再入荷後発送します アメリカ・イリノイにあるノーマル高校の生徒8名によるアンサンブルNormal Community High School Experimental Ensembleが、2026年4月にイリノイのBlack Flag Bonsai Clubから100部限定でリリースしたレコードです。 アンビエント・ジャズ〜ドローン・ジャズ7曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ ------------------------------------------------ 12"...
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{"id":9218042003706,"title":"Mesmer \/\/ Terrain Vague II CD","handle":"mesmer-terrain-vague-ii-cd","description":"\u003cp\u003e\u003cspan\u003eデンマークのエレクトロアコースティックトリオMesmerが、2026年4月に同国実験レーベルArbitraryからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜コラージュ・アンビエント5曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e前作もオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003earbitraryより、デンマークのエレクトロアコースティック・トリオ、MESMERのセカンドアルバム『Terrain Vague II』がリリースされる。本作において、トリオはスピード、ノイズ、そしてデジタルによる断片化が特徴的な現代において、聴き手が身を委ねられる官能的で内省的な空間を創り出している。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Terrain Vague II』は、デンマークのレーソ、フレデリクスハウン、オールボーで収録されたフィールドレコーディングを基に制作された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e港湾、海岸線、都市の郊外から採られた環境音を用い、MESMERは自然と文化が交差する場所を探求する。これらのフィールドレコーディングは単なる雰囲気作りの背景音ではなく、社会的、歴史的、感覚的な痕跡を宿す、本作の建築的基盤そのものである。即興演奏、作曲的な構造、そしてシンセサイザー、トランペット、パーカッション、モジュラーシステムを駆使したエレクトロアコースティックなセットアップを通じて、これらの痕跡は個人的かつ集合的な音の旅へと変容していく。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eタイトルは「テレーン・ヴァグ（terrain vague）」という概念に由来する。これは、未定でありながら無限の可能性を秘めた過渡的な領域を指す。MESMERにとって、それは「動き続ける社会」のイメージとなる。トリオは決定的な答えを示すのではなく、作曲されたものと即興的なもの、制御されたものと自由なものの境界が溶解する、開かれた聴取空間を創出する。ここでは、聴くことが意識的な行為として活性化され、場所、存在、そしてコミュニティとの再接続の機会となる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eデビュー作『Terrain Vague』（arbitrary19、2023年）に続き、MESMERはその実践をより一貫してサイトスペシフィックかつ空間的な方向へと発展させてきた。前作がフィールドレコーディングと電子音響作曲の間のトリオ共通の言語を確立したのに対し、『Terrain Vague II』では、特定の地理的環境が音楽の構造を形作る。即興性が明確に前面に押し出され、対比が際立ち、個人と集団の間の緊張感が強調されている。本作では形式も拡張され、アルバム、コンサート・シリーズ、インスタレーションとして具現化されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMESMER（エミル・ジェンセン、ヴィクター・ディブロー、アンダース・フィリプセン）は、音楽、映画、ラジオ、インスタレーションの分野で15年以上にわたり緊密に協働してきた。デンマーク・ミュージック・アワード（DMA）を2度受賞し、著名な美術館のために作品を制作してきた彼らの長年にわたるコラボレーションは、この音楽に稀有な直感的な正確さを与えている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e『Terrain Vague II』において、MESMERは自らの芸術的立場を洗練させ、深めている。彼らは複雑な現代社会の中に、ゆっくりとした時間と注意深さのための空間を提供し、音には世界における新たな在り方を切り拓く力があると主張している。\u003c\/i\u003e\"\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1449273461\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003ehere\u003c\/a\u003e to see more arbitrary releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003cbr\u003eEdition of 300 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Lodsbåd \/ Vind\u0026amp;Maskiner \/ Insekter 07:37\u003cbr\u003e2. Sejlturen til Læsø \/ Salt\u0026amp;Kompressor 07:31\u003cbr\u003e3. Fløjten \/ Budolfi 07:58\u003cbr\u003e4. Trompet\u0026amp;Propeller 02:20\u003cbr\u003e5. Under Limfjorden 05:09\u003c\/p\u003e\n\u003cp\u003eFromt the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003earbitrary presents Terrain Vague II - the second album by Danish electro-acoustic trio MESMER. With this work, the trio creates a sensuous and reflective space to inhabit in a time marked by speed, noise, and digital fragmentation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTerrain Vague II emerges from field recordings made in Læsø, Frederikshavn, and Aalborg in Denmark. Using environmental sounds from harbors, coastlines, and the outskirts of the city, MESMER explores the places where nature and culture intersect. These field recordings are not atmospheric background, but rather the architectural foundation of the work — carriers of social, historical, and sensory traces. Through improvisation, compositional structures, and an electro-acoustic setup featuring synthesizers, trumpet, percussion, and modular systems, these traces are transformed into personal and collective sonic journeys.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe title refers to the concept of terrain vague: indeterminate transitional zones with open potential. For MESMER, it becomes an image of a society in motion. Rather than offering definitive answers, the trio creates an open listening space in which the boundaries between the composed and the improvised, the controlled and the free, dissolve. Listening is activated here as a\u003cspan class=\"bcTruncateMore\"\u003e conscious act — an opportunity to reconnect with place, presence, and community.\u003cbr\u003e\u003cbr\u003eIn relation to their debut work Terrain Vague (arbitrary19, 2023), MESMER has developed their practice in a more consistently site-specific and spatial direction. While the first work established the trio’s shared language between field recording and electro-acoustic composition, Terrain Vague II allows the specific geographies to structure the music. Improvisation comes clearly to the fore, contrasts are sharpened, and the tension between the individual and the collective is pronounced. With this work, the format is also expanded — realized as an album, a concert series, and an installation.\u003cbr\u003e\u003cbr\u003eMESMER — Emil Jensen, Victor Dybbroe, and Anders Filipsen — have worked closely together for more than 15 years across music, film, radio, and installation. Their long-standing collaboration, recognized with two Danish Music Awards (DMA) and works created for renowned museums, lends the music a rare intuitive precision.\u003cbr\u003e\u003cbr\u003eWith Terrain Vague II, MESMER refines and deepens their artistic position. They offer a space for slowness and attentiveness within a complex present — and insist on sound’s capacity to open new ways of being in the world.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mesmer\u003c\/p\u003e\n\u003cp\u003eLabel : arbitrary\u003c\/p\u003e\n\u003cp\u003ecat no : arbitrary25\u003c\/p\u003e\n\u003cp\u003eRelease date : 24th April 2026\u003c\/p\u003e","published_at":"2026-05-10T14:41:04+09:00","created_at":"2026-05-06T10:32:31+09:00","vendor":"Tobira Records","type":"","tags":["ambient","arbitrary","cd","drone","jazz","monooto","new"],"price":279500,"price_min":279500,"price_max":279500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48853594996986,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mesmer \/\/ Terrain Vague II CD","public_title":null,"options":["Default Title"],"price":279500,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mes1_2bede96c-7703-49f3-b340-12a3a00edfcc.jpg?v=1778031058","\/\/tobirarecords.com\/cdn\/shop\/files\/mes2_a79d7ffb-942f-41ad-8933-ab366f19a5aa.jpg?v=1778031058"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mes1_2bede96c-7703-49f3-b340-12a3a00edfcc.jpg?v=1778031058","options":["Title"],"media":[{"alt":null,"id":39272899248378,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mes1_2bede96c-7703-49f3-b340-12a3a00edfcc.jpg?v=1778031058"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mes1_2bede96c-7703-49f3-b340-12a3a00edfcc.jpg?v=1778031058","width":350},{"alt":null,"id":39272899281146,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mes2_a79d7ffb-942f-41ad-8933-ab366f19a5aa.jpg?v=1778031058"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mes2_a79d7ffb-942f-41ad-8933-ab366f19a5aa.jpg?v=1778031058","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eデンマークのエレクトロアコースティックトリオMesmerが、2026年4月に同国実験レーベルArbitraryからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜コラージュ・アンビエント5曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e前作もオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003earbitraryより、デンマークのエレクトロアコースティック・トリオ、MESMERのセカンドアルバム『Terrain Vague II』がリリースされる。本作において、トリオはスピード、ノイズ、そしてデジタルによる断片化が特徴的な現代において、聴き手が身を委ねられる官能的で内省的な空間を創り出している。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Terrain Vague II』は、デンマークのレーソ、フレデリクスハウン、オールボーで収録されたフィールドレコーディングを基に制作された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e港湾、海岸線、都市の郊外から採られた環境音を用い、MESMERは自然と文化が交差する場所を探求する。これらのフィールドレコーディングは単なる雰囲気作りの背景音ではなく、社会的、歴史的、感覚的な痕跡を宿す、本作の建築的基盤そのものである。即興演奏、作曲的な構造、そしてシンセサイザー、トランペット、パーカッション、モジュラーシステムを駆使したエレクトロアコースティックなセットアップを通じて、これらの痕跡は個人的かつ集合的な音の旅へと変容していく。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eタイトルは「テレーン・ヴァグ（terrain vague）」という概念に由来する。これは、未定でありながら無限の可能性を秘めた過渡的な領域を指す。MESMERにとって、それは「動き続ける社会」のイメージとなる。トリオは決定的な答えを示すのではなく、作曲されたものと即興的なもの、制御されたものと自由なものの境界が溶解する、開かれた聴取空間を創出する。ここでは、聴くことが意識的な行為として活性化され、場所、存在、そしてコミュニティとの再接続の機会となる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eデビュー作『Terrain Vague』（arbitrary19、2023年）に続き、MESMERはその実践をより一貫してサイトスペシフィックかつ空間的な方向へと発展させてきた。前作がフィールドレコーディングと電子音響作曲の間のトリオ共通の言語を確立したのに対し、『Terrain Vague II』では、特定の地理的環境が音楽の構造を形作る。即興性が明確に前面に押し出され、対比が際立ち、個人と集団の間の緊張感が強調されている。本作では形式も拡張され、アルバム、コンサート・シリーズ、インスタレーションとして具現化されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMESMER（エミル・ジェンセン、ヴィクター・ディブロー、アンダース・フィリプセン）は、音楽、映画、ラジオ、インスタレーションの分野で15年以上にわたり緊密に協働してきた。デンマーク・ミュージック・アワード（DMA）を2度受賞し、著名な美術館のために作品を制作してきた彼らの長年にわたるコラボレーションは、この音楽に稀有な直感的な正確さを与えている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e『Terrain Vague II』において、MESMERは自らの芸術的立場を洗練させ、深めている。彼らは複雑な現代社会の中に、ゆっくりとした時間と注意深さのための空間を提供し、音には世界における新たな在り方を切り拓く力があると主張している。\u003c\/i\u003e\"\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1449273461\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003ehere\u003c\/a\u003e to see more arbitrary releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003cbr\u003eEdition of 300 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Lodsbåd \/ Vind\u0026amp;Maskiner \/ Insekter 07:37\u003cbr\u003e2. Sejlturen til Læsø \/ Salt\u0026amp;Kompressor 07:31\u003cbr\u003e3. Fløjten \/ Budolfi 07:58\u003cbr\u003e4. Trompet\u0026amp;Propeller 02:20\u003cbr\u003e5. Under Limfjorden 05:09\u003c\/p\u003e\n\u003cp\u003eFromt the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003earbitrary presents Terrain Vague II - the second album by Danish electro-acoustic trio MESMER. With this work, the trio creates a sensuous and reflective space to inhabit in a time marked by speed, noise, and digital fragmentation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTerrain Vague II emerges from field recordings made in Læsø, Frederikshavn, and Aalborg in Denmark. Using environmental sounds from harbors, coastlines, and the outskirts of the city, MESMER explores the places where nature and culture intersect. These field recordings are not atmospheric background, but rather the architectural foundation of the work — carriers of social, historical, and sensory traces. Through improvisation, compositional structures, and an electro-acoustic setup featuring synthesizers, trumpet, percussion, and modular systems, these traces are transformed into personal and collective sonic journeys.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe title refers to the concept of terrain vague: indeterminate transitional zones with open potential. For MESMER, it becomes an image of a society in motion. Rather than offering definitive answers, the trio creates an open listening space in which the boundaries between the composed and the improvised, the controlled and the free, dissolve. Listening is activated here as a\u003cspan class=\"bcTruncateMore\"\u003e conscious act — an opportunity to reconnect with place, presence, and community.\u003cbr\u003e\u003cbr\u003eIn relation to their debut work Terrain Vague (arbitrary19, 2023), MESMER has developed their practice in a more consistently site-specific and spatial direction. While the first work established the trio’s shared language between field recording and electro-acoustic composition, Terrain Vague II allows the specific geographies to structure the music. Improvisation comes clearly to the fore, contrasts are sharpened, and the tension between the individual and the collective is pronounced. With this work, the format is also expanded — realized as an album, a concert series, and an installation.\u003cbr\u003e\u003cbr\u003eMESMER — Emil Jensen, Victor Dybbroe, and Anders Filipsen — have worked closely together for more than 15 years across music, film, radio, and installation. Their long-standing collaboration, recognized with two Danish Music Awards (DMA) and works created for renowned museums, lends the music a rare intuitive precision.\u003cbr\u003e\u003cbr\u003eWith Terrain Vague II, MESMER refines and deepens their artistic position. They offer a space for slowness and attentiveness within a complex present — and insist on sound’s capacity to open new ways of being in the world.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mesmer\u003c\/p\u003e\n\u003cp\u003eLabel : arbitrary\u003c\/p\u003e\n\u003cp\u003ecat no : arbitrary25\u003c\/p\u003e\n\u003cp\u003eRelease date : 24th April 2026\u003c\/p\u003e"}
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デンマークのエレクトロアコースティックトリオMesmerが、2026年4月に同国実験レーベルArbitraryからリリースしたCDです。 アンビエント・ジャズ〜コラージュ・アンビエント5曲を収録。デジパック、シュリンク仕様です。 前作もオススメです。 以下、レーベルによる解説です。 "arbitraryより、デンマークのエレクトロアコースティック・トリオ、MESMERのセカンドアルバム『Terrain Vague II』がリリースされる。本作において、トリオはスピード、ノイズ、そしてデジタルによる断片化が特徴的な現代において、聴き手が身を委ねられる官能的で内省的な空間を創り出している。 『Terrain Vague II』は、デンマークのレーソ、フレデリクスハウン、オールボーで収録されたフィールドレコーディングを基に制作された。 港湾、海岸線、都市の郊外から採られた環境音を用い、MESMERは自然と文化が交差する場所を探求する。これらのフィールドレコーディングは単なる雰囲気作りの背景音ではなく、社会的、歴史的、感覚的な痕跡を宿す、本作の建築的基盤そのものである。即興演奏、作曲的な構造、そしてシンセサイザー、トランペット、パーカッション、モジュラーシステムを駆使したエレクトロアコースティックなセットアップを通じて、これらの痕跡は個人的かつ集合的な音の旅へと変容していく。 タイトルは「テレーン・ヴァグ（terrain vague）」という概念に由来する。これは、未定でありながら無限の可能性を秘めた過渡的な領域を指す。MESMERにとって、それは「動き続ける社会」のイメージとなる。トリオは決定的な答えを示すのではなく、作曲されたものと即興的なもの、制御されたものと自由なものの境界が溶解する、開かれた聴取空間を創出する。ここでは、聴くことが意識的な行為として活性化され、場所、存在、そしてコミュニティとの再接続の機会となる。 デビュー作『Terrain...
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{"id":9214921965818,"title":"Gas-Lab \/\/ Blue Room TAPE","handle":"gas-lab-blue-room-tape","description":"\u003cp\u003eアルゼンチン・ブエノスアイレスのビートメイカーGas-Labが、2020年にカナダのLo-FiヒップホップレーベルInner Ocean Recordsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eLo-Fiジャズ・ヒップホップ13曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2027157081\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cspan\u003eInner Ocean Records releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003c\/p\u003e\n\u003cp\u003eDescription by Inner Ocean:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDwelling on a nature reserve on the outskirts of Buenos Aires, tucked away in his self built studio cabin, Gas Lab has been steadily honing his unique sound to create his latest Jazz and Soul Hip Hop masterpiece \"Blue Room\". Fusing together samples from his talented friends who frequent on his tracks (ie. Juan Klappenbach, Hector Mario, Andrew Gould, etc), Gas Lab lays the groundwork with him impeccable beats and those soul filled bass lines you can spot from a mile away.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Blue Room\" is cool, in the truest sense of the word, with strong nods to Cool Jazz and music eras of days past, still keeping it ultra fresh with laid back loose beats and flow that will have you smiling all the way through. Must be something in all that organic food and Argentinian climate! Whatever it is, we like it and we want more!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gas-Lab\u003c\/p\u003e\n\u003cp\u003eLabel : Inner Ocean Records\u003c\/p\u003e","published_at":"2026-05-04T05:15:58+09:00","created_at":"2026-05-04T05:13:33+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","inner ocean records","jazz","new","tape"],"price":312200,"price_min":312200,"price_max":312200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48834741207290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gas-Lab \/\/ Blue Room TAPE","public_title":null,"options":["Default Title"],"price":312200,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_4ed327e9-10c4-421d-b9d2-0838e00472b5.jpg?v=1626342522","\/\/tobirarecords.com\/cdn\/shop\/files\/0018586525_10.jpg?v=1777839324"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_4ed327e9-10c4-421d-b9d2-0838e00472b5.jpg?v=1626342522","options":["Title"],"media":[{"alt":null,"id":22963782975653,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_4ed327e9-10c4-421d-b9d2-0838e00472b5.jpg?v=1626342522"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_4ed327e9-10c4-421d-b9d2-0838e00472b5.jpg?v=1626342522","width":700},{"alt":null,"id":39243980341498,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0018586525_10.jpg?v=1777839324"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0018586525_10.jpg?v=1777839324","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアルゼンチン・ブエノスアイレスのビートメイカーGas-Labが、2020年にカナダのLo-FiヒップホップレーベルInner Ocean Recordsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eLo-Fiジャズ・ヒップホップ13曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2027157081\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cspan\u003eInner Ocean Records releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003c\/p\u003e\n\u003cp\u003eDescription by Inner Ocean:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDwelling on a nature reserve on the outskirts of Buenos Aires, tucked away in his self built studio cabin, Gas Lab has been steadily honing his unique sound to create his latest Jazz and Soul Hip Hop masterpiece \"Blue Room\". 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{"id":9214921605370,"title":"David Lavoie \u0026 Carson Tworow \/\/ Urban Repurpose TAPE","handle":"david-lavoie-carson-tworow-urban-repurpose-tape","description":"\u003cp\u003eカナダ・アルベルタのトランペット奏者David Lavoieと、カナダ・バンクーバーのパーカッショニストCarson Tworowが、2021年7月に同国Inner Ocean Recordsからリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eひたすらメロー＆チルアウトなインスト・ジャジーヒップホップ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1229063770\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003ehere\u003c\/a\u003e to see more Inner Ocean Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003c\/p\u003e\n\u003cp\u003eartist : David Lavoie \u0026amp; Carson Tworow\u003c\/p\u003e\n\u003cp\u003elabel : Inner Ocean Records\u003c\/p\u003e","published_at":"2026-05-04T05:12:42+09:00","created_at":"2026-05-04T05:12:09+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","inner ocean records","jazz","new","tape"],"price":314400,"price_min":314400,"price_max":314400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48834740224250,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"David Lavoie \u0026 Carson Tworow \/\/ Urban Repurpose TAPE","public_title":null,"options":["Default Title"],"price":314400,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/DigitalCovercopy_1296x_9a386242-5449-442e-a82c-e207aab7d59a.jpg?v=1626343753","\/\/tobirarecords.com\/cdn\/shop\/products\/DSC0692_1296x_f7b02903-48d8-480a-9a1d-36ad0c05a442.jpg?v=1626343753"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/DigitalCovercopy_1296x_9a386242-5449-442e-a82c-e207aab7d59a.jpg?v=1626343753","options":["Title"],"media":[{"alt":null,"id":22964105838757,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1296,"width":1296,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/DigitalCovercopy_1296x_9a386242-5449-442e-a82c-e207aab7d59a.jpg?v=1626343753"},"aspect_ratio":1.0,"height":1296,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/DigitalCovercopy_1296x_9a386242-5449-442e-a82c-e207aab7d59a.jpg?v=1626343753","width":1296},{"alt":null,"id":22964105904293,"position":2,"preview_image":{"aspect_ratio":1.497,"height":866,"width":1296,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/DSC0692_1296x_f7b02903-48d8-480a-9a1d-36ad0c05a442.jpg?v=1626343753"},"aspect_ratio":1.497,"height":866,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/DSC0692_1296x_f7b02903-48d8-480a-9a1d-36ad0c05a442.jpg?v=1626343753","width":1296}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・アルベルタのトランペット奏者David Lavoieと、カナダ・バンクーバーのパーカッショニストCarson Tworowが、2021年7月に同国Inner Ocean Recordsからリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eひたすらメロー＆チルアウトなインスト・ジャジーヒップホップ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1229063770\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003ehere\u003c\/a\u003e to see more Inner Ocean Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003c\/p\u003e\n\u003cp\u003eartist : David Lavoie \u0026amp; Carson Tworow\u003c\/p\u003e\n\u003cp\u003elabel : Inner Ocean Records\u003c\/p\u003e"}
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カナダ・アルベルタのトランペット奏者David Lavoieと、カナダ・バンクーバーのパーカッショニストCarson Tworowが、2021年7月に同国Inner Ocean Recordsからリリースした共作カセットです。 ひたすらメロー＆チルアウトなインスト・ジャジーヒップホップ11曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Inner Ocean Records...
¥3,144
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{"id":9214918820090,"title":"Gas Lab \u0026 Kazumi Kaneda \/\/ Trans Pacific LP","handle":"gas-lab-kazumi-kaneda-trans-pacific-lp-コピー","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアルゼンチン・ブエノスアイレスの\u003c\/span\u003eGas Labと東京のKazumi Kaneda\u003cspan data-mce-fragment=\"1\"\u003eビートメイカー2名\u003c\/span\u003eが、2023年3月にカナダ・カルガリーのLo-FiヒップホップレーベルInner Oceanからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eジャジーなLo-Fiヒップホップ9曲を収録。白盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=901526448\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eInner Ocean Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. LP edition of 500. \u003c\/p\u003e\n\u003cp\u003eInner Ocean Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGas Lab and Kazumi Kaneda's latest album-length collaboration \"Trans Pacific\" is a beautifully conceived contemporary jazz experience made for the soul - from the soul. Curtain raiser \"Pipe Dream\" sets the tone for this triumphant project built on a bed of Gas Lab's funk and Latin-infused bass paired with Kaneda's uplifting jazz keys. Written and recorded across an ocean from their respective homes in Buenos Aires and Tokyo, \"Trans Pacific\" features performances from Andrew Gould, David Lavoie, Javier Martinez Vallejos, Juan Klappenbach and Hector Mario. Equal parts soaring and sultry, Gas Lab and Kazumi Kaneda present an impeccably produced album that is a joyful melding of two artists we can't get enough of.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gas Lab \u0026amp; Kazumi Kaneda\u003c\/p\u003e\n\u003cp\u003eLabel : Inner Ocean Records\u003c\/p\u003e","published_at":"2026-05-04T05:07:38+09:00","created_at":"2026-05-04T05:07:15+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","inner ocean records","jazz","lp","new"],"price":534200,"price_min":534200,"price_max":534200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48834697363706,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gas Lab \u0026 Kazumi Kaneda \/\/ Trans Pacific LP","public_title":null,"options":["Default Title"],"price":534200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a1600150360_16.jpg?v=1678941279","\/\/tobirarecords.com\/cdn\/shop\/products\/0030423504_10.jpg?v=1678941280","\/\/tobirarecords.com\/cdn\/shop\/products\/0030423503_10.jpg?v=1678941281"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1600150360_16.jpg?v=1678941279","options":["Title"],"media":[{"alt":null,"id":31688605565178,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1600150360_16.jpg?v=1678941279"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1600150360_16.jpg?v=1678941279","width":700},{"alt":null,"id":31688605597946,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0030423504_10.jpg?v=1678941280"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0030423504_10.jpg?v=1678941280","width":1200},{"alt":null,"id":31688605630714,"position":3,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0030423503_10.jpg?v=1678941281"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0030423503_10.jpg?v=1678941281","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアルゼンチン・ブエノスアイレスの\u003c\/span\u003eGas Labと東京のKazumi Kaneda\u003cspan data-mce-fragment=\"1\"\u003eビートメイカー2名\u003c\/span\u003eが、2023年3月にカナダ・カルガリーのLo-FiヒップホップレーベルInner Oceanからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eジャジーなLo-Fiヒップホップ9曲を収録。白盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=901526448\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eInner Ocean Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. LP edition of 500. \u003c\/p\u003e\n\u003cp\u003eInner Ocean Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGas Lab and Kazumi Kaneda's latest album-length collaboration \"Trans Pacific\" is a beautifully conceived contemporary jazz experience made for the soul - from the soul. Curtain raiser \"Pipe Dream\" sets the tone for this triumphant project built on a bed of Gas Lab's funk and Latin-infused bass paired with Kaneda's uplifting jazz keys. Written and recorded across an ocean from their respective homes in Buenos Aires and Tokyo, \"Trans Pacific\" features performances from Andrew Gould, David Lavoie, Javier Martinez Vallejos, Juan Klappenbach and Hector Mario. Equal parts soaring and sultry, Gas Lab and Kazumi Kaneda present an impeccably produced album that is a joyful melding of two artists we can't get enough of.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gas Lab \u0026amp; Kazumi Kaneda\u003c\/p\u003e\n\u003cp\u003eLabel : Inner Ocean Records\u003c\/p\u003e"}
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{"id":9213258531066,"title":"Danny Scott Lane \/\/ House Of Alice TAPE","handle":"danny-scott-lane-house-of-alice-tape","description":"\u003cp\u003e\u003cspan\u003eアメリカ・LAのアンビエント・ジャズ作家Danny Scott Laneが、2026年3月にスイス・ジュネーブのWRWTFWWからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eソフト・ファンク〜ポストニューエイジ・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1597467146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in transparent MC box. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. House Of Alice 03:06\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Love Is Mine 02:56\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Music World 03:41\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Time Changes 03:04\u003cbr\u003e\u003c\/span\u003e5. High End 03:12\u003cbr\u003e6. Paradise 03:06\u003cbr\u003e7. Marc Six 03:20\u003cbr\u003e8. Save Ass 03:17\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eDanny Scott Lane is a New York–based musician, photographer and sound artist whose work drifts between jazz, ambient, and gentle funk. Originally an actor and singer before turning to photography, Lane brings a cinematic and emotional sensibility to his recordings — music that feels intimate, tactile, and quietly surreal. He has scored films and commercials, and his eclectic taste has taken him to DJ booths around the world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSince his first tape release in 2019, Lane has released nine albums, five of them with WRWTFWW Records, each expanding his distinct blend of warmth, rhythm, and daydream. His tenth LP, House of Alice, welcomes back three-time collaborator David Lackner and introduces Michael Gagliardi, further deepening the reflective world Lane continues to build.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album’s title is derived from the Alice Austen House. Danny took an interest in the prolific ‘street’ photography of Alice where she often captured everyday life and intimate depictions of women’s lives beautifully. Inspiring images that reflect in his own photography as well. We will continue to stand on the shoulders of giants.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eExpect a gentle mix of electronic new age jazz and soft funk.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Danny Scott Lane\u003c\/p\u003e\n\u003cp\u003eLabel : Records We Release Records\u003c\/p\u003e\n\u003cp\u003ecat no : RWR03CASS\u003c\/p\u003e\n\u003cp\u003eRelease date : 12th March 2026\u003c\/p\u003e","published_at":"2026-05-03T07:42:13+09:00","created_at":"2026-05-02T18:17:57+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","new","post newage","tape"],"price":288400,"price_min":288400,"price_max":288400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48817409130746,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Danny Scott Lane \/\/ House Of Alice TAPE","public_title":null,"options":["Default Title"],"price":288400,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"0821555206408","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hou2_fe52a244-ec4d-42bb-966b-c619bc3f8b6c.jpg?v=1778532722","\/\/tobirarecords.com\/cdn\/shop\/files\/hou1_5e181cf1-31d6-45b4-97db-101adece8a36.jpg?v=1777713543"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hou2_fe52a244-ec4d-42bb-966b-c619bc3f8b6c.jpg?v=1778532722","options":["Title"],"media":[{"alt":null,"id":39228889497850,"position":1,"preview_image":{"aspect_ratio":1.0,"height":900,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hou2_fe52a244-ec4d-42bb-966b-c619bc3f8b6c.jpg?v=1778532722"},"aspect_ratio":1.0,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hou2_fe52a244-ec4d-42bb-966b-c619bc3f8b6c.jpg?v=1778532722","width":900},{"alt":null,"id":39228889465082,"position":2,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hou1_5e181cf1-31d6-45b4-97db-101adece8a36.jpg?v=1777713543"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hou1_5e181cf1-31d6-45b4-97db-101adece8a36.jpg?v=1777713543","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・LAのアンビエント・ジャズ作家Danny Scott Laneが、2026年3月にスイス・ジュネーブのWRWTFWWからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eソフト・ファンク〜ポストニューエイジ・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1597467146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in transparent MC box. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. House Of Alice 03:06\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Love Is Mine 02:56\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Music World 03:41\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Time Changes 03:04\u003cbr\u003e\u003c\/span\u003e5. High End 03:12\u003cbr\u003e6. Paradise 03:06\u003cbr\u003e7. Marc Six 03:20\u003cbr\u003e8. Save Ass 03:17\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eDanny Scott Lane is a New York–based musician, photographer and sound artist whose work drifts between jazz, ambient, and gentle funk. Originally an actor and singer before turning to photography, Lane brings a cinematic and emotional sensibility to his recordings — music that feels intimate, tactile, and quietly surreal. He has scored films and commercials, and his eclectic taste has taken him to DJ booths around the world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSince his first tape release in 2019, Lane has released nine albums, five of them with WRWTFWW Records, each expanding his distinct blend of warmth, rhythm, and daydream. His tenth LP, House of Alice, welcomes back three-time collaborator David Lackner and introduces Michael Gagliardi, further deepening the reflective world Lane continues to build.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album’s title is derived from the Alice Austen House. Danny took an interest in the prolific ‘street’ photography of Alice where she often captured everyday life and intimate depictions of women’s lives beautifully. Inspiring images that reflect in his own photography as well. We will continue to stand on the shoulders of giants.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eExpect a gentle mix of electronic new age jazz and soft funk.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Danny Scott Lane\u003c\/p\u003e\n\u003cp\u003eLabel : Records We Release Records\u003c\/p\u003e\n\u003cp\u003ecat no : RWR03CASS\u003c\/p\u003e\n\u003cp\u003eRelease date : 12th March 2026\u003c\/p\u003e"}
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アメリカ・LAのアンビエント・ジャズ作家Danny Scott Laneが、2026年3月にスイス・ジュネーブのWRWTFWWからリリースしたカセットです。 ソフト・ファンク〜ポストニューエイジ・ジャズ8曲を収録。 ------------------------------------------ Cassette in transparent MC box. Tracklist: 1. House Of...
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{"id":9212582985978,"title":"We Jazz Magazine \/\/ Winter 2022 \"Revelation\" MAGAZINE","handle":"we-jazz-magazine-winter-2022-revelation-magazine","description":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2022年冬号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWe Jazz Magazine, Issue 6 \/ Winter 2022 \"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRevelation\"\u003c\/span\u003e for \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Jazz Records\u003c\/span\u003e.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e128 pages.\u003cbr\u003e170 x 240 mm in size.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented in English. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures the following articles:\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Jazz Records by Daniel Spicer, As-Shams by Andy Thomas, Nyege Nyege Festival by Markus Karlqvist, Alina Bzhezhinska by Tina Edwards, Carl Stone by Peter Margasak, Gyedu-Blay Ambolley by Rob Garratt, Travelogue by Kari Ikonen, Pharoah \/ Jazz Composers Orchestra by Seymour Wright, reviews, plus more.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWJMAG06\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-03T06:34:37+09:00","created_at":"2026-05-01T11:29:39+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","jazz","new","we jazz records"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48810358407418,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"We Jazz Magazine \/\/ Winter 2022 \"Revelation\" MAGAZINE","public_title":null,"options":["Default Title"],"price":398000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/rev1_f68f4f0b-24f4-4c9b-87e7-65f66b5c26d8.jpg?v=1777602653"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/rev1_f68f4f0b-24f4-4c9b-87e7-65f66b5c26d8.jpg?v=1777602653","options":["Title"],"media":[{"alt":null,"id":39215796224250,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rev1_f68f4f0b-24f4-4c9b-87e7-65f66b5c26d8.jpg?v=1777602653"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rev1_f68f4f0b-24f4-4c9b-87e7-65f66b5c26d8.jpg?v=1777602653","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2022年冬号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWe Jazz Magazine, Issue 6 \/ Winter 2022 \"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRevelation\"\u003c\/span\u003e for \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Jazz Records\u003c\/span\u003e.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e128 pages.\u003cbr\u003e170 x 240 mm in size.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented in English. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures the following articles:\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Jazz Records by Daniel Spicer, As-Shams by Andy Thomas, Nyege Nyege Festival by Markus Karlqvist, Alina Bzhezhinska by Tina Edwards, Carl Stone by Peter Margasak, Gyedu-Blay Ambolley by Rob Garratt, Travelogue by Kari Ikonen, Pharoah \/ Jazz Composers Orchestra by Seymour Wright, reviews, plus more.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWJMAG06\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":9212582625530,"title":"We Jazz Magazine \/\/ Fall 2022 \"Oisters\" MAGAZINE","handle":"we-jazz-magazine-fall-2022-oisters-magazine","description":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2022年秋号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWe Jazz Magazine, Issue 9 \/ Fall 2022 \"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOisters\"\u003c\/span\u003e for \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePetter Eldh\u003c\/span\u003e.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e128 pages.\u003cbr\u003e170 x 240 mm in size.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented in English. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures the following articles:\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePetter Eldh by Peter Margasak, Oren Ambarchi by Daryl Worthington, Sven Wunder by Markus Karlqvist, Robyn Steward by Dave Waller, Jason Moran by Rui Miguel Abreu, Darius Jones by Stewart Smith, Carlos Garnett by Andy Thomas, Discaholic column by Mats Gustafsson, Black Fire by Danny Veekens, reviews, plus more.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003ecat no : WJMAG09\u003c\/p\u003e","published_at":"2026-05-03T06:34:03+09:00","created_at":"2026-05-01T11:26:31+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","jazz","new","we jazz records"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48810355851514,"title":"Default Title","option1":"Default 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Title"],"price":398000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/oi1_52c9f2e7-9d04-4b38-989a-2484e09481c8.jpg?v=1777602453","\/\/tobirarecords.com\/cdn\/shop\/files\/oi2_3c19628e-9ba6-4040-9422-fe93d3566832.jpg?v=1777602453","\/\/tobirarecords.com\/cdn\/shop\/files\/oi3.jpg?v=1777602453","\/\/tobirarecords.com\/cdn\/shop\/files\/oi4.jpg?v=1777602453"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/oi1_52c9f2e7-9d04-4b38-989a-2484e09481c8.jpg?v=1777602453","options":["Title"],"media":[{"alt":null,"id":39215785083130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oi1_52c9f2e7-9d04-4b38-989a-2484e09481c8.jpg?v=1777602453"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oi1_52c9f2e7-9d04-4b38-989a-2484e09481c8.jpg?v=1777602453","width":1200},{"alt":null,"id":39215785115898,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oi2_3c19628e-9ba6-4040-9422-fe93d3566832.jpg?v=1777602453"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oi2_3c19628e-9ba6-4040-9422-fe93d3566832.jpg?v=1777602453","width":1200},{"alt":null,"id":39215785148666,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oi3.jpg?v=1777602453"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oi3.jpg?v=1777602453","width":1200},{"alt":null,"id":39215785181434,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oi4.jpg?v=1777602453"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oi4.jpg?v=1777602453","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe 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Carlos Garnett by Andy Thomas, Discaholic column by Mats Gustafsson, Black Fire by Danny Veekens, reviews, plus more.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003ecat no : WJMAG09\u003c\/p\u003e"}
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{"id":9212582461690,"title":"Nick Schofield \/\/ Blue Hour LP","handle":"nick-schofield-blue-hour-lp","description":"\u003cp\u003eカナダ・モントリオールのポストニューエイジ・アンビエント作家Nick Schofieldが、2021年2月に同国ハリファックスのアンビエントレーベルBackwards Musicから150部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eトランペットとドラム、シンセによるポストニューエイジ・ジャズ10曲を収録。180g重量盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3099429126\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3099429126\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1473685476\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3099429126\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=680028592\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bawam\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bawam\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eBackward Music releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" 180g black vinyl.\u003cbr\u003eBlack vinyl edition of 150 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sky Cafe 03:42\u003cbr\u003e2. Magic Touch 04:53\u003cbr\u003e3. Dream On 03:44\u003cbr\u003e4. Goodnight Sun 03:59\u003cbr\u003e5. Imagine Space 04:25\u003cbr\u003e6. Natural Wonder 04:54\u003cbr\u003e7. Hidden Corner 04:43\u003cbr\u003e8. Hotel Cloud 03:22\u003cbr\u003e9. Kyoto Kiss 03:37\u003cbr\u003e10. Times 03:46\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlue Hour is Nick Schofield’s first foray into ambient jazz music. The album is an ambient ode to Miles Davis’ In A Silent Way, and opens up Schofield’s sonic palette to introduce his childhood instrument, drums, with his contemporary ambient-electronic practice. Blue Hour features the intuitive, and totally improvised, trumpet playing of Scott Bevins (No Cosmos, Busty and the Bass).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSchofield grew up playing drums, but turned to creating experimental-electronic music when studying Electroacoustics at Concordia University. Well-known for his signature ambient aesthetic, Schofield has been called a “dazzling electronic artist” by Aquarium Drunkard and a “synth maven” by Constellation Records. Blue Hour marks the first time that he has merged his percussion practice with his ambient electronic explorations, and it is all in the service of reinterpreting Miles Davis’ 1969 watershed recording In a Silent Way.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe source of inspiration of Blue Hour is Miles Davis’ In A Silent Way. Schofield listened to that album on CD in his car for years, often dreaming of one day creating his own ambient interpretation. Using a similar instrument palette and rhythmic motifs, Schofield manifests this dream in Blue Hour.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn a Silent Way itself anticipated ambient music with spacious arrangements and expressive tonal textures. Schofield’s adaptation of the record’s sonic palette and rhythmic motifs to his own electronic ambient approach results in a modernized stylistic harmony which is at once charismatically familiar and deeply personal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSchofield improvised all of the drumming and main synthesizer parts over the course of a single day, recording in a church in Ottawa. These foundational layers comprise tender Moog pulses and Roland Juno-6 pads, some of which would not be out of place on the back half of Another Green World or Music Has the Right to Children.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIf this was to be a reflection of In a Silent Way, of course there would need to be trumpet. Not long after laying down the drums, Schofield ran into Montreal-based trumpeter Scott Bevins (No Cosmos, Busty and the Bass), who suggested that the two musicians get together to jam. Seizing the moment, Schofield invited Bevins to record the missing piece of the album during a one day recording session, where Bevins improvised all his trumpet parts having never heard the songs before. Scott Bevins’ contribution gives the music a leading instrumental voice, and his intuitive approach shows a perfect understanding of how to both integrate and elevate the compositions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBlue Hour is itself a profound reference, an ambient adaptation, a dream realized and an uncanny synthesis of sounds, styles, and personal history.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nick Schofield\u003c\/p\u003e\n\u003cp\u003eLabel : Backward Music\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBKWRD040\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 6th February 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-02T08:59:35+09:00","created_at":"2026-05-01T11:24:37+09:00","vendor":"Tobira Records","type":"","tags":["ambient","backwards music","jazz","lp","new","post newage"],"price":442400,"price_min":442400,"price_max":442400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48810354376954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nick Schofield \/\/ Blue Hour LP","public_title":null,"options":["Default Title"],"price":442400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_7f0a09a1-ab75-40b8-8ee9-39d1e5743312.jpg?v=1777602058","\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_7151ba22-ef9b-4520-a98f-c19d4375c03b.jpg?v=1777602058"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_7f0a09a1-ab75-40b8-8ee9-39d1e5743312.jpg?v=1777602058","options":["Title"],"media":[{"alt":null,"id":39215738257658,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_7f0a09a1-ab75-40b8-8ee9-39d1e5743312.jpg?v=1777602058"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_7f0a09a1-ab75-40b8-8ee9-39d1e5743312.jpg?v=1777602058","width":350},{"alt":null,"id":39215738290426,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_7151ba22-ef9b-4520-a98f-c19d4375c03b.jpg?v=1777602058"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_7151ba22-ef9b-4520-a98f-c19d4375c03b.jpg?v=1777602058","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・モントリオールのポストニューエイジ・アンビエント作家Nick Schofieldが、2021年2月に同国ハリファックスのアンビエントレーベルBackwards Musicから150部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eトランペットとドラム、シンセによるポストニューエイジ・ジャズ10曲を収録。180g重量盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3099429126\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3099429126\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1473685476\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3099429126\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=680028592\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bawam\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bawam\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eBackward Music releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" 180g black vinyl.\u003cbr\u003eBlack vinyl edition of 150 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sky Cafe 03:42\u003cbr\u003e2. Magic Touch 04:53\u003cbr\u003e3. Dream On 03:44\u003cbr\u003e4. Goodnight Sun 03:59\u003cbr\u003e5. Imagine Space 04:25\u003cbr\u003e6. Natural Wonder 04:54\u003cbr\u003e7. Hidden Corner 04:43\u003cbr\u003e8. Hotel Cloud 03:22\u003cbr\u003e9. Kyoto Kiss 03:37\u003cbr\u003e10. Times 03:46\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlue Hour is Nick Schofield’s first foray into ambient jazz music. The album is an ambient ode to Miles Davis’ In A Silent Way, and opens up Schofield’s sonic palette to introduce his childhood instrument, drums, with his contemporary ambient-electronic practice. Blue Hour features the intuitive, and totally improvised, trumpet playing of Scott Bevins (No Cosmos, Busty and the Bass).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSchofield grew up playing drums, but turned to creating experimental-electronic music when studying Electroacoustics at Concordia University. Well-known for his signature ambient aesthetic, Schofield has been called a “dazzling electronic artist” by Aquarium Drunkard and a “synth maven” by Constellation Records. Blue Hour marks the first time that he has merged his percussion practice with his ambient electronic explorations, and it is all in the service of reinterpreting Miles Davis’ 1969 watershed recording In a Silent Way.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe source of inspiration of Blue Hour is Miles Davis’ In A Silent Way. Schofield listened to that album on CD in his car for years, often dreaming of one day creating his own ambient interpretation. Using a similar instrument palette and rhythmic motifs, Schofield manifests this dream in Blue Hour.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn a Silent Way itself anticipated ambient music with spacious arrangements and expressive tonal textures. Schofield’s adaptation of the record’s sonic palette and rhythmic motifs to his own electronic ambient approach results in a modernized stylistic harmony which is at once charismatically familiar and deeply personal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSchofield improvised all of the drumming and main synthesizer parts over the course of a single day, recording in a church in Ottawa. These foundational layers comprise tender Moog pulses and Roland Juno-6 pads, some of which would not be out of place on the back half of Another Green World or Music Has the Right to Children.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIf this was to be a reflection of In a Silent Way, of course there would need to be trumpet. Not long after laying down the drums, Schofield ran into Montreal-based trumpeter Scott Bevins (No Cosmos, Busty and the Bass), who suggested that the two musicians get together to jam. Seizing the moment, Schofield invited Bevins to record the missing piece of the album during a one day recording session, where Bevins improvised all his trumpet parts having never heard the songs before. Scott Bevins’ contribution gives the music a leading instrumental voice, and his intuitive approach shows a perfect understanding of how to both integrate and elevate the compositions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBlue Hour is itself a profound reference, an ambient adaptation, a dream realized and an uncanny synthesis of sounds, styles, and personal history.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nick Schofield\u003c\/p\u003e\n\u003cp\u003eLabel : Backward Music\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBKWRD040\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 6th February 2026\u003c\/span\u003e\u003c\/p\u003e"}
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カナダ・モントリオールのポストニューエイジ・アンビエント作家Nick Schofieldが、2021年2月に同国ハリファックスのアンビエントレーベルBackwards Musicから150部限定でリリースしたレコードです。 トランペットとドラム、シンセによるポストニューエイジ・ジャズ10曲を収録。180g重量盤です。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Backward Music releases available at Tobira. --------------------------------------------------...
¥4,424
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{"id":9212349743354,"title":"memotone \/\/ Memotone EP LP","handle":"memotone-memotone-ep-lp","description":"\u003cp\u003e\u003cspan\u003eイギリス・ブリストルのマルチ奏者memotoneが、2023年5月にフィンランド・ヘルシンキの実験／ダンスレーベル\u003cmeta charset=\"utf-8\"\u003eSahko Recordings\u003c\/span\u003e\u003cspan\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e実験エレクトロニック・ジャズ〜ダウンテンポ・ジャズ6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/memotone-how-was-your-life-lp\"\u003e前作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2925935580\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003ehere\u003c\/a\u003e to see more Sahko Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eBlack 12\" vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMusic written and performed by William Yates in Bristol 2019-2022\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDrums on New Peace by Luke Typesun\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : memotone\u003c\/p\u003e\n\u003cp\u003eLabel : Sahko Recordings\u003c\/p\u003e","published_at":"2026-05-01T05:01:59+09:00","created_at":"2026-05-01T05:01:27+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","sahko recordings","strange beats"],"price":479500,"price_min":479500,"price_max":479500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48808132247802,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"memotone \/\/ Memotone EP LP","public_title":null,"options":["Default Title"],"price":479500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"5050580805972","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/me1_f27755e8-e9f0-40b0-8904-84e1cb63da80.jpg?v=1684468075","\/\/tobirarecords.com\/cdn\/shop\/files\/me2_d2ad870c-30ab-4920-8b6c-c8f58e55b5c2.jpg?v=1684468074"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_f27755e8-e9f0-40b0-8904-84e1cb63da80.jpg?v=1684468075","options":["Title"],"media":[{"alt":null,"id":31990418374906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_f27755e8-e9f0-40b0-8904-84e1cb63da80.jpg?v=1684468075"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_f27755e8-e9f0-40b0-8904-84e1cb63da80.jpg?v=1684468075","width":700},{"alt":null,"id":31990418407674,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_d2ad870c-30ab-4920-8b6c-c8f58e55b5c2.jpg?v=1684468074"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_d2ad870c-30ab-4920-8b6c-c8f58e55b5c2.jpg?v=1684468074","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eイギリス・ブリストルのマルチ奏者memotoneが、2023年5月にフィンランド・ヘルシンキの実験／ダンスレーベル\u003cmeta charset=\"utf-8\"\u003eSahko Recordings\u003c\/span\u003e\u003cspan\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e実験エレクトロニック・ジャズ〜ダウンテンポ・ジャズ6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/memotone-how-was-your-life-lp\"\u003e前作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2925935580\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003ehere\u003c\/a\u003e to see more Sahko Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eBlack 12\" vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMusic written and performed by William Yates in Bristol 2019-2022\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDrums on New Peace by Luke Typesun\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : memotone\u003c\/p\u003e\n\u003cp\u003eLabel : Sahko Recordings\u003c\/p\u003e"}
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¥4,795
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{"id":9211428208890,"title":"Louis Matute \/\/ Dolce Vita LP","handle":"lma","description":"\u003cp\u003eホンジュラス出身スイス・ジュネーブ在住のギタリストLouis Matuteが、2026年1月にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜ボサノヴァ〜カリビアン・ロック〜アンビエント・ジャズ10曲を収録。ライナーノーツ付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/NRrVO-AGrsU?si=GR-6mKFJ3uxXpdLd\u0026amp;start=29\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4119961160\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4119961160\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=775810622\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4119961160\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1677603564\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4119961160\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=385848826\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Santa Marta 04:53\u003cbr\u003e2. Le jour où je n'aurai d'autre désir que de partir 05:22\u003cbr\u003e3. Não me convém ft. Dora Morelenbaum 03:02\u003cbr\u003e4. Les veines noires de son cou 05:33\u003cbr\u003e5. Tegucigalpa 72 03:03\u003cbr\u003e6. O que é o amor? ft. Joyce Moreno 04:24\u003cbr\u003e7. Gringolandia 04:368. I'll See You Soon ft. Rico TK 03:46\u003cbr\u003e9. Dolce Vita 04:5\u003cbr\u003e10. Lençoís de chuva ft. Gabi Hartmann 03:28\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLouis Matute unveils Dolce Vita, a bold and vibrant album. Recorded at the legendary La Frette Studio, this record blends Honduran heritage with Brazilian influences, merging jazz, groove, Caribbean rock and vintage textures into a poetic and deeply committed work. Having gained recognition at prestigious festivals, Matute collaborates here with remarkable artists such as Joyce Moreno, Dora Morelenbaum, Gabi Hartmann and Rico TK.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn March 2025, Louis set up camp at La Frette, a rock-tinged, vintage studio just outside Paris, where the likes of Nick Cave, Parcels and Pony Hoax have all recorded. Once again, Matute places his trust in his Large Ensemble — an exciting collective of young Franco-Swiss talents — to push the boundaries of his music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBorn and raised in Geneva, Matute has spent his life embracing the\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLatin essence suggested by his surname (pronounced with an é). His\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ejourney has taken him to Spain, Cuba, Costa Rica, Honduras, and\u003c\/em\u003e\u003cbr\u003e\u003cem\u003emost recently Brazil, where he completed Dolce Vita alongside the\u003c\/em\u003e\u003cbr\u003e\u003cem\u003evoices of Joyce Moreno and Dora Morelenbaum.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThroughout, these new tracks showcase the phenomenal drumming of Nathan Vandenbulcke, the fierce trumpet solos of Zacharie Ksyk (on Tegucigalpa 72), the smouldering tenor sax of Léon Phal (O\u003cspan class=\"bcTruncateMore\"\u003e Que O Amor), the solid foundation of double bassist Virgile Rosselet, and the extraordinary versatility of pianist Andrew Audiger.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Louis Matute\u003c\/p\u003e\n\u003cp\u003eLabel : Naïve \u003c\/p\u003e\n\u003cp\u003ecat no : BLV9003\u003c\/p\u003e\n\u003cp\u003eRelease date : 9th January 2026\u003c\/p\u003e","published_at":"2026-05-01T06:36:56+09:00","created_at":"2026-04-30T11:34:23+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","jazz","lp","new","recommended"],"price":499800,"price_min":499800,"price_max":499800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48795595505914,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Louis Matute \/\/ Dolce Vita LP","public_title":null,"options":["Default Title"],"price":499800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dol1_bc84c596-7144-4fa7-a914-9f911af5b663.jpg?v=1777516367","\/\/tobirarecords.com\/cdn\/shop\/files\/dol2_a5efd12b-6712-4121-850f-967c1a502cfd.jpg?v=1777516367"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dol1_bc84c596-7144-4fa7-a914-9f911af5b663.jpg?v=1777516367","options":["Title"],"media":[{"alt":null,"id":39199677841658,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dol1_bc84c596-7144-4fa7-a914-9f911af5b663.jpg?v=1777516367"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dol1_bc84c596-7144-4fa7-a914-9f911af5b663.jpg?v=1777516367","width":350},{"alt":null,"id":39199677874426,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dol2_a5efd12b-6712-4121-850f-967c1a502cfd.jpg?v=1777516367"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dol2_a5efd12b-6712-4121-850f-967c1a502cfd.jpg?v=1777516367","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eホンジュラス出身スイス・ジュネーブ在住のギタリストLouis Matuteが、2026年1月にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜ボサノヴァ〜カリビアン・ロック〜アンビエント・ジャズ10曲を収録。ライナーノーツ付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/NRrVO-AGrsU?si=GR-6mKFJ3uxXpdLd\u0026amp;start=29\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4119961160\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4119961160\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=775810622\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4119961160\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1677603564\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4119961160\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=385848826\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Santa Marta 04:53\u003cbr\u003e2. Le jour où je n'aurai d'autre désir que de partir 05:22\u003cbr\u003e3. Não me convém ft. Dora Morelenbaum 03:02\u003cbr\u003e4. Les veines noires de son cou 05:33\u003cbr\u003e5. Tegucigalpa 72 03:03\u003cbr\u003e6. O que é o amor? ft. Joyce Moreno 04:24\u003cbr\u003e7. Gringolandia 04:368. I'll See You Soon ft. Rico TK 03:46\u003cbr\u003e9. Dolce Vita 04:5\u003cbr\u003e10. Lençoís de chuva ft. Gabi Hartmann 03:28\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLouis Matute unveils Dolce Vita, a bold and vibrant album. Recorded at the legendary La Frette Studio, this record blends Honduran heritage with Brazilian influences, merging jazz, groove, Caribbean rock and vintage textures into a poetic and deeply committed work. Having gained recognition at prestigious festivals, Matute collaborates here with remarkable artists such as Joyce Moreno, Dora Morelenbaum, Gabi Hartmann and Rico TK.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn March 2025, Louis set up camp at La Frette, a rock-tinged, vintage studio just outside Paris, where the likes of Nick Cave, Parcels and Pony Hoax have all recorded. Once again, Matute places his trust in his Large Ensemble — an exciting collective of young Franco-Swiss talents — to push the boundaries of his music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBorn and raised in Geneva, Matute has spent his life embracing the\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLatin essence suggested by his surname (pronounced with an é). His\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ejourney has taken him to Spain, Cuba, Costa Rica, Honduras, and\u003c\/em\u003e\u003cbr\u003e\u003cem\u003emost recently Brazil, where he completed Dolce Vita alongside the\u003c\/em\u003e\u003cbr\u003e\u003cem\u003evoices of Joyce Moreno and Dora Morelenbaum.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThroughout, these new tracks showcase the phenomenal drumming of Nathan Vandenbulcke, the fierce trumpet solos of Zacharie Ksyk (on Tegucigalpa 72), the smouldering tenor sax of Léon Phal (O\u003cspan class=\"bcTruncateMore\"\u003e Que O Amor), the solid foundation of double bassist Virgile Rosselet, and the extraordinary versatility of pianist Andrew Audiger.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Louis Matute\u003c\/p\u003e\n\u003cp\u003eLabel : Naïve \u003c\/p\u003e\n\u003cp\u003ecat no : BLV9003\u003c\/p\u003e\n\u003cp\u003eRelease date : 9th January 2026\u003c\/p\u003e"}
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ホンジュラス出身スイス・ジュネーブ在住のギタリストLouis Matuteが、2026年1月にリリースしたレコードです。 コンテンポラリー・ジャズ〜ボサノヴァ〜カリビアン・ロック〜アンビエント・ジャズ10曲を収録。ライナーノーツ付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ -------------------------------------------------- Ask us for digital files. 12" black vinyl. Tracklist: 1....
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{"id":9211385381114,"title":"Kristofer Svensson, Maya Bennardo, Erik Blennow Calälv \/\/ For a Lemon Tree CD","handle":"kristofer-svensson-maya-bennardo-erik-blennow-calalv-for-a-lemon-tree-cd","description":"\u003cp\u003eKristofer Svensson, Maya Bennardo, Erik Blennow Calälvが、2026年4月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベルAnother Timbreからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003eバイオリンとバスクラリネット、インドネシアのカチャピーによる室内楽〜インプロ2曲を収録。ゲートフォルドデジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、Kristofer Svenssonへのインタビューの抜粋です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cstrong\u003e『For a Lemon Tree』は、12分間のタイトル曲と、それよりはるかに長い『Improvisation on Prakāśa』の2曲で構成されています。両曲とも、マヤ・ベナルド（ヴァイオリン）、エリック・ブレノウ・カラルヴ（バスクラリネット）、そしてあなた自身によるカチャピ（インドネシアのツィターの一種）のトリオによって演奏されています。どの程度が即興なのか、私にははっきりしません。両曲の構成について説明していただけますか？\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e『Improvisation on Prakāśa』では、特定の調律と形式の枠内で即興が行われますが、『For a Lemon Tree』は完全に記譜されています。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Prakāśa』への指示は非常に簡潔です。楽譜の最初のページには調律が示され、和声的な領域——サブモードの領域、調整可能な経路、そして明確に示された際に音程を合わせる楽器が傾けることができる、いくつかの暗示された近似音——が図示されています。2ページ目（そして最後のページ）には、素材を導入したり省略したりするための順序を示す、単純な大規模な形式が記されており、そのためこの曲は演奏されるたびに似たような和声的な形を生み出す傾向があります。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれにより実際に得られるのは、即興のための音符のパレットだけでなく、一連の制約と可能性です。音程が不均等で極めて特異であるため、このモードは中立的な音階のように振る舞わないのです。どの音程の組み合わせが実際に落ち着くか、どの二音和音が自力で安定することを拒むか、どの三音の構成が穏やかに感じられるか、そしてどこに緊張が自然に集まるかを示唆するのです。これらすべてが相まって、独特な調和的な響き、つまり感情的な雰囲気、一種の「ラーサ」を生み出します。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e同時に、この感情が調律そのものに組み込まれていると言うのは誤解を招きます。それは関係性の中で、演奏の中で、私たちがモードをどのように移動していくかを通じて生じるのです。リハーサルは一種の知覚的学習となり、そこで私たちは演奏を通じて調律を内面化し、自分たちなりの楽曲像を形作っていきます。即興こそが私たちの方法ではあるが、毎回何か新しいことをしなければならないという義務とは捉えていません。私たちの実践は、モードの深みへと入り込み、楽曲が徐々に明らかになっていくのを待つことにあります――それは外側から研究する対象としてではなく、演奏を通じてのみ生じ得るものとして……\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=368352009\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. For a Lemon Tree 12:59\u003cbr\u003e2. Improvisation on Prakāśa, June 10, 2024 43:45\u003c\/p\u003e\n\u003cp\u003eText excerpt from an interview with Kristofer Svensson:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cem\u003e‘For a Lemon Tree' consists of two pieces: the title track, which lasts 12 minutes, and the much longer ‘Improvisation on Prakāśa’. Both tracks are played by the trio of Maya Bennardo (violin), Erik Blennow Calälv (bass clarinet) and yourself on kacapi (a kind of zither from Indonesia). I’m not clear how much of the music is improvised. Could you explain how both pieces work?\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn Improvisation on Prakāśa the music is improvised within a tuning and form, while For a lemon tree is fully notated.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe instructions to Prakāśa are quite brief. The first page of the score gives the tuning and maps the harmonic terrain: sub-modal regions, tunable paths, and a few implied near-pitches that intonating instruments can lean toward when they’re clearly suggested. The second (and last) page gives a simple large-scale form—an order for introducing and omitting materials—so the piece tends to generate a similar harmonic shape each time it’s played.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhat this gives us in practice is not just a palette of notes to improvise with, but a set of constraints and affordances. Because the intervals are unequal and highly specific, the mode doesn’t behave like a neutral scale: it suggests which pitch combinations can\u003cspan class=\"bcTruncateMore\"\u003e actually settle, which dyads resist stabilizing on their own, which three-note constellations feel calm, and where tension naturally collects. All of this adds up to a distinct attunemental tone: an affective atmosphere, a kind of 'rasa'.\u003cbr\u003e\u003cbr\u003eAt the same time, it would be misleading to say that this affect is built into the tuning itself. It arises relationally, in performance, through how we move through the mode. Rehearsal becomes a kind of perceptual learning where we internalize the tuning by performing it, and we work out our version of the piece. While improvisation is our method, we don’t treat it as an obligation to do something new every time. Our practice is more about going deeper into the mode and letting the piece gradually clarify for us—not as something we study from the outside, but as something that can only arise through playing...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kristofer Svensson, Maya Bennardo, Erik Blennow Calälv\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e\n\u003cp\u003ecat no : at253\u003c\/p\u003e\n\u003cp\u003eRelease date : 18th April 2026\u003c\/p\u003e","published_at":"2026-05-03T14:39:15+09:00","created_at":"2026-04-30T11:02:12+09:00","vendor":"Tobira Records","type":"","tags":["ambient","another timbre","cd","contemporary \/ sound poetry","jazz","new"],"price":268000,"price_min":268000,"price_max":268000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48794670891258,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kristofer Svensson, Maya Bennardo, Erik Blennow Calälv \/\/ For a Lemon Tree CD","public_title":null,"options":["Default Title"],"price":268000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/lem2_1b1b72c8-d032-4f8b-a868-a7a95cb1d0b7.jpg?v=1777514430","\/\/tobirarecords.com\/cdn\/shop\/files\/lem1_02aa74f4-ef75-428b-af54-0df09d094fa9.jpg?v=1777514430"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/lem2_1b1b72c8-d032-4f8b-a868-a7a95cb1d0b7.jpg?v=1777514430","options":["Title"],"media":[{"alt":null,"id":39199252873466,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lem2_1b1b72c8-d032-4f8b-a868-a7a95cb1d0b7.jpg?v=1777514430"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lem2_1b1b72c8-d032-4f8b-a868-a7a95cb1d0b7.jpg?v=1777514430","width":1200},{"alt":null,"id":39199252840698,"position":2,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lem1_02aa74f4-ef75-428b-af54-0df09d094fa9.jpg?v=1777514430"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lem1_02aa74f4-ef75-428b-af54-0df09d094fa9.jpg?v=1777514430","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eKristofer Svensson, Maya Bennardo, Erik Blennow Calälvが、2026年4月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベルAnother Timbreからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003eバイオリンとバスクラリネット、インドネシアのカチャピーによる室内楽〜インプロ2曲を収録。ゲートフォルドデジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、Kristofer Svenssonへのインタビューの抜粋です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cstrong\u003e『For a Lemon Tree』は、12分間のタイトル曲と、それよりはるかに長い『Improvisation on Prakāśa』の2曲で構成されています。両曲とも、マヤ・ベナルド（ヴァイオリン）、エリック・ブレノウ・カラルヴ（バスクラリネット）、そしてあなた自身によるカチャピ（インドネシアのツィターの一種）のトリオによって演奏されています。どの程度が即興なのか、私にははっきりしません。両曲の構成について説明していただけますか？\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e『Improvisation on Prakāśa』では、特定の調律と形式の枠内で即興が行われますが、『For a Lemon Tree』は完全に記譜されています。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Prakāśa』への指示は非常に簡潔です。楽譜の最初のページには調律が示され、和声的な領域——サブモードの領域、調整可能な経路、そして明確に示された際に音程を合わせる楽器が傾けることができる、いくつかの暗示された近似音——が図示されています。2ページ目（そして最後のページ）には、素材を導入したり省略したりするための順序を示す、単純な大規模な形式が記されており、そのためこの曲は演奏されるたびに似たような和声的な形を生み出す傾向があります。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれにより実際に得られるのは、即興のための音符のパレットだけでなく、一連の制約と可能性です。音程が不均等で極めて特異であるため、このモードは中立的な音階のように振る舞わないのです。どの音程の組み合わせが実際に落ち着くか、どの二音和音が自力で安定することを拒むか、どの三音の構成が穏やかに感じられるか、そしてどこに緊張が自然に集まるかを示唆するのです。これらすべてが相まって、独特な調和的な響き、つまり感情的な雰囲気、一種の「ラーサ」を生み出します。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e同時に、この感情が調律そのものに組み込まれていると言うのは誤解を招きます。それは関係性の中で、演奏の中で、私たちがモードをどのように移動していくかを通じて生じるのです。リハーサルは一種の知覚的学習となり、そこで私たちは演奏を通じて調律を内面化し、自分たちなりの楽曲像を形作っていきます。即興こそが私たちの方法ではあるが、毎回何か新しいことをしなければならないという義務とは捉えていません。私たちの実践は、モードの深みへと入り込み、楽曲が徐々に明らかになっていくのを待つことにあります――それは外側から研究する対象としてではなく、演奏を通じてのみ生じ得るものとして……\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=368352009\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. For a Lemon Tree 12:59\u003cbr\u003e2. Improvisation on Prakāśa, June 10, 2024 43:45\u003c\/p\u003e\n\u003cp\u003eText excerpt from an interview with Kristofer Svensson:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cem\u003e‘For a Lemon Tree' consists of two pieces: the title track, which lasts 12 minutes, and the much longer ‘Improvisation on Prakāśa’. Both tracks are played by the trio of Maya Bennardo (violin), Erik Blennow Calälv (bass clarinet) and yourself on kacapi (a kind of zither from Indonesia). I’m not clear how much of the music is improvised. Could you explain how both pieces work?\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn Improvisation on Prakāśa the music is improvised within a tuning and form, while For a lemon tree is fully notated.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe instructions to Prakāśa are quite brief. The first page of the score gives the tuning and maps the harmonic terrain: sub-modal regions, tunable paths, and a few implied near-pitches that intonating instruments can lean toward when they’re clearly suggested. The second (and last) page gives a simple large-scale form—an order for introducing and omitting materials—so the piece tends to generate a similar harmonic shape each time it’s played.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhat this gives us in practice is not just a palette of notes to improvise with, but a set of constraints and affordances. Because the intervals are unequal and highly specific, the mode doesn’t behave like a neutral scale: it suggests which pitch combinations can\u003cspan class=\"bcTruncateMore\"\u003e actually settle, which dyads resist stabilizing on their own, which three-note constellations feel calm, and where tension naturally collects. All of this adds up to a distinct attunemental tone: an affective atmosphere, a kind of 'rasa'.\u003cbr\u003e\u003cbr\u003eAt the same time, it would be misleading to say that this affect is built into the tuning itself. It arises relationally, in performance, through how we move through the mode. Rehearsal becomes a kind of perceptual learning where we internalize the tuning by performing it, and we work out our version of the piece. While improvisation is our method, we don’t treat it as an obligation to do something new every time. Our practice is more about going deeper into the mode and letting the piece gradually clarify for us—not as something we study from the outside, but as something that can only arise through playing...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kristofer Svensson, Maya Bennardo, Erik Blennow Calälv\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e\n\u003cp\u003ecat no : at253\u003c\/p\u003e\n\u003cp\u003eRelease date : 18th April 2026\u003c\/p\u003e"}
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Kristofer Svensson, Maya Bennardo, Erik Blennow Calälvが、2026年4月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベルAnother Timbreからリリースした共作CDです。 バイオリンとバスクラリネット、インドネシアのカチャピーによる室内楽〜インプロ2曲を収録。ゲートフォルドデジスリーブ、シュリンク仕様です。 以下、Kristofer Svenssonへのインタビューの抜粋です。 "『For a Lemon...
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{"id":9211374534906,"title":"Alek Lee \/\/ Blue Bird LP","handle":"alek-lee-blue-bird-lp","description":"\u003cp\u003eイスラエル出身ギリシャ在住のマルチ奏者Alek Leeが、2026年4月にオーストラリアのIsle of Juraからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eバレアリックの風を纏ったダブ〜ジャズ・ファンク〜トライバル・ハウス8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1076408098\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1076408098\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=79301699\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1076408098\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3717890607\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black 180gram vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Blue Bird (Feat Keren Ilan) 06:10\u003cbr\u003e2. Treasures 04:01\u003cbr\u003e3. Mountains \u0026amp; Rivers 07:28\u003cbr\u003e4. The Beach Road (Feat Yovav) 04:43\u003cbr\u003e5. First Rain 07:38\u003cbr\u003e6. Thanks to Sade 05:02\u003cbr\u003e7. Remember The Good 04:51\u003cbr\u003e8. Blue Bird (Dub) 05:02\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing the critical success of last year’s ‘Cold Feet’ LP, producer, DJ, and multi-instrumentalist Alek Lee returns to Isle of Jura with his most introspective work to date, the ‘Blue Bird’ album. Across eight tracks, the Athens-based artist explores what he describes as a \"Peculiar state of minds \u0026amp; Dub Orientated Feelings,\" blending his signature guerrilla style production with deep, organic soul.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album’s centerpiece and title track, ‘Blue Bird’ features the haunting vocals of singer-songwriter Keren Ilan. It is a raw, heartfelt exploration of the aftermath of a breakup. The lyrics speak of a \"desert heart\" and a \"loss that grows tall and loud,\" eventually finding a path toward healing as the \"blue bird sings the dawn.\" Musically, the track is anchored by hazy, sun drenched guitars, a central instrument that weaves a consistent Balearic thread throughout the LP.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe journey through ‘Blue Bird’ is one of shifting shadows and unexpected textures. ‘Treasures’ is a standout instrumental, leaning into a grit-flecked, bluesy \"twang\" reminiscent of Duane Eddy, while ‘The Beach Road’ sees long time collaborator and ‘Shame On Us’ bandmate, Yovav, lending his magical bass and guitar work to a track that feels like a slow drive toward the\u003cspan class=\"bcTruncateMore\"\u003e horizon.\u003cbr\u003e\u003cbr\u003eSide B shifts the energy toward the dancefloor and the sophisticated leftfield pop of the 80s. ‘First Rain’ is a subtle house leaning gem underpinned by a kick drum and lush, synth heavy emotive chord progression. ‘Thanks to Sade’ is a seductive downtempo groove with epic guitar lines shifting through, while ‘Remember the Good’ brings a subtle reggae skank and a French-influenced organ sound into the mix. The LP comes full circle with a smoked out Dub version of the title track ‘Blue Bird’.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alek Lee\u003c\/p\u003e\n\u003cp\u003eLabel : Isle of Jura\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eISLELP019\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 17th April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-02T07:46:04+09:00","created_at":"2026-04-30T10:53:17+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","house","jazz","lp","new"],"price":485000,"price_min":485000,"price_max":485000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48794486046970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alek Lee \/\/ Blue Bird LP","public_title":null,"options":["Default Title"],"price":485000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ju1_4244b40d-03de-426f-98f6-d0b4cbc4f054.jpg?v=1777513884","\/\/tobirarecords.com\/cdn\/shop\/files\/ju2_e9e36aaa-d6f5-4f4b-a6dc-1f2ae76b9277.jpg?v=1777513884"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ju1_4244b40d-03de-426f-98f6-d0b4cbc4f054.jpg?v=1777513884","options":["Title"],"media":[{"alt":null,"id":39199164530938,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ju1_4244b40d-03de-426f-98f6-d0b4cbc4f054.jpg?v=1777513884"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ju1_4244b40d-03de-426f-98f6-d0b4cbc4f054.jpg?v=1777513884","width":350},{"alt":null,"id":39199164563706,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ju2_e9e36aaa-d6f5-4f4b-a6dc-1f2ae76b9277.jpg?v=1777513884"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ju2_e9e36aaa-d6f5-4f4b-a6dc-1f2ae76b9277.jpg?v=1777513884","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイスラエル出身ギリシャ在住のマルチ奏者Alek Leeが、2026年4月にオーストラリアのIsle of Juraからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eバレアリックの風を纏ったダブ〜ジャズ・ファンク〜トライバル・ハウス8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1076408098\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1076408098\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=79301699\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1076408098\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3717890607\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black 180gram vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Blue Bird (Feat Keren Ilan) 06:10\u003cbr\u003e2. Treasures 04:01\u003cbr\u003e3. Mountains \u0026amp; Rivers 07:28\u003cbr\u003e4. The Beach Road (Feat Yovav) 04:43\u003cbr\u003e5. First Rain 07:38\u003cbr\u003e6. Thanks to Sade 05:02\u003cbr\u003e7. Remember The Good 04:51\u003cbr\u003e8. Blue Bird (Dub) 05:02\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing the critical success of last year’s ‘Cold Feet’ LP, producer, DJ, and multi-instrumentalist Alek Lee returns to Isle of Jura with his most introspective work to date, the ‘Blue Bird’ album. Across eight tracks, the Athens-based artist explores what he describes as a \"Peculiar state of minds \u0026amp; Dub Orientated Feelings,\" blending his signature guerrilla style production with deep, organic soul.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album’s centerpiece and title track, ‘Blue Bird’ features the haunting vocals of singer-songwriter Keren Ilan. It is a raw, heartfelt exploration of the aftermath of a breakup. The lyrics speak of a \"desert heart\" and a \"loss that grows tall and loud,\" eventually finding a path toward healing as the \"blue bird sings the dawn.\" Musically, the track is anchored by hazy, sun drenched guitars, a central instrument that weaves a consistent Balearic thread throughout the LP.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe journey through ‘Blue Bird’ is one of shifting shadows and unexpected textures. ‘Treasures’ is a standout instrumental, leaning into a grit-flecked, bluesy \"twang\" reminiscent of Duane Eddy, while ‘The Beach Road’ sees long time collaborator and ‘Shame On Us’ bandmate, Yovav, lending his magical bass and guitar work to a track that feels like a slow drive toward the\u003cspan class=\"bcTruncateMore\"\u003e horizon.\u003cbr\u003e\u003cbr\u003eSide B shifts the energy toward the dancefloor and the sophisticated leftfield pop of the 80s. ‘First Rain’ is a subtle house leaning gem underpinned by a kick drum and lush, synth heavy emotive chord progression. ‘Thanks to Sade’ is a seductive downtempo groove with epic guitar lines shifting through, while ‘Remember the Good’ brings a subtle reggae skank and a French-influenced organ sound into the mix. The LP comes full circle with a smoked out Dub version of the title track ‘Blue Bird’.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alek Lee\u003c\/p\u003e\n\u003cp\u003eLabel : Isle of Jura\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eISLELP019\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 17th April 2026\u003c\/span\u003e\u003c\/p\u003e"}
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イスラエル出身ギリシャ在住のマルチ奏者Alek Leeが、2026年4月にオーストラリアのIsle of Juraからリリースしたレコードです。 バレアリックの風を纏ったダブ〜ジャズ・ファンク〜トライバル・ハウス8曲を収録。 ------------------------------------------------------ 12" black 180gram vinyl. Tracklist: 1. Blue Bird...
¥4,850
クイックビュー
{"id":9211353497850,"title":"Pupillo s\/t LP","handle":"pupillo-s-t-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eブラジルのドラマーPupilioが、2026年3月にアメリカのAmor In Soundからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eフュージョン〜ファンク〜ボサノヴァ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eドラマー、パーカッショニスト、そしてプロデューサーとして、ブラジル音楽界で最も影響力のある人物の一人であり、ラテン・グラミー賞を4度受賞しているプピロが、ロサンゼルスを拠点とするレーベル「Amor in Sound」から初のオリジナル・アルバムをリリースする。本作には、ブラジル国内外から集まった、豪華かつ多彩なアーティストたちが参加している。『Amor in Sound』は、本プロジェクトのエグゼクティブ・プロデューサー兼クリエイティブ・ディレクターを務めるサマンサ・カルダートと、プピロと共にアルバムの共同プロデュースを担当したマリオ・カルダート・ジュニア（ビースティ・ボーイズ）によって運営されている。このプロジェクトは自由で実験的な環境の中で展開され、アーティストは自身のキャリアを形作ってきた数多くのリズムやサウンドの領域——ブラジル北東部の伝統音楽からジャズ、ヒップホップ、そして映画的なサウンドスケープに至るまで——を存分に探求することができた。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=394900712\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=394900712\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1523825520\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Tropical Exótica feat. Alberto Continentino 02:55\u003cbr\u003e2. Forró No Asfalto feat. Agnes Nunes 02:51\u003cbr\u003e3. Bem Bom feat. Hervé Salters \u0026amp; Cut Chemist 03:39\u003cbr\u003e4. Pifando 03:25\u003cbr\u003e5. Fealhá feat. Céu \u0026amp; Loren Oden 03:09\u003cbr\u003e6. Fervendo o Chão, com Amaro! feat. Amaro Freitas 03:15\u003cbr\u003e7. O Sopro de Naná feat. Gaslamp Killer 02:59\u003cbr\u003e8. Navegando os Novos Tempos feat. Carminho \u0026amp; Adrian Younge 03:17\u003cbr\u003e9. Mica Sonic Groove feat. Pedro Martins 02:22\u003cbr\u003e10. Entrée 02:51\u003cbr\u003e11. Que É Isso, Bicho? feat. Davi Moraes 03:02\u003cbr\u003e12. De Chegada feat. Pedro Martins 03:19\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDrummer, percussionist and producer Pupillo, one of the most influential figures in Brazilian music and a four-time Latin Grammy winner, releases his first original album through the Los Angeles–based label Amor in Sound. The record brings together an impressive and diverse group of collaborators from Brazil and abroad. Amor in Sound is run by Samantha Caldato, the project’s executive producer and creative director, and Mario Caldato Jr. (Beastie Boys), who co-produced the album alongside Pupillo. The project was developed in a free, experimental environment, allowing the artist to explore the many rhythmic and sonic territories that have shaped his career — from Northeastern Brazilian traditions to jazz, hip hop, and cinematic soundscapes.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pupillo\u003c\/p\u003e\n\u003cp\u003eLabel : Amor In Sound\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAIS005\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 6th March 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-04T14:53:38+09:00","created_at":"2026-04-30T10:10:55+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","lp","new"],"price":590000,"price_min":590000,"price_max":590000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48794238255354,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Pupillo s\/t LP","public_title":null,"options":["Default Title"],"price":590000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pup1_647a3f8d-b4fb-41fe-a879-63010860f37f.jpg?v=1777511362"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pup1_647a3f8d-b4fb-41fe-a879-63010860f37f.jpg?v=1777511362","options":["Title"],"media":[{"alt":null,"id":39198794612986,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pup1_647a3f8d-b4fb-41fe-a879-63010860f37f.jpg?v=1777511362"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pup1_647a3f8d-b4fb-41fe-a879-63010860f37f.jpg?v=1777511362","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eブラジルのドラマーPupilioが、2026年3月にアメリカのAmor In Soundからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eフュージョン〜ファンク〜ボサノヴァ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eドラマー、パーカッショニスト、そしてプロデューサーとして、ブラジル音楽界で最も影響力のある人物の一人であり、ラテン・グラミー賞を4度受賞しているプピロが、ロサンゼルスを拠点とするレーベル「Amor in Sound」から初のオリジナル・アルバムをリリースする。本作には、ブラジル国内外から集まった、豪華かつ多彩なアーティストたちが参加している。『Amor in Sound』は、本プロジェクトのエグゼクティブ・プロデューサー兼クリエイティブ・ディレクターを務めるサマンサ・カルダートと、プピロと共にアルバムの共同プロデュースを担当したマリオ・カルダート・ジュニア（ビースティ・ボーイズ）によって運営されている。このプロジェクトは自由で実験的な環境の中で展開され、アーティストは自身のキャリアを形作ってきた数多くのリズムやサウンドの領域——ブラジル北東部の伝統音楽からジャズ、ヒップホップ、そして映画的なサウンドスケープに至るまで——を存分に探求することができた。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=394900712\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=394900712\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1523825520\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Tropical Exótica feat. Alberto Continentino 02:55\u003cbr\u003e2. Forró No Asfalto feat. Agnes Nunes 02:51\u003cbr\u003e3. Bem Bom feat. Hervé Salters \u0026amp; Cut Chemist 03:39\u003cbr\u003e4. Pifando 03:25\u003cbr\u003e5. Fealhá feat. Céu \u0026amp; Loren Oden 03:09\u003cbr\u003e6. Fervendo o Chão, com Amaro! feat. Amaro Freitas 03:15\u003cbr\u003e7. O Sopro de Naná feat. Gaslamp Killer 02:59\u003cbr\u003e8. Navegando os Novos Tempos feat. Carminho \u0026amp; Adrian Younge 03:17\u003cbr\u003e9. Mica Sonic Groove feat. Pedro Martins 02:22\u003cbr\u003e10. Entrée 02:51\u003cbr\u003e11. Que É Isso, Bicho? feat. Davi Moraes 03:02\u003cbr\u003e12. De Chegada feat. Pedro Martins 03:19\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDrummer, percussionist and producer Pupillo, one of the most influential figures in Brazilian music and a four-time Latin Grammy winner, releases his first original album through the Los Angeles–based label Amor in Sound. The record brings together an impressive and diverse group of collaborators from Brazil and abroad. Amor in Sound is run by Samantha Caldato, the project’s executive producer and creative director, and Mario Caldato Jr. (Beastie Boys), who co-produced the album alongside Pupillo. The project was developed in a free, experimental environment, allowing the artist to explore the many rhythmic and sonic territories that have shaped his career — from Northeastern Brazilian traditions to jazz, hip hop, and cinematic soundscapes.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pupillo\u003c\/p\u003e\n\u003cp\u003eLabel : Amor In Sound\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAIS005\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 6th March 2026\u003c\/span\u003e\u003c\/p\u003e"}
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※5月下旬再入荷後発送します ブラジルのドラマーPupilioが、2026年3月にアメリカのAmor In Soundからリリースしたレコードです。 フュージョン〜ファンク〜ボサノヴァ12曲を収録。 以下、レーベルによる解説です。 "ドラマー、パーカッショニスト、そしてプロデューサーとして、ブラジル音楽界で最も影響力のある人物の一人であり、ラテン・グラミー賞を4度受賞しているプピロが、ロサンゼルスを拠点とするレーベル「Amor in Sound」から初のオリジナル・アルバムをリリースする。本作には、ブラジル国内外から集まった、豪華かつ多彩なアーティストたちが参加している。『Amor in Sound』は、本プロジェクトのエグゼクティブ・プロデューサー兼クリエイティブ・ディレクターを務めるサマンサ・カルダートと、プピロと共にアルバムの共同プロデュースを担当したマリオ・カルダート・ジュニア（ビースティ・ボーイズ）によって運営されている。このプロジェクトは自由で実験的な環境の中で展開され、アーティストは自身のキャリアを形作ってきた数多くのリズムやサウンドの領域——ブラジル北東部の伝統音楽からジャズ、ヒップホップ、そして映画的なサウンドスケープに至るまで——を存分に探求することができた。" ----------------------------------------------- 12" black...
¥5,900
クイックビュー
{"id":9211344093434,"title":"Satoshi \u0026 Makoto \/\/ Mirage Cafe LP","handle":"sama","description":"\u003cp\u003e神奈川のバレアリック双子デュオSatoshi \u0026amp; Makotoが、2026年4月にイタリアの8mm Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e清涼感抜群のバレアリック・エレクトロニカ〜ポストニューエイジ・アンビエント〜シンセウェーブ〜エレクトロニック・ジャズ7曲を収録。\u003c\/p\u003e\n\u003cp\u003e部屋の温度が少し下がる気がするので今夏の節電対策にもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"前作から6年、Satoshi \u0026amp; Makotoは待望のニューアルバム『Mirage Cafe』をリリースしました。8mm Recordsにて制作された本作は、Standart Magazineとのユニークなコラボレーションから誕生しました。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e単なる音楽の集まり以上に、『Mirage Cafe』は「完全に没入型の感覚体験」を提供します。今作で彼らは、自分たちの特徴的なサウンドをより深く、よりシネマティックな領域へと拡張しました。洗練されたエレクトロニカとアンビエントの質感、そして微かなジャズの抑揚と控えめながらも耳に残るグルーヴを、見事に融合させています。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eタイトルは、熟考、繋がり、そしてインスピレーションが交差する概念的な空間である架空のカフェを想起させます。このビジョンは、Standart Magazineとのパートナーシップによってさらに豊かになり、音楽とコーヒーカルチャーの世界を、親密であると同時に国際的な物語へと橋渡ししています。その結果、温かく、包み込むような、そして細部まで注意深く作り込まれた「ゆっくりとした儀式」のように展開するアルバムとなりました。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eレコード全体を通して、Satoshi \u0026amp; Makotoは成熟し、自信に満ちたソングライティングへのアプローチを示しています。プロダクションは豊かでありながら抑制されており、内省的な静けさと前進する感覚のバランスをとっています。贅沢なハーモニーと没入感のあるサウンドデザインにより、『Mirage Cafe』はリスナーを深く集中させ、あるいは深夜の時間の中にただ漂わせるように誘います。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088976475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1302919281\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088976475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2380229344\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088976475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3674096565\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088976475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088976475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4250207091\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088976475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3524241758\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 500 copies. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Diverge Grid 05:39\u003cbr\u003e2. Filter and Flutter 03:21\u003cbr\u003e3. Slow Dissolution 06:04\u003cbr\u003e4. Contrast 06:05\u003cbr\u003e5. Rhythm Somnia 05:08\u003cbr\u003e6. Passages 04:15\u003cbr\u003e7. Mata-Ashita 05:07\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSix years after their last full-length release, Satoshi \u0026amp; Makoto return with Mirage Café, the highly anticipated new album (Standart\/8mm Records)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA carefully crafted and long-awaited work, Mirage Café is more than an album — it is a fully immersive sensory experience. The Japanese duo expand their signature sound into deeper and more cinematic territory, blending refined electronica, ambient textures, subtle jazz inflections and understated groove with remarkable elegance and control.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe title evokes an imaginary café — a space of contemplation, connection and inspiration. The partnership with Standart Magazine reinforces this conceptual layer, bridging music and coffee culture into a cohesive narrative that feels both intimate and international. The result is an album that unfolds like a slow ritual: warm, enveloping and meticulously detailed.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThroughout the record, Satoshi \u0026amp; Makoto demonstrate a mature and confident songwriting approach. The production is rich yet restrained, atmospheric yet rhythmically engaging — balancing introspection with forward motion. Lush harmonies, delicate arrangements and immersive sound design create a listening experience that\u003cspan class=\"bcTruncateMore\"\u003e rewards both focused attention and late-night drifting.\u003cbr\u003e\u003cbr\u003eWith Mirage Café , the duo not only meet expectations after a six-year silence — they surpass them. This is a masterwork of nuance and vision, poised to become a defining chapter in their discography and a standout release in the contemporary electronic landscape.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Satoshi \u0026amp; Makoto\u003c\/p\u003e\n\u003cp\u003eLabel : 8mm Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cspan\u003e8MM072LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 24th April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-30T10:10:54+09:00","created_at":"2026-04-30T09:55:51+09:00","vendor":"Tobira Records","type":"","tags":["ambient","asia","hiphop \/ funk","house","jazz","lp","new","post newage","recommended"],"price":547000,"price_min":547000,"price_max":547000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48794120585466,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Satoshi \u0026 Makoto \/\/ Mirage Cafe LP","public_title":null,"options":["Default Title"],"price":547000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"0615678599901","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/front_satoshi_makoto_-_cafe_mirage_-_8mm072lp_samples.jpg?v=1777848495","\/\/tobirarecords.com\/cdn\/shop\/files\/satoshi_makoto_cafe_mirage_lp_8mm_records_8mm072lp.jpg?v=1777848495"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/front_satoshi_makoto_-_cafe_mirage_-_8mm072lp_samples.jpg?v=1777848495","options":["Title"],"media":[{"alt":null,"id":39244987891962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1280,"width":1280,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/front_satoshi_makoto_-_cafe_mirage_-_8mm072lp_samples.jpg?v=1777848495"},"aspect_ratio":1.0,"height":1280,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/front_satoshi_makoto_-_cafe_mirage_-_8mm072lp_samples.jpg?v=1777848495","width":1280},{"alt":null,"id":39244987924730,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1280,"width":1280,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/satoshi_makoto_cafe_mirage_lp_8mm_records_8mm072lp.jpg?v=1777848495"},"aspect_ratio":1.0,"height":1280,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/satoshi_makoto_cafe_mirage_lp_8mm_records_8mm072lp.jpg?v=1777848495","width":1280}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e神奈川のバレアリック双子デュオSatoshi \u0026amp; Makotoが、2026年4月にイタリアの8mm Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e清涼感抜群のバレアリック・エレクトロニカ〜ポストニューエイジ・アンビエント〜シンセウェーブ〜エレクトロニック・ジャズ7曲を収録。\u003c\/p\u003e\n\u003cp\u003e部屋の温度が少し下がる気がするので今夏の節電対策にもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"前作から6年、Satoshi \u0026amp; Makotoは待望のニューアルバム『Mirage Cafe』をリリースしました。8mm Recordsにて制作された本作は、Standart Magazineとのユニークなコラボレーションから誕生しました。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e単なる音楽の集まり以上に、『Mirage Cafe』は「完全に没入型の感覚体験」を提供します。今作で彼らは、自分たちの特徴的なサウンドをより深く、よりシネマティックな領域へと拡張しました。洗練されたエレクトロニカとアンビエントの質感、そして微かなジャズの抑揚と控えめながらも耳に残るグルーヴを、見事に融合させています。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eタイトルは、熟考、繋がり、そしてインスピレーションが交差する概念的な空間である架空のカフェを想起させます。このビジョンは、Standart Magazineとのパートナーシップによってさらに豊かになり、音楽とコーヒーカルチャーの世界を、親密であると同時に国際的な物語へと橋渡ししています。その結果、温かく、包み込むような、そして細部まで注意深く作り込まれた「ゆっくりとした儀式」のように展開するアルバムとなりました。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eレコード全体を通して、Satoshi \u0026amp; Makotoは成熟し、自信に満ちたソングライティングへのアプローチを示しています。プロダクションは豊かでありながら抑制されており、内省的な静けさと前進する感覚のバランスをとっています。贅沢なハーモニーと没入感のあるサウンドデザインにより、『Mirage Cafe』はリスナーを深く集中させ、あるいは深夜の時間の中にただ漂わせるように誘います。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088976475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1302919281\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088976475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2380229344\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088976475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3674096565\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088976475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088976475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4250207091\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088976475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3524241758\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 500 copies. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Diverge Grid 05:39\u003cbr\u003e2. Filter and Flutter 03:21\u003cbr\u003e3. Slow Dissolution 06:04\u003cbr\u003e4. Contrast 06:05\u003cbr\u003e5. Rhythm Somnia 05:08\u003cbr\u003e6. Passages 04:15\u003cbr\u003e7. Mata-Ashita 05:07\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSix years after their last full-length release, Satoshi \u0026amp; Makoto return with Mirage Café, the highly anticipated new album (Standart\/8mm Records)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA carefully crafted and long-awaited work, Mirage Café is more than an album — it is a fully immersive sensory experience. The Japanese duo expand their signature sound into deeper and more cinematic territory, blending refined electronica, ambient textures, subtle jazz inflections and understated groove with remarkable elegance and control.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe title evokes an imaginary café — a space of contemplation, connection and inspiration. The partnership with Standart Magazine reinforces this conceptual layer, bridging music and coffee culture into a cohesive narrative that feels both intimate and international. The result is an album that unfolds like a slow ritual: warm, enveloping and meticulously detailed.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThroughout the record, Satoshi \u0026amp; Makoto demonstrate a mature and confident songwriting approach. The production is rich yet restrained, atmospheric yet rhythmically engaging — balancing introspection with forward motion. Lush harmonies, delicate arrangements and immersive sound design create a listening experience that\u003cspan class=\"bcTruncateMore\"\u003e rewards both focused attention and late-night drifting.\u003cbr\u003e\u003cbr\u003eWith Mirage Café , the duo not only meet expectations after a six-year silence — they surpass them. This is a masterwork of nuance and vision, poised to become a defining chapter in their discography and a standout release in the contemporary electronic landscape.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Satoshi \u0026amp; Makoto\u003c\/p\u003e\n\u003cp\u003eLabel : 8mm Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cspan\u003e8MM072LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 24th April 2026\u003c\/span\u003e\u003c\/p\u003e"}
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神奈川のバレアリック双子デュオSatoshi & Makotoが、2026年4月にイタリアの8mm Recordsからリリースしたレコードです。 清涼感抜群のバレアリック・エレクトロニカ〜ポストニューエイジ・アンビエント〜シンセウェーブ〜エレクトロニック・ジャズ7曲を収録。 部屋の温度が少し下がる気がするので今夏の節電対策にもオススメです。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "前作から6年、Satoshi & Makotoは待望のニューアルバム『Mirage Cafe』をリリースしました。8mm Recordsにて制作された本作は、Standart Magazineとのユニークなコラボレーションから誕生しました。...
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{"id":9211223736570,"title":"Irreversible Entanglements \/\/ Open The Gates 2xLP","handle":"irreversible-entanglements-open-the-gates-2xlp","description":"\u003ch2\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: rgb(255, 42, 0);\"\u003e※5月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴのジャズバンドIrreversible Entanglementsが、2021年12月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスピリチュアルジャズ7曲、70分以上を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=581489244\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIrreversible Entanglements’ third full-length album OPEN THE GATES is ethereal shards of jagged onyx, a melancholic exploration of the post-colonial debris that surrounds us. Let’s watch and listen, as this platter snakes through the sandy ashes of possible histories, dialogs with a nervous present, and asks to be birthed into a holographic new future. “Together in holy sound!” the band stitches patient anthems out of atmosphere. Pulling from a wider sonic vocabulary than on previous excursions, the agit-jazz found here is simultaneously pre- and post-apocalypse, as bass lurches in a tranced-out loop, horns are up in the track grooves like poltergeists playing in the streets, poetry cascades like a warrior call at a satsang, the drums both wild and refined pulse with uhuru-heart cadence. This is Irreversible Entanglements on new ground; same as the old ground.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd we need it now – the universe was awash in the sickly static veneer of anti-cosmos, of anti-nation; the halls were emptied, our shadows echoing and staining the walls of our abandoned oases – so we poured out into 2020’s wild streets. The ghosts of our labor danced around the sickness as we set fire to our old ways of thinking and moving, as we set fire to cop cars and bashed in the windows of our own rising disenfranchisement. “Open the gates!”\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e we shouted, blessed be – we need it now!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHere come Irreversible Entanglements – Luke Stewart, the high priest on bass; Aquiles Navarro, the electric universe in human form on trumpet; Keir Neuringer, the cosmologist with the siren sound on sax; Tcheser Holmes, the griot, the myth-maker on drums; and Camae Ayewa, the Moor mother with an empyrean pen game – on this new disc with their fierce aural tectonics shifting the earth, their watery post-pangea as dirge, their punk rock ethos and crash and bang polyrhythmic super-sonic sound synesthesia in the form of OPEN THE GATES – here it comes, my Brothas and Sistas, here it comes\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Irreversible Entanglements\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-30T07:15:15+09:00","created_at":"2026-04-30T07:14:21+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":548000,"price_min":548000,"price_max":548000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48792767070458,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Irreversible Entanglements \/\/ Open The Gates 2xLP","public_title":null,"options":["Default Title"],"price":548000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993991549","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/op1_9ea2e216-3c65-4ec4-8089-24d6fc888dd5.jpg?v=1712723530","\/\/tobirarecords.com\/cdn\/shop\/files\/op3_297dd1de-ae04-46d3-9688-f94f086ff7bb.jpg?v=1712723530","\/\/tobirarecords.com\/cdn\/shop\/files\/op4.jpg?v=1712723531"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_9ea2e216-3c65-4ec4-8089-24d6fc888dd5.jpg?v=1712723530","options":["Title"],"media":[{"alt":null,"id":33656941019386,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_9ea2e216-3c65-4ec4-8089-24d6fc888dd5.jpg?v=1712723530"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_9ea2e216-3c65-4ec4-8089-24d6fc888dd5.jpg?v=1712723530","width":700},{"alt":null,"id":33656941478138,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op3_297dd1de-ae04-46d3-9688-f94f086ff7bb.jpg?v=1712723530"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op3_297dd1de-ae04-46d3-9688-f94f086ff7bb.jpg?v=1712723530","width":1200},{"alt":null,"id":33656941838586,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op4.jpg?v=1712723531"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op4.jpg?v=1712723531","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: rgb(255, 42, 0);\"\u003e※5月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴのジャズバンドIrreversible Entanglementsが、2021年12月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスピリチュアルジャズ7曲、70分以上を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=581489244\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIrreversible Entanglements’ third full-length album OPEN THE GATES is ethereal shards of jagged onyx, a melancholic exploration of the post-colonial debris that surrounds us. Let’s watch and listen, as this platter snakes through the sandy ashes of possible histories, dialogs with a nervous present, and asks to be birthed into a holographic new future. “Together in holy sound!” the band stitches patient anthems out of atmosphere. Pulling from a wider sonic vocabulary than on previous excursions, the agit-jazz found here is simultaneously pre- and post-apocalypse, as bass lurches in a tranced-out loop, horns are up in the track grooves like poltergeists playing in the streets, poetry cascades like a warrior call at a satsang, the drums both wild and refined pulse with uhuru-heart cadence. This is Irreversible Entanglements on new ground; same as the old ground.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd we need it now – the universe was awash in the sickly static veneer of anti-cosmos, of anti-nation; the halls were emptied, our shadows echoing and staining the walls of our abandoned oases – so we poured out into 2020’s wild streets. The ghosts of our labor danced around the sickness as we set fire to our old ways of thinking and moving, as we set fire to cop cars and bashed in the windows of our own rising disenfranchisement. “Open the gates!”\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e we shouted, blessed be – we need it now!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHere come Irreversible Entanglements – Luke Stewart, the high priest on bass; Aquiles Navarro, the electric universe in human form on trumpet; Keir Neuringer, the cosmologist with the siren sound on sax; Tcheser Holmes, the griot, the myth-maker on drums; and Camae Ayewa, the Moor mother with an empyrean pen game – on this new disc with their fierce aural tectonics shifting the earth, their watery post-pangea as dirge, their punk rock ethos and crash and bang polyrhythmic super-sonic sound synesthesia in the form of OPEN THE GATES – here it comes, my Brothas and Sistas, here it comes\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Irreversible Entanglements\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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※5月上旬再入荷後発送します アメリカ・シカゴのジャズバンドIrreversible Entanglementsが、2021年12月にInternational Anthemからリリースした2枚組レコードです。 スピリチュアルジャズ7曲、70分以上を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":9208040030458,"title":"dj echotree \/\/ These Rays Of Sun Which Illuminated The Darkness Of My Body And My Mind Left Room For Subjective Interpretations On The Exile That Is Life LP","handle":"dj-echotree-these-rays-of-sun-which-illuminated-the-darkness-of-my-body-and-my-mind-left-room-for-subjective-interpretations-on-the-exile-that-is-life-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eドイツ・ベルリンのコラージュ作家dj echotreeが、2026年3月にベルギーのZitStill Recordsからリリースしたデビュー片面レコードです。\u003c\/p\u003e\n\u003cp\u003eストレンジビーツ〜コラージュ・アンビエント〜実験ジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003e数ヶ月にわたる入念な発掘と綿密な修復を経て、dj echotreeは唯一無二の芸術作品を携えてZitStillへと辿り着いた。霊界の失われた残骸を掘り下げ、拾い集めた映像、スポークンワード、そして異世界的なジャズが、隙間なく織りなすコラージュとして徐々に姿を現した。無言でありながら雄弁な証言は、本能とMPCの安定したビートによって紡ぎ出されている。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの存在とその教えについては、文字による痕跡を残さなかった信仰に根ざしており、未だ解明されていないことが多く残されている。分かっているのは、不完全さを恐れず、人間的な温もりに捧げられているということだ。質感豊かな崇拝の形態であり、霞んだ午後や霧に包まれた朝にこそ、その真価が最も味わえる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそして、ほとんど突然のように、それは現れた。騒々しい実験から生まれたそれは、まるでSun Raの香りを運ぶ夏の嵐のようであり、投影というよりは黒人特有の「存在」に根ざしたローファイの波紋を帯びていた。このアルバムの輪郭は、たった24時間の没入の中で形を成した――その荒々しい筆致のうち、保存されたのはたった1つの録音だけだった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのLPは片面のみプレスされており、もう片面は空白のまま、アーティストの手書きのメモが記されている。不在とは欠如ではなく、意図的に空けておいた空間であることを思い出させる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアートワークは、道端で見つけた廃棄された雑誌の切り抜きで構成されている。破れた画像、表面、質感――それは、対立ではなく再構成を通じて、帝国主義的な西洋の視線に対する静かな問いかけである。かつて支配しようとしたものは断片へと還元され、触れ、再想像し得るものとなる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのレコードは、捧げ物として、関係性の瞬間として存在する。所有されるためではなく、そこに身を置くために残されたものである。\"\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=318091926\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zist\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/zist\"\u003ehere\u003c\/a\u003e to see more Zitstill Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eA-side contains the album and B-side is etched with personal note from the artist. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. These Rays of Sun 01:31\u003cbr\u003e2. which illuminated 01:28\u003cbr\u003e3. the Darkness 03:48\u003cbr\u003e4. of my Body 02:17\u003cbr\u003e5. and my Mind 02:16\u003cbr\u003e6. left Room 02:26\u003cbr\u003e7. for subjective 02:22\u003cbr\u003e8. Interpretations 01:17\u003cbr\u003e9. on the Exile 02:10\u003cbr\u003e10. that is Life 03:12\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter months of careful excavation and meticulous restoration, dj echotree finds his way to ZitStill with a singular artefact. Delving into lost remnants of the spirit world, a gapless collage of found footage, spoken word and otherworldly jazz slowly emerged. A mute yet eloquent testimony, held together by instinct and the steady pulse of the MPC.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMuch remains to be uncovered about this entity and its teachings, rooted in beliefs that left no written trace. What is known is its devotion to the human touch, unafraid of imperfection. A form of worship rich in texture, best experienced on hazy afternoons and mist-laden mornings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThen, almost suddenly, it was there. Born from noisy experiments, like a summer storm carrying the scent of Sun Ra, with ripples of lo-fi anchored in a Black sense of presence rather than projection. The outlines of this album took shape within a single twenty-four-hour immersion — a rough brush stroke of which only one recording was preserved.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis LP is pressed on one side only; the other left open, bearing a handwritten note from the artist. A reminder that absence is not a lack, but a space intentionally left\u003cspan class=\"bcTruncateMore\"\u003e unfilled.\u003cbr\u003e\u003cbr\u003eThe artwork is composed of cutouts from discarded magazines found by the roadside. Torn images, surfaces, textures — a quiet interrogation of the imperial Western gaze, not through confrontation, but through re-arrangement. What once sought to dominate is reduced to fragments, something that can be touched and reimagined.\u003cbr\u003e\u003cbr\u003eThis record exists as an offering, a moment of relation. Something left behind not to be owned, but to be inhabited.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : dj echotree\u003c\/p\u003e\n\u003cp\u003eLabel : Zitstill Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eZIT003\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 6th March 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-28T13:50:37+09:00","created_at":"2026-04-28T11:05:21+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","monooto","new","strange beats","ZitStill Records"],"price":498300,"price_min":498300,"price_max":498300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48778222534906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"dj echotree \/\/ These Rays Of Sun Which Illuminated The Darkness Of My Body And My Mind Left Room For Subjective Interpretations On The Exile That Is Life LP","public_title":null,"options":["Default Title"],"price":498300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/echo1_d1ed62b5-c100-4617-abf1-d96fa2f7a38b.jpg?v=1777341724","\/\/tobirarecords.com\/cdn\/shop\/files\/echo2_efa1180a-8698-41d3-9f63-088e91790bc8.jpg?v=1777341724"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/echo1_d1ed62b5-c100-4617-abf1-d96fa2f7a38b.jpg?v=1777341724","options":["Title"],"media":[{"alt":null,"id":39167897075962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/echo1_d1ed62b5-c100-4617-abf1-d96fa2f7a38b.jpg?v=1777341724"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/echo1_d1ed62b5-c100-4617-abf1-d96fa2f7a38b.jpg?v=1777341724","width":350},{"alt":null,"id":39167897108730,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/echo2_efa1180a-8698-41d3-9f63-088e91790bc8.jpg?v=1777341724"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/echo2_efa1180a-8698-41d3-9f63-088e91790bc8.jpg?v=1777341724","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eドイツ・ベルリンのコラージュ作家dj echotreeが、2026年3月にベルギーのZitStill Recordsからリリースしたデビュー片面レコードです。\u003c\/p\u003e\n\u003cp\u003eストレンジビーツ〜コラージュ・アンビエント〜実験ジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003e数ヶ月にわたる入念な発掘と綿密な修復を経て、dj echotreeは唯一無二の芸術作品を携えてZitStillへと辿り着いた。霊界の失われた残骸を掘り下げ、拾い集めた映像、スポークンワード、そして異世界的なジャズが、隙間なく織りなすコラージュとして徐々に姿を現した。無言でありながら雄弁な証言は、本能とMPCの安定したビートによって紡ぎ出されている。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの存在とその教えについては、文字による痕跡を残さなかった信仰に根ざしており、未だ解明されていないことが多く残されている。分かっているのは、不完全さを恐れず、人間的な温もりに捧げられているということだ。質感豊かな崇拝の形態であり、霞んだ午後や霧に包まれた朝にこそ、その真価が最も味わえる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそして、ほとんど突然のように、それは現れた。騒々しい実験から生まれたそれは、まるでSun Raの香りを運ぶ夏の嵐のようであり、投影というよりは黒人特有の「存在」に根ざしたローファイの波紋を帯びていた。このアルバムの輪郭は、たった24時間の没入の中で形を成した――その荒々しい筆致のうち、保存されたのはたった1つの録音だけだった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのLPは片面のみプレスされており、もう片面は空白のまま、アーティストの手書きのメモが記されている。不在とは欠如ではなく、意図的に空けておいた空間であることを思い出させる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアートワークは、道端で見つけた廃棄された雑誌の切り抜きで構成されている。破れた画像、表面、質感――それは、対立ではなく再構成を通じて、帝国主義的な西洋の視線に対する静かな問いかけである。かつて支配しようとしたものは断片へと還元され、触れ、再想像し得るものとなる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのレコードは、捧げ物として、関係性の瞬間として存在する。所有されるためではなく、そこに身を置くために残されたものである。\"\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=318091926\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/zist\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/zist\"\u003ehere\u003c\/a\u003e to see more Zitstill Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eA-side contains the album and B-side is etched with personal note from the artist. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. These Rays of Sun 01:31\u003cbr\u003e2. which illuminated 01:28\u003cbr\u003e3. the Darkness 03:48\u003cbr\u003e4. of my Body 02:17\u003cbr\u003e5. and my Mind 02:16\u003cbr\u003e6. left Room 02:26\u003cbr\u003e7. for subjective 02:22\u003cbr\u003e8. Interpretations 01:17\u003cbr\u003e9. on the Exile 02:10\u003cbr\u003e10. that is Life 03:12\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter months of careful excavation and meticulous restoration, dj echotree finds his way to ZitStill with a singular artefact. Delving into lost remnants of the spirit world, a gapless collage of found footage, spoken word and otherworldly jazz slowly emerged. A mute yet eloquent testimony, held together by instinct and the steady pulse of the MPC.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMuch remains to be uncovered about this entity and its teachings, rooted in beliefs that left no written trace. What is known is its devotion to the human touch, unafraid of imperfection. A form of worship rich in texture, best experienced on hazy afternoons and mist-laden mornings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThen, almost suddenly, it was there. Born from noisy experiments, like a summer storm carrying the scent of Sun Ra, with ripples of lo-fi anchored in a Black sense of presence rather than projection. The outlines of this album took shape within a single twenty-four-hour immersion — a rough brush stroke of which only one recording was preserved.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis LP is pressed on one side only; the other left open, bearing a handwritten note from the artist. A reminder that absence is not a lack, but a space intentionally left\u003cspan class=\"bcTruncateMore\"\u003e unfilled.\u003cbr\u003e\u003cbr\u003eThe artwork is composed of cutouts from discarded magazines found by the roadside. Torn images, surfaces, textures — a quiet interrogation of the imperial Western gaze, not through confrontation, but through re-arrangement. What once sought to dominate is reduced to fragments, something that can be touched and reimagined.\u003cbr\u003e\u003cbr\u003eThis record exists as an offering, a moment of relation. Something left behind not to be owned, but to be inhabited.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : dj echotree\u003c\/p\u003e\n\u003cp\u003eLabel : Zitstill Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eZIT003\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 6th March 2026\u003c\/span\u003e\u003c\/p\u003e"}
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※5月下旬再入荷後発送します ドイツ・ベルリンのコラージュ作家dj echotreeが、2026年3月にベルギーのZitStill Recordsからリリースしたデビュー片面レコードです。 ストレンジビーツ〜コラージュ・アンビエント〜実験ジャズ10曲を収録。 以下、レーベルによる解説です。 "数ヶ月にわたる入念な発掘と綿密な修復を経て、dj echotreeは唯一無二の芸術作品を携えてZitStillへと辿り着いた。霊界の失われた残骸を掘り下げ、拾い集めた映像、スポークンワード、そして異世界的なジャズが、隙間なく織りなすコラージュとして徐々に姿を現した。無言でありながら雄弁な証言は、本能とMPCの安定したビートによって紡ぎ出されている。 この存在とその教えについては、文字による痕跡を残さなかった信仰に根ざしており、未だ解明されていないことが多く残されている。分かっているのは、不完全さを恐れず、人間的な温もりに捧げられているということだ。質感豊かな崇拝の形態であり、霞んだ午後や霧に包まれた朝にこそ、その真価が最も味わえる。 そして、ほとんど突然のように、それは現れた。騒々しい実験から生まれたそれは、まるでSun Raの香りを運ぶ夏の嵐のようであり、投影というよりは黒人特有の「存在」に根ざしたローファイの波紋を帯びていた。このアルバムの輪郭は、たった24時間の没入の中で形を成した――その荒々しい筆致のうち、保存されたのはたった1つの録音だけだった。 このLPは片面のみプレスされており、もう片面は空白のまま、アーティストの手書きのメモが記されている。不在とは欠如ではなく、意図的に空けておいた空間であることを思い出させる。 アートワークは、道端で見つけた廃棄された雑誌の切り抜きで構成されている。破れた画像、表面、質感――それは、対立ではなく再構成を通じて、帝国主義的な西洋の視線に対する静かな問いかけである。かつて支配しようとしたものは断片へと還元され、触れ、再想像し得るものとなる。 このレコードは、捧げ物として、関係性の瞬間として存在する。所有されるためではなく、そこに身を置くために残されたものである。"...
¥4,983
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{"id":9207993270522,"title":"Vula Viel \/\/ What's Not Enough About That? LP","handle":"vula-viel-whats-not-enough-about-that-lp","description":"\u003cp\u003e過去にInternational Anthemなどから発表しているイギリス・ロンドンのポストパンクバンドVula Vielが、2020年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e西アフリカ・ガーナの木琴Gyilをフィーチャーしたミニマル反復ポストパンク8曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2495057243\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eLP edition of 500. \u003c\/p\u003e\n\u003cp\u003eArtist : Vula Viel\u003c\/p\u003e\n\u003cp\u003eLabel : Vula Viel Records\u003c\/p\u003e","published_at":"2026-04-28T08:08:40+09:00","created_at":"2026-04-28T08:07:12+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","sale22","strange beats","vula viel"],"price":365500,"price_min":365500,"price_max":365500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48777795567866,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Vula Viel \/\/ What's Not Enough About That? LP","public_title":null,"options":["Default Title"],"price":365500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/en1_c2caba8d-0a58-45db-96b3-52dc88eef17d.jpg?v=1650004270","\/\/tobirarecords.com\/cdn\/shop\/products\/en2_aa3ae7ad-210c-4de7-9e09-a9c66d2d1770.jpg?v=1650004270"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/en1_c2caba8d-0a58-45db-96b3-52dc88eef17d.jpg?v=1650004270","options":["Title"],"media":[{"alt":null,"id":29547081007354,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/en1_c2caba8d-0a58-45db-96b3-52dc88eef17d.jpg?v=1650004270"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/en1_c2caba8d-0a58-45db-96b3-52dc88eef17d.jpg?v=1650004270","width":700},{"alt":null,"id":29547081040122,"position":2,"preview_image":{"aspect_ratio":1.3,"height":923,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/en2_aa3ae7ad-210c-4de7-9e09-a9c66d2d1770.jpg?v=1650004270"},"aspect_ratio":1.3,"height":923,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/en2_aa3ae7ad-210c-4de7-9e09-a9c66d2d1770.jpg?v=1650004270","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にInternational Anthemなどから発表しているイギリス・ロンドンのポストパンクバンドVula Vielが、2020年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e西アフリカ・ガーナの木琴Gyilをフィーチャーしたミニマル反復ポストパンク8曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2495057243\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eLP edition of 500. \u003c\/p\u003e\n\u003cp\u003eArtist : Vula Viel\u003c\/p\u003e\n\u003cp\u003eLabel : Vula Viel Records\u003c\/p\u003e"}
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過去にInternational Anthemなどから発表しているイギリス・ロンドンのポストパンクバンドVula Vielが、2020年にリリースしたアルバムです。 西アフリカ・ガーナの木琴Gyilをフィーチャーしたミニマル反復ポストパンク8曲を収録。廃盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ ------------------------------ LP edition of 500. Artist : Vula Viel Label...
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{"id":9207059644666,"title":"Thee Marloes \/\/ Di Hotel Malibu LP [COLOR]","handle":"thee-marloes-di-hotel-malibu-lp-color","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5\/22リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eインドネシア・ジャワ島のソウルトリオThee Marloesが、2026年5月にアメリカ・NYのソウルレーベルBig Crownからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e今夏を彩るネオソウル・バラード〜ファンク14曲を収録。クリアエメラルド盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBig Crownは、Thee Marloesのセカンド・アルバム『Di Hotel Malibu』を誇りを持って発表する。本作は、彼らのサウンドをかつてきっちりと枠にはめていた境界線から自信を持って一歩踏み出し、より開放的で、対話的であり、そして深くインドネシア的な何かへと向かう、視野の広がりとして登場する。スラバヤ出身のトリオがBig Crown Recordsからデビューし、そのユニークなサウンドを世に送り出した『Perak』から、2年の歳月が流れた。この新作は、その系譜を捨てるというよりはむしろそれを拡張するものであり、デビュー作のリリース以来、そしてそれに伴う数々の経験を通じて、彼らがバンドとしてどれほど成長したかを示している。ボーカル兼キーボードのナタッシャ・シアンチュリ、ギタリスト兼プロデューサーのシナトリア・ダラカ、ドラマーのトミー・サトウィックからなるThee Marloesは、常に一体となって活動し、共通の参照点と、生活感あふれるグルーヴによって楽曲を形作ってきた。今作では、その集団的な表現がさらに広がっている。アレンジはより広いスペクトルを駆け巡り、新たな楽器の色彩、予想外のリズムの展開、そしてより自由な構成へのアプローチが見られる。バンドはこれを、過去2年間の生活——社会的な現実、流動的な恋愛事情、そして成功がもたらしたあらゆるもの——への応答だと語っている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアルバムのオープニングを飾る「Under the Silver Moon」は、爽やかな音楽的背景に乗せて、遠距離恋愛の甘くも苦い現実を歌い上げた、クールなツーステップナンバーだ。「Six Years」は、ボーカルのナタシャ・シアンチュリ自身の人生の一幕であり、安定的で快適な日中の仕事を辞め、音楽でのフルタイムのキャリアという夢を追うという決断を下すまでの葛藤を描いている。「Harap Dan Ragu」は、生と死、そしてそれらを取り巻く感情を探求する楽曲で、耳に残るギターリフで幕を開け、シアンチュリの甘美な歌声へと導く。今回は彼女の母国語であるインドネシア語で歌われている。アルバムは曲ごとに雰囲気とトーンを変え続け、より暗く内省的な「The More」へと続く。華麗な演奏と脈打つドラムは、虚しさと不屈のレジリエンスの狭間を歩む、深く詩的な歌詞と見事に調和している。Thee Marloesは「Through the Changes」で、死後の世界をどう想像し、どう向き合うかを描いた、力強くも繊細な楽曲を通じて、彼らの息をのむほど美しいバラードのレパートリーを披露している。北スマトラの伝統語であるバタク語で全編歌われた「Boru」は、グループの基盤であり使命であるルーツをさらに強く主張する一方、「I’d Be Lost」は軽やかで愛らしい愛の告白と共に、私たちを再びダンスフロアへと誘う。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e結局のところ、『Di Hotel Malibu』は最高のインスピレーションの結晶だ。Thee Marloesが世界中から注目を集め、自国の音楽を世界中のファンに届ける機会を得たことが、彼らの原動力となっている。このアルバムを堪能したら、ぜひ彼らの世界ツアーをチェックしてほしい。スラバヤ発のソウルミュージック、またしてもBig Crownの確かな一作だ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1537652557\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=174941015\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1537652557\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1537652557\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2664064796\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003ehere\u003c\/a\u003e to see more Big Crown Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 22nd May 2026\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" clear emerald vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Under the Silver Moon\u003cbr\u003e2. 6 Years\u003cbr\u003e3. Harap Dan Ragu\u003cbr\u003e4. Through the Changes\u003cbr\u003e5. Di Hotel Malibu\u003cbr\u003e6. I'd Be Lost\u003cbr\u003e7. Di Dalam\u003cbr\u003e8. I'm Just a Girl\u003cbr\u003e9. The More\u003cbr\u003e10. Selatan\u003cbr\u003e11. What's On Your Mind\u003cbr\u003e12. Crazy Eyes\u003cbr\u003e13. Boru\u003cbr\u003e14. Rahasia\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBig Crown is proud to present Thee Marloes’ sophomore album, Di Hotel Malibu. It arrives as a widening of the frame — a confident step away from the lines that once neatly held their sound, and toward something more porous, conversational, and deeply Indonesian. It’s been two years since Perak, the Surabaya trio’s debut for Big Crown Records, introduced their unique sound. This new record doesn’t abandon that lineage so much as stretch it, showing how much they have grown as a band since the release of their debut and all the experiences that came with it. Composed of vocalist and keyboardist Natassya Sianturi, guitarist and producer Sinatrya Dharaka and drummer Tommy Satwick, Thee Marloes have always worked as a unit, their songs shaped by shared reference points and a lived-in sense of groove. On this album, that collective language expands. The arrangements move across a broader spectrum, with new instrumental colors, unexpected rhythmic turns, and a looser approach to structure. The band describes it as a response to the last two years of living: social realities, love lives in flux, and all that success has brought into their lives.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album opener “Under the Silver Moon” is a stone cold two-stepper that addresses the bitter and the sweet of long\u003cspan class=\"bcTruncateMore\"\u003e-distance love affairs over a breezy musical backdrop. “Six Years” is a page from singer Natassya Sianturi’s life and her struggle to take the step of leaving a comfortable and stable daytime job to follow her dreams of a full-time career in music. “Harap Dan Ragu” explores life, death, and the emotions that orbit them, opening with an earworm guitar riff that ushers in Sianturi’s honeyed vocals, this time in her native language of Indonesian. The album continues to switch vibes and tones track to track with the darker, more introspective “The More”. The gorgeous musicianship and pulsing drums are met with the deeply poetic lyrics that walk the line between futility and unbreakable resilience. Thee Marloes dip into their drop dead gorgeous ballad bag with “Through the Changes” with a powerful yet delicate song about how we imagine and deal with what comes after death. “Boru” sung entirely in Batak, a traditional language from North Sumatera, goes further into asserting heritage as a foundation and mission statement for the group while “I’d Be Lost” takes us back to the dancefloor with a light and lovely profession of love. \u003cbr\u003e\u003cbr\u003eIn the end, Di Hotel Malibu is the result of the best type of inspiration: the global attention Thee Marloes have earned, and the chance to play their homegrown music for fans around the world has put wind in their sails. Enjoy the record, then catch them as they tour the globe. Soul Music from Surabaya, another Big Crown Sureshot.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Thee Marloes\u003c\/p\u003e\n\u003cp\u003eLabel : Big Crown Records\u003c\/p\u003e\n\u003cp\u003ecat no : BCR202lp\u003c\/p\u003e","published_at":"2026-04-27T16:00:45+09:00","created_at":"2026-04-27T10:17:55+09:00","vendor":"Tobira Records","type":"","tags":["big crown records","folk \/ left-field pop","hiphop \/ funk","jazz","lp","new","recommended"],"price":359000,"price_min":359000,"price_max":359000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48774676742394,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Thee Marloes \/\/ Di Hotel Malibu LP [COLOR]","public_title":null,"options":["Default Title"],"price":359000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"349223020267","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/di1_bab6ea08-dd31-42e0-8403-b428bd250497.jpg?v=1777252596"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/di1_bab6ea08-dd31-42e0-8403-b428bd250497.jpg?v=1777252596","options":["Title"],"media":[{"alt":null,"id":39155940950266,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/di1_bab6ea08-dd31-42e0-8403-b428bd250497.jpg?v=1777252596"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/di1_bab6ea08-dd31-42e0-8403-b428bd250497.jpg?v=1777252596","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5\/22リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eインドネシア・ジャワ島のソウルトリオThee Marloesが、2026年5月にアメリカ・NYのソウルレーベルBig Crownからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e今夏を彩るネオソウル・バラード〜ファンク14曲を収録。クリアエメラルド盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBig Crownは、Thee Marloesのセカンド・アルバム『Di Hotel Malibu』を誇りを持って発表する。本作は、彼らのサウンドをかつてきっちりと枠にはめていた境界線から自信を持って一歩踏み出し、より開放的で、対話的であり、そして深くインドネシア的な何かへと向かう、視野の広がりとして登場する。スラバヤ出身のトリオがBig Crown Recordsからデビューし、そのユニークなサウンドを世に送り出した『Perak』から、2年の歳月が流れた。この新作は、その系譜を捨てるというよりはむしろそれを拡張するものであり、デビュー作のリリース以来、そしてそれに伴う数々の経験を通じて、彼らがバンドとしてどれほど成長したかを示している。ボーカル兼キーボードのナタッシャ・シアンチュリ、ギタリスト兼プロデューサーのシナトリア・ダラカ、ドラマーのトミー・サトウィックからなるThee Marloesは、常に一体となって活動し、共通の参照点と、生活感あふれるグルーヴによって楽曲を形作ってきた。今作では、その集団的な表現がさらに広がっている。アレンジはより広いスペクトルを駆け巡り、新たな楽器の色彩、予想外のリズムの展開、そしてより自由な構成へのアプローチが見られる。バンドはこれを、過去2年間の生活——社会的な現実、流動的な恋愛事情、そして成功がもたらしたあらゆるもの——への応答だと語っている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアルバムのオープニングを飾る「Under the Silver Moon」は、爽やかな音楽的背景に乗せて、遠距離恋愛の甘くも苦い現実を歌い上げた、クールなツーステップナンバーだ。「Six Years」は、ボーカルのナタシャ・シアンチュリ自身の人生の一幕であり、安定的で快適な日中の仕事を辞め、音楽でのフルタイムのキャリアという夢を追うという決断を下すまでの葛藤を描いている。「Harap Dan Ragu」は、生と死、そしてそれらを取り巻く感情を探求する楽曲で、耳に残るギターリフで幕を開け、シアンチュリの甘美な歌声へと導く。今回は彼女の母国語であるインドネシア語で歌われている。アルバムは曲ごとに雰囲気とトーンを変え続け、より暗く内省的な「The More」へと続く。華麗な演奏と脈打つドラムは、虚しさと不屈のレジリエンスの狭間を歩む、深く詩的な歌詞と見事に調和している。Thee Marloesは「Through the Changes」で、死後の世界をどう想像し、どう向き合うかを描いた、力強くも繊細な楽曲を通じて、彼らの息をのむほど美しいバラードのレパートリーを披露している。北スマトラの伝統語であるバタク語で全編歌われた「Boru」は、グループの基盤であり使命であるルーツをさらに強く主張する一方、「I’d Be Lost」は軽やかで愛らしい愛の告白と共に、私たちを再びダンスフロアへと誘う。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e結局のところ、『Di Hotel Malibu』は最高のインスピレーションの結晶だ。Thee Marloesが世界中から注目を集め、自国の音楽を世界中のファンに届ける機会を得たことが、彼らの原動力となっている。このアルバムを堪能したら、ぜひ彼らの世界ツアーをチェックしてほしい。スラバヤ発のソウルミュージック、またしてもBig Crownの確かな一作だ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1537652557\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=174941015\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1537652557\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1537652557\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2664064796\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003ehere\u003c\/a\u003e to see more Big Crown Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 22nd May 2026\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" clear emerald vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Under the Silver Moon\u003cbr\u003e2. 6 Years\u003cbr\u003e3. Harap Dan Ragu\u003cbr\u003e4. Through the Changes\u003cbr\u003e5. Di Hotel Malibu\u003cbr\u003e6. I'd Be Lost\u003cbr\u003e7. Di Dalam\u003cbr\u003e8. I'm Just a Girl\u003cbr\u003e9. The More\u003cbr\u003e10. Selatan\u003cbr\u003e11. What's On Your Mind\u003cbr\u003e12. Crazy Eyes\u003cbr\u003e13. Boru\u003cbr\u003e14. Rahasia\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBig Crown is proud to present Thee Marloes’ sophomore album, Di Hotel Malibu. It arrives as a widening of the frame — a confident step away from the lines that once neatly held their sound, and toward something more porous, conversational, and deeply Indonesian. It’s been two years since Perak, the Surabaya trio’s debut for Big Crown Records, introduced their unique sound. This new record doesn’t abandon that lineage so much as stretch it, showing how much they have grown as a band since the release of their debut and all the experiences that came with it. Composed of vocalist and keyboardist Natassya Sianturi, guitarist and producer Sinatrya Dharaka and drummer Tommy Satwick, Thee Marloes have always worked as a unit, their songs shaped by shared reference points and a lived-in sense of groove. On this album, that collective language expands. The arrangements move across a broader spectrum, with new instrumental colors, unexpected rhythmic turns, and a looser approach to structure. The band describes it as a response to the last two years of living: social realities, love lives in flux, and all that success has brought into their lives.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album opener “Under the Silver Moon” is a stone cold two-stepper that addresses the bitter and the sweet of long\u003cspan class=\"bcTruncateMore\"\u003e-distance love affairs over a breezy musical backdrop. “Six Years” is a page from singer Natassya Sianturi’s life and her struggle to take the step of leaving a comfortable and stable daytime job to follow her dreams of a full-time career in music. “Harap Dan Ragu” explores life, death, and the emotions that orbit them, opening with an earworm guitar riff that ushers in Sianturi’s honeyed vocals, this time in her native language of Indonesian. The album continues to switch vibes and tones track to track with the darker, more introspective “The More”. The gorgeous musicianship and pulsing drums are met with the deeply poetic lyrics that walk the line between futility and unbreakable resilience. Thee Marloes dip into their drop dead gorgeous ballad bag with “Through the Changes” with a powerful yet delicate song about how we imagine and deal with what comes after death. “Boru” sung entirely in Batak, a traditional language from North Sumatera, goes further into asserting heritage as a foundation and mission statement for the group while “I’d Be Lost” takes us back to the dancefloor with a light and lovely profession of love. \u003cbr\u003e\u003cbr\u003eIn the end, Di Hotel Malibu is the result of the best type of inspiration: the global attention Thee Marloes have earned, and the chance to play their homegrown music for fans around the world has put wind in their sails. Enjoy the record, then catch them as they tour the globe. Soul Music from Surabaya, another Big Crown Sureshot.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Thee Marloes\u003c\/p\u003e\n\u003cp\u003eLabel : Big Crown Records\u003c\/p\u003e\n\u003cp\u003ecat no : BCR202lp\u003c\/p\u003e"}
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※5/22リリースです インドネシア・ジャワ島のソウルトリオThee Marloesが、2026年5月にアメリカ・NYのソウルレーベルBig Crownからリリースしたレコードです。 今夏を彩るネオソウル・バラード〜ファンク14曲を収録。クリアエメラルド盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "Big Crownは、Thee Marloesのセカンド・アルバム『Di Hotel Malibu』を誇りを持って発表する。本作は、彼らのサウンドをかつてきっちりと枠にはめていた境界線から自信を持って一歩踏み出し、より開放的で、対話的であり、そして深くインドネシア的な何かへと向かう、視野の広がりとして登場する。スラバヤ出身のトリオがBig Crown Recordsからデビューし、そのユニークなサウンドを世に送り出した『Perak』から、2年の歳月が流れた。この新作は、その系譜を捨てるというよりはむしろそれを拡張するものであり、デビュー作のリリース以来、そしてそれに伴う数々の経験を通じて、彼らがバンドとしてどれほど成長したかを示している。ボーカル兼キーボードのナタッシャ・シアンチュリ、ギタリスト兼プロデューサーのシナトリア・ダラカ、ドラマーのトミー・サトウィックからなるThee...
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{"id":9206643196154,"title":"Various Artists (Dinzu Artefacts) \/\/ 2026 Spring Cassette Batch 5xTAPE","handle":"various-artists-dinzu-artefacts-2026-spring-cassette-batch-5xtape","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・LAの実験レーベルDinzu Artefactsが、2026年4月に75部限定でリリースした5本組カセットです。\u003c\/p\u003e\n\u003cp\u003e物音〜ドローン〜インプロなど16曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1172916247\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2941202676\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1439267345\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=288716092\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=578839787\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=480584921\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInclude DL codes.\u003cbr\u003e5 Cassettes in norelco cases.\u003cbr\u003eEdition of 75 copies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDNZ122 Drew Wesely – Silence is a Sharpened Blade\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Offering 17:38\u003cbr\u003e2. Spells of Protection 13:30\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDNZ123 Camilo Ángeles – Flautas Ahogadas para Jacobo Grinberg\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1. Flautas Ahogadas 11:24\u003cbr\u003e2. Para Jacobo Grinberg 10:12\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDNZ124 Laura Cocks – A Pearl in the Jaw\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. I\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e06:15\u003cbr\u003e2. II \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e07:55\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDNZ125 Lester St. Louis – THE END SITE\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. Limited Destination 10:08\u003cbr\u003e2. The Light Bent 12:00\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDNZ126 Carlo Costa – Ashes \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. I 03:19\u003cbr\u003e2. II 03:26\u003cbr\u003e3. III 06:14\u003cbr\u003e4. IV 03:13\u003cbr\u003e5. V 03:01\u003cbr\u003e6. VI 04:53\u003cbr\u003e7. VII 03:46\u003cbr\u003e8. VIII 02:02\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the label:\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDNZ122 Drew Wesely – Silence is a Sharpened Blade\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Silence is a Sharpened Blade speaks in the language of materiality — a stripped bare mantra of nylon and wood conjures unspoken and veiled interiors, channeling the intimacy of a single guitar alone in a room. Silence is a mirror, a shadow, an absence. It speaks when words fail in the poetry of negative numbers. Where do we go when the lights burn out? What is beauty in hell? What can pierce a heart of stone? Silence is a teacher, a doorway, a paradox. Silence is a sharpened blade.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDNZ123 Camilo Ángeles – Flautas Ahogadas para Jacobo Grinberg\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eFlutes and electronics trace the cartography of a mind erased, a telepathic homage, a breath, an oscillation between different realities, silence, vacuum, all amplifies what empire could not afford to let be known.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDNZ124 Laura Cocks – A Pearl in the Jaw\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"A Pearl in the Jaw is a prayer in the physical process of release and return—a collapsable space between intimacy, introversion, and internal worlds and what utterances become boiled down to purity as we shrink ourselves. Our own kernels of truth, sharpened and shined as we hold onto ourselves in periods or spaces of friction. The nacre offers calming, glowing warmth, and also refractive possibilities endless in scope. Structures that interfere both constructively and destructively with light: to speak pearl is to ask for water. To speak pearl is to understand interwoven scales of time, to pull lace through milk, to chew on interference.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDNZ125 Lester St. Louis – THE END SITE\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e \"Compositions for cello, electronics, EMF and feedback\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDNZ126 Carlo Costa – Ashes \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eAshes consists of 8 concise pieces, each developed on specific setups, with a particular combination of instruments and objects. Each track acts as its own sonic microcosm, where a few distinct sounds and textures are explored and intimately captured. The title comes from Zen master Dōgen Zenji's metaphor for being fully present, burning through thoughts like a hot fire where no traces are left after, only ashes.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various Artists \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Dinzu Artefacts\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003c\/span\u003eDNZ122 - 127\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 17th April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-26T15:47:20+09:00","created_at":"2026-04-26T15:32:43+09:00","vendor":"Tobira Records","type":"","tags":["dinzu artefacts","drone","jazz","monooto","new","strange beats","tape"],"price":699800,"price_min":699800,"price_max":699800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48772166811898,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (Dinzu Artefacts) \/\/ 2026 Spring Cassette Batch 5xTAPE","public_title":null,"options":["Default Title"],"price":699800,"weight":300,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/0043766034_10.jpg?v=1777185181","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_6329.jpg?v=1777186035"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/0043766034_10.jpg?v=1777185181","options":["Title"],"media":[{"alt":null,"id":39152089759994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0043766034_10.jpg?v=1777185181"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0043766034_10.jpg?v=1777185181","width":1200},{"alt":null,"id":39152195830010,"position":2,"preview_image":{"aspect_ratio":1.0,"height":2015,"width":2015,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_6329.jpg?v=1777186035"},"aspect_ratio":1.0,"height":2015,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_6329.jpg?v=1777186035","width":2015}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・LAの実験レーベルDinzu Artefactsが、2026年4月に75部限定でリリースした5本組カセットです。\u003c\/p\u003e\n\u003cp\u003e物音〜ドローン〜インプロなど16曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1172916247\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2941202676\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1439267345\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=288716092\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=578839787\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=480584921\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInclude DL codes.\u003cbr\u003e5 Cassettes in norelco cases.\u003cbr\u003eEdition of 75 copies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDNZ122 Drew Wesely – Silence is a Sharpened Blade\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Offering 17:38\u003cbr\u003e2. Spells of Protection 13:30\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDNZ123 Camilo Ángeles – Flautas Ahogadas para Jacobo Grinberg\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1. Flautas Ahogadas 11:24\u003cbr\u003e2. Para Jacobo Grinberg 10:12\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDNZ124 Laura Cocks – A Pearl in the Jaw\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. I\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e06:15\u003cbr\u003e2. II \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e07:55\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDNZ125 Lester St. Louis – THE END SITE\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. Limited Destination 10:08\u003cbr\u003e2. The Light Bent 12:00\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDNZ126 Carlo Costa – Ashes \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. I 03:19\u003cbr\u003e2. II 03:26\u003cbr\u003e3. III 06:14\u003cbr\u003e4. IV 03:13\u003cbr\u003e5. V 03:01\u003cbr\u003e6. VI 04:53\u003cbr\u003e7. VII 03:46\u003cbr\u003e8. VIII 02:02\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the label:\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDNZ122 Drew Wesely – Silence is a Sharpened Blade\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Silence is a Sharpened Blade speaks in the language of materiality — a stripped bare mantra of nylon and wood conjures unspoken and veiled interiors, channeling the intimacy of a single guitar alone in a room. Silence is a mirror, a shadow, an absence. It speaks when words fail in the poetry of negative numbers. Where do we go when the lights burn out? What is beauty in hell? What can pierce a heart of stone? Silence is a teacher, a doorway, a paradox. Silence is a sharpened blade.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDNZ123 Camilo Ángeles – Flautas Ahogadas para Jacobo Grinberg\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eFlutes and electronics trace the cartography of a mind erased, a telepathic homage, a breath, an oscillation between different realities, silence, vacuum, all amplifies what empire could not afford to let be known.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDNZ124 Laura Cocks – A Pearl in the Jaw\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"A Pearl in the Jaw is a prayer in the physical process of release and return—a collapsable space between intimacy, introversion, and internal worlds and what utterances become boiled down to purity as we shrink ourselves. Our own kernels of truth, sharpened and shined as we hold onto ourselves in periods or spaces of friction. The nacre offers calming, glowing warmth, and also refractive possibilities endless in scope. Structures that interfere both constructively and destructively with light: to speak pearl is to ask for water. To speak pearl is to understand interwoven scales of time, to pull lace through milk, to chew on interference.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDNZ125 Lester St. Louis – THE END SITE\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e \"Compositions for cello, electronics, EMF and feedback\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDNZ126 Carlo Costa – Ashes \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eAshes consists of 8 concise pieces, each developed on specific setups, with a particular combination of instruments and objects. Each track acts as its own sonic microcosm, where a few distinct sounds and textures are explored and intimately captured. The title comes from Zen master Dōgen Zenji's metaphor for being fully present, burning through thoughts like a hot fire where no traces are left after, only ashes.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various Artists \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Dinzu Artefacts\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003c\/span\u003eDNZ122 - 127\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 17th April 2026\u003c\/span\u003e\u003c\/p\u003e"}
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※5月上旬再入荷後発送します アメリカ・LAの実験レーベルDinzu Artefactsが、2026年4月に75部限定でリリースした5本組カセットです。 物音〜ドローン〜インプロなど16曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Dinzu Artefacts releases available at Tobira....
¥6,998
クイックビュー
{"id":9206568780026,"title":"Força Maior \/\/ Morte Lilás LP","handle":"forca-maior-morte-lilas-lp","description":"\u003cp\u003eポルトガルの実験音楽家funcionárioとサックス奏者Pedro SousaによるデュオForça Maiorが、2026年2月に同国Perfからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e現在は使われていない農場に1週間滞在して制作した実験アンビエント・ジャズ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/soundcloud%253Aplaylists%253A1986662412\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Perf\" href=\"https:\/\/soundcloud.com\/p-e-r-f\" target=\"_blank\"\u003ePerf\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Força Maior – Morte Lilás (PERF004)\" href=\"https:\/\/soundcloud.com\/p-e-r-f\/sets\/forca-maior\" target=\"_blank\"\u003eForça Maior – Morte Lilás (PERF004)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1. Quinta à Tarde 19:02\u003cbr\u003eA2. Cubos 2:01\u003cbr\u003eB1. Morte Lilás 11:20\u003cbr\u003eB2. Menta 3:01\u003cbr\u003eB3. Cascata do Inferno 7:00\u003c\/p\u003e\n\u003cp\u003eArtist : Força Maior\u003c\/p\u003e\n\u003cp\u003eLabel : Perf\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePERF004\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 13th February 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-29T07:15:57+09:00","created_at":"2026-04-26T08:41:31+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","jazz","lp","new","perf"],"price":479000,"price_min":479000,"price_max":479000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48771689906426,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Força Maior \/\/ Morte Lilás LP","public_title":null,"options":["Default Title"],"price":479000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fo1_95468d45-b45f-430b-ba54-e74c85ecae79.jpg?v=1777160405"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo1_95468d45-b45f-430b-ba54-e74c85ecae79.jpg?v=1777160405","options":["Title"],"media":[{"alt":null,"id":39148877119738,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo1_95468d45-b45f-430b-ba54-e74c85ecae79.jpg?v=1777160405"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo1_95468d45-b45f-430b-ba54-e74c85ecae79.jpg?v=1777160405","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポルトガルの実験音楽家funcionárioとサックス奏者Pedro SousaによるデュオForça Maiorが、2026年2月に同国Perfからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e現在は使われていない農場に1週間滞在して制作した実験アンビエント・ジャズ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/soundcloud%253Aplaylists%253A1986662412\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Perf\" href=\"https:\/\/soundcloud.com\/p-e-r-f\" target=\"_blank\"\u003ePerf\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Força Maior – Morte Lilás (PERF004)\" href=\"https:\/\/soundcloud.com\/p-e-r-f\/sets\/forca-maior\" target=\"_blank\"\u003eForça Maior – Morte Lilás (PERF004)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1. Quinta à Tarde 19:02\u003cbr\u003eA2. Cubos 2:01\u003cbr\u003eB1. Morte Lilás 11:20\u003cbr\u003eB2. Menta 3:01\u003cbr\u003eB3. Cascata do Inferno 7:00\u003c\/p\u003e\n\u003cp\u003eArtist : Força Maior\u003c\/p\u003e\n\u003cp\u003eLabel : Perf\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePERF004\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 13th February 2026\u003c\/span\u003e\u003c\/p\u003e"}
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ポルトガルの実験音楽家funcionárioとサックス奏者Pedro SousaによるデュオForça Maiorが、2026年2月に同国Perfからリリースしたレコードです。 現在は使われていない農場に1週間滞在して制作した実験アンビエント・ジャズ3曲を収録。 Perf · Força Maior – Morte Lilás (PERF004) ------------------------------------------------------ 12"...
¥4,790
クイックビュー
{"id":9205727789306,"title":"FloFilz \/\/ Hagaki LP + PHOTO BOOKLET","handle":"flofilz-hagaki-lp","description":"\u003cp\u003eドイツ・ベルリンのビートメイカーFloFilzが、2026年4月にケルンのヒップホップレーベルMelting Potからリリースしたレコードです。（オリジナルは2025年リリース）\u003c\/p\u003e\n\u003cp\u003eレイドバックなジャズ・ヒップホップ16曲を収録。ゲートフォルド仕様です。20ページの写真ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=740710319\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003ehere\u003c\/a\u003e to see more Melting Pot Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl in gatefold sleeve.\u003cbr\u003eIncludes 20-page photo booklet. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Furo \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e風呂\u003cbr\u003e\u003c\/span\u003e2. Setagaya Samba 02:22\u003cbr\u003e3. Taito City Hideout (feat. Takuya Kuroda) 02:38\u003cbr\u003e4. Kimochi ii \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e気持ちいい\u003cbr\u003e\u003c\/span\u003e5. Yoinokuchi \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e宵の口\u003c\/span\u003e 02:45\u003cbr\u003e6. 6F Encounters\u003cbr\u003e7. Yokohama Yard (feat. tajima hal \u0026amp; Lidly)\u003cbr\u003e8. Inemuri \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e居眠り\u003cbr\u003e\u003c\/span\u003e9. 20today (feat. 12Vince)\u003cbr\u003e10. Kaki \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e柿\u003cbr\u003e\u003c\/span\u003e11. Ma \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e間\u003cbr\u003e\u003c\/span\u003e12. Atélier (feat. Matt Wilde \u0026amp; Toshiki Soejima) 03:01\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. Insomnia (feat. Nao Yoshioka) 02:59\u003cbr\u003e\u003c\/span\u003e14. Yōkai \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e妖怪\u003cbr\u003e\u003c\/span\u003e15. Forest Crab (feat. Budamunk)\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e16. Sunken Stones\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\"\u003cem\u003e...In 2014, FloFilz and Melting Pot Music launched an album series that explores the culture, vibe, and landscape of cities he loves—both musically and visually. The visual side is handled by\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e Robert Winter, a well-known music and travel photographer immersed in Germany’s hip-hop and beat producer scene. For the first album, 'Metronom', FloFilz, Robert Winter, and Melting Pot Music founder Olski traveled to Paris. For 'Cenário' (2016) and 'Transit' (2019), they visited Lisbon and London. Each album is released as a high-quality gatefold edition and includes a 20-page photo book.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor 'Hagaki', the fourth volume in the series, FloFilz traveled to Japan, where he spent a full month working on music and visuals. 'Hagaki' means 'postcard' in Japanese. The album is a multidisciplinary love letter and a dialogue with Japanese culture and music. FloFilz had visited Japan several times before—playing shows in Tokyo, Osaka, and Kyoto; enjoying some of the best food he’d ever had; and discovering rare records in meticulously curated record stores. He also ventured beyond the big cities, hiking through mountains, forests, and along coastlines. These experiences deepened his appreciation for how Japanese culture emphasizes harmony with nature. The attention to detail and sincerity found in Japanese art and craftsmanship are qualities that also define FloFilz's approach to music-making.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Hagaki' is dedicated to Tokyo, the Japanese capital and the most populous city in the world, with over 37 million residents. FloFilz, Robert Winter, and Olski immersed themselves in the city and its culture. They visited jazz joints, ramen shops, record stores, tea houses, temples—and even more record stores. They attended performances by local jazz artists like Uyama Hiroto and Manchester’s own Matthew Halsall at the iconic Blue Note club. FloFilz performed at the Jazzy Sport x Roland Anniversary Party and was invited by Ella Records for a DJ set and an in-depth video interview about record culture and digging.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDuring their trip, they reconnected with old music friends and made new ones—from Mitsu The Beats, Budamunk, and Lidly to the entire Jazzy Sport crew and the welcoming team at Ella Records. FloFilz also hit the studio with trumpeter Takuya Kuroda, vocalist Nao Yoshioka, guitarist Toshiki Soejima, and some of Tokyo’s most respected beatmakers.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : FloFilz\u003c\/p\u003e\n\u003cp\u003eLabel : Melting Pot Music\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMPM347XLP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-25T15:17:47+09:00","created_at":"2026-04-25T15:17:22+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","lp","melting pot","new","recommended"],"price":599400,"price_min":599400,"price_max":599400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48763090895098,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"FloFilz \/\/ Hagaki LP + PHOTO BOOKLET","public_title":null,"options":["Default Title"],"price":599400,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"673793334715","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hag1.jpg?v=1755480470","\/\/tobirarecords.com\/cdn\/shop\/files\/0040269718_10.jpg?v=1776988154","\/\/tobirarecords.com\/cdn\/shop\/files\/0040270535_10.jpg?v=1776988151"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hag1.jpg?v=1755480470","options":["Title"],"media":[{"alt":null,"id":36575293210874,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hag1.jpg?v=1755480470"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hag1.jpg?v=1755480470","width":700},{"alt":null,"id":39131005190394,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0040269718_10.jpg?v=1776988154"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0040269718_10.jpg?v=1776988154","width":1200},{"alt":null,"id":39131004797178,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0040270535_10.jpg?v=1776988151"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0040270535_10.jpg?v=1776988151","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンのビートメイカーFloFilzが、2026年4月にケルンのヒップホップレーベルMelting Potからリリースしたレコードです。（オリジナルは2025年リリース）\u003c\/p\u003e\n\u003cp\u003eレイドバックなジャズ・ヒップホップ16曲を収録。ゲートフォルド仕様です。20ページの写真ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=740710319\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003ehere\u003c\/a\u003e to see more Melting Pot Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl in gatefold sleeve.\u003cbr\u003eIncludes 20-page photo booklet. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Furo \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e風呂\u003cbr\u003e\u003c\/span\u003e2. Setagaya Samba 02:22\u003cbr\u003e3. Taito City Hideout (feat. Takuya Kuroda) 02:38\u003cbr\u003e4. Kimochi ii \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e気持ちいい\u003cbr\u003e\u003c\/span\u003e5. Yoinokuchi \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e宵の口\u003c\/span\u003e 02:45\u003cbr\u003e6. 6F Encounters\u003cbr\u003e7. Yokohama Yard (feat. tajima hal \u0026amp; Lidly)\u003cbr\u003e8. Inemuri \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e居眠り\u003cbr\u003e\u003c\/span\u003e9. 20today (feat. 12Vince)\u003cbr\u003e10. Kaki \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e柿\u003cbr\u003e\u003c\/span\u003e11. Ma \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e間\u003cbr\u003e\u003c\/span\u003e12. Atélier (feat. Matt Wilde \u0026amp; Toshiki Soejima) 03:01\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. Insomnia (feat. Nao Yoshioka) 02:59\u003cbr\u003e\u003c\/span\u003e14. Yōkai \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e妖怪\u003cbr\u003e\u003c\/span\u003e15. Forest Crab (feat. Budamunk)\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e16. Sunken Stones\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\"\u003cem\u003e...In 2014, FloFilz and Melting Pot Music launched an album series that explores the culture, vibe, and landscape of cities he loves—both musically and visually. The visual side is handled by\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e Robert Winter, a well-known music and travel photographer immersed in Germany’s hip-hop and beat producer scene. For the first album, 'Metronom', FloFilz, Robert Winter, and Melting Pot Music founder Olski traveled to Paris. For 'Cenário' (2016) and 'Transit' (2019), they visited Lisbon and London. Each album is released as a high-quality gatefold edition and includes a 20-page photo book.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor 'Hagaki', the fourth volume in the series, FloFilz traveled to Japan, where he spent a full month working on music and visuals. 'Hagaki' means 'postcard' in Japanese. The album is a multidisciplinary love letter and a dialogue with Japanese culture and music. FloFilz had visited Japan several times before—playing shows in Tokyo, Osaka, and Kyoto; enjoying some of the best food he’d ever had; and discovering rare records in meticulously curated record stores. He also ventured beyond the big cities, hiking through mountains, forests, and along coastlines. These experiences deepened his appreciation for how Japanese culture emphasizes harmony with nature. The attention to detail and sincerity found in Japanese art and craftsmanship are qualities that also define FloFilz's approach to music-making.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Hagaki' is dedicated to Tokyo, the Japanese capital and the most populous city in the world, with over 37 million residents. FloFilz, Robert Winter, and Olski immersed themselves in the city and its culture. They visited jazz joints, ramen shops, record stores, tea houses, temples—and even more record stores. They attended performances by local jazz artists like Uyama Hiroto and Manchester’s own Matthew Halsall at the iconic Blue Note club. FloFilz performed at the Jazzy Sport x Roland Anniversary Party and was invited by Ella Records for a DJ set and an in-depth video interview about record culture and digging.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDuring their trip, they reconnected with old music friends and made new ones—from Mitsu The Beats, Budamunk, and Lidly to the entire Jazzy Sport crew and the welcoming team at Ella Records. FloFilz also hit the studio with trumpeter Takuya Kuroda, vocalist Nao Yoshioka, guitarist Toshiki Soejima, and some of Tokyo’s most respected beatmakers.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : FloFilz\u003c\/p\u003e\n\u003cp\u003eLabel : Melting Pot Music\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMPM347XLP\u003c\/span\u003e\u003c\/p\u003e"}
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ドイツ・ベルリンのビートメイカーFloFilzが、2026年4月にケルンのヒップホップレーベルMelting Potからリリースしたレコードです。（オリジナルは2025年リリース） レイドバックなジャズ・ヒップホップ16曲を収録。ゲートフォルド仕様です。20ページの写真ブックレット付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Melting Pot Music releases available at...
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クイックビュー
{"id":9205617885434,"title":"Andreas Tschopp \/\/ What If We Align Our Breath LP [COLOR]","handle":"andreas-tschopp-what-if-we-align-our-breath-lp-color","description":"\u003cp\u003eスイスのトロンボーン奏者Andreas Tschoppが、2026年3月にイギリス・ロンドンのアンビエントレーベルKit Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eエキゾチックなアンビエント・ジャズ10曲を収録。エメラルドグリーン盤です。\u003c\/p\u003e\n\u003cp\u003eShane Cooper—double bass\u003cbr\u003eBen LaMar Gay—cornet\u003cbr\u003eGontse Makhene—udu drums\u003cbr\u003eKoleka Putuma—voice, poetry \u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003e先駆的なスイスのトロンボーン奏者／作曲家Andreas Tschoppは、コンテンポラリー・ジャズと南アフリカのホーン、そして手作りのオカリナを融合させ、これまでにない全く新しいアルバムを生み出した。『What if We Align Our Breath』は、国境やジャンル、そして時間そのものの境界線を無視し、幽玄な軽やかさで管楽器の歴史を貫く糸を紡ぎ出している。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの作品の核心にあるのは、螺旋状に巻き上がった、骨のようなクドゥ（カモシカ）の角だ。この楽器は、何千年もの間、南アフリカの先住民の儀式や合図システムに、その心を揺さぶる鳴き声を捧げてきた。Andreas Tschoppはこれらの角を群れさせ、調和させ、神聖な用途を超えて引き伸ばす。彼の拡張された奏法は、憂いを帯びた、遊び心あふれる数々の声を誘い出し、アルバム全体を駆け巡らせる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eトロンボーンやアルパイン・フルートの華やかな装飾音、そしてコントラバス（シェーン・クーパー）、コルネット（ベン・ラマー・ゲイ）、ウドゥ・ドラム（ゴンツェ・マケネ）、スポークン・ワード（コレカ・プトゥマ）による豪華なサポート陣が、グルーヴや対旋律、そして土着的な内省をこの作品にもたらしている。これは想像を絶する音楽だ。金管楽器、粘土、骨が織りなすため息のようなタペストリーは、ある種の前意識的なつながりをほのめかし、時間を超越して歓喜し、息を吐き、抱擁する姿を描き出している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2941241975\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003ehere\u003c\/a\u003e to see more Kit Records \/ SWIMS releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" teal vinyl.\u003cbr\u003eEdition of 300 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Lake Will Give You Everything You Need 02:45\u003cbr\u003e2. Sounding the Voice (feat. Koleka Putuma) 04:09\u003cbr\u003e3. The Poetry of the In-Between (feat. Shane Cooper) 03:25\u003cbr\u003e4. Iqhude: A Tale of Horns and Bones 03:41\u003cbr\u003e5. I Am Because You Are 03:07\u003cbr\u003e6. Portals 02:42\u003cbr\u003e7. A Basic Guide to String Theory (feat. Shane Cooper) 02:07\u003cbr\u003e8. Everything is Connected to Everything Else (feat. Ben LaMar Gay \u0026amp; Gontse Makhene) 03:13 \u003cbr\u003e9. We Oscillate, We Modulate 03:00\u003cbr\u003e10. Mothers 02:52\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePioneering Swiss trombonist and composer Andreas Tschopp marries contemporary jazz with South African horns and homemade ocarinas, creating a record quite unlike anything you've heard before. \"What if We Align Our Breath\" disregards the curvature of borders, genre, and time itself - tugging a thread through the history of wind instrumentation with ghostly agility.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt the heart of the record lie spiralling, bonelike kudu (antelope) horns - instruments that have lent their stirring calls to indigenous South African rituals and signalling systems for millennia. These horns are clustered, harmonised and stretched beyond their godly usage by Tschopp - his extended techniques coaxing an array of melancholy, playful voices to canter through the album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFlourishes of trombone, alpine flutes and a stellar supporting cast on double bass (Shane Cooper), cornet (Ben LaMar Gay), udu drums (Gontse Makhene) and spoken word (Koleka Putuma) bring groove, countermelody and a sense of earthy introspection to the proceedings. This is inconceivable music: a sighing tapestry of brass, clay and bone that hints at some preconscious connectedness, tracing figures that rejoice, exhale and embrace outside of time.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andreas Tschopp\u003c\/p\u003e\n\u003cp\u003eLabel : Kit Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKR89\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 20th March 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-25T12:24:33+09:00","created_at":"2026-04-25T11:09:40+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","kit records","lp","new"],"price":443400,"price_min":443400,"price_max":443400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48762051395834,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Andreas Tschopp \/\/ What If We Align Our Breath LP [COLOR]","public_title":null,"options":["Default Title"],"price":443400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/and1_bba33e1e-f4f0-463c-831e-8997757f11f1.jpg?v=1777082863","\/\/tobirarecords.com\/cdn\/shop\/files\/and2_79f5cd5f-3473-4c52-8cc0-d495a039eea9.jpg?v=1777082863"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/and1_bba33e1e-f4f0-463c-831e-8997757f11f1.jpg?v=1777082863","options":["Title"],"media":[{"alt":null,"id":39138409152762,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/and1_bba33e1e-f4f0-463c-831e-8997757f11f1.jpg?v=1777082863"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/and1_bba33e1e-f4f0-463c-831e-8997757f11f1.jpg?v=1777082863","width":350},{"alt":null,"id":39138409185530,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/and2_79f5cd5f-3473-4c52-8cc0-d495a039eea9.jpg?v=1777082863"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/and2_79f5cd5f-3473-4c52-8cc0-d495a039eea9.jpg?v=1777082863","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスイスのトロンボーン奏者Andreas Tschoppが、2026年3月にイギリス・ロンドンのアンビエントレーベルKit Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eエキゾチックなアンビエント・ジャズ10曲を収録。エメラルドグリーン盤です。\u003c\/p\u003e\n\u003cp\u003eShane Cooper—double bass\u003cbr\u003eBen LaMar Gay—cornet\u003cbr\u003eGontse Makhene—udu drums\u003cbr\u003eKoleka Putuma—voice, poetry \u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003e先駆的なスイスのトロンボーン奏者／作曲家Andreas Tschoppは、コンテンポラリー・ジャズと南アフリカのホーン、そして手作りのオカリナを融合させ、これまでにない全く新しいアルバムを生み出した。『What if We Align Our Breath』は、国境やジャンル、そして時間そのものの境界線を無視し、幽玄な軽やかさで管楽器の歴史を貫く糸を紡ぎ出している。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの作品の核心にあるのは、螺旋状に巻き上がった、骨のようなクドゥ（カモシカ）の角だ。この楽器は、何千年もの間、南アフリカの先住民の儀式や合図システムに、その心を揺さぶる鳴き声を捧げてきた。Andreas Tschoppはこれらの角を群れさせ、調和させ、神聖な用途を超えて引き伸ばす。彼の拡張された奏法は、憂いを帯びた、遊び心あふれる数々の声を誘い出し、アルバム全体を駆け巡らせる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eトロンボーンやアルパイン・フルートの華やかな装飾音、そしてコントラバス（シェーン・クーパー）、コルネット（ベン・ラマー・ゲイ）、ウドゥ・ドラム（ゴンツェ・マケネ）、スポークン・ワード（コレカ・プトゥマ）による豪華なサポート陣が、グルーヴや対旋律、そして土着的な内省をこの作品にもたらしている。これは想像を絶する音楽だ。金管楽器、粘土、骨が織りなすため息のようなタペストリーは、ある種の前意識的なつながりをほのめかし、時間を超越して歓喜し、息を吐き、抱擁する姿を描き出している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2941241975\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003ehere\u003c\/a\u003e to see more Kit Records \/ SWIMS releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" teal vinyl.\u003cbr\u003eEdition of 300 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Lake Will Give You Everything You Need 02:45\u003cbr\u003e2. Sounding the Voice (feat. Koleka Putuma) 04:09\u003cbr\u003e3. The Poetry of the In-Between (feat. Shane Cooper) 03:25\u003cbr\u003e4. Iqhude: A Tale of Horns and Bones 03:41\u003cbr\u003e5. I Am Because You Are 03:07\u003cbr\u003e6. Portals 02:42\u003cbr\u003e7. A Basic Guide to String Theory (feat. Shane Cooper) 02:07\u003cbr\u003e8. Everything is Connected to Everything Else (feat. Ben LaMar Gay \u0026amp; Gontse Makhene) 03:13 \u003cbr\u003e9. We Oscillate, We Modulate 03:00\u003cbr\u003e10. Mothers 02:52\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePioneering Swiss trombonist and composer Andreas Tschopp marries contemporary jazz with South African horns and homemade ocarinas, creating a record quite unlike anything you've heard before. \"What if We Align Our Breath\" disregards the curvature of borders, genre, and time itself - tugging a thread through the history of wind instrumentation with ghostly agility.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt the heart of the record lie spiralling, bonelike kudu (antelope) horns - instruments that have lent their stirring calls to indigenous South African rituals and signalling systems for millennia. These horns are clustered, harmonised and stretched beyond their godly usage by Tschopp - his extended techniques coaxing an array of melancholy, playful voices to canter through the album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFlourishes of trombone, alpine flutes and a stellar supporting cast on double bass (Shane Cooper), cornet (Ben LaMar Gay), udu drums (Gontse Makhene) and spoken word (Koleka Putuma) bring groove, countermelody and a sense of earthy introspection to the proceedings. This is inconceivable music: a sighing tapestry of brass, clay and bone that hints at some preconscious connectedness, tracing figures that rejoice, exhale and embrace outside of time.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andreas Tschopp\u003c\/p\u003e\n\u003cp\u003eLabel : Kit Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKR89\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 20th March 2026\u003c\/span\u003e\u003c\/p\u003e"}
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スイスのトロンボーン奏者Andreas Tschoppが、2026年3月にイギリス・ロンドンのアンビエントレーベルKit Recordsからリリースしたレコードです。 エキゾチックなアンビエント・ジャズ10曲を収録。エメラルドグリーン盤です。 Shane Cooper—double bassBen LaMar Gay—cornetGontse Makhene—udu drumsKoleka Putuma—voice, poetry ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ...
¥4,434
クイックビュー
{"id":9205614379258,"title":"Loula Yorke (featuring Charlotte Jolly) \/\/ Salix TAPE","handle":"loula-yorke-featuring-charlotte-jolly-salix-tape","description":"\u003cp\u003eイギリスのモジュラー奏者Loula Yorkeが、2026年4月に自身主宰レーベルTruxalisからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアンティークのモルガンとクラリネットによるアコースティック・ドローン3曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Salix』は、モジュラー・シンセシストのLoula Yorkeにとって大胆な新たな試みである。本作では、アンティークのリードオルガンを用いて、魔法、神話、医療におけるヤナギの木の古代のルーツを探求するとともに、クラリネット奏者のシャーロット・ジョリーを初めて自身のレコーディング・スタジオに招き入れている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのEPは、ある特異な楽器の音響アーカイブとなっている。それは、アサイラム・スタジオ（サフォークにあるアーティスト協同組合で、Loula YorkeのTruxalisレーベルメイトであり生涯のコラボレーターであるセイチェがスタジオスペースを構えている場所）の前の入居者が残していったアンティークのフリーリードオルガンだ。このオルガンは状態が悪く、興味深くも痛々しいほど音程が狂っている。Loula Yorkeの録音は、経年と放置によって増幅された数々の特異な癖を引き出している。木製のペダルから響く力強いリズミカルなきしみ音、特定の音程で本体の奥底から湧き上がる骨を震わせるような共鳴、人間の声を思わせる軀体内部からの予期せぬ倍音の衝突による叫び、壊れたリードから発せられる鋭く甲高い笛音、そしてLoula Yorkeが様々なストップの組み合わせを試行錯誤することで解き放たれた力強い音色。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Salix』を構成する3曲は、地元のシダレヤナギの木にインスピレーションを得たものである。1年間にわたって撮影され続けた、絶え間ない伴侶のような存在だ。渦に巻き込まれた枝。喪に服する乙女。間違った方向を指し示す枝。逆さまになった木。手編みの柳の籠、集め、蓄えるための古来の技法。失恋した吟遊詩人の冥界への旅路、身を守るために片腕に抱えた柳の束……\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1389328565\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1389328565\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=330383318\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003cbr\u003eCassette edition of 100 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. the carrier bag theory of fiction 02:32\u003cbr\u003e2. bundle of styx (feat. charlotte jolly) 07:23\u003cbr\u003e3. with the red dawn (feat. charlotte jolly) 10:22\u003c\/p\u003e\n\u003cp\u003eText excerpt from the artist:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eSalix is a bold new departure for modular synthesist Loula Yorke, seen here using an antique reed organ to explore the ancient roots of willow trees in magic, myth and medicine, as well as inviting another musician into her recording studio for the first time, clarinettist Charlotte Jolly.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe EP forms a sonic archive of a singular instrument: an antique free reed organ left behind by a previous encumbent of Asylum Studios, (the artists' co-operative in Suffolk where Yorke's Truxalis labelmate and life collaborator, Seiche, has a studio space). The organ is in poor condition and fascinatingly, painfully detuned. Yorke's recordings bring out its host of unusual quirks exacerbated by age and neglect: the powerful rhythmic creaking of the wooden treadles; the bone-shaking resonance emanating from its body at specific pitches; unexpected exclamations of harmonic collision from within the carcass redolent of a human voice; the piercing\u003cspan class=\"bcTruncateMore\"\u003e, shrieking whistles of broken reeds, and the powerful timbres unlocked via Yorke's experiments with various combinations of stops.\u003cbr\u003e\u003cbr\u003eThe three tracks that form Salix are inspired by a local weeping willow tree, a constant companion photographed over the course of a year. Boughs caught in a gyre. A maiden in mourning. Branches that gesture in the wrong direction. A tree turned upside down. A hand-woven willow basket, an old technology to gather and store. The journey of a lovelorn bard through the underworld, a bundle of willow under one arm for protection...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Loula Yorke (featuring Charlotte Jolly)\u003c\/p\u003e\n\u003cp\u003eLabel : Truxalis\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTRX029\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 3rd April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-25T11:50:11+09:00","created_at":"2026-04-25T10:51:34+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","jazz","new","tape"],"price":318000,"price_min":318000,"price_max":318000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48762028425466,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Loula Yorke (featuring Charlotte Jolly) \/\/ Salix TAPE","public_title":null,"options":["Default Title"],"price":318000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/lou1_6a6f3db4-c4a5-43bf-a8c8-33e45905a94c.jpg?v=1777081804","\/\/tobirarecords.com\/cdn\/shop\/files\/lou2_cc80387e-eb53-4c62-8266-b6cc656f6a25.jpg?v=1777081804"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou1_6a6f3db4-c4a5-43bf-a8c8-33e45905a94c.jpg?v=1777081804","options":["Title"],"media":[{"alt":null,"id":39138345550074,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou1_6a6f3db4-c4a5-43bf-a8c8-33e45905a94c.jpg?v=1777081804"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou1_6a6f3db4-c4a5-43bf-a8c8-33e45905a94c.jpg?v=1777081804","width":350},{"alt":null,"id":39138345582842,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou2_cc80387e-eb53-4c62-8266-b6cc656f6a25.jpg?v=1777081804"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou2_cc80387e-eb53-4c62-8266-b6cc656f6a25.jpg?v=1777081804","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのモジュラー奏者Loula Yorkeが、2026年4月に自身主宰レーベルTruxalisからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアンティークのモルガンとクラリネットによるアコースティック・ドローン3曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Salix』は、モジュラー・シンセシストのLoula Yorkeにとって大胆な新たな試みである。本作では、アンティークのリードオルガンを用いて、魔法、神話、医療におけるヤナギの木の古代のルーツを探求するとともに、クラリネット奏者のシャーロット・ジョリーを初めて自身のレコーディング・スタジオに招き入れている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのEPは、ある特異な楽器の音響アーカイブとなっている。それは、アサイラム・スタジオ（サフォークにあるアーティスト協同組合で、Loula YorkeのTruxalisレーベルメイトであり生涯のコラボレーターであるセイチェがスタジオスペースを構えている場所）の前の入居者が残していったアンティークのフリーリードオルガンだ。このオルガンは状態が悪く、興味深くも痛々しいほど音程が狂っている。Loula Yorkeの録音は、経年と放置によって増幅された数々の特異な癖を引き出している。木製のペダルから響く力強いリズミカルなきしみ音、特定の音程で本体の奥底から湧き上がる骨を震わせるような共鳴、人間の声を思わせる軀体内部からの予期せぬ倍音の衝突による叫び、壊れたリードから発せられる鋭く甲高い笛音、そしてLoula Yorkeが様々なストップの組み合わせを試行錯誤することで解き放たれた力強い音色。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Salix』を構成する3曲は、地元のシダレヤナギの木にインスピレーションを得たものである。1年間にわたって撮影され続けた、絶え間ない伴侶のような存在だ。渦に巻き込まれた枝。喪に服する乙女。間違った方向を指し示す枝。逆さまになった木。手編みの柳の籠、集め、蓄えるための古来の技法。失恋した吟遊詩人の冥界への旅路、身を守るために片腕に抱えた柳の束……\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1389328565\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1389328565\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=330383318\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003cbr\u003eCassette edition of 100 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. the carrier bag theory of fiction 02:32\u003cbr\u003e2. bundle of styx (feat. charlotte jolly) 07:23\u003cbr\u003e3. with the red dawn (feat. charlotte jolly) 10:22\u003c\/p\u003e\n\u003cp\u003eText excerpt from the artist:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eSalix is a bold new departure for modular synthesist Loula Yorke, seen here using an antique reed organ to explore the ancient roots of willow trees in magic, myth and medicine, as well as inviting another musician into her recording studio for the first time, clarinettist Charlotte Jolly.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe EP forms a sonic archive of a singular instrument: an antique free reed organ left behind by a previous encumbent of Asylum Studios, (the artists' co-operative in Suffolk where Yorke's Truxalis labelmate and life collaborator, Seiche, has a studio space). The organ is in poor condition and fascinatingly, painfully detuned. Yorke's recordings bring out its host of unusual quirks exacerbated by age and neglect: the powerful rhythmic creaking of the wooden treadles; the bone-shaking resonance emanating from its body at specific pitches; unexpected exclamations of harmonic collision from within the carcass redolent of a human voice; the piercing\u003cspan class=\"bcTruncateMore\"\u003e, shrieking whistles of broken reeds, and the powerful timbres unlocked via Yorke's experiments with various combinations of stops.\u003cbr\u003e\u003cbr\u003eThe three tracks that form Salix are inspired by a local weeping willow tree, a constant companion photographed over the course of a year. Boughs caught in a gyre. A maiden in mourning. Branches that gesture in the wrong direction. A tree turned upside down. A hand-woven willow basket, an old technology to gather and store. The journey of a lovelorn bard through the underworld, a bundle of willow under one arm for protection...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Loula Yorke (featuring Charlotte Jolly)\u003c\/p\u003e\n\u003cp\u003eLabel : Truxalis\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTRX029\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 3rd April 2026\u003c\/span\u003e\u003c\/p\u003e"}
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イギリスのモジュラー奏者Loula Yorkeが、2026年4月に自身主宰レーベルTruxalisからリリースしたカセットです。 アンティークのモルガンとクラリネットによるアコースティック・ドローン3曲を収録。 以下、レーベルによる解説です。 "『Salix』は、モジュラー・シンセシストのLoula Yorkeにとって大胆な新たな試みである。本作では、アンティークのリードオルガンを用いて、魔法、神話、医療におけるヤナギの木の古代のルーツを探求するとともに、クラリネット奏者のシャーロット・ジョリーを初めて自身のレコーディング・スタジオに招き入れている。 このEPは、ある特異な楽器の音響アーカイブとなっている。それは、アサイラム・スタジオ（サフォークにあるアーティスト協同組合で、Loula YorkeのTruxalisレーベルメイトであり生涯のコラボレーターであるセイチェがスタジオスペースを構えている場所）の前の入居者が残していったアンティークのフリーリードオルガンだ。このオルガンは状態が悪く、興味深くも痛々しいほど音程が狂っている。Loula Yorkeの録音は、経年と放置によって増幅された数々の特異な癖を引き出している。木製のペダルから響く力強いリズミカルなきしみ音、特定の音程で本体の奥底から湧き上がる骨を震わせるような共鳴、人間の声を思わせる軀体内部からの予期せぬ倍音の衝突による叫び、壊れたリードから発せられる鋭く甲高い笛音、そしてLoula Yorkeが様々なストップの組み合わせを試行錯誤することで解き放たれた力強い音色。 『Salix』を構成する3曲は、地元のシダレヤナギの木にインスピレーションを得たものである。1年間にわたって撮影され続けた、絶え間ない伴侶のような存在だ。渦に巻き込まれた枝。喪に服する乙女。間違った方向を指し示す枝。逆さまになった木。手編みの柳の籠、集め、蓄えるための古来の技法。失恋した吟遊詩人の冥界への旅路、身を守るために片腕に抱えた柳の束……" --------------------------------------------------- Cassette in...
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{"id":9205517779194,"title":"Various Artists (International Anthem) \/\/ Gilles Peterson presents International Anthem 2xLP","handle":"various-artists-international-anthem-gilles-peterson-presents-international-anthem-2xlp","description":"\u003cp\u003eイギリス・ロンドンのラジオホストGilles Petersonが、2025年7月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組コンピレーションレコードです。\u003c\/p\u003e\n\u003cp\u003e彼が自身の番組で放送したInternational Anthemの音源29曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1929581628\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2 x 12\" black vinyl in \u003cmeta charset=\"utf-8\"\u003ea heavyweight ultra gloss jacket, with insert booklet + IARC 2025 obi strip and printed poly-lined printed inner-sleeves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Chicago, January 13th, 2020 - Gilles Peterson 01:11\u003cbr\u003e2. The Jaunt - Makaya McCraven 02:40\u003cbr\u003e3. Asé - Junius Paul 02:51\u003cbr\u003e4. The Creator Has A Master Plan - Dezron Douglas \u0026amp; Brandee Younger 03:15\u003cbr\u003e5. Taking Flight (feat. Brandee Younger) - Resavoir 03:38\u003cbr\u003e6. Open The Gates - Irreversible Entanglements 02:36\u003cbr\u003e7. We Are Starzz - Angel Bat Dawid \u0026amp; Tha Brothahood 04:23\u003cbr\u003e8. Abstract Dark Energy (Parable 9) - Rob Mazurek, Exploding Star Orchestra 02:44\u003cbr\u003e9. The Most Amazing Time - Gilles Peterson 01:06\u003cbr\u003e10. Rebuild A Nation - Damon Locks, Black Monument Ensemble 02:40\u003cbr\u003e11. A Shot in the Dark - Dos Santos 03:10\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. In\/On - Daniel Villarreal 04:06\u003cbr\u003e\u003c\/span\u003e13. Pokemans - Anna Butterss 03:05\u003cbr\u003e14. Industry - SML 04:27\u003cbr\u003e15. Snåcko - Jeremiah Chiu \u0026amp; Marta Sofia Honer 04:48\u003cbr\u003e16. Cliche - Jeff Parker 04:06\u003cbr\u003e17. And Then The Anointing Fell - Jamire Williams 02:49\u003cbr\u003e18. Please, wake up. - Carlos Niño \u0026amp; Friends 04:06\u003cbr\u003e19. Voice and Tongo Experiment - Thandi Ntuli with Carlos Niño 02:16\u003cbr\u003e20. Quiet as it's Kept - Tom Skinner 04:02\u003cbr\u003e21. Next time I keep my hands down - Ruth Goller 03:43\u003cbr\u003e22. A Gente Acaba (Vento Em Rosa) - Alabaster DePlume 02:44\u003cbr\u003e23. Old Fashioned Chicago Music - Gilles Peterson 01:00\u003cbr\u003e24. theme 001 (live) - jaimie branch 04:44\u003cbr\u003e25. Angela's Angel - Tomin 00:59\u003cbr\u003e26. Melancholia - Asher Gamedze 04:36\u003cbr\u003e27. MESTIZX (Brownswood Basement Live) - Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly 04:17\u003cbr\u003e28. Oh Great Be The Lake - Ben LaMar Gay 03:00\u003cbr\u003e29. Step on Step - Charles Stepney 04:02\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eGilles Peterson presents International Anthem is a double-LP-length compilation of tracks from Chicago-born record label International Anthem curated by legendary London-based radio host, DJ, label head, and cultural impresario Gilles Peterson.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe twenty-nine tracks on this compilation chronicle Peterson’s long-standing affinity for and connection to International Anthem’s expansive creative music community, and were chosen by an extensive review of playlists from his broadcasts on BBC 6 Music, Worldwide FM, and various syndicated radio programs.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe compilation includes a previously unreleased track recorded by Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly at Peterson’s Brownswood Basement studio in London. It also includes several unreleased introductions from a January 2020 Worldwide FM broadcast at Chicago’s Co-Prosperity (also the site of the album cover photo, taken by Carolina Sanchez), where Peterson gave International Anthem “Label of the Year” honors, as part of his 2020 Worldwide Awards.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom Gilles Peterson:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eFrom the get go I could see it.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI could see that International Anthem was the real deal. I could hear it too - more importantly.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA record label with the vision and care that places it in the pantheon of labels where you can pick up any release without knowing what it is and be certain the quality will be there.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA label where the singular attention to every detail - sound, packaging, cover design and branding - shows the respect in which the artists and their music are presented and held.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAlso the deep connection to Chicago where the unique crosswinds of Chess Records, Sun Ra’s Saturn and the AACM all intersect with the blues, house music, footwork and post-rock to create a fertile space for creative music to emerge.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInternational Anthem is more than a record label though. It’s a community that is built on the city’s history but has, over the years, championed the spirit of creative music and pushed it forward with an outlook that reaches out to like minded souls regardless of time and space.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThroughout the 10 years of their existence we have crossed paths many times. From being in Chicago to celebrate them as label of the year in January 2020 just before the world shut down, to hanging with the crew in London, to playing so much of the label’s output on both on my radio shows and in my DJ sets.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSo it is my pleasure to honour our friendship with a selection of tracks that have soundtracked the journey, so far…\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Gilles Peterson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : IARC0100\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-25T06:36:15+09:00","created_at":"2026-04-25T06:35:42+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","new","resavoir","tape"],"price":634200,"price_min":634200,"price_max":634200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48760990925050,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (International Anthem) \/\/ Gilles Peterson presents International Anthem 2xLP","public_title":null,"options":["Default Title"],"price":634200,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457199231","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gill1.jpg?v=1753754214","\/\/tobirarecords.com\/cdn\/shop\/files\/gill2.jpg?v=1753754214"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gill1.jpg?v=1753754214","options":["Title"],"media":[{"alt":null,"id":36449731805434,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gill1.jpg?v=1753754214"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gill1.jpg?v=1753754214","width":700},{"alt":null,"id":36449731838202,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gill2.jpg?v=1753754214"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gill2.jpg?v=1753754214","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンのラジオホストGilles Petersonが、2025年7月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組コンピレーションレコードです。\u003c\/p\u003e\n\u003cp\u003e彼が自身の番組で放送したInternational Anthemの音源29曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1929581628\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2 x 12\" black vinyl in \u003cmeta charset=\"utf-8\"\u003ea heavyweight ultra gloss jacket, with insert booklet + IARC 2025 obi strip and printed poly-lined printed inner-sleeves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Chicago, January 13th, 2020 - Gilles Peterson 01:11\u003cbr\u003e2. The Jaunt - Makaya McCraven 02:40\u003cbr\u003e3. Asé - Junius Paul 02:51\u003cbr\u003e4. The Creator Has A Master Plan - Dezron Douglas \u0026amp; Brandee Younger 03:15\u003cbr\u003e5. Taking Flight (feat. Brandee Younger) - Resavoir 03:38\u003cbr\u003e6. Open The Gates - Irreversible Entanglements 02:36\u003cbr\u003e7. We Are Starzz - Angel Bat Dawid \u0026amp; Tha Brothahood 04:23\u003cbr\u003e8. Abstract Dark Energy (Parable 9) - Rob Mazurek, Exploding Star Orchestra 02:44\u003cbr\u003e9. The Most Amazing Time - Gilles Peterson 01:06\u003cbr\u003e10. Rebuild A Nation - Damon Locks, Black Monument Ensemble 02:40\u003cbr\u003e11. A Shot in the Dark - Dos Santos 03:10\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. In\/On - Daniel Villarreal 04:06\u003cbr\u003e\u003c\/span\u003e13. Pokemans - Anna Butterss 03:05\u003cbr\u003e14. Industry - SML 04:27\u003cbr\u003e15. Snåcko - Jeremiah Chiu \u0026amp; Marta Sofia Honer 04:48\u003cbr\u003e16. Cliche - Jeff Parker 04:06\u003cbr\u003e17. And Then The Anointing Fell - Jamire Williams 02:49\u003cbr\u003e18. Please, wake up. - Carlos Niño \u0026amp; Friends 04:06\u003cbr\u003e19. Voice and Tongo Experiment - Thandi Ntuli with Carlos Niño 02:16\u003cbr\u003e20. Quiet as it's Kept - Tom Skinner 04:02\u003cbr\u003e21. Next time I keep my hands down - Ruth Goller 03:43\u003cbr\u003e22. A Gente Acaba (Vento Em Rosa) - Alabaster DePlume 02:44\u003cbr\u003e23. Old Fashioned Chicago Music - Gilles Peterson 01:00\u003cbr\u003e24. theme 001 (live) - jaimie branch 04:44\u003cbr\u003e25. Angela's Angel - Tomin 00:59\u003cbr\u003e26. Melancholia - Asher Gamedze 04:36\u003cbr\u003e27. MESTIZX (Brownswood Basement Live) - Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly 04:17\u003cbr\u003e28. Oh Great Be The Lake - Ben LaMar Gay 03:00\u003cbr\u003e29. Step on Step - Charles Stepney 04:02\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eGilles Peterson presents International Anthem is a double-LP-length compilation of tracks from Chicago-born record label International Anthem curated by legendary London-based radio host, DJ, label head, and cultural impresario Gilles Peterson.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe twenty-nine tracks on this compilation chronicle Peterson’s long-standing affinity for and connection to International Anthem’s expansive creative music community, and were chosen by an extensive review of playlists from his broadcasts on BBC 6 Music, Worldwide FM, and various syndicated radio programs.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe compilation includes a previously unreleased track recorded by Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly at Peterson’s Brownswood Basement studio in London. It also includes several unreleased introductions from a January 2020 Worldwide FM broadcast at Chicago’s Co-Prosperity (also the site of the album cover photo, taken by Carolina Sanchez), where Peterson gave International Anthem “Label of the Year” honors, as part of his 2020 Worldwide Awards.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom Gilles Peterson:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eFrom the get go I could see it.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI could see that International Anthem was the real deal. I could hear it too - more importantly.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA record label with the vision and care that places it in the pantheon of labels where you can pick up any release without knowing what it is and be certain the quality will be there.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA label where the singular attention to every detail - sound, packaging, cover design and branding - shows the respect in which the artists and their music are presented and held.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAlso the deep connection to Chicago where the unique crosswinds of Chess Records, Sun Ra’s Saturn and the AACM all intersect with the blues, house music, footwork and post-rock to create a fertile space for creative music to emerge.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInternational Anthem is more than a record label though. It’s a community that is built on the city’s history but has, over the years, championed the spirit of creative music and pushed it forward with an outlook that reaches out to like minded souls regardless of time and space.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThroughout the 10 years of their existence we have crossed paths many times. From being in Chicago to celebrate them as label of the year in January 2020 just before the world shut down, to hanging with the crew in London, to playing so much of the label’s output on both on my radio shows and in my DJ sets.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSo it is my pleasure to honour our friendship with a selection of tracks that have soundtracked the journey, so far…\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Gilles Peterson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : IARC0100\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・ロンドンのラジオホストGilles Petersonが、2025年7月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組コンピレーションレコードです。 彼が自身の番組で放送したInternational Anthemの音源29曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
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![Ben LaMar Gay // Yowzers LP [BLACK]](http://tobirarecords.com/cdn/shop/files/ben1_013dd55a-b0f5-413f-881d-967d7da8bdc0_medium.jpg?v=1750123635)
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{"id":9205517320442,"title":"Ben LaMar Gay \/\/ Yowzers LP [BLACK]","handle":"ben-lamar-gay-yowzers-lp-black","description":"\u003cp\u003eアメリカのトランペット／コルネット奏者Ben LaMar Gayが、2025年6月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験スピリチュアル・ジャズ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Yowzers』は、シカゴの作曲家、即興演奏家、インストゥルメンタリスト、音楽民俗学者であるBen LaMar Gayの新作である。全12曲からなるこのアルバムは、Gayのレコーディング作品における辞書的な飛躍であり、古代の内なる身体のリズムと直感的なメロディック・ストーリーテリングの正真正銘の傑作である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGayにとって飛躍的な前進とは、並大抵のことではない。バンドリーダーとしてもコラボレーターとしても、彼がこの10年でカバーした音楽的境地は計り知れない。彼の事実上のデビューアルバムである2018年のコンピレーション『Downtown Castles Can Never Block The Sun』は、当時未発表だった7枚のアルバムから15曲の多様なスタイルの楽曲を並べることで、Gayを世界に紹介した。その後、7枚の未発表アルバムの全貌が明らかになり、2021年にリリースされた『Open Arms To Open Us』は高い評価を受け、2022年の『Certain Reveries』では爆発的なフリーサウンドを聴かせた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eマカヤ・マクラヴェン、ジェイミー・ブランチ、デイモン・ロックス、イベリッセ・グアルディア・フェラグッティ＆ランプ、フランク・ロザリーのアルバムなど、驚異的な数のIAのリリースに参加しているほか、Gayは現在クリエイティブ・ミュージック界で最も多作なコラボレーターの一人である。マイク・リードの『セパラティスト・パーティー』、ジョシュア・エイブラムスの『ナチュラル・インフォメーション・ソサエティ』、テスター・ゲイツの『ブラック・モンク』などに積極的に参加している。また、シカゴの伝説的なAssociation for the Advancement of Creative Musiciansに長年参加している。彼の資格は驚くべきものであり、その関心と能力の範囲は無限とも思える。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Yowzers』に収録されている曲の多くは、トマソ・モレッティ（ドラム、パーカッション、声）、マシュー・デイヴィス（チューバ、ピアノ、ベル、声）、ウィル・フェイバー（ギター、ンゴニ、ベル、声）とのカルテットをフィーチャーしている。しかし、ここに記されていない特徴は、コラボレーターのユニークな長所を召喚し、解き放つGay自身の能力である。カルテットの素材は、このグループが数年にわたる旅の中で培ってきたボキャブラリーに傾倒しており、そのレパートリーは、脈打つようなリズムと自由なリズムの見事なカクテルである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2219493347\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. yowzers 02:22\u003cbr\u003e2. the glorification of small victories 04:57\u003cbr\u003e3. there, inside the morning glory 05:11\u003cbr\u003e4. roller skates 00:49\u003cbr\u003e5. for Breezy 03:13\u003cbr\u003e6. I am (bells) 06:12\u003cbr\u003e7. promontory 02:12\u003cbr\u003e8. John, John Henry 03:46\u003cbr\u003e9. damn you cute 03:51\u003cbr\u003e10. cumulus 07:02\u003cbr\u003e11. touch 02:13\u003cbr\u003e12. leave some for you 03:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYowzers is a new album by Chicago composer, improvisor, instrumentalist and musical folklorist Ben LaMar Gay. The twelve track collection is a leap forward in the lexicon of Gay’s recorded output, and a veritable masterwork of ancient inner-body rhythms and intuitive melodic storytelling.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s worth mentioning that a leap forward for Gay is no small feat. The musical ground he has covered in the last decade, both as a bandleader and collaborator, is immense. His de facto debut album—the 2018 compilation Downtown Castles Can Never Block The Sun—properly introduced the world to Gay by placing fifteen stylistically diverse tracks from seven then-unreleased albums next to one another, letting the populace outside of Cook County in on an unintentionally best-kept-secret that Chicagoans had already been marveling at for quite some time. That secret has become even more open in the years since, with the full unveiling of those seven previously-unreleased albums, the release of his critically-acclaimed 2021 song cycle Open Arms To Open Us, and the explosive free sonics of 2022’s Certain Reveries.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn addition to being featured on a staggering number of International Anthem releases (including albums by Makaya McCraven\u003cspan class=\"bcTruncateMore\"\u003e, jaimie branch, Damon Locks, Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly), Gay is one of the most prolific collaborators in creative music today. He makes active contributions to Mike Reed’s Separatist Party, Joshua Abrams’s Natural Information Society, Theaster Gates’s Black Monks, and many more. He is also a long-time participant in Chicago’s legendary Association for the Advancement of Creative Musicians. Suffice to say, his credentials are astonishing and the scope of his interests and abilities is seemingly limitless, with Yowzers representing the latest redrawing of that ever-expanding creative borderline.\u003cbr\u003e\u003cbr\u003eMuch of the music on Yowzers features his working quartet with Tommaso Moretti (drums, percussion, voice), Matthew Davis (tuba, piano, bells, voice), and Will Faber (guitar, ngoni, bells, voice). But the unlisted feature here is Gay’s own ability to summon and unleash the unique strengths of his collaborators. The quartet material leans into a vocabulary that the group has developed over the course of several years together on the road; and the repertoire delivers an arresting cocktail of pulsing and free rhythms that somehow swing alongside a gathering of melodic phrases that sweep the outer-reaches of harmony with nostalgic echoes of family songs from the living room...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben LaMar Gay\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0097\u003c\/p\u003e","published_at":"2026-04-25T06:34:42+09:00","created_at":"2026-04-25T06:34:12+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":491000,"price_min":491000,"price_max":491000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48760989352186,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ben LaMar Gay \/\/ Yowzers LP [BLACK]","public_title":null,"options":["Default Title"],"price":491000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457203433","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_013dd55a-b0f5-413f-881d-967d7da8bdc0.jpg?v=1750123635","\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_13bfeef6-552e-46ed-8432-eb7adf8e69de.jpg?v=1750123635","\/\/tobirarecords.com\/cdn\/shop\/files\/ben3_cb42d534-e34f-4ad2-8539-9ab07619b671.jpg?v=1750123635"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_013dd55a-b0f5-413f-881d-967d7da8bdc0.jpg?v=1750123635","options":["Title"],"media":[{"alt":null,"id":36205637042426,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_013dd55a-b0f5-413f-881d-967d7da8bdc0.jpg?v=1750123635"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_013dd55a-b0f5-413f-881d-967d7da8bdc0.jpg?v=1750123635","width":700},{"alt":null,"id":36205637075194,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_13bfeef6-552e-46ed-8432-eb7adf8e69de.jpg?v=1750123635"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_13bfeef6-552e-46ed-8432-eb7adf8e69de.jpg?v=1750123635","width":1200},{"alt":null,"id":36205637107962,"position":3,"preview_image":{"aspect_ratio":1.333,"height":108,"width":144,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben3_cb42d534-e34f-4ad2-8539-9ab07619b671.jpg?v=1750123635"},"aspect_ratio":1.333,"height":108,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben3_cb42d534-e34f-4ad2-8539-9ab07619b671.jpg?v=1750123635","width":144}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのトランペット／コルネット奏者Ben LaMar Gayが、2025年6月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験スピリチュアル・ジャズ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Yowzers』は、シカゴの作曲家、即興演奏家、インストゥルメンタリスト、音楽民俗学者であるBen LaMar Gayの新作である。全12曲からなるこのアルバムは、Gayのレコーディング作品における辞書的な飛躍であり、古代の内なる身体のリズムと直感的なメロディック・ストーリーテリングの正真正銘の傑作である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGayにとって飛躍的な前進とは、並大抵のことではない。バンドリーダーとしてもコラボレーターとしても、彼がこの10年でカバーした音楽的境地は計り知れない。彼の事実上のデビューアルバムである2018年のコンピレーション『Downtown Castles Can Never Block The Sun』は、当時未発表だった7枚のアルバムから15曲の多様なスタイルの楽曲を並べることで、Gayを世界に紹介した。その後、7枚の未発表アルバムの全貌が明らかになり、2021年にリリースされた『Open Arms To Open Us』は高い評価を受け、2022年の『Certain Reveries』では爆発的なフリーサウンドを聴かせた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eマカヤ・マクラヴェン、ジェイミー・ブランチ、デイモン・ロックス、イベリッセ・グアルディア・フェラグッティ＆ランプ、フランク・ロザリーのアルバムなど、驚異的な数のIAのリリースに参加しているほか、Gayは現在クリエイティブ・ミュージック界で最も多作なコラボレーターの一人である。マイク・リードの『セパラティスト・パーティー』、ジョシュア・エイブラムスの『ナチュラル・インフォメーション・ソサエティ』、テスター・ゲイツの『ブラック・モンク』などに積極的に参加している。また、シカゴの伝説的なAssociation for the Advancement of Creative Musiciansに長年参加している。彼の資格は驚くべきものであり、その関心と能力の範囲は無限とも思える。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Yowzers』に収録されている曲の多くは、トマソ・モレッティ（ドラム、パーカッション、声）、マシュー・デイヴィス（チューバ、ピアノ、ベル、声）、ウィル・フェイバー（ギター、ンゴニ、ベル、声）とのカルテットをフィーチャーしている。しかし、ここに記されていない特徴は、コラボレーターのユニークな長所を召喚し、解き放つGay自身の能力である。カルテットの素材は、このグループが数年にわたる旅の中で培ってきたボキャブラリーに傾倒しており、そのレパートリーは、脈打つようなリズムと自由なリズムの見事なカクテルである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2219493347\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. yowzers 02:22\u003cbr\u003e2. the glorification of small victories 04:57\u003cbr\u003e3. there, inside the morning glory 05:11\u003cbr\u003e4. roller skates 00:49\u003cbr\u003e5. for Breezy 03:13\u003cbr\u003e6. I am (bells) 06:12\u003cbr\u003e7. promontory 02:12\u003cbr\u003e8. John, John Henry 03:46\u003cbr\u003e9. damn you cute 03:51\u003cbr\u003e10. cumulus 07:02\u003cbr\u003e11. touch 02:13\u003cbr\u003e12. leave some for you 03:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYowzers is a new album by Chicago composer, improvisor, instrumentalist and musical folklorist Ben LaMar Gay. The twelve track collection is a leap forward in the lexicon of Gay’s recorded output, and a veritable masterwork of ancient inner-body rhythms and intuitive melodic storytelling.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s worth mentioning that a leap forward for Gay is no small feat. The musical ground he has covered in the last decade, both as a bandleader and collaborator, is immense. His de facto debut album—the 2018 compilation Downtown Castles Can Never Block The Sun—properly introduced the world to Gay by placing fifteen stylistically diverse tracks from seven then-unreleased albums next to one another, letting the populace outside of Cook County in on an unintentionally best-kept-secret that Chicagoans had already been marveling at for quite some time. That secret has become even more open in the years since, with the full unveiling of those seven previously-unreleased albums, the release of his critically-acclaimed 2021 song cycle Open Arms To Open Us, and the explosive free sonics of 2022’s Certain Reveries.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn addition to being featured on a staggering number of International Anthem releases (including albums by Makaya McCraven\u003cspan class=\"bcTruncateMore\"\u003e, jaimie branch, Damon Locks, Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly), Gay is one of the most prolific collaborators in creative music today. He makes active contributions to Mike Reed’s Separatist Party, Joshua Abrams’s Natural Information Society, Theaster Gates’s Black Monks, and many more. He is also a long-time participant in Chicago’s legendary Association for the Advancement of Creative Musicians. Suffice to say, his credentials are astonishing and the scope of his interests and abilities is seemingly limitless, with Yowzers representing the latest redrawing of that ever-expanding creative borderline.\u003cbr\u003e\u003cbr\u003eMuch of the music on Yowzers features his working quartet with Tommaso Moretti (drums, percussion, voice), Matthew Davis (tuba, piano, bells, voice), and Will Faber (guitar, ngoni, bells, voice). But the unlisted feature here is Gay’s own ability to summon and unleash the unique strengths of his collaborators. The quartet material leans into a vocabulary that the group has developed over the course of several years together on the road; and the repertoire delivers an arresting cocktail of pulsing and free rhythms that somehow swing alongside a gathering of melodic phrases that sweep the outer-reaches of harmony with nostalgic echoes of family songs from the living room...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben LaMar Gay\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0097\u003c\/p\u003e"}
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アメリカのトランペット／コルネット奏者Ben LaMar Gayが、2025年6月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。 実験スピリチュアル・ジャズ12曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "『Yowzers』は、シカゴの作曲家、即興演奏家、インストゥルメンタリスト、音楽民俗学者であるBen LaMar Gayの新作である。全12曲からなるこのアルバムは、Gayのレコーディング作品における辞書的な飛躍であり、古代の内なる身体のリズムと直感的なメロディック・ストーリーテリングの正真正銘の傑作である。 Gayにとって飛躍的な前進とは、並大抵のことではない。バンドリーダーとしてもコラボレーターとしても、彼がこの10年でカバーした音楽的境地は計り知れない。彼の事実上のデビューアルバムである2018年のコンピレーション『Downtown Castles Can Never...
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{"id":9205516894458,"title":"Ben LaMar Gay \/\/ Yowzers LP [COLOR]","handle":"ben-lamar-gay-yowzers-lp-color","description":"\u003cp\u003eアメリカのトランペット／コルネット奏者Ben LaMar Gayが、2025年6月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験スピリチュアル・ジャズ12曲を収録。クリアバイオレットピンク盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Yowzers』は、シカゴの作曲家、即興演奏家、インストゥルメンタリスト、音楽民俗学者であるBen LaMar Gayの新作である。全12曲からなるこのアルバムは、Gayのレコーディング作品における辞書的な飛躍であり、古代の内なる身体のリズムと直感的なメロディック・ストーリーテリングの正真正銘の傑作である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGayにとって飛躍的な前進とは、並大抵のことではない。バンドリーダーとしてもコラボレーターとしても、彼がこの10年でカバーした音楽的境地は計り知れない。彼の事実上のデビューアルバムである2018年のコンピレーション『Downtown Castles Can Never Block The Sun』は、当時未発表だった7枚のアルバムから15曲の多様なスタイルの楽曲を並べることで、Gayを世界に紹介した。その後、7枚の未発表アルバムの全貌が明らかになり、2021年にリリースされた『Open Arms To Open Us』は高い評価を受け、2022年の『Certain Reveries』では爆発的なフリーサウンドを聴かせた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eマカヤ・マクラヴェン、ジェイミー・ブランチ、デイモン・ロックス、イベリッセ・グアルディア・フェラグッティ＆ランプ、フランク・ロザリーのアルバムなど、驚異的な数のIAのリリースに参加しているほか、Gayは現在クリエイティブ・ミュージック界で最も多作なコラボレーターの一人である。マイク・リードの『セパラティスト・パーティー』、ジョシュア・エイブラムスの『ナチュラル・インフォメーション・ソサエティ』、テスター・ゲイツの『ブラック・モンク』などに積極的に参加している。また、シカゴの伝説的なAssociation for the Advancement of Creative Musiciansに長年参加している。彼の資格は驚くべきものであり、その関心と能力の範囲は無限とも思える。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Yowzers』に収録されている曲の多くは、トマソ・モレッティ（ドラム、パーカッション、声）、マシュー・デイヴィス（チューバ、ピアノ、ベル、声）、ウィル・フェイバー（ギター、ンゴニ、ベル、声）とのカルテットをフィーチャーしている。しかし、ここに記されていない特徴は、コラボレーターのユニークな長所を召喚し、解き放つGay自身の能力である。カルテットの素材は、このグループが数年にわたる旅の中で培ってきたボキャブラリーに傾倒しており、そのレパートリーは、脈打つようなリズムと自由なリズムの見事なカクテルである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2219493347\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" 'ipomea jalapa' transparent pink vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. yowzers 02:22\u003cbr\u003e2. the glorification of small victories 04:57\u003cbr\u003e3. there, inside the morning glory 05:11\u003cbr\u003e4. roller skates 00:49\u003cbr\u003e5. for Breezy 03:13\u003cbr\u003e6. I am (bells) 06:12\u003cbr\u003e7. promontory 02:12\u003cbr\u003e8. John, John Henry 03:46\u003cbr\u003e9. damn you cute 03:51\u003cbr\u003e10. cumulus 07:02\u003cbr\u003e11. touch 02:13\u003cbr\u003e12. leave some for you 03:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYowzers is a new album by Chicago composer, improvisor, instrumentalist and musical folklorist Ben LaMar Gay. The twelve track collection is a leap forward in the lexicon of Gay’s recorded output, and a veritable masterwork of ancient inner-body rhythms and intuitive melodic storytelling.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s worth mentioning that a leap forward for Gay is no small feat. The musical ground he has covered in the last decade, both as a bandleader and collaborator, is immense. His de facto debut album—the 2018 compilation Downtown Castles Can Never Block The Sun—properly introduced the world to Gay by placing fifteen stylistically diverse tracks from seven then-unreleased albums next to one another, letting the populace outside of Cook County in on an unintentionally best-kept-secret that Chicagoans had already been marveling at for quite some time. That secret has become even more open in the years since, with the full unveiling of those seven previously-unreleased albums, the release of his critically-acclaimed 2021 song cycle Open Arms To Open Us, and the explosive free sonics of 2022’s Certain Reveries.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn addition to being featured on a staggering number of International Anthem releases (including albums by Makaya McCraven\u003cspan class=\"bcTruncateMore\"\u003e, jaimie branch, Damon Locks, Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly), Gay is one of the most prolific collaborators in creative music today. He makes active contributions to Mike Reed’s Separatist Party, Joshua Abrams’s Natural Information Society, Theaster Gates’s Black Monks, and many more. He is also a long-time participant in Chicago’s legendary Association for the Advancement of Creative Musicians. Suffice to say, his credentials are astonishing and the scope of his interests and abilities is seemingly limitless, with Yowzers representing the latest redrawing of that ever-expanding creative borderline.\u003cbr\u003e\u003cbr\u003eMuch of the music on Yowzers features his working quartet with Tommaso Moretti (drums, percussion, voice), Matthew Davis (tuba, piano, bells, voice), and Will Faber (guitar, ngoni, bells, voice). But the unlisted feature here is Gay’s own ability to summon and unleash the unique strengths of his collaborators. The quartet material leans into a vocabulary that the group has developed over the course of several years together on the road; and the repertoire delivers an arresting cocktail of pulsing and free rhythms that somehow swing alongside a gathering of melodic phrases that sweep the outer-reaches of harmony with nostalgic echoes of family songs from the living room...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben LaMar Gay\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0097\u003c\/p\u003e","published_at":"2026-04-25T06:32:03+09:00","created_at":"2026-04-25T06:31:39+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":549200,"price_min":549200,"price_max":549200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48760987123962,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ben LaMar Gay \/\/ Yowzers LP [COLOR]","public_title":null,"options":["Default Title"],"price":549200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457203440","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_61332047-ea8a-47f9-b358-371cbfd2d4b9.jpg?v=1750123824","\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_fd0e0564-94da-4176-a85d-867659cf0baa.jpg?v=1750123824","\/\/tobirarecords.com\/cdn\/shop\/files\/ben4.jpg?v=1750123824"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_61332047-ea8a-47f9-b358-371cbfd2d4b9.jpg?v=1750123824","options":["Title"],"media":[{"alt":null,"id":36205644546298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_61332047-ea8a-47f9-b358-371cbfd2d4b9.jpg?v=1750123824"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_61332047-ea8a-47f9-b358-371cbfd2d4b9.jpg?v=1750123824","width":700},{"alt":null,"id":36205644579066,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_fd0e0564-94da-4176-a85d-867659cf0baa.jpg?v=1750123824"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_fd0e0564-94da-4176-a85d-867659cf0baa.jpg?v=1750123824","width":1200},{"alt":null,"id":36205644611834,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben4.jpg?v=1750123824"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben4.jpg?v=1750123824","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのトランペット／コルネット奏者Ben LaMar Gayが、2025年6月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験スピリチュアル・ジャズ12曲を収録。クリアバイオレットピンク盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Yowzers』は、シカゴの作曲家、即興演奏家、インストゥルメンタリスト、音楽民俗学者であるBen LaMar Gayの新作である。全12曲からなるこのアルバムは、Gayのレコーディング作品における辞書的な飛躍であり、古代の内なる身体のリズムと直感的なメロディック・ストーリーテリングの正真正銘の傑作である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGayにとって飛躍的な前進とは、並大抵のことではない。バンドリーダーとしてもコラボレーターとしても、彼がこの10年でカバーした音楽的境地は計り知れない。彼の事実上のデビューアルバムである2018年のコンピレーション『Downtown Castles Can Never Block The Sun』は、当時未発表だった7枚のアルバムから15曲の多様なスタイルの楽曲を並べることで、Gayを世界に紹介した。その後、7枚の未発表アルバムの全貌が明らかになり、2021年にリリースされた『Open Arms To Open Us』は高い評価を受け、2022年の『Certain Reveries』では爆発的なフリーサウンドを聴かせた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eマカヤ・マクラヴェン、ジェイミー・ブランチ、デイモン・ロックス、イベリッセ・グアルディア・フェラグッティ＆ランプ、フランク・ロザリーのアルバムなど、驚異的な数のIAのリリースに参加しているほか、Gayは現在クリエイティブ・ミュージック界で最も多作なコラボレーターの一人である。マイク・リードの『セパラティスト・パーティー』、ジョシュア・エイブラムスの『ナチュラル・インフォメーション・ソサエティ』、テスター・ゲイツの『ブラック・モンク』などに積極的に参加している。また、シカゴの伝説的なAssociation for the Advancement of Creative Musiciansに長年参加している。彼の資格は驚くべきものであり、その関心と能力の範囲は無限とも思える。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Yowzers』に収録されている曲の多くは、トマソ・モレッティ（ドラム、パーカッション、声）、マシュー・デイヴィス（チューバ、ピアノ、ベル、声）、ウィル・フェイバー（ギター、ンゴニ、ベル、声）とのカルテットをフィーチャーしている。しかし、ここに記されていない特徴は、コラボレーターのユニークな長所を召喚し、解き放つGay自身の能力である。カルテットの素材は、このグループが数年にわたる旅の中で培ってきたボキャブラリーに傾倒しており、そのレパートリーは、脈打つようなリズムと自由なリズムの見事なカクテルである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2219493347\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" 'ipomea jalapa' transparent pink vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. yowzers 02:22\u003cbr\u003e2. the glorification of small victories 04:57\u003cbr\u003e3. there, inside the morning glory 05:11\u003cbr\u003e4. roller skates 00:49\u003cbr\u003e5. for Breezy 03:13\u003cbr\u003e6. I am (bells) 06:12\u003cbr\u003e7. promontory 02:12\u003cbr\u003e8. John, John Henry 03:46\u003cbr\u003e9. damn you cute 03:51\u003cbr\u003e10. cumulus 07:02\u003cbr\u003e11. touch 02:13\u003cbr\u003e12. leave some for you 03:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYowzers is a new album by Chicago composer, improvisor, instrumentalist and musical folklorist Ben LaMar Gay. The twelve track collection is a leap forward in the lexicon of Gay’s recorded output, and a veritable masterwork of ancient inner-body rhythms and intuitive melodic storytelling.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s worth mentioning that a leap forward for Gay is no small feat. The musical ground he has covered in the last decade, both as a bandleader and collaborator, is immense. His de facto debut album—the 2018 compilation Downtown Castles Can Never Block The Sun—properly introduced the world to Gay by placing fifteen stylistically diverse tracks from seven then-unreleased albums next to one another, letting the populace outside of Cook County in on an unintentionally best-kept-secret that Chicagoans had already been marveling at for quite some time. That secret has become even more open in the years since, with the full unveiling of those seven previously-unreleased albums, the release of his critically-acclaimed 2021 song cycle Open Arms To Open Us, and the explosive free sonics of 2022’s Certain Reveries.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn addition to being featured on a staggering number of International Anthem releases (including albums by Makaya McCraven\u003cspan class=\"bcTruncateMore\"\u003e, jaimie branch, Damon Locks, Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly), Gay is one of the most prolific collaborators in creative music today. He makes active contributions to Mike Reed’s Separatist Party, Joshua Abrams’s Natural Information Society, Theaster Gates’s Black Monks, and many more. He is also a long-time participant in Chicago’s legendary Association for the Advancement of Creative Musicians. Suffice to say, his credentials are astonishing and the scope of his interests and abilities is seemingly limitless, with Yowzers representing the latest redrawing of that ever-expanding creative borderline.\u003cbr\u003e\u003cbr\u003eMuch of the music on Yowzers features his working quartet with Tommaso Moretti (drums, percussion, voice), Matthew Davis (tuba, piano, bells, voice), and Will Faber (guitar, ngoni, bells, voice). But the unlisted feature here is Gay’s own ability to summon and unleash the unique strengths of his collaborators. The quartet material leans into a vocabulary that the group has developed over the course of several years together on the road; and the repertoire delivers an arresting cocktail of pulsing and free rhythms that somehow swing alongside a gathering of melodic phrases that sweep the outer-reaches of harmony with nostalgic echoes of family songs from the living room...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben LaMar Gay\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0097\u003c\/p\u003e"}
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アメリカのトランペット／コルネット奏者Ben LaMar Gayが、2025年6月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。 実験スピリチュアル・ジャズ12曲を収録。クリアバイオレットピンク盤です。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "『Yowzers』は、シカゴの作曲家、即興演奏家、インストゥルメンタリスト、音楽民俗学者であるBen LaMar Gayの新作である。全12曲からなるこのアルバムは、Gayのレコーディング作品における辞書的な飛躍であり、古代の内なる身体のリズムと直感的なメロディック・ストーリーテリングの正真正銘の傑作である。 Gayにとって飛躍的な前進とは、並大抵のことではない。バンドリーダーとしてもコラボレーターとしても、彼がこの10年でカバーした音楽的境地は計り知れない。彼の事実上のデビューアルバムである2018年のコンピレーション『Downtown Castles Can Never...
¥5,492
![Charles Stepney // Step on Step 2xLP [BLACK]](http://tobirarecords.com/cdn/shop/products/on1_52e33c8f-3218-47b8-85b7-f402b18657b9_medium.jpg?v=1661569533)
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{"id":9205513814266,"title":"Charles Stepney \/\/ Step on Step 2xLP [BLACK]","handle":"charles-stepney-step-on-step-2xlp-black","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e1976年に45歳の若さで他界したアメリカ・シカゴのプロデューサーCharles Stepneyが、60-70年代に自宅の地下スタジオで録音していた作品をコンパイルした未発表作品集です。\u003c\/p\u003e\n\u003cp\u003e今聴いても新鮮な21曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4113308018\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDouble black vinyl edition of 555.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cem\u003eInternational Anthem is proud to present 'Step on Step', a double LP collection of home recordings marking the de-facto eponymous debut album by enigmatic producer, arranger, and composer Charles Stepney (1931-1976). The music that makes up Step on Step was created by Stepney alone, in the basement of his home on the Southside of Chicago, sometime in the late 1960s and early 1970s, before his untimely death in 1976.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA Chicago born and bred arranger, producer, multi-instrumentalist and songwriter, Stepney is known for his work with Earth, Wind \u0026amp; Fire, Deniece Williams, and Ramsey Lewis, and as a staff producer for Chess Records in the 1960s, where he was an essential creative force behind seminal recordings by Rotary Connection, Minnie Riperton, Marlena Shaw, Muddy Waters, Howlin Wolf, Terry Callier, The Dells, The Emotions, and many more. In the decades since his passing, the presence of his name in liner notes and on vinyl labels has become a seal of quality for record collectors, music historians, and aficionados, while his sound has been used by countless samplers in the hip-hop world including Kanye West, A Tribe Called Quest, The Fugees, MF Doom, and Madlib. But in comparison to the post-mortem renown of his sound, or the music he created and the artists he\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e supported while he was alive, Stepney is a greatly underappreciated figure… a genius relegated to the shadows.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the signature elements of his “baroque soul” sound is the epic, expansive, orchestral expression of his horn and string arrangements (in many cases brought to life by members of the Chicago Symphony Orchestra), as heard on Minnie Riperton’s “Les Fleurs,” or Marlena Shaw’s “California Soul,” or Terry Callier’s “What Color Is Love.” Hence making it even more special that his de-facto debut LP Step on Step, which sees its first wide release nearly five decades after his death, is a collection of stripped-down 4-track tape recordings featuring Stepney, alone, performing all instruments with minimal means. It is, as said by Chicago culture historian (and author of Step on Step liner notes) Ayana Contreras, “the uncut funk,” an unprecedented depiction of an imbued composer imagining and conceiving music (some of which would eventually become massive studio productions) in its primal state.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStep on Step features 23 tracks, most of which are original compositions by Stepney that were never again recorded by him or any other artist. It also features prototypical, seedling-style demos of Stepney compositions for Earth, Wind \u0026amp; Fire, including “That’s The Way of The World,” “Imagination,” and “On Your Face,” as well as the original version of “Black Gold,” which would eventually be recorded by Rotary Connection (as “I Am The Black Gold of The Sun,” with lyrics by Richard Rudolph). And in addition to the wordless croons of Stepney original and early single “Daddy’s Diddies,” Stepney’s actual voice is heard on a couple occasions across the album, testing microphones and inputs on his tape machine.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll of the otherwise unrecorded, previously unnamed original compositions contained on Step on Step were given their titles by Stepney’s daughters Eibur, Charlene, and Chanté Stepney, whose voices are also heard throughout the album, telling stories and sharing memories about their father. The Stepney Sisters, who produced this album over many years, have long been engaged in efforts to celebrate their father’s legacy and bring his work into brighter light. They’ve cherished the tape reels left behind by their father in the basement of their home, transferring the audio on multiple occasions, and originally compiling the recordings for an ultra-limited CD on their own DIY label (The Charles Stepney Masters) in the early 2010s. “We always talk about how we were trying to develop this and would go to different people and they would go ‘what is this raw stuff…’ It was just the first level of something that became something really great,” says Chanté. “To get this type of intimate look into an artist’s process is really unknown and unheard of… so I just really appreciate the opportunity to give this. I am very happy for my Dad that we’re able to share this with the world in this way, with this amount of respect.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis new double LP collection on International Anthem presents “a genuine, beautiful, deeply emotional and personal effort by three women to reconnect with their father and validate their own memories of his passion and brilliance,” says label co-founder Scott McNiece. And it’s a long-overdue fulfillment of Stepney’s unsatiated plan to release a solo album – which he once vowed to his daughters that he would do, and that he would name it: “Step on Step.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Charles Stepney\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2026-04-25T06:29:58+09:00","created_at":"2026-04-25T06:28:27+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":594000,"price_min":594000,"price_max":594000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48760919785722,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Charles Stepney \/\/ Step on Step 2xLP [BLACK]","public_title":null,"options":["Default Title"],"price":594000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993992553","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533","options":["Title"],"media":[{"alt":null,"id":30364035514618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e1976年に45歳の若さで他界したアメリカ・シカゴのプロデューサーCharles Stepneyが、60-70年代に自宅の地下スタジオで録音していた作品をコンパイルした未発表作品集です。\u003c\/p\u003e\n\u003cp\u003e今聴いても新鮮な21曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4113308018\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDouble black vinyl edition of 555.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cem\u003eInternational Anthem is proud to present 'Step on Step', a double LP collection of home recordings marking the de-facto eponymous debut album by enigmatic producer, arranger, and composer Charles Stepney (1931-1976). The music that makes up Step on Step was created by Stepney alone, in the basement of his home on the Southside of Chicago, sometime in the late 1960s and early 1970s, before his untimely death in 1976.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA Chicago born and bred arranger, producer, multi-instrumentalist and songwriter, Stepney is known for his work with Earth, Wind \u0026amp; Fire, Deniece Williams, and Ramsey Lewis, and as a staff producer for Chess Records in the 1960s, where he was an essential creative force behind seminal recordings by Rotary Connection, Minnie Riperton, Marlena Shaw, Muddy Waters, Howlin Wolf, Terry Callier, The Dells, The Emotions, and many more. In the decades since his passing, the presence of his name in liner notes and on vinyl labels has become a seal of quality for record collectors, music historians, and aficionados, while his sound has been used by countless samplers in the hip-hop world including Kanye West, A Tribe Called Quest, The Fugees, MF Doom, and Madlib. But in comparison to the post-mortem renown of his sound, or the music he created and the artists he\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e supported while he was alive, Stepney is a greatly underappreciated figure… a genius relegated to the shadows.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the signature elements of his “baroque soul” sound is the epic, expansive, orchestral expression of his horn and string arrangements (in many cases brought to life by members of the Chicago Symphony Orchestra), as heard on Minnie Riperton’s “Les Fleurs,” or Marlena Shaw’s “California Soul,” or Terry Callier’s “What Color Is Love.” Hence making it even more special that his de-facto debut LP Step on Step, which sees its first wide release nearly five decades after his death, is a collection of stripped-down 4-track tape recordings featuring Stepney, alone, performing all instruments with minimal means. It is, as said by Chicago culture historian (and author of Step on Step liner notes) Ayana Contreras, “the uncut funk,” an unprecedented depiction of an imbued composer imagining and conceiving music (some of which would eventually become massive studio productions) in its primal state.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStep on Step features 23 tracks, most of which are original compositions by Stepney that were never again recorded by him or any other artist. It also features prototypical, seedling-style demos of Stepney compositions for Earth, Wind \u0026amp; Fire, including “That’s The Way of The World,” “Imagination,” and “On Your Face,” as well as the original version of “Black Gold,” which would eventually be recorded by Rotary Connection (as “I Am The Black Gold of The Sun,” with lyrics by Richard Rudolph). And in addition to the wordless croons of Stepney original and early single “Daddy’s Diddies,” Stepney’s actual voice is heard on a couple occasions across the album, testing microphones and inputs on his tape machine.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll of the otherwise unrecorded, previously unnamed original compositions contained on Step on Step were given their titles by Stepney’s daughters Eibur, Charlene, and Chanté Stepney, whose voices are also heard throughout the album, telling stories and sharing memories about their father. The Stepney Sisters, who produced this album over many years, have long been engaged in efforts to celebrate their father’s legacy and bring his work into brighter light. They’ve cherished the tape reels left behind by their father in the basement of their home, transferring the audio on multiple occasions, and originally compiling the recordings for an ultra-limited CD on their own DIY label (The Charles Stepney Masters) in the early 2010s. “We always talk about how we were trying to develop this and would go to different people and they would go ‘what is this raw stuff…’ It was just the first level of something that became something really great,” says Chanté. “To get this type of intimate look into an artist’s process is really unknown and unheard of… so I just really appreciate the opportunity to give this. I am very happy for my Dad that we’re able to share this with the world in this way, with this amount of respect.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis new double LP collection on International Anthem presents “a genuine, beautiful, deeply emotional and personal effort by three women to reconnect with their father and validate their own memories of his passion and brilliance,” says label co-founder Scott McNiece. And it’s a long-overdue fulfillment of Stepney’s unsatiated plan to release a solo album – which he once vowed to his daughters that he would do, and that he would name it: “Step on Step.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Charles Stepney\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e"}
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1976年に45歳の若さで他界したアメリカ・シカゴのプロデューサーCharles Stepneyが、60-70年代に自宅の地下スタジオで録音していた作品をコンパイルした未発表作品集です。 今聴いても新鮮な21曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ------------------------------...
¥5,940
クイックビュー
{"id":9205512143098,"title":"Charles Stepney \/\/ Step on Step 2xLP [COLOR]","handle":"charles-stepney-step-on-step-2xlp-color","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※5月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e1976年に45歳の若さで他界したアメリカ・シカゴのプロデューサーCharles Stepneyが、60-70年代に自宅の地下スタジオで録音していた作品をコンパイルした未発表作品集です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e今聴いても新鮮な21曲を収録。ゴールド盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4113308018\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDouble gold vinyl edition of 555.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cem\u003eInternational Anthem is proud to present 'Step on Step', a double LP collection of home recordings marking the de-facto eponymous debut album by enigmatic producer, arranger, and composer Charles Stepney (1931-1976). The music that makes up Step on Step was created by Stepney alone, in the basement of his home on the Southside of Chicago, sometime in the late 1960s and early 1970s, before his untimely death in 1976.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA Chicago born and bred arranger, producer, multi-instrumentalist and songwriter, Stepney is known for his work with Earth, Wind \u0026amp; Fire, Deniece Williams, and Ramsey Lewis, and as a staff producer for Chess Records in the 1960s, where he was an essential creative force behind seminal recordings by Rotary Connection, Minnie Riperton, Marlena Shaw, Muddy Waters, Howlin Wolf, Terry Callier, The Dells, The Emotions, and many more. In the decades since his passing, the presence of his name in liner notes and on vinyl labels has become a seal of quality for record collectors, music historians, and aficionados, while his sound has been used by countless samplers in the hip-hop world including Kanye West, A Tribe Called Quest, The Fugees, MF Doom, and Madlib. But in comparison to the post-mortem renown of his sound, or the music he created and the artists he\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e supported while he was alive, Stepney is a greatly underappreciated figure… a genius relegated to the shadows.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the signature elements of his “baroque soul” sound is the epic, expansive, orchestral expression of his horn and string arrangements (in many cases brought to life by members of the Chicago Symphony Orchestra), as heard on Minnie Riperton’s “Les Fleurs,” or Marlena Shaw’s “California Soul,” or Terry Callier’s “What Color Is Love.” Hence making it even more special that his de-facto debut LP Step on Step, which sees its first wide release nearly five decades after his death, is a collection of stripped-down 4-track tape recordings featuring Stepney, alone, performing all instruments with minimal means. It is, as said by Chicago culture historian (and author of Step on Step liner notes) Ayana Contreras, “the uncut funk,” an unprecedented depiction of an imbued composer imagining and conceiving music (some of which would eventually become massive studio productions) in its primal state.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStep on Step features 23 tracks, most of which are original compositions by Stepney that were never again recorded by him or any other artist. It also features prototypical, seedling-style demos of Stepney compositions for Earth, Wind \u0026amp; Fire, including “That’s The Way of The World,” “Imagination,” and “On Your Face,” as well as the original version of “Black Gold,” which would eventually be recorded by Rotary Connection (as “I Am The Black Gold of The Sun,” with lyrics by Richard Rudolph). And in addition to the wordless croons of Stepney original and early single “Daddy’s Diddies,” Stepney’s actual voice is heard on a couple occasions across the album, testing microphones and inputs on his tape machine.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll of the otherwise unrecorded, previously unnamed original compositions contained on Step on Step were given their titles by Stepney’s daughters Eibur, Charlene, and Chanté Stepney, whose voices are also heard throughout the album, telling stories and sharing memories about their father. The Stepney Sisters, who produced this album over many years, have long been engaged in efforts to celebrate their father’s legacy and bring his work into brighter light. They’ve cherished the tape reels left behind by their father in the basement of their home, transferring the audio on multiple occasions, and originally compiling the recordings for an ultra-limited CD on their own DIY label (The Charles Stepney Masters) in the early 2010s. “We always talk about how we were trying to develop this and would go to different people and they would go ‘what is this raw stuff…’ It was just the first level of something that became something really great,” says Chanté. “To get this type of intimate look into an artist’s process is really unknown and unheard of… so I just really appreciate the opportunity to give this. I am very happy for my Dad that we’re able to share this with the world in this way, with this amount of respect.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis new double LP collection on International Anthem presents “a genuine, beautiful, deeply emotional and personal effort by three women to reconnect with their father and validate their own memories of his passion and brilliance,” says label co-founder Scott McNiece. And it’s a long-overdue fulfillment of Stepney’s unsatiated plan to release a solo album – which he once vowed to his daughters that he would do, and that he would name it: “Step on Step.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Charles Stepney\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2026-04-25T06:27:45+09:00","created_at":"2026-04-25T06:27:12+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":683700,"price_min":683700,"price_max":683700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48760891080954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Charles Stepney \/\/ Step on Step 2xLP [COLOR]","public_title":null,"options":["Default Title"],"price":683700,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993992577","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533","\/\/tobirarecords.com\/cdn\/shop\/files\/0029765596_10.jpg?v=1756676603"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533","options":["Title"],"media":[{"alt":null,"id":30364035514618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533","width":700},{"alt":null,"id":36698304250106,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029765596_10.jpg?v=1756676603"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029765596_10.jpg?v=1756676603","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※5月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e1976年に45歳の若さで他界したアメリカ・シカゴのプロデューサーCharles Stepneyが、60-70年代に自宅の地下スタジオで録音していた作品をコンパイルした未発表作品集です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e今聴いても新鮮な21曲を収録。ゴールド盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4113308018\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDouble gold vinyl edition of 555.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cem\u003eInternational Anthem is proud to present 'Step on Step', a double LP collection of home recordings marking the de-facto eponymous debut album by enigmatic producer, arranger, and composer Charles Stepney (1931-1976). The music that makes up Step on Step was created by Stepney alone, in the basement of his home on the Southside of Chicago, sometime in the late 1960s and early 1970s, before his untimely death in 1976.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA Chicago born and bred arranger, producer, multi-instrumentalist and songwriter, Stepney is known for his work with Earth, Wind \u0026amp; Fire, Deniece Williams, and Ramsey Lewis, and as a staff producer for Chess Records in the 1960s, where he was an essential creative force behind seminal recordings by Rotary Connection, Minnie Riperton, Marlena Shaw, Muddy Waters, Howlin Wolf, Terry Callier, The Dells, The Emotions, and many more. In the decades since his passing, the presence of his name in liner notes and on vinyl labels has become a seal of quality for record collectors, music historians, and aficionados, while his sound has been used by countless samplers in the hip-hop world including Kanye West, A Tribe Called Quest, The Fugees, MF Doom, and Madlib. But in comparison to the post-mortem renown of his sound, or the music he created and the artists he\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e supported while he was alive, Stepney is a greatly underappreciated figure… a genius relegated to the shadows.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the signature elements of his “baroque soul” sound is the epic, expansive, orchestral expression of his horn and string arrangements (in many cases brought to life by members of the Chicago Symphony Orchestra), as heard on Minnie Riperton’s “Les Fleurs,” or Marlena Shaw’s “California Soul,” or Terry Callier’s “What Color Is Love.” Hence making it even more special that his de-facto debut LP Step on Step, which sees its first wide release nearly five decades after his death, is a collection of stripped-down 4-track tape recordings featuring Stepney, alone, performing all instruments with minimal means. It is, as said by Chicago culture historian (and author of Step on Step liner notes) Ayana Contreras, “the uncut funk,” an unprecedented depiction of an imbued composer imagining and conceiving music (some of which would eventually become massive studio productions) in its primal state.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStep on Step features 23 tracks, most of which are original compositions by Stepney that were never again recorded by him or any other artist. It also features prototypical, seedling-style demos of Stepney compositions for Earth, Wind \u0026amp; Fire, including “That’s The Way of The World,” “Imagination,” and “On Your Face,” as well as the original version of “Black Gold,” which would eventually be recorded by Rotary Connection (as “I Am The Black Gold of The Sun,” with lyrics by Richard Rudolph). And in addition to the wordless croons of Stepney original and early single “Daddy’s Diddies,” Stepney’s actual voice is heard on a couple occasions across the album, testing microphones and inputs on his tape machine.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll of the otherwise unrecorded, previously unnamed original compositions contained on Step on Step were given their titles by Stepney’s daughters Eibur, Charlene, and Chanté Stepney, whose voices are also heard throughout the album, telling stories and sharing memories about their father. The Stepney Sisters, who produced this album over many years, have long been engaged in efforts to celebrate their father’s legacy and bring his work into brighter light. They’ve cherished the tape reels left behind by their father in the basement of their home, transferring the audio on multiple occasions, and originally compiling the recordings for an ultra-limited CD on their own DIY label (The Charles Stepney Masters) in the early 2010s. “We always talk about how we were trying to develop this and would go to different people and they would go ‘what is this raw stuff…’ It was just the first level of something that became something really great,” says Chanté. “To get this type of intimate look into an artist’s process is really unknown and unheard of… so I just really appreciate the opportunity to give this. I am very happy for my Dad that we’re able to share this with the world in this way, with this amount of respect.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis new double LP collection on International Anthem presents “a genuine, beautiful, deeply emotional and personal effort by three women to reconnect with their father and validate their own memories of his passion and brilliance,” says label co-founder Scott McNiece. And it’s a long-overdue fulfillment of Stepney’s unsatiated plan to release a solo album – which he once vowed to his daughters that he would do, and that he would name it: “Step on Step.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Charles Stepney\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e"}
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※5月下旬再入荷後発送します 1976年に45歳の若さで他界したアメリカ・シカゴのプロデューサーCharles Stepneyが、60-70年代に自宅の地下スタジオで録音していた作品をコンパイルした未発表作品集です。 今聴いても新鮮な21曲を収録。ゴールド盤です。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
¥6,837
![Resavoir // Resavoir LP [BLACK]](http://tobirarecords.com/cdn/shop/files/voi1_medium.jpg?v=1701309353)
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{"id":9205509325050,"title":"Resavoir \/\/ Resavoir LP [BLACK]","handle":"resavoir-resavoir-lp-black","description":"\u003cp\u003eアメリカ・シカゴのマルチ奏者Will Miller aka Resavoirが、2023年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eトランペットやサンプラー、ドラムマシン、シンセを用いたアンビエント・ジャズ〜メローなジャズ・ヒップホップ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"シカゴのプロデューサー／コンポーザー、Will Miller率いるコラボレーション・プロジェクトResavoirが、セルフタイトルのセカンドアルバムを発表する。新作\u003cmeta charset=\"utf-8\"\u003e『Resavoir』は、現代のソウル・ジャズとベッドルーム・ビート、シンセのセレナーデ、そして黄昏のソナタが織り成す、繊細な輝きを放つシンフォニーだ。Millerのこれまでで最も確実で洗練された作品である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『Resavoir』には、エルトン・オーラ、ホイットニー、アケニア、マット・ゴールド、エディ・バーンズ、レイン・ベックストローム、ジェレミー・カニンガム、アーヴィン・ピアース、マシー・スチュワート、ピーター・マンハイムなど、幅広く活気に満ちたコラボレーターが参加している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e2010年代初頭のインディーヒップホップシーンのコラボレーションの精神に根ざしたMillerは、オバーリンジャズ音楽院でのトレーニングから解放され、貯水池をテーマにした曲を書くという作曲課題を合図に、文字通り音楽の貯水池として機能するビートとRnBにインスパイアされたサウンドを探求した。トランペットをMIDIキーボードに通し、サンプラー、ドラムマシン、シンセを試しながら、MC、ヴォーカリスト、インストゥルメンタリストとシームレスにコラボレートできるサウンドを作り始めた。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1817381454\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=779391825\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1035673598\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e Available on 12\" black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHeavenly 01:57\u003c\/li\u003e\n\u003cli\u003eInside Minds 02:37\u003c\/li\u003e\n\u003cli\u003eSunday Morning (featuring Elton Aura \u0026amp; Whitney) 03:31 video\u003c\/li\u003e\n\u003cli\u003eRobot Dreams 01:19\u003c\/li\u003e\n\u003cli\u003eMidday 03:53\u003c\/li\u003e\n\u003cli\u003eSunset 02:57\u003c\/li\u003e\n\u003cli\u003eFirst Light 06:23\u003c\/li\u003e\n\u003cli\u003eFuture 02:35\u003c\/li\u003e\n\u003cli\u003eOn n On 01:49\u003c\/li\u003e\n\u003cli\u003eBlutopia 03:40\u003c\/li\u003e\n\u003cli\u003eFacets 02:01\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eResavoir - the collaborative project led by Chicago producer\/composer Will Miller - presents their second self-titled album. The new 'Resavoir' is a subtly radiant symphony interweaving modern-day soul-jazz with bedroom beats, synth serenades and twilight sonatas. It represents Miller’s most assured and refined work to date.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eImagined, instigated and produced by Miller, who ties the diverse sounds into an expansive, coherent whole, 'Resavoir' features a wide and vibrant cast of collaborators, including Elton Aura, Whitney, Akenya, Matt Gold, Eddie Burns, Lane Beckstrom, Jeremy Cunningham, Irvin Pierce, Macie Stewart, Peter Manheim and more.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRooted in the collaborative spirit of the early 2010s indie hip-hop scene, Miller cut loose from his training at Oberlin jazz conservatory, taking a compositional assignment to write a tune about a reservoir as his cue to explore a beats and RnB-inspired sound that could function as a literal reservoir of music to draw from. Running his trumpet through MIDI keyboards, experimenting with samplers, drum machines and synths, he began to build a sound that could seamlessly collaborate with MCs, vocalists and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e instrumentalists.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Resavoir\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-25T06:25:17+09:00","created_at":"2026-04-25T06:24:26+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp","new","resavoir"],"price":491000,"price_min":491000,"price_max":491000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48760863129850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Resavoir \/\/ Resavoir LP [BLACK]","public_title":null,"options":["Default Title"],"price":491000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993993727","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/voi1.jpg?v=1701309353","\/\/tobirarecords.com\/cdn\/shop\/files\/voi2.jpg?v=1701309353"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/voi1.jpg?v=1701309353","options":["Title"],"media":[{"alt":null,"id":32770513797370,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/voi1.jpg?v=1701309353"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/voi1.jpg?v=1701309353","width":700},{"alt":null,"id":32770513862906,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/voi2.jpg?v=1701309353"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/voi2.jpg?v=1701309353","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのマルチ奏者Will Miller aka Resavoirが、2023年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eトランペットやサンプラー、ドラムマシン、シンセを用いたアンビエント・ジャズ〜メローなジャズ・ヒップホップ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"シカゴのプロデューサー／コンポーザー、Will Miller率いるコラボレーション・プロジェクトResavoirが、セルフタイトルのセカンドアルバムを発表する。新作\u003cmeta charset=\"utf-8\"\u003e『Resavoir』は、現代のソウル・ジャズとベッドルーム・ビート、シンセのセレナーデ、そして黄昏のソナタが織り成す、繊細な輝きを放つシンフォニーだ。Millerのこれまでで最も確実で洗練された作品である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『Resavoir』には、エルトン・オーラ、ホイットニー、アケニア、マット・ゴールド、エディ・バーンズ、レイン・ベックストローム、ジェレミー・カニンガム、アーヴィン・ピアース、マシー・スチュワート、ピーター・マンハイムなど、幅広く活気に満ちたコラボレーターが参加している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e2010年代初頭のインディーヒップホップシーンのコラボレーションの精神に根ざしたMillerは、オバーリンジャズ音楽院でのトレーニングから解放され、貯水池をテーマにした曲を書くという作曲課題を合図に、文字通り音楽の貯水池として機能するビートとRnBにインスパイアされたサウンドを探求した。トランペットをMIDIキーボードに通し、サンプラー、ドラムマシン、シンセを試しながら、MC、ヴォーカリスト、インストゥルメンタリストとシームレスにコラボレートできるサウンドを作り始めた。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1817381454\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=779391825\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1035673598\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e Available on 12\" black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHeavenly 01:57\u003c\/li\u003e\n\u003cli\u003eInside Minds 02:37\u003c\/li\u003e\n\u003cli\u003eSunday Morning (featuring Elton Aura \u0026amp; Whitney) 03:31 video\u003c\/li\u003e\n\u003cli\u003eRobot Dreams 01:19\u003c\/li\u003e\n\u003cli\u003eMidday 03:53\u003c\/li\u003e\n\u003cli\u003eSunset 02:57\u003c\/li\u003e\n\u003cli\u003eFirst Light 06:23\u003c\/li\u003e\n\u003cli\u003eFuture 02:35\u003c\/li\u003e\n\u003cli\u003eOn n On 01:49\u003c\/li\u003e\n\u003cli\u003eBlutopia 03:40\u003c\/li\u003e\n\u003cli\u003eFacets 02:01\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eResavoir - the collaborative project led by Chicago producer\/composer Will Miller - presents their second self-titled album. The new 'Resavoir' is a subtly radiant symphony interweaving modern-day soul-jazz with bedroom beats, synth serenades and twilight sonatas. It represents Miller’s most assured and refined work to date.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eImagined, instigated and produced by Miller, who ties the diverse sounds into an expansive, coherent whole, 'Resavoir' features a wide and vibrant cast of collaborators, including Elton Aura, Whitney, Akenya, Matt Gold, Eddie Burns, Lane Beckstrom, Jeremy Cunningham, Irvin Pierce, Macie Stewart, Peter Manheim and more.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRooted in the collaborative spirit of the early 2010s indie hip-hop scene, Miller cut loose from his training at Oberlin jazz conservatory, taking a compositional assignment to write a tune about a reservoir as his cue to explore a beats and RnB-inspired sound that could function as a literal reservoir of music to draw from. Running his trumpet through MIDI keyboards, experimenting with samplers, drum machines and synths, he began to build a sound that could seamlessly collaborate with MCs, vocalists and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e instrumentalists.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Resavoir\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのマルチ奏者Will Miller aka Resavoirが、2023年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。 トランペットやサンプラー、ドラムマシン、シンセを用いたアンビエント・ジャズ〜メローなジャズ・ヒップホップ11曲を収録。 ※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "シカゴのプロデューサー／コンポーザー、Will Miller率いるコラボレーション・プロジェクトResavoirが、セルフタイトルのセカンドアルバムを発表する。新作『Resavoir』は、現代のソウル・ジャズとベッドルーム・ビート、シンセのセレナーデ、そして黄昏のソナタが織り成す、繊細な輝きを放つシンフォニーだ。Millerのこれまでで最も確実で洗練された作品である。『Resavoir』には、エルトン・オーラ、ホイットニー、アケニア、マット・ゴールド、エディ・バーンズ、レイン・ベックストローム、ジェレミー・カニンガム、アーヴィン・ピアース、マシー・スチュワート、ピーター・マンハイムなど、幅広く活気に満ちたコラボレーターが参加している。2010年代初頭のインディーヒップホップシーンのコラボレーションの精神に根ざしたMillerは、オバーリンジャズ音楽院でのトレーニングから解放され、貯水池をテーマにした曲を書くという作曲課題を合図に、文字通り音楽の貯水池として機能するビートとRnBにインスパイアされたサウンドを探求した。トランペットをMIDIキーボードに通し、サンプラー、ドラムマシン、シンセを試しながら、MC、ヴォーカリスト、インストゥルメンタリストとシームレスにコラボレートできるサウンドを作り始めた。" レーベルその他作品はこちら /// Click here to see more...
¥4,910
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{"id":9205506212090,"title":"Photay with Carlos Niño \/\/ An Offering TAPE","handle":"photay-with-carlos-nino-an-offering-tape","description":"\u003cp\u003eアメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年10月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003e心地良いポストニューエイジ・アンビエントジャズ9曲を収録。Iasosも参加しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2112855781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eText by Piotr Orlov, August 2022\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFlowing water is an essential element of Earthly existence, a living force, a process of nature, a path-making which combines infinite sources mixing imperceptibly into a singular energy. It’s also a potent metaphor. A childlike wonder at flowing water’s presence and power, all the impressions it makes and creative neurons that it fires, happens to be a personality trait shared by Evan Shornstein (aka Photay) and Carlos Niño. The two producers\/musical connectors may have grown up and reside a continent and daily realities apart — Photay in the forest serenity of New York’s Hudson Valley, Niño on Los Angeles’s ocean-adjacent west side — yet this magnetic power of fluidity, its sound, its meaning, what it can teach us about art and circulation, mesmerizes them both.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWater is the spiritual center of their first album-length collaboration, the vast and deep An Offering — from the visual on the cover, to the first sound you hear on the opening “Prelude,” to the underlying themes and images espoused by the poet-philosopher Iasos on the closing “Existence.” More importantly, the image of water-like flow is a continuous reflection of how these two musicians have come to work together and apart, of the way they made An Offering, and how they’re continuing to create, without a beginning and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e (hopefully) with no end in sight. An infinite flow of sound, from and to every direction.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSome of this work directly reflects the relationship between the two men, and of where\/how Photay’s electronic, often-dancefloor-oriented tracks found Niño’s far-reaching world of ambient spirituality and improvised soundscaping. The meeting point is precise: Laraaji, the new age zither legend with whom Niño regularly collaborates, including at a June 2016 show in New York City which Niño played and Shornstein attended. The connection initiated immediately after that performance did not simply find the pair participating in each other’s recording projects — Photay remixing a Niño-produced Laraaji track and involved in Niño \u0026amp; Friends sessions; Carlos showing up on multiple songs of Photay’s 2020 album, Waking Hours, some of which was recorded at Niño’s studio—but in a broad exchange of ideas.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNiño long ago established himself as one of Los Angeles’ great musical conduits, constructing environments that facilitate partnerships between far-flung artists, perpetuating the freedom of working in the present, outside expectations, trusting the work’s destination. When the younger Shornstein met Niño, his own creative process was ”almost too precious, and it was always my goal to break out of that.” Adapting Carlos’ pacing and free-flowing strategies — scenarios such as sharing recorded stems, bringing in old recordings to serendipitously fit new tracks, or mixing organic improvisations with stylized, post-produced rhythms — transformed Evan’s perspective. It made him rethink ideas like “finished,” shedding pressurized over-analysis for a process he calls “fluid” and “healthy.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt also made Shornstein reconsider some music they’d recorded but originally left off Waking Hours, “microscopic moments that were more expansive in my mind — there was so much honesty there.” What may not have made sense within the composed, hyper-stylized beauty of Hours, “felt really good” outside that context. Niño, who describes himself as “very album-oriented,” agreed, suggesting they create a unified body of work to match those moments — but not overthink it, make it quick, easy, productive, present. Which is how the re-imagining of pieces of music that became “Change” and “Exist,” sprung Photay and Carlos Niño into collaborating even more closely, and brought An Offering to the world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sounds they gathered into an intentional, meditative whole, were made together and apart, and sourced from all over. The two producers made connections between new music and recordings they already had: Shornstein found hours of tape featuring solo playing by Upstate New York harpist Mikaela Davis, which became a central adornment on multiple tracks. Niño sent Shornstein a quartet improvisation he made with tenor saxophonist Aaron Shaw, keyboardist Diego Gaeta and synth-guitarist Nate Mercereau, which became the basis of “Honor.” They brought in trusted partners. The atmospheric blowing of LA-based tenor saxophonist Randal Fisher is a focal point throughout, at times processed by Photay’s machines. Photay’s trombone player Nathaneal Ranson, and Niño’s long-standing LA-based collaborator, vocalist Mia Doi Todd, float in-and-out of the mix. When Niño makes a record, another original “new age” legend, Iasos, is bound to be around, and his strong summation on “Existence” are the only words An Offering submits. The healing energy of Peterskill, a short rocky State Park waterway that ebbs through New York’s Ulster County (and across from Shornstein’s home — “a real environmental inspiration”), flows throughout. “Creating with no constructs,” is how Shornstein describes the process of bringing these elements together. “It was just a feeling, which maybe is what music or creating should always be.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePeterskill was also the source for a long extra track\/outro when An Offering debuted as a Bandcamp-exclusive cassette in October 2021 — and quickly sold out. (A gorgeous Shornstein-directed film accompanied the release as well.) The notion of this music as “offering” came to life in its immediacy (the tape was released only a month and half after the idea for it was seeded) and in its gift-like nature (you can still get the digital version at a price of your own choosing). Scott McNiece of International Anthem found it, and instantly connected with its natural essence, a sound that accompanies one’s movements through difficult moments, the motion of instinctive change, a way to mark the radical period of our time with incremental alterations. Like flowing water affecting an ancient landscape. International Anthem offered to give An Offering a full vinyl release, which is why you are reading this one-sheet right now. And like any current, the interconnectedness between Photay and Carlos Niño, their symbiotic way of informing and influencing each other’s sounds, continues to naturally move forward and shapeshift. They are working on multiple projects together at the moment, and have already completed More Offerings. Flow on!\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2026-04-25T06:17:27+09:00","created_at":"2026-04-25T06:13:58+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","new","post newage","tape"],"price":259800,"price_min":259800,"price_max":259800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48760851759354,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Photay with Carlos Niño \/\/ An Offering TAPE","public_title":null,"options":["Default Title"],"price":259800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218","\/\/tobirarecords.com\/cdn\/shop\/files\/0030074487_10.jpg?v=1777065259","\/\/tobirarecords.com\/cdn\/shop\/files\/0030074479_10.jpg?v=1777065259"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218","options":["Title"],"media":[{"alt":null,"id":30864630743290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218","width":700},{"alt":null,"id":39137474347258,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0030074487_10.jpg?v=1777065259"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0030074487_10.jpg?v=1777065259","width":1200},{"alt":null,"id":39137474380026,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0030074479_10.jpg?v=1777065259"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0030074479_10.jpg?v=1777065259","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年10月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003e心地良いポストニューエイジ・アンビエントジャズ9曲を収録。Iasosも参加しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2112855781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eText by Piotr Orlov, August 2022\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFlowing water is an essential element of Earthly existence, a living force, a process of nature, a path-making which combines infinite sources mixing imperceptibly into a singular energy. It’s also a potent metaphor. A childlike wonder at flowing water’s presence and power, all the impressions it makes and creative neurons that it fires, happens to be a personality trait shared by Evan Shornstein (aka Photay) and Carlos Niño. The two producers\/musical connectors may have grown up and reside a continent and daily realities apart — Photay in the forest serenity of New York’s Hudson Valley, Niño on Los Angeles’s ocean-adjacent west side — yet this magnetic power of fluidity, its sound, its meaning, what it can teach us about art and circulation, mesmerizes them both.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWater is the spiritual center of their first album-length collaboration, the vast and deep An Offering — from the visual on the cover, to the first sound you hear on the opening “Prelude,” to the underlying themes and images espoused by the poet-philosopher Iasos on the closing “Existence.” More importantly, the image of water-like flow is a continuous reflection of how these two musicians have come to work together and apart, of the way they made An Offering, and how they’re continuing to create, without a beginning and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e (hopefully) with no end in sight. An infinite flow of sound, from and to every direction.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSome of this work directly reflects the relationship between the two men, and of where\/how Photay’s electronic, often-dancefloor-oriented tracks found Niño’s far-reaching world of ambient spirituality and improvised soundscaping. The meeting point is precise: Laraaji, the new age zither legend with whom Niño regularly collaborates, including at a June 2016 show in New York City which Niño played and Shornstein attended. The connection initiated immediately after that performance did not simply find the pair participating in each other’s recording projects — Photay remixing a Niño-produced Laraaji track and involved in Niño \u0026amp; Friends sessions; Carlos showing up on multiple songs of Photay’s 2020 album, Waking Hours, some of which was recorded at Niño’s studio—but in a broad exchange of ideas.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNiño long ago established himself as one of Los Angeles’ great musical conduits, constructing environments that facilitate partnerships between far-flung artists, perpetuating the freedom of working in the present, outside expectations, trusting the work’s destination. When the younger Shornstein met Niño, his own creative process was ”almost too precious, and it was always my goal to break out of that.” Adapting Carlos’ pacing and free-flowing strategies — scenarios such as sharing recorded stems, bringing in old recordings to serendipitously fit new tracks, or mixing organic improvisations with stylized, post-produced rhythms — transformed Evan’s perspective. It made him rethink ideas like “finished,” shedding pressurized over-analysis for a process he calls “fluid” and “healthy.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt also made Shornstein reconsider some music they’d recorded but originally left off Waking Hours, “microscopic moments that were more expansive in my mind — there was so much honesty there.” What may not have made sense within the composed, hyper-stylized beauty of Hours, “felt really good” outside that context. Niño, who describes himself as “very album-oriented,” agreed, suggesting they create a unified body of work to match those moments — but not overthink it, make it quick, easy, productive, present. Which is how the re-imagining of pieces of music that became “Change” and “Exist,” sprung Photay and Carlos Niño into collaborating even more closely, and brought An Offering to the world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sounds they gathered into an intentional, meditative whole, were made together and apart, and sourced from all over. The two producers made connections between new music and recordings they already had: Shornstein found hours of tape featuring solo playing by Upstate New York harpist Mikaela Davis, which became a central adornment on multiple tracks. Niño sent Shornstein a quartet improvisation he made with tenor saxophonist Aaron Shaw, keyboardist Diego Gaeta and synth-guitarist Nate Mercereau, which became the basis of “Honor.” They brought in trusted partners. The atmospheric blowing of LA-based tenor saxophonist Randal Fisher is a focal point throughout, at times processed by Photay’s machines. Photay’s trombone player Nathaneal Ranson, and Niño’s long-standing LA-based collaborator, vocalist Mia Doi Todd, float in-and-out of the mix. When Niño makes a record, another original “new age” legend, Iasos, is bound to be around, and his strong summation on “Existence” are the only words An Offering submits. The healing energy of Peterskill, a short rocky State Park waterway that ebbs through New York’s Ulster County (and across from Shornstein’s home — “a real environmental inspiration”), flows throughout. “Creating with no constructs,” is how Shornstein describes the process of bringing these elements together. “It was just a feeling, which maybe is what music or creating should always be.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePeterskill was also the source for a long extra track\/outro when An Offering debuted as a Bandcamp-exclusive cassette in October 2021 — and quickly sold out. (A gorgeous Shornstein-directed film accompanied the release as well.) The notion of this music as “offering” came to life in its immediacy (the tape was released only a month and half after the idea for it was seeded) and in its gift-like nature (you can still get the digital version at a price of your own choosing). Scott McNiece of International Anthem found it, and instantly connected with its natural essence, a sound that accompanies one’s movements through difficult moments, the motion of instinctive change, a way to mark the radical period of our time with incremental alterations. Like flowing water affecting an ancient landscape. International Anthem offered to give An Offering a full vinyl release, which is why you are reading this one-sheet right now. And like any current, the interconnectedness between Photay and Carlos Niño, their symbiotic way of informing and influencing each other’s sounds, continues to naturally move forward and shapeshift. They are working on multiple projects together at the moment, and have already completed More Offerings. Flow on!\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e"}
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アメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年10月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。 心地良いポストニューエイジ・アンビエントジャズ9曲を収録。Iasosも参加しています。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":9205498282234,"title":"Whitney Johnson, Lia Kohl, Macie Stewart \/\/ BODY SOUND LP [COLOR]","handle":"whitney-johnson-lia-kohl-macie-stewart-body-sound-lp-color","description":"\u003cp\u003eアメリカ・シカゴのバイオリニストWhitney JohnsonとMacie Stewart、チェリストLia Kohlが、2026年3月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eインプロによるネオクラシカル・アンビエントドローン11曲を収録。グレープフルーツカラー盤です。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2492412378\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" \"Grapefruit\" color vinyl with International Anthem OBI.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. dawn | pulse 06:03\u003cbr\u003e2. laundry | blood 02:51\u003cbr\u003e3. chewing gum 00:39\u003cbr\u003e4. door | watch 03:05\u003cbr\u003e5. stone | piece 07:33\u003cbr\u003e6. burning | counting (sleeping) 02:27\u003cbr\u003e7. shadow | mess 04:10\u003cbr\u003e8. paper folding | disappearing 03:05\u003cbr\u003e9. cough | laugh 02:39\u003cbr\u003e10. snow | touch 02:48\u003cbr\u003e11. fog | mirror 04:35\u003c\/p\u003e\n\u003cp\u003eExcerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhitney Johnson, Lia Kohl, and Macie Stewart are a trio who utilize string instruments, voices, and manual tape effect processing to craft compositions from alternately tranquil and disquieting improvised music. The three musicians are individually rooted in deep sound exploration, multi-disciplinary composition, and all manner of cross-genre collaboration. The musical ground covered by their solo practices is correspondingly expansive, and their individual recording and performance credits read as a veritable who’s who, ranging from DIY darlings to household names of experimental avant-garde, electronic, indie rock, and more.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe trio’s collective sound is based in improvisation—automatic, intuitive composition via their three voices and three string instruments (viola, cello, and violin, respectively). Their influences are vast—dispatched with more playful ease than a trio of string instruments is typically approached with, and just as likely to be found in the cloud-obscured mountains of Donegal, the low-rent cacophony of a midwestern basement, or the revelatory expanse of the Nurse With Wound list as in the storied halls of the academy. Touchstones and areas of interest aside, the main thing that Johnson, Kohl, and Stewart engage with in BODY SOUND is listening and\u003cspan class=\"bcTruncateMore\"\u003e reacting...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Whitney Johnson, Lia Kohl, Macie Stewart\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP-IARC0108\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 20th March 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-25T06:06:58+09:00","created_at":"2026-04-25T06:05:25+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","neo classical","new","recommended"],"price":549200,"price_min":549200,"price_max":549200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48760731533562,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Whitney Johnson, Lia Kohl, Macie Stewart \/\/ BODY SOUND LP [COLOR]","public_title":null,"options":["Default Title"],"price":549200,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bod1_58b02fce-b883-419b-87b5-731f3d0480ad.jpg?v=1774314665","\/\/tobirarecords.com\/cdn\/shop\/files\/bod2_afe7eedf-7870-465b-b935-ebed84629786.jpg?v=1774314665","\/\/tobirarecords.com\/cdn\/shop\/files\/0042888229_10.jpg?v=1777064783"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bod1_58b02fce-b883-419b-87b5-731f3d0480ad.jpg?v=1774314665","options":["Title"],"media":[{"alt":null,"id":38829615251706,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bod1_58b02fce-b883-419b-87b5-731f3d0480ad.jpg?v=1774314665"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bod1_58b02fce-b883-419b-87b5-731f3d0480ad.jpg?v=1774314665","width":350},{"alt":null,"id":38829615284474,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bod2_afe7eedf-7870-465b-b935-ebed84629786.jpg?v=1774314665"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bod2_afe7eedf-7870-465b-b935-ebed84629786.jpg?v=1774314665","width":1200},{"alt":null,"id":39137445511418,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0042888229_10.jpg?v=1777064783"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0042888229_10.jpg?v=1777064783","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのバイオリニストWhitney JohnsonとMacie Stewart、チェリストLia Kohlが、2026年3月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eインプロによるネオクラシカル・アンビエントドローン11曲を収録。グレープフルーツカラー盤です。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2492412378\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" \"Grapefruit\" color vinyl with International Anthem OBI.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. dawn | pulse 06:03\u003cbr\u003e2. laundry | blood 02:51\u003cbr\u003e3. chewing gum 00:39\u003cbr\u003e4. door | watch 03:05\u003cbr\u003e5. stone | piece 07:33\u003cbr\u003e6. burning | counting (sleeping) 02:27\u003cbr\u003e7. shadow | mess 04:10\u003cbr\u003e8. paper folding | disappearing 03:05\u003cbr\u003e9. cough | laugh 02:39\u003cbr\u003e10. snow | touch 02:48\u003cbr\u003e11. fog | mirror 04:35\u003c\/p\u003e\n\u003cp\u003eExcerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhitney Johnson, Lia Kohl, and Macie Stewart are a trio who utilize string instruments, voices, and manual tape effect processing to craft compositions from alternately tranquil and disquieting improvised music. The three musicians are individually rooted in deep sound exploration, multi-disciplinary composition, and all manner of cross-genre collaboration. The musical ground covered by their solo practices is correspondingly expansive, and their individual recording and performance credits read as a veritable who’s who, ranging from DIY darlings to household names of experimental avant-garde, electronic, indie rock, and more.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe trio’s collective sound is based in improvisation—automatic, intuitive composition via their three voices and three string instruments (viola, cello, and violin, respectively). Their influences are vast—dispatched with more playful ease than a trio of string instruments is typically approached with, and just as likely to be found in the cloud-obscured mountains of Donegal, the low-rent cacophony of a midwestern basement, or the revelatory expanse of the Nurse With Wound list as in the storied halls of the academy. Touchstones and areas of interest aside, the main thing that Johnson, Kohl, and Stewart engage with in BODY SOUND is listening and\u003cspan class=\"bcTruncateMore\"\u003e reacting...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Whitney Johnson, Lia Kohl, Macie Stewart\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP-IARC0108\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 20th March 2026\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのバイオリニストWhitney JohnsonとMacie Stewart、チェリストLia Kohlが、2026年3月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした共作レコードです。 インプロによるネオクラシカル・アンビエントドローン11曲を収録。グレープフルーツカラー盤です。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
¥5,492
クイックビュー
{"id":9203700629754,"title":"Opek \/\/ Trafo LP","handle":"opek-trafo-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eドイツ・ケルンのジャズドラマーOpekが、2026年5月に同国Schallplatten Firma Rec.からリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e様々な空間に溶け込むレアグルーヴ〜スピリチュアル・ジャズ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3615269504\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3615269504\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3844950951\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003cbr\u003eEdition of 500 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Transformator\u003cbr\u003e2. DOP 04:10\u003cbr\u003e3. Eyes\u003cbr\u003e4. Plus\u003cbr\u003e5. Smiling Prisoner 03:07\u003cbr\u003e6. Why Oh Why 04:39\u003cbr\u003e7. Herbert\u003cbr\u003e8. Conundrum\u003cbr\u003e9. 654\u003cbr\u003e10. Ruin Song\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Minus\u003cbr\u003e\u003c\/span\u003e12. Obscuro 03:13\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn TRAFO, Opek connects his cinematic visions to his love for jazz music, creating a cloudy deep-groove soundscape, filled with hallucinations and slivers of time travel.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe mostly instrumental album scratches different genres, including spiritual jazz, rare groove, and of course library and 70s film music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded live in his Cologne studio by a five piece band, Opek pays homage to influences like Wayne Shorter, Soft Machine, David Axelrod and Marc Moulin's Placebo. The recording setting gives the album tension and vividness on one hand, intimacy and warmth on the other. The compositions transform old memories into melodies and strive to translate recurrent observations into sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn TRAFO Opek plays the drums and is accompanied by Caris Hermes on double bass, Elisabeth Waanders on Fender Rhodes, Julius van Rhee on saxophone and Jonathan Böbel on trombone. Typical Opek-esk sounds make the album a krautjazz experience and let elements of nightly madness dissolve into stimulating curiosity.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eA feeling like in a Borges novel - it’s not a dream, but an awakening.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : OPEK\u003c\/p\u003e\n\u003cp\u003eLabel : Schallplatten Firma Rec.\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSFR002LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRELEASE DATE : 1st May 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-25T08:02:20+09:00","created_at":"2026-04-23T11:01:38+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new"],"price":517600,"price_min":517600,"price_max":517600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48741943443706,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Opek \/\/ Trafo LP","public_title":null,"options":["Default Title"],"price":517600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/op1_c4f3f3a5-0a71-4113-a1ca-22113420145b.jpg?v=1776909582","\/\/tobirarecords.com\/cdn\/shop\/files\/op2_5d57f54b-19e8-43d1-9614-2fac8d28dc74.jpg?v=1776909582"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_c4f3f3a5-0a71-4113-a1ca-22113420145b.jpg?v=1776909582","options":["Title"],"media":[{"alt":null,"id":39122649415930,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_c4f3f3a5-0a71-4113-a1ca-22113420145b.jpg?v=1776909582"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_c4f3f3a5-0a71-4113-a1ca-22113420145b.jpg?v=1776909582","width":350},{"alt":null,"id":39122649448698,"position":2,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op2_5d57f54b-19e8-43d1-9614-2fac8d28dc74.jpg?v=1776909582"},"aspect_ratio":1.425,"height":842,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op2_5d57f54b-19e8-43d1-9614-2fac8d28dc74.jpg?v=1776909582","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eドイツ・ケルンのジャズドラマーOpekが、2026年5月に同国Schallplatten Firma Rec.からリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e様々な空間に溶け込むレアグルーヴ〜スピリチュアル・ジャズ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3615269504\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3615269504\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3844950951\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003cbr\u003eEdition of 500 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Transformator\u003cbr\u003e2. DOP 04:10\u003cbr\u003e3. Eyes\u003cbr\u003e4. Plus\u003cbr\u003e5. Smiling Prisoner 03:07\u003cbr\u003e6. Why Oh Why 04:39\u003cbr\u003e7. Herbert\u003cbr\u003e8. Conundrum\u003cbr\u003e9. 654\u003cbr\u003e10. Ruin Song\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Minus\u003cbr\u003e\u003c\/span\u003e12. Obscuro 03:13\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn TRAFO, Opek connects his cinematic visions to his love for jazz music, creating a cloudy deep-groove soundscape, filled with hallucinations and slivers of time travel.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe mostly instrumental album scratches different genres, including spiritual jazz, rare groove, and of course library and 70s film music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded live in his Cologne studio by a five piece band, Opek pays homage to influences like Wayne Shorter, Soft Machine, David Axelrod and Marc Moulin's Placebo. The recording setting gives the album tension and vividness on one hand, intimacy and warmth on the other. The compositions transform old memories into melodies and strive to translate recurrent observations into sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn TRAFO Opek plays the drums and is accompanied by Caris Hermes on double bass, Elisabeth Waanders on Fender Rhodes, Julius van Rhee on saxophone and Jonathan Böbel on trombone. Typical Opek-esk sounds make the album a krautjazz experience and let elements of nightly madness dissolve into stimulating curiosity.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eA feeling like in a Borges novel - it’s not a dream, but an awakening.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : OPEK\u003c\/p\u003e\n\u003cp\u003eLabel : Schallplatten Firma Rec.\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSFR002LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRELEASE DATE : 1st May 2026\u003c\/span\u003e\u003c\/p\u003e"}
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※5月中旬再入荷後発送します ドイツ・ケルンのジャズドラマーOpekが、2026年5月に同国Schallplatten Firma Rec.からリリースしたレコードです。 様々な空間に溶け込むレアグルーヴ〜スピリチュアル・ジャズ12曲を収録。 ------------------------------------------------------------ 12" black vinyl. Edition of 500 copies. Tracklist 1....
¥5,176
クイックビュー
{"id":9203696304378,"title":"RADIOHOP \/\/ HARD TO HANDLE LP","handle":"radiohop-hard-to-handle-lp","description":"\u003cp\u003eオランダ・アムステルダムのジャズ・ヒップホップバンドRADIOHOPが、2026年5月にドイツ・ケルンのヒップホップレーベルMelting Potからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eレイドバックなジャズ・ヒップホップ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003eRADIOHOPはアムステルダム出身の4人組ジャズ／ヒップホップ・バンドで、グルーヴ、テクスチャー、即興演奏の境界を探求している。『HARD TO HANDLE』は彼らの2作目のアルバムであり、Melting Pot Musicからの初リリースとなる。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cem\u003eJohnny Biner – guitar\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eJoshua Lutz – keys\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eJoel Svedberg – bass\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEuan Jenkins – drums\u003c\/em\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『HARD TO HANDLE』が私たちのメールボックスに届いた際、バンドはこの12曲入りの作品を「ビートテープ」と呼んでいた。もっともな話だ。音楽は生々しく、大音量で、一切の妥協がない。磨きも飾り気もなし——源流からそのままの形で届いている。しかし、『HARD TO HANDLE』を単なるビートテープと表現するのは、その音楽の質を過小評価することになる。だからこそ、我々はこれを「アルバム」としてリリースする——デジタル版も用意しているが、何よりもまずレコードで。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e4人全員が2020年頃にジャズを学ぶためにアムステルダムに移住し、すぐにこの街の活気あふれるシーンに溶け込んだ。RADIOHOPは、Steppin’ Into TomorrowやSuper-Sonic Jazzといったコレクティブやプロモーターと密接な関係にある。彼らは地元のレーベルWicked Wax Musicからファーストアルバムをリリースし、同レーベルではオランダのビート界のアイコンであるKid Sublime（Kill Your Darlings）とのコラボレーション・アルバムも録音した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e各バンドメンバーは、ひとつの有機体として音楽を形作る上で対等な役割を果たしており、エゴや個人のスポットライトよりも、フィーリングや雰囲気を重視している。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e楽曲は実験、直感的なコラボレーション、そして深いリスニングから生まれる。このアプローチは、ジャズにルーツを持つことと同様に、即興演奏者やビートメイカーとしての彼らのバックグラウンドにも深く根ざしている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRADIOHOPは、Soul SupremeやJuju Rogersといったアーティストのリズムセクションとしても活動してきた。ビートヘッズなら、FloFilzやJake Millinerとコラボレーションしたジョシュアのソロプロジェクト「Halfpastseven」をご存知かもしれない。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2110705771\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003ehere\u003c\/a\u003e to see more Melting Pot Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. DUMMY 02:22\u003cbr\u003e2. 2TONS OF FUTONS 01:06\u003cbr\u003e3. MAD FLUTE 02:43\u003cbr\u003e4. omw\u003cbr\u003e5. WHERE MY KEYS\u003cbr\u003e6. IN THE RAIN\u003cbr\u003e7. SPOOKY TOWN 01:28\u003cbr\u003e8. 1BOWL OF CROUTONS\u003cbr\u003e9. WHO CARES\u003cbr\u003e10. BUT THIS\u003cbr\u003e11. EXCHANGE\u003cbr\u003e12. hard to handle, hard to hold\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRADIOHOP are a four-piece jazz\/hip-hop band from Amsterdam, exploring the boundaries between groove, texture, and improvisation. HARD TO HANDLE is their second album and the first drop on Melting Pot Music. As the title suggests, RADIOHOP are going hard on this one.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen HARD TO HANDLE hit our inbox, the band called the 12-track project a “beat tape”. Fair enough. The music is raw, loud, and unapologetic. No polish, no garnish — straight from the source. But describing HARD TO HANDLE a beat tape would not do justice to the quality of the music — that’s why we release it as an a-l-b-u-m: digital, but first and foremost on vinyl.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRADIOHOP are:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eJohnny Biner – guitar\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eJoshua Lutz – keys\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eJoel Svedberg – bass\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEuan Jenkins – drums\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAll four of them moved to Amsterdam around 2020 to study jazz and quickly plugged into the city’s bubbling scene. RADIOHOP are tight with collectives and promoters like Steppin’ Into Tomorrow, and Super-Sonic Jazz. They released their first album on the\u003cspan class=\"bcTruncateMore\"\u003e local imprint Wicked Wax Music, where they also recorded a collaboration album with Dutch beat icon Kid Sublime (Kill Your Darlings).\u003cbr\u003e\u003cbr\u003eEach band member plays an equal role in shaping the music as a single organism, empha-sising feeling and atmosphere rather than ego or individual spotlight.\u003cbr\u003e\u003cbr\u003eThe compositions arise from experimentation, intuitive collaboration, and deep listening, an approach that has as much to do with their backgrounds as improvisers and beat-makers, as it does with their roots in jazz.\u003cbr\u003e\u003cbr\u003eRADIOHOP have performed as the rhythm section for artists like Soul Supreme and Juju Rogers. Beatheads might be familiar with Joshua’s solo project Halfpastseven, who has collaborated with FloFilz and Jake Milliner.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : RADIOHOP\u003c\/p\u003e\n\u003cp\u003eLabel : Melting Pot\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMPM364LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 27th April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-25T07:54:36+09:00","created_at":"2026-04-23T10:57:30+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","lp","melting pot","new"],"price":448000,"price_min":448000,"price_max":448000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48741880135930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"RADIOHOP \/\/ HARD TO HANDLE LP","public_title":null,"options":["Default Title"],"price":448000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"0673793336412","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/radio1_33c1590d-0d04-41ff-8960-929403989341.jpg?v=1776909260","\/\/tobirarecords.com\/cdn\/shop\/files\/radio2_85ad91af-5bc6-428f-ba5c-eb25c88a382e.jpg?v=1776909260"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/radio1_33c1590d-0d04-41ff-8960-929403989341.jpg?v=1776909260","options":["Title"],"media":[{"alt":null,"id":39122632573178,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/radio1_33c1590d-0d04-41ff-8960-929403989341.jpg?v=1776909260"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/radio1_33c1590d-0d04-41ff-8960-929403989341.jpg?v=1776909260","width":350},{"alt":null,"id":39122632605946,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/radio2_85ad91af-5bc6-428f-ba5c-eb25c88a382e.jpg?v=1776909260"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/radio2_85ad91af-5bc6-428f-ba5c-eb25c88a382e.jpg?v=1776909260","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダ・アムステルダムのジャズ・ヒップホップバンドRADIOHOPが、2026年5月にドイツ・ケルンのヒップホップレーベルMelting Potからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eレイドバックなジャズ・ヒップホップ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003eRADIOHOPはアムステルダム出身の4人組ジャズ／ヒップホップ・バンドで、グルーヴ、テクスチャー、即興演奏の境界を探求している。『HARD TO HANDLE』は彼らの2作目のアルバムであり、Melting Pot Musicからの初リリースとなる。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cem\u003eJohnny Biner – guitar\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eJoshua Lutz – keys\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eJoel Svedberg – bass\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEuan Jenkins – drums\u003c\/em\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『HARD TO HANDLE』が私たちのメールボックスに届いた際、バンドはこの12曲入りの作品を「ビートテープ」と呼んでいた。もっともな話だ。音楽は生々しく、大音量で、一切の妥協がない。磨きも飾り気もなし——源流からそのままの形で届いている。しかし、『HARD TO HANDLE』を単なるビートテープと表現するのは、その音楽の質を過小評価することになる。だからこそ、我々はこれを「アルバム」としてリリースする——デジタル版も用意しているが、何よりもまずレコードで。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e4人全員が2020年頃にジャズを学ぶためにアムステルダムに移住し、すぐにこの街の活気あふれるシーンに溶け込んだ。RADIOHOPは、Steppin’ Into TomorrowやSuper-Sonic Jazzといったコレクティブやプロモーターと密接な関係にある。彼らは地元のレーベルWicked Wax Musicからファーストアルバムをリリースし、同レーベルではオランダのビート界のアイコンであるKid Sublime（Kill Your Darlings）とのコラボレーション・アルバムも録音した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e各バンドメンバーは、ひとつの有機体として音楽を形作る上で対等な役割を果たしており、エゴや個人のスポットライトよりも、フィーリングや雰囲気を重視している。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e楽曲は実験、直感的なコラボレーション、そして深いリスニングから生まれる。このアプローチは、ジャズにルーツを持つことと同様に、即興演奏者やビートメイカーとしての彼らのバックグラウンドにも深く根ざしている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRADIOHOPは、Soul SupremeやJuju Rogersといったアーティストのリズムセクションとしても活動してきた。ビートヘッズなら、FloFilzやJake Millinerとコラボレーションしたジョシュアのソロプロジェクト「Halfpastseven」をご存知かもしれない。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2110705771\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003ehere\u003c\/a\u003e to see more Melting Pot Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. DUMMY 02:22\u003cbr\u003e2. 2TONS OF FUTONS 01:06\u003cbr\u003e3. MAD FLUTE 02:43\u003cbr\u003e4. omw\u003cbr\u003e5. WHERE MY KEYS\u003cbr\u003e6. IN THE RAIN\u003cbr\u003e7. SPOOKY TOWN 01:28\u003cbr\u003e8. 1BOWL OF CROUTONS\u003cbr\u003e9. WHO CARES\u003cbr\u003e10. BUT THIS\u003cbr\u003e11. EXCHANGE\u003cbr\u003e12. hard to handle, hard to hold\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRADIOHOP are a four-piece jazz\/hip-hop band from Amsterdam, exploring the boundaries between groove, texture, and improvisation. HARD TO HANDLE is their second album and the first drop on Melting Pot Music. As the title suggests, RADIOHOP are going hard on this one.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen HARD TO HANDLE hit our inbox, the band called the 12-track project a “beat tape”. Fair enough. The music is raw, loud, and unapologetic. No polish, no garnish — straight from the source. But describing HARD TO HANDLE a beat tape would not do justice to the quality of the music — that’s why we release it as an a-l-b-u-m: digital, but first and foremost on vinyl.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRADIOHOP are:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eJohnny Biner – guitar\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eJoshua Lutz – keys\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eJoel Svedberg – bass\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEuan Jenkins – drums\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAll four of them moved to Amsterdam around 2020 to study jazz and quickly plugged into the city’s bubbling scene. RADIOHOP are tight with collectives and promoters like Steppin’ Into Tomorrow, and Super-Sonic Jazz. They released their first album on the\u003cspan class=\"bcTruncateMore\"\u003e local imprint Wicked Wax Music, where they also recorded a collaboration album with Dutch beat icon Kid Sublime (Kill Your Darlings).\u003cbr\u003e\u003cbr\u003eEach band member plays an equal role in shaping the music as a single organism, empha-sising feeling and atmosphere rather than ego or individual spotlight.\u003cbr\u003e\u003cbr\u003eThe compositions arise from experimentation, intuitive collaboration, and deep listening, an approach that has as much to do with their backgrounds as improvisers and beat-makers, as it does with their roots in jazz.\u003cbr\u003e\u003cbr\u003eRADIOHOP have performed as the rhythm section for artists like Soul Supreme and Juju Rogers. Beatheads might be familiar with Joshua’s solo project Halfpastseven, who has collaborated with FloFilz and Jake Milliner.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : RADIOHOP\u003c\/p\u003e\n\u003cp\u003eLabel : Melting Pot\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMPM364LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 27th April 2026\u003c\/span\u003e\u003c\/p\u003e"}
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オランダ・アムステルダムのジャズ・ヒップホップバンドRADIOHOPが、2026年5月にドイツ・ケルンのヒップホップレーベルMelting Potからリリースしたレコードです。 レイドバックなジャズ・ヒップホップ12曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "RADIOHOPはアムステルダム出身の4人組ジャズ／ヒップホップ・バンドで、グルーヴ、テクスチャー、即興演奏の境界を探求している。『HARD TO HANDLE』は彼らの2作目のアルバムであり、Melting Pot Musicからの初リリースとなる。 Johnny Biner – guitarJoshua...
¥4,480
クイックビュー
{"id":9202275909882,"title":"JC Leisure Group \/\/ Low Tide, Hi Grypus! TAPE","handle":"jc-leisure-group-low-tide-hi-grypus-tape","description":"\u003cp\u003eイギリスの実験音楽家JC Leisure率いるJC Leisure Groupが、2026年3月にベルギーの実験／アンビエントレーベルEdicoes CNから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eベルリンでのライブ録音11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003e『Low Tide, Hi Grypus!』は、JC LeisureがJC Leisure Groupとして展開する新たなライブ・プロジェクトである。人間の即興演奏者と大西洋アザラシとの出会いとコミュニケーションを記録した本作は、反応的な即興演奏を種を越えたコラボレーションの一形態として提示している。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eこのプロジェクトはウェールズのポースディンレンで始まり、Leisureは干潮時に地元のコロニーからアザラシの鳴き声を録音した。リバプールのスタジオに戻ったLeisureは、人間の音楽的ジェスチャー——音高、音色、リズム、密度、存在感——を、これらのアザラシの表現を引き出すトリガーへと変換するパフォーマンス・システムを開発した。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこうして生まれたシステムは、水平的な文脈において、作用すると同時に作用を受けるという二重の能動性を備えている。それは、再現不可能なニュー・ミュージックの非線形的な境界を創出する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Low Tide, Hi Grypus!』は、ベルリンの1210でライブ録音されたもので、このコンセプトの一つの事例を捉えている。地元の即興演奏家たちが、このパフォーマンス・システムとの邂逅に招かれた。ワンテイクで録音されたこの作品では、ペダル・スティール、木管楽器、弦楽器、ピアノ、オルガン、そしてエレクトロニクスが、徐々に海の声に耳を傾け、それに応答することを学んでいく。この種を越えたグループは、一夜の間に、親密なデュエット（人間とアザラシ）から、フル・アンサンブル作品（人間とアザラシ）へと移行していく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eフィールドレコーディングを静的な素材として扱うのではなく、膨大なアザラシのアーカイブは能動的な共演者として機能し、リアルタイムで形式、テンポ、相互作用を形作っていく。まさに海洋生物学と人間のコミュニケーションの融合だ！\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJC Leisureはこれまで、Sun Ark、Warm Winters Ltd、Not Not Funから作品をリリースしており、DialectとのコラボレーションとしてRaft of Trashとしても活動している。また、BBCラジオから委嘱を受け、放送されたラジオドラマの作曲も手掛けている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=173929768\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eEdições CN releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 100 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ensemble i, Pedal Steel, Flute, Voice 02:44\u003cbr\u003e2. Pedal Steel i 02:50\u003cbr\u003e3. Harp i 04:43\u003cbr\u003e4. Pedal Steel ii 00:51\u003cbr\u003e5. Ensemble ii, Piano, Cello, Flute, Organ, Voice 04:29\u003cbr\u003e6. Pedal Steel iii 02:15\u003cbr\u003e7. Piano i 08:23\u003cbr\u003e8. Ensemble iii, Organ, Voice, Piano, Cello 04:45\u003cbr\u003e9. Ensemble iv, Pedal Steel, Flute, Whistles 02:36\u003cbr\u003e10. Ensemble v, Flute, Pedal Steel Whistles 03:16\u003cbr\u003e11. Sonata i 04:03\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLow Tide, Hi Grypus! is the new live-iteration of JC Leisure as JC Leisure Group. Documenting an encounter and a communication between human improvisers and atlantic grey seals. The record presents responsive improvisation as a form of cross-species collaboration.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe project began on Porthdinllaen, Wales, where Leisure recorded seal vocalisations from a local colony at low tide. Back in their Liverpool studio, Leisure developed a performance system that translates human musical gestures - pitch, timbre, rhythm, density, presence - into triggers for these seal expressions. The resulting system is dual-active, as in it simultaneously acts and is acted upon in the horizontal instance. It creates a new-music non-linear threshold that cannot be replicated.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLow Tide, Hi Grypus! was recorded live at 1210 Berlin and captures one instance of this concept. Local improvisers were invited to encounter the performance system. Recorded in one take, pedal-steel, woodwinds, strings, piano, organ, and electronics gradually learn to listen and respond to the marine voices. This interspecific group moves from intimate duets (that's human, seal) into full ensemble works (humans, seals) over the course of\u003cspan class=\"bcTruncateMore\"\u003e one night.\u003cbr\u003e\u003cbr\u003eRather than treating field recordings as static material, the extensive seal archive functions as an active collaborator: shaping form, pacing, and interaction in real-time. Now that’s marine biology meets human communication!\u003cbr\u003e\u003cbr\u003eJC Leisure has previously released work on Sun Ark, Warm Winters Ltd, Not Not Fun and collaboratively with Dialect as Raft of Trash. He has composed a radio play commissioned and broadcast by BBC Radio.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : JC Leisure Group\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eEdições CN\u003c\/p\u003e\n\u003cp\u003ecat no : ECN52\u003c\/p\u003e\n\u003cp\u003eRelease date : 17th March 2026\u003c\/p\u003e","published_at":"2026-04-23T07:25:53+09:00","created_at":"2026-04-22T12:36:49+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Edições CN","jazz","new","tape"],"price":232400,"price_min":232400,"price_max":232400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48732691169530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"JC Leisure Group \/\/ Low Tide, Hi Grypus! TAPE","public_title":null,"options":["Default Title"],"price":232400,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/low2_36da14cb-9067-4a6c-ab4b-66d8cecf42ff.jpg?v=1776896736","\/\/tobirarecords.com\/cdn\/shop\/files\/low1.jpg?v=1776828905"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/low2_36da14cb-9067-4a6c-ab4b-66d8cecf42ff.jpg?v=1776896736","options":["Title"],"media":[{"alt":null,"id":39113023258874,"position":1,"preview_image":{"aspect_ratio":1.0,"height":756,"width":756,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/low2_36da14cb-9067-4a6c-ab4b-66d8cecf42ff.jpg?v=1776896736"},"aspect_ratio":1.0,"height":756,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/low2_36da14cb-9067-4a6c-ab4b-66d8cecf42ff.jpg?v=1776896736","width":756},{"alt":null,"id":39113023226106,"position":2,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/low1.jpg?v=1776828905"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/low1.jpg?v=1776828905","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験音楽家JC Leisure率いるJC Leisure Groupが、2026年3月にベルギーの実験／アンビエントレーベルEdicoes CNから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eベルリンでのライブ録音11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003e『Low Tide, Hi Grypus!』は、JC LeisureがJC Leisure Groupとして展開する新たなライブ・プロジェクトである。人間の即興演奏者と大西洋アザラシとの出会いとコミュニケーションを記録した本作は、反応的な即興演奏を種を越えたコラボレーションの一形態として提示している。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eこのプロジェクトはウェールズのポースディンレンで始まり、Leisureは干潮時に地元のコロニーからアザラシの鳴き声を録音した。リバプールのスタジオに戻ったLeisureは、人間の音楽的ジェスチャー——音高、音色、リズム、密度、存在感——を、これらのアザラシの表現を引き出すトリガーへと変換するパフォーマンス・システムを開発した。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこうして生まれたシステムは、水平的な文脈において、作用すると同時に作用を受けるという二重の能動性を備えている。それは、再現不可能なニュー・ミュージックの非線形的な境界を創出する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Low Tide, Hi Grypus!』は、ベルリンの1210でライブ録音されたもので、このコンセプトの一つの事例を捉えている。地元の即興演奏家たちが、このパフォーマンス・システムとの邂逅に招かれた。ワンテイクで録音されたこの作品では、ペダル・スティール、木管楽器、弦楽器、ピアノ、オルガン、そしてエレクトロニクスが、徐々に海の声に耳を傾け、それに応答することを学んでいく。この種を越えたグループは、一夜の間に、親密なデュエット（人間とアザラシ）から、フル・アンサンブル作品（人間とアザラシ）へと移行していく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eフィールドレコーディングを静的な素材として扱うのではなく、膨大なアザラシのアーカイブは能動的な共演者として機能し、リアルタイムで形式、テンポ、相互作用を形作っていく。まさに海洋生物学と人間のコミュニケーションの融合だ！\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJC Leisureはこれまで、Sun Ark、Warm Winters Ltd、Not Not Funから作品をリリースしており、DialectとのコラボレーションとしてRaft of Trashとしても活動している。また、BBCラジオから委嘱を受け、放送されたラジオドラマの作曲も手掛けている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=173929768\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eEdições CN releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 100 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ensemble i, Pedal Steel, Flute, Voice 02:44\u003cbr\u003e2. Pedal Steel i 02:50\u003cbr\u003e3. Harp i 04:43\u003cbr\u003e4. Pedal Steel ii 00:51\u003cbr\u003e5. Ensemble ii, Piano, Cello, Flute, Organ, Voice 04:29\u003cbr\u003e6. Pedal Steel iii 02:15\u003cbr\u003e7. Piano i 08:23\u003cbr\u003e8. Ensemble iii, Organ, Voice, Piano, Cello 04:45\u003cbr\u003e9. Ensemble iv, Pedal Steel, Flute, Whistles 02:36\u003cbr\u003e10. Ensemble v, Flute, Pedal Steel Whistles 03:16\u003cbr\u003e11. Sonata i 04:03\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLow Tide, Hi Grypus! is the new live-iteration of JC Leisure as JC Leisure Group. Documenting an encounter and a communication between human improvisers and atlantic grey seals. The record presents responsive improvisation as a form of cross-species collaboration.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe project began on Porthdinllaen, Wales, where Leisure recorded seal vocalisations from a local colony at low tide. Back in their Liverpool studio, Leisure developed a performance system that translates human musical gestures - pitch, timbre, rhythm, density, presence - into triggers for these seal expressions. The resulting system is dual-active, as in it simultaneously acts and is acted upon in the horizontal instance. It creates a new-music non-linear threshold that cannot be replicated.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLow Tide, Hi Grypus! was recorded live at 1210 Berlin and captures one instance of this concept. Local improvisers were invited to encounter the performance system. Recorded in one take, pedal-steel, woodwinds, strings, piano, organ, and electronics gradually learn to listen and respond to the marine voices. This interspecific group moves from intimate duets (that's human, seal) into full ensemble works (humans, seals) over the course of\u003cspan class=\"bcTruncateMore\"\u003e one night.\u003cbr\u003e\u003cbr\u003eRather than treating field recordings as static material, the extensive seal archive functions as an active collaborator: shaping form, pacing, and interaction in real-time. Now that’s marine biology meets human communication!\u003cbr\u003e\u003cbr\u003eJC Leisure has previously released work on Sun Ark, Warm Winters Ltd, Not Not Fun and collaboratively with Dialect as Raft of Trash. He has composed a radio play commissioned and broadcast by BBC Radio.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : JC Leisure Group\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eEdições CN\u003c\/p\u003e\n\u003cp\u003ecat no : ECN52\u003c\/p\u003e\n\u003cp\u003eRelease date : 17th March 2026\u003c\/p\u003e"}
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イギリスの実験音楽家JC Leisure率いるJC Leisure Groupが、2026年3月にベルギーの実験／アンビエントレーベルEdicoes CNから100本限定でリリースしたカセットです。 ベルリンでのライブ録音11曲を収録。DLコード付属。 以下、レーベルによる解説です。 "『Low Tide, Hi Grypus!』は、JC LeisureがJC Leisure Groupとして展開する新たなライブ・プロジェクトである。人間の即興演奏者と大西洋アザラシとの出会いとコミュニケーションを記録した本作は、反応的な即興演奏を種を越えたコラボレーションの一形態として提示している。...
¥2,324
クイックビュー
{"id":9202216042746,"title":"Jac Berrocal, Vincent Epplay, Timo van Luijk \/\/ Ste Cy LP","handle":"jac-berrocal-vincent-epplay-timo-van-luijk-anne-gillis-ste-cy-lp","description":"\u003cp\u003e実験音楽家Jac Berrocal, Vincent Epplay, Timo van Luijkが、\u003cspan\u003e2026年4月にベルギーの実験レーベルLa Scie Doreeからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eインプロ〜サウンドポエトリー12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=648757692\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3793537801\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=648757692\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more La Scie Doree \/ Metaphon releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl. \u003cbr\u003eIncludes insert. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Horizontal valley 03:36\u003cbr\u003e2. Saint, Sainte, Saints 03:55\u003cbr\u003e3. Raven goth 03:31\u003cbr\u003e4. Ne dites pas 03:12\u003cbr\u003e5. Sphère de Dyson 02:32\u003cbr\u003e6. L'âge d'or 02:16\u003cbr\u003e7. Emphysème 02:58\u003cbr\u003e8. Célébration 03:33\u003cbr\u003e9. Adoration 02:18\u003cbr\u003e10. No Connexion 03:13\u003cbr\u003e11. Ste Cy 03:14\u003cbr\u003e12. La ralentie 03:29\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the label:\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eSte Cy, the latest studio offering from the trio of Jac Berrocal, Vincent Epplay, and Timo van Luijk, ripens like a forbidden fruit—born of an improvised instrumental session captured in the secluded hush of Kulta Saha by Timo van Luijk.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThese raw recordings were later reshaped into 12 songs by Vincent Epplay at Studio Villejuif in Paris. And over it all drifts the poetry of Jac Berrocal— sensual and incendiary, seeping into the music like spice into flesh.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Jac Berrocal, Vincent Epplay, Timo van Luijk, (Anne Gillis)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : La Scie Doree\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e3925\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelese date : April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-22T15:56:57+09:00","created_at":"2026-04-22T10:53:46+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","jazz","lp","metaphon","new"],"price":499500,"price_min":499500,"price_max":499500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48732520874234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jac Berrocal, Vincent Epplay, Timo van Luijk \/\/ Ste Cy LP","public_title":null,"options":["Default Title"],"price":499500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jac1_a7b0f575-61b8-4fc3-addf-0583926020aa.jpg?v=1776822760","\/\/tobirarecords.com\/cdn\/shop\/files\/jac2_30d8dc86-497d-480c-94ec-b8e94b99912c.jpg?v=1776822738"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jac1_a7b0f575-61b8-4fc3-addf-0583926020aa.jpg?v=1776822760","options":["Title"],"media":[{"alt":null,"id":39112633254138,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jac1_a7b0f575-61b8-4fc3-addf-0583926020aa.jpg?v=1776822760"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jac1_a7b0f575-61b8-4fc3-addf-0583926020aa.jpg?v=1776822760","width":350},{"alt":null,"id":39112633286906,"position":2,"preview_image":{"aspect_ratio":0.987,"height":600,"width":592,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jac2_30d8dc86-497d-480c-94ec-b8e94b99912c.jpg?v=1776822738"},"aspect_ratio":0.987,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jac2_30d8dc86-497d-480c-94ec-b8e94b99912c.jpg?v=1776822738","width":592}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e実験音楽家Jac Berrocal, Vincent Epplay, Timo van Luijkが、\u003cspan\u003e2026年4月にベルギーの実験レーベルLa Scie Doreeからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eインプロ〜サウンドポエトリー12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=648757692\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3793537801\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=648757692\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more La Scie Doree \/ Metaphon releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl. \u003cbr\u003eIncludes insert. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Horizontal valley 03:36\u003cbr\u003e2. Saint, Sainte, Saints 03:55\u003cbr\u003e3. Raven goth 03:31\u003cbr\u003e4. Ne dites pas 03:12\u003cbr\u003e5. Sphère de Dyson 02:32\u003cbr\u003e6. L'âge d'or 02:16\u003cbr\u003e7. Emphysème 02:58\u003cbr\u003e8. Célébration 03:33\u003cbr\u003e9. Adoration 02:18\u003cbr\u003e10. No Connexion 03:13\u003cbr\u003e11. Ste Cy 03:14\u003cbr\u003e12. La ralentie 03:29\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the label:\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eSte Cy, the latest studio offering from the trio of Jac Berrocal, Vincent Epplay, and Timo van Luijk, ripens like a forbidden fruit—born of an improvised instrumental session captured in the secluded hush of Kulta Saha by Timo van Luijk.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThese raw recordings were later reshaped into 12 songs by Vincent Epplay at Studio Villejuif in Paris. And over it all drifts the poetry of Jac Berrocal— sensual and incendiary, seeping into the music like spice into flesh.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Jac Berrocal, Vincent Epplay, Timo van Luijk, (Anne Gillis)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : La Scie Doree\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e3925\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelese date : April 2026\u003c\/span\u003e\u003c\/p\u003e"}
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実験音楽家Jac Berrocal, Vincent Epplay, Timo van Luijkが、2026年4月にベルギーの実験レーベルLa Scie Doreeからリリースしたレコードです。 インプロ〜サウンドポエトリー12曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see...
¥4,995