Jeff Parker // Max Brown - Part One 7"
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Jeff Parker // Max Brown - Part One 7"
¥1,780
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ポストロックバンドTortoiseのギタリストとしても有名なJeff Parkerの7"。コンテンポラリージャズ2曲を収録。300枚限定です。
レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira.
------------------------------
Edition of 300.
'Max Brown' is the first single from Jeff Parker's full length album, 'Suite For Max Brown'.
Artist : Jeff Parker
Label : International Anthem
ポストロックバンドTortoiseのギタリストとしても有名なJeff Parkerの7"。コンテンポラリージャズ2曲を収録。300枚限定です。
レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira.
------------------------------
Edition of 300.
'Max Brown' is the first single from Jeff Parker's full length album, 'Suite For Max Brown'.
Artist : Jeff Parker
Label : International Anthem
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{"id":9211223736570,"title":"Irreversible Entanglements \/\/ Open The Gates 2xLP","handle":"irreversible-entanglements-open-the-gates-2xlp","description":"\u003ch2\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: rgb(255, 42, 0);\"\u003e※5月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴのジャズバンドIrreversible Entanglementsが、2021年12月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスピリチュアルジャズ7曲、70分以上を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=581489244\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIrreversible Entanglements’ third full-length album OPEN THE GATES is ethereal shards of jagged onyx, a melancholic exploration of the post-colonial debris that surrounds us. Let’s watch and listen, as this platter snakes through the sandy ashes of possible histories, dialogs with a nervous present, and asks to be birthed into a holographic new future. “Together in holy sound!” the band stitches patient anthems out of atmosphere. Pulling from a wider sonic vocabulary than on previous excursions, the agit-jazz found here is simultaneously pre- and post-apocalypse, as bass lurches in a tranced-out loop, horns are up in the track grooves like poltergeists playing in the streets, poetry cascades like a warrior call at a satsang, the drums both wild and refined pulse with uhuru-heart cadence. This is Irreversible Entanglements on new ground; same as the old ground.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd we need it now – the universe was awash in the sickly static veneer of anti-cosmos, of anti-nation; the halls were emptied, our shadows echoing and staining the walls of our abandoned oases – so we poured out into 2020’s wild streets. The ghosts of our labor danced around the sickness as we set fire to our old ways of thinking and moving, as we set fire to cop cars and bashed in the windows of our own rising disenfranchisement. “Open the gates!”\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e we shouted, blessed be – we need it now!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHere come Irreversible Entanglements – Luke Stewart, the high priest on bass; Aquiles Navarro, the electric universe in human form on trumpet; Keir Neuringer, the cosmologist with the siren sound on sax; Tcheser Holmes, the griot, the myth-maker on drums; and Camae Ayewa, the Moor mother with an empyrean pen game – on this new disc with their fierce aural tectonics shifting the earth, their watery post-pangea as dirge, their punk rock ethos and crash and bang polyrhythmic super-sonic sound synesthesia in the form of OPEN THE GATES – here it comes, my Brothas and Sistas, here it comes\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Irreversible Entanglements\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-30T07:15:15+09:00","created_at":"2026-04-30T07:14:21+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":548000,"price_min":548000,"price_max":548000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48792767070458,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Irreversible Entanglements \/\/ Open The Gates 2xLP","public_title":null,"options":["Default Title"],"price":548000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993991549","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/op1_9ea2e216-3c65-4ec4-8089-24d6fc888dd5.jpg?v=1712723530","\/\/tobirarecords.com\/cdn\/shop\/files\/op3_297dd1de-ae04-46d3-9688-f94f086ff7bb.jpg?v=1712723530","\/\/tobirarecords.com\/cdn\/shop\/files\/op4.jpg?v=1712723531"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_9ea2e216-3c65-4ec4-8089-24d6fc888dd5.jpg?v=1712723530","options":["Title"],"media":[{"alt":null,"id":33656941019386,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_9ea2e216-3c65-4ec4-8089-24d6fc888dd5.jpg?v=1712723530"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_9ea2e216-3c65-4ec4-8089-24d6fc888dd5.jpg?v=1712723530","width":700},{"alt":null,"id":33656941478138,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op3_297dd1de-ae04-46d3-9688-f94f086ff7bb.jpg?v=1712723530"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op3_297dd1de-ae04-46d3-9688-f94f086ff7bb.jpg?v=1712723530","width":1200},{"alt":null,"id":33656941838586,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op4.jpg?v=1712723531"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op4.jpg?v=1712723531","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: rgb(255, 42, 0);\"\u003e※5月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴのジャズバンドIrreversible Entanglementsが、2021年12月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスピリチュアルジャズ7曲、70分以上を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=581489244\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIrreversible Entanglements’ third full-length album OPEN THE GATES is ethereal shards of jagged onyx, a melancholic exploration of the post-colonial debris that surrounds us. Let’s watch and listen, as this platter snakes through the sandy ashes of possible histories, dialogs with a nervous present, and asks to be birthed into a holographic new future. “Together in holy sound!” the band stitches patient anthems out of atmosphere. Pulling from a wider sonic vocabulary than on previous excursions, the agit-jazz found here is simultaneously pre- and post-apocalypse, as bass lurches in a tranced-out loop, horns are up in the track grooves like poltergeists playing in the streets, poetry cascades like a warrior call at a satsang, the drums both wild and refined pulse with uhuru-heart cadence. This is Irreversible Entanglements on new ground; same as the old ground.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd we need it now – the universe was awash in the sickly static veneer of anti-cosmos, of anti-nation; the halls were emptied, our shadows echoing and staining the walls of our abandoned oases – so we poured out into 2020’s wild streets. The ghosts of our labor danced around the sickness as we set fire to our old ways of thinking and moving, as we set fire to cop cars and bashed in the windows of our own rising disenfranchisement. “Open the gates!”\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e we shouted, blessed be – we need it now!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHere come Irreversible Entanglements – Luke Stewart, the high priest on bass; Aquiles Navarro, the electric universe in human form on trumpet; Keir Neuringer, the cosmologist with the siren sound on sax; Tcheser Holmes, the griot, the myth-maker on drums; and Camae Ayewa, the Moor mother with an empyrean pen game – on this new disc with their fierce aural tectonics shifting the earth, their watery post-pangea as dirge, their punk rock ethos and crash and bang polyrhythmic super-sonic sound synesthesia in the form of OPEN THE GATES – here it comes, my Brothas and Sistas, here it comes\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Irreversible Entanglements\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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※5月上旬再入荷後発送します アメリカ・シカゴのジャズバンドIrreversible Entanglementsが、2021年12月にInternational Anthemからリリースした2枚組レコードです。 スピリチュアルジャズ7曲、70分以上を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":9205523611898,"title":"Alabaster DePlume \/\/ To Cy \u0026 Lee: Instrumentals Vol. 1 (IA11 Edition) LP","handle":"alabaster-deplume-to-cy-lee-instrumentals-vol-1-ia11-edition-lp","description":"\u003cp\u003eロンドンのサックス奏者Alabaster DePlumeが、2025年12月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした再発レコードです。（オリジナルは2020年リリース）\u003c\/p\u003e\n\u003cp\u003eエキゾチックな瞑想アンビエント・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2444002727\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl in heavyweight sleeve \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e+ a 12-page 11x11\" insert booklet (unique to the IA11 edition, with unpublished photos and new liner notes by Alabaster DePlume) + IARC 2025 OBI strip.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Visit Croatia 04:52\u003cbr\u003e2. What's Missing 05:05\u003cbr\u003e3. Song of the Foundling 02:55\u003cbr\u003e4. Whisky Story Time 02:19\u003cbr\u003e5. Not Now Jesus 03:40\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. If You're Sure You Want To 03:49\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. The Lucky Ones (feat. Danalogue) 06:40\u003cbr\u003e\u003c\/span\u003e8. Why Buzzardman Why 03:52\u003cbr\u003e9. Not My Ask 03:31\u003cbr\u003e10. Turpentine 02:26\u003cbr\u003e11. I Hope 05:27\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTo Cy and Lee: Instrumentals Vol. 1 is a collection of Mancunian poet, singer, saxophonist and composer Alabaster DePlume’s simple and serenely intimate wordless adventures in melodic ennui. The collection properly introduced the world to a previously under-exposed, undeniably deep dimension of DePlume who, at the time of the its release, was most known to his followers for his music with words, his poetry, and his prowess as an impassioned orator. His performances (especially those that were part of his monthly Peach residency at Total Refreshment Centre in London) were becoming legendary for blurring the boundaries between secular sermon, theatrical monologue and song, as he turned audiences into experimental large ensembles and lead full-throated shout-alongs to tunes like “Is It Enough” and “Be Nice To People” (both from his 2019 Lost Map album The Corner of a Sphere). The instrumental pieces that quietly buffered the big vocal moments of his recorded catalog, to that point, had mostly lived, quietly, in those buffers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe’re not really sure what inspired DePlume to gather all of his recorded instrumentals, add a couple new ones, and invite International Anthem to collaborate on the campaign (we had only recently been getting to know him a little deeper, after our\u003cspan class=\"bcTruncateMore\"\u003e second trip to Total Refreshment Centre in the fall of 2018 when we recorded jaimie branch’s FLY or DIE II: bird dogs of paradise). But what we do know is, not long after To Cy \u0026amp; Lee’s February 2020 release and the subsequent arrival of a global pandemic, those recordings went very far, very fast, taking on a new life as stay-at-home hits — the quiet catharsis we didn’t know we needed in the face of rapidly unfolding confusion, fear, and isolation. As the people of the world found themselves inside their small rooms, they began to search for smaller, more intentional sounds to fill them. These instrumentals carried the healing qualities we were after then, and still seek now. As we cite on the obi strip, the music is an antidote with seemingly ancient sonic characteristics, and a unique ability to embrace the core of our very being.\u003cbr\u003e\u003cbr\u003eTo Cy \u0026amp; Lee was also the first document of an ongoing collaboration between DePlume and International Anthem, which has already yielded the albums GOLD (2022), Come With Fierce Grace (2023), and A Blade Because a Blade Is Whole (2025), in addition to sundry singles and EPs. The depth of partnership between DePlume and our crew that has developed since To Cy \u0026amp; Lee, coupled with the endlessly quenching spiritual comforts the album continues to provide, makes it an absolute essential of the International Anthem catalog and a proud choice for the final three of the IA11 series.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0030LP11\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : \u003cmeta charset=\"utf-8\"\u003e5th \u003cmeta charset=\"utf-8\"\u003eDecember 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-25T06:45:35+09:00","created_at":"2026-04-25T06:45:03+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":462600,"price_min":462600,"price_max":462600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48761050431738,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alabaster DePlume \/\/ To Cy \u0026 Lee: Instrumentals Vol. 1 (IA11 Edition) LP","public_title":null,"options":["Default Title"],"price":462600,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457226357","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ins1.jpg?v=1767060239","\/\/tobirarecords.com\/cdn\/shop\/files\/ins2.jpg?v=1767060239"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ins1.jpg?v=1767060239","options":["Title"],"media":[{"alt":null,"id":37931888836858,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ins1.jpg?v=1767060239"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ins1.jpg?v=1767060239","width":700},{"alt":null,"id":37931888869626,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ins2.jpg?v=1767060239"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ins2.jpg?v=1767060239","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eロンドンのサックス奏者Alabaster DePlumeが、2025年12月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした再発レコードです。（オリジナルは2020年リリース）\u003c\/p\u003e\n\u003cp\u003eエキゾチックな瞑想アンビエント・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2444002727\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl in heavyweight sleeve \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e+ a 12-page 11x11\" insert booklet (unique to the IA11 edition, with unpublished photos and new liner notes by Alabaster DePlume) + IARC 2025 OBI strip.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Visit Croatia 04:52\u003cbr\u003e2. What's Missing 05:05\u003cbr\u003e3. Song of the Foundling 02:55\u003cbr\u003e4. Whisky Story Time 02:19\u003cbr\u003e5. Not Now Jesus 03:40\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. If You're Sure You Want To 03:49\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. The Lucky Ones (feat. Danalogue) 06:40\u003cbr\u003e\u003c\/span\u003e8. Why Buzzardman Why 03:52\u003cbr\u003e9. Not My Ask 03:31\u003cbr\u003e10. Turpentine 02:26\u003cbr\u003e11. I Hope 05:27\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTo Cy and Lee: Instrumentals Vol. 1 is a collection of Mancunian poet, singer, saxophonist and composer Alabaster DePlume’s simple and serenely intimate wordless adventures in melodic ennui. The collection properly introduced the world to a previously under-exposed, undeniably deep dimension of DePlume who, at the time of the its release, was most known to his followers for his music with words, his poetry, and his prowess as an impassioned orator. His performances (especially those that were part of his monthly Peach residency at Total Refreshment Centre in London) were becoming legendary for blurring the boundaries between secular sermon, theatrical monologue and song, as he turned audiences into experimental large ensembles and lead full-throated shout-alongs to tunes like “Is It Enough” and “Be Nice To People” (both from his 2019 Lost Map album The Corner of a Sphere). The instrumental pieces that quietly buffered the big vocal moments of his recorded catalog, to that point, had mostly lived, quietly, in those buffers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe’re not really sure what inspired DePlume to gather all of his recorded instrumentals, add a couple new ones, and invite International Anthem to collaborate on the campaign (we had only recently been getting to know him a little deeper, after our\u003cspan class=\"bcTruncateMore\"\u003e second trip to Total Refreshment Centre in the fall of 2018 when we recorded jaimie branch’s FLY or DIE II: bird dogs of paradise). But what we do know is, not long after To Cy \u0026amp; Lee’s February 2020 release and the subsequent arrival of a global pandemic, those recordings went very far, very fast, taking on a new life as stay-at-home hits — the quiet catharsis we didn’t know we needed in the face of rapidly unfolding confusion, fear, and isolation. As the people of the world found themselves inside their small rooms, they began to search for smaller, more intentional sounds to fill them. These instrumentals carried the healing qualities we were after then, and still seek now. As we cite on the obi strip, the music is an antidote with seemingly ancient sonic characteristics, and a unique ability to embrace the core of our very being.\u003cbr\u003e\u003cbr\u003eTo Cy \u0026amp; Lee was also the first document of an ongoing collaboration between DePlume and International Anthem, which has already yielded the albums GOLD (2022), Come With Fierce Grace (2023), and A Blade Because a Blade Is Whole (2025), in addition to sundry singles and EPs. The depth of partnership between DePlume and our crew that has developed since To Cy \u0026amp; Lee, coupled with the endlessly quenching spiritual comforts the album continues to provide, makes it an absolute essential of the International Anthem catalog and a proud choice for the final three of the IA11 series.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0030LP11\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : \u003cmeta charset=\"utf-8\"\u003e5th \u003cmeta charset=\"utf-8\"\u003eDecember 2025\u003c\/span\u003e\u003c\/p\u003e"}
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ロンドンのサックス奏者Alabaster DePlumeが、2025年12月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした再発レコードです。（オリジナルは2020年リリース） エキゾチックな瞑想アンビエント・ジャズ11曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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![SML // How You Been LP [BLACK]](http://tobirarecords.com/cdn/shop/files/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690_medium.jpg?v=1759812541)
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{"id":9205520761082,"title":"SML \/\/ How You Been LP [BLACK]","handle":"sml-how-you-been-lp-black","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのベーシストAnna Butterssとシンセ奏者Jeremiah Chiu、サックス奏者Josh Johnson、パーカッショニストBooker Stardrum、ギタリストGregory UhlmannによるバンドSMLが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ13曲を収録。帯付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1001924392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e140g Classic Black Vinyl inside a heavyweight reverse-board jacket, with IARC OBI strip and poly-lined innersleeve. Pressed at Pallas in Germany with lacquers cut by Daniel K at SST.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gutteral Utterance\u003cbr\u003e2. Chicago Four\u003cbr\u003e3. Taking out the Trash\u003cbr\u003e4. Plankton\u003cbr\u003e5. Chicago Three\u003cbr\u003e6. Daves\u003cbr\u003e7. Old Mytth\u003cbr\u003e8. Stepping In \/ The Loop\u003cbr\u003e9. Brood Board SHROOM\u003cbr\u003e10. Odd Evens\u003cbr\u003e11. How You Been\u003cbr\u003e12. Moving Walkway\u003cbr\u003e13. Mouth Words \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer\/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork. \u003cbr\u003e\u003cbr\u003eHow You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recordings from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a higher level of self-awareness and a far deeper pool of source material. \u003cbr\u003e\u003cbr\u003eBehind the thrust of the first album’s success, the band approached every performance in late 2024 and early 2025 as a generative opportunity to hone their sound and document their expansion across a new landscape of audiences, venues, and cities\u003cspan class=\"bcTruncateMore\"\u003e. Despite the premeditation driving their commitment to record every moment, the band started every show without musical direction, improvising intuitively, completely. Within every performance is an impressive display of the band’s total trust in one another and confidence in their own instincts. \u003cbr\u003e\u003cbr\u003eAs SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time. \u003cbr\u003e\u003cbr\u003e“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIt’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne \u0026amp; Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in the late 60s; NYC for No Wave \u0026amp; the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet and Expansion Trio, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eOn How You Been the curatorial challenge of the capture-cut production employed by SML is met by the delightful happenstance of each member being a seasoned producer on their own merit. Accordingly, SML’s perspective on what is a moment to expand upon with the post-producer’s knife and glue is five-strong. Each member’s proclivities, penchants, and predelections get their chance to filter the always-evolving elements of the group concept. \u003cbr\u003e\u003cbr\u003e“Chicago Four” uses a live recording from treasured Chicago haunt The Empty Bottle as its foundation. It begins with interlocking synth and percussion loops before the entry of Uhlmann’s wobble-effected electric guitar melody and Butterss’s picked bass counterpoint. Stardrum’s swinging traps slide in, catching up to a couple of added percussion layers, before Johnson adds distorted chordal hits that sound like hard horn samples from a golden era Bomb Squad or Rakim beat. It all intertwines perfectly and makes an otherworldly vehicle for Johnson and Chiu’s cascading keyed melody, which soars above and between, complimenting either side of a hypnotically shifting, infectiously repeating modulation. \u003cbr\u003e\u003cbr\u003e“Brood Board SHROOM” is a temporary touchdown on an alien planet where rhythm moves in timeless, breath-like undulations, with repetitions cut from a very different cloth than the lock-step polyrhythmic grooves of “Chicago Four.” The track’s opening lines evoke the soft throbs of the beloved ambient works of Aphex Twin (or perhaps a Robitussen-drenched take on Steve Reich’s Different Trains), before frothy curtains of textured sound drape into the mix, overlaying like distant, minimalist symphonies in a gentle, synthetic recreation of free time — slackening and accelerating as each layer of tonal pulses hovers to front-and-center or retreats into the distance. It’s a gut feeling rather than an academic exercise, and it’s all in the service of forward motion. “Plankton” occupies a similar space albeit in bite-sized form, centering Buterss’s low end melodicism and high-string visitations surrounded by skittering tonal chatter from their bandmates. \u003cbr\u003e\u003cbr\u003eOf course, SML’s experiments with this kind of pulsating freedom are heavily balanced by muscular turns and body mechanics fit for the dancefloor. “Taking Out the Trash” is a perfect pace-setter for How You Been, a punchy nugget encapsulating the essence of SML. Chiu’s percussion synth establishes the groove before Stardrum and Butterss drop in on a heavy breakbeat. Uhlmann comes in with a searing, plucked staccato funk line on his guitar that would give Glenn Branca and Larry Coryell something to high five about. Things eventually trip into a total breakdown, with only the perc synth still looping. When the band explodes back in, the key has changed, and Johnson is letting loose on a wailing, distorted saxophone solo. \u003cbr\u003e\u003cbr\u003e“Is there a way to dim the lights a little more?” Chiu asks at the start of the album’s closer “Mouth Words.” Moments later SML takes us out with a mid-tempo 4\/4 groover dressed in swelling glissandos and punctuated by insistent, rapid-fire phrases from Johnson’s alto. As the final tune dissolves into a layer of arpeggiated chirps and sampled crowd sounds, Chiu’s voice is back again to say what we’re all thinking: “Very good. Thank you.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SML\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC0105\u003c\/p\u003e","published_at":"2026-04-25T06:43:33+09:00","created_at":"2026-04-25T06:42:57+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new","recommended"],"price":495600,"price_min":495600,"price_max":495600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48761002852602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"SML \/\/ How You Been LP [BLACK]","public_title":null,"options":["Default Title"],"price":495600,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457224742","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690.jpg?v=1759812541","\/\/tobirarecords.com\/cdn\/shop\/files\/0041081834_10_8526fdd1-7da0-4a52-b016-f97b33a22876.jpg?v=1759812544"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690.jpg?v=1759812541","options":["Title"],"media":[{"alt":null,"id":37025344487674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690.jpg?v=1759812541"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690.jpg?v=1759812541","width":1200},{"alt":null,"id":37025344520442,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0041081834_10_8526fdd1-7da0-4a52-b016-f97b33a22876.jpg?v=1759812544"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0041081834_10_8526fdd1-7da0-4a52-b016-f97b33a22876.jpg?v=1759812544","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのベーシストAnna Butterssとシンセ奏者Jeremiah Chiu、サックス奏者Josh Johnson、パーカッショニストBooker Stardrum、ギタリストGregory UhlmannによるバンドSMLが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ13曲を収録。帯付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1001924392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e140g Classic Black Vinyl inside a heavyweight reverse-board jacket, with IARC OBI strip and poly-lined innersleeve. Pressed at Pallas in Germany with lacquers cut by Daniel K at SST.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gutteral Utterance\u003cbr\u003e2. Chicago Four\u003cbr\u003e3. Taking out the Trash\u003cbr\u003e4. Plankton\u003cbr\u003e5. Chicago Three\u003cbr\u003e6. Daves\u003cbr\u003e7. Old Mytth\u003cbr\u003e8. Stepping In \/ The Loop\u003cbr\u003e9. Brood Board SHROOM\u003cbr\u003e10. Odd Evens\u003cbr\u003e11. How You Been\u003cbr\u003e12. Moving Walkway\u003cbr\u003e13. Mouth Words \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer\/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork. \u003cbr\u003e\u003cbr\u003eHow You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recordings from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a higher level of self-awareness and a far deeper pool of source material. \u003cbr\u003e\u003cbr\u003eBehind the thrust of the first album’s success, the band approached every performance in late 2024 and early 2025 as a generative opportunity to hone their sound and document their expansion across a new landscape of audiences, venues, and cities\u003cspan class=\"bcTruncateMore\"\u003e. Despite the premeditation driving their commitment to record every moment, the band started every show without musical direction, improvising intuitively, completely. Within every performance is an impressive display of the band’s total trust in one another and confidence in their own instincts. \u003cbr\u003e\u003cbr\u003eAs SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time. \u003cbr\u003e\u003cbr\u003e“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIt’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne \u0026amp; Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in the late 60s; NYC for No Wave \u0026amp; the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet and Expansion Trio, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eOn How You Been the curatorial challenge of the capture-cut production employed by SML is met by the delightful happenstance of each member being a seasoned producer on their own merit. Accordingly, SML’s perspective on what is a moment to expand upon with the post-producer’s knife and glue is five-strong. Each member’s proclivities, penchants, and predelections get their chance to filter the always-evolving elements of the group concept. \u003cbr\u003e\u003cbr\u003e“Chicago Four” uses a live recording from treasured Chicago haunt The Empty Bottle as its foundation. It begins with interlocking synth and percussion loops before the entry of Uhlmann’s wobble-effected electric guitar melody and Butterss’s picked bass counterpoint. Stardrum’s swinging traps slide in, catching up to a couple of added percussion layers, before Johnson adds distorted chordal hits that sound like hard horn samples from a golden era Bomb Squad or Rakim beat. It all intertwines perfectly and makes an otherworldly vehicle for Johnson and Chiu’s cascading keyed melody, which soars above and between, complimenting either side of a hypnotically shifting, infectiously repeating modulation. \u003cbr\u003e\u003cbr\u003e“Brood Board SHROOM” is a temporary touchdown on an alien planet where rhythm moves in timeless, breath-like undulations, with repetitions cut from a very different cloth than the lock-step polyrhythmic grooves of “Chicago Four.” The track’s opening lines evoke the soft throbs of the beloved ambient works of Aphex Twin (or perhaps a Robitussen-drenched take on Steve Reich’s Different Trains), before frothy curtains of textured sound drape into the mix, overlaying like distant, minimalist symphonies in a gentle, synthetic recreation of free time — slackening and accelerating as each layer of tonal pulses hovers to front-and-center or retreats into the distance. It’s a gut feeling rather than an academic exercise, and it’s all in the service of forward motion. “Plankton” occupies a similar space albeit in bite-sized form, centering Buterss’s low end melodicism and high-string visitations surrounded by skittering tonal chatter from their bandmates. \u003cbr\u003e\u003cbr\u003eOf course, SML’s experiments with this kind of pulsating freedom are heavily balanced by muscular turns and body mechanics fit for the dancefloor. “Taking Out the Trash” is a perfect pace-setter for How You Been, a punchy nugget encapsulating the essence of SML. Chiu’s percussion synth establishes the groove before Stardrum and Butterss drop in on a heavy breakbeat. Uhlmann comes in with a searing, plucked staccato funk line on his guitar that would give Glenn Branca and Larry Coryell something to high five about. Things eventually trip into a total breakdown, with only the perc synth still looping. When the band explodes back in, the key has changed, and Johnson is letting loose on a wailing, distorted saxophone solo. \u003cbr\u003e\u003cbr\u003e“Is there a way to dim the lights a little more?” Chiu asks at the start of the album’s closer “Mouth Words.” Moments later SML takes us out with a mid-tempo 4\/4 groover dressed in swelling glissandos and punctuated by insistent, rapid-fire phrases from Johnson’s alto. As the final tune dissolves into a layer of arpeggiated chirps and sampled crowd sounds, Chiu’s voice is back again to say what we’re all thinking: “Very good. Thank you.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SML\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC0105\u003c\/p\u003e"}
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アメリカのベーシストAnna Butterssとシンセ奏者Jeremiah Chiu、サックス奏者Josh Johnson、パーカッショニストBooker Stardrum、ギタリストGregory UhlmannによるバンドSMLが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。 コンテンポラリー・ジャズ〜アンビエント・ジャズ13曲を収録。帯付属。 レーベルその他作品はこちら /// Click here to see more International Anthem...
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{"id":9205517320442,"title":"Ben LaMar Gay \/\/ Yowzers LP [BLACK]","handle":"ben-lamar-gay-yowzers-lp-black","description":"\u003cp\u003eアメリカのトランペット／コルネット奏者Ben LaMar Gayが、2025年6月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験スピリチュアル・ジャズ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Yowzers』は、シカゴの作曲家、即興演奏家、インストゥルメンタリスト、音楽民俗学者であるBen LaMar Gayの新作である。全12曲からなるこのアルバムは、Gayのレコーディング作品における辞書的な飛躍であり、古代の内なる身体のリズムと直感的なメロディック・ストーリーテリングの正真正銘の傑作である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGayにとって飛躍的な前進とは、並大抵のことではない。バンドリーダーとしてもコラボレーターとしても、彼がこの10年でカバーした音楽的境地は計り知れない。彼の事実上のデビューアルバムである2018年のコンピレーション『Downtown Castles Can Never Block The Sun』は、当時未発表だった7枚のアルバムから15曲の多様なスタイルの楽曲を並べることで、Gayを世界に紹介した。その後、7枚の未発表アルバムの全貌が明らかになり、2021年にリリースされた『Open Arms To Open Us』は高い評価を受け、2022年の『Certain Reveries』では爆発的なフリーサウンドを聴かせた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eマカヤ・マクラヴェン、ジェイミー・ブランチ、デイモン・ロックス、イベリッセ・グアルディア・フェラグッティ＆ランプ、フランク・ロザリーのアルバムなど、驚異的な数のIAのリリースに参加しているほか、Gayは現在クリエイティブ・ミュージック界で最も多作なコラボレーターの一人である。マイク・リードの『セパラティスト・パーティー』、ジョシュア・エイブラムスの『ナチュラル・インフォメーション・ソサエティ』、テスター・ゲイツの『ブラック・モンク』などに積極的に参加している。また、シカゴの伝説的なAssociation for the Advancement of Creative Musiciansに長年参加している。彼の資格は驚くべきものであり、その関心と能力の範囲は無限とも思える。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Yowzers』に収録されている曲の多くは、トマソ・モレッティ（ドラム、パーカッション、声）、マシュー・デイヴィス（チューバ、ピアノ、ベル、声）、ウィル・フェイバー（ギター、ンゴニ、ベル、声）とのカルテットをフィーチャーしている。しかし、ここに記されていない特徴は、コラボレーターのユニークな長所を召喚し、解き放つGay自身の能力である。カルテットの素材は、このグループが数年にわたる旅の中で培ってきたボキャブラリーに傾倒しており、そのレパートリーは、脈打つようなリズムと自由なリズムの見事なカクテルである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2219493347\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. yowzers 02:22\u003cbr\u003e2. the glorification of small victories 04:57\u003cbr\u003e3. there, inside the morning glory 05:11\u003cbr\u003e4. roller skates 00:49\u003cbr\u003e5. for Breezy 03:13\u003cbr\u003e6. I am (bells) 06:12\u003cbr\u003e7. promontory 02:12\u003cbr\u003e8. John, John Henry 03:46\u003cbr\u003e9. damn you cute 03:51\u003cbr\u003e10. cumulus 07:02\u003cbr\u003e11. touch 02:13\u003cbr\u003e12. leave some for you 03:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYowzers is a new album by Chicago composer, improvisor, instrumentalist and musical folklorist Ben LaMar Gay. The twelve track collection is a leap forward in the lexicon of Gay’s recorded output, and a veritable masterwork of ancient inner-body rhythms and intuitive melodic storytelling.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s worth mentioning that a leap forward for Gay is no small feat. The musical ground he has covered in the last decade, both as a bandleader and collaborator, is immense. His de facto debut album—the 2018 compilation Downtown Castles Can Never Block The Sun—properly introduced the world to Gay by placing fifteen stylistically diverse tracks from seven then-unreleased albums next to one another, letting the populace outside of Cook County in on an unintentionally best-kept-secret that Chicagoans had already been marveling at for quite some time. That secret has become even more open in the years since, with the full unveiling of those seven previously-unreleased albums, the release of his critically-acclaimed 2021 song cycle Open Arms To Open Us, and the explosive free sonics of 2022’s Certain Reveries.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn addition to being featured on a staggering number of International Anthem releases (including albums by Makaya McCraven\u003cspan class=\"bcTruncateMore\"\u003e, jaimie branch, Damon Locks, Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly), Gay is one of the most prolific collaborators in creative music today. He makes active contributions to Mike Reed’s Separatist Party, Joshua Abrams’s Natural Information Society, Theaster Gates’s Black Monks, and many more. He is also a long-time participant in Chicago’s legendary Association for the Advancement of Creative Musicians. Suffice to say, his credentials are astonishing and the scope of his interests and abilities is seemingly limitless, with Yowzers representing the latest redrawing of that ever-expanding creative borderline.\u003cbr\u003e\u003cbr\u003eMuch of the music on Yowzers features his working quartet with Tommaso Moretti (drums, percussion, voice), Matthew Davis (tuba, piano, bells, voice), and Will Faber (guitar, ngoni, bells, voice). But the unlisted feature here is Gay’s own ability to summon and unleash the unique strengths of his collaborators. The quartet material leans into a vocabulary that the group has developed over the course of several years together on the road; and the repertoire delivers an arresting cocktail of pulsing and free rhythms that somehow swing alongside a gathering of melodic phrases that sweep the outer-reaches of harmony with nostalgic echoes of family songs from the living room...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben LaMar Gay\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0097\u003c\/p\u003e","published_at":"2026-04-25T06:34:42+09:00","created_at":"2026-04-25T06:34:12+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":491000,"price_min":491000,"price_max":491000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48760989352186,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ben LaMar Gay \/\/ Yowzers LP [BLACK]","public_title":null,"options":["Default Title"],"price":491000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457203433","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_013dd55a-b0f5-413f-881d-967d7da8bdc0.jpg?v=1750123635","\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_13bfeef6-552e-46ed-8432-eb7adf8e69de.jpg?v=1750123635","\/\/tobirarecords.com\/cdn\/shop\/files\/ben3_cb42d534-e34f-4ad2-8539-9ab07619b671.jpg?v=1750123635"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_013dd55a-b0f5-413f-881d-967d7da8bdc0.jpg?v=1750123635","options":["Title"],"media":[{"alt":null,"id":36205637042426,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_013dd55a-b0f5-413f-881d-967d7da8bdc0.jpg?v=1750123635"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_013dd55a-b0f5-413f-881d-967d7da8bdc0.jpg?v=1750123635","width":700},{"alt":null,"id":36205637075194,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_13bfeef6-552e-46ed-8432-eb7adf8e69de.jpg?v=1750123635"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_13bfeef6-552e-46ed-8432-eb7adf8e69de.jpg?v=1750123635","width":1200},{"alt":null,"id":36205637107962,"position":3,"preview_image":{"aspect_ratio":1.333,"height":108,"width":144,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben3_cb42d534-e34f-4ad2-8539-9ab07619b671.jpg?v=1750123635"},"aspect_ratio":1.333,"height":108,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben3_cb42d534-e34f-4ad2-8539-9ab07619b671.jpg?v=1750123635","width":144}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのトランペット／コルネット奏者Ben LaMar Gayが、2025年6月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験スピリチュアル・ジャズ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Yowzers』は、シカゴの作曲家、即興演奏家、インストゥルメンタリスト、音楽民俗学者であるBen LaMar Gayの新作である。全12曲からなるこのアルバムは、Gayのレコーディング作品における辞書的な飛躍であり、古代の内なる身体のリズムと直感的なメロディック・ストーリーテリングの正真正銘の傑作である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGayにとって飛躍的な前進とは、並大抵のことではない。バンドリーダーとしてもコラボレーターとしても、彼がこの10年でカバーした音楽的境地は計り知れない。彼の事実上のデビューアルバムである2018年のコンピレーション『Downtown Castles Can Never Block The Sun』は、当時未発表だった7枚のアルバムから15曲の多様なスタイルの楽曲を並べることで、Gayを世界に紹介した。その後、7枚の未発表アルバムの全貌が明らかになり、2021年にリリースされた『Open Arms To Open Us』は高い評価を受け、2022年の『Certain Reveries』では爆発的なフリーサウンドを聴かせた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eマカヤ・マクラヴェン、ジェイミー・ブランチ、デイモン・ロックス、イベリッセ・グアルディア・フェラグッティ＆ランプ、フランク・ロザリーのアルバムなど、驚異的な数のIAのリリースに参加しているほか、Gayは現在クリエイティブ・ミュージック界で最も多作なコラボレーターの一人である。マイク・リードの『セパラティスト・パーティー』、ジョシュア・エイブラムスの『ナチュラル・インフォメーション・ソサエティ』、テスター・ゲイツの『ブラック・モンク』などに積極的に参加している。また、シカゴの伝説的なAssociation for the Advancement of Creative Musiciansに長年参加している。彼の資格は驚くべきものであり、その関心と能力の範囲は無限とも思える。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Yowzers』に収録されている曲の多くは、トマソ・モレッティ（ドラム、パーカッション、声）、マシュー・デイヴィス（チューバ、ピアノ、ベル、声）、ウィル・フェイバー（ギター、ンゴニ、ベル、声）とのカルテットをフィーチャーしている。しかし、ここに記されていない特徴は、コラボレーターのユニークな長所を召喚し、解き放つGay自身の能力である。カルテットの素材は、このグループが数年にわたる旅の中で培ってきたボキャブラリーに傾倒しており、そのレパートリーは、脈打つようなリズムと自由なリズムの見事なカクテルである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2219493347\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. yowzers 02:22\u003cbr\u003e2. the glorification of small victories 04:57\u003cbr\u003e3. there, inside the morning glory 05:11\u003cbr\u003e4. roller skates 00:49\u003cbr\u003e5. for Breezy 03:13\u003cbr\u003e6. I am (bells) 06:12\u003cbr\u003e7. promontory 02:12\u003cbr\u003e8. John, John Henry 03:46\u003cbr\u003e9. damn you cute 03:51\u003cbr\u003e10. cumulus 07:02\u003cbr\u003e11. touch 02:13\u003cbr\u003e12. leave some for you 03:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYowzers is a new album by Chicago composer, improvisor, instrumentalist and musical folklorist Ben LaMar Gay. The twelve track collection is a leap forward in the lexicon of Gay’s recorded output, and a veritable masterwork of ancient inner-body rhythms and intuitive melodic storytelling.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s worth mentioning that a leap forward for Gay is no small feat. The musical ground he has covered in the last decade, both as a bandleader and collaborator, is immense. His de facto debut album—the 2018 compilation Downtown Castles Can Never Block The Sun—properly introduced the world to Gay by placing fifteen stylistically diverse tracks from seven then-unreleased albums next to one another, letting the populace outside of Cook County in on an unintentionally best-kept-secret that Chicagoans had already been marveling at for quite some time. That secret has become even more open in the years since, with the full unveiling of those seven previously-unreleased albums, the release of his critically-acclaimed 2021 song cycle Open Arms To Open Us, and the explosive free sonics of 2022’s Certain Reveries.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn addition to being featured on a staggering number of International Anthem releases (including albums by Makaya McCraven\u003cspan class=\"bcTruncateMore\"\u003e, jaimie branch, Damon Locks, Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly), Gay is one of the most prolific collaborators in creative music today. He makes active contributions to Mike Reed’s Separatist Party, Joshua Abrams’s Natural Information Society, Theaster Gates’s Black Monks, and many more. He is also a long-time participant in Chicago’s legendary Association for the Advancement of Creative Musicians. Suffice to say, his credentials are astonishing and the scope of his interests and abilities is seemingly limitless, with Yowzers representing the latest redrawing of that ever-expanding creative borderline.\u003cbr\u003e\u003cbr\u003eMuch of the music on Yowzers features his working quartet with Tommaso Moretti (drums, percussion, voice), Matthew Davis (tuba, piano, bells, voice), and Will Faber (guitar, ngoni, bells, voice). But the unlisted feature here is Gay’s own ability to summon and unleash the unique strengths of his collaborators. The quartet material leans into a vocabulary that the group has developed over the course of several years together on the road; and the repertoire delivers an arresting cocktail of pulsing and free rhythms that somehow swing alongside a gathering of melodic phrases that sweep the outer-reaches of harmony with nostalgic echoes of family songs from the living room...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben LaMar Gay\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0097\u003c\/p\u003e"}
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アメリカのトランペット／コルネット奏者Ben LaMar Gayが、2025年6月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。 実験スピリチュアル・ジャズ12曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "『Yowzers』は、シカゴの作曲家、即興演奏家、インストゥルメンタリスト、音楽民俗学者であるBen LaMar Gayの新作である。全12曲からなるこのアルバムは、Gayのレコーディング作品における辞書的な飛躍であり、古代の内なる身体のリズムと直感的なメロディック・ストーリーテリングの正真正銘の傑作である。 Gayにとって飛躍的な前進とは、並大抵のことではない。バンドリーダーとしてもコラボレーターとしても、彼がこの10年でカバーした音楽的境地は計り知れない。彼の事実上のデビューアルバムである2018年のコンピレーション『Downtown Castles Can Never...
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