Various Artists (Kinky Musik Institute) // Early Kinky Works 1983-1988 2xCD

Various Artists (Kinky Musik Institute) // Early Kinky Works 1983-1988 2xCD

¥3,788

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静岡のノイズ作家K2が、2025年10月にアメリカ・NYのノイズレーベルNew Forcesからリリースした2枚組CDです。

コンピレーションのように見えますが、全てK2自身が1983-1988年に制作したハーシュノイズ〜テクノ〜パワーエレクトロニクス〜ポストパンク20曲を収録。デジパック、シュリンク仕様です。

レーベルその他作品はこちら /// Click here to see more New Forces releases available at Tobira.

--------------------------------------------

CD in digipack.
'Compilation album' featuring the various musical aliases of Japanese noise legend Kimihide Kusafuka.

Tracklist:

1. Papa's Murder - Venus Is Forced To Be Naked 05:11
2. Techno Menses - Dark Disco 04:14
3. K2 - Cthulhu Module #6 07:12
4. The Bikini Pigs - Wet Soap 07:00
5. Gewaltische Anus - Psychic Blues #1 03:44
6. Yuji Asakura - Pornosonic Action 01:51
7. Sakashima-No-Labia - Seite; Oral Mollusk Excitement 09:42
8. The Bikini Pigs - Man With Ugly Talks 06:30
9. Lemon Negative - Live At TMDU, 102283 05:04
10. The Immunes - Bilitis On The Tree 07:01
11. Apnea - Voices From Nowhere 02:19
12. K2 - Cthulhu Module #1 10:54
13. Gewaltische Anus - Psychic Blues #3 07:10
14. Techno Menses - Alice In The Land Of Malice 05:27
15. Yuji Asakura - Topless Noise 04:20
16. K2 With The Immunes - Dysmenorrhea 07:21
17. Hospital In Vain - Kimigayo-A-Go-Go 05:20
18. The Bikini Pigs - Boys Be Underground! 07:30
19. Lemon Negative - Live At MJD, 061583 05:12
20. Apnea - Marginalia 03:55

New Forces:

"The ultimate statement from Japanese noise legend Kimihide Kusafuka. A "fake compilation" of tracks recorded under various aliases, originally issued by his Kinky Musik Institute label in 1993. Noise, power-electronics, techno, post-punk, psychedelia... Kusafuka does it all on this compilation. A work of unbounded creativity and a key document of the Japanese cassette underground.

"This is a fake compilation. All pieces in this product were composed and recorded during 1983 to 1988, under the name of 'Kinky Tape Collection,' the preexisting, underground mail art & music project. This is a fake compilation. If you think almost all of this product is of only one personality, you're RIGHT!!! So this is the greatest deception! Thanks. By K. Kusafuka.""

Artist : Kimihide Kusafuka/'Various'

Label : New Forces

Quantity

+ -

静岡のノイズ作家K2が、2025年10月にアメリカ・NYのノイズレーベルNew Forcesからリリースした2枚組CDです。

レーベルその他作品はこちら /// Click here to see more New Forces releases available at Tobira.

--------------------------------------------

CD in digipack.
'Compilation album' featuring the various musical aliases of Japanese noise legend Kimihide Kusafuka.

Tracklist:

New Forces:

Artist : Kimihide Kusafuka/'Various'

Label : New Forces

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Its instruments and dances are very different from most other Japanese traditions.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eGagaku has four main kinds: bugaku (dances, including those from the continent), kangen (an instrumental ensemble), kuniburi-no-utamai (old songs and dances from Japan), and utamono (vocal music from the Heian period). Among these, kangen is rare in Japan: it\u003cspan class=\"bcTruncateMore\"\u003e is a full orchestra made only of instruments. Most other Japanese music centers on singing. When there is instrumental playing, it is often in small groups or as support for theater and dance. Kangen stands apart.\u003cbr\u003eThe kangen ensemble is called “three winds, two strings, three drums.” The winds are shō, hichiriki (double-reed), and ryūteki (transverse flute). The strings are biwa and so (zither). The drums are kakko, taiko, and shōko (gong). The hichiriki and ryūteki carry the melody. The shō wraps them in chords. The string parts frame the rhythm. Kishun plays only shō and biwa, both in classic pieces and in improvisation.\u003cbr\u003eThe shō is a free-reed mouth organ with 17 bamboo pipes of different lengths and pitches. Each pipe has a small metal reed. In the classic style, players do not use tonguing. They shape phrases with breath. The shō is not loud. In ensemble it plays long, steady chords called aitake. These chords color the melody and show the center of the mode (scale).\u003cbr\u003e\u003cbr\u003eThe gaku-biwa is a lute. Today it has four strings and four frets, and is played with a plectrum. Its back is flat and the body is shallow. Its sound is strong at the start, then fades quickly, with almost no ring. For this reason, the biwa speaks more in rhythm than in harmony.\u003cbr\u003ekishun leaves out the melody instruments of kangen. They focus on the shō, which builds a field of sound through aitake chords, and the biwa, which draws the rhythm. This is their experiment: to bring forward the voices that hide behind the melody. With the skill of two masters, they reach this goal. Sounds that the full gagaku ensemble often covers without notice step into the foreground and speak to us in a fresh, striking way.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : kishun\u003c\/p\u003e\n\u003cp\u003eLabel : ato.archives\u003c\/p\u003e\n\u003cp\u003ecat no : ata016\u003c\/p\u003e","published_at":"2025-10-24T10:53:43+09:00","created_at":"2025-10-24T10:42:27+09:00","vendor":"Tobira Records","type":"","tags":["ambient","asia","ato.archives","field recording","new","tape"],"price":200000,"price_min":200000,"price_max":200000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47858038571258,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"kishun \/\/ 古界｜ Kokai TAPE","public_title":null,"options":["Default Title"],"price":200000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kok1_821b459b-2f7b-4585-b5b1-fdd0e59b1c9e.jpg?v=1761270060","\/\/tobirarecords.com\/cdn\/shop\/files\/kok2_cff3090f-16fd-48bd-affd-3ebd662deb67.jpg?v=1761270059"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kok1_821b459b-2f7b-4585-b5b1-fdd0e59b1c9e.jpg?v=1761270060","options":["Title"],"media":[{"alt":null,"id":37227570823418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kok1_821b459b-2f7b-4585-b5b1-fdd0e59b1c9e.jpg?v=1761270060"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kok1_821b459b-2f7b-4585-b5b1-fdd0e59b1c9e.jpg?v=1761270060","width":700},{"alt":null,"id":37227570856186,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kok2_cff3090f-16fd-48bd-affd-3ebd662deb67.jpg?v=1761270059"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kok2_cff3090f-16fd-48bd-affd-3ebd662deb67.jpg?v=1761270059","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本の和楽器デュオkishunが、2025年10月に東京のato.archivesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e笙と楽琵琶による和ンビエントドローン〜インプロ9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2185967599\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/atoa\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/atoa\"\u003ehere\u003c\/a\u003e to see more ato.archives releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e壹越調調子と撥合\u003c\/span\u003e Ichikotsucho Choshi and Bachiawase 03:07\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e壹越調\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e春鶯囀遊聲\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e Ichikotsucho Shnnouden no Yusei 03:38\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e平調\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e陪臚\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e Hyojo Bairo 04:36\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e太食調\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e仙遊霞\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e Taishikicho Sen\u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e’\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eyug 06:06\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e即興\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e I Improvisation I 02:40\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e盤渉調調子と撥合\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e Banshikicho Choshi and Bachiawase 03:52\u003cbr\u003e\u003c\/span\u003e7. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e盤渉調\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e青海波\u003c\/span\u003e Banshikicho Choshi and Bachiawa 08:32\u003cbr\u003e8. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e太食調\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e合歓塩\u003c\/span\u003e Taishikicho Gakkaen 08:05\u003cbr\u003e9. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e即興\u003c\/span\u003e II Improvisation II 02:12\u003c\/p\u003e\n\u003cp\u003eato.archivses:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ekishun is a duo: ISHIKAWA Ko, player of the shō (mouth-organ), and NAKAMURA Kahoru, player of the gaku-biwa (Japanese court lute). Since 2015 they have used only shō and biwa. Their idea is to bring out the hidden sound in what they call “gagaku without melody.”\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eGagaku is the ancient court music of Japan. It is more than a thousand years old. In the Heian period, nobles gathered old songs and dances from Japan and pieces that had come from Korea and China between the 5th and 9th centuries, and shaped them into one art. As gagaku took root in Japan, it was arranged and rebuilt. The form we hear today is unique to Japan. By the Heian era, it was already close to its present shape. Gagaku lives in two worlds: as court music at the Imperial Palace, and as sacred music for rites and festivals at temples and shrines. Because of this history, it was kept by nobles and professional musicians, away from the taste of ordinary people. Its instruments and dances are very different from most other Japanese traditions.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eGagaku has four main kinds: bugaku (dances, including those from the continent), kangen (an instrumental ensemble), kuniburi-no-utamai (old songs and dances from Japan), and utamono (vocal music from the Heian period). Among these, kangen is rare in Japan: it\u003cspan class=\"bcTruncateMore\"\u003e is a full orchestra made only of instruments. Most other Japanese music centers on singing. When there is instrumental playing, it is often in small groups or as support for theater and dance. Kangen stands apart.\u003cbr\u003eThe kangen ensemble is called “three winds, two strings, three drums.” The winds are shō, hichiriki (double-reed), and ryūteki (transverse flute). The strings are biwa and so (zither). The drums are kakko, taiko, and shōko (gong). The hichiriki and ryūteki carry the melody. The shō wraps them in chords. The string parts frame the rhythm. Kishun plays only shō and biwa, both in classic pieces and in improvisation.\u003cbr\u003eThe shō is a free-reed mouth organ with 17 bamboo pipes of different lengths and pitches. Each pipe has a small metal reed. In the classic style, players do not use tonguing. They shape phrases with breath. The shō is not loud. In ensemble it plays long, steady chords called aitake. These chords color the melody and show the center of the mode (scale).\u003cbr\u003e\u003cbr\u003eThe gaku-biwa is a lute. Today it has four strings and four frets, and is played with a plectrum. Its back is flat and the body is shallow. Its sound is strong at the start, then fades quickly, with almost no ring. For this reason, the biwa speaks more in rhythm than in harmony.\u003cbr\u003ekishun leaves out the melody instruments of kangen. They focus on the shō, which builds a field of sound through aitake chords, and the biwa, which draws the rhythm. This is their experiment: to bring forward the voices that hide behind the melody. With the skill of two masters, they reach this goal. Sounds that the full gagaku ensemble often covers without notice step into the foreground and speak to us in a fresh, striking way.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : kishun\u003c\/p\u003e\n\u003cp\u003eLabel : ato.archives\u003c\/p\u003e\n\u003cp\u003ecat no : ata016\u003c\/p\u003e"}