Constellation Records
クイックビュー
{"id":15440686186746,"title":"Bilal Nasser \/\/ Every Martyr Is A Universe LP","handle":"bilal-nasser-every-martyr-is-a-universe-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※11\/6リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eパレスチナ／カナダのギタリストBilal Nasserが、2026年11月にモントリオールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント5曲を収録。180g重量盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cdiv style=\"color: inherit;\"\u003e\n\u003cp\u003e\"\u003cem\u003eパレスチナ系カナダ人のギタリスト、オーガナイザー、そしてハームリダクション活動家であるBilal Nasserによる『The Constellation』でのデビュー作は、彼が受けたクラシック・ギターの訓練と、パンク、ポストロック、現代音楽からの影響を基にしている。ガザでのジェノサイドに抗議する学生のテントキャンプ運動の最中に構想された『Every Martyr Is A Universe』は、そのような状況下における芸術の価値と意味という答えの出ない問いから生まれた作品だ。主にオンタリオ州ウィンザーにあるNasserのDIYスペース「Uma Loft」で録音され、このコミュニティから9人のミュージシャンを招いてアルバムの荘厳なオーケストレーションを表現し、連帯、抵抗、そして嘆きという集団的な反応を体現している。Nasserのこれまでの2枚のアルバムは、20世紀のクラシック、ロビー・バショー、そして様々なフォークの伝統に根ざした、独特かつ洗練されたアコースティック・ギターの奏法を確立しており、その感性はシューゲイザー、アンビエント・エレクトロニック、インディー・ロックの影響を受けている。『Every Martyr Is A Universe』は、Nasserが初めて大規模なアンサンブルのために作曲を行ったことで、この基盤をさらに広げている。アコースティック・ギターが依然としてこの新作の軸となっているものの、音楽は魅惑的な弦楽と管楽器のアレンジによって牽引されており、特にアルバム前半を構成する、ポストロックとポストクラシックが融合した2つの長尺楽曲においてそれが顕著だ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eオープニングのタイトル曲は、弦楽器、金管楽器、ギターによる優雅で抑制の効いた組曲として展開される。哀歌的な厳粛さを伝えつつも、露骨な悲しみを排しており、長調のテーマはレクイエムを希望に満ちた賛辞であり、続く闘いとして表現され、対位法のメロディーは連帯と不屈の精神を織りなしている。この曲は、11分という演奏時間の半ばで、Nasserのズキズキと響くギターに牽引され、一時的にテンポを速める。その切迫感は不安、台頭、そして反抗を喚起するが、やがてアルバム初の不協和な和声の転換へと移り変わり、脆さをテーマとして再提示される。そして、心に残るエレクトロアコースティックなアンビエンスが、不安感を漂わせながらこの曲を締めくくる。ここから直接「Erasure」へと流れ込む。ここでは、ポスト・クラシックなシューゲイザー風のイントロの上に、Nasserの霧のようなボーカルが初めて聴こえ、それがアンビエント・ハードコアの儚い瞬間へと滑らかに移行する。その後、曲の中核となるリフが持続的な反復の中で盛り上がり、様々な楽器が交互に加わり彩りを添え、最終的には、活気に満ちた重層的なミニマリズムとロック的なドラムによる最終楽章へと至り、アルバムで最も明らかに壮大なパッセージを形成する。B面は、Nasserのこれまでのソロ活動により深く根ざしている。「And Where They Make A Desert They Call It Peace」では、不吉なドローンを基調としたサウンドデザインと、伝説的なパレスチナの作家であり活動家であるガッサン・カナファニのアーカイブ音源が並置され、続いて 「Who We Used To Be」と「Soul Of My Soul」が続き、いずれもナッセルの美しく繊細な歌声と確かなソングライティングが際立っている。フィンガーピッキングのギターを基調とし、弦楽器、管楽器、ピアノ、エレクトロニクスのうねりの中で、和声や質感の細部に富んだ有機的に展開するアレンジへの確かな耳が融合している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『Every Martyr Is A Universe』は、コンステレーション・レコードの歴史と展望の中でも力強い位置を占めており、Thee Silver Mt. Zion、Do Make Say Think、Esmerine、Black Ox Orkestarといった同レーベルのアーティストたちと、スタイル的にも政治的にも対話を交わしている。これらのバンドのファン――そして、彼らが体現する、ジャンルを融合させた前衛的な作曲と親しみやすさ、パンクの影響を受けた断固たる姿勢と真正性、そしてありのままの感情表現の組み合わせを愛する者たち――は、Nasserの中に、魅力的で相補的な声を見出すだろう。聴いてくれてありがとう。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3363332673\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRelease date : 6th November 2026\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e12\" black 180gram vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Every Martyr Is A Universe \u003cbr\u003e2. Erasure \u003cbr\u003e3. And Where They Make A Desert They Call It Peace \u003cbr\u003e4. Who We Used To Be \u003cbr\u003e5. Soul Of My Soul\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Constellation debut from Palestinian-Canadian guitarist, organiser, and harm-reduction worker Bilal Nasser draws upon his training in classical guitar and influences from punk, post-rock, and contemporary composition. Conceived during the student encampment movement protesting the Gaza genocide, Every Martyr Is A Universe emerges from the impossible question of art’s worth and meaning under such conditions, primarily recorded at Nasser's DIY space Uma Loft in Windsor, Ontario and enlisting nine musicians from this community to help render the album’s stately orchestrations, channeling a collective response of solidarity, resistance, and lament. Nasser’s previous two albums established a distinctive and accomplished acoustic guitar technique rooted in 20th classical, Robbie Basho, and various folkways, with a sensibility informed by shoegaze, ambient electronic, and indie rock. Every Martyr Is A Universe expands on this foundation as Nasser writes for a larger ensemble for the first time. While his acoustic guitar often still anchors this new work, the music is propelled by captivating string and horn arrangements, especially on the pair of longform post-rock meets post-classical pieces that comprise the album’s first half.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe opening title track unfolds as an elegantly\u003cspan class=\"bcTruncateMore\"\u003e restrained suite for strings, horns, and guitar that conveys elegiac solemnity but refuses conspicuous dolefulness, its major-key theme expressing requiem as hopeful tribute and ongoing struggle, its counterpoint melodies weaving communion and resilience. The piece briefly gathers pace toward the middle of its eleven-minute arc, driven by Nasser’s thrumming guitar, a moment of urgency that evokes anxiety, ascendance, and defiance, that gives way to the album’s first discordant harmonic shifts and a thematic restatement of fragility, with haunting electroacoustic ambience closing the track in disquietude. This flows directly into “Erasure”, where we hear Nasser’s vaporous vocals for the first time, over a post-classical shoegaze intro that dovetails into a fleeting moment of ambient hardcore before the song’s central riff builds in durational repetition, various instruments alternately joining and adorning, ending in a final movement of ebulliently layered Minimalism and rockist drums for the album’s most overtly epic passage. Side Two is more rooted in Nasser’s prior solo practice: “And Where They Make A Desert They Call It Peace” juxtaposes foreboding drone-based sound design with an archival recording of legendary Palestinian author and militant Ghassan Kanafani, followed by “Who We Used To Be” and “Soul Of My Soul”, both featuring Nasser’s gorgeously delicate singing and assured songwriting, blending fingerpicked guitar with an ear for organically evolving arrangements full of harmonic and textural detail in an ebb and flow of strings, horns, piano and electronics.\u003cbr\u003e\u003cbr\u003eEvery Martyr Is A Universe also sits powerfully within Constellation’s own history and horizons, in stylistic and political conversation with label artists like Thee Silver Mt. Zion, Do Make Say Think, Esmerine, and Black Ox Orkestar. Fans of those bands—and the combination of genre-blending compositional avant-gardism and accessibility, punk-inflected assertiveness and authenticity, and heart-on-sleeve emotiveness they represent—will find a compelling and complementary voice in Bilal Nasser. Thanks for listening.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bilal Nasser\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : CST196lp\u003c\/p\u003e","published_at":"2026-10-25T07:20:12+09:00","created_at":"2026-10-19T08:16:00+09:00","vendor":"Tobira Records","type":"","tags":["ambient","constellation records","lp","neo classical","new"],"price":415500,"price_min":415500,"price_max":415500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":67788129632506,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bilal Nasser \/\/ Every Martyr Is A Universe LP","public_title":null,"options":["Default Title"],"price":415500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"666561019617","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bil1_8c0f80db-7311-418c-aabc-03ba3a2d8351.jpg?v=1792365393","\/\/tobirarecords.com\/cdn\/shop\/files\/bil2.jpg?v=1792365393"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bil1_8c0f80db-7311-418c-aabc-03ba3a2d8351.jpg?v=1792365393","options":["Title"],"media":[{"alt":null,"id":46601904029946,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bil1_8c0f80db-7311-418c-aabc-03ba3a2d8351.jpg?v=1792365393"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bil1_8c0f80db-7311-418c-aabc-03ba3a2d8351.jpg?v=1792365393","width":350},{"alt":null,"id":46601904062714,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bil2.jpg?v=1792365393"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bil2.jpg?v=1792365393","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※11\/6リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eパレスチナ／カナダのギタリストBilal Nasserが、2026年11月にモントリオールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント5曲を収録。180g重量盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cdiv style=\"color: inherit;\"\u003e\n\u003cp\u003e\"\u003cem\u003eパレスチナ系カナダ人のギタリスト、オーガナイザー、そしてハームリダクション活動家であるBilal Nasserによる『The Constellation』でのデビュー作は、彼が受けたクラシック・ギターの訓練と、パンク、ポストロック、現代音楽からの影響を基にしている。ガザでのジェノサイドに抗議する学生のテントキャンプ運動の最中に構想された『Every Martyr Is A Universe』は、そのような状況下における芸術の価値と意味という答えの出ない問いから生まれた作品だ。主にオンタリオ州ウィンザーにあるNasserのDIYスペース「Uma Loft」で録音され、このコミュニティから9人のミュージシャンを招いてアルバムの荘厳なオーケストレーションを表現し、連帯、抵抗、そして嘆きという集団的な反応を体現している。Nasserのこれまでの2枚のアルバムは、20世紀のクラシック、ロビー・バショー、そして様々なフォークの伝統に根ざした、独特かつ洗練されたアコースティック・ギターの奏法を確立しており、その感性はシューゲイザー、アンビエント・エレクトロニック、インディー・ロックの影響を受けている。『Every Martyr Is A Universe』は、Nasserが初めて大規模なアンサンブルのために作曲を行ったことで、この基盤をさらに広げている。アコースティック・ギターが依然としてこの新作の軸となっているものの、音楽は魅惑的な弦楽と管楽器のアレンジによって牽引されており、特にアルバム前半を構成する、ポストロックとポストクラシックが融合した2つの長尺楽曲においてそれが顕著だ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eオープニングのタイトル曲は、弦楽器、金管楽器、ギターによる優雅で抑制の効いた組曲として展開される。哀歌的な厳粛さを伝えつつも、露骨な悲しみを排しており、長調のテーマはレクイエムを希望に満ちた賛辞であり、続く闘いとして表現され、対位法のメロディーは連帯と不屈の精神を織りなしている。この曲は、11分という演奏時間の半ばで、Nasserのズキズキと響くギターに牽引され、一時的にテンポを速める。その切迫感は不安、台頭、そして反抗を喚起するが、やがてアルバム初の不協和な和声の転換へと移り変わり、脆さをテーマとして再提示される。そして、心に残るエレクトロアコースティックなアンビエンスが、不安感を漂わせながらこの曲を締めくくる。ここから直接「Erasure」へと流れ込む。ここでは、ポスト・クラシックなシューゲイザー風のイントロの上に、Nasserの霧のようなボーカルが初めて聴こえ、それがアンビエント・ハードコアの儚い瞬間へと滑らかに移行する。その後、曲の中核となるリフが持続的な反復の中で盛り上がり、様々な楽器が交互に加わり彩りを添え、最終的には、活気に満ちた重層的なミニマリズムとロック的なドラムによる最終楽章へと至り、アルバムで最も明らかに壮大なパッセージを形成する。B面は、Nasserのこれまでのソロ活動により深く根ざしている。「And Where They Make A Desert They Call It Peace」では、不吉なドローンを基調としたサウンドデザインと、伝説的なパレスチナの作家であり活動家であるガッサン・カナファニのアーカイブ音源が並置され、続いて 「Who We Used To Be」と「Soul Of My Soul」が続き、いずれもナッセルの美しく繊細な歌声と確かなソングライティングが際立っている。フィンガーピッキングのギターを基調とし、弦楽器、管楽器、ピアノ、エレクトロニクスのうねりの中で、和声や質感の細部に富んだ有機的に展開するアレンジへの確かな耳が融合している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『Every Martyr Is A Universe』は、コンステレーション・レコードの歴史と展望の中でも力強い位置を占めており、Thee Silver Mt. Zion、Do Make Say Think、Esmerine、Black Ox Orkestarといった同レーベルのアーティストたちと、スタイル的にも政治的にも対話を交わしている。これらのバンドのファン――そして、彼らが体現する、ジャンルを融合させた前衛的な作曲と親しみやすさ、パンクの影響を受けた断固たる姿勢と真正性、そしてありのままの感情表現の組み合わせを愛する者たち――は、Nasserの中に、魅力的で相補的な声を見出すだろう。聴いてくれてありがとう。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3363332673\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRelease date : 6th November 2026\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e12\" black 180gram vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Every Martyr Is A Universe \u003cbr\u003e2. Erasure \u003cbr\u003e3. And Where They Make A Desert They Call It Peace \u003cbr\u003e4. Who We Used To Be \u003cbr\u003e5. Soul Of My Soul\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Constellation debut from Palestinian-Canadian guitarist, organiser, and harm-reduction worker Bilal Nasser draws upon his training in classical guitar and influences from punk, post-rock, and contemporary composition. Conceived during the student encampment movement protesting the Gaza genocide, Every Martyr Is A Universe emerges from the impossible question of art’s worth and meaning under such conditions, primarily recorded at Nasser's DIY space Uma Loft in Windsor, Ontario and enlisting nine musicians from this community to help render the album’s stately orchestrations, channeling a collective response of solidarity, resistance, and lament. Nasser’s previous two albums established a distinctive and accomplished acoustic guitar technique rooted in 20th classical, Robbie Basho, and various folkways, with a sensibility informed by shoegaze, ambient electronic, and indie rock. Every Martyr Is A Universe expands on this foundation as Nasser writes for a larger ensemble for the first time. While his acoustic guitar often still anchors this new work, the music is propelled by captivating string and horn arrangements, especially on the pair of longform post-rock meets post-classical pieces that comprise the album’s first half.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe opening title track unfolds as an elegantly\u003cspan class=\"bcTruncateMore\"\u003e restrained suite for strings, horns, and guitar that conveys elegiac solemnity but refuses conspicuous dolefulness, its major-key theme expressing requiem as hopeful tribute and ongoing struggle, its counterpoint melodies weaving communion and resilience. The piece briefly gathers pace toward the middle of its eleven-minute arc, driven by Nasser’s thrumming guitar, a moment of urgency that evokes anxiety, ascendance, and defiance, that gives way to the album’s first discordant harmonic shifts and a thematic restatement of fragility, with haunting electroacoustic ambience closing the track in disquietude. This flows directly into “Erasure”, where we hear Nasser’s vaporous vocals for the first time, over a post-classical shoegaze intro that dovetails into a fleeting moment of ambient hardcore before the song’s central riff builds in durational repetition, various instruments alternately joining and adorning, ending in a final movement of ebulliently layered Minimalism and rockist drums for the album’s most overtly epic passage. Side Two is more rooted in Nasser’s prior solo practice: “And Where They Make A Desert They Call It Peace” juxtaposes foreboding drone-based sound design with an archival recording of legendary Palestinian author and militant Ghassan Kanafani, followed by “Who We Used To Be” and “Soul Of My Soul”, both featuring Nasser’s gorgeously delicate singing and assured songwriting, blending fingerpicked guitar with an ear for organically evolving arrangements full of harmonic and textural detail in an ebb and flow of strings, horns, piano and electronics.\u003cbr\u003e\u003cbr\u003eEvery Martyr Is A Universe also sits powerfully within Constellation’s own history and horizons, in stylistic and political conversation with label artists like Thee Silver Mt. Zion, Do Make Say Think, Esmerine, and Black Ox Orkestar. Fans of those bands—and the combination of genre-blending compositional avant-gardism and accessibility, punk-inflected assertiveness and authenticity, and heart-on-sleeve emotiveness they represent—will find a compelling and complementary voice in Bilal Nasser. Thanks for listening.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bilal Nasser\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : CST196lp\u003c\/p\u003e"}
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※11/6リリースです パレスチナ／カナダのギタリストBilal Nasserが、2026年11月にモントリオールの老舗レーベルConstellationからリリースしたアルバムです。 ネオクラシカル・アンビエント5曲を収録。180g重量盤です。 以下、レーベルによる解説です。 "パレスチナ系カナダ人のギタリスト、オーガナイザー、そしてハームリダクション活動家であるBilal Nasserによる『The Constellation』でのデビュー作は、彼が受けたクラシック・ギターの訓練と、パンク、ポストロック、現代音楽からの影響を基にしている。ガザでのジェノサイドに抗議する学生のテントキャンプ運動の最中に構想された『Every Martyr Is A Universe』は、そのような状況下における芸術の価値と意味という答えの出ない問いから生まれた作品だ。主にオンタリオ州ウィンザーにあるNasserのDIYスペース「Uma Loft」で録音され、このコミュニティから9人のミュージシャンを招いてアルバムの荘厳なオーケストレーションを表現し、連帯、抵抗、そして嘆きという集団的な反応を体現している。Nasserのこれまでの2枚のアルバムは、20世紀のクラシック、ロビー・バショー、そして様々なフォークの伝統に根ざした、独特かつ洗練されたアコースティック・ギターの奏法を確立しており、その感性はシューゲイザー、アンビエント・エレクトロニック、インディー・ロックの影響を受けている。『Every Martyr...
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{"id":15440685531386,"title":"Bilal Nasser \/\/ Every Martyr Is A Universe CD","handle":"bilal-nasser-every-martyr-is-a-universe-cd","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※11\/6リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eパレスチナ／カナダのギタリストBilal Nasserが、2026年11月にモントリオールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント5曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cdiv style=\"color: inherit;\"\u003e\n\u003cp\u003e\"\u003cem\u003eパレスチナ系カナダ人のギタリスト、オーガナイザー、そしてハームリダクション活動家であるBilal Nasserによる『The Constellation』でのデビュー作は、彼が受けたクラシック・ギターの訓練と、パンク、ポストロック、現代音楽からの影響を基にしている。ガザでのジェノサイドに抗議する学生のテントキャンプ運動の最中に構想された『Every Martyr Is A Universe』は、そのような状況下における芸術の価値と意味という答えの出ない問いから生まれた作品だ。主にオンタリオ州ウィンザーにあるNasserのDIYスペース「Uma Loft」で録音され、このコミュニティから9人のミュージシャンを招いてアルバムの荘厳なオーケストレーションを表現し、連帯、抵抗、そして嘆きという集団的な反応を体現している。Nasserのこれまでの2枚のアルバムは、20世紀のクラシック、ロビー・バショー、そして様々なフォークの伝統に根ざした、独特かつ洗練されたアコースティック・ギターの奏法を確立しており、その感性はシューゲイザー、アンビエント・エレクトロニック、インディー・ロックの影響を受けている。『Every Martyr Is A Universe』は、Nasserが初めて大規模なアンサンブルのために作曲を行ったことで、この基盤をさらに広げている。アコースティック・ギターが依然としてこの新作の軸となっているものの、音楽は魅惑的な弦楽と管楽器のアレンジによって牽引されており、特にアルバム前半を構成する、ポストロックとポストクラシックが融合した2つの長尺楽曲においてそれが顕著だ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eオープニングのタイトル曲は、弦楽器、金管楽器、ギターによる優雅で抑制の効いた組曲として展開される。哀歌的な厳粛さを伝えつつも、露骨な悲しみを排しており、長調のテーマはレクイエムを希望に満ちた賛辞であり、続く闘いとして表現され、対位法のメロディーは連帯と不屈の精神を織りなしている。この曲は、11分という演奏時間の半ばで、Nasserのズキズキと響くギターに牽引され、一時的にテンポを速める。その切迫感は不安、台頭、そして反抗を喚起するが、やがてアルバム初の不協和な和声の転換へと移り変わり、脆さをテーマとして再提示される。そして、心に残るエレクトロアコースティックなアンビエンスが、不安感を漂わせながらこの曲を締めくくる。ここから直接「Erasure」へと流れ込む。ここでは、ポスト・クラシックなシューゲイザー風のイントロの上に、Nasserの霧のようなボーカルが初めて聴こえ、それがアンビエント・ハードコアの儚い瞬間へと滑らかに移行する。その後、曲の中核となるリフが持続的な反復の中で盛り上がり、様々な楽器が交互に加わり彩りを添え、最終的には、活気に満ちた重層的なミニマリズムとロック的なドラムによる最終楽章へと至り、アルバムで最も明らかに壮大なパッセージを形成する。B面は、Nasserのこれまでのソロ活動により深く根ざしている。「And Where They Make A Desert They Call It Peace」では、不吉なドローンを基調としたサウンドデザインと、伝説的なパレスチナの作家であり活動家であるガッサン・カナファニのアーカイブ音源が並置され、続いて 「Who We Used To Be」と「Soul Of My Soul」が続き、いずれもナッセルの美しく繊細な歌声と確かなソングライティングが際立っている。フィンガーピッキングのギターを基調とし、弦楽器、管楽器、ピアノ、エレクトロニクスのうねりの中で、和声や質感の細部に富んだ有機的に展開するアレンジへの確かな耳が融合している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『Every Martyr Is A Universe』は、コンステレーション・レコードの歴史と展望の中でも力強い位置を占めており、Thee Silver Mt. Zion、Do Make Say Think、Esmerine、Black Ox Orkestarといった同レーベルのアーティストたちと、スタイル的にも政治的にも対話を交わしている。これらのバンドのファン――そして、彼らが体現する、ジャンルを融合させた前衛的な作曲と親しみやすさ、パンクの影響を受けた断固たる姿勢と真正性、そしてありのままの感情表現の組み合わせを愛する者たち――は、Nasserの中に、魅力的で相補的な声を見出すだろう。聴いてくれてありがとう。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3363332673\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRelease date : 6th November 2026\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eCD in cardstock gatefold sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Every Martyr Is A Universe \u003cbr\u003e2. Erasure \u003cbr\u003e3. And Where They Make A Desert They Call It Peace \u003cbr\u003e4. Who We Used To Be \u003cbr\u003e5. Soul Of My Soul\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Constellation debut from Palestinian-Canadian guitarist, organiser, and harm-reduction worker Bilal Nasser draws upon his training in classical guitar and influences from punk, post-rock, and contemporary composition. Conceived during the student encampment movement protesting the Gaza genocide, Every Martyr Is A Universe emerges from the impossible question of art’s worth and meaning under such conditions, primarily recorded at Nasser's DIY space Uma Loft in Windsor, Ontario and enlisting nine musicians from this community to help render the album’s stately orchestrations, channeling a collective response of solidarity, resistance, and lament. Nasser’s previous two albums established a distinctive and accomplished acoustic guitar technique rooted in 20th classical, Robbie Basho, and various folkways, with a sensibility informed by shoegaze, ambient electronic, and indie rock. Every Martyr Is A Universe expands on this foundation as Nasser writes for a larger ensemble for the first time. While his acoustic guitar often still anchors this new work, the music is propelled by captivating string and horn arrangements, especially on the pair of longform post-rock meets post-classical pieces that comprise the album’s first half.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe opening title track unfolds as an elegantly\u003cspan class=\"bcTruncateMore\"\u003e restrained suite for strings, horns, and guitar that conveys elegiac solemnity but refuses conspicuous dolefulness, its major-key theme expressing requiem as hopeful tribute and ongoing struggle, its counterpoint melodies weaving communion and resilience. The piece briefly gathers pace toward the middle of its eleven-minute arc, driven by Nasser’s thrumming guitar, a moment of urgency that evokes anxiety, ascendance, and defiance, that gives way to the album’s first discordant harmonic shifts and a thematic restatement of fragility, with haunting electroacoustic ambience closing the track in disquietude. This flows directly into “Erasure”, where we hear Nasser’s vaporous vocals for the first time, over a post-classical shoegaze intro that dovetails into a fleeting moment of ambient hardcore before the song’s central riff builds in durational repetition, various instruments alternately joining and adorning, ending in a final movement of ebulliently layered Minimalism and rockist drums for the album’s most overtly epic passage. Side Two is more rooted in Nasser’s prior solo practice: “And Where They Make A Desert They Call It Peace” juxtaposes foreboding drone-based sound design with an archival recording of legendary Palestinian author and militant Ghassan Kanafani, followed by “Who We Used To Be” and “Soul Of My Soul”, both featuring Nasser’s gorgeously delicate singing and assured songwriting, blending fingerpicked guitar with an ear for organically evolving arrangements full of harmonic and textural detail in an ebb and flow of strings, horns, piano and electronics.\u003cbr\u003e\u003cbr\u003eEvery Martyr Is A Universe also sits powerfully within Constellation’s own history and horizons, in stylistic and political conversation with label artists like Thee Silver Mt. Zion, Do Make Say Think, Esmerine, and Black Ox Orkestar. Fans of those bands—and the combination of genre-blending compositional avant-gardism and accessibility, punk-inflected assertiveness and authenticity, and heart-on-sleeve emotiveness they represent—will find a compelling and complementary voice in Bilal Nasser. Thanks for listening.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bilal Nasser\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : CST196cd\u003c\/p\u003e","published_at":"2026-10-25T07:13:25+09:00","created_at":"2026-10-19T08:15:39+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","constellation records","neo classical","new"],"price":248000,"price_min":248000,"price_max":248000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":67788128977146,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bilal Nasser \/\/ Every Martyr Is A Universe CD","public_title":null,"options":["Default Title"],"price":248000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"666561019624","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bil1.jpg?v=1792365272","\/\/tobirarecords.com\/cdn\/shop\/files\/bil3.jpg?v=1792365272"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bil1.jpg?v=1792365272","options":["Title"],"media":[{"alt":null,"id":46601889612026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bil1.jpg?v=1792365272"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bil1.jpg?v=1792365272","width":350},{"alt":null,"id":46601889644794,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bil3.jpg?v=1792365272"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bil3.jpg?v=1792365272","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※11\/6リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eパレスチナ／カナダのギタリストBilal Nasserが、2026年11月にモントリオールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント5曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cdiv style=\"color: inherit;\"\u003e\n\u003cp\u003e\"\u003cem\u003eパレスチナ系カナダ人のギタリスト、オーガナイザー、そしてハームリダクション活動家であるBilal Nasserによる『The Constellation』でのデビュー作は、彼が受けたクラシック・ギターの訓練と、パンク、ポストロック、現代音楽からの影響を基にしている。ガザでのジェノサイドに抗議する学生のテントキャンプ運動の最中に構想された『Every Martyr Is A Universe』は、そのような状況下における芸術の価値と意味という答えの出ない問いから生まれた作品だ。主にオンタリオ州ウィンザーにあるNasserのDIYスペース「Uma Loft」で録音され、このコミュニティから9人のミュージシャンを招いてアルバムの荘厳なオーケストレーションを表現し、連帯、抵抗、そして嘆きという集団的な反応を体現している。Nasserのこれまでの2枚のアルバムは、20世紀のクラシック、ロビー・バショー、そして様々なフォークの伝統に根ざした、独特かつ洗練されたアコースティック・ギターの奏法を確立しており、その感性はシューゲイザー、アンビエント・エレクトロニック、インディー・ロックの影響を受けている。『Every Martyr Is A Universe』は、Nasserが初めて大規模なアンサンブルのために作曲を行ったことで、この基盤をさらに広げている。アコースティック・ギターが依然としてこの新作の軸となっているものの、音楽は魅惑的な弦楽と管楽器のアレンジによって牽引されており、特にアルバム前半を構成する、ポストロックとポストクラシックが融合した2つの長尺楽曲においてそれが顕著だ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eオープニングのタイトル曲は、弦楽器、金管楽器、ギターによる優雅で抑制の効いた組曲として展開される。哀歌的な厳粛さを伝えつつも、露骨な悲しみを排しており、長調のテーマはレクイエムを希望に満ちた賛辞であり、続く闘いとして表現され、対位法のメロディーは連帯と不屈の精神を織りなしている。この曲は、11分という演奏時間の半ばで、Nasserのズキズキと響くギターに牽引され、一時的にテンポを速める。その切迫感は不安、台頭、そして反抗を喚起するが、やがてアルバム初の不協和な和声の転換へと移り変わり、脆さをテーマとして再提示される。そして、心に残るエレクトロアコースティックなアンビエンスが、不安感を漂わせながらこの曲を締めくくる。ここから直接「Erasure」へと流れ込む。ここでは、ポスト・クラシックなシューゲイザー風のイントロの上に、Nasserの霧のようなボーカルが初めて聴こえ、それがアンビエント・ハードコアの儚い瞬間へと滑らかに移行する。その後、曲の中核となるリフが持続的な反復の中で盛り上がり、様々な楽器が交互に加わり彩りを添え、最終的には、活気に満ちた重層的なミニマリズムとロック的なドラムによる最終楽章へと至り、アルバムで最も明らかに壮大なパッセージを形成する。B面は、Nasserのこれまでのソロ活動により深く根ざしている。「And Where They Make A Desert They Call It Peace」では、不吉なドローンを基調としたサウンドデザインと、伝説的なパレスチナの作家であり活動家であるガッサン・カナファニのアーカイブ音源が並置され、続いて 「Who We Used To Be」と「Soul Of My Soul」が続き、いずれもナッセルの美しく繊細な歌声と確かなソングライティングが際立っている。フィンガーピッキングのギターを基調とし、弦楽器、管楽器、ピアノ、エレクトロニクスのうねりの中で、和声や質感の細部に富んだ有機的に展開するアレンジへの確かな耳が融合している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『Every Martyr Is A Universe』は、コンステレーション・レコードの歴史と展望の中でも力強い位置を占めており、Thee Silver Mt. Zion、Do Make Say Think、Esmerine、Black Ox Orkestarといった同レーベルのアーティストたちと、スタイル的にも政治的にも対話を交わしている。これらのバンドのファン――そして、彼らが体現する、ジャンルを融合させた前衛的な作曲と親しみやすさ、パンクの影響を受けた断固たる姿勢と真正性、そしてありのままの感情表現の組み合わせを愛する者たち――は、Nasserの中に、魅力的で相補的な声を見出すだろう。聴いてくれてありがとう。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3363332673\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRelease date : 6th November 2026\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eCD in cardstock gatefold sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Every Martyr Is A Universe \u003cbr\u003e2. Erasure \u003cbr\u003e3. And Where They Make A Desert They Call It Peace \u003cbr\u003e4. Who We Used To Be \u003cbr\u003e5. Soul Of My Soul\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Constellation debut from Palestinian-Canadian guitarist, organiser, and harm-reduction worker Bilal Nasser draws upon his training in classical guitar and influences from punk, post-rock, and contemporary composition. Conceived during the student encampment movement protesting the Gaza genocide, Every Martyr Is A Universe emerges from the impossible question of art’s worth and meaning under such conditions, primarily recorded at Nasser's DIY space Uma Loft in Windsor, Ontario and enlisting nine musicians from this community to help render the album’s stately orchestrations, channeling a collective response of solidarity, resistance, and lament. Nasser’s previous two albums established a distinctive and accomplished acoustic guitar technique rooted in 20th classical, Robbie Basho, and various folkways, with a sensibility informed by shoegaze, ambient electronic, and indie rock. Every Martyr Is A Universe expands on this foundation as Nasser writes for a larger ensemble for the first time. While his acoustic guitar often still anchors this new work, the music is propelled by captivating string and horn arrangements, especially on the pair of longform post-rock meets post-classical pieces that comprise the album’s first half.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe opening title track unfolds as an elegantly\u003cspan class=\"bcTruncateMore\"\u003e restrained suite for strings, horns, and guitar that conveys elegiac solemnity but refuses conspicuous dolefulness, its major-key theme expressing requiem as hopeful tribute and ongoing struggle, its counterpoint melodies weaving communion and resilience. The piece briefly gathers pace toward the middle of its eleven-minute arc, driven by Nasser’s thrumming guitar, a moment of urgency that evokes anxiety, ascendance, and defiance, that gives way to the album’s first discordant harmonic shifts and a thematic restatement of fragility, with haunting electroacoustic ambience closing the track in disquietude. This flows directly into “Erasure”, where we hear Nasser’s vaporous vocals for the first time, over a post-classical shoegaze intro that dovetails into a fleeting moment of ambient hardcore before the song’s central riff builds in durational repetition, various instruments alternately joining and adorning, ending in a final movement of ebulliently layered Minimalism and rockist drums for the album’s most overtly epic passage. Side Two is more rooted in Nasser’s prior solo practice: “And Where They Make A Desert They Call It Peace” juxtaposes foreboding drone-based sound design with an archival recording of legendary Palestinian author and militant Ghassan Kanafani, followed by “Who We Used To Be” and “Soul Of My Soul”, both featuring Nasser’s gorgeously delicate singing and assured songwriting, blending fingerpicked guitar with an ear for organically evolving arrangements full of harmonic and textural detail in an ebb and flow of strings, horns, piano and electronics.\u003cbr\u003e\u003cbr\u003eEvery Martyr Is A Universe also sits powerfully within Constellation’s own history and horizons, in stylistic and political conversation with label artists like Thee Silver Mt. Zion, Do Make Say Think, Esmerine, and Black Ox Orkestar. Fans of those bands—and the combination of genre-blending compositional avant-gardism and accessibility, punk-inflected assertiveness and authenticity, and heart-on-sleeve emotiveness they represent—will find a compelling and complementary voice in Bilal Nasser. Thanks for listening.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bilal Nasser\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : CST196cd\u003c\/p\u003e"}
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※11/6リリースです パレスチナ／カナダのギタリストBilal Nasserが、2026年11月にモントリオールの老舗レーベルConstellationからリリースしたアルバムです。 ネオクラシカル・アンビエント5曲を収録。 以下、レーベルによる解説です。 "パレスチナ系カナダ人のギタリスト、オーガナイザー、そしてハームリダクション活動家であるBilal Nasserによる『The Constellation』でのデビュー作は、彼が受けたクラシック・ギターの訓練と、パンク、ポストロック、現代音楽からの影響を基にしている。ガザでのジェノサイドに抗議する学生のテントキャンプ運動の最中に構想された『Every Martyr Is A Universe』は、そのような状況下における芸術の価値と意味という答えの出ない問いから生まれた作品だ。主にオンタリオ州ウィンザーにあるNasserのDIYスペース「Uma Loft」で録音され、このコミュニティから9人のミュージシャンを招いてアルバムの荘厳なオーケストレーションを表現し、連帯、抵抗、そして嘆きという集団的な反応を体現している。Nasserのこれまでの2枚のアルバムは、20世紀のクラシック、ロビー・バショー、そして様々なフォークの伝統に根ざした、独特かつ洗練されたアコースティック・ギターの奏法を確立しており、その感性はシューゲイザー、アンビエント・エレクトロニック、インディー・ロックの影響を受けている。『Every Martyr...
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{"id":15426779218170,"title":"BETHLEHEM بيت لحم s\/t LP","handle":"bethlehem-بيت-لحم-s-t-lp","description":"\u003cp\u003eパレスチナ／レバノンのトリオBETHLEHEMが、2026年10月にモントリオールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e声とブズーク、エレクトロニクスによる中東サイケデリア10曲を収録。180g重量盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cdiv style=\"color: inherit;\"\u003e\n\u003cp\u003e\u003cem\u003e2023年12月、ガザでのジェノサイドが進行する中、ベツレヘムにあるギリシャ正教の「キリスト降誕教会」は、すべてのクリスマス行事を中止するという前例のない決定を下した。この事態を受けて、ベツレヘムを拠点とするアートセンター「ザ・ワンダー・キャビネット」とラジオ・アルハラの委託により制作された『BETHLEHEM』は、ベイルートのミュージシャン、サリー・ムッサとアベド・コベイシーを、1970年から聖誕教会の聖歌隊指揮者を務めるローレンス・サムールと結びつけた。彼らの最初のコラボレーションは遠隔録音による作品であり、2023年のクリスマスイブに、伝統的な教会の祝典に代わるものとしてラジオ・アルハラで放送され、その2日後にはNTS、Refuge Worldwide、LYL Radioを含む世界中の数十のラジオ局で再放送された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eサムーアの歌声と、アラビア語で歌われるギリシャ正教の伝統的な典礼賛美歌を軸に構築された『BETHLEHEM』は、ブズーク、エレクトロニクス、ドローンを通じて展開される。ムッサとコベイシーはサムーアの歌声を作品の中心に据え、その敬虔で歴史的な性格を完全に保ちつつ、控えめな電気音響的表現と対話をさせ、ボーカルの素材から流れ出る長い楽器のパッセージや音響的テクスチャーを可能にしている。このコラボレーション自体は当初、隔たりによって形作られ、アーティスト間の移動が不可能だった時期に、遠隔での録音と対話を通じて生まれたものだ。サムールはベツレヘムの「Radio alHara」スタジオで一連のアカペラ賛美歌を録音し、その後、ムッサとコベイシーがベイルートでそれらを基に器楽曲を作曲・録音した。その結果、類い稀な力強さを備えた現代音楽作品が生まれ、今もなお暴力的に課せられている国境を越えた芸術的交流の記録となった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e翌年、BETHLEHEMは2024年11月、ユトレヒトで開催された「Le Guess Who?」フェスティバルで初のライブコンサートを行うことができた。サムールとムッサ、コベイシーの初対面を飾ったこの公演は、その絶妙な儀礼的な抑制と感情的な力強さにより、長時間のスタンディングオベーションを誘った。2025年、ミュージシャンたちは「Beirut \u0026amp; Beyond International Music Festival」でのレジデンシー期間中、オリジナル楽曲をさらに発展させ、コントラバス奏者のマクラム・アブール・ホスンを加えた新たなスタジオ録音およびライブ録音を生み出した。2023年から2025年にかけて収録された音源は、その後、モントリオールのHotel2Tangoにて、ラドワン・ガジ・ムムネ（『Jerusalem In My Heart』、『Matana Roberts』、『Suuns』）によって統合・ミキシングされ、アルバム1枚分の作品として完成した。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2160803424\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRelease date : 23rd October 2026\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e12\" black 180gram vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Al Masyh woulida المَسِيحُ وُلِدَ 03:55 \u003cbr\u003e2. ‘Azzimy ya nafsy (Ninth Ode of the Feast) عَظِّمِي يَا نَفْسِي (تَاسِعَةُ العِيِد) \u003cbr\u003e3. Fasil I فَاصِل١ \u003cbr\u003e4. Miladouka ayyouha-l-Masyh \u003cbr\u003eمِيلَادُكَ أَيُّهَا المَسِيِح 5. Khatima I خَاتِمَة ١ \u003cbr\u003e6. Buzuq for Four Hands (Live Recording) (ّتَسْجِيل حَي) بُزُق بِأَرْبَعِ أَيَادٍ 05:05 \u003cbr\u003e7. Miladouka ayyouha-l-Masyh (Live Recording) (ّتسجيل حي) \u003cbr\u003eمِيلَادُكَ أَيُّهَا المَسِيِح 8. Fasil II فَاصِل ٢ \u003cbr\u003e9. Khatima II \u003cbr\u003eخَاتِمَة ٢ 10. Innany ouchahidou khidraka إِنَّنِي أُشَاهِدُ خِدْرَكَ\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn December 2023, as the genocide in Gaza unfolded, the Greek Orthodox Church of the Nativity in Bethlehem made the unprecedented decision to cancel all Christmas festivities. Commissioned by Bethlehem-based arts center The Wonder Cabinet and Radio alHara in response to that moment, BETHLEHEM brings together Beirut musicians Sary Moussa and Abed Kobeissy with Lawrence Sammour, the Church of the Nativity choir director since 1970. Their initial collaboration was a remotely recorded work, broadcast on Radio alHara on Christmas Eve 2023 in lieu of traditional Church celebrations, and re-broadcast two days later on dozens of radio stations worldwide, including NTS, Refuge Worldwide, and LYL Radio.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBuilt around Sammour’s voice and traditional liturgical hymns from the Greek Orthodox tradition sung in Arabic, BETHLEHEM unfolds through buzuq, electronics, and drone. Moussa and Kobeissy place Sammour’s singing at the centre of the work, its devotional and historical character retaining full presence while entering into dialogue with a discreet electroacoustic language and allowing for extended instrumental passages and sonic textures that flow from the vocal source material. The collaboration itself was\u003cspan class=\"bcTruncateMore\"\u003e initially shaped by separation, the product of long-distance recordings and conversations at a time when travel between the artists was impossible. Sammour recorded a series of a capella hymns at Radio alHara studio in Bethlehem, with Moussa and Kobeissy then composing and recording instrumental pieces around them in Beirut, resulting in a uniquely powerful contemporary musical work, and a document of artistic exchange across borders that remain violently imposed.\u003cbr\u003e\u003cbr\u003eThe following year, BETHLEHEM was able to mount its first live concert at Le Guess Who? Festival in Utrecht in November 2024. Marking the first in-person meeting of Sammour with Moussa and Kobeissy, the exquisite ceremonial restraint and emotional power of this performance prompted an extended ovation. In 2025 the musicians expanded upon their original composition during a residency at the Beirut \u0026amp; Beyond International Music Festival, yielding additional studio and live recordings, joined by double bassist Makram Aboul Hosn. The collection of recordings spanning 2023-2025 was then integrated and mixed by Radwan Ghazi Moumneh (Jerusalem In My Heart, Matana Roberts, Suuns) at Montréal's Hotel2Tango to produce an album-length document.\u003cbr\u003e\u003cbr\u003eBETHLEHEM is an encounter between distinct musical practices grounded in mutual respect and careful listening. Sacred chant and contemporary composition coexist without hierarchy, creating a work that speaks to grief without spectacle, to resilience without sentimentality, irreducible to a political statement or an exercise in cultural preservation. In giving contemporary form to one of the world's oldest living liturgical traditions, BETHLEHEM affirms music’s capacity to carry memory across borders and make space for communion in the face of enduring separation. Thanks for listening.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : BETHLEHEM بيت لحم [Lawrence Sammour, Sary Moussa \u0026amp; Abed Kobeissy]\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : CST197lp\u003c\/p\u003e","published_at":"2026-10-14T07:19:51+09:00","created_at":"2026-10-13T09:56:00+09:00","vendor":"Tobira Records","type":"","tags":["constellation records","field recording","lp","new","strange beats"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":67716551082234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"BETHLEHEM بيت لحم s\/t LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"666561019716","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/beth1_71fdcc40-d911-41af-b157-f6773da52727.jpg?v=1791852991","\/\/tobirarecords.com\/cdn\/shop\/files\/beth2.jpg?v=1791852991"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/beth1_71fdcc40-d911-41af-b157-f6773da52727.jpg?v=1791852991","options":["Title"],"media":[{"alt":null,"id":46486079373562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/beth1_71fdcc40-d911-41af-b157-f6773da52727.jpg?v=1791852991"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/beth1_71fdcc40-d911-41af-b157-f6773da52727.jpg?v=1791852991","width":350},{"alt":null,"id":46486079406330,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/beth2.jpg?v=1791852991"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/beth2.jpg?v=1791852991","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eパレスチナ／レバノンのトリオBETHLEHEMが、2026年10月にモントリオールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e声とブズーク、エレクトロニクスによる中東サイケデリア10曲を収録。180g重量盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cdiv style=\"color: inherit;\"\u003e\n\u003cp\u003e\u003cem\u003e2023年12月、ガザでのジェノサイドが進行する中、ベツレヘムにあるギリシャ正教の「キリスト降誕教会」は、すべてのクリスマス行事を中止するという前例のない決定を下した。この事態を受けて、ベツレヘムを拠点とするアートセンター「ザ・ワンダー・キャビネット」とラジオ・アルハラの委託により制作された『BETHLEHEM』は、ベイルートのミュージシャン、サリー・ムッサとアベド・コベイシーを、1970年から聖誕教会の聖歌隊指揮者を務めるローレンス・サムールと結びつけた。彼らの最初のコラボレーションは遠隔録音による作品であり、2023年のクリスマスイブに、伝統的な教会の祝典に代わるものとしてラジオ・アルハラで放送され、その2日後にはNTS、Refuge Worldwide、LYL Radioを含む世界中の数十のラジオ局で再放送された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eサムーアの歌声と、アラビア語で歌われるギリシャ正教の伝統的な典礼賛美歌を軸に構築された『BETHLEHEM』は、ブズーク、エレクトロニクス、ドローンを通じて展開される。ムッサとコベイシーはサムーアの歌声を作品の中心に据え、その敬虔で歴史的な性格を完全に保ちつつ、控えめな電気音響的表現と対話をさせ、ボーカルの素材から流れ出る長い楽器のパッセージや音響的テクスチャーを可能にしている。このコラボレーション自体は当初、隔たりによって形作られ、アーティスト間の移動が不可能だった時期に、遠隔での録音と対話を通じて生まれたものだ。サムールはベツレヘムの「Radio alHara」スタジオで一連のアカペラ賛美歌を録音し、その後、ムッサとコベイシーがベイルートでそれらを基に器楽曲を作曲・録音した。その結果、類い稀な力強さを備えた現代音楽作品が生まれ、今もなお暴力的に課せられている国境を越えた芸術的交流の記録となった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e翌年、BETHLEHEMは2024年11月、ユトレヒトで開催された「Le Guess Who?」フェスティバルで初のライブコンサートを行うことができた。サムールとムッサ、コベイシーの初対面を飾ったこの公演は、その絶妙な儀礼的な抑制と感情的な力強さにより、長時間のスタンディングオベーションを誘った。2025年、ミュージシャンたちは「Beirut \u0026amp; Beyond International Music Festival」でのレジデンシー期間中、オリジナル楽曲をさらに発展させ、コントラバス奏者のマクラム・アブール・ホスンを加えた新たなスタジオ録音およびライブ録音を生み出した。2023年から2025年にかけて収録された音源は、その後、モントリオールのHotel2Tangoにて、ラドワン・ガジ・ムムネ（『Jerusalem In My Heart』、『Matana Roberts』、『Suuns』）によって統合・ミキシングされ、アルバム1枚分の作品として完成した。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2160803424\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRelease date : 23rd October 2026\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e12\" black 180gram vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Al Masyh woulida المَسِيحُ وُلِدَ 03:55 \u003cbr\u003e2. ‘Azzimy ya nafsy (Ninth Ode of the Feast) عَظِّمِي يَا نَفْسِي (تَاسِعَةُ العِيِد) \u003cbr\u003e3. Fasil I فَاصِل١ \u003cbr\u003e4. Miladouka ayyouha-l-Masyh \u003cbr\u003eمِيلَادُكَ أَيُّهَا المَسِيِح 5. Khatima I خَاتِمَة ١ \u003cbr\u003e6. Buzuq for Four Hands (Live Recording) (ّتَسْجِيل حَي) بُزُق بِأَرْبَعِ أَيَادٍ 05:05 \u003cbr\u003e7. Miladouka ayyouha-l-Masyh (Live Recording) (ّتسجيل حي) \u003cbr\u003eمِيلَادُكَ أَيُّهَا المَسِيِح 8. Fasil II فَاصِل ٢ \u003cbr\u003e9. Khatima II \u003cbr\u003eخَاتِمَة ٢ 10. Innany ouchahidou khidraka إِنَّنِي أُشَاهِدُ خِدْرَكَ\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn December 2023, as the genocide in Gaza unfolded, the Greek Orthodox Church of the Nativity in Bethlehem made the unprecedented decision to cancel all Christmas festivities. Commissioned by Bethlehem-based arts center The Wonder Cabinet and Radio alHara in response to that moment, BETHLEHEM brings together Beirut musicians Sary Moussa and Abed Kobeissy with Lawrence Sammour, the Church of the Nativity choir director since 1970. Their initial collaboration was a remotely recorded work, broadcast on Radio alHara on Christmas Eve 2023 in lieu of traditional Church celebrations, and re-broadcast two days later on dozens of radio stations worldwide, including NTS, Refuge Worldwide, and LYL Radio.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBuilt around Sammour’s voice and traditional liturgical hymns from the Greek Orthodox tradition sung in Arabic, BETHLEHEM unfolds through buzuq, electronics, and drone. Moussa and Kobeissy place Sammour’s singing at the centre of the work, its devotional and historical character retaining full presence while entering into dialogue with a discreet electroacoustic language and allowing for extended instrumental passages and sonic textures that flow from the vocal source material. The collaboration itself was\u003cspan class=\"bcTruncateMore\"\u003e initially shaped by separation, the product of long-distance recordings and conversations at a time when travel between the artists was impossible. Sammour recorded a series of a capella hymns at Radio alHara studio in Bethlehem, with Moussa and Kobeissy then composing and recording instrumental pieces around them in Beirut, resulting in a uniquely powerful contemporary musical work, and a document of artistic exchange across borders that remain violently imposed.\u003cbr\u003e\u003cbr\u003eThe following year, BETHLEHEM was able to mount its first live concert at Le Guess Who? Festival in Utrecht in November 2024. Marking the first in-person meeting of Sammour with Moussa and Kobeissy, the exquisite ceremonial restraint and emotional power of this performance prompted an extended ovation. In 2025 the musicians expanded upon their original composition during a residency at the Beirut \u0026amp; Beyond International Music Festival, yielding additional studio and live recordings, joined by double bassist Makram Aboul Hosn. The collection of recordings spanning 2023-2025 was then integrated and mixed by Radwan Ghazi Moumneh (Jerusalem In My Heart, Matana Roberts, Suuns) at Montréal's Hotel2Tango to produce an album-length document.\u003cbr\u003e\u003cbr\u003eBETHLEHEM is an encounter between distinct musical practices grounded in mutual respect and careful listening. Sacred chant and contemporary composition coexist without hierarchy, creating a work that speaks to grief without spectacle, to resilience without sentimentality, irreducible to a political statement or an exercise in cultural preservation. In giving contemporary form to one of the world's oldest living liturgical traditions, BETHLEHEM affirms music’s capacity to carry memory across borders and make space for communion in the face of enduring separation. Thanks for listening.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : BETHLEHEM بيت لحم [Lawrence Sammour, Sary Moussa \u0026amp; Abed Kobeissy]\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : CST197lp\u003c\/p\u003e"}
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パレスチナ／レバノンのトリオBETHLEHEMが、2026年10月にモントリオールの老舗レーベルConstellationからリリースしたアルバムです。 声とブズーク、エレクトロニクスによる中東サイケデリア10曲を収録。180g重量盤です。DLコード付属。 以下、レーベルによる解説です。 2023年12月、ガザでのジェノサイドが進行する中、ベツレヘムにあるギリシャ正教の「キリスト降誕教会」は、すべてのクリスマス行事を中止するという前例のない決定を下した。この事態を受けて、ベツレヘムを拠点とするアートセンター「ザ・ワンダー・キャビネット」とラジオ・アルハラの委託により制作された『BETHLEHEM』は、ベイルートのミュージシャン、サリー・ムッサとアベド・コベイシーを、1970年から聖誕教会の聖歌隊指揮者を務めるローレンス・サムールと結びつけた。彼らの最初のコラボレーションは遠隔録音による作品であり、2023年のクリスマスイブに、伝統的な教会の祝典に代わるものとしてラジオ・アルハラで放送され、その2日後にはNTS、Refuge Worldwide、LYL Radioを含む世界中の数十のラジオ局で再放送された。 サムーアの歌声と、アラビア語で歌われるギリシャ正教の伝統的な典礼賛美歌を軸に構築された『BETHLEHEM』は、ブズーク、エレクトロニクス、ドローンを通じて展開される。ムッサとコベイシーはサムーアの歌声を作品の中心に据え、その敬虔で歴史的な性格を完全に保ちつつ、控えめな電気音響的表現と対話をさせ、ボーカルの素材から流れ出る長い楽器のパッセージや音響的テクスチャーを可能にしている。このコラボレーション自体は当初、隔たりによって形作られ、アーティスト間の移動が不可能だった時期に、遠隔での録音と対話を通じて生まれたものだ。サムールはベツレヘムの「Radio alHara」スタジオで一連のアカペラ賛美歌を録音し、その後、ムッサとコベイシーがベイルートでそれらを基に器楽曲を作曲・録音した。その結果、類い稀な力強さを備えた現代音楽作品が生まれ、今もなお暴力的に課せられている国境を越えた芸術的交流の記録となった。 翌年、BETHLEHEMは2024年11月、ユトレヒトで開催された「Le Guess Who?」フェスティバルで初のライブコンサートを行うことができた。サムールとムッサ、コベイシーの初対面を飾ったこの公演は、その絶妙な儀礼的な抑制と感情的な力強さにより、長時間のスタンディングオベーションを誘った。2025年、ミュージシャンたちは「Beirut & Beyond International...
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{"id":15426778988794,"title":"BETHLEHEM بيت لحم s\/t CD","handle":"bethlehem-بيت-لحم-s-t-cd","description":"\u003cp\u003eパレスチナ／レバノンのトリオBETHLEHEMが、2026年10月にモントリオールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e声とブズーク、エレクトロニクスによる中東サイケデリア10曲を収録。ゲートフォルドカードストック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cdiv style=\"color: inherit;\"\u003e\n\u003cp\u003e\u003cem\u003e2023年12月、ガザでのジェノサイドが進行する中、ベツレヘムにあるギリシャ正教の「キリスト降誕教会」は、すべてのクリスマス行事を中止するという前例のない決定を下した。この事態を受けて、ベツレヘムを拠点とするアートセンター「ザ・ワンダー・キャビネット」とラジオ・アルハラの委託により制作された『BETHLEHEM』は、ベイルートのミュージシャン、サリー・ムッサとアベド・コベイシーを、1970年から聖誕教会の聖歌隊指揮者を務めるローレンス・サムールと結びつけた。彼らの最初のコラボレーションは遠隔録音による作品であり、2023年のクリスマスイブに、伝統的な教会の祝典に代わるものとしてラジオ・アルハラで放送され、その2日後にはNTS、Refuge Worldwide、LYL Radioを含む世界中の数十のラジオ局で再放送された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eサムーアの歌声と、アラビア語で歌われるギリシャ正教の伝統的な典礼賛美歌を軸に構築された『BETHLEHEM』は、ブズーク、エレクトロニクス、ドローンを通じて展開される。ムッサとコベイシーはサムーアの歌声を作品の中心に据え、その敬虔で歴史的な性格を完全に保ちつつ、控えめな電気音響的表現と対話をさせ、ボーカルの素材から流れ出る長い楽器のパッセージや音響的テクスチャーを可能にしている。このコラボレーション自体は当初、隔たりによって形作られ、アーティスト間の移動が不可能だった時期に、遠隔での録音と対話を通じて生まれたものだ。サムールはベツレヘムの「Radio alHara」スタジオで一連のアカペラ賛美歌を録音し、その後、ムッサとコベイシーがベイルートでそれらを基に器楽曲を作曲・録音した。その結果、類い稀な力強さを備えた現代音楽作品が生まれ、今もなお暴力的に課せられている国境を越えた芸術的交流の記録となった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e翌年、BETHLEHEMは2024年11月、ユトレヒトで開催された「Le Guess Who?」フェスティバルで初のライブコンサートを行うことができた。サムールとムッサ、コベイシーの初対面を飾ったこの公演は、その絶妙な儀礼的な抑制と感情的な力強さにより、長時間のスタンディングオベーションを誘った。2025年、ミュージシャンたちは「Beirut \u0026amp; Beyond International Music Festival」でのレジデンシー期間中、オリジナル楽曲をさらに発展させ、コントラバス奏者のマクラム・アブール・ホスンを加えた新たなスタジオ録音およびライブ録音を生み出した。2023年から2025年にかけて収録された音源は、その後、モントリオールのHotel2Tangoにて、ラドワン・ガジ・ムムネ（『Jerusalem In My Heart』、『Matana Roberts』、『Suuns』）によって統合・ミキシングされ、アルバム1枚分の作品として完成した。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2160803424\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Al Masyh woulida المَسِيحُ وُلِدَ 03:55 \u003cbr\u003e2. ‘Azzimy ya nafsy (Ninth Ode of the Feast) عَظِّمِي يَا نَفْسِي (تَاسِعَةُ العِيِد) \u003cbr\u003e3. Fasil I فَاصِل١ \u003cbr\u003e4. Miladouka ayyouha-l-Masyh \u003cbr\u003eمِيلَادُكَ أَيُّهَا المَسِيِح 5. Khatima I خَاتِمَة ١ \u003cbr\u003e6. Buzuq for Four Hands (Live Recording) (ّتَسْجِيل حَي) بُزُق بِأَرْبَعِ أَيَادٍ 05:05 \u003cbr\u003e7. Miladouka ayyouha-l-Masyh (Live Recording) (ّتسجيل حي) \u003cbr\u003eمِيلَادُكَ أَيُّهَا المَسِيِح 8. Fasil II فَاصِل ٢ \u003cbr\u003e9. Khatima II \u003cbr\u003eخَاتِمَة ٢ 10. Innany ouchahidou khidraka إِنَّنِي أُشَاهِدُ خِدْرَكَ\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn December 2023, as the genocide in Gaza unfolded, the Greek Orthodox Church of the Nativity in Bethlehem made the unprecedented decision to cancel all Christmas festivities. Commissioned by Bethlehem-based arts center The Wonder Cabinet and Radio alHara in response to that moment, BETHLEHEM brings together Beirut musicians Sary Moussa and Abed Kobeissy with Lawrence Sammour, the Church of the Nativity choir director since 1970. Their initial collaboration was a remotely recorded work, broadcast on Radio alHara on Christmas Eve 2023 in lieu of traditional Church celebrations, and re-broadcast two days later on dozens of radio stations worldwide, including NTS, Refuge Worldwide, and LYL Radio.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBuilt around Sammour’s voice and traditional liturgical hymns from the Greek Orthodox tradition sung in Arabic, BETHLEHEM unfolds through buzuq, electronics, and drone. Moussa and Kobeissy place Sammour’s singing at the centre of the work, its devotional and historical character retaining full presence while entering into dialogue with a discreet electroacoustic language and allowing for extended instrumental passages and sonic textures that flow from the vocal source material. The collaboration itself was\u003cspan class=\"bcTruncateMore\"\u003e initially shaped by separation, the product of long-distance recordings and conversations at a time when travel between the artists was impossible. Sammour recorded a series of a capella hymns at Radio alHara studio in Bethlehem, with Moussa and Kobeissy then composing and recording instrumental pieces around them in Beirut, resulting in a uniquely powerful contemporary musical work, and a document of artistic exchange across borders that remain violently imposed.\u003cbr\u003e\u003cbr\u003eThe following year, BETHLEHEM was able to mount its first live concert at Le Guess Who? Festival in Utrecht in November 2024. Marking the first in-person meeting of Sammour with Moussa and Kobeissy, the exquisite ceremonial restraint and emotional power of this performance prompted an extended ovation. In 2025 the musicians expanded upon their original composition during a residency at the Beirut \u0026amp; Beyond International Music Festival, yielding additional studio and live recordings, joined by double bassist Makram Aboul Hosn. The collection of recordings spanning 2023-2025 was then integrated and mixed by Radwan Ghazi Moumneh (Jerusalem In My Heart, Matana Roberts, Suuns) at Montréal's Hotel2Tango to produce an album-length document.\u003cbr\u003e\u003cbr\u003eBETHLEHEM is an encounter between distinct musical practices grounded in mutual respect and careful listening. Sacred chant and contemporary composition coexist without hierarchy, creating a work that speaks to grief without spectacle, to resilience without sentimentality, irreducible to a political statement or an exercise in cultural preservation. In giving contemporary form to one of the world's oldest living liturgical traditions, BETHLEHEM affirms music’s capacity to carry memory across borders and make space for communion in the face of enduring separation. Thanks for listening.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : BETHLEHEM بيت لحم [Lawrence Sammour, Sary Moussa \u0026amp; Abed Kobeissy]\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : CST197cd\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 16th October 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-10-14T07:18:44+09:00","created_at":"2026-10-13T09:55:40+09:00","vendor":"Tobira Records","type":"","tags":["cd","constellation records","field recording","new","strange beats"],"price":238000,"price_min":238000,"price_max":238000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":67716550754554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"BETHLEHEM بيت لحم s\/t CD","public_title":null,"options":["Default Title"],"price":238000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"666561019723","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/beth1.jpg?v=1791852843","\/\/tobirarecords.com\/cdn\/shop\/files\/beth3.jpg?v=1791852843"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/beth1.jpg?v=1791852843","options":["Title"],"media":[{"alt":null,"id":46486055813370,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/beth1.jpg?v=1791852843"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/beth1.jpg?v=1791852843","width":350},{"alt":null,"id":46486055846138,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/beth3.jpg?v=1791852843"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/beth3.jpg?v=1791852843","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eパレスチナ／レバノンのトリオBETHLEHEMが、2026年10月にモントリオールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e声とブズーク、エレクトロニクスによる中東サイケデリア10曲を収録。ゲートフォルドカードストック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cdiv style=\"color: inherit;\"\u003e\n\u003cp\u003e\u003cem\u003e2023年12月、ガザでのジェノサイドが進行する中、ベツレヘムにあるギリシャ正教の「キリスト降誕教会」は、すべてのクリスマス行事を中止するという前例のない決定を下した。この事態を受けて、ベツレヘムを拠点とするアートセンター「ザ・ワンダー・キャビネット」とラジオ・アルハラの委託により制作された『BETHLEHEM』は、ベイルートのミュージシャン、サリー・ムッサとアベド・コベイシーを、1970年から聖誕教会の聖歌隊指揮者を務めるローレンス・サムールと結びつけた。彼らの最初のコラボレーションは遠隔録音による作品であり、2023年のクリスマスイブに、伝統的な教会の祝典に代わるものとしてラジオ・アルハラで放送され、その2日後にはNTS、Refuge Worldwide、LYL Radioを含む世界中の数十のラジオ局で再放送された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eサムーアの歌声と、アラビア語で歌われるギリシャ正教の伝統的な典礼賛美歌を軸に構築された『BETHLEHEM』は、ブズーク、エレクトロニクス、ドローンを通じて展開される。ムッサとコベイシーはサムーアの歌声を作品の中心に据え、その敬虔で歴史的な性格を完全に保ちつつ、控えめな電気音響的表現と対話をさせ、ボーカルの素材から流れ出る長い楽器のパッセージや音響的テクスチャーを可能にしている。このコラボレーション自体は当初、隔たりによって形作られ、アーティスト間の移動が不可能だった時期に、遠隔での録音と対話を通じて生まれたものだ。サムールはベツレヘムの「Radio alHara」スタジオで一連のアカペラ賛美歌を録音し、その後、ムッサとコベイシーがベイルートでそれらを基に器楽曲を作曲・録音した。その結果、類い稀な力強さを備えた現代音楽作品が生まれ、今もなお暴力的に課せられている国境を越えた芸術的交流の記録となった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e翌年、BETHLEHEMは2024年11月、ユトレヒトで開催された「Le Guess Who?」フェスティバルで初のライブコンサートを行うことができた。サムールとムッサ、コベイシーの初対面を飾ったこの公演は、その絶妙な儀礼的な抑制と感情的な力強さにより、長時間のスタンディングオベーションを誘った。2025年、ミュージシャンたちは「Beirut \u0026amp; Beyond International Music Festival」でのレジデンシー期間中、オリジナル楽曲をさらに発展させ、コントラバス奏者のマクラム・アブール・ホスンを加えた新たなスタジオ録音およびライブ録音を生み出した。2023年から2025年にかけて収録された音源は、その後、モントリオールのHotel2Tangoにて、ラドワン・ガジ・ムムネ（『Jerusalem In My Heart』、『Matana Roberts』、『Suuns』）によって統合・ミキシングされ、アルバム1枚分の作品として完成した。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2160803424\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Al Masyh woulida المَسِيحُ وُلِدَ 03:55 \u003cbr\u003e2. ‘Azzimy ya nafsy (Ninth Ode of the Feast) عَظِّمِي يَا نَفْسِي (تَاسِعَةُ العِيِد) \u003cbr\u003e3. Fasil I فَاصِل١ \u003cbr\u003e4. Miladouka ayyouha-l-Masyh \u003cbr\u003eمِيلَادُكَ أَيُّهَا المَسِيِح 5. Khatima I خَاتِمَة ١ \u003cbr\u003e6. Buzuq for Four Hands (Live Recording) (ّتَسْجِيل حَي) بُزُق بِأَرْبَعِ أَيَادٍ 05:05 \u003cbr\u003e7. Miladouka ayyouha-l-Masyh (Live Recording) (ّتسجيل حي) \u003cbr\u003eمِيلَادُكَ أَيُّهَا المَسِيِح 8. Fasil II فَاصِل ٢ \u003cbr\u003e9. Khatima II \u003cbr\u003eخَاتِمَة ٢ 10. Innany ouchahidou khidraka إِنَّنِي أُشَاهِدُ خِدْرَكَ\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn December 2023, as the genocide in Gaza unfolded, the Greek Orthodox Church of the Nativity in Bethlehem made the unprecedented decision to cancel all Christmas festivities. Commissioned by Bethlehem-based arts center The Wonder Cabinet and Radio alHara in response to that moment, BETHLEHEM brings together Beirut musicians Sary Moussa and Abed Kobeissy with Lawrence Sammour, the Church of the Nativity choir director since 1970. Their initial collaboration was a remotely recorded work, broadcast on Radio alHara on Christmas Eve 2023 in lieu of traditional Church celebrations, and re-broadcast two days later on dozens of radio stations worldwide, including NTS, Refuge Worldwide, and LYL Radio.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBuilt around Sammour’s voice and traditional liturgical hymns from the Greek Orthodox tradition sung in Arabic, BETHLEHEM unfolds through buzuq, electronics, and drone. Moussa and Kobeissy place Sammour’s singing at the centre of the work, its devotional and historical character retaining full presence while entering into dialogue with a discreet electroacoustic language and allowing for extended instrumental passages and sonic textures that flow from the vocal source material. The collaboration itself was\u003cspan class=\"bcTruncateMore\"\u003e initially shaped by separation, the product of long-distance recordings and conversations at a time when travel between the artists was impossible. Sammour recorded a series of a capella hymns at Radio alHara studio in Bethlehem, with Moussa and Kobeissy then composing and recording instrumental pieces around them in Beirut, resulting in a uniquely powerful contemporary musical work, and a document of artistic exchange across borders that remain violently imposed.\u003cbr\u003e\u003cbr\u003eThe following year, BETHLEHEM was able to mount its first live concert at Le Guess Who? Festival in Utrecht in November 2024. Marking the first in-person meeting of Sammour with Moussa and Kobeissy, the exquisite ceremonial restraint and emotional power of this performance prompted an extended ovation. In 2025 the musicians expanded upon their original composition during a residency at the Beirut \u0026amp; Beyond International Music Festival, yielding additional studio and live recordings, joined by double bassist Makram Aboul Hosn. The collection of recordings spanning 2023-2025 was then integrated and mixed by Radwan Ghazi Moumneh (Jerusalem In My Heart, Matana Roberts, Suuns) at Montréal's Hotel2Tango to produce an album-length document.\u003cbr\u003e\u003cbr\u003eBETHLEHEM is an encounter between distinct musical practices grounded in mutual respect and careful listening. Sacred chant and contemporary composition coexist without hierarchy, creating a work that speaks to grief without spectacle, to resilience without sentimentality, irreducible to a political statement or an exercise in cultural preservation. In giving contemporary form to one of the world's oldest living liturgical traditions, BETHLEHEM affirms music’s capacity to carry memory across borders and make space for communion in the face of enduring separation. Thanks for listening.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : BETHLEHEM بيت لحم [Lawrence Sammour, Sary Moussa \u0026amp; Abed Kobeissy]\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : CST197cd\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 16th October 2026\u003c\/span\u003e\u003c\/p\u003e"}
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パレスチナ／レバノンのトリオBETHLEHEMが、2026年10月にモントリオールの老舗レーベルConstellationからリリースしたアルバムです。 声とブズーク、エレクトロニクスによる中東サイケデリア10曲を収録。ゲートフォルドカードストック、シュリンク仕様です。 以下、レーベルによる解説です。 2023年12月、ガザでのジェノサイドが進行する中、ベツレヘムにあるギリシャ正教の「キリスト降誕教会」は、すべてのクリスマス行事を中止するという前例のない決定を下した。この事態を受けて、ベツレヘムを拠点とするアートセンター「ザ・ワンダー・キャビネット」とラジオ・アルハラの委託により制作された『BETHLEHEM』は、ベイルートのミュージシャン、サリー・ムッサとアベド・コベイシーを、1970年から聖誕教会の聖歌隊指揮者を務めるローレンス・サムールと結びつけた。彼らの最初のコラボレーションは遠隔録音による作品であり、2023年のクリスマスイブに、伝統的な教会の祝典に代わるものとしてラジオ・アルハラで放送され、その2日後にはNTS、Refuge Worldwide、LYL Radioを含む世界中の数十のラジオ局で再放送された。 サムーアの歌声と、アラビア語で歌われるギリシャ正教の伝統的な典礼賛美歌を軸に構築された『BETHLEHEM』は、ブズーク、エレクトロニクス、ドローンを通じて展開される。ムッサとコベイシーはサムーアの歌声を作品の中心に据え、その敬虔で歴史的な性格を完全に保ちつつ、控えめな電気音響的表現と対話をさせ、ボーカルの素材から流れ出る長い楽器のパッセージや音響的テクスチャーを可能にしている。このコラボレーション自体は当初、隔たりによって形作られ、アーティスト間の移動が不可能だった時期に、遠隔での録音と対話を通じて生まれたものだ。サムールはベツレヘムの「Radio alHara」スタジオで一連のアカペラ賛美歌を録音し、その後、ムッサとコベイシーがベイルートでそれらを基に器楽曲を作曲・録音した。その結果、類い稀な力強さを備えた現代音楽作品が生まれ、今もなお暴力的に課せられている国境を越えた芸術的交流の記録となった。 翌年、BETHLEHEMは2024年11月、ユトレヒトで開催された「Le Guess Who?」フェスティバルで初のライブコンサートを行うことができた。サムールとムッサ、コベイシーの初対面を飾ったこの公演は、その絶妙な儀礼的な抑制と感情的な力強さにより、長時間のスタンディングオベーションを誘った。2025年、ミュージシャンたちは「Beirut & Beyond International...
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{"id":9455244050682,"title":"Steve Bates \/\/ An Infinite Antenna LP","handle":"also-steve-bates-an-infinite-antenna-lp","description":"\u003cp\u003eカナダ・モントリオールのエレクトロニック作家Steve Batesが、2026年9月にモントリオールの老舗レーベルConstellationからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエントドローン〜IDM12曲を収録。180g重量盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cdiv style=\"color: inherit;\"\u003e\n\u003cp\u003e\"\u003cem\u003eモントリオールを拠点とするサウンドアーティストSteve Batesは、コンステレーションからの2作目のソロアルバム『An Infinite Antenna』において、その戦略とスタイル上の影響の幅を広げ、メロディックな要素やテクスチャのダイナミクスにより自由な表現の余地を与えている。レフトフィールドなシンセワーク、脱構築されたドラムマシン、点描的なエレキギター、そしてラジオノイズのようなぼやけ――これらすべてが、彼のブルイスト的な信号の歪みやフィールドレコーディングの感性を巡って渦巻く新たな調合の一部となっている。2022年にコンステレーションからリリースされ高い評価を得たデビュー作に比べ、本作『An Infinite Antenna』はよりアンビエント色の強いアルバムと言えるが、同時にアイデア、ダイナミクス、喚起力、そして耳に残るメロディがより濃密に詰め込まれている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1990年代のカナダ・プレーリー地方のアナキスト・パンク・シーンから登場したBatesは、1998年にウィニペグで実験音楽フェスティバル「Send + Receive」を設立した後、モントリオールに移住し、ヘキサグラム（コンコルディア大学）のサウンド・コーディネーターに就任。そこで音響研究や理論、テープを用いた作曲、インスタレーション作品への探求をさらに深めた。自身のサウンドアート・レーベル「The Dim Coast」のキュレーション活動と並行して、 Also Steve BatesはORAL_recordsからソロやコラボレーションによるアルバムを数枚リリースし、2022年にコンステレーションからデビュー作『All The Things That Happen』を発表した。この作品は、Boomkatから「荒々しくも虹色に輝くアンビエントのうねりが、マキシマリスト的なパノラマを描き出す」と称賛され、Backseat Mafiaからは「不安定で破壊的な不協和音と優しい静けさが織りなす並外れたサウンドスケープであり、権力の脅威の残響である」と評された。前作がカシオSK-1という自ら課した制限の下で制作された、ノイズが多く一途な作品だったのに対し、Also Steve Batesは『An Infinite Antenna』では楽器編成や雰囲気をより幅広く駆使している。また、ポスト・ハードコアのルーツを活かし、トラックごとに簡潔さを追求しつつも、アルバム全体としてシームレスな作品としての整合性を保っている。「（私が大いに愛する）アンビエント系のスタイルに見られるような、長くて広がりのある音楽ではなく、パンクを連想させるような曲の長さを設定しようとしていた。ミニットメンの曲の長さまで完全に絞り込むことはできなかったが、本質的な要素へと還元するという考えが、まるで肩越しにささやくような存在として常にあった。」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2023年から2025年にかけて、ボスニア・ヘルツェゴビナ（アルバムのジャケット写真はサラエボで撮影された）、オーストリア、ギリシャ、サスカチュワンでのアーティスト・イン・レジデンスや、特定の場所を舞台にしたサウンド・インスタレーションの視察などで収録された音源を取り入れた『An Infinite Antenna』は、Batesの「ラジオのダイヤルをゆっくりと回していく」という発想と、繰り返される音色や質感が指針となり、統合された全体を形成するサウンドワールドを融合させている。アルバムの12曲は、移り変わる底流、埋もれたメロディー、途切れ途切れの躍動感に満ちており、単独の楽曲としても、また連続した流れとしても効果的に機能する。曲と曲の間の短い沈黙は、広大でありながら唯一無二の情景を描いた透視図法のスケッチブックの次のページをめくるための、短い一息のようなものだ。オープニング曲「Pink pink pink pink…pink pink」のきらめく無調のシンセ・エクスプレッショニズムは、水中に沈んだようなアンビエンスへと穏やかに漂い、「Green as a ghost」のノイズ混じりの轟音や静電気のような干渉によって暗く染め上げられる。この曲は、終盤でブロークン・ビートとピアノの和音を導入している。「Battles and sieges and street trees」や「Easier sad than done」といったトラックは、低音域のフィールドレコーディングの共鳴を基盤としつつ、エフェクトをかけたギターやシンセによる美しいメロディの雫が散りばめられている。「Waste, songs of the world」や「Disaster loans」は、歪んだアンビエント・ベースと穏やかにざらついたドラム・サンプリングが特徴で、本作の中で最も明確にポスト・ハードコアを彷彿とさせるスタイルの曲だ。アルバムの最後を飾る「Swamps and factories」は、アルバム中最長の楽曲であり、その持続的な不協和音のきらめくドローンは、おそらくBatesの前作を最も彷彿とさせるが、『An Infinite Antenna』がそこに至るまでの道のりは、ベイツの最もダイナミックで、多様性にあふれ、独特で、聴き手を惹きつける姿そのものだ。聴いてくれてありがとう。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2314561772\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black 180gram vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Pink pink pink pink…pink pink \u003cbr\u003e2. Green as a ghost \u003cbr\u003e3. Battles and sieges and street trees \u003cbr\u003e4. Waste, songs of the world \u003cbr\u003e5. Easier sad than done\u003cbr\u003e6. Mountain scene \u003cbr\u003e7. Swiss apartment layouts \u003cbr\u003e8. Decades of river widths \u003cbr\u003e9. Disaster loans \u003cbr\u003e10. Corporate activity, ancient shipwrecks \u003cbr\u003e11. Lettre d’amour à Fly Pan Am\u003cbr\u003e12. Swamps and factories\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMontréal-based sound artist Steve Bates expands his strategies and stylistic influences on An Infinite Antenna, his second solo album for Constellation, giving freer reign to melodic components and textural dynamics: leftfield synth work, deconstructed drum machine, pointillist electric guitar, and radiostatic blur are all part of the new brew swirling around his bruitist signal-bending and field-recording sensibility. Arguably a more ambient album than his acclaimed 2022 Constellation debut, An Infinite Antenna is at the same time more densely packed with ideas, dynamics, evocations and earworms.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eComing out of the anarcho-punk scene of the Canadian Prairies in the 1990s, Bates founded Winnipeg’s experimental sound festival Send + Receive in 1998 before moving to Montréal to become Sound Coordinator at Hexagram (Concordia University), delving further into sonic research and theory, tape-based composition, and installation work. Alongside the curatorial arc of his own sound art label The Dim Coast, Bates released several solo and collaborative albums on ORAL_records leading up to All The Things That Happen, the 2022 Constellation debut praised by Boomkat for its “grittily iridescent ambient billow rendering maximalist panoramas” and by Backseat Mafia as “extraordinary soundscapes of unstable\u003cspan class=\"bcTruncateMore\"\u003e, destructive cacophony and tender calm, echoes of the threat of power.” Where that album was noisier and single-minded, made with the self-imposed limit of a Casio SK-1, Bates plays more widely with instrumentation and atmospheres on An Infinite Antenna, also drawing on his post-hardcore roots in seeking a sort of track-by-track concision nonetheless driven by the album’s coherence as a seamless work. “I was trying to set durations I associate with punk rather than the longer, sprawling music coming from more ambient styles (that I very much love), and while I wasn’t able to quite pare it down to Minutemen durations, I had that reduction to essential elements as a sort of whisper over my shoulder.”\u003cbr\u003e\u003cbr\u003eIncorporating source recordings made throughout 2023-2025, including at artist residencies and site-specific sound installation visits in Bosnia and Herzegovina (the album’s cover photo was taken in Sarajevo), Austria, Greece, and Saskatchewan, An Infinite Antenna combines Bates’ “idea of slowly scanning a radio dial” with a soundworld of recurring timbral and textural touchstones that forge an integrated whole. The album’s 12 tracks work effectively as stand-alone pieces, replete with shifting undercurrents, buried melody, and stuttering kinetics, and as a sequential flow where the brief interstitial silences between them are like short pauses to flip the next page in a sketchbook of perspectival studies of a wide but singular tableau. The glistening atonal synth expressionism of opener “Pink pink pink pink…pink pink” drifts gently toward submerged ambience, darkened by the noised rumble and static interference of “Green as a ghost”, which introduces broken beats and piano chords in its denouement. Tracks like “Battles and sieges and street trees” and “Easier sad than done” work the foundations of low-end field-recording resonance, but dappled with lovely melodic droplets of treated guitar and synth. “Waste, songs of the world” and “Disaster loans” are among the album’s most explicit stylistic references to post-hardcore, with distorted ambient bass and gently abrasive drum sampling. Closing track “Swamps and factories”, the album’s longest piece, is perhaps most reminiscent of Bates’ previous record with its sustained dissonant glimmer-drone, but the journey An Infinite Antenna traces to get there is Bates at his most dynamic, diverse, distinctive, and engaging. Thanks for listening.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Also Steve Bates\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : CST195lp\u003c\/p\u003e\n\u003cp\u003eRelease date : 25th September 2026\u003c\/p\u003e","published_at":"2026-09-20T07:38:56+09:00","created_at":"2026-09-18T08:16:39+09:00","vendor":"Tobira Records","type":"","tags":["ambient","constellation records","drone","lp","new"],"price":414500,"price_min":414500,"price_max":414500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50450613043450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Steve Bates \/\/ An Infinite Antenna LP","public_title":null,"options":["Default Title"],"price":414500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"666561019518","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in1_f3cec83b-db63-4b0a-9ce5-030ed1b30f21.jpg?v=1789687042","\/\/tobirarecords.com\/cdn\/shop\/files\/in2_60021a96-6bd2-4722-a282-8e48a2d47acb.jpg?v=1789687042"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_f3cec83b-db63-4b0a-9ce5-030ed1b30f21.jpg?v=1789687042","options":["Title"],"media":[{"alt":null,"id":41191722123514,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_f3cec83b-db63-4b0a-9ce5-030ed1b30f21.jpg?v=1789687042"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_f3cec83b-db63-4b0a-9ce5-030ed1b30f21.jpg?v=1789687042","width":350},{"alt":null,"id":41191722156282,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_60021a96-6bd2-4722-a282-8e48a2d47acb.jpg?v=1789687042"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_60021a96-6bd2-4722-a282-8e48a2d47acb.jpg?v=1789687042","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・モントリオールのエレクトロニック作家Steve Batesが、2026年9月にモントリオールの老舗レーベルConstellationからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエントドローン〜IDM12曲を収録。180g重量盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cdiv style=\"color: inherit;\"\u003e\n\u003cp\u003e\"\u003cem\u003eモントリオールを拠点とするサウンドアーティストSteve Batesは、コンステレーションからの2作目のソロアルバム『An Infinite Antenna』において、その戦略とスタイル上の影響の幅を広げ、メロディックな要素やテクスチャのダイナミクスにより自由な表現の余地を与えている。レフトフィールドなシンセワーク、脱構築されたドラムマシン、点描的なエレキギター、そしてラジオノイズのようなぼやけ――これらすべてが、彼のブルイスト的な信号の歪みやフィールドレコーディングの感性を巡って渦巻く新たな調合の一部となっている。2022年にコンステレーションからリリースされ高い評価を得たデビュー作に比べ、本作『An Infinite Antenna』はよりアンビエント色の強いアルバムと言えるが、同時にアイデア、ダイナミクス、喚起力、そして耳に残るメロディがより濃密に詰め込まれている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1990年代のカナダ・プレーリー地方のアナキスト・パンク・シーンから登場したBatesは、1998年にウィニペグで実験音楽フェスティバル「Send + Receive」を設立した後、モントリオールに移住し、ヘキサグラム（コンコルディア大学）のサウンド・コーディネーターに就任。そこで音響研究や理論、テープを用いた作曲、インスタレーション作品への探求をさらに深めた。自身のサウンドアート・レーベル「The Dim Coast」のキュレーション活動と並行して、 Also Steve BatesはORAL_recordsからソロやコラボレーションによるアルバムを数枚リリースし、2022年にコンステレーションからデビュー作『All The Things That Happen』を発表した。この作品は、Boomkatから「荒々しくも虹色に輝くアンビエントのうねりが、マキシマリスト的なパノラマを描き出す」と称賛され、Backseat Mafiaからは「不安定で破壊的な不協和音と優しい静けさが織りなす並外れたサウンドスケープであり、権力の脅威の残響である」と評された。前作がカシオSK-1という自ら課した制限の下で制作された、ノイズが多く一途な作品だったのに対し、Also Steve Batesは『An Infinite Antenna』では楽器編成や雰囲気をより幅広く駆使している。また、ポスト・ハードコアのルーツを活かし、トラックごとに簡潔さを追求しつつも、アルバム全体としてシームレスな作品としての整合性を保っている。「（私が大いに愛する）アンビエント系のスタイルに見られるような、長くて広がりのある音楽ではなく、パンクを連想させるような曲の長さを設定しようとしていた。ミニットメンの曲の長さまで完全に絞り込むことはできなかったが、本質的な要素へと還元するという考えが、まるで肩越しにささやくような存在として常にあった。」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2023年から2025年にかけて、ボスニア・ヘルツェゴビナ（アルバムのジャケット写真はサラエボで撮影された）、オーストリア、ギリシャ、サスカチュワンでのアーティスト・イン・レジデンスや、特定の場所を舞台にしたサウンド・インスタレーションの視察などで収録された音源を取り入れた『An Infinite Antenna』は、Batesの「ラジオのダイヤルをゆっくりと回していく」という発想と、繰り返される音色や質感が指針となり、統合された全体を形成するサウンドワールドを融合させている。アルバムの12曲は、移り変わる底流、埋もれたメロディー、途切れ途切れの躍動感に満ちており、単独の楽曲としても、また連続した流れとしても効果的に機能する。曲と曲の間の短い沈黙は、広大でありながら唯一無二の情景を描いた透視図法のスケッチブックの次のページをめくるための、短い一息のようなものだ。オープニング曲「Pink pink pink pink…pink pink」のきらめく無調のシンセ・エクスプレッショニズムは、水中に沈んだようなアンビエンスへと穏やかに漂い、「Green as a ghost」のノイズ混じりの轟音や静電気のような干渉によって暗く染め上げられる。この曲は、終盤でブロークン・ビートとピアノの和音を導入している。「Battles and sieges and street trees」や「Easier sad than done」といったトラックは、低音域のフィールドレコーディングの共鳴を基盤としつつ、エフェクトをかけたギターやシンセによる美しいメロディの雫が散りばめられている。「Waste, songs of the world」や「Disaster loans」は、歪んだアンビエント・ベースと穏やかにざらついたドラム・サンプリングが特徴で、本作の中で最も明確にポスト・ハードコアを彷彿とさせるスタイルの曲だ。アルバムの最後を飾る「Swamps and factories」は、アルバム中最長の楽曲であり、その持続的な不協和音のきらめくドローンは、おそらくBatesの前作を最も彷彿とさせるが、『An Infinite Antenna』がそこに至るまでの道のりは、ベイツの最もダイナミックで、多様性にあふれ、独特で、聴き手を惹きつける姿そのものだ。聴いてくれてありがとう。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2314561772\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black 180gram vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Pink pink pink pink…pink pink \u003cbr\u003e2. Green as a ghost \u003cbr\u003e3. Battles and sieges and street trees \u003cbr\u003e4. Waste, songs of the world \u003cbr\u003e5. Easier sad than done\u003cbr\u003e6. Mountain scene \u003cbr\u003e7. Swiss apartment layouts \u003cbr\u003e8. Decades of river widths \u003cbr\u003e9. Disaster loans \u003cbr\u003e10. Corporate activity, ancient shipwrecks \u003cbr\u003e11. Lettre d’amour à Fly Pan Am\u003cbr\u003e12. Swamps and factories\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMontréal-based sound artist Steve Bates expands his strategies and stylistic influences on An Infinite Antenna, his second solo album for Constellation, giving freer reign to melodic components and textural dynamics: leftfield synth work, deconstructed drum machine, pointillist electric guitar, and radiostatic blur are all part of the new brew swirling around his bruitist signal-bending and field-recording sensibility. Arguably a more ambient album than his acclaimed 2022 Constellation debut, An Infinite Antenna is at the same time more densely packed with ideas, dynamics, evocations and earworms.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eComing out of the anarcho-punk scene of the Canadian Prairies in the 1990s, Bates founded Winnipeg’s experimental sound festival Send + Receive in 1998 before moving to Montréal to become Sound Coordinator at Hexagram (Concordia University), delving further into sonic research and theory, tape-based composition, and installation work. Alongside the curatorial arc of his own sound art label The Dim Coast, Bates released several solo and collaborative albums on ORAL_records leading up to All The Things That Happen, the 2022 Constellation debut praised by Boomkat for its “grittily iridescent ambient billow rendering maximalist panoramas” and by Backseat Mafia as “extraordinary soundscapes of unstable\u003cspan class=\"bcTruncateMore\"\u003e, destructive cacophony and tender calm, echoes of the threat of power.” Where that album was noisier and single-minded, made with the self-imposed limit of a Casio SK-1, Bates plays more widely with instrumentation and atmospheres on An Infinite Antenna, also drawing on his post-hardcore roots in seeking a sort of track-by-track concision nonetheless driven by the album’s coherence as a seamless work. “I was trying to set durations I associate with punk rather than the longer, sprawling music coming from more ambient styles (that I very much love), and while I wasn’t able to quite pare it down to Minutemen durations, I had that reduction to essential elements as a sort of whisper over my shoulder.”\u003cbr\u003e\u003cbr\u003eIncorporating source recordings made throughout 2023-2025, including at artist residencies and site-specific sound installation visits in Bosnia and Herzegovina (the album’s cover photo was taken in Sarajevo), Austria, Greece, and Saskatchewan, An Infinite Antenna combines Bates’ “idea of slowly scanning a radio dial” with a soundworld of recurring timbral and textural touchstones that forge an integrated whole. The album’s 12 tracks work effectively as stand-alone pieces, replete with shifting undercurrents, buried melody, and stuttering kinetics, and as a sequential flow where the brief interstitial silences between them are like short pauses to flip the next page in a sketchbook of perspectival studies of a wide but singular tableau. The glistening atonal synth expressionism of opener “Pink pink pink pink…pink pink” drifts gently toward submerged ambience, darkened by the noised rumble and static interference of “Green as a ghost”, which introduces broken beats and piano chords in its denouement. Tracks like “Battles and sieges and street trees” and “Easier sad than done” work the foundations of low-end field-recording resonance, but dappled with lovely melodic droplets of treated guitar and synth. “Waste, songs of the world” and “Disaster loans” are among the album’s most explicit stylistic references to post-hardcore, with distorted ambient bass and gently abrasive drum sampling. Closing track “Swamps and factories”, the album’s longest piece, is perhaps most reminiscent of Bates’ previous record with its sustained dissonant glimmer-drone, but the journey An Infinite Antenna traces to get there is Bates at his most dynamic, diverse, distinctive, and engaging. Thanks for listening.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Also Steve Bates\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : CST195lp\u003c\/p\u003e\n\u003cp\u003eRelease date : 25th September 2026\u003c\/p\u003e"}
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カナダ・モントリオールのエレクトロニック作家Steve Batesが、2026年9月にモントリオールの老舗レーベルConstellationからリリースしたレコードです。 アンビエントドローン〜IDM12曲を収録。180g重量盤です。DLコード付属。 以下、レーベルによる解説です。 "モントリオールを拠点とするサウンドアーティストSteve Batesは、コンステレーションからの2作目のソロアルバム『An Infinite Antenna』において、その戦略とスタイル上の影響の幅を広げ、メロディックな要素やテクスチャのダイナミクスにより自由な表現の余地を与えている。レフトフィールドなシンセワーク、脱構築されたドラムマシン、点描的なエレキギター、そしてラジオノイズのようなぼやけ――これらすべてが、彼のブルイスト的な信号の歪みやフィールドレコーディングの感性を巡って渦巻く新たな調合の一部となっている。2022年にコンステレーションからリリースされ高い評価を得たデビュー作に比べ、本作『An Infinite Antenna』はよりアンビエント色の強いアルバムと言えるが、同時にアイデア、ダイナミクス、喚起力、そして耳に残るメロディがより濃密に詰め込まれている。 1990年代のカナダ・プレーリー地方のアナキスト・パンク・シーンから登場したBatesは、1998年にウィニペグで実験音楽フェスティバル「Send + Receive」を設立した後、モントリオールに移住し、ヘキサグラム（コンコルディア大学）のサウンド・コーディネーターに就任。そこで音響研究や理論、テープを用いた作曲、インスタレーション作品への探求をさらに深めた。自身のサウンドアート・レーベル「The Dim...
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{"id":9455242281210,"title":"Courant Zéro \/\/ Solari LP","handle":"courant-zero-solari-lp","description":"\u003cp\u003eカナダ・モントリオールのエレクトロニック作家Courant Zéroが、2026年9月にモントリオールの老舗レーベルConstellationからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・テクノ8曲を収録。180g重量盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=676430340\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black 180gram vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Solari \u003cbr\u003e2. En deçà du réel \u003cbr\u003e3. Strange Aorta \u003cbr\u003e4. La peau des dents \u003cbr\u003e5. Horizon n'arrête \u003cbr\u003e6. Unyeldd \u003cbr\u003e7. Eroding Us \u003cbr\u003e8. Journée au bout de la nuit\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCourant Zéro is the new moniker of Montréal multi-media installation artist and Kohlenstoff label co-founder Maxime Corbeil-Perron, signalling his return to purely recording-based electronic music production following several years focused on award-winning experimental film and audio-visual works. Solari channels his cinematic sensibility and decade-long exploration of sound art and electroacoustic counterpoint into deep cuts of maximalist ambient electronica. Drawing on his early background as a pianist and jazz drummer, Corbeil-Perron weaves a fabric of melodic and rhythmic vectors with his unique timbral palette, intersecting modern composition, IDM, ambient, glitch, and noise on a debut album brimming with sonic detail and emotive resonance.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA fixture of Montréal’s sound art community as both creator and curator since the early 2010s, Corbeil-Perron’s work has ranged from “hypnotic A\/V onslaught” (FACT Magazine) to the “richly nuanced acousmatic journey” of his 2018 EP Polychrome (Bandcamp Best Contemporary Classical Of The Month), with earlier electronic and techno-adjacent projects like Political Ritual, Dresden, and Le poisson d’argent garnering accolades from avant-music outlets A Closer Listen, Silence and Sound, and Musicworks, among others\u003cspan class=\"bcTruncateMore\"\u003e. Courant Zéro mobilizes this cumulative wealth of explorative sonic experience in the service of distinctive compositional architectures and electronic music pathways that fans of Jan Jelinek, Floating Points, Squarepusher, Tim Hecker, and Oneohtrix Point Never should find compelling.\u003cbr\u003e\u003cbr\u003eTitle track “Solari” opens the album with a cavernous ambient glitch-drone soundscape that envelops ever-shifting timbres of modular arpeggiation, serving as introduction to the clarion call of “En deçà du reel”, an homage to video artist Manon Labrecque, where layers of interweaving melodic counterpoint played on Buchla and other synths slowly build to widescreen immersive intensities; “I have this vision of her vibrating eternally between two frames of magnetic VHS tape… the slow pace of the piece also inspired by Tarkovsky’s approach to scenography” says Corbeil-Perron. “Strange Aorta” is ectoplasmic ambient with wistful melody lines transmuting along a central filament, awash in shifting waves of low-end and ricocheting tonal glitch, the title a reference to “the thumping rhythm beating around the main melody…and the heavy remnants of grief related to my father’s passing and a brutal confrontation with my own mortality a few years back.” Tracks like “La peau des dents” and “Eroding Us” are more firmly rooted in electroacoustic and aleatory systems music, where colliding loops are shaped into unstable flows of deconstructed slippage and reconvergence. Those two pieces bookend the album’s pivotal center: the gorgeous piano digitalia of “Horizon n’arrête” and the skittering electronica of 9-minute opus “Unyeldd”, its loping broken beat and cascading melodic glitter like a cluster of wind-up music boxes in a dappled forest—and for Corbeil-Perron also partly inspired by now fellow Constellation labelmates Do Make Say Think: “I spent a lot of time rediscovering their records after seeing them last September [2024] which definitely influenced this piece.”\u003cbr\u003e\u003cbr\u003eCourant Zéro’s debut is a vibrant sonic rebus at the junction of electronic, electroacoustic, noise and ambient music that resists easy categorisation. Solari strikes a compelling balance of unsettled disorientation and hospitable warmth, teeming with real feeling throughout. The album’s cover art painting Cryptography I by Yen-Chao Lin represents this prevailing sensibility, its mazelike circuitry distinctly carved and crisply rendered, while filigreed with handmade detail and artisanal patina. Thanks for listening.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Courant Zéro\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : CST194lp\u003c\/p\u003e\n\u003cp\u003eRelease date : 25th September 2026\u003c\/p\u003e","published_at":"2026-09-20T07:29:47+09:00","created_at":"2026-09-18T08:12:55+09:00","vendor":"Tobira Records","type":"","tags":["ambient","constellation records","lp","new","techno \/ house"],"price":414500,"price_min":414500,"price_max":414500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50450611208442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Courant Zéro \/\/ Solari LP","public_title":null,"options":["Default Title"],"price":414500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"666561019419","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cou1_23cf15f5-b759-4198-86ef-e931a83d6f0b.jpg?v=1789686675","\/\/tobirarecords.com\/cdn\/shop\/files\/cou2_1f32b8f3-0835-42aa-b818-9cc506c41e83.jpg?v=1789686675"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cou1_23cf15f5-b759-4198-86ef-e931a83d6f0b.jpg?v=1789686675","options":["Title"],"media":[{"alt":null,"id":41191684243706,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cou1_23cf15f5-b759-4198-86ef-e931a83d6f0b.jpg?v=1789686675"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cou1_23cf15f5-b759-4198-86ef-e931a83d6f0b.jpg?v=1789686675","width":350},{"alt":null,"id":41191684276474,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cou2_1f32b8f3-0835-42aa-b818-9cc506c41e83.jpg?v=1789686675"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cou2_1f32b8f3-0835-42aa-b818-9cc506c41e83.jpg?v=1789686675","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・モントリオールのエレクトロニック作家Courant Zéroが、2026年9月にモントリオールの老舗レーベルConstellationからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・テクノ8曲を収録。180g重量盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=676430340\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black 180gram vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Solari \u003cbr\u003e2. En deçà du réel \u003cbr\u003e3. Strange Aorta \u003cbr\u003e4. La peau des dents \u003cbr\u003e5. Horizon n'arrête \u003cbr\u003e6. Unyeldd \u003cbr\u003e7. Eroding Us \u003cbr\u003e8. Journée au bout de la nuit\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCourant Zéro is the new moniker of Montréal multi-media installation artist and Kohlenstoff label co-founder Maxime Corbeil-Perron, signalling his return to purely recording-based electronic music production following several years focused on award-winning experimental film and audio-visual works. Solari channels his cinematic sensibility and decade-long exploration of sound art and electroacoustic counterpoint into deep cuts of maximalist ambient electronica. Drawing on his early background as a pianist and jazz drummer, Corbeil-Perron weaves a fabric of melodic and rhythmic vectors with his unique timbral palette, intersecting modern composition, IDM, ambient, glitch, and noise on a debut album brimming with sonic detail and emotive resonance.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA fixture of Montréal’s sound art community as both creator and curator since the early 2010s, Corbeil-Perron’s work has ranged from “hypnotic A\/V onslaught” (FACT Magazine) to the “richly nuanced acousmatic journey” of his 2018 EP Polychrome (Bandcamp Best Contemporary Classical Of The Month), with earlier electronic and techno-adjacent projects like Political Ritual, Dresden, and Le poisson d’argent garnering accolades from avant-music outlets A Closer Listen, Silence and Sound, and Musicworks, among others\u003cspan class=\"bcTruncateMore\"\u003e. Courant Zéro mobilizes this cumulative wealth of explorative sonic experience in the service of distinctive compositional architectures and electronic music pathways that fans of Jan Jelinek, Floating Points, Squarepusher, Tim Hecker, and Oneohtrix Point Never should find compelling.\u003cbr\u003e\u003cbr\u003eTitle track “Solari” opens the album with a cavernous ambient glitch-drone soundscape that envelops ever-shifting timbres of modular arpeggiation, serving as introduction to the clarion call of “En deçà du reel”, an homage to video artist Manon Labrecque, where layers of interweaving melodic counterpoint played on Buchla and other synths slowly build to widescreen immersive intensities; “I have this vision of her vibrating eternally between two frames of magnetic VHS tape… the slow pace of the piece also inspired by Tarkovsky’s approach to scenography” says Corbeil-Perron. “Strange Aorta” is ectoplasmic ambient with wistful melody lines transmuting along a central filament, awash in shifting waves of low-end and ricocheting tonal glitch, the title a reference to “the thumping rhythm beating around the main melody…and the heavy remnants of grief related to my father’s passing and a brutal confrontation with my own mortality a few years back.” Tracks like “La peau des dents” and “Eroding Us” are more firmly rooted in electroacoustic and aleatory systems music, where colliding loops are shaped into unstable flows of deconstructed slippage and reconvergence. Those two pieces bookend the album’s pivotal center: the gorgeous piano digitalia of “Horizon n’arrête” and the skittering electronica of 9-minute opus “Unyeldd”, its loping broken beat and cascading melodic glitter like a cluster of wind-up music boxes in a dappled forest—and for Corbeil-Perron also partly inspired by now fellow Constellation labelmates Do Make Say Think: “I spent a lot of time rediscovering their records after seeing them last September [2024] which definitely influenced this piece.”\u003cbr\u003e\u003cbr\u003eCourant Zéro’s debut is a vibrant sonic rebus at the junction of electronic, electroacoustic, noise and ambient music that resists easy categorisation. Solari strikes a compelling balance of unsettled disorientation and hospitable warmth, teeming with real feeling throughout. The album’s cover art painting Cryptography I by Yen-Chao Lin represents this prevailing sensibility, its mazelike circuitry distinctly carved and crisply rendered, while filigreed with handmade detail and artisanal patina. Thanks for listening.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Courant Zéro\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : CST194lp\u003c\/p\u003e\n\u003cp\u003eRelease date : 25th September 2026\u003c\/p\u003e"}
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カナダ・モントリオールのエレクトロニック作家Courant Zéroが、2026年9月にモントリオールの老舗レーベルConstellationからリリースしたレコードです。 アンビエント・テクノ8曲を収録。180g重量盤です。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Constellation Records releases available at Tobira. ------------------------------------------...
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{"id":9455236186362,"title":"Light Conductor \/\/ Sequence Three LP","handle":"light-conductor-sequence-three-lp","description":"\u003cp\u003eカナダ・モントリオールのシンセデュオLight Conductorが、2026年9月にモントリオールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eシンセによるアンビエント〜アンビエントドローン〜ポストロック5曲を収録。180g重量盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cdiv style=\"color: inherit;\"\u003e\n\u003cp\u003e\"\u003cem\u003eモントリオールのサイケデリック・アンビエント・シンセ・ドローン・バンドが、5年ぶりのアルバム『Sequence Three』で帰ってきた。本作は、2019年の『Sequence One』から始まったグループのオープニング三部作の最終章となる。スティーヴン・ラムゼイ（Young Galaxy）とジェイス・ラセック（The Besnard Lakes）が共同設立したこの幽玄なスーパーグループは、通常、ラセックのBesnardのバンドメイトであるオルガ・ゴレアスが何らかの形で参加しており、修復されたヴィンテージ・シンセやアナログ電子機器から紡ぎ出された、彼ら特有のロングフォームで徐々に盛り上がるジャムを再び届ける。ラセックとラムゼイは、熟練のプロデューサーとしての腕を振るい、ミニマルなトラックにロック的なサウンドデザインを施している。チューブ・コンプレッションがたっぷりと効き、ピンクノイズやブラウンノイズに浸され、不穏な変調、まばらなビート、そして物憂げなメロディラインが織りなされている。ガス巨星の湿った夜明けを彷彿とさせるこれらの異質なドローン・アンセムは、スピリチュアライズドやクラスターの神秘的な超越主義と、ウィリアム・バシンスキーやGASの風化したような荒々しさを融合させている。『Light Conductor』は、『Uncut Magazine』から「アナログ・シンセの重鎮による至福の世界」と評され、『Electronic Sound』からは「素晴らしく、壮大で、きらめくように輝くコズミッシュ」と称賛されるなど、数々の称賛を受けている。『Sequence Three』は、こうした強みをさらに強化しつつ、Light Conductor の美学に常に潜んでいた、より暗く不穏な要素を前面に押し出している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eオープニング曲「She Glitters The Dust」は、デチューンされたシンセ・ループが絡み合う中、ゆっくりとフェードインする。3分経過したところで、うっとりするような子守唄のようなビートが入り、昆虫を思わせるきらめきと、やがて曲の後半で自由奔放に展開されるメロディの断片が伴う。そのタイトルが示す通り、まるで宇宙の塵の雲の中で捉えられた電波が、バンドが即興演奏し、引き出し、この地上に落とし込むための素材を提供したかのようだ。そのビートの残響が、「Omenize」のトランス的な脈動を刻む。この曲はサイド1の中心を成すと同時に、Light Conductorの「アルバム1枚につきボーカルトラック1曲」という方針を体現した一曲だ。ゴリアスとラセックによる重層的なハーモニーが織りなすこの曲は、バンドが持つ幽玄でアンセム的な魅力を最高潮に発揮した一曲であり、宇宙に浮かぶような崇高な至福感は、またしても穏やかに歪んだ結末によって和らげられている。「Ghost City Radio」は、バンド史上最も露骨に不安を煽る楽曲としてこの面を締めくくる。シンプルなベースギターのリフとフィルター処理されたハイハットは一見堅実に見えるが、 グルーヴは最小限に削ぎ落とされ、終末を予言するサバイバル主義者／説教者の長大なスポークン・ワード・サンプルを支える土台となっている。これは、Godspeedの仲間たちが初期に打ち立てた特徴への一種のオマージュであり、Light Conductorならではの、他に類を見ない不安定な天上のアンビエンスというレンズを通して表現されている（LasekはGY!BEの直近2枚のアルバムをミックスしている）。B面には「High In The Orange Air」が収録されている。ビートのない、ぐちゅぐちゅと泡立つようなオスティナート・ドローンで、本作で最も正統派なアンビエント・コズミッシュ・トラックだ。これが、15分間にわたるラストトラック「Supercontinent」の舞台と設定を築いている。この曲は同様の領域から始まるが、次第に水没し逆回転したテクノのパルスが、きらめくコードのドローンを貫いていく様へと移行し、その容赦ない催眠的な軌跡をたどる中で、うっとりするような催眠的なサイケデリックな強さを増していく。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=109408113\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black 180gram vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. She Glitters The Dust \u003cbr\u003e2. Omenize \u003cbr\u003e3. Ghost City Radio \u003cbr\u003e4. High In the Orange Air \u003cbr\u003e5. Supercontinent\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Montréal psych-ambient synth-droners return with Sequence Three, their first album in five years and the final instalment in the group’s opening trilogy of records that began with Sequence One in 2019. The spectral supergroup co-founded by Stephen Ramsay (Young Galaxy) and Jace Lasek (The Besnard Lakes), usually joined in some capacity by Lasek’s Besnard bandmate Olga Goreas, deliver another dose of its trademark longform slowburn jams, forged from restored vintage synths and analogue electronic gear. Lasek and Ramsay don their seasoned producer hats to apply rockist sound design to minimalist tracks, saturated with tube compression, drenched in pink and brown noise, all queasy modulation, sparse beats, and languorous melodic lines. Evoking a humid dawn on a gas giant, these alien drone anthems meld the numinous transcendentalism of Spiritualized and Cluster with the eroded grit of William Basinski or GAS. Light Conductor has been tagged “heavyweight analogue synth nirvana” by Uncut Magazine and praised for its “fabulous, epic, shimmeringly radiant kosmische” by Electronic Sound, among other accolades. Sequence Three consolidates these strengths, while leaning into the darker disquietude that has always been an\u003cspan class=\"bcTruncateMore\"\u003e undercurrent of Light Conductor’s aesthetic.\u003cbr\u003e\u003cbr\u003eOpener “She Glitters The Dust” fades up slow with intertwining detuned synth loops, a languorous lullaby beat dropping at the 3-minute mark, accompanied by insectoid shimmers and a tease of melody that’s eventually given free reign over the song’s second half. Aptly titled, it’s as if a transmission captured within a cosmic dust cloud has provided the raw material for the band to jam on, tease out, and terrestrialize. An echo of that beat sets the tranced pulse for “Omenize”, the centerpiece of Side One and the fulfilment of Light Conductor’s one-vocal-track-per-album directive. With layered harmonies by Goreas and Lasek, this is the group at its ethereally anthemic best, the devotional floating-in-space bliss attenuated by another gently warped denouement. “Ghost City Radio” closes out the side with the band’s most overtly anxious tune to date, deceptively stolid in its simple bass guitar riff and filter-swept hi-hat: groove stripped to its minimum as foundation for an extended spoken-word sample of a doomsaying prepper\/preacher, a sort of homage to that early hallmark of their Godspeed compatriots, done up through the lens of Light Conductor’s inimitably destabilized celestial ambience (Lasek mixed the most recent two GY!BE albums.) Side Two offers up “High In The Orange Air”, a beatless, squelching, bubbling ostinato drone and the album’s most orthodox ambient kosmische track. This provides the set and setting for 15-minute closer “Supercontinent”, which starts off in similar territory but gradually yields to a submerged and reversed techno pulse pumping through coruscated chordal drone, gaining in woozy mesmeric psych intensity over its inexorable hypnagogic trajectory.\"\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Light Conductor\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : CST193lp\u003c\/p\u003e\n\u003cp\u003eRelease date : 25th September 2026\u003c\/p\u003e","published_at":"2026-09-20T07:25:39+09:00","created_at":"2026-09-18T08:08:07+09:00","vendor":"Tobira Records","type":"","tags":["ambient","constellation records","folk \/ left-field pop","lp","new"],"price":414500,"price_min":414500,"price_max":414500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50450600722682,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Light Conductor \/\/ Sequence Three LP","public_title":null,"options":["Default Title"],"price":414500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"666561019310","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/con1_c99b45c6-61b6-4efe-a38e-330d19a517f4.jpg?v=1789686514","\/\/tobirarecords.com\/cdn\/shop\/files\/con3_7a5ebef5-296c-4114-a4e0-e8d59abaa109.jpg?v=1789686514"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_c99b45c6-61b6-4efe-a38e-330d19a517f4.jpg?v=1789686514","options":["Title"],"media":[{"alt":null,"id":41191657931002,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_c99b45c6-61b6-4efe-a38e-330d19a517f4.jpg?v=1789686514"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_c99b45c6-61b6-4efe-a38e-330d19a517f4.jpg?v=1789686514","width":350},{"alt":null,"id":41191657963770,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con3_7a5ebef5-296c-4114-a4e0-e8d59abaa109.jpg?v=1789686514"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con3_7a5ebef5-296c-4114-a4e0-e8d59abaa109.jpg?v=1789686514","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・モントリオールのシンセデュオLight Conductorが、2026年9月にモントリオールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eシンセによるアンビエント〜アンビエントドローン〜ポストロック5曲を収録。180g重量盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cdiv style=\"color: inherit;\"\u003e\n\u003cp\u003e\"\u003cem\u003eモントリオールのサイケデリック・アンビエント・シンセ・ドローン・バンドが、5年ぶりのアルバム『Sequence Three』で帰ってきた。本作は、2019年の『Sequence One』から始まったグループのオープニング三部作の最終章となる。スティーヴン・ラムゼイ（Young Galaxy）とジェイス・ラセック（The Besnard Lakes）が共同設立したこの幽玄なスーパーグループは、通常、ラセックのBesnardのバンドメイトであるオルガ・ゴレアスが何らかの形で参加しており、修復されたヴィンテージ・シンセやアナログ電子機器から紡ぎ出された、彼ら特有のロングフォームで徐々に盛り上がるジャムを再び届ける。ラセックとラムゼイは、熟練のプロデューサーとしての腕を振るい、ミニマルなトラックにロック的なサウンドデザインを施している。チューブ・コンプレッションがたっぷりと効き、ピンクノイズやブラウンノイズに浸され、不穏な変調、まばらなビート、そして物憂げなメロディラインが織りなされている。ガス巨星の湿った夜明けを彷彿とさせるこれらの異質なドローン・アンセムは、スピリチュアライズドやクラスターの神秘的な超越主義と、ウィリアム・バシンスキーやGASの風化したような荒々しさを融合させている。『Light Conductor』は、『Uncut Magazine』から「アナログ・シンセの重鎮による至福の世界」と評され、『Electronic Sound』からは「素晴らしく、壮大で、きらめくように輝くコズミッシュ」と称賛されるなど、数々の称賛を受けている。『Sequence Three』は、こうした強みをさらに強化しつつ、Light Conductor の美学に常に潜んでいた、より暗く不穏な要素を前面に押し出している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eオープニング曲「She Glitters The Dust」は、デチューンされたシンセ・ループが絡み合う中、ゆっくりとフェードインする。3分経過したところで、うっとりするような子守唄のようなビートが入り、昆虫を思わせるきらめきと、やがて曲の後半で自由奔放に展開されるメロディの断片が伴う。そのタイトルが示す通り、まるで宇宙の塵の雲の中で捉えられた電波が、バンドが即興演奏し、引き出し、この地上に落とし込むための素材を提供したかのようだ。そのビートの残響が、「Omenize」のトランス的な脈動を刻む。この曲はサイド1の中心を成すと同時に、Light Conductorの「アルバム1枚につきボーカルトラック1曲」という方針を体現した一曲だ。ゴリアスとラセックによる重層的なハーモニーが織りなすこの曲は、バンドが持つ幽玄でアンセム的な魅力を最高潮に発揮した一曲であり、宇宙に浮かぶような崇高な至福感は、またしても穏やかに歪んだ結末によって和らげられている。「Ghost City Radio」は、バンド史上最も露骨に不安を煽る楽曲としてこの面を締めくくる。シンプルなベースギターのリフとフィルター処理されたハイハットは一見堅実に見えるが、 グルーヴは最小限に削ぎ落とされ、終末を予言するサバイバル主義者／説教者の長大なスポークン・ワード・サンプルを支える土台となっている。これは、Godspeedの仲間たちが初期に打ち立てた特徴への一種のオマージュであり、Light Conductorならではの、他に類を見ない不安定な天上のアンビエンスというレンズを通して表現されている（LasekはGY!BEの直近2枚のアルバムをミックスしている）。B面には「High In The Orange Air」が収録されている。ビートのない、ぐちゅぐちゅと泡立つようなオスティナート・ドローンで、本作で最も正統派なアンビエント・コズミッシュ・トラックだ。これが、15分間にわたるラストトラック「Supercontinent」の舞台と設定を築いている。この曲は同様の領域から始まるが、次第に水没し逆回転したテクノのパルスが、きらめくコードのドローンを貫いていく様へと移行し、その容赦ない催眠的な軌跡をたどる中で、うっとりするような催眠的なサイケデリックな強さを増していく。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=109408113\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black 180gram vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. She Glitters The Dust \u003cbr\u003e2. Omenize \u003cbr\u003e3. Ghost City Radio \u003cbr\u003e4. High In the Orange Air \u003cbr\u003e5. Supercontinent\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Montréal psych-ambient synth-droners return with Sequence Three, their first album in five years and the final instalment in the group’s opening trilogy of records that began with Sequence One in 2019. The spectral supergroup co-founded by Stephen Ramsay (Young Galaxy) and Jace Lasek (The Besnard Lakes), usually joined in some capacity by Lasek’s Besnard bandmate Olga Goreas, deliver another dose of its trademark longform slowburn jams, forged from restored vintage synths and analogue electronic gear. Lasek and Ramsay don their seasoned producer hats to apply rockist sound design to minimalist tracks, saturated with tube compression, drenched in pink and brown noise, all queasy modulation, sparse beats, and languorous melodic lines. Evoking a humid dawn on a gas giant, these alien drone anthems meld the numinous transcendentalism of Spiritualized and Cluster with the eroded grit of William Basinski or GAS. Light Conductor has been tagged “heavyweight analogue synth nirvana” by Uncut Magazine and praised for its “fabulous, epic, shimmeringly radiant kosmische” by Electronic Sound, among other accolades. Sequence Three consolidates these strengths, while leaning into the darker disquietude that has always been an\u003cspan class=\"bcTruncateMore\"\u003e undercurrent of Light Conductor’s aesthetic.\u003cbr\u003e\u003cbr\u003eOpener “She Glitters The Dust” fades up slow with intertwining detuned synth loops, a languorous lullaby beat dropping at the 3-minute mark, accompanied by insectoid shimmers and a tease of melody that’s eventually given free reign over the song’s second half. Aptly titled, it’s as if a transmission captured within a cosmic dust cloud has provided the raw material for the band to jam on, tease out, and terrestrialize. An echo of that beat sets the tranced pulse for “Omenize”, the centerpiece of Side One and the fulfilment of Light Conductor’s one-vocal-track-per-album directive. With layered harmonies by Goreas and Lasek, this is the group at its ethereally anthemic best, the devotional floating-in-space bliss attenuated by another gently warped denouement. “Ghost City Radio” closes out the side with the band’s most overtly anxious tune to date, deceptively stolid in its simple bass guitar riff and filter-swept hi-hat: groove stripped to its minimum as foundation for an extended spoken-word sample of a doomsaying prepper\/preacher, a sort of homage to that early hallmark of their Godspeed compatriots, done up through the lens of Light Conductor’s inimitably destabilized celestial ambience (Lasek mixed the most recent two GY!BE albums.) Side Two offers up “High In The Orange Air”, a beatless, squelching, bubbling ostinato drone and the album’s most orthodox ambient kosmische track. This provides the set and setting for 15-minute closer “Supercontinent”, which starts off in similar territory but gradually yields to a submerged and reversed techno pulse pumping through coruscated chordal drone, gaining in woozy mesmeric psych intensity over its inexorable hypnagogic trajectory.\"\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Light Conductor\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : CST193lp\u003c\/p\u003e\n\u003cp\u003eRelease date : 25th September 2026\u003c\/p\u003e"}
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カナダ・モントリオールのシンセデュオLight Conductorが、2026年9月にモントリオールの老舗レーベルConstellationからリリースしたアルバムです。 シンセによるアンビエント〜アンビエントドローン〜ポストロック5曲を収録。180g重量盤です。DLコード付属。 以下、レーベルによる解説です。 "モントリオールのサイケデリック・アンビエント・シンセ・ドローン・バンドが、5年ぶりのアルバム『Sequence Three』で帰ってきた。本作は、2019年の『Sequence One』から始まったグループのオープニング三部作の最終章となる。スティーヴン・ラムゼイ（Young Galaxy）とジェイス・ラセック（The Besnard Lakes）が共同設立したこの幽玄なスーパーグループは、通常、ラセックのBesnardのバンドメイトであるオルガ・ゴレアスが何らかの形で参加しており、修復されたヴィンテージ・シンセやアナログ電子機器から紡ぎ出された、彼ら特有のロングフォームで徐々に盛り上がるジャムを再び届ける。ラセックとラムゼイは、熟練のプロデューサーとしての腕を振るい、ミニマルなトラックにロック的なサウンドデザインを施している。チューブ・コンプレッションがたっぷりと効き、ピンクノイズやブラウンノイズに浸され、不穏な変調、まばらなビート、そして物憂げなメロディラインが織りなされている。ガス巨星の湿った夜明けを彷彿とさせるこれらの異質なドローン・アンセムは、スピリチュアライズドやクラスターの神秘的な超越主義と、ウィリアム・バシンスキーやGASの風化したような荒々しさを融合させている。『Light Conductor』は、『Uncut Magazine』から「アナログ・シンセの重鎮による至福の世界」と評され、『Electronic Sound』からは「素晴らしく、壮大で、きらめくように輝くコズミッシュ」と称賛されるなど、数々の称賛を受けている。『Sequence Three』は、こうした強みをさらに強化しつつ、Light...
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{"id":9455233761530,"title":"Light Conductor \/\/ Sequence Three CD","handle":"light-conductor-sequence-three-cd","description":"\u003cp\u003eカナダ・モントリオールのシンセデュオLight Conductorが、2026年9月にモントリオールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eシンセによるアンビエント〜アンビエントドローン〜ポストロック5曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cdiv style=\"color: inherit;\"\u003e\n\u003cp\u003e\"\u003cem\u003eモントリオールのサイケデリック・アンビエント・シンセ・ドローン・バンドが、5年ぶりのアルバム『Sequence Three』で帰ってきた。本作は、2019年の『Sequence One』から始まったグループのオープニング三部作の最終章となる。スティーヴン・ラムゼイ（Young Galaxy）とジェイス・ラセック（The Besnard Lakes）が共同設立したこの幽玄なスーパーグループは、通常、ラセックのBesnardのバンドメイトであるオルガ・ゴレアスが何らかの形で参加しており、修復されたヴィンテージ・シンセやアナログ電子機器から紡ぎ出された、彼ら特有のロングフォームで徐々に盛り上がるジャムを再び届ける。ラセックとラムゼイは、熟練のプロデューサーとしての腕を振るい、ミニマルなトラックにロック的なサウンドデザインを施している。チューブ・コンプレッションがたっぷりと効き、ピンクノイズやブラウンノイズに浸され、不穏な変調、まばらなビート、そして物憂げなメロディラインが織りなされている。ガス巨星の湿った夜明けを彷彿とさせるこれらの異質なドローン・アンセムは、スピリチュアライズドやクラスターの神秘的な超越主義と、ウィリアム・バシンスキーやGASの風化したような荒々しさを融合させている。『Light Conductor』は、『Uncut Magazine』から「アナログ・シンセの重鎮による至福の世界」と評され、『Electronic Sound』からは「素晴らしく、壮大で、きらめくように輝くコズミッシュ」と称賛されるなど、数々の称賛を受けている。『Sequence Three』は、こうした強みをさらに強化しつつ、Light Conductor の美学に常に潜んでいた、より暗く不穏な要素を前面に押し出している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eオープニング曲「She Glitters The Dust」は、デチューンされたシンセ・ループが絡み合う中、ゆっくりとフェードインする。3分経過したところで、うっとりするような子守唄のようなビートが入り、昆虫を思わせるきらめきと、やがて曲の後半で自由奔放に展開されるメロディの断片が伴う。そのタイトルが示す通り、まるで宇宙の塵の雲の中で捉えられた電波が、バンドが即興演奏し、引き出し、この地上に落とし込むための素材を提供したかのようだ。そのビートの残響が、「Omenize」のトランス的な脈動を刻む。この曲はサイド1の中心を成すと同時に、Light Conductorの「アルバム1枚につきボーカルトラック1曲」という方針を体現した一曲だ。ゴリアスとラセックによる重層的なハーモニーが織りなすこの曲は、バンドが持つ幽玄でアンセム的な魅力を最高潮に発揮した一曲であり、宇宙に浮かぶような崇高な至福感は、またしても穏やかに歪んだ結末によって和らげられている。「Ghost City Radio」は、バンド史上最も露骨に不安を煽る楽曲としてこの面を締めくくる。シンプルなベースギターのリフとフィルター処理されたハイハットは一見堅実に見えるが、 グルーヴは最小限に削ぎ落とされ、終末を予言するサバイバル主義者／説教者の長大なスポークン・ワード・サンプルを支える土台となっている。これは、Godspeedの仲間たちが初期に打ち立てた特徴への一種のオマージュであり、Light Conductorならではの、他に類を見ない不安定な天上のアンビエンスというレンズを通して表現されている（LasekはGY!BEの直近2枚のアルバムをミックスしている）。B面には「High In The Orange Air」が収録されている。ビートのない、ぐちゅぐちゅと泡立つようなオスティナート・ドローンで、本作で最も正統派なアンビエント・コズミッシュ・トラックだ。これが、15分間にわたるラストトラック「Supercontinent」の舞台と設定を築いている。この曲は同様の領域から始まるが、次第に水没し逆回転したテクノのパルスが、きらめくコードのドローンを貫いていく様へと移行し、その容赦ない催眠的な軌跡をたどる中で、うっとりするような催眠的なサイケデリックな強さを増していく。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=109408113\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. She Glitters The Dust \u003cbr\u003e2. Omenize \u003cbr\u003e3. Ghost City Radio \u003cbr\u003e4. High In the Orange Air \u003cbr\u003e5. Supercontinent\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Montréal psych-ambient synth-droners return with Sequence Three, their first album in five years and the final instalment in the group’s opening trilogy of records that began with Sequence One in 2019. The spectral supergroup co-founded by Stephen Ramsay (Young Galaxy) and Jace Lasek (The Besnard Lakes), usually joined in some capacity by Lasek’s Besnard bandmate Olga Goreas, deliver another dose of its trademark longform slowburn jams, forged from restored vintage synths and analogue electronic gear. Lasek and Ramsay don their seasoned producer hats to apply rockist sound design to minimalist tracks, saturated with tube compression, drenched in pink and brown noise, all queasy modulation, sparse beats, and languorous melodic lines. Evoking a humid dawn on a gas giant, these alien drone anthems meld the numinous transcendentalism of Spiritualized and Cluster with the eroded grit of William Basinski or GAS. Light Conductor has been tagged “heavyweight analogue synth nirvana” by Uncut Magazine and praised for its “fabulous, epic, shimmeringly radiant kosmische” by Electronic Sound, among other accolades. Sequence Three consolidates these strengths, while leaning into the darker disquietude that has always been an\u003cspan class=\"bcTruncateMore\"\u003e undercurrent of Light Conductor’s aesthetic.\u003cbr\u003e\u003cbr\u003eOpener “She Glitters The Dust” fades up slow with intertwining detuned synth loops, a languorous lullaby beat dropping at the 3-minute mark, accompanied by insectoid shimmers and a tease of melody that’s eventually given free reign over the song’s second half. Aptly titled, it’s as if a transmission captured within a cosmic dust cloud has provided the raw material for the band to jam on, tease out, and terrestrialize. An echo of that beat sets the tranced pulse for “Omenize”, the centerpiece of Side One and the fulfilment of Light Conductor’s one-vocal-track-per-album directive. With layered harmonies by Goreas and Lasek, this is the group at its ethereally anthemic best, the devotional floating-in-space bliss attenuated by another gently warped denouement. “Ghost City Radio” closes out the side with the band’s most overtly anxious tune to date, deceptively stolid in its simple bass guitar riff and filter-swept hi-hat: groove stripped to its minimum as foundation for an extended spoken-word sample of a doomsaying prepper\/preacher, a sort of homage to that early hallmark of their Godspeed compatriots, done up through the lens of Light Conductor’s inimitably destabilized celestial ambience (Lasek mixed the most recent two GY!BE albums.) Side Two offers up “High In The Orange Air”, a beatless, squelching, bubbling ostinato drone and the album’s most orthodox ambient kosmische track. This provides the set and setting for 15-minute closer “Supercontinent”, which starts off in similar territory but gradually yields to a submerged and reversed techno pulse pumping through coruscated chordal drone, gaining in woozy mesmeric psych intensity over its inexorable hypnagogic trajectory.\"\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Light Conductor\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : CST193cd\u003c\/p\u003e\n\u003cp\u003eRelease date : 25th September 2026\u003c\/p\u003e","published_at":"2026-09-20T07:24:19+09:00","created_at":"2026-09-18T08:07:43+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","constellation records","folk \/ left-field pop","new"],"price":248300,"price_min":248300,"price_max":248300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50450598297850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Light Conductor \/\/ Sequence Three CD","public_title":null,"options":["Default Title"],"price":248300,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"666561019327","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/con1_60a1327d-0b0b-484a-8acd-5b4fffef3d92.jpg?v=1789686377","\/\/tobirarecords.com\/cdn\/shop\/files\/con2_5010558a-059e-4dad-9c2f-d1acb879d9ca.jpg?v=1789686377"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_60a1327d-0b0b-484a-8acd-5b4fffef3d92.jpg?v=1789686377","options":["Title"],"media":[{"alt":null,"id":41191640563962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_60a1327d-0b0b-484a-8acd-5b4fffef3d92.jpg?v=1789686377"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_60a1327d-0b0b-484a-8acd-5b4fffef3d92.jpg?v=1789686377","width":350},{"alt":null,"id":41191640596730,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con2_5010558a-059e-4dad-9c2f-d1acb879d9ca.jpg?v=1789686377"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con2_5010558a-059e-4dad-9c2f-d1acb879d9ca.jpg?v=1789686377","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・モントリオールのシンセデュオLight Conductorが、2026年9月にモントリオールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eシンセによるアンビエント〜アンビエントドローン〜ポストロック5曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cdiv style=\"color: inherit;\"\u003e\n\u003cp\u003e\"\u003cem\u003eモントリオールのサイケデリック・アンビエント・シンセ・ドローン・バンドが、5年ぶりのアルバム『Sequence Three』で帰ってきた。本作は、2019年の『Sequence One』から始まったグループのオープニング三部作の最終章となる。スティーヴン・ラムゼイ（Young Galaxy）とジェイス・ラセック（The Besnard Lakes）が共同設立したこの幽玄なスーパーグループは、通常、ラセックのBesnardのバンドメイトであるオルガ・ゴレアスが何らかの形で参加しており、修復されたヴィンテージ・シンセやアナログ電子機器から紡ぎ出された、彼ら特有のロングフォームで徐々に盛り上がるジャムを再び届ける。ラセックとラムゼイは、熟練のプロデューサーとしての腕を振るい、ミニマルなトラックにロック的なサウンドデザインを施している。チューブ・コンプレッションがたっぷりと効き、ピンクノイズやブラウンノイズに浸され、不穏な変調、まばらなビート、そして物憂げなメロディラインが織りなされている。ガス巨星の湿った夜明けを彷彿とさせるこれらの異質なドローン・アンセムは、スピリチュアライズドやクラスターの神秘的な超越主義と、ウィリアム・バシンスキーやGASの風化したような荒々しさを融合させている。『Light Conductor』は、『Uncut Magazine』から「アナログ・シンセの重鎮による至福の世界」と評され、『Electronic Sound』からは「素晴らしく、壮大で、きらめくように輝くコズミッシュ」と称賛されるなど、数々の称賛を受けている。『Sequence Three』は、こうした強みをさらに強化しつつ、Light Conductor の美学に常に潜んでいた、より暗く不穏な要素を前面に押し出している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eオープニング曲「She Glitters The Dust」は、デチューンされたシンセ・ループが絡み合う中、ゆっくりとフェードインする。3分経過したところで、うっとりするような子守唄のようなビートが入り、昆虫を思わせるきらめきと、やがて曲の後半で自由奔放に展開されるメロディの断片が伴う。そのタイトルが示す通り、まるで宇宙の塵の雲の中で捉えられた電波が、バンドが即興演奏し、引き出し、この地上に落とし込むための素材を提供したかのようだ。そのビートの残響が、「Omenize」のトランス的な脈動を刻む。この曲はサイド1の中心を成すと同時に、Light Conductorの「アルバム1枚につきボーカルトラック1曲」という方針を体現した一曲だ。ゴリアスとラセックによる重層的なハーモニーが織りなすこの曲は、バンドが持つ幽玄でアンセム的な魅力を最高潮に発揮した一曲であり、宇宙に浮かぶような崇高な至福感は、またしても穏やかに歪んだ結末によって和らげられている。「Ghost City Radio」は、バンド史上最も露骨に不安を煽る楽曲としてこの面を締めくくる。シンプルなベースギターのリフとフィルター処理されたハイハットは一見堅実に見えるが、 グルーヴは最小限に削ぎ落とされ、終末を予言するサバイバル主義者／説教者の長大なスポークン・ワード・サンプルを支える土台となっている。これは、Godspeedの仲間たちが初期に打ち立てた特徴への一種のオマージュであり、Light Conductorならではの、他に類を見ない不安定な天上のアンビエンスというレンズを通して表現されている（LasekはGY!BEの直近2枚のアルバムをミックスしている）。B面には「High In The Orange Air」が収録されている。ビートのない、ぐちゅぐちゅと泡立つようなオスティナート・ドローンで、本作で最も正統派なアンビエント・コズミッシュ・トラックだ。これが、15分間にわたるラストトラック「Supercontinent」の舞台と設定を築いている。この曲は同様の領域から始まるが、次第に水没し逆回転したテクノのパルスが、きらめくコードのドローンを貫いていく様へと移行し、その容赦ない催眠的な軌跡をたどる中で、うっとりするような催眠的なサイケデリックな強さを増していく。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=109408113\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. She Glitters The Dust \u003cbr\u003e2. Omenize \u003cbr\u003e3. Ghost City Radio \u003cbr\u003e4. High In the Orange Air \u003cbr\u003e5. Supercontinent\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Montréal psych-ambient synth-droners return with Sequence Three, their first album in five years and the final instalment in the group’s opening trilogy of records that began with Sequence One in 2019. The spectral supergroup co-founded by Stephen Ramsay (Young Galaxy) and Jace Lasek (The Besnard Lakes), usually joined in some capacity by Lasek’s Besnard bandmate Olga Goreas, deliver another dose of its trademark longform slowburn jams, forged from restored vintage synths and analogue electronic gear. Lasek and Ramsay don their seasoned producer hats to apply rockist sound design to minimalist tracks, saturated with tube compression, drenched in pink and brown noise, all queasy modulation, sparse beats, and languorous melodic lines. Evoking a humid dawn on a gas giant, these alien drone anthems meld the numinous transcendentalism of Spiritualized and Cluster with the eroded grit of William Basinski or GAS. Light Conductor has been tagged “heavyweight analogue synth nirvana” by Uncut Magazine and praised for its “fabulous, epic, shimmeringly radiant kosmische” by Electronic Sound, among other accolades. Sequence Three consolidates these strengths, while leaning into the darker disquietude that has always been an\u003cspan class=\"bcTruncateMore\"\u003e undercurrent of Light Conductor’s aesthetic.\u003cbr\u003e\u003cbr\u003eOpener “She Glitters The Dust” fades up slow with intertwining detuned synth loops, a languorous lullaby beat dropping at the 3-minute mark, accompanied by insectoid shimmers and a tease of melody that’s eventually given free reign over the song’s second half. Aptly titled, it’s as if a transmission captured within a cosmic dust cloud has provided the raw material for the band to jam on, tease out, and terrestrialize. An echo of that beat sets the tranced pulse for “Omenize”, the centerpiece of Side One and the fulfilment of Light Conductor’s one-vocal-track-per-album directive. With layered harmonies by Goreas and Lasek, this is the group at its ethereally anthemic best, the devotional floating-in-space bliss attenuated by another gently warped denouement. “Ghost City Radio” closes out the side with the band’s most overtly anxious tune to date, deceptively stolid in its simple bass guitar riff and filter-swept hi-hat: groove stripped to its minimum as foundation for an extended spoken-word sample of a doomsaying prepper\/preacher, a sort of homage to that early hallmark of their Godspeed compatriots, done up through the lens of Light Conductor’s inimitably destabilized celestial ambience (Lasek mixed the most recent two GY!BE albums.) Side Two offers up “High In The Orange Air”, a beatless, squelching, bubbling ostinato drone and the album’s most orthodox ambient kosmische track. This provides the set and setting for 15-minute closer “Supercontinent”, which starts off in similar territory but gradually yields to a submerged and reversed techno pulse pumping through coruscated chordal drone, gaining in woozy mesmeric psych intensity over its inexorable hypnagogic trajectory.\"\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Light Conductor\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : CST193cd\u003c\/p\u003e\n\u003cp\u003eRelease date : 25th September 2026\u003c\/p\u003e"}
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カナダ・モントリオールのシンセデュオLight Conductorが、2026年9月にモントリオールの老舗レーベルConstellationからリリースしたアルバムです。 シンセによるアンビエント〜アンビエントドローン〜ポストロック5曲を収録。 以下、レーベルによる解説です。 "モントリオールのサイケデリック・アンビエント・シンセ・ドローン・バンドが、5年ぶりのアルバム『Sequence Three』で帰ってきた。本作は、2019年の『Sequence One』から始まったグループのオープニング三部作の最終章となる。スティーヴン・ラムゼイ（Young Galaxy）とジェイス・ラセック（The Besnard Lakes）が共同設立したこの幽玄なスーパーグループは、通常、ラセックのBesnardのバンドメイトであるオルガ・ゴレアスが何らかの形で参加しており、修復されたヴィンテージ・シンセやアナログ電子機器から紡ぎ出された、彼ら特有のロングフォームで徐々に盛り上がるジャムを再び届ける。ラセックとラムゼイは、熟練のプロデューサーとしての腕を振るい、ミニマルなトラックにロック的なサウンドデザインを施している。チューブ・コンプレッションがたっぷりと効き、ピンクノイズやブラウンノイズに浸され、不穏な変調、まばらなビート、そして物憂げなメロディラインが織りなされている。ガス巨星の湿った夜明けを彷彿とさせるこれらの異質なドローン・アンセムは、スピリチュアライズドやクラスターの神秘的な超越主義と、ウィリアム・バシンスキーやGASの風化したような荒々しさを融合させている。『Light Conductor』は、『Uncut Magazine』から「アナログ・シンセの重鎮による至福の世界」と評され、『Electronic Sound』からは「素晴らしく、壮大で、きらめくように輝くコズミッシュ」と称賛されるなど、数々の称賛を受けている。『Sequence Three』は、こうした強みをさらに強化しつつ、Light...
¥2,483
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{"id":9383704822010,"title":"Rebecca Foon \u0026 Aliayta Foon-Dancoes \/\/ Reverie LP","handle":"rebecca-foon-aliayta-foon-dancoes-reverie-lp","description":"\u003cp\u003eSilver Mt. ZionやSet Fire To Flamesメンバーとしても活動しているカナダ・モントリオールのポストロック作家Rebecca Foonと、バイオリニスト／ピアニストAliayta Foon-Dancoesが、2025年6月にモントリオールの老舗レーベルConstellationからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント11曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2424271559\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black 180gram vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Eternal 03:12 \u003cbr\u003e2. Incandescence 05:47 \u003cbr\u003e3. Phosphorescence 02:28 \u003cbr\u003e4. Between Us 03:10 \u003cbr\u003e5. Drifters And Dreamers 03:04\u003cbr\u003e6. Surrounded By You 03:12 \u003cbr\u003e7. Midnight Shadow 04:30 \u003cbr\u003e8. Devotion 02:17 \u003cbr\u003e9. Reverie 02:46 \u003cbr\u003e10. Dream Of What Was 04:10 \u003cbr\u003e11. Eternal II 03:12\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMontréal post-rock luminary Rebecca Foon (Esmerine, Silver Mt. Zion, Set Fire To Flames) is joined by award-winning violinist Aliayta Foon-Dancoes for a soundtrack of atmospheric post-classical chamber music on which the sisters play cello and violin respectively, along with piano by both. This debut full-length collaboration, produced by Jace Lasek (The Besnard Lakes, Patrick Watson, Godspeed You! Black Emperor), is suffused with immersive full-spectrum resonance and spaciousness, tinted with subtle electronic touches and gently blown-out acoustics. Balancing swirling lushness and contemplative solemnity, Reverie is at once cinematically wide-screen and intimately introspective, flowing with a poignant melodic lyricism throughout. This consummate sibling duo unfolds a sumptuous suite of thematic variations that interweave meditative pastoralism with the underlying despair and tragedy of ecocide.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRebecca’s post-rock, electroacoustic, and semi-improvised sensibility, honed by nearly three decades of composing and playing in a wide range of projects rooted in Montréal’s fertile DIY\/punk-influenced exploratory instrumental music scene, combines with Aliayta’s more recent trajectory from virtuosic youth performer to academic music study and the formation of\u003cspan class=\"bcTruncateMore\"\u003e independent ensembles interpreting classical and modern repertoire. Following several years in London at both the Royal Academy and Royal College of Music, Foon-Dancoes’ recent move to Princeton University for a Composition PhD brought her into geographic proximity with her sister to the north, where they had already begun writing and playing together during a couple of post-pandemic retreats at Lost River, Rebecca’s converted barn studio in the Laurentian mountains of Québec. Aliayta also joined Rebecca’s chamber-rock group Esmerine for various performances in support of its celebrated 2023 album Everything Was Forever Until It Was No More (winner of the Canadian Juno awards for Best Instrumental Album and Best Album Packaging), while the two concurrently continued developing their own body of work. Further influenced by the acoustic space of the barn studio and the production style of Lasek (a long-standing Foon collaborator and the recording\/mixing engineer for Esmerine’s award-winning run of albums from 2013-2023), the sisters forged a musical language and rapport drawn from composition and improvisation in equal measure, along with additive reinterpretation animated by ongoing recording processes.\u003cbr\u003e\u003cbr\u003eReverie is anchored by a clutch of recurring themes, with many of the album’s 11 tracks refracting various melodic and harmonic passages through different timbral and temporal lenses, evoking shifts in both subjective mood and external atmosphere. Drawing from Rebecca Foon’s parallel career as an environmental activist and organiser, as co-founder of Pathway To Paris (with Jesse Paris Smith) and Junglekeepers (with Paul Rosolie), Reverie channels the inescapable admixture of psycho-emotional subjectivity and climatic conditions experienced as literal weather and as collective existential crisis. Like a soundtrack to a movie never made, but that shapes the subconscious of our lives (one can imagine this music scoring a post-apocalyptic film portraying small shoots of hope springing out of devastating collapse), Reverie carries a lot of feelings in its double-edged title: dreams of the future and of possibility, so calamitously failing as any act of collective political will, condemning us to retreat into atomized neurosis and self-care, struggling to hold close those already closest, with art’s humble potential to provide solace and social stimulus at once ever more important and ever more spurious. Thanks for listening.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rebecca Foon \u0026amp; Aliayta Foon-Dancoes\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : CST184lp\u003c\/p\u003e\n\u003cp\u003eRelease date : 6th June 2025\u003c\/p\u003e","published_at":"2026-08-28T07:41:45+09:00","created_at":"2026-08-23T10:46:43+09:00","vendor":"Tobira Records","type":"","tags":["ambient","constellation records","lp","neo classical","new"],"price":413700,"price_min":413700,"price_max":413700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50150956663034,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Rebecca Foon \u0026 Aliayta Foon-Dancoes \/\/ Reverie LP","public_title":null,"options":["Default Title"],"price":413700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"666561018412","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/foon1.jpg?v=1787449365","\/\/tobirarecords.com\/cdn\/shop\/files\/foon2.jpg?v=1787449365"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/foon1.jpg?v=1787449365","options":["Title"],"media":[{"alt":null,"id":40706038989050,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/foon1.jpg?v=1787449365"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/foon1.jpg?v=1787449365","width":350},{"alt":null,"id":40706039021818,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/foon2.jpg?v=1787449365"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/foon2.jpg?v=1787449365","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eSilver Mt. ZionやSet Fire To Flamesメンバーとしても活動しているカナダ・モントリオールのポストロック作家Rebecca Foonと、バイオリニスト／ピアニストAliayta Foon-Dancoesが、2025年6月にモントリオールの老舗レーベルConstellationからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント11曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2424271559\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black 180gram vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Eternal 03:12 \u003cbr\u003e2. Incandescence 05:47 \u003cbr\u003e3. Phosphorescence 02:28 \u003cbr\u003e4. Between Us 03:10 \u003cbr\u003e5. Drifters And Dreamers 03:04\u003cbr\u003e6. Surrounded By You 03:12 \u003cbr\u003e7. Midnight Shadow 04:30 \u003cbr\u003e8. Devotion 02:17 \u003cbr\u003e9. Reverie 02:46 \u003cbr\u003e10. Dream Of What Was 04:10 \u003cbr\u003e11. Eternal II 03:12\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMontréal post-rock luminary Rebecca Foon (Esmerine, Silver Mt. Zion, Set Fire To Flames) is joined by award-winning violinist Aliayta Foon-Dancoes for a soundtrack of atmospheric post-classical chamber music on which the sisters play cello and violin respectively, along with piano by both. This debut full-length collaboration, produced by Jace Lasek (The Besnard Lakes, Patrick Watson, Godspeed You! Black Emperor), is suffused with immersive full-spectrum resonance and spaciousness, tinted with subtle electronic touches and gently blown-out acoustics. Balancing swirling lushness and contemplative solemnity, Reverie is at once cinematically wide-screen and intimately introspective, flowing with a poignant melodic lyricism throughout. This consummate sibling duo unfolds a sumptuous suite of thematic variations that interweave meditative pastoralism with the underlying despair and tragedy of ecocide.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRebecca’s post-rock, electroacoustic, and semi-improvised sensibility, honed by nearly three decades of composing and playing in a wide range of projects rooted in Montréal’s fertile DIY\/punk-influenced exploratory instrumental music scene, combines with Aliayta’s more recent trajectory from virtuosic youth performer to academic music study and the formation of\u003cspan class=\"bcTruncateMore\"\u003e independent ensembles interpreting classical and modern repertoire. Following several years in London at both the Royal Academy and Royal College of Music, Foon-Dancoes’ recent move to Princeton University for a Composition PhD brought her into geographic proximity with her sister to the north, where they had already begun writing and playing together during a couple of post-pandemic retreats at Lost River, Rebecca’s converted barn studio in the Laurentian mountains of Québec. Aliayta also joined Rebecca’s chamber-rock group Esmerine for various performances in support of its celebrated 2023 album Everything Was Forever Until It Was No More (winner of the Canadian Juno awards for Best Instrumental Album and Best Album Packaging), while the two concurrently continued developing their own body of work. Further influenced by the acoustic space of the barn studio and the production style of Lasek (a long-standing Foon collaborator and the recording\/mixing engineer for Esmerine’s award-winning run of albums from 2013-2023), the sisters forged a musical language and rapport drawn from composition and improvisation in equal measure, along with additive reinterpretation animated by ongoing recording processes.\u003cbr\u003e\u003cbr\u003eReverie is anchored by a clutch of recurring themes, with many of the album’s 11 tracks refracting various melodic and harmonic passages through different timbral and temporal lenses, evoking shifts in both subjective mood and external atmosphere. Drawing from Rebecca Foon’s parallel career as an environmental activist and organiser, as co-founder of Pathway To Paris (with Jesse Paris Smith) and Junglekeepers (with Paul Rosolie), Reverie channels the inescapable admixture of psycho-emotional subjectivity and climatic conditions experienced as literal weather and as collective existential crisis. Like a soundtrack to a movie never made, but that shapes the subconscious of our lives (one can imagine this music scoring a post-apocalyptic film portraying small shoots of hope springing out of devastating collapse), Reverie carries a lot of feelings in its double-edged title: dreams of the future and of possibility, so calamitously failing as any act of collective political will, condemning us to retreat into atomized neurosis and self-care, struggling to hold close those already closest, with art’s humble potential to provide solace and social stimulus at once ever more important and ever more spurious. Thanks for listening.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rebecca Foon \u0026amp; Aliayta Foon-Dancoes\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : CST184lp\u003c\/p\u003e\n\u003cp\u003eRelease date : 6th June 2025\u003c\/p\u003e"}
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Silver Mt. ZionやSet Fire To Flamesメンバーとしても活動しているカナダ・モントリオールのポストロック作家Rebecca Foonと、バイオリニスト／ピアニストAliayta Foon-Dancoesが、2025年6月にモントリオールの老舗レーベルConstellationからリリースした共作レコードです。 ネオクラシカル・アンビエント11曲を収録。 レーベルその他作品はこちら /// Click here to see more Constellation...
¥4,137
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{"id":9323177574650,"title":"Mark Molnar \/\/ EXO LP","handle":"mark-molnar-exo-lp","description":"\u003cp\u003eカナダ・オタワのアンビエントMark Molnarが、2025年6月に同国モントリオールの老舗レーベルConstellationからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2560523043\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sub Luna 08:09\u003cbr\u003e2. Terre Sacer 11:37\u003cbr\u003e3. pallida Mors - Disquiet 05:57\u003cbr\u003e4. pallida Mors - Aporia 02:52\u003cbr\u003e5. pallida Mors - Patior 08:44\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Constellation Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eMark Molnar has been a linchpin of the Ottawa experimental music scene for over two decades, spanning contemporary classical, electroacoustic, industrial\/noise, and improv. As a string player in a wide range of projects, an organizer and curator of innumerable shows, and via his own avant-garde label Black Bough Records, Molnar’s unflagging contributions to independent music culture in Canada’s capital city have been significant. EXO is his Constellation debut: a remarkable and bracing suite of post-classical composition on which Molnar plays every instrument. Meticulously self-recorded, primarily with strings, harp, and piano, EXO balances thematic melodicism, polytonality, and dissonance across three elegiac pieces of exquisitely expressive dynamism. This is exacting modern chamber music that blends formal and harmonic complexity with a solemn emotive sensibility accessible to a broad audience. Listeners that yearn for some edge and disquietude in a landscape of often all-too-approachable post-classical music should find EXO eminently worth their time and attention.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile Molnar is a highly trained string player, and studied music under Aubrey Wolfe, microtonality with James Tenney, and composition with R. Murray Schafer, his trajectory has been entirely and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e intentionally outside the academy, signalling a socio-artistic commitment to DIY culture, forged from an early passion for the sonic worlds of post-hardcore, post-punk, no-wave, free improv, power electronics, and other independent\/underground musics. His classically-informed works have been described as “tense currents of musical modernism invigorated with punk’s raw vitality.” EXO carries an undercurrent influenced by dark industrial and ambient metal in particular, with microphones purposely placed to pick up the low-end frequencies of the piano body, and of a bass drum positioned as a resonant skin in the acoustic space; an electroacoustic strategy organically meshed to the crisply defined and pristinely recorded pointillisms and polychords of strings, harp, and piano, which feed into this noisefloor of crepuscular sub-bass disquietude and decay. It’s a production aesthetic that lends EXO a distinct undertow of tension and feeling, a sort of roiling maximalism where the chamber instrumentation traces arcs and waves of form and flow as if drawn from a dark, impervious ocean below. It also reinforces the profound hermeticism of Molnar’s process, as a forbiddingly solitary creative act of immersion and navigation. The album artwork, featuring semi-abstract stills of the sea by British photographer Ed Allen, further reifies this metaphor...\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eArtist : Mark Molnar\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : CST185lp\u003c\/p\u003e","published_at":"2026-07-22T08:38:31+09:00","created_at":"2026-07-22T08:38:02+09:00","vendor":"Tobira Records","type":"","tags":["ambient","constellation records","lp","neo classical","new"],"price":418000,"price_min":418000,"price_max":418000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":49730289139962,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mark Molnar \/\/ EXO LP","public_title":null,"options":["Default Title"],"price":418000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"666561018511","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/exo1_df7d2928-130f-4948-9c39-4b3771cab993.jpg?v=1748130803","\/\/tobirarecords.com\/cdn\/shop\/files\/exo2_54cc9659-4386-456a-b37c-3585e7bb0621.jpg?v=1748130803"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/exo1_df7d2928-130f-4948-9c39-4b3771cab993.jpg?v=1748130803","options":["Title"],"media":[{"alt":null,"id":36086142697722,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/exo1_df7d2928-130f-4948-9c39-4b3771cab993.jpg?v=1748130803"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/exo1_df7d2928-130f-4948-9c39-4b3771cab993.jpg?v=1748130803","width":700},{"alt":null,"id":36086142730490,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/exo2_54cc9659-4386-456a-b37c-3585e7bb0621.jpg?v=1748130803"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/exo2_54cc9659-4386-456a-b37c-3585e7bb0621.jpg?v=1748130803","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・オタワのアンビエントMark Molnarが、2025年6月に同国モントリオールの老舗レーベルConstellationからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2560523043\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sub Luna 08:09\u003cbr\u003e2. Terre Sacer 11:37\u003cbr\u003e3. pallida Mors - Disquiet 05:57\u003cbr\u003e4. pallida Mors - Aporia 02:52\u003cbr\u003e5. pallida Mors - Patior 08:44\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Constellation Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eMark Molnar has been a linchpin of the Ottawa experimental music scene for over two decades, spanning contemporary classical, electroacoustic, industrial\/noise, and improv. As a string player in a wide range of projects, an organizer and curator of innumerable shows, and via his own avant-garde label Black Bough Records, Molnar’s unflagging contributions to independent music culture in Canada’s capital city have been significant. EXO is his Constellation debut: a remarkable and bracing suite of post-classical composition on which Molnar plays every instrument. Meticulously self-recorded, primarily with strings, harp, and piano, EXO balances thematic melodicism, polytonality, and dissonance across three elegiac pieces of exquisitely expressive dynamism. This is exacting modern chamber music that blends formal and harmonic complexity with a solemn emotive sensibility accessible to a broad audience. Listeners that yearn for some edge and disquietude in a landscape of often all-too-approachable post-classical music should find EXO eminently worth their time and attention.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile Molnar is a highly trained string player, and studied music under Aubrey Wolfe, microtonality with James Tenney, and composition with R. Murray Schafer, his trajectory has been entirely and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e intentionally outside the academy, signalling a socio-artistic commitment to DIY culture, forged from an early passion for the sonic worlds of post-hardcore, post-punk, no-wave, free improv, power electronics, and other independent\/underground musics. His classically-informed works have been described as “tense currents of musical modernism invigorated with punk’s raw vitality.” EXO carries an undercurrent influenced by dark industrial and ambient metal in particular, with microphones purposely placed to pick up the low-end frequencies of the piano body, and of a bass drum positioned as a resonant skin in the acoustic space; an electroacoustic strategy organically meshed to the crisply defined and pristinely recorded pointillisms and polychords of strings, harp, and piano, which feed into this noisefloor of crepuscular sub-bass disquietude and decay. It’s a production aesthetic that lends EXO a distinct undertow of tension and feeling, a sort of roiling maximalism where the chamber instrumentation traces arcs and waves of form and flow as if drawn from a dark, impervious ocean below. It also reinforces the profound hermeticism of Molnar’s process, as a forbiddingly solitary creative act of immersion and navigation. The album artwork, featuring semi-abstract stills of the sea by British photographer Ed Allen, further reifies this metaphor...\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eArtist : Mark Molnar\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : CST185lp\u003c\/p\u003e"}
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カナダ・オタワのアンビエントMark Molnarが、2025年6月に同国モントリオールの老舗レーベルConstellationからリリースしたレコードです。 ネオクラシカル・アンビエント5曲を収録。 レーベルその他作品はこちら /// Click here to see more Constellation Records releases available at Tobira. ------------------------------------------...
¥4,180
クイックビュー
{"id":8960961872122,"title":"Jessica Moss \/\/ Unfolding LP","handle":"jessica-moss-unfolding-lp","description":"\u003cp\u003eSilver Mt. ZionやBlack Ox Orkestarのメンバーとしても活動してきたカナダ・モントリオールのバイオリニストJessica Mossが、2025年10月にモントリオールの老舗レーベルConstellationからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・ドローン6曲を収録。180g重量盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4195284907\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black 180gram vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Washing Machine\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. One, Now (with Tony Buck) \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13:25\u003cbr\u003e\u003c\/span\u003e3. no one\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. no where\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. no one is free\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. until all are free\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e04:41\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eConstellation Records:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eUnfolding' is Jessica Moss’s most meditative and plaintive solo album, and perhaps the first in the Montréal violinist\/composer’s decade-spanning discography that could properly be called ambient. The ex-Silver Mt Zion member and Black Ox Orkestar co-founder draws from post-classical, drone, minimalism, industrial\/metal, power electronics, Klezmer and other folkways: this is not abstract ambient music. Layers of violin melody, electroacoustic processing, intermittent voice, and percussion from The Necks drummer Tony Buck, yield deeply emotive genre-defying compositions, guided by a spirit of searching and summoning that unfolds in a prevailing atmosphere of incantation and mournful restraint.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWorking closely with producer Radwan Ghazi Moumneh (Jerusalem In My Heart), Moss notes \"Unfolding was made slowly, over the last 12 months, the second full year of genocide in Palestine, in direct response to our collective witnessing, our collective grief, as a portal to collective mourning, as a searchlight through our internal weather systems, seeking one another out in the dark.\" The inseparability of the personal and political has wrung ever tighter for Moss these past two years, as for so many. She’s co-organized and played several benefit shows as a core member of the Montréal chapter\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e of Musicians For Palestine, and she released the solo album For UNRWA in spring 2024 (garnering over 800 supporters and raising thousands of dollars).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMoss’s music was already moving towards heightened fragility and deep listening, becoming increasingly durational and ceremonial. Despite the plummeting financial viability of touring, her devotion to holding space, conjuring entanglement, and connecting with intimate live audiences has become her creative lodestar, especially following lockdown. With her solo praxis shaped by committing to and communing in these rooms, recent political and personal upheavals have only intensified her ritualistic, reparative musical processes. [...]\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jessica Moss\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCST188lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-22T08:11:01+09:00","created_at":"2025-10-20T10:28:10+09:00","vendor":"Tobira Records","type":"","tags":["constellation records","drone","lp","neo classical","new"],"price":377000,"price_min":377000,"price_max":377000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47840416563450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jessica Moss \/\/ Unfolding LP","public_title":null,"options":["Default Title"],"price":377000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"666561018818","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/moss1_4797d796-6802-442a-a350-e96baf226742.jpg?v=1760923570","\/\/tobirarecords.com\/cdn\/shop\/files\/moss2_b56a764d-395e-4265-95c4-30f713a79ab2.jpg?v=1760923570"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/moss1_4797d796-6802-442a-a350-e96baf226742.jpg?v=1760923570","options":["Title"],"media":[{"alt":null,"id":37161010692346,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moss1_4797d796-6802-442a-a350-e96baf226742.jpg?v=1760923570"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moss1_4797d796-6802-442a-a350-e96baf226742.jpg?v=1760923570","width":700},{"alt":null,"id":37161010725114,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moss2_b56a764d-395e-4265-95c4-30f713a79ab2.jpg?v=1760923570"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moss2_b56a764d-395e-4265-95c4-30f713a79ab2.jpg?v=1760923570","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eSilver Mt. ZionやBlack Ox Orkestarのメンバーとしても活動してきたカナダ・モントリオールのバイオリニストJessica Mossが、2025年10月にモントリオールの老舗レーベルConstellationからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・ドローン6曲を収録。180g重量盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4195284907\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black 180gram vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Washing Machine\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. One, Now (with Tony Buck) \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13:25\u003cbr\u003e\u003c\/span\u003e3. no one\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. no where\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. no one is free\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. until all are free\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e04:41\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eConstellation Records:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eUnfolding' is Jessica Moss’s most meditative and plaintive solo album, and perhaps the first in the Montréal violinist\/composer’s decade-spanning discography that could properly be called ambient. The ex-Silver Mt Zion member and Black Ox Orkestar co-founder draws from post-classical, drone, minimalism, industrial\/metal, power electronics, Klezmer and other folkways: this is not abstract ambient music. Layers of violin melody, electroacoustic processing, intermittent voice, and percussion from The Necks drummer Tony Buck, yield deeply emotive genre-defying compositions, guided by a spirit of searching and summoning that unfolds in a prevailing atmosphere of incantation and mournful restraint.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWorking closely with producer Radwan Ghazi Moumneh (Jerusalem In My Heart), Moss notes \"Unfolding was made slowly, over the last 12 months, the second full year of genocide in Palestine, in direct response to our collective witnessing, our collective grief, as a portal to collective mourning, as a searchlight through our internal weather systems, seeking one another out in the dark.\" The inseparability of the personal and political has wrung ever tighter for Moss these past two years, as for so many. She’s co-organized and played several benefit shows as a core member of the Montréal chapter\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e of Musicians For Palestine, and she released the solo album For UNRWA in spring 2024 (garnering over 800 supporters and raising thousands of dollars).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMoss’s music was already moving towards heightened fragility and deep listening, becoming increasingly durational and ceremonial. Despite the plummeting financial viability of touring, her devotion to holding space, conjuring entanglement, and connecting with intimate live audiences has become her creative lodestar, especially following lockdown. With her solo praxis shaped by committing to and communing in these rooms, recent political and personal upheavals have only intensified her ritualistic, reparative musical processes. [...]\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jessica Moss\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCST188lp\u003c\/span\u003e\u003c\/p\u003e"}
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Silver Mt. ZionやBlack Ox Orkestarのメンバーとしても活動してきたカナダ・モントリオールのバイオリニストJessica Mossが、2025年10月にモントリオールの老舗レーベルConstellationからリリースしたレコードです。 ネオクラシカル・ドローン6曲を収録。180g重量盤です。 レーベルその他作品はこちら /// Click here to see more Constellation Records releases...
¥3,770
クイックビュー
{"id":8907029709050,"title":"SANAM \/\/ Sametou Sawtan LP","handle":"sanam-sametou-sawtan-lp","description":"\u003cp\u003eレバノンの実験ロックバンドSANAMが、2025年9月にカナダ・モントリオールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e実験中東ロック〜ストレンジビーツ8曲を収録。16ページのブックレット付属。180g重量盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=834090066\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black 180gram vinyl. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes 5inch x 5inch 16-page booklet. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Harik - حريق 05:11\u003cbr\u003e2. Goblin - غوبلن\u003cbr\u003e3. Habibon - حبيبٌ\u003cbr\u003e4. Hadikat Al Ams - حديقة الأمس\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Hamam - حمام\u003cbr\u003e\u003c\/span\u003e6. Sayl Damei - سيل دمعي\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Tatayoum - تتيم\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Sametou Sawtan - سمعت صوتاً\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eDaryl Worthington, May 2025 (via the label):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The title of the second SANAM album is as alive with possibility as the Lebanese band’s music. Sametou Sawtan translates from the Arabic to ‘I Heard A Voice’. Spooky or spiritual, however one reads the phrase, it speaks to the ability of sound and language to cause pause, steal attention, and open us to the moment. Likewise, the music of SANAM blurs tender frenzies and fire-scorched ballads, collapsing free-flowing rock and jazz frameworks into deeply rooted Arabic tradition. To hear them in full flight is to be held in the present and reorientated towards an open horizon.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWork on Sametou Sawtan began in early 2024. Initial ideas formed at Tunefork Studios in Beirut were fleshed out in April during a residency at Beit Faris, a medieval house in the coastal city of Byblos. The sextet: Sandy Chamoun (vocals), Antonio Hajj (bass), Farah Kaddour (buzuq), Anthony Sahyoun (guitar, synth), Pascal Semerdjian (drums), and Marwan Tohme (guitars), were joined by producer Radwan Ghazi Moumneh (Jerusalem In My Heart). The album’s last two tracks are recordings from the Beit Faris sessions, while the rest were captured at La Frette Studios in Paris during the band’s summer 2024 European tour.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe record processes feelings of distance and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e dislocation. “For the last five years it feels like everyone is leaving Lebanon,” explains Chamoun. “The album isn’t literally about that, but the idea that something is leaving you….A distance from events even though you’re living them, a distance from your house even though you’re inside it.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhether in the yearning ballad “Goblin” or the slow-burning, autotune-doused freakout of “Habibon”, Sametou Sawtan captures the striving for stable ground in a world seldom capable of offering it. It rides the mesmerizing intensity of the SANAM live experience while affording their music nuance, depth, and tremendous dynamic range. Like their debut, lyrics for many tracks are borrowed, words placed into new contexts to process the present. “Hamam” reinterprets an Egyptian folk song. In “Hadikat Al Ams”, the cracked hard-rock stomp propels text by contemporary Lebanese writer Paul Shaoul. And both “Sayl Damei” and the title track use poems by twelfth century Iranian poet and groundbreaking mathematician Omar Khayyam. “When you read something from Omar, you feel a connection to now,” Chamoun says. “The feeling that there’s not a clear path.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSametou Sawtan also features two songs with Chamoun’s own lyrics, including opener “Harik”. It was the seed of the album, written by Chamoun in February 2024, with the band building the track around her words. It begins with a shudder, razored electronics, and gasping voice perforating pounding drums before the band locks into triumphant ascent. It is about immersion in “an infinite fire,” Chamoun reveals. She wrote the lyrics to “Tatayoum” alone before bringing them to the band. It reflects a different kind of intensity, “a loop, an obsession,” she suggests. Buzuq weaves through hovering electronics and urgent drums while Chamoun recites Arabic words describing love. The incessant energies explored in these tracks aren’t necessarily negative. She compares their intensity to a writer locked in a train of thought, for better or worse.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“It’s not about being depressed or sad,” says Chamoun. “It’s a trap, but it can also be magical.”\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SANAM\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCST186lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-30T10:15:23+09:00","created_at":"2025-08-29T10:56:04+09:00","vendor":"Tobira Records","type":"","tags":["constellation records","lp","new","strange beats"],"price":376000,"price_min":376000,"price_max":376000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47666119999738,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"SANAM \/\/ Sametou Sawtan LP","public_title":null,"options":["Default Title"],"price":376000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"666561018610","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/san1_45117f76-bf0b-482f-a20c-9c1247450113.jpg?v=1756432637","\/\/tobirarecords.com\/cdn\/shop\/files\/san3_ce442142-df3d-4f48-9146-525dc3833ca4.jpg?v=1756432637"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/san1_45117f76-bf0b-482f-a20c-9c1247450113.jpg?v=1756432637","options":["Title"],"media":[{"alt":null,"id":36676511236346,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san1_45117f76-bf0b-482f-a20c-9c1247450113.jpg?v=1756432637"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san1_45117f76-bf0b-482f-a20c-9c1247450113.jpg?v=1756432637","width":700},{"alt":null,"id":36676511301882,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san3_ce442142-df3d-4f48-9146-525dc3833ca4.jpg?v=1756432637"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san3_ce442142-df3d-4f48-9146-525dc3833ca4.jpg?v=1756432637","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eレバノンの実験ロックバンドSANAMが、2025年9月にカナダ・モントリオールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e実験中東ロック〜ストレンジビーツ8曲を収録。16ページのブックレット付属。180g重量盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=834090066\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black 180gram vinyl. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes 5inch x 5inch 16-page booklet. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Harik - حريق 05:11\u003cbr\u003e2. Goblin - غوبلن\u003cbr\u003e3. Habibon - حبيبٌ\u003cbr\u003e4. Hadikat Al Ams - حديقة الأمس\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Hamam - حمام\u003cbr\u003e\u003c\/span\u003e6. Sayl Damei - سيل دمعي\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Tatayoum - تتيم\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Sametou Sawtan - سمعت صوتاً\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eDaryl Worthington, May 2025 (via the label):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The title of the second SANAM album is as alive with possibility as the Lebanese band’s music. Sametou Sawtan translates from the Arabic to ‘I Heard A Voice’. Spooky or spiritual, however one reads the phrase, it speaks to the ability of sound and language to cause pause, steal attention, and open us to the moment. Likewise, the music of SANAM blurs tender frenzies and fire-scorched ballads, collapsing free-flowing rock and jazz frameworks into deeply rooted Arabic tradition. To hear them in full flight is to be held in the present and reorientated towards an open horizon.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWork on Sametou Sawtan began in early 2024. Initial ideas formed at Tunefork Studios in Beirut were fleshed out in April during a residency at Beit Faris, a medieval house in the coastal city of Byblos. The sextet: Sandy Chamoun (vocals), Antonio Hajj (bass), Farah Kaddour (buzuq), Anthony Sahyoun (guitar, synth), Pascal Semerdjian (drums), and Marwan Tohme (guitars), were joined by producer Radwan Ghazi Moumneh (Jerusalem In My Heart). The album’s last two tracks are recordings from the Beit Faris sessions, while the rest were captured at La Frette Studios in Paris during the band’s summer 2024 European tour.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe record processes feelings of distance and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e dislocation. “For the last five years it feels like everyone is leaving Lebanon,” explains Chamoun. “The album isn’t literally about that, but the idea that something is leaving you….A distance from events even though you’re living them, a distance from your house even though you’re inside it.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhether in the yearning ballad “Goblin” or the slow-burning, autotune-doused freakout of “Habibon”, Sametou Sawtan captures the striving for stable ground in a world seldom capable of offering it. It rides the mesmerizing intensity of the SANAM live experience while affording their music nuance, depth, and tremendous dynamic range. Like their debut, lyrics for many tracks are borrowed, words placed into new contexts to process the present. “Hamam” reinterprets an Egyptian folk song. In “Hadikat Al Ams”, the cracked hard-rock stomp propels text by contemporary Lebanese writer Paul Shaoul. And both “Sayl Damei” and the title track use poems by twelfth century Iranian poet and groundbreaking mathematician Omar Khayyam. “When you read something from Omar, you feel a connection to now,” Chamoun says. “The feeling that there’s not a clear path.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSametou Sawtan also features two songs with Chamoun’s own lyrics, including opener “Harik”. It was the seed of the album, written by Chamoun in February 2024, with the band building the track around her words. It begins with a shudder, razored electronics, and gasping voice perforating pounding drums before the band locks into triumphant ascent. It is about immersion in “an infinite fire,” Chamoun reveals. She wrote the lyrics to “Tatayoum” alone before bringing them to the band. It reflects a different kind of intensity, “a loop, an obsession,” she suggests. Buzuq weaves through hovering electronics and urgent drums while Chamoun recites Arabic words describing love. The incessant energies explored in these tracks aren’t necessarily negative. She compares their intensity to a writer locked in a train of thought, for better or worse.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“It’s not about being depressed or sad,” says Chamoun. “It’s a trap, but it can also be magical.”\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SANAM\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCST186lp\u003c\/span\u003e\u003c\/p\u003e"}
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レバノンの実験ロックバンドSANAMが、2025年9月にカナダ・モントリオールの老舗レーベルConstellationからリリースしたアルバムです。 実験中東ロック〜ストレンジビーツ8曲を収録。16ページのブックレット付属。180g重量盤です。 レーベルその他作品はこちら /// Click here to see more Constellation Records releases available at Tobira. ------------------------------------------ 12"...
¥3,760
クイックビュー
{"id":8728872222970,"title":"Joni Void \/\/ Every Life Is A Light CD","handle":"joni-void-every-life-is-a-light-cd","description":"\u003cp\u003eTobiraインストアショーケースにも出演したカナダ・モントリオールのエレクトロニック作家Joni Voidが、2025年3月にモントリールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eエレクトロニック・ポップ〜トリップホップ〜エレクトロニック・アンビエント12曲を収録。デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4097291389\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003emini-gatefold cardstock jacket + inner disc sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Everyday - A Sequel\u003cbr\u003e2. Du Parc (with N NAO)\u003cbr\u003e3. Time Zone (with Haco)\u003cbr\u003e4. Cloud Level (with Ytamo) 03:33\u003cbr\u003e5. Muffin - A Song For My Cat\u003cbr\u003e6. L'Empire des lumières\u003cbr\u003e7. In-Between Places\u003cbr\u003e8. Event Flow - A Sequence\u003cbr\u003e9. Story Board (with Pink Navel)\u003cbr\u003e10. Vertigo (with Sook-Yin-Lee) 04:20 video\u003cbr\u003e11. Death Is Not The End\u003cbr\u003e12. Joni Sadler Forever\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Constellation Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Montréal producer and sound collagist Joni Void returns with their warmest and most welcoming album yet, wedding their sampledelic songcraft to rubbery and percolated downtempo beats. Every Life Is A Light expands on Void’s recent stylistic turn towards more languorous and mellow lo-fi production, foreshadowed by the drifting looseness and ambient bricolage of their preceding experimental sound-art record. This transitional sensibility now shapes more defined song structures and styles, with loops are given time and space to unspool, and rhythms shot through the softer-focus lens of trip-hop and dub. Every Life Is A Light swaps the twitchy insistence of Void’s acclaimed early albums for a newfound lightness and suppleness, still imbued with all the restlessness, sonic detailing, and emotional resonance that made their name. The neurotic broken-machine kinetics of earlier Void, summarized by Sasha Geffen as “drawing despair and wonder from within the vast unfeeling\u003cspan class=\"bcTruncateMore\"\u003e of digital communication” in an 8.0 Pitchfork review, may be chilling out, but Void is becoming an ever better conjurer of hauntological feeling. Every Life Is A Light summons this in a comparatively buoyant, benevolent, head-nodding journey more open to tenderness and modest joys. Perhaps it’s the sound of Void at greater peace with themselves and the world, despite the bittersweet cost: even as it channels grief, memorializing comrades and companions recently deceased, this album wants light...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joni Void\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003eCAT No : CST182cd\u003c\/p\u003e","published_at":"2025-03-10T12:39:55+09:00","created_at":"2025-02-22T15:35:26+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","constellation records","folk \/ left-field pop","hiphop \/ funk","new"],"price":224000,"price_min":224000,"price_max":224000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47145022259450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joni Void \/\/ Every Life Is A Light CD","public_title":null,"options":["Default Title"],"price":224000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"666561018221","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/life1_af792cad-6ea5-4fc2-bdfb-8336b762d03e.jpg?v=1740206190","\/\/tobirarecords.com\/cdn\/shop\/files\/life3.jpg?v=1740206190"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/life1_af792cad-6ea5-4fc2-bdfb-8336b762d03e.jpg?v=1740206190","options":["Title"],"media":[{"alt":null,"id":35609819119866,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/life1_af792cad-6ea5-4fc2-bdfb-8336b762d03e.jpg?v=1740206190"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/life1_af792cad-6ea5-4fc2-bdfb-8336b762d03e.jpg?v=1740206190","width":700},{"alt":null,"id":35609819152634,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/life3.jpg?v=1740206190"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/life3.jpg?v=1740206190","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eTobiraインストアショーケースにも出演したカナダ・モントリオールのエレクトロニック作家Joni Voidが、2025年3月にモントリールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eエレクトロニック・ポップ〜トリップホップ〜エレクトロニック・アンビエント12曲を収録。デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4097291389\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003emini-gatefold cardstock jacket + inner disc sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Everyday - A Sequel\u003cbr\u003e2. Du Parc (with N NAO)\u003cbr\u003e3. Time Zone (with Haco)\u003cbr\u003e4. Cloud Level (with Ytamo) 03:33\u003cbr\u003e5. Muffin - A Song For My Cat\u003cbr\u003e6. L'Empire des lumières\u003cbr\u003e7. In-Between Places\u003cbr\u003e8. Event Flow - A Sequence\u003cbr\u003e9. Story Board (with Pink Navel)\u003cbr\u003e10. Vertigo (with Sook-Yin-Lee) 04:20 video\u003cbr\u003e11. Death Is Not The End\u003cbr\u003e12. Joni Sadler Forever\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Constellation Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Montréal producer and sound collagist Joni Void returns with their warmest and most welcoming album yet, wedding their sampledelic songcraft to rubbery and percolated downtempo beats. Every Life Is A Light expands on Void’s recent stylistic turn towards more languorous and mellow lo-fi production, foreshadowed by the drifting looseness and ambient bricolage of their preceding experimental sound-art record. This transitional sensibility now shapes more defined song structures and styles, with loops are given time and space to unspool, and rhythms shot through the softer-focus lens of trip-hop and dub. Every Life Is A Light swaps the twitchy insistence of Void’s acclaimed early albums for a newfound lightness and suppleness, still imbued with all the restlessness, sonic detailing, and emotional resonance that made their name. The neurotic broken-machine kinetics of earlier Void, summarized by Sasha Geffen as “drawing despair and wonder from within the vast unfeeling\u003cspan class=\"bcTruncateMore\"\u003e of digital communication” in an 8.0 Pitchfork review, may be chilling out, but Void is becoming an ever better conjurer of hauntological feeling. Every Life Is A Light summons this in a comparatively buoyant, benevolent, head-nodding journey more open to tenderness and modest joys. Perhaps it’s the sound of Void at greater peace with themselves and the world, despite the bittersweet cost: even as it channels grief, memorializing comrades and companions recently deceased, this album wants light...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joni Void\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003eCAT No : CST182cd\u003c\/p\u003e"}
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Tobiraインストアショーケースにも出演したカナダ・モントリオールのエレクトロニック作家Joni Voidが、2025年3月にモントリールの老舗レーベルConstellationからリリースしたアルバムです。 エレクトロニック・ポップ〜トリップホップ〜エレクトロニック・アンビエント12曲を収録。デジスリーブ、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Constellation Records releases available at Tobira. ----------------------------...
¥2,240
クイックビュー
{"id":8728871862522,"title":"T. Gowdy \/\/ Trill Scan LP","handle":"t-gowdy-trill-scan-lp","description":"\u003cp\u003eカナダ・モントリオールのエレクトロニック作家T. Gowdyが、2025年3月にモントリールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e声をメインソースにしたエレクトロニック・アンビエント11曲を収録。180g重量盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1717523709\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 180g black vinyl. Includes DL code. Edition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Anonymous IV\u003cbr\u003e2. Blest Age! 02:41\u003cbr\u003e3. Richmond Rd\u003cbr\u003e4. Courante\u003cbr\u003e5. Anonymous V\u003cbr\u003e6. Materiadiscipuli\u003cbr\u003e7. Novus Lumen\u003cbr\u003e8. Pentaarc\u003cbr\u003e9. Flit\u003cbr\u003e10. Arislei Bone\u003cbr\u003e11. Strewn 05:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Constellation Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eT. Gowdy returns with a major statement and luminous stylistic expansion on his third album for Constellation. Trill Scan is an exquisite suite of songs literally and figuratively about alchemy, where Gowdy melds his background in choral and medieval music with his trademark analogue electronics. Following the acclaimed Miracles (Bleep Album of the Week \/ Albums of the Year 2022), Gowdy’s bar-raising new LP centers human voice for the first time. Choral set-pieces and solo lead vocals, along with his own lute playing, are novel elements in Gowdy’s work, and draw on strains of Middle Ages polyphony and the Baroque “broken style” to further distinguish Trill Scan from anything in his discography to date.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGowdy sees “the modal language of medieval Europe as a less distant cousin to indigenous traditional music practice” compared to a Classical-colonial “patriarchal order of tonality that honours a system of domination.” The 12th century Notre Dame School of choral music and 17th century style brisé each carry tonal materiality, heterodox technique, and cultural-historical symbolism central to Trill Scan’s conceptual and compositional alchemy. Gowdy coheres these beautifully into his palette of serpentine slowburn electronics, a minimal analogue-driven techno shaped by aleatory\u003cspan class=\"bcTruncateMore\"\u003e strategies and tinged with post-punk grit. Gowdy’s sound has been aptly described as “gently transportative, flickering like a busted halogen lamp” and his overriding pursuit of psychoacoustic immanence likened to “getting your brain massaged” and praised as “blissful work that bristles with effervescent energy, like brain waves coming in and out of focus.” Trill Scan expands this sonic sensibility with more conspicuous harmonic complexity, stylistic variety, and humanistic narrative arc. Alternately sacramental and intimately personal vocals, sometimes wordless and sometimes lyrical, are worked into superlative instrumental tracks, yielding a warmly immersive concept album that’s equally Gowdy’s most musical...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : T. Gowdy\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003eCAT No : CST181lp\u003c\/p\u003e","published_at":"2025-03-10T12:36:14+09:00","created_at":"2025-02-22T15:29:32+09:00","vendor":"Tobira Records","type":"","tags":["ambient","constellation records","lp","neo classical"],"price":384800,"price_min":384800,"price_max":384800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47145019212026,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"T. Gowdy \/\/ Trill Scan LP","public_title":null,"options":["Default Title"],"price":384800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"666561018115","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/trill_f24ad043-ffe3-45a7-8310-d85beacf7fd8.jpg?v=1740205801","\/\/tobirarecords.com\/cdn\/shop\/files\/trill3.jpg?v=1740205801"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/trill_f24ad043-ffe3-45a7-8310-d85beacf7fd8.jpg?v=1740205801","options":["Title"],"media":[{"alt":null,"id":35609795920122,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trill_f24ad043-ffe3-45a7-8310-d85beacf7fd8.jpg?v=1740205801"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trill_f24ad043-ffe3-45a7-8310-d85beacf7fd8.jpg?v=1740205801","width":700},{"alt":null,"id":35609795952890,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trill3.jpg?v=1740205801"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trill3.jpg?v=1740205801","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・モントリオールのエレクトロニック作家T. Gowdyが、2025年3月にモントリールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e声をメインソースにしたエレクトロニック・アンビエント11曲を収録。180g重量盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1717523709\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 180g black vinyl. Includes DL code. Edition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Anonymous IV\u003cbr\u003e2. Blest Age! 02:41\u003cbr\u003e3. Richmond Rd\u003cbr\u003e4. Courante\u003cbr\u003e5. Anonymous V\u003cbr\u003e6. Materiadiscipuli\u003cbr\u003e7. Novus Lumen\u003cbr\u003e8. Pentaarc\u003cbr\u003e9. Flit\u003cbr\u003e10. Arislei Bone\u003cbr\u003e11. Strewn 05:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Constellation Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eT. Gowdy returns with a major statement and luminous stylistic expansion on his third album for Constellation. Trill Scan is an exquisite suite of songs literally and figuratively about alchemy, where Gowdy melds his background in choral and medieval music with his trademark analogue electronics. Following the acclaimed Miracles (Bleep Album of the Week \/ Albums of the Year 2022), Gowdy’s bar-raising new LP centers human voice for the first time. Choral set-pieces and solo lead vocals, along with his own lute playing, are novel elements in Gowdy’s work, and draw on strains of Middle Ages polyphony and the Baroque “broken style” to further distinguish Trill Scan from anything in his discography to date.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGowdy sees “the modal language of medieval Europe as a less distant cousin to indigenous traditional music practice” compared to a Classical-colonial “patriarchal order of tonality that honours a system of domination.” The 12th century Notre Dame School of choral music and 17th century style brisé each carry tonal materiality, heterodox technique, and cultural-historical symbolism central to Trill Scan’s conceptual and compositional alchemy. Gowdy coheres these beautifully into his palette of serpentine slowburn electronics, a minimal analogue-driven techno shaped by aleatory\u003cspan class=\"bcTruncateMore\"\u003e strategies and tinged with post-punk grit. Gowdy’s sound has been aptly described as “gently transportative, flickering like a busted halogen lamp” and his overriding pursuit of psychoacoustic immanence likened to “getting your brain massaged” and praised as “blissful work that bristles with effervescent energy, like brain waves coming in and out of focus.” Trill Scan expands this sonic sensibility with more conspicuous harmonic complexity, stylistic variety, and humanistic narrative arc. Alternately sacramental and intimately personal vocals, sometimes wordless and sometimes lyrical, are worked into superlative instrumental tracks, yielding a warmly immersive concept album that’s equally Gowdy’s most musical...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : T. Gowdy\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003eCAT No : CST181lp\u003c\/p\u003e"}
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¥3,848
クイックビュー
{"id":8728871731450,"title":"T. Gowdy \/\/ Trill Scan CD","handle":"t-gowdy-trill-scan-cd","description":"\u003cp\u003eカナダ・モントリオールのエレクトロニック作家T. Gowdyが、2025年3月にモントリールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e声をメインソースにしたエレクトロニック・アンビエント11曲を収録。デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1717523709\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in mini-gatefold cardstock sleeve with inner CD dust jacket. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Anonymous IV\u003cbr\u003e2. Blest Age! 02:41\u003cbr\u003e3. Richmond Rd\u003cbr\u003e4. Courante\u003cbr\u003e5. Anonymous V\u003cbr\u003e6. Materiadiscipuli\u003cbr\u003e7. Novus Lumen\u003cbr\u003e8. Pentaarc\u003cbr\u003e9. Flit\u003cbr\u003e10. Arislei Bone\u003cbr\u003e11. Strewn 05:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Constellation Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eT. Gowdy returns with a major statement and luminous stylistic expansion on his third album for Constellation. Trill Scan is an exquisite suite of songs literally and figuratively about alchemy, where Gowdy melds his background in choral and medieval music with his trademark analogue electronics. Following the acclaimed Miracles (Bleep Album of the Week \/ Albums of the Year 2022), Gowdy’s bar-raising new LP centers human voice for the first time. Choral set-pieces and solo lead vocals, along with his own lute playing, are novel elements in Gowdy’s work, and draw on strains of Middle Ages polyphony and the Baroque “broken style” to further distinguish Trill Scan from anything in his discography to date.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGowdy sees “the modal language of medieval Europe as a less distant cousin to indigenous traditional music practice” compared to a Classical-colonial “patriarchal order of tonality that honours a system of domination.” The 12th century Notre Dame School of choral music and 17th century style brisé each carry tonal materiality, heterodox technique, and cultural-historical symbolism central to Trill Scan’s conceptual and compositional alchemy. Gowdy coheres these beautifully into his palette of serpentine slowburn electronics, a minimal analogue-driven techno shaped by aleatory\u003cspan class=\"bcTruncateMore\"\u003e strategies and tinged with post-punk grit. Gowdy’s sound has been aptly described as “gently transportative, flickering like a busted halogen lamp” and his overriding pursuit of psychoacoustic immanence likened to “getting your brain massaged” and praised as “blissful work that bristles with effervescent energy, like brain waves coming in and out of focus.” Trill Scan expands this sonic sensibility with more conspicuous harmonic complexity, stylistic variety, and humanistic narrative arc. Alternately sacramental and intimately personal vocals, sometimes wordless and sometimes lyrical, are worked into superlative instrumental tracks, yielding a warmly immersive concept album that’s equally Gowdy’s most musical...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : T. Gowdy\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003eCAT No : CST181cd\u003c\/p\u003e","published_at":"2025-03-10T12:33:35+09:00","created_at":"2025-02-22T15:27:55+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","constellation records","neo classical"],"price":224000,"price_min":224000,"price_max":224000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47145018982650,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"T. Gowdy \/\/ Trill Scan CD","public_title":null,"options":["Default Title"],"price":224000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"666561018122","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/trill.jpg?v=1740205533","\/\/tobirarecords.com\/cdn\/shop\/files\/trill2.jpg?v=1740205533"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/trill.jpg?v=1740205533","options":["Title"],"media":[{"alt":null,"id":35609780289786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trill.jpg?v=1740205533"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trill.jpg?v=1740205533","width":700},{"alt":null,"id":35609780322554,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trill2.jpg?v=1740205533"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trill2.jpg?v=1740205533","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・モントリオールのエレクトロニック作家T. Gowdyが、2025年3月にモントリールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e声をメインソースにしたエレクトロニック・アンビエント11曲を収録。デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1717523709\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in mini-gatefold cardstock sleeve with inner CD dust jacket. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Anonymous IV\u003cbr\u003e2. Blest Age! 02:41\u003cbr\u003e3. Richmond Rd\u003cbr\u003e4. Courante\u003cbr\u003e5. Anonymous V\u003cbr\u003e6. Materiadiscipuli\u003cbr\u003e7. Novus Lumen\u003cbr\u003e8. Pentaarc\u003cbr\u003e9. Flit\u003cbr\u003e10. Arislei Bone\u003cbr\u003e11. Strewn 05:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Constellation Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eT. Gowdy returns with a major statement and luminous stylistic expansion on his third album for Constellation. Trill Scan is an exquisite suite of songs literally and figuratively about alchemy, where Gowdy melds his background in choral and medieval music with his trademark analogue electronics. Following the acclaimed Miracles (Bleep Album of the Week \/ Albums of the Year 2022), Gowdy’s bar-raising new LP centers human voice for the first time. Choral set-pieces and solo lead vocals, along with his own lute playing, are novel elements in Gowdy’s work, and draw on strains of Middle Ages polyphony and the Baroque “broken style” to further distinguish Trill Scan from anything in his discography to date.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGowdy sees “the modal language of medieval Europe as a less distant cousin to indigenous traditional music practice” compared to a Classical-colonial “patriarchal order of tonality that honours a system of domination.” The 12th century Notre Dame School of choral music and 17th century style brisé each carry tonal materiality, heterodox technique, and cultural-historical symbolism central to Trill Scan’s conceptual and compositional alchemy. Gowdy coheres these beautifully into his palette of serpentine slowburn electronics, a minimal analogue-driven techno shaped by aleatory\u003cspan class=\"bcTruncateMore\"\u003e strategies and tinged with post-punk grit. Gowdy’s sound has been aptly described as “gently transportative, flickering like a busted halogen lamp” and his overriding pursuit of psychoacoustic immanence likened to “getting your brain massaged” and praised as “blissful work that bristles with effervescent energy, like brain waves coming in and out of focus.” Trill Scan expands this sonic sensibility with more conspicuous harmonic complexity, stylistic variety, and humanistic narrative arc. Alternately sacramental and intimately personal vocals, sometimes wordless and sometimes lyrical, are worked into superlative instrumental tracks, yielding a warmly immersive concept album that’s equally Gowdy’s most musical...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : T. Gowdy\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003eCAT No : CST181cd\u003c\/p\u003e"}
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カナダ・モントリオールのエレクトロニック作家T. Gowdyが、2025年3月にモントリールの老舗レーベルConstellationからリリースしたアルバムです。 声をメインソースにしたエレクトロニック・アンビエント11曲を収録。デジスリーブ、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Constellation Records releases available at Tobira. ----------------------------...
¥2,240
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{"id":8431495020794,"title":"Kee Avil \/\/ Spine LP \/ CD","handle":"kee-avil-spine-lp-cd","description":"\u003cp\u003eカナダ・モントリオールのエレクトロニック・ポップ作家Kee Avilが、2024年5月にモントリールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e実験ポップ10曲を収録。180g重量盤です。 DLコード付属。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/bA4jIQDz8Us?si=ZatCFwP4XRwFTo2E\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/m1r3T4rnnbA?si=m_4s3S5aSaao4WER\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/0KunMpkiBhk?si=uWd3UKfXF6c4Xdy8\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/sLEHEDbM_7k?si=YGuezlNLuC9c3kMZ\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/4e1J98iyA7A?si=i1XmMzp4ppbfUp3N\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/-HOiZIpmEPk?si=g7c-mrs3cmTjBs4H\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black 180gram vinyl or CD in mini-gatefold sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Felt 04:14\u003cbr\u003e2. the iris dry 03:56\u003cbr\u003e3. remember me 03:36\u003cbr\u003e4. do this again 03:25\u003cbr\u003e5. Fading 04:10\u003cbr\u003e6. Gelatin 03:54\u003cbr\u003e7. showed you 03:30\u003cbr\u003e8. at his hands 02:58\u003cbr\u003e9. under 04:24\u003cbr\u003e10. Croak 05:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003ejj skolnik, February 2024\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"...\u003c\/em\u003e\u003cem\u003eOn Spine, her sophomore album, Kee Avil strips back her heavily textured compositions, opening up a much rawer sound. She calls it folk—and while traditionalists might scoff, this is urgent music that reflects the precarity of modern life, as well as the jarring mixture of electronic and real-world interactions that have become the fabric of our day-to-day experiences.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere’s a hypnotic post-punk somnambulance to it all, using the repetition and fracturing of melodic phrases interwoven with delicate electronics to create curious and persistent hooks\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e. While not a concept album, themes of time’s passage, remembrance, and decay crop up across multiple tracks. Each track intentionally only has four elements—guitar, electronics, and two other instruments, with Kee’s voice and guitar pushed to the front. Within this minimalist framework, the juxtaposition of beauty and discomfort that is key to the Kee Avil sound stands out in skin-prickling relief. “We’re shaped by many versions of ourselves,” says Avil. 'I was looking back at these versions of myself and what could have been, what didn’t end up being and what did end up being, and going back like that through time. Seeing the future, the past.'\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kee Avil\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003eCAT No: CST178lp\u003c\/p\u003e","published_at":"2024-05-25T13:51:51+09:00","created_at":"2024-05-12T14:07:39+09:00","vendor":"Tobira Records","type":"","tags":["cd","constellation records","folk \/ left-field pop","lp"],"price":218000,"price_min":218000,"price_max":374000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45920734314746,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":41268808941818,"product_id":8431495020794,"position":2,"created_at":"2024-05-12T14:07:39+09:00","updated_at":"2024-05-12T14:07:42+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ke2.jpg?v=1715490462","variant_ids":[45920734314746]},"available":false,"name":"Kee Avil \/\/ Spine LP \/ CD - LP","public_title":"LP","options":["LP"],"price":374000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":34001286037754,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ke2.jpg?v=1715490462"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":45920734347514,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":41268809957626,"product_id":8431495020794,"position":3,"created_at":"2024-05-12T14:07:55+09:00","updated_at":"2024-05-12T14:07:56+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kee3.jpg?v=1715490476","variant_ids":[45920734347514]},"available":true,"name":"Kee Avil \/\/ Spine LP \/ CD - CD","public_title":"CD","options":["CD"],"price":218000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":34001287807226,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kee3.jpg?v=1715490476"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kee1_53b5c85e-7815-4a6f-bd30-b3deccddd0f2.jpg?v=1715490461","\/\/tobirarecords.com\/cdn\/shop\/files\/ke2.jpg?v=1715490462","\/\/tobirarecords.com\/cdn\/shop\/files\/kee3.jpg?v=1715490476"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kee1_53b5c85e-7815-4a6f-bd30-b3deccddd0f2.jpg?v=1715490461","options":["Format"],"media":[{"alt":null,"id":34001286004986,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kee1_53b5c85e-7815-4a6f-bd30-b3deccddd0f2.jpg?v=1715490461"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kee1_53b5c85e-7815-4a6f-bd30-b3deccddd0f2.jpg?v=1715490461","width":700},{"alt":null,"id":34001286037754,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ke2.jpg?v=1715490462"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ke2.jpg?v=1715490462","width":1200},{"alt":null,"id":34001287807226,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kee3.jpg?v=1715490476"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kee3.jpg?v=1715490476","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・モントリオールのエレクトロニック・ポップ作家Kee Avilが、2024年5月にモントリールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e実験ポップ10曲を収録。180g重量盤です。 DLコード付属。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/bA4jIQDz8Us?si=ZatCFwP4XRwFTo2E\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/m1r3T4rnnbA?si=m_4s3S5aSaao4WER\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/0KunMpkiBhk?si=uWd3UKfXF6c4Xdy8\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/sLEHEDbM_7k?si=YGuezlNLuC9c3kMZ\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/4e1J98iyA7A?si=i1XmMzp4ppbfUp3N\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/-HOiZIpmEPk?si=g7c-mrs3cmTjBs4H\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black 180gram vinyl or CD in mini-gatefold sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Felt 04:14\u003cbr\u003e2. the iris dry 03:56\u003cbr\u003e3. remember me 03:36\u003cbr\u003e4. do this again 03:25\u003cbr\u003e5. Fading 04:10\u003cbr\u003e6. Gelatin 03:54\u003cbr\u003e7. showed you 03:30\u003cbr\u003e8. at his hands 02:58\u003cbr\u003e9. under 04:24\u003cbr\u003e10. Croak 05:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003ejj skolnik, February 2024\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"...\u003c\/em\u003e\u003cem\u003eOn Spine, her sophomore album, Kee Avil strips back her heavily textured compositions, opening up a much rawer sound. She calls it folk—and while traditionalists might scoff, this is urgent music that reflects the precarity of modern life, as well as the jarring mixture of electronic and real-world interactions that have become the fabric of our day-to-day experiences.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere’s a hypnotic post-punk somnambulance to it all, using the repetition and fracturing of melodic phrases interwoven with delicate electronics to create curious and persistent hooks\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e. While not a concept album, themes of time’s passage, remembrance, and decay crop up across multiple tracks. Each track intentionally only has four elements—guitar, electronics, and two other instruments, with Kee’s voice and guitar pushed to the front. Within this minimalist framework, the juxtaposition of beauty and discomfort that is key to the Kee Avil sound stands out in skin-prickling relief. “We’re shaped by many versions of ourselves,” says Avil. 'I was looking back at these versions of myself and what could have been, what didn’t end up being and what did end up being, and going back like that through time. Seeing the future, the past.'\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kee Avil\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003eCAT No: CST178lp\u003c\/p\u003e"}
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カナダ・モントリオールのエレクトロニック・ポップ作家Kee Avilが、2024年5月にモントリールの老舗レーベルConstellationからリリースしたアルバムです。 実験ポップ10曲を収録。180g重量盤です。 DLコード付属。 レーベルその他作品はこちら /// Click here to see more Constellation Records releases available at Tobira. ...
¥2,180
クイックビュー
{"id":7987859947770,"title":"Joni Void \/\/ Everyday Is The Song LP \/ CD","handle":"joni-void-everyday-is-the-song-lp-cd","description":"\u003cp\u003e※7\/15のTobiraインストアショーケースに出演します\u003c\/p\u003e\n\u003cp\u003eカナダ・モントリオールの実験ビートメイカーJoni Voidが、2023年5月にモントリオールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eサンプリングを駆使した実験コラージュ・ヒップホップ〜実験ベッドルームポップ12曲を収録。レコードは180g重量盤\u0026amp;DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=70764967\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black 180gram vinyl or CD in paperboard gatefold-style jacket. \u003cbr\u003eLP comes with DL code.\u003c\/p\u003e\n\u003cp\u003eConstellation Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEveryday Is The Song is Joni Void’s third album for Constellation and a deeper plunge into emotive audio montage; the Montréal-based French-British producer calls it “Tape Vortex \/ Musique Verité \/ Memory Collage”. The album’s raw material relies centrally on a Walkman bought at local record shop Death Of Vinyl in spring 2020 and lost at a Backxwash show two years later, but not before hours of audio snippets were captured and archived. Everyday Is The Song is an evocative sample-based sonic diary brimming with warmth, transience and hyper-specificity where Void explores a more abstract and interstitial terrain of drifting miniatures. It remains very much a collection of songs, but relative to the more assertive and intensive tracks channeling explorations of traumatic interiority on their previous pair of acclaimed LPs, Void’s new album flows with intentional lightness and a more incidental atmosphere. Songs are constructed from audio recordings made all over and often while literally on the move: walking, cycling and skateboarding around the city; in bus and train stations; from car windows. The album’s overt musical material was recorded, often spontaneously and informally, in all sorts of jam spaces, living rooms and at local live shows. Perambulation is a central theme and constituent fabric of Everyday\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Is The Song, carrying with it a colloquial spirit of gentle, intrinsic sentimentality. The self-proclaimed “love, soul, agency, and whimsy” virtues of Ruby Yacht (R.A.P. Ferreira, Pink Navel, et al) have also been a lodestar for Void in this respect.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs Sasha Geffen writes in their glowing 8.0 Pitchfork review of Joni Void’s last album Mise En Abyme (2019): \"There is still experience that can't be atomized and analyzed, however slippery it may be even to those feeling it; [Void] hunts that sensation of flux and liminality, unearthing warmth in a landscape of paranoia.\" Everyday Is The Song continues in this ineffable vein, but on an explicit mission to substitute psychosis with the ephemera of fleeting delight in observation, documentation, participation, the daily small acts of sharing, caring, enthusiasm and kindness of creative being-in-the-world. The album’s sonic travelogue through local audio geography and community conveys a sort of urban pastoralism and charming softness. Less kinetic and beat-driven than previous work, a field recording and audio art sensibility prevails, with a tempered intimacy that sends this new song cycle sailing along mostly dulcet but detailed waves of materiality. The result is an electro-acoustic tape collage album of beautifully drifting melody, occasional voice, wide-ranging ‘instrumentation’ and enchanting texture. Void’s deeply personal and keenly original aesthetic of assemblage and experimentation is on fine display, less burdened by forceful statement-making, but scrupulous, generous, and full of feeling.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMusician friends whose instruments, sounds and voices appear on the album include Owen Pallett, N NAO, YlangYlang, Sarah Pagé, Shota Yokose, Mojeanne Behzadi, Maya Kuroki, Moshi Moshi and Thoughts On Air to name just a few. The album’s title comes from Strawberry723, a Twitter bot that posted “Everyday Is The Song” on May 5th 2018 (the one-year anniversary of Void’s 2017 Constellation debut Selfless) and serendipitously invokes Void’s own long-running local event and micro-label platform Everyday Ago, itself taken from the Japanese-to-English auto-translate of a sentence about depression that yielded the phrase “I am being sad, everyday ago.” Everyday Is The Song remains perhaps broadly melancholic in temperature, but marks a turn away from angst, agitation, despondency or despair for Joni Void. Instead, its subjectivity imbues the quotidian with affecting narrative, understated wonder, and a wholly engaging serenity. Thanks for listening.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joni Void\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e","published_at":"2023-06-23T19:43:11+09:00","created_at":"2023-06-23T19:19:19+09:00","vendor":"Tobira Records","type":"","tags":["cd","constellation records","folk \/ left-field pop","hiphop \/ funk","lp","monooto"],"price":199000,"price_min":199000,"price_max":349000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44295034667258,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39534443266298,"product_id":7987859947770,"position":2,"created_at":"2023-06-23T19:19:19+09:00","updated_at":"2023-06-23T19:19:21+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ev2_10d000b7-8e7e-4423-ac68-c4b814473366.jpg?v=1687515561","variant_ids":[44295034667258]},"available":true,"name":"Joni Void \/\/ Everyday Is The Song LP \/ CD - LP","public_title":"LP","options":["LP"],"price":349000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":32146907070714,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ev2_10d000b7-8e7e-4423-ac68-c4b814473366.jpg?v=1687515561"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":44295034700026,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39534443233530,"product_id":7987859947770,"position":3,"created_at":"2023-06-23T19:19:19+09:00","updated_at":"2023-06-23T19:19:21+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ev3_52de8670-2e2a-4946-a32e-c8b0e7920cff.jpg?v=1687515561","variant_ids":[44295034700026]},"available":true,"name":"Joni Void \/\/ Everyday Is The Song LP \/ CD - CD","public_title":"CD","options":["CD"],"price":199000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":32146907103482,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ev3_52de8670-2e2a-4946-a32e-c8b0e7920cff.jpg?v=1687515561"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ev1_e6547903-d588-4ed2-b3c3-33030ae99ade.jpg?v=1687515561","\/\/tobirarecords.com\/cdn\/shop\/files\/ev2_10d000b7-8e7e-4423-ac68-c4b814473366.jpg?v=1687515561","\/\/tobirarecords.com\/cdn\/shop\/files\/ev3_52de8670-2e2a-4946-a32e-c8b0e7920cff.jpg?v=1687515561"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ev1_e6547903-d588-4ed2-b3c3-33030ae99ade.jpg?v=1687515561","options":["Format"],"media":[{"alt":null,"id":32146907037946,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ev1_e6547903-d588-4ed2-b3c3-33030ae99ade.jpg?v=1687515561"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ev1_e6547903-d588-4ed2-b3c3-33030ae99ade.jpg?v=1687515561","width":700},{"alt":null,"id":32146907070714,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ev2_10d000b7-8e7e-4423-ac68-c4b814473366.jpg?v=1687515561"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ev2_10d000b7-8e7e-4423-ac68-c4b814473366.jpg?v=1687515561","width":1200},{"alt":null,"id":32146907103482,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ev3_52de8670-2e2a-4946-a32e-c8b0e7920cff.jpg?v=1687515561"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ev3_52de8670-2e2a-4946-a32e-c8b0e7920cff.jpg?v=1687515561","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e※7\/15のTobiraインストアショーケースに出演します\u003c\/p\u003e\n\u003cp\u003eカナダ・モントリオールの実験ビートメイカーJoni Voidが、2023年5月にモントリオールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eサンプリングを駆使した実験コラージュ・ヒップホップ〜実験ベッドルームポップ12曲を収録。レコードは180g重量盤\u0026amp;DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=70764967\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black 180gram vinyl or CD in paperboard gatefold-style jacket. \u003cbr\u003eLP comes with DL code.\u003c\/p\u003e\n\u003cp\u003eConstellation Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEveryday Is The Song is Joni Void’s third album for Constellation and a deeper plunge into emotive audio montage; the Montréal-based French-British producer calls it “Tape Vortex \/ Musique Verité \/ Memory Collage”. The album’s raw material relies centrally on a Walkman bought at local record shop Death Of Vinyl in spring 2020 and lost at a Backxwash show two years later, but not before hours of audio snippets were captured and archived. Everyday Is The Song is an evocative sample-based sonic diary brimming with warmth, transience and hyper-specificity where Void explores a more abstract and interstitial terrain of drifting miniatures. It remains very much a collection of songs, but relative to the more assertive and intensive tracks channeling explorations of traumatic interiority on their previous pair of acclaimed LPs, Void’s new album flows with intentional lightness and a more incidental atmosphere. Songs are constructed from audio recordings made all over and often while literally on the move: walking, cycling and skateboarding around the city; in bus and train stations; from car windows. The album’s overt musical material was recorded, often spontaneously and informally, in all sorts of jam spaces, living rooms and at local live shows. Perambulation is a central theme and constituent fabric of Everyday\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Is The Song, carrying with it a colloquial spirit of gentle, intrinsic sentimentality. The self-proclaimed “love, soul, agency, and whimsy” virtues of Ruby Yacht (R.A.P. Ferreira, Pink Navel, et al) have also been a lodestar for Void in this respect.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs Sasha Geffen writes in their glowing 8.0 Pitchfork review of Joni Void’s last album Mise En Abyme (2019): \"There is still experience that can't be atomized and analyzed, however slippery it may be even to those feeling it; [Void] hunts that sensation of flux and liminality, unearthing warmth in a landscape of paranoia.\" Everyday Is The Song continues in this ineffable vein, but on an explicit mission to substitute psychosis with the ephemera of fleeting delight in observation, documentation, participation, the daily small acts of sharing, caring, enthusiasm and kindness of creative being-in-the-world. The album’s sonic travelogue through local audio geography and community conveys a sort of urban pastoralism and charming softness. Less kinetic and beat-driven than previous work, a field recording and audio art sensibility prevails, with a tempered intimacy that sends this new song cycle sailing along mostly dulcet but detailed waves of materiality. The result is an electro-acoustic tape collage album of beautifully drifting melody, occasional voice, wide-ranging ‘instrumentation’ and enchanting texture. Void’s deeply personal and keenly original aesthetic of assemblage and experimentation is on fine display, less burdened by forceful statement-making, but scrupulous, generous, and full of feeling.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMusician friends whose instruments, sounds and voices appear on the album include Owen Pallett, N NAO, YlangYlang, Sarah Pagé, Shota Yokose, Mojeanne Behzadi, Maya Kuroki, Moshi Moshi and Thoughts On Air to name just a few. The album’s title comes from Strawberry723, a Twitter bot that posted “Everyday Is The Song” on May 5th 2018 (the one-year anniversary of Void’s 2017 Constellation debut Selfless) and serendipitously invokes Void’s own long-running local event and micro-label platform Everyday Ago, itself taken from the Japanese-to-English auto-translate of a sentence about depression that yielded the phrase “I am being sad, everyday ago.” Everyday Is The Song remains perhaps broadly melancholic in temperature, but marks a turn away from angst, agitation, despondency or despair for Joni Void. Instead, its subjectivity imbues the quotidian with affecting narrative, understated wonder, and a wholly engaging serenity. Thanks for listening.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joni Void\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e"}
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※7/15のTobiraインストアショーケースに出演します カナダ・モントリオールの実験ビートメイカーJoni Voidが、2023年5月にモントリオールの老舗レーベルConstellationからリリースしたアルバムです。 サンプリングを駆使した実験コラージュ・ヒップホップ〜実験ベッドルームポップ12曲を収録。レコードは180g重量盤&DLコード付属。 レーベルその他作品はこちら /// Click here to see more Constellation Records releases available at Tobira. ...
¥1,990
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{"id":7864821776634,"title":"Black Ox Orkestar \/\/ Everything Returns LP","handle":"black-ox-orkestar-everything-returns-lp","description":"\u003cp\u003e大御所ネオクラシカル〜ポストロックバンドBlack Ox Orkestarが2022年12月にリリースした15年ぶりの最新作です。\u003c\/p\u003e\n\u003cp\u003e異国情緒溢れるネオクラシカル・フォーク9曲を収録。180g重量盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=234184009\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e180gram 12\" vinyl. 36”x12” fold-out insert contains additional artwork and lyrics in three languages. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eConstellation Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eEverything Returns reconvenes the original Black Ox Orkestar lineup after a 15-year hiatus. Arising from the fertile Montréal post-punk scene of the early 2000s, the band comprises Scott Gilmore, Jessica Moss and Thierry Amar of Thee Silver Mt. Zion (Amar also continues to compose and play bass for Godspeed You! Black Emperor) and Gabriel Levine of Sackville. Black Ox made two acclaimed albums of roiling acoustic avant-folk in the mid-2000s, exploring Eastern European and North African folkways through the lens of a gritty, resonant indie rock sensibility, juxtaposing interpretations of instrumentals from various Jewish, Romani and Arabic traditions with originals led by Gilmore’s politically-charged Yiddish vocals. These early albums have since become lodestars for many among a new generation of Yiddish, Klezmer and radical Jewish diasporic music practitioners and fans.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFirst revealing its resurrection in February 2022 with a surprise flexi 7” single issued by leftist magazine Jewish Currents as a gift to its thousands of subscribers, Black Ox has indeed fully and fruitfully reunited. Exquisitely recorded by Greg Norman (Jason Molina, Nina Nastasia, Electrical Audio), Everything Returns picks up right where the band left off: an incisively atmospheric\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, melancholic yet resolute album of uniquely modern Jewish folk music, with piano, violin, upright bass, clarinet and cymbalom making up the core instrumentation, and the vocal tunes sung primarily in Yiddish, alongside album centerpiece “Viderkol” and closer “Lamed-Vovnik” where English also features.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis is not fusion music, but diaspora music: a cross-cultural call and response of musical lexicons, emerging from the history of Jewish persecution and displacement, the musicology of 19th century repertoire from Jewish shtetls, the improvisational traditions of nusakh in Jewish music and taqsim in Arabic music, and a wider polyglot dialogue of Jewish, Slavic, Arabic, and Central Asian musical traditions. Lyrically and stylistically, Everything Returns connects key current issues—from refugees forced to leave their homes, to the return of fascism and exclusionary nationalism—with the legacy of modernist Yiddish poetry and song.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe new Black Ox Orkestar album is a sublime, poetic, politically-informed statement of re-energized diasporic musical intent, where Gilmore’s voice and the band’s simmering arrangements conjure an ardent, doleful balladry that echoes the sound and sensibility of artists like Tindersticks, The National, Nick Cave and Leonard Cohen. Everything Returns is a haunting, richly textured, darkly sparkling song cycle at once from a vanished world and very much of our time and place.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Black Ox Orkestar\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e","published_at":"2022-12-18T09:50:16+09:00","created_at":"2022-12-11T14:17:22+09:00","vendor":"Tobira Records","type":"","tags":["constellation records","folk \/ left-field pop","jazz","lp","neo classical"],"price":378000,"price_min":378000,"price_max":378000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43760173482234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Black Ox Orkestar \/\/ Everything Returns LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ev1_f01617f0-9d45-4754-b202-2665f9974859.jpg?v=1670735844","\/\/tobirarecords.com\/cdn\/shop\/products\/ev2_c7483e0b-b438-45ca-99bc-a0b84dee06ab.jpg?v=1670735844"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev1_f01617f0-9d45-4754-b202-2665f9974859.jpg?v=1670735844","options":["Title"],"media":[{"alt":null,"id":31172507828474,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev1_f01617f0-9d45-4754-b202-2665f9974859.jpg?v=1670735844"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev1_f01617f0-9d45-4754-b202-2665f9974859.jpg?v=1670735844","width":700},{"alt":null,"id":31172507861242,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev2_c7483e0b-b438-45ca-99bc-a0b84dee06ab.jpg?v=1670735844"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev2_c7483e0b-b438-45ca-99bc-a0b84dee06ab.jpg?v=1670735844","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e大御所ネオクラシカル〜ポストロックバンドBlack Ox Orkestarが2022年12月にリリースした15年ぶりの最新作です。\u003c\/p\u003e\n\u003cp\u003e異国情緒溢れるネオクラシカル・フォーク9曲を収録。180g重量盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=234184009\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e180gram 12\" vinyl. 36”x12” fold-out insert contains additional artwork and lyrics in three languages. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eConstellation Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eEverything Returns reconvenes the original Black Ox Orkestar lineup after a 15-year hiatus. Arising from the fertile Montréal post-punk scene of the early 2000s, the band comprises Scott Gilmore, Jessica Moss and Thierry Amar of Thee Silver Mt. Zion (Amar also continues to compose and play bass for Godspeed You! Black Emperor) and Gabriel Levine of Sackville. Black Ox made two acclaimed albums of roiling acoustic avant-folk in the mid-2000s, exploring Eastern European and North African folkways through the lens of a gritty, resonant indie rock sensibility, juxtaposing interpretations of instrumentals from various Jewish, Romani and Arabic traditions with originals led by Gilmore’s politically-charged Yiddish vocals. These early albums have since become lodestars for many among a new generation of Yiddish, Klezmer and radical Jewish diasporic music practitioners and fans.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFirst revealing its resurrection in February 2022 with a surprise flexi 7” single issued by leftist magazine Jewish Currents as a gift to its thousands of subscribers, Black Ox has indeed fully and fruitfully reunited. Exquisitely recorded by Greg Norman (Jason Molina, Nina Nastasia, Electrical Audio), Everything Returns picks up right where the band left off: an incisively atmospheric\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, melancholic yet resolute album of uniquely modern Jewish folk music, with piano, violin, upright bass, clarinet and cymbalom making up the core instrumentation, and the vocal tunes sung primarily in Yiddish, alongside album centerpiece “Viderkol” and closer “Lamed-Vovnik” where English also features.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis is not fusion music, but diaspora music: a cross-cultural call and response of musical lexicons, emerging from the history of Jewish persecution and displacement, the musicology of 19th century repertoire from Jewish shtetls, the improvisational traditions of nusakh in Jewish music and taqsim in Arabic music, and a wider polyglot dialogue of Jewish, Slavic, Arabic, and Central Asian musical traditions. Lyrically and stylistically, Everything Returns connects key current issues—from refugees forced to leave their homes, to the return of fascism and exclusionary nationalism—with the legacy of modernist Yiddish poetry and song.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe new Black Ox Orkestar album is a sublime, poetic, politically-informed statement of re-energized diasporic musical intent, where Gilmore’s voice and the band’s simmering arrangements conjure an ardent, doleful balladry that echoes the sound and sensibility of artists like Tindersticks, The National, Nick Cave and Leonard Cohen. Everything Returns is a haunting, richly textured, darkly sparkling song cycle at once from a vanished world and very much of our time and place.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Black Ox Orkestar\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e"}
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大御所ネオクラシカル〜ポストロックバンドBlack Ox Orkestarが2022年12月にリリースした15年ぶりの最新作です。 異国情緒溢れるネオクラシカル・フォーク9曲を収録。180g重量盤です。 レーベルその他作品はこちら /// Click here to see more Constellation Records releases available at Tobira. ...
¥3,780
クイックビュー
{"id":7810594078970,"title":"Esmerine \/\/ Everything Was Forever Until It Was No More LP","handle":"esmerine-everything-was-forever-until-it-was-no-more-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eカナダ・モントリオールのポストロックバンドGodspeed You! Black EmperorやSilver Mt. Zionなどのメンバー達によるネオクラシカルバンドEsmerineが、2022年10月に同国老舗ポストロックレーベルConstellationからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eストリングスの音色が美しい壮大でシネマティックなネオクラシカル・アンビエント9曲を収録。180g重量盤です。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3305301396\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. Includes 2x12\" card prints featuring artwork\/\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecollages by Maciek Szczerbowski.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003eConstellation Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRooted in a distinct and immediately identifiable sound—with the cello of Rebecca Foon (Saltland, Set Fire To Flames, Silver Mt Zion) and the marimba of ex-Godspeed You! Black Emperor percussionist Bruce Cawdron at its core—Esmerine has long embroidered emotive chamber works using threads of post-classical, post-rock, Minimalism, neo-Baroque, jazz, pop and a wide array of folk traditions. Multi-instrumentalist Brian Sanderson, who joined the group in 2012, has furthered Esmerine’s melodic and ethnomusicological sensibility ever since, expanding the ensemble’s palette as its third core member with guitars, ngoni, ekonting, hulusi, brass horns of all sorts, and more.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter six stately albums, Esmerine now shares Everything Was Forever Until It Was No More, its first in five years. The band surprise-dropped the full album digitally on 06 May 2022, with the CD and deluxe 180gram LP editions hitting stores on official release date 26 August 2022.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFollowing an acclaimed run of mid-career records on Constellation through the 2010s Esmerine began working on new music at decade’s end. Under the auspices of a grant from the Canada Council for the Arts and a summer 2019 residency at Le\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Château de Monthelon in France, compositional seeds were planted before the pandemic rooted everyone in place. In between lockdown waves, at the respective rural Québec homesteads of Cawdron and Foon, longtime co-producer Jace Lasek (The Bernard Lakes) began capturing the band in various stripped-down configurations with spartan remote equipment. More fulsome arrangement and overdub sessions at Foon’s converted barn during the summer of 2021 brought the album to full fruition—where a notable increase in the use of acoustic piano also poured forth, with just about every band member having a go. The record also signals the definitive integration of bassist Philippe Charbonneau—having joined Esmerine as a touring member pre-pandemic, he plays throughout the album on upright and electric bass, with turns on piano and synth, as well as sound design contributions via tape echo and other processing.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEverything Was Forever Until It Was No More grapples with the existential tensions between atmosphere and airlessness, seclusion and claustrophobia, forbearance and coalescence. In many ways it is one of Esmerine’s most restrained records; instrumental densities ebb and flow, melding into each other with gauzy timbral warmth, sometimes tracing fleeting tendrils outwards, but always rotating around a saturnine gravitational force. Everything Was Forever Until It Was No More is like a dark forest lit by a closely-orbiting opalescent planet; it could be the alternate score to Von Trier’s Melancholia or Cormac McCarthy’s The Road.'\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Esmerine\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e","published_at":"2022-10-30T09:48:04+09:00","created_at":"2022-10-15T11:37:24+09:00","vendor":"Tobira Records","type":"","tags":["ambient","constellation records","lp","neo classical"],"price":379000,"price_min":379000,"price_max":379000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43546123665658,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Esmerine \/\/ Everything Was Forever Until It Was No More LP","public_title":null,"options":["Default Title"],"price":379000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_e86bf008-97a1-4e7a-9e1a-00db8c064e25.jpg?v=1665801445","\/\/tobirarecords.com\/cdn\/shop\/products\/co2_615cc79c-c0be-4731-a121-1e8ba4e83b3d.jpg?v=1665801445"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_e86bf008-97a1-4e7a-9e1a-00db8c064e25.jpg?v=1665801445","options":["Title"],"media":[{"alt":null,"id":30752004178170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_e86bf008-97a1-4e7a-9e1a-00db8c064e25.jpg?v=1665801445"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_e86bf008-97a1-4e7a-9e1a-00db8c064e25.jpg?v=1665801445","width":700},{"alt":null,"id":30752004210938,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_615cc79c-c0be-4731-a121-1e8ba4e83b3d.jpg?v=1665801445"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_615cc79c-c0be-4731-a121-1e8ba4e83b3d.jpg?v=1665801445","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eカナダ・モントリオールのポストロックバンドGodspeed You! Black EmperorやSilver Mt. Zionなどのメンバー達によるネオクラシカルバンドEsmerineが、2022年10月に同国老舗ポストロックレーベルConstellationからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eストリングスの音色が美しい壮大でシネマティックなネオクラシカル・アンビエント9曲を収録。180g重量盤です。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3305301396\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. Includes 2x12\" card prints featuring artwork\/\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecollages by Maciek Szczerbowski.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003eConstellation Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRooted in a distinct and immediately identifiable sound—with the cello of Rebecca Foon (Saltland, Set Fire To Flames, Silver Mt Zion) and the marimba of ex-Godspeed You! Black Emperor percussionist Bruce Cawdron at its core—Esmerine has long embroidered emotive chamber works using threads of post-classical, post-rock, Minimalism, neo-Baroque, jazz, pop and a wide array of folk traditions. Multi-instrumentalist Brian Sanderson, who joined the group in 2012, has furthered Esmerine’s melodic and ethnomusicological sensibility ever since, expanding the ensemble’s palette as its third core member with guitars, ngoni, ekonting, hulusi, brass horns of all sorts, and more.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter six stately albums, Esmerine now shares Everything Was Forever Until It Was No More, its first in five years. The band surprise-dropped the full album digitally on 06 May 2022, with the CD and deluxe 180gram LP editions hitting stores on official release date 26 August 2022.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFollowing an acclaimed run of mid-career records on Constellation through the 2010s Esmerine began working on new music at decade’s end. Under the auspices of a grant from the Canada Council for the Arts and a summer 2019 residency at Le\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Château de Monthelon in France, compositional seeds were planted before the pandemic rooted everyone in place. In between lockdown waves, at the respective rural Québec homesteads of Cawdron and Foon, longtime co-producer Jace Lasek (The Bernard Lakes) began capturing the band in various stripped-down configurations with spartan remote equipment. More fulsome arrangement and overdub sessions at Foon’s converted barn during the summer of 2021 brought the album to full fruition—where a notable increase in the use of acoustic piano also poured forth, with just about every band member having a go. The record also signals the definitive integration of bassist Philippe Charbonneau—having joined Esmerine as a touring member pre-pandemic, he plays throughout the album on upright and electric bass, with turns on piano and synth, as well as sound design contributions via tape echo and other processing.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEverything Was Forever Until It Was No More grapples with the existential tensions between atmosphere and airlessness, seclusion and claustrophobia, forbearance and coalescence. In many ways it is one of Esmerine’s most restrained records; instrumental densities ebb and flow, melding into each other with gauzy timbral warmth, sometimes tracing fleeting tendrils outwards, but always rotating around a saturnine gravitational force. Everything Was Forever Until It Was No More is like a dark forest lit by a closely-orbiting opalescent planet; it could be the alternate score to Von Trier’s Melancholia or Cormac McCarthy’s The Road.'\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Esmerine\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e"}
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カナダ・モントリオールのポストロックバンドGodspeed You! Black EmperorやSilver Mt. Zionなどのメンバー達によるネオクラシカルバンドEsmerineが、2022年10月に同国老舗ポストロックレーベルConstellationからリリースしたレコードです。 ストリングスの音色が美しい壮大でシネマティックなネオクラシカル・アンビエント9曲を収録。180g重量盤です。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Constellation Records releases...
¥3,790
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{"id":9455243493626,"title":"Steve Bates \/\/ An Infinite Antenna CD","handle":"also-steve-bates-an-infinite-antenna-cd","description":"\u003cp\u003eカナダ・モントリオールのエレクトロニック作家Steve Batesが、2026年9月にモントリオールの老舗レーベルConstellationからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eアンビエントドローン〜IDM12曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cdiv style=\"color: inherit;\"\u003e\n\u003cp\u003e\"\u003cem\u003eモントリオールを拠点とするサウンドアーティストSteve Batesは、コンステレーションからの2作目のソロアルバム『An Infinite Antenna』において、その戦略とスタイル上の影響の幅を広げ、メロディックな要素やテクスチャのダイナミクスにより自由な表現の余地を与えている。レフトフィールドなシンセワーク、脱構築されたドラムマシン、点描的なエレキギター、そしてラジオノイズのようなぼやけ――これらすべてが、彼のブルイスト的な信号の歪みやフィールドレコーディングの感性を巡って渦巻く新たな調合の一部となっている。2022年にコンステレーションからリリースされ高い評価を得たデビュー作に比べ、本作『An Infinite Antenna』はよりアンビエント色の強いアルバムと言えるが、同時にアイデア、ダイナミクス、喚起力、そして耳に残るメロディがより濃密に詰め込まれている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1990年代のカナダ・プレーリー地方のアナキスト・パンク・シーンから登場したBatesは、1998年にウィニペグで実験音楽フェスティバル「Send + Receive」を設立した後、モントリオールに移住し、ヘキサグラム（コンコルディア大学）のサウンド・コーディネーターに就任。そこで音響研究や理論、テープを用いた作曲、インスタレーション作品への探求をさらに深めた。自身のサウンドアート・レーベル「The Dim Coast」のキュレーション活動と並行して、 Also Steve BatesはORAL_recordsからソロやコラボレーションによるアルバムを数枚リリースし、2022年にコンステレーションからデビュー作『All The Things That Happen』を発表した。この作品は、Boomkatから「荒々しくも虹色に輝くアンビエントのうねりが、マキシマリスト的なパノラマを描き出す」と称賛され、Backseat Mafiaからは「不安定で破壊的な不協和音と優しい静けさが織りなす並外れたサウンドスケープであり、権力の脅威の残響である」と評された。前作がカシオSK-1という自ら課した制限の下で制作された、ノイズが多く一途な作品だったのに対し、Also Steve Batesは『An Infinite Antenna』では楽器編成や雰囲気をより幅広く駆使している。また、ポスト・ハードコアのルーツを活かし、トラックごとに簡潔さを追求しつつも、アルバム全体としてシームレスな作品としての整合性を保っている。「（私が大いに愛する）アンビエント系のスタイルに見られるような、長くて広がりのある音楽ではなく、パンクを連想させるような曲の長さを設定しようとしていた。ミニットメンの曲の長さまで完全に絞り込むことはできなかったが、本質的な要素へと還元するという考えが、まるで肩越しにささやくような存在として常にあった。」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2023年から2025年にかけて、ボスニア・ヘルツェゴビナ（アルバムのジャケット写真はサラエボで撮影された）、オーストリア、ギリシャ、サスカチュワンでのアーティスト・イン・レジデンスや、特定の場所を舞台にしたサウンド・インスタレーションの視察などで収録された音源を取り入れた『An Infinite Antenna』は、Batesの「ラジオのダイヤルをゆっくりと回していく」という発想と、繰り返される音色や質感が指針となり、統合された全体を形成するサウンドワールドを融合させている。アルバムの12曲は、移り変わる底流、埋もれたメロディー、途切れ途切れの躍動感に満ちており、単独の楽曲としても、また連続した流れとしても効果的に機能する。曲と曲の間の短い沈黙は、広大でありながら唯一無二の情景を描いた透視図法のスケッチブックの次のページをめくるための、短い一息のようなものだ。オープニング曲「Pink pink pink pink…pink pink」のきらめく無調のシンセ・エクスプレッショニズムは、水中に沈んだようなアンビエンスへと穏やかに漂い、「Green as a ghost」のノイズ混じりの轟音や静電気のような干渉によって暗く染め上げられる。この曲は、終盤でブロークン・ビートとピアノの和音を導入している。「Battles and sieges and street trees」や「Easier sad than done」といったトラックは、低音域のフィールドレコーディングの共鳴を基盤としつつ、エフェクトをかけたギターやシンセによる美しいメロディの雫が散りばめられている。「Waste, songs of the world」や「Disaster loans」は、歪んだアンビエント・ベースと穏やかにざらついたドラム・サンプリングが特徴で、本作の中で最も明確にポスト・ハードコアを彷彿とさせるスタイルの曲だ。アルバムの最後を飾る「Swamps and factories」は、アルバム中最長の楽曲であり、その持続的な不協和音のきらめくドローンは、おそらくBatesの前作を最も彷彿とさせるが、『An Infinite Antenna』がそこに至るまでの道のりは、ベイツの最もダイナミックで、多様性にあふれ、独特で、聴き手を惹きつける姿そのものだ。聴いてくれてありがとう。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2314561772\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Pink pink pink pink…pink pink \u003cbr\u003e2. Green as a ghost \u003cbr\u003e3. Battles and sieges and street trees \u003cbr\u003e4. Waste, songs of the world \u003cbr\u003e5. Easier sad than done\u003cbr\u003e6. Mountain scene \u003cbr\u003e7. Swiss apartment layouts \u003cbr\u003e8. Decades of river widths \u003cbr\u003e9. Disaster loans \u003cbr\u003e10. Corporate activity, ancient shipwrecks \u003cbr\u003e11. Lettre d’amour à Fly Pan Am\u003cbr\u003e12. Swamps and factories\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMontréal-based sound artist Steve Bates expands his strategies and stylistic influences on An Infinite Antenna, his second solo album for Constellation, giving freer reign to melodic components and textural dynamics: leftfield synth work, deconstructed drum machine, pointillist electric guitar, and radiostatic blur are all part of the new brew swirling around his bruitist signal-bending and field-recording sensibility. Arguably a more ambient album than his acclaimed 2022 Constellation debut, An Infinite Antenna is at the same time more densely packed with ideas, dynamics, evocations and earworms.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eComing out of the anarcho-punk scene of the Canadian Prairies in the 1990s, Bates founded Winnipeg’s experimental sound festival Send + Receive in 1998 before moving to Montréal to become Sound Coordinator at Hexagram (Concordia University), delving further into sonic research and theory, tape-based composition, and installation work. Alongside the curatorial arc of his own sound art label The Dim Coast, Bates released several solo and collaborative albums on ORAL_records leading up to All The Things That Happen, the 2022 Constellation debut praised by Boomkat for its “grittily iridescent ambient billow rendering maximalist panoramas” and by Backseat Mafia as “extraordinary soundscapes of unstable\u003cspan class=\"bcTruncateMore\"\u003e, destructive cacophony and tender calm, echoes of the threat of power.” Where that album was noisier and single-minded, made with the self-imposed limit of a Casio SK-1, Bates plays more widely with instrumentation and atmospheres on An Infinite Antenna, also drawing on his post-hardcore roots in seeking a sort of track-by-track concision nonetheless driven by the album’s coherence as a seamless work. “I was trying to set durations I associate with punk rather than the longer, sprawling music coming from more ambient styles (that I very much love), and while I wasn’t able to quite pare it down to Minutemen durations, I had that reduction to essential elements as a sort of whisper over my shoulder.”\u003cbr\u003e\u003cbr\u003eIncorporating source recordings made throughout 2023-2025, including at artist residencies and site-specific sound installation visits in Bosnia and Herzegovina (the album’s cover photo was taken in Sarajevo), Austria, Greece, and Saskatchewan, An Infinite Antenna combines Bates’ “idea of slowly scanning a radio dial” with a soundworld of recurring timbral and textural touchstones that forge an integrated whole. The album’s 12 tracks work effectively as stand-alone pieces, replete with shifting undercurrents, buried melody, and stuttering kinetics, and as a sequential flow where the brief interstitial silences between them are like short pauses to flip the next page in a sketchbook of perspectival studies of a wide but singular tableau. The glistening atonal synth expressionism of opener “Pink pink pink pink…pink pink” drifts gently toward submerged ambience, darkened by the noised rumble and static interference of “Green as a ghost”, which introduces broken beats and piano chords in its denouement. Tracks like “Battles and sieges and street trees” and “Easier sad than done” work the foundations of low-end field-recording resonance, but dappled with lovely melodic droplets of treated guitar and synth. “Waste, songs of the world” and “Disaster loans” are among the album’s most explicit stylistic references to post-hardcore, with distorted ambient bass and gently abrasive drum sampling. Closing track “Swamps and factories”, the album’s longest piece, is perhaps most reminiscent of Bates’ previous record with its sustained dissonant glimmer-drone, but the journey An Infinite Antenna traces to get there is Bates at his most dynamic, diverse, distinctive, and engaging. Thanks for listening.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Steve Bates\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : CST195cd\u003c\/p\u003e\n\u003cp\u003eRelease date : 25th September 2026\u003c\/p\u003e","published_at":"2026-09-20T07:40:27+09:00","created_at":"2026-09-18T08:15:44+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","constellation records","drone","new"],"price":248300,"price_min":248300,"price_max":248300,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50450612420858,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Steve Bates \/\/ An Infinite Antenna CD","public_title":null,"options":["Default Title"],"price":248300,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"666561019525","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in1_8f8e5d7a-3928-4d9e-9993-f49e331866fc.jpg?v=1789686858","\/\/tobirarecords.com\/cdn\/shop\/files\/in3_99eb74cf-662b-4194-9636-bb09a23e8319.jpg?v=1789686858"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_8f8e5d7a-3928-4d9e-9993-f49e331866fc.jpg?v=1789686858","options":["Title"],"media":[{"alt":null,"id":41191701545210,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_8f8e5d7a-3928-4d9e-9993-f49e331866fc.jpg?v=1789686858"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_8f8e5d7a-3928-4d9e-9993-f49e331866fc.jpg?v=1789686858","width":350},{"alt":null,"id":41191701577978,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in3_99eb74cf-662b-4194-9636-bb09a23e8319.jpg?v=1789686858"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in3_99eb74cf-662b-4194-9636-bb09a23e8319.jpg?v=1789686858","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・モントリオールのエレクトロニック作家Steve Batesが、2026年9月にモントリオールの老舗レーベルConstellationからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eアンビエントドローン〜IDM12曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cdiv style=\"color: inherit;\"\u003e\n\u003cp\u003e\"\u003cem\u003eモントリオールを拠点とするサウンドアーティストSteve Batesは、コンステレーションからの2作目のソロアルバム『An Infinite Antenna』において、その戦略とスタイル上の影響の幅を広げ、メロディックな要素やテクスチャのダイナミクスにより自由な表現の余地を与えている。レフトフィールドなシンセワーク、脱構築されたドラムマシン、点描的なエレキギター、そしてラジオノイズのようなぼやけ――これらすべてが、彼のブルイスト的な信号の歪みやフィールドレコーディングの感性を巡って渦巻く新たな調合の一部となっている。2022年にコンステレーションからリリースされ高い評価を得たデビュー作に比べ、本作『An Infinite Antenna』はよりアンビエント色の強いアルバムと言えるが、同時にアイデア、ダイナミクス、喚起力、そして耳に残るメロディがより濃密に詰め込まれている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1990年代のカナダ・プレーリー地方のアナキスト・パンク・シーンから登場したBatesは、1998年にウィニペグで実験音楽フェスティバル「Send + Receive」を設立した後、モントリオールに移住し、ヘキサグラム（コンコルディア大学）のサウンド・コーディネーターに就任。そこで音響研究や理論、テープを用いた作曲、インスタレーション作品への探求をさらに深めた。自身のサウンドアート・レーベル「The Dim Coast」のキュレーション活動と並行して、 Also Steve BatesはORAL_recordsからソロやコラボレーションによるアルバムを数枚リリースし、2022年にコンステレーションからデビュー作『All The Things That Happen』を発表した。この作品は、Boomkatから「荒々しくも虹色に輝くアンビエントのうねりが、マキシマリスト的なパノラマを描き出す」と称賛され、Backseat Mafiaからは「不安定で破壊的な不協和音と優しい静けさが織りなす並外れたサウンドスケープであり、権力の脅威の残響である」と評された。前作がカシオSK-1という自ら課した制限の下で制作された、ノイズが多く一途な作品だったのに対し、Also Steve Batesは『An Infinite Antenna』では楽器編成や雰囲気をより幅広く駆使している。また、ポスト・ハードコアのルーツを活かし、トラックごとに簡潔さを追求しつつも、アルバム全体としてシームレスな作品としての整合性を保っている。「（私が大いに愛する）アンビエント系のスタイルに見られるような、長くて広がりのある音楽ではなく、パンクを連想させるような曲の長さを設定しようとしていた。ミニットメンの曲の長さまで完全に絞り込むことはできなかったが、本質的な要素へと還元するという考えが、まるで肩越しにささやくような存在として常にあった。」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2023年から2025年にかけて、ボスニア・ヘルツェゴビナ（アルバムのジャケット写真はサラエボで撮影された）、オーストリア、ギリシャ、サスカチュワンでのアーティスト・イン・レジデンスや、特定の場所を舞台にしたサウンド・インスタレーションの視察などで収録された音源を取り入れた『An Infinite Antenna』は、Batesの「ラジオのダイヤルをゆっくりと回していく」という発想と、繰り返される音色や質感が指針となり、統合された全体を形成するサウンドワールドを融合させている。アルバムの12曲は、移り変わる底流、埋もれたメロディー、途切れ途切れの躍動感に満ちており、単独の楽曲としても、また連続した流れとしても効果的に機能する。曲と曲の間の短い沈黙は、広大でありながら唯一無二の情景を描いた透視図法のスケッチブックの次のページをめくるための、短い一息のようなものだ。オープニング曲「Pink pink pink pink…pink pink」のきらめく無調のシンセ・エクスプレッショニズムは、水中に沈んだようなアンビエンスへと穏やかに漂い、「Green as a ghost」のノイズ混じりの轟音や静電気のような干渉によって暗く染め上げられる。この曲は、終盤でブロークン・ビートとピアノの和音を導入している。「Battles and sieges and street trees」や「Easier sad than done」といったトラックは、低音域のフィールドレコーディングの共鳴を基盤としつつ、エフェクトをかけたギターやシンセによる美しいメロディの雫が散りばめられている。「Waste, songs of the world」や「Disaster loans」は、歪んだアンビエント・ベースと穏やかにざらついたドラム・サンプリングが特徴で、本作の中で最も明確にポスト・ハードコアを彷彿とさせるスタイルの曲だ。アルバムの最後を飾る「Swamps and factories」は、アルバム中最長の楽曲であり、その持続的な不協和音のきらめくドローンは、おそらくBatesの前作を最も彷彿とさせるが、『An Infinite Antenna』がそこに至るまでの道のりは、ベイツの最もダイナミックで、多様性にあふれ、独特で、聴き手を惹きつける姿そのものだ。聴いてくれてありがとう。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2314561772\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Pink pink pink pink…pink pink \u003cbr\u003e2. Green as a ghost \u003cbr\u003e3. Battles and sieges and street trees \u003cbr\u003e4. Waste, songs of the world \u003cbr\u003e5. Easier sad than done\u003cbr\u003e6. Mountain scene \u003cbr\u003e7. Swiss apartment layouts \u003cbr\u003e8. Decades of river widths \u003cbr\u003e9. Disaster loans \u003cbr\u003e10. Corporate activity, ancient shipwrecks \u003cbr\u003e11. Lettre d’amour à Fly Pan Am\u003cbr\u003e12. Swamps and factories\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMontréal-based sound artist Steve Bates expands his strategies and stylistic influences on An Infinite Antenna, his second solo album for Constellation, giving freer reign to melodic components and textural dynamics: leftfield synth work, deconstructed drum machine, pointillist electric guitar, and radiostatic blur are all part of the new brew swirling around his bruitist signal-bending and field-recording sensibility. Arguably a more ambient album than his acclaimed 2022 Constellation debut, An Infinite Antenna is at the same time more densely packed with ideas, dynamics, evocations and earworms.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eComing out of the anarcho-punk scene of the Canadian Prairies in the 1990s, Bates founded Winnipeg’s experimental sound festival Send + Receive in 1998 before moving to Montréal to become Sound Coordinator at Hexagram (Concordia University), delving further into sonic research and theory, tape-based composition, and installation work. Alongside the curatorial arc of his own sound art label The Dim Coast, Bates released several solo and collaborative albums on ORAL_records leading up to All The Things That Happen, the 2022 Constellation debut praised by Boomkat for its “grittily iridescent ambient billow rendering maximalist panoramas” and by Backseat Mafia as “extraordinary soundscapes of unstable\u003cspan class=\"bcTruncateMore\"\u003e, destructive cacophony and tender calm, echoes of the threat of power.” Where that album was noisier and single-minded, made with the self-imposed limit of a Casio SK-1, Bates plays more widely with instrumentation and atmospheres on An Infinite Antenna, also drawing on his post-hardcore roots in seeking a sort of track-by-track concision nonetheless driven by the album’s coherence as a seamless work. “I was trying to set durations I associate with punk rather than the longer, sprawling music coming from more ambient styles (that I very much love), and while I wasn’t able to quite pare it down to Minutemen durations, I had that reduction to essential elements as a sort of whisper over my shoulder.”\u003cbr\u003e\u003cbr\u003eIncorporating source recordings made throughout 2023-2025, including at artist residencies and site-specific sound installation visits in Bosnia and Herzegovina (the album’s cover photo was taken in Sarajevo), Austria, Greece, and Saskatchewan, An Infinite Antenna combines Bates’ “idea of slowly scanning a radio dial” with a soundworld of recurring timbral and textural touchstones that forge an integrated whole. The album’s 12 tracks work effectively as stand-alone pieces, replete with shifting undercurrents, buried melody, and stuttering kinetics, and as a sequential flow where the brief interstitial silences between them are like short pauses to flip the next page in a sketchbook of perspectival studies of a wide but singular tableau. The glistening atonal synth expressionism of opener “Pink pink pink pink…pink pink” drifts gently toward submerged ambience, darkened by the noised rumble and static interference of “Green as a ghost”, which introduces broken beats and piano chords in its denouement. Tracks like “Battles and sieges and street trees” and “Easier sad than done” work the foundations of low-end field-recording resonance, but dappled with lovely melodic droplets of treated guitar and synth. “Waste, songs of the world” and “Disaster loans” are among the album’s most explicit stylistic references to post-hardcore, with distorted ambient bass and gently abrasive drum sampling. Closing track “Swamps and factories”, the album’s longest piece, is perhaps most reminiscent of Bates’ previous record with its sustained dissonant glimmer-drone, but the journey An Infinite Antenna traces to get there is Bates at his most dynamic, diverse, distinctive, and engaging. Thanks for listening.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Steve Bates\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : CST195cd\u003c\/p\u003e\n\u003cp\u003eRelease date : 25th September 2026\u003c\/p\u003e"}
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カナダ・モントリオールのエレクトロニック作家Steve Batesが、2026年9月にモントリオールの老舗レーベルConstellationからリリースしたCDです。 アンビエントドローン〜IDM12曲を収録。 以下、レーベルによる解説です。 "モントリオールを拠点とするサウンドアーティストSteve Batesは、コンステレーションからの2作目のソロアルバム『An Infinite Antenna』において、その戦略とスタイル上の影響の幅を広げ、メロディックな要素やテクスチャのダイナミクスにより自由な表現の余地を与えている。レフトフィールドなシンセワーク、脱構築されたドラムマシン、点描的なエレキギター、そしてラジオノイズのようなぼやけ――これらすべてが、彼のブルイスト的な信号の歪みやフィールドレコーディングの感性を巡って渦巻く新たな調合の一部となっている。2022年にコンステレーションからリリースされ高い評価を得たデビュー作に比べ、本作『An Infinite Antenna』はよりアンビエント色の強いアルバムと言えるが、同時にアイデア、ダイナミクス、喚起力、そして耳に残るメロディがより濃密に詰め込まれている。 1990年代のカナダ・プレーリー地方のアナキスト・パンク・シーンから登場したBatesは、1998年にウィニペグで実験音楽フェスティバル「Send + Receive」を設立した後、モントリオールに移住し、ヘキサグラム（コンコルディア大学）のサウンド・コーディネーターに就任。そこで音響研究や理論、テープを用いた作曲、インスタレーション作品への探求をさらに深めた。自身のサウンドアート・レーベル「The Dim...
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{"id":9166391705850,"title":"Radwan Ghazi Moumneh \u0026 Frédéric D. Oberland \/\/ Eternal Life No End ليلة ظلماء ملعونة، كحياة طالبيها LP","handle":"radwan-ghazi-moumneh-frederic-d-oberland-eternal-life-no-end","description":"\u003cp\u003eオマーン出身カナダ在住のRadwan Ghazi MoumnehとフランスのFrédéric D. Oberlandが、2026年4月にモントリオールの老舗レーベルConstellationからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e中東ストレンジビーツ7曲を収録。180g重量盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2948326366\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 3rd April 2026\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e12\" black 180gram vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Squeal Of Swine خنخنة خنازير 06:54\u003cbr\u003e2. Dagger Eyes عيون ملأَى طعون\u003cbr\u003e3. A Silence With No Ceiling لا للصمت سقف\u003cbr\u003e4. A Shadow With No Silhouette لا للظل ملامح\u003cbr\u003e5. The Serpent بسمة افعى\u003cbr\u003e6. A Dream That Never Arrived حلم لا يجيء 05:10\u003cbr\u003e7. Walked And Walked سار و سار\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMorphing between the sensory and the suppressed, Radwan Ghazi Moumneh and Frédéric D. Oberland’s debut album summons a poetic musical proclamation of transfigured reality and social amnesia. These seven tracks evolved collaboratively over two years, beginning as a series of duets that Moumneh instigated at Montréal’s Hotel2Tango studio in summer 2023. The Arabic title of Eternal Life No End translates more literally as \"A dark, cursed night, like the seekers themselves\" and the album is an outcry amidst the oceans of injustice flooding the SWANA region, haunting the lives and visions of vast populations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLike Dante and Virgil in Dante’s Inferno, Oberland and Moumneh’s compositions chart an emotional vortex, as dream-time seeps into trancelike percussion and hypnotic melodies, channeling collective urgencies that ripple through the currents of Radwan’s voice and Arabic lyrics. Oberland’s passages of saxophone and clarineau evoke shamanic exhortations of evil, while Moumneh’s buzuk strums and swarms, often through electronic processing, with tempestuous mourning about unfolding tragedies. An array of instrumentation fleshes out the wider soundscapes: daf (a Middle Eastern frame drum) and bongos, a modified electric rababa, shuddering bass\u003cspan class=\"bcTruncateMore\"\u003e and other synthetic filigree from Oberland’s Buchla and Deckard's Dream synths.\u003cbr\u003e\u003cbr\u003e\"It's a healing process in a way,\" says Oberland about the work. \"Since the genocide started, I’d had a complete artistic block and the inability to articulate what people are living through\" explains Moumneh, who ultimately packed his instruments and gear and flew to Paris in the summer of 2024 to work on the album in earnest with his long-standing friend. The two had collaborated on multiple previous occasions, with Oberland’s primary group Oiseaux-Tempête, and through Moumneh's work as Jerusalem In My Heart and as a producer\/engineer on various other projects. Eternal Life No End builds on their abiding allyship as Oberland and Moumneh navigate energies and emotional shifts in newfound ways, merging their sensibilities and uncovering deeper resonances. “We worked day and night together and made clear decisions collectively” states Oberland, who nonetheless also took the lead in positioning Moumneh’s voice to shine through these compositions—there is singing on four of the album’s seven tracks. The duo played reverse roles of a sort and ventured new creative processes, as Moumneh openly took direction from Oberland, setting aside his usual lead-producer role as steward of Jerusalem In My Heart...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Radwan Ghazi Moumneh \u0026amp; Frédéric D. Oberland\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : CST191lp\u003c\/p\u003e","published_at":"2026-04-02T07:20:50+09:00","created_at":"2026-03-27T19:11:25+09:00","vendor":"Tobira Records","type":"","tags":["constellation records","lp","new","strange beats"],"price":394500,"price_min":394500,"price_max":394500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48561726161146,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Radwan Ghazi Moumneh \u0026 Frédéric D. Oberland \/\/ Eternal Life No End ليلة ظلماء ملعونة، كحياة طالبيها LP","public_title":null,"options":["Default Title"],"price":394500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"666561019112","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/life1_498d6136-5cdf-4591-a21e-d26fa7260cbf.jpg?v=1774606112","\/\/tobirarecords.com\/cdn\/shop\/files\/life2_626cdc19-abe3-4141-92ee-6cc0a88a189c.jpg?v=1774606112"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/life1_498d6136-5cdf-4591-a21e-d26fa7260cbf.jpg?v=1774606112","options":["Title"],"media":[{"alt":null,"id":38884799611130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/life1_498d6136-5cdf-4591-a21e-d26fa7260cbf.jpg?v=1774606112"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/life1_498d6136-5cdf-4591-a21e-d26fa7260cbf.jpg?v=1774606112","width":350},{"alt":null,"id":38884799643898,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/life2_626cdc19-abe3-4141-92ee-6cc0a88a189c.jpg?v=1774606112"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/life2_626cdc19-abe3-4141-92ee-6cc0a88a189c.jpg?v=1774606112","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオマーン出身カナダ在住のRadwan Ghazi MoumnehとフランスのFrédéric D. Oberlandが、2026年4月にモントリオールの老舗レーベルConstellationからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e中東ストレンジビーツ7曲を収録。180g重量盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2948326366\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 3rd April 2026\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e12\" black 180gram vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Squeal Of Swine خنخنة خنازير 06:54\u003cbr\u003e2. Dagger Eyes عيون ملأَى طعون\u003cbr\u003e3. A Silence With No Ceiling لا للصمت سقف\u003cbr\u003e4. A Shadow With No Silhouette لا للظل ملامح\u003cbr\u003e5. The Serpent بسمة افعى\u003cbr\u003e6. A Dream That Never Arrived حلم لا يجيء 05:10\u003cbr\u003e7. Walked And Walked سار و سار\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMorphing between the sensory and the suppressed, Radwan Ghazi Moumneh and Frédéric D. Oberland’s debut album summons a poetic musical proclamation of transfigured reality and social amnesia. These seven tracks evolved collaboratively over two years, beginning as a series of duets that Moumneh instigated at Montréal’s Hotel2Tango studio in summer 2023. The Arabic title of Eternal Life No End translates more literally as \"A dark, cursed night, like the seekers themselves\" and the album is an outcry amidst the oceans of injustice flooding the SWANA region, haunting the lives and visions of vast populations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLike Dante and Virgil in Dante’s Inferno, Oberland and Moumneh’s compositions chart an emotional vortex, as dream-time seeps into trancelike percussion and hypnotic melodies, channeling collective urgencies that ripple through the currents of Radwan’s voice and Arabic lyrics. Oberland’s passages of saxophone and clarineau evoke shamanic exhortations of evil, while Moumneh’s buzuk strums and swarms, often through electronic processing, with tempestuous mourning about unfolding tragedies. An array of instrumentation fleshes out the wider soundscapes: daf (a Middle Eastern frame drum) and bongos, a modified electric rababa, shuddering bass\u003cspan class=\"bcTruncateMore\"\u003e and other synthetic filigree from Oberland’s Buchla and Deckard's Dream synths.\u003cbr\u003e\u003cbr\u003e\"It's a healing process in a way,\" says Oberland about the work. \"Since the genocide started, I’d had a complete artistic block and the inability to articulate what people are living through\" explains Moumneh, who ultimately packed his instruments and gear and flew to Paris in the summer of 2024 to work on the album in earnest with his long-standing friend. The two had collaborated on multiple previous occasions, with Oberland’s primary group Oiseaux-Tempête, and through Moumneh's work as Jerusalem In My Heart and as a producer\/engineer on various other projects. Eternal Life No End builds on their abiding allyship as Oberland and Moumneh navigate energies and emotional shifts in newfound ways, merging their sensibilities and uncovering deeper resonances. “We worked day and night together and made clear decisions collectively” states Oberland, who nonetheless also took the lead in positioning Moumneh’s voice to shine through these compositions—there is singing on four of the album’s seven tracks. The duo played reverse roles of a sort and ventured new creative processes, as Moumneh openly took direction from Oberland, setting aside his usual lead-producer role as steward of Jerusalem In My Heart...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Radwan Ghazi Moumneh \u0026amp; Frédéric D. Oberland\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : CST191lp\u003c\/p\u003e"}
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オマーン出身カナダ在住のRadwan Ghazi MoumnehとフランスのFrédéric D. Oberlandが、2026年4月にモントリオールの老舗レーベルConstellationからリリースした共作レコードです。 中東ストレンジビーツ7曲を収録。180g重量盤です。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Constellation Records releases available...
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{"id":8907022795002,"title":"SANAM \/\/ Sametou Sawtan CD","handle":"sanam-sametou-sawtan-cd","description":"\u003cp\u003eレバノンの実験ロックバンドSANAMが、2025年9月にカナダ・モントリオールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e実験中東ロック〜ストレンジビーツ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=834090066\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock mini gatefold sleeve.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Harik - حريق 05:11\u003cbr\u003e2. Goblin - غوبلن\u003cbr\u003e3. Habibon - حبيبٌ\u003cbr\u003e4. Hadikat Al Ams - حديقة الأمس\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Hamam - حمام\u003cbr\u003e\u003c\/span\u003e6. Sayl Damei - سيل دمعي\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Tatayoum - تتيم\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Sametou Sawtan - سمعت صوتاً\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eDaryl Worthington, May 2025 (via the label):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The title of the second SANAM album is as alive with possibility as the Lebanese band’s music. Sametou Sawtan translates from the Arabic to ‘I Heard A Voice’. Spooky or spiritual, however one reads the phrase, it speaks to the ability of sound and language to cause pause, steal attention, and open us to the moment. Likewise, the music of SANAM blurs tender frenzies and fire-scorched ballads, collapsing free-flowing rock and jazz frameworks into deeply rooted Arabic tradition. To hear them in full flight is to be held in the present and reorientated towards an open horizon.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWork on Sametou Sawtan began in early 2024. Initial ideas formed at Tunefork Studios in Beirut were fleshed out in April during a residency at Beit Faris, a medieval house in the coastal city of Byblos. The sextet: Sandy Chamoun (vocals), Antonio Hajj (bass), Farah Kaddour (buzuq), Anthony Sahyoun (guitar, synth), Pascal Semerdjian (drums), and Marwan Tohme (guitars), were joined by producer Radwan Ghazi Moumneh (Jerusalem In My Heart). The album’s last two tracks are recordings from the Beit Faris sessions, while the rest were captured at La Frette Studios in Paris during the band’s summer 2024 European tour.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe record processes feelings of distance and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e dislocation. “For the last five years it feels like everyone is leaving Lebanon,” explains Chamoun. “The album isn’t literally about that, but the idea that something is leaving you….A distance from events even though you’re living them, a distance from your house even though you’re inside it.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhether in the yearning ballad “Goblin” or the slow-burning, autotune-doused freakout of “Habibon”, Sametou Sawtan captures the striving for stable ground in a world seldom capable of offering it. It rides the mesmerizing intensity of the SANAM live experience while affording their music nuance, depth, and tremendous dynamic range. Like their debut, lyrics for many tracks are borrowed, words placed into new contexts to process the present. “Hamam” reinterprets an Egyptian folk song. In “Hadikat Al Ams”, the cracked hard-rock stomp propels text by contemporary Lebanese writer Paul Shaoul. And both “Sayl Damei” and the title track use poems by twelfth century Iranian poet and groundbreaking mathematician Omar Khayyam. “When you read something from Omar, you feel a connection to now,” Chamoun says. “The feeling that there’s not a clear path.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSametou Sawtan also features two songs with Chamoun’s own lyrics, including opener “Harik”. It was the seed of the album, written by Chamoun in February 2024, with the band building the track around her words. It begins with a shudder, razored electronics, and gasping voice perforating pounding drums before the band locks into triumphant ascent. It is about immersion in “an infinite fire,” Chamoun reveals. She wrote the lyrics to “Tatayoum” alone before bringing them to the band. It reflects a different kind of intensity, “a loop, an obsession,” she suggests. Buzuq weaves through hovering electronics and urgent drums while Chamoun recites Arabic words describing love. The incessant energies explored in these tracks aren’t necessarily negative. She compares their intensity to a writer locked in a train of thought, for better or worse.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“It’s not about being depressed or sad,” says Chamoun. “It’s a trap, but it can also be magical.”\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SANAM\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCST186cd\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-30T11:07:59+09:00","created_at":"2025-08-29T10:45:37+09:00","vendor":"Tobira Records","type":"","tags":["cd","constellation records","jazz","new","strange beats"],"price":216600,"price_min":216600,"price_max":216600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47666047975674,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"SANAM \/\/ Sametou Sawtan CD","public_title":null,"options":["Default Title"],"price":216600,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"666561018627","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/san1_4feb2fd2-e1ee-4281-8f0f-acfb2a2c23c3.jpg?v=1756431821","\/\/tobirarecords.com\/cdn\/shop\/files\/san2_a00b3105-29e0-496b-831a-358bdabf74a9.jpg?v=1756431821"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/san1_4feb2fd2-e1ee-4281-8f0f-acfb2a2c23c3.jpg?v=1756431821","options":["Title"],"media":[{"alt":null,"id":36676400742650,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san1_4feb2fd2-e1ee-4281-8f0f-acfb2a2c23c3.jpg?v=1756431821"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san1_4feb2fd2-e1ee-4281-8f0f-acfb2a2c23c3.jpg?v=1756431821","width":700},{"alt":null,"id":36676400775418,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san2_a00b3105-29e0-496b-831a-358bdabf74a9.jpg?v=1756431821"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san2_a00b3105-29e0-496b-831a-358bdabf74a9.jpg?v=1756431821","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eレバノンの実験ロックバンドSANAMが、2025年9月にカナダ・モントリオールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e実験中東ロック〜ストレンジビーツ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=834090066\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock mini gatefold sleeve.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Harik - حريق 05:11\u003cbr\u003e2. Goblin - غوبلن\u003cbr\u003e3. Habibon - حبيبٌ\u003cbr\u003e4. Hadikat Al Ams - حديقة الأمس\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Hamam - حمام\u003cbr\u003e\u003c\/span\u003e6. Sayl Damei - سيل دمعي\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Tatayoum - تتيم\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Sametou Sawtan - سمعت صوتاً\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eDaryl Worthington, May 2025 (via the label):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The title of the second SANAM album is as alive with possibility as the Lebanese band’s music. Sametou Sawtan translates from the Arabic to ‘I Heard A Voice’. Spooky or spiritual, however one reads the phrase, it speaks to the ability of sound and language to cause pause, steal attention, and open us to the moment. Likewise, the music of SANAM blurs tender frenzies and fire-scorched ballads, collapsing free-flowing rock and jazz frameworks into deeply rooted Arabic tradition. To hear them in full flight is to be held in the present and reorientated towards an open horizon.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWork on Sametou Sawtan began in early 2024. Initial ideas formed at Tunefork Studios in Beirut were fleshed out in April during a residency at Beit Faris, a medieval house in the coastal city of Byblos. The sextet: Sandy Chamoun (vocals), Antonio Hajj (bass), Farah Kaddour (buzuq), Anthony Sahyoun (guitar, synth), Pascal Semerdjian (drums), and Marwan Tohme (guitars), were joined by producer Radwan Ghazi Moumneh (Jerusalem In My Heart). The album’s last two tracks are recordings from the Beit Faris sessions, while the rest were captured at La Frette Studios in Paris during the band’s summer 2024 European tour.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe record processes feelings of distance and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e dislocation. “For the last five years it feels like everyone is leaving Lebanon,” explains Chamoun. “The album isn’t literally about that, but the idea that something is leaving you….A distance from events even though you’re living them, a distance from your house even though you’re inside it.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhether in the yearning ballad “Goblin” or the slow-burning, autotune-doused freakout of “Habibon”, Sametou Sawtan captures the striving for stable ground in a world seldom capable of offering it. It rides the mesmerizing intensity of the SANAM live experience while affording their music nuance, depth, and tremendous dynamic range. Like their debut, lyrics for many tracks are borrowed, words placed into new contexts to process the present. “Hamam” reinterprets an Egyptian folk song. In “Hadikat Al Ams”, the cracked hard-rock stomp propels text by contemporary Lebanese writer Paul Shaoul. And both “Sayl Damei” and the title track use poems by twelfth century Iranian poet and groundbreaking mathematician Omar Khayyam. “When you read something from Omar, you feel a connection to now,” Chamoun says. “The feeling that there’s not a clear path.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSametou Sawtan also features two songs with Chamoun’s own lyrics, including opener “Harik”. It was the seed of the album, written by Chamoun in February 2024, with the band building the track around her words. It begins with a shudder, razored electronics, and gasping voice perforating pounding drums before the band locks into triumphant ascent. It is about immersion in “an infinite fire,” Chamoun reveals. She wrote the lyrics to “Tatayoum” alone before bringing them to the band. It reflects a different kind of intensity, “a loop, an obsession,” she suggests. Buzuq weaves through hovering electronics and urgent drums while Chamoun recites Arabic words describing love. The incessant energies explored in these tracks aren’t necessarily negative. She compares their intensity to a writer locked in a train of thought, for better or worse.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“It’s not about being depressed or sad,” says Chamoun. “It’s a trap, but it can also be magical.”\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SANAM\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCST186cd\u003c\/span\u003e\u003c\/p\u003e"}
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レバノンの実験ロックバンドSANAMが、2025年9月にカナダ・モントリオールの老舗レーベルConstellationからリリースしたアルバムです。 実験中東ロック〜ストレンジビーツ8曲を収録。 レーベルその他作品はこちら /// Click here to see more Constellation Records releases available at Tobira. ------------------------------------------ CD...
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{"id":8728872190202,"title":"Joni Void \/\/ Every Life Is A Light LP","handle":"joni-void-every-life-is-a-light-lp","description":"\u003cp\u003eTobiraインストアショーケースにも出演したカナダ・モントリオールのエレクトロニック作家Joni Voidが、2025年3月にモントリールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eエレクトロニック・ポップ〜トリップホップ〜エレクトロニック・アンビエント12曲を収録。180g重量盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4097291389\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 180g black vinyl. Includes DL code.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Everyday - A Sequel\u003cbr\u003e2. Du Parc (with N NAO)\u003cbr\u003e3. Time Zone (with Haco)\u003cbr\u003e4. Cloud Level (with Ytamo) 03:33\u003cbr\u003e5. Muffin - A Song For My Cat\u003cbr\u003e6. L'Empire des lumières\u003cbr\u003e7. In-Between Places\u003cbr\u003e8. Event Flow - A Sequence\u003cbr\u003e9. Story Board (with Pink Navel)\u003cbr\u003e10. Vertigo (with Sook-Yin-Lee) 04:20 video\u003cbr\u003e11. Death Is Not The End\u003cbr\u003e12. 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Joni Sadler Forever\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Constellation Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Montréal producer and sound collagist Joni Void returns with their warmest and most welcoming album yet, wedding their sampledelic songcraft to rubbery and percolated downtempo beats. Every Life Is A Light expands on Void’s recent stylistic turn towards more languorous and mellow lo-fi production, foreshadowed by the drifting looseness and ambient bricolage of their preceding experimental sound-art record. This transitional sensibility now shapes more defined song structures and styles, with loops are given time and space to unspool, and rhythms shot through the softer-focus lens of trip-hop and dub. 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Perhaps it’s the sound of Void at greater peace with themselves and the world, despite the bittersweet cost: even as it channels grief, memorializing comrades and companions recently deceased, this album wants light...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joni Void\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003eCAT No : CST182lp\u003c\/p\u003e"}
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{"id":8630702211322,"title":"Godspeed You! Black Emperor \/\/ NO TITLE AS OF 13 FEBRUARY 2024 28,340 DEAD 2xLP \/ CD","handle":"godspeed-you-black-emperor-no-title-as-of-13-february-2024-28-340-dead-2xlp-cd","description":"\u003cp\u003eカナダ・モントリオールのポストロックバンドGodspeed You! Black Emperorが、2024年9月にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eメランコリックなネオクラシカル・アンビエント〜ポストロック6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4237016429\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 2 x 12\" 180gram black vinyl in gatefold sleeve or CD in cardstock mini gatefold sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\" data-mce-style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. SUN IS A HOLE SUN IS VAPORS\u003cbr\u003e2. BABYS IN A THUNDERCLOUD\u003cbr\u003e3. RAINDROPS CAST IN LEAD\u003cbr\u003e4. BROKEN SPIRES AT DEAD KAPITAL\u003cbr\u003e5. PALE SPECTATOR TAKES PHOTOGRAPHS\u003cbr\u003e6. GREY RUBBLE - GREEN SHOOTS 06:53\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement \/ accompanying text by Godspeed You! Black Emperor: \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTHE PLAIN TRUTH==\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewe drifted through it, arguing.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eevery day a new war crime, every day a flower bloom.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewe sat down together and wrote it in one room,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eand then sat down in a different room, recording.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eNO TITLE= what gestures make sense while tiny bodies fall? what context? what broken melody?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eand then a tally and a date to mark a point on the line, the negative process, the growing pile.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethe sun setting above beds of ash\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewhile we sat together, arguing.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethe old world order barely pretended to care.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethis new century will be crueler still.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewar is coming.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003edon’t give up.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003epick a side.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ehang on.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003elove.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eGY!BE\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Godspeed You! Black Emperor\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003eCAT No : CST183\u003c\/p\u003e","published_at":"2024-09-27T19:22:56+09:00","created_at":"2024-09-27T18:15:18+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","constellation records","lp","neo classical","new"],"price":213000,"price_min":213000,"price_max":465000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46694861996282,"title":"2xLP","option1":"2xLP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":42318655226106,"product_id":8630702211322,"position":2,"created_at":"2024-09-27T18:12:25+09:00","updated_at":"2024-09-27T18:12:27+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no2_d4cb7ebf-80e3-4b63-9619-bb536be33545.jpg?v=1727428347","variant_ids":[46694861996282]},"available":false,"name":"Godspeed You! Black Emperor \/\/ NO TITLE AS OF 13 FEBRUARY 2024 28,340 DEAD 2xLP \/ CD - 2xLP","public_title":"2xLP","options":["2xLP"],"price":465000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":34946992472314,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no2_d4cb7ebf-80e3-4b63-9619-bb536be33545.jpg?v=1727428347"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":46694862029050,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":42318655258874,"product_id":8630702211322,"position":3,"created_at":"2024-09-27T18:12:25+09:00","updated_at":"2024-09-27T18:12:27+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no3_0cebe347-ac24-4690-9923-09b3dd5e4991.jpg?v=1727428347","variant_ids":[46694862029050]},"available":false,"name":"Godspeed You! Black Emperor \/\/ NO TITLE AS OF 13 FEBRUARY 2024 28,340 DEAD 2xLP \/ CD - CD","public_title":"CD","options":["CD"],"price":213000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":34946992505082,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no3_0cebe347-ac24-4690-9923-09b3dd5e4991.jpg?v=1727428347"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/no1_62132f36-501a-4caf-8c48-353f641b2e4b.jpg?v=1727428347","\/\/tobirarecords.com\/cdn\/shop\/files\/no2_d4cb7ebf-80e3-4b63-9619-bb536be33545.jpg?v=1727428347","\/\/tobirarecords.com\/cdn\/shop\/files\/no3_0cebe347-ac24-4690-9923-09b3dd5e4991.jpg?v=1727428347"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_62132f36-501a-4caf-8c48-353f641b2e4b.jpg?v=1727428347","options":["Format"],"media":[{"alt":null,"id":34946992439546,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_62132f36-501a-4caf-8c48-353f641b2e4b.jpg?v=1727428347"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_62132f36-501a-4caf-8c48-353f641b2e4b.jpg?v=1727428347","width":700},{"alt":null,"id":34946992472314,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no2_d4cb7ebf-80e3-4b63-9619-bb536be33545.jpg?v=1727428347"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no2_d4cb7ebf-80e3-4b63-9619-bb536be33545.jpg?v=1727428347","width":1200},{"alt":null,"id":34946992505082,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no3_0cebe347-ac24-4690-9923-09b3dd5e4991.jpg?v=1727428347"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no3_0cebe347-ac24-4690-9923-09b3dd5e4991.jpg?v=1727428347","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・モントリオールのポストロックバンドGodspeed You! Black Emperorが、2024年9月にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eメランコリックなネオクラシカル・アンビエント〜ポストロック6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4237016429\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 2 x 12\" 180gram black vinyl in gatefold sleeve or CD in cardstock mini gatefold sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\" data-mce-style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. SUN IS A HOLE SUN IS VAPORS\u003cbr\u003e2. BABYS IN A THUNDERCLOUD\u003cbr\u003e3. RAINDROPS CAST IN LEAD\u003cbr\u003e4. BROKEN SPIRES AT DEAD KAPITAL\u003cbr\u003e5. PALE SPECTATOR TAKES PHOTOGRAPHS\u003cbr\u003e6. GREY RUBBLE - GREEN SHOOTS 06:53\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement \/ accompanying text by Godspeed You! Black Emperor: \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTHE PLAIN TRUTH==\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewe drifted through it, arguing.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eevery day a new war crime, every day a flower bloom.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewe sat down together and wrote it in one room,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eand then sat down in a different room, recording.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eNO TITLE= what gestures make sense while tiny bodies fall? what context? what broken melody?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eand then a tally and a date to mark a point on the line, the negative process, the growing pile.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethe sun setting above beds of ash\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewhile we sat together, arguing.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethe old world order barely pretended to care.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethis new century will be crueler still.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewar is coming.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003edon’t give up.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003epick a side.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ehang on.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003elove.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eGY!BE\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Godspeed You! Black Emperor\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003eCAT No : CST183\u003c\/p\u003e"}
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カナダ・モントリオールのポストロックバンドGodspeed You! Black Emperorが、2024年9月にリリースしたアルバムです。 メランコリックなネオクラシカル・アンビエント〜ポストロック6曲を収録。 レーベルその他作品はこちら /// Click here to see more Constellation Records releases available at...
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{"id":8472720965882,"title":"Eric Chenaux Trio \/\/ Delights Of My Life LP \/ CD","handle":"eric-chenaux-trio-delights-of-my-life-lp-cd","description":"\u003cp\u003eカナダ・トロントのシンガーソングライターEric Chenaux率いるEric Chenaux Trioが、2024年5月に同国モントリールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eスムース・ジャズのレンズを通したアダルト・ポップ7曲を収録。LPはインサートとDLコード付属。180g重量盤です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/otso\"\u003eScott Orr\u003c\/a\u003eが好きな方にもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/VnjN-aBn5Ck?si=zlkoGjX_1STXOS3j\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/NqE9E21sOPE?si=LRDu92CjNfVu-qqZ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black 180gram vinyl or CD in mini-gatefold sleeve. Includes DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. This Ain't Life\u003cbr\u003e2. I've Always Said Love\u003cbr\u003e3. Hello Eyes\u003cbr\u003e4. These Things \u003cbr\u003e5. Simply Fly\u003cbr\u003e6. Light Can Be Low\u003cbr\u003e7. Delights Of My Life \u003c\/p\u003e\n\u003cp\u003eConstellation Records\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cspan class=\"bcTruncateMore\"\u003eFollowing the release of Eric Chenaux’s last album Say Laura (2022), The Guardian wrote “the Canadian songwriter has one of the all-time great singing voices in popular music, an intensely romantic Chet Baker-ish instrument that seems to float with piercing direction, like a paper aeroplane thrown hard through mist.” With Uncut describing his songcraft “as delicate and lovely as a rare orchid” and Record Collector praising the album’s “sublime alien balladry” such are the accolades that have accrued to Chenaux’s unique and consummately uncompromising solo music for well over a decade now. \u003cbr\u003e\u003cbr\u003eDelights Of My Life opens a new chapter for the singer\/guitarist and formally introduces the Eric Chenaux Trio, with Toronto-based musicians Ryan Driver on Wurlitzer organ and Phillipe Melanson on electronic percussion. Driver is a longtime collaborator, appearing on several of Chenaux’s solo albums (even embedded into the very title of the 2010 masterpiece Warm Weather With Ryan Driver). Melanson has a long list of involvements that include Bernice, Joseph Shabason, and U.S Girls, and a recent release with his Impossible Burger project on Chenaux’s own experimental label Rat-drifting, but this marks the first fulsome involvement between the two as players on a recording. \u003cbr\u003e\u003cbr\u003eIn many ways Delights Of My Life also picks up right where Chenaux’s previous album left off, in its subversions of a classic, timeless jazz-inflected balladry, while the interplay of the trio formation indeed unfurls many new delights. Recording together at Chenaux’s spartan home studio in rural France, Driver’s harmonically warped organ and Melanson’s electroacoustic sampling and percussion hold time in newfound ways. Where previously Chenaux relied on a freeze\/sustain pedal and minimalist rhythmic triggers to generate both pulse and chordal foundations, Melanson now paints timekeeping with expressive and intricate colourations, through live deployments of fluid sampled percussion (including orchestral timbres like timpani, kettle drums, and woodblock) that blur the boundaries between acoustic and electronic. Driver also ramps up his role in the song arrangements (prefigured in his support playing on Say Laura), teasing out chords and melodic filigree on Wurlitzer that percolate more prominently with Chenaux’s signature fried guitar solos and succulent singing. Both trio members add dulcet backing vocals, most notably on the 10-minute tour-de-force of fuzzed and ring-modulated swing “This Ain’t Life” that opens the record. All seven songs on the album groove and sway, simmer and sparkle, like nothing in the inestimable Chenaux discography to date. \u003cbr\u003e\u003cbr\u003eChenaux’s tunes have the uncanny ability to sound like jazz standards; songs you feel you’ve heard before, though certainly never quite like this. Yet these are of course all originals, compositionally and interpretively, bent through an inimitable avant\/out-music lens. Delights Of My Life conveys warm familiarity, shot through with the exuberantly experimental subversion and playful, even mischievous, iconoclasm that continues to mark Chenaux as defiantly, virtuosically, and genially one-of-kind.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eric Chenaux Trio\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003eCAT No: CST179lp CST179cd\u003cbr\u003e\u003c\/p\u003e","published_at":"2024-05-28T13:41:35+09:00","created_at":"2024-05-28T13:27:09+09:00","vendor":"Tobira Records","type":"","tags":["cd","constellation records","folk \/ left-field pop","jazz","lp"],"price":228000,"price_min":228000,"price_max":398000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46127279735034,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":41425803215098,"product_id":8472720965882,"position":2,"created_at":"2024-05-28T13:41:07+09:00","updated_at":"2024-05-28T13:41:08+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035392046_10.jpg?v=1716871268","variant_ids":[46127279735034]},"available":false,"name":"Eric Chenaux Trio \/\/ Delights Of My Life LP \/ CD - LP","public_title":"LP","options":["LP"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":34166126412026,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035392046_10.jpg?v=1716871268"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":46127279767802,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":41425803411706,"product_id":8472720965882,"position":4,"created_at":"2024-05-28T13:41:09+09:00","updated_at":"2024-05-28T13:41:10+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035392069_10.jpg?v=1716871270","variant_ids":[46127279767802]},"available":false,"name":"Eric Chenaux Trio \/\/ Delights Of My Life LP \/ CD - CD","public_title":"CD","options":["CD"],"price":228000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":34166126805242,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035392069_10.jpg?v=1716871270"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0166421342_16.jpg?v=1716871266","\/\/tobirarecords.com\/cdn\/shop\/files\/0035392046_10.jpg?v=1716871268","\/\/tobirarecords.com\/cdn\/shop\/files\/0035392053_10.jpg?v=1716871269","\/\/tobirarecords.com\/cdn\/shop\/files\/0035392069_10.jpg?v=1716871270"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0166421342_16.jpg?v=1716871266","options":["Format"],"media":[{"alt":null,"id":34166126248186,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0166421342_16.jpg?v=1716871266"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0166421342_16.jpg?v=1716871266","width":700},{"alt":null,"id":34166126412026,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035392046_10.jpg?v=1716871268"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035392046_10.jpg?v=1716871268","width":1200},{"alt":null,"id":34166126510330,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035392053_10.jpg?v=1716871269"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035392053_10.jpg?v=1716871269","width":1200},{"alt":null,"id":34166126805242,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035392069_10.jpg?v=1716871270"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035392069_10.jpg?v=1716871270","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・トロントのシンガーソングライターEric Chenaux率いるEric Chenaux Trioが、2024年5月に同国モントリールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eスムース・ジャズのレンズを通したアダルト・ポップ7曲を収録。LPはインサートとDLコード付属。180g重量盤です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/otso\"\u003eScott Orr\u003c\/a\u003eが好きな方にもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/VnjN-aBn5Ck?si=zlkoGjX_1STXOS3j\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/NqE9E21sOPE?si=LRDu92CjNfVu-qqZ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black 180gram vinyl or CD in mini-gatefold sleeve. Includes DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. This Ain't Life\u003cbr\u003e2. I've Always Said Love\u003cbr\u003e3. Hello Eyes\u003cbr\u003e4. These Things \u003cbr\u003e5. Simply Fly\u003cbr\u003e6. Light Can Be Low\u003cbr\u003e7. Delights Of My Life \u003c\/p\u003e\n\u003cp\u003eConstellation Records\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cspan class=\"bcTruncateMore\"\u003eFollowing the release of Eric Chenaux’s last album Say Laura (2022), The Guardian wrote “the Canadian songwriter has one of the all-time great singing voices in popular music, an intensely romantic Chet Baker-ish instrument that seems to float with piercing direction, like a paper aeroplane thrown hard through mist.” With Uncut describing his songcraft “as delicate and lovely as a rare orchid” and Record Collector praising the album’s “sublime alien balladry” such are the accolades that have accrued to Chenaux’s unique and consummately uncompromising solo music for well over a decade now. \u003cbr\u003e\u003cbr\u003eDelights Of My Life opens a new chapter for the singer\/guitarist and formally introduces the Eric Chenaux Trio, with Toronto-based musicians Ryan Driver on Wurlitzer organ and Phillipe Melanson on electronic percussion. Driver is a longtime collaborator, appearing on several of Chenaux’s solo albums (even embedded into the very title of the 2010 masterpiece Warm Weather With Ryan Driver). Melanson has a long list of involvements that include Bernice, Joseph Shabason, and U.S Girls, and a recent release with his Impossible Burger project on Chenaux’s own experimental label Rat-drifting, but this marks the first fulsome involvement between the two as players on a recording. \u003cbr\u003e\u003cbr\u003eIn many ways Delights Of My Life also picks up right where Chenaux’s previous album left off, in its subversions of a classic, timeless jazz-inflected balladry, while the interplay of the trio formation indeed unfurls many new delights. Recording together at Chenaux’s spartan home studio in rural France, Driver’s harmonically warped organ and Melanson’s electroacoustic sampling and percussion hold time in newfound ways. Where previously Chenaux relied on a freeze\/sustain pedal and minimalist rhythmic triggers to generate both pulse and chordal foundations, Melanson now paints timekeeping with expressive and intricate colourations, through live deployments of fluid sampled percussion (including orchestral timbres like timpani, kettle drums, and woodblock) that blur the boundaries between acoustic and electronic. Driver also ramps up his role in the song arrangements (prefigured in his support playing on Say Laura), teasing out chords and melodic filigree on Wurlitzer that percolate more prominently with Chenaux’s signature fried guitar solos and succulent singing. Both trio members add dulcet backing vocals, most notably on the 10-minute tour-de-force of fuzzed and ring-modulated swing “This Ain’t Life” that opens the record. All seven songs on the album groove and sway, simmer and sparkle, like nothing in the inestimable Chenaux discography to date. \u003cbr\u003e\u003cbr\u003eChenaux’s tunes have the uncanny ability to sound like jazz standards; songs you feel you’ve heard before, though certainly never quite like this. Yet these are of course all originals, compositionally and interpretively, bent through an inimitable avant\/out-music lens. Delights Of My Life conveys warm familiarity, shot through with the exuberantly experimental subversion and playful, even mischievous, iconoclasm that continues to mark Chenaux as defiantly, virtuosically, and genially one-of-kind.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eric Chenaux Trio\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003eCAT No: CST179lp CST179cd\u003cbr\u003e\u003c\/p\u003e"}
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カナダ・トロントのシンガーソングライターEric Chenaux率いるEric Chenaux Trioが、2024年5月に同国モントリールの老舗レーベルConstellationからリリースしたアルバムです。 スムース・ジャズのレンズを通したアダルト・ポップ7曲を収録。LPはインサートとDLコード付属。180g重量盤です。 Scott Orrが好きな方にもオススメです。 レーベルその他作品はこちら /// Click here to see more Constellation Records releases...
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{"id":8039393657082,"title":"Markus Floats \/\/ Fourth Album LP","handle":"markus-floats-fourth-album-lp","description":"\u003cp\u003eカナダ・モントリオールのマルチ奏者Markus Floatsが、2023年10月にモントリールの老舗レーベルConstellationからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eフリージャズ〜ストレンジビーツ〜ネオクラシカル・アンビエントとジャンルを横断する12曲を収録。180g重量盤です。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e12\"x24\"\u003c\/span\u003eアートプリント2枚とDLコード付属。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4199253799\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e180gram LP Art Edition comes in 350gsm Arktika jacket and 300gsm Arktika inner with two 12\"x24\" art prints on 170gsm uncoated paper, all featuring original artwork by Markus Floats. Jacket has colour flood inside. Vinyl includes download card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIntroduction 02:25\u003c\/li\u003e\n\u003cli\u003eDeath 02:36\u003c\/li\u003e\n\u003cli\u003eFree Wifi\u003c\/li\u003e\n\u003cli\u003eAS ABOVE 02:06\u003c\/li\u003e\n\u003cli\u003eInterlude\u003c\/li\u003e\n\u003cli\u003eDeath (Pt 2) 06:13\u003c\/li\u003e\n\u003cli\u003emdhvn 02:24\u003c\/li\u003e\n\u003cli\u003eSO BELOW 02:20\u003c\/li\u003e\n\u003cli\u003eHeaven Is Each Other 01:22\u003c\/li\u003e\n\u003cli\u003eSecond Introduction\u003c\/li\u003e\n\u003cli\u003eWands\u003c\/li\u003e\n\u003cli\u003eC (Featuring the Voice of Fred Moten) 04:23\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eConstellation Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe follow-up to his acclaimed Constellation debut Third Album released in lockdown spring 2020, Markus Floats returns with Fourth Album, pushing the Montréal-based artist’s distinct abstract electronic compositions into newly evocative terrain (while preserving his record-titling literalism). Faced with another couple of years spent unexpectedly, though not unfamiliarly, secluded and studio-bound, working on both paintings and music, Floats emerged by the end of 2022 with a set of tracks “about 60% finished” and a determined desire to throw off the shackles of distancing and isolation. “I had always thought about Markus Floats as a solo project but I am wrong about that. Fourth Album is about asking for help, inviting in, and making a home. It’s about trust, exploration, and the effort of letting go.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSharing his in-progress recordings with a trio of close friends and collaborators from the powerhouse free music ensemble Egyptian Cotton Arkestra, each of these players then spent a day improvising to the tracks at Montréal’s Hotel2Tango studio. With violin by Ari Swan, saxophone and mbira by James Goddard, and guitar and drums by Lucas Huang, Floats stitched their extemporized instruments back into his compositional process. The result is a fluid, lustrous, dynamic expansion of his sound and structure that continues to strike the ineffable balance of abstraction and soulfulness rightly highlighted and celebrated in the critical response to Third Album. Fourth Album sustains much of that previous work’s enchanting equanimity, while inviting a bit more restlessness, accident and grit, with the incorporation of acoustic instruments and improvisation melding Floats’ own background in Electroacoustic Studies and Jazz Performance more than ever before.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSignature avant-electronic explorations of arpeggiated and timbral transformation, subtle shifts in harmonic consonance and dissonance, and a through-composed praxis that draws coterminously upon free jazz, musique concrète and modern Minimalism, all continue to shape Fourth Album to great effect. But an additional palette of sonic and gestural raw material is now also decidedly “out-of-the-box”, charting a wider range of gestures, textures and temporalities. Fourth Album complexifies and intensifies across its 12 tracks, thematizing dualities and introducing new elements of play and accident, even a sort of looseness here and there, as it conjures communal expressivity within shorter, still scrupulous formal structures. Fourth Album also for the first time includes spoken word as a recorded element, previously only (and always) a feature of Markus Floats live performances. The album’s final track samples the poet and activist Fred Moten, closing with these words: “What we’ve been trying to figure out how to get to is how we are when we get together to try to figure it out.” This koan of socially-engaged process and creation\/advancement of meaning through praxis and immanence reflects the unique fusion of intangible materiality and affective sensibility at work in Markus Floats music, unfolding with new depths and currents with Fourth Album. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Markus Floats\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e","published_at":"2023-10-20T11:41:49+09:00","created_at":"2023-10-19T16:25:53+09:00","vendor":"Tobira Records","type":"","tags":["constellation records","contemporary \/ sound poetry","jazz","lp","strange beats"],"price":399500,"price_min":399500,"price_max":399500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44653011730682,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Markus Floats \/\/ Fourth Album LP","public_title":null,"options":["Default Title"],"price":399500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/al1_b63f2734-c36a-488f-811e-ada610e363fd.jpg?v=1697700355","\/\/tobirarecords.com\/cdn\/shop\/files\/al2_64460c39-7cc1-4ebc-8f80-b36f78d32017.jpg?v=1697700355","\/\/tobirarecords.com\/cdn\/shop\/files\/0033373085_10.jpg?v=1697770331"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_b63f2734-c36a-488f-811e-ada610e363fd.jpg?v=1697700355","options":["Title"],"media":[{"alt":null,"id":32577309212922,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_b63f2734-c36a-488f-811e-ada610e363fd.jpg?v=1697700355"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_b63f2734-c36a-488f-811e-ada610e363fd.jpg?v=1697700355","width":700},{"alt":null,"id":32577309245690,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_64460c39-7cc1-4ebc-8f80-b36f78d32017.jpg?v=1697700355"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_64460c39-7cc1-4ebc-8f80-b36f78d32017.jpg?v=1697700355","width":1200},{"alt":null,"id":32580761387258,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033373085_10.jpg?v=1697770331"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033373085_10.jpg?v=1697770331","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・モントリオールのマルチ奏者Markus Floatsが、2023年10月にモントリールの老舗レーベルConstellationからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eフリージャズ〜ストレンジビーツ〜ネオクラシカル・アンビエントとジャンルを横断する12曲を収録。180g重量盤です。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e12\"x24\"\u003c\/span\u003eアートプリント2枚とDLコード付属。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4199253799\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e180gram LP Art Edition comes in 350gsm Arktika jacket and 300gsm Arktika inner with two 12\"x24\" art prints on 170gsm uncoated paper, all featuring original artwork by Markus Floats. Jacket has colour flood inside. Vinyl includes download card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIntroduction 02:25\u003c\/li\u003e\n\u003cli\u003eDeath 02:36\u003c\/li\u003e\n\u003cli\u003eFree Wifi\u003c\/li\u003e\n\u003cli\u003eAS ABOVE 02:06\u003c\/li\u003e\n\u003cli\u003eInterlude\u003c\/li\u003e\n\u003cli\u003eDeath (Pt 2) 06:13\u003c\/li\u003e\n\u003cli\u003emdhvn 02:24\u003c\/li\u003e\n\u003cli\u003eSO BELOW 02:20\u003c\/li\u003e\n\u003cli\u003eHeaven Is Each Other 01:22\u003c\/li\u003e\n\u003cli\u003eSecond Introduction\u003c\/li\u003e\n\u003cli\u003eWands\u003c\/li\u003e\n\u003cli\u003eC (Featuring the Voice of Fred Moten) 04:23\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eConstellation Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe follow-up to his acclaimed Constellation debut Third Album released in lockdown spring 2020, Markus Floats returns with Fourth Album, pushing the Montréal-based artist’s distinct abstract electronic compositions into newly evocative terrain (while preserving his record-titling literalism). Faced with another couple of years spent unexpectedly, though not unfamiliarly, secluded and studio-bound, working on both paintings and music, Floats emerged by the end of 2022 with a set of tracks “about 60% finished” and a determined desire to throw off the shackles of distancing and isolation. “I had always thought about Markus Floats as a solo project but I am wrong about that. Fourth Album is about asking for help, inviting in, and making a home. It’s about trust, exploration, and the effort of letting go.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSharing his in-progress recordings with a trio of close friends and collaborators from the powerhouse free music ensemble Egyptian Cotton Arkestra, each of these players then spent a day improvising to the tracks at Montréal’s Hotel2Tango studio. With violin by Ari Swan, saxophone and mbira by James Goddard, and guitar and drums by Lucas Huang, Floats stitched their extemporized instruments back into his compositional process. The result is a fluid, lustrous, dynamic expansion of his sound and structure that continues to strike the ineffable balance of abstraction and soulfulness rightly highlighted and celebrated in the critical response to Third Album. Fourth Album sustains much of that previous work’s enchanting equanimity, while inviting a bit more restlessness, accident and grit, with the incorporation of acoustic instruments and improvisation melding Floats’ own background in Electroacoustic Studies and Jazz Performance more than ever before.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSignature avant-electronic explorations of arpeggiated and timbral transformation, subtle shifts in harmonic consonance and dissonance, and a through-composed praxis that draws coterminously upon free jazz, musique concrète and modern Minimalism, all continue to shape Fourth Album to great effect. But an additional palette of sonic and gestural raw material is now also decidedly “out-of-the-box”, charting a wider range of gestures, textures and temporalities. Fourth Album complexifies and intensifies across its 12 tracks, thematizing dualities and introducing new elements of play and accident, even a sort of looseness here and there, as it conjures communal expressivity within shorter, still scrupulous formal structures. Fourth Album also for the first time includes spoken word as a recorded element, previously only (and always) a feature of Markus Floats live performances. The album’s final track samples the poet and activist Fred Moten, closing with these words: “What we’ve been trying to figure out how to get to is how we are when we get together to try to figure it out.” This koan of socially-engaged process and creation\/advancement of meaning through praxis and immanence reflects the unique fusion of intangible materiality and affective sensibility at work in Markus Floats music, unfolding with new depths and currents with Fourth Album. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Markus Floats\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e"}
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カナダ・モントリオールのマルチ奏者Markus Floatsが、2023年10月にモントリールの老舗レーベルConstellationからリリースしたレコードです。 フリージャズ〜ストレンジビーツ〜ネオクラシカル・アンビエントとジャンルを横断する12曲を収録。180g重量盤です。12"x24"アートプリント2枚とDLコード付属。 レーベルその他作品はこちら /// Click here to see more Constellation Records releases available at Tobira. ----------------------------...
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{"id":7810594701562,"title":"Steve Bates \/\/ All The Things That Happen LP","handle":"steve-bates-all-the-things-that-happen-lp","description":"\u003cp\u003eカナダのアンビエント作家Steve Batesが、2022年9月に同国老舗レーベルconstellationからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなシューゲイズ・アンビエントノイズ9曲を収録。マスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=807247239\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eConstellation Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMusician and sound\/video installation artist Steve Bates presents a striking solo ambient\/noise album of melodic smear, radiostatic blur, panoramic noise clouds and dissolving tones. Made primarily with the self-imposed limitation of a Casio SK-1, All The Things That Happen showcases the more deliberate, intensive, maximalist side of Bates' wide-ranging sonic aesthetic and practice. An isolation record (like so many), it combines an ineffable melancholy with claustrophobic tension and simmering political rage. Constructed from layers of glistening distortion-drenched melody, pulsing and droning oscillation, bursts of blown-out chords, sweeps of static and sheets of crackling hiss, Bates has made a dynamic, ardent, iridescent noise album of impressive depth and underlying devastation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"This was supposed to be an ambient record; quiet, minimal and sad. These tracks all started off that way but I kept reaching for more texture and noise. Somehow the noisier the record got, the less sad it was also. I was listening to, and loving, a lot of music by Andrew Chalk and I had finished a year-long run of listening to Eno’s Ambient 1 and 4. I prefer On Land to Music for Airports although I love both. On Land just has a darkness and uncertainty that appeals to me. Adding more noise also got me excited about ways this\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e material could be played live even though it also felt like that could never happen again. In 2022, I opened for Godspeed You! Black Emperor in Saskatoon to give it a try and was pleasantly pleased to hear it all live and loud.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA fixture of Winnipeg's burgeoning anarcho-punk and social justice community in the 80s-90s, Bates played in hardcore and indie rock bands (XOXO, Bulletproof Nothing) while contemporaneously continuing to fiddle obsessively with the shortwave radio his father bought him as a child — sensibilities that continue to meld and inform his sound work to this day. Bates founded the Send + Receive Festival in 1998, a crucial development in putting Winnipeg on the map for avant music and experimental sound art, which he helmed for seven years. Moving to Tiohti:áke\/Montréal in 2005 he took on the Sound Coordinator position at Hexagram (Concordia University), released solo and duo work on ORAL_records and two albums with his Black Seas Ensemble on The Dim Coast, while pursuing myriad other ongoing audio research, installation and collaborative projects. His exhibition and site-specific works have been presented throughout North America and Europe, Chile and Senegal.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBates relocated to Treaty 6\/Saskatoon in the fall of 2019, a return to the Canadian Prairies just before pandemic that also profoundly shaped the solitary, immersive, assiduous practice that yielded All The Things That Happen: his most purposive, powerful, purely ‘recorded’ work.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e'\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Steve Bates\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e","published_at":"2022-10-15T18:33:06+09:00","created_at":"2022-10-15T11:39:35+09:00","vendor":"Tobira Records","type":"","tags":["ambient","andrew","constellation records","lp"],"price":338000,"price_min":338000,"price_max":338000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43546127499514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Steve Bates \/\/ All The Things That Happen LP","public_title":null,"options":["Default Title"],"price":338000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/al1_2eb14ee0-e59c-4d75-8741-9a9e1fda0aec.jpg?v=1665801576","\/\/tobirarecords.com\/cdn\/shop\/products\/al2_9bb5f98d-9c51-4589-afcf-15303cfcc111.jpg?v=1665801576"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/al1_2eb14ee0-e59c-4d75-8741-9a9e1fda0aec.jpg?v=1665801576","options":["Title"],"media":[{"alt":null,"id":30752019906810,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al1_2eb14ee0-e59c-4d75-8741-9a9e1fda0aec.jpg?v=1665801576"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al1_2eb14ee0-e59c-4d75-8741-9a9e1fda0aec.jpg?v=1665801576","width":700},{"alt":null,"id":30752019939578,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al2_9bb5f98d-9c51-4589-afcf-15303cfcc111.jpg?v=1665801576"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al2_9bb5f98d-9c51-4589-afcf-15303cfcc111.jpg?v=1665801576","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダのアンビエント作家Steve Batesが、2022年9月に同国老舗レーベルconstellationからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなシューゲイズ・アンビエントノイズ9曲を収録。マスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=807247239\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eConstellation Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMusician and sound\/video installation artist Steve Bates presents a striking solo ambient\/noise album of melodic smear, radiostatic blur, panoramic noise clouds and dissolving tones. Made primarily with the self-imposed limitation of a Casio SK-1, All The Things That Happen showcases the more deliberate, intensive, maximalist side of Bates' wide-ranging sonic aesthetic and practice. An isolation record (like so many), it combines an ineffable melancholy with claustrophobic tension and simmering political rage. Constructed from layers of glistening distortion-drenched melody, pulsing and droning oscillation, bursts of blown-out chords, sweeps of static and sheets of crackling hiss, Bates has made a dynamic, ardent, iridescent noise album of impressive depth and underlying devastation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"This was supposed to be an ambient record; quiet, minimal and sad. These tracks all started off that way but I kept reaching for more texture and noise. Somehow the noisier the record got, the less sad it was also. I was listening to, and loving, a lot of music by Andrew Chalk and I had finished a year-long run of listening to Eno’s Ambient 1 and 4. I prefer On Land to Music for Airports although I love both. On Land just has a darkness and uncertainty that appeals to me. Adding more noise also got me excited about ways this\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e material could be played live even though it also felt like that could never happen again. In 2022, I opened for Godspeed You! Black Emperor in Saskatoon to give it a try and was pleasantly pleased to hear it all live and loud.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA fixture of Winnipeg's burgeoning anarcho-punk and social justice community in the 80s-90s, Bates played in hardcore and indie rock bands (XOXO, Bulletproof Nothing) while contemporaneously continuing to fiddle obsessively with the shortwave radio his father bought him as a child — sensibilities that continue to meld and inform his sound work to this day. Bates founded the Send + Receive Festival in 1998, a crucial development in putting Winnipeg on the map for avant music and experimental sound art, which he helmed for seven years. Moving to Tiohti:áke\/Montréal in 2005 he took on the Sound Coordinator position at Hexagram (Concordia University), released solo and duo work on ORAL_records and two albums with his Black Seas Ensemble on The Dim Coast, while pursuing myriad other ongoing audio research, installation and collaborative projects. His exhibition and site-specific works have been presented throughout North America and Europe, Chile and Senegal.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBates relocated to Treaty 6\/Saskatoon in the fall of 2019, a return to the Canadian Prairies just before pandemic that also profoundly shaped the solitary, immersive, assiduous practice that yielded All The Things That Happen: his most purposive, powerful, purely ‘recorded’ work.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e'\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Steve Bates\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e"}
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カナダのアンビエント作家Steve Batesが、2022年9月に同国老舗レーベルconstellationからリリースしたレコードです。 ドリーミーなシューゲイズ・アンビエントノイズ9曲を収録。マスタリングはGiuseppe Ielashiが担当しています。 レーベルその他作品はこちら /// Click here to see more Constellation Records releases available at Tobira. ...
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