Barre Phillips // Unaccompanied Barre LP
Barre Phillips // Unaccompanied Barre LP
¥3,480
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アメリカのジャズベーシストBarre Phillipsが、2022年12月にリリースした再発レコードです。(オリジナルは1968年リリース)
ベース一本槍での生々しい演奏が堪能できます。
-------------------------------------
Tracklist:
1. Journal Violone pt. 1
2. Journal Violone pt. 2
Recorded out of a 3 hour session in St James Norlands church, London 30 nov 1968.
Artist : Barre Phillips
Label : Eargong Records
アメリカのジャズベーシストBarre Phillipsが、2022年12月にリリースした再発レコードです。(オリジナルは1968年リリース)
ベース一本槍での生々しい演奏が堪能できます。
-------------------------------------
Tracklist:
1. Journal Violone pt. 1
2. Journal Violone pt. 2
Recorded out of a 3 hour session in St James Norlands church, London 30 nov 1968.
Artist : Barre Phillips
Label : Eargong Records
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{"id":8727919919354,"title":"Groupshow \/\/ Greatest Hits LP","handle":"groupshow-greatest-hits-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・ベルリンの実験音楽家Andrew PeklerとHanno Leichtmann、Jan JelinekによるインプロトリオGroupshowが、2023年1月に\u003cmeta charset=\"utf-8\"\u003eFaiticheからリリースしたデビューレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eストレンジビーツ10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielasiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3483127579\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eArno Raffeiner, 2023: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003efaitiche presents Groupshow’s Greatest Hits: The ten tracks on this first vinyl album by Groupshow (Hanno Leichtmann, Andrew Pekler, Jan Jelinek), recorded between 2005 and 2018, document concert recordings and studio improvisations by the trio.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn improvisation there are no mistakes, only missed opportunities. Groupshow found their first opportunity in the routines of live performance and they used this opportunity to break with these routines. The trio consisting of Jan Jelinek, Hanno Leichtmann and Andrew Pekler came together in the context of Kosmischer Pitch, playing live versions of the music from Jelinek’s 2005 studio album of that name. During this project, the musical interaction between the three participants quickly emancipated itself from the original programme, departing from fixed roles and finding a distinct form in constant change.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGroupshow sessions – rehearsal, concert or recording – are always improvised. The interplay of the various sound sources, converging from the directions of “electronics”, “percussion” and “guitar”, does not follow the Krautrock wave logic of crescendo and morendo. Jelinek, Leichtmann and Pekler have established a method of transparent density in which links and breaks are not\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e concealed but remain audible. The music works through attraction and repulsion, with a loosely organized structure that always leaves enough room for the next intervention.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe principle here, repeated even in the smallest units, is that of duration. Groupshow think of their music in terms of an installation: no starting point, no dramaturgy, and ideally no end. Concerts take place not raised up on a podium, but in the middle of the room on a level with the audience, who only enter the space with the musicians and instruments once their interaction is already underway. In 2008, Groupshow used this approach to create a live soundtrack for Andy Warhol’s film Empire, over the full length of eight hours and five minutes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecordings in general and the “Greatest Hits” format in particular are another key aspect of this ongoing work on a collectively modulated continuum. The ten tracks on this first vinyl album by Groupshow, recorded between 2005 and 2018, document the ephemeral capturing of opportunities that were not missed. Extracts and essences of an endless movement of searching. The sprawling form of the whole, suspended in succinct, separate units.\u2028To paraphrase Lao Tzu and Roland Barthes, one might say: Once their work is done, they are no longer attached to it. 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{"id":8726983377146,"title":"David Fenech \u0026 Klimperei \/\/ Rainbow de Nuit LP","handle":"david-fenech-klimperei-rainbow-de-nuit-lp","description":"\u003cp\u003e過去にBlackest Ever BlackやSub Rosaなどからも作品を発表しているフランスのアウトサイダー作家David FenechとKlimpereiが、2021年1月にMarionetteからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eバンジョーやギター、フルート、ピアニカといった楽器はもちろん、ストロー、トランシーバー、拾い物などを用いて制作した、聴いたことはないのにどこか懐かしい摩訶不思議な音楽10曲を収録。\u003c\/p\u003e\n\u003cp\u003e頭にこびりついて思わず口ずさんでしまいそうになる、中毒性の高い一枚です。180g重量盤。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1288129441\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e-------------------------------\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e12\" black vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Tarzan en Tasmanie 02:14\u003cbr\u003e2. Pocarina 01:40\u003cbr\u003e3. Septième Ciel 03:52\u003cbr\u003e4. Rugit Le Coeur 04:17\u003cbr\u003e5. Rainbow de Nuit 04:02\u003cbr\u003e6. Levy Attend 04:55\u003cbr\u003e7. Chevalier Gambette 01:23\u003cbr\u003e8. Un Cercueil à Deux Places 03:05\u003cbr\u003e9. Eno Ennio 02:29\u003cbr\u003e10. 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過去にBlackest Ever BlackやSub Rosaなどからも作品を発表しているフランスのアウトサイダー作家David FenechとKlimpereiが、2021年1月にMarionetteからリリースした共作レコードです。 バンジョーやギター、フルート、ピアニカといった楽器はもちろん、ストロー、トランシーバー、拾い物などを用いて制作した、聴いたことはないのにどこか懐かしい摩訶不思議な音楽10曲を収録。 頭にこびりついて思わず口ずさんでしまいそうになる、中毒性の高い一枚です。180g重量盤。DLコード付属。 ------------------------------- 12" black vinyl. Includes DL code....
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
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{"id":8726232563962,"title":"Oren Ambarchi \u0026 Eric Thielemans \/\/ Kind Regards LP","handle":"oren-ambarchi-eric-thielemans-kind-regards-lp","description":"\u003cp\u003eギタリストOren AmbarchiとドラマーEric Thielemansが、2025年2月にAD93からリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eロングフォームなアンビエント・ジャズ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1531630936\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Kind Regards (Beginning)\u003cbr\u003e2. Kind Regards (Conclusion)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAD 93:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eKind Regards is the second duo release from guitarist Oren Ambarchi and drummer Eric Thielemans, out via AD 93 on the 21st February 2025.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe record captures an expansive performance in Poitiers, France in November 2023. First working together in an unpredictable trio with minimalist legend and eccentric extraordinaire Charlemagne Palestine, Ambarchi and Thielemans quickly established a remarkable musical chemistry that led to an ongoing series of duo concerts, including the performance documented on their LP Double Consciousness (Matière Mémorie, 2023).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eKind Regards finds the duo refining their shared language while continuing to take risks, allowing the music’s gravitational pull to lead them from meditative calm to unexpectedly expressive passages of melodic invention and rhythmic drive. Recorded in sparkling fidelity and carefully mixed by Ambarchi’s longtime collaborator Joe Talia, the LP contains a single unbroken performance, stretching out for over 45 minutes. Guitar and drums weave together into a symbiotic whole that nevertheless affords us ample opportunity to marvel at the highly personal approaches these two musicians have developed to their chosen instruments through decades of diverse\u003cspan class=\"bcTruncateMore\"\u003e collaboration and prolific performance.\u003cbr\u003e\u003cbr\u003eThe set begins with Thielemans’ hypnotic tom patterns, around which Ambarchi’s wavering, shimmering guitar tones—achieved with the help of the rotating speaker of a Leslie cabinet—flurry and swirl. Thielemans’ drums play subtle tricks with time and perception, adding and dropping beats within repeated patterns to create an effect at once rhythmically insistent and liquified. Growing at first into a rapidly pulsing texture of brushed drums and flickering harmonics, the music builds momentum into an irregular groove over which Ambarchi’s guitar is transformed into haunting, monumental electric organ chords, strikingly recalling the Wurlitzer work of Alice Coltrane, before settling into a section of gentle portamento melody embedded into the tactile clicks and clangs of Thielemans’ percussion.\u003cbr\u003eWhen Thielemans adopts a more traditional jazz approach to the kit in some of the set’s second half, the results are stunning, demonstrating a feel for shifting accents and sensibility to the touch of the stick on the drum or cymbal that recalls greats like Jack De Johnette or Billy Hart (one of Thielemans’ mentors). And when Ambarchi turns up the heat, he does so in an unexpected and delightful way, letting loose a swarm of jittering delayed tones straight out of Henry Kaiser’s classic It’s a Wonderful Life, with a more active use of the guitar’s fretboard than his usual approach to the instrument allows. As the performance draws to a close after a climactic episode of distorted harmonic groans and crashing cymbals that manages to be at once thunderous and carefully attuned to detail, it is clearer than ever that, for these two serial collaborators, this is a very special pairing.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi \u0026amp; Eric Thielemans\u003c\/p\u003e\n\u003cp\u003eLabel : AD 93\u003c\/p\u003e\n\u003cp\u003eCAT no : WHYT088LP\u003c\/p\u003e","published_at":"2025-02-21T10:30:55+09:00","created_at":"2025-02-18T13:27:27+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new"],"price":387800,"price_min":387800,"price_max":387800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47137005633786,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Oren Ambarchi \u0026 Eric Thielemans \/\/ Kind Regards LP","public_title":null,"options":["Default Title"],"price":387800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4062548104967","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/oren1_a0c19430-e85c-433e-aee9-2968bc3c016e.jpg?v=1739852771","\/\/tobirarecords.com\/cdn\/shop\/files\/oren2_c6de324e-d4db-47e0-9038-57ca9e8f869f.jpg?v=1739852771"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/oren1_a0c19430-e85c-433e-aee9-2968bc3c016e.jpg?v=1739852771","options":["Title"],"media":[{"alt":null,"id":35588742185210,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oren1_a0c19430-e85c-433e-aee9-2968bc3c016e.jpg?v=1739852771"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oren1_a0c19430-e85c-433e-aee9-2968bc3c016e.jpg?v=1739852771","width":700},{"alt":null,"id":35588742217978,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oren2_c6de324e-d4db-47e0-9038-57ca9e8f869f.jpg?v=1739852771"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oren2_c6de324e-d4db-47e0-9038-57ca9e8f869f.jpg?v=1739852771","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eギタリストOren AmbarchiとドラマーEric Thielemansが、2025年2月にAD93からリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eロングフォームなアンビエント・ジャズ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1531630936\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Kind Regards (Beginning)\u003cbr\u003e2. Kind Regards (Conclusion)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAD 93:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eKind Regards is the second duo release from guitarist Oren Ambarchi and drummer Eric Thielemans, out via AD 93 on the 21st February 2025.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe record captures an expansive performance in Poitiers, France in November 2023. First working together in an unpredictable trio with minimalist legend and eccentric extraordinaire Charlemagne Palestine, Ambarchi and Thielemans quickly established a remarkable musical chemistry that led to an ongoing series of duo concerts, including the performance documented on their LP Double Consciousness (Matière Mémorie, 2023).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eKind Regards finds the duo refining their shared language while continuing to take risks, allowing the music’s gravitational pull to lead them from meditative calm to unexpectedly expressive passages of melodic invention and rhythmic drive. Recorded in sparkling fidelity and carefully mixed by Ambarchi’s longtime collaborator Joe Talia, the LP contains a single unbroken performance, stretching out for over 45 minutes. Guitar and drums weave together into a symbiotic whole that nevertheless affords us ample opportunity to marvel at the highly personal approaches these two musicians have developed to their chosen instruments through decades of diverse\u003cspan class=\"bcTruncateMore\"\u003e collaboration and prolific performance.\u003cbr\u003e\u003cbr\u003eThe set begins with Thielemans’ hypnotic tom patterns, around which Ambarchi’s wavering, shimmering guitar tones—achieved with the help of the rotating speaker of a Leslie cabinet—flurry and swirl. Thielemans’ drums play subtle tricks with time and perception, adding and dropping beats within repeated patterns to create an effect at once rhythmically insistent and liquified. Growing at first into a rapidly pulsing texture of brushed drums and flickering harmonics, the music builds momentum into an irregular groove over which Ambarchi’s guitar is transformed into haunting, monumental electric organ chords, strikingly recalling the Wurlitzer work of Alice Coltrane, before settling into a section of gentle portamento melody embedded into the tactile clicks and clangs of Thielemans’ percussion.\u003cbr\u003eWhen Thielemans adopts a more traditional jazz approach to the kit in some of the set’s second half, the results are stunning, demonstrating a feel for shifting accents and sensibility to the touch of the stick on the drum or cymbal that recalls greats like Jack De Johnette or Billy Hart (one of Thielemans’ mentors). And when Ambarchi turns up the heat, he does so in an unexpected and delightful way, letting loose a swarm of jittering delayed tones straight out of Henry Kaiser’s classic It’s a Wonderful Life, with a more active use of the guitar’s fretboard than his usual approach to the instrument allows. As the performance draws to a close after a climactic episode of distorted harmonic groans and crashing cymbals that manages to be at once thunderous and carefully attuned to detail, it is clearer than ever that, for these two serial collaborators, this is a very special pairing.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi \u0026amp; Eric Thielemans\u003c\/p\u003e\n\u003cp\u003eLabel : AD 93\u003c\/p\u003e\n\u003cp\u003eCAT no : WHYT088LP\u003c\/p\u003e"}
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クイックビュー
{"id":8726158672122,"title":"Ruth Goller \/\/ Skylla LP","handle":"ruth-goller-skylla-lp","description":"\u003cp\u003eイタリア出身イギリス在住のコントラバス奏者Ruth Gollerが、2024年12月にアメリカ・シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースした再発レコードです。(オリジナルは2021年にCDリリース)\u003c\/p\u003e\n\u003cp\u003eベースと声のみで制作した実験アンビエント・ジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3491535404\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Often they came to visit, even just to see how she was (M1) 02:55 video\u003cbr\u003e2. In more turbulent times, she managed to take the perfect shot (M4) 02:12\u003cbr\u003e3. What’s really important she wanted to know - part 1 (M6) 04:25\u003cbr\u003e4. What’s really important she wanted to know - part 2 (M7) 03:51\u003cbr\u003e5. What’s up is not what’s real most of the time (M5) 03:44\u003cbr\u003e6. When they came closer she realised they were alien creatures (M3) 03:49\u003cbr\u003e7. The shine of gold was too strong (M8) 03:27\u003cbr\u003e8. When she curled up they started dancing (M2) 02:53\u003cbr\u003e9. He was painting her face with colours she had never seen (M9) 01:15\u003cbr\u003e10. I is One (M10) 04:09\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eRuth Goller’s ‘Skylla’ shines a long-awaited light on one of the most important musicians to have driven and revolutionised the UK jazz and improv scenes over the last 16 years. The bassist, vocalist, composer, environmentalist and now solo artist, draws inspiration from deep within to create a stunningly original and beautiful piece of work.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHailed by the Guardian for her “thunderous bass-guitar hooks’, Goller helped lay the foundation for the UK’s jazz renaissance whilst playing in many of its most influential and popular bands, from her years on stage with Acoustic Ladyland and Melt Yourself Down, to more recently Let Spin and Vula Viel, whilst performing and recording with the likes of Shabaka Hutchings, Mercury-Award nominee Kit Downes, Sam Amidon, Bojan Z, Marc Ribot, Rokia Traoré, and Paul McCartney.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn ‘Skylla’, Goller in some ways returns to the pure untaught instincts that drove her as a teen punk musician. Working with different tunings for each song, Goller composes instinctively based on what she hears in every moment. As Goller puts it, “at that point muscle memory doesn’t work anymore so I have to trust my ear completely”.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eComing from the border region between Italy and Austria, Goller grew up fascinated by the differences and similarities in\u003cspan class=\"bcTruncateMore\"\u003e the intentions behind speech. This ear for words has influenced her approach to vocals; improvising them through streams of consciousness around her bass playing, focusing on the sound and feeling, and almost inventing a new language through abstraction. As Goller puts it, “Music is a language and I always want to learn as much as I can about it”.\u003cbr\u003e\u003cbr\u003eInitially Goller recorded all vocals alone, before inviting accomplished and celebrated vocalists Lauren Kinsella and Alice Grant to lend their additional voices to particular pieces; with the knowledge they would rise to the challenge of singing words free of language to irregular tunings. The final contribution came from Kit Downes, who produced and mixed the album.\u003cbr\u003e\u003cbr\u003eIntimate voice and bass guitar entwine in improvised tandem on Goller’s debut album, exhibiting a confidence that reflects her experience at the vanguard of the European jazz scene. A work of uncanny and original beauty on which Goller has reached deep within to find pure honesty and musical originality. As ECM Reviews put it, Goller “unravel(s) an intimacy so deep it (feels) almost blasphemous to be privy to its wonders.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ruth Goller\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0091\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-02-21T10:32:45+09:00","created_at":"2025-02-18T12:38:16+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new"],"price":426200,"price_min":426200,"price_max":426200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47136849985786,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ruth Goller \/\/ Skylla LP","public_title":null,"options":["Default Title"],"price":426200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457191228","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/goll1.jpg?v=1733397095","\/\/tobirarecords.com\/cdn\/shop\/files\/goll2.jpg?v=1733397095"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/goll1.jpg?v=1733397095","options":["Title"],"media":[{"alt":null,"id":35266922348794,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goll1.jpg?v=1733397095"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goll1.jpg?v=1733397095","width":700},{"alt":null,"id":35266922381562,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goll2.jpg?v=1733397095"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goll2.jpg?v=1733397095","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリア出身イギリス在住のコントラバス奏者Ruth Gollerが、2024年12月にアメリカ・シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースした再発レコードです。(オリジナルは2021年にCDリリース)\u003c\/p\u003e\n\u003cp\u003eベースと声のみで制作した実験アンビエント・ジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3491535404\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Often they came to visit, even just to see how she was (M1) 02:55 video\u003cbr\u003e2. In more turbulent times, she managed to take the perfect shot (M4) 02:12\u003cbr\u003e3. What’s really important she wanted to know - part 1 (M6) 04:25\u003cbr\u003e4. What’s really important she wanted to know - part 2 (M7) 03:51\u003cbr\u003e5. What’s up is not what’s real most of the time (M5) 03:44\u003cbr\u003e6. When they came closer she realised they were alien creatures (M3) 03:49\u003cbr\u003e7. The shine of gold was too strong (M8) 03:27\u003cbr\u003e8. When she curled up they started dancing (M2) 02:53\u003cbr\u003e9. He was painting her face with colours she had never seen (M9) 01:15\u003cbr\u003e10. I is One (M10) 04:09\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eRuth Goller’s ‘Skylla’ shines a long-awaited light on one of the most important musicians to have driven and revolutionised the UK jazz and improv scenes over the last 16 years. The bassist, vocalist, composer, environmentalist and now solo artist, draws inspiration from deep within to create a stunningly original and beautiful piece of work.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHailed by the Guardian for her “thunderous bass-guitar hooks’, Goller helped lay the foundation for the UK’s jazz renaissance whilst playing in many of its most influential and popular bands, from her years on stage with Acoustic Ladyland and Melt Yourself Down, to more recently Let Spin and Vula Viel, whilst performing and recording with the likes of Shabaka Hutchings, Mercury-Award nominee Kit Downes, Sam Amidon, Bojan Z, Marc Ribot, Rokia Traoré, and Paul McCartney.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn ‘Skylla’, Goller in some ways returns to the pure untaught instincts that drove her as a teen punk musician. Working with different tunings for each song, Goller composes instinctively based on what she hears in every moment. As Goller puts it, “at that point muscle memory doesn’t work anymore so I have to trust my ear completely”.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eComing from the border region between Italy and Austria, Goller grew up fascinated by the differences and similarities in\u003cspan class=\"bcTruncateMore\"\u003e the intentions behind speech. This ear for words has influenced her approach to vocals; improvising them through streams of consciousness around her bass playing, focusing on the sound and feeling, and almost inventing a new language through abstraction. As Goller puts it, “Music is a language and I always want to learn as much as I can about it”.\u003cbr\u003e\u003cbr\u003eInitially Goller recorded all vocals alone, before inviting accomplished and celebrated vocalists Lauren Kinsella and Alice Grant to lend their additional voices to particular pieces; with the knowledge they would rise to the challenge of singing words free of language to irregular tunings. The final contribution came from Kit Downes, who produced and mixed the album.\u003cbr\u003e\u003cbr\u003eIntimate voice and bass guitar entwine in improvised tandem on Goller’s debut album, exhibiting a confidence that reflects her experience at the vanguard of the European jazz scene. A work of uncanny and original beauty on which Goller has reached deep within to find pure honesty and musical originality. As ECM Reviews put it, Goller “unravel(s) an intimacy so deep it (feels) almost blasphemous to be privy to its wonders.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ruth Goller\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0091\u003c\/span\u003e\u003c\/p\u003e"}
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イタリア出身イギリス在住のコントラバス奏者Ruth Gollerが、2024年12月にアメリカ・シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースした再発レコードです。(オリジナルは2021年にCDリリース) ベースと声のみで制作した実験アンビエント・ジャズ10曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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