scum / Meta-Friend / Helical Phobia / Somukenai // Shibuya Rhapsodies CD-R
scum / Meta-Friend / Helical Phobia / Somukenai // Shibuya Rhapsodies CD-R
¥803
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渦巻く情念と情報の中まるで狂詩曲のように風景を変化し続ける東
4 way split by Tokyo based noisicians.
artist : split
label : ooo
渦巻く情念と情報の中まるで狂詩曲のように風景を変化し続ける東
4 way split by Tokyo based noisicians.
artist : split
label : ooo
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{"id":8762187448570,"title":"Incapacitants \/\/ Peony Crackers TAPE","handle":"incapacitants-peony-crackers-tape","description":"\u003cp\u003e東京のノイズ作家Incapacitants aka Toshiji Mikawaが、2025年3月に兵庫のノイズレーベルAdvaita Recordsからリリースした再発カセットです。(オリジナルは1983年リリース)\u003c\/p\u003e\n\u003cp\u003eハーシュノイズ8曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"全てはここから始まった...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1981年と1983年にT.Mikawaのレーベル Pariah Tapesが制作し、公には販売されずに友人のみが受けとることができた幻の作品「Eternal Paralysis」と「Peony Crackers」\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eオリジナルリリースと同様に赤紙と緑紙を使用し、マスターテープケースのT.Mikawa手書きのロゴとタイトルを完全再現しました。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e自作発信機「The MIKAWA」の破壊的な響き、Roland AF-100 BeeBaaとクリスタルマイクによるフィードバック、エレキギターによる即興演奏、音の広がりや音の間を感じさせる打撃音など初期の音響的な実験の成果が結実していて、今なおノイズの新たな地平を探求し続けるIncapacitantsの原点と言える作品です。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1331511969\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/advaita\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/advaita\"\u003ehere\u003c\/a\u003e to see more Advaita Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003cbr\u003eReissue - originally pressed in 1983. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Peony Crackers Pt.1 04:40\u003cbr\u003e2. Peony Crackers Pt.2 05:42\u003cbr\u003e3. Peony Crackers Pt.3 07:13\u003cbr\u003e4. Peony Crackers Pt.4 01:13\u003cbr\u003e5. Peony Crackers Pt.5 06:39\u003cbr\u003e6. Peony Crackers Pt.6 06:25\u003cbr\u003e7. Peony Crackers Pt.7 25:07\u003cbr\u003e8. Peony Crackers Pt.8 06:41\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAdvaita Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“'\u003cem\u003eEternal Paralysis' and 'Peony Crackers' is two fantastic works produced by T.Mikawa's Pariah Tapes label in 1981 and 1983, which were not sold publicly and only friends could receive them.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eThe red and green paper is used as in the original\u003cspan class=\"bcTruncateMore\"\u003e release, and the handwritten logo and titles by T.Mikawa on the master tape case are reproduced in full.\u003cbr\u003e\u003cbr\u003eThe result is the fruit of early acoustic experimentation, including the destructive sounds of the self-made noise generator “The MIKAWA” and feedback from a Roland AF-100 BeeBaa and crystal microphone, improvisation with an electric guitar, and striking sounds that give the impression of expansiveness and pauses in sound, This work is the starting point of Incapacitants, who still continue to explore new horizons of noise.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Incapacitants\u003c\/p\u003e\n\u003cp\u003eLabel : Advaita Records\u003c\/p\u003e","published_at":"2025-04-11T13:09:45+09:00","created_at":"2025-04-11T11:18:34+09:00","vendor":"Tobira Records","type":"","tags":["advaita records","new","noise","recommended","tape"],"price":180000,"price_min":180000,"price_max":180000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47250506645754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Incapacitants \/\/ Peony Crackers TAPE","public_title":null,"options":["Default Title"],"price":180000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/peo1.jpg?v=1744337801"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/peo1.jpg?v=1744337801","options":["Title"],"media":[{"alt":null,"id":35868076114170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/peo1.jpg?v=1744337801"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/peo1.jpg?v=1744337801","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京のノイズ作家Incapacitants aka Toshiji Mikawaが、2025年3月に兵庫のノイズレーベルAdvaita Recordsからリリースした再発カセットです。(オリジナルは1983年リリース)\u003c\/p\u003e\n\u003cp\u003eハーシュノイズ8曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"全てはここから始まった...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1981年と1983年にT.Mikawaのレーベル Pariah Tapesが制作し、公には販売されずに友人のみが受けとることができた幻の作品「Eternal Paralysis」と「Peony Crackers」\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eオリジナルリリースと同様に赤紙と緑紙を使用し、マスターテープケースのT.Mikawa手書きのロゴとタイトルを完全再現しました。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e自作発信機「The MIKAWA」の破壊的な響き、Roland AF-100 BeeBaaとクリスタルマイクによるフィードバック、エレキギターによる即興演奏、音の広がりや音の間を感じさせる打撃音など初期の音響的な実験の成果が結実していて、今なおノイズの新たな地平を探求し続けるIncapacitantsの原点と言える作品です。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1331511969\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/advaita\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/advaita\"\u003ehere\u003c\/a\u003e to see more Advaita Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003cbr\u003eReissue - originally pressed in 1983. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Peony Crackers Pt.1 04:40\u003cbr\u003e2. Peony Crackers Pt.2 05:42\u003cbr\u003e3. Peony Crackers Pt.3 07:13\u003cbr\u003e4. Peony Crackers Pt.4 01:13\u003cbr\u003e5. Peony Crackers Pt.5 06:39\u003cbr\u003e6. Peony Crackers Pt.6 06:25\u003cbr\u003e7. Peony Crackers Pt.7 25:07\u003cbr\u003e8. Peony Crackers Pt.8 06:41\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAdvaita Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“'\u003cem\u003eEternal Paralysis' and 'Peony Crackers' is two fantastic works produced by T.Mikawa's Pariah Tapes label in 1981 and 1983, which were not sold publicly and only friends could receive them.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eThe red and green paper is used as in the original\u003cspan class=\"bcTruncateMore\"\u003e release, and the handwritten logo and titles by T.Mikawa on the master tape case are reproduced in full.\u003cbr\u003e\u003cbr\u003eThe result is the fruit of early acoustic experimentation, including the destructive sounds of the self-made noise generator “The MIKAWA” and feedback from a Roland AF-100 BeeBaa and crystal microphone, improvisation with an electric guitar, and striking sounds that give the impression of expansiveness and pauses in sound, This work is the starting point of Incapacitants, who still continue to explore new horizons of noise.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Incapacitants\u003c\/p\u003e\n\u003cp\u003eLabel : Advaita Records\u003c\/p\u003e"}
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東京のノイズ作家Incapacitants aka Toshiji Mikawaが、2025年3月に兵庫のノイズレーベルAdvaita Recordsからリリースした再発カセットです。(オリジナルは1983年リリース) ハーシュノイズ8曲を収録。廃盤です。 以下、レーベルによる解説です。 "全てはここから始まった... 1981年と1983年にT.Mikawaのレーベル Pariah Tapesが制作し、公には販売されずに友人のみが受けとることができた幻の作品「Eternal Paralysis」と「Peony Crackers」オリジナルリリースと同様に赤紙と緑紙を使用し、マスターテープケースのT.Mikawa手書きのロゴとタイトルを完全再現しました。 自作発信機「The...
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{"id":8762184532218,"title":"Incapacitants \/\/ Eternal Paralysis TAPE","handle":"incapacitants-eternal-paralysis-tape","description":"\u003cp\u003e東京のノイズ作家Incapacitants aka Toshiji Mikawaが、2025年3月に兵庫のノイズレーベルAdvaita Recordsからリリースした再発カセットです。(オリジナルは1981年リリース)\u003c\/p\u003e\n\u003cp\u003eハーシュノイズ3曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"全てはここから始まった...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1981年と1983年にT.Mikawaのレーベル Pariah Tapesが制作し、公には販売されずに友人のみが受けとることができた幻の作品「Eternal Paralysis」と「Peony Crackers」\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eオリジナルリリースと同様に赤紙と緑紙を使用し、マスターテープケースのT.Mikawa手書きのロゴとタイトルを完全再現しました。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e自作発信機「The MIKAWA」の破壊的な響き、Roland AF-100 BeeBaaとクリスタルマイクによるフィードバック、エレキギターによる即興演奏、音の広がりや音の間を感じさせる打撃音など初期の音響的な実験の成果が結実していて、今なおノイズの新たな地平を探求し続けるIncapacitantsの原点と言える作品です。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1444037999\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/advaita\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/advaita\"\u003ehere\u003c\/a\u003e to see more Advaita Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003cbr\u003eReissue - originally pressed in 1981. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Eternal Paralysis Pt.1 46:49\u003cbr\u003e2. Eternal Paralysis Pt.2 24:00\u003cbr\u003e3. Eternal Paralysis Pt.3 22:41\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAdvaita Records:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cspan\u003e\u003cem\u003eEternal Paralysis' and 'Peony Crackers' are two fantastic works produced by T.Mikawa's Pariah Tapes label in 1981 and 1983, which were not sold publicly and only friends could receive them.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eThe red and green paper is used as in the original\u003cspan class=\"bcTruncateMore\"\u003e release, and the handwritten logo and titles by T.Mikawa on the master tape case are reproduced in full.\u003cbr\u003e\u003cbr\u003eThe result is the fruit of early acoustic experimentation, including the destructive sounds of the self-made noise generator “The MIKAWA” and feedback from a Roland AF-100 BeeBaa and crystal microphone, improvisation with an electric guitar, and striking sounds that give the impression of expansiveness and pauses in sound, This work is the starting point of Incapacitants, who still continue to explore new horizons of noise.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Incapacitants\u003c\/p\u003e\n\u003cp\u003eLabel : Advaita Records\u003c\/p\u003e","published_at":"2025-04-11T13:11:33+09:00","created_at":"2025-04-11T11:15:46+09:00","vendor":"Tobira Records","type":"","tags":["advaita records","new","noise","recommended","tape"],"price":180000,"price_min":180000,"price_max":180000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47250500124922,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Incapacitants \/\/ Eternal Paralysis TAPE","public_title":null,"options":["Default Title"],"price":180000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/et1_85a84cb3-ad1f-4798-826b-9890a4f3dfe4.jpg?v=1744337649"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/et1_85a84cb3-ad1f-4798-826b-9890a4f3dfe4.jpg?v=1744337649","options":["Title"],"media":[{"alt":null,"id":35868067922170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/et1_85a84cb3-ad1f-4798-826b-9890a4f3dfe4.jpg?v=1744337649"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/et1_85a84cb3-ad1f-4798-826b-9890a4f3dfe4.jpg?v=1744337649","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京のノイズ作家Incapacitants aka Toshiji Mikawaが、2025年3月に兵庫のノイズレーベルAdvaita Recordsからリリースした再発カセットです。(オリジナルは1981年リリース)\u003c\/p\u003e\n\u003cp\u003eハーシュノイズ3曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"全てはここから始まった...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1981年と1983年にT.Mikawaのレーベル Pariah Tapesが制作し、公には販売されずに友人のみが受けとることができた幻の作品「Eternal Paralysis」と「Peony Crackers」\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eオリジナルリリースと同様に赤紙と緑紙を使用し、マスターテープケースのT.Mikawa手書きのロゴとタイトルを完全再現しました。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e自作発信機「The MIKAWA」の破壊的な響き、Roland AF-100 BeeBaaとクリスタルマイクによるフィードバック、エレキギターによる即興演奏、音の広がりや音の間を感じさせる打撃音など初期の音響的な実験の成果が結実していて、今なおノイズの新たな地平を探求し続けるIncapacitantsの原点と言える作品です。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1444037999\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/advaita\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/advaita\"\u003ehere\u003c\/a\u003e to see more Advaita Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003cbr\u003eReissue - originally pressed in 1981. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 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¥1,800

クイックビュー
{"id":8756606042362,"title":"Jérôme Noetinger \/\/ Intensior Corda Sonus CD","handle":"jerome-noetinger-intensior-corda-sonus-cd","description":"\u003cp\u003eフランスの実験音楽家Jérôme Noetingerが、2025年3月にイギリスの老舗実験レーベルChocolate MonkからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eエレクトロアコースティック10曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2523387899\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 4-panel digipack. \u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLes Objets Inaudibles (2018) - 1. L'Èmergence De La Cible\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e9:19\u003cbr\u003e2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLes Objets Inaudibles (2018) - 2. Audiofréquences\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:04\u003cbr\u003e3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLes Objets Inaudibles (2018) - 3. Le Maître Des Destinées\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:42\u003cbr\u003e4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLes Objets Inaudibles (2018) - 4. L'Incinérateur Des Objets\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:48\u003cbr\u003e5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eErase My Head (2019)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e30:00\u003cbr\u003e6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEloge Des Ruines (2020) - 1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:03\u003cbr\u003e7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEloge Des Ruines (2020) - 2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:00\u003cbr\u003e8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEloge Des Ruines (2020) - 3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:01\u003cbr\u003e9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEloge Des Ruines (2020) - 4\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:01\u003cbr\u003e10\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEloge Des Ruines (2020) - 5\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:03\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eIn 2019, I was invited by Dylan Nyoukis and Karen Constance to play at the Colour out of Space festival in Brighton. A unique moment of incongruous music in a friendly international gathering of freaks of all kinds. Unforgettable. I played a solo on Revox B77 and then Dylan asked me to do a CD for his Chocolate Monk label. After some thought, I decided to offer three compositions rather than try to reproduce the past moment of an improvised concert. I'm talking here about the composition of fixed sounds (to quote Michel Chion) or musique concrète to use Pierre Schaeffer's original terminology. I think I've spent more time in my life improvising than composing, and no one has ever reproached me for it.\u003cbr\u003eThe Latin title refers to the equivalence between the tension of a string and the elevation of the sound, but also to the link between the intensity of the lived and of the musical. Will the intensity of the former influence that of the latter? But it's also the tension on the trigger and the intensity of the reaction to it. The tension-release form is one of the most classic in musique concrète, and even more so since the advent of computer-assisted music. In Les objets inaudibles [2018], I decided to politicise this form, to create a struggle between these elements. In Erase my head [2019], it is the accumulation, erasure and diversion of random fragments that is at stake. Then in Eloge des ruines [2020], it's a return to the founding gesture of musique concrète, that of sampling existing material, in this case records from my personal record library.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jérôme Noetinger\u003c\/p\u003e\n\u003cp\u003eLabel : Chocolate Monk\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003echoc.655\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-04T15:26:55+09:00","created_at":"2025-04-04T09:58:02+09:00","vendor":"Tobira Records","type":"","tags":["cd","chocolate monk","drone","monooto","new","noise"],"price":259400,"price_min":259400,"price_max":259400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47236346151162,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jérôme Noetinger \/\/ Intensior Corda Sonus CD","public_title":null,"options":["Default Title"],"price":259400,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/noe1.jpg?v=1743728134"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/noe1.jpg?v=1743728134","options":["Title"],"media":[{"alt":null,"id":35832980570362,"position":1,"preview_image":{"aspect_ratio":1.0,"height":480,"width":480,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/noe1.jpg?v=1743728134"},"aspect_ratio":1.0,"height":480,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/noe1.jpg?v=1743728134","width":480}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの実験音楽家Jérôme Noetingerが、2025年3月にイギリスの老舗実験レーベルChocolate MonkからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eエレクトロアコースティック10曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2523387899\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 4-panel digipack. \u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLes Objets Inaudibles (2018) - 1. L'Èmergence De La Cible\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e9:19\u003cbr\u003e2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLes Objets Inaudibles (2018) - 2. Audiofréquences\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:04\u003cbr\u003e3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLes Objets Inaudibles (2018) - 3. Le Maître Des Destinées\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:42\u003cbr\u003e4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLes Objets Inaudibles (2018) - 4. L'Incinérateur Des Objets\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:48\u003cbr\u003e5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eErase My Head (2019)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e30:00\u003cbr\u003e6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEloge Des Ruines (2020) - 1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:03\u003cbr\u003e7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEloge Des Ruines (2020) - 2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:00\u003cbr\u003e8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEloge Des Ruines (2020) - 3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:01\u003cbr\u003e9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEloge Des Ruines (2020) - 4\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:01\u003cbr\u003e10\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEloge Des Ruines (2020) - 5\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:03\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eIn 2019, I was invited by Dylan Nyoukis and Karen Constance to play at the Colour out of Space festival in Brighton. A unique moment of incongruous music in a friendly international gathering of freaks of all kinds. Unforgettable. I played a solo on Revox B77 and then Dylan asked me to do a CD for his Chocolate Monk label. After some thought, I decided to offer three compositions rather than try to reproduce the past moment of an improvised concert. I'm talking here about the composition of fixed sounds (to quote Michel Chion) or musique concrète to use Pierre Schaeffer's original terminology. I think I've spent more time in my life improvising than composing, and no one has ever reproached me for it.\u003cbr\u003eThe Latin title refers to the equivalence between the tension of a string and the elevation of the sound, but also to the link between the intensity of the lived and of the musical. Will the intensity of the former influence that of the latter? But it's also the tension on the trigger and the intensity of the reaction to it. The tension-release form is one of the most classic in musique concrète, and even more so since the advent of computer-assisted music. In Les objets inaudibles [2018], I decided to politicise this form, to create a struggle between these elements. In Erase my head [2019], it is the accumulation, erasure and diversion of random fragments that is at stake. Then in Eloge des ruines [2020], it's a return to the founding gesture of musique concrète, that of sampling existing material, in this case records from my personal record library.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jérôme Noetinger\u003c\/p\u003e\n\u003cp\u003eLabel : Chocolate Monk\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003echoc.655\u003c\/span\u003e\u003c\/p\u003e"}
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フランスの実験音楽家Jérôme Noetingerが、2025年3月にイギリスの老舗実験レーベルChocolate MonkからリリースしたCDです。 エレクトロアコースティック10曲を収録。デジパック、シュリンク仕様です。 -------------------------------------------------- CD in 4-panel digipack. Edition of 150. Tracklist: 1 ...
¥2,594

クイックビュー
{"id":8756601880826,"title":"Erica Dawn Lyle \/\/ Colonial Motels TAPE","handle":"erica-dawn-lyle-colonial-motels-tape-1","description":"\u003cp\u003eアメリカ・NYのギタリストErica Dawn Lyleが、2024年6月にNYの実験/ジャズレーベルNotice Recordingsから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eギターによるインプロ一発録り2曲を収録。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGrant Richardsonが担当しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3701119101\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003ehere\u003c\/a\u003e to see more Notice Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. \u003cbr\u003eEdition of 100.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Colonial Motels Part I 17:03\u003cbr\u003e2. Colonial Motels Part II 15:48\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNotice Recordings:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eErica Dawn Lyle has been described by Pitchfork as a “punk hero,” which, though true, feels like an insufficiently specific term to describe her multifaceted presence and work. Colonial Motels is in fact rawly personal, a ladder out of an abyss of mourning as well as a determination to persevere and connect. Playing less but achieving more, this album captures the engaging intensity and directness that defines Lyle’s art, performance, and activism.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePart I builds on patient looping and guitar body play, then gradually disintegrates into a gale of analog and digital noise stabbed with howling guitar calls. A blaring coda strips the electric guitar down to the primes before an abrupt end. Part II starts intense and cathartic, and stays that way, a heavily textured sonic wall which slowly undulates like an animated topographical map simultaneously receding and growing.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe pieces seem to encourage a listening level that could be described as provocative, and Lyle’s guitar contains elements of squallish noise, employing to its advantage the overload of all apparatuses involved. But it also contains a masterful degree of space in which to catch the hypnotic repetition of desert blues, subtly weird pedal experimentation, unselfconscious playfulness\u003cspan class=\"bcTruncateMore\"\u003e, and aural hallucinations. Astonishingly, these pieces feel meditatively paced even as they reach peak intensity, enabling the listener to briefly rest in contemplation while in the eye of a storm about which most guitarists can only cower or fantasize.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Erica Dawn Lyle\u003c\/p\u003e\n\u003cp\u003eLabel : Notice Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : NTR086\u003c\/p\u003e","published_at":"2025-04-04T14:09:37+09:00","created_at":"2025-04-04T09:48:28+09:00","vendor":"Tobira Records","type":"","tags":["new","noise","notice recordings","tape"],"price":199800,"price_min":199800,"price_max":199800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47236339859706,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Erica Dawn Lyle \/\/ Colonial Motels TAPE","public_title":null,"options":["Default Title"],"price":199800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/col1_1cc5ae21-fda4-471c-9720-48d690474737.jpg?v=1743727651","\/\/tobirarecords.com\/cdn\/shop\/files\/col2_03b2bdc8-1e30-4a60-ba30-d62cebee679e.jpg?v=1743727651"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/col1_1cc5ae21-fda4-471c-9720-48d690474737.jpg?v=1743727651","options":["Title"],"media":[{"alt":null,"id":35832973263098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/col1_1cc5ae21-fda4-471c-9720-48d690474737.jpg?v=1743727651"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/col1_1cc5ae21-fda4-471c-9720-48d690474737.jpg?v=1743727651","width":700},{"alt":null,"id":35832973295866,"position":2,"preview_image":{"aspect_ratio":0.8,"height":1200,"width":960,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/col2_03b2bdc8-1e30-4a60-ba30-d62cebee679e.jpg?v=1743727651"},"aspect_ratio":0.8,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/col2_03b2bdc8-1e30-4a60-ba30-d62cebee679e.jpg?v=1743727651","width":960}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのギタリストErica Dawn Lyleが、2024年6月にNYの実験/ジャズレーベルNotice Recordingsから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eギターによるインプロ一発録り2曲を収録。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGrant Richardsonが担当しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3701119101\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003ehere\u003c\/a\u003e to see more Notice Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. \u003cbr\u003eEdition of 100.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Colonial Motels Part I 17:03\u003cbr\u003e2. Colonial Motels Part II 15:48\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNotice Recordings:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eErica Dawn Lyle has been described by Pitchfork as a “punk hero,” which, though true, feels like an insufficiently specific term to describe her multifaceted presence and work. Colonial Motels is in fact rawly personal, a ladder out of an abyss of mourning as well as a determination to persevere and connect. Playing less but achieving more, this album captures the engaging intensity and directness that defines Lyle’s art, performance, and activism.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePart I builds on patient looping and guitar body play, then gradually disintegrates into a gale of analog and digital noise stabbed with howling guitar calls. A blaring coda strips the electric guitar down to the primes before an abrupt end. 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Astonishingly, these pieces feel meditatively paced even as they reach peak intensity, enabling the listener to briefly rest in contemplation while in the eye of a storm about which most guitarists can only cower or fantasize.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Erica Dawn Lyle\u003c\/p\u003e\n\u003cp\u003eLabel : Notice Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : NTR086\u003c\/p\u003e"}
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