Shelter Press / Recollection GRM / Ideologic Organ
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{"id":7450464616698,"title":"Lucy Railton \/ Max Eilbacher \/\/ Forma \/ Metabolist Meter (Foster, Cottin, Caetani and a Fly) LP","handle":"lucy-railton-max-eilbacher-forma-metabolist-meter-foster-cottin-caetani-and-a-fly-lp","description":"\u003cp\u003eイギリスのチェロ奏者Lucy Railtonと、当店でもおなじみのコラージュ作家Max Eilbacherが、フランス・パリの実験レーベルGRMから2020年6月にリリースしたスプリットレコード。それぞれ長尺のコラージュを収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1839220642\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by Portraits GRM:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Forma by Lucy Railton, is a work that burrows deep inside. It disorientates and teases, without malice. Its beauty lies in gentle projections, which, though subtle, leave deep impressions, like the wings of a nocturnal moth reflecting dark light. Its path, too, is unpredictable, but such disorientation is not a reflection of chaos. Instead, a mysterious intention appears through an imperious unfolding - its logic escapes us, but nevertheless captivates us. It is the story of a becoming of forms, as well as of their fading away and their appearance as a disappearance .\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMetabolist Meter (Foster, Cottin, Caetani and a Fly), by Max Eilbacher is a teeming piece, a matrix where textures and structures merge together, where the polyrhythmic instances become timbre, where the formal abstraction of the harmonic volutes coagulates around a vibrating form that is actualized in the dramatic reality of a dying fly. And this formal mastery is not disembodied in Max Eilbacher’s work and the kaleidoscopic forms of the sound spectra that he has deployed know how to resonate in the sensations and experiences of each one.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese works, each with their own agenda, evolve with grace and inspiration in their exploration of vast sound worlds, and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e it is with great pride that we present them in the new collection.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eReleased in association with Editions Mego.\u003cbr\u003eCoordination GRM: François Bonnet, Jules Négrier\u003cbr\u003e\u2028Executive Production: Peter Rehberg\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~~~~~~~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003cem\u003eForma\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eLucy Railton\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003e2019 \/ 23’19\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eForma, for multichannel tape and live cello\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCommissioned by INA GRM and first performed on the Acousmonium at INA GRM's Multiphonies Concert Series, Maison de la Radio, Paris on June 1st 2019.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCello recorded live in concert, performed by Lucy Railton. Serge Synthesiser recorded at GRM Studios in April 2019.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOrgan recorded in Skálholt Cathedral, Iceland, by Alex Bonney, performed by Kit Downes in 2017.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAll other materials recorded, mixed and created by Lucy Railton at GRM Studios and in her Berlin studio between November 2018 and May 2019.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMix by Lucy Railton \/ Premaster by Emmanuel Richier (GRM)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePhoto by George Nebieridze\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePart of Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e:::::::::::::::::::::::::::::\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eMetabolist Meter (Foster, Cottin, Caetani and a Fly)\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eMax Eilbacher\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003e2019 \/ 22’29\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCreated and recorded November 2018-March 2019 in Baltimore, Maryland.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFly recording made September 2018 in Carrières-sous-Poissy, France.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMade for the Présences électronique festival 2019 in Paris, France.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMixed from 8 channel to stereo August 2019.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFlute by Ka Baird\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eText by Max Eilbacher \/ Text read by Alexander Moskos and Miriam Salaymeh\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePhoto by Didier Allard © INA \/\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMastered by Giuseppe Ielasi \/ Cut by Kauffelt at Schnittstelle, Berlin, February 2020.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSleeve design by Stephen O’Malley\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lucy Railton \/ Max Eilbacher\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits\u003cspan data-mce-fragment=\"1\"\u003e GRM\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-17T17:10:05+09:00","created_at":"2021-11-15T16:36:03+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","shelter press"],"price":315000,"price_min":315000,"price_max":315000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057988899066,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lucy Railton \/ Max Eilbacher \/\/ Forma \/ Metabolist Meter (Foster, Cottin, Caetani and a Fly) LP","public_title":null,"options":["Default Title"],"price":315000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_f111140a-e3c4-4485-8003-2d92160e41b6.jpg?v=1636961778","\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_04adcc48-7faf-4cc1-bc12-81ca31295167.jpg?v=1636961778"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_f111140a-e3c4-4485-8003-2d92160e41b6.jpg?v=1636961778","options":["Title"],"media":[{"alt":null,"id":26931329368314,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_f111140a-e3c4-4485-8003-2d92160e41b6.jpg?v=1636961778"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_f111140a-e3c4-4485-8003-2d92160e41b6.jpg?v=1636961778","width":700},{"alt":null,"id":26931329401082,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_04adcc48-7faf-4cc1-bc12-81ca31295167.jpg?v=1636961778"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_04adcc48-7faf-4cc1-bc12-81ca31295167.jpg?v=1636961778","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのチェロ奏者Lucy Railtonと、当店でもおなじみのコラージュ作家Max Eilbacherが、フランス・パリの実験レーベルGRMから2020年6月にリリースしたスプリットレコード。それぞれ長尺のコラージュを収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1839220642\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by Portraits GRM:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Forma by Lucy Railton, is a work that burrows deep inside. It disorientates and teases, without malice. Its beauty lies in gentle projections, which, though subtle, leave deep impressions, like the wings of a nocturnal moth reflecting dark light. Its path, too, is unpredictable, but such disorientation is not a reflection of chaos. Instead, a mysterious intention appears through an imperious unfolding - its logic escapes us, but nevertheless captivates us. It is the story of a becoming of forms, as well as of their fading away and their appearance as a disappearance .\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMetabolist Meter (Foster, Cottin, Caetani and a Fly), by Max Eilbacher is a teeming piece, a matrix where textures and structures merge together, where the polyrhythmic instances become timbre, where the formal abstraction of the harmonic volutes coagulates around a vibrating form that is actualized in the dramatic reality of a dying fly. And this formal mastery is not disembodied in Max Eilbacher’s work and the kaleidoscopic forms of the sound spectra that he has deployed know how to resonate in the sensations and experiences of each one.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese works, each with their own agenda, evolve with grace and inspiration in their exploration of vast sound worlds, and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e it is with great pride that we present them in the new collection.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eReleased in association with Editions Mego.\u003cbr\u003eCoordination GRM: François Bonnet, Jules Négrier\u003cbr\u003e\u2028Executive Production: Peter Rehberg\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~~~~~~~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003cem\u003eForma\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eLucy Railton\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003e2019 \/ 23’19\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eForma, for multichannel tape and live cello\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCommissioned by INA GRM and first performed on the Acousmonium at INA GRM's Multiphonies Concert Series, Maison de la Radio, Paris on June 1st 2019.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCello recorded live in concert, performed by Lucy Railton. Serge Synthesiser recorded at GRM Studios in April 2019.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOrgan recorded in Skálholt Cathedral, Iceland, by Alex Bonney, performed by Kit Downes in 2017.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAll other materials recorded, mixed and created by Lucy Railton at GRM Studios and in her Berlin studio between November 2018 and May 2019.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMix by Lucy Railton \/ Premaster by Emmanuel Richier (GRM)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePhoto by George Nebieridze\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePart of Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e:::::::::::::::::::::::::::::\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eMetabolist Meter (Foster, Cottin, Caetani and a Fly)\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eMax Eilbacher\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003e2019 \/ 22’29\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCreated and recorded November 2018-March 2019 in Baltimore, Maryland.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFly recording made September 2018 in Carrières-sous-Poissy, France.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMade for the Présences électronique festival 2019 in Paris, France.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMixed from 8 channel to stereo August 2019.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFlute by Ka Baird\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eText by Max Eilbacher \/ Text read by Alexander Moskos and Miriam Salaymeh\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePhoto by Didier Allard © INA \/\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMastered by Giuseppe Ielasi \/ Cut by Kauffelt at Schnittstelle, Berlin, February 2020.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSleeve design by Stephen O’Malley\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lucy Railton \/ Max Eilbacher\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits\u003cspan data-mce-fragment=\"1\"\u003e GRM\u003c\/span\u003e\u003c\/p\u003e"}
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イギリスのチェロ奏者Lucy Railtonと、当店でもおなじみのコラージュ作家Max Eilbacherが、フランス・パリの実験レーベルGRMから2020年6月にリリースしたスプリットレコード。それぞれ長尺のコラージュを収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases available...
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{"id":7450461208826,"title":"Iannis Xenakis \/\/ GRM Works 1957-1962 LP","handle":"iannis-xenakis-grm-works-1957-1962-lp","description":"\u003cp\u003eコンクレート音楽では最重要作家の一人Iannis Xenakisの1957-1962年楽曲の復刻盤です。現在のマスタリングを通して聴くと新たな発見があります。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=602786264\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eInfo about each track:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConcret PH, 1958 (2'41)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBrussels World Fair, 1958 : The industrialist Philips commissioned Le Corbusier's famous \"Philips Pavilion\": \"I'll create an electronic poem for you, he said. Everything will happen inside: sound, light, colour and rhythm.\" Iannis Xenakis designed the architectural blueprint and composed \"Concret PH\", meant to psychologically prepare the public to the show created inside, accompanied by a musical piece by Varese.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe 400 speakers that lined the inner shell were meant to fill the space through the sound sparkles of \"Concret PH\" and achieve a joint emanation of architecture and music, conceived as a whole: the roughness of the concrete and its internal friction coefficient found an echo in the timbre of the sparkles.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOrient-Occident, 1960 (11'10)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe work was originally composed for a film by Enrico Fulchignoni for UNESCO. The film describes a visit to the museum suggesting to compare artefacts produced by various cultures and highlighting their interaction that dates back to the most ancient times.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom an abstract point of view, the composer regards this\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e work as a solution to the problem of finding highly diversified means of transition, meant to link a type of material to another. One indeed witnesses a varied gradation of mutations, interplays, overlaps, cross-fading, sudden shifts and hidden junction points.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDiamorphoses, 1957-58 (7'00)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eContinuity and discontinuity within evolution, here are two aspects of the being, whether in opposition or in communion. In \"Diamorphoses\" this antithesis was worked on in the sections of some sounds strongly opposed to others, and particularly in organisations of continuous variations of average or \"statistical\" heights.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBohor, 1962 (21'50)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBohor (referring to Bors the Younger, Lancelot's cousin), is a character from the medieval cycle of King Arthur and the Knights of the Round Table. “Bohor” is dedicated to Pierre Schaeffer. The author deliberately abstained from giving and descriptive information on his piece, letting the listener choose an imaginary route for himself. For this release, we have chosen the 1968 version, revised by Iannis Xenakis himself and as yet not made available to the public.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Iannis Xenakis\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-17T09:13:15+09:00","created_at":"2021-11-15T16:31:13+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","shelter press"],"price":315000,"price_min":315000,"price_max":315000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057985786106,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Iannis Xenakis \/\/ GRM Works 1957-1962 LP","public_title":null,"options":["Default Title"],"price":315000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/wo1_ebc845b8-b8ec-4097-b2b0-2af2d6d63e3c.jpg?v=1636961475","\/\/tobirarecords.com\/cdn\/shop\/products\/wo2_74f7a1c7-bc0f-4c6f-85fe-6e4a4caa32af.jpg?v=1636961475"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/wo1_ebc845b8-b8ec-4097-b2b0-2af2d6d63e3c.jpg?v=1636961475","options":["Title"],"media":[{"alt":null,"id":26931309936890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wo1_ebc845b8-b8ec-4097-b2b0-2af2d6d63e3c.jpg?v=1636961475"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wo1_ebc845b8-b8ec-4097-b2b0-2af2d6d63e3c.jpg?v=1636961475","width":700},{"alt":null,"id":26931309969658,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wo2_74f7a1c7-bc0f-4c6f-85fe-6e4a4caa32af.jpg?v=1636961475"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wo2_74f7a1c7-bc0f-4c6f-85fe-6e4a4caa32af.jpg?v=1636961475","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eコンクレート音楽では最重要作家の一人Iannis Xenakisの1957-1962年楽曲の復刻盤です。現在のマスタリングを通して聴くと新たな発見があります。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=602786264\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eInfo about each track:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConcret PH, 1958 (2'41)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBrussels World Fair, 1958 : The industrialist Philips commissioned Le Corbusier's famous \"Philips Pavilion\": \"I'll create an electronic poem for you, he said. Everything will happen inside: sound, light, colour and rhythm.\" Iannis Xenakis designed the architectural blueprint and composed \"Concret PH\", meant to psychologically prepare the public to the show created inside, accompanied by a musical piece by Varese.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe 400 speakers that lined the inner shell were meant to fill the space through the sound sparkles of \"Concret PH\" and achieve a joint emanation of architecture and music, conceived as a whole: the roughness of the concrete and its internal friction coefficient found an echo in the timbre of the sparkles.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOrient-Occident, 1960 (11'10)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe work was originally composed for a film by Enrico Fulchignoni for UNESCO. The film describes a visit to the museum suggesting to compare artefacts produced by various cultures and highlighting their interaction that dates back to the most ancient times.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom an abstract point of view, the composer regards this\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e work as a solution to the problem of finding highly diversified means of transition, meant to link a type of material to another. One indeed witnesses a varied gradation of mutations, interplays, overlaps, cross-fading, sudden shifts and hidden junction points.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDiamorphoses, 1957-58 (7'00)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eContinuity and discontinuity within evolution, here are two aspects of the being, whether in opposition or in communion. In \"Diamorphoses\" this antithesis was worked on in the sections of some sounds strongly opposed to others, and particularly in organisations of continuous variations of average or \"statistical\" heights.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBohor, 1962 (21'50)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBohor (referring to Bors the Younger, Lancelot's cousin), is a character from the medieval cycle of King Arthur and the Knights of the Round Table. “Bohor” is dedicated to Pierre Schaeffer. The author deliberately abstained from giving and descriptive information on his piece, letting the listener choose an imaginary route for himself. For this release, we have chosen the 1968 version, revised by Iannis Xenakis himself and as yet not made available to the public.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Iannis Xenakis\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e\u003c\/p\u003e"}
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コンクレート音楽では最重要作家の一人Iannis Xenakisの1957-1962年楽曲の復刻盤です。現在のマスタリングを通して聴くと新たな発見があります。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases available at...
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{"id":7450458521850,"title":"Michèle Bokanowski \/\/ Rhapsodia \/ Battements Solaires LP","handle":"michele-bokanowski-rhapsodia-battements-solaires-lp","description":"\u003cp\u003eフランスのドローン作家Michèle Bokanowskiが、2021年2月に同国Shelter Pressからリリースしたレコードです。深淵なドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2376042738\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eText by François Bonnet, Paris, 2020:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Michèle Bokanowski's art is one of densities, much like the density of a given colour, a given depth. Her sound textures are, indeed, profound, both in the space occupied by their frequencies and the sharp temporal trail they leave behind. Here lies the composer's immense talent that finds the right development for each sound, letting it blossom before altering it, adapting the musical structure to let the sounds “be”, even if it sometimes means returning to the most basic form, such as a loop. This is a sign of great honesty and artistic sensitivity; able to stand back and let the music become music. It is the most radical, the most accurate gesture of composition. The two pieces on this record, dissociated in time, both in their approach and destination, nevertheless reflect, each in its own way, Michèle Bokanowski's highly singular and insightful musical intuition.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e~\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack information:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRhapsodia (2018), 17'\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(2 movements and 1 interlude)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDedicated to Marceline Lartigue\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCreated in the composer’s own studio\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTechnical collaboration: Jonathan Prager\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBattements solaires (2008), 17’35\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusic for Patrick Bokanowski’s film\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eProduced in the Kira BM Films studios\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eProduction: Kira BM Films with ARTE France and CNC contributions\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBest Film Award, 2009 EXiS Festival Seoul (South Korea)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Michèle Bokanowski\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-30T16:18:15+09:00","created_at":"2021-11-15T16:26:39+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","shelter press"],"price":375000,"price_min":375000,"price_max":375000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057982542074,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Michèle Bokanowski \/\/ Rhapsodia \/ Battements Solaires LP","public_title":null,"options":["Default Title"],"price":375000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ba1_f3755f44-336a-4d0c-8021-dd76cf31554b.jpg?v=1636961201","\/\/tobirarecords.com\/cdn\/shop\/products\/ba2_7514bcf9-a9a7-48f0-b9bc-3a510d9e7572.jpg?v=1636961201"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba1_f3755f44-336a-4d0c-8021-dd76cf31554b.jpg?v=1636961201","options":["Title"],"media":[{"alt":null,"id":26931290505466,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba1_f3755f44-336a-4d0c-8021-dd76cf31554b.jpg?v=1636961201"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba1_f3755f44-336a-4d0c-8021-dd76cf31554b.jpg?v=1636961201","width":700},{"alt":null,"id":26931290538234,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba2_7514bcf9-a9a7-48f0-b9bc-3a510d9e7572.jpg?v=1636961201"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba2_7514bcf9-a9a7-48f0-b9bc-3a510d9e7572.jpg?v=1636961201","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのドローン作家Michèle Bokanowskiが、2021年2月に同国Shelter Pressからリリースしたレコードです。深淵なドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2376042738\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eText by François Bonnet, Paris, 2020:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Michèle Bokanowski's art is one of densities, much like the density of a given colour, a given depth. Her sound textures are, indeed, profound, both in the space occupied by their frequencies and the sharp temporal trail they leave behind. Here lies the composer's immense talent that finds the right development for each sound, letting it blossom before altering it, adapting the musical structure to let the sounds “be”, even if it sometimes means returning to the most basic form, such as a loop. This is a sign of great honesty and artistic sensitivity; able to stand back and let the music become music. It is the most radical, the most accurate gesture of composition. The two pieces on this record, dissociated in time, both in their approach and destination, nevertheless reflect, each in its own way, Michèle Bokanowski's highly singular and insightful musical intuition.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e~\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack information:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRhapsodia (2018), 17'\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(2 movements and 1 interlude)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDedicated to Marceline Lartigue\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCreated in the composer’s own studio\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTechnical collaboration: Jonathan Prager\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBattements solaires (2008), 17’35\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusic for Patrick Bokanowski’s film\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eProduced in the Kira BM Films studios\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eProduction: Kira BM Films with ARTE France and CNC contributions\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBest Film Award, 2009 EXiS Festival Seoul (South Korea)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Michèle Bokanowski\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e\u003c\/p\u003e"}
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フランスのドローン作家Michèle Bokanowskiが、2021年2月に同国Shelter Pressからリリースしたレコードです。深淵なドローン2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases available...
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{"id":7450454196474,"title":"Ben Vida \/\/ Damaged Particulates LP","handle":"ben-vida-damaged-particulates-lp","description":"\u003cp\u003eアメリカ・NYのモジュラー奏者Ben Vidaが、2016年にフランスの実験レーベルShelter Pressからリリースしたレコード。\u003c\/p\u003e\n\u003cp\u003eコラージュ・ドローンスケープ2曲、約40分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1621723332\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eFirst edition of 500.\u003c\/p\u003e\n\u003cp\u003eText by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBen Vida’s Damaged Particulates LP represents the conclusion of one body of work, Damaged Particulates, and the beginnings of a new long form project titled Reducing the Tempo to Zero.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe version of Damaged Particulates (2012-2016) included in this LP is the final iteration of a piece that Vida has been developing for close to four years. It first materialized as a number of individual synthesizer studies under the title Damaged Parts. These studies became the source material for an early version of DPs, taking shape as a commissioned work for the Unsound Festival. For the commission the piece coalesced as a single, through-composed live sound installation that utilized tactile subbass speakers which interfaced directly with the audiences bodies. In this form Damaged Particulates was presented at festivals, galleries and museums including versions at Experimental Intermedia, New York, Cricoteka Museum, Kraków, Poland and Leap Gallery, Berlin. It has since been presented in live performance at Museo d’Arte Moderna di Bologna, Bologna and Electrónica en Abril, Madrid and as a multichannel defusion at the Akousma Festival, Montreal.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eReducing the Tempo to Zero (2016 – ???) is the first recorded dispatch of Vida’s new long form composition\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. This excerpt demonstrates a short instrumental passage taken from a work that, in its full duration, clocks in at close to five hours. Live performances featuring a four member vocal ensemble have been presented at Lampo, Chicago and at The Kitchen, NYC. This mutable composition will be reconfigured once again in late 2016, this time scored for choir and electronics, to be staged in Italy and Belgium.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eReducing the Tempo to Zero represents Vida’s return to the durational drone based forms that he first experimented with in the mid-90’s with his group Town and Country. In performance, RtTtZ continues his exploration of phonetic based text scores. This method of scoring was used in his project Slipping Control which debuted at Audio Visual Arts Gallery, NYC (the vinyl version is available as an LP from Shelter Press), and creates a continuous thread between his work as a composer and his developing career as an artist. In recent solo shows at 356 S Mission Rd, Los Angeles and Lisa Cooley Gallery, NYC Vida has expanded his compositional process into a number of mediums, acting to blur any delineation between disciplines and practices.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Vida\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press \u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-17T07:27:20+09:00","created_at":"2021-11-15T16:21:25+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","shelter press"],"price":318000,"price_min":318000,"price_max":318000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057964650746,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ben Vida \/\/ Damaged Particulates LP","public_title":null,"options":["Default Title"],"price":318000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/da1_1ae5e011-78f7-4277-9850-95c13297591f.jpg?v=1636960887","\/\/tobirarecords.com\/cdn\/shop\/products\/da2_6fd46a55-b083-41fc-bdf2-482b66321bf6.jpg?v=1636960887"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_1ae5e011-78f7-4277-9850-95c13297591f.jpg?v=1636960887","options":["Title"],"media":[{"alt":null,"id":26931261505786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_1ae5e011-78f7-4277-9850-95c13297591f.jpg?v=1636960887"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_1ae5e011-78f7-4277-9850-95c13297591f.jpg?v=1636960887","width":700},{"alt":null,"id":26931261538554,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_6fd46a55-b083-41fc-bdf2-482b66321bf6.jpg?v=1636960887"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_6fd46a55-b083-41fc-bdf2-482b66321bf6.jpg?v=1636960887","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのモジュラー奏者Ben Vidaが、2016年にフランスの実験レーベルShelter Pressからリリースしたレコード。\u003c\/p\u003e\n\u003cp\u003eコラージュ・ドローンスケープ2曲、約40分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1621723332\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eFirst edition of 500.\u003c\/p\u003e\n\u003cp\u003eText by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBen Vida’s Damaged Particulates LP represents the conclusion of one body of work, Damaged Particulates, and the beginnings of a new long form project titled Reducing the Tempo to Zero.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe version of Damaged Particulates (2012-2016) included in this LP is the final iteration of a piece that Vida has been developing for close to four years. It first materialized as a number of individual synthesizer studies under the title Damaged Parts. These studies became the source material for an early version of DPs, taking shape as a commissioned work for the Unsound Festival. For the commission the piece coalesced as a single, through-composed live sound installation that utilized tactile subbass speakers which interfaced directly with the audiences bodies. In this form Damaged Particulates was presented at festivals, galleries and museums including versions at Experimental Intermedia, New York, Cricoteka Museum, Kraków, Poland and Leap Gallery, Berlin. It has since been presented in live performance at Museo d’Arte Moderna di Bologna, Bologna and Electrónica en Abril, Madrid and as a multichannel defusion at the Akousma Festival, Montreal.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eReducing the Tempo to Zero (2016 – ???) is the first recorded dispatch of Vida’s new long form composition\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. This excerpt demonstrates a short instrumental passage taken from a work that, in its full duration, clocks in at close to five hours. Live performances featuring a four member vocal ensemble have been presented at Lampo, Chicago and at The Kitchen, NYC. This mutable composition will be reconfigured once again in late 2016, this time scored for choir and electronics, to be staged in Italy and Belgium.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eReducing the Tempo to Zero represents Vida’s return to the durational drone based forms that he first experimented with in the mid-90’s with his group Town and Country. In performance, RtTtZ continues his exploration of phonetic based text scores. This method of scoring was used in his project Slipping Control which debuted at Audio Visual Arts Gallery, NYC (the vinyl version is available as an LP from Shelter Press), and creates a continuous thread between his work as a composer and his developing career as an artist. In recent solo shows at 356 S Mission Rd, Los Angeles and Lisa Cooley Gallery, NYC Vida has expanded his compositional process into a number of mediums, acting to blur any delineation between disciplines and practices.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Vida\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press \u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYのモジュラー奏者Ben Vidaが、2016年にフランスの実験レーベルShelter Pressからリリースしたレコード。 コラージュ・ドローンスケープ2曲、約40分を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases...
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{"id":7450451673338,"title":"Felicia Atkinson \u0026 Jefre Cantu-Ledesma \/\/ Limpid As The Solitudes LP","handle":"felicia-atkinson-jefre-cantu-ledesma-limpid-as-the-solitudes-lp","description":"\u003cp\u003eフランスの音響作家Felicia Atkinsonとアメリカの音響レーベルRoot Strata主宰Jefre Cantu-Ledesmaが、2018年にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eピアノやギター、フィールドレコーディング、パルスなど様々な音色が現れては消えていくドリーミーなコラージュ・アンビエント4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2814837903\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eRepress. \u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"When is one plus one not two? When two paths converge and a new one appears. But what is this newly activated neural pathway? A Third Mind? In the 1960s, multimedia artist Brion Gysin cut through the words of a newspaper and rearranged them to reveal a new kind of truth contained within the words but not freed until his knife cut it loose. He described this as part of the Third Mind. Likewise, «Limpid As The Solitudes» cuts through sound-making techniques to enter a new zone of sonic revelations.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIf you had to look for musical precedents, you might say the record recalls the turn-of-the-century Mille Plateaux glitch era, the warmth of La Monte Young’s raga-inspired microtonal electronic «dream house» drones, a sense of adventure evident in the acousmatic non-space recordings made by GRM artists in the 1960s\/ 1970s, 4AD’s floor gazing guitar sound circa Cocteau Twins peak, and blissfully diverse field recordings. But you could equally equate it with entirely different recording sources. «Limpid As The Solitudes» has a widescreen sound that is both familiar and unfamiliar. Warm, comforting and also unsettling in unpredictable ways. Deliberate yet exploratory. It’s a record composed of opposites and contrasts. Following historical guidelines yet also throwing them out of the window. It’s hard\u003cspan class=\"bcTruncateMore\"\u003e to tell if the process of creating it was more akin to abstract painting but it might possibly be easier to understand if it was a large museum painting (to steal a thought from David Stubbs). To describe the album as ambient would indicate a much too passive engagement with the sound – leave it to play in the background and you’ll miss a lot of the joy.\u003cbr\u003eFelicia Atkinson and Jefre Cantu-Ledesma describe the record as a series of postcards - «things and sounds that happen vertically as a slow ascension, vessels communicating in dreams.» In this collaborative recording, there is a feeling of «becoming» - things metamorphose - a concrete sound turns into a electronic sound that turns into a spiral-like melody which then furls \/ unfurls at the same time.\u003cbr\u003eThe title of the album - «Limpid As The Solitudes» - as well as track titles, are all verses stolen from Sylvia Plath’s poems – Atkinson notes «like dropped pearls from a lost collar.» Trying further to capture the records poetic impulses she notes it’s reflects «Empathy to objects and nature’s elements, meteorological states, seasons that answer to your heart, granular etchings carved and sustained to create a blurred sentimental landscape.» But notes with a sharpness that «the finale is more optimistic than Plath’s poetry. Love and lyricism win, the music soaring from deep water to interstellar galaxies.»\u003cbr\u003eIf you look at the cover, you’ll find another key clue - you’ll see an image created by photographer Julien Carreyn of a young women wearing destroyed jeans, playing with bubble wrap. The image is intended to give the viewer an eerie 1990’s feeling that echoes the recording. They note - «think films such as by «Trust» (Hal Hartley, 1990) or «Chuncking Express» (Wong Kar Wai, 1994).» They add «it’s the «ultra modern solitude» of characters lost in an early-digital urban vacuum, looking for a more time to wonder, a soul mate or just some compassion in the grey sky.»\u003cbr\u003eAmong the many other references for this album is how Google Maps have created new digital perceptions of space, Gilles Deleuze’s examination of Alice In Wonderland, Andre Bretons poems and more films including the classics «Sacrifice» (Tarkovsky), «Passenger» (Antonioni) and «Last Year In Marienbad» (Resnais). To dig into the more of the ideas and sources behind this record you’ll simply have to talk to the duo. We simply cannot give you the full depth here.\u003cbr\u003eBe sure to come back to this record more than once - it’s then that it’s power will work - you’ll recall the sound of a lover, a garden you once walked through, an echo of a record you once loved. To be appreciated, «Limpid As The Solitudes» requires you to immerse yourself as if in a hot spring, letting the sounds float over you and alter your perceptions and memories.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Felicia Atkinson \u0026amp; Jefre Cantu-Ledesma\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-17T17:15:58+09:00","created_at":"2021-11-15T16:19:28+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","monooto","shelter press"],"price":315000,"price_min":315000,"price_max":315000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057960521978,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Felicia Atkinson \u0026 Jefre Cantu-Ledesma \/\/ Limpid As The Solitudes LP","public_title":null,"options":["Default Title"],"price":315000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/li1_acf921e6-59ee-499d-8e83-674e0e558503.jpg?v=1636960770","\/\/tobirarecords.com\/cdn\/shop\/products\/li2_1bb446b8-a049-4f87-a095-e729ae0f25bd.jpg?v=1636960770"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_acf921e6-59ee-499d-8e83-674e0e558503.jpg?v=1636960770","options":["Title"],"media":[{"alt":null,"id":26931252789498,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_acf921e6-59ee-499d-8e83-674e0e558503.jpg?v=1636960770"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_acf921e6-59ee-499d-8e83-674e0e558503.jpg?v=1636960770","width":700},{"alt":null,"id":26931252822266,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li2_1bb446b8-a049-4f87-a095-e729ae0f25bd.jpg?v=1636960770"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li2_1bb446b8-a049-4f87-a095-e729ae0f25bd.jpg?v=1636960770","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの音響作家Felicia Atkinsonとアメリカの音響レーベルRoot Strata主宰Jefre Cantu-Ledesmaが、2018年にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eピアノやギター、フィールドレコーディング、パルスなど様々な音色が現れては消えていくドリーミーなコラージュ・アンビエント4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2814837903\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eRepress. \u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"When is one plus one not two? When two paths converge and a new one appears. But what is this newly activated neural pathway? A Third Mind? In the 1960s, multimedia artist Brion Gysin cut through the words of a newspaper and rearranged them to reveal a new kind of truth contained within the words but not freed until his knife cut it loose. He described this as part of the Third Mind. Likewise, «Limpid As The Solitudes» cuts through sound-making techniques to enter a new zone of sonic revelations.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIf you had to look for musical precedents, you might say the record recalls the turn-of-the-century Mille Plateaux glitch era, the warmth of La Monte Young’s raga-inspired microtonal electronic «dream house» drones, a sense of adventure evident in the acousmatic non-space recordings made by GRM artists in the 1960s\/ 1970s, 4AD’s floor gazing guitar sound circa Cocteau Twins peak, and blissfully diverse field recordings. But you could equally equate it with entirely different recording sources. «Limpid As The Solitudes» has a widescreen sound that is both familiar and unfamiliar. Warm, comforting and also unsettling in unpredictable ways. Deliberate yet exploratory. It’s a record composed of opposites and contrasts. Following historical guidelines yet also throwing them out of the window. It’s hard\u003cspan class=\"bcTruncateMore\"\u003e to tell if the process of creating it was more akin to abstract painting but it might possibly be easier to understand if it was a large museum painting (to steal a thought from David Stubbs). To describe the album as ambient would indicate a much too passive engagement with the sound – leave it to play in the background and you’ll miss a lot of the joy.\u003cbr\u003eFelicia Atkinson and Jefre Cantu-Ledesma describe the record as a series of postcards - «things and sounds that happen vertically as a slow ascension, vessels communicating in dreams.» In this collaborative recording, there is a feeling of «becoming» - things metamorphose - a concrete sound turns into a electronic sound that turns into a spiral-like melody which then furls \/ unfurls at the same time.\u003cbr\u003eThe title of the album - «Limpid As The Solitudes» - as well as track titles, are all verses stolen from Sylvia Plath’s poems – Atkinson notes «like dropped pearls from a lost collar.» Trying further to capture the records poetic impulses she notes it’s reflects «Empathy to objects and nature’s elements, meteorological states, seasons that answer to your heart, granular etchings carved and sustained to create a blurred sentimental landscape.» But notes with a sharpness that «the finale is more optimistic than Plath’s poetry. Love and lyricism win, the music soaring from deep water to interstellar galaxies.»\u003cbr\u003eIf you look at the cover, you’ll find another key clue - you’ll see an image created by photographer Julien Carreyn of a young women wearing destroyed jeans, playing with bubble wrap. The image is intended to give the viewer an eerie 1990’s feeling that echoes the recording. They note - «think films such as by «Trust» (Hal Hartley, 1990) or «Chuncking Express» (Wong Kar Wai, 1994).» They add «it’s the «ultra modern solitude» of characters lost in an early-digital urban vacuum, looking for a more time to wonder, a soul mate or just some compassion in the grey sky.»\u003cbr\u003eAmong the many other references for this album is how Google Maps have created new digital perceptions of space, Gilles Deleuze’s examination of Alice In Wonderland, Andre Bretons poems and more films including the classics «Sacrifice» (Tarkovsky), «Passenger» (Antonioni) and «Last Year In Marienbad» (Resnais). To dig into the more of the ideas and sources behind this record you’ll simply have to talk to the duo. We simply cannot give you the full depth here.\u003cbr\u003eBe sure to come back to this record more than once - it’s then that it’s power will work - you’ll recall the sound of a lover, a garden you once walked through, an echo of a record you once loved. To be appreciated, «Limpid As The Solitudes» requires you to immerse yourself as if in a hot spring, letting the sounds float over you and alter your perceptions and memories.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Felicia Atkinson \u0026amp; Jefre Cantu-Ledesma\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press\u003c\/span\u003e\u003c\/p\u003e"}
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フランスの音響作家Felicia Atkinsonとアメリカの音響レーベルRoot Strata主宰Jefre Cantu-Ledesmaが、2018年にリリースした共作レコードです。 ピアノやギター、フィールドレコーディング、パルスなど様々な音色が現れては消えていくドリーミーなコラージュ・アンビエント4曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
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{"id":7450448429306,"title":"Felicia Atkinson \/\/ The Flower And The Vessel 2xLP","handle":"felicia-atkinson-the-flower-and-the-vessel-2xlp","description":"\u003cp\u003eフランスの音響作家Felicia Atkinsonが、2019年に自身主宰レーベルShelter Pressからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eピアノやギター、フィールドレコーディング、パルスなど様々な音色が現れては消えていくドリーミーなコラージュ・アンビエント11曲を収録。\u003c\/p\u003e\n\u003cp\u003eRashad Beckerがマスタリングを担当しています。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2666955148\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 1200.\u003c\/p\u003e\n\u003cp\u003eText by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFrench poet and ASMR auteur Félicia Atkinson has frequently fixated on the elusive interwoven relationship between microcosms and macrocosms – how even the quietest creative act ripples outward in unforeseen ways, a whisper with no fixed meaning. Her latest work pursues this notion in a more literal and lasting fashion, as it was crafted while pregnant on tour, in impersonal hotel rooms in foreign cities. She describes it as “a record not about being pregnant but a record made with pregnancy.” Each day and night, finding herself far from home, she asked herself “What am I doing here? How can I connect myself to the world?” The answer gradually revealed itself: “With small gestures: recording my voice, recording birds, a simple melody.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u2028\u2028In truth there is nothing simple about The Flower \u0026amp; The Vessel. The album’s 11 songs span a vast pantheon of whispering textures, opaque moods, and surreal spoken word, leading the listener through a mirrored hall of beguiling mirages. Atkinson cites a trio of French classical compositions from her childhood as formative influences on this particular collection: Maurice Ravel’s “L'enfant et les sortilèges” (“a scary opera for kids”), Debussy’s “La Mer” (for its union of narration and music) and Erik Satie’s “Gymnopédies”\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e (as an exercise in negative space, irony without cynicism, and “melody with doubt”). There’s certainly a shade of classicism woven within these tracks, however veiled, abstracted, or unorthodox. Melancholic piano motifs repeat then retreat into a radiant frost of shivering frequencies; processed voices recite cut-up poems and interviews over delay-refracted Rhodes and Wurlitzer; iPad gamelan patterns flutter from meditative to melancholic and back again, offset by pointillist patches of delicate software synesthesia.\u2028\u2028\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough much of Atkinson’s past discography is shaped by speech and the lyricism of language, The Flower \u0026amp; The Vessel ventures farther into silence, absence, and voiceless wilderness. Among her sources of inspiration were “women who wonder, dream, and create vacant spaces in their art,” as well as Ikebana flower arrangements, which reflect her own relationship with listening: “structure combined with everyday noises, selecting them to make a sparse music bouquet.” Field recordings from Tasmania and the Mojave Desert murmur beneath hushed reverberations of gong, vibraphone, marimba, softly processed into an elegant emptiness, alternately eerie and serene.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eHer mode of minimalism has long been one of reduction, riddles, and curation, but here Atkinson’s synergy feels close to apotheosis, emotive but ambivalent, a ceremony of expectation and invisible forces. The 19-minute closing collaboration with SUNN O))) guitarist Stephen O’Malley, “Des Pierres,” is one of the album’s few pieces tracked in a proper studio (Music Unit in Montreuil, France) but it broods and burns with the same subliminal majesty as the rest of The Flower \u0026amp; The Vessel: an ember in amber, seeds planted in shifting sands. Atkinson’s voice flickers like a flame, framed by slabs of shadowy feedback. Her process may be personal is but its impact ripples to the edges of existence: “How does the act of creation connect us, not only to history, but to the cosmic? It’s a process of taking, and then giving back. It makes us belong to the world.”\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e~~~\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eAll the music, mixing and production are by Félicia Atkinson. Some parts of Moderato Cantabile have been recorded live at Issue Project Room in New York on March 31, 2018. Open\/Ouvre and Joan have been recorded at Type Foundry Studio by Adam Selzer in Portland in April 2018. Des Pierres has been recorded at MusicUnit in Montreuil on April 25, 2018 by Martin Antiphon and has been produced by Stephen O’Malley, who also plays the guitar on this song. The mastering is by Rashad Becker. The photographs by Julien Carreyn with assistance of Naomi Tamamura, and the design by Bartolomé Sanson. Some lyrics on this album have been inspired by an interview of Shirley Jaffe by Shirley Kaneda, the poem Turning by David Antin, an interview of St. EOM by Tom Patterson, and the book La lecture des pierres by Roger Caillois.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Félicia Atkinson\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-17T17:23:18+09:00","created_at":"2021-11-15T16:15:49+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","monooto","shelter press"],"price":348000,"price_min":348000,"price_max":348000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057952231674,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Felicia Atkinson \/\/ The Flower And The Vessel 2xLP","public_title":null,"options":["Default Title"],"price":348000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ve1_3ec273cd-44ba-48af-8ab0-1789ebdd72f8.jpg?v=1636960551","\/\/tobirarecords.com\/cdn\/shop\/products\/ve2_a455dc87-8d80-4fa4-97d5-6c7093d4ca8f.jpg?v=1636960551"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ve1_3ec273cd-44ba-48af-8ab0-1789ebdd72f8.jpg?v=1636960551","options":["Title"],"media":[{"alt":null,"id":26931235553530,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ve1_3ec273cd-44ba-48af-8ab0-1789ebdd72f8.jpg?v=1636960551"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ve1_3ec273cd-44ba-48af-8ab0-1789ebdd72f8.jpg?v=1636960551","width":700},{"alt":null,"id":26931235586298,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ve2_a455dc87-8d80-4fa4-97d5-6c7093d4ca8f.jpg?v=1636960551"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ve2_a455dc87-8d80-4fa4-97d5-6c7093d4ca8f.jpg?v=1636960551","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの音響作家Felicia Atkinsonが、2019年に自身主宰レーベルShelter Pressからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eピアノやギター、フィールドレコーディング、パルスなど様々な音色が現れては消えていくドリーミーなコラージュ・アンビエント11曲を収録。\u003c\/p\u003e\n\u003cp\u003eRashad Beckerがマスタリングを担当しています。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2666955148\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 1200.\u003c\/p\u003e\n\u003cp\u003eText by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFrench poet and ASMR auteur Félicia Atkinson has frequently fixated on the elusive interwoven relationship between microcosms and macrocosms – how even the quietest creative act ripples outward in unforeseen ways, a whisper with no fixed meaning. Her latest work pursues this notion in a more literal and lasting fashion, as it was crafted while pregnant on tour, in impersonal hotel rooms in foreign cities. She describes it as “a record not about being pregnant but a record made with pregnancy.” Each day and night, finding herself far from home, she asked herself “What am I doing here? How can I connect myself to the world?” The answer gradually revealed itself: “With small gestures: recording my voice, recording birds, a simple melody.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u2028\u2028In truth there is nothing simple about The Flower \u0026amp; The Vessel. The album’s 11 songs span a vast pantheon of whispering textures, opaque moods, and surreal spoken word, leading the listener through a mirrored hall of beguiling mirages. Atkinson cites a trio of French classical compositions from her childhood as formative influences on this particular collection: Maurice Ravel’s “L'enfant et les sortilèges” (“a scary opera for kids”), Debussy’s “La Mer” (for its union of narration and music) and Erik Satie’s “Gymnopédies”\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e (as an exercise in negative space, irony without cynicism, and “melody with doubt”). There’s certainly a shade of classicism woven within these tracks, however veiled, abstracted, or unorthodox. Melancholic piano motifs repeat then retreat into a radiant frost of shivering frequencies; processed voices recite cut-up poems and interviews over delay-refracted Rhodes and Wurlitzer; iPad gamelan patterns flutter from meditative to melancholic and back again, offset by pointillist patches of delicate software synesthesia.\u2028\u2028\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough much of Atkinson’s past discography is shaped by speech and the lyricism of language, The Flower \u0026amp; The Vessel ventures farther into silence, absence, and voiceless wilderness. Among her sources of inspiration were “women who wonder, dream, and create vacant spaces in their art,” as well as Ikebana flower arrangements, which reflect her own relationship with listening: “structure combined with everyday noises, selecting them to make a sparse music bouquet.” Field recordings from Tasmania and the Mojave Desert murmur beneath hushed reverberations of gong, vibraphone, marimba, softly processed into an elegant emptiness, alternately eerie and serene.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eHer mode of minimalism has long been one of reduction, riddles, and curation, but here Atkinson’s synergy feels close to apotheosis, emotive but ambivalent, a ceremony of expectation and invisible forces. The 19-minute closing collaboration with SUNN O))) guitarist Stephen O’Malley, “Des Pierres,” is one of the album’s few pieces tracked in a proper studio (Music Unit in Montreuil, France) but it broods and burns with the same subliminal majesty as the rest of The Flower \u0026amp; The Vessel: an ember in amber, seeds planted in shifting sands. Atkinson’s voice flickers like a flame, framed by slabs of shadowy feedback. Her process may be personal is but its impact ripples to the edges of existence: “How does the act of creation connect us, not only to history, but to the cosmic? It’s a process of taking, and then giving back. It makes us belong to the world.”\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e~~~\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eAll the music, mixing and production are by Félicia Atkinson. Some parts of Moderato Cantabile have been recorded live at Issue Project Room in New York on March 31, 2018. Open\/Ouvre and Joan have been recorded at Type Foundry Studio by Adam Selzer in Portland in April 2018. Des Pierres has been recorded at MusicUnit in Montreuil on April 25, 2018 by Martin Antiphon and has been produced by Stephen O’Malley, who also plays the guitar on this song. The mastering is by Rashad Becker. The photographs by Julien Carreyn with assistance of Naomi Tamamura, and the design by Bartolomé Sanson. Some lyrics on this album have been inspired by an interview of Shirley Jaffe by Shirley Kaneda, the poem Turning by David Antin, an interview of St. EOM by Tom Patterson, and the book La lecture des pierres by Roger Caillois.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Félicia Atkinson\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press\u003c\/span\u003e\u003c\/p\u003e"}
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フランスの音響作家Felicia Atkinsonが、2019年に自身主宰レーベルShelter Pressからリリースした2枚組レコードです。 ピアノやギター、フィールドレコーディング、パルスなど様々な音色が現れては消えていくドリーミーなコラージュ・アンビエント11曲を収録。 Rashad Beckerがマスタリングを担当しています。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM /...
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{"id":7450437517562,"title":"Kassel Jaeger \/\/ Swamps \/ Things 2xLP","handle":"kassel-jaeger-swamps-things-2xlp","description":"\u003cp\u003e過去にEditions MegoやSenufo Editionsなどから多数発表しているフランスの実験音楽家Kassel Jaegerが、2020年にフランス・パリの実験レーベルShelter Pressからリリースした2枚組レコード。淡いアンビエントドローン〜立体的なドローン10曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=958500317\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePrinted inner and outersleeves with artwork by Cameron Jamie\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Shelter Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"Over the last decade, Kassel Jaeger, the moniker of the Paris-based composer, writer \/ theorist, producer, and director of the Groupe de Recherches Musicales (GRM), François Bonnet, has meticulously sculpted a body of multidisciplinary work that rests at the forefront contemporary electronic and electroacoustic practice. On July 10th he will release his new album ‘Swamp \/ Things’ on Shelter-Press.\u003cbr\u003e\u003cbr\u003eRigorously experimental without sacrificing the intimacies of self, his efforts as a composer and musician extend across live contexts and numerous critically heralded solo releases, as well as collaborations with Jim O’Rourke and Lucy Railton, both contributing to the record, alongside Stephen O’Malley, Stephan Mathieu, Akira Rabelais, Oren Ambarchi, and James Rushford, and others.\u003cbr\u003e\u003cbr\u003eDeeply invested in the potential of sound as an elemental form - a root phenomenon with a profound capacity for meaning, as much as a multidimensional material for creative process and ideas – Jaeger’s work across numerous fields, be it in text, action, or sound presents a crucial bridge between the optimistic, philosophical origins of electronic and electroacoustic music, the present and where they have yet to delve.\u003cbr\u003e\u003cbr\u003eSound is abstract. When the source is elusive, narrative and meaning shift between the concrete and obscure. With his first solo LP with Shelter Press, Swamps\/Things, Kassel Jaeger wades into this foggy, conceptual realm. From memory and metaphor - sliding fluidly through the imagistic and emotive - emerges an immersive, cavernous world that rethinks electroacoustic music on organic terms.\u003cbr\u003e\u003cbr\u003e‘Swamps \/ Things’ was conceived as an opera without distinct characters or text. It draws Kassel Jaeger into his own history, experiences, and the unlikely double of the swamp, a landscape that has held literal and metaphorical sway over him since childhood. Merging 8 works as a total environment, abstaining from distinct shape or discrete articulation, across the album's breadth, sound becomes a shifting mirror for the bubbling, ordered chaos of organic life.\u003cbr\u003e\u003cbr\u003eResting at the junction of concept, emotion, and phenomena - tapping the multidimensional potential for narrative and meaning possessed by each - Swamps \/ Things encounters an artist of remarkable craft, delving toward the unknown, deploying organized sonority as object and environment, as much as action, movement, passage, and arc. Seemingly possessed by an entropy entirely its own, the temporal gives way to the poetics of space, while the density of an endlessly evolving climate, laden with cacophonous happenings, renders itself still. Flickering images of the natural world - memory and the imagined reformed as sound - present an operatic double for human action and thought. From deep, fog like banks of minimalist long tone, to industrial clamors left as tracks in the mud, or the collisions of shifting pulses, overtones, and textures - captured from across the murky, drone laden waters between the acoustic and synthetic realms - moody, howling cries and tense meditations merge in ambient sheets, capturing a fleeting image of where decomposition gives way to new growth.\u003cbr\u003e\u003cbr\u003eA remarkably intimate and forward-thinking aural balm, bristling with complex beauty, Shelter press is overjoyed to present Kassel Jaeger’s Swamps \/ Things. Two immersive, intoxicating sides overflowing with humanity and ideas.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Francois Bonnet (Kassel Jaeger):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eAs a child, almost every Sunday, I was wandering in the countryside, and usually, I was finding myself in my favorite spot: a swamp. Air was different. Trees were dead, but not really dead. Soil was swaying of clear water, and an everlasting mist was suspended all over the place. No one was there and nothing could happen even if some animal tracks were here to prove me I was wrong. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMuch later, one of my masters made always this joke about my music. He said I was composing swamps, I guess because of the lack of demonstrative musical shapes and articulations. At the same time, he was acknowledging that I was building a “climate”.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt took me then almost 30 years to understand why I was so fond of swamps. It’s because a swamp is an intermediary space of the organic becoming and the blurry space suspending the cycle of the utilities, which is the cycle of history. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSwamps \/ Things has been conceived as an opera. An opera without characters, without text, but not without story. The story, here, is only an arc. Because what is an opera, if not an arc? And the arc, here, is the simplest. It’s walking through the swamp. Approaching it, leaching into it, becoming it. The Swamp is us. Our own disappearance, populated by all the beasts we have turned into, by\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e the places we have haunted, and by the time we have consumed. We are traces in an always intermediate state. Animals tracks in the sodden earth of the Swamp\u003c\/em\u003e.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kassel Jaeger\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-18T01:46:34+09:00","created_at":"2021-11-15T16:01:02+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","lp","shelter press"],"price":388000,"price_min":388000,"price_max":388000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057916481786,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Kassel Jaeger \/\/ Swamps \/ Things 2xLP","public_title":null,"options":["Default Title"],"price":388000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ka1_c2d3f186-a97e-4b35-b358-df28e22379a3.jpg?v=1636959664","\/\/tobirarecords.com\/cdn\/shop\/products\/ka2_a36288dc-658e-4990-82fd-9f9bb85aa860.jpg?v=1636959665"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka1_c2d3f186-a97e-4b35-b358-df28e22379a3.jpg?v=1636959664","options":["Title"],"media":[{"alt":null,"id":26931165921530,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka1_c2d3f186-a97e-4b35-b358-df28e22379a3.jpg?v=1636959664"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka1_c2d3f186-a97e-4b35-b358-df28e22379a3.jpg?v=1636959664","width":700},{"alt":null,"id":26931165954298,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka2_a36288dc-658e-4990-82fd-9f9bb85aa860.jpg?v=1636959665"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka2_a36288dc-658e-4990-82fd-9f9bb85aa860.jpg?v=1636959665","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にEditions MegoやSenufo Editionsなどから多数発表しているフランスの実験音楽家Kassel Jaegerが、2020年にフランス・パリの実験レーベルShelter Pressからリリースした2枚組レコード。淡いアンビエントドローン〜立体的なドローン10曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=958500317\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePrinted inner and outersleeves with artwork by Cameron Jamie\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Shelter Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"Over the last decade, Kassel Jaeger, the moniker of the Paris-based composer, writer \/ theorist, producer, and director of the Groupe de Recherches Musicales (GRM), François Bonnet, has meticulously sculpted a body of multidisciplinary work that rests at the forefront contemporary electronic and electroacoustic practice. On July 10th he will release his new album ‘Swamp \/ Things’ on Shelter-Press.\u003cbr\u003e\u003cbr\u003eRigorously experimental without sacrificing the intimacies of self, his efforts as a composer and musician extend across live contexts and numerous critically heralded solo releases, as well as collaborations with Jim O’Rourke and Lucy Railton, both contributing to the record, alongside Stephen O’Malley, Stephan Mathieu, Akira Rabelais, Oren Ambarchi, and James Rushford, and others.\u003cbr\u003e\u003cbr\u003eDeeply invested in the potential of sound as an elemental form - a root phenomenon with a profound capacity for meaning, as much as a multidimensional material for creative process and ideas – Jaeger’s work across numerous fields, be it in text, action, or sound presents a crucial bridge between the optimistic, philosophical origins of electronic and electroacoustic music, the present and where they have yet to delve.\u003cbr\u003e\u003cbr\u003eSound is abstract. When the source is elusive, narrative and meaning shift between the concrete and obscure. With his first solo LP with Shelter Press, Swamps\/Things, Kassel Jaeger wades into this foggy, conceptual realm. From memory and metaphor - sliding fluidly through the imagistic and emotive - emerges an immersive, cavernous world that rethinks electroacoustic music on organic terms.\u003cbr\u003e\u003cbr\u003e‘Swamps \/ Things’ was conceived as an opera without distinct characters or text. It draws Kassel Jaeger into his own history, experiences, and the unlikely double of the swamp, a landscape that has held literal and metaphorical sway over him since childhood. Merging 8 works as a total environment, abstaining from distinct shape or discrete articulation, across the album's breadth, sound becomes a shifting mirror for the bubbling, ordered chaos of organic life.\u003cbr\u003e\u003cbr\u003eResting at the junction of concept, emotion, and phenomena - tapping the multidimensional potential for narrative and meaning possessed by each - Swamps \/ Things encounters an artist of remarkable craft, delving toward the unknown, deploying organized sonority as object and environment, as much as action, movement, passage, and arc. Seemingly possessed by an entropy entirely its own, the temporal gives way to the poetics of space, while the density of an endlessly evolving climate, laden with cacophonous happenings, renders itself still. Flickering images of the natural world - memory and the imagined reformed as sound - present an operatic double for human action and thought. From deep, fog like banks of minimalist long tone, to industrial clamors left as tracks in the mud, or the collisions of shifting pulses, overtones, and textures - captured from across the murky, drone laden waters between the acoustic and synthetic realms - moody, howling cries and tense meditations merge in ambient sheets, capturing a fleeting image of where decomposition gives way to new growth.\u003cbr\u003e\u003cbr\u003eA remarkably intimate and forward-thinking aural balm, bristling with complex beauty, Shelter press is overjoyed to present Kassel Jaeger’s Swamps \/ Things. Two immersive, intoxicating sides overflowing with humanity and ideas.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Francois Bonnet (Kassel Jaeger):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eAs a child, almost every Sunday, I was wandering in the countryside, and usually, I was finding myself in my favorite spot: a swamp. Air was different. Trees were dead, but not really dead. Soil was swaying of clear water, and an everlasting mist was suspended all over the place. No one was there and nothing could happen even if some animal tracks were here to prove me I was wrong. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMuch later, one of my masters made always this joke about my music. He said I was composing swamps, I guess because of the lack of demonstrative musical shapes and articulations. At the same time, he was acknowledging that I was building a “climate”.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt took me then almost 30 years to understand why I was so fond of swamps. It’s because a swamp is an intermediary space of the organic becoming and the blurry space suspending the cycle of the utilities, which is the cycle of history. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSwamps \/ Things has been conceived as an opera. An opera without characters, without text, but not without story. The story, here, is only an arc. Because what is an opera, if not an arc? And the arc, here, is the simplest. It’s walking through the swamp. Approaching it, leaching into it, becoming it. The Swamp is us. Our own disappearance, populated by all the beasts we have turned into, by\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e the places we have haunted, and by the time we have consumed. We are traces in an always intermediate state. Animals tracks in the sodden earth of the Swamp\u003c\/em\u003e.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kassel Jaeger\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press\u003c\/span\u003e\u003c\/p\u003e"}
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過去にEditions MegoやSenufo Editionsなどから多数発表しているフランスの実験音楽家Kassel Jaegerが、2020年にフランス・パリの実験レーベルShelter Pressからリリースした2枚組レコード。淡いアンビエントドローン〜立体的なドローン10曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
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{"id":7450434207994,"title":"Okkyung Lee \/\/ Yeo-Neun LP","handle":"okkyung-lee-yeo-neun-lp","description":"\u003cp\u003e過去にOpen MouthやTzadik、The Tapewormなどから発表している韓国のネオクラシカル作家Okkyung Leeが、2020年にフランス・パリの実験レーベルShelter Pressからリリースした8枚目のフルアルバムです。\u003c\/p\u003e\n\u003cp\u003eハープとピアノ、ベースによる五臓六腑に染み入るネオクラシカル10曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1259952549\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSpringing from a decades deep body of work, defined by a rigorously singular and adventurous approach to sound, cellist, composer, and improvisor, Okkyung Lee, returns with Yeo-Neun, her first outing with Shelter Press, and arguably her most groundbreaking and unexpected album to date.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA vital, present force in the contemporary global landscape of experimental music, Okkyung Lee is widely regarded for her solo and collaborative improvisations and compositions, weaving a continuously evolving network of sonority and event, notable for its profound depth of instrumental sensitivity, exacting intellect, and visceral emotiveness. Yeo-Neun, recorded by Yeo-Neun Quartet - an experimental chamber music ensemble founded in 2016 and led by Lee on cello, featuring harpist Maeve Gilchrist, pianist Jacob Sacks, and bassist Eivind Opsvik - represents the culmination of one of longest and most intimate arcs in her remarkable career. A radical departure from much of the experimental language for which she has become widely known, it is equally a fearless return.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eYeo-Neun loosely translates to the gesture of an opening in Korean, presenting window into the poetic multiplicity that rests at the album’s core. Balanced at the outer reaches of Lee’s radically\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e forward thinking creative process, its 10 discrete works are born of the ambient displacement of musician’s life; intimate melodic constructions and deconstructions that traces their roots across the last 30 years, from her early days spent away from home studying the cello in Seoul and Boston, to her subsequent move to New York and the nomadism of a near endless routine of tours. At its foundation, lay glimpses of a once melancholic teen, traces of the sentimentality and sensitivity (감성 \/ Gahmsung) that underpins the Korean popular music of Lee’s youth, and an artist for whom the notions of time, place, and home have become increasingly complex.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eElegantly binding modern classical composition and freely improvised music with the emotive drama of Korean traditional music and popular ballads, the expanse of Yeo-Neun pushes toward the palpably unknown, as radical for what it is and does, as it for its approachability. In Lee’s hands, carried by a body of composition that rests beyond the prescriptive boundaries of culture, genre, geography, and time, a vision of the experimental avant-garde emerges as a music of experience, humanity, and life. Meandering melodies, from the deceptively simple to the tonally and structurally complex, slowly evolve and fall from view, the harp, piano, and bass forming an airy, liminal non-place, through which Lee’s cello and unplaceable memories freely drift.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRemarkably honest, unflinchingly beautiful, and creatively challenging, Shelter Press is proud to present Yeo-Neun, an album that takes one the most important voices in contemporary experimental music, Okkyung Lee, far afield into an unknown future, bound to her past.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMastered and cut by Rashad Becker, housed in reversed-board printed inner and outer sleeve with artwork by American photographer Ron Jude.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Okkyung Lee\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-18T01:41:51+09:00","created_at":"2021-11-15T15:58:06+09:00","vendor":"Tobira Records","type":"","tags":["lp","neo classical","shelter press"],"price":315000,"price_min":315000,"price_max":315000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057897246970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Okkyung Lee \/\/ Yeo-Neun LP","public_title":null,"options":["Default Title"],"price":315000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ne1_9366fecd-cc61-428c-8148-ae83cca5c343.jpg?v=1636959487","\/\/tobirarecords.com\/cdn\/shop\/products\/ne2_c067c4c5-7e36-4c82-9695-9b5cc2c75f71.jpg?v=1636959488"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne1_9366fecd-cc61-428c-8148-ae83cca5c343.jpg?v=1636959487","options":["Title"],"media":[{"alt":null,"id":26931147374842,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne1_9366fecd-cc61-428c-8148-ae83cca5c343.jpg?v=1636959487"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne1_9366fecd-cc61-428c-8148-ae83cca5c343.jpg?v=1636959487","width":700},{"alt":null,"id":26931147407610,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne2_c067c4c5-7e36-4c82-9695-9b5cc2c75f71.jpg?v=1636959488"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne2_c067c4c5-7e36-4c82-9695-9b5cc2c75f71.jpg?v=1636959488","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にOpen MouthやTzadik、The Tapewormなどから発表している韓国のネオクラシカル作家Okkyung Leeが、2020年にフランス・パリの実験レーベルShelter Pressからリリースした8枚目のフルアルバムです。\u003c\/p\u003e\n\u003cp\u003eハープとピアノ、ベースによる五臓六腑に染み入るネオクラシカル10曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1259952549\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSpringing from a decades deep body of work, defined by a rigorously singular and adventurous approach to sound, cellist, composer, and improvisor, Okkyung Lee, returns with Yeo-Neun, her first outing with Shelter Press, and arguably her most groundbreaking and unexpected album to date.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA vital, present force in the contemporary global landscape of experimental music, Okkyung Lee is widely regarded for her solo and collaborative improvisations and compositions, weaving a continuously evolving network of sonority and event, notable for its profound depth of instrumental sensitivity, exacting intellect, and visceral emotiveness. Yeo-Neun, recorded by Yeo-Neun Quartet - an experimental chamber music ensemble founded in 2016 and led by Lee on cello, featuring harpist Maeve Gilchrist, pianist Jacob Sacks, and bassist Eivind Opsvik - represents the culmination of one of longest and most intimate arcs in her remarkable career. A radical departure from much of the experimental language for which she has become widely known, it is equally a fearless return.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eYeo-Neun loosely translates to the gesture of an opening in Korean, presenting window into the poetic multiplicity that rests at the album’s core. Balanced at the outer reaches of Lee’s radically\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e forward thinking creative process, its 10 discrete works are born of the ambient displacement of musician’s life; intimate melodic constructions and deconstructions that traces their roots across the last 30 years, from her early days spent away from home studying the cello in Seoul and Boston, to her subsequent move to New York and the nomadism of a near endless routine of tours. At its foundation, lay glimpses of a once melancholic teen, traces of the sentimentality and sensitivity (감성 \/ Gahmsung) that underpins the Korean popular music of Lee’s youth, and an artist for whom the notions of time, place, and home have become increasingly complex.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eElegantly binding modern classical composition and freely improvised music with the emotive drama of Korean traditional music and popular ballads, the expanse of Yeo-Neun pushes toward the palpably unknown, as radical for what it is and does, as it for its approachability. In Lee’s hands, carried by a body of composition that rests beyond the prescriptive boundaries of culture, genre, geography, and time, a vision of the experimental avant-garde emerges as a music of experience, humanity, and life. Meandering melodies, from the deceptively simple to the tonally and structurally complex, slowly evolve and fall from view, the harp, piano, and bass forming an airy, liminal non-place, through which Lee’s cello and unplaceable memories freely drift.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRemarkably honest, unflinchingly beautiful, and creatively challenging, Shelter Press is proud to present Yeo-Neun, an album that takes one the most important voices in contemporary experimental music, Okkyung Lee, far afield into an unknown future, bound to her past.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMastered and cut by Rashad Becker, housed in reversed-board printed inner and outer sleeve with artwork by American photographer Ron Jude.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Okkyung Lee\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press\u003c\/span\u003e\u003c\/p\u003e"}
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過去にOpen MouthやTzadik、The Tapewormなどから発表している韓国のネオクラシカル作家Okkyung Leeが、2020年にフランス・パリの実験レーベルShelter Pressからリリースした8枚目のフルアルバムです。 ハープとピアノ、ベースによる五臓六腑に染み入るネオクラシカル10曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM /...
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{"id":7450430570746,"title":"PDP III \/\/ Pilled Up on a Couple of Doves LP","handle":"pdp-iii-pilled-up-on-a-couple-of-doves-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBritton Powellを中心にLucy RailtonとBrian Leeds(Huerco S)が音を重ねていくプロジェクトPDP IIIが、\u003c\/span\u003e2021年4月にフランス・パリの実験レーベルShelter Pressからリリースしたレコード。\u003c\/p\u003e\n\u003cp\u003eディープリスニング系のエレクトロニック・アンビエント5曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=492068840\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePilled Up on a Couple of Doves is the debut full-length by PDP III, who fell into alignment in December of 2018 amid a handful of immersive and improvisatory recording sessions held at Gary’s Electric Studio in Brooklyn, New York. The trio is a collaboration between composer\/producer Britton Powell and two Berlin-based artists, the British composer\/cellist Lucy Railton and the electronic artist Brian Leeds (Huerco S).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAt the outset of these sessions Powell presented a series of compositional sketches anchored around multi-tracked electronics and acoustic percussion. These concepts were then used as the framework for collective improvisation, with the musicians working on instinct and layering as many as eight separate takes across a track. A portion of the record also reflects moments that are purely spontaneous – in-the-moment invention with Railton on electronics and cello and Powell and Leeds working on laptop computers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe composition process involved little in the way of overt instruction, instead favoring discussion on more abstract notions of feel and energy. As a result, the final product was a bit surprising to all involved. “I don’t think the three of us had any idea how heavy and physical this thing was going to feel,” reflects\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Powell.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSubsequently reduced, edited, and collaged by Powell over the next two years, Pilled Up on a Couple of Doves presents a succession of alien moods. Gauzy textures are buoyed by extreme low end pressure. Serene industrial hum illuminates the rhythmic beating of waveforms. The sounds frequently evoke opposing emotions -- tenderness and anxiety, claustrophobia and transcendence.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe record culminates in 20-minute closer “49 Days,” where gradually unfurling textures for cello and electronics mirror the overtones of a ringing gong. It’s unsettling, but deeply meditative.\u003cbr data-mce-fragment=\"1\"\u003eA map of liminal space. Music to get lost to. “One thing that’s important in relation to my work with music is to access a place outside of physical space,” says Powell. “To pursue music as a tool to reach a place outside of physical existence.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“There's something really simple, innocent, and timeless about working with acoustic percussion instruments,” explains Powell.\u003cbr data-mce-fragment=\"1\"\u003e“I think that they allow for a very true examination of sound. It feels vulnerable and really powerful at the same time.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : PDP III\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-17T17:31:33+09:00","created_at":"2021-11-15T15:55:55+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","monooto","shelter press"],"price":315000,"price_min":315000,"price_max":315000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057887842554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"PDP III \/\/ Pilled Up on a Couple of Doves LP","public_title":null,"options":["Default Title"],"price":315000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/co1_1df6ac9b-9c42-4ef6-8fe7-b026470a8914.jpg?v=1636959356","\/\/tobirarecords.com\/cdn\/shop\/products\/co2_b9ac655f-89da-480b-8942-54ee72f2c7e8.jpg?v=1636959357"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_1df6ac9b-9c42-4ef6-8fe7-b026470a8914.jpg?v=1636959356","options":["Title"],"media":[{"alt":null,"id":26931134431482,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_1df6ac9b-9c42-4ef6-8fe7-b026470a8914.jpg?v=1636959356"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_1df6ac9b-9c42-4ef6-8fe7-b026470a8914.jpg?v=1636959356","width":700},{"alt":null,"id":26931134464250,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_b9ac655f-89da-480b-8942-54ee72f2c7e8.jpg?v=1636959357"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_b9ac655f-89da-480b-8942-54ee72f2c7e8.jpg?v=1636959357","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBritton Powellを中心にLucy RailtonとBrian Leeds(Huerco S)が音を重ねていくプロジェクトPDP IIIが、\u003c\/span\u003e2021年4月にフランス・パリの実験レーベルShelter Pressからリリースしたレコード。\u003c\/p\u003e\n\u003cp\u003eディープリスニング系のエレクトロニック・アンビエント5曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=492068840\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePilled Up on a Couple of Doves is the debut full-length by PDP III, who fell into alignment in December of 2018 amid a handful of immersive and improvisatory recording sessions held at Gary’s Electric Studio in Brooklyn, New York. The trio is a collaboration between composer\/producer Britton Powell and two Berlin-based artists, the British composer\/cellist Lucy Railton and the electronic artist Brian Leeds (Huerco S).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAt the outset of these sessions Powell presented a series of compositional sketches anchored around multi-tracked electronics and acoustic percussion. These concepts were then used as the framework for collective improvisation, with the musicians working on instinct and layering as many as eight separate takes across a track. A portion of the record also reflects moments that are purely spontaneous – in-the-moment invention with Railton on electronics and cello and Powell and Leeds working on laptop computers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe composition process involved little in the way of overt instruction, instead favoring discussion on more abstract notions of feel and energy. As a result, the final product was a bit surprising to all involved. “I don’t think the three of us had any idea how heavy and physical this thing was going to feel,” reflects\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Powell.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSubsequently reduced, edited, and collaged by Powell over the next two years, Pilled Up on a Couple of Doves presents a succession of alien moods. Gauzy textures are buoyed by extreme low end pressure. Serene industrial hum illuminates the rhythmic beating of waveforms. The sounds frequently evoke opposing emotions -- tenderness and anxiety, claustrophobia and transcendence.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe record culminates in 20-minute closer “49 Days,” where gradually unfurling textures for cello and electronics mirror the overtones of a ringing gong. It’s unsettling, but deeply meditative.\u003cbr data-mce-fragment=\"1\"\u003eA map of liminal space. Music to get lost to. “One thing that’s important in relation to my work with music is to access a place outside of physical space,” says Powell. “To pursue music as a tool to reach a place outside of physical existence.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“There's something really simple, innocent, and timeless about working with acoustic percussion instruments,” explains Powell.\u003cbr data-mce-fragment=\"1\"\u003e“I think that they allow for a very true examination of sound. It feels vulnerable and really powerful at the same time.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : PDP III\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press\u003c\/span\u003e\u003c\/p\u003e"}
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Britton Powellを中心にLucy RailtonとBrian Leeds(Huerco S)が音を重ねていくプロジェクトPDP IIIが、2021年4月にフランス・パリの実験レーベルShelter Pressからリリースしたレコード。 ディープリスニング系のエレクトロニック・アンビエント5曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection...
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{"id":7450424213754,"title":"Andrew Pekler \u0026 Giuseppe Ielasi \/\/ Palimpsests LP","handle":"apgi","description":"\u003cp\u003eドイツの音響作家Andrew Peklerと、イタリアの実験レーベルSenufo Editions主宰Giuseppe Ielasiが、2021年10月にフランスの実験レーベルShelter Pressからリリースした共作レコード。\u003c\/p\u003e\n\u003cp\u003eフロア棒立ち系テクノ〜コラージュ・ストレンジビーツ〜アンビエント9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2580139545\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eText by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBoth noted for strikingly forward-thinking bodies of solo work dating back to the 1990s, the duo of Andrew Pekler \u0026amp; Giuseppe Ielasi - collaborators for the better part of a decade - reemerge with 'Palimpsests’, their first outing with Shelter Press. Built from deconstructed layers of texture, tone, and arrhythmic percussiveness, the album’s 2 sides distill 6 years of work into 9 splintered, airy reimaginings of minimalism - each surprising, creatively rigorous, and startlingly beautiful - that rest at the outer reaches of contemporary electroacoustic practice and musique concrète.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBased in Berlin and Milan respectively, Andrew Pekler and Giuseppe Ielasi have individually carved singular paths across numerous disciplines within experimental music for more than 20 years, each deploying sampling, synthesis, and acoustic sources to weave their own, distinct worlds of sonorous abstraction. Brought together by years of friendship and a shared devotion to layered texture and complex, fractured structure, the pair first joined their creative energies in 2013, a collaboration that culminated as the LP, ‘Holiday For Sampler’, issued by Planam.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Palimpsests’, the duo’s second outing, draws its material from a series of improvisations made by the Pekler and Ielasi in\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Milan during 2015. Over the ensuing six years, those recordings would undergo various transformations - cut, reworked, sampled, and added to by each artist, working at geographic distance between Berlin, Kyoto and Monza - before culminating, like the album’s title suggests, as a unique manifestation of musical palimpsest; “an object reused and altered, while still bearing visible traces of its earlier form”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith each of the album’s compositions nodding toward a city with which Pekler and Ielasi hold biographical connections, 'Palimpsests’ constructs sound as poetic metaphor; a series of ghosts - traces of memory, image, and action - cut and reassembled, in cycling permutations, before been set into action at a glacial pace with layered, transparent forms.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDefined by remarkable restraint and pointillistic precision, across the album’s two sides Pekler and Ielasi weave the fractured remnants of their sessions - reduced to glitches and warbling fragments of texture and tonality - into pulsing expanses of spatial ambiance that defy imagism, blur the boundaries between the synthetic and organic - reducing their sources to a series of unknowns - recast the boundaries of electroacoustic practice on markedly singular terms.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShelter Press is thrilled to present 'Palimpsests’, another brilliant outing from the duo of Andrew Pekler and Giuseppe Ielasi. Issued in a limited edition of 500 copies on black vinyl, with artworks on printed inner and outer sleeves by Traianos Pakioufakis.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andrew Pekler \u0026amp; Giuseppe Ielasi\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-15T15:55:55+09:00","created_at":"2021-11-15T15:47:55+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","monooto","shelter press","strange beats","techno \/ house"],"price":328000,"price_min":328000,"price_max":328000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057868509434,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Andrew Pekler \u0026 Giuseppe Ielasi \/\/ Palimpsests LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_ac98e139-ab23-4c6f-8b1b-62654d8ba1cb.jpg?v=1636958877","\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_36e270ad-206b-4da7-bcaf-990b105ee168.jpg?v=1636958877"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_ac98e139-ab23-4c6f-8b1b-62654d8ba1cb.jpg?v=1636958877","options":["Title"],"media":[{"alt":null,"id":26931095273722,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_ac98e139-ab23-4c6f-8b1b-62654d8ba1cb.jpg?v=1636958877"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_ac98e139-ab23-4c6f-8b1b-62654d8ba1cb.jpg?v=1636958877","width":700},{"alt":null,"id":26931095306490,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_36e270ad-206b-4da7-bcaf-990b105ee168.jpg?v=1636958877"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_36e270ad-206b-4da7-bcaf-990b105ee168.jpg?v=1636958877","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツの音響作家Andrew Peklerと、イタリアの実験レーベルSenufo Editions主宰Giuseppe Ielasiが、2021年10月にフランスの実験レーベルShelter Pressからリリースした共作レコード。\u003c\/p\u003e\n\u003cp\u003eフロア棒立ち系テクノ〜コラージュ・ストレンジビーツ〜アンビエント9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2580139545\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eText by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBoth noted for strikingly forward-thinking bodies of solo work dating back to the 1990s, the duo of Andrew Pekler \u0026amp; Giuseppe Ielasi - collaborators for the better part of a decade - reemerge with 'Palimpsests’, their first outing with Shelter Press. Built from deconstructed layers of texture, tone, and arrhythmic percussiveness, the album’s 2 sides distill 6 years of work into 9 splintered, airy reimaginings of minimalism - each surprising, creatively rigorous, and startlingly beautiful - that rest at the outer reaches of contemporary electroacoustic practice and musique concrète.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBased in Berlin and Milan respectively, Andrew Pekler and Giuseppe Ielasi have individually carved singular paths across numerous disciplines within experimental music for more than 20 years, each deploying sampling, synthesis, and acoustic sources to weave their own, distinct worlds of sonorous abstraction. Brought together by years of friendship and a shared devotion to layered texture and complex, fractured structure, the pair first joined their creative energies in 2013, a collaboration that culminated as the LP, ‘Holiday For Sampler’, issued by Planam.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Palimpsests’, the duo’s second outing, draws its material from a series of improvisations made by the Pekler and Ielasi in\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Milan during 2015. Over the ensuing six years, those recordings would undergo various transformations - cut, reworked, sampled, and added to by each artist, working at geographic distance between Berlin, Kyoto and Monza - before culminating, like the album’s title suggests, as a unique manifestation of musical palimpsest; “an object reused and altered, while still bearing visible traces of its earlier form”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith each of the album’s compositions nodding toward a city with which Pekler and Ielasi hold biographical connections, 'Palimpsests’ constructs sound as poetic metaphor; a series of ghosts - traces of memory, image, and action - cut and reassembled, in cycling permutations, before been set into action at a glacial pace with layered, transparent forms.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDefined by remarkable restraint and pointillistic precision, across the album’s two sides Pekler and Ielasi weave the fractured remnants of their sessions - reduced to glitches and warbling fragments of texture and tonality - into pulsing expanses of spatial ambiance that defy imagism, blur the boundaries between the synthetic and organic - reducing their sources to a series of unknowns - recast the boundaries of electroacoustic practice on markedly singular terms.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShelter Press is thrilled to present 'Palimpsests’, another brilliant outing from the duo of Andrew Pekler and Giuseppe Ielasi. Issued in a limited edition of 500 copies on black vinyl, with artworks on printed inner and outer sleeves by Traianos Pakioufakis.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andrew Pekler \u0026amp; Giuseppe Ielasi\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press\u003c\/span\u003e\u003c\/p\u003e"}
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ドイツの音響作家Andrew Peklerと、イタリアの実験レーベルSenufo Editions主宰Giuseppe Ielasiが、2021年10月にフランスの実験レーベルShelter Pressからリリースした共作レコード。 フロア棒立ち系テクノ〜コラージュ・ストレンジビーツ〜アンビエント9曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press releases...
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