Ulla E. Straus and John Andrew Wilhite // Spatial Data Management (Original Score) CD

Ulla E. Straus and John Andrew Wilhite // Spatial Data Management (Original Score) CD

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アメリカ・フィラデルフィアのアンビエント作家Ulla E. Strausとノルウェー・オスロのコントラバス奏者John Andrew Wilhiteが、2024年5月にアメリカ・NYの実験レーベルReading Groupから100部限定でリリースした共作CDです。

フィラデルフィアの映像作家Greyory Blakeの作品『Spatial Data Management』のサウンドトラックとして制作した、静謐なアンビエントドローン作品です。24ページのブックレット付属。

Spatial Data Management - Trailer from Greyory Blake on Vimeo.

レーベルその他作品はこちら /// Click here to see more Reading Group releases available at Tobira.

-------------------------

CD in jewel case. Edition of 100.
Comes with 24-page booklet with liner notes and stills from the film Spatial Data Management by Greyory Blake.

Tracklist:

1. Spatial Data Management (Original Score) 31:06

Reading Group:

"Reading Group, in collaboration with Braddock, PA-based imprint Huner Francis, is pleased to present "Spatial Data Management (Original Score)" by Ulla E. Straus and John Andrew Wilhite, a beautiful score to an equally beautiful film by Philadelphia-based artist Greyory Blake.

The score to Spatial Data Management (2021) is a contemplative and referential ambient work. It provides the backdrop for the essay film’s exploration of how stolen value and the contemporary predicaments of AI technologies mirror problems wrestled with by Baroque thinkers.

Wilhite began the compositional process by compiling a series of excerpts from old tapes and sessions with accordionist Kalle Moberg. He blended their muffled recordings of Giovanni Battista Pergolesi’s Sabat Mater (1736), a devotion to Mary in medieval Latin, with droning soundscapes of birds, bees, and sirens, and didn’t whittle away atmospherics. François Couperin’s Les Barricades Mystérieuses (1717) for harpsichord wax and wane between organ and synthesizer as alternating translations of analog to digital. The movement calls to mind the film’s themes of how contemporary technologies change our relationship to what we think is
natural, what we refer to as the source. Straus then mixed the fragments Wilhite assembled, focusing them through what might be described as acts of musical grace, knowing without stealing."

Artist : Ulla E. Straus and John Andrew Wilhite

Label : Reading Group

CAT No: RG26

Quantity

+ -

Spatial Data Management - Trailer from Greyory Blake on Vimeo.

レーベルその他作品はこちら /// Click here to see more Reading Group releases available at Tobira.

-------------------------

CD in jewel case. Edition of 100.
Comes with 24-page booklet with liner notes and stills from the film Spatial Data Management by Greyory Blake.

Tracklist:

1. Spatial Data Management (Original Score) 31:06

Reading Group:

Artist : Ulla E. Straus and John Andrew Wilhite

Label : Reading Group

CAT No: RG26

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For a long time, this triptych was presented as a two-sided work in which Bernard Parmegiani’s Hell and François Bayle’s Purgatory responded to and extended each other, guided by Michel Hermon’s voice through the listener’s imagination. Because Paradise, a mixed piece co-composed and performed live, had never been released on record before. Indeed, fifty years after its premiere, Paradise is unveiled to our ears, thereby rounding off the very first complete edition of the Divine Comedy.\"\u003cbr\u003e\u003cbr\u003e— \u003cbr\u003e\u003cbr\u003eSébastien ROUX '50 frequency and amplitude modulated sine waves describing a landscape' \u003cbr\u003eIn his work '50 frequency and amplitude modulated sine waves describing a landscape,' Sébastien Roux applies his approach to algorithmic composition to the observation of the natural world, bringing the sound of the sea and the song of birds into the\u003cspan class=\"bcTruncateMore\"\u003e electronic domain, transmuting them into each other through a slow process of gradual modulation. Exploring the abstract space of pure sounds between two naturalistic tableaux, Sébastien Roux offers us a fascinating meditation on the world of synthesis, revealing, with an economy of means and great formal elegance, the magic of sonic simulacrum and the strange beauty of the artificial, in a gesture that is ultimately as poetic as it is musical. \u003c\/span\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bernard Parmegiani \u0026amp; François Bayle\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Recollection GRM)\u003c\/p\u003e\n\u003cp\u003eCat No : REGRM032\u003c\/p\u003e","published_at":"2024-11-04T13:31:24+09:00","created_at":"2024-11-04T13:19:28+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","monooto","new","recommended","shelter press"],"price":635000,"price_min":635000,"price_max":635000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46822779814138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bernard Parmegiani \u0026 François Bayle \/\/ Divine Comédie 4xLP","public_title":null,"options":["Default Title"],"price":635000,"weight":830,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411428","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0640647024_16.jpg?v=1730694106","\/\/tobirarecords.com\/cdn\/shop\/files\/0037182567_10.jpg?v=1730694107"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0640647024_16.jpg?v=1730694106","options":["Title"],"media":[{"alt":null,"id":35144903033082,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0640647024_16.jpg?v=1730694106"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0640647024_16.jpg?v=1730694106","width":700},{"alt":null,"id":35144903098618,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037182567_10.jpg?v=1730694107"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037182567_10.jpg?v=1730694107","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスの大御所実験音楽家Bernard Parmegiani(1927-2013)とFrançois Bayleが、2024年11月に同国実験レーベルRecollection GRMからリリースした4枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eイタリアの詩人ダンテの『神曲』を彼らなりのコンポジションに落とし込んだ47曲を収録。ポスターとDLコード付属。ゲートフォルド仕様です。\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"ダンテの詩と、サンドロ・ボッティチェリやギュスターヴ・ドレによる視覚的解釈のような音楽的野心を誇る。長い間、この三部作は、Bernard Parmegianiの地獄とFrançois Bayleの煉獄が、\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eMichel Hermon\u003c\/span\u003eの声によって聴き手の想像力を導きながら、互いに呼応し、拡張し合う二面的な作品として提示されてきた。というのも、共同作曲され、ライヴで演奏された混成曲『パラダイス』は、これまで一度もレコード化されたことがなかったからだ。実際、初演から50年を経て、パラダイスは私たちの耳に披露され、まさにDivine Comedyの最初の完全版が完成したのである。\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2187468733\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e4 x 12\" black vinyl. Includes a poster and DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. Bernard Parmegiani - Enfer – La découverte de l'ombre 03:53\u003cbr\u003e2. Bernard Parmegiani - Enfer – Les portes (1e contrainte) I - La bête 01:51\u003cbr\u003e3. Bernard Parmegiani - Enfer – Les portes II - Le chemin difficile 01:25\u003cbr\u003e4. Bernard Parmegiani - Enfer – Les portes III - Les portes de l'enfer 02:22\u003cbr\u003e5. Bernard Parmegiani - Enfer – Les portes IV - L´étendard humain 02:27\u003cbr\u003e6. Bernard Parmegiani - Enfer – Les portes V - Passage de l'Achéron 01:51\u003cbr\u003e7. Bernard Parmegiani - Enfer – L'impouvoir (2e contrainte) I - Béatrice 02:08\u003cbr\u003e8. Bernard Parmegiani - Enfer – L'impouvoir II - Désir sans espérance 01:55\u003cbr\u003e9. Bernard Parmegiani - Enfer – L'impouvoir III - Les châteaux 00:33\u003cbr\u003e10. Bernard Parmegiani - Enfer – L'impouvoir IV - L'ouragan infernal 02:32\u003cbr\u003e11. Bernard Parmegiani - Enfer – Mal-mort (3e contrainte) I - Mal-mort 04:10\u003cbr\u003e12. Bernard Parmegiani - Enfer – Mal-mort II - Le messager céleste 01:03\u003cbr\u003e13. Bernard Parmegiani - Enfer – Les monstres (4e contrainte) I - Femmes de griffe 01:58\u003cbr\u003e14. Bernard Parmegiani - Enfer – Les monstres II - Hommes de ronces 02:15\u003cbr\u003e15. Bernard Parmegiani - Enfer – Les monstres III - Métamorphoses 02:06\u003cbr\u003e16. Bernard Parmegiani - Enfer – Les monstres IV - Cerbères 01:07\u003cbr\u003e17. Bernard Parmegiani - Enfer – Les abysses (5e contrainte) I - Les abysses 03:56\u003cbr\u003e18. Bernard Parmegiani - Enfer – Les abysses II - Le Styx 03:48\u003cbr\u003e19. Bernard Parmegiani - Enfer – Les abysses III - Le rêve du rêve 02:49\u003cbr\u003e20. Bernard Parmegiani - Enfer – Fond de bleu (6e contrainte) I - Le phénix 00:41\u003cbr\u003e21. Bernard Parmegiani - Enfer – Fond de bleu II - Fond de bleu 02:25\u003cbr\u003e22. Bernard Parmegiani - Enfer – Le nœud ardent (7e contrainte) I - Bataille des dragons 03:23\u003cbr\u003e23. Bernard Parmegiani - Enfer – Le nœud ardent II - Le nœud ardent 06:40\u003cbr\u003e24. Bernard Parmegiani - Enfer – Le crépuscule de l'aube 03:50\u003cbr\u003e25. François Bayle - Purgatoire – Danse des chiffres 03:01\u003cbr\u003e26. François Bayle - Purgatoire – Chiffre 1 L'Ange de Dieu - le roseau 05:19\u003cbr\u003e27. François Bayle - Purgatoire – Chiffre 1 - ils… 01:35\u003cbr\u003e28. François Bayle - Purgatoire – Chiffre 1 - la barque 02:07\u003cbr\u003e29. François Bayle - Purgatoire – Chiffre 1 - danse du tremblement initial 03:06\u003cbr\u003e30. François Bayle - Purgatoire – Chiffre 2 La vallée des princes - polyphonie 1 00:51\u003cbr\u003e31. François Bayle - Purgatoire – Chiffre 2 - polyphonie 2 00:50\u003cbr\u003e32. François Bayle - Purgatoire – Chiffre 2 - longue attente 01:50\u003cbr\u003e33. François Bayle - Purgatoire – Chiffre 2 - rêve de l'aigle 02:34\u003cbr\u003e34. François Bayle - Purgatoire – Chiffre 3 La porte ou Deuxième Ange 06:29\u003cbr\u003e35. François Bayle - Purgatoire – Chiffre 4 Les sculptures - épreuve de l'orgueil 04:43\u003cbr\u003e36. François Bayle - Purgatoire – Chiffre 4 - ô notre père 06:02\u003cbr\u003e37. François Bayle - Purgatoire – Chiffre 5 Extase - polyphonie 3 06:13\u003cbr\u003e38. François Bayle - Purgatoire – Chiffre 6 L'Ange-Feu - danse en six parties 07:21\u003cbr\u003e39. François Bayle - Purgatoire – Chiffre 7 Épreuve des flammes - fusion 04:04\u003cbr\u003e40. François Bayle - Purgatoire – Chiffre 7 - maître de toi-même 02:25\u003cbr\u003e41. François Bayle - Purgatoire – Chiffre 8 Paradis terrestre — Béatrice - danse des trois dames 02:10\u003cbr\u003e42. François Bayle - Purgatoire – Chiffre 8 - la forêt 02:32\u003cbr\u003e43. François Bayle - Purgatoire – Chiffre 8 - Béatrice 03:06\u003cbr\u003e44. François Bayle - Purgatoire – Chiffre 9 Transparence - le repentir 01:33\u003cbr\u003e45. François Bayle - Purgatoire – Chiffre 9 - la vérité révélée 02:26\u003cbr\u003e46. François Bayle - Purgatoire – Chiffre 10 Figure supérieure 01:02\u003cbr\u003e47. Bernard Parmegiani, François Bayle - Paradis 21:50 \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eRecollection GRM:\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Divine Comedy stands as a magnum opus crafted by two of the foremost composers of their era, boasting a musical ambition akin to Dante’s poem and its visual interpretation by Sandro Botticelli or Gustave Doré. For a long time, this triptych was presented as a two-sided work in which Bernard Parmegiani’s Hell and François Bayle’s Purgatory responded to and extended each other, guided by Michel Hermon’s voice through the listener’s imagination. Because Paradise, a mixed piece co-composed and performed live, had never been released on record before. Indeed, fifty years after its premiere, Paradise is unveiled to our ears, thereby rounding off the very first complete edition of the Divine Comedy.\"\u003cbr\u003e\u003cbr\u003e— \u003cbr\u003e\u003cbr\u003eSébastien ROUX '50 frequency and amplitude modulated sine waves describing a landscape' \u003cbr\u003eIn his work '50 frequency and amplitude modulated sine waves describing a landscape,' Sébastien Roux applies his approach to algorithmic composition to the observation of the natural world, bringing the sound of the sea and the song of birds into the\u003cspan class=\"bcTruncateMore\"\u003e electronic domain, transmuting them into each other through a slow process of gradual modulation. Exploring the abstract space of pure sounds between two naturalistic tableaux, Sébastien Roux offers us a fascinating meditation on the world of synthesis, revealing, with an economy of means and great formal elegance, the magic of sonic simulacrum and the strange beauty of the artificial, in a gesture that is ultimately as poetic as it is musical. \u003c\/span\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bernard Parmegiani \u0026amp; François Bayle\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Recollection GRM)\u003c\/p\u003e\n\u003cp\u003eCat No : REGRM032\u003c\/p\u003e"}