クイックビュー
{"id":8884443611386,"title":"Capricorni Pneumatici \/\/ Über Artaud LP","handle":"capricorni-pneumatici-uber-artaud-lp","description":"\u003cp\u003e1980年代から人知れず活動しているイタリアの謎集団Capricorni Pneumaticiが、2025年8月にミラノの実験レーベル\u003cspan\u003eVasopressinから150枚限定でリリースした再発レコードです。(オリジナルは1988年にカセットリリース)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLo-Fiアンビエントドローン〜コラージュ・スポークンワード5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"謎めいたイタリアの集団Capricorni Pneumaticiの失われた作品『Über Artaud』が、40年の時を経てついに完成した。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e1947年に検閲されたアントナン(Antonin Artaud)のラジオ作品 \"Pour En finir avec le Jugement de Dieu \"の電子音響化として1987年に構想されたこのミステリアスなプロジェクトは、象徴的なヤマハDX7シンセサイザーを介したFMシンセシスThrobbing GristleやNurse With Woundのようなダークで儀式的なサウンドスケープを創り出す。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e知られざるイタリアのアウトサイダー・アートや呪われた音楽の謎の領域が広がる中Capricorni PneumaticiによるÜber Artaudの復活ほど説得力のある発見は少ない。その最初の構想から40年近くを経て、この作品は完全にリマスターされたLP、そして初めて、\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eVasopressinを介した決定的かつ完全な形で帰ってきた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCapricorni Pneumaticiは、80年代後半にイタリアのアンダーグラウンドシーンで最もミステリアスでとらえどころのないプロジェクトである。彼らが、音楽とサウンドの秘教的で儀式的な意味合いの研究に没頭していたこと以外、この集団についてはほとんど知られていない。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/3hx9xYIgpuY?si=YR4wL73bqq3_FUj8\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eReissue - all music composed and played by Capricorni Pneumatici in Nov-Dec 1987.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAll narrating voices, drums and xilophones played by A. Artaud were taken from a radiophonic broadcast recorded on the 28th November 1947.\u003cbr\u003eEdition of 150. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVasopressin:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"After forty years, the enigmatic Italian collective \u003cspan class=\"il\"\u003eCapricorni\u003c\/span\u003e \u003cbr\u003e\u003cspan class=\"il\"\u003ePneumatici\u003c\/span\u003e's lost opus, \u003cspan class=\"il\"\u003eÜber\u003c\/span\u003e \u003cspan class=\"il\"\u003eArtaud\u003c\/span\u003e, finally emerges complete. \u003cbr\u003eOriginally conceived in 1987 as an electronic sonorization of Antonin \u003cbr\u003e\u003cspan class=\"il\"\u003eArtaud\u003c\/span\u003e's censored 1947 radio work \"Pour En finir avec le Jugement de \u003cbr\u003eDieu\", this mysterious project showcases masterful use of FM synthesis \u003cbr\u003evia the iconic Yamaha DX7 synthesizer, creating dark ritualistic \u003cbr\u003esoundscapes akin to Throbbing Gristle and Nurse With Wound.\u003cbr\u003e\u003cbr\u003eIn the widening realms of uncovered Italian outsider art and cursed \u003cbr\u003emusical enigmas, few discoveries prove as compelling as the resurgence \u003cbr\u003eof \u003cspan class=\"il\"\u003eÜber\u003c\/span\u003e \u003cspan class=\"il\"\u003eArtaud\u003c\/span\u003e by \u003cspan class=\"il\"\u003eCapricorni\u003c\/span\u003e \u003cspan class=\"il\"\u003ePneumatici\u003c\/span\u003e. After nearly four decades from \u003cbr\u003eits original conception, this work returns in a completely remastered LP \u003cbr\u003eedition and, for the first time, in its definitive and complete form via \u003cbr\u003eVasopressin. \u003cspan class=\"il\"\u003eCapricorni\u003c\/span\u003e \u003cspan class=\"il\"\u003ePneumatici\u003c\/span\u003e emerged from the Italian underground \u003cbr\u003eduring the late '80s as one of the most mysterious and elusive projects \u003cbr\u003eof the era. Little is known about the collective beyond their dedication \u003cbr\u003eto researching the esoteric and ritual implications of music and sounds. \u003cbr\u003eThe name itself, derived from Aleister Crowley's work, hints at the \u003cbr\u003eradical and visionary approach that would define their influential \u003cbr\u003eexistence, evolving from acoustic\/concrete music toward the darker \u003cbr\u003eterritories of electronic manipulation. Composed between November and \u003cbr\u003eDecember 1987, \u003cspan class=\"il\"\u003eÜber\u003c\/span\u003e \u003cspan class=\"il\"\u003eArtaud\u003c\/span\u003e was born from a temporally charged \u003cbr\u003ecoincidence: exactly forty years after Antonin \u003cspan class=\"il\"\u003eArtaud\u003c\/span\u003e's apocalyptic \u003cbr\u003eradio work Pour En finir avec le Jugement de Dieu (November 28, 1947) \u003cbr\u003ewas censored and never aired due to its blasphemous content and violent \u003cbr\u003ecritique of Western civilization. This piece, featuring \u003cspan class=\"il\"\u003eArtaud\u003c\/span\u003e alongside \u003cbr\u003eRoger Blin, Maria Casarès, and Paule Thévenin, represents one of the \u003cbr\u003emost radical expressions of his \"Theater of Cruelty\" philosophy.\u003cbr\u003e\u003cbr\u003eThe album demonstrates an extraordinary mastery of FM synthesis, \u003cbr\u003eextracting from the Yamaha DX7 a universe of complex timbres and \u003cbr\u003eintricate stratifications. While Brian Eno had explored the DX7's \u003cbr\u003eambient potential, \u003cspan class=\"il\"\u003eCapricorni\u003c\/span\u003e \u003cspan class=\"il\"\u003ePneumatici\u003c\/span\u003e pushed the instrument into \u003cbr\u003edarker, ritualistic territories, creating dense harmonic layers that \u003cbr\u003erecall Nurse With Wound's industrial atmospheres and Throbbing Gristle's \u003cbr\u003emore experimental soundscapes. The connection to Throbbing Gristle is \u003cbr\u003eparticularly evident in the work's relationship to Derek Jarman's \u003cbr\u003ecinematic vision, where hypnotic electronic textures serve as \u003cbr\u003eaccompaniment to alchemical and ritualistic imagery, much like their \u003cbr\u003esoundtrack work for In The Shadow of the Sun (1981). Like Genesis \u003cbr\u003eP-Orridge and Chris Carter's approach to creating transformative sonic \u003cbr\u003eenvironments, \u003cspan class=\"il\"\u003eCapricorni\u003c\/span\u003e \u003cspan class=\"il\"\u003ePneumatici\u003c\/span\u003e's electronic manipulations function \u003cbr\u003eas both artistic statement and esoteric ritual. The original cassette \u003cbr\u003eedition of \u003cspan class=\"il\"\u003eÜber\u003c\/span\u003e \u003cspan class=\"il\"\u003eArtaud\u003c\/span\u003e was produced in an extremely limited edition \u003cbr\u003ethrough underground channels but remained incomplete, lacking the \u003cbr\u003esonorization of \u003cspan class=\"il\"\u003eArtaud\u003c\/span\u003e's final \"Conclusion\" section. After almost forty \u003cbr\u003eyears, the work finally finds completion with an additional track, \u003cbr\u003erecorded in 2024, that blends seamlessly with the original material.\u003cbr\u003e\u003cbr\u003eThis new LP edition was sourced from the original tapes, remastered by \u003cbr\u003e\u003cspan class=\"il\"\u003eCapricorni\u003c\/span\u003e Penumatici, and optimized for vinyl pressing by Andrea \u003cbr\u003eMarutti. Coming as a black vinyl housed in a poly-lined sleeve, released \u003cbr\u003ein an limited edition of 150 copies, \u003cspan class=\"il\"\u003eÜber\u003c\/span\u003e \u003cspan class=\"il\"\u003eArtaud\u003c\/span\u003e transforms \u003cspan class=\"il\"\u003eArtaud\u003c\/span\u003e's \u003cbr\u003ecensored radio work into a revelatory aural experience, connecting the \u003cbr\u003eprophetic vision with the dark electronic sensibility of the Italian \u003cbr\u003eunderground.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eIntroduction\u003cbr\u003e2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eTutuguri (Le Rite Du Soleil Noir)\u003cbr\u003e3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLa Recherche De La Fécalité\u003cbr\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e4 \u003c\/span\u003eLa Question Se Pose De...\u003cbr\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e5 \u003c\/span\u003eConclusion\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Capricorni Pneumatici \u003c\/p\u003e\n\u003cp\u003eLabel : Vasopressin\u003c\/p\u003e\n\u003cp\u003ecat no : VSP002\u003c\/p\u003e","published_at":"2025-08-15T10:25:14+09:00","created_at":"2025-08-10T12:53:26+09:00","vendor":"Tobira Records","type":"","tags":["ambient","blume","contemporary \/ sound poetry","drone","lp","new","strange beats"],"price":456700,"price_min":456700,"price_max":456700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47600832217338,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Capricorni Pneumatici \/\/ Über Artaud LP","public_title":null,"options":["Default Title"],"price":456700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cap1_3a4803ef-0c4d-46fe-a671-02b15af99f82.jpg?v=1754798033"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cap1_3a4803ef-0c4d-46fe-a671-02b15af99f82.jpg?v=1754798033","options":["Title"],"media":[{"alt":null,"id":36515977724154,"position":1,"preview_image":{"aspect_ratio":1.0,"height":628,"width":628,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cap1_3a4803ef-0c4d-46fe-a671-02b15af99f82.jpg?v=1754798033"},"aspect_ratio":1.0,"height":628,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cap1_3a4803ef-0c4d-46fe-a671-02b15af99f82.jpg?v=1754798033","width":628}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1980年代から人知れず活動しているイタリアの謎集団Capricorni Pneumaticiが、2025年8月にミラノの実験レーベル\u003cspan\u003eVasopressinから150枚限定でリリースした再発レコードです。(オリジナルは1988年にカセットリリース)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLo-Fiアンビエントドローン〜コラージュ・スポークンワード5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"謎めいたイタリアの集団Capricorni Pneumaticiの失われた作品『Über Artaud』が、40年の時を経てついに完成した。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e1947年に検閲されたアントナン(Antonin Artaud)のラジオ作品 \"Pour En finir avec le Jugement de Dieu \"の電子音響化として1987年に構想されたこのミステリアスなプロジェクトは、象徴的なヤマハDX7シンセサイザーを介したFMシンセシスThrobbing GristleやNurse With Woundのようなダークで儀式的なサウンドスケープを創り出す。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e知られざるイタリアのアウトサイダー・アートや呪われた音楽の謎の領域が広がる中Capricorni PneumaticiによるÜber Artaudの復活ほど説得力のある発見は少ない。その最初の構想から40年近くを経て、この作品は完全にリマスターされたLP、そして初めて、\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eVasopressinを介した決定的かつ完全な形で帰ってきた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCapricorni Pneumaticiは、80年代後半にイタリアのアンダーグラウンドシーンで最もミステリアスでとらえどころのないプロジェクトである。彼らが、音楽とサウンドの秘教的で儀式的な意味合いの研究に没頭していたこと以外、この集団についてはほとんど知られていない。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/3hx9xYIgpuY?si=YR4wL73bqq3_FUj8\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eReissue - all music composed and played by Capricorni Pneumatici in Nov-Dec 1987.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAll narrating voices, drums and xilophones played by A. Artaud were taken from a radiophonic broadcast recorded on the 28th November 1947.\u003cbr\u003eEdition of 150. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVasopressin:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"After forty years, the enigmatic Italian collective \u003cspan class=\"il\"\u003eCapricorni\u003c\/span\u003e \u003cbr\u003e\u003cspan class=\"il\"\u003ePneumatici\u003c\/span\u003e's lost opus, \u003cspan class=\"il\"\u003eÜber\u003c\/span\u003e \u003cspan class=\"il\"\u003eArtaud\u003c\/span\u003e, finally emerges complete. \u003cbr\u003eOriginally conceived in 1987 as an electronic sonorization of Antonin \u003cbr\u003e\u003cspan class=\"il\"\u003eArtaud\u003c\/span\u003e's censored 1947 radio work \"Pour En finir avec le Jugement de \u003cbr\u003eDieu\", this mysterious project showcases masterful use of FM synthesis \u003cbr\u003evia the iconic Yamaha DX7 synthesizer, creating dark ritualistic \u003cbr\u003esoundscapes akin to Throbbing Gristle and Nurse With Wound.\u003cbr\u003e\u003cbr\u003eIn the widening realms of uncovered Italian outsider art and cursed \u003cbr\u003emusical enigmas, few discoveries prove as compelling as the resurgence \u003cbr\u003eof \u003cspan class=\"il\"\u003eÜber\u003c\/span\u003e \u003cspan class=\"il\"\u003eArtaud\u003c\/span\u003e by \u003cspan class=\"il\"\u003eCapricorni\u003c\/span\u003e \u003cspan class=\"il\"\u003ePneumatici\u003c\/span\u003e. After nearly four decades from \u003cbr\u003eits original conception, this work returns in a completely remastered LP \u003cbr\u003eedition and, for the first time, in its definitive and complete form via \u003cbr\u003eVasopressin. \u003cspan class=\"il\"\u003eCapricorni\u003c\/span\u003e \u003cspan class=\"il\"\u003ePneumatici\u003c\/span\u003e emerged from the Italian underground \u003cbr\u003eduring the late '80s as one of the most mysterious and elusive projects \u003cbr\u003eof the era. Little is known about the collective beyond their dedication \u003cbr\u003eto researching the esoteric and ritual implications of music and sounds. \u003cbr\u003eThe name itself, derived from Aleister Crowley's work, hints at the \u003cbr\u003eradical and visionary approach that would define their influential \u003cbr\u003eexistence, evolving from acoustic\/concrete music toward the darker \u003cbr\u003eterritories of electronic manipulation. Composed between November and \u003cbr\u003eDecember 1987, \u003cspan class=\"il\"\u003eÜber\u003c\/span\u003e \u003cspan class=\"il\"\u003eArtaud\u003c\/span\u003e was born from a temporally charged \u003cbr\u003ecoincidence: exactly forty years after Antonin \u003cspan class=\"il\"\u003eArtaud\u003c\/span\u003e's apocalyptic \u003cbr\u003eradio work Pour En finir avec le Jugement de Dieu (November 28, 1947) \u003cbr\u003ewas censored and never aired due to its blasphemous content and violent \u003cbr\u003ecritique of Western civilization. This piece, featuring \u003cspan class=\"il\"\u003eArtaud\u003c\/span\u003e alongside \u003cbr\u003eRoger Blin, Maria Casarès, and Paule Thévenin, represents one of the \u003cbr\u003emost radical expressions of his \"Theater of Cruelty\" philosophy.\u003cbr\u003e\u003cbr\u003eThe album demonstrates an extraordinary mastery of FM synthesis, \u003cbr\u003eextracting from the Yamaha DX7 a universe of complex timbres and \u003cbr\u003eintricate stratifications. While Brian Eno had explored the DX7's \u003cbr\u003eambient potential, \u003cspan class=\"il\"\u003eCapricorni\u003c\/span\u003e \u003cspan class=\"il\"\u003ePneumatici\u003c\/span\u003e pushed the instrument into \u003cbr\u003edarker, ritualistic territories, creating dense harmonic layers that \u003cbr\u003erecall Nurse With Wound's industrial atmospheres and Throbbing Gristle's \u003cbr\u003emore experimental soundscapes. The connection to Throbbing Gristle is \u003cbr\u003eparticularly evident in the work's relationship to Derek Jarman's \u003cbr\u003ecinematic vision, where hypnotic electronic textures serve as \u003cbr\u003eaccompaniment to alchemical and ritualistic imagery, much like their \u003cbr\u003esoundtrack work for In The Shadow of the Sun (1981). Like Genesis \u003cbr\u003eP-Orridge and Chris Carter's approach to creating transformative sonic \u003cbr\u003eenvironments, \u003cspan class=\"il\"\u003eCapricorni\u003c\/span\u003e \u003cspan class=\"il\"\u003ePneumatici\u003c\/span\u003e's electronic manipulations function \u003cbr\u003eas both artistic statement and esoteric ritual. The original cassette \u003cbr\u003eedition of \u003cspan class=\"il\"\u003eÜber\u003c\/span\u003e \u003cspan class=\"il\"\u003eArtaud\u003c\/span\u003e was produced in an extremely limited edition \u003cbr\u003ethrough underground channels but remained incomplete, lacking the \u003cbr\u003esonorization of \u003cspan class=\"il\"\u003eArtaud\u003c\/span\u003e's final \"Conclusion\" section. After almost forty \u003cbr\u003eyears, the work finally finds completion with an additional track, \u003cbr\u003erecorded in 2024, that blends seamlessly with the original material.\u003cbr\u003e\u003cbr\u003eThis new LP edition was sourced from the original tapes, remastered by \u003cbr\u003e\u003cspan class=\"il\"\u003eCapricorni\u003c\/span\u003e Penumatici, and optimized for vinyl pressing by Andrea \u003cbr\u003eMarutti. Coming as a black vinyl housed in a poly-lined sleeve, released \u003cbr\u003ein an limited edition of 150 copies, \u003cspan class=\"il\"\u003eÜber\u003c\/span\u003e \u003cspan class=\"il\"\u003eArtaud\u003c\/span\u003e transforms \u003cspan class=\"il\"\u003eArtaud\u003c\/span\u003e's \u003cbr\u003ecensored radio work into a revelatory aural experience, connecting the \u003cbr\u003eprophetic vision with the dark electronic sensibility of the Italian \u003cbr\u003eunderground.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eIntroduction\u003cbr\u003e2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eTutuguri (Le Rite Du Soleil Noir)\u003cbr\u003e3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLa Recherche De La Fécalité\u003cbr\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e4 \u003c\/span\u003eLa Question Se Pose De...\u003cbr\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e5 \u003c\/span\u003eConclusion\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Capricorni Pneumatici \u003c\/p\u003e\n\u003cp\u003eLabel : Vasopressin\u003c\/p\u003e\n\u003cp\u003ecat no : VSP002\u003c\/p\u003e"}