Michael Scott Dawson // Nowhere, Middle of LP

Michael Scott Dawson // Nowhere, Middle of LP

¥3,650

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カナダのアンビエント作家Michael Scott Dawsonが、2020年に同国トロントのオールジャンルレーベルWe Are Busy Bodiesから300部限定でリリースしたデビューレコードです。

エレキギターによる柔らかいアンビエント〜アンビエントドローン9曲を収録。DLコード付属。

Old SawやBlue Diversファンの方におすすめします。

レーベルその他作品はこちら /// Click here to see more We Are Busy Bodies releases available at Tobira.

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Includes DL code. Edition of 300. 12" black vinyl.

We Are Busy Bodies:

"Nowhere, Middle of is the debut solo LP by Michael Scott Dawson. The ambient album is built on soft, generative tones accompanied by recordings of old guitars, bicycles, cassettes, synths, public art and pianos.

In late 2017 Dawson suffered an unexpected bout of vertigo. For the better part of 18 months the thought of working on music felt impossible. Some days just the thought of listening to music felt impossible. As the symptoms started to recede, he rediscovered a love for close listening. Before long he had set up a makeshift studio at home and started work on what would become Nowhere, Middle of. Reflecting on the project, Dawson states “I knew I wanted to rely as much on scotch tape as a computer.”

As recording neared completion Dawson turned to a new source of inspiration. Rereading Oliver Sack’s Gratitude and a road trip to Canyonlands with his wife led him to revisiting the mixes with a renewed focus on quiet, space, and patience."

Artist : Michael Scott Dawson

Label : We Are Busy Bodies

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エレキギターによる柔らかいアンビエント〜アンビエントドローン9曲を収録。DLコード付属。

Old SawやBlue Diversファンの方におすすめします。

レーベルその他作品はこちら /// Click here to see more We Are Busy Bodies releases available at Tobira.

----------------------

Includes DL code. Edition of 300. 12" black vinyl.

We Are Busy Bodies:

Artist : Michael Scott Dawson

Label : We Are Busy Bodies

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Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Petroglyph Park 01:51\u003cbr\u003e2. Far Speak 04:02\u003cbr\u003e3. Black Faun Fragment 02:01\u003cbr\u003e4. Roman Concrete 05:00\u003cbr\u003e5. Two Out Of Ten Thousand 02:21\u003cbr\u003e6. No Division Between Sayings 04:34\u003cbr\u003e7. Partial Power 05:23\u003cbr\u003e8. Morning i el-Bahnasa 02:46\u003cbr\u003e9. Dru 03:06\u003cbr\u003e10. Channel Ridge 04:00\u003cbr\u003e11. White Faun Fragment 02:03\u003cbr\u003e12. Split Foot 04:20\u003cbr\u003e13. Holy To Dogs 05:36\u003cbr\u003e14. Study For A Sacred Vehicle 04:50\u003cbr\u003e15. P. 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What would such things be? Orrpictured a shrine of objects not valued by the world; garbage, refuse, decay, the discarded. Things forgotten or only half-remembered, like the rusted bones of ancient cities or the clips of dead media entombed on his\u003cspan class=\"bcTruncateMore\"\u003e hard drive.\u003cbr\u003e\u003cbr\u003e'Holy to Dogs' charts a weaving course through this narcoleptic vision, from the bright epiphany of 'Petroglyph Park' to the blackened repetition of 'Roman Concrete' the eerie momentum of 'Split Foot,' and the rhythmic hypnosis of 'Far Speak'; each track building on the last in a series of audio snapshots of lost worlds, forgotten rituals, and discarded histories.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : MIDI Janitor\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWABB-196\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-11-13T13:13:51+09:00","created_at":"2024-11-13T12:50:44+09:00","vendor":"Tobira Records","type":"","tags":["house","lp","new","we are busy bodies"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46854323011834,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"MIDI Janitor \/\/ Holy To Dogs LP","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457194069","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_4ce33847-23c3-4169-9798-ba48b06c3c99.jpg?v=1731469754","\/\/tobirarecords.com\/cdn\/shop\/files\/ho2_80bb97f0-5b52-489c-bc3e-5b6dd3948feb.jpg?v=1731469754"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_4ce33847-23c3-4169-9798-ba48b06c3c99.jpg?v=1731469754","options":["Title"],"media":[{"alt":null,"id":35181699760378,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_4ce33847-23c3-4169-9798-ba48b06c3c99.jpg?v=1731469754"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_4ce33847-23c3-4169-9798-ba48b06c3c99.jpg?v=1731469754","width":700},{"alt":null,"id":35181699793146,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho2_80bb97f0-5b52-489c-bc3e-5b6dd3948feb.jpg?v=1731469754"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho2_80bb97f0-5b52-489c-bc3e-5b6dd3948feb.jpg?v=1731469754","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・バンクーバーのIDM作家MIDI Janitorが、2024年12月に同国トロントのオールジャンルレーベルWe Are Busy Bodiesから300部限定でリリースする再発レコードです。（オリジナルは2023年にカセットリリース）\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e道端のゴミ箱で見つけたMIDIコントローラーと、古めかしいメディア（90年代のサンプラーCDや80年代のVHSドキュメンタリー映画、70年代の学生映画）からかき集めた素材で構築したLo-Fi IDM〜ダウンテンポ〜エレクトロニカ15曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4014908864\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3999641412\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4014908864\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=453378537\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4014908864\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4014908864\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1988251344\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Petroglyph Park 01:51\u003cbr\u003e2. Far Speak 04:02\u003cbr\u003e3. Black Faun Fragment 02:01\u003cbr\u003e4. Roman Concrete 05:00\u003cbr\u003e5. Two Out Of Ten Thousand 02:21\u003cbr\u003e6. No Division Between Sayings 04:34\u003cbr\u003e7. Partial Power 05:23\u003cbr\u003e8. Morning i el-Bahnasa 02:46\u003cbr\u003e9. Dru 03:06\u003cbr\u003e10. Channel Ridge 04:00\u003cbr\u003e11. White Faun Fragment 02:03\u003cbr\u003e12. Split Foot 04:20\u003cbr\u003e13. Holy To Dogs 05:36\u003cbr\u003e14. Study For A Sacred Vehicle 04:50\u003cbr\u003e15. P. Oxy 655 03:22\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWe Are Busy Bodies:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eUsing only a scavenged MIDI keyboard and sounds plundered from a wide swath of archaic media (90's sampler CDs, 80s VHS docs, 70s student films) musician Jonathan Orr creates startlingly accomplished slabs of thick, lo-fi electro that shimmer and pounce like nothing else on the Vancouver scene.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs on his previous release (2023's 'Bulk Order') the spiritual template here is the early unreleased tapes of Scotland's Boards of Canada, particularly the twin holy grails of 'A Few Old Tunes Vol 1 \u0026amp; Il', but this time around things feel noticeably weirder and more destabilized, as if that template were cracking apart under the weight of older, less definable influences.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe title of the album is taken from the Gospel According to Thomas: \"Give not that which is holy to dogs, in case they throw it onto the dunghill.\" Reading the text on the verge of sleep, Orr had mistakenly understood it as pertaining not to 'holy things,' but instead to things which were specifically 'holy to dogs. What would such things be? Orrpictured a shrine of objects not valued by the world; garbage, refuse, decay, the discarded. Things forgotten or only half-remembered, like the rusted bones of ancient cities or the clips of dead media entombed on his\u003cspan class=\"bcTruncateMore\"\u003e hard drive.\u003cbr\u003e\u003cbr\u003e'Holy to Dogs' charts a weaving course through this narcoleptic vision, from the bright epiphany of 'Petroglyph Park' to the blackened repetition of 'Roman Concrete' the eerie momentum of 'Split Foot,' and the rhythmic hypnosis of 'Far Speak'; each track building on the last in a series of audio snapshots of lost worlds, forgotten rituals, and discarded histories.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : MIDI Janitor\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWABB-196\u003c\/span\u003e\u003c\/p\u003e"}

カナダ・バンクーバーのIDM作家MIDI Janitorが、2024年12月に同国トロントのオールジャンルレーベルWe Are Busy Bodiesから300部限定でリリースする再発レコードです。（オリジナルは2023年にカセットリリース）道端のゴミ箱で見つけたMIDIコントローラーと、古めかしいメディア（90年代のサンプラーCDや80年代のVHSドキュメンタリー映画、70年代の学生映画）からかき集めた素材で構築したLo-Fi IDM〜ダウンテンポ〜エレクトロニカ15曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませレーベルその他作品はこちら /// Click here to see more We Are...

¥3,990

クイックビュー {"id":8663886364922,"title":"Electric Taal Band \/\/ S\/T LP","handle":"electric-taal-band-s-t-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※12月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eカナダ・トロントのエセ民族音楽家Electric Taal Bandが、2024年9月に同国トロントのオールジャンルレーベルWe Are Busy Bodiesからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e打ち込みエキゾチック・ダブ〜ストレンジビーツ10曲を収録。\u003c\/p\u003e\n\u003cp\u003eインドに行ったことがない方が作るインドカレーを食べているような感覚です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Electric Taal Bandは、コヴィッドの大流行、ひとりで仕事をする必要性、そしていくつかの偶然から生まれたプロジェクトだった。リトル・インディアのジェラード・ストリート・イーストにあるボリウッド・ミュージック・センターで、パンジャブ語のレコードが箱売りされているのを偶然見つけた。UKバングラ以外のパンジャブ音楽にはあまり馴染みがなかったが、思い切ってレコードを買ってみたらとても気に入った。レコードを研究し、楽器店の隣にあったカラ・ケンダールという楽器を売っている店でトゥンビを買った。トゥンビはYoutubeの動画とレコードの音をコピーして覚えた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私は2019年後半にテープ録音からレコードをカッティングする、オールアナログのレコードレーベル「Local Dish」を始めていたが、パンデミックが始まるとすぐにペースを変えなければならなかった。私は、ほとんど自分ひとりで音楽を制作し、長年かけて作った録音を扱うことにシフトし直した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e何年もの間、私は電子タブラマシーンやシュルティ・ボックスに興味を持っていたが、どこかでヴィンテージのアナログレーデルマシーンを知るようになり、それらは私が必死に探していた機材のひとつのカテゴリーとなった。2020年のクリスマス、私はパートナーから、偶然にも地元のKijijiで見つけたヴィンテージのTaalmalaをプレゼントされた。それから1週間、私は1日1曲ずつ制作し、タールマラのサウンドをベースにしたミニマルなエレクトロニック・スタイルの中で、これまで聴いて勉強してきたパンジャビ民族のスタイルで作曲を試みた。私はこれらを、70年代から80年代にかけてインドで一般的にリリースされていた「Super-7」フォーマットにインスパイアされた4トラックのEPにまとめた。このレコードをリリースするつもりはなかった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私はこの頃、トロントのターニング・ポイント・パーティーのDJ、サイモン・ワーウィックに新曲のデモディスクをよく渡していた。私がプロデュースした他の曲と一緒にSuper-7のレコードの1枚を投げたら、彼はそれを聴いて気に入り、出したいと言ってくれた。そのEPをリリースするために、彼はターニング・ポイント・レコードというレーベルを作り、それが驚くほど「ヒット」した。私たちは100枚以上をカットし、彼のレーベルからのリリースが増え、ローカル・ディッシュのリリースにも注目が集まるようになった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eやがて私は、ヴィンテージのレーデル・タロメーターと電子タンプラの両方を、クラシファイドを通じて現地で入手し、それらの音をレコーディングにも取り入れる実験をした。基本的なアイデアは、練習用に設計され、技術的な制約のために独自の素晴らしいサウンドを持つこれらの機械を、インド音楽に応用することだった。私が録音やビデオで聴いたこれらのマシンは、抽象的なエレクトロニクスの文脈でしか使われていなかった。主な意図は、トロント近郊の南アジアのミュージシャンやヴォーカリストとのコラボレーションでこれらのサウンドを使用することであり、現在もそうである。しかし、このアルバムは、ツールの気軽な探求と実験の両方から生まれたものであり、また、当時のパンデミック規制のために直接コラボレーションすることができなかったものでもある。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=377638308\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Billy Bombay 03:36\u003cbr\u003e2. Capt. Molo 02:25\u003cbr\u003e3. Keher Taal Dub 04:38\u003cbr\u003e4. Three Taals 02:42\u003cbr\u003e5. 506 02:53\u003cbr\u003e6. P. Augustine 02:41\u003cbr\u003e7. Electro Garba 04:07\u003cbr\u003e8. Bongo Shamshad 04:45\u003cbr\u003e9. Bhamra 02:53\u003cbr\u003e10. Four Taals 05:23\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eElectric Taal Band was a project that came out of the Covid pandemic, a necessity to work alone and some happenstance. I had stumbled on a box of Punjabi records for sale at Bollywood Music Center on Gerrard St. East in Little India -- a store where I had been buying hindi film records for years. I wasn't too familiar with Punjabi music beyond UK Bhangra, took a chance and loved the records; over some time I bought every Punjabi record in the store. I studied the records and bought a tumbi from Kala Kendar, a shop next to the music store that sold instruments. I learned the tumbi from Youtube videos and copying the sounds on the records.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI had started my all-analog record label Local Dish, cutting vinyl records from tape recordings in late 2019 and quickly had to change pace when the pandemic began. I shifted back to producing music mostly on my own and working with recordings I had made over the years.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFor years I had been interested in electronic tabla machines and shruti boxes -- somewhere along the way I became aware of vintage analog Radel machines and they became the one category of gear I was desperate to find. In Christmas of 2020 I received from my partner a gift of a vintage Taalmala that was by coincidence\u003cspan class=\"bcTruncateMore\"\u003e found locally on Kijiji. Over the next week I produced one track a day, experimenting with composing music in the Punjabi folk-styles I had listened to and studied in the context of a minimal electronic style based on the sounds of the Taalmala. I compiled these into a 4-track EP inspired by the \"Super-7\" format that was commonly released in India in the 70s and 80s; usually 4-6 tracks running at 33 rpm of regional folk, religious and popular music. I cut 5 copies and had no intent to release the record.\u003cbr\u003e\u003cbr\u003eI had commonly at this time given demo discs of new tracks to Symon Warwick, the DJ behind the Turning Point party in Toronto to listen to and perhaps play out. I threw one of the Super-7 records in with some others I had produced and when he heard it, he loved it and wanted to put it out. To release the EP he created a label, Turning Point records and it was surprise \"hit\". We cut over 100 copies and it led to more releases on his label as well as more attention to Local Dish releases.\u003cbr\u003e\u003cbr\u003eOver time I acquired both a vintage Radel Talometer and electronic Tanpura locally via classifieds and experimented with integrating their sounds into the recordings as well. The basic idea was to take these machines designed for practice, which had their own incredible sound due to technological limitations and apply them to Indian music. Everything I had heard of these machines in recordings and videos only used them in an abstract electronic context. The main intent was and still is to use these sounds in collaboration with South Asian musicians and vocalists in the Toronto area, but this album came from both casual exploration and experimentation with the tools, as well as an inability to collaborate in-person due to pandemic restrictions at the time.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Electric Taal Band\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWABB-186\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-11-13T13:56:41+09:00","created_at":"2024-11-13T12:42:23+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","lp","new","strange beats","we are busy bodies"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46854296699130,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Electric Taal Band \/\/ S\/T LP","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457182196","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/el1_cdf0eb47-fa6e-45ac-9e53-4b959c9561ba.jpg?v=1731469238","\/\/tobirarecords.com\/cdn\/shop\/files\/el2_5f901285-f8f3-48e1-8957-1881fb68379e.jpg?v=1731469238"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_cdf0eb47-fa6e-45ac-9e53-4b959c9561ba.jpg?v=1731469238","options":["Title"],"media":[{"alt":null,"id":35181684326650,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_cdf0eb47-fa6e-45ac-9e53-4b959c9561ba.jpg?v=1731469238"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_cdf0eb47-fa6e-45ac-9e53-4b959c9561ba.jpg?v=1731469238","width":700},{"alt":null,"id":35181684359418,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el2_5f901285-f8f3-48e1-8957-1881fb68379e.jpg?v=1731469238"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el2_5f901285-f8f3-48e1-8957-1881fb68379e.jpg?v=1731469238","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※12月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eカナダ・トロントのエセ民族音楽家Electric Taal Bandが、2024年9月に同国トロントのオールジャンルレーベルWe Are Busy Bodiesからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e打ち込みエキゾチック・ダブ〜ストレンジビーツ10曲を収録。\u003c\/p\u003e\n\u003cp\u003eインドに行ったことがない方が作るインドカレーを食べているような感覚です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Electric Taal Bandは、コヴィッドの大流行、ひとりで仕事をする必要性、そしていくつかの偶然から生まれたプロジェクトだった。リトル・インディアのジェラード・ストリート・イーストにあるボリウッド・ミュージック・センターで、パンジャブ語のレコードが箱売りされているのを偶然見つけた。UKバングラ以外のパンジャブ音楽にはあまり馴染みがなかったが、思い切ってレコードを買ってみたらとても気に入った。レコードを研究し、楽器店の隣にあったカラ・ケンダールという楽器を売っている店でトゥンビを買った。トゥンビはYoutubeの動画とレコードの音をコピーして覚えた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私は2019年後半にテープ録音からレコードをカッティングする、オールアナログのレコードレーベル「Local Dish」を始めていたが、パンデミックが始まるとすぐにペースを変えなければならなかった。私は、ほとんど自分ひとりで音楽を制作し、長年かけて作った録音を扱うことにシフトし直した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e何年もの間、私は電子タブラマシーンやシュルティ・ボックスに興味を持っていたが、どこかでヴィンテージのアナログレーデルマシーンを知るようになり、それらは私が必死に探していた機材のひとつのカテゴリーとなった。2020年のクリスマス、私はパートナーから、偶然にも地元のKijijiで見つけたヴィンテージのTaalmalaをプレゼントされた。それから1週間、私は1日1曲ずつ制作し、タールマラのサウンドをベースにしたミニマルなエレクトロニック・スタイルの中で、これまで聴いて勉強してきたパンジャビ民族のスタイルで作曲を試みた。私はこれらを、70年代から80年代にかけてインドで一般的にリリースされていた「Super-7」フォーマットにインスパイアされた4トラックのEPにまとめた。このレコードをリリースするつもりはなかった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私はこの頃、トロントのターニング・ポイント・パーティーのDJ、サイモン・ワーウィックに新曲のデモディスクをよく渡していた。私がプロデュースした他の曲と一緒にSuper-7のレコードの1枚を投げたら、彼はそれを聴いて気に入り、出したいと言ってくれた。そのEPをリリースするために、彼はターニング・ポイント・レコードというレーベルを作り、それが驚くほど「ヒット」した。私たちは100枚以上をカットし、彼のレーベルからのリリースが増え、ローカル・ディッシュのリリースにも注目が集まるようになった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eやがて私は、ヴィンテージのレーデル・タロメーターと電子タンプラの両方を、クラシファイドを通じて現地で入手し、それらの音をレコーディングにも取り入れる実験をした。基本的なアイデアは、練習用に設計され、技術的な制約のために独自の素晴らしいサウンドを持つこれらの機械を、インド音楽に応用することだった。私が録音やビデオで聴いたこれらのマシンは、抽象的なエレクトロニクスの文脈でしか使われていなかった。主な意図は、トロント近郊の南アジアのミュージシャンやヴォーカリストとのコラボレーションでこれらのサウンドを使用することであり、現在もそうである。しかし、このアルバムは、ツールの気軽な探求と実験の両方から生まれたものであり、また、当時のパンデミック規制のために直接コラボレーションすることができなかったものでもある。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=377638308\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Billy Bombay 03:36\u003cbr\u003e2. Capt. Molo 02:25\u003cbr\u003e3. Keher Taal Dub 04:38\u003cbr\u003e4. Three Taals 02:42\u003cbr\u003e5. 506 02:53\u003cbr\u003e6. P. Augustine 02:41\u003cbr\u003e7. Electro Garba 04:07\u003cbr\u003e8. Bongo Shamshad 04:45\u003cbr\u003e9. Bhamra 02:53\u003cbr\u003e10. Four Taals 05:23\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eElectric Taal Band was a project that came out of the Covid pandemic, a necessity to work alone and some happenstance. I had stumbled on a box of Punjabi records for sale at Bollywood Music Center on Gerrard St. East in Little India -- a store where I had been buying hindi film records for years. I wasn't too familiar with Punjabi music beyond UK Bhangra, took a chance and loved the records; over some time I bought every Punjabi record in the store. I studied the records and bought a tumbi from Kala Kendar, a shop next to the music store that sold instruments. I learned the tumbi from Youtube videos and copying the sounds on the records.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI had started my all-analog record label Local Dish, cutting vinyl records from tape recordings in late 2019 and quickly had to change pace when the pandemic began. I shifted back to producing music mostly on my own and working with recordings I had made over the years.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFor years I had been interested in electronic tabla machines and shruti boxes -- somewhere along the way I became aware of vintage analog Radel machines and they became the one category of gear I was desperate to find. In Christmas of 2020 I received from my partner a gift of a vintage Taalmala that was by coincidence\u003cspan class=\"bcTruncateMore\"\u003e found locally on Kijiji. Over the next week I produced one track a day, experimenting with composing music in the Punjabi folk-styles I had listened to and studied in the context of a minimal electronic style based on the sounds of the Taalmala. I compiled these into a 4-track EP inspired by the \"Super-7\" format that was commonly released in India in the 70s and 80s; usually 4-6 tracks running at 33 rpm of regional folk, religious and popular music. I cut 5 copies and had no intent to release the record.\u003cbr\u003e\u003cbr\u003eI had commonly at this time given demo discs of new tracks to Symon Warwick, the DJ behind the Turning Point party in Toronto to listen to and perhaps play out. I threw one of the Super-7 records in with some others I had produced and when he heard it, he loved it and wanted to put it out. To release the EP he created a label, Turning Point records and it was surprise \"hit\". We cut over 100 copies and it led to more releases on his label as well as more attention to Local Dish releases.\u003cbr\u003e\u003cbr\u003eOver time I acquired both a vintage Radel Talometer and electronic Tanpura locally via classifieds and experimented with integrating their sounds into the recordings as well. The basic idea was to take these machines designed for practice, which had their own incredible sound due to technological limitations and apply them to Indian music. Everything I had heard of these machines in recordings and videos only used them in an abstract electronic context. The main intent was and still is to use these sounds in collaboration with South Asian musicians and vocalists in the Toronto area, but this album came from both casual exploration and experimentation with the tools, as well as an inability to collaborate in-person due to pandemic restrictions at the time.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Electric Taal Band\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWABB-186\u003c\/span\u003e\u003c\/p\u003e"}