Patrick Farmer // wild horses think of nothing else the sea - tape readings 2xTAPE
Patrick Farmer // wild horses think of nothing else the sea - tape readings 2xTAPE
¥2,750
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イギリス・シェフィールドの音響作家Patrick Farmerが、2016年にアメリカ・NYの実験レーベルWinds Measureからリリースした2本組カセットです。
フィールドレコーディング〜スポークンワード〜物音7曲、100分以上を収録。Consumer Waste主宰Samuel Rodgersがマスタリングを担当しています。DLコード付属。
参加アーティスト
Antoine Beuger
Jeph Jerman
Bruno Guastalla
Sally Ann McIntyre
Holly Pester
Daniela Cascella
Michael Pisaro
Winds Measure Recordingsその他作品はこちら /// Click here to see more Winds Measure Recordings releases available at Tobira.
-------------------------------
TAPE ONLY. No digital.
Edition of 106.
cassette x2 cs67, cs43
tracklist:
cassette I
I: antoine beuger 32:22
II-I: jeph jerman 7:03
II-II: bruno guastalla 25:17
cassette II
III-I: sally ann mcintyre 8:39
III-II: holly pester 9:41
IV-I: daniela cascella 5:10
IV-II: michael pisaro 15:18
Artist : patrick farmer
Label : Winds Measure Recordings
イギリス・シェフィールドの音響作家Patrick Farmerが、2016年にアメリカ・NYの実験レーベルWinds Measureからリリースした2本組カセットです。
フィールドレコーディング〜スポークンワード〜物音7曲、100分以上を収録。Consumer Waste主宰Samuel Rodgersがマスタリングを担当しています。DLコード付属。
参加アーティスト
Antoine Beuger
Jeph Jerman
Bruno Guastalla
Sally Ann McIntyre
Holly Pester
Daniela Cascella
Michael Pisaro
Winds Measure Recordingsその他作品はこちら /// Click here to see more Winds Measure Recordings releases available at Tobira.
-------------------------------
TAPE ONLY. No digital.
Edition of 106.
cassette x2 cs67, cs43
tracklist:
cassette I
I: antoine beuger 32:22
II-I: jeph jerman 7:03
II-II: bruno guastalla 25:17
cassette II
III-I: sally ann mcintyre 8:39
III-II: holly pester 9:41
IV-I: daniela cascella 5:10
IV-II: michael pisaro 15:18
Artist : patrick farmer
Label : Winds Measure Recordings
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{"id":8731319075066,"title":"Carlos Cipa \/\/ The Book of Sounds 2xLP","handle":"carlos-cipa-the-book-of-sounds-2xlp","description":"\u003cp\u003eドイツのピアニストCarlos Cipaが、2025年2月に自主リリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー〜ネオクラシカル・アンビエント15曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、\u003cspan class=\"bcTruncateMore\"\u003eBastian Zimmermann\u003c\/span\u003eによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ピアニストCarlos Cipaによるピアノの親密な探求、つまりCipaの指がピアノの鍵盤を押さえる瞬間の音に耳を傾ける方法である。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e作曲家でありピアニストでもあるハンス・オッテが1979年から1982年にかけて創作した『The Book of Sounds』は、作曲家自身が言うように、12の「小品」からなる1時間の振り子楽章である。和音とメロディーが、時には速く、時にはゆっくりと繰り返される。和声的なカデンツで互いに追いかけながら、決して消滅することはない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『The Book of Sounds』は、アメリカのミニマリズムのコンサート音楽に対するヨーロッパとドイツの回答である。しかし、それはまた、当時の社会と人間のあり方に関する多くの疑問のエッセンスでもあった。1960年代から1980年代までブレーメンでラジオの編集者として、カールハインツ・シュトックハウゼンやその他の「偉大な」作曲家たちの作品をプロデュースし、委嘱していたことを考えると驚くべきことだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eオッテはこの12曲を作曲するのに3年を費やしたが、シンプルな和音とメロディーをこれほど選択的に演出することはめったにない。荒々しい音のドラマもクライマックスもなく、始まりも終わりもほとんどない。解釈するピアニスト、最初の録音の場合はオッテ自身が、聴き手のために知覚のタブローを準備するだけなのだ。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e作者の脱退、個人的なシグナチュールは認識できないはずだ。Cipaは自然にアクセントをつけ、スタインウェイのグランドピアノ、ヤマハのアップライトピアノ、ヤマハのCP-70（初期のエレクトリックピアノ）という3つの異なるピアノで12曲を録音し、音色の特徴を形成するのに役立てた。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e禅宗に影響を受けたオッテは、ピアノ、和声のカデンツ、中音域といったシンプルさ、無心への回帰が、聴き手を芸術において本当に重要なもの、すなわち人間に集中させるのだと確信していた。内省は聴くことから始まる。今日、それはディープリスニングと呼ばれている。オッテ自身はそれを次のように定式化している。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e「『The Book of Sounds』は、「音に近づきたいと願うすべての人に捧げられる。そうすれば、音の中の音、生命の秘密を求めて、自分自身の共鳴を発見することができる。」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCarlos Cipaはこの新譜で時代の神経を逆撫でした。音楽が芸術となりうるかどうかは、今日でも議論の余地がある。この『Book of Sounds』は「芸術の証明」ではないし、その点では今日でも挑発的である。それは、作品と対峙する中で、感じ、体験し、そしておそらく自分自身を見いだすための素晴らしい招待状であり、しばらくの間、言説を煽るものではない。アートであることを望まないアート。それ以外は作曲家として登場するCarlos Cipaは、ここでオットーの意図した二重の意味での撤退のジェスチャーを実行し、創作者であると同時に解釈者としても後方に回り込み、『Book of Sounds』をリスナーの自宅のラウドスピーカーとヘッドフォンに一歩前進して遺す。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=286015315\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Book of Sounds: Part 1 07:34\u003cbr\u003e2. The Book of Sounds: Part 2 08:32\u003cbr\u003e3. The Book of Sounds: Part 3 05:05\u003cbr\u003e4. The Book of Sounds: Part 4 05:05\u003cbr\u003e5. The Book of Sounds: Part 5 05:52\u003cbr\u003e6. The Book of Sounds: Part 6 03:26\u003cbr\u003e7. The Book of Sounds: Part 7 08:01\u003cbr\u003e8. The Book of Sounds: Part 8 05:09\u003cbr\u003e9. The Book of Sounds: Part 9 02:46\u003cbr\u003e10. The Book of Sounds: Part 10 11:49 video\u003cbr\u003e11. The Book of Sounds: Part 11 03:30\u003cbr\u003e12. The Book of Sounds: Part 12 04:33\u003cbr\u003e13. The Book of Sounds: Part 9 (Alternate Version) 03:04\u003cbr\u003e14. The Book of Sounds: Part 10 (Alternate Version) 10:40\u003cbr\u003e15. The Book of Sounds: Part 11 (Alternate Version) 03:30\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText via the label : \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The new recording of The Book of Sounds is an intimate exploration of the piano by pianist Carlos Cipa - a way of looking into the sound, of listening into the moment when Cipa's fingers press down on the piano keys.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Book of Sounds, created between 1979 and 1982 by composer and pianist Hans Otte, is a musical pendulum movement of one hour in twelve 'pieces', as the composer himself describes them. Chords and melodies repeat themselves, sometimes quickly, sometimes slowly;\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethey follow each other in harmonic cadences and yet never dissolve - a timeless back and forth.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Book of Sounds is the European-German answer to the concert music of American minimalism. But it is also the essence of many questions about society and the human condition at that time. Not very fond of hierarchical thinking, Otte manifested an alternative to the virtuoso genius habitus of composers - astonishing when you consider that he produced and commissioned works by Karlheinz Stockhausen and other 'greats' as a radio editor in Bremen from the 1960s to the 1980s.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOtte spent three years composing the 12 pieces, and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e seldom have simple chords and melodies been so selectively staged. It is a process of endless reduction - no wild sound dramaturgies, no climaxes, hardly any beginning or end. The interpreting pianist, and in the case of the first recording it was Otte himself, simply prepares a tableaux of perception for the listener.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eA withdrawal of the author, a personal signatur should not be recognizable. Cipa naturally sets accents; he recorded the 12 pieces on three different pianos - a Steinway grand piano, a Yamaha upright piano, and a Yamaha CP-70, an early electric piano - to help shape the tonal characteristics.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eInspired by Zen Buddhism, Otte was convinced that a return to simplicity, to the unagitated - a piano, harmonic cadences, a middle register - frees the listener to focus on what is really important in art: the human being. Introspection begins with listening. Today it is called deep listening. Otte himself formulated it as follows:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Book of Sounds is \"dedicated to all those who want to be close to the sounds, so that they can uncover their own resonance in search of the sound of sounds, the secret of life.\"\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCarlos Cipa hits the nerve of the times with this new recording. What music can be as art is still up for debate today. The Book of Sounds is not 'art-proof' and in this it is still a provocation today; absolutely unspectacular and practising relaxation. It is a wonderful invitation to feel, experience, and perhaps even find oneself in the confrontation with the work - and for a moment not to fuel the discourse. Art that doesn't want to be art. Cipa, who otherwise appears as a composer himself, here carries out Otte's intended gesture of withdrawal in a double sense and steps into the background as creator but also interpreter, in order to bequeath The Book of Sounds to the loudspeakers and headphones at home in one step forward.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlos Cipa\u003c\/p\u003e\n\u003cp\u003eLabel : Self-released\u003c\/p\u003e\n\u003cp\u003eCAT No : CC003\u003c\/p\u003e","published_at":"2025-03-02T10:24:27+09:00","created_at":"2025-02-25T17:47:21+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","neo classical","new"],"price":583000,"price_min":583000,"price_max":583000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47152622665978,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Carlos Cipa \/\/ The Book of Sounds 2xLP","public_title":null,"options":["Default Title"],"price":583000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/book1_5c12b412-b64e-4c2e-838a-944e9ca80ff7.jpg?v=1740473126","\/\/tobirarecords.com\/cdn\/shop\/files\/book2_f3b3a24d-dbf5-4569-83af-c1869abb34d8.jpg?v=1740473126"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/book1_5c12b412-b64e-4c2e-838a-944e9ca80ff7.jpg?v=1740473126","options":["Title"],"media":[{"alt":null,"id":35622863077626,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/book1_5c12b412-b64e-4c2e-838a-944e9ca80ff7.jpg?v=1740473126"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/book1_5c12b412-b64e-4c2e-838a-944e9ca80ff7.jpg?v=1740473126","width":700},{"alt":null,"id":35622863110394,"position":2,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/book2_f3b3a24d-dbf5-4569-83af-c1869abb34d8.jpg?v=1740473126"},"aspect_ratio":1.425,"height":842,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/book2_f3b3a24d-dbf5-4569-83af-c1869abb34d8.jpg?v=1740473126","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツのピアニストCarlos Cipaが、2025年2月に自主リリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー〜ネオクラシカル・アンビエント15曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、\u003cspan class=\"bcTruncateMore\"\u003eBastian Zimmermann\u003c\/span\u003eによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ピアニストCarlos Cipaによるピアノの親密な探求、つまりCipaの指がピアノの鍵盤を押さえる瞬間の音に耳を傾ける方法である。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e作曲家でありピアニストでもあるハンス・オッテが1979年から1982年にかけて創作した『The Book of Sounds』は、作曲家自身が言うように、12の「小品」からなる1時間の振り子楽章である。和音とメロディーが、時には速く、時にはゆっくりと繰り返される。和声的なカデンツで互いに追いかけながら、決して消滅することはない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『The Book of Sounds』は、アメリカのミニマリズムのコンサート音楽に対するヨーロッパとドイツの回答である。しかし、それはまた、当時の社会と人間のあり方に関する多くの疑問のエッセンスでもあった。1960年代から1980年代までブレーメンでラジオの編集者として、カールハインツ・シュトックハウゼンやその他の「偉大な」作曲家たちの作品をプロデュースし、委嘱していたことを考えると驚くべきことだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eオッテはこの12曲を作曲するのに3年を費やしたが、シンプルな和音とメロディーをこれほど選択的に演出することはめったにない。荒々しい音のドラマもクライマックスもなく、始まりも終わりもほとんどない。解釈するピアニスト、最初の録音の場合はオッテ自身が、聴き手のために知覚のタブローを準備するだけなのだ。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e作者の脱退、個人的なシグナチュールは認識できないはずだ。Cipaは自然にアクセントをつけ、スタインウェイのグランドピアノ、ヤマハのアップライトピアノ、ヤマハのCP-70（初期のエレクトリックピアノ）という3つの異なるピアノで12曲を録音し、音色の特徴を形成するのに役立てた。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e禅宗に影響を受けたオッテは、ピアノ、和声のカデンツ、中音域といったシンプルさ、無心への回帰が、聴き手を芸術において本当に重要なもの、すなわち人間に集中させるのだと確信していた。内省は聴くことから始まる。今日、それはディープリスニングと呼ばれている。オッテ自身はそれを次のように定式化している。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e「『The Book of Sounds』は、「音に近づきたいと願うすべての人に捧げられる。そうすれば、音の中の音、生命の秘密を求めて、自分自身の共鳴を発見することができる。」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCarlos Cipaはこの新譜で時代の神経を逆撫でした。音楽が芸術となりうるかどうかは、今日でも議論の余地がある。この『Book of Sounds』は「芸術の証明」ではないし、その点では今日でも挑発的である。それは、作品と対峙する中で、感じ、体験し、そしておそらく自分自身を見いだすための素晴らしい招待状であり、しばらくの間、言説を煽るものではない。アートであることを望まないアート。それ以外は作曲家として登場するCarlos Cipaは、ここでオットーの意図した二重の意味での撤退のジェスチャーを実行し、創作者であると同時に解釈者としても後方に回り込み、『Book of Sounds』をリスナーの自宅のラウドスピーカーとヘッドフォンに一歩前進して遺す。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=286015315\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Book of Sounds: Part 1 07:34\u003cbr\u003e2. The Book of Sounds: Part 2 08:32\u003cbr\u003e3. The Book of Sounds: Part 3 05:05\u003cbr\u003e4. The Book of Sounds: Part 4 05:05\u003cbr\u003e5. The Book of Sounds: Part 5 05:52\u003cbr\u003e6. The Book of Sounds: Part 6 03:26\u003cbr\u003e7. The Book of Sounds: Part 7 08:01\u003cbr\u003e8. The Book of Sounds: Part 8 05:09\u003cbr\u003e9. The Book of Sounds: Part 9 02:46\u003cbr\u003e10. The Book of Sounds: Part 10 11:49 video\u003cbr\u003e11. The Book of Sounds: Part 11 03:30\u003cbr\u003e12. The Book of Sounds: Part 12 04:33\u003cbr\u003e13. The Book of Sounds: Part 9 (Alternate Version) 03:04\u003cbr\u003e14. The Book of Sounds: Part 10 (Alternate Version) 10:40\u003cbr\u003e15. The Book of Sounds: Part 11 (Alternate Version) 03:30\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText via the label : \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The new recording of The Book of Sounds is an intimate exploration of the piano by pianist Carlos Cipa - a way of looking into the sound, of listening into the moment when Cipa's fingers press down on the piano keys.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Book of Sounds, created between 1979 and 1982 by composer and pianist Hans Otte, is a musical pendulum movement of one hour in twelve 'pieces', as the composer himself describes them. Chords and melodies repeat themselves, sometimes quickly, sometimes slowly;\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethey follow each other in harmonic cadences and yet never dissolve - a timeless back and forth.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Book of Sounds is the European-German answer to the concert music of American minimalism. But it is also the essence of many questions about society and the human condition at that time. Not very fond of hierarchical thinking, Otte manifested an alternative to the virtuoso genius habitus of composers - astonishing when you consider that he produced and commissioned works by Karlheinz Stockhausen and other 'greats' as a radio editor in Bremen from the 1960s to the 1980s.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOtte spent three years composing the 12 pieces, and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e seldom have simple chords and melodies been so selectively staged. It is a process of endless reduction - no wild sound dramaturgies, no climaxes, hardly any beginning or end. The interpreting pianist, and in the case of the first recording it was Otte himself, simply prepares a tableaux of perception for the listener.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eA withdrawal of the author, a personal signatur should not be recognizable. Cipa naturally sets accents; he recorded the 12 pieces on three different pianos - a Steinway grand piano, a Yamaha upright piano, and a Yamaha CP-70, an early electric piano - to help shape the tonal characteristics.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eInspired by Zen Buddhism, Otte was convinced that a return to simplicity, to the unagitated - a piano, harmonic cadences, a middle register - frees the listener to focus on what is really important in art: the human being. Introspection begins with listening. Today it is called deep listening. Otte himself formulated it as follows:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Book of Sounds is \"dedicated to all those who want to be close to the sounds, so that they can uncover their own resonance in search of the sound of sounds, the secret of life.\"\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCarlos Cipa hits the nerve of the times with this new recording. What music can be as art is still up for debate today. The Book of Sounds is not 'art-proof' and in this it is still a provocation today; absolutely unspectacular and practising relaxation. It is a wonderful invitation to feel, experience, and perhaps even find oneself in the confrontation with the work - and for a moment not to fuel the discourse. Art that doesn't want to be art. Cipa, who otherwise appears as a composer himself, here carries out Otte's intended gesture of withdrawal in a double sense and steps into the background as creator but also interpreter, in order to bequeath The Book of Sounds to the loudspeakers and headphones at home in one step forward.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlos Cipa\u003c\/p\u003e\n\u003cp\u003eLabel : Self-released\u003c\/p\u003e\n\u003cp\u003eCAT No : CC003\u003c\/p\u003e"}
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ドイツのピアニストCarlos Cipaが、2025年2月に自主リリースした2枚組レコードです。 コンテンポラリー〜ネオクラシカル・アンビエント15曲を収録。 以下、Bastian Zimmermannによる解説です。 "ピアニストCarlos Cipaによるピアノの親密な探求、つまりCipaの指がピアノの鍵盤を押さえる瞬間の音に耳を傾ける方法である。作曲家でありピアニストでもあるハンス・オッテが1979年から1982年にかけて創作した『The Book of Sounds』は、作曲家自身が言うように、12の「小品」からなる1時間の振り子楽章である。和音とメロディーが、時には速く、時にはゆっくりと繰り返される。和声的なカデンツで互いに追いかけながら、決して消滅することはない。 『The Book of Sounds』は、アメリカのミニマリズムのコンサート音楽に対するヨーロッパとドイツの回答である。しかし、それはまた、当時の社会と人間のあり方に関する多くの疑問のエッセンスでもあった。1960年代から1980年代までブレーメンでラジオの編集者として、カールハインツ・シュトックハウゼンやその他の「偉大な」作曲家たちの作品をプロデュースし、委嘱していたことを考えると驚くべきことだ。...
¥5,830
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{"id":8729885409530,"title":"Joana Gama \u0026 Luís Fernandes \/\/ Strata LP","handle":"joana-gama-luis-fernandes-strata-lp","description":"\u003cp\u003eポルトガルの実験音楽家Joana Gama \u0026amp; Luís Fernandesが、2025年1月に同国リスボンの実験レーベルHoluzamからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eピアノとエレクトロニクスによる実験アンビエント〜コンテンポラリー6曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1960017111\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003ehere\u003c\/a\u003e to see more Holuzam releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Graben 08:03\u003cbr\u003e2. Wentworth 05:52\u003cbr\u003e3. Debris 05:21\u003cbr\u003e4. Guyot 06:23\u003cbr\u003e5. Inselberg 06:14\u003cbr\u003e6. Geode 07:04\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHoluzam:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTen years on, Joana Gama and Luís Fernandes show no signs of slowing down. Over the past decade, the duo has released five albums, composed soundtracks for film and television, and created pieces for performing arts. With “Strata”, they embark on a bold exploration of their musical identity, breaking new ground by seeking the primordial, the raw, and forging a deeper creative synergy. This evolution makes their music feel less like a conversation and more like a unified, introspective monologue.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eUntil now, their work has largely been defined by dialogue—a dynamic exchange of ideas evident in their earlier records. However, in their relentless drive to push boundaries, they now turn inward, embracing a monologue as a pathway for growth, innovation, and celebration of their journey so far. Two key elements shape this transition: Joana’s growing affinity for synthesizers over piano, a direction initiated in “There’s no knowing”, and her integration of field recordings gathered from diverse locations around the world. Rather than stepping into each other’s domain, the duo finds common ground, creating music that thrives on harmony and introspection.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e“Strata” stands as Joana and Luís's quieter and most cohesive record to date. It reflects their desire to craft music that\u003cspan class=\"bcTruncateMore\"\u003e resonates with the natural world, unfolding as a seamless stream of sound that enhances their connection and invites the listener into their creative process. While their previous works were compelling, they often felt distant, as if the listener was observing from the sidelines. “Strata”, by contrast, draws the listener in, encouraging them to fill the spaces and find their own place within the duo’s monologue.\u003cbr\u003eThis process climaxes in the closing track, \"Geode,\" where the subtle sounds of debris underscore the tightly woven structure of “Strata”. It’s a testament to the duo's commitment to evolution and their ability to surprise both themselves and their audience. A decade into their collaboration, “Strata” reaffirms Joana and Luís's creative vitality, offering a record that feels both fresh and deeply rooted in their artistic vision.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joana Gama \u0026amp; Luís Fernandes\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Holuzam\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eZAM041\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-02-28T10:37:35+09:00","created_at":"2025-02-24T16:39:41+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","holuzam","lp","new"],"price":414500,"price_min":414500,"price_max":414500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47149187531002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joana Gama \u0026 Luís Fernandes \/\/ Strata LP","public_title":null,"options":["Default Title"],"price":414500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gama1.jpg?v=1740382689","\/\/tobirarecords.com\/cdn\/shop\/files\/gama2.jpg?v=1740382689"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gama1.jpg?v=1740382689","options":["Title"],"media":[{"alt":null,"id":35615172788474,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gama1.jpg?v=1740382689"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gama1.jpg?v=1740382689","width":700},{"alt":null,"id":35615172821242,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gama2.jpg?v=1740382689"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gama2.jpg?v=1740382689","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポルトガルの実験音楽家Joana Gama \u0026amp; Luís Fernandesが、2025年1月に同国リスボンの実験レーベルHoluzamからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eピアノとエレクトロニクスによる実験アンビエント〜コンテンポラリー6曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1960017111\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003ehere\u003c\/a\u003e to see more Holuzam releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Graben 08:03\u003cbr\u003e2. Wentworth 05:52\u003cbr\u003e3. Debris 05:21\u003cbr\u003e4. Guyot 06:23\u003cbr\u003e5. Inselberg 06:14\u003cbr\u003e6. Geode 07:04\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHoluzam:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTen years on, Joana Gama and Luís Fernandes show no signs of slowing down. Over the past decade, the duo has released five albums, composed soundtracks for film and television, and created pieces for performing arts. With “Strata”, they embark on a bold exploration of their musical identity, breaking new ground by seeking the primordial, the raw, and forging a deeper creative synergy. This evolution makes their music feel less like a conversation and more like a unified, introspective monologue.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eUntil now, their work has largely been defined by dialogue—a dynamic exchange of ideas evident in their earlier records. However, in their relentless drive to push boundaries, they now turn inward, embracing a monologue as a pathway for growth, innovation, and celebration of their journey so far. Two key elements shape this transition: Joana’s growing affinity for synthesizers over piano, a direction initiated in “There’s no knowing”, and her integration of field recordings gathered from diverse locations around the world. Rather than stepping into each other’s domain, the duo finds common ground, creating music that thrives on harmony and introspection.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e“Strata” stands as Joana and Luís's quieter and most cohesive record to date. It reflects their desire to craft music that\u003cspan class=\"bcTruncateMore\"\u003e resonates with the natural world, unfolding as a seamless stream of sound that enhances their connection and invites the listener into their creative process. While their previous works were compelling, they often felt distant, as if the listener was observing from the sidelines. “Strata”, by contrast, draws the listener in, encouraging them to fill the spaces and find their own place within the duo’s monologue.\u003cbr\u003eThis process climaxes in the closing track, \"Geode,\" where the subtle sounds of debris underscore the tightly woven structure of “Strata”. It’s a testament to the duo's commitment to evolution and their ability to surprise both themselves and their audience. A decade into their collaboration, “Strata” reaffirms Joana and Luís's creative vitality, offering a record that feels both fresh and deeply rooted in their artistic vision.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joana Gama \u0026amp; Luís Fernandes\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Holuzam\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eZAM041\u003c\/span\u003e\u003c\/p\u003e"}
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ポルトガルの実験音楽家Joana Gama & Luís Fernandesが、2025年1月に同国リスボンの実験レーベルHoluzamからリリースした共作レコードです。 ピアノとエレクトロニクスによる実験アンビエント〜コンテンポラリー6曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Holuzam releases available...
¥4,145
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{"id":8729139085562,"title":"Various Artists (Hanson Records) \/\/ Timara: Electroacoustic Music At Oberlin Vol. 1 LP","handle":"various-artists-timara-electroacoustic-music-at-oberlin-vol-1-lp","description":"\u003cp\u003eアメリカ・オハイオの実験／ノイズ作家Aaron Dilloway主宰レーベルHanson Records諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、レーベルが2017年にリリースしたコンピレーションレコードです。\u003c\/p\u003e\n\u003cp\u003eAaron Dillowayがプロデュースを担当しています。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hanson\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hanson\"\u003ehere\u003c\/a\u003e to see more Hanson Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eLyn Goeringer – Good Enough\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e6:59\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMitchell Herrmann – Manichea\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:05\u003cbr\u003eA3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eSarah Snider – Gesture\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:03\u003cbr\u003eA4\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEvan Zierk – 1a\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:45\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMatt Omahan – Phantasms\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:57\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003ePaulus Van Horne – Break\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e1:56\u003cbr\u003eB3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eCharlie Abbott – ¿¿(p[(0]t(o(e(e(k!(o)¡(r)![G]¡)l)c)r)c)m)??\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:02\u003cbr\u003eB4\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eTom Lopez – Je Ne Suis Pas Mon Pays\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:42\u003cbr\u003eB5\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eStephen Sloan \u0026amp; Alx Lopez – That's Quiet Alright\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:15\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Hanson Records\u003c\/p\u003e\n\u003cp\u003eCAT no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHNTIM01\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-02-26T14:41:10+09:00","created_at":"2025-02-23T11:50:29+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","hanson","lp","monooto","new"],"price":333000,"price_min":333000,"price_max":333000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47145927573754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (Hanson Records) \/\/ Timara: Electroacoustic Music At Oberlin Vol. 1 LP","public_title":null,"options":["Default Title"],"price":333000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ele1_c8c234bc-8a4d-4469-a0ee-7acae98b602b.jpg?v=1740278932","\/\/tobirarecords.com\/cdn\/shop\/files\/ele2_014246ce-1753-419d-a72f-5b00d37d161b.jpg?v=1740278932"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ele1_c8c234bc-8a4d-4469-a0ee-7acae98b602b.jpg?v=1740278932","options":["Title"],"media":[{"alt":null,"id":35611599077626,"position":1,"preview_image":{"aspect_ratio":1.008,"height":594,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ele1_c8c234bc-8a4d-4469-a0ee-7acae98b602b.jpg?v=1740278932"},"aspect_ratio":1.008,"height":594,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ele1_c8c234bc-8a4d-4469-a0ee-7acae98b602b.jpg?v=1740278932","width":599},{"alt":null,"id":35611599110394,"position":2,"preview_image":{"aspect_ratio":1.005,"height":597,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ele2_014246ce-1753-419d-a72f-5b00d37d161b.jpg?v=1740278932"},"aspect_ratio":1.005,"height":597,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ele2_014246ce-1753-419d-a72f-5b00d37d161b.jpg?v=1740278932","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・オハイオの実験／ノイズ作家Aaron Dilloway主宰レーベルHanson Records諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、レーベルが2017年にリリースしたコンピレーションレコードです。\u003c\/p\u003e\n\u003cp\u003eAaron Dillowayがプロデュースを担当しています。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hanson\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hanson\"\u003ehere\u003c\/a\u003e to see more Hanson Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eLyn Goeringer – Good Enough\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e6:59\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMitchell Herrmann – Manichea\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:05\u003cbr\u003eA3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eSarah Snider – Gesture\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:03\u003cbr\u003eA4\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eEvan Zierk – 1a\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:45\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMatt Omahan – Phantasms\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:57\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003ePaulus Van Horne – Break\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e1:56\u003cbr\u003eB3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eCharlie Abbott – ¿¿(p[(0]t(o(e(e(k!(o)¡(r)![G]¡)l)c)r)c)m)??\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:02\u003cbr\u003eB4\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eTom Lopez – Je Ne Suis Pas Mon Pays\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:42\u003cbr\u003eB5\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eStephen Sloan \u0026amp; Alx Lopez – That's Quiet Alright\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:15\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Hanson Records\u003c\/p\u003e\n\u003cp\u003eCAT no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHNTIM01\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・オハイオの実験／ノイズ作家Aaron Dilloway主宰レーベルHanson Records諸作を入荷しました。 本作は、レーベルが2017年にリリースしたコンピレーションレコードです。 Aaron Dillowayがプロデュースを担当しています。 レコードのみでの発表となります。 レーベルその他作品はこちら /// Click here to see more Hanson Records releases...
¥3,330
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{"id":8729134530810,"title":"Various Artists (Hanson Records) \/\/ Timara: Electroacoustic Music at Oberlin Vol. 2 LP","handle":"various-artists-hanson-oberlin-timara-electroacoustic-music-at-oberlin-vol-2xlp","description":"\u003cp\u003eアメリカ・オハイオの実験／ノイズ作家Aaron Dilloway主宰レーベルHanson Records諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、レーベルが2017年にリリースしたコンピレーションレコードです。\u003c\/p\u003e\n\u003cp\u003e本作は、同州オーバリン大学の実験音楽専攻の生徒（\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e9名ほぼ無名作家）\u003c\/span\u003eたちによるコンピレーションアルバムです。忘れ去られた記念集をレコードでぜひ。\u003c\/p\u003e\n\u003cp\u003eAaron Dillowayがプロデュースを担当しています。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hanson\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hanson\"\u003ehere\u003c\/a\u003e to see more Hanson Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eKatarina Elyse Mazur –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eYarrow\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e1:13\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMarly Gonzalez –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eBLIP\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:00\u003cbr\u003eA3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eJoshua Augustin –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMusic From Study No. 1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:48\u003cbr\u003eA4\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eKo Takasugi Czernowin –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eNature Bent\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:27\u003cbr\u003eA5\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAurie Hsu – Music Box\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:11\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003ePhoebe Mapes-Frances, Diana Gruber –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eIKU\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:02\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eJack Hamill – The Futurist\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:21\u003cbr\u003eB3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003ePeter Swendsen – four moments near water Movement 3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:28\u003cbr\u003eB4\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eDrew Smith – Open Your Window\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:24\u003cbr\u003eB5\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003ePiper Hill – Public Revelation\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:28\u003cbr\u003eB6\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003ePeter Swendsen –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003efour moments near water Movement 2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:26\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText from Hanson Records \/ Oberlin:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe TIMARA department has teamed with Hanson Records to release a vinyl compilation entitled Electroacoustic Music at Oberlin Vol. 2. The LP features the work of eleven composers (nine students and two faculty members) showcasing the department's musical output in celebration of its 50th anniversary.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTIMARA department chair Tom Lopez oversaw the compilation's creation. He wrote, \u003cq\u003eBack in 2001, I produced a CD featuring Oberlin student composers. After four discs over the course of eight years, we switched to a DVD, which allowed us to include some of the really amazing video work TIMARA students were producing. We took a hiatus after that release in 2009, but within a few years we had run out of the discs (we give them to prospective students). By that point, it was clear that students were not engaging with CDs or DVDs. Most music was distributed online...except the resurgent interest in vinyl.\u003c\/q\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis resurgent interest in vinyl led Lopez to partner with a local authority on the format: Aaron Dilloway, the proprietor of Hanson Records and an experimental musician best known as a founding member of industrial noise group Wolf Eyes. Working with Dilloway, the department released its first vinyl compilation Electroacoustic Music at Oberlin in 2015. Lopez expressed gratitude for Dilloway's expertise and assistance, noting that the endeavor was \"brand new territory for TIMARA and it helped tremendously that we had an invaluable collaborator right here in Oberlin. With Aaron's contacts and experience working with vinyl, the first disc was a huge success.\" After partnering again four years later, Electroacoustic Music at Oberlin Vol. 2 was released last fall in conjunction with a series of concerts celebrating the 50th anniversary of TIMARA's creation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe compilation features an eclectic collection of work with pieces that veer outside of the academic electroacoustic approach, including multiple pieces with vocal performances. Piper Hill, a sixth-year TIMARA student, explained his choice to submit the piece Tiny Public Revelations, a \u003cq\u003etechnically simpler\u003c\/q\u003e composition.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cq\u003e[This piece]... focuses on having the voice sound intimate and small, to make it sound like thoughts someone is having while sitting outside. I focused on layering field recordings and small sounds of paper and pencil to help it sound like the situation and place I was in when I wrote it. Although I often work with heavier processing, I wanted to showcase something that could represent the side of TIMARA that doesn't rely on those more intense components of electroacoustic music.'\u003c\/q\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Hanson Records\u003c\/p\u003e","published_at":"2025-02-26T14:42:21+09:00","created_at":"2025-02-23T11:42:36+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","hanson","lp","monooto","new"],"price":333000,"price_min":333000,"price_max":333000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47145921183994,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (Hanson Records) \/\/ Timara: Electroacoustic Music at Oberlin Vol. 2 LP","public_title":null,"options":["Default Title"],"price":333000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/tim_09a2ace2-e77a-4aef-a42a-4307bc2fbce8.jpg?v=1740278520"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/tim_09a2ace2-e77a-4aef-a42a-4307bc2fbce8.jpg?v=1740278520","options":["Title"],"media":[{"alt":null,"id":35611576074490,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tim_09a2ace2-e77a-4aef-a42a-4307bc2fbce8.jpg?v=1740278520"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tim_09a2ace2-e77a-4aef-a42a-4307bc2fbce8.jpg?v=1740278520","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・オハイオの実験／ノイズ作家Aaron Dilloway主宰レーベルHanson Records諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、レーベルが2017年にリリースしたコンピレーションレコードです。\u003c\/p\u003e\n\u003cp\u003e本作は、同州オーバリン大学の実験音楽専攻の生徒（\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e9名ほぼ無名作家）\u003c\/span\u003eたちによるコンピレーションアルバムです。忘れ去られた記念集をレコードでぜひ。\u003c\/p\u003e\n\u003cp\u003eAaron Dillowayがプロデュースを担当しています。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hanson\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hanson\"\u003ehere\u003c\/a\u003e to see more Hanson Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eKatarina Elyse Mazur –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eYarrow\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e1:13\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMarly Gonzalez –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eBLIP\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:00\u003cbr\u003eA3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eJoshua Augustin –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMusic From Study No. 1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:48\u003cbr\u003eA4\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eKo Takasugi Czernowin –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eNature Bent\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:27\u003cbr\u003eA5\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAurie Hsu – Music Box\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:11\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003ePhoebe Mapes-Frances, Diana Gruber –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eIKU\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:02\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eJack Hamill – The Futurist\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:21\u003cbr\u003eB3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003ePeter Swendsen – four moments near water Movement 3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:28\u003cbr\u003eB4\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eDrew Smith – Open Your Window\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:24\u003cbr\u003eB5\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003ePiper Hill – Public Revelation\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:28\u003cbr\u003eB6\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003ePeter Swendsen –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003efour moments near water Movement 2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:26\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText from Hanson Records \/ Oberlin:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe TIMARA department has teamed with Hanson Records to release a vinyl compilation entitled Electroacoustic Music at Oberlin Vol. 2. The LP features the work of eleven composers (nine students and two faculty members) showcasing the department's musical output in celebration of its 50th anniversary.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTIMARA department chair Tom Lopez oversaw the compilation's creation. He wrote, \u003cq\u003eBack in 2001, I produced a CD featuring Oberlin student composers. After four discs over the course of eight years, we switched to a DVD, which allowed us to include some of the really amazing video work TIMARA students were producing. We took a hiatus after that release in 2009, but within a few years we had run out of the discs (we give them to prospective students). By that point, it was clear that students were not engaging with CDs or DVDs. Most music was distributed online...except the resurgent interest in vinyl.\u003c\/q\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis resurgent interest in vinyl led Lopez to partner with a local authority on the format: Aaron Dilloway, the proprietor of Hanson Records and an experimental musician best known as a founding member of industrial noise group Wolf Eyes. Working with Dilloway, the department released its first vinyl compilation Electroacoustic Music at Oberlin in 2015. Lopez expressed gratitude for Dilloway's expertise and assistance, noting that the endeavor was \"brand new territory for TIMARA and it helped tremendously that we had an invaluable collaborator right here in Oberlin. With Aaron's contacts and experience working with vinyl, the first disc was a huge success.\" After partnering again four years later, Electroacoustic Music at Oberlin Vol. 2 was released last fall in conjunction with a series of concerts celebrating the 50th anniversary of TIMARA's creation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe compilation features an eclectic collection of work with pieces that veer outside of the academic electroacoustic approach, including multiple pieces with vocal performances. Piper Hill, a sixth-year TIMARA student, explained his choice to submit the piece Tiny Public Revelations, a \u003cq\u003etechnically simpler\u003c\/q\u003e composition.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cq\u003e[This piece]... focuses on having the voice sound intimate and small, to make it sound like thoughts someone is having while sitting outside. I focused on layering field recordings and small sounds of paper and pencil to help it sound like the situation and place I was in when I wrote it. Although I often work with heavier processing, I wanted to showcase something that could represent the side of TIMARA that doesn't rely on those more intense components of electroacoustic music.'\u003c\/q\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Hanson Records\u003c\/p\u003e"}
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アメリカ・オハイオの実験／ノイズ作家Aaron Dilloway主宰レーベルHanson Records諸作を入荷しました。 本作は、レーベルが2017年にリリースしたコンピレーションレコードです。 本作は、同州オーバリン大学の実験音楽専攻の生徒（9名ほぼ無名作家）たちによるコンピレーションアルバムです。忘れ去られた記念集をレコードでぜひ。 Aaron Dillowayがプロデュースを担当しています。 レコードのみでの発表となります。 レーベルその他作品はこちら /// Click here to see more Hanson...
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