jazz / impro
クイックビュー
{"id":8916525547770,"title":"M. Sage \/\/ Tender \/ Wading LP","handle":"m-sage-tender-wading-lp","description":"\u003cp\u003eアメリカのアンビエントレーベルPatient Soundsやコラーボレーション専門レーベルCached Mediaを主宰し、アンビエント・ジャズバンド風物詩のリーダーでもあるM. Sageが、2025年9月に同国老舗レーベルRVNGからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアンビエント〜アンビエント・ジャズ10曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/m-sage-paradise-crick-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3551156902\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=4942\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rvng-intl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rvng-intl\"\u003ehere\u003c\/a\u003e to see more RVNG Intl. \/ Freedom To Spend releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Garden Spot\u003cbr\u003e2. Witch Grass\u003cbr\u003e3. Chinook\u003cbr\u003e4. Wading the Plain 03:28\u003cbr\u003e5. Open Space Properties\u003cbr\u003e6. Telegraph Weed Waltz\u003cbr\u003e7. Fracking Starlite\u003cbr\u003e8. Field House Deer (Mice)\u003cbr\u003e9. Tender of Land 05:46\u003cbr\u003e10. Tender of Land (Patrick's Version) 04:54\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eRVNG Intl.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTender \/ Wading finds Matthew Sage, aka M. Sage, in the foothills and pastures of Colorado, writing, recording, and returning to a patch of his homeland and identity, one act of sympathetic care informing the next. Constructed primarily on piano and clarinet, and then embellished with guitar, modular synthesizer, percussion, and field recordings captured around the perimeter of his home, the album is a sweeping, serene vision of vitality, radical softness, and the reassuring sense of coming home, even if home has changed.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatthew Sage: instruments, arrangements, atmosphere\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHamilton Upright Piano, Yamaha Bb Clarinet, Modular Synthesizers, Moog Matriarch, Crumar Mojo, Korg Opsix, Acoustic Guitar, Electric Guitar, Accordion, Percussion, Field Recordings\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : M. Sage\u003c\/p\u003e\n\u003cp\u003eLabel : RVNG Intl.\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRVNGNL122lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-09-06T06:01:46+09:00","created_at":"2025-09-05T18:14:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","recommended","rvng"],"price":337000,"price_min":337000,"price_max":337000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47697565548794,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"M. Sage \/\/ Tender \/ Wading LP","public_title":null,"options":["Default Title"],"price":337000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"747742387302","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ten1_94083794-eeb5-445a-8874-ee9035afdfa7.jpg?v=1757063741","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-09-05at6.15.19pm.png?v=1757063741"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ten1_94083794-eeb5-445a-8874-ee9035afdfa7.jpg?v=1757063741","options":["Title"],"media":[{"alt":null,"id":36742065422586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ten1_94083794-eeb5-445a-8874-ee9035afdfa7.jpg?v=1757063741"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ten1_94083794-eeb5-445a-8874-ee9035afdfa7.jpg?v=1757063741","width":700},{"alt":null,"id":36742065389818,"position":2,"preview_image":{"aspect_ratio":1.002,"height":616,"width":617,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-09-05at6.15.19pm.png?v=1757063741"},"aspect_ratio":1.002,"height":616,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-09-05at6.15.19pm.png?v=1757063741","width":617}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのアンビエントレーベルPatient Soundsやコラーボレーション専門レーベルCached Mediaを主宰し、アンビエント・ジャズバンド風物詩のリーダーでもあるM. Sageが、2025年9月に同国老舗レーベルRVNGからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアンビエント〜アンビエント・ジャズ10曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/m-sage-paradise-crick-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3551156902\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=4942\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rvng-intl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rvng-intl\"\u003ehere\u003c\/a\u003e to see more RVNG Intl. \/ Freedom To Spend releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Garden Spot\u003cbr\u003e2. Witch Grass\u003cbr\u003e3. Chinook\u003cbr\u003e4. Wading the Plain 03:28\u003cbr\u003e5. Open Space Properties\u003cbr\u003e6. Telegraph Weed Waltz\u003cbr\u003e7. Fracking Starlite\u003cbr\u003e8. Field House Deer (Mice)\u003cbr\u003e9. Tender of Land 05:46\u003cbr\u003e10. Tender of Land (Patrick's Version) 04:54\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eRVNG Intl.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTender \/ Wading finds Matthew Sage, aka M. Sage, in the foothills and pastures of Colorado, writing, recording, and returning to a patch of his homeland and identity, one act of sympathetic care informing the next. Constructed primarily on piano and clarinet, and then embellished with guitar, modular synthesizer, percussion, and field recordings captured around the perimeter of his home, the album is a sweeping, serene vision of vitality, radical softness, and the reassuring sense of coming home, even if home has changed.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatthew Sage: instruments, arrangements, atmosphere\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHamilton Upright Piano, Yamaha Bb Clarinet, Modular Synthesizers, Moog Matriarch, Crumar Mojo, Korg Opsix, Acoustic Guitar, Electric Guitar, Accordion, Percussion, Field Recordings\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : M. Sage\u003c\/p\u003e\n\u003cp\u003eLabel : RVNG Intl.\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRVNGNL122lp\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカのアンビエントレーベルPatient Soundsやコラーボレーション専門レーベルCached Mediaを主宰し、アンビエント・ジャズバンド風物詩のリーダーでもあるM. Sageが、2025年9月に同国老舗レーベルRVNGからリリースしたレコードです。 アンビエント〜アンビエント・ジャズ10曲を収録。 前作もオススメです。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more RVNG Intl. /...
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{"id":8916493598970,"title":"Various Artists (Inner Ocean) \/\/ Colour Theory 2xLP [COLOR]","handle":"various-artists-inner-ocean-colour-theory-2xlp-color","description":"\u003cp\u003e\u003cspan\u003eカナダ・カルガリーの\u003c\/span\u003e\u003cspan\u003eLo-FiヒップホップレーベルInner Ocean Recordsによる2枚組コンピレーションレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eジャズ〜ジャズ・ヒップホップ21曲を収録。オレンジ盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"450\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1597979380\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/inneroceanrecords\" title=\"Inner Ocean Records\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eInner Ocean Records\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/inneroceanrecords\/sets\/colour-theory-compilation\" title=\"Colour Theory\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eColour Theory\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003ehere\u003c\/a\u003e to see more Inner Ocean releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" orange vinyl in gatefold sleeve.\u003cbr\u003eVinyl edition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 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Mad Keys - I'm Journaling More 02:00\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInner Ocean:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTurning the spotlight onto the diverse colour spectrum of modern jazz music, \"Colour Theory\" is a compilation that unites some of the world's most interesting jazz composers, breathing fresh new life into the genre. Presented in a deluxe gatefold jacket on heavy-weight orange vinyl, this double LP release features a myriad of perspectives on today's jazz scene: the spiritually infused works of iconic Brazilian jazz pianist Amaro Freitas, the otherworldly psychedelic sounds of Italian jazz drummer Tommaso Cappellato, the solo works of UK keyboardist Dominic J Marshall (Cinematic Orchestra), the exciting electronic infusion of US-based Keeth and Mad Keys, the alternate take on '70s jazz vibes from Zac Colwell (Of Montreal, Fancy Colors), and the imaginative J-Jazz stylings from Tokyo's Kazumi Kaneda.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe are honoured to gather together these boundary-pushing artists and share their kaleidoscope of sounds and influences with the world. We're all just getting started!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Inner Ocean\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eINNER185\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-09-07T09:34:11+09:00","created_at":"2025-09-05T16:59:55+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","inner ocean records","jazz","lp","new"],"price":595200,"price_min":595200,"price_max":595200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47697495720186,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (Inner Ocean) \/\/ Colour Theory 2xLP [COLOR]","public_title":null,"options":["Default Title"],"price":595200,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/col1_953e926d-cb55-4a60-8cbf-e5bac55206c8.jpg?v=1757059066","\/\/tobirarecords.com\/cdn\/shop\/files\/col2_bd7a3f2e-767b-4396-8cdc-bf694aa5a01a.jpg?v=1757059066","\/\/tobirarecords.com\/cdn\/shop\/files\/col3_1920722b-da81-41c7-b3cd-9d3366d3be1e.jpg?v=1757059067"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/col1_953e926d-cb55-4a60-8cbf-e5bac55206c8.jpg?v=1757059066","options":["Title"],"media":[{"alt":null,"id":36741723128058,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/col1_953e926d-cb55-4a60-8cbf-e5bac55206c8.jpg?v=1757059066"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/col1_953e926d-cb55-4a60-8cbf-e5bac55206c8.jpg?v=1757059066","width":700},{"alt":null,"id":36741723160826,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/col2_bd7a3f2e-767b-4396-8cdc-bf694aa5a01a.jpg?v=1757059066"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/col2_bd7a3f2e-767b-4396-8cdc-bf694aa5a01a.jpg?v=1757059066","width":1200},{"alt":null,"id":36741723193594,"position":3,"preview_image":{"aspect_ratio":1.494,"height":803,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/col3_1920722b-da81-41c7-b3cd-9d3366d3be1e.jpg?v=1757059067"},"aspect_ratio":1.494,"height":803,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/col3_1920722b-da81-41c7-b3cd-9d3366d3be1e.jpg?v=1757059067","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eカナダ・カルガリーの\u003c\/span\u003e\u003cspan\u003eLo-FiヒップホップレーベルInner Ocean Recordsによる2枚組コンピレーションレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eジャズ〜ジャズ・ヒップホップ21曲を収録。オレンジ盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"450\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1597979380\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/inneroceanrecords\" title=\"Inner Ocean Records\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eInner Ocean Records\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/inneroceanrecords\/sets\/colour-theory-compilation\" title=\"Colour Theory\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eColour Theory\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003ehere\u003c\/a\u003e to see more Inner Ocean releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" orange vinyl in gatefold sleeve.\u003cbr\u003eVinyl edition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Steve Jackson \u0026amp; Carsten Rubeling - Lifelines 00:58\u003cbr\u003e2. Zac Colwell - The Austin Scene 04:43\u003cbr\u003e3. Kazumi Kaneda - Thought Park 04:40\u003cbr\u003e4. Gas Lab - Shades ft. Andrew Gould \u0026amp; Rober Fighetti 03:23\u003cbr\u003e5. Steve Jackson \u0026amp; Carsten Rubeling - 4CHORDS 06:06\u003cbr\u003e6. Kazumi Kaneda - Batholith Street 03:10\u003cbr\u003e7. Matt Wilde - Clap Clap 02:39\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Nu Vintage \u0026amp; Pat Van Dyke - Around the Globe 03:01\u003cbr\u003e\u003c\/span\u003e9. David Lavoie - If I Were Me 02:23\u003cbr\u003e10. Keeth - Rainfalls 03:37\u003cbr\u003e11. Dominic J Marshall - Glassnoodles 03:35\u003cbr\u003e12. Tommaso Cappellato - Ascension 05:21\u003cbr\u003e13. Isak Gaines - Dance of Contradictions 04:46\u003cbr\u003e14. Amaro Freitas - Melanina 04:21\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e15. Mad Keys - Something Different 01:37\u003cbr\u003e\u003c\/span\u003e16. Keeth - Roadtrip 03:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e17. Zac Colwell - Enchanted Rock 04:22\u003cbr\u003e\u003c\/span\u003e18. Roy Markson - Mr. Lament 04:15\u003cbr\u003e19. Slug, Melatone \u0026amp; Søren Søstrom - Look into the Sun 04:17\u003cbr\u003e20. Maple Syrup, T.Check \u0026amp; Paul Midihill - River Flows 03:47\u003cbr\u003e21. Mad Keys - I'm Journaling More 02:00\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInner Ocean:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTurning the spotlight onto the diverse colour spectrum of modern jazz music, \"Colour Theory\" is a compilation that unites some of the world's most interesting jazz composers, breathing fresh new life into the genre. 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We're all just getting started!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Inner Ocean\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eINNER185\u003c\/span\u003e\u003c\/p\u003e"}
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カナダ・カルガリーのLo-FiヒップホップレーベルInner Ocean Recordsによる2枚組コンピレーションレコードです。 ジャズ〜ジャズ・ヒップホップ21曲を収録。オレンジ盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ Inner Ocean Records · Colour Theory レーベルその他作品はこちら /// Click here to see...
¥5,952
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{"id":8914287558906,"title":"Jordan Ireland \/\/ spirit walking LP","handle":"jordan-ireland-spirit-walking-tape","description":"\u003cp\u003e※当店限定販売です\u003c\/p\u003e\n\u003cp\u003eオーストラリアのマルチ奏者Jordan Irelandが、2025年8月に同国アンビエントレーベルBrierfield Flood Pressからリリースした再発レコードです。（オリジナルは2022年リリース）\u003c\/p\u003e\n\u003cp\u003eピアノ独奏によるインプロ・アンビエントジャズ〜アンビエント12曲を収録。180g重量盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e長年寄り添ってくれそうな一枚です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4215717524\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1792878316\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4215717524\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4274265590\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4215717524\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4215717524\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1136995266\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4215717524\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3249402498\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4215717524\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=339722400\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/briflpr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/briflpr\"\u003ehere\u003c\/a\u003e to see more Brierfield Flood Press releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 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width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4215717524\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3249402498\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4215717524\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=339722400\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/briflpr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/briflpr\"\u003ehere\u003c\/a\u003e to see more Brierfield Flood Press releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Starring 03:00\u003cbr\u003e2. Cooking 02:31\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Wondering 02:16\u003cbr\u003e\u003c\/span\u003e4. Calling You 01:43\u003cbr\u003e5. Dusk Eyes 04:15\u003cbr\u003e6. Voices 02:38\u003cbr\u003e7. Friend 03:02\u003cbr\u003e8. Swimming 02:33\u003cbr\u003e9. Waves 02:20\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Inner Child 02:40\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Wandering 02:08\u003cbr\u003e\u003c\/span\u003e12. Bessy 01:54\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eimprovised piano instrumentals\u003c\/em\u003e\u003cbr\u003e\u003cem\u003erecorded in wombarra circa march 2021\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : jordan ireland\u003c\/p\u003e\n\u003cp\u003eLabel : Brierfield Flood Press x Spunk Records\u003c\/p\u003e"}
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※当店限定販売です オーストラリアのマルチ奏者Jordan Irelandが、2025年8月に同国アンビエントレーベルBrierfield Flood Pressからリリースした再発レコードです。（オリジナルは2022年リリース） ピアノ独奏によるインプロ・アンビエントジャズ〜アンビエント12曲を収録。180g重量盤です。DLコード付属。 長年寄り添ってくれそうな一枚です。 レーベルその他作品はこちら /// Click here to see more...
¥4,659
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{"id":8914044092666,"title":"Infinity Quartet s\/t LP","handle":"infinity-quartet-s-t-lp","description":"\u003cp\u003eスウェーデン・ヨーテボリの実験音楽家Erik Nystrand (Capers)とDan Johansson (Sewer Election)、Per Palmqvist (Slow Exit) 、David Valleryd (Schakalens Bror)によるノイズ・ジャズバンドInfinity Quartetが、2025年8月にヨーテボリの実験レーベルDiscreet Musicからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eノイズ・ジャズ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/JjUnBiFBW-w?si=cNNfJWW893zI6C-t\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/discreet-music\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/discreet-music\"\u003ehere\u003c\/a\u003e to see more Discreet Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eCitytorget Centurion\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eWhips Crack\u003cbr\u003eA3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eUkkonen\u003cbr\u003eA4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLion's Den (Torgkrogen)\u003cbr\u003eB\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eDagjämningsgatan Exodus\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDiscreet Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe debut album from a new Gothenburg group featuring Erik Nystrand (Capers), Dan Johansson (Sewer Election), Per Palmqvist (Slow Exit) and David Valleryd (Schakalens Bror). A blistering free noise tornado recorded at Longest Night in Kortedala during October 2024. Electronics, guitars, drums. Blown-out and at times almost psychedelic grittiness in the spirit of Hijokaidan, Borbetomagus, Ascension and the likes, though channeled through the neverending well of unmanageable Gothenburgian no-fi wilfulness.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Infinity Quartet\u003c\/p\u003e\n\u003cp\u003eLabel : Förlag För Fri Musik (Discreet Music)\u003c\/p\u003e\n\u003cp\u003ecat no : Förlag För Fri Musik 032\u003c\/p\u003e","published_at":"2025-09-05T13:41:10+09:00","created_at":"2025-09-03T12:21:03+09:00","vendor":"Tobira Records","type":"","tags":["discreet music","jazz","lp","new","noise"],"price":454500,"price_min":454500,"price_max":454500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47687784071418,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Infinity Quartet s\/t LP","public_title":null,"options":["Default Title"],"price":454500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/infin1.webp?v=1756869545"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/infin1.webp?v=1756869545","options":["Title"],"media":[{"alt":null,"id":36721978769658,"position":1,"preview_image":{"aspect_ratio":1.0,"height":425,"width":425,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/infin1.webp?v=1756869545"},"aspect_ratio":1.0,"height":425,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/infin1.webp?v=1756869545","width":425}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデン・ヨーテボリの実験音楽家Erik Nystrand (Capers)とDan Johansson (Sewer Election)、Per Palmqvist (Slow Exit) 、David Valleryd (Schakalens Bror)によるノイズ・ジャズバンドInfinity Quartetが、2025年8月にヨーテボリの実験レーベルDiscreet Musicからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eノイズ・ジャズ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/JjUnBiFBW-w?si=cNNfJWW893zI6C-t\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/discreet-music\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/discreet-music\"\u003ehere\u003c\/a\u003e to see more Discreet Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eCitytorget Centurion\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eWhips Crack\u003cbr\u003eA3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eUkkonen\u003cbr\u003eA4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLion's Den (Torgkrogen)\u003cbr\u003eB\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eDagjämningsgatan Exodus\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDiscreet Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe debut album from a new Gothenburg group featuring Erik Nystrand (Capers), Dan Johansson (Sewer Election), Per Palmqvist (Slow Exit) and David Valleryd (Schakalens Bror). A blistering free noise tornado recorded at Longest Night in Kortedala during October 2024. Electronics, guitars, drums. Blown-out and at times almost psychedelic grittiness in the spirit of Hijokaidan, Borbetomagus, Ascension and the likes, though channeled through the neverending well of unmanageable Gothenburgian no-fi wilfulness.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Infinity Quartet\u003c\/p\u003e\n\u003cp\u003eLabel : Förlag För Fri Musik (Discreet Music)\u003c\/p\u003e\n\u003cp\u003ecat no : Förlag För Fri Musik 032\u003c\/p\u003e"}
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スウェーデン・ヨーテボリの実験音楽家Erik Nystrand (Capers)とDan Johansson (Sewer Election)、Per Palmqvist (Slow Exit) 、David Valleryd (Schakalens Bror)によるノイズ・ジャズバンドInfinity Quartetが、2025年8月にヨーテボリの実験レーベルDiscreet...
¥4,545
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{"id":8914040848634,"title":"Dan Kinzelman \/\/ Unfall LP","handle":"dan-kinzelman-unfall-lp","description":"\u003cp\u003eドイツのサックス奏者Dan Kinzelmanが、2025年6月にイタリアの実験レーベルKohlhaasからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ジャズ〜ジャズ・ドローン12曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Unfall（ドイツ語で「事故」の意）は、音楽素材と廃エレクトロニクスを回収・再利用する「エコロジカル」なプロセスにおいて、即興音楽、電子音響、フリージャズ、ディキシーランド、ミニマリズムの出会いに研究の焦点を置き、コンクレートに典型的な手法でフィルターをかけ、再構成したものである。バロウズのカットアップやテープミュージックに由来する手法を参照しながら、Unfallは、一見かけ離れた音楽言語間の対話を成立させ、相互テクスト性を実験している。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eここに収録された音楽は、トスカーナとウンブリアでの一連のレジデンスで録音されたもので、その後、レナート・グリーコによって、アナログ・テープや旋盤でカットされたビニールの再録音や物理的操作、モジュラーシンセシス、フィールドレコーディングなど、複雑な編集と再コンポジションが行われた。音楽構造は部分的にしか定義されておらず、アンフォールは規律と遊び、統制と混沌の相互作用を探求する立場に置かれている。その中で、5人のミュージシャンは自らの流れを求め、内省、瞑想、癒しの空間を構築する。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=844766769\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003ehere\u003c\/a\u003e to see more Kohlhaas releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Micro Portrait 00:38\u003cbr\u003e2. Scicli 04:03\u003cbr\u003e3. Clusterfuck 05:13\u003cbr\u003e4. Possible Ending 03:04\u003cbr\u003e5. Chorale 04:18\u003cbr\u003e6. Wien 02:38\u003cbr\u003e7. Parto 02:28\u003cbr\u003e8. Die grosse Ekstase des Bildschnitzers Steiner 04:56\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Singapore 03:54\u003cbr\u003e\u003c\/span\u003e10. Canon X 02:44\u003cbr\u003e11. Die grosse Ekstase des Bildschnitzers Steiner (reprise) 03:31\u003cbr\u003e12. Dominique 02:54\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eKohlhaas:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn an 'ecological' process of recovery and reuse of musical materials and obsolete electronics, 'Unfall' (German for “accident”) lays its research focus on the encounter between improvised music, electroacoustics, free jazz, dixieland, and minimalism, filtered and recomposed through techniques typical of musique concrète. Referencing Burroughs' cut-ups and methods derived from tape music, 'Unfall' experiments with intertextuality, establishing a dialogue between seemingly distant musical languages.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe music contained here was recorded during a series of residencies in Tuscany and Umbria, followed by a complex process of editing and recomposition conducted by Renato Grieco through re-recording and physical manipulation of analog tape and lathe-cut vinyl, modular synthesis, and field recording. Musical structures are only partially defined, placing Unfall in a position to explore the interplay between discipline and play, control and chaos. In the midst of this, the five musicians seek their own flow, building spaces for reflection, meditation, and healing.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dan Kinzelman\u003c\/p\u003e\n\u003cp\u003eLabel : Kohlhaas\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKHS 033\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-09-05T13:56:41+09:00","created_at":"2025-09-03T12:13:04+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","kohlhaas","lp","new"],"price":398700,"price_min":398700,"price_max":398700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47687750222074,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dan Kinzelman \/\/ Unfall LP","public_title":null,"options":["Default Title"],"price":398700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dan1_aee12b26-5fc3-484f-9d69-a0bac2fec2c4.jpg?v=1756869073","\/\/tobirarecords.com\/cdn\/shop\/files\/dan2_52430c00-32be-4f70-939a-7437faf7b513.jpg?v=1756869073"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan1_aee12b26-5fc3-484f-9d69-a0bac2fec2c4.jpg?v=1756869073","options":["Title"],"media":[{"alt":null,"id":36721918116090,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan1_aee12b26-5fc3-484f-9d69-a0bac2fec2c4.jpg?v=1756869073"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan1_aee12b26-5fc3-484f-9d69-a0bac2fec2c4.jpg?v=1756869073","width":700},{"alt":null,"id":36721918148858,"position":2,"preview_image":{"aspect_ratio":1.034,"height":1160,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan2_52430c00-32be-4f70-939a-7437faf7b513.jpg?v=1756869073"},"aspect_ratio":1.034,"height":1160,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan2_52430c00-32be-4f70-939a-7437faf7b513.jpg?v=1756869073","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツのサックス奏者Dan Kinzelmanが、2025年6月にイタリアの実験レーベルKohlhaasからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ジャズ〜ジャズ・ドローン12曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Unfall（ドイツ語で「事故」の意）は、音楽素材と廃エレクトロニクスを回収・再利用する「エコロジカル」なプロセスにおいて、即興音楽、電子音響、フリージャズ、ディキシーランド、ミニマリズムの出会いに研究の焦点を置き、コンクレートに典型的な手法でフィルターをかけ、再構成したものである。バロウズのカットアップやテープミュージックに由来する手法を参照しながら、Unfallは、一見かけ離れた音楽言語間の対話を成立させ、相互テクスト性を実験している。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eここに収録された音楽は、トスカーナとウンブリアでの一連のレジデンスで録音されたもので、その後、レナート・グリーコによって、アナログ・テープや旋盤でカットされたビニールの再録音や物理的操作、モジュラーシンセシス、フィールドレコーディングなど、複雑な編集と再コンポジションが行われた。音楽構造は部分的にしか定義されておらず、アンフォールは規律と遊び、統制と混沌の相互作用を探求する立場に置かれている。その中で、5人のミュージシャンは自らの流れを求め、内省、瞑想、癒しの空間を構築する。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=844766769\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003ehere\u003c\/a\u003e to see more Kohlhaas releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Micro Portrait 00:38\u003cbr\u003e2. Scicli 04:03\u003cbr\u003e3. Clusterfuck 05:13\u003cbr\u003e4. Possible Ending 03:04\u003cbr\u003e5. Chorale 04:18\u003cbr\u003e6. Wien 02:38\u003cbr\u003e7. Parto 02:28\u003cbr\u003e8. Die grosse Ekstase des Bildschnitzers Steiner 04:56\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Singapore 03:54\u003cbr\u003e\u003c\/span\u003e10. Canon X 02:44\u003cbr\u003e11. Die grosse Ekstase des Bildschnitzers Steiner (reprise) 03:31\u003cbr\u003e12. Dominique 02:54\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eKohlhaas:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn an 'ecological' process of recovery and reuse of musical materials and obsolete electronics, 'Unfall' (German for “accident”) lays its research focus on the encounter between improvised music, electroacoustics, free jazz, dixieland, and minimalism, filtered and recomposed through techniques typical of musique concrète. Referencing Burroughs' cut-ups and methods derived from tape music, 'Unfall' experiments with intertextuality, establishing a dialogue between seemingly distant musical languages.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe music contained here was recorded during a series of residencies in Tuscany and Umbria, followed by a complex process of editing and recomposition conducted by Renato Grieco through re-recording and physical manipulation of analog tape and lathe-cut vinyl, modular synthesis, and field recording. Musical structures are only partially defined, placing Unfall in a position to explore the interplay between discipline and play, control and chaos. In the midst of this, the five musicians seek their own flow, building spaces for reflection, meditation, and healing.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dan Kinzelman\u003c\/p\u003e\n\u003cp\u003eLabel : Kohlhaas\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKHS 033\u003c\/span\u003e\u003c\/p\u003e"}
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ドイツのサックス奏者Dan Kinzelmanが、2025年6月にイタリアの実験レーベルKohlhaasからリリースしたレコードです。 実験ジャズ〜ジャズ・ドローン12曲を収録。DLコード付属。 以下、レーベルによる解説です。 "Unfall（ドイツ語で「事故」の意）は、音楽素材と廃エレクトロニクスを回収・再利用する「エコロジカル」なプロセスにおいて、即興音楽、電子音響、フリージャズ、ディキシーランド、ミニマリズムの出会いに研究の焦点を置き、コンクレートに典型的な手法でフィルターをかけ、再構成したものである。バロウズのカットアップやテープミュージックに由来する手法を参照しながら、Unfallは、一見かけ離れた音楽言語間の対話を成立させ、相互テクスト性を実験している。ここに収録された音楽は、トスカーナとウンブリアでの一連のレジデンスで録音されたもので、その後、レナート・グリーコによって、アナログ・テープや旋盤でカットされたビニールの再録音や物理的操作、モジュラーシンセシス、フィールドレコーディングなど、複雑な編集と再コンポジションが行われた。音楽構造は部分的にしか定義されておらず、アンフォールは規律と遊び、統制と混沌の相互作用を探求する立場に置かれている。その中で、5人のミュージシャンは自らの流れを求め、内省、瞑想、癒しの空間を構築する。" レーベルその他作品はこちら /// Click here to see more Kohlhaas releases available at...
¥3,987
![Carlos Niño & Friends // (I'm just) Chillin', on Fire 2xLP [COLOR]](http://tobirarecords.com/cdn/shop/files/a0903648781_16_medium.jpg?v=1691966082)
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{"id":8911757771002,"title":"Carlos Niño \u0026 Friends \/\/ (I'm just) Chillin', on Fire 2xLP [COLOR]","handle":"carlos-nino-friends-im-just-chillin-on-fire-2xlp-color","description":"\u003cp data-mce-fragment=\"1\"\u003e過去にLeaving Recordsなどから大量に発表しているアメリカ・LAのマルチ奏者Carlos Niñoが、2023年8月に同国International Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e12人以上のゲストが参加したアンビエント・ジャズ〜スピリチュアル・ジャ\u003cspan data-mce-fragment=\"1\"\u003eズ\u003c\/span\u003e全17曲を収録。レコードには帯とブックレット付属。ピンク盤です。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e以下、ジャーナリスト\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarcus J. Mooreによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\"ここ数年、コンサートの常連客はライブの後、Carlos Niñoを呼び止め、2つの簡単な質問をした： 「あなたはシャーマンですか？\"あなたの音楽から薬が聞こえるのですが、次のセレモニーに参加してもいいですか？\" その質問はもっともだ： ワイルドなあごひげを生やし、優しい目をした長身のニーニョを見れば、どこか遠い時代の人で、呪文を唱えられるのではないかと思うだろう。ひとたび彼を知れば、のんびりとした態度の信じられないほど優しい男であり、異界へのオールアクセスパスを持っていると主張する教祖ではないことがわかる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cem\u003eでは、彼はスピリチュアルの指導者なのだろうか？\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「私はただ冷静で、燃えているだけだ。「宗教的、伝統的なもの、ルールや教義にこだわったり、それを否定したりはしていない。私はただ、エネルギーに満ち溢れたものを提示しているだけで、旅をしている人たち、音楽的に創作している人たち、そして私たちと一緒に集う人たちのためのオープニングになることを意図しているんだ」。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e実際、Carlos Niñoの自称エネルギッシュ・スペース・ミュージックには、共同体的なエッセンスがある。Carlos Niño \u0026amp; Friendsのリーダーとして、彼はコラボレーターたちに、サウンドがどうあるべきかという先入観なしに即興演奏することを勧めている。彼の新しいアルバム『(I'm just) Chillin', on Fire』には、12人以上のミュージシャンが参加し、ギタリストのネイト・マーセローやサックス奏者のカマシ・ワシントン、ニューエイジの礎石ララアジ、今やトレードマークとなったフルートを演奏するヒップホップ界の伝説アンドレ3000など、サウンドの実験に欠かせない面々が名を連ねている。Carlos Niñoは意図的に音楽を漂わせ、一体感を生み出すことで、（I'm just）Chillin', on Fireを近年の素晴らしい作品のもうひとつのハイライトにしている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eしかし、2020年の『Chicago Waves』（マルチ・インストゥルメンタリスト、ミゲル・アトウッド＝ファーガソンとの共作）や昨年の『Extra Presence』のようなアルバムがスピーカーの中で宙に浮いていたのに対し、『(I'm just) Chillin'』はジャズやエレクトロニック・ファンクに等しく依存したエネルギッシュなドラムによって、ある部分では先へと突き進んでいる。ジャンルにとらわれず、70年代のアンダーグラウンド・ジャズの信条が息づいている。50年前、ブラザー・アー、アンサンブル・アル・サラーム、ムトゥメ・ウモジャ・アンサンブルといったアーティストたちは、スピリチュアル・ジャズと謳いながら、さまざまな方向へと燃え上がる音楽を作り上げた。彼らは、それを売り込むための人工的な用語ではなく、音楽全体の超越性に傾倒していた。(I'm just）Chillin'」も同じ感情を発している： Mighty Stillness」では、実験的ヴァイオリニストのV.C.Rが休息する「先祖代々の権利」を宣言する場面で、彼女はジャンヌ・リー、ジェイン・コルテス、ベアトリス・パーカーのような黒人女性、同じ自由を体現したインディ・シーンの革新的ヴォーカリストたちを想起させる。そして \"Love Dedication (for Annelise) \"では、Carlos Niñoは繊細なベース（マイケル・アルビドレス）と静謐なピアノループ（スルヤ・ボトファシーナ）を使い、幅広い言葉で愛情を語る。「愛とは無条件のもので、どこにでも、すべてに、常に流れているものだ。「完全に生きていて、上限はない。ストラータ、ストラータ・イースト、トライブのような70年代のインディ・レーベルで聴かれたゆったりとしたアレンジメントとの比較を受け入れることをためらうが（それは彼が彼らの遺産をどれほど尊重しているかということであり、彼らのフィールドで場所を主張したくないからにほかならない）、過去30年近くにわたるロサンゼルスのジャズ、ヒップホップ、ビートシーンのアンカーとしての彼の地位、そして彼の作るものに彼の影響がいかに生きているかを否定することはできない。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「私にとって、これらのレーベルはすべて大きな影響力を持っています」とCarlos Niñoは言う。Strata-Eastについて考えるとき、私はすぐにPharaoh Sandersを思い浮かべるし、私のお気に入りのアルバムのひとつである『Live at the East』（Impulse! 私はそのコミュニティの出身ではない。イーストとの直接的なつながりは主張しないけど、イーストに対する意識と感謝はすごく大きいんだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e(I'm just）Chillin'のヴォーカルは、型破りな方法で編集された。「マイクのスイッチを入れるから、アルバムを通して聴いて、その時感じたことを何でも録音してくれ、という感じだった」とCarlos Niñoは創作過程について語る。「彼らの解釈は完全に自由だった。彼は、ボーカリストのカバナ・リー、マイア、ミア・ドイ・トッド、V.C.Rが同じような方法で音楽を解釈していることに気づいた： \"同じ部屋にいるわけでもなく、他の人がやったことを聞いているわけでもない人たちが、みんな本当にクールな織物を創り上げた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムは、過去3年間にヴェニス、ライマート・パーク、ウッドストックといった場所で録音されたライヴとスタジオ・アレンジをコンパイルしたものだが、まるですべてのミュージシャンが揃ったひとつの空間に収められたかのように調和がとれている。これはCarlos Niñoの指揮者、プロデューサーとしての能力を浮き彫りにしている。彼がこのような膨大な実験をシームレスなセットにまとめ上げたことは、それだけで価値ある偉業である。Carlos Niñoの他のLPと同様、この『(I'm just) Chillin'』は没入型リスニングであり、完全に吸収するには耳を澄ませる必要がある。ソーシャルメディアと24時間のニュースに支配された世界では、私たちは特に理由もなく急いでいるように見える。優しいメッセージとゆったりとしたテンポの音楽を作ることで、Carlos Niñoはリスナーに対して、人生の自然の驚異をゆっくりと鑑賞し、旅を味わい、急がないように促している。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e「私にとってクリエイティビティとは、ある存在の状態、そしてその存在の状態の表現なんだ。「彼らがどのように感じているかを反映したり、報告したりすることなんだ。より深い \"理由 \"こそが、私がこの活動で得ようとしているものであり、その感情の内側にあるものであり、それは未知の領域ではない。私は、オーガナイズやキュレーション、提供にとても熱心な人間の一人で、深く分かち合うようなものなんだ。それは生きているもので、成長する。それは生き物であり、成長する。時には、自分の操縦の外にある力によって揺さぶられることもある。時には一方通行に見えることもある。しかし、それは生きている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/kHwWFucJndo\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2395829700\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files. 12\" pink vinyl. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVenice 100720, Hands In Soil (feat. Josh Johnson, Nate Mercereau, Jamire Williams)\u003c\/li\u003e\n\u003cli\u003eMighty Stillness (feat. V.C.R, Josh Johnson, Nate Mercereau, Jamire Williams)\u003c\/li\u003e\n\u003cli\u003eLove Dedication (for Annelise) [feat. Surya Botofasina]\u003c\/li\u003e\n\u003cli\u003eFlutestargate (feat. Deantoni Parks, Nate Mercereau) 04:25\u003c\/li\u003e\n\u003cli\u003eMaha Rose North 102021, Breathwork (feat. Laraaji, Photay)\u003c\/li\u003e\n\u003cli\u003eTranscendental Bounce, Run to it (feat. Maia, Deantoni Parks, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eTaaaud (feat. Sibusile Xaba, Jamael Dean, Nate Mercereau) 05:50 video\u003c\/li\u003e\n\u003cli\u003eSpacial (feat. Sibusile Xaba, Jamael Dean)\u003c\/li\u003e\n\u003cli\u003eAm I Dreaming? (feat. Surya Botofasina, Luis Pérez Ixoneztli)\u003c\/li\u003e\n\u003cli\u003eEtheric Windsurfing, flips and twirls (feat. Adam Rudolph, Jesse Peterson)\u003c\/li\u003e\n\u003cli\u003eBoom Bap Spiritual (feat. Surya Botofasina)\u003c\/li\u003e\n\u003cli\u003eWoo, Acknowledgement (feat. Surya Botofasina, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eSandra's Willows (feat. Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003cli\u003eOne For Derf (feat. Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003cli\u003eConversations (feat. André 3000, Nate Mercereau, Cavana Lee, Mia Doi Todd)\u003c\/li\u003e\n\u003cli\u003eEssence, The Mermaids Call (feat. Woo, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eEightspace 082222 (feat. Kamasi Washington, Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eLiner Notes by Marcus J. Moore:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Over the past few years, concert patrons have stopped the musician Carlos Niño after gigs to ask two simple questions: “Are you a shaman?” “I hear the medicine in your music, can I come to your next ceremony?” The queries are fair enough: Looking at Niño, a tall man with a wild beard and kind eyes, one would think he’s from some faraway time and could maybe cast spells. Once you get to know him, you find that he’s just an incredibly sweet guy with a laid-back demeanor, and that he isn’t some guru claiming to have an all-access pass to the otherworld.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSo what does he say to those wondering if he’s a spiritual teacher?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“I’m just chillin’, on fire,” he declares. “I'm not rolling with or out any kind of religious or traditional focus, rules or doctrine. I'm just presenting something that has a lot of energy, and is intended to be an opening for those of us who are journeying, creating musically, and for those who gather with us.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIndeed, there’s a communal essence to Niño’s self-described Energetic Space Music. As leader of Carlos Niño \u0026amp; Friends, he encourages his collaborators to improvise without preconceived ideas of what the sound is supposed to entail. His new album\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, (I’m just) Chillin’, on Fire, features more than a dozen musicians and includes a who’s who of sonic experimentation — everyone from guitarist Nate Mercereau and saxophonist Kamasi Washington, to New Age cornerstone Laraaji and hip-hop legend André 3000 playing his now trademark flute. On purpose, Niño lets the music drift and the unity ensue, making (I’m just) Chillin’, on Fire another highlight in a recent run of sublime work.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut where albums like 2020’s Chicago Waves (with multi-instrumentalist Miguel Atwood-Ferguson) and last year’s Extra Presence hovered in the speakers, (I’m just) Chillin’ forges ahead in certain spots through energetic drums equally indebted to jazz and electronic funk. It eschews genre, but the tenets of ‘70s underground jazz are present. Fifty years ago, acts like Brother Ah, the Ensemble Al-Salaam and Mtume Umoja Ensemble crafted music that scanned as Spiritual Jazz yet flared in many different directions. They leaned into the transcendence of the music overall, not artificial terms used to market it. (I’m just) Chillin’ emits the same emotion: On “Mighty Stillness,” when the experimental violinist V.C.R proclaims her “ancestral right” to rest, she evokes Black women like Jeanne Lee, Jayne Cortez and Beatrice Parker, innovative vocalists from indie scenes who embodied the same freedom. Then on “Love Dedication (for Annelise),” Niño uses subtle bass (from Michael Alvidrez) and a serene piano loop (from Surya Botofasina) to speak of endearment in broad terms. “Love is unconditional — everywhere, everything, flowing always,” he observes. “Totally alive, no upper limit.” Though he hesitates to embrace comparisons to the spacious arrangements heard on indie labels of the ‘70s like Strata, Strata-East and Tribe (only because of how much he respects their legacies, not wanting to claim any space in their fields), there’s no denying his stature as an anchor in the jazz, hip-hop and beat scenes in Los Angeles over the last nearly 30 years, and how his influences are alive in what he makes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“All of those labels to me are hugely influential,” Niño says. “When I think about Strata-East, I immediately think of Pharaoh Sanders, and I think of one of my favorite albums of all-time, Live at the East (on Impulse!), and how The East and that movement is a huge influence. I'm not from that community. I don't claim any direct connection to it, but my awareness of it and my appreciation of it is gigantic.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe vocals for (I’m just) Chillin’ were compiled unconventionally. “I was like, ‘I'm going to turn on the mic, and you're going to listen all the way through the album and record anything you're feeling at any moment,’” Niño says of the creative process. “It was completely open to their interpretation.” He found that the vocalists Cavana Lee, Maia, Mia Doi Todd, and V.C.R interpreted the music in similar ways: “People who are not even in the same room, who did not hear what the other person did, they all created these really cool weavings — and it was so fun.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile the album compiles live and studio arrangements recorded in places like Venice, Leimert Park and Woodstock over the past three years, it feels harmonious, as if captured in one space with all musicians present. This highlights Niño’s ability as a conductor and producer. That he could winnow such vast experimentation into a seamless set is a worthy feat on its own. Much like Niño’s other LPs, (I’m just) Chillin’ is an immersive listen that requires attentive ears to fully absorb. In a world dominated by social media and the 24-hour news cycle, it seems we’re all in a hurry for no reason in particular. By creating music with tender messages and leisurely pacing, Niño nudges listeners to slow down and appreciate life’s natural wonders, to savor the journey and not rush so quickly to the destination. In turn, his art conjures pastoral images — endless fields, boundless oceans, ripples crashing along the shoreline. It urges you to simply look up: notice the wind rustling through the trees, listen to the birds sing a glorious song. This is real life, the stuff you can’t quite capture with a smartphone camera. As a conduit, Niño embodies the water he cherishes so deeply. He’s not just the bandleader, but a vessel for everyone’s ideas to shine through.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Creativity, to me, is an expression of a being's state, and their states of being,” he says. “It's really reflecting or reporting how they feel. The deeper ‘why’ is what I'm getting to with all this, what is inside that feeling, and it's not uncharted territory. I'm one of these people who's very into organizing, curating and offering; it's a deeply sharing kind of thing. It's a living thing; it grows. Sometimes it gets sculpted. Sometimes it gets rocked by forces outside of its maneuvering. Sometimes it looks one way. Sometimes it looks another way, but it's alive.”\u003c\/span\u003e \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem \u003c\/p\u003e","published_at":"2025-09-01T06:58:37+09:00","created_at":"2025-09-01T06:57:35+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new"],"price":625000,"price_min":625000,"price_max":625000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47678680269050,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Carlos Niño \u0026 Friends \/\/ (I'm just) Chillin', on Fire 2xLP [COLOR]","public_title":null,"options":["Default Title"],"price":625000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993993246","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0903648781_16.jpg?v=1691966082","\/\/tobirarecords.com\/cdn\/shop\/files\/0032578946_10.jpg?v=1696146420","\/\/tobirarecords.com\/cdn\/shop\/products\/0033416753_10_0f78330f-effe-4a84-a7bb-7c70cb7378e8.jpg?v=1696146404","\/\/tobirarecords.com\/cdn\/shop\/products\/0033416749_10.jpg?v=1696146418"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0903648781_16.jpg?v=1691966082","options":["Title"],"media":[{"alt":null,"id":32325401772282,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0903648781_16.jpg?v=1691966082"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0903648781_16.jpg?v=1691966082","width":700},{"alt":null,"id":32325401805050,"position":2,"preview_image":{"aspect_ratio":1.282,"height":936,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032578946_10.jpg?v=1696146420"},"aspect_ratio":1.282,"height":936,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032578946_10.jpg?v=1696146420","width":1200},{"alt":null,"id":32515051553018,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0033416753_10_0f78330f-effe-4a84-a7bb-7c70cb7378e8.jpg?v=1696146404"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0033416753_10_0f78330f-effe-4a84-a7bb-7c70cb7378e8.jpg?v=1696146404","width":1200},{"alt":null,"id":32515051618554,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0033416749_10.jpg?v=1696146418"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0033416749_10.jpg?v=1696146418","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp data-mce-fragment=\"1\"\u003e過去にLeaving Recordsなどから大量に発表しているアメリカ・LAのマルチ奏者Carlos Niñoが、2023年8月に同国International Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e12人以上のゲストが参加したアンビエント・ジャズ〜スピリチュアル・ジャ\u003cspan data-mce-fragment=\"1\"\u003eズ\u003c\/span\u003e全17曲を収録。レコードには帯とブックレット付属。ピンク盤です。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e以下、ジャーナリスト\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarcus J. Mooreによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\"ここ数年、コンサートの常連客はライブの後、Carlos Niñoを呼び止め、2つの簡単な質問をした： 「あなたはシャーマンですか？\"あなたの音楽から薬が聞こえるのですが、次のセレモニーに参加してもいいですか？\" その質問はもっともだ： ワイルドなあごひげを生やし、優しい目をした長身のニーニョを見れば、どこか遠い時代の人で、呪文を唱えられるのではないかと思うだろう。ひとたび彼を知れば、のんびりとした態度の信じられないほど優しい男であり、異界へのオールアクセスパスを持っていると主張する教祖ではないことがわかる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cem\u003eでは、彼はスピリチュアルの指導者なのだろうか？\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「私はただ冷静で、燃えているだけだ。「宗教的、伝統的なもの、ルールや教義にこだわったり、それを否定したりはしていない。私はただ、エネルギーに満ち溢れたものを提示しているだけで、旅をしている人たち、音楽的に創作している人たち、そして私たちと一緒に集う人たちのためのオープニングになることを意図しているんだ」。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e実際、Carlos Niñoの自称エネルギッシュ・スペース・ミュージックには、共同体的なエッセンスがある。Carlos Niño \u0026amp; Friendsのリーダーとして、彼はコラボレーターたちに、サウンドがどうあるべきかという先入観なしに即興演奏することを勧めている。彼の新しいアルバム『(I'm just) Chillin', on Fire』には、12人以上のミュージシャンが参加し、ギタリストのネイト・マーセローやサックス奏者のカマシ・ワシントン、ニューエイジの礎石ララアジ、今やトレードマークとなったフルートを演奏するヒップホップ界の伝説アンドレ3000など、サウンドの実験に欠かせない面々が名を連ねている。Carlos Niñoは意図的に音楽を漂わせ、一体感を生み出すことで、（I'm just）Chillin', on Fireを近年の素晴らしい作品のもうひとつのハイライトにしている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eしかし、2020年の『Chicago Waves』（マルチ・インストゥルメンタリスト、ミゲル・アトウッド＝ファーガソンとの共作）や昨年の『Extra Presence』のようなアルバムがスピーカーの中で宙に浮いていたのに対し、『(I'm just) Chillin'』はジャズやエレクトロニック・ファンクに等しく依存したエネルギッシュなドラムによって、ある部分では先へと突き進んでいる。ジャンルにとらわれず、70年代のアンダーグラウンド・ジャズの信条が息づいている。50年前、ブラザー・アー、アンサンブル・アル・サラーム、ムトゥメ・ウモジャ・アンサンブルといったアーティストたちは、スピリチュアル・ジャズと謳いながら、さまざまな方向へと燃え上がる音楽を作り上げた。彼らは、それを売り込むための人工的な用語ではなく、音楽全体の超越性に傾倒していた。(I'm just）Chillin'」も同じ感情を発している： Mighty Stillness」では、実験的ヴァイオリニストのV.C.Rが休息する「先祖代々の権利」を宣言する場面で、彼女はジャンヌ・リー、ジェイン・コルテス、ベアトリス・パーカーのような黒人女性、同じ自由を体現したインディ・シーンの革新的ヴォーカリストたちを想起させる。そして \"Love Dedication (for Annelise) \"では、Carlos Niñoは繊細なベース（マイケル・アルビドレス）と静謐なピアノループ（スルヤ・ボトファシーナ）を使い、幅広い言葉で愛情を語る。「愛とは無条件のもので、どこにでも、すべてに、常に流れているものだ。「完全に生きていて、上限はない。ストラータ、ストラータ・イースト、トライブのような70年代のインディ・レーベルで聴かれたゆったりとしたアレンジメントとの比較を受け入れることをためらうが（それは彼が彼らの遺産をどれほど尊重しているかということであり、彼らのフィールドで場所を主張したくないからにほかならない）、過去30年近くにわたるロサンゼルスのジャズ、ヒップホップ、ビートシーンのアンカーとしての彼の地位、そして彼の作るものに彼の影響がいかに生きているかを否定することはできない。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「私にとって、これらのレーベルはすべて大きな影響力を持っています」とCarlos Niñoは言う。Strata-Eastについて考えるとき、私はすぐにPharaoh Sandersを思い浮かべるし、私のお気に入りのアルバムのひとつである『Live at the East』（Impulse! 私はそのコミュニティの出身ではない。イーストとの直接的なつながりは主張しないけど、イーストに対する意識と感謝はすごく大きいんだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e(I'm just）Chillin'のヴォーカルは、型破りな方法で編集された。「マイクのスイッチを入れるから、アルバムを通して聴いて、その時感じたことを何でも録音してくれ、という感じだった」とCarlos Niñoは創作過程について語る。「彼らの解釈は完全に自由だった。彼は、ボーカリストのカバナ・リー、マイア、ミア・ドイ・トッド、V.C.Rが同じような方法で音楽を解釈していることに気づいた： \"同じ部屋にいるわけでもなく、他の人がやったことを聞いているわけでもない人たちが、みんな本当にクールな織物を創り上げた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムは、過去3年間にヴェニス、ライマート・パーク、ウッドストックといった場所で録音されたライヴとスタジオ・アレンジをコンパイルしたものだが、まるですべてのミュージシャンが揃ったひとつの空間に収められたかのように調和がとれている。これはCarlos Niñoの指揮者、プロデューサーとしての能力を浮き彫りにしている。彼がこのような膨大な実験をシームレスなセットにまとめ上げたことは、それだけで価値ある偉業である。Carlos Niñoの他のLPと同様、この『(I'm just) Chillin'』は没入型リスニングであり、完全に吸収するには耳を澄ませる必要がある。ソーシャルメディアと24時間のニュースに支配された世界では、私たちは特に理由もなく急いでいるように見える。優しいメッセージとゆったりとしたテンポの音楽を作ることで、Carlos Niñoはリスナーに対して、人生の自然の驚異をゆっくりと鑑賞し、旅を味わい、急がないように促している。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e「私にとってクリエイティビティとは、ある存在の状態、そしてその存在の状態の表現なんだ。「彼らがどのように感じているかを反映したり、報告したりすることなんだ。より深い \"理由 \"こそが、私がこの活動で得ようとしているものであり、その感情の内側にあるものであり、それは未知の領域ではない。私は、オーガナイズやキュレーション、提供にとても熱心な人間の一人で、深く分かち合うようなものなんだ。それは生きているもので、成長する。それは生き物であり、成長する。時には、自分の操縦の外にある力によって揺さぶられることもある。時には一方通行に見えることもある。しかし、それは生きている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/kHwWFucJndo\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2395829700\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files. 12\" pink vinyl. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVenice 100720, Hands In Soil (feat. Josh Johnson, Nate Mercereau, Jamire Williams)\u003c\/li\u003e\n\u003cli\u003eMighty Stillness (feat. V.C.R, Josh Johnson, Nate Mercereau, Jamire Williams)\u003c\/li\u003e\n\u003cli\u003eLove Dedication (for Annelise) [feat. Surya Botofasina]\u003c\/li\u003e\n\u003cli\u003eFlutestargate (feat. Deantoni Parks, Nate Mercereau) 04:25\u003c\/li\u003e\n\u003cli\u003eMaha Rose North 102021, Breathwork (feat. Laraaji, Photay)\u003c\/li\u003e\n\u003cli\u003eTranscendental Bounce, Run to it (feat. Maia, Deantoni Parks, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eTaaaud (feat. Sibusile Xaba, Jamael Dean, Nate Mercereau) 05:50 video\u003c\/li\u003e\n\u003cli\u003eSpacial (feat. Sibusile Xaba, Jamael Dean)\u003c\/li\u003e\n\u003cli\u003eAm I Dreaming? (feat. Surya Botofasina, Luis Pérez Ixoneztli)\u003c\/li\u003e\n\u003cli\u003eEtheric Windsurfing, flips and twirls (feat. Adam Rudolph, Jesse Peterson)\u003c\/li\u003e\n\u003cli\u003eBoom Bap Spiritual (feat. Surya Botofasina)\u003c\/li\u003e\n\u003cli\u003eWoo, Acknowledgement (feat. Surya Botofasina, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eSandra's Willows (feat. Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003cli\u003eOne For Derf (feat. Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003cli\u003eConversations (feat. André 3000, Nate Mercereau, Cavana Lee, Mia Doi Todd)\u003c\/li\u003e\n\u003cli\u003eEssence, The Mermaids Call (feat. Woo, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eEightspace 082222 (feat. Kamasi Washington, Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eLiner Notes by Marcus J. Moore:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Over the past few years, concert patrons have stopped the musician Carlos Niño after gigs to ask two simple questions: “Are you a shaman?” “I hear the medicine in your music, can I come to your next ceremony?” The queries are fair enough: Looking at Niño, a tall man with a wild beard and kind eyes, one would think he’s from some faraway time and could maybe cast spells. Once you get to know him, you find that he’s just an incredibly sweet guy with a laid-back demeanor, and that he isn’t some guru claiming to have an all-access pass to the otherworld.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSo what does he say to those wondering if he’s a spiritual teacher?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“I’m just chillin’, on fire,” he declares. “I'm not rolling with or out any kind of religious or traditional focus, rules or doctrine. I'm just presenting something that has a lot of energy, and is intended to be an opening for those of us who are journeying, creating musically, and for those who gather with us.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIndeed, there’s a communal essence to Niño’s self-described Energetic Space Music. As leader of Carlos Niño \u0026amp; Friends, he encourages his collaborators to improvise without preconceived ideas of what the sound is supposed to entail. His new album\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, (I’m just) Chillin’, on Fire, features more than a dozen musicians and includes a who’s who of sonic experimentation — everyone from guitarist Nate Mercereau and saxophonist Kamasi Washington, to New Age cornerstone Laraaji and hip-hop legend André 3000 playing his now trademark flute. On purpose, Niño lets the music drift and the unity ensue, making (I’m just) Chillin’, on Fire another highlight in a recent run of sublime work.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut where albums like 2020’s Chicago Waves (with multi-instrumentalist Miguel Atwood-Ferguson) and last year’s Extra Presence hovered in the speakers, (I’m just) Chillin’ forges ahead in certain spots through energetic drums equally indebted to jazz and electronic funk. It eschews genre, but the tenets of ‘70s underground jazz are present. Fifty years ago, acts like Brother Ah, the Ensemble Al-Salaam and Mtume Umoja Ensemble crafted music that scanned as Spiritual Jazz yet flared in many different directions. They leaned into the transcendence of the music overall, not artificial terms used to market it. (I’m just) Chillin’ emits the same emotion: On “Mighty Stillness,” when the experimental violinist V.C.R proclaims her “ancestral right” to rest, she evokes Black women like Jeanne Lee, Jayne Cortez and Beatrice Parker, innovative vocalists from indie scenes who embodied the same freedom. Then on “Love Dedication (for Annelise),” Niño uses subtle bass (from Michael Alvidrez) and a serene piano loop (from Surya Botofasina) to speak of endearment in broad terms. “Love is unconditional — everywhere, everything, flowing always,” he observes. “Totally alive, no upper limit.” Though he hesitates to embrace comparisons to the spacious arrangements heard on indie labels of the ‘70s like Strata, Strata-East and Tribe (only because of how much he respects their legacies, not wanting to claim any space in their fields), there’s no denying his stature as an anchor in the jazz, hip-hop and beat scenes in Los Angeles over the last nearly 30 years, and how his influences are alive in what he makes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“All of those labels to me are hugely influential,” Niño says. “When I think about Strata-East, I immediately think of Pharaoh Sanders, and I think of one of my favorite albums of all-time, Live at the East (on Impulse!), and how The East and that movement is a huge influence. I'm not from that community. I don't claim any direct connection to it, but my awareness of it and my appreciation of it is gigantic.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe vocals for (I’m just) Chillin’ were compiled unconventionally. “I was like, ‘I'm going to turn on the mic, and you're going to listen all the way through the album and record anything you're feeling at any moment,’” Niño says of the creative process. “It was completely open to their interpretation.” He found that the vocalists Cavana Lee, Maia, Mia Doi Todd, and V.C.R interpreted the music in similar ways: “People who are not even in the same room, who did not hear what the other person did, they all created these really cool weavings — and it was so fun.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile the album compiles live and studio arrangements recorded in places like Venice, Leimert Park and Woodstock over the past three years, it feels harmonious, as if captured in one space with all musicians present. This highlights Niño’s ability as a conductor and producer. That he could winnow such vast experimentation into a seamless set is a worthy feat on its own. Much like Niño’s other LPs, (I’m just) Chillin’ is an immersive listen that requires attentive ears to fully absorb. In a world dominated by social media and the 24-hour news cycle, it seems we’re all in a hurry for no reason in particular. By creating music with tender messages and leisurely pacing, Niño nudges listeners to slow down and appreciate life’s natural wonders, to savor the journey and not rush so quickly to the destination. In turn, his art conjures pastoral images — endless fields, boundless oceans, ripples crashing along the shoreline. It urges you to simply look up: notice the wind rustling through the trees, listen to the birds sing a glorious song. This is real life, the stuff you can’t quite capture with a smartphone camera. As a conduit, Niño embodies the water he cherishes so deeply. He’s not just the bandleader, but a vessel for everyone’s ideas to shine through.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Creativity, to me, is an expression of a being's state, and their states of being,” he says. “It's really reflecting or reporting how they feel. The deeper ‘why’ is what I'm getting to with all this, what is inside that feeling, and it's not uncharted territory. I'm one of these people who's very into organizing, curating and offering; it's a deeply sharing kind of thing. It's a living thing; it grows. Sometimes it gets sculpted. Sometimes it gets rocked by forces outside of its maneuvering. Sometimes it looks one way. Sometimes it looks another way, but it's alive.”\u003c\/span\u003e \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem \u003c\/p\u003e"}
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過去にLeaving Recordsなどから大量に発表しているアメリカ・LAのマルチ奏者Carlos Niñoが、2023年8月に同国International Anthemからリリースしたアルバムです。 12人以上のゲストが参加したアンビエント・ジャズ〜スピリチュアル・ジャズ全17曲を収録。レコードには帯とブックレット付属。ピンク盤です。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、ジャーナリストMarcus J. Mooreによる解説です。 "ここ数年、コンサートの常連客はライブの後、Carlos Niñoを呼び止め、2つの簡単な質問をした： 「あなたはシャーマンですか？"あなたの音楽から薬が聞こえるのですが、次のセレモニーに参加してもいいですか？" その質問はもっともだ： ワイルドなあごひげを生やし、優しい目をした長身のニーニョを見れば、どこか遠い時代の人で、呪文を唱えられるのではないかと思うだろう。ひとたび彼を知れば、のんびりとした態度の信じられないほど優しい男であり、異界へのオールアクセスパスを持っていると主張する教祖ではないことがわかる。...
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{"id":8911727362298,"title":"Carlos Niño \u0026 Friends \/\/ (I'm just) Chillin', on Fire 2xLP","handle":"carlos-nino-friends-im-just-chillin-on-fire-2xlp","description":"\u003cp data-mce-fragment=\"1\"\u003e過去にLeaving Recordsなどから大量に発表しているアメリカ・LAのマルチ奏者Carlos Niñoが、2023年8月に同国International Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e12人以上のゲストが参加したアンビエント・ジャズ〜スピリチュアル・ジャ\u003cspan data-mce-fragment=\"1\"\u003eズ\u003c\/span\u003e全17曲を収録。レコードには帯とブックレット付属。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e以下、ジャーナリスト\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarcus J. Mooreによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\"ここ数年、コンサートの常連客はライブの後、Carlos Niñoを呼び止め、2つの簡単な質問をした： 「あなたはシャーマンですか？\"あなたの音楽から薬が聞こえるのですが、次のセレモニーに参加してもいいですか？\" その質問はもっともだ： ワイルドなあごひげを生やし、優しい目をした長身のニーニョを見れば、どこか遠い時代の人で、呪文を唱えられるのではないかと思うだろう。ひとたび彼を知れば、のんびりとした態度の信じられないほど優しい男であり、異界へのオールアクセスパスを持っていると主張する教祖ではないことがわかる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cem\u003eでは、彼はスピリチュアルの指導者なのだろうか？\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「私はただ冷静で、燃えているだけだ。「宗教的、伝統的なもの、ルールや教義にこだわったり、それを否定したりはしていない。私はただ、エネルギーに満ち溢れたものを提示しているだけで、旅をしている人たち、音楽的に創作している人たち、そして私たちと一緒に集う人たちのためのオープニングになることを意図しているんだ」。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e実際、Carlos Niñoの自称エネルギッシュ・スペース・ミュージックには、共同体的なエッセンスがある。Carlos Niño \u0026amp; Friendsのリーダーとして、彼はコラボレーターたちに、サウンドがどうあるべきかという先入観なしに即興演奏することを勧めている。彼の新しいアルバム『(I'm just) Chillin', on Fire』には、12人以上のミュージシャンが参加し、ギタリストのネイト・マーセローやサックス奏者のカマシ・ワシントン、ニューエイジの礎石ララアジ、今やトレードマークとなったフルートを演奏するヒップホップ界の伝説アンドレ3000など、サウンドの実験に欠かせない面々が名を連ねている。Carlos Niñoは意図的に音楽を漂わせ、一体感を生み出すことで、（I'm just）Chillin', on Fireを近年の素晴らしい作品のもうひとつのハイライトにしている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eしかし、2020年の『Chicago Waves』（マルチ・インストゥルメンタリスト、ミゲル・アトウッド＝ファーガソンとの共作）や昨年の『Extra Presence』のようなアルバムがスピーカーの中で宙に浮いていたのに対し、『(I'm just) Chillin'』はジャズやエレクトロニック・ファンクに等しく依存したエネルギッシュなドラムによって、ある部分では先へと突き進んでいる。ジャンルにとらわれず、70年代のアンダーグラウンド・ジャズの信条が息づいている。50年前、ブラザー・アー、アンサンブル・アル・サラーム、ムトゥメ・ウモジャ・アンサンブルといったアーティストたちは、スピリチュアル・ジャズと謳いながら、さまざまな方向へと燃え上がる音楽を作り上げた。彼らは、それを売り込むための人工的な用語ではなく、音楽全体の超越性に傾倒していた。(I'm just）Chillin'」も同じ感情を発している： Mighty Stillness」では、実験的ヴァイオリニストのV.C.Rが休息する「先祖代々の権利」を宣言する場面で、彼女はジャンヌ・リー、ジェイン・コルテス、ベアトリス・パーカーのような黒人女性、同じ自由を体現したインディ・シーンの革新的ヴォーカリストたちを想起させる。そして \"Love Dedication (for Annelise) \"では、Carlos Niñoは繊細なベース（マイケル・アルビドレス）と静謐なピアノループ（スルヤ・ボトファシーナ）を使い、幅広い言葉で愛情を語る。「愛とは無条件のもので、どこにでも、すべてに、常に流れているものだ。「完全に生きていて、上限はない。ストラータ、ストラータ・イースト、トライブのような70年代のインディ・レーベルで聴かれたゆったりとしたアレンジメントとの比較を受け入れることをためらうが（それは彼が彼らの遺産をどれほど尊重しているかということであり、彼らのフィールドで場所を主張したくないからにほかならない）、過去30年近くにわたるロサンゼルスのジャズ、ヒップホップ、ビートシーンのアンカーとしての彼の地位、そして彼の作るものに彼の影響がいかに生きているかを否定することはできない。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「私にとって、これらのレーベルはすべて大きな影響力を持っています」とCarlos Niñoは言う。Strata-Eastについて考えるとき、私はすぐにPharaoh Sandersを思い浮かべるし、私のお気に入りのアルバムのひとつである『Live at the East』（Impulse! 私はそのコミュニティの出身ではない。イーストとの直接的なつながりは主張しないけど、イーストに対する意識と感謝はすごく大きいんだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e(I'm just）Chillin'のヴォーカルは、型破りな方法で編集された。「マイクのスイッチを入れるから、アルバムを通して聴いて、その時感じたことを何でも録音してくれ、という感じだった」とCarlos Niñoは創作過程について語る。「彼らの解釈は完全に自由だった。彼は、ボーカリストのカバナ・リー、マイア、ミア・ドイ・トッド、V.C.Rが同じような方法で音楽を解釈していることに気づいた： \"同じ部屋にいるわけでもなく、他の人がやったことを聞いているわけでもない人たちが、みんな本当にクールな織物を創り上げた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムは、過去3年間にヴェニス、ライマート・パーク、ウッドストックといった場所で録音されたライヴとスタジオ・アレンジをコンパイルしたものだが、まるですべてのミュージシャンが揃ったひとつの空間に収められたかのように調和がとれている。これはCarlos Niñoの指揮者、プロデューサーとしての能力を浮き彫りにしている。彼がこのような膨大な実験をシームレスなセットにまとめ上げたことは、それだけで価値ある偉業である。Carlos Niñoの他のLPと同様、この『(I'm just) Chillin'』は没入型リスニングであり、完全に吸収するには耳を澄ませる必要がある。ソーシャルメディアと24時間のニュースに支配された世界では、私たちは特に理由もなく急いでいるように見える。優しいメッセージとゆったりとしたテンポの音楽を作ることで、Carlos Niñoはリスナーに対して、人生の自然の驚異をゆっくりと鑑賞し、旅を味わい、急がないように促している。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e「私にとってクリエイティビティとは、ある存在の状態、そしてその存在の状態の表現なんだ。「彼らがどのように感じているかを反映したり、報告したりすることなんだ。より深い \"理由 \"こそが、私がこの活動で得ようとしているものであり、その感情の内側にあるものであり、それは未知の領域ではない。私は、オーガナイズやキュレーション、提供にとても熱心な人間の一人で、深く分かち合うようなものなんだ。それは生きているもので、成長する。それは生き物であり、成長する。時には、自分の操縦の外にある力によって揺さぶられることもある。時には一方通行に見えることもある。しかし、それは生きている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/kHwWFucJndo\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2395829700\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVenice 100720, Hands In Soil (feat. Josh Johnson, Nate Mercereau, Jamire Williams)\u003c\/li\u003e\n\u003cli\u003eMighty Stillness (feat. V.C.R, Josh Johnson, Nate Mercereau, Jamire Williams)\u003c\/li\u003e\n\u003cli\u003eLove Dedication (for Annelise) [feat. Surya Botofasina]\u003c\/li\u003e\n\u003cli\u003eFlutestargate (feat. Deantoni Parks, Nate Mercereau) 04:25\u003c\/li\u003e\n\u003cli\u003eMaha Rose North 102021, Breathwork (feat. Laraaji, Photay)\u003c\/li\u003e\n\u003cli\u003eTranscendental Bounce, Run to it (feat. Maia, Deantoni Parks, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eTaaaud (feat. Sibusile Xaba, Jamael Dean, Nate Mercereau) 05:50 video\u003c\/li\u003e\n\u003cli\u003eSpacial (feat. Sibusile Xaba, Jamael Dean)\u003c\/li\u003e\n\u003cli\u003eAm I Dreaming? (feat. Surya Botofasina, Luis Pérez Ixoneztli)\u003c\/li\u003e\n\u003cli\u003eEtheric Windsurfing, flips and twirls (feat. Adam Rudolph, Jesse Peterson)\u003c\/li\u003e\n\u003cli\u003eBoom Bap Spiritual (feat. Surya Botofasina)\u003c\/li\u003e\n\u003cli\u003eWoo, Acknowledgement (feat. Surya Botofasina, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eSandra's Willows (feat. Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003cli\u003eOne For Derf (feat. Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003cli\u003eConversations (feat. André 3000, Nate Mercereau, Cavana Lee, Mia Doi Todd)\u003c\/li\u003e\n\u003cli\u003eEssence, The Mermaids Call (feat. Woo, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eEightspace 082222 (feat. Kamasi Washington, Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eLiner Notes by Marcus J. Moore:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Over the past few years, concert patrons have stopped the musician Carlos Niño after gigs to ask two simple questions: “Are you a shaman?” “I hear the medicine in your music, can I come to your next ceremony?” The queries are fair enough: Looking at Niño, a tall man with a wild beard and kind eyes, one would think he’s from some faraway time and could maybe cast spells. Once you get to know him, you find that he’s just an incredibly sweet guy with a laid-back demeanor, and that he isn’t some guru claiming to have an all-access pass to the otherworld.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSo what does he say to those wondering if he’s a spiritual teacher?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“I’m just chillin’, on fire,” he declares. “I'm not rolling with or out any kind of religious or traditional focus, rules or doctrine. I'm just presenting something that has a lot of energy, and is intended to be an opening for those of us who are journeying, creating musically, and for those who gather with us.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIndeed, there’s a communal essence to Niño’s self-described Energetic Space Music. As leader of Carlos Niño \u0026amp; Friends, he encourages his collaborators to improvise without preconceived ideas of what the sound is supposed to entail. His new album\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, (I’m just) Chillin’, on Fire, features more than a dozen musicians and includes a who’s who of sonic experimentation — everyone from guitarist Nate Mercereau and saxophonist Kamasi Washington, to New Age cornerstone Laraaji and hip-hop legend André 3000 playing his now trademark flute. On purpose, Niño lets the music drift and the unity ensue, making (I’m just) Chillin’, on Fire another highlight in a recent run of sublime work.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut where albums like 2020’s Chicago Waves (with multi-instrumentalist Miguel Atwood-Ferguson) and last year’s Extra Presence hovered in the speakers, (I’m just) Chillin’ forges ahead in certain spots through energetic drums equally indebted to jazz and electronic funk. It eschews genre, but the tenets of ‘70s underground jazz are present. Fifty years ago, acts like Brother Ah, the Ensemble Al-Salaam and Mtume Umoja Ensemble crafted music that scanned as Spiritual Jazz yet flared in many different directions. They leaned into the transcendence of the music overall, not artificial terms used to market it. (I’m just) Chillin’ emits the same emotion: On “Mighty Stillness,” when the experimental violinist V.C.R proclaims her “ancestral right” to rest, she evokes Black women like Jeanne Lee, Jayne Cortez and Beatrice Parker, innovative vocalists from indie scenes who embodied the same freedom. Then on “Love Dedication (for Annelise),” Niño uses subtle bass (from Michael Alvidrez) and a serene piano loop (from Surya Botofasina) to speak of endearment in broad terms. “Love is unconditional — everywhere, everything, flowing always,” he observes. “Totally alive, no upper limit.” Though he hesitates to embrace comparisons to the spacious arrangements heard on indie labels of the ‘70s like Strata, Strata-East and Tribe (only because of how much he respects their legacies, not wanting to claim any space in their fields), there’s no denying his stature as an anchor in the jazz, hip-hop and beat scenes in Los Angeles over the last nearly 30 years, and how his influences are alive in what he makes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“All of those labels to me are hugely influential,” Niño says. “When I think about Strata-East, I immediately think of Pharaoh Sanders, and I think of one of my favorite albums of all-time, Live at the East (on Impulse!), and how The East and that movement is a huge influence. I'm not from that community. I don't claim any direct connection to it, but my awareness of it and my appreciation of it is gigantic.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe vocals for (I’m just) Chillin’ were compiled unconventionally. “I was like, ‘I'm going to turn on the mic, and you're going to listen all the way through the album and record anything you're feeling at any moment,’” Niño says of the creative process. “It was completely open to their interpretation.” He found that the vocalists Cavana Lee, Maia, Mia Doi Todd, and V.C.R interpreted the music in similar ways: “People who are not even in the same room, who did not hear what the other person did, they all created these really cool weavings — and it was so fun.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile the album compiles live and studio arrangements recorded in places like Venice, Leimert Park and Woodstock over the past three years, it feels harmonious, as if captured in one space with all musicians present. This highlights Niño’s ability as a conductor and producer. That he could winnow such vast experimentation into a seamless set is a worthy feat on its own. Much like Niño’s other LPs, (I’m just) Chillin’ is an immersive listen that requires attentive ears to fully absorb. In a world dominated by social media and the 24-hour news cycle, it seems we’re all in a hurry for no reason in particular. By creating music with tender messages and leisurely pacing, Niño nudges listeners to slow down and appreciate life’s natural wonders, to savor the journey and not rush so quickly to the destination. In turn, his art conjures pastoral images — endless fields, boundless oceans, ripples crashing along the shoreline. It urges you to simply look up: notice the wind rustling through the trees, listen to the birds sing a glorious song. This is real life, the stuff you can’t quite capture with a smartphone camera. As a conduit, Niño embodies the water he cherishes so deeply. He’s not just the bandleader, but a vessel for everyone’s ideas to shine through.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Creativity, to me, is an expression of a being's state, and their states of being,” he says. “It's really reflecting or reporting how they feel. The deeper ‘why’ is what I'm getting to with all this, what is inside that feeling, and it's not uncharted territory. I'm one of these people who's very into organizing, curating and offering; it's a deeply sharing kind of thing. It's a living thing; it grows. Sometimes it gets sculpted. Sometimes it gets rocked by forces outside of its maneuvering. Sometimes it looks one way. Sometimes it looks another way, but it's alive.”\u003c\/span\u003e \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem \u003c\/p\u003e","published_at":"2025-09-01T06:55:53+09:00","created_at":"2025-09-01T06:54:47+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new"],"price":589000,"price_min":589000,"price_max":589000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47678649073914,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Carlos Niño \u0026 Friends \/\/ (I'm just) Chillin', on Fire 2xLP","public_title":null,"options":["Default Title"],"price":589000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993993239","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0903648781_16.jpg?v=1691966082","\/\/tobirarecords.com\/cdn\/shop\/files\/0032578946_10.jpg?v=1696146420","\/\/tobirarecords.com\/cdn\/shop\/products\/0033416753_10_0f78330f-effe-4a84-a7bb-7c70cb7378e8.jpg?v=1696146404","\/\/tobirarecords.com\/cdn\/shop\/products\/0033416749_10.jpg?v=1696146418"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0903648781_16.jpg?v=1691966082","options":["Title"],"media":[{"alt":null,"id":32325401772282,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0903648781_16.jpg?v=1691966082"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0903648781_16.jpg?v=1691966082","width":700},{"alt":null,"id":32325401805050,"position":2,"preview_image":{"aspect_ratio":1.282,"height":936,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032578946_10.jpg?v=1696146420"},"aspect_ratio":1.282,"height":936,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032578946_10.jpg?v=1696146420","width":1200},{"alt":null,"id":32515051553018,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0033416753_10_0f78330f-effe-4a84-a7bb-7c70cb7378e8.jpg?v=1696146404"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0033416753_10_0f78330f-effe-4a84-a7bb-7c70cb7378e8.jpg?v=1696146404","width":1200},{"alt":null,"id":32515051618554,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0033416749_10.jpg?v=1696146418"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0033416749_10.jpg?v=1696146418","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp data-mce-fragment=\"1\"\u003e過去にLeaving Recordsなどから大量に発表しているアメリカ・LAのマルチ奏者Carlos Niñoが、2023年8月に同国International Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e12人以上のゲストが参加したアンビエント・ジャズ〜スピリチュアル・ジャ\u003cspan data-mce-fragment=\"1\"\u003eズ\u003c\/span\u003e全17曲を収録。レコードには帯とブックレット付属。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e以下、ジャーナリスト\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarcus J. Mooreによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\"ここ数年、コンサートの常連客はライブの後、Carlos Niñoを呼び止め、2つの簡単な質問をした： 「あなたはシャーマンですか？\"あなたの音楽から薬が聞こえるのですが、次のセレモニーに参加してもいいですか？\" その質問はもっともだ： ワイルドなあごひげを生やし、優しい目をした長身のニーニョを見れば、どこか遠い時代の人で、呪文を唱えられるのではないかと思うだろう。ひとたび彼を知れば、のんびりとした態度の信じられないほど優しい男であり、異界へのオールアクセスパスを持っていると主張する教祖ではないことがわかる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cem\u003eでは、彼はスピリチュアルの指導者なのだろうか？\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「私はただ冷静で、燃えているだけだ。「宗教的、伝統的なもの、ルールや教義にこだわったり、それを否定したりはしていない。私はただ、エネルギーに満ち溢れたものを提示しているだけで、旅をしている人たち、音楽的に創作している人たち、そして私たちと一緒に集う人たちのためのオープニングになることを意図しているんだ」。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e実際、Carlos Niñoの自称エネルギッシュ・スペース・ミュージックには、共同体的なエッセンスがある。Carlos Niño \u0026amp; Friendsのリーダーとして、彼はコラボレーターたちに、サウンドがどうあるべきかという先入観なしに即興演奏することを勧めている。彼の新しいアルバム『(I'm just) Chillin', on Fire』には、12人以上のミュージシャンが参加し、ギタリストのネイト・マーセローやサックス奏者のカマシ・ワシントン、ニューエイジの礎石ララアジ、今やトレードマークとなったフルートを演奏するヒップホップ界の伝説アンドレ3000など、サウンドの実験に欠かせない面々が名を連ねている。Carlos Niñoは意図的に音楽を漂わせ、一体感を生み出すことで、（I'm just）Chillin', on Fireを近年の素晴らしい作品のもうひとつのハイライトにしている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eしかし、2020年の『Chicago Waves』（マルチ・インストゥルメンタリスト、ミゲル・アトウッド＝ファーガソンとの共作）や昨年の『Extra Presence』のようなアルバムがスピーカーの中で宙に浮いていたのに対し、『(I'm just) Chillin'』はジャズやエレクトロニック・ファンクに等しく依存したエネルギッシュなドラムによって、ある部分では先へと突き進んでいる。ジャンルにとらわれず、70年代のアンダーグラウンド・ジャズの信条が息づいている。50年前、ブラザー・アー、アンサンブル・アル・サラーム、ムトゥメ・ウモジャ・アンサンブルといったアーティストたちは、スピリチュアル・ジャズと謳いながら、さまざまな方向へと燃え上がる音楽を作り上げた。彼らは、それを売り込むための人工的な用語ではなく、音楽全体の超越性に傾倒していた。(I'm just）Chillin'」も同じ感情を発している： Mighty Stillness」では、実験的ヴァイオリニストのV.C.Rが休息する「先祖代々の権利」を宣言する場面で、彼女はジャンヌ・リー、ジェイン・コルテス、ベアトリス・パーカーのような黒人女性、同じ自由を体現したインディ・シーンの革新的ヴォーカリストたちを想起させる。そして \"Love Dedication (for Annelise) \"では、Carlos Niñoは繊細なベース（マイケル・アルビドレス）と静謐なピアノループ（スルヤ・ボトファシーナ）を使い、幅広い言葉で愛情を語る。「愛とは無条件のもので、どこにでも、すべてに、常に流れているものだ。「完全に生きていて、上限はない。ストラータ、ストラータ・イースト、トライブのような70年代のインディ・レーベルで聴かれたゆったりとしたアレンジメントとの比較を受け入れることをためらうが（それは彼が彼らの遺産をどれほど尊重しているかということであり、彼らのフィールドで場所を主張したくないからにほかならない）、過去30年近くにわたるロサンゼルスのジャズ、ヒップホップ、ビートシーンのアンカーとしての彼の地位、そして彼の作るものに彼の影響がいかに生きているかを否定することはできない。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「私にとって、これらのレーベルはすべて大きな影響力を持っています」とCarlos Niñoは言う。Strata-Eastについて考えるとき、私はすぐにPharaoh Sandersを思い浮かべるし、私のお気に入りのアルバムのひとつである『Live at the East』（Impulse! 私はそのコミュニティの出身ではない。イーストとの直接的なつながりは主張しないけど、イーストに対する意識と感謝はすごく大きいんだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e(I'm just）Chillin'のヴォーカルは、型破りな方法で編集された。「マイクのスイッチを入れるから、アルバムを通して聴いて、その時感じたことを何でも録音してくれ、という感じだった」とCarlos Niñoは創作過程について語る。「彼らの解釈は完全に自由だった。彼は、ボーカリストのカバナ・リー、マイア、ミア・ドイ・トッド、V.C.Rが同じような方法で音楽を解釈していることに気づいた： \"同じ部屋にいるわけでもなく、他の人がやったことを聞いているわけでもない人たちが、みんな本当にクールな織物を創り上げた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムは、過去3年間にヴェニス、ライマート・パーク、ウッドストックといった場所で録音されたライヴとスタジオ・アレンジをコンパイルしたものだが、まるですべてのミュージシャンが揃ったひとつの空間に収められたかのように調和がとれている。これはCarlos Niñoの指揮者、プロデューサーとしての能力を浮き彫りにしている。彼がこのような膨大な実験をシームレスなセットにまとめ上げたことは、それだけで価値ある偉業である。Carlos Niñoの他のLPと同様、この『(I'm just) Chillin'』は没入型リスニングであり、完全に吸収するには耳を澄ませる必要がある。ソーシャルメディアと24時間のニュースに支配された世界では、私たちは特に理由もなく急いでいるように見える。優しいメッセージとゆったりとしたテンポの音楽を作ることで、Carlos Niñoはリスナーに対して、人生の自然の驚異をゆっくりと鑑賞し、旅を味わい、急がないように促している。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e「私にとってクリエイティビティとは、ある存在の状態、そしてその存在の状態の表現なんだ。「彼らがどのように感じているかを反映したり、報告したりすることなんだ。より深い \"理由 \"こそが、私がこの活動で得ようとしているものであり、その感情の内側にあるものであり、それは未知の領域ではない。私は、オーガナイズやキュレーション、提供にとても熱心な人間の一人で、深く分かち合うようなものなんだ。それは生きているもので、成長する。それは生き物であり、成長する。時には、自分の操縦の外にある力によって揺さぶられることもある。時には一方通行に見えることもある。しかし、それは生きている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/kHwWFucJndo\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2395829700\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVenice 100720, Hands In Soil (feat. Josh Johnson, Nate Mercereau, Jamire Williams)\u003c\/li\u003e\n\u003cli\u003eMighty Stillness (feat. V.C.R, Josh Johnson, Nate Mercereau, Jamire Williams)\u003c\/li\u003e\n\u003cli\u003eLove Dedication (for Annelise) [feat. Surya Botofasina]\u003c\/li\u003e\n\u003cli\u003eFlutestargate (feat. Deantoni Parks, Nate Mercereau) 04:25\u003c\/li\u003e\n\u003cli\u003eMaha Rose North 102021, Breathwork (feat. Laraaji, Photay)\u003c\/li\u003e\n\u003cli\u003eTranscendental Bounce, Run to it (feat. Maia, Deantoni Parks, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eTaaaud (feat. Sibusile Xaba, Jamael Dean, Nate Mercereau) 05:50 video\u003c\/li\u003e\n\u003cli\u003eSpacial (feat. Sibusile Xaba, Jamael Dean)\u003c\/li\u003e\n\u003cli\u003eAm I Dreaming? (feat. Surya Botofasina, Luis Pérez Ixoneztli)\u003c\/li\u003e\n\u003cli\u003eEtheric Windsurfing, flips and twirls (feat. Adam Rudolph, Jesse Peterson)\u003c\/li\u003e\n\u003cli\u003eBoom Bap Spiritual (feat. Surya Botofasina)\u003c\/li\u003e\n\u003cli\u003eWoo, Acknowledgement (feat. Surya Botofasina, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eSandra's Willows (feat. Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003cli\u003eOne For Derf (feat. Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003cli\u003eConversations (feat. André 3000, Nate Mercereau, Cavana Lee, Mia Doi Todd)\u003c\/li\u003e\n\u003cli\u003eEssence, The Mermaids Call (feat. Woo, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eEightspace 082222 (feat. Kamasi Washington, Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eLiner Notes by Marcus J. Moore:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Over the past few years, concert patrons have stopped the musician Carlos Niño after gigs to ask two simple questions: “Are you a shaman?” “I hear the medicine in your music, can I come to your next ceremony?” The queries are fair enough: Looking at Niño, a tall man with a wild beard and kind eyes, one would think he’s from some faraway time and could maybe cast spells. Once you get to know him, you find that he’s just an incredibly sweet guy with a laid-back demeanor, and that he isn’t some guru claiming to have an all-access pass to the otherworld.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSo what does he say to those wondering if he’s a spiritual teacher?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“I’m just chillin’, on fire,” he declares. “I'm not rolling with or out any kind of religious or traditional focus, rules or doctrine. I'm just presenting something that has a lot of energy, and is intended to be an opening for those of us who are journeying, creating musically, and for those who gather with us.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIndeed, there’s a communal essence to Niño’s self-described Energetic Space Music. As leader of Carlos Niño \u0026amp; Friends, he encourages his collaborators to improvise without preconceived ideas of what the sound is supposed to entail. His new album\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, (I’m just) Chillin’, on Fire, features more than a dozen musicians and includes a who’s who of sonic experimentation — everyone from guitarist Nate Mercereau and saxophonist Kamasi Washington, to New Age cornerstone Laraaji and hip-hop legend André 3000 playing his now trademark flute. On purpose, Niño lets the music drift and the unity ensue, making (I’m just) Chillin’, on Fire another highlight in a recent run of sublime work.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut where albums like 2020’s Chicago Waves (with multi-instrumentalist Miguel Atwood-Ferguson) and last year’s Extra Presence hovered in the speakers, (I’m just) Chillin’ forges ahead in certain spots through energetic drums equally indebted to jazz and electronic funk. It eschews genre, but the tenets of ‘70s underground jazz are present. Fifty years ago, acts like Brother Ah, the Ensemble Al-Salaam and Mtume Umoja Ensemble crafted music that scanned as Spiritual Jazz yet flared in many different directions. They leaned into the transcendence of the music overall, not artificial terms used to market it. (I’m just) Chillin’ emits the same emotion: On “Mighty Stillness,” when the experimental violinist V.C.R proclaims her “ancestral right” to rest, she evokes Black women like Jeanne Lee, Jayne Cortez and Beatrice Parker, innovative vocalists from indie scenes who embodied the same freedom. Then on “Love Dedication (for Annelise),” Niño uses subtle bass (from Michael Alvidrez) and a serene piano loop (from Surya Botofasina) to speak of endearment in broad terms. “Love is unconditional — everywhere, everything, flowing always,” he observes. “Totally alive, no upper limit.” Though he hesitates to embrace comparisons to the spacious arrangements heard on indie labels of the ‘70s like Strata, Strata-East and Tribe (only because of how much he respects their legacies, not wanting to claim any space in their fields), there’s no denying his stature as an anchor in the jazz, hip-hop and beat scenes in Los Angeles over the last nearly 30 years, and how his influences are alive in what he makes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“All of those labels to me are hugely influential,” Niño says. “When I think about Strata-East, I immediately think of Pharaoh Sanders, and I think of one of my favorite albums of all-time, Live at the East (on Impulse!), and how The East and that movement is a huge influence. I'm not from that community. I don't claim any direct connection to it, but my awareness of it and my appreciation of it is gigantic.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe vocals for (I’m just) Chillin’ were compiled unconventionally. “I was like, ‘I'm going to turn on the mic, and you're going to listen all the way through the album and record anything you're feeling at any moment,’” Niño says of the creative process. “It was completely open to their interpretation.” He found that the vocalists Cavana Lee, Maia, Mia Doi Todd, and V.C.R interpreted the music in similar ways: “People who are not even in the same room, who did not hear what the other person did, they all created these really cool weavings — and it was so fun.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile the album compiles live and studio arrangements recorded in places like Venice, Leimert Park and Woodstock over the past three years, it feels harmonious, as if captured in one space with all musicians present. This highlights Niño’s ability as a conductor and producer. That he could winnow such vast experimentation into a seamless set is a worthy feat on its own. Much like Niño’s other LPs, (I’m just) Chillin’ is an immersive listen that requires attentive ears to fully absorb. In a world dominated by social media and the 24-hour news cycle, it seems we’re all in a hurry for no reason in particular. By creating music with tender messages and leisurely pacing, Niño nudges listeners to slow down and appreciate life’s natural wonders, to savor the journey and not rush so quickly to the destination. In turn, his art conjures pastoral images — endless fields, boundless oceans, ripples crashing along the shoreline. It urges you to simply look up: notice the wind rustling through the trees, listen to the birds sing a glorious song. This is real life, the stuff you can’t quite capture with a smartphone camera. As a conduit, Niño embodies the water he cherishes so deeply. He’s not just the bandleader, but a vessel for everyone’s ideas to shine through.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Creativity, to me, is an expression of a being's state, and their states of being,” he says. “It's really reflecting or reporting how they feel. The deeper ‘why’ is what I'm getting to with all this, what is inside that feeling, and it's not uncharted territory. I'm one of these people who's very into organizing, curating and offering; it's a deeply sharing kind of thing. It's a living thing; it grows. Sometimes it gets sculpted. Sometimes it gets rocked by forces outside of its maneuvering. Sometimes it looks one way. Sometimes it looks another way, but it's alive.”\u003c\/span\u003e \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem \u003c\/p\u003e"}
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過去にLeaving Recordsなどから大量に発表しているアメリカ・LAのマルチ奏者Carlos Niñoが、2023年8月に同国International Anthemからリリースしたアルバムです。 12人以上のゲストが参加したアンビエント・ジャズ〜スピリチュアル・ジャズ全17曲を収録。レコードには帯とブックレット付属。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、ジャーナリストMarcus J. Mooreによる解説です。 "ここ数年、コンサートの常連客はライブの後、Carlos Niñoを呼び止め、2つの簡単な質問をした： 「あなたはシャーマンですか？"あなたの音楽から薬が聞こえるのですが、次のセレモニーに参加してもいいですか？" その質問はもっともだ： ワイルドなあごひげを生やし、優しい目をした長身のニーニョを見れば、どこか遠い時代の人で、呪文を唱えられるのではないかと思うだろう。ひとたび彼を知れば、のんびりとした態度の信じられないほど優しい男であり、異界へのオールアクセスパスを持っていると主張する教祖ではないことがわかる。...
¥5,890
クイックビュー
{"id":8909031276794,"title":"Nuke Watch \/\/ Grave New World LP","handle":"nuke-watch-grave-new-world-lp","description":"\u003cp\u003e\u003cspan\u003e過去にThe Trilogy TapesやRVNG、\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\"\u003eWhere To Now?、Not Not Fun、Moon Glyph等\u003c\/span\u003e\u003c\/span\u003eから発表しているアメリカ・NYのストレンジビーツデュオ\u003c\/span\u003e\u003cspan\u003eNuke Watchが、\u003c\/span\u003e2025年10月に同国実験／インディーレーベルPost Present Mediumからリリースするレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e様々な打楽器を駆使した\u003c\/span\u003e\u003cspan\u003eエセ密林系ストレンジビーツ〜トライバル・ジャズ\u003c\/span\u003e9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2227238677\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003ehere\u003c\/a\u003e to see more Post Present Medium releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e12\" black vinyl.\u003cbr\u003eEdition of 500.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Learn To Love the Rope\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Be Real\u003cbr\u003e\u003c\/span\u003e3. Heat the Earth Eat\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. I.A.M. Umbrella\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Blood Clot\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Time Against Mind\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. CGNW\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Man of the West\u003cbr\u003e\u003c\/span\u003e9. Louder Than the Bomb\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eSasha Frere-Jones (via the label):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eChris Hontos and Aaron Anderson do business both as Nuke Watch and as their sampled-based cousins, Beat Detectives. The Detectives are what The Beatnuts might make on an experimental dissociative drug protocol, while Nuke Watch is a free improv band that doesn’t feel the need to squeak and believes in pleasure. Nuke Watch’s new album, Grave New World, is their tenth since beginning the project in\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2020. This music dips, collides, and spills out of a bag, the sound of an electric world mulching itself. Modular synths spread like cordyceps through rooms full of bass and saxophone and hand drums, leaving behind a new, infested space: glowing, safe, and freaked.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis music was played by instruments, a chunk of it done entirely live. Most tracks are Hontos and Anderson playing with one or two others, meaning most of these are trio recordings. It’s tempting to call Grave New World fusion, though that doesn’t quite work. Otto Willberg’s bass playing is accomplished enough to summon giants like Percy Jones and Jaco, and Leonard King approaches the bass a bit like someone in Fela’s Africa 70. The three processed wind instruments—Zack Stafford on processed\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eflute, Christopher Farstad on MIDI wind instrument\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, and Cole Pulice on processed saxophone—bring the music into adjacency with jazz, though none of the band’s music ends up feeling much like jazz. Outtakes from Star Wars foley bank? Touch-sensitive multimedia greenhouse exhibit overtaken by kindergarten class? Zoom session with latency problems generated by musicians in five different continents?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGrave New World could be called world music in the sense that if you folded up the world into a funnel and shook it and made everybody slide down onto a plate full of people they didn’t grow up with, they might end up making this.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nuke Watch\u003c\/p\u003e\n\u003cp\u003eLabel : Post Present Medium\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePPM112\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-31T07:10:03+09:00","created_at":"2025-08-30T17:41:19+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","patience impatience","post present medium","recommended","strange beats"],"price":368000,"price_min":368000,"price_max":368000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47673957613818,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nuke Watch \/\/ Grave New World LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gr1_d12216c9-ee5d-4b50-9cc1-d527fc2f1623.jpg?v=1756543153","\/\/tobirarecords.com\/cdn\/shop\/files\/gr2_7fb2e486-0a37-4db3-a7c0-5f8f2fba53a7.jpg?v=1756543153","\/\/tobirarecords.com\/cdn\/shop\/files\/gr.jpg?v=1756543153"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr1_d12216c9-ee5d-4b50-9cc1-d527fc2f1623.jpg?v=1756543153","options":["Title"],"media":[{"alt":null,"id":36689174790394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr1_d12216c9-ee5d-4b50-9cc1-d527fc2f1623.jpg?v=1756543153"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr1_d12216c9-ee5d-4b50-9cc1-d527fc2f1623.jpg?v=1756543153","width":700},{"alt":null,"id":36689174823162,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr2_7fb2e486-0a37-4db3-a7c0-5f8f2fba53a7.jpg?v=1756543153"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr2_7fb2e486-0a37-4db3-a7c0-5f8f2fba53a7.jpg?v=1756543153","width":900},{"alt":null,"id":36689174757626,"position":3,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr.jpg?v=1756543153"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr.jpg?v=1756543153","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e過去にThe Trilogy TapesやRVNG、\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\"\u003eWhere To Now?、Not Not Fun、Moon Glyph等\u003c\/span\u003e\u003c\/span\u003eから発表しているアメリカ・NYのストレンジビーツデュオ\u003c\/span\u003e\u003cspan\u003eNuke Watchが、\u003c\/span\u003e2025年10月に同国実験／インディーレーベルPost Present Mediumからリリースするレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e様々な打楽器を駆使した\u003c\/span\u003e\u003cspan\u003eエセ密林系ストレンジビーツ〜トライバル・ジャズ\u003c\/span\u003e9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2227238677\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003ehere\u003c\/a\u003e to see more Post Present Medium releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e12\" black vinyl.\u003cbr\u003eEdition of 500.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Learn To Love the Rope\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Be Real\u003cbr\u003e\u003c\/span\u003e3. Heat the Earth Eat\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. I.A.M. Umbrella\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Blood Clot\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Time Against Mind\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. CGNW\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Man of the West\u003cbr\u003e\u003c\/span\u003e9. Louder Than the Bomb\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eSasha Frere-Jones (via the label):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eChris Hontos and Aaron Anderson do business both as Nuke Watch and as their sampled-based cousins, Beat Detectives. The Detectives are what The Beatnuts might make on an experimental dissociative drug protocol, while Nuke Watch is a free improv band that doesn’t feel the need to squeak and believes in pleasure. Nuke Watch’s new album, Grave New World, is their tenth since beginning the project in\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2020. This music dips, collides, and spills out of a bag, the sound of an electric world mulching itself. Modular synths spread like cordyceps through rooms full of bass and saxophone and hand drums, leaving behind a new, infested space: glowing, safe, and freaked.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis music was played by instruments, a chunk of it done entirely live. Most tracks are Hontos and Anderson playing with one or two others, meaning most of these are trio recordings. It’s tempting to call Grave New World fusion, though that doesn’t quite work. Otto Willberg’s bass playing is accomplished enough to summon giants like Percy Jones and Jaco, and Leonard King approaches the bass a bit like someone in Fela’s Africa 70. The three processed wind instruments—Zack Stafford on processed\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eflute, Christopher Farstad on MIDI wind instrument\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, and Cole Pulice on processed saxophone—bring the music into adjacency with jazz, though none of the band’s music ends up feeling much like jazz. Outtakes from Star Wars foley bank? Touch-sensitive multimedia greenhouse exhibit overtaken by kindergarten class? Zoom session with latency problems generated by musicians in five different continents?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGrave New World could be called world music in the sense that if you folded up the world into a funnel and shook it and made everybody slide down onto a plate full of people they didn’t grow up with, they might end up making this.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nuke Watch\u003c\/p\u003e\n\u003cp\u003eLabel : Post Present Medium\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePPM112\u003c\/span\u003e\u003c\/p\u003e"}
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過去にThe Trilogy TapesやRVNG、Where To Now?、Not Not Fun、Moon Glyph等から発表しているアメリカ・NYのストレンジビーツデュオNuke Watchが、2025年10月に同国実験／インディーレーベルPost Present Mediumからリリースするレコードです。 様々な打楽器を駆使したエセ密林系ストレンジビーツ〜トライバル・ジャズ9曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to...
¥3,680
クイックビュー
{"id":8907061035258,"title":"Wilder Maker \/\/ The Streets Like Beds Still Warm LP","handle":"wilder-maker-the-streets-like-beds-still-warm-lp","description":"\u003cp\u003e\u003cspan\u003eアメリカ・NYのジャズ・ポップバンドWilder Makerが、2025年9月に同国老舗レーベルWestern Vinylからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアダルト・ポップ〜アンビエント・ジャズ17曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3590446895\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Strange Meeting with Owls 02:14\u003cbr\u003e2. Skewered by the Daystar 01:53\u003cbr\u003e3. It Was a Flood\u003cbr\u003e4. Atlas on His Day Off\u003cbr\u003e5. Turn Signal\u003cbr\u003e6. And You Want to Be My Dog\u003cbr\u003e7. Secret Weather\u003cbr\u003e8. A Tavern Poem, Passed From Mouth to Mouth\u003cbr\u003e9. Another Bullshit Rodeo 01:16\u003cbr\u003e10. They Laugh That Win 01:25\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Escape Artist\u003cbr\u003e\u003c\/span\u003e12. Darkness Leaning Like Water Against the Windows\u003cbr\u003e13. The Moon Says\u003cbr\u003e14. Horse \u0026amp; Hero\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e15. Demon Confrontation\u003cbr\u003e\u003c\/span\u003e16. Fixing the Past is a Sucker's Game\u003cbr\u003e17. Sea \u0026amp; Swimmer\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eText excerpt by Western Vinyl:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBrooklyn band Wilder Maker’s principal songwriter, Gabriel Birnbaum says that the group’s latest full-length, The Streets Like Beds Still Warm follows “an overall formal asymmetry, like dream logic.” It is richly textured, moody, and deep and is as distinctly narrative as it is literally experimental. To call it a concept album, as big as that term is, would actually be to sell it short. It is, in fact, only the first part of a concept trilogy that tells the tale of one long night in the city, from dusk to dawn.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Streets Like Beds Still Warm follows a lonely narrator as he drifts down avenues and in and out of bars and hospital rooms. He thinks on big questions and bigger questions, gets into some trouble, worries about his sick father, grapples with rivals and competitors who could be his friends but are not; he orders cocktails, dreams he is a genius, thinks about God and fate and so on. The record closes out at around 1:15am, leaving the story to be continued. If this sounds a bit noirish, that’s because it is. “Film noir detectives always start out looking immaculate, but by the end of the film they have a torn collar, a black eye, their slacks are stained, and they’ve started slapping people around in desperation,” Birnbaum says. “Are they the good guy anymore? I find this fascinating and I love the\u003cspan class=\"bcTruncateMore\"\u003e visual cues reflecting the internal landscape.” While there are no visual cues, per se, on The Streets Like Beds Still Warm, the record owes a great debut to cinematography.\u003cbr\u003e\u003cbr\u003eImpressionistic swirls of effected guitar, drums, and saxophone support Birnbaum’s husky and worldweary baritone croon which sometimes echoes Bill Fay. But at times, in all its dim-lit barroom storytelling, one may think of Tom Waits. It’s a comparison that threatens both to mislead and sell short, but it’s difficult not to see things while listening to The Streets Like Beds Still Warm –– perhaps a slowly swinging Tiffany lamp just above the narrator’s head as he’s a little more than half-drunk, scrawling a brilliantly poetic, antiheroic tale on a bar napkin. Be assured, though, this is not The Heart of Saturday Night and it’s not In the Wee Small Hours. In fact, The Streets Like Beds Still Warm’s musical precedents come from distinctly different corners of the musical universe. The band draws direct influence from the work of alt-jazz contemporaries Anna Butterss and Jeff Parker as well as ambient progenitor Brian Eno. One also hears echoes of Birnbaum’s series of mellow and dreamy Nightwater records, quasi-ambient four-track experiments. But while those beautiful recordings were solitary affairs, The Streets Like Beds Still Warm is certainly not[...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eArtist : Wilder Maker\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eLabel : Western Vinyl\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eWV287lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-09-02T10:36:44+09:00","created_at":"2025-08-29T11:58:27+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","jazz","lp","new","western vinyl"],"price":358000,"price_min":358000,"price_max":358000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47666461475066,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Wilder Maker \/\/ The Streets Like Beds Still Warm LP","public_title":null,"options":["Default Title"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"843563186763","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bed1_ca67b5d8-beeb-45cc-89f3-06a7edeb3056.jpg?v=1756436160","\/\/tobirarecords.com\/cdn\/shop\/files\/bed2_0c8b65e6-c913-4fd8-8ab8-1d07564ea36d.jpg?v=1756436160"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bed1_ca67b5d8-beeb-45cc-89f3-06a7edeb3056.jpg?v=1756436160","options":["Title"],"media":[{"alt":null,"id":36676933517562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bed1_ca67b5d8-beeb-45cc-89f3-06a7edeb3056.jpg?v=1756436160"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bed1_ca67b5d8-beeb-45cc-89f3-06a7edeb3056.jpg?v=1756436160","width":700},{"alt":null,"id":36676933550330,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bed2_0c8b65e6-c913-4fd8-8ab8-1d07564ea36d.jpg?v=1756436160"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bed2_0c8b65e6-c913-4fd8-8ab8-1d07564ea36d.jpg?v=1756436160","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・NYのジャズ・ポップバンドWilder Makerが、2025年9月に同国老舗レーベルWestern Vinylからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアダルト・ポップ〜アンビエント・ジャズ17曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3590446895\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Strange Meeting with Owls 02:14\u003cbr\u003e2. Skewered by the Daystar 01:53\u003cbr\u003e3. It Was a Flood\u003cbr\u003e4. Atlas on His Day Off\u003cbr\u003e5. Turn Signal\u003cbr\u003e6. And You Want to Be My Dog\u003cbr\u003e7. Secret Weather\u003cbr\u003e8. A Tavern Poem, Passed From Mouth to Mouth\u003cbr\u003e9. Another Bullshit Rodeo 01:16\u003cbr\u003e10. They Laugh That Win 01:25\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Escape Artist\u003cbr\u003e\u003c\/span\u003e12. Darkness Leaning Like Water Against the Windows\u003cbr\u003e13. The Moon Says\u003cbr\u003e14. Horse \u0026amp; Hero\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e15. Demon Confrontation\u003cbr\u003e\u003c\/span\u003e16. Fixing the Past is a Sucker's Game\u003cbr\u003e17. Sea \u0026amp; Swimmer\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eText excerpt by Western Vinyl:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBrooklyn band Wilder Maker’s principal songwriter, Gabriel Birnbaum says that the group’s latest full-length, The Streets Like Beds Still Warm follows “an overall formal asymmetry, like dream logic.” It is richly textured, moody, and deep and is as distinctly narrative as it is literally experimental. To call it a concept album, as big as that term is, would actually be to sell it short. It is, in fact, only the first part of a concept trilogy that tells the tale of one long night in the city, from dusk to dawn.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Streets Like Beds Still Warm follows a lonely narrator as he drifts down avenues and in and out of bars and hospital rooms. He thinks on big questions and bigger questions, gets into some trouble, worries about his sick father, grapples with rivals and competitors who could be his friends but are not; he orders cocktails, dreams he is a genius, thinks about God and fate and so on. The record closes out at around 1:15am, leaving the story to be continued. If this sounds a bit noirish, that’s because it is. “Film noir detectives always start out looking immaculate, but by the end of the film they have a torn collar, a black eye, their slacks are stained, and they’ve started slapping people around in desperation,” Birnbaum says. “Are they the good guy anymore? I find this fascinating and I love the\u003cspan class=\"bcTruncateMore\"\u003e visual cues reflecting the internal landscape.” While there are no visual cues, per se, on The Streets Like Beds Still Warm, the record owes a great debut to cinematography.\u003cbr\u003e\u003cbr\u003eImpressionistic swirls of effected guitar, drums, and saxophone support Birnbaum’s husky and worldweary baritone croon which sometimes echoes Bill Fay. But at times, in all its dim-lit barroom storytelling, one may think of Tom Waits. It’s a comparison that threatens both to mislead and sell short, but it’s difficult not to see things while listening to The Streets Like Beds Still Warm –– perhaps a slowly swinging Tiffany lamp just above the narrator’s head as he’s a little more than half-drunk, scrawling a brilliantly poetic, antiheroic tale on a bar napkin. Be assured, though, this is not The Heart of Saturday Night and it’s not In the Wee Small Hours. In fact, The Streets Like Beds Still Warm’s musical precedents come from distinctly different corners of the musical universe. The band draws direct influence from the work of alt-jazz contemporaries Anna Butterss and Jeff Parker as well as ambient progenitor Brian Eno. One also hears echoes of Birnbaum’s series of mellow and dreamy Nightwater records, quasi-ambient four-track experiments. But while those beautiful recordings were solitary affairs, The Streets Like Beds Still Warm is certainly not[...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eArtist : Wilder Maker\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eLabel : Western Vinyl\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eWV287lp\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYのジャズ・ポップバンドWilder Makerが、2025年9月に同国老舗レーベルWestern Vinylからリリースしたレコードです。 アダルト・ポップ〜アンビエント・ジャズ17曲を収録。 レーベルその他作品はこちら /// Click here to see more Western Vinyl releases available at Tobira. ...
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{"id":8907022795002,"title":"SANAM \/\/ Sametou Sawtan CD","handle":"sanam-sametou-sawtan-cd","description":"\u003cp\u003eレバノンの実験ロックバンドSANAMが、2025年9月にカナダ・モントリオールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e実験中東ロック〜ストレンジビーツ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=834090066\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock mini gatefold sleeve.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Harik - حريق 05:11\u003cbr\u003e2. Goblin - غوبلن\u003cbr\u003e3. Habibon - حبيبٌ\u003cbr\u003e4. Hadikat Al Ams - حديقة الأمس\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Hamam - حمام\u003cbr\u003e\u003c\/span\u003e6. Sayl Damei - سيل دمعي\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Tatayoum - تتيم\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Sametou Sawtan - سمعت صوتاً\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eDaryl Worthington, May 2025 (via the label):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The title of the second SANAM album is as alive with possibility as the Lebanese band’s music. Sametou Sawtan translates from the Arabic to ‘I Heard A Voice’. Spooky or spiritual, however one reads the phrase, it speaks to the ability of sound and language to cause pause, steal attention, and open us to the moment. Likewise, the music of SANAM blurs tender frenzies and fire-scorched ballads, collapsing free-flowing rock and jazz frameworks into deeply rooted Arabic tradition. To hear them in full flight is to be held in the present and reorientated towards an open horizon.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWork on Sametou Sawtan began in early 2024. Initial ideas formed at Tunefork Studios in Beirut were fleshed out in April during a residency at Beit Faris, a medieval house in the coastal city of Byblos. The sextet: Sandy Chamoun (vocals), Antonio Hajj (bass), Farah Kaddour (buzuq), Anthony Sahyoun (guitar, synth), Pascal Semerdjian (drums), and Marwan Tohme (guitars), were joined by producer Radwan Ghazi Moumneh (Jerusalem In My Heart). The album’s last two tracks are recordings from the Beit Faris sessions, while the rest were captured at La Frette Studios in Paris during the band’s summer 2024 European tour.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe record processes feelings of distance and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e dislocation. “For the last five years it feels like everyone is leaving Lebanon,” explains Chamoun. “The album isn’t literally about that, but the idea that something is leaving you….A distance from events even though you’re living them, a distance from your house even though you’re inside it.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhether in the yearning ballad “Goblin” or the slow-burning, autotune-doused freakout of “Habibon”, Sametou Sawtan captures the striving for stable ground in a world seldom capable of offering it. It rides the mesmerizing intensity of the SANAM live experience while affording their music nuance, depth, and tremendous dynamic range. Like their debut, lyrics for many tracks are borrowed, words placed into new contexts to process the present. “Hamam” reinterprets an Egyptian folk song. In “Hadikat Al Ams”, the cracked hard-rock stomp propels text by contemporary Lebanese writer Paul Shaoul. And both “Sayl Damei” and the title track use poems by twelfth century Iranian poet and groundbreaking mathematician Omar Khayyam. “When you read something from Omar, you feel a connection to now,” Chamoun says. “The feeling that there’s not a clear path.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSametou Sawtan also features two songs with Chamoun’s own lyrics, including opener “Harik”. It was the seed of the album, written by Chamoun in February 2024, with the band building the track around her words. It begins with a shudder, razored electronics, and gasping voice perforating pounding drums before the band locks into triumphant ascent. It is about immersion in “an infinite fire,” Chamoun reveals. She wrote the lyrics to “Tatayoum” alone before bringing them to the band. It reflects a different kind of intensity, “a loop, an obsession,” she suggests. Buzuq weaves through hovering electronics and urgent drums while Chamoun recites Arabic words describing love. The incessant energies explored in these tracks aren’t necessarily negative. She compares their intensity to a writer locked in a train of thought, for better or worse.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“It’s not about being depressed or sad,” says Chamoun. “It’s a trap, but it can also be magical.”\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SANAM\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCST186cd\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-30T11:07:59+09:00","created_at":"2025-08-29T10:45:37+09:00","vendor":"Tobira Records","type":"","tags":["cd","constellation records","jazz","new","strange beats"],"price":216600,"price_min":216600,"price_max":216600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47666047975674,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"SANAM \/\/ Sametou Sawtan CD","public_title":null,"options":["Default Title"],"price":216600,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"666561018627","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/san1_4feb2fd2-e1ee-4281-8f0f-acfb2a2c23c3.jpg?v=1756431821","\/\/tobirarecords.com\/cdn\/shop\/files\/san2_a00b3105-29e0-496b-831a-358bdabf74a9.jpg?v=1756431821"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/san1_4feb2fd2-e1ee-4281-8f0f-acfb2a2c23c3.jpg?v=1756431821","options":["Title"],"media":[{"alt":null,"id":36676400742650,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san1_4feb2fd2-e1ee-4281-8f0f-acfb2a2c23c3.jpg?v=1756431821"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san1_4feb2fd2-e1ee-4281-8f0f-acfb2a2c23c3.jpg?v=1756431821","width":700},{"alt":null,"id":36676400775418,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san2_a00b3105-29e0-496b-831a-358bdabf74a9.jpg?v=1756431821"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san2_a00b3105-29e0-496b-831a-358bdabf74a9.jpg?v=1756431821","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eレバノンの実験ロックバンドSANAMが、2025年9月にカナダ・モントリオールの老舗レーベルConstellationからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e実験中東ロック〜ストレンジビーツ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=834090066\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/conrec\"\u003ehere\u003c\/a\u003e to see more Constellation Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock mini gatefold sleeve.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Harik - حريق 05:11\u003cbr\u003e2. Goblin - غوبلن\u003cbr\u003e3. Habibon - حبيبٌ\u003cbr\u003e4. Hadikat Al Ams - حديقة الأمس\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Hamam - حمام\u003cbr\u003e\u003c\/span\u003e6. Sayl Damei - سيل دمعي\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Tatayoum - تتيم\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Sametou Sawtan - سمعت صوتاً\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eDaryl Worthington, May 2025 (via the label):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The title of the second SANAM album is as alive with possibility as the Lebanese band’s music. Sametou Sawtan translates from the Arabic to ‘I Heard A Voice’. Spooky or spiritual, however one reads the phrase, it speaks to the ability of sound and language to cause pause, steal attention, and open us to the moment. Likewise, the music of SANAM blurs tender frenzies and fire-scorched ballads, collapsing free-flowing rock and jazz frameworks into deeply rooted Arabic tradition. To hear them in full flight is to be held in the present and reorientated towards an open horizon.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWork on Sametou Sawtan began in early 2024. Initial ideas formed at Tunefork Studios in Beirut were fleshed out in April during a residency at Beit Faris, a medieval house in the coastal city of Byblos. The sextet: Sandy Chamoun (vocals), Antonio Hajj (bass), Farah Kaddour (buzuq), Anthony Sahyoun (guitar, synth), Pascal Semerdjian (drums), and Marwan Tohme (guitars), were joined by producer Radwan Ghazi Moumneh (Jerusalem In My Heart). The album’s last two tracks are recordings from the Beit Faris sessions, while the rest were captured at La Frette Studios in Paris during the band’s summer 2024 European tour.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe record processes feelings of distance and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e dislocation. “For the last five years it feels like everyone is leaving Lebanon,” explains Chamoun. “The album isn’t literally about that, but the idea that something is leaving you….A distance from events even though you’re living them, a distance from your house even though you’re inside it.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhether in the yearning ballad “Goblin” or the slow-burning, autotune-doused freakout of “Habibon”, Sametou Sawtan captures the striving for stable ground in a world seldom capable of offering it. It rides the mesmerizing intensity of the SANAM live experience while affording their music nuance, depth, and tremendous dynamic range. Like their debut, lyrics for many tracks are borrowed, words placed into new contexts to process the present. “Hamam” reinterprets an Egyptian folk song. In “Hadikat Al Ams”, the cracked hard-rock stomp propels text by contemporary Lebanese writer Paul Shaoul. And both “Sayl Damei” and the title track use poems by twelfth century Iranian poet and groundbreaking mathematician Omar Khayyam. “When you read something from Omar, you feel a connection to now,” Chamoun says. “The feeling that there’s not a clear path.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSametou Sawtan also features two songs with Chamoun’s own lyrics, including opener “Harik”. It was the seed of the album, written by Chamoun in February 2024, with the band building the track around her words. It begins with a shudder, razored electronics, and gasping voice perforating pounding drums before the band locks into triumphant ascent. It is about immersion in “an infinite fire,” Chamoun reveals. She wrote the lyrics to “Tatayoum” alone before bringing them to the band. It reflects a different kind of intensity, “a loop, an obsession,” she suggests. Buzuq weaves through hovering electronics and urgent drums while Chamoun recites Arabic words describing love. The incessant energies explored in these tracks aren’t necessarily negative. She compares their intensity to a writer locked in a train of thought, for better or worse.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“It’s not about being depressed or sad,” says Chamoun. “It’s a trap, but it can also be magical.”\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SANAM\u003c\/p\u003e\n\u003cp\u003eLabel : Constellation Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCST186cd\u003c\/span\u003e\u003c\/p\u003e"}
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レバノンの実験ロックバンドSANAMが、2025年9月にカナダ・モントリオールの老舗レーベルConstellationからリリースしたアルバムです。 実験中東ロック〜ストレンジビーツ8曲を収録。 レーベルその他作品はこちら /// Click here to see more Constellation Records releases available at Tobira. ------------------------------------------ CD...
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{"id":8907014570234,"title":"Molly Raben \/\/ In the Kingdom of Flowers LP","handle":"molly-raben-in-the-kingdom-of-flowers-lp","description":"\u003cp\u003eアメリカ・ミネアポリスのオルガン奏者Molly Rabenが、2025年7月に同国フォークレーベルLove's Devoteeからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eオルガンによるインプロ〜アンビエントドローン5曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003eEmahoy Tsegué-Maryam Guèbrouや初期Terry Rileyが好きな方にオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『In the Kingdom of Flowers』は、ミネアポリスを拠点に活動するオルガン奏者、実験音楽家Molly RabenのデビューLPで、2025年7月にペンシルバニアのレーベルLove's Devoteeからリリースされた。息をのむようなオルガン・ソロの即興曲で構成されたこのアルバムは、Molly Rabenの卓越した技術力、楽器の仕組みや歴史、社会的背景に対する深い考察、そして探求的であると同時に聴き応えのある、メロディアスでハーモニー豊かな音楽を作り上げるコツを披露している。アルバムの5曲を通して、初期テリー・ライリーの催眠的ミニマリズム、シャルルマーニュ・パレスティンの恍惚とした響き、あるいはエマホイ・ツェゲ＝マリアム・ゲーブルーの予測不可能なメロディック・ランを思い起こさせる音響テクニックを用いながら、Molly Rabenはオルガンのメカニズムを探求している。ロー誌のアラン・スパーホークは、モリー・ラーベンの音楽を「すぐに魅了され、惹きつけられる」と評しているが、『In the Kingdom of Flowers』は彼女にとって初のメジャーリリースであり、好奇心旺盛なリスナーには最初の一音からそのことがよくわかる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e長年の教会オルガニストであるMolly Rabenは、この楽器、その音楽的・物理的な空間性、その有用性、そしてそれが持つ無限の可能性について、何年もかけて研究してきた。アルバムの冒頭を飾る 「Angel Pathway Garden Procession 」は、16分間（レコードのA面全体）にわたって起伏に富んだ音の世界に聴き手を瞬時に没入させる。アルバムの第2面は、夢のような実験的作品、特に不協和音とテクスチャー・サウンドを探求する作品と、伝統、歴史、儀式を掘り下げるパッセージとが交互に展開するようだ。ちょっと一人称を変えると、このアルバムには私を驚かせ、驚嘆させた曲や、文字通り大笑いさせた曲もある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMolly Rabenはこれまでに、メアリー・グレース名義でカセット（レナード・キングとのコラボレーション・セット）と7インチを自主リリースしている。また、ミネアポリス地域内外の数多くのミュージシャンとコラボレートしており、コール・ピューリスやミネアポリス・ウラニウム・クラブのリリースにも参加している。本作は、彼女にとって初のアルバムリリースであり、彼女の地道な活動が音的においしい実を結んだことを示している。アルバムアートは、ロサンゼルスを拠点に活動するアーティスト、ハンナ・E・ブラウンによるもので、グラファイト、シャープペンシル、コラージュで緻密に作られた作品は、オルガンの全音域の鮮やかな色彩と対をなしている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1801721530\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lovdev\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lovdev\"\u003ehere\u003c\/a\u003e to see more Love's Devotee releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e12\" black vinyl.\u003cbr\u003eIncludes insert. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Angel Pathway Garden Procession 15:47\u003cbr\u003e2. Nature Alive in Her Fullest Self 05:56\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Golden Weaver 05:21\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Union 02:54\u003cbr\u003e\u003c\/span\u003e5. Earth Turning Flower Spirit 03:42\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLove's Devotee:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn the Kingdom of Flowers is the debut LP from Minneapolis-based organist and experimental musician Molly Raben, released in July 2025 on Pennsylvania label Love’s Devotee. A breathtaking set of solo organ improvisations, the album showcases Raben’s technical prowess; her deep examination of the mechanics, history and social context of the instrument; and her knack for crafting melodically and harmonically rich music that is as listenable as it is exploratory. Across the album’s five pieces, Raben probes the mechanics of the organ while employing sonic techniques that bring to mind the hypnotic minimalism of early Terry Riley, the ecstatic resonance of Charlemagne Palestine, or the unpredictable melodic runs of Emahoy Tsegué-Maryam Guèbrou. Alan Sparhawk of Low has called Molly Raben’s music “immediately captivating and engaging,” and In the Kingdom of Flowers—her first major release—makes this clear to the curious listener from the first note.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA longtime church organist, Molly Raben has spent years both inhabiting and investigating the instrument, its musical and physical spatiality, its utility and the limitless capabilities it holds. “Angel Pathway Garden Procession,” the album’s opener, instantaneously immerses the listener in a sonic world that ebbs and\u003cspan class=\"bcTruncateMore\"\u003e flows along the track’s undulating sixteen-minute runtime (the entire Side A of the vinyl). The second side of the album seems to alternate between dreamlike experimental pieces—notably those exploring dissonance and textural sound—and passages that delve into tradition, history and ritual. If I can switch to the first person for a moment: there are passages of this record that surprised and astounded me, as well as one that literally made me laugh out loud—that is no small feat for a set of instrumental “experimental” music.\u003cbr\u003e\u003cbr\u003eMolly Raben has previously self-released a cassette (a collaborative set with Leonard King) and a lathe cut 7” under the name Mary Grace. She has collaborated with numerous musicians in the Minneapolis area and beyond, and has appeared on releases by Cole Pulice and The Minneapolis Uranium Club. In the Kingdom of Flowers is her first album-length release and shows that her diligent work has borne sonically delicious fruit. The album art was designed by Los Angeles-based artist Hannah E. Brown, whose meticulously-crafted works in graphite, mechanical pencil and collage provide a counterpoint to the vivid colors of the organ’s full sound spectrum.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Molly Raben\u003c\/p\u003e\n\u003cp\u003eLabel : Love's Devotee\u003c\/p\u003e","published_at":"2025-08-30T10:01:37+09:00","created_at":"2025-08-29T10:21:58+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","jazz","love's devotee","lp","new"],"price":412800,"price_min":412800,"price_max":412800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47665906286842,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Molly Raben \/\/ In the Kingdom of Flowers LP","public_title":null,"options":["Default Title"],"price":412800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/flo1_bd737b88-386b-4478-911a-d3a4f85ab01e.jpg?v=1756430374","\/\/tobirarecords.com\/cdn\/shop\/files\/flo2_533ce4a7-76b5-4e9e-a4dd-d8076f676904.jpg?v=1756430374","\/\/tobirarecords.com\/cdn\/shop\/files\/flo3_6b263d65-976f-42fe-8ae4-605009ca39e6.jpg?v=1756430374"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/flo1_bd737b88-386b-4478-911a-d3a4f85ab01e.jpg?v=1756430374","options":["Title"],"media":[{"alt":null,"id":36676365549818,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/flo1_bd737b88-386b-4478-911a-d3a4f85ab01e.jpg?v=1756430374"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/flo1_bd737b88-386b-4478-911a-d3a4f85ab01e.jpg?v=1756430374","width":700},{"alt":null,"id":36676365582586,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/flo2_533ce4a7-76b5-4e9e-a4dd-d8076f676904.jpg?v=1756430374"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/flo2_533ce4a7-76b5-4e9e-a4dd-d8076f676904.jpg?v=1756430374","width":1200},{"alt":null,"id":36676365615354,"position":3,"preview_image":{"aspect_ratio":0.978,"height":1200,"width":1174,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/flo3_6b263d65-976f-42fe-8ae4-605009ca39e6.jpg?v=1756430374"},"aspect_ratio":0.978,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/flo3_6b263d65-976f-42fe-8ae4-605009ca39e6.jpg?v=1756430374","width":1174}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ミネアポリスのオルガン奏者Molly Rabenが、2025年7月に同国フォークレーベルLove's Devoteeからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eオルガンによるインプロ〜アンビエントドローン5曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003eEmahoy Tsegué-Maryam Guèbrouや初期Terry Rileyが好きな方にオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『In the Kingdom of Flowers』は、ミネアポリスを拠点に活動するオルガン奏者、実験音楽家Molly RabenのデビューLPで、2025年7月にペンシルバニアのレーベルLove's Devoteeからリリースされた。息をのむようなオルガン・ソロの即興曲で構成されたこのアルバムは、Molly Rabenの卓越した技術力、楽器の仕組みや歴史、社会的背景に対する深い考察、そして探求的であると同時に聴き応えのある、メロディアスでハーモニー豊かな音楽を作り上げるコツを披露している。アルバムの5曲を通して、初期テリー・ライリーの催眠的ミニマリズム、シャルルマーニュ・パレスティンの恍惚とした響き、あるいはエマホイ・ツェゲ＝マリアム・ゲーブルーの予測不可能なメロディック・ランを思い起こさせる音響テクニックを用いながら、Molly Rabenはオルガンのメカニズムを探求している。ロー誌のアラン・スパーホークは、モリー・ラーベンの音楽を「すぐに魅了され、惹きつけられる」と評しているが、『In the Kingdom of Flowers』は彼女にとって初のメジャーリリースであり、好奇心旺盛なリスナーには最初の一音からそのことがよくわかる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e長年の教会オルガニストであるMolly Rabenは、この楽器、その音楽的・物理的な空間性、その有用性、そしてそれが持つ無限の可能性について、何年もかけて研究してきた。アルバムの冒頭を飾る 「Angel Pathway Garden Procession 」は、16分間（レコードのA面全体）にわたって起伏に富んだ音の世界に聴き手を瞬時に没入させる。アルバムの第2面は、夢のような実験的作品、特に不協和音とテクスチャー・サウンドを探求する作品と、伝統、歴史、儀式を掘り下げるパッセージとが交互に展開するようだ。ちょっと一人称を変えると、このアルバムには私を驚かせ、驚嘆させた曲や、文字通り大笑いさせた曲もある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMolly Rabenはこれまでに、メアリー・グレース名義でカセット（レナード・キングとのコラボレーション・セット）と7インチを自主リリースしている。また、ミネアポリス地域内外の数多くのミュージシャンとコラボレートしており、コール・ピューリスやミネアポリス・ウラニウム・クラブのリリースにも参加している。本作は、彼女にとって初のアルバムリリースであり、彼女の地道な活動が音的においしい実を結んだことを示している。アルバムアートは、ロサンゼルスを拠点に活動するアーティスト、ハンナ・E・ブラウンによるもので、グラファイト、シャープペンシル、コラージュで緻密に作られた作品は、オルガンの全音域の鮮やかな色彩と対をなしている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1801721530\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lovdev\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lovdev\"\u003ehere\u003c\/a\u003e to see more Love's Devotee releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e12\" black vinyl.\u003cbr\u003eIncludes insert. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Angel Pathway Garden Procession 15:47\u003cbr\u003e2. Nature Alive in Her Fullest Self 05:56\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Golden Weaver 05:21\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Union 02:54\u003cbr\u003e\u003c\/span\u003e5. Earth Turning Flower Spirit 03:42\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLove's Devotee:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn the Kingdom of Flowers is the debut LP from Minneapolis-based organist and experimental musician Molly Raben, released in July 2025 on Pennsylvania label Love’s Devotee. A breathtaking set of solo organ improvisations, the album showcases Raben’s technical prowess; her deep examination of the mechanics, history and social context of the instrument; and her knack for crafting melodically and harmonically rich music that is as listenable as it is exploratory. Across the album’s five pieces, Raben probes the mechanics of the organ while employing sonic techniques that bring to mind the hypnotic minimalism of early Terry Riley, the ecstatic resonance of Charlemagne Palestine, or the unpredictable melodic runs of Emahoy Tsegué-Maryam Guèbrou. Alan Sparhawk of Low has called Molly Raben’s music “immediately captivating and engaging,” and In the Kingdom of Flowers—her first major release—makes this clear to the curious listener from the first note.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA longtime church organist, Molly Raben has spent years both inhabiting and investigating the instrument, its musical and physical spatiality, its utility and the limitless capabilities it holds. “Angel Pathway Garden Procession,” the album’s opener, instantaneously immerses the listener in a sonic world that ebbs and\u003cspan class=\"bcTruncateMore\"\u003e flows along the track’s undulating sixteen-minute runtime (the entire Side A of the vinyl). The second side of the album seems to alternate between dreamlike experimental pieces—notably those exploring dissonance and textural sound—and passages that delve into tradition, history and ritual. If I can switch to the first person for a moment: there are passages of this record that surprised and astounded me, as well as one that literally made me laugh out loud—that is no small feat for a set of instrumental “experimental” music.\u003cbr\u003e\u003cbr\u003eMolly Raben has previously self-released a cassette (a collaborative set with Leonard King) and a lathe cut 7” under the name Mary Grace. She has collaborated with numerous musicians in the Minneapolis area and beyond, and has appeared on releases by Cole Pulice and The Minneapolis Uranium Club. In the Kingdom of Flowers is her first album-length release and shows that her diligent work has borne sonically delicious fruit. The album art was designed by Los Angeles-based artist Hannah E. Brown, whose meticulously-crafted works in graphite, mechanical pencil and collage provide a counterpoint to the vivid colors of the organ’s full sound spectrum.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Molly Raben\u003c\/p\u003e\n\u003cp\u003eLabel : Love's Devotee\u003c\/p\u003e"}
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アメリカ・ミネアポリスのオルガン奏者Molly Rabenが、2025年7月に同国フォークレーベルLove's Devoteeからリリースしたレコードです。 オルガンによるインプロ〜アンビエントドローン5曲を収録。インサート付属。 Emahoy Tsegué-Maryam Guèbrouや初期Terry Rileyが好きな方にオススメです。 以下、レーベルによる解説です。 "『In the Kingdom of Flowers』は、ミネアポリスを拠点に活動するオルガン奏者、実験音楽家Molly...
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{"id":8905577726202,"title":"Inga McDaniel \/\/ Double Mug TAPE","handle":"inga-mcdaniel-double-mug-tape","description":"\u003cp\u003eアメリカ・インディアナポリスのトージャズ作家Inga McDanielが、2024年10月に同国地下ジャズレーベルUlyssaからリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eトージャズ17曲を収録。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e彼女は現在62歳でお孫さんもいるそうです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2584560070\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulyssa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulyssa\"\u003ehere\u003c\/a\u003e to see more ULYSSA releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in norelco case. Edition of 100. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Jamaican Sand 03:28\u003cbr\u003e2. It Is What It Is 03:47\u003cbr\u003e3. Can I Get With You 04:04\u003cbr\u003e4. Bop 02:19\u003cbr\u003e5. Let's Get It! 04:42\u003cbr\u003e6. wisdom 03:22\u003cbr\u003e7. Happy Grandsons 04:10\u003cbr\u003e8. The Business 04:38\u003cbr\u003e9. Caribbean Late Night 04:19\u003cbr\u003e10. State of Confusion 04:48\u003cbr\u003e11. Tired of Work 03:51\u003cbr\u003e12. High Heel Strut 06:08\u003cbr\u003e13. Feeling Kinda Luckie 04:10\u003cbr\u003e14. Honey 06:35\u003cbr\u003e15. 2N2 05:22\u003cbr\u003e16. Get Your Eagle On 06:04\u003cbr\u003e17. Time 2 Go! 03:26\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by ULYSSA:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eInga McDaniel is the Queen of Toejazz. Double bonafide. Double certified. Double Diamond jackpot. Double Double Cheese Cheese Burger Burger Please. And a Double Dewer’s on the rocks, s’il vous plait.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMuggy Saturday June ’23, we stumble upon Inga’s music down there in the haunted abyss of Spotify as we do. You know the vibe: Always be \u0026lt;1000maxing. Her album art catches our eye. Willy-nilly we toss on “Jamaican Sand” from an album called ‘The Business’ (which we’d very soon know as an avant-funk masterpiece). And away we go! Sucked right in to its highball glass of digital tinkling ice. Dubby footwork recalling Sun Araw or Actress. Digital tinkling cubes finding some impossible rhythm you’d maybe call imprecise — if not for that a millisecond shift in either direction would send the thing all afuck. Then it all just stops on a dime. We’re all footwork warriors frozen in time. 3 seconds of utter silence. Bout to check our phones for a glitch in the matrix when its second section slaps us upside the head. A malfunctioning New Jack Swing carnival ride — nuts and bolts whizzing by like shrapnel while a one-eyed carny dwarf [Tom Waits voice] hurries to extinguish the flames. But instead of terrified you’re totally delighted — maybe even a little\u003cspan class=\"bcTruncateMore\"\u003e aroused!\u003cbr\u003e\u003cbr\u003eAt once, we knew it was our mission to locate this Inga McDaniel. And after some LinkedIn sleuthing and Facebooking and emailing, we made contact. Area code 317. Holy smokes, she’s local. Quick text exchange and 24 hours later we’re seated with Our Queen of Toejazz at the Pawn Shop Pub. A Long John Silvers-turned-pawn shop-turned-locals only bar. Over Millers High Life and tenderloin sandwiches, we explained to her about Toejazz. She laughed her ass off and kindly accepted her coronation. That’s right — we found a proper legend in the bottomless pit of DSPs and she lives just 10 mins from our front door. The Queen of Toejazz is also Our Neighbor.\u003cbr\u003e\u003cbr\u003eInga McDaniel is a 63-year-old grandma living on the northeast side of Indianapolis. Named by her auntie whose role was to dole out names to the newborns in the family, Inga’s been making her odd brand of funk and house music for over 40 years. She was an organizer of Naptown’s Black Expo in the early 80s and once toured across Europe playing in a gospel group. Now, she’s a private accountant and likes to hit the penny slots at the local casino every now and again. All along, she’s been making eccentric bedroom house and sensual, perplexing Toejazz, diligently loading it all up to CDBaby.\u003cbr\u003e\u003cbr\u003eOn our new comp DOUBLE MUG, we’ve culled forth a small army of Inga gems. Her music is ULYSSA manifest. 16-bit, Tutu jazz made with utter abandon. Gnarsty, stankface lowdown synthwork. Rapturous bass recorded in 3D. Fancy chords choked out by a holographic Kool-Aid Man. Digital sax all horny like it oughta be. Quiet Storm live from Jupiter’s Great Red Spot. Bottle service bops. Industrikal cokebrick dancefloor giddyup. Visions of Olympic dressage in which all the horsies wear cherry red stilettos. Avant-dub, Direct-to-MIDIO polyrhythms. 10 lbs of True American Wildass Excellence in a 9 lbs bag.\u003cbr\u003e\u003cbr\u003eSomewhere along the way, we also fell in love with the cartoonish and finely crafted ceramics of Indianapolis artist Dee Schaad. We visited his studio early in the summer and proposed he make a caricature mug of our new friend Inga. “We want it took look like she just hit 777 at the casino.” And cotdayum if Dee didn’t get it just right. Yes, it's her mug on a mug — Double Mug. But it's also a big balls reference to the Mozart of footwork DJ Rashad. That’s how much we believe in our dear neighbor and friend. And so now we present to you, our lowly and beloved brainrot technoserfs and serfettes: Inga McDaniel, The Queen of Toejazz.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Inga McDaniel\u003c\/p\u003e\n\u003cp\u003eLabel : ULYSSA\u003c\/p\u003e","published_at":"2025-08-28T08:33:07+09:00","created_at":"2025-08-28T08:32:34+09:00","vendor":"Tobira Records","type":"","tags":["jazz","new","tape","ulyssa"],"price":297800,"price_min":297800,"price_max":297800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47657806561530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Inga McDaniel \/\/ Double Mug TAPE","public_title":null,"options":["Default Title"],"price":297800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mug1.jpg?v=1732585662","\/\/tobirarecords.com\/cdn\/shop\/files\/mug2.jpg?v=1732585662"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mug1.jpg?v=1732585662","options":["Title"],"media":[{"alt":null,"id":35232028852474,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mug1.jpg?v=1732585662"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mug1.jpg?v=1732585662","width":700},{"alt":null,"id":35232028885242,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mug2.jpg?v=1732585662"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mug2.jpg?v=1732585662","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・インディアナポリスのトージャズ作家Inga McDanielが、2024年10月に同国地下ジャズレーベルUlyssaからリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eトージャズ17曲を収録。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e彼女は現在62歳でお孫さんもいるそうです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2584560070\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulyssa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulyssa\"\u003ehere\u003c\/a\u003e to see more ULYSSA releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in norelco case. Edition of 100. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Jamaican Sand 03:28\u003cbr\u003e2. It Is What It Is 03:47\u003cbr\u003e3. Can I Get With You 04:04\u003cbr\u003e4. Bop 02:19\u003cbr\u003e5. Let's Get It! 04:42\u003cbr\u003e6. wisdom 03:22\u003cbr\u003e7. Happy Grandsons 04:10\u003cbr\u003e8. The Business 04:38\u003cbr\u003e9. Caribbean Late Night 04:19\u003cbr\u003e10. State of Confusion 04:48\u003cbr\u003e11. Tired of Work 03:51\u003cbr\u003e12. High Heel Strut 06:08\u003cbr\u003e13. Feeling Kinda Luckie 04:10\u003cbr\u003e14. Honey 06:35\u003cbr\u003e15. 2N2 05:22\u003cbr\u003e16. Get Your Eagle On 06:04\u003cbr\u003e17. Time 2 Go! 03:26\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by ULYSSA:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eInga McDaniel is the Queen of Toejazz. Double bonafide. Double certified. Double Diamond jackpot. Double Double Cheese Cheese Burger Burger Please. And a Double Dewer’s on the rocks, s’il vous plait.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMuggy Saturday June ’23, we stumble upon Inga’s music down there in the haunted abyss of Spotify as we do. You know the vibe: Always be \u0026lt;1000maxing. Her album art catches our eye. Willy-nilly we toss on “Jamaican Sand” from an album called ‘The Business’ (which we’d very soon know as an avant-funk masterpiece). And away we go! Sucked right in to its highball glass of digital tinkling ice. Dubby footwork recalling Sun Araw or Actress. Digital tinkling cubes finding some impossible rhythm you’d maybe call imprecise — if not for that a millisecond shift in either direction would send the thing all afuck. Then it all just stops on a dime. We’re all footwork warriors frozen in time. 3 seconds of utter silence. Bout to check our phones for a glitch in the matrix when its second section slaps us upside the head. A malfunctioning New Jack Swing carnival ride — nuts and bolts whizzing by like shrapnel while a one-eyed carny dwarf [Tom Waits voice] hurries to extinguish the flames. But instead of terrified you’re totally delighted — maybe even a little\u003cspan class=\"bcTruncateMore\"\u003e aroused!\u003cbr\u003e\u003cbr\u003eAt once, we knew it was our mission to locate this Inga McDaniel. And after some LinkedIn sleuthing and Facebooking and emailing, we made contact. Area code 317. Holy smokes, she’s local. Quick text exchange and 24 hours later we’re seated with Our Queen of Toejazz at the Pawn Shop Pub. A Long John Silvers-turned-pawn shop-turned-locals only bar. Over Millers High Life and tenderloin sandwiches, we explained to her about Toejazz. She laughed her ass off and kindly accepted her coronation. That’s right — we found a proper legend in the bottomless pit of DSPs and she lives just 10 mins from our front door. The Queen of Toejazz is also Our Neighbor.\u003cbr\u003e\u003cbr\u003eInga McDaniel is a 63-year-old grandma living on the northeast side of Indianapolis. Named by her auntie whose role was to dole out names to the newborns in the family, Inga’s been making her odd brand of funk and house music for over 40 years. She was an organizer of Naptown’s Black Expo in the early 80s and once toured across Europe playing in a gospel group. Now, she’s a private accountant and likes to hit the penny slots at the local casino every now and again. All along, she’s been making eccentric bedroom house and sensual, perplexing Toejazz, diligently loading it all up to CDBaby.\u003cbr\u003e\u003cbr\u003eOn our new comp DOUBLE MUG, we’ve culled forth a small army of Inga gems. Her music is ULYSSA manifest. 16-bit, Tutu jazz made with utter abandon. Gnarsty, stankface lowdown synthwork. Rapturous bass recorded in 3D. Fancy chords choked out by a holographic Kool-Aid Man. Digital sax all horny like it oughta be. Quiet Storm live from Jupiter’s Great Red Spot. Bottle service bops. Industrikal cokebrick dancefloor giddyup. Visions of Olympic dressage in which all the horsies wear cherry red stilettos. Avant-dub, Direct-to-MIDIO polyrhythms. 10 lbs of True American Wildass Excellence in a 9 lbs bag.\u003cbr\u003e\u003cbr\u003eSomewhere along the way, we also fell in love with the cartoonish and finely crafted ceramics of Indianapolis artist Dee Schaad. We visited his studio early in the summer and proposed he make a caricature mug of our new friend Inga. “We want it took look like she just hit 777 at the casino.” And cotdayum if Dee didn’t get it just right. Yes, it's her mug on a mug — Double Mug. But it's also a big balls reference to the Mozart of footwork DJ Rashad. That’s how much we believe in our dear neighbor and friend. And so now we present to you, our lowly and beloved brainrot technoserfs and serfettes: Inga McDaniel, The Queen of Toejazz.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Inga McDaniel\u003c\/p\u003e\n\u003cp\u003eLabel : ULYSSA\u003c\/p\u003e"}
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アメリカ・インディアナポリスのトージャズ作家Inga McDanielが、2024年10月に同国地下ジャズレーベルUlyssaからリリースしたデビューカセットです。 トージャズ17曲を収録。 彼女は現在62歳でお孫さんもいるそうです。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more ULYSSA releases available at Tobira. ...
¥2,978
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{"id":8903388659962,"title":"We Jazz Magazine \/\/ Summer 2025 \"Forfolks, Dedicated To Jeff Parker\" MAGAZINE","handle":"we-jazz-magazine-summer-2025-forfolks-dedicated-to-jeff-parker-magazine","description":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2025年夏号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe 15th issue of We Jazz Magazine, \"Forfolks\" for Jeff Parker. \u003cbr\u003e128 pages.\u003cbr\u003e170 x 240 mm.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented IN ENGLISH. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeaturing the following articles:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJeff Parker by Andy Beta, Peter Margasak \u0026amp; Scott McNiece, Elaine Brown by Pierre Crépon, David Murray by Bret Sjerven, Adele Sauros by Wif Stenger, Rafael Toral by HT Nuotio, Lush Life by Seymour Wright, The Connection by Patrick Preziosi, Nels Cline by Bret Sjerven, Discaholic Column by Mats Gustafsson, album reviews, book reviews, live reviews, photo essay \u0026amp; more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWJMAG15\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-27T05:56:55+09:00","created_at":"2025-08-26T16:35:34+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","jazz","new","we jazz records"],"price":389000,"price_min":389000,"price_max":389000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47652443095290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"We Jazz Magazine \/\/ Summer 2025 \"Forfolks, Dedicated To Jeff Parker\" MAGAZINE","public_title":null,"options":["Default Title"],"price":389000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wejazz1_02b8efb8-e3cf-4769-9e16-f92129373ca8.jpg?v=1756193891"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wejazz1_02b8efb8-e3cf-4769-9e16-f92129373ca8.jpg?v=1756193891","options":["Title"],"media":[{"alt":null,"id":36651537400058,"position":1,"preview_image":{"aspect_ratio":1.0,"height":300,"width":300,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wejazz1_02b8efb8-e3cf-4769-9e16-f92129373ca8.jpg?v=1756193891"},"aspect_ratio":1.0,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wejazz1_02b8efb8-e3cf-4769-9e16-f92129373ca8.jpg?v=1756193891","width":300}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2025年夏号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe 15th issue of We Jazz Magazine, \"Forfolks\" for Jeff Parker. \u003cbr\u003e128 pages.\u003cbr\u003e170 x 240 mm.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented IN ENGLISH. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeaturing the following articles:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJeff Parker by Andy Beta, Peter Margasak \u0026amp; Scott McNiece, Elaine Brown by Pierre Crépon, David Murray by Bret Sjerven, Adele Sauros by Wif Stenger, Rafael Toral by HT Nuotio, Lush Life by Seymour Wright, The Connection by Patrick Preziosi, Nels Cline by Bret Sjerven, Discaholic Column by Mats Gustafsson, album reviews, book reviews, live reviews, photo essay \u0026amp; more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWJMAG15\u003c\/span\u003e\u003c\/p\u003e"}
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フィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2025年夏号です。 ほぼフルカラーの全文英語128ページです。 The 15th issue of We Jazz Magazine, "Forfolks" for Jeff...
¥3,890
![Ivan The Tolerable // An Orphan Form LP [COLOR]](http://tobirarecords.com/cdn/shop/files/an1_68b8cbf8-cc4d-4895-9107-b2d00173adc1_medium.jpg?v=1756192672)
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{"id":8903386038522,"title":"Ivan The Tolerable \/\/ An Orphan Form LP [COLOR]","handle":"ivan-the-tolerable-an-orphan-form-lp-color","description":"\u003cp\u003eイギリス・ミドルズブラの異端ジャズ作家Ivan The Tolerableが、2025年5月に同国Riot Season Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e万華鏡のように展開するサイケデリックなスピリチュアル・ジャズ〜アンビエント・ジャズ2曲を収録。黒紫スプラッター盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/ivan-the-tolerable-magic-smoke-chords-lp-color\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3347632135\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" 'purple glob goes interstellar' clear \u0026amp; purple with black spatter vinyl. \u003cbr\u003eEdition of 300.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Three Shafts Of Light 16:55\u003cbr\u003e2. Cut Pale White Line 15:52\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eRiot Season Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWith ‘An Orphan Form’, Ivan The Tolerable returns with a beautifully strange and immersive suite that feels both otherworldly and rooted in something organic. Drawing on kosmische drift, loose-limbed jazz, and warped psychedelic textures, the record moves like a half-remembered dream. Field recordings and nature sounds weave in and out, grounding the swirling synths and off-kilter rhythms in real earth and air. It's a record that doesn’t follow a straight line, but instead wanders, curious, alive, and quietly spellbinding.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : IVAN THE TOLERABLE\u003c\/p\u003e\n\u003cp\u003eLabel : Riot Season Records\u003c\/p\u003e\n\u003cp\u003ecat no : REPOSELP147\u003c\/p\u003e","published_at":"2025-08-27T06:22:51+09:00","created_at":"2025-08-26T16:19:32+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","Riot Season Records"],"price":476400,"price_min":476400,"price_max":476400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47652435558650,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ivan The Tolerable \/\/ An Orphan Form LP [COLOR]","public_title":null,"options":["Default Title"],"price":476400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/an1_68b8cbf8-cc4d-4895-9107-b2d00173adc1.jpg?v=1756192672","\/\/tobirarecords.com\/cdn\/shop\/files\/an2_5283f588-d7da-490c-8836-80bcf961c31c.jpg?v=1756192672"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/an1_68b8cbf8-cc4d-4895-9107-b2d00173adc1.jpg?v=1756192672","options":["Title"],"media":[{"alt":null,"id":36651511349498,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/an1_68b8cbf8-cc4d-4895-9107-b2d00173adc1.jpg?v=1756192672"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/an1_68b8cbf8-cc4d-4895-9107-b2d00173adc1.jpg?v=1756192672","width":700},{"alt":null,"id":36651511382266,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/an2_5283f588-d7da-490c-8836-80bcf961c31c.jpg?v=1756192672"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/an2_5283f588-d7da-490c-8836-80bcf961c31c.jpg?v=1756192672","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ミドルズブラの異端ジャズ作家Ivan The Tolerableが、2025年5月に同国Riot Season Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e万華鏡のように展開するサイケデリックなスピリチュアル・ジャズ〜アンビエント・ジャズ2曲を収録。黒紫スプラッター盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/ivan-the-tolerable-magic-smoke-chords-lp-color\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3347632135\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" 'purple glob goes interstellar' clear \u0026amp; purple with black spatter vinyl. \u003cbr\u003eEdition of 300.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Three Shafts Of Light 16:55\u003cbr\u003e2. Cut Pale White Line 15:52\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eRiot Season Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWith ‘An Orphan Form’, Ivan The Tolerable returns with a beautifully strange and immersive suite that feels both otherworldly and rooted in something organic. Drawing on kosmische drift, loose-limbed jazz, and warped psychedelic textures, the record moves like a half-remembered dream. Field recordings and nature sounds weave in and out, grounding the swirling synths and off-kilter rhythms in real earth and air. It's a record that doesn’t follow a straight line, but instead wanders, curious, alive, and quietly spellbinding.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : IVAN THE TOLERABLE\u003c\/p\u003e\n\u003cp\u003eLabel : Riot Season Records\u003c\/p\u003e\n\u003cp\u003ecat no : REPOSELP147\u003c\/p\u003e"}
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イギリス・ミドルズブラの異端ジャズ作家Ivan The Tolerableが、2025年5月に同国Riot Season Recordsからリリースしたレコードです。 万華鏡のように展開するサイケデリックなスピリチュアル・ジャズ〜アンビエント・ジャズ2曲を収録。黒紫スプラッター盤です。DLコード付属。 前作もオススメです。 ------------------------------------------------------------- Includes DL code. 12" 'purple glob goes...
¥4,764
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{"id":8900186243322,"title":"Monastero s\/t TAPE","handle":"monastero-s-t-tape","description":"\u003cp\u003eイタリアのインプロバンドMonasteroが、2025年8月にアメリカ・LAの実験レーベルDinzu Artefacts\u003cspan\u003eから75本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eインプロ〜物音ストレンジビーツ9曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"何世紀も続く修道院の共鳴する静寂から生まれ出た『Monastero』は、一連の即興的な現代音楽作品として展開する。各トラックは空間と音の即興的な対話であり、楽器の響きは構造と抽象の間を流動的に漂い、リバーブに浸された音色と打楽器的な質感が石壁とアーチ状の天井の自然な音響の中で呼吸し、花開く。これにより音楽は、心に深く刻まれる神聖な次元を帯びる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=6614574\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCassette in norelco case. \u003cbr\u003eEdition of 75. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Forma Sparsa 02:56\u003cbr\u003e2. Habitat Vento 04:54\u003cbr\u003e3. Valico Mimesi 04:33\u003cbr\u003e4. Mura Soprana 05:28\u003cbr\u003e5. Infine Verticale 09:24\u003cbr\u003e6. Ricami Sospiri 01:30\u003cbr\u003e7. Povere Sorgenti 07:02\u003cbr\u003e8. Contempla Clapping 03:45\u003cbr\u003e9. Circolare Aereo 02:29\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDinzu Artefacts:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEmerging from the resonant stillness of a centuries-old monastery, Monastero unfolds as a series of improvised modern compositions — each track a spontaneous dialogue between space and sound. The instrumentation drifts fluidly between structure and abstraction, allowing reverb-soaked tones and percussive textures to breathe and bloom within the natural acoustics of stone walls and vaulted ceilings, giving the music a haunting, sacred dimension.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Monastero\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e\n\u003cp\u003ecat no : Dinzu 115\u003c\/p\u003e","published_at":"2025-09-11T07:34:44+09:00","created_at":"2025-08-23T15:40:36+09:00","vendor":"Tobira Records","type":"","tags":["dinzu artefacts","jazz","monooto","new","strange beats","tape"],"price":224800,"price_min":224800,"price_max":224800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47643552940282,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Monastero s\/t TAPE","public_title":null,"options":["Default Title"],"price":224800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mon1_dba5997d-8849-4f89-810f-e7c467ba43d2.jpg?v=1755931166","\/\/tobirarecords.com\/cdn\/shop\/files\/mon2_a5dddba7-a4b9-467d-a482-1bbb25a16f47.jpg?v=1755931166"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mon1_dba5997d-8849-4f89-810f-e7c467ba43d2.jpg?v=1755931166","options":["Title"],"media":[{"alt":null,"id":36625253990650,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mon1_dba5997d-8849-4f89-810f-e7c467ba43d2.jpg?v=1755931166"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mon1_dba5997d-8849-4f89-810f-e7c467ba43d2.jpg?v=1755931166","width":700},{"alt":null,"id":36625254023418,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mon2_a5dddba7-a4b9-467d-a482-1bbb25a16f47.jpg?v=1755931166"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mon2_a5dddba7-a4b9-467d-a482-1bbb25a16f47.jpg?v=1755931166","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアのインプロバンドMonasteroが、2025年8月にアメリカ・LAの実験レーベルDinzu Artefacts\u003cspan\u003eから75本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eインプロ〜物音ストレンジビーツ9曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"何世紀も続く修道院の共鳴する静寂から生まれ出た『Monastero』は、一連の即興的な現代音楽作品として展開する。各トラックは空間と音の即興的な対話であり、楽器の響きは構造と抽象の間を流動的に漂い、リバーブに浸された音色と打楽器的な質感が石壁とアーチ状の天井の自然な音響の中で呼吸し、花開く。これにより音楽は、心に深く刻まれる神聖な次元を帯びる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=6614574\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCassette in norelco case. \u003cbr\u003eEdition of 75. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Forma Sparsa 02:56\u003cbr\u003e2. Habitat Vento 04:54\u003cbr\u003e3. Valico Mimesi 04:33\u003cbr\u003e4. Mura Soprana 05:28\u003cbr\u003e5. Infine Verticale 09:24\u003cbr\u003e6. Ricami Sospiri 01:30\u003cbr\u003e7. Povere Sorgenti 07:02\u003cbr\u003e8. Contempla Clapping 03:45\u003cbr\u003e9. Circolare Aereo 02:29\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDinzu Artefacts:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEmerging from the resonant stillness of a centuries-old monastery, Monastero unfolds as a series of improvised modern compositions — each track a spontaneous dialogue between space and sound. The instrumentation drifts fluidly between structure and abstraction, allowing reverb-soaked tones and percussive textures to breathe and bloom within the natural acoustics of stone walls and vaulted ceilings, giving the music a haunting, sacred dimension.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Monastero\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e\n\u003cp\u003ecat no : Dinzu 115\u003c\/p\u003e"}
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¥2,248
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{"id":8900167041274,"title":"Tamir Barzilay \/\/ Phosphene Journal LP","handle":"tamir-barzilay-phosphene-journal-lp","description":"\u003cp\u003eアメリカ・LAのマルチ奏者Tamir Barzilayが、2025年8月にLAのコンテンポラリー・ジャズレーベルColorfield Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ジャズ〜アンビエント・ジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3996248928\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1992667049\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3996248928\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrfld\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrfld\"\u003ehere\u003c\/a\u003e to see more Colorfield Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 250. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Fika 02:57\u003cbr\u003e2. Najma 03:15\u003cbr\u003e3. Cage The Escape 03:33\u003cbr\u003e4. Hummingbird 03:44\u003cbr\u003e5. Heavy Stepper 03:08\u003cbr\u003e6. The Hungry Moon 02:44\u003cbr\u003e7. Stereogram 03:48\u003cbr\u003e8. Sailing 03:22\u003cbr\u003e9. The Red Sea 03:30\u003cbr\u003e10. Walking Blindfolded 03:59\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Tamir Barzilay\u003c\/p\u003e\n\u003cp\u003eLabel : Colorfield Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : CF020\u003c\/p\u003e","published_at":"2025-08-29T10:52:01+09:00","created_at":"2025-08-23T15:00:27+09:00","vendor":"Tobira Records","type":"","tags":["ambient","colorfield","jazz","lp","new"],"price":438000,"price_min":438000,"price_max":438000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47643458797818,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tamir Barzilay \/\/ Phosphene Journal LP","public_title":null,"options":["Default Title"],"price":438000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jou1_46de321b-1eab-4b13-8b71-9dcc4b655d11.jpg?v=1755928769","\/\/tobirarecords.com\/cdn\/shop\/files\/jou2_877035fd-cd4a-439c-a648-94ee1158a42b.jpg?v=1755928769"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jou1_46de321b-1eab-4b13-8b71-9dcc4b655d11.jpg?v=1755928769","options":["Title"],"media":[{"alt":null,"id":36624874569978,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jou1_46de321b-1eab-4b13-8b71-9dcc4b655d11.jpg?v=1755928769"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jou1_46de321b-1eab-4b13-8b71-9dcc4b655d11.jpg?v=1755928769","width":700},{"alt":null,"id":36624874602746,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jou2_877035fd-cd4a-439c-a648-94ee1158a42b.jpg?v=1755928769"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jou2_877035fd-cd4a-439c-a648-94ee1158a42b.jpg?v=1755928769","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのマルチ奏者Tamir Barzilayが、2025年8月にLAのコンテンポラリー・ジャズレーベルColorfield Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ジャズ〜アンビエント・ジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3996248928\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1992667049\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3996248928\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrfld\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrfld\"\u003ehere\u003c\/a\u003e to see more Colorfield Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 250. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Fika 02:57\u003cbr\u003e2. Najma 03:15\u003cbr\u003e3. Cage The Escape 03:33\u003cbr\u003e4. Hummingbird 03:44\u003cbr\u003e5. Heavy Stepper 03:08\u003cbr\u003e6. The Hungry Moon 02:44\u003cbr\u003e7. Stereogram 03:48\u003cbr\u003e8. Sailing 03:22\u003cbr\u003e9. The Red Sea 03:30\u003cbr\u003e10. Walking Blindfolded 03:59\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Tamir Barzilay\u003c\/p\u003e\n\u003cp\u003eLabel : Colorfield Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : CF020\u003c\/p\u003e"}
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¥4,380
クイックビュー
{"id":8900165959930,"title":"Joey Waronker \u0026 Pete Min \/\/ King King LP","handle":"joey-waronker-pete-min-king-king-lp","description":"\u003cp\u003eアメリカ・LAのドラマーJoey WaronkerとギタリストPete Minが、2025年8月にLAのコンテンポラリー・ジャズレーベルColorfield Recordsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eエレクトロニック・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003eJeff ParkerやBenny Bock、Mark Guiliana、John Johnsonなどが参加しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=974554153\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1045786493\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=974554153\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2661987169\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=974554153\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=974554153\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1788829986\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrfld\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrfld\"\u003ehere\u003c\/a\u003e to see more Colorfield Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Satin Flame 01:03\u003cbr\u003e2. Greener Grass 03:01\u003cbr\u003e3. Above Clouds 03:36\u003cbr\u003e4. Tangled Woods 03:45\u003cbr\u003e5. Good Times 03:00\u003cbr\u003e6. Big Dipper 02:29\u003cbr\u003e7. Transformers 03:11\u003cbr\u003e8. Parrots 03:13\u003cbr\u003e9. King King 03:21\u003cbr\u003e10. Chocolate Chip 03:40\u003cbr\u003e11. Little Dipper 02:26\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Joey Waronker \u0026amp; Pete Min\u003c\/p\u003e\n\u003cp\u003eLabel : Colorfield Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : CF021\u003c\/p\u003e","published_at":"2025-08-29T10:49:39+09:00","created_at":"2025-08-23T14:58:18+09:00","vendor":"Tobira Records","type":"","tags":["colorfield","jazz","lp","new","recommended"],"price":438000,"price_min":438000,"price_max":438000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47643452375290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joey Waronker \u0026 Pete Min \/\/ King King LP","public_title":null,"options":["Default Title"],"price":438000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/king1.jpg?v=1755928621","\/\/tobirarecords.com\/cdn\/shop\/files\/king2.jpg?v=1755928621"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/king1.jpg?v=1755928621","options":["Title"],"media":[{"alt":null,"id":36624842457338,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/king1.jpg?v=1755928621"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/king1.jpg?v=1755928621","width":700},{"alt":null,"id":36624842490106,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/king2.jpg?v=1755928621"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/king2.jpg?v=1755928621","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのドラマーJoey WaronkerとギタリストPete Minが、2025年8月にLAのコンテンポラリー・ジャズレーベルColorfield Recordsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eエレクトロニック・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003eJeff ParkerやBenny Bock、Mark Guiliana、John Johnsonなどが参加しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=974554153\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1045786493\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=974554153\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2661987169\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=974554153\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=974554153\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1788829986\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrfld\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrfld\"\u003ehere\u003c\/a\u003e to see more Colorfield Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Satin Flame 01:03\u003cbr\u003e2. Greener Grass 03:01\u003cbr\u003e3. Above Clouds 03:36\u003cbr\u003e4. Tangled Woods 03:45\u003cbr\u003e5. Good Times 03:00\u003cbr\u003e6. Big Dipper 02:29\u003cbr\u003e7. Transformers 03:11\u003cbr\u003e8. Parrots 03:13\u003cbr\u003e9. King King 03:21\u003cbr\u003e10. Chocolate Chip 03:40\u003cbr\u003e11. Little Dipper 02:26\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Joey Waronker \u0026amp; Pete Min\u003c\/p\u003e\n\u003cp\u003eLabel : Colorfield Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : CF021\u003c\/p\u003e"}
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アメリカ・LAのドラマーJoey WaronkerとギタリストPete Minが、2025年8月にLAのコンテンポラリー・ジャズレーベルColorfield Recordsからリリースした共作レコードです。 エレクトロニック・ジャズ11曲を収録。 Jeff ParkerやBenny Bock、Mark Guiliana、John Johnsonなどが参加しています。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see...
¥4,380
クイックビュー
{"id":8900157505786,"title":"Estrada Orchestra s\/t (10th Anniversary Reissue) LP","handle":"estrada-orchestra-s-t-10th-anniversary-reissue-lp","description":"\u003cp\u003eMisha Panfilovをはじめエストニアのレコードディガー7人によるファンクバンドEstrada Orchestraが、2025年6月にアメリカの\u003cspan\u003eFunk Night Records\u003c\/span\u003eからリリースした再発レコードです。（オリジナルは2015年リリース）\u003c\/p\u003e\n\u003cp\u003eサイケなファンク〜アフロビート4曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/nfqGrLNDgx0?si=eTqRAzzW5hGmC7KN\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/kWkrrrSZv1I?si=P-XV4gjiUUgytS3C\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/-B7zxJx3d8k?si=d4icqSQHy9DTwTqi\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hswcttU5JCU?si=OfDRiFcE-bCT3-u-\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4dEaAttqKb4?si=EyL52UUaAfLOfRiU\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unjenesaisquoi\"\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003ehere\u003c\/a\u003e to see more Funk Night releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl in gatefold sleeve.\u003cbr\u003eIncludes insert. \u003cbr\u003e10th anniversary reissue - originally released in 2015. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 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¥3,593
クイックビュー
{"id":8900151967994,"title":"Misha Panfilov Sound Combo \/\/ Days As Echoes LP","handle":"misha-panfilov-sound-combo-days-as-echoes-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※10月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eエストニア・タリンのマルチ奏者Misha Panfilovが、2025年7月にアメリカのジャズレーベルFunk Night Recordsからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eエチオピア・ジャズ〜アンビエント・ジャズ〜ライブラリーミュージック6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1022260798\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unjenesaisquoi\"\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003ehere\u003c\/a\u003e to see more Funk Night releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl in gatefold sleeve.\u003cbr\u003e4th edition reprint. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Days As Echoes 07:57\u003cbr\u003e2. In A Dream 05:45\u003cbr\u003e3. Moonscape Waltz 03:29\u003cbr\u003e4. Together 06:34\u003cbr\u003e5. Few Layers For Smith 04:02\u003cbr\u003e6. Ocean Song 07:29\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Brent Sawicki:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIt’s very difficult to describe someone as prolific as Misha Panfilov. So, I feel the best way to define him is to think of a “Trivial Pursuit Playing Piece,” where each pie piece represents one of the bands he heads up, and each band has its own distinct style and genre. Yet, when looked at all together, create the whole musical persona of Misha. This is the lens I would like to view his latest endeavor, Days As Echoes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe vibe on this sophomore release channels Krautrock philosophy and Library music, peppered with elements of jazz, Ethiopian, cinema, ambient and bits of everything between. This atmosphere is created from all the instruments Misha uses and the resulting compositions are heard as repetitive patterns that are forged from the multiple layering of melodies. Thus, creating six unique songs with emotional granularity, yet collectively encompass a genuinely positive “feel good” vibe…with a hint of nostalgia...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Misha Panfilov Sound Combo\u003c\/p\u003e\n\u003cp\u003eLabel : Funk Night\u003c\/p\u003e\n\u003cp\u003ecat no : FNR-111\u003c\/p\u003e","published_at":"2025-08-28T08:05:31+09:00","created_at":"2025-08-23T14:35:35+09:00","vendor":"Tobira Records","type":"","tags":["ambient","funk night","jazz","lp","new","recommended"],"price":335000,"price_min":335000,"price_max":335000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47643398373626,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Misha Panfilov Sound Combo \/\/ Days As Echoes LP","public_title":null,"options":["Default Title"],"price":335000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/day1_588e842d-70c7-48f5-b334-0b1906acfdec.jpg?v=1755927209","\/\/tobirarecords.com\/cdn\/shop\/files\/day2_8169b2f6-b274-4239-9fbc-caea872c8992.jpg?v=1755927209","\/\/tobirarecords.com\/cdn\/shop\/files\/day3_708245f6-73ea-41e7-95a9-39f7a6d5e835.jpg?v=1755927209","\/\/tobirarecords.com\/cdn\/shop\/files\/day4.jpg?v=1755927209"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/day1_588e842d-70c7-48f5-b334-0b1906acfdec.jpg?v=1755927209","options":["Title"],"media":[{"alt":null,"id":36624641687802,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/day1_588e842d-70c7-48f5-b334-0b1906acfdec.jpg?v=1755927209"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/day1_588e842d-70c7-48f5-b334-0b1906acfdec.jpg?v=1755927209","width":700},{"alt":null,"id":36624641720570,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/day2_8169b2f6-b274-4239-9fbc-caea872c8992.jpg?v=1755927209"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/day2_8169b2f6-b274-4239-9fbc-caea872c8992.jpg?v=1755927209","width":1200},{"alt":null,"id":36624641753338,"position":3,"preview_image":{"aspect_ratio":1.762,"height":681,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/day3_708245f6-73ea-41e7-95a9-39f7a6d5e835.jpg?v=1755927209"},"aspect_ratio":1.762,"height":681,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/day3_708245f6-73ea-41e7-95a9-39f7a6d5e835.jpg?v=1755927209","width":1200},{"alt":null,"id":36624641786106,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/day4.jpg?v=1755927209"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/day4.jpg?v=1755927209","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※10月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eエストニア・タリンのマルチ奏者Misha Panfilovが、2025年7月にアメリカのジャズレーベルFunk Night Recordsからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eエチオピア・ジャズ〜アンビエント・ジャズ〜ライブラリーミュージック6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1022260798\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unjenesaisquoi\"\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003ehere\u003c\/a\u003e to see more Funk Night releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl in gatefold sleeve.\u003cbr\u003e4th edition reprint. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Days As Echoes 07:57\u003cbr\u003e2. In A Dream 05:45\u003cbr\u003e3. Moonscape Waltz 03:29\u003cbr\u003e4. Together 06:34\u003cbr\u003e5. Few Layers For Smith 04:02\u003cbr\u003e6. Ocean Song 07:29\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Brent Sawicki:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIt’s very difficult to describe someone as prolific as Misha Panfilov. So, I feel the best way to define him is to think of a “Trivial Pursuit Playing Piece,” where each pie piece represents one of the bands he heads up, and each band has its own distinct style and genre. Yet, when looked at all together, create the whole musical persona of Misha. This is the lens I would like to view his latest endeavor, Days As Echoes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe vibe on this sophomore release channels Krautrock philosophy and Library music, peppered with elements of jazz, Ethiopian, cinema, ambient and bits of everything between. This atmosphere is created from all the instruments Misha uses and the resulting compositions are heard as repetitive patterns that are forged from the multiple layering of melodies. Thus, creating six unique songs with emotional granularity, yet collectively encompass a genuinely positive “feel good” vibe…with a hint of nostalgia...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Misha Panfilov Sound Combo\u003c\/p\u003e\n\u003cp\u003eLabel : Funk Night\u003c\/p\u003e\n\u003cp\u003ecat no : FNR-111\u003c\/p\u003e"}
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※10月下旬再入荷後発送します エストニア・タリンのマルチ奏者Misha Panfilovが、2025年7月にアメリカのジャズレーベルFunk Night Recordsからリリースしたレコードです。 エチオピア・ジャズ〜アンビエント・ジャズ〜ライブラリーミュージック6曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Funk Night...
¥3,350
クイックビュー
{"id":8895479283962,"title":"Dave Vettraino \/\/ A Bird Shaped Shadow LP","handle":"dave-vettraino-a-bird-shaped-shadow-lp","description":"\u003cp\u003eアメリカ・シカゴのジャズレーベルInternational Anthem主宰の一人Dave Vettrainoが、2024年10月に同国NYのインディーフォークレーベルRuination Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・フォーク〜アンビエント・ジャズ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e本レーベルオーナーAdeline Hotelが好きな方にオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ruination Record Co.からリリースされたVettrainoのフルアルバム『A Bird Shaped Shadow』は、彼が自身の公式の境界線を押し広げることを発見させてくれる。 このアルバムのタイトルは、村上春樹の短編小説の一節に由来する。村上春樹の文章を特徴づけるような、平易な語り口によるミステリアスな雰囲気に包まれている。朝のエネルギーを模倣することを目指したこの6曲は、太陽に照らされたような輝きに包まれている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA Bird Shaped Shadowのクレジットには、イリノイのお気に入りのミュージシャンがずらりと並んでいる。話題のアヴァンギャルド・チェリスト、リア・コールとマシー・スチュワート（Finom、Tweedy）がストリングスで参加し、フィル・スダーバーグ（Spirits Having Fun、Grandkids）とインターナショナル・アンセムと契約しているダニエル・ヴィラレアルがパーカッション、ロブ・フライ（Bitchin Bajas、Flux Bikes）がクラリネット、フルート、サックスを演奏している。フィーチャー満載のトラックリストにヴォーカルがないのは少々意外だ。しかし、Vettrainoはインストゥルメンタルに語らせることを選び、その方が言葉よりも実感のこもった表現ができることを知っていた。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=335118085\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Ruination Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 250. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A Bird Shaped Shadow\u003cbr\u003e2. Morning Melody 04:20\u003cbr\u003e3. Parallel Play 04:04\u003cbr\u003e4. Mid Mind\u003cbr\u003e5. There Is No Way Not To Choose\u003cbr\u003e6. Uplift Twenty Twenty Two\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Ruination Records:\u003c\/p\u003e\n\u003cp\u003e\".\u003cem\u003e..\u003cmeta charset=\"utf-8\"\u003eA Bird Shaped Shadow — Vettraino’s new full-length for Ruination Record Co. — finds him pushing the boundaries of his formula. The album borrows its title from a phrase in a Haruki Murakami short story. It basks in a plain-spoken mysteriousness similar to the one that defines the Japanese author’s writing. Aiming to mimic the energy of morning, these six pieces are doused in a sun-kissed glow — warm and auspicious, with a dash of secrecy. “I wanted to explore a more organic approach compared to the last record, Exercise, which was mostly all me,” Vettraino says. “I wanted to hear musicians in a room interacting — exploring mediative and harmonic still music, but with more melodies... something that you could perhaps take with you on your day.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEnlisting friends to flesh things out, A Bird Shaped Shadow’s credits read like a who’s who of Illinois favorites. Buzzy avant-garde cellist Lia Kohl and Macie Stewart (Finom, Tweedy) appear on strings; Phil Sudderberg (Spirits Having Fun, Grandkids) and International Anthem signee Daniel Villarreal contribute percussion; Rob Frye (Bitchin Bajas, Flux Bikes) plays clarinet, flute, and saxophone. It’s somewhat surprising that a tracklist packed with features incorporates no vocals. But Vettraino opted to let the instrumentals speak for themselves, knowing this would allow him to provide a more realized statement than words could.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dave Vettraino\u003c\/p\u003e\n\u003cp\u003eLabel : Ruination Records\u003c\/p\u003e","published_at":"2025-08-21T05:38:19+09:00","created_at":"2025-08-21T05:37:34+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","jazz","lp","neo classical","new","ruination record co."],"price":439300,"price_min":439300,"price_max":439300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47633220796666,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dave Vettraino \/\/ A Bird Shaped Shadow LP","public_title":null,"options":["Default Title"],"price":439300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bird1_8f4ed3b4-a235-492f-96ae-277d618a72ca.jpg?v=1729493905","\/\/tobirarecords.com\/cdn\/shop\/files\/bird2_67011496-d34d-49c1-aeb5-b1933ab4647d.jpg?v=1729493905"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bird1_8f4ed3b4-a235-492f-96ae-277d618a72ca.jpg?v=1729493905","options":["Title"],"media":[{"alt":null,"id":35086910161146,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bird1_8f4ed3b4-a235-492f-96ae-277d618a72ca.jpg?v=1729493905"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bird1_8f4ed3b4-a235-492f-96ae-277d618a72ca.jpg?v=1729493905","width":700},{"alt":null,"id":35086910193914,"position":2,"preview_image":{"aspect_ratio":1.435,"height":836,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bird2_67011496-d34d-49c1-aeb5-b1933ab4647d.jpg?v=1729493905"},"aspect_ratio":1.435,"height":836,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bird2_67011496-d34d-49c1-aeb5-b1933ab4647d.jpg?v=1729493905","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのジャズレーベルInternational Anthem主宰の一人Dave Vettrainoが、2024年10月に同国NYのインディーフォークレーベルRuination Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・フォーク〜アンビエント・ジャズ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e本レーベルオーナーAdeline Hotelが好きな方にオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ruination Record Co.からリリースされたVettrainoのフルアルバム『A Bird Shaped Shadow』は、彼が自身の公式の境界線を押し広げることを発見させてくれる。 このアルバムのタイトルは、村上春樹の短編小説の一節に由来する。村上春樹の文章を特徴づけるような、平易な語り口によるミステリアスな雰囲気に包まれている。朝のエネルギーを模倣することを目指したこの6曲は、太陽に照らされたような輝きに包まれている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA Bird Shaped Shadowのクレジットには、イリノイのお気に入りのミュージシャンがずらりと並んでいる。話題のアヴァンギャルド・チェリスト、リア・コールとマシー・スチュワート（Finom、Tweedy）がストリングスで参加し、フィル・スダーバーグ（Spirits Having Fun、Grandkids）とインターナショナル・アンセムと契約しているダニエル・ヴィラレアルがパーカッション、ロブ・フライ（Bitchin Bajas、Flux Bikes）がクラリネット、フルート、サックスを演奏している。フィーチャー満載のトラックリストにヴォーカルがないのは少々意外だ。しかし、Vettrainoはインストゥルメンタルに語らせることを選び、その方が言葉よりも実感のこもった表現ができることを知っていた。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=335118085\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Ruination Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 250. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A Bird Shaped Shadow\u003cbr\u003e2. Morning Melody 04:20\u003cbr\u003e3. Parallel Play 04:04\u003cbr\u003e4. Mid Mind\u003cbr\u003e5. There Is No Way Not To Choose\u003cbr\u003e6. Uplift Twenty Twenty Two\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Ruination Records:\u003c\/p\u003e\n\u003cp\u003e\".\u003cem\u003e..\u003cmeta charset=\"utf-8\"\u003eA Bird Shaped Shadow — Vettraino’s new full-length for Ruination Record Co. — finds him pushing the boundaries of his formula. The album borrows its title from a phrase in a Haruki Murakami short story. It basks in a plain-spoken mysteriousness similar to the one that defines the Japanese author’s writing. Aiming to mimic the energy of morning, these six pieces are doused in a sun-kissed glow — warm and auspicious, with a dash of secrecy. “I wanted to explore a more organic approach compared to the last record, Exercise, which was mostly all me,” Vettraino says. “I wanted to hear musicians in a room interacting — exploring mediative and harmonic still music, but with more melodies... something that you could perhaps take with you on your day.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEnlisting friends to flesh things out, A Bird Shaped Shadow’s credits read like a who’s who of Illinois favorites. Buzzy avant-garde cellist Lia Kohl and Macie Stewart (Finom, Tweedy) appear on strings; Phil Sudderberg (Spirits Having Fun, Grandkids) and International Anthem signee Daniel Villarreal contribute percussion; Rob Frye (Bitchin Bajas, Flux Bikes) plays clarinet, flute, and saxophone. It’s somewhat surprising that a tracklist packed with features incorporates no vocals. But Vettraino opted to let the instrumentals speak for themselves, knowing this would allow him to provide a more realized statement than words could.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dave Vettraino\u003c\/p\u003e\n\u003cp\u003eLabel : Ruination Records\u003c\/p\u003e"}
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アメリカ・シカゴのジャズレーベルInternational Anthem主宰の一人Dave Vettrainoが、2024年10月に同国NYのインディーフォークレーベルRuination Recordsからリリースしたレコードです。 ネオクラシカル・フォーク〜アンビエント・ジャズ6曲を収録。 本レーベルオーナーAdeline Hotelが好きな方にオススメです。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "Ruination Record Co.からリリースされたVettrainoのフルアルバム『A Bird Shaped...
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{"id":8893631889658,"title":"DayKoda \/\/ PHYSIS LP","handle":"daykoda-physis-lp","description":"\u003cp\u003eイタリアのビートメイカーDayKodaが、2021年に同国レフトフィールド・ダンスレーベルBeat Machine Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eジャジーなダウンテンポ〜R\u0026amp;B〜ヒップホップ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1842891600\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Beat Machine Records\" href=\"https:\/\/soundcloud.com\/beatmachinerecords\" target=\"_blank\"\u003eBeat Machine Records\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"[BMR026] Daykoda - PHYSIS\" href=\"https:\/\/soundcloud.com\/beatmachinerecords\/sets\/bmr026-daykoda-physis-2\" target=\"_blank\"\u003e[BMR026] Daykoda - PHYSIS\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/btmchn\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/btmchn\"\u003ehere\u003c\/a\u003e to see more Beat Machine Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A1. Cosmic Nature 01:14\u003cbr\u003e2. A2. Eyes Open 03:44\u003cbr\u003e3. A3. Radiate (feat. Br1) 02:42\u003cbr\u003e4. A4. Green Leaves (feat. Block Mameli) 02:35\u003cbr\u003e5. A5. My Abstract Monkey (feat. Robohands) 03:23\u003cbr\u003e6. B1. Jungle War 02:44\u003cbr\u003e7. B2. Adapted Leaf 02:59\u003cbr\u003e8. B3. Ten Little Fingers 03:44\u003cbr\u003e9. B4. Lost At Glaciers 04:17\u003cbr\u003e10. B5. My Abstract Monkey (Ishmael Ensemble Remix) 05:21\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBeat Machine Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe world has never claimed louder a raise in awareness for the ecosystem, and Daykoda picked up its call with his most organic project to date. The Milan based artist presents his 2nd full album Physis; a work that aims to recall the interdependency between Nature, meant as a whole living entity where we take part into, and Art which directly originates form this union. Drawing on Dakykoda’s signature tumbling jazz drums, wonky hip hop samples and billowing beats, Physis results meandering yet cohesive, climbing up and crawling low like the alternation of events that occur in Nature.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpens the A side Cosmic Nature, a shimmering intro, soft keyboards and blippy sounds that flow into Eyes Open, a track that feels expansive and bold like a live session coloured by forceful synths and the adventurous sax. The vivacious tones get smoother and seductive on Radiate feat Br1 and Green Leaves feat Block Mameli, which including Adapted Leaf on the B side, are the most “Stones Throw” tracks of the album. Closes the A side the pastoral My Abstract Monkey feat the multi-instrumentalist artist Robohands. On the B side we venture into the depths of an intricate forest warbling with the doomy pads of Jungle War. Finally the Nature reconciles and allows us to enjoy the sunset with its sun-kissed warmth and\u003cspan class=\"bcTruncateMore\"\u003e twinkling bells (Ten Little Fingers). The hypnotic remix of My Abstract Monkey by the Bristol based collective Ishmael Ensamble ends with a smoky atmosphere, creating a poised harmony that perfectly fits in the concept of Physis .\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DayKoda\u003c\/p\u003e\n\u003cp\u003eLabel : Beat Machine Records\u003c\/p\u003e","published_at":"2025-08-19T14:36:25+09:00","created_at":"2025-08-19T11:02:20+09:00","vendor":"Tobira Records","type":"","tags":["beat machine","hiphop \/ funk","jazz","lp","new"],"price":393000,"price_min":393000,"price_max":393000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47627687952634,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"DayKoda \/\/ PHYSIS LP","public_title":null,"options":["Default Title"],"price":393000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/day1_c26ae347-f0d9-463d-ac49-4c2bafe23081.jpg?v=1755568831","\/\/tobirarecords.com\/cdn\/shop\/files\/day2_4c86d7e2-cd06-4461-9b08-dfb459dff865.jpg?v=1755568831"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/day1_c26ae347-f0d9-463d-ac49-4c2bafe23081.jpg?v=1755568831","options":["Title"],"media":[{"alt":null,"id":36586534994170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/day1_c26ae347-f0d9-463d-ac49-4c2bafe23081.jpg?v=1755568831"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/day1_c26ae347-f0d9-463d-ac49-4c2bafe23081.jpg?v=1755568831","width":700},{"alt":null,"id":36586535026938,"position":2,"preview_image":{"aspect_ratio":1.091,"height":1100,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/day2_4c86d7e2-cd06-4461-9b08-dfb459dff865.jpg?v=1755568831"},"aspect_ratio":1.091,"height":1100,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/day2_4c86d7e2-cd06-4461-9b08-dfb459dff865.jpg?v=1755568831","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアのビートメイカーDayKodaが、2021年に同国レフトフィールド・ダンスレーベルBeat Machine Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eジャジーなダウンテンポ〜R\u0026amp;B〜ヒップホップ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1842891600\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Beat Machine Records\" href=\"https:\/\/soundcloud.com\/beatmachinerecords\" target=\"_blank\"\u003eBeat Machine Records\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"[BMR026] Daykoda - PHYSIS\" href=\"https:\/\/soundcloud.com\/beatmachinerecords\/sets\/bmr026-daykoda-physis-2\" target=\"_blank\"\u003e[BMR026] Daykoda - PHYSIS\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/btmchn\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/btmchn\"\u003ehere\u003c\/a\u003e to see more Beat Machine Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A1. Cosmic Nature 01:14\u003cbr\u003e2. A2. Eyes Open 03:44\u003cbr\u003e3. A3. Radiate (feat. Br1) 02:42\u003cbr\u003e4. A4. Green Leaves (feat. Block Mameli) 02:35\u003cbr\u003e5. A5. My Abstract Monkey (feat. Robohands) 03:23\u003cbr\u003e6. B1. Jungle War 02:44\u003cbr\u003e7. B2. Adapted Leaf 02:59\u003cbr\u003e8. B3. Ten Little Fingers 03:44\u003cbr\u003e9. B4. Lost At Glaciers 04:17\u003cbr\u003e10. B5. My Abstract Monkey (Ishmael Ensemble Remix) 05:21\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBeat Machine Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe world has never claimed louder a raise in awareness for the ecosystem, and Daykoda picked up its call with his most organic project to date. The Milan based artist presents his 2nd full album Physis; a work that aims to recall the interdependency between Nature, meant as a whole living entity where we take part into, and Art which directly originates form this union. Drawing on Dakykoda’s signature tumbling jazz drums, wonky hip hop samples and billowing beats, Physis results meandering yet cohesive, climbing up and crawling low like the alternation of events that occur in Nature.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpens the A side Cosmic Nature, a shimmering intro, soft keyboards and blippy sounds that flow into Eyes Open, a track that feels expansive and bold like a live session coloured by forceful synths and the adventurous sax. The vivacious tones get smoother and seductive on Radiate feat Br1 and Green Leaves feat Block Mameli, which including Adapted Leaf on the B side, are the most “Stones Throw” tracks of the album. Closes the A side the pastoral My Abstract Monkey feat the multi-instrumentalist artist Robohands. On the B side we venture into the depths of an intricate forest warbling with the doomy pads of Jungle War. Finally the Nature reconciles and allows us to enjoy the sunset with its sun-kissed warmth and\u003cspan class=\"bcTruncateMore\"\u003e twinkling bells (Ten Little Fingers). The hypnotic remix of My Abstract Monkey by the Bristol based collective Ishmael Ensamble ends with a smoky atmosphere, creating a poised harmony that perfectly fits in the concept of Physis .\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DayKoda\u003c\/p\u003e\n\u003cp\u003eLabel : Beat Machine Records\u003c\/p\u003e"}
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¥3,930
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{"id":8891287896314,"title":"FloFilz \/\/ Hagaki LP","handle":"flofilz-hagaki","description":"\u003cp\u003eドイツ・ベルリンのビートメイカーFloFilzが、2025年9月にケルンのヒップホップレーベルMelting Potからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eレイドバックでジャジーなインスト・ヒップホップ16曲を収録。ゲートフォルド仕様です。20ページの写真ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=740710319\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003ehere\u003c\/a\u003e to see more Melting Pot Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl in gatefold sleeve.\u003cbr\u003eIncludes 20-page photo booklet. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Furo \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e風呂\u003cbr\u003e\u003c\/span\u003e2. Setagaya Samba 02:22\u003cbr\u003e3. Taito City Hideout (feat. Takuya Kuroda) 02:38\u003cbr\u003e4. Kimochi ii \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e気持ちいい\u003cbr\u003e\u003c\/span\u003e5. Yoinokuchi \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e宵の口\u003c\/span\u003e 02:45\u003cbr\u003e6. 6F Encounters\u003cbr\u003e7. Yokohama Yard (feat. tajima hal \u0026amp; Lidly)\u003cbr\u003e8. Inemuri \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e居眠り\u003cbr\u003e\u003c\/span\u003e9. 20today (feat. 12Vince)\u003cbr\u003e10. Kaki \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e柿\u003cbr\u003e\u003c\/span\u003e11. Ma \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e間\u003cbr\u003e\u003c\/span\u003e12. Atélier (feat. Matt Wilde \u0026amp; Toshiki Soejima) 03:01\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. Insomnia (feat. Nao Yoshioka) 02:59\u003cbr\u003e\u003c\/span\u003e14. Yōkai \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e妖怪\u003cbr\u003e\u003c\/span\u003e15. Forest Crab (feat. Budamunk)\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e16. Sunken Stones\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\"\u003cem\u003e...In 2014, FloFilz and Melting Pot Music launched an album series that explores the culture, vibe, and landscape of cities he loves—both musically and visually. The visual side is handled by\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e Robert Winter, a well-known music and travel photographer immersed in Germany’s hip-hop and beat producer scene. For the first album, 'Metronom', FloFilz, Robert Winter, and Melting Pot Music founder Olski traveled to Paris. For 'Cenário' (2016) and 'Transit' (2019), they visited Lisbon and London. Each album is released as a high-quality gatefold edition and includes a 20-page photo book.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor 'Hagaki', the fourth volume in the series, FloFilz traveled to Japan, where he spent a full month working on music and visuals. 'Hagaki' means 'postcard' in Japanese. The album is a multidisciplinary love letter and a dialogue with Japanese culture and music. FloFilz had visited Japan several times before—playing shows in Tokyo, Osaka, and Kyoto; enjoying some of the best food he’d ever had; and discovering rare records in meticulously curated record stores. He also ventured beyond the big cities, hiking through mountains, forests, and along coastlines. These experiences deepened his appreciation for how Japanese culture emphasizes harmony with nature. The attention to detail and sincerity found in Japanese art and craftsmanship are qualities that also define FloFilz's approach to music-making.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Hagaki' is dedicated to Tokyo, the Japanese capital and the most populous city in the world, with over 37 million residents. FloFilz, Robert Winter, and Olski immersed themselves in the city and its culture. They visited jazz joints, ramen shops, record stores, tea houses, temples—and even more record stores. They attended performances by local jazz artists like Uyama Hiroto and Manchester’s own Matthew Halsall at the iconic Blue Note club. FloFilz performed at the Jazzy Sport x Roland Anniversary Party and was invited by Ella Records for a DJ set and an in-depth video interview about record culture and digging.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDuring their trip, they reconnected with old music friends and made new ones—from Mitsu The Beats, Budamunk, and Lidly to the entire Jazzy Sport crew and the welcoming team at Ella Records. FloFilz also hit the studio with trumpeter Takuya Kuroda, vocalist Nao Yoshioka, guitarist Toshiki Soejima, and some of Tokyo’s most respected beatmakers.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : FloFilz\u003c\/p\u003e\n\u003cp\u003eLabel : Melting Pot Music\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMPM347XLP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-09-02T10:43:51+09:00","created_at":"2025-08-18T10:30:49+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","lp","melting pot","new"],"price":555000,"price_min":555000,"price_max":555000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47621991334138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"FloFilz \/\/ Hagaki LP","public_title":null,"options":["Default Title"],"price":555000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hag1.jpg?v=1755480470","\/\/tobirarecords.com\/cdn\/shop\/files\/hag2.jpg?v=1755480470"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hag1.jpg?v=1755480470","options":["Title"],"media":[{"alt":null,"id":36575293210874,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hag1.jpg?v=1755480470"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hag1.jpg?v=1755480470","width":700},{"alt":null,"id":36575293243642,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hag2.jpg?v=1755480470"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hag2.jpg?v=1755480470","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンのビートメイカーFloFilzが、2025年9月にケルンのヒップホップレーベルMelting Potからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eレイドバックでジャジーなインスト・ヒップホップ16曲を収録。ゲートフォルド仕様です。20ページの写真ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=740710319\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003ehere\u003c\/a\u003e to see more Melting Pot Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl in gatefold sleeve.\u003cbr\u003eIncludes 20-page photo booklet. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Furo \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e風呂\u003cbr\u003e\u003c\/span\u003e2. Setagaya Samba 02:22\u003cbr\u003e3. Taito City Hideout (feat. Takuya Kuroda) 02:38\u003cbr\u003e4. Kimochi ii \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e気持ちいい\u003cbr\u003e\u003c\/span\u003e5. Yoinokuchi \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e宵の口\u003c\/span\u003e 02:45\u003cbr\u003e6. 6F Encounters\u003cbr\u003e7. Yokohama Yard (feat. tajima hal \u0026amp; Lidly)\u003cbr\u003e8. Inemuri \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e居眠り\u003cbr\u003e\u003c\/span\u003e9. 20today (feat. 12Vince)\u003cbr\u003e10. Kaki \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e柿\u003cbr\u003e\u003c\/span\u003e11. Ma \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e間\u003cbr\u003e\u003c\/span\u003e12. Atélier (feat. Matt Wilde \u0026amp; Toshiki Soejima) 03:01\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. Insomnia (feat. Nao Yoshioka) 02:59\u003cbr\u003e\u003c\/span\u003e14. Yōkai \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e妖怪\u003cbr\u003e\u003c\/span\u003e15. Forest Crab (feat. Budamunk)\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e16. Sunken Stones\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\"\u003cem\u003e...In 2014, FloFilz and Melting Pot Music launched an album series that explores the culture, vibe, and landscape of cities he loves—both musically and visually. The visual side is handled by\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e Robert Winter, a well-known music and travel photographer immersed in Germany’s hip-hop and beat producer scene. For the first album, 'Metronom', FloFilz, Robert Winter, and Melting Pot Music founder Olski traveled to Paris. For 'Cenário' (2016) and 'Transit' (2019), they visited Lisbon and London. Each album is released as a high-quality gatefold edition and includes a 20-page photo book.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor 'Hagaki', the fourth volume in the series, FloFilz traveled to Japan, where he spent a full month working on music and visuals. 'Hagaki' means 'postcard' in Japanese. The album is a multidisciplinary love letter and a dialogue with Japanese culture and music. FloFilz had visited Japan several times before—playing shows in Tokyo, Osaka, and Kyoto; enjoying some of the best food he’d ever had; and discovering rare records in meticulously curated record stores. He also ventured beyond the big cities, hiking through mountains, forests, and along coastlines. These experiences deepened his appreciation for how Japanese culture emphasizes harmony with nature. The attention to detail and sincerity found in Japanese art and craftsmanship are qualities that also define FloFilz's approach to music-making.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Hagaki' is dedicated to Tokyo, the Japanese capital and the most populous city in the world, with over 37 million residents. FloFilz, Robert Winter, and Olski immersed themselves in the city and its culture. They visited jazz joints, ramen shops, record stores, tea houses, temples—and even more record stores. They attended performances by local jazz artists like Uyama Hiroto and Manchester’s own Matthew Halsall at the iconic Blue Note club. FloFilz performed at the Jazzy Sport x Roland Anniversary Party and was invited by Ella Records for a DJ set and an in-depth video interview about record culture and digging.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDuring their trip, they reconnected with old music friends and made new ones—from Mitsu The Beats, Budamunk, and Lidly to the entire Jazzy Sport crew and the welcoming team at Ella Records. FloFilz also hit the studio with trumpeter Takuya Kuroda, vocalist Nao Yoshioka, guitarist Toshiki Soejima, and some of Tokyo’s most respected beatmakers.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : FloFilz\u003c\/p\u003e\n\u003cp\u003eLabel : Melting Pot Music\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMPM347XLP\u003c\/span\u003e\u003c\/p\u003e"}
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ドイツ・ベルリンのビートメイカーFloFilzが、2025年9月にケルンのヒップホップレーベルMelting Potからリリースしたレコードです。 レイドバックでジャジーなインスト・ヒップホップ16曲を収録。ゲートフォルド仕様です。20ページの写真ブックレット付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Melting Pot Music releases available at...
¥5,550
クイックビュー
{"id":8891281342714,"title":"Reginald Omas Mamode IV \/\/ Rivière Noire LP","handle":"reginald-omas-mamode-iv-riviere-noire-lp","description":"\u003cp\u003eイギリス／モーリシャスのソウル作家Reginald Omas Mamode IVが、2025年7月にドイツ・ケルンのヒップホップレーベルMelting Potからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eレイドバックなアフロ・ソウル〜R\u0026amp;B19曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3108351914\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2732750480\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3108351914\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003ehere\u003c\/a\u003e to see more Melting Pot Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Black River (Introduction) 01:08\u003cbr\u003e2. It’s Our World 04:03\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Make it Right 01:06\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Through Our Veins 03:18\u003cbr\u003e\u003c\/span\u003e5. No Harm (Intermission) 01:23\u003cbr\u003e6. I Can’t Believe 03:06\u003cbr\u003e7. Yasiin’s Lament 03:06 video\u003cbr\u003e8. No Maybes 03:42\u003cbr\u003e9. Message From a Creole (Interlude) 01:34\u003cbr\u003e10. Freedom Song 01:52\u003cbr\u003e11. GrandMamaLand (Interlude) 00:56\u003cbr\u003e12. Can’t Let Them 03:07\u003cbr\u003e13. Throw Your Woes Away 02:30\u003cbr\u003e14. Free Interlude 00:56\u003cbr\u003e15. Just Keep On 02:54\u003cbr\u003e16. More Love 02:23\u003cbr\u003e17. Whole Hearted 03:48\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e18. Rivière Noire Decolonise Your Mind 01:22\u003cbr\u003e\u003c\/span\u003e19. No Time To Waste 02:54\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eMelting Pot Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eReginald Omas Mamode IV is an Anglo-Mauritian vocalist, producer and musician. Born and raised in Britain whilst maintaining a firm connection to his father‘s African island. South London to the Mascarene Islands (Réunion, Mauritius and Rodrigues) where Reginald's family roots lay. Music runs deep in the Mamode family with his brothers being recording artists but also their relatives contributing to the ‘Electric Sega’ recordings in Mauritius during the 1970’s.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eReggie’s music is informed by Golden Era Hip Hop, Jazz, Soul, Afro, Funk, Sega and Maloya. Africa, the Caribbean, South London and the Blues of The States. Echoes of J Dilla and D'Angelo as well as clear influences from Sly Stone, Shuggie Otis and Lee Perry. With four solo albums on Five Easy Pieces (and a string of collaboration projects)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eReginald has been instrumental in shaping the UK beat and jazz sound\/scene of today, 2012 marked the start of Gilles Petersons ongoing support, playing Reginald's music for over a decade.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlong with his brothers Mo Kolours and Jeen Bassa, Friends and collaborators Al Dobson Jr and Tenderlonious; he’s helped forge the 22a co-operative that The FADER called “a kaleidoscopic patchwork of hip-hop, house, and groove investigations bound by one\u003cspan class=\"bcTruncateMore\"\u003e thread: a timeless belief in rhythm as a universal language”.\u003cbr\u003e\u003cbr\u003e'Rivière' Noire' LP is somewhat of a rebirth or an evolution for Reginald. The album sees him take a step back from sampling records, rather performing all the instrument and vocal parts himself. He creates his sounds and grooves with a vast array of instruments, performed, recorded and mixed in his modest studio. Live drums, drum machines, various percussion instruments, guitar, Fender Rhodes and synths.\u003cbr\u003e\u003cbr\u003eIn his music, Reginald attempts to evoke feelings of universal Love and compassion. It draws influence from the current state of the world as much as it does from everyday life. As we witness rising poverty, global events, political and ethnic divisions - these factors prompt some of Reginald’s themes and call for humanity to recognise we are all interconnected.\u003cbr\u003e\u003cbr\u003e“We are all related. We're all brothers and sisters with common ancestry, common history and a common origin regardless of race, geographic location or belief systems. Love and compassion are universal feelings\/practices we all should embrace and apply to all aspects of our lives, our interactions and our relationships, regardless of the kinship”.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Reginald Omas Mamode IV\u003c\/p\u003e\n\u003cp\u003eLabel : Melting Pot Music\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMPM354LP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-18T17:10:14+09:00","created_at":"2025-08-18T10:26:50+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","hiphop \/ funk","jazz","lp","melting pot","new"],"price":429500,"price_min":429500,"price_max":429500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47621984321786,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Reginald Omas Mamode IV \/\/ Rivière Noire LP","public_title":null,"options":["Default Title"],"price":429500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/noi.jpg?v=1755480302","\/\/tobirarecords.com\/cdn\/shop\/files\/noi2_0cd558f3-2b43-4758-8e51-ac59f2137e2d.jpg?v=1755480303"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/noi.jpg?v=1755480302","options":["Title"],"media":[{"alt":null,"id":36575286460666,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/noi.jpg?v=1755480302"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/noi.jpg?v=1755480302","width":700},{"alt":null,"id":36575286493434,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/noi2_0cd558f3-2b43-4758-8e51-ac59f2137e2d.jpg?v=1755480303"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/noi2_0cd558f3-2b43-4758-8e51-ac59f2137e2d.jpg?v=1755480303","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス／モーリシャスのソウル作家Reginald Omas Mamode IVが、2025年7月にドイツ・ケルンのヒップホップレーベルMelting Potからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eレイドバックなアフロ・ソウル〜R\u0026amp;B19曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3108351914\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2732750480\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3108351914\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003ehere\u003c\/a\u003e to see more Melting Pot Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Black River (Introduction) 01:08\u003cbr\u003e2. It’s Our World 04:03\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Make it Right 01:06\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Through Our Veins 03:18\u003cbr\u003e\u003c\/span\u003e5. No Harm (Intermission) 01:23\u003cbr\u003e6. I Can’t Believe 03:06\u003cbr\u003e7. Yasiin’s Lament 03:06 video\u003cbr\u003e8. No Maybes 03:42\u003cbr\u003e9. Message From a Creole (Interlude) 01:34\u003cbr\u003e10. Freedom Song 01:52\u003cbr\u003e11. GrandMamaLand (Interlude) 00:56\u003cbr\u003e12. Can’t Let Them 03:07\u003cbr\u003e13. Throw Your Woes Away 02:30\u003cbr\u003e14. Free Interlude 00:56\u003cbr\u003e15. Just Keep On 02:54\u003cbr\u003e16. More Love 02:23\u003cbr\u003e17. Whole Hearted 03:48\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e18. Rivière Noire Decolonise Your Mind 01:22\u003cbr\u003e\u003c\/span\u003e19. No Time To Waste 02:54\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eMelting Pot Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eReginald Omas Mamode IV is an Anglo-Mauritian vocalist, producer and musician. Born and raised in Britain whilst maintaining a firm connection to his father‘s African island. South London to the Mascarene Islands (Réunion, Mauritius and Rodrigues) where Reginald's family roots lay. Music runs deep in the Mamode family with his brothers being recording artists but also their relatives contributing to the ‘Electric Sega’ recordings in Mauritius during the 1970’s.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eReggie’s music is informed by Golden Era Hip Hop, Jazz, Soul, Afro, Funk, Sega and Maloya. Africa, the Caribbean, South London and the Blues of The States. Echoes of J Dilla and D'Angelo as well as clear influences from Sly Stone, Shuggie Otis and Lee Perry. With four solo albums on Five Easy Pieces (and a string of collaboration projects)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eReginald has been instrumental in shaping the UK beat and jazz sound\/scene of today, 2012 marked the start of Gilles Petersons ongoing support, playing Reginald's music for over a decade.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlong with his brothers Mo Kolours and Jeen Bassa, Friends and collaborators Al Dobson Jr and Tenderlonious; he’s helped forge the 22a co-operative that The FADER called “a kaleidoscopic patchwork of hip-hop, house, and groove investigations bound by one\u003cspan class=\"bcTruncateMore\"\u003e thread: a timeless belief in rhythm as a universal language”.\u003cbr\u003e\u003cbr\u003e'Rivière' Noire' LP is somewhat of a rebirth or an evolution for Reginald. The album sees him take a step back from sampling records, rather performing all the instrument and vocal parts himself. He creates his sounds and grooves with a vast array of instruments, performed, recorded and mixed in his modest studio. Live drums, drum machines, various percussion instruments, guitar, Fender Rhodes and synths.\u003cbr\u003e\u003cbr\u003eIn his music, Reginald attempts to evoke feelings of universal Love and compassion. It draws influence from the current state of the world as much as it does from everyday life. As we witness rising poverty, global events, political and ethnic divisions - these factors prompt some of Reginald’s themes and call for humanity to recognise we are all interconnected.\u003cbr\u003e\u003cbr\u003e“We are all related. We're all brothers and sisters with common ancestry, common history and a common origin regardless of race, geographic location or belief systems. Love and compassion are universal feelings\/practices we all should embrace and apply to all aspects of our lives, our interactions and our relationships, regardless of the kinship”.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Reginald Omas Mamode IV\u003c\/p\u003e\n\u003cp\u003eLabel : Melting Pot Music\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMPM354LP\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス／モーリシャスのソウル作家Reginald Omas Mamode IVが、2025年7月にドイツ・ケルンのヒップホップレーベルMelting Potからリリースしたレコードです。 レイドバックなアフロ・ソウル〜R&B19曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Melting Pot Music...
¥4,295
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{"id":8890625491194,"title":"Shrunken Elvis s\/t LP","handle":"shrunken-elvis-s-t-lp-pre-order","description":"\u003cp\u003e\u003cspan\u003eアメリカ・テネシーのフュージョントリオShrunken Elvisが、2025年9月に同国老舗レーベルWestern Vinylからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eフュージョン〜コズミック・ジャム9曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"デビューアルバムのレコーディングは、アレンジをごちゃごちゃさせることなく、ライブでのスリー・ピースのダイナミックなエネルギーを維持するというユニークな挑戦だった。彼らのゴールは、ペダル・スティールやギターの個々の腕前を際立たせるインストゥルメンタル・アルバムを作ることではなく、あらゆる要素が共存し、それぞれの声がまったく新しい何かに貢献するような音楽的な地形を構築することだった。ゴールはなく、ただアイデアだけ」という哲学のもと、グループは自然に音楽を展開していった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShrunken Elvisの音楽は、結果にこだわらず、研ぎ澄まされた本能に導かれた、ナイーブでオープンエンドな状態で存在している。その原動力となっているのは、コスミッシェ、ジャズ・フュージョン、エレクトロニック、アンビエントといったジャンルのインストゥルメンタル・ミュージックに対する彼らの総合的な愛情だ。サイド・ミュージシャンとしてキャリアの大半を過ごしてきた彼らにとって、このプロジェクトは純粋にコラボレーションと好奇心のために創作する貴重な機会である。影響を受けたアーティストは、アリス・コルトレーン、マイケル・ローザー、パット・メセニーから、KLF、アシュラ、カンまで幅広く、またECMのアルバム・アート、黒澤明、ベルイマンなど、視覚的、映画的なタッチストーンもある。アイデアはしばしばツアー中の古いイギリスのパブで生まれ、静かな衝動とともにスタジオに持ち込まれた。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1041697958\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e12\" black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. That There's a Strategy\u003cbr\u003e2. Marina Pt. 2\u003cbr\u003e3. Mu Receptors\u003cbr\u003e4. K-House 06:01\u003cbr\u003e5. Eggs on Plastic\u003cbr\u003e6. An Old Outlet 07:50\u003cbr\u003e7. Sun Pillar\u003cbr\u003e8. Faint Rustle\u003cbr\u003e9. A Broken Cat\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eText excerpt by Western Vinyl:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\"\u003cem\u003e...\u003cmeta charset=\"utf-8\"\u003eRecording their debut album presented a unique challenge: to preserve the energy of their live three-piece dynamic without over-cluttering the arrangements. Their goal wasn’t to make an instrumental album that highlights individual prowess on pedal steel or guitar—but rather to construct a musical terrain where all elements coexist, each voice contributing to something entirely new. Embracing a philosophy of “no goals, just ideas,” the group let the music unfold naturally.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eShrunken Elvis’s music exists in a naive, open-ended state—unconcerned with outcome but guided by deeply honed instincts. IIt’s driven by their collective love for instrumental music across genres such as kosmische, jazz fusion, electronic, and ambient. Having spent much of their careers as side musicians, this project represents a rare opportunity to create purely for the sake of collaboration and curiosity. Influences range from Alice Coltrane, Michael Rother, and Pat Metheny to KLF, Ashra, and Can—along with visual and cinematic touchstones like ECM album art, Kurosawa, and Bergman. Ideas often emerged in old English pubs on tour and were carried into the studio with quiet urgency...\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eArtist : Shrunken Elvis\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eLabel : Western Vinyl\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eWV297lp\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-19T11:37:31+09:00","created_at":"2025-08-17T11:33:33+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","western vinyl"],"price":358000,"price_min":358000,"price_max":358000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47619620274426,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shrunken Elvis s\/t LP","public_title":null,"options":["Default Title"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"843563186756","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/el1_85c563fd-f2e8-4694-962b-e6b7013f3c0e.jpg?v=1755397895","\/\/tobirarecords.com\/cdn\/shop\/files\/el2_51165208-b308-4aff-8f94-d1794f3069be.jpg?v=1755397895"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_85c563fd-f2e8-4694-962b-e6b7013f3c0e.jpg?v=1755397895","options":["Title"],"media":[{"alt":null,"id":36567324623098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_85c563fd-f2e8-4694-962b-e6b7013f3c0e.jpg?v=1755397895"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_85c563fd-f2e8-4694-962b-e6b7013f3c0e.jpg?v=1755397895","width":700},{"alt":null,"id":36567324655866,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el2_51165208-b308-4aff-8f94-d1794f3069be.jpg?v=1755397895"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el2_51165208-b308-4aff-8f94-d1794f3069be.jpg?v=1755397895","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・テネシーのフュージョントリオShrunken Elvisが、2025年9月に同国老舗レーベルWestern Vinylからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eフュージョン〜コズミック・ジャム9曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"デビューアルバムのレコーディングは、アレンジをごちゃごちゃさせることなく、ライブでのスリー・ピースのダイナミックなエネルギーを維持するというユニークな挑戦だった。彼らのゴールは、ペダル・スティールやギターの個々の腕前を際立たせるインストゥルメンタル・アルバムを作ることではなく、あらゆる要素が共存し、それぞれの声がまったく新しい何かに貢献するような音楽的な地形を構築することだった。ゴールはなく、ただアイデアだけ」という哲学のもと、グループは自然に音楽を展開していった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShrunken Elvisの音楽は、結果にこだわらず、研ぎ澄まされた本能に導かれた、ナイーブでオープンエンドな状態で存在している。その原動力となっているのは、コスミッシェ、ジャズ・フュージョン、エレクトロニック、アンビエントといったジャンルのインストゥルメンタル・ミュージックに対する彼らの総合的な愛情だ。サイド・ミュージシャンとしてキャリアの大半を過ごしてきた彼らにとって、このプロジェクトは純粋にコラボレーションと好奇心のために創作する貴重な機会である。影響を受けたアーティストは、アリス・コルトレーン、マイケル・ローザー、パット・メセニーから、KLF、アシュラ、カンまで幅広く、またECMのアルバム・アート、黒澤明、ベルイマンなど、視覚的、映画的なタッチストーンもある。アイデアはしばしばツアー中の古いイギリスのパブで生まれ、静かな衝動とともにスタジオに持ち込まれた。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1041697958\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e12\" black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. That There's a Strategy\u003cbr\u003e2. Marina Pt. 2\u003cbr\u003e3. Mu Receptors\u003cbr\u003e4. K-House 06:01\u003cbr\u003e5. Eggs on Plastic\u003cbr\u003e6. An Old Outlet 07:50\u003cbr\u003e7. Sun Pillar\u003cbr\u003e8. Faint Rustle\u003cbr\u003e9. A Broken Cat\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eText excerpt by Western Vinyl:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\"\u003cem\u003e...\u003cmeta charset=\"utf-8\"\u003eRecording their debut album presented a unique challenge: to preserve the energy of their live three-piece dynamic without over-cluttering the arrangements. Their goal wasn’t to make an instrumental album that highlights individual prowess on pedal steel or guitar—but rather to construct a musical terrain where all elements coexist, each voice contributing to something entirely new. Embracing a philosophy of “no goals, just ideas,” the group let the music unfold naturally.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eShrunken Elvis’s music exists in a naive, open-ended state—unconcerned with outcome but guided by deeply honed instincts. IIt’s driven by their collective love for instrumental music across genres such as kosmische, jazz fusion, electronic, and ambient. Having spent much of their careers as side musicians, this project represents a rare opportunity to create purely for the sake of collaboration and curiosity. Influences range from Alice Coltrane, Michael Rother, and Pat Metheny to KLF, Ashra, and Can—along with visual and cinematic touchstones like ECM album art, Kurosawa, and Bergman. Ideas often emerged in old English pubs on tour and were carried into the studio with quiet urgency...\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eArtist : Shrunken Elvis\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eLabel : Western Vinyl\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eWV297lp\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・テネシーのフュージョントリオShrunken Elvisが、2025年9月に同国老舗レーベルWestern Vinylからリリースしたレコードです。 フュージョン〜コズミック・ジャム9曲を収録。 以下、レーベルによる解説です。 "デビューアルバムのレコーディングは、アレンジをごちゃごちゃさせることなく、ライブでのスリー・ピースのダイナミックなエネルギーを維持するというユニークな挑戦だった。彼らのゴールは、ペダル・スティールやギターの個々の腕前を際立たせるインストゥルメンタル・アルバムを作ることではなく、あらゆる要素が共存し、それぞれの声がまったく新しい何かに貢献するような音楽的な地形を構築することだった。ゴールはなく、ただアイデアだけ」という哲学のもと、グループは自然に音楽を展開していった。 Shrunken Elvisの音楽は、結果にこだわらず、研ぎ澄まされた本能に導かれた、ナイーブでオープンエンドな状態で存在している。その原動力となっているのは、コスミッシェ、ジャズ・フュージョン、エレクトロニック、アンビエントといったジャンルのインストゥルメンタル・ミュージックに対する彼らの総合的な愛情だ。サイド・ミュージシャンとしてキャリアの大半を過ごしてきた彼らにとって、このプロジェクトは純粋にコラボレーションと好奇心のために創作する貴重な機会である。影響を受けたアーティストは、アリス・コルトレーン、マイケル・ローザー、パット・メセニーから、KLF、アシュラ、カンまで幅広く、またECMのアルバム・アート、黒澤明、ベルイマンなど、視覚的、映画的なタッチストーンもある。アイデアはしばしばツアー中の古いイギリスのパブで生まれ、静かな衝動とともにスタジオに持ち込まれた。" レーベルその他作品はこちら /// Click here to see more Western Vinyl...
¥3,580
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{"id":8889038242042,"title":"Jonny Nash \/\/ Point Of Entry LP","handle":"jonny-nash-point-of-entry-lp","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※10月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eオランダ・アムステルダムのアンビエント作家Jonny Nashが、2023年7月に自身主宰レーベルMusic As Truthからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eロードムービーのサントラのようなアンビエント・フォーク〜アンビエント・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003eJoseph Shabasonも参加しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3848278059\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1419399017\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3848278059\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3848278059\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2973911202\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Vinyl edition of 500. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Eternal Life\u003cbr\u003eA2 Theories\u003cbr\u003eA3 October Song\u003cbr\u003eA4 All I Ever Needed\u003cbr\u003eA5 Light From Three Sides\u003cbr\u003eB1 Silver Sand\u003cbr\u003eB2 Ditto\u003cbr\u003eB3 Face Of Another\u003cbr\u003eB4 Low Tide\u003cbr\u003eB5 Golden Hour\u003cbr\u003eB6 Future Friends\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eMelody As Truth:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMelody As Truth founder Jonny Nash returns to action with his first solo album in four years.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePoint of Entry, the Gaussian Curve member’s sixth solo set, builds on Nash’s recent forays into folk traditions (2020’s Poe, made in collaboration with Teguh Permana, and 2021’s Suzanne Kraft co-production A Heart So White), while delivering a clear musical evolution.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOver the course of eleven mesmerising tracks, Nash points the compass gently inwards, casting aside any conceptual frameworks in favour of exploring an imaginative and idealised “personal folk music” that combines elements of traditional acoustic music with the producer’s richly immersive interpretation of ambient, a sound he has been developing for well over a decade.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album was created using a stream of consciousness approach to writing and recording, with Nash utilising his favoured instrument – the guitar, often doused in atmospheric effects – as a starting point. Throughout, his delicate and evocative playing takes centre stage, its melodic lines and finger-picked refrains painting aural images that resonate with positive yet contemplative energy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom the smudged acid-folk bliss of ‘Theories’ and\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e ‘Eternal Life’, to the layered acoustic guitars of ‘All I Ever Needed’ and the delay-soaked, Durutti Column-esque ‘Light From Three Sides’, a wide variety of musical textures weave their way throughout the album.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePoint of Entry is much more than a mere ‘guitar album’ – it draws on a rich and diverse palette to achieve its purpose. The delicate saxophone work of ambient-jazz contemporary Joseph Shabason swells on ‘Ditto’ and ‘Light From Three Sides’. Cascading piano lines ripple through the crystal clear sonic waters of ‘Face of Another’, whilst echoes of Nash’s work with Gigi Masin and Young Marco as Gaussian Curve appear in the dancing synth sequences of ‘Ditto’ and ‘Golden Hour’. Nash’s reverb-laden voice also appears for the first time since 2016’s critically acclaimed Exit Strategies, used delicately throughout the album to conjure up a world of dusk and golden light.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCombining the delicate human touch and naivety of earlier Melody As Truth releases with widened scope and vision, Point Of Entry is arguably Nash’s most complete work to date – an album that’s as much a statement of his “personal folk” vision as a future ambient classic.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Jonny Nash\u003c\/p\u003e\n\u003cp\u003eLabel : Melody As Truth\u003c\/p\u003e","published_at":"2025-08-15T06:18:33+09:00","created_at":"2025-08-15T06:17:48+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","jazz","lp","melody as truth","new","recommended"],"price":455800,"price_min":455800,"price_max":455800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47615101567226,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jonny Nash \/\/ Point Of Entry LP","public_title":null,"options":["Default Title"],"price":455800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/po1_33ed2b23-c63a-4583-a412-7c3872ce8d20.jpg?v=1689994928","\/\/tobirarecords.com\/cdn\/shop\/files\/po2_8afcd3db-61de-42ab-b1de-093ae1679a67.jpg?v=1689994928"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_33ed2b23-c63a-4583-a412-7c3872ce8d20.jpg?v=1689994928","options":["Title"],"media":[{"alt":null,"id":32252802957562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_33ed2b23-c63a-4583-a412-7c3872ce8d20.jpg?v=1689994928"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_33ed2b23-c63a-4583-a412-7c3872ce8d20.jpg?v=1689994928","width":700},{"alt":null,"id":32252802990330,"position":2,"preview_image":{"aspect_ratio":0.8,"height":1200,"width":960,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po2_8afcd3db-61de-42ab-b1de-093ae1679a67.jpg?v=1689994928"},"aspect_ratio":0.8,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po2_8afcd3db-61de-42ab-b1de-093ae1679a67.jpg?v=1689994928","width":960}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※10月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eオランダ・アムステルダムのアンビエント作家Jonny Nashが、2023年7月に自身主宰レーベルMusic As Truthからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eロードムービーのサントラのようなアンビエント・フォーク〜アンビエント・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003eJoseph Shabasonも参加しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3848278059\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1419399017\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3848278059\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3848278059\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2973911202\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Vinyl edition of 500. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Eternal Life\u003cbr\u003eA2 Theories\u003cbr\u003eA3 October Song\u003cbr\u003eA4 All I Ever Needed\u003cbr\u003eA5 Light From Three Sides\u003cbr\u003eB1 Silver Sand\u003cbr\u003eB2 Ditto\u003cbr\u003eB3 Face Of Another\u003cbr\u003eB4 Low Tide\u003cbr\u003eB5 Golden Hour\u003cbr\u003eB6 Future Friends\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eMelody As Truth:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMelody As Truth founder Jonny Nash returns to action with his first solo album in four years.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePoint of Entry, the Gaussian Curve member’s sixth solo set, builds on Nash’s recent forays into folk traditions (2020’s Poe, made in collaboration with Teguh Permana, and 2021’s Suzanne Kraft co-production A Heart So White), while delivering a clear musical evolution.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOver the course of eleven mesmerising tracks, Nash points the compass gently inwards, casting aside any conceptual frameworks in favour of exploring an imaginative and idealised “personal folk music” that combines elements of traditional acoustic music with the producer’s richly immersive interpretation of ambient, a sound he has been developing for well over a decade.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album was created using a stream of consciousness approach to writing and recording, with Nash utilising his favoured instrument – the guitar, often doused in atmospheric effects – as a starting point. Throughout, his delicate and evocative playing takes centre stage, its melodic lines and finger-picked refrains painting aural images that resonate with positive yet contemplative energy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom the smudged acid-folk bliss of ‘Theories’ and\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e ‘Eternal Life’, to the layered acoustic guitars of ‘All I Ever Needed’ and the delay-soaked, Durutti Column-esque ‘Light From Three Sides’, a wide variety of musical textures weave their way throughout the album.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePoint of Entry is much more than a mere ‘guitar album’ – it draws on a rich and diverse palette to achieve its purpose. The delicate saxophone work of ambient-jazz contemporary Joseph Shabason swells on ‘Ditto’ and ‘Light From Three Sides’. Cascading piano lines ripple through the crystal clear sonic waters of ‘Face of Another’, whilst echoes of Nash’s work with Gigi Masin and Young Marco as Gaussian Curve appear in the dancing synth sequences of ‘Ditto’ and ‘Golden Hour’. Nash’s reverb-laden voice also appears for the first time since 2016’s critically acclaimed Exit Strategies, used delicately throughout the album to conjure up a world of dusk and golden light.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCombining the delicate human touch and naivety of earlier Melody As Truth releases with widened scope and vision, Point Of Entry is arguably Nash’s most complete work to date – an album that’s as much a statement of his “personal folk” vision as a future ambient classic.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Jonny Nash\u003c\/p\u003e\n\u003cp\u003eLabel : Melody As Truth\u003c\/p\u003e"}
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※10月下旬再入荷後発送します オランダ・アムステルダムのアンビエント作家Jonny Nashが、2023年7月に自身主宰レーベルMusic As Truthからリリースしたレコードです。 ロードムービーのサントラのようなアンビエント・フォーク〜アンビエント・ジャズ11曲を収録。 Joseph Shabasonも参加しています。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ ---------------------------------------- 12" black vinyl. Vinyl...
¥4,558
![Various Artists (Numero Group) // Eccentric Spiritual Soul LP [COLOR]](http://tobirarecords.com/cdn/shop/files/ScreenShot2025-08-14at12.38.07pm_cdbd3802-c6ba-4a9c-90ae-19b4b8b7599e_medium.png?v=1755142930)
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{"id":8888593613050,"title":"Various Artists (Numero Group) \/\/ Eccentric Spiritual Soul LP [COLOR]","handle":"various-artists-numero-group-eccentric-spiritual-soul-lp-color","description":"\u003cp\u003eアメリカの発掘専門レーベルNumero Groupが、2025年9月にリリースしたコンピレーションレコードです。\u003c\/p\u003e\n\u003cp\u003e1970年代のスピリチュアル・ソウル10曲を収録。ターコイズ盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"そもそもスピリチュアル・ソウルとは何なのか？コンガとフェンダー・ローズ、公民権運動と菜食主義、ジャズ・ファンクとゴスペル・ソウルが合流した1970年代、黒人による歌のムーブメントが生まれた。ロータリー・コネクション、アリス・コルトレーン、ロイ・エアーズが飛び立とうとしたところで、他のアーティストたちは自由な愛の翼を羽ばたかせ、トップ40、セクシュアリティ、資本主義といったものを一度に超越した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの『Eccentric Spiritual Soul』でNumeroは、ブラック・ミュージック・ディアスポラの私的な年譜を深く掘り下げ、10曲の天国のようなグルーヴを発掘した。カリマの実存的ブギー・バンガー「Where Is The Sunshine」から、ファーザーズ・チルドレンのプロト・ダブ・ワークアウト「Linda Movement」、レニー・ホワイトのビッチェズ・ブリュー・カムダウン「Sweet Dreamer」、スパンクのバレイリック・レインスティックR\u0026amp;B「La Bimini」まで、『Eccentric Spiritual Soul』には、あなたの次の幽体離脱に必要なものがすべて揃っている。フルートは付属していないが、推奨される。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/0XVufDW60yw?si=bidgdPTsLza34Bnj\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/2e8Uhyv99gU?si=ksIEs-yAan6AWzEf\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/2AICAd-mZ7g?si=xcuz_o_abQW_ApMA\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/7xJuUSOPUvA?si=4dF4rK4PbaXHvg9X\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/z5vI5HXO470?si=tQI_DwPerOGBE8Pr\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/numerog\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/numerog\"\u003ehere\u003c\/a\u003e to see more Numero Group releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" opaque turquoise vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1 Spunk - La Bimini\u003cbr\u003eA2 Kalima - (Where Is The) Sunshine Pt. I\u003cbr\u003eA3 Calvin Keys - You Are All I Need\u003cbr\u003eA4 Lenny White - Sweet Dreamer\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA5 Steve Parks - Still Thinking Of You (Instrumental)\u003cbr\u003e\u003c\/span\u003eB1 Steve Harvey - Island In The Sky\u003cbr\u003eB2 Father's Children - Linda Movement\u003cbr\u003eB3 The Chronicle Church - Mystery\u003cbr\u003eB4 24 Carat Black, LaRhonda LeGette - Speak Low (Edit)\u003cbr\u003eB5 General Lee \u0026amp; Lost Weekend - Little Black Child (Edit)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNumero Group:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhat exactly is Spiritual Soul anyway? At the confluence of congas and Fender Rhodes, the Civil Rights Movement and vegetarianism, jazz-funk and gospel-soul, a Black-to-the-land movement in song sprung forth in the 1970s. Where Rotary Connection, Alice Coltrane, and Roy Ayers dared to fly, others flapped their free love wings, transcending the trappings of Top 40, sexuality, and capitalism at once.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOn Eccentric Spiritual Soul, Numero digs deep into the private annals of the Black music diaspora, unearthing ten heavenly grooves for the tranquility bound listener. From Kalima's existential boogie banger \"Where Is The Sunshine\" to Fathers Children's proto-dub workout \"Linda Movement,\" Lenny White's Bitches Brew comedown \"Sweet Dreamer\" to Spunk's Balaeric rainstick R\u0026amp;B \"La Bimini,\" Eccentric Spiritual Soul has everything you need for your next incorporeal awakening. Flute not included, but encouraged.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Numero Group\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNUM524lp-C2\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-16T14:21:34+09:00","created_at":"2025-08-14T12:47:16+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","lp","new","numero group"],"price":365000,"price_min":365000,"price_max":365000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47613574578426,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (Numero Group) \/\/ Eccentric Spiritual Soul LP [COLOR]","public_title":null,"options":["Default Title"],"price":365000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-08-14at12.38.07pm_cdbd3802-c6ba-4a9c-90ae-19b4b8b7599e.png?v=1755142930","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-08-14at12.41.57pm.png?v=1755142930"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-08-14at12.38.07pm_cdbd3802-c6ba-4a9c-90ae-19b4b8b7599e.png?v=1755142930","options":["Title"],"media":[{"alt":null,"id":36547359932666,"position":1,"preview_image":{"aspect_ratio":0.994,"height":464,"width":461,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-08-14at12.38.07pm_cdbd3802-c6ba-4a9c-90ae-19b4b8b7599e.png?v=1755142930"},"aspect_ratio":0.994,"height":464,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-08-14at12.38.07pm_cdbd3802-c6ba-4a9c-90ae-19b4b8b7599e.png?v=1755142930","width":461},{"alt":null,"id":36547359965434,"position":2,"preview_image":{"aspect_ratio":1.373,"height":201,"width":276,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-08-14at12.41.57pm.png?v=1755142930"},"aspect_ratio":1.373,"height":201,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-08-14at12.41.57pm.png?v=1755142930","width":276}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの発掘専門レーベルNumero Groupが、2025年9月にリリースしたコンピレーションレコードです。\u003c\/p\u003e\n\u003cp\u003e1970年代のスピリチュアル・ソウル10曲を収録。ターコイズ盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"そもそもスピリチュアル・ソウルとは何なのか？コンガとフェンダー・ローズ、公民権運動と菜食主義、ジャズ・ファンクとゴスペル・ソウルが合流した1970年代、黒人による歌のムーブメントが生まれた。ロータリー・コネクション、アリス・コルトレーン、ロイ・エアーズが飛び立とうとしたところで、他のアーティストたちは自由な愛の翼を羽ばたかせ、トップ40、セクシュアリティ、資本主義といったものを一度に超越した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの『Eccentric Spiritual Soul』でNumeroは、ブラック・ミュージック・ディアスポラの私的な年譜を深く掘り下げ、10曲の天国のようなグルーヴを発掘した。カリマの実存的ブギー・バンガー「Where Is The Sunshine」から、ファーザーズ・チルドレンのプロト・ダブ・ワークアウト「Linda Movement」、レニー・ホワイトのビッチェズ・ブリュー・カムダウン「Sweet Dreamer」、スパンクのバレイリック・レインスティックR\u0026amp;B「La Bimini」まで、『Eccentric Spiritual Soul』には、あなたの次の幽体離脱に必要なものがすべて揃っている。フルートは付属していないが、推奨される。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/0XVufDW60yw?si=bidgdPTsLza34Bnj\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/2e8Uhyv99gU?si=ksIEs-yAan6AWzEf\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/2AICAd-mZ7g?si=xcuz_o_abQW_ApMA\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/7xJuUSOPUvA?si=4dF4rK4PbaXHvg9X\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/z5vI5HXO470?si=tQI_DwPerOGBE8Pr\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/numerog\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/numerog\"\u003ehere\u003c\/a\u003e to see more Numero Group releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" opaque turquoise vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1 Spunk - La Bimini\u003cbr\u003eA2 Kalima - (Where Is The) Sunshine Pt. I\u003cbr\u003eA3 Calvin Keys - You Are All I Need\u003cbr\u003eA4 Lenny White - Sweet Dreamer\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA5 Steve Parks - Still Thinking Of You (Instrumental)\u003cbr\u003e\u003c\/span\u003eB1 Steve Harvey - Island In The Sky\u003cbr\u003eB2 Father's Children - Linda Movement\u003cbr\u003eB3 The Chronicle Church - Mystery\u003cbr\u003eB4 24 Carat Black, LaRhonda LeGette - Speak Low (Edit)\u003cbr\u003eB5 General Lee \u0026amp; Lost Weekend - Little Black Child (Edit)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNumero Group:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhat exactly is Spiritual Soul anyway? At the confluence of congas and Fender Rhodes, the Civil Rights Movement and vegetarianism, jazz-funk and gospel-soul, a Black-to-the-land movement in song sprung forth in the 1970s. Where Rotary Connection, Alice Coltrane, and Roy Ayers dared to fly, others flapped their free love wings, transcending the trappings of Top 40, sexuality, and capitalism at once.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOn Eccentric Spiritual Soul, Numero digs deep into the private annals of the Black music diaspora, unearthing ten heavenly grooves for the tranquility bound listener. From Kalima's existential boogie banger \"Where Is The Sunshine\" to Fathers Children's proto-dub workout \"Linda Movement,\" Lenny White's Bitches Brew comedown \"Sweet Dreamer\" to Spunk's Balaeric rainstick R\u0026amp;B \"La Bimini,\" Eccentric Spiritual Soul has everything you need for your next incorporeal awakening. Flute not included, but encouraged.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Numero Group\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNUM524lp-C2\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカの発掘専門レーベルNumero Groupが、2025年9月にリリースしたコンピレーションレコードです。 1970年代のスピリチュアル・ソウル10曲を収録。ターコイズ盤です。 以下、レーベルによる解説です。 "そもそもスピリチュアル・ソウルとは何なのか？コンガとフェンダー・ローズ、公民権運動と菜食主義、ジャズ・ファンクとゴスペル・ソウルが合流した1970年代、黒人による歌のムーブメントが生まれた。ロータリー・コネクション、アリス・コルトレーン、ロイ・エアーズが飛び立とうとしたところで、他のアーティストたちは自由な愛の翼を羽ばたかせ、トップ40、セクシュアリティ、資本主義といったものを一度に超越した。 この『Eccentric Spiritual Soul』でNumeroは、ブラック・ミュージック・ディアスポラの私的な年譜を深く掘り下げ、10曲の天国のようなグルーヴを発掘した。カリマの実存的ブギー・バンガー「Where Is The Sunshine」から、ファーザーズ・チルドレンのプロト・ダブ・ワークアウト「Linda Movement」、レニー・ホワイトのビッチェズ・ブリュー・カムダウン「Sweet Dreamer」、スパンクのバレイリック・レインスティックR&B「La Bimini」まで、『Eccentric...
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Through Love \u0026amp; Company, he hopes to create a ripple effect of kindness and emotional support; a practical guide offering listeners a roadmap for fostering empathy and understanding.The album is a celebration of OjiAji's natural instinct for writing understated yet intricate jazz\/soul compositions, and showcases his authenticity as he steps confidently into his new era as a solo artist.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : OjiAji\u003c\/p\u003e\n\u003cp\u003eLabel : Hopestreet Recordings\u003c\/p\u003e","published_at":"2025-09-10T06:56:22+09:00","created_at":"2025-08-14T10:06:24+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","hiphop \/ funk","Hopestreet Recordings","jazz","lp","new","recommended"],"price":498700,"price_min":498700,"price_max":498700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47612994257146,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"OjiAji \/\/ Love \u0026 Company LP","public_title":null,"options":["Default Title"],"price":498700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"784085103459","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/com1_ec6a9983-c52d-4fb9-ae8d-8f64067676d8.jpg?v=1755133395","\/\/tobirarecords.com\/cdn\/shop\/files\/com2_d3b10985-11e1-4ccc-95eb-d29a70623085.jpg?v=1755133394"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_ec6a9983-c52d-4fb9-ae8d-8f64067676d8.jpg?v=1755133395","options":["Title"],"media":[{"alt":null,"id":36546722889978,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_ec6a9983-c52d-4fb9-ae8d-8f64067676d8.jpg?v=1755133395"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_ec6a9983-c52d-4fb9-ae8d-8f64067676d8.jpg?v=1755133395","width":700},{"alt":null,"id":36546722922746,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com2_d3b10985-11e1-4ccc-95eb-d29a70623085.jpg?v=1755133394"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com2_d3b10985-11e1-4ccc-95eb-d29a70623085.jpg?v=1755133394","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンのネオソウルバンドIzyのギタリストとしても活動しているOjiAji aka Ryotaro Noshiroが、2025年8月にメルボルンのHopestreet Recordingsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eネオソウル〜ジャズ・ポップ7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/FJXvXzw2KwU?si=-FVerhp3WFkaJeoE\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=312010120\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/horec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/horec\"\u003ehere\u003c\/a\u003e to see more Hopestreet Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Be Like A Cloud 03:33\u003cbr\u003e2. Diamonds 04:19\u003cbr\u003e3. Ordinary Life 05:29\u003cbr\u003e4. Need U 02:58\u003cbr\u003e5. Love \u0026amp; Company 05:02\u003cbr\u003e6. Her Grace 02:39\u003cbr\u003e7. Nothing Bad 04:20\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHopestreet Recordings:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHaving carved out his space within the scene as a deft jazz\/soul guitarist and songwriter in the raw RnB three piece Izy, Ojiaji aka Ryotaro is finally presenting his new solo work. His debut album ‘Love \u0026amp; Company’ is a tribute to the art of being present for others, honoring the legacy of his mother’s nurturing spirit, and fostering a more empathetic world. Warm, lo-fi and jazzy in nature, the album features some of Melbourne’s finest instrumental musicians from acts such as Surprise Chef, Karate Boogaloo, Nikodimos and more. 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¥4,987
クイックビュー
{"id":8884947812602,"title":"Gabriel da Rosa \/\/ Cafuné b\/w Sort Of 7inch","handle":"gabriel-da-rosa-cafune-b-w-sort-of-7inch","description":"\u003cp\u003eブラジル最南端の州リオグランデ・ド・スルのボサノヴァ作家Gabriel da Rosaが、2025年1月にアメリカ・LAの老舗レーベルStones Throwからリリースした7\"です。\u003c\/p\u003e\n\u003cp\u003e清爽な風が舞い込むコンテンポラリー・ボサノヴァ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/f5sKK1L3c7g?si=SJuxC7W3BFazdTNb\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/LbWHU70XDE8?si=GS8tsMDGF03ms5oN\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e7\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Cafuné 02:40 \u003cbr\u003e2. Sort Of 03:48\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eStones Throw:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eGabriel da Rosa's \"Cafuné\" released as a single in December 2023 for the independent film All Happy Families. It followed Gabriel's Stones Throw debut É o queue a casa oferece, contemporary and autobiographical Bossa nova in Brazilian Portuguese. \u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe \"Cafuné\" 7\" comes with a new song on the B-Side: \"Sort Of\" accompanied by a new visualizer shot by Gabriel on a Japanese Harinezumi toy camera during his recent tour with Pearl \u0026amp; The Oysters. Stay tuned for more new music coming soon\u003c\/em\u003e.\"\u003c\/p\u003e\n\u003cp\u003eArtist : Gabriel da Rosa\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e\n\u003cp\u003eCat No : STH7083\u003c\/p\u003e","published_at":"2025-08-12T06:45:41+09:00","created_at":"2025-08-11T17:27:03+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","jazz","lp","new","stones throw"],"price":224500,"price_min":224500,"price_max":224500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47603478298874,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gabriel da Rosa \/\/ Cafuné b\/w Sort Of 7inch","public_title":null,"options":["Default Title"],"price":224500,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/caf1.jpg?v=1754900703","\/\/tobirarecords.com\/cdn\/shop\/files\/caf2.webp?v=1754900703"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/caf1.jpg?v=1754900703","options":["Title"],"media":[{"alt":null,"id":36522411622650,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/caf1.jpg?v=1754900703"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/caf1.jpg?v=1754900703","width":700},{"alt":null,"id":36522411655418,"position":2,"preview_image":{"aspect_ratio":1.0,"height":800,"width":800,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/caf2.webp?v=1754900703"},"aspect_ratio":1.0,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/caf2.webp?v=1754900703","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eブラジル最南端の州リオグランデ・ド・スルのボサノヴァ作家Gabriel da Rosaが、2025年1月にアメリカ・LAの老舗レーベルStones Throwからリリースした7\"です。\u003c\/p\u003e\n\u003cp\u003e清爽な風が舞い込むコンテンポラリー・ボサノヴァ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/f5sKK1L3c7g?si=SJuxC7W3BFazdTNb\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/LbWHU70XDE8?si=GS8tsMDGF03ms5oN\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e7\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Cafuné 02:40 \u003cbr\u003e2. Sort Of 03:48\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eStones Throw:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eGabriel da Rosa's \"Cafuné\" released as a single in December 2023 for the independent film All Happy Families. It followed Gabriel's Stones Throw debut É o queue a casa oferece, contemporary and autobiographical Bossa nova in Brazilian Portuguese. \u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe \"Cafuné\" 7\" comes with a new song on the B-Side: \"Sort Of\" accompanied by a new visualizer shot by Gabriel on a Japanese Harinezumi toy camera during his recent tour with Pearl \u0026amp; The Oysters. Stay tuned for more new music coming soon\u003c\/em\u003e.\"\u003c\/p\u003e\n\u003cp\u003eArtist : Gabriel da Rosa\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e\n\u003cp\u003eCat No : STH7083\u003c\/p\u003e"}
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ブラジル最南端の州リオグランデ・ド・スルのボサノヴァ作家Gabriel da Rosaが、2025年1月にアメリカ・LAの老舗レーベルStones Throwからリリースした7"です。 清爽な風が舞い込むコンテンポラリー・ボサノヴァ2曲を収録。 レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases available...
¥2,245
クイックビュー
{"id":8884826603770,"title":"Eiko Ishibashi \/\/ For McCoy LP","handle":"eiko-ishibashi-for-mccoy-lp","description":"\u003cp\u003e日本の実験音楽家Eiko Ishibashiが、2025年7月にオーストラリアの実験レーベルBlack Truffleからリリースした再発レコードです。（オリジナルは2022年リリース）\u003c\/p\u003e\n\u003cp\u003eアンビエント・スピリチュアルジャズ3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2147917333\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I can feel guilty about anything - Part 1 19:23\u003cbr\u003e2. I can feel guilty about anything - Part 2 15:58\u003cbr\u003e3. Ask me how I sleep at night 05:16\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Black Truffle is pleased to announce For McCoy, a new work by Eiko Ishibashi dedicated to the widely loved character of Jack McCoy, portrayed by Sam Waterston in Law \u0026amp; Order. Following on from Hyakki Yagyō (BT064), For McCoy finds Ishibashi further exploring the unique space she has carved out in recent years, bringing together musique concrète techniques, ECM-inspired jazz, lush layers of synths and hints of pop into immersive and affecting structures crafted in her home studio, aided by a group of close collaborators.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBeginning with overlapping layers of descending flute lines, the expansive ‘I Can Feel Guilty About Anything’ (whose two parts stretch out over more than thirty minutes) unfolds with a free-associative logic, embracing dreamlike transitions and unexpected cinematic cuts. As a hovering cloud of synthetic tones and multi-tracked voices fans out from the spare opening moments, Joe Talia’s skittering cymbals settle into a gently propulsive groove, soon joined by melodic fragments performed by Daisuke Fujiwara on multi-tracked saxophone. As the drums cede to field recordings and ominous synth figures, the uncommon meeting of saxophone and electroacoustic techniques call to mind the more spacious moments of Michel Redolfi and André Jaume’s Synclavier-propelled oddity Hardscore or\u003cspan class=\"bcTruncateMore\"\u003e the early work of Gilbert Artman’s Urban Sax. As the piece continues on the LP’s second side, distant dialogue rumbles beneath a surface of processed flutes, blurring into a cavernously reverberant backdrop for stark ascending lines performed by MIO.O on violin. Eventually, the piece settles into a gorgeous passage of abstracted dream pop, where Ishibashi’s multitracked vocal harmonies glide atop synth chords, errant pings and snatches of outdoor sound.\u003cbr\u003e\u003cbr\u003eFragments of melodic material reappear throughout the spacious opening piece, finally stepping to the forefront on the closing track, ‘Ask Me How I Sleep at Night’. Here, over a shuffling groove supplied by Jim O’Rourke on double bass and Tatsuhisa Yamamoto on drums, layers of flutes, saxophones and guitars sound out melodies whose combination of twisting irregularity and soulful immediacy calls up prime Keith Jarrett, while their closely voiced harmonies suggest Kenny Wheeler or even Wayne Shorter’s Atlantis. In a classical gesture of closure, the web of melodic lines eventually leads back to the descending flute figures with which the record began. Presented in an immersive, impeccably detailed mix by Jim O’Rourke and arriving in a sleeve featuring Ishibashi’s beautiful drawings of Jack McCoy, For McCoy is an essential release for anyone following the enchanted and unique path being forged by Eiko Ishibashi.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eiko Ishibashi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 084\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-13T07:51:09+09:00","created_at":"2025-08-11T11:59:02+09:00","vendor":"Tobira Records","type":"","tags":["ambient","black truffle","jazz","lp","new"],"price":429800,"price_min":429800,"price_max":429800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47603005882618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Eiko Ishibashi \/\/ For McCoy LP","public_title":null,"options":["Default Title"],"price":429800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101427930","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/for1_91500221-b651-4bf3-8346-00a29a710f03.jpg?v=1754881080","\/\/tobirarecords.com\/cdn\/shop\/files\/for2_e78abc3d-35c8-4ee8-ac17-2ea068cd6b42.jpg?v=1754881080"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/for1_91500221-b651-4bf3-8346-00a29a710f03.jpg?v=1754881080","options":["Title"],"media":[{"alt":null,"id":36521615720698,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/for1_91500221-b651-4bf3-8346-00a29a710f03.jpg?v=1754881080"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/for1_91500221-b651-4bf3-8346-00a29a710f03.jpg?v=1754881080","width":700},{"alt":null,"id":36521615753466,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/for2_e78abc3d-35c8-4ee8-ac17-2ea068cd6b42.jpg?v=1754881080"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/for2_e78abc3d-35c8-4ee8-ac17-2ea068cd6b42.jpg?v=1754881080","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本の実験音楽家Eiko Ishibashiが、2025年7月にオーストラリアの実験レーベルBlack Truffleからリリースした再発レコードです。（オリジナルは2022年リリース）\u003c\/p\u003e\n\u003cp\u003eアンビエント・スピリチュアルジャズ3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2147917333\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I can feel guilty about anything - Part 1 19:23\u003cbr\u003e2. I can feel guilty about anything - Part 2 15:58\u003cbr\u003e3. Ask me how I sleep at night 05:16\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Black Truffle is pleased to announce For McCoy, a new work by Eiko Ishibashi dedicated to the widely loved character of Jack McCoy, portrayed by Sam Waterston in Law \u0026amp; Order. Following on from Hyakki Yagyō (BT064), For McCoy finds Ishibashi further exploring the unique space she has carved out in recent years, bringing together musique concrète techniques, ECM-inspired jazz, lush layers of synths and hints of pop into immersive and affecting structures crafted in her home studio, aided by a group of close collaborators.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBeginning with overlapping layers of descending flute lines, the expansive ‘I Can Feel Guilty About Anything’ (whose two parts stretch out over more than thirty minutes) unfolds with a free-associative logic, embracing dreamlike transitions and unexpected cinematic cuts. As a hovering cloud of synthetic tones and multi-tracked voices fans out from the spare opening moments, Joe Talia’s skittering cymbals settle into a gently propulsive groove, soon joined by melodic fragments performed by Daisuke Fujiwara on multi-tracked saxophone. As the drums cede to field recordings and ominous synth figures, the uncommon meeting of saxophone and electroacoustic techniques call to mind the more spacious moments of Michel Redolfi and André Jaume’s Synclavier-propelled oddity Hardscore or\u003cspan class=\"bcTruncateMore\"\u003e the early work of Gilbert Artman’s Urban Sax. As the piece continues on the LP’s second side, distant dialogue rumbles beneath a surface of processed flutes, blurring into a cavernously reverberant backdrop for stark ascending lines performed by MIO.O on violin. Eventually, the piece settles into a gorgeous passage of abstracted dream pop, where Ishibashi’s multitracked vocal harmonies glide atop synth chords, errant pings and snatches of outdoor sound.\u003cbr\u003e\u003cbr\u003eFragments of melodic material reappear throughout the spacious opening piece, finally stepping to the forefront on the closing track, ‘Ask Me How I Sleep at Night’. 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Presented in an immersive, impeccably detailed mix by Jim O’Rourke and arriving in a sleeve featuring Ishibashi’s beautiful drawings of Jack McCoy, For McCoy is an essential release for anyone following the enchanted and unique path being forged by Eiko Ishibashi.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eiko Ishibashi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 084\u003c\/span\u003e\u003c\/p\u003e"}
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日本の実験音楽家Eiko Ishibashiが、2025年7月にオーストラリアの実験レーベルBlack Truffleからリリースした再発レコードです。（オリジナルは2022年リリース） アンビエント・スピリチュアルジャズ3曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
¥4,298
![Eiko Ishibashi // Hyakki Yagyō LP [COLOR]](http://tobirarecords.com/cdn/shop/files/yag1_medium.jpg?v=1754880724)
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{"id":8884826112250,"title":"Eiko Ishibashi \/\/ Hyakki Yagyō LP [COLOR]","handle":"eiko-ishibashi-hyakki-yagyo-lp-color","description":"\u003cp\u003e日本の実験音楽家Eiko Ishibashiが、2025年7月にオーストラリアの実験レーベルBlack Truffleからリリースした再発レコードです。（オリジナルは2020年リリース）\u003c\/p\u003e\n\u003cp\u003eコラージュ・ジャズ2曲を収録。DLコード付属。白盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3340030543\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" white vinyl.\u003cbr\u003e2025 re-press - originally released in 2020. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hyakki Yagyō Part 1 18:17\u003cbr\u003e2. Hyakki Yagyō Part 2 19:14\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is pleased to announce a new solo album by Eiko Ishibashi, her first for the label, following on from the duo recording Ichida alongside bassist Darin Gray. Hyakki Yagyō (Night Parade of One Hundred Demons) was produced for the ‘Japan Supernatural’ exhibition at The Art Gallery of New South Wales, Sydney focusing on ghost stories and folklore from the Edo period onwards. As with The Dream My Bones Dream (Drag City, 2018), the album is a response to troubling questions about Japanese history, and the influence of the past upon the present, but finds Ishibashi shifting further away from her earlier piano-led songwriting and showing a deepening interest in electronics and audio collaging.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two sidelong parts of Hyakki Yagyō feature layered synthesisers, acoustic instrumentation, recited verse and field recordings, at times densely mixed but always with a subtle interplay of changing elements. The influence of European and American forerunners as diverse as Alvin Curran, David Behrman and Strafe Für Rebellion can be traced, yet at the same time Ishibashi evokes the flute and string sounds associated with Japanese storytelling, and draws directly on the subversive literary tradition of Kyoka (‘mad poetry’) with a verse by the 15th-century poet Ikkyū Sōjun repeated throughout the\u003cspan class=\"bcTruncateMore\"\u003e album. Revisiting what has gone before, re-thinking what is possible musically, as a way of articulating what else might be possible in the future.\u003cbr\u003e\u003cbr\u003eAs Ishibashi’s liner notes make clear, the album reflects an attention to persistent dangers, myths and evasions in Japanese culture – as well as the lurking uncertainties that might threaten positive change. This would seem to be manifested in the emerging melodies soon met by dissonance, erratic collisions and near silence, as well as the eerie manipulation of the double-tracked vocals. Ishibashi’s underlying concerns ring true more widely of course. Hyakki Yagyō is a work of multiplicities, and mystery, a landscape where nothing is as it seems at first, and everything is vulnerable to sudden violent interruptions.\u003cbr\u003e\u003cbr\u003eThe album was produced with regular collaborators Jim O’Rourke (double bass) and Joe Talia (percussion), and features dancer and choreographer Ryuichi Fujimura performing Ikkyū’s satirical tanka. O’Rourke’s immersive mix creates a three-dimensional effect, with Ishibashi’s various sound sources enmeshing and interacting in captivating ways.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eiko Ishibashi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 064\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-13T07:48:45+09:00","created_at":"2025-08-11T11:54:15+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","jazz","lp","monooto","new"],"price":429800,"price_min":429800,"price_max":429800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47603002310906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Eiko Ishibashi \/\/ Hyakki Yagyō LP [COLOR]","public_title":null,"options":["Default Title"],"price":429800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101417177","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/yag1.jpg?v=1754880724","\/\/tobirarecords.com\/cdn\/shop\/files\/yag2.jpg?v=1754880724"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/yag1.jpg?v=1754880724","options":["Title"],"media":[{"alt":null,"id":36521613525242,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/yag1.jpg?v=1754880724"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/yag1.jpg?v=1754880724","width":700},{"alt":null,"id":36521613558010,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/yag2.jpg?v=1754880724"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/yag2.jpg?v=1754880724","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本の実験音楽家Eiko Ishibashiが、2025年7月にオーストラリアの実験レーベルBlack Truffleからリリースした再発レコードです。（オリジナルは2020年リリース）\u003c\/p\u003e\n\u003cp\u003eコラージュ・ジャズ2曲を収録。DLコード付属。白盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3340030543\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" white vinyl.\u003cbr\u003e2025 re-press - originally released in 2020. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hyakki Yagyō Part 1 18:17\u003cbr\u003e2. Hyakki Yagyō Part 2 19:14\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is pleased to announce a new solo album by Eiko Ishibashi, her first for the label, following on from the duo recording Ichida alongside bassist Darin Gray. Hyakki Yagyō (Night Parade of One Hundred Demons) was produced for the ‘Japan Supernatural’ exhibition at The Art Gallery of New South Wales, Sydney focusing on ghost stories and folklore from the Edo period onwards. As with The Dream My Bones Dream (Drag City, 2018), the album is a response to troubling questions about Japanese history, and the influence of the past upon the present, but finds Ishibashi shifting further away from her earlier piano-led songwriting and showing a deepening interest in electronics and audio collaging.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two sidelong parts of Hyakki Yagyō feature layered synthesisers, acoustic instrumentation, recited verse and field recordings, at times densely mixed but always with a subtle interplay of changing elements. The influence of European and American forerunners as diverse as Alvin Curran, David Behrman and Strafe Für Rebellion can be traced, yet at the same time Ishibashi evokes the flute and string sounds associated with Japanese storytelling, and draws directly on the subversive literary tradition of Kyoka (‘mad poetry’) with a verse by the 15th-century poet Ikkyū Sōjun repeated throughout the\u003cspan class=\"bcTruncateMore\"\u003e album. Revisiting what has gone before, re-thinking what is possible musically, as a way of articulating what else might be possible in the future.\u003cbr\u003e\u003cbr\u003eAs Ishibashi’s liner notes make clear, the album reflects an attention to persistent dangers, myths and evasions in Japanese culture – as well as the lurking uncertainties that might threaten positive change. This would seem to be manifested in the emerging melodies soon met by dissonance, erratic collisions and near silence, as well as the eerie manipulation of the double-tracked vocals. Ishibashi’s underlying concerns ring true more widely of course. Hyakki Yagyō is a work of multiplicities, and mystery, a landscape where nothing is as it seems at first, and everything is vulnerable to sudden violent interruptions.\u003cbr\u003e\u003cbr\u003eThe album was produced with regular collaborators Jim O’Rourke (double bass) and Joe Talia (percussion), and features dancer and choreographer Ryuichi Fujimura performing Ikkyū’s satirical tanka. O’Rourke’s immersive mix creates a three-dimensional effect, with Ishibashi’s various sound sources enmeshing and interacting in captivating ways.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eiko Ishibashi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 064\u003c\/span\u003e\u003c\/p\u003e"}
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日本の実験音楽家Eiko Ishibashiが、2025年7月にオーストラリアの実験レーベルBlack Truffleからリリースした再発レコードです。（オリジナルは2020年リリース） コラージュ・ジャズ2曲を収録。DLコード付属。白盤です。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
¥4,298
クイックビュー
{"id":8884825522426,"title":"Eiko Ishibashi \u0026 Darin Grey \/\/ Ichida LP","handle":"eiko-ishibashi-darin-grey-ichida-lp","description":"\u003cp\u003e日本のEiko IshibashiとアメリカのDarin Grey実験音楽家2名が、2025年7月にオーストラリアの実験レーベルBlack Truffleからリリースした再発レコードです。（オリジナルは2018年リリース）\u003c\/p\u003e\n\u003cp\u003eドローン・ジャズ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3300511378\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ichida Part 1 21:02\u003cbr\u003e2. Ichida Part 2 18:12\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is pleased to announce the release of Ichida, the first release from the duo of two important yet often underappreciated musicians, Eiko Ishibashi and Darin Gray. Ishibashi is a singer-songwriter, keyboardist, drummer, and multi-instrumentalist, known in Japan both for her own elaborately conceptual solo albums and for her frequent collaborations with figures such as Jim O’Rourke, Merzbow, and Phew. Darin Gray is a bassist and multi-instrumentalist known for a multitude of collaborations (with O’Rourke and Loren Connors, among many others), for On Fillmore, his cinematic post-exotica project with Glenn Kotche, and as one half of Chikamorachi with Chris Corsano, one of the finest free-jazz rhythm sections around. Presenting the entirely of a live set performed at Tokyo’s Super Deluxe in March 2013, the set begins as a duet for Ishibashi’s flute and Gray’s upright bass. Calmly melodic yet harmonically inventive, with shades of ‘spiritual jazz’, the pair’s acoustic ruminations are gradually joined by Ishibashi’s lush electronics, which randomly flicker between chords in a manner recalling the classic work of David Behrman. As the electronics build into a gloomy fog of slowly cycling loops, Gray lays his bass aside and turns to making strangely mournful interjections on a mouthpiece\u003cspan class=\"bcTruncateMore\"\u003e. Eventually Ishibashi moves to the piano, enveloping the audience in rippling pools of sustained, octave-doubled melody, provided by Gray’s bass with a fluid and dynamic foundation. For much of the second side, both Ishibashi and Gray turn to electronics, ultimately arriving in a bizarre space of melancholic arpeggios and random sputter and sizzle, oddly reminiscent of 70s outsider prog acts like Wapassou. An uneasy coda of rich piano chords ends the set. Captured in warm room ambience and beautifully mixed by Jim O’Rourke, Ichida is a rare combination of improvisational acumen and emotional directness, both adventurous and immediately accessible.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eiko Ishibashi \u0026amp; Darin Grey\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 039\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-13T07:45:36+09:00","created_at":"2025-08-11T11:50:55+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","jazz","lp","new"],"price":429800,"price_min":429800,"price_max":429800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47602999853306,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Eiko Ishibashi \u0026 Darin Grey \/\/ Ichida LP","public_title":null,"options":["Default Title"],"price":429800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"880319917219","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ichi1.jpg?v=1754880592","\/\/tobirarecords.com\/cdn\/shop\/files\/ichi2.jpg?v=1754880592"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ichi1.jpg?v=1754880592","options":["Title"],"media":[{"alt":null,"id":36521611919610,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ichi1.jpg?v=1754880592"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ichi1.jpg?v=1754880592","width":700},{"alt":null,"id":36521611952378,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ichi2.jpg?v=1754880592"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ichi2.jpg?v=1754880592","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本のEiko IshibashiとアメリカのDarin Grey実験音楽家2名が、2025年7月にオーストラリアの実験レーベルBlack Truffleからリリースした再発レコードです。（オリジナルは2018年リリース）\u003c\/p\u003e\n\u003cp\u003eドローン・ジャズ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3300511378\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ichida Part 1 21:02\u003cbr\u003e2. Ichida Part 2 18:12\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is pleased to announce the release of Ichida, the first release from the duo of two important yet often underappreciated musicians, Eiko Ishibashi and Darin Gray. Ishibashi is a singer-songwriter, keyboardist, drummer, and multi-instrumentalist, known in Japan both for her own elaborately conceptual solo albums and for her frequent collaborations with figures such as Jim O’Rourke, Merzbow, and Phew. Darin Gray is a bassist and multi-instrumentalist known for a multitude of collaborations (with O’Rourke and Loren Connors, among many others), for On Fillmore, his cinematic post-exotica project with Glenn Kotche, and as one half of Chikamorachi with Chris Corsano, one of the finest free-jazz rhythm sections around. 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For much of the second side, both Ishibashi and Gray turn to electronics, ultimately arriving in a bizarre space of melancholic arpeggios and random sputter and sizzle, oddly reminiscent of 70s outsider prog acts like Wapassou. An uneasy coda of rich piano chords ends the set. Captured in warm room ambience and beautifully mixed by Jim O’Rourke, Ichida is a rare combination of improvisational acumen and emotional directness, both adventurous and immediately accessible.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eiko Ishibashi \u0026amp; Darin Grey\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 039\u003c\/span\u003e\u003c\/p\u003e"}
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日本のEiko IshibashiとアメリカのDarin Grey実験音楽家2名が、2025年7月にオーストラリアの実験レーベルBlack Truffleからリリースした再発レコードです。（オリジナルは2018年リリース） ドローン・ジャズ2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at...
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{"id":8884695761146,"title":"Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi \/\/ With pats on the head, just one too few is evil one too many is good that's all it is 3xLP","handle":"keiji-haino-jim-orourke-oren-ambarchi-with-pats-on-the-head-just-one-too-few-is-evil-one-too-many-is-good-thats-all-it-is-3xlp","description":"\u003cp\u003eKeiji HainoとJim O'Rourke、Oren Ambarchiが、2018年11月にスーパーデラックスで行ったライブ録音です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9qYQ1MuTzJw?si=iFjY99sFVjc5Ra5Q\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e3x12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy “Watashi Dake?” is definitely not included in this unequal treaty, is it? 13:13\u003c\/li\u003e\n\u003cli\u003eRight brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these? 09:57\u003c\/li\u003e\n\u003cli\u003e“Critical consciousness?” That’s been abandoned in corner of a shower room in a 53-storey apartment building inhabited by extra-terrestrial lifeforms….. 11:17\u003c\/li\u003e\n\u003cli\u003eI thought I had pulverized it summarily but there are just too many who lack reality or who are cowards so I cannot change a thing 15:17\u003c\/li\u003e\n\u003cli\u003eStill divided into pieces? Let’s reconnect them Recognise that you are a point And the longest line Let it become light 22:41\u003c\/li\u003e\n\u003cli\u003eI can no longer sense that sacred feeling of expression Just the loitering of vulgar vibrations that can only be described as a half-hearted class reunion Will you consent to this? 23:33\u003c\/li\u003e\n\u003cli\u003eThere are always things I wish to say but I can only convey them in this language August 6 August 9 16:59\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe heavyweight trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return with their 12th and most epic release to date, the triple LP With pats on the head, just one too few is evil one too many is good that's all it is. Documenting the entirety of their final performance at the dearly departed Roppongi home of Tokyo underground institution SuperDeluxe in November 2018, the music spread across these six sides splits the difference between the guitar-bass-drums power trio moves and experiments with novel instrumentation that have defined the trio’s decade of working together. Containing some of the most delicate music the three have committed to wax since the gorgeous 12-string acoustic guitar and dulcimer tones of Only wanting to melt beautifully away is it a lack of contentment that stirs affection for those things said to be as of yet unseen (BT011), this wide-ranging release also offers up some of their most blistering free rock performances yet.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe side-long opening piece finds Haino on a single snare drum in duet with O’Rourke on unamplified electric guitar, playing in the lovely post-Bailey vein heard on his classic 90s recordings with Henry Kaiser and Mats Gustafsson. Spiky dissonance and ringing harmonics interweave with flowing melodic fragments as Haino\u003cspan class=\"bcTruncateMore\"\u003e single-mindedly explores the resonance of the snare like an untutored Han Bennink. On ‘Right brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these?’, O’Rourke moves to synth and electronics, joined by Ambarchi on drums, who at first focuses on sizzle cymbals before hypnotic cycles of gentle tom rhythms combine with electronic burbles and flutters to suggest a dream collaboration between Masahiko Togashi and Jean Schwarz. Ambarchi’s percussion is then joined by Haino on wandering, overblown flute, before the man in black switches back to the snare for a bizarre, stuttering drum duet.\u003cbr\u003e\u003cbr\u003eFor the first trio performance, Haino makes another new addition to his seemingly infinite catalogue of instruments, this time a homemade contraption he refers to as ‘Strings of Dubious Reputation’. Joined by O’Rourke on increasingly spaced-out electric guitar and Ambarchi on skittering percussion, Haino’s wonky, slack strings adds a definite ‘musique brut’ edge to this side-long performance, certainly one of the most enchantingly odd in the trio’s discography. When the group reconvene for the second set, spread out across the final three sides, they seem ready to breathe fire from the first instant. O’Rourke slashes distorted chords on the six-string bass, Ambarchi breaks into his signature irregular caveman thump, and Haino squeals and squawks on heavily delayed oboe before unleashing an overpowering electrical storm when he first picks up the guitar. For over half an hour, the trio pound out one of their most relentless performances, a constantly rearranging kaleidoscope of tortured fuzz guitar, insanely busy bass riffing and propulsive, tumbling drums. A hushed atmosphere initially reigns on the final long piece, given the mournful title ‘There are always things I wish to say but I can only convey them in this language August 6 August 9’. Haino’s clean guitar strumming calls up the shimmering tones of his PSF classic Affection, gradually building to a surging wall of sound, bass and drums lumbering through a roar of jet-engine guitar.\u003cbr\u003e\u003cbr\u003eArriving in a deluxe trifold package with photos by Lasse Marhaug alongside inner sleeves with extensive live images, this epic release is perhaps the most remarkable document yet of this unique trio’s stamina and continuing inventiveness.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCat No : Black Truffle113\u003c\/p\u003e","published_at":"2025-08-11T07:42:11+09:00","created_at":"2025-08-11T07:41:30+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","jazz","lp","new"],"price":779800,"price_min":779800,"price_max":779800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47601831641338,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi \/\/ With pats on the head, just one too few is evil one too many is good that's all it is 3xLP","public_title":null,"options":["Default Title"],"price":779800,"weight":730,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101461378","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101","\/\/tobirarecords.com\/cdn\/shop\/files\/pat2.jpg?v=1706077101","\/\/tobirarecords.com\/cdn\/shop\/files\/pat3.jpg?v=1706077101"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101","options":["Title"],"media":[{"alt":null,"id":33040456646906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101","width":700},{"alt":null,"id":33040456679674,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat2.jpg?v=1706077101"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat2.jpg?v=1706077101","width":1200},{"alt":null,"id":33040456712442,"position":3,"preview_image":{"aspect_ratio":2.065,"height":581,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat3.jpg?v=1706077101"},"aspect_ratio":2.065,"height":581,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat3.jpg?v=1706077101","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eKeiji HainoとJim O'Rourke、Oren Ambarchiが、2018年11月にスーパーデラックスで行ったライブ録音です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9qYQ1MuTzJw?si=iFjY99sFVjc5Ra5Q\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e3x12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy “Watashi Dake?” is definitely not included in this unequal treaty, is it? 13:13\u003c\/li\u003e\n\u003cli\u003eRight brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these? 09:57\u003c\/li\u003e\n\u003cli\u003e“Critical consciousness?” That’s been abandoned in corner of a shower room in a 53-storey apartment building inhabited by extra-terrestrial lifeforms….. 11:17\u003c\/li\u003e\n\u003cli\u003eI thought I had pulverized it summarily but there are just too many who lack reality or who are cowards so I cannot change a thing 15:17\u003c\/li\u003e\n\u003cli\u003eStill divided into pieces? Let’s reconnect them Recognise that you are a point And the longest line Let it become light 22:41\u003c\/li\u003e\n\u003cli\u003eI can no longer sense that sacred feeling of expression Just the loitering of vulgar vibrations that can only be described as a half-hearted class reunion Will you consent to this? 23:33\u003c\/li\u003e\n\u003cli\u003eThere are always things I wish to say but I can only convey them in this language August 6 August 9 16:59\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe heavyweight trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return with their 12th and most epic release to date, the triple LP With pats on the head, just one too few is evil one too many is good that's all it is. Documenting the entirety of their final performance at the dearly departed Roppongi home of Tokyo underground institution SuperDeluxe in November 2018, the music spread across these six sides splits the difference between the guitar-bass-drums power trio moves and experiments with novel instrumentation that have defined the trio’s decade of working together. Containing some of the most delicate music the three have committed to wax since the gorgeous 12-string acoustic guitar and dulcimer tones of Only wanting to melt beautifully away is it a lack of contentment that stirs affection for those things said to be as of yet unseen (BT011), this wide-ranging release also offers up some of their most blistering free rock performances yet.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe side-long opening piece finds Haino on a single snare drum in duet with O’Rourke on unamplified electric guitar, playing in the lovely post-Bailey vein heard on his classic 90s recordings with Henry Kaiser and Mats Gustafsson. Spiky dissonance and ringing harmonics interweave with flowing melodic fragments as Haino\u003cspan class=\"bcTruncateMore\"\u003e single-mindedly explores the resonance of the snare like an untutored Han Bennink. On ‘Right brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these?’, O’Rourke moves to synth and electronics, joined by Ambarchi on drums, who at first focuses on sizzle cymbals before hypnotic cycles of gentle tom rhythms combine with electronic burbles and flutters to suggest a dream collaboration between Masahiko Togashi and Jean Schwarz. Ambarchi’s percussion is then joined by Haino on wandering, overblown flute, before the man in black switches back to the snare for a bizarre, stuttering drum duet.\u003cbr\u003e\u003cbr\u003eFor the first trio performance, Haino makes another new addition to his seemingly infinite catalogue of instruments, this time a homemade contraption he refers to as ‘Strings of Dubious Reputation’. Joined by O’Rourke on increasingly spaced-out electric guitar and Ambarchi on skittering percussion, Haino’s wonky, slack strings adds a definite ‘musique brut’ edge to this side-long performance, certainly one of the most enchantingly odd in the trio’s discography. When the group reconvene for the second set, spread out across the final three sides, they seem ready to breathe fire from the first instant. O’Rourke slashes distorted chords on the six-string bass, Ambarchi breaks into his signature irregular caveman thump, and Haino squeals and squawks on heavily delayed oboe before unleashing an overpowering electrical storm when he first picks up the guitar. For over half an hour, the trio pound out one of their most relentless performances, a constantly rearranging kaleidoscope of tortured fuzz guitar, insanely busy bass riffing and propulsive, tumbling drums. A hushed atmosphere initially reigns on the final long piece, given the mournful title ‘There are always things I wish to say but I can only convey them in this language August 6 August 9’. Haino’s clean guitar strumming calls up the shimmering tones of his PSF classic Affection, gradually building to a surging wall of sound, bass and drums lumbering through a roar of jet-engine guitar.\u003cbr\u003e\u003cbr\u003eArriving in a deluxe trifold package with photos by Lasse Marhaug alongside inner sleeves with extensive live images, this epic release is perhaps the most remarkable document yet of this unique trio’s stamina and continuing inventiveness.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCat No : Black Truffle113\u003c\/p\u003e"}
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Keiji HainoとJim O'Rourke、Oren Ambarchiが、2018年11月にスーパーデラックスで行ったライブ録音です。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
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{"id":8883867713786,"title":"Wolfgang Pérez \/\/ Só Ouço LP","handle":"wolfgang-perez-so-ouco-lp","description":"\u003cp\u003eドイツ／スペインのシンガーソングライターWolfgang Pérezが、2025年7月にイギリス・ブライトンのワールドレーベルHive Mindからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e実験ポップ〜レフトフィールド・ボサノヴァ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1942559037\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hive-mind-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hive-mind-records\"\u003ehere\u003c\/a\u003e to see more Hive Mind Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Rádio (feat. Carol Maia) 04:33\u003cbr\u003e2. Tristeza 05:27\u003cbr\u003e3. Tá Errado 05:40\u003cbr\u003e4. Só No Sonho 06:22\u003cbr\u003e5. Só Ouco 05:07\u003cbr\u003e6. Leva-Me Pra Casa 04:59\u003cbr\u003e7. O Mundo É Um Moinho (feat. Thiago Nassif) 04:45\u003cbr\u003e8. E De Repente Acabou 04:56\u003cbr\u003e9. Nem Quero Asas 03:15\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHive Mind Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTaking influence from the pioneers of Música Popular Brasileira, Wolfgang Pérez has crafted an exquisite album of summery experimental pop music that encapsulates the beauty and chaos of modern Brazil. A must-listen for fans of Tom Zé, Gilberto Gil, Kiko Dinucci, Negro Leo, Ricardo Dias Gomes, and João Gilberto.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGenre-blending songwriter, arranger, and guitarist Wolfgang Pérez is set to release his highly anticipated new album Só Ouço in July 2025 on Hive Mind. Known for his unique fusion of influences, the German-Spanish artist first captured attention with his 2021 debut WHO CARES WHO CARES (Fun In The Church), followed by the critically acclaimed Spanish-language album AHORA (BAUMUSIK, 2024).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSó Ouço is the fruit of an 18-month creative residency in Rio de Janeiro, where Pérez collaborated with a group of young Brazilian musicians. Deeply inspired by the city's sounds and rhythms, the album marks an exciting chapter in Pérez’s evolving artistic journey.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 2022, Wolfgang Pérez arrived in Rio de Janeiro on a university exchange to study composition, and quickly found himself immersed in the city’s rich musical landscape. Introduced early on to Rio icons like Thiago Nassif, Arto Lindsay, and Ana Frango Elétrico, what began as a semester turned into a transformative three-semester\u003cspan class=\"bcTruncateMore\"\u003e stay. Pérez absorbed the city's contrasts - it's beauty, its people, it's chaos and violence, all it's contradictions and life - while deeply studying Brazilian music at UFRJ\/UNIRIO under the guidance of masters Josimar Carneiro, Marcello Gonçalves and Almir Cortes.\u003cbr\u003e\u003cbr\u003eWolfgang spent the first 6 months or so soaking in as much as possible, going to shows, to the baile funk parties, walking the streets, hiking the mountains in and around Rio, listening to music, making friends, learning where to go and where not to, learning the language, learning the slang, incorporating the culture. He used the time to forget himself in the vibrance of the city.\u003cbr\u003e\u003cbr\u003eAfter this the band came together through a series of chance encounters and happy accidents...some loose jam sessions led to shows around Rio, where Wolfgang, alongside Luis Magalhães (bass), Pedro Fonte (drums) and Paulo Emmery (electric guitar), started to flesh out some of Wolfgang's compositions. At a show at Audio Rebel they met Angelo Wolf (owner of Wolf Estúdio and engineer for artists such as Bala Desejo, Dora Morelenbaum, Zé Ibarra, Marcos Valle, Antonio Neves and Ana Frango Elétrico); moved by the music, Wolf offered Pérez residency and studio time at Wolf Estúdio, providing the foundation for Só Ouço. Angelo was a catalyst for the production of Só Ouço, his openness and generosity helping to shape the sound of the record. Carol Maia, a young guitarist, lyricist and singer brought a sensitivity and tenderness to the songs, while Antonio Neves helped to pull together the brass and woodwind players who would complete the lush sound of the album.\u003cbr\u003e\u003cbr\u003eMeticulously arranged, and beautifully composed, Só Ouço is a joy to listen to and surprising at every turn. Classic songwriting and cutting edge production blend to produce an album that is by turns tender and gentle, abrasive and unsettling, a joyful celebration of life in all its complexity.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wolfgang Pérez\u003c\/p\u003e\n\u003cp\u003eLabel : Hive Mind Records\u003c\/p\u003e\n\u003cp\u003ecat no : HMRLP039\u003c\/p\u003e","published_at":"2025-08-13T11:58:49+09:00","created_at":"2025-08-09T19:36:05+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","hive mind records","jazz","lp","new"],"price":443500,"price_min":443500,"price_max":443500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47599393636602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Wolfgang Pérez \/\/ Só Ouço LP","public_title":null,"options":["Default Title"],"price":443500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/so1_c6410f2e-83ab-4971-aa3d-d9cd6539ace3.jpg?v=1754735658","\/\/tobirarecords.com\/cdn\/shop\/files\/so2_9f51516e-6fb3-46d6-859c-691097554ec0.jpg?v=1754735658"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/so1_c6410f2e-83ab-4971-aa3d-d9cd6539ace3.jpg?v=1754735658","options":["Title"],"media":[{"alt":null,"id":36509575217402,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/so1_c6410f2e-83ab-4971-aa3d-d9cd6539ace3.jpg?v=1754735658"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/so1_c6410f2e-83ab-4971-aa3d-d9cd6539ace3.jpg?v=1754735658","width":700},{"alt":null,"id":36509575250170,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/so2_9f51516e-6fb3-46d6-859c-691097554ec0.jpg?v=1754735658"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/so2_9f51516e-6fb3-46d6-859c-691097554ec0.jpg?v=1754735658","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ／スペインのシンガーソングライターWolfgang Pérezが、2025年7月にイギリス・ブライトンのワールドレーベルHive Mindからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e実験ポップ〜レフトフィールド・ボサノヴァ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1942559037\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hive-mind-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hive-mind-records\"\u003ehere\u003c\/a\u003e to see more Hive Mind Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Rádio (feat. Carol Maia) 04:33\u003cbr\u003e2. Tristeza 05:27\u003cbr\u003e3. Tá Errado 05:40\u003cbr\u003e4. Só No Sonho 06:22\u003cbr\u003e5. Só Ouco 05:07\u003cbr\u003e6. Leva-Me Pra Casa 04:59\u003cbr\u003e7. O Mundo É Um Moinho (feat. Thiago Nassif) 04:45\u003cbr\u003e8. E De Repente Acabou 04:56\u003cbr\u003e9. Nem Quero Asas 03:15\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHive Mind Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTaking influence from the pioneers of Música Popular Brasileira, Wolfgang Pérez has crafted an exquisite album of summery experimental pop music that encapsulates the beauty and chaos of modern Brazil. A must-listen for fans of Tom Zé, Gilberto Gil, Kiko Dinucci, Negro Leo, Ricardo Dias Gomes, and João Gilberto.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGenre-blending songwriter, arranger, and guitarist Wolfgang Pérez is set to release his highly anticipated new album Só Ouço in July 2025 on Hive Mind. Known for his unique fusion of influences, the German-Spanish artist first captured attention with his 2021 debut WHO CARES WHO CARES (Fun In The Church), followed by the critically acclaimed Spanish-language album AHORA (BAUMUSIK, 2024).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSó Ouço is the fruit of an 18-month creative residency in Rio de Janeiro, where Pérez collaborated with a group of young Brazilian musicians. Deeply inspired by the city's sounds and rhythms, the album marks an exciting chapter in Pérez’s evolving artistic journey.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 2022, Wolfgang Pérez arrived in Rio de Janeiro on a university exchange to study composition, and quickly found himself immersed in the city’s rich musical landscape. Introduced early on to Rio icons like Thiago Nassif, Arto Lindsay, and Ana Frango Elétrico, what began as a semester turned into a transformative three-semester\u003cspan class=\"bcTruncateMore\"\u003e stay. Pérez absorbed the city's contrasts - it's beauty, its people, it's chaos and violence, all it's contradictions and life - while deeply studying Brazilian music at UFRJ\/UNIRIO under the guidance of masters Josimar Carneiro, Marcello Gonçalves and Almir Cortes.\u003cbr\u003e\u003cbr\u003eWolfgang spent the first 6 months or so soaking in as much as possible, going to shows, to the baile funk parties, walking the streets, hiking the mountains in and around Rio, listening to music, making friends, learning where to go and where not to, learning the language, learning the slang, incorporating the culture. He used the time to forget himself in the vibrance of the city.\u003cbr\u003e\u003cbr\u003eAfter this the band came together through a series of chance encounters and happy accidents...some loose jam sessions led to shows around Rio, where Wolfgang, alongside Luis Magalhães (bass), Pedro Fonte (drums) and Paulo Emmery (electric guitar), started to flesh out some of Wolfgang's compositions. At a show at Audio Rebel they met Angelo Wolf (owner of Wolf Estúdio and engineer for artists such as Bala Desejo, Dora Morelenbaum, Zé Ibarra, Marcos Valle, Antonio Neves and Ana Frango Elétrico); moved by the music, Wolf offered Pérez residency and studio time at Wolf Estúdio, providing the foundation for Só Ouço. Angelo was a catalyst for the production of Só Ouço, his openness and generosity helping to shape the sound of the record. Carol Maia, a young guitarist, lyricist and singer brought a sensitivity and tenderness to the songs, while Antonio Neves helped to pull together the brass and woodwind players who would complete the lush sound of the album.\u003cbr\u003e\u003cbr\u003eMeticulously arranged, and beautifully composed, Só Ouço is a joy to listen to and surprising at every turn. Classic songwriting and cutting edge production blend to produce an album that is by turns tender and gentle, abrasive and unsettling, a joyful celebration of life in all its complexity.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wolfgang Pérez\u003c\/p\u003e\n\u003cp\u003eLabel : Hive Mind Records\u003c\/p\u003e\n\u003cp\u003ecat no : HMRLP039\u003c\/p\u003e"}
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ドイツ／スペインのシンガーソングライターWolfgang Pérezが、2025年7月にイギリス・ブライトンのワールドレーベルHive Mindからリリースした2枚組レコードです。 実験ポップ〜レフトフィールド・ボサノヴァ9曲を収録。 レーベルその他作品はこちら /// Click here to see more Hive Mind Records releases available at...
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{"id":8881106354426,"title":"Eliot Krimsky \/\/ I Made My House LP","handle":"eliot-krimsky-i-made-my-house-lp","description":"\u003cp\u003eアメリカのピアニストEliot Krimskyが、2025年8月にオレゴンのサイケ・アンビエント大巣窟Moon Glyphからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e穏やかな時間を演出するポストニューエイジ・ジャズ〜アンビエント・フォーク13曲を収録。\u003c\/p\u003e\n\u003cp\u003eマスタリングはSean McCannが担当しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"作曲家でありソングライターでもあるEliot Krimskyのニューアルバム『I Made My House』は、悲しみ、記憶、時間を旅する作品だ。2022年に父親を突然亡くしたことをきっかけに制作されたこのアルバムは、夢や記憶、死後の世界が浮かんでは消えるような、喪失の限界空間を呼び起こす。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアートポップバンドGlass Ghostのヴォーカル／共同創設者として知られるEliot Krimskyは、この作品に、親密なハープのようなピアノ、テープマニピュレーション、重層的なトランペットとサックスの即興演奏、そして彼独特のファルセットといった、深く個人的な音のパレットを持ち込んでいる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアルバムの中心は、1980年代にEliot Krimskyと彼の父親が交わした会話のアーカイブ・カセットテープである。この壊れやすい録音がアルバム全体を脈動させ、愛、無常、時の流れを通じた感情の物語を語る曲の土台となっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEliot Krimskyは、彼が育った家で父親の声をリ・アンプしたり、テープディレイをかけたり、3階上から幼少期のピアノを録音したりといったテクニックを駆使し、時を超えて広がる音空間を創り出した。深い喪失感を処理する方法として始まったこの作品は、音、記憶、そして音楽の変容力によって建てられた家となった。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=171909344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1193744239\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=171909344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2735873065\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=171909344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=171909344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3109450363\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"im\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mogl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mogl\"\u003ehere\u003c\/a\u003e to see more Moon Glyph releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003cwbr\u003e---------\u003c\/wbr\u003e\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Astral\u003cbr\u003e2. Feel I'm Getting Closer 04:06\u003cbr\u003e3. Chasing My Shadow 04:19\u003cbr\u003e4. Through The Feeling\u003cbr\u003e5. My Heart Sings Out To You\u003cbr\u003e6. Long Way\u003cbr\u003e7. Transmission 03:11\u003cbr\u003e8. I Made My House\u003cbr\u003e9. Time Waves\u003cbr\u003e10. In The Field Of Memory\u003cbr\u003e11. Ghosts In The Garden\u003cbr\u003e12. Be Here Now\u003cbr\u003e13. New Directions\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eMoon Glyph:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“'I Made My House' is the new album by composer and songwriter Eliot Krimsky, a journey through grief, memory, and time. Sparked by the unexpected passing of his father in 2022, the album evokes a liminal space of loss where dreams, memories and the afterlife drift in and out of focus.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eKnown as the lead singer and co-founder of the art-pop band Glass Ghost, Krimsky brings a deeply personal sonic palette to this work: intimate harp-like piano, tape-styled manipulations, layered trumpet \u0026amp; sax improvisations and his distinctive falsetto.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt the heart of the album is an archival cassette tape; a conversation between Krimsky and his father from the 1980s. This fragile recording pulses and weaves throughout the album, grounding songs that tell a story of emotions through love, impermanence, and the passage of time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUsing techniques like re-amping his father’s voice in the house he grew up in, tape delays, and recording his childhood piano from three floors above, Krimsky creates sonic spaces that stretch across time. What began as a way to process profound loss became a house built from sound, memory, and the transformative power of music.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eliot Krimsky\u003c\/p\u003e\n\u003cp\u003eLabel : Moon Glyph\u003c\/p\u003e","published_at":"2025-08-08T18:05:35+09:00","created_at":"2025-08-08T12:21:36+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","jazz","lp","moon glyph","new","post newage","recommended"],"price":399500,"price_min":399500,"price_max":399500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47593394635002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Eliot Krimsky \/\/ I Made My House LP","public_title":null,"options":["Default Title"],"price":399500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/made1.jpg?v=1754623187","\/\/tobirarecords.com\/cdn\/shop\/files\/made2.jpg?v=1754623187"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/made1.jpg?v=1754623187","options":["Title"],"media":[{"alt":null,"id":36496974741754,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/made1.jpg?v=1754623187"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/made1.jpg?v=1754623187","width":700},{"alt":null,"id":36496974774522,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/made2.jpg?v=1754623187"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/made2.jpg?v=1754623187","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのピアニストEliot Krimskyが、2025年8月にオレゴンのサイケ・アンビエント大巣窟Moon Glyphからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e穏やかな時間を演出するポストニューエイジ・ジャズ〜アンビエント・フォーク13曲を収録。\u003c\/p\u003e\n\u003cp\u003eマスタリングはSean McCannが担当しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"作曲家でありソングライターでもあるEliot Krimskyのニューアルバム『I Made My House』は、悲しみ、記憶、時間を旅する作品だ。2022年に父親を突然亡くしたことをきっかけに制作されたこのアルバムは、夢や記憶、死後の世界が浮かんでは消えるような、喪失の限界空間を呼び起こす。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアートポップバンドGlass Ghostのヴォーカル／共同創設者として知られるEliot Krimskyは、この作品に、親密なハープのようなピアノ、テープマニピュレーション、重層的なトランペットとサックスの即興演奏、そして彼独特のファルセットといった、深く個人的な音のパレットを持ち込んでいる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアルバムの中心は、1980年代にEliot Krimskyと彼の父親が交わした会話のアーカイブ・カセットテープである。この壊れやすい録音がアルバム全体を脈動させ、愛、無常、時の流れを通じた感情の物語を語る曲の土台となっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEliot Krimskyは、彼が育った家で父親の声をリ・アンプしたり、テープディレイをかけたり、3階上から幼少期のピアノを録音したりといったテクニックを駆使し、時を超えて広がる音空間を創り出した。深い喪失感を処理する方法として始まったこの作品は、音、記憶、そして音楽の変容力によって建てられた家となった。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=171909344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1193744239\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=171909344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2735873065\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=171909344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=171909344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3109450363\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"im\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mogl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mogl\"\u003ehere\u003c\/a\u003e to see more Moon Glyph releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003cwbr\u003e---------\u003c\/wbr\u003e\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Astral\u003cbr\u003e2. Feel I'm Getting Closer 04:06\u003cbr\u003e3. Chasing My Shadow 04:19\u003cbr\u003e4. Through The Feeling\u003cbr\u003e5. My Heart Sings Out To You\u003cbr\u003e6. Long Way\u003cbr\u003e7. Transmission 03:11\u003cbr\u003e8. I Made My House\u003cbr\u003e9. Time Waves\u003cbr\u003e10. In The Field Of Memory\u003cbr\u003e11. Ghosts In The Garden\u003cbr\u003e12. Be Here Now\u003cbr\u003e13. New Directions\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eMoon Glyph:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“'I Made My House' is the new album by composer and songwriter Eliot Krimsky, a journey through grief, memory, and time. Sparked by the unexpected passing of his father in 2022, the album evokes a liminal space of loss where dreams, memories and the afterlife drift in and out of focus.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eKnown as the lead singer and co-founder of the art-pop band Glass Ghost, Krimsky brings a deeply personal sonic palette to this work: intimate harp-like piano, tape-styled manipulations, layered trumpet \u0026amp; sax improvisations and his distinctive falsetto.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt the heart of the album is an archival cassette tape; a conversation between Krimsky and his father from the 1980s. This fragile recording pulses and weaves throughout the album, grounding songs that tell a story of emotions through love, impermanence, and the passage of time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUsing techniques like re-amping his father’s voice in the house he grew up in, tape delays, and recording his childhood piano from three floors above, Krimsky creates sonic spaces that stretch across time. What began as a way to process profound loss became a house built from sound, memory, and the transformative power of music.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eliot Krimsky\u003c\/p\u003e\n\u003cp\u003eLabel : Moon Glyph\u003c\/p\u003e"}
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アメリカのピアニストEliot Krimskyが、2025年8月にオレゴンのサイケ・アンビエント大巣窟Moon Glyphからリリースしたレコードです。 穏やかな時間を演出するポストニューエイジ・ジャズ〜アンビエント・フォーク13曲を収録。 マスタリングはSean McCannが担当しています。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "作曲家でありソングライターでもあるEliot Krimskyのニューアルバム『I Made My House』は、悲しみ、記憶、時間を旅する作品だ。2022年に父親を突然亡くしたことをきっかけに制作されたこのアルバムは、夢や記憶、死後の世界が浮かんでは消えるような、喪失の限界空間を呼び起こす。 アートポップバンドGlass...
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クイックビュー
{"id":8881040064762,"title":"Giorgi Koberidze \/\/ Forests, Tales, Cities, Forests LP","handle":"giorgi-koberidze-forests-tales-cities-forests-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※10月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eジョージアの作曲家Giorgi Koberidzeが、2025年7月にイギリスのKitからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・ジャズ〜ネオクラシカル・アンビエント9曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"受賞歴のあるプロデューサー兼作曲家Giorgi Koberidzeが、グルジアのモダンクラシック音楽を360度の電子音響テクスチャーで表現した、衝撃的なデビュー作である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGiorgi Koberidzeはグルジア出身の電子音楽とクラシック音楽の作曲家。現在、トビリシ国立音楽院とイリア国立大学の教授を務めている。Giorgi Koberidzeの作品はグルジア音楽の伝統に根ざしており、土着の楽器と電子音楽、西洋のクラシックの音色を掛け合わせている。最近、トビリシ・コンセルヴァトワールの作曲家賞で第1位を獲得し、グルジアで最も権威ある文化賞ツィナンダリ賞を受賞した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの作品は、暗い映画館のサラウンドサウンドの中で、めくるめく音のインクブロット・イメージの連続のように吸収されるように設計されている。この作品を聴くたびに、投影的な豊かさが感じられ、感覚の鋭さの半分の光の中で、物語の多元的な世界を思い起こさせる。自宅では、外的刺激のない暗くて快適な空間でレコードを体験する時間を確保するよう、Giorgi Koberidzeはリスナーを誘う。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4091351073\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003ehere\u003c\/a\u003e to see more Kit Records \/ SWIMS releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Forests, Tales, Cities, Forests: I 12:08\u003cbr\u003e2. Forests, Tales, Cities, Forests: II 06:30\u003cbr\u003e3. Forests, Tales, Cities, Forests: III 02:23\u003cbr\u003e4. Forests, Tales, Cities, Forests: IV 09:34\u003cbr\u003e5. Forests, Tales, Cities, Forests: V 02:40\u003cbr\u003e6. Forests, Tales, Cities, Forests: VI 09:19\u003cbr\u003e7. Forests, Tales, Cities, Forests: VII 10:21\u003cbr\u003e8. Forests, Tales, Cities, Forests: VIII 04:16\u003cbr\u003e9. Forests, Tales, Cities, Forests: IX 09:39\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eKit Records:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Award-winning producer and composer Giorgi Koberidze offers up a head-spinning debut of Georgian modern classical music shot through with 360° electroacoustic textures.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGiorgi Koberidze is an electronic and classical music composer from Georgia. He currently serves as a professor of music at Tbilisi State Conservatoire, and Ilia State University. Giorgi's work is rooted in the Georgian musical tradition, cross-pollinating indigenous instrumentation with electronic and western classical timbres. He recently won first prize in the Tbilisi Conservatoire Composers Awards, and received Georgia's most prestigious cultural gong, the Tsinandali Award.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"𝑭𝒐𝒓𝒆𝒔𝒕𝒔, 𝑻𝒂𝒍𝒆𝒔, 𝑪𝒊𝒕𝒊𝒆𝒔, 𝑭𝒐𝒓𝒆𝒔𝒕𝒔\" was premiered in Georgia at the Kutaisi Film Festival, and later showcased at the Tbilisi Film Festival. Working from graphic scores, Giorgi's ensemble includes strings, woodwind and traditional instruments from the Caucasus (doli, chuniri). Fleeting voices, field recordings and skittering percussion converge to paint a storied map of Tbilisi, and its surrounding terrain of forested polyphony and microtonal peaks and crags.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe piece is designed to be absorbed in the surround sound of darkened movie theatres, like a dizzying series of sonic inkblot images. In this way, each listen of \"𝑭𝒐𝒓𝒆𝒔𝒕𝒔, 𝑻𝒂𝒍𝒆𝒔, 𝑪𝒊𝒕𝒊𝒆𝒔, 𝑭𝒐𝒓𝒆𝒔𝒕𝒔\" is projectively rich, conjuring a multiverse of narratives in the half-light of sensory acuity. At home, Giorgi invites listeners to set aside time to experience the record in a dark, comfortable space absent of external stimuli.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis album was made with the support of the Tbilisi State Conservatoire. The recordings were funded by Nicolas Jaar. Thank you. We are beyond proud to present this incredible project.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecommended for fans of Pierre Bastien, Roméo Poirier, Jan Jelinek. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giorgi Koberidze\u003c\/p\u003e\n\u003cp\u003eLabel : Kit Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKR79\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-08T15:11:23+09:00","created_at":"2025-08-08T11:42:28+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","kit records","lp","neo classical","new","post newage"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47593081700602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Giorgi Koberidze \/\/ Forests, Tales, Cities, Forests LP","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/for1_fe63f276-bd01-4afc-a02b-2fdeb190144e.jpg?v=1754620848","\/\/tobirarecords.com\/cdn\/shop\/files\/for2_9b2333ad-714f-4e05-9c29-bef2eb2a7116.jpg?v=1754620848"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/for1_fe63f276-bd01-4afc-a02b-2fdeb190144e.jpg?v=1754620848","options":["Title"],"media":[{"alt":null,"id":36496512844026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/for1_fe63f276-bd01-4afc-a02b-2fdeb190144e.jpg?v=1754620848"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/for1_fe63f276-bd01-4afc-a02b-2fdeb190144e.jpg?v=1754620848","width":700},{"alt":null,"id":36496512876794,"position":2,"preview_image":{"aspect_ratio":1.354,"height":886,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/for2_9b2333ad-714f-4e05-9c29-bef2eb2a7116.jpg?v=1754620848"},"aspect_ratio":1.354,"height":886,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/for2_9b2333ad-714f-4e05-9c29-bef2eb2a7116.jpg?v=1754620848","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※10月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eジョージアの作曲家Giorgi Koberidzeが、2025年7月にイギリスのKitからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・ジャズ〜ネオクラシカル・アンビエント9曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"受賞歴のあるプロデューサー兼作曲家Giorgi Koberidzeが、グルジアのモダンクラシック音楽を360度の電子音響テクスチャーで表現した、衝撃的なデビュー作である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGiorgi Koberidzeはグルジア出身の電子音楽とクラシック音楽の作曲家。現在、トビリシ国立音楽院とイリア国立大学の教授を務めている。Giorgi Koberidzeの作品はグルジア音楽の伝統に根ざしており、土着の楽器と電子音楽、西洋のクラシックの音色を掛け合わせている。最近、トビリシ・コンセルヴァトワールの作曲家賞で第1位を獲得し、グルジアで最も権威ある文化賞ツィナンダリ賞を受賞した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの作品は、暗い映画館のサラウンドサウンドの中で、めくるめく音のインクブロット・イメージの連続のように吸収されるように設計されている。この作品を聴くたびに、投影的な豊かさが感じられ、感覚の鋭さの半分の光の中で、物語の多元的な世界を思い起こさせる。自宅では、外的刺激のない暗くて快適な空間でレコードを体験する時間を確保するよう、Giorgi Koberidzeはリスナーを誘う。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4091351073\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003ehere\u003c\/a\u003e to see more Kit Records \/ SWIMS releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Forests, Tales, Cities, Forests: I 12:08\u003cbr\u003e2. Forests, Tales, Cities, Forests: II 06:30\u003cbr\u003e3. Forests, Tales, Cities, Forests: III 02:23\u003cbr\u003e4. Forests, Tales, Cities, Forests: IV 09:34\u003cbr\u003e5. Forests, Tales, Cities, Forests: V 02:40\u003cbr\u003e6. Forests, Tales, Cities, Forests: VI 09:19\u003cbr\u003e7. Forests, Tales, Cities, Forests: VII 10:21\u003cbr\u003e8. Forests, Tales, Cities, Forests: VIII 04:16\u003cbr\u003e9. Forests, Tales, Cities, Forests: IX 09:39\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eKit Records:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Award-winning producer and composer Giorgi Koberidze offers up a head-spinning debut of Georgian modern classical music shot through with 360° electroacoustic textures.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGiorgi Koberidze is an electronic and classical music composer from Georgia. He currently serves as a professor of music at Tbilisi State Conservatoire, and Ilia State University. Giorgi's work is rooted in the Georgian musical tradition, cross-pollinating indigenous instrumentation with electronic and western classical timbres. He recently won first prize in the Tbilisi Conservatoire Composers Awards, and received Georgia's most prestigious cultural gong, the Tsinandali Award.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"𝑭𝒐𝒓𝒆𝒔𝒕𝒔, 𝑻𝒂𝒍𝒆𝒔, 𝑪𝒊𝒕𝒊𝒆𝒔, 𝑭𝒐𝒓𝒆𝒔𝒕𝒔\" was premiered in Georgia at the Kutaisi Film Festival, and later showcased at the Tbilisi Film Festival. Working from graphic scores, Giorgi's ensemble includes strings, woodwind and traditional instruments from the Caucasus (doli, chuniri). Fleeting voices, field recordings and skittering percussion converge to paint a storied map of Tbilisi, and its surrounding terrain of forested polyphony and microtonal peaks and crags.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe piece is designed to be absorbed in the surround sound of darkened movie theatres, like a dizzying series of sonic inkblot images. In this way, each listen of \"𝑭𝒐𝒓𝒆𝒔𝒕𝒔, 𝑻𝒂𝒍𝒆𝒔, 𝑪𝒊𝒕𝒊𝒆𝒔, 𝑭𝒐𝒓𝒆𝒔𝒕𝒔\" is projectively rich, conjuring a multiverse of narratives in the half-light of sensory acuity. At home, Giorgi invites listeners to set aside time to experience the record in a dark, comfortable space absent of external stimuli.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis album was made with the support of the Tbilisi State Conservatoire. The recordings were funded by Nicolas Jaar. Thank you. We are beyond proud to present this incredible project.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecommended for fans of Pierre Bastien, Roméo Poirier, Jan Jelinek. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giorgi Koberidze\u003c\/p\u003e\n\u003cp\u003eLabel : Kit Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKR79\u003c\/span\u003e\u003c\/p\u003e"}
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※10月中旬再入荷後発送します ジョージアの作曲家Giorgi Koberidzeが、2025年7月にイギリスのKitからリリースしたレコードです。 ポストニューエイジ・ジャズ〜ネオクラシカル・アンビエント9曲を収録。 以下、レーベルによる解説です。 "受賞歴のあるプロデューサー兼作曲家Giorgi Koberidzeが、グルジアのモダンクラシック音楽を360度の電子音響テクスチャーで表現した、衝撃的なデビュー作である。 Giorgi Koberidzeはグルジア出身の電子音楽とクラシック音楽の作曲家。現在、トビリシ国立音楽院とイリア国立大学の教授を務めている。Giorgi Koberidzeの作品はグルジア音楽の伝統に根ざしており、土着の楽器と電子音楽、西洋のクラシックの音色を掛け合わせている。最近、トビリシ・コンセルヴァトワールの作曲家賞で第1位を獲得し、グルジアで最も権威ある文化賞ツィナンダリ賞を受賞した。 この作品は、暗い映画館のサラウンドサウンドの中で、めくるめく音のインクブロット・イメージの連続のように吸収されるように設計されている。この作品を聴くたびに、投影的な豊かさが感じられ、感覚の鋭さの半分の光の中で、物語の多元的な世界を思い起こさせる。自宅では、外的刺激のない暗くて快適な空間でレコードを体験する時間を確保するよう、Giorgi Koberidzeはリスナーを誘う。" レーベルその他作品はこちら /// Click here...
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{"id":8880279978234,"title":"Kohlhaas x Tobira Records CAP","handle":"kohlhaas-tobira-cap","description":"\u003cp\u003eイタリアの実験レーベルKohlhaasとTobira RecordsのダブルネームCAPです。\u003c\/p\u003e\n\u003cp\u003e100%ヘビーウォッシュドコットン仕様、ドイツ製です。\u003c\/p\u003e\n\u003cp\u003e※佐川急便での発送となりますのでレコード等とお求めいただくとお得です\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVintage style black cap featuring Kohlhaas and Tobira Records designed by 4rchipel.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEmbroidered white logo\u003cbr\u003eUnisize\u003cbr\u003e100% heavy washed cotton\u003cbr\u003eSelf-fabric strap with brass effect buckle\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003ehere\u003c\/a\u003e to see more Kohlhaas releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eKohlhaas x Tobira Records\u003c\/p\u003e","published_at":"2025-08-07T13:35:34+09:00","created_at":"2025-08-07T13:31:21+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","drone","jazz","kohlhaas","monooto","new","recommended","tobira records \/ hakobune"],"price":548000,"price_min":548000,"price_max":548000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47591085703418,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kohlhaas x Tobira Records CAP","public_title":null,"options":["Default Title"],"price":548000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_24902.jpg?v=1754651583","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_2468_fe1b0e87-c757-48b2-ab0e-e4c9507af989.jpg?v=1754651583","\/\/tobirarecords.com\/cdn\/shop\/files\/0037980987_10.jpg?v=1754651583","\/\/tobirarecords.com\/cdn\/shop\/files\/0037980983_10.jpg?v=1754651583"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_24902.jpg?v=1754651583","options":["Title"],"media":[{"alt":null,"id":36500749385978,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1743,"width":1743,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_24902.jpg?v=1754651583"},"aspect_ratio":1.0,"height":1743,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_24902.jpg?v=1754651583","width":1743},{"alt":null,"id":36491660230906,"position":2,"preview_image":{"aspect_ratio":1.0,"height":3024,"width":3024,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_2468_fe1b0e87-c757-48b2-ab0e-e4c9507af989.jpg?v=1754651583"},"aspect_ratio":1.0,"height":3024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_2468_fe1b0e87-c757-48b2-ab0e-e4c9507af989.jpg?v=1754651583","width":3024},{"alt":null,"id":36492086673658,"position":3,"preview_image":{"aspect_ratio":1.0,"height":900,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037980987_10.jpg?v=1754651583"},"aspect_ratio":1.0,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037980987_10.jpg?v=1754651583","width":900},{"alt":null,"id":36492074615034,"position":4,"preview_image":{"aspect_ratio":1.0,"height":900,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037980983_10.jpg?v=1754651583"},"aspect_ratio":1.0,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037980983_10.jpg?v=1754651583","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験レーベルKohlhaasとTobira RecordsのダブルネームCAPです。\u003c\/p\u003e\n\u003cp\u003e100%ヘビーウォッシュドコットン仕様、ドイツ製です。\u003c\/p\u003e\n\u003cp\u003e※佐川急便での発送となりますのでレコード等とお求めいただくとお得です\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVintage style black cap featuring Kohlhaas and Tobira Records designed by 4rchipel.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEmbroidered white logo\u003cbr\u003eUnisize\u003cbr\u003e100% heavy washed cotton\u003cbr\u003eSelf-fabric strap with brass effect buckle\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003ehere\u003c\/a\u003e to see more Kohlhaas releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eKohlhaas x Tobira Records\u003c\/p\u003e"}
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イタリアの実験レーベルKohlhaasとTobira RecordsのダブルネームCAPです。 100%ヘビーウォッシュドコットン仕様、ドイツ製です。 ※佐川急便での発送となりますのでレコード等とお求めいただくとお得です Vintage style black cap featuring Kohlhaas and Tobira Records designed...
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クイックビュー
{"id":8880107487482,"title":"HESITATION \/\/ HESITATION LP","handle":"hesitation-hesitation-lp","description":"\u003cp\u003eイギリスの実験レーベルRecknoとKit Records主宰2名によるデュオHESITATIONが、2018年にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e日記のように素朴なLo-Fiジャズフォーク〜アンビエントフォーク7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=647893906\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=4060800436\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=647893906\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/reckno\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/reckno\"\u003ehere\u003c\/a\u003e to see more Reckno releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMonday, Noon 09:47\u003c\/li\u003e\n\u003cli\u003eTwo Guitars 07:08\u003c\/li\u003e\n\u003cli\u003eThree Way Mirror 04:00\u003c\/li\u003e\n\u003cli\u003eShortcut to the Sphinx 04:16\u003c\/li\u003e\n\u003cli\u003eSig 04:56\u003c\/li\u003e\n\u003cli\u003eShimmer Wave Station 01:57\u003c\/li\u003e\n\u003cli\u003eEtruscan Rooking 09:37\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eReckno:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHESITATION is the culmination of a slow-burning penpal friendship between Reckno founder Chris Catlin (aka Yaaard), and Kit Records honcho Richard Greenan (sometimes Devon Loch). Meeting in London in 2016, the pair recorded a woozy slab of improvs, using a battered organ, guitars, a saxophone and whatever else came to hand. These takes were then stitched together into a seven track LP over the following two years.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eVeering from shoegaze to crystal clear electronics and fuzzed out jazz, the results pull two ways: slow and fast, meditative and exuberant. Here is a place where time bends and bubbles, drunk synthetic choirs follow an endless skywards pulse, and plaited melodies hover \u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003ein warm air like\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e motes of dust.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eRecommended if you like the heart-on-sleeve whistle alongs of Tenniscoats, Zappa's befogged guitar serpents or the creeping black magic of early Sebadoh.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : HESITATION\u003c\/p\u003e\n\u003cp\u003eLabel : Reckno\u003c\/p\u003e","published_at":"2025-08-07T08:17:25+09:00","created_at":"2025-08-07T08:16:42+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","jazz","kit records","lp","new","reckno"],"price":378000,"price_min":378000,"price_max":378000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47590181765370,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"HESITATION \/\/ HESITATION LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/he1_d12cee52-2450-4337-973c-eb89c0231ae1.jpg?v=1699070431","\/\/tobirarecords.com\/cdn\/shop\/files\/he2_4312e442-5e9c-45b8-afa4-ea6112dca183.jpg?v=1699070431"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/he1_d12cee52-2450-4337-973c-eb89c0231ae1.jpg?v=1699070431","options":["Title"],"media":[{"alt":null,"id":32641275429114,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he1_d12cee52-2450-4337-973c-eb89c0231ae1.jpg?v=1699070431"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he1_d12cee52-2450-4337-973c-eb89c0231ae1.jpg?v=1699070431","width":700},{"alt":null,"id":32641275461882,"position":2,"preview_image":{"aspect_ratio":1.502,"height":799,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he2_4312e442-5e9c-45b8-afa4-ea6112dca183.jpg?v=1699070431"},"aspect_ratio":1.502,"height":799,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he2_4312e442-5e9c-45b8-afa4-ea6112dca183.jpg?v=1699070431","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験レーベルRecknoとKit Records主宰2名によるデュオHESITATIONが、2018年にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e日記のように素朴なLo-Fiジャズフォーク〜アンビエントフォーク7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=647893906\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=4060800436\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=647893906\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/reckno\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/reckno\"\u003ehere\u003c\/a\u003e to see more Reckno releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMonday, Noon 09:47\u003c\/li\u003e\n\u003cli\u003eTwo Guitars 07:08\u003c\/li\u003e\n\u003cli\u003eThree Way Mirror 04:00\u003c\/li\u003e\n\u003cli\u003eShortcut to the Sphinx 04:16\u003c\/li\u003e\n\u003cli\u003eSig 04:56\u003c\/li\u003e\n\u003cli\u003eShimmer Wave Station 01:57\u003c\/li\u003e\n\u003cli\u003eEtruscan Rooking 09:37\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eReckno:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHESITATION is the culmination of a slow-burning penpal friendship between Reckno founder Chris Catlin (aka Yaaard), and Kit Records honcho Richard Greenan (sometimes Devon Loch). Meeting in London in 2016, the pair recorded a woozy slab of improvs, using a battered organ, guitars, a saxophone and whatever else came to hand. These takes were then stitched together into a seven track LP over the following two years.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eVeering from shoegaze to crystal clear electronics and fuzzed out jazz, the results pull two ways: slow and fast, meditative and exuberant. Here is a place where time bends and bubbles, drunk synthetic choirs follow an endless skywards pulse, and plaited melodies hover \u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003ein warm air like\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e motes of dust.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eRecommended if you like the heart-on-sleeve whistle alongs of Tenniscoats, Zappa's befogged guitar serpents or the creeping black magic of early Sebadoh.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : HESITATION\u003c\/p\u003e\n\u003cp\u003eLabel : Reckno\u003c\/p\u003e"}
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クイックビュー
{"id":8879099117818,"title":"Christoff in duet with Roberts, Nawrcoki, Burton, Moumneh, Foon and Shalabi \/\/ Duets for Abdelrazik CDr","handle":"christoff-in-duet-with-roberts-nawrcoki-burton-moumneh-foon-and-shalabi-duets-for-abdelrazik-cdr","description":"\u003cp\u003eカナダのアンビエント作家Stefan Christoffの自主リリースCDです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント〜アンビエント・ジャズ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2428792729\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCDr \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ewith a silk-screen cover by Jesse Purcell from Justseeds Artists' Cooperative.\u003cbr\u003ePresented in \u003cmeta charset=\"utf-8\"\u003ea slim cardstock printed CD cover with a black and white photocopy insert\u003cbr\u003eHand-assembled by Stefan Christoff.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Matana + Christoff 03:59\u003cbr\u003e2. Nawrocki + Christoff 05:28\u003cbr\u003e3. Burton + Christoff 07:44\u003cbr\u003e4. Radwan + Christoff 07:38\u003cbr\u003e5. Foon + Christoff 07:40\u003cbr\u003e6. Shalabi + Christoff 12:06\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDuets for Abdelrazik is a cultural project aiming to express musical solidarity for the ongoing struggle of Abousfian Abdelrazik, a Sudanese-Canadian jailed on the recommendation of the Canadian Security Intelligence Service (CSIS) in Sudan. It is difficult to describe in words both the horror of torture but also the sustained determination by Abdelrazik in the struggle for justice. In music great Montreal artists recorded Duets for Abdelrazik is a musical project coordinated by Stefan Christoff, an attempt to illuminate Abdelrazik’s struggle.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christoff, with Roberts, Nawrcoki, Burton, Moumneh, Foon and Shalabi\u003c\/p\u003e\n\u003cp\u003eLabel : Self-released \u003c\/p\u003e","published_at":"2025-08-10T09:23:09+09:00","created_at":"2025-08-05T19:17:48+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","jazz","neo classical","new"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47584674218234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Christoff in duet with Roberts, Nawrcoki, Burton, Moumneh, Foon and Shalabi \/\/ Duets for Abdelrazik CDr","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/due1_c8b3938f-46b2-477c-a414-d5a8c8ebda60.jpg?v=1754388914"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/due1_c8b3938f-46b2-477c-a414-d5a8c8ebda60.jpg?v=1754388914","options":["Title"],"media":[{"alt":null,"id":36480526057722,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/due1_c8b3938f-46b2-477c-a414-d5a8c8ebda60.jpg?v=1754388914"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/due1_c8b3938f-46b2-477c-a414-d5a8c8ebda60.jpg?v=1754388914","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダのアンビエント作家Stefan Christoffの自主リリースCDです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント〜アンビエント・ジャズ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2428792729\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCDr \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ewith a silk-screen cover by Jesse Purcell from Justseeds Artists' Cooperative.\u003cbr\u003ePresented in \u003cmeta charset=\"utf-8\"\u003ea slim cardstock printed CD cover with a black and white photocopy insert\u003cbr\u003eHand-assembled by Stefan Christoff.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Matana + Christoff 03:59\u003cbr\u003e2. Nawrocki + Christoff 05:28\u003cbr\u003e3. Burton + Christoff 07:44\u003cbr\u003e4. Radwan + Christoff 07:38\u003cbr\u003e5. Foon + Christoff 07:40\u003cbr\u003e6. Shalabi + Christoff 12:06\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDuets for Abdelrazik is a cultural project aiming to express musical solidarity for the ongoing struggle of Abousfian Abdelrazik, a Sudanese-Canadian jailed on the recommendation of the Canadian Security Intelligence Service (CSIS) in Sudan. It is difficult to describe in words both the horror of torture but also the sustained determination by Abdelrazik in the struggle for justice. In music great Montreal artists recorded Duets for Abdelrazik is a musical project coordinated by Stefan Christoff, an attempt to illuminate Abdelrazik’s struggle.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christoff, with Roberts, Nawrcoki, Burton, Moumneh, Foon and Shalabi\u003c\/p\u003e\n\u003cp\u003eLabel : Self-released \u003c\/p\u003e"}
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カナダのアンビエント作家Stefan Christoffの自主リリースCDです。 ネオクラシカル・アンビエント〜アンビエント・ジャズ6曲を収録。 ----------------------------------------------- Ask us for digital files.CDr with a silk-screen cover by...
¥1,980
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{"id":8878267990266,"title":"Friendly Rich \/\/ The Birds of Marsville LP","handle":"friendly-rich-the-birds-of-marsville-lp","description":"\u003cp\u003eカナダ・トロントのベテラン実験音楽家Friendly Richが、2025年8月にトロントのオールジャンルレーベルWe Are Busy Bodiesからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e架空の島の76種の鳥をコンセプトにしたストレンジビーツ〜アヴァン・ジャズ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"マースヴィル島にインスパイアされた作品集の1冊目へようこそ。第1集「The Birds of Marsville」は、フンゴ族の偉大なイタリア人類学者、C.スモールーチが編纂した、マースヴィルの絶滅した鳥のフィールドガイドである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの作品は、ブランプトンの発明家で鳩時計愛好家のヘンク・デ・グラウが作った機械式ストリートオルガンを使って書いた。この曲は2022年のゲルフ・ジャズ・フェスティバルで一人芝居として初演された。この音楽は、MTVのトム・グリーン・ショーのために作曲していた初期から、自作楽器で何百人もの小学4年生とノイズ・パレードを先導するまでの、フレンドリーなFriendly Richの音楽にあるワイルドな精神を捉えている。この作品は、76種類の架空の鳥を巡るカーニバルのようなサントラで、その探検気分を表現している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=925149498\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Birds 1-39 (18:52)\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Birds 40-76\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eWe Are Busy Bodies:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWelcome to book one of a cycle of compositions inspired by the Island of Marsville. Book One, The Birds of Marsville is a field guide to the extinct birds of Marsville, as compiled by the great Hungo-Italian anthropologist, C. Smalloochi.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI wrote this piece using a mechanical street organ, built by Brampton inventor and Cuckoo clock enthusiast, Henk De Graauw. It premiered as a one-person show at the Guelph Jazz Festival 2022. The music captures the wild spirit in Friendly Rich Marsella's music, from early days composing music for MTV's The Tom Green Show, through to leading noise parades with hundreds of grade four students on homemade musical instruments. This piece captures that exploratory feel, in a carnival-esque saunter through 76 different imaginary bird species.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Friendly Rich\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eWe Are Busy Bodies\u003c\/p\u003e","published_at":"2025-08-05T14:45:58+09:00","created_at":"2025-08-04T12:10:00+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","strange beats","we are busy bodies"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47580101673210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Friendly Rich \/\/ The Birds of Marsville LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mars1.jpg?v=1754276922","\/\/tobirarecords.com\/cdn\/shop\/files\/mars2.jpg?v=1754276922"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mars1.jpg?v=1754276922","options":["Title"],"media":[{"alt":null,"id":36473578094842,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mars1.jpg?v=1754276922"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mars1.jpg?v=1754276922","width":700},{"alt":null,"id":36473578127610,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mars2.jpg?v=1754276922"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mars2.jpg?v=1754276922","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・トロントのベテラン実験音楽家Friendly Richが、2025年8月にトロントのオールジャンルレーベルWe Are Busy Bodiesからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e架空の島の76種の鳥をコンセプトにしたストレンジビーツ〜アヴァン・ジャズ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"マースヴィル島にインスパイアされた作品集の1冊目へようこそ。第1集「The Birds of Marsville」は、フンゴ族の偉大なイタリア人類学者、C.スモールーチが編纂した、マースヴィルの絶滅した鳥のフィールドガイドである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの作品は、ブランプトンの発明家で鳩時計愛好家のヘンク・デ・グラウが作った機械式ストリートオルガンを使って書いた。この曲は2022年のゲルフ・ジャズ・フェスティバルで一人芝居として初演された。この音楽は、MTVのトム・グリーン・ショーのために作曲していた初期から、自作楽器で何百人もの小学4年生とノイズ・パレードを先導するまでの、フレンドリーなFriendly Richの音楽にあるワイルドな精神を捉えている。この作品は、76種類の架空の鳥を巡るカーニバルのようなサントラで、その探検気分を表現している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=925149498\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Birds 1-39 (18:52)\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Birds 40-76\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eWe Are Busy Bodies:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWelcome to book one of a cycle of compositions inspired by the Island of Marsville. Book One, The Birds of Marsville is a field guide to the extinct birds of Marsville, as compiled by the great Hungo-Italian anthropologist, C. Smalloochi.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI wrote this piece using a mechanical street organ, built by Brampton inventor and Cuckoo clock enthusiast, Henk De Graauw. It premiered as a one-person show at the Guelph Jazz Festival 2022. The music captures the wild spirit in Friendly Rich Marsella's music, from early days composing music for MTV's The Tom Green Show, through to leading noise parades with hundreds of grade four students on homemade musical instruments. This piece captures that exploratory feel, in a carnival-esque saunter through 76 different imaginary bird species.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Friendly Rich\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eWe Are Busy Bodies\u003c\/p\u003e"}
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カナダ・トロントのベテラン実験音楽家Friendly Richが、2025年8月にトロントのオールジャンルレーベルWe Are Busy Bodiesからリリースしたレコードです。 架空の島の76種の鳥をコンセプトにしたストレンジビーツ〜アヴァン・ジャズ2曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "マースヴィル島にインスパイアされた作品集の1冊目へようこそ。第1集「The Birds of Marsville」は、フンゴ族の偉大なイタリア人類学者、C.スモールーチが編纂した、マースヴィルの絶滅した鳥のフィールドガイドである。 この作品は、ブランプトンの発明家で鳩時計愛好家のヘンク・デ・グラウが作った機械式ストリートオルガンを使って書いた。この曲は2022年のゲルフ・ジャズ・フェスティバルで一人芝居として初演された。この音楽は、MTVのトム・グリーン・ショーのために作曲していた初期から、自作楽器で何百人もの小学4年生とノイズ・パレードを先導するまでの、フレンドリーなFriendly Richの音楽にあるワイルドな精神を捉えている。この作品は、76種類の架空の鳥を巡るカーニバルのようなサントラで、その探検気分を表現している。"...
¥3,980
クイックビュー
{"id":8878267695354,"title":"Allen Kwela Octet \/\/ Allen's Soul Bag LP","handle":"allen-kwela-octet-allens-soul-bag-lp","description":"\u003cp\u003e南アフリカのジャズバンドAllen Kwela Octetが、2025年8月にカナダ・トロントのオールジャンルレーベルWe Are Busy Bodiesからリリースした再発レコードです。（オリジナルは1972年リリース）\u003c\/p\u003e\n\u003cp\u003eアフリカン・ソウルジャズ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=402846413\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Question Mark 05:15\u003cbr\u003e2. Allenetic\u003cbr\u003e3. Soul Or No Soul\u003cbr\u003e4. Texas\u003cbr\u003e5. Stormy\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWe Are Busy Bodies:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOne of our last scheduled reissues exploring South African jazz (until 2027 most likely), and years in the making. The album has been remastered from a vinyl-to-vinyl transfer as the original masters are unfortunately no longer available. We're proud to share this limited run release of 300 copies with you for pre-order starting today.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album Allen's Soul Bag by the Allen Kwela Octet was originally released in 1972 on the Atlantic City, which also released seminal works by Philip Tabane And His Malombo Jazz Men, Chris Schilder, and The Flaming Souls label is a significant work in South African jazz history.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis debut album showcases Kwela's transition from kwela music to modern jazz, blending soul jazz elements with South African musical influences. The octet features prominent musicians from the Johannesburg jazz scene, including trumpeter Dennis Mpale, who also contributed to Kwela's later album Black Beauty.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album is noted for its soulful arrangements and the interplay between guitar, horns, and rhythm sections, highlighting Kwela's innovative guitar work and compositional skills. Allen's Soul Bag is considered a landmark recording that set the stage for Kwela's subsequent works, including the previously noted 1975 album Black Beauty, reissued recently by Matsuli.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Allen Kwela Octet\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWABB-206\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-05T14:35:04+09:00","created_at":"2025-08-04T12:06:54+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","we are busy bodies"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47580098953466,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Allen Kwela Octet \/\/ Allen's Soul Bag LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/soul1_7faadcd1-4519-460e-93cd-0e2dca14e7a2.jpg?v=1754276729","\/\/tobirarecords.com\/cdn\/shop\/files\/soul2_7c86a0d5-aa71-4b41-978a-a4e25170ddc0.jpg?v=1754276729"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/soul1_7faadcd1-4519-460e-93cd-0e2dca14e7a2.jpg?v=1754276729","options":["Title"],"media":[{"alt":null,"id":36473564004602,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/soul1_7faadcd1-4519-460e-93cd-0e2dca14e7a2.jpg?v=1754276729"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/soul1_7faadcd1-4519-460e-93cd-0e2dca14e7a2.jpg?v=1754276729","width":700},{"alt":null,"id":36473564037370,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/soul2_7c86a0d5-aa71-4b41-978a-a4e25170ddc0.jpg?v=1754276729"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/soul2_7c86a0d5-aa71-4b41-978a-a4e25170ddc0.jpg?v=1754276729","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e南アフリカのジャズバンドAllen Kwela Octetが、2025年8月にカナダ・トロントのオールジャンルレーベルWe Are Busy Bodiesからリリースした再発レコードです。（オリジナルは1972年リリース）\u003c\/p\u003e\n\u003cp\u003eアフリカン・ソウルジャズ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=402846413\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Question Mark 05:15\u003cbr\u003e2. Allenetic\u003cbr\u003e3. Soul Or No Soul\u003cbr\u003e4. Texas\u003cbr\u003e5. Stormy\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWe Are Busy Bodies:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOne of our last scheduled reissues exploring South African jazz (until 2027 most likely), and years in the making. The album has been remastered from a vinyl-to-vinyl transfer as the original masters are unfortunately no longer available. We're proud to share this limited run release of 300 copies with you for pre-order starting today.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album Allen's Soul Bag by the Allen Kwela Octet was originally released in 1972 on the Atlantic City, which also released seminal works by Philip Tabane And His Malombo Jazz Men, Chris Schilder, and The Flaming Souls label is a significant work in South African jazz history.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis debut album showcases Kwela's transition from kwela music to modern jazz, blending soul jazz elements with South African musical influences. The octet features prominent musicians from the Johannesburg jazz scene, including trumpeter Dennis Mpale, who also contributed to Kwela's later album Black Beauty.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album is noted for its soulful arrangements and the interplay between guitar, horns, and rhythm sections, highlighting Kwela's innovative guitar work and compositional skills. Allen's Soul Bag is considered a landmark recording that set the stage for Kwela's subsequent works, including the previously noted 1975 album Black Beauty, reissued recently by Matsuli.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Allen Kwela Octet\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWABB-206\u003c\/span\u003e\u003c\/p\u003e"}
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南アフリカのジャズバンドAllen Kwela Octetが、2025年8月にカナダ・トロントのオールジャンルレーベルWe Are Busy Bodiesからリリースした再発レコードです。（オリジナルは1972年リリース） アフリカン・ソウルジャズ5曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more We Are...
¥3,980
クイックビュー
{"id":8878267433210,"title":"Dun-Dun Band \/\/ Pita Parka, Pt. II: Nim Egduf LP","handle":"dun-dun-band-pita-parka-pt-ii-nim-egduf-lp","description":"\u003cp\u003eカナダ・トロントのギタリストCraig Dunsmuir率いる10人編成ジャズバンドDun-Dun Bandが、2025年9月にトロントのオールジャンルレーベルWe Are Busy Bodiesからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアメリカン・ミニマリズムとポストロックの要素を取り入れたスピリチュアル・ジャズ4曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2970355082\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. No. 3 (No Chess Today) 11:26\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Drizzly\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Long Winter\u003cbr\u003e\u003c\/span\u003e4. Styrofloam (Kaji)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWe Are Busy Bodies:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDun-Dun Band is a ten-member ensemble based in Toronto led by guitarist Craig Dunsmuir, inspired by North African gnawa music, American minimalism, progressive\/post-rock and spiritual jazz.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFeaturing members of cross-genre jazz-informed groups The Weather Station, Eucalyptus, Badge Epoque Ensemble, GUH, and The Brodie West Quintet, Dun-Dun Band formed in 2016 and debuted at that year's Long Winter at Toronto's Great Hall, having then taken part in the Music Gallery's X-Avant Festival, TONE Festival, the Intersection Festival at Yonge\/Dundas Square, and Hamilton's Zula Presents Something Else! Festival.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDun-Dun Band’s sound is underpinned by the unison ostinato odd-time riffs of Dunsmuir as guitarist\/cue conductor with Josh Cole on electric bass; Blake Howard on acoustic and Jay Anderson on electronic percussion; the chordal and solo guitar of Kurt Newman; the additional atmospherics of keyboardist Mike Smith; and the horn section of alto saxophonists\/clarinetists Karen Ng and Brodie West, tenor saxophonist\/bass clarinetist Ted Crosby, and tenor saxophonist Colin Fisher, a group of seasoned improvisers frequently playing such local leftfield jazz-friendly venues as the TRANZAC Club, the Emmet Ray and Wenona Craft Beer Lodge.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dun-Dun Band\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eWe Are Busy Bodies x Cassiar Records\u003c\/p\u003e","published_at":"2025-08-05T14:26:14+09:00","created_at":"2025-08-04T12:04:14+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","we are busy bodies"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47580092137722,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dun-Dun Band \/\/ Pita Parka, Pt. II: Nim Egduf LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/parka1.jpg?v=1754276572","\/\/tobirarecords.com\/cdn\/shop\/files\/parka.jpg?v=1754276572"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/parka1.jpg?v=1754276572","options":["Title"],"media":[{"alt":null,"id":36473556304122,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/parka1.jpg?v=1754276572"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/parka1.jpg?v=1754276572","width":700},{"alt":null,"id":36473556271354,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/parka.jpg?v=1754276572"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/parka.jpg?v=1754276572","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・トロントのギタリストCraig Dunsmuir率いる10人編成ジャズバンドDun-Dun Bandが、2025年9月にトロントのオールジャンルレーベルWe Are Busy Bodiesからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアメリカン・ミニマリズムとポストロックの要素を取り入れたスピリチュアル・ジャズ4曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2970355082\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. No. 3 (No Chess Today) 11:26\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Drizzly\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Long Winter\u003cbr\u003e\u003c\/span\u003e4. Styrofloam (Kaji)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWe Are Busy Bodies:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDun-Dun Band is a ten-member ensemble based in Toronto led by guitarist Craig Dunsmuir, inspired by North African gnawa music, American minimalism, progressive\/post-rock and spiritual jazz.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFeaturing members of cross-genre jazz-informed groups The Weather Station, Eucalyptus, Badge Epoque Ensemble, GUH, and The Brodie West Quintet, Dun-Dun Band formed in 2016 and debuted at that year's Long Winter at Toronto's Great Hall, having then taken part in the Music Gallery's X-Avant Festival, TONE Festival, the Intersection Festival at Yonge\/Dundas Square, and Hamilton's Zula Presents Something Else! Festival.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDun-Dun Band’s sound is underpinned by the unison ostinato odd-time riffs of Dunsmuir as guitarist\/cue conductor with Josh Cole on electric bass; Blake Howard on acoustic and Jay Anderson on electronic percussion; the chordal and solo guitar of Kurt Newman; the additional atmospherics of keyboardist Mike Smith; and the horn section of alto saxophonists\/clarinetists Karen Ng and Brodie West, tenor saxophonist\/bass clarinetist Ted Crosby, and tenor saxophonist Colin Fisher, a group of seasoned improvisers frequently playing such local leftfield jazz-friendly venues as the TRANZAC Club, the Emmet Ray and Wenona Craft Beer Lodge.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dun-Dun Band\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eWe Are Busy Bodies x Cassiar Records\u003c\/p\u003e"}
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カナダ・トロントのギタリストCraig Dunsmuir率いる10人編成ジャズバンドDun-Dun Bandが、2025年9月にトロントのオールジャンルレーベルWe Are Busy Bodiesからリリースしたレコードです。 アメリカン・ミニマリズムとポストロックの要素を取り入れたスピリチュアル・ジャズ4曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more We Are...
¥3,980
クイックビュー
{"id":8877973569786,"title":"THE VILLAGERS \/\/ Yes I'm Ready 7inch","handle":"the-villagers-yes-im-ready-7inch","description":"\u003cp\u003e1960年代に活動していたアメリカのソウルバンドTHE VILLAGERSが、2025年7月にドイツのTramp Recordsからリリースした7\"です。\u003c\/p\u003e\n\u003cp\u003eローライダー・ソウル〜ガレージロック2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1905728929\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e7\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. The Villagers ft. Jeanne Lavoie - Yes I'm Ready 03:26\u003cbr\u003e2. August ft. Wayne West - The Mirror 02:13\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : THE VILLAGERS\u003c\/p\u003e\n\u003cp\u003eLabel : Tramp Records \u003c\/p\u003e\n\u003cp\u003ecat no : TR348\u003c\/p\u003e","published_at":"2025-08-05T09:52:22+09:00","created_at":"2025-08-03T14:28:55+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","hiphop \/ funk","jazz","lp","new"],"price":265000,"price_min":265000,"price_max":265000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47578920648954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"THE VILLAGERS \/\/ Yes I'm Ready 7inch","public_title":null,"options":["Default Title"],"price":265000,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"5050580853126","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/yes1.jpg?v=1754198861","\/\/tobirarecords.com\/cdn\/shop\/files\/yes2.jpg?v=1754198861"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/yes1.jpg?v=1754198861","options":["Title"],"media":[{"alt":null,"id":36471678664954,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/yes1.jpg?v=1754198861"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/yes1.jpg?v=1754198861","width":700},{"alt":null,"id":36471678697722,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/yes2.jpg?v=1754198861"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/yes2.jpg?v=1754198861","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1960年代に活動していたアメリカのソウルバンドTHE VILLAGERSが、2025年7月にドイツのTramp Recordsからリリースした7\"です。\u003c\/p\u003e\n\u003cp\u003eローライダー・ソウル〜ガレージロック2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1905728929\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e7\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. The Villagers ft. Jeanne Lavoie - Yes I'm Ready 03:26\u003cbr\u003e2. August ft. Wayne West - The Mirror 02:13\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : THE VILLAGERS\u003c\/p\u003e\n\u003cp\u003eLabel : Tramp Records \u003c\/p\u003e\n\u003cp\u003ecat no : TR348\u003c\/p\u003e"}
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1960年代に活動していたアメリカのソウルバンドTHE VILLAGERSが、2025年7月にドイツのTramp Recordsからリリースした7"です。 ローライダー・ソウル〜ガレージロック2曲を収録。 ------------------------------------------------------ 7" black vinyl. Tracklist: 1. The Villagers ft. Jeanne...
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{"id":8877970850042,"title":"Jiyu \/\/ Totem of Quiet Mystic LP","handle":"jiyu-totem-of-quiet-mystic-lp","description":"\u003cp\u003eデンマーク・コペンハーゲンのジャズバンドJiyuが、2023年に同国Dubsoul Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eヒップホップやダブ、アンビエント、ソウル、ラテンの要素を取り入れたスピリチュアル・ジャズ7曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1748991072\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1748991072\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2816393766\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eVinyl Tracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003eA1. Black Coffee 8.34\u003cbr\u003eA2. Moon Behind Fleet of Clouds 7.45\u003cbr\u003eA3. Are You Here\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e\u003cspan\u003e \u003c\/span\u003ewith Me 6.17\u003cbr\u003eB1. Seven Faces of Naima 5.41\u003cbr\u003eB2. Quiet Mystic Places 3.35\u003cbr\u003eB3. Propella Plain 5.45\u003cbr\u003eB4. Unaware She Approaches Me 6.15\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDubsoul Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJiyu presents a rich tapestry of phat analog synths, lush brass arrangements, psychedelic vibes, highlights of soloistic instrumental performances and a dense, organic jazz approach with drum grooves and percussion at its core.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOnce again, guitarist, and producer, Emil Jonathan, collaborates with Thomas Dietl, on drums. 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{"id":8877424083194,"title":"Christer Bothén \/\/ L'INVISIBLE LP","handle":"linvisible-by-christer-bothen-3","description":"\u003cp\u003eスウェーデンの大御所クラリネット奏者Christer Bothénが、2025年4月に同国ジャズレーベルthanatosisからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・フリージャズ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Bothénの芸術性は、ジャンル、伝統、そして目に見えるものを超越している。アヴァンギャルド・ジャズとグローバル・インプロヴィゼーションの重要人物である彼は、サウンドの精神的な深みを探求することに数十年を費やしてきた。ドン・チェリーの画期的なオーガニック・ミュージック・ソサエティでの活動から、広大なプロジェクトを率いるまで、Bothénは未知の世界を受け入れ、自身の音楽言語を絶えず再構築してきた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e83歳になったBothénは、ヴィブラフォン奏者（兼ドラマー）のキェル・ノルデソン、ベーシストのカンサン・ゼッターベリとのトリオ・アルバム『L'INVISIBLE』を制作した。トリオが深い信頼と流動性をもって即興演奏し、瞑想的な静寂とほとばしる激しさの間を行き来する夢のようなテクスチュアを呼び起こしながら、テーマが浮かんでは消えていく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e今なお進化を続け、探求を続けるBothénは、本質的であると同時にとらえどころのない音楽を作り続けている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4256542431\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. L'INVISIBLE – Partie 1 17:11\u003cbr\u003e2. L'INVISIBLE – Partie 2 19:54\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ethanatosis:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eChrister Bothén’s artistry transcends genre, tradition, and the tangible. A key figure in avant-garde jazz and global improvisation, he has spent decades exploring sound’s spiritual depth. From playing in Don Cherry’s groundbreaking Organic Music Society to leading expansive projects, Bothén has embraced the unknown, continuously reshaping his musical language.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt 83, Bothén remains deeply engaged, crafting L'INVISIBLE, a trio album with vibraphonist (and drummer) Kjell Nordeson and bassist Kansan Zetterberg. Themes emerge and dissolve as the trio improvises with deep trust and fluidity, conjuring dreamlike textures that move between meditative stillness and surging intensity.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStill evolving, still searching, Bothén continues to shape music that is as elusive as it is essential.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christer Bothén 3\u003c\/p\u003e\n\u003cp\u003eLabel : thanatosis\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTHT38LP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-02T11:49:40+09:00","created_at":"2025-08-02T10:47:40+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","thanatosis"],"price":389000,"price_min":389000,"price_max":389000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47576146542842,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Christer Bothén \/\/ L'INVISIBLE LP","public_title":null,"options":["Default Title"],"price":389000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/lin1_c0fb3dd8-286c-4ae2-b6f6-7fce4801bfd5.jpg?v=1754099330","\/\/tobirarecords.com\/cdn\/shop\/files\/lin2_d0c1267e-bed0-4e03-b206-d3c8faec7157.jpg?v=1754099330"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/lin1_c0fb3dd8-286c-4ae2-b6f6-7fce4801bfd5.jpg?v=1754099330","options":["Title"],"media":[{"alt":null,"id":36467669369082,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lin1_c0fb3dd8-286c-4ae2-b6f6-7fce4801bfd5.jpg?v=1754099330"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lin1_c0fb3dd8-286c-4ae2-b6f6-7fce4801bfd5.jpg?v=1754099330","width":700},{"alt":null,"id":36467669401850,"position":2,"preview_image":{"aspect_ratio":0.913,"height":1200,"width":1096,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lin2_d0c1267e-bed0-4e03-b206-d3c8faec7157.jpg?v=1754099330"},"aspect_ratio":0.913,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lin2_d0c1267e-bed0-4e03-b206-d3c8faec7157.jpg?v=1754099330","width":1096}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデンの大御所クラリネット奏者Christer Bothénが、2025年4月に同国ジャズレーベルthanatosisからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・フリージャズ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Bothénの芸術性は、ジャンル、伝統、そして目に見えるものを超越している。アヴァンギャルド・ジャズとグローバル・インプロヴィゼーションの重要人物である彼は、サウンドの精神的な深みを探求することに数十年を費やしてきた。ドン・チェリーの画期的なオーガニック・ミュージック・ソサエティでの活動から、広大なプロジェクトを率いるまで、Bothénは未知の世界を受け入れ、自身の音楽言語を絶えず再構築してきた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e83歳になったBothénは、ヴィブラフォン奏者（兼ドラマー）のキェル・ノルデソン、ベーシストのカンサン・ゼッターベリとのトリオ・アルバム『L'INVISIBLE』を制作した。トリオが深い信頼と流動性をもって即興演奏し、瞑想的な静寂とほとばしる激しさの間を行き来する夢のようなテクスチュアを呼び起こしながら、テーマが浮かんでは消えていく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e今なお進化を続け、探求を続けるBothénは、本質的であると同時にとらえどころのない音楽を作り続けている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4256542431\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. L'INVISIBLE – Partie 1 17:11\u003cbr\u003e2. L'INVISIBLE – Partie 2 19:54\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ethanatosis:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eChrister Bothén’s artistry transcends genre, tradition, and the tangible. A key figure in avant-garde jazz and global improvisation, he has spent decades exploring sound’s spiritual depth. From playing in Don Cherry’s groundbreaking Organic Music Society to leading expansive projects, Bothén has embraced the unknown, continuously reshaping his musical language.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt 83, Bothén remains deeply engaged, crafting L'INVISIBLE, a trio album with vibraphonist (and drummer) Kjell Nordeson and bassist Kansan Zetterberg. Themes emerge and dissolve as the trio improvises with deep trust and fluidity, conjuring dreamlike textures that move between meditative stillness and surging intensity.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStill evolving, still searching, Bothén continues to shape music that is as elusive as it is essential.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christer Bothén 3\u003c\/p\u003e\n\u003cp\u003eLabel : thanatosis\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTHT38LP\u003c\/span\u003e\u003c\/p\u003e"}
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スウェーデンの大御所クラリネット奏者Christer Bothénが、2025年4月に同国ジャズレーベルthanatosisからリリースしたレコードです。 スピリチュアル・フリージャズ2曲を収録。 以下、レーベルによる解説です。 "Bothénの芸術性は、ジャンル、伝統、そして目に見えるものを超越している。アヴァンギャルド・ジャズとグローバル・インプロヴィゼーションの重要人物である彼は、サウンドの精神的な深みを探求することに数十年を費やしてきた。ドン・チェリーの画期的なオーガニック・ミュージック・ソサエティでの活動から、広大なプロジェクトを率いるまで、Bothénは未知の世界を受け入れ、自身の音楽言語を絶えず再構築してきた。 83歳になったBothénは、ヴィブラフォン奏者（兼ドラマー）のキェル・ノルデソン、ベーシストのカンサン・ゼッターベリとのトリオ・アルバム『L'INVISIBLE』を制作した。トリオが深い信頼と流動性をもって即興演奏し、瞑想的な静寂とほとばしる激しさの間を行き来する夢のようなテクスチュアを呼び起こしながら、テーマが浮かんでは消えていく。 今なお進化を続け、探求を続けるBothénは、本質的であると同時にとらえどころのない音楽を作り続けている。" ------------------------------------------------ 12" black vinyl.Edition of 200. Tracklist:...
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{"id":8875308613882,"title":"Kim Hiorthøy \/\/ Ghost Note LP","handle":"kim-hiorthoy-ghost-note-lp","description":"\u003cp\u003eノルウェーのベテランアンビエント作家Kim Hiorthøyが、2025年8月に\u003cspan\u003eベルギー・ヘントのアンビエントレーベルdauw傘下Blickwinkel\u003c\/span\u003e\u003cspan\u003eからリリースしたレコード(2ndプレス)です。（オリジナルは3月リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e内省的なアンビエント・ジャズ11曲を収録。ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"前作から10年以上を経て、Kim HiorthøyがベルギーのレーベルBlickwinkelから『Ghost Note』を3月21日にリリースする。彼の音楽は、コンテンポラリーダンス、映画、演劇を形成する背景としてひっそりと存在してきたが、このアルバムによって再び注目されるようになった。『Ghost Note』は、存在と不在の境界線上にある音の探求であり、構築的でありながら有機的な架空の世界である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eほとんどデジタル技術を駆使して、Kim Hiorthøyは実在する楽器を作り出した--音が聞こえ、音色があり、響きがある。例えば、パーカッションは安物のスクラップ・メタル・ドラムのように聞こえる。しかし、それらは本物なのか？存在するのだろうか？Kim Hiorthøyは知覚と戯れ、何が現実で何が記憶のように感じられるかに挑戦する。そうすることで、 本作は、不確かさと定義不可能性を受け入れることへの招待状となる\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3037788080\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003ehere\u003c\/a\u003e to see more Dauw releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Wish Walk 02:34\u003cbr\u003e2. Double Sword 03:20\u003cbr\u003e3. Slump Wave 02:58\u003cbr\u003e4. Melody Set 04:48\u003cbr\u003e5. Computer Music 05:48\u003cbr\u003e6. Lost Leave 03:36\u003cbr\u003e7. Smell Shirt 01:24\u003cbr\u003e8. Yellow Minute 04:26\u003cbr\u003e9. Failure List 01:50\u003cbr\u003e10. Book Legs 03:38\u003cbr\u003e11. Wax Mat 02:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlickwinckel:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMore than a decade after his last full album, Kim Hiorthøy returns with Ghost Note, out on March 21 via the Belgian label Blickwinkel. Though his music has quietly existed in the background—shaping contemporary dance, film, and theatre—this album brings it into focus once more. Ghost Note is an exploration of sound on the edge of presence and absence, a fictional world that is both constructed and organic.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUsing mostly digital technology, Hiorthøy created a set of instruments that are real—you can hear them, they have tone, timbre, and resonance—but also not. The percussion, for instance, sounds like cheap scrap metal drums. But are they real? Do they exist? Hiorthøy plays with perception, challenging what feels real and what feels like a memory. In doing so, Ghost Note becomes an invitation to embrace uncertainty and indefinability.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kim Hiorthøy\u003c\/p\u003e\n\u003cp\u003eLabel : Blickwinckel (Dauw)\u003c\/p\u003e","published_at":"2025-08-01T17:03:32+09:00","created_at":"2025-08-01T17:03:07+09:00","vendor":"Tobira Records","type":"","tags":["ambient","dauw","jazz","lp","new","recommended"],"price":448000,"price_min":448000,"price_max":448000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47572291354874,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kim Hiorthøy \/\/ Ghost Note LP","public_title":null,"options":["Default Title"],"price":448000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kim1_b2fd820e-9806-48d1-a20e-c03c19739160.jpg?v=1746744655","\/\/tobirarecords.com\/cdn\/shop\/files\/kim2.jpg?v=1746744655"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kim1_b2fd820e-9806-48d1-a20e-c03c19739160.jpg?v=1746744655","options":["Title"],"media":[{"alt":null,"id":35999385551098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kim1_b2fd820e-9806-48d1-a20e-c03c19739160.jpg?v=1746744655"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kim1_b2fd820e-9806-48d1-a20e-c03c19739160.jpg?v=1746744655","width":700},{"alt":null,"id":35999385583866,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kim2.jpg?v=1746744655"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kim2.jpg?v=1746744655","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eノルウェーのベテランアンビエント作家Kim Hiorthøyが、2025年8月に\u003cspan\u003eベルギー・ヘントのアンビエントレーベルdauw傘下Blickwinkel\u003c\/span\u003e\u003cspan\u003eからリリースしたレコード(2ndプレス)です。（オリジナルは3月リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e内省的なアンビエント・ジャズ11曲を収録。ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"前作から10年以上を経て、Kim HiorthøyがベルギーのレーベルBlickwinkelから『Ghost Note』を3月21日にリリースする。彼の音楽は、コンテンポラリーダンス、映画、演劇を形成する背景としてひっそりと存在してきたが、このアルバムによって再び注目されるようになった。『Ghost Note』は、存在と不在の境界線上にある音の探求であり、構築的でありながら有機的な架空の世界である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eほとんどデジタル技術を駆使して、Kim Hiorthøyは実在する楽器を作り出した--音が聞こえ、音色があり、響きがある。例えば、パーカッションは安物のスクラップ・メタル・ドラムのように聞こえる。しかし、それらは本物なのか？存在するのだろうか？Kim Hiorthøyは知覚と戯れ、何が現実で何が記憶のように感じられるかに挑戦する。そうすることで、 本作は、不確かさと定義不可能性を受け入れることへの招待状となる\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3037788080\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003ehere\u003c\/a\u003e to see more Dauw releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Wish Walk 02:34\u003cbr\u003e2. Double Sword 03:20\u003cbr\u003e3. Slump Wave 02:58\u003cbr\u003e4. Melody Set 04:48\u003cbr\u003e5. Computer Music 05:48\u003cbr\u003e6. Lost Leave 03:36\u003cbr\u003e7. Smell Shirt 01:24\u003cbr\u003e8. Yellow Minute 04:26\u003cbr\u003e9. Failure List 01:50\u003cbr\u003e10. Book Legs 03:38\u003cbr\u003e11. Wax Mat 02:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlickwinckel:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMore than a decade after his last full album, Kim Hiorthøy returns with Ghost Note, out on March 21 via the Belgian label Blickwinkel. Though his music has quietly existed in the background—shaping contemporary dance, film, and theatre—this album brings it into focus once more. Ghost Note is an exploration of sound on the edge of presence and absence, a fictional world that is both constructed and organic.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUsing mostly digital technology, Hiorthøy created a set of instruments that are real—you can hear them, they have tone, timbre, and resonance—but also not. The percussion, for instance, sounds like cheap scrap metal drums. But are they real? Do they exist? Hiorthøy plays with perception, challenging what feels real and what feels like a memory. In doing so, Ghost Note becomes an invitation to embrace uncertainty and indefinability.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kim Hiorthøy\u003c\/p\u003e\n\u003cp\u003eLabel : Blickwinckel (Dauw)\u003c\/p\u003e"}
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ノルウェーのベテランアンビエント作家Kim Hiorthøyが、2025年8月にベルギー・ヘントのアンビエントレーベルdauw傘下Blickwinkelからリリースしたレコード(2ndプレス)です。（オリジナルは3月リリース） 内省的なアンビエント・ジャズ11曲を収録。ブックレット付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "前作から10年以上を経て、Kim HiorthøyがベルギーのレーベルBlickwinkelから『Ghost Note』を3月21日にリリースする。彼の音楽は、コンテンポラリーダンス、映画、演劇を形成する背景としてひっそりと存在してきたが、このアルバムによって再び注目されるようになった。『Ghost Note』は、存在と不在の境界線上にある音の探求であり、構築的でありながら有機的な架空の世界である。 ほとんどデジタル技術を駆使して、Kim Hiorthøyは実在する楽器を作り出した--音が聞こえ、音色があり、響きがある。例えば、パーカッションは安物のスクラップ・メタル・ドラムのように聞こえる。しかし、それらは本物なのか？存在するのだろうか？Kim Hiorthøyは知覚と戯れ、何が現実で何が記憶のように感じられるかに挑戦する。そうすることで、 本作は、不確かさと定義不可能性を受け入れることへの招待状となる" レーベルその他作品はこちら /// Click here to...
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{"id":8875066491130,"title":"Duffy x Uhlmann \/\/ Doubles LP","handle":"duffy-x-uhlmann-doubles-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePerfume GeniusやHand Habitsのバックバンドメンバーとして共演してきたアメリカのギタリストDuffy x Uhlmannが、2023年9月に同国シカゴのインディーレーベルOrindal Recordからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eギター2本による即興アンビエント・フォーク〜アンビエント・ジャズ11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Duffy x Uhlmannは、スピードと遅さの境界を曖昧にし、互いの地平線を目指しながら、互いのピークとフラリーを引き受け、速度でコミュニケーションする。これらのワンテイク即興演奏は、Uhlmannの兄弟の家で借りたテープレコーダーで録音された。彼らの絶え間ないモチーフは、絶え間なく戻ってくることであり、片方が迷い込んでも、もう片方が追いかけてくるか、あるいは家に呼び戻されることを知っている、お互いがコミットする安定した鼓動である。ここでは、秩序よりも流動性が優先され、それぞれの音は木の皮に刻まれたイニシャルのように通り過ぎていく。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDuffy x Uhlmannは、Perfume GeniusとHand Habitsで活動した後、初の共作『Doubles』に着手した。彼らはギターを手にし、2人の音楽的な親密さが言葉なしに表現されている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e彼らは直感を受け入れ、信頼を頼りに、音の瞑想を織り成す。DoublesのA面は、2本のギターの会話で構成されている。感情をループさせ、音を編み込み、キスをし、互いの文章を完成させる。最終トラックではダビングや編集は一切行わず、作曲の即時性により、まるで私たちが彼らと一緒に部屋にいるような感覚になる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA面は、きらびやかな親密さを確立しているが、B面は、過去1年間のツアーで一緒に演奏したサウンドを取り入れた、音をかき集めたようなトーンになっている。自己を素材とするこのアルバムの後半は、記憶の触感を取り入れるために、サイドAの存在感を解体する。旅先や世界からのサンプルを使ったこれらの楽曲は、糊付けされた記憶のスクラップブックである。聴いていると、時間に媒介されながら世界に存在することの歯ごたえと静けさが感じられる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eどのような瞬間においても、真のプレゼンス（存在感）を育み、維持することは最も難しいことのひとつである。それが提供されたとき、私はそれを貴重な贈り物のように大切にする。本作を聴きながら、私はDuffy x Uhlmannの寛大さに身をゆだねる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこれらの曲の中にある親密さは、影のように踊っている。私はこの音楽をポケットに入れ、使い古された石のように手のひらに乗せたい。彼らは甘い生々しさを与えてくれる。それは曲が終わっても余韻を残し、言葉が消え去った瞬間に体を打つ。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2911860649\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHalf Smile\u003c\/li\u003e\n\u003cli\u003eEuphoric Recall\u003c\/li\u003e\n\u003cli\u003eEtch\u003c\/li\u003e\n\u003cli\u003eBraid\u003c\/li\u003e\n\u003cli\u003eGlacial Fanfare\u003c\/li\u003e\n\u003cli\u003eGold Tooth\u003c\/li\u003e\n\u003cli\u003eSaunter\u003c\/li\u003e\n\u003cli\u003eWhich One is You\u003c\/li\u003e\n\u003cli\u003eSumac\u003c\/li\u003e\n\u003cli\u003eTumbler\u003c\/li\u003e\n\u003cli\u003eIn the Spirit of Fair Play\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e Rosie Stockton\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Blurring the limits between speed and slowness, Meg Duffy \u003c\/em\u003e\u003cem\u003e(guitar) and Greg Uhlmann (guitar) communicate in velocities, \u003c\/em\u003e\u003cem\u003eunderwriting each other’s peaks and flurries as they ache \u003c\/em\u003e\u003cem\u003etoward a mutual horizon. These one-take improvisations, \u003c\/em\u003e\u003cem\u003erecorded in Uhlmann’s brothers’ house on a borrowed tape \u003c\/em\u003e\u003cem\u003erecorder, unfold like a game of truth or dare. Their constant \u003c\/em\u003e\u003cem\u003emotif is an unceasing return, a steady heartbeat they mutually \u003c\/em\u003e\u003cem\u003ecommit to, knowing when one wanders off, the other will either \u003c\/em\u003e\u003cem\u003efollow or call them home. Here, flushness overrides order, each \u003c\/em\u003e\u003cem\u003enote saunters by like initials etched into tree bark: a devotion \u003c\/em\u003e\u003cem\u003eboth passing and eternal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter playing in Perfume Genius and Hand Habits, Duffy and \u003c\/em\u003e\u003cem\u003eUhlmann embarked on their first record together, Doubles. A \u003c\/em\u003e\u003cem\u003etestament to the wordlessness of their musical intimacy, Duffy \u003c\/em\u003e\u003cem\u003eand Uhlmann take up the guitar in order to make an imprint of \u003c\/em\u003e\u003cem\u003ethe slowness and presence of their improvisational practice. \u003c\/em\u003e\u003cem\u003eThey weave together a sonic meditation, embracing intuition \u003c\/em\u003e\u003cem\u003eand relying on trust. Side A of Doubles consists of two guitars \u003c\/em\u003e\u003cem\u003ein conversation: looping feelings, braiding sound, blowing \u003c\/em\u003e\u003cem\u003ekisses, and finishing each other’s sentences. Less\u003cspan class=\"bcTruncateMore\"\u003e of an echo and more of nod, the songs unfold in radical, mutual witnessing. Refraining from any over dubs or edits on the final tracks, the immediacy of the compositions makes it feel like we are in the room with them.\u003cbr\u003e\u003cbr\u003eWhere Side A establishes a glistening intimacy, Side B takes on the tone of sonic scavenging, incorporating sounds from their past year of touring together. Taking the self as source material, the second half of the album dismantles the presence of Side A in order to incorporate the tactility of memory. Using samples from the road and from the world, these compositions are a scrap book of glued and chopped up sound. When I listen, I feel the crunchiness and static of being-in-the-world as it is mediated by time. Without us knowing, our devices capture sounds we may have missed the first time around. And they land like a sucker punch, snapping us back to the present, tuning our attention to what surrounds us.\u003cbr\u003e\u003cbr\u003eTrue presence in any given moment is one of the most difficult things to cultivate and sustain. When it is offered, I treasure it like a rare gift. Listening to Doubles, I sink into the generosity of Duffy and Uhlmann’s offerings. In songs like “Glacial Fanfare,” I whisper to myself: it hurts now and it’s gonna hurt more, but then it’s gonna stop hurting. In “Euphoric Recall,” I understand how even the worst storms can offer gentleness. In “Braid,” I know trust is about bodies in contact, feet hitting the ground day after day. I return to the urgent question posed in the title of the track: “Which One Is You?” The answer is a low steady bass marked by chaotic and bright fluctuations of sound. The sonic response leaves me knowing: Both. All.\u003cbr\u003e\u003cbr\u003eThe intimacy in these songs dances like shadows - providing relief even as they slip away. I want to put this music in my pocket and hold it in my palm like a worn down stone. Duffy and Uhlmann give us a sweet rawness that reverberates even once the song is over, hitting the body the very moment words fall away.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Duffy x Uhlmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2025-08-01T10:07:41+09:00","created_at":"2025-08-01T10:07:04+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","jazz","lp","new","orindal"],"price":378000,"price_min":378000,"price_max":378000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47571109150970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Duffy x Uhlmann \/\/ Doubles LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/do1_340323f4-c961-495c-8d51-8745ccfa15a5.jpg?v=1716678665","\/\/tobirarecords.com\/cdn\/shop\/files\/do2_a0eda9cc-f0cb-4124-8fd5-23469ad24406.jpg?v=1716678665"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/do1_340323f4-c961-495c-8d51-8745ccfa15a5.jpg?v=1716678665","options":["Title"],"media":[{"alt":null,"id":34147319546106,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do1_340323f4-c961-495c-8d51-8745ccfa15a5.jpg?v=1716678665"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do1_340323f4-c961-495c-8d51-8745ccfa15a5.jpg?v=1716678665","width":700},{"alt":null,"id":34147319578874,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do2_a0eda9cc-f0cb-4124-8fd5-23469ad24406.jpg?v=1716678665"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do2_a0eda9cc-f0cb-4124-8fd5-23469ad24406.jpg?v=1716678665","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePerfume GeniusやHand Habitsのバックバンドメンバーとして共演してきたアメリカのギタリストDuffy x Uhlmannが、2023年9月に同国シカゴのインディーレーベルOrindal Recordからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eギター2本による即興アンビエント・フォーク〜アンビエント・ジャズ11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Duffy x Uhlmannは、スピードと遅さの境界を曖昧にし、互いの地平線を目指しながら、互いのピークとフラリーを引き受け、速度でコミュニケーションする。これらのワンテイク即興演奏は、Uhlmannの兄弟の家で借りたテープレコーダーで録音された。彼らの絶え間ないモチーフは、絶え間なく戻ってくることであり、片方が迷い込んでも、もう片方が追いかけてくるか、あるいは家に呼び戻されることを知っている、お互いがコミットする安定した鼓動である。ここでは、秩序よりも流動性が優先され、それぞれの音は木の皮に刻まれたイニシャルのように通り過ぎていく。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDuffy x Uhlmannは、Perfume GeniusとHand Habitsで活動した後、初の共作『Doubles』に着手した。彼らはギターを手にし、2人の音楽的な親密さが言葉なしに表現されている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e彼らは直感を受け入れ、信頼を頼りに、音の瞑想を織り成す。DoublesのA面は、2本のギターの会話で構成されている。感情をループさせ、音を編み込み、キスをし、互いの文章を完成させる。最終トラックではダビングや編集は一切行わず、作曲の即時性により、まるで私たちが彼らと一緒に部屋にいるような感覚になる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA面は、きらびやかな親密さを確立しているが、B面は、過去1年間のツアーで一緒に演奏したサウンドを取り入れた、音をかき集めたようなトーンになっている。自己を素材とするこのアルバムの後半は、記憶の触感を取り入れるために、サイドAの存在感を解体する。旅先や世界からのサンプルを使ったこれらの楽曲は、糊付けされた記憶のスクラップブックである。聴いていると、時間に媒介されながら世界に存在することの歯ごたえと静けさが感じられる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eどのような瞬間においても、真のプレゼンス（存在感）を育み、維持することは最も難しいことのひとつである。それが提供されたとき、私はそれを貴重な贈り物のように大切にする。本作を聴きながら、私はDuffy x Uhlmannの寛大さに身をゆだねる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこれらの曲の中にある親密さは、影のように踊っている。私はこの音楽をポケットに入れ、使い古された石のように手のひらに乗せたい。彼らは甘い生々しさを与えてくれる。それは曲が終わっても余韻を残し、言葉が消え去った瞬間に体を打つ。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2911860649\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHalf Smile\u003c\/li\u003e\n\u003cli\u003eEuphoric Recall\u003c\/li\u003e\n\u003cli\u003eEtch\u003c\/li\u003e\n\u003cli\u003eBraid\u003c\/li\u003e\n\u003cli\u003eGlacial Fanfare\u003c\/li\u003e\n\u003cli\u003eGold Tooth\u003c\/li\u003e\n\u003cli\u003eSaunter\u003c\/li\u003e\n\u003cli\u003eWhich One is You\u003c\/li\u003e\n\u003cli\u003eSumac\u003c\/li\u003e\n\u003cli\u003eTumbler\u003c\/li\u003e\n\u003cli\u003eIn the Spirit of Fair Play\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e Rosie Stockton\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Blurring the limits between speed and slowness, Meg Duffy \u003c\/em\u003e\u003cem\u003e(guitar) and Greg Uhlmann (guitar) communicate in velocities, \u003c\/em\u003e\u003cem\u003eunderwriting each other’s peaks and flurries as they ache \u003c\/em\u003e\u003cem\u003etoward a mutual horizon. These one-take improvisations, \u003c\/em\u003e\u003cem\u003erecorded in Uhlmann’s brothers’ house on a borrowed tape \u003c\/em\u003e\u003cem\u003erecorder, unfold like a game of truth or dare. Their constant \u003c\/em\u003e\u003cem\u003emotif is an unceasing return, a steady heartbeat they mutually \u003c\/em\u003e\u003cem\u003ecommit to, knowing when one wanders off, the other will either \u003c\/em\u003e\u003cem\u003efollow or call them home. Here, flushness overrides order, each \u003c\/em\u003e\u003cem\u003enote saunters by like initials etched into tree bark: a devotion \u003c\/em\u003e\u003cem\u003eboth passing and eternal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter playing in Perfume Genius and Hand Habits, Duffy and \u003c\/em\u003e\u003cem\u003eUhlmann embarked on their first record together, Doubles. A \u003c\/em\u003e\u003cem\u003etestament to the wordlessness of their musical intimacy, Duffy \u003c\/em\u003e\u003cem\u003eand Uhlmann take up the guitar in order to make an imprint of \u003c\/em\u003e\u003cem\u003ethe slowness and presence of their improvisational practice. \u003c\/em\u003e\u003cem\u003eThey weave together a sonic meditation, embracing intuition \u003c\/em\u003e\u003cem\u003eand relying on trust. Side A of Doubles consists of two guitars \u003c\/em\u003e\u003cem\u003ein conversation: looping feelings, braiding sound, blowing \u003c\/em\u003e\u003cem\u003ekisses, and finishing each other’s sentences. Less\u003cspan class=\"bcTruncateMore\"\u003e of an echo and more of nod, the songs unfold in radical, mutual witnessing. Refraining from any over dubs or edits on the final tracks, the immediacy of the compositions makes it feel like we are in the room with them.\u003cbr\u003e\u003cbr\u003eWhere Side A establishes a glistening intimacy, Side B takes on the tone of sonic scavenging, incorporating sounds from their past year of touring together. Taking the self as source material, the second half of the album dismantles the presence of Side A in order to incorporate the tactility of memory. Using samples from the road and from the world, these compositions are a scrap book of glued and chopped up sound. When I listen, I feel the crunchiness and static of being-in-the-world as it is mediated by time. Without us knowing, our devices capture sounds we may have missed the first time around. And they land like a sucker punch, snapping us back to the present, tuning our attention to what surrounds us.\u003cbr\u003e\u003cbr\u003eTrue presence in any given moment is one of the most difficult things to cultivate and sustain. When it is offered, I treasure it like a rare gift. Listening to Doubles, I sink into the generosity of Duffy and Uhlmann’s offerings. In songs like “Glacial Fanfare,” I whisper to myself: it hurts now and it’s gonna hurt more, but then it’s gonna stop hurting. In “Euphoric Recall,” I understand how even the worst storms can offer gentleness. In “Braid,” I know trust is about bodies in contact, feet hitting the ground day after day. I return to the urgent question posed in the title of the track: “Which One Is You?” The answer is a low steady bass marked by chaotic and bright fluctuations of sound. The sonic response leaves me knowing: Both. All.\u003cbr\u003e\u003cbr\u003eThe intimacy in these songs dances like shadows - providing relief even as they slip away. I want to put this music in my pocket and hold it in my palm like a worn down stone. Duffy and Uhlmann give us a sweet rawness that reverberates even once the song is over, hitting the body the very moment words fall away.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Duffy x Uhlmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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Perfume GeniusやHand Habitsのバックバンドメンバーとして共演してきたアメリカのギタリストDuffy x Uhlmannが、2023年9月に同国シカゴのインディーレーベルOrindal Recordからリリースした共作アルバムです。 ギター2本による即興アンビエント・フォーク〜アンビエント・ジャズ11曲を収録。DLコード付属。 以下、Rosie Stocktonによる解説です。 "Duffy x Uhlmannは、スピードと遅さの境界を曖昧にし、互いの地平線を目指しながら、互いのピークとフラリーを引き受け、速度でコミュニケーションする。これらのワンテイク即興演奏は、Uhlmannの兄弟の家で借りたテープレコーダーで録音された。彼らの絶え間ないモチーフは、絶え間なく戻ってくることであり、片方が迷い込んでも、もう片方が追いかけてくるか、あるいは家に呼び戻されることを知っている、お互いがコミットする安定した鼓動である。ここでは、秩序よりも流動性が優先され、それぞれの音は木の皮に刻まれたイニシャルのように通り過ぎていく。Duffy x Uhlmannは、Perfume...
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{"id":8874027417850,"title":"Nowhere People \/\/ Save Some LP","handle":"nowhere-people-save-some-lp","description":"\u003cp\u003eジョージア／オランダのフュージョン集団Nowhere Peopleが、2025年7月にベルギーのArtisjokからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eフュージョン・ハウス5曲を収録。180g重量盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/2027302167\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Artisjok Records\" href=\"https:\/\/soundcloud.com\/artisjokrecords\" target=\"_blank\"\u003eArtisjok Records\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Nowhere People - Save Some\" href=\"https:\/\/soundcloud.com\/artisjokrecords\/sets\/nowhere-people-save-some\" target=\"_blank\"\u003eNowhere People - Save Some\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black 180gram vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 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Magnificent Seven 04:56\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtisjok Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Artisjok Records is excited to announce the debut EP from Nowhere People, a brand-new project that brings together musicians from Tbilisi and Amsterdam in a unique musical meeting point. The group came to life thanks to Mishulino, a producer born in Tbilisi and now based in Amsterdam, who’s connecting these two vibrant scenes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInvolved we have the incredible Beka Gochiashvili aka Bjazz11 on keys—an artist who’s already turned heads on the world stage, getting recognition\/playing with legends like Chick Corea, Stanley Clarke and Herbie Hancock. He shares the spotlight with fellow Tbilisi talent Luka Tuporia, a gifted young player with deep roots in jazz, funk, and fusion. Together, their playing is full of raw feeling and instinctive flow.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe lineup is rounded out by Anna Zavorina, who brings beautiful string textures, and Finn Peters, adding his own distinct flavor. All of these voices come together under Mishulino’s thoughtful production, blending styles and backgrounds into something fresh.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSave Some is the result of a lot of love and effort—a record that moves effortlessly from fusion to hyperjazz to broken and beyond.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nowhere People\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtisjok Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : AR0004\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-02T08:16:19+09:00","created_at":"2025-07-31T17:46:57+09:00","vendor":"Tobira Records","type":"","tags":["house","jazz","lp","new"],"price":322100,"price_min":322100,"price_max":322100,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47567282569466,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nowhere People \/\/ Save Some LP","public_title":null,"options":["Default Title"],"price":322100,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"8718723288378","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/no1_15ba9d69-2884-46c9-ba18-a33a071b50ab.jpg?v=1753951475","\/\/tobirarecords.com\/cdn\/shop\/files\/no2_d6abe913-7da1-46b1-b613-81f34dae4fd7.jpg?v=1753951475"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_15ba9d69-2884-46c9-ba18-a33a071b50ab.jpg?v=1753951475","options":["Title"],"media":[{"alt":null,"id":36458869620986,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_15ba9d69-2884-46c9-ba18-a33a071b50ab.jpg?v=1753951475"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_15ba9d69-2884-46c9-ba18-a33a071b50ab.jpg?v=1753951475","width":700},{"alt":null,"id":36458869653754,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no2_d6abe913-7da1-46b1-b613-81f34dae4fd7.jpg?v=1753951475"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no2_d6abe913-7da1-46b1-b613-81f34dae4fd7.jpg?v=1753951475","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eジョージア／オランダのフュージョン集団Nowhere Peopleが、2025年7月にベルギーのArtisjokからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eフュージョン・ハウス5曲を収録。180g重量盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/2027302167\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Artisjok Records\" href=\"https:\/\/soundcloud.com\/artisjokrecords\" target=\"_blank\"\u003eArtisjok Records\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Nowhere People - Save Some\" href=\"https:\/\/soundcloud.com\/artisjokrecords\/sets\/nowhere-people-save-some\" target=\"_blank\"\u003eNowhere People - Save Some\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black 180gram vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Separate Ft. Beka Gochiashvili \u0026amp; Anna Zavorina (Strings Dub Version) 05:15\u003cbr\u003e2. Twin Flame 04:22\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Save Some Ft. Luka Topuria \u0026amp; Finn Peters 06:06\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Separate Ft. Beka Gochiashvili (Original Version) 05:14\u003cbr\u003e\u003c\/span\u003e5. Magnificent Seven 04:56\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtisjok Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Artisjok Records is excited to announce the debut EP from Nowhere People, a brand-new project that brings together musicians from Tbilisi and Amsterdam in a unique musical meeting point. The group came to life thanks to Mishulino, a producer born in Tbilisi and now based in Amsterdam, who’s connecting these two vibrant scenes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInvolved we have the incredible Beka Gochiashvili aka Bjazz11 on keys—an artist who’s already turned heads on the world stage, getting recognition\/playing with legends like Chick Corea, Stanley Clarke and Herbie Hancock. He shares the spotlight with fellow Tbilisi talent Luka Tuporia, a gifted young player with deep roots in jazz, funk, and fusion. Together, their playing is full of raw feeling and instinctive flow.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe lineup is rounded out by Anna Zavorina, who brings beautiful string textures, and Finn Peters, adding his own distinct flavor. All of these voices come together under Mishulino’s thoughtful production, blending styles and backgrounds into something fresh.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSave Some is the result of a lot of love and effort—a record that moves effortlessly from fusion to hyperjazz to broken and beyond.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nowhere People\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtisjok Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : AR0004\u003c\/span\u003e\u003c\/p\u003e"}
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ジョージア／オランダのフュージョン集団Nowhere Peopleが、2025年7月にベルギーのArtisjokからリリースしたレコードです。 フュージョン・ハウス5曲を収録。180g重量盤です。 Artisjok Records · Nowhere People - Save Some ---------------------------------------------- 12" black...
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![Saul Williams, Carlos Niño & Friends // Saul Williams meets Carlos Niño & Friends at TreePeople 2xLP [COLOR]](http://tobirarecords.com/cdn/shop/files/will1_b49237a9-cd17-4f0d-8f08-bd972ca26718_medium.jpg?v=1753945420)
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{"id":8873679028474,"title":"Saul Williams, Carlos Niño \u0026 Friends \/\/ Saul Williams meets Carlos Niño \u0026 Friends at TreePeople 2xLP [COLOR]","handle":"saul-williams-carlos-nino-friends-saul-williams-meets-carlos-nino-friends-at-treepeople-2xlp-color","description":"\u003cp\u003eアメリカのラッパーSaul Williamsと当店おなじみCarlos Niño \u0026amp; Friendsが、2025年8月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースした共作2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜スポークンワード5曲を収録。森林カラー盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2024年12月18日、ロサンゼルスのコールドウォーター・キャニオン公園で、Saul Williams, Carlos Niño \u0026amp; Friendsとともにオークとブラックウォールナットの木の下で行われたサウンドセレモニー。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eリビング・アースのノア・クラインが企画し、自然保護団体TreePeopleの敷地内で行われたこのパフォーマンスは、長年の友人でありコラボレーターでもあるWilliamsとNiñoにとって初めての試みだった。ふたりは1997年以来連絡を取り合っており、さまざまなプロジェクトに一緒に取り組んできたが、このような形で発表することに心を動かされたことはなかった。この日のためにNiñoはアンサンブルを組み、ネイト・マーセロー（ギター・シンセサイザー、ミディ・ギターによるライブ・サンプリング、サンプル・ソース）、アーロン・ショウ（フルート、ソプラノ・サックス、ペダルスチール、 テナー・サックス）、アンドレス・レンテリア（ベル、コンガ、エジプシャン・ラトル・ドラム、ハンド・ドラム、パーカッション）、マイア（フルート、ヴィブラフォン、ヴォイス）、フランチェスカ・ハート（コンピューター、コンク・シェル、サウンド・デザイン）、カマシ・ワシントン（テナー・サックス）が参加した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSaul Williamsのインスピレーションに満ちた詩学は、Carlos Niño \u0026amp; Friendsが創り出すエレクトロ・アコースティックのエコシステムにシームレスにフィットし、千里眼のように導く。Williamsとだけでなく、Niñoとレンテリアの相互パーカッションの対話、ワシントンとショーの世代を超えた木管の対位法、ハートのデジタル・デザインと空中共鳴するマイアのヴィブラフォンのホバリング・ハーモニクス。ハートのサウンドはまた、シンセ・ギタリストのネイト・マーセローの美しいアナログでもある。彼のライブ・サンプリングとマニピュレーション・テクニックは、一瞬の音の存在をリアルタイムで音楽的構造に変える。この星座の次元をさらに深めているのは、メルセローとNiñoは、何十もの強力なコラボレーションを生み出してきた共通の音楽的シンパシーを数年前から持っていることで、このレコーディングにおける彼らの特別な相互作用は、微妙で暗黙的であると同時に、スピリチュアルで超越的なものとなっている。そしてもうひとつ、注目すべきつながりがある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eセットの後半、Williamsは、オランダ東インド貿易会社、マナハッタ島の先住民レナペ族、ウォール街の起源、そして帝国の終焉への祈りについての考察を延々と語りながら、アンサンブルの壮大なクレッシェンドを煽る。Williamsが詩人のアジャ・モネにバトンタッチし、彼女のノートから 「The Water Is Rising 」という黙示録的な詩を朗読する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eモネが詩を読み終えて身を引くと、Williamsは彼女の不吉な言葉に続いて、厳粛に希望に満ちた言葉を返す。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3100501460\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 28th August 2025 \u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e2 x 12\" 'forest edition' color vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sound then Words 16:03\u003cbr\u003e2. We would lift our Voice . . .\u003cbr\u003e3. We are calling out in this moment . . .\u003cbr\u003e4. The Water is Rising \/ as we surpass the firing squad . . . (with Aja Monet)\u003cbr\u003e5. We have work to do . . . (speaking after the concert)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn unadulterated opening statement intoned by Saul Williams three times, as he joins Carlos Niño \u0026amp; Friends in sound ceremony underneath oak and black walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for longtime friends and collaborators Williams and Niño. The two have been in contact since 1997 and have worked on a variety of projects together, but had never been moved to present in this way. For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWilliams’ inspired poetics both fit seamlessly and guide clairvoyantly the electro-acoustic ecosystem created by Niño \u0026amp;\u003cspan class=\"bcTruncateMore\"\u003e Friends – a constellation of deep connections and intersecting linkups from complementary sound makers. There’s the dialogue between not just Niño \u0026amp; Williams but Niño and Renteria’s reciprocal percussions; the intergenerational woodwind counterpoint between Washington and Shaw; the hovering harmonics of Maia’s vibraphone in aerial resonance with Heart’s digital designs. Heart’s sounds also make a beautiful analogue to synth-guitarist Nate Mercereau, whose live sampling and manipulation techniques turn fleeting moments of sonic presence into musical architecture in real time. Deepening the dimensionality of this constellation, Mercereau and Niño are several years into a shared musical simpatico that has yielded dozens of powerful collaborations, making their particular interaction on this recording as spiritual and transcendent as it is subtle and implicit. And there is yet another connection to be highlighted still.\u003cbr\u003e\u003cbr\u003eLate in the set, Williams shares an extended reflection on the Dutch East India Trade Company, the indigenous Lenape people on the island of Manahatta, the origins of Wall Street, and a prayer for the end of empire as he incites an epic crescendo from the ensemble, swirling behind the twin winds of Shaw and Washington, spirited by his repeated call “I’ve seen enough.” The smoke has only begun to clear from this emotional apex as Williams passes the torch to poet Aja Monet, who arrests the atmosphere with a soft apocalyptic reading of a piece from her notebook, “The Water Is Rising.”\u003cbr\u003e\u003cbr\u003eAs Monet finishes her poem and steps aside, Williams follows her foreboding words with a solemnly hopeful return – closing the ceremony with a parable about a firing squad, where one member's dilemma is a \"system of belief\" allowing for humanity in the heart of an oppressor.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Saul Williams, Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0102\u003c\/p\u003e","published_at":"2025-07-31T16:58:59+09:00","created_at":"2025-07-31T16:03:15+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","international anthem","jazz","lp","new","recommended"],"price":569000,"price_min":569000,"price_max":569000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47566759985402,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Saul Williams, Carlos Niño \u0026 Friends \/\/ Saul Williams meets Carlos Niño \u0026 Friends at TreePeople 2xLP [COLOR]","public_title":null,"options":["Default Title"],"price":569000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457216679","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/will1_b49237a9-cd17-4f0d-8f08-bd972ca26718.jpg?v=1753945420","\/\/tobirarecords.com\/cdn\/shop\/files\/will3_5c997d06-2ae9-4b42-b289-d5c121c59f01.jpg?v=1753945420"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/will1_b49237a9-cd17-4f0d-8f08-bd972ca26718.jpg?v=1753945420","options":["Title"],"media":[{"alt":null,"id":36458594107642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/will1_b49237a9-cd17-4f0d-8f08-bd972ca26718.jpg?v=1753945420"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/will1_b49237a9-cd17-4f0d-8f08-bd972ca26718.jpg?v=1753945420","width":700},{"alt":null,"id":36458594140410,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/will3_5c997d06-2ae9-4b42-b289-d5c121c59f01.jpg?v=1753945420"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/will3_5c997d06-2ae9-4b42-b289-d5c121c59f01.jpg?v=1753945420","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのラッパーSaul Williamsと当店おなじみCarlos Niño \u0026amp; Friendsが、2025年8月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースした共作2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜スポークンワード5曲を収録。森林カラー盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2024年12月18日、ロサンゼルスのコールドウォーター・キャニオン公園で、Saul Williams, Carlos Niño \u0026amp; Friendsとともにオークとブラックウォールナットの木の下で行われたサウンドセレモニー。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eリビング・アースのノア・クラインが企画し、自然保護団体TreePeopleの敷地内で行われたこのパフォーマンスは、長年の友人でありコラボレーターでもあるWilliamsとNiñoにとって初めての試みだった。ふたりは1997年以来連絡を取り合っており、さまざまなプロジェクトに一緒に取り組んできたが、このような形で発表することに心を動かされたことはなかった。この日のためにNiñoはアンサンブルを組み、ネイト・マーセロー（ギター・シンセサイザー、ミディ・ギターによるライブ・サンプリング、サンプル・ソース）、アーロン・ショウ（フルート、ソプラノ・サックス、ペダルスチール、 テナー・サックス）、アンドレス・レンテリア（ベル、コンガ、エジプシャン・ラトル・ドラム、ハンド・ドラム、パーカッション）、マイア（フルート、ヴィブラフォン、ヴォイス）、フランチェスカ・ハート（コンピューター、コンク・シェル、サウンド・デザイン）、カマシ・ワシントン（テナー・サックス）が参加した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSaul Williamsのインスピレーションに満ちた詩学は、Carlos Niño \u0026amp; Friendsが創り出すエレクトロ・アコースティックのエコシステムにシームレスにフィットし、千里眼のように導く。Williamsとだけでなく、Niñoとレンテリアの相互パーカッションの対話、ワシントンとショーの世代を超えた木管の対位法、ハートのデジタル・デザインと空中共鳴するマイアのヴィブラフォンのホバリング・ハーモニクス。ハートのサウンドはまた、シンセ・ギタリストのネイト・マーセローの美しいアナログでもある。彼のライブ・サンプリングとマニピュレーション・テクニックは、一瞬の音の存在をリアルタイムで音楽的構造に変える。この星座の次元をさらに深めているのは、メルセローとNiñoは、何十もの強力なコラボレーションを生み出してきた共通の音楽的シンパシーを数年前から持っていることで、このレコーディングにおける彼らの特別な相互作用は、微妙で暗黙的であると同時に、スピリチュアルで超越的なものとなっている。そしてもうひとつ、注目すべきつながりがある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eセットの後半、Williamsは、オランダ東インド貿易会社、マナハッタ島の先住民レナペ族、ウォール街の起源、そして帝国の終焉への祈りについての考察を延々と語りながら、アンサンブルの壮大なクレッシェンドを煽る。Williamsが詩人のアジャ・モネにバトンタッチし、彼女のノートから 「The Water Is Rising 」という黙示録的な詩を朗読する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eモネが詩を読み終えて身を引くと、Williamsは彼女の不吉な言葉に続いて、厳粛に希望に満ちた言葉を返す。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3100501460\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 28th August 2025 \u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e2 x 12\" 'forest edition' color vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sound then Words 16:03\u003cbr\u003e2. We would lift our Voice . . .\u003cbr\u003e3. We are calling out in this moment . . .\u003cbr\u003e4. The Water is Rising \/ as we surpass the firing squad . . . (with Aja Monet)\u003cbr\u003e5. We have work to do . . . (speaking after the concert)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn unadulterated opening statement intoned by Saul Williams three times, as he joins Carlos Niño \u0026amp; Friends in sound ceremony underneath oak and black walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for longtime friends and collaborators Williams and Niño. The two have been in contact since 1997 and have worked on a variety of projects together, but had never been moved to present in this way. For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWilliams’ inspired poetics both fit seamlessly and guide clairvoyantly the electro-acoustic ecosystem created by Niño \u0026amp;\u003cspan class=\"bcTruncateMore\"\u003e Friends – a constellation of deep connections and intersecting linkups from complementary sound makers. There’s the dialogue between not just Niño \u0026amp; Williams but Niño and Renteria’s reciprocal percussions; the intergenerational woodwind counterpoint between Washington and Shaw; the hovering harmonics of Maia’s vibraphone in aerial resonance with Heart’s digital designs. Heart’s sounds also make a beautiful analogue to synth-guitarist Nate Mercereau, whose live sampling and manipulation techniques turn fleeting moments of sonic presence into musical architecture in real time. Deepening the dimensionality of this constellation, Mercereau and Niño are several years into a shared musical simpatico that has yielded dozens of powerful collaborations, making their particular interaction on this recording as spiritual and transcendent as it is subtle and implicit. And there is yet another connection to be highlighted still.\u003cbr\u003e\u003cbr\u003eLate in the set, Williams shares an extended reflection on the Dutch East India Trade Company, the indigenous Lenape people on the island of Manahatta, the origins of Wall Street, and a prayer for the end of empire as he incites an epic crescendo from the ensemble, swirling behind the twin winds of Shaw and Washington, spirited by his repeated call “I’ve seen enough.” The smoke has only begun to clear from this emotional apex as Williams passes the torch to poet Aja Monet, who arrests the atmosphere with a soft apocalyptic reading of a piece from her notebook, “The Water Is Rising.”\u003cbr\u003e\u003cbr\u003eAs Monet finishes her poem and steps aside, Williams follows her foreboding words with a solemnly hopeful return – closing the ceremony with a parable about a firing squad, where one member's dilemma is a \"system of belief\" allowing for humanity in the heart of an oppressor.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Saul Williams, Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0102\u003c\/p\u003e"}
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アメリカのラッパーSaul Williamsと当店おなじみCarlos Niño & Friendsが、2025年8月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースした共作2枚組レコードです。 アンビエント・ジャズ〜スポークンワード5曲を収録。森林カラー盤です。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします "2024年12月18日、ロサンゼルスのコールドウォーター・キャニオン公園で、Saul Williams, Carlos Niño & Friendsとともにオークとブラックウォールナットの木の下で行われたサウンドセレモニー。...
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{"id":8873678373114,"title":"Saul Williams, Carlos Niño \u0026 Friends \/\/ Saul Williams meets Carlos Niño \u0026 Friends at TreePeople 2xLP","handle":"saul-williams-carlos-nino-friends-saul-williams-meets-carlos-nino-friends-at-treepeople-2xlp","description":"\u003cp\u003eアメリカのラッパーSaul Williamsと当店おなじみCarlos Niño \u0026amp; Friendsが、2025年8月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースした共作2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜スポークンワード5曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2024年12月18日、ロサンゼルスのコールドウォーター・キャニオン公園で、Saul Williams, Carlos Niño \u0026amp; Friendsとともにオークとブラックウォールナットの木の下で行われたサウンドセレモニー。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eリビング・アースのノア・クラインが企画し、自然保護団体TreePeopleの敷地内で行われたこのパフォーマンスは、長年の友人でありコラボレーターでもあるWilliamsとNiñoにとって初めての試みだった。ふたりは1997年以来連絡を取り合っており、さまざまなプロジェクトに一緒に取り組んできたが、このような形で発表することに心を動かされたことはなかった。この日のためにNiñoはアンサンブルを組み、ネイト・マーセロー（ギター・シンセサイザー、ミディ・ギターによるライブ・サンプリング、サンプル・ソース）、アーロン・ショウ（フルート、ソプラノ・サックス、ペダルスチール、 テナー・サックス）、アンドレス・レンテリア（ベル、コンガ、エジプシャン・ラトル・ドラム、ハンド・ドラム、パーカッション）、マイア（フルート、ヴィブラフォン、ヴォイス）、フランチェスカ・ハート（コンピューター、コンク・シェル、サウンド・デザイン）、カマシ・ワシントン（テナー・サックス）が参加した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSaul Williamsのインスピレーションに満ちた詩学は、Carlos Niño \u0026amp; Friendsが創り出すエレクトロ・アコースティックのエコシステムにシームレスにフィットし、千里眼のように導く。Williamsとだけでなく、Niñoとレンテリアの相互パーカッションの対話、ワシントンとショーの世代を超えた木管の対位法、ハートのデジタル・デザインと空中共鳴するマイアのヴィブラフォンのホバリング・ハーモニクス。ハートのサウンドはまた、シンセ・ギタリストのネイト・マーセローの美しいアナログでもある。彼のライブ・サンプリングとマニピュレーション・テクニックは、一瞬の音の存在をリアルタイムで音楽的構造に変える。この星座の次元をさらに深めているのは、メルセローとNiñoは、何十もの強力なコラボレーションを生み出してきた共通の音楽的シンパシーを数年前から持っていることで、このレコーディングにおける彼らの特別な相互作用は、微妙で暗黙的であると同時に、スピリチュアルで超越的なものとなっている。そしてもうひとつ、注目すべきつながりがある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eセットの後半、Williamsは、オランダ東インド貿易会社、マナハッタ島の先住民レナペ族、ウォール街の起源、そして帝国の終焉への祈りについての考察を延々と語りながら、アンサンブルの壮大なクレッシェンドを煽る。Williamsが詩人のアジャ・モネにバトンタッチし、彼女のノートから 「The Water Is Rising 」という黙示録的な詩を朗読する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eモネが詩を読み終えて身を引くと、Williamsは彼女の不吉な言葉に続いて、厳粛に希望に満ちた言葉を返す。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3100501460\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 28th August 2025 \u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sound then Words 16:03\u003cbr\u003e2. We would lift our Voice . . .\u003cbr\u003e3. We are calling out in this moment . . .\u003cbr\u003e4. The Water is Rising \/ as we surpass the firing squad . . . (with Aja Monet)\u003cbr\u003e5. We have work to do . . . (speaking after the concert)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn unadulterated opening statement intoned by Saul Williams three times, as he joins Carlos Niño \u0026amp; Friends in sound ceremony underneath oak and black walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for longtime friends and collaborators Williams and Niño. The two have been in contact since 1997 and have worked on a variety of projects together, but had never been moved to present in this way. For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWilliams’ inspired poetics both fit seamlessly and guide clairvoyantly the electro-acoustic ecosystem created by Niño \u0026amp;\u003cspan class=\"bcTruncateMore\"\u003e Friends – a constellation of deep connections and intersecting linkups from complementary sound makers. There’s the dialogue between not just Niño \u0026amp; Williams but Niño and Renteria’s reciprocal percussions; the intergenerational woodwind counterpoint between Washington and Shaw; the hovering harmonics of Maia’s vibraphone in aerial resonance with Heart’s digital designs. Heart’s sounds also make a beautiful analogue to synth-guitarist Nate Mercereau, whose live sampling and manipulation techniques turn fleeting moments of sonic presence into musical architecture in real time. Deepening the dimensionality of this constellation, Mercereau and Niño are several years into a shared musical simpatico that has yielded dozens of powerful collaborations, making their particular interaction on this recording as spiritual and transcendent as it is subtle and implicit. And there is yet another connection to be highlighted still.\u003cbr\u003e\u003cbr\u003eLate in the set, Williams shares an extended reflection on the Dutch East India Trade Company, the indigenous Lenape people on the island of Manahatta, the origins of Wall Street, and a prayer for the end of empire as he incites an epic crescendo from the ensemble, swirling behind the twin winds of Shaw and Washington, spirited by his repeated call “I’ve seen enough.” The smoke has only begun to clear from this emotional apex as Williams passes the torch to poet Aja Monet, who arrests the atmosphere with a soft apocalyptic reading of a piece from her notebook, “The Water Is Rising.”\u003cbr\u003e\u003cbr\u003eAs Monet finishes her poem and steps aside, Williams follows her foreboding words with a solemnly hopeful return – closing the ceremony with a parable about a firing squad, where one member's dilemma is a \"system of belief\" allowing for humanity in the heart of an oppressor.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Saul Williams, Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0102\u003c\/p\u003e","published_at":"2025-07-31T16:55:04+09:00","created_at":"2025-07-31T16:02:11+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","international anthem","jazz","lp","new","recommended"],"price":545000,"price_min":545000,"price_max":545000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47566758510842,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Saul Williams, Carlos Niño \u0026 Friends \/\/ Saul Williams meets Carlos Niño \u0026 Friends at TreePeople 2xLP","public_title":null,"options":["Default Title"],"price":545000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457216686","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/will1_202ed7fd-08d3-4fd1-9fee-15af04beb8e2.jpg?v=1753945219","\/\/tobirarecords.com\/cdn\/shop\/files\/will2_9a043076-521b-4f50-905f-9db35e8eb0ab.jpg?v=1753945219"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/will1_202ed7fd-08d3-4fd1-9fee-15af04beb8e2.jpg?v=1753945219","options":["Title"],"media":[{"alt":null,"id":36458580410618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/will1_202ed7fd-08d3-4fd1-9fee-15af04beb8e2.jpg?v=1753945219"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/will1_202ed7fd-08d3-4fd1-9fee-15af04beb8e2.jpg?v=1753945219","width":700},{"alt":null,"id":36458580443386,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/will2_9a043076-521b-4f50-905f-9db35e8eb0ab.jpg?v=1753945219"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/will2_9a043076-521b-4f50-905f-9db35e8eb0ab.jpg?v=1753945219","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのラッパーSaul Williamsと当店おなじみCarlos Niño \u0026amp; Friendsが、2025年8月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースした共作2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜スポークンワード5曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2024年12月18日、ロサンゼルスのコールドウォーター・キャニオン公園で、Saul Williams, Carlos Niño \u0026amp; Friendsとともにオークとブラックウォールナットの木の下で行われたサウンドセレモニー。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eリビング・アースのノア・クラインが企画し、自然保護団体TreePeopleの敷地内で行われたこのパフォーマンスは、長年の友人でありコラボレーターでもあるWilliamsとNiñoにとって初めての試みだった。ふたりは1997年以来連絡を取り合っており、さまざまなプロジェクトに一緒に取り組んできたが、このような形で発表することに心を動かされたことはなかった。この日のためにNiñoはアンサンブルを組み、ネイト・マーセロー（ギター・シンセサイザー、ミディ・ギターによるライブ・サンプリング、サンプル・ソース）、アーロン・ショウ（フルート、ソプラノ・サックス、ペダルスチール、 テナー・サックス）、アンドレス・レンテリア（ベル、コンガ、エジプシャン・ラトル・ドラム、ハンド・ドラム、パーカッション）、マイア（フルート、ヴィブラフォン、ヴォイス）、フランチェスカ・ハート（コンピューター、コンク・シェル、サウンド・デザイン）、カマシ・ワシントン（テナー・サックス）が参加した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSaul Williamsのインスピレーションに満ちた詩学は、Carlos Niño \u0026amp; Friendsが創り出すエレクトロ・アコースティックのエコシステムにシームレスにフィットし、千里眼のように導く。Williamsとだけでなく、Niñoとレンテリアの相互パーカッションの対話、ワシントンとショーの世代を超えた木管の対位法、ハートのデジタル・デザインと空中共鳴するマイアのヴィブラフォンのホバリング・ハーモニクス。ハートのサウンドはまた、シンセ・ギタリストのネイト・マーセローの美しいアナログでもある。彼のライブ・サンプリングとマニピュレーション・テクニックは、一瞬の音の存在をリアルタイムで音楽的構造に変える。この星座の次元をさらに深めているのは、メルセローとNiñoは、何十もの強力なコラボレーションを生み出してきた共通の音楽的シンパシーを数年前から持っていることで、このレコーディングにおける彼らの特別な相互作用は、微妙で暗黙的であると同時に、スピリチュアルで超越的なものとなっている。そしてもうひとつ、注目すべきつながりがある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eセットの後半、Williamsは、オランダ東インド貿易会社、マナハッタ島の先住民レナペ族、ウォール街の起源、そして帝国の終焉への祈りについての考察を延々と語りながら、アンサンブルの壮大なクレッシェンドを煽る。Williamsが詩人のアジャ・モネにバトンタッチし、彼女のノートから 「The Water Is Rising 」という黙示録的な詩を朗読する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eモネが詩を読み終えて身を引くと、Williamsは彼女の不吉な言葉に続いて、厳粛に希望に満ちた言葉を返す。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3100501460\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 28th August 2025 \u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sound then Words 16:03\u003cbr\u003e2. We would lift our Voice . . .\u003cbr\u003e3. We are calling out in this moment . . .\u003cbr\u003e4. The Water is Rising \/ as we surpass the firing squad . . . (with Aja Monet)\u003cbr\u003e5. We have work to do . . . (speaking after the concert)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn unadulterated opening statement intoned by Saul Williams three times, as he joins Carlos Niño \u0026amp; Friends in sound ceremony underneath oak and black walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for longtime friends and collaborators Williams and Niño. The two have been in contact since 1997 and have worked on a variety of projects together, but had never been moved to present in this way. For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWilliams’ inspired poetics both fit seamlessly and guide clairvoyantly the electro-acoustic ecosystem created by Niño \u0026amp;\u003cspan class=\"bcTruncateMore\"\u003e Friends – a constellation of deep connections and intersecting linkups from complementary sound makers. There’s the dialogue between not just Niño \u0026amp; Williams but Niño and Renteria’s reciprocal percussions; the intergenerational woodwind counterpoint between Washington and Shaw; the hovering harmonics of Maia’s vibraphone in aerial resonance with Heart’s digital designs. Heart’s sounds also make a beautiful analogue to synth-guitarist Nate Mercereau, whose live sampling and manipulation techniques turn fleeting moments of sonic presence into musical architecture in real time. Deepening the dimensionality of this constellation, Mercereau and Niño are several years into a shared musical simpatico that has yielded dozens of powerful collaborations, making their particular interaction on this recording as spiritual and transcendent as it is subtle and implicit. And there is yet another connection to be highlighted still.\u003cbr\u003e\u003cbr\u003eLate in the set, Williams shares an extended reflection on the Dutch East India Trade Company, the indigenous Lenape people on the island of Manahatta, the origins of Wall Street, and a prayer for the end of empire as he incites an epic crescendo from the ensemble, swirling behind the twin winds of Shaw and Washington, spirited by his repeated call “I’ve seen enough.” The smoke has only begun to clear from this emotional apex as Williams passes the torch to poet Aja Monet, who arrests the atmosphere with a soft apocalyptic reading of a piece from her notebook, “The Water Is Rising.”\u003cbr\u003e\u003cbr\u003eAs Monet finishes her poem and steps aside, Williams follows her foreboding words with a solemnly hopeful return – closing the ceremony with a parable about a firing squad, where one member's dilemma is a \"system of belief\" allowing for humanity in the heart of an oppressor.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Saul Williams, Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0102\u003c\/p\u003e"}
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Saul Williams, Carlos Niño & Friends // Saul Williams meets Carlos Niño & Friends at TreePeople 2xLP
アメリカのラッパーSaul Williamsと当店おなじみCarlos Niño & Friendsが、2025年8月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースした共作2枚組レコードです。 アンビエント・ジャズ〜スポークンワード5曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします "2024年12月18日、ロサンゼルスのコールドウォーター・キャニオン公園で、Saul Williams, Carlos Niño & Friendsとともにオークとブラックウォールナットの木の下で行われたサウンドセレモニー。...
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{"id":8873444901114,"title":"Jeff Parker \/\/ Forfolks CD","handle":"jeff-parker-forfolks-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年12月にInternational Anthemからリリースしたアルバム\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1759480046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlbum liner notes by Matthew Lux:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eYears ago when Jeff and I were in a band together, I always insisted that our records could not have any liner notes. I was enthralled with the idea that imparting any information beyond the music itself was heresy. As if whatever the sound didn't convey needed to be left to the listener. Somehow, I was able to hold this opinion while simultaneously voraciously consuming every record jacket, CD cover, cassette J card and whatever else I could get my hands on regarding any music that interested me. Many years and finally the making of my own album forced me to confront my cognitive dissonance and recognize context can help the audience find their place in the art that they enjoy. That context is especially necessary when the artist is as under-appreciated yet influential as Jeff Parker.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen I met Jeff, he was the first adult (24 years old to my 18) whose musical taste was as broad as mine and my friends. He liked Eric Dolphy, De La Soul, ‘70s Miles, and Donny Hathaway. We first played together in the living room of my parents’ apartment. We agreed to each bring a friend to round out a group. He brought the amazing and criminally under-represented Sara P. Smith on trombone, and I brought my high school band mate Chad Taylor on drums. Chad\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e and I were certainly outclassed that day, but nevertheless we all became fast friends. A few weeks later, at our regular jam session at the Bop Shop, I told my girlfriend (now wife) to pay attention to Jeff. \"He's going to be important,\" I said.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Chicago that Parker had moved to was ripe with young musicians eager to push at the boundaries. There weren't many venues catering to these new attempts at mixing things up, but slowly a number of great bands coalesced out of a group of like-minded friends, mixing everyone's backgrounds whether punk, disco, jazz or whatever. I clearly remember going to see New Horizons Ensemble at the Hothouse with Jeff, then a few weeks later going to the Empty Bottle to see Tortoise. Within months he'd be in both those bands. He was instrumental in forging a link between players with different styles that helped define the sound of creative music in ‘90s Chicago.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHe has been ordering sound with an amazingly diverse array of artists and collaborators for the past three decades. While it's common for a professional musician to be versed in many styles, that normally means a succession of genre tropes deployed to ensure the listener knows exactly where they are and what's supposed to be happening. A guitarist, for example, might play a Nile Rogers type rhythm on Disco or Funk, a favorite B.B. King lick on a blues or a Wes Montgomery phrase over a standard. Parker rarely does anything this overt. While perfectly capable (Once, in the studio, at the behest of a musician we were working with, I heard him take a solo that could have been an outtake from a Steely Dan album), he eschews genre playing and chooses a painterly approach to coloring the music, maintaining a deeply personal voice without weighing down the music with obvious stylistic maneuverings. His unique approach fits so well into so many contexts precisely because SOUND is his main focus and concern. One can clearly hear the breadth of Black Music in Parker’s playing. He is part of a continuum of musicians extending back to antiquity.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe structures here challenge our preconceptions of background and foreground. ALL the layers are primary. We are presented with fully integrated sonic developments rather than accompaniment, melody, or \"soloing\". Often times a solo album is an excuse for an artist to display their virtuosity. The idea being, possibly, that unencumbered by other musicians, the soloist is free to ride off on flights of fancy. But a career spent in the practice of subtlety is thankfully apparent in every song here. On Forfolks, a standard of the Great American Songbook fits comfortably next to multi-layered improvisations, a Thelonious Monk tune, and several compositions of Parker’s own, dating back twenty-five years.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMonk, I find to be an apt comparison. Both men were deeply involved in some of the most progressive musical movements of their respective generations, neither gaining much renown at the time, but both kept on doing things in their own quietly iconoclastic ways until the world caught up with them some twenty years later. I was fortunate enough to recognize the first time I heard Jeff Parker thirty years ago that I was witnessing something very special.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-07-31T07:22:45+09:00","created_at":"2025-07-31T07:20:48+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","international anthem","jazz","new"],"price":276000,"price_min":276000,"price_max":276000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47565795328250,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jeff Parker \/\/ Forfolks CD","public_title":null,"options":["Default Title"],"price":276000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"075597912135","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fo.jpg?v=1642993064","\/\/tobirarecords.com\/cdn\/shop\/products\/go3.jpg?v=1642993097"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo.jpg?v=1642993064","options":["Title"],"media":[{"alt":null,"id":29050072039674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo.jpg?v=1642993064"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo.jpg?v=1642993064","width":700},{"alt":null,"id":29050073055482,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go3.jpg?v=1642993097"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go3.jpg?v=1642993097","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年12月にInternational Anthemからリリースしたアルバム\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1759480046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlbum liner notes by Matthew Lux:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eYears ago when Jeff and I were in a band together, I always insisted that our records could not have any liner notes. I was enthralled with the idea that imparting any information beyond the music itself was heresy. As if whatever the sound didn't convey needed to be left to the listener. Somehow, I was able to hold this opinion while simultaneously voraciously consuming every record jacket, CD cover, cassette J card and whatever else I could get my hands on regarding any music that interested me. Many years and finally the making of my own album forced me to confront my cognitive dissonance and recognize context can help the audience find their place in the art that they enjoy. That context is especially necessary when the artist is as under-appreciated yet influential as Jeff Parker.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen I met Jeff, he was the first adult (24 years old to my 18) whose musical taste was as broad as mine and my friends. He liked Eric Dolphy, De La Soul, ‘70s Miles, and Donny Hathaway. We first played together in the living room of my parents’ apartment. We agreed to each bring a friend to round out a group. He brought the amazing and criminally under-represented Sara P. Smith on trombone, and I brought my high school band mate Chad Taylor on drums. Chad\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e and I were certainly outclassed that day, but nevertheless we all became fast friends. A few weeks later, at our regular jam session at the Bop Shop, I told my girlfriend (now wife) to pay attention to Jeff. \"He's going to be important,\" I said.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Chicago that Parker had moved to was ripe with young musicians eager to push at the boundaries. There weren't many venues catering to these new attempts at mixing things up, but slowly a number of great bands coalesced out of a group of like-minded friends, mixing everyone's backgrounds whether punk, disco, jazz or whatever. I clearly remember going to see New Horizons Ensemble at the Hothouse with Jeff, then a few weeks later going to the Empty Bottle to see Tortoise. Within months he'd be in both those bands. He was instrumental in forging a link between players with different styles that helped define the sound of creative music in ‘90s Chicago.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHe has been ordering sound with an amazingly diverse array of artists and collaborators for the past three decades. While it's common for a professional musician to be versed in many styles, that normally means a succession of genre tropes deployed to ensure the listener knows exactly where they are and what's supposed to be happening. A guitarist, for example, might play a Nile Rogers type rhythm on Disco or Funk, a favorite B.B. King lick on a blues or a Wes Montgomery phrase over a standard. Parker rarely does anything this overt. While perfectly capable (Once, in the studio, at the behest of a musician we were working with, I heard him take a solo that could have been an outtake from a Steely Dan album), he eschews genre playing and chooses a painterly approach to coloring the music, maintaining a deeply personal voice without weighing down the music with obvious stylistic maneuverings. His unique approach fits so well into so many contexts precisely because SOUND is his main focus and concern. One can clearly hear the breadth of Black Music in Parker’s playing. He is part of a continuum of musicians extending back to antiquity.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe structures here challenge our preconceptions of background and foreground. ALL the layers are primary. We are presented with fully integrated sonic developments rather than accompaniment, melody, or \"soloing\". Often times a solo album is an excuse for an artist to display their virtuosity. The idea being, possibly, that unencumbered by other musicians, the soloist is free to ride off on flights of fancy. But a career spent in the practice of subtlety is thankfully apparent in every song here. On Forfolks, a standard of the Great American Songbook fits comfortably next to multi-layered improvisations, a Thelonious Monk tune, and several compositions of Parker’s own, dating back twenty-five years.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMonk, I find to be an apt comparison. Both men were deeply involved in some of the most progressive musical movements of their respective generations, neither gaining much renown at the time, but both kept on doing things in their own quietly iconoclastic ways until the world caught up with them some twenty years later. I was fortunate enough to recognize the first time I heard Jeff Parker thirty years ago that I was witnessing something very special.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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Tortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年12月にInternational Anthemからリリースしたアルバムです。 ギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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