Jogging House // When LP [COLOR]

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当店おなじみドイツ・フランクフルトのアンビエントレーベルSeil Records主宰Jogging Houseが、2019年にベルギーのアンビエントレーベルdauwから200枚限定でリリースしたレコードです。

清涼感のあるシンセアンビエント9曲を収録。180g重量クリア盤です。DLコード付属。

レーベルその他作品はこちら /// Click here to see more Dauw releases available at Tobira.

----------------------------------

Includes DL code. Edition of 200. 12" CLEAR vinyl.

Tracklist:

Traverse
Stairs
Current
Fires
Rust
Breaks
Wounds
There

artist : Jogging House

label : dauw

Quantity

+ -

清涼感のあるシンセアンビエント9曲を収録。180g重量クリア盤です。DLコード付属。

レーベルその他作品はこちら /// Click here to see more Dauw releases available at Tobira.

----------------------------------

Includes DL code. Edition of 200. 12" CLEAR vinyl.

Tracklist:

Traverse
Stairs
Current
Fires
Rust
Breaks
Wounds
There

artist : Jogging House

label : dauw

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クイックビュー {"id":8723302842618,"title":"zakè, From Overseas, City of Dawn \/\/ Certain Path CD","handle":"zake-from-overseas-city-of-dawn-certain-path-cd","description":"\u003cp\u003eアメリカのアンビエント作家zakèとFrom Overseas、City of Dawnが、2024年12月にzakè\u003cspan\u003e主宰レーベル\u003c\/span\u003e\u003cspan\u003eZakè Drone Recordingsから200部限定で\u003c\/span\u003e\u003cspan\u003eリリースした共作CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eメランコリックなネオクラシカル・アンビエント〜アンビエントドローン7曲を収録。4面デジパック、シュリンク仕様です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=419276354\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1192579297\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=419276354\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2327390795\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pitp\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pitp\"\u003ehere\u003c\/a\u003e to see more Past Inside The Present releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. CD in 4 panel digipack. Edition of 200.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Where Time Slows Down 03:15\u003cbr\u003e2. Certain Path 03:51\u003cbr\u003e3. Avec l'aide de Vincent 13:12\u003cbr\u003e4. Âmes Sœurs 05:04\u003cbr\u003e5. Solemnity (Revisited) 08:08\u003cbr\u003e6. We Will Find Our Way 03:30\u003cbr\u003e7. I Saw You At Night 02:58\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eZakè Drone Recordings:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"As the coda to a busy and dynamic year, Zakè Drone Recordings is pleased to bring you Certain Path, a collection of piano-centric pieces by friends and frequent collaborators zakè (Zach Frizzell), From Overseas (Kévin Sery), and City of Dawn (Damien Duque). It is an album intended for quiet spaces, deep breaths, and hibernation stillness; across its seven movements, softened and gently treated keys provide compelling motifs, while undercurrents of shifting drone provide a meditative, melancholic universe in which the listener may find license to escape gravity.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile many works by the trio slowly seep into the subconscious, the opening piece, “Where Time Slows Down”, offers an immediate statement of intent: tender in its approach, there is nonetheless a richness of heart-rending beauty and intrigue. Its initial piano loop eases into subtle variations, as Séry’s signature guitar textures waft across the backdrop, tethered by a kitestring to the billowing chords. “Certain Path” is an ode to Frizzell’s wife and raison d’être, who has been an essential inspiration for his prolific contributions to the ambient realm – both as creator and curator – over the past decade. Its delicate theme brims with affection, a memento mori representing any precious instance that might illuminate the gifts of companionship.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn discussing their compositional process, the artists note that Certain Path grew almost exclusively from nocturnal recording sessions, giving it a comforting, shadowy aura, vignetted by the starry-skied unknown. Spiritually akin in many ways to their standout LP, A Sorrow Unrequited (2021), Frizzell and Duque shared piano duties, each beginning with improvisation until arriving at a promising arrangement. At that point, melodies were developed and refined, and passed to Séry, who employed his complex array of pedals and software to add depth, dimension, and dynamics. In various places we also hear the echoes of nebulous field recordings and the grain of analogue tape treatments, each of which adorns the work with poignant detail.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Avec l'aide de Vincent”, the album’s longest entry, pays tribute to a long-time friend and mentor of Frizzell. Its deliberate, dulcet piano phrases fall around patient pauses, as each chord creates a further tilt of the low light, while each silence captures an eternity waiting at the edges. Séry’s guitars gradually swell to their greatest heights throughout the midsection, at times blurring with the softened attack of the piano felt, blanketing any distinctness along the horizon line with impressionistic, faded pastels.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe serene sway of “Âmes Sœurs” conveys striking beauty in its stripped-back simplicity, using only a four-chord phrase, wisping drone, lonely strings, and distant rustle to achieve grace. “Solemnity”, by contrast, rolls on an ECM-adjacent piano cycle that works with its own internal logic, but offers a degree of unsettled mystery unique to the suite. A slight dissonance, gossamer howl, and weathered crackle combine to create the curious feeling of hearing the beloved LP of a long-passed loved one in a forgotten room of their home.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA final pairing of miniatures, “We Will Find Our Way” and “I Saw You At Night”, brings clear tonality and cautious hope to the album’s somber realm; both are absent of bombast or fanfare, instead invoking a finespun fade into deepest darkness. Where sometimes in these shadows, we might see only omens of finality, Frizzell, Duque, and Sery show us the potential for light to flood back in; resolve is dependent on the love we carry, and Certain Path stands as a reminder that no one of us walks alone.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : zakè, From Overseas, City of Dawn\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eZakè Drone Recordings (Past Inside The Present)\u003c\/p\u003e\n\u003cp\u003eCAT no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eZD-037\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-02-15T09:55:51+09:00","created_at":"2025-02-14T12:23:01+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","neo classical","new","Past Inside The Present"],"price":228500,"price_min":228500,"price_max":228500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47127617339642,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"zakè, From Overseas, City of Dawn \/\/ Certain Path CD","public_title":null,"options":["Default Title"],"price":228500,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_6dea4d71-d648-4dc0-88c5-8773563291f2.jpg?v=1739503273","\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_aafb67f2-eebf-46d7-8189-7814c5e07b9c.jpg?v=1739503273"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_6dea4d71-d648-4dc0-88c5-8773563291f2.jpg?v=1739503273","options":["Title"],"media":[{"alt":null,"id":35569731928314,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_6dea4d71-d648-4dc0-88c5-8773563291f2.jpg?v=1739503273"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_6dea4d71-d648-4dc0-88c5-8773563291f2.jpg?v=1739503273","width":700},{"alt":null,"id":35569731961082,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_aafb67f2-eebf-46d7-8189-7814c5e07b9c.jpg?v=1739503273"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_aafb67f2-eebf-46d7-8189-7814c5e07b9c.jpg?v=1739503273","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのアンビエント作家zakèとFrom Overseas、City of Dawnが、2024年12月にzakè\u003cspan\u003e主宰レーベル\u003c\/span\u003e\u003cspan\u003eZakè Drone Recordingsから200部限定で\u003c\/span\u003e\u003cspan\u003eリリースした共作CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eメランコリックなネオクラシカル・アンビエント〜アンビエントドローン7曲を収録。4面デジパック、シュリンク仕様です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=419276354\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1192579297\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=419276354\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2327390795\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pitp\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pitp\"\u003ehere\u003c\/a\u003e to see more Past Inside The Present releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. CD in 4 panel digipack. Edition of 200.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Where Time Slows Down 03:15\u003cbr\u003e2. Certain Path 03:51\u003cbr\u003e3. Avec l'aide de Vincent 13:12\u003cbr\u003e4. Âmes Sœurs 05:04\u003cbr\u003e5. Solemnity (Revisited) 08:08\u003cbr\u003e6. We Will Find Our Way 03:30\u003cbr\u003e7. I Saw You At Night 02:58\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eZakè Drone Recordings:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"As the coda to a busy and dynamic year, Zakè Drone Recordings is pleased to bring you Certain Path, a collection of piano-centric pieces by friends and frequent collaborators zakè (Zach Frizzell), From Overseas (Kévin Sery), and City of Dawn (Damien Duque). It is an album intended for quiet spaces, deep breaths, and hibernation stillness; across its seven movements, softened and gently treated keys provide compelling motifs, while undercurrents of shifting drone provide a meditative, melancholic universe in which the listener may find license to escape gravity.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile many works by the trio slowly seep into the subconscious, the opening piece, “Where Time Slows Down”, offers an immediate statement of intent: tender in its approach, there is nonetheless a richness of heart-rending beauty and intrigue. Its initial piano loop eases into subtle variations, as Séry’s signature guitar textures waft across the backdrop, tethered by a kitestring to the billowing chords. “Certain Path” is an ode to Frizzell’s wife and raison d’être, who has been an essential inspiration for his prolific contributions to the ambient realm – both as creator and curator – over the past decade. Its delicate theme brims with affection, a memento mori representing any precious instance that might illuminate the gifts of companionship.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn discussing their compositional process, the artists note that Certain Path grew almost exclusively from nocturnal recording sessions, giving it a comforting, shadowy aura, vignetted by the starry-skied unknown. Spiritually akin in many ways to their standout LP, A Sorrow Unrequited (2021), Frizzell and Duque shared piano duties, each beginning with improvisation until arriving at a promising arrangement. At that point, melodies were developed and refined, and passed to Séry, who employed his complex array of pedals and software to add depth, dimension, and dynamics. In various places we also hear the echoes of nebulous field recordings and the grain of analogue tape treatments, each of which adorns the work with poignant detail.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Avec l'aide de Vincent”, the album’s longest entry, pays tribute to a long-time friend and mentor of Frizzell. Its deliberate, dulcet piano phrases fall around patient pauses, as each chord creates a further tilt of the low light, while each silence captures an eternity waiting at the edges. Séry’s guitars gradually swell to their greatest heights throughout the midsection, at times blurring with the softened attack of the piano felt, blanketing any distinctness along the horizon line with impressionistic, faded pastels.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe serene sway of “Âmes Sœurs” conveys striking beauty in its stripped-back simplicity, using only a four-chord phrase, wisping drone, lonely strings, and distant rustle to achieve grace. “Solemnity”, by contrast, rolls on an ECM-adjacent piano cycle that works with its own internal logic, but offers a degree of unsettled mystery unique to the suite. A slight dissonance, gossamer howl, and weathered crackle combine to create the curious feeling of hearing the beloved LP of a long-passed loved one in a forgotten room of their home.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA final pairing of miniatures, “We Will Find Our Way” and “I Saw You At Night”, brings clear tonality and cautious hope to the album’s somber realm; both are absent of bombast or fanfare, instead invoking a finespun fade into deepest darkness. Where sometimes in these shadows, we might see only omens of finality, Frizzell, Duque, and Sery show us the potential for light to flood back in; resolve is dependent on the love we carry, and Certain Path stands as a reminder that no one of us walks alone.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : zakè, From Overseas, City of Dawn\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eZakè Drone Recordings (Past Inside The Present)\u003c\/p\u003e\n\u003cp\u003eCAT no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eZD-037\u003c\/span\u003e\u003c\/p\u003e"}

※当店限定販売です当店おなじみエストニア・タリンのマルチ奏者Misha Panfilov主宰レーベルMiraaž Records諸作を入荷しました。本作は、タリンのキーボード奏者Volodja Brodskyが、2025年2月に500部限定でリリースしたレコードです。ピアノとビブラフォンのみによる白昼夢ネオクラシカル・アンビエント〜牧歌ポストニューエイジ・アンビエント7曲を収録。180g重量盤です。インサートとDLコード付属。レコーディングとプロデュースはMisha Panfilovが担当しています。 Robert Haighが好きな方にオススメします。前作もオススメです。レーベルその他作品はこちら ///...

¥4,277

クイックビュー {"id":8716141428986,"title":"Lia Kohl \/\/ Too Small to be a Plain TAPE","handle":"lia-kohl-too-small-to-be-a-plain-tape","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eアメリカ・シカゴのチェロ奏者Lia Kohl\u003c\/span\u003eが、2022年に同国Shinkoyo\/Artist Poolからリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eチェロやシンセ、ラジオ、フィールドレコーディングを用いたアンビエント〜ネオクラシカル・アンビエント6曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3886033683\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3118017283\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3886033683\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFirst Picture of the Weather Pattern 03:47\u003c\/li\u003e\n\u003cli\u003e\"Join me, everybody\" 06:16\u003c\/li\u003e\n\u003cli\u003eMoon Bean 08:25\u003c\/li\u003e\n\u003cli\u003e\"Too small to be a plane\" 06:09\u003c\/li\u003e\n\u003cli\u003eSecond Picture of the Same Weather Pattern 03:34\u003c\/li\u003e\n\u003cli\u003e\"Delivered back to you, over and over again\" 05:23\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eShinkoyo\/Artist Pool: \u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e“I decided to treat my process like gathering tiny beach rocks -- nothing stands on its own initially but after a few months you find yourself with a collection,” says Chicago cellist, composer, and improviser Lia Kohl. She’s talking about beginning work on her album Too Small To Be A Plain, which began as experiments in creating small bits of music every day. For years, Kohl has worked in collaboration with artists, ensembles, and bands, either in projects of her own or lending her skill to others. Recently, though, she’s begun cultivating work in a solo capacity, spurred by the allure of continuous creation. “Every day I would go into my studio and make something,” she explains, “even if it was a one minute synth loop or a tiny cello improvisation.” The result is a surreal, moody assemblage incorporating cello, synthesizer, field recordings, and radio, a testament to both patient, layered building and tender attention to the people, instruments, and technology around us.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePart of Kohl’s process in making Too Small To Be A Plain is about being open to serendipity. Despite the collection’s apparent compositional tidiness, most of the sonic components are improvised. Oftentimes the artist will perform several spontaneous takes with similar ethos and then layer them on top of each\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eother. The culmination is often unexpected - see the third and longest composition on the album, “Moon Bean,” in which layers of woozy, sighing cello subtly metamorphose over organ-like drones -- its dream-like quality mirroring the hazy playfulness of light waltzing across a ceiling. “I’m often shocked at the way things interact,” she admits, “That my sense of time stays the same over several takes -- it often sounds like I'm intentionally playing with a previous take but I’m not.” Kohl pairs this openness with an acute compositional impulse, often taking months to curate and arrange her improvisations, an unusual but effective combination of intuition and perfectionism.\u003cbr\u003e\u003cbr\u003eKohl boasts an adventurous toolkit, even wielding technological limitations and idiosyncrasies to beguiling effect - for instance, the rigid rule-following of computers or a finicky old radio. Take the somnambulant slow-burner “Join Me, Everybody,” in which Kohl converts her cello pizzicatos to midi, and uses the imperfect translation. The cello becomes disorienting, but overtones transform into higher-register beeps and steady, low plucks become percussive guides. In using the radio as an instrument, Kohl allows the chance meetings of drones and pops in the airwaves to create a soundscape that she braids into her synths. The album’s first and fifth songs include these periodic bursts of orchestral radio static, like beautiful but disorienting transmissions from another world.\u003cbr\u003e\u003cbr\u003eField recordings are another serendipitous vehicle on Too Small To Be A Plain, one that places us in a space, somehow familiar, but just beyond geolocation. Though many of her found sounds draw the listener in -- birdsong, windchimes, the crackle of bread and the hum of conversation -- their apparent coziness remains just out of focus. There’s something surreal about the way Kohl presents these sounds, fuzzy versions of familiar places; a party? a sunny porch? We’re always cut off before we can look around and see where we are. In the album’s title track, two people whisper together over the hum of insects, hushed in the thrall of their whereabouts. Bringing us with them, they wonder about the crickets, the passing planes, and then get lost in a swell of sound.\u003cbr\u003e\u003cbr\u003eThroughout, Too Small To Be A Plain mingles the sounds of home, of recognizable music with the external, the unknown. For someone like Kohl who oftens responds to other players at a moment’s notice, her deft attention to detail and intricate symbiosis is easily witnessed. With outcomes as moving as Too Small To Be A Plain already in the wake, her path as a solo artist working in the thralls of wonder is assured.\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lia Kohl\u003c\/p\u003e\n\u003cp\u003eLabel : Shinkoyo\/Artist Pool\u003c\/p\u003e","published_at":"2025-02-07T14:35:52+09:00","created_at":"2025-02-07T12:45:26+09:00","vendor":"Tobira Records","type":"","tags":["ambient","neo classical","new","recommended","tape"],"price":227700,"price_min":227700,"price_max":227700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47108907106554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lia Kohl \/\/ Too Small to be a Plain TAPE","public_title":null,"options":["Default Title"],"price":227700,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pla1_c6d57c2e-f393-41a3-887f-0763b6e61ea6.jpg?v=1738899951","\/\/tobirarecords.com\/cdn\/shop\/files\/pla2_2667a8a7-4f13-4a6f-b53e-ba7cde9f8746.jpg?v=1738899951"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pla1_c6d57c2e-f393-41a3-887f-0763b6e61ea6.jpg?v=1738899951","options":["Title"],"media":[{"alt":null,"id":35527640219898,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pla1_c6d57c2e-f393-41a3-887f-0763b6e61ea6.jpg?v=1738899951"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pla1_c6d57c2e-f393-41a3-887f-0763b6e61ea6.jpg?v=1738899951","width":700},{"alt":null,"id":35527640252666,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pla2_2667a8a7-4f13-4a6f-b53e-ba7cde9f8746.jpg?v=1738899951"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pla2_2667a8a7-4f13-4a6f-b53e-ba7cde9f8746.jpg?v=1738899951","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eアメリカ・シカゴのチェロ奏者Lia Kohl\u003c\/span\u003eが、2022年に同国Shinkoyo\/Artist Poolからリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eチェロやシンセ、ラジオ、フィールドレコーディングを用いたアンビエント〜ネオクラシカル・アンビエント6曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3886033683\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3118017283\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3886033683\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFirst Picture of the Weather Pattern 03:47\u003c\/li\u003e\n\u003cli\u003e\"Join me, everybody\" 06:16\u003c\/li\u003e\n\u003cli\u003eMoon Bean 08:25\u003c\/li\u003e\n\u003cli\u003e\"Too small to be a plane\" 06:09\u003c\/li\u003e\n\u003cli\u003eSecond Picture of the Same Weather Pattern 03:34\u003c\/li\u003e\n\u003cli\u003e\"Delivered back to you, over and over again\" 05:23\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eShinkoyo\/Artist Pool: \u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e“I decided to treat my process like gathering tiny beach rocks -- nothing stands on its own initially but after a few months you find yourself with a collection,” says Chicago cellist, composer, and improviser Lia Kohl. She’s talking about beginning work on her album Too Small To Be A Plain, which began as experiments in creating small bits of music every day. For years, Kohl has worked in collaboration with artists, ensembles, and bands, either in projects of her own or lending her skill to others. Recently, though, she’s begun cultivating work in a solo capacity, spurred by the allure of continuous creation. “Every day I would go into my studio and make something,” she explains, “even if it was a one minute synth loop or a tiny cello improvisation.” The result is a surreal, moody assemblage incorporating cello, synthesizer, field recordings, and radio, a testament to both patient, layered building and tender attention to the people, instruments, and technology around us.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePart of Kohl’s process in making Too Small To Be A Plain is about being open to serendipity. Despite the collection’s apparent compositional tidiness, most of the sonic components are improvised. Oftentimes the artist will perform several spontaneous takes with similar ethos and then layer them on top of each\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eother. The culmination is often unexpected - see the third and longest composition on the album, “Moon Bean,” in which layers of woozy, sighing cello subtly metamorphose over organ-like drones -- its dream-like quality mirroring the hazy playfulness of light waltzing across a ceiling. “I’m often shocked at the way things interact,” she admits, “That my sense of time stays the same over several takes -- it often sounds like I'm intentionally playing with a previous take but I’m not.” Kohl pairs this openness with an acute compositional impulse, often taking months to curate and arrange her improvisations, an unusual but effective combination of intuition and perfectionism.\u003cbr\u003e\u003cbr\u003eKohl boasts an adventurous toolkit, even wielding technological limitations and idiosyncrasies to beguiling effect - for instance, the rigid rule-following of computers or a finicky old radio. Take the somnambulant slow-burner “Join Me, Everybody,” in which Kohl converts her cello pizzicatos to midi, and uses the imperfect translation. The cello becomes disorienting, but overtones transform into higher-register beeps and steady, low plucks become percussive guides. In using the radio as an instrument, Kohl allows the chance meetings of drones and pops in the airwaves to create a soundscape that she braids into her synths. The album’s first and fifth songs include these periodic bursts of orchestral radio static, like beautiful but disorienting transmissions from another world.\u003cbr\u003e\u003cbr\u003eField recordings are another serendipitous vehicle on Too Small To Be A Plain, one that places us in a space, somehow familiar, but just beyond geolocation. Though many of her found sounds draw the listener in -- birdsong, windchimes, the crackle of bread and the hum of conversation -- their apparent coziness remains just out of focus. There’s something surreal about the way Kohl presents these sounds, fuzzy versions of familiar places; a party? a sunny porch? We’re always cut off before we can look around and see where we are. In the album’s title track, two people whisper together over the hum of insects, hushed in the thrall of their whereabouts. Bringing us with them, they wonder about the crickets, the passing planes, and then get lost in a swell of sound.\u003cbr\u003e\u003cbr\u003eThroughout, Too Small To Be A Plain mingles the sounds of home, of recognizable music with the external, the unknown. For someone like Kohl who oftens responds to other players at a moment’s notice, her deft attention to detail and intricate symbiosis is easily witnessed. With outcomes as moving as Too Small To Be A Plain already in the wake, her path as a solo artist working in the thralls of wonder is assured.\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lia Kohl\u003c\/p\u003e\n\u003cp\u003eLabel : Shinkoyo\/Artist Pool\u003c\/p\u003e"}

アメリカ・シカゴのチェロ奏者Lia Kohlが、2022年に同国Shinkoyo/Artist Poolからリリースしたデビューカセットです。チェロやシンセ、ラジオ、フィールドレコーディングを用いたアンビエント〜ネオクラシカル・アンビエント6曲を収録。DLコード付属。廃盤です。 ----------------------------- Includes DL code. Cassette in norelco case. Tracklist: First...

¥2,277

クイックビュー {"id":8711096402170,"title":"øjeRum \/\/ Langt Fra Jorden CD","handle":"ojerum-langt-fra-jorden-cd","description":"\u003cp\u003eデンマーク・コペンハーゲンのアンビエント作家øjeRumが、2025年1月にフランスのアンビエントレーベルlaaps \/ IIKKIからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e朧げなアンビエント〜ネオクラシカル・アンビエント6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2516870789\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003ehere\u003c\/a\u003e to see more Laaps \/ IIKKI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 4-panel matte cardstock sleeve (edition of 150). \u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vi Hængte Vores Harper I Piletræerne For Enden Af Dalen 06:13\u003cbr\u003e2. Poppeltræet Med Syv Grene 05:30\u003cbr\u003e3. Træet Løftede Sine Hænder For At Byde Stilheden Velkommen 08:35\u003cbr\u003e4. I Det Smertefrie Græs 03:19\u003cbr\u003e5. Træerne I Mine Hænder 08:01\u003cbr\u003e6. … Og Tiden Strejfede Om I Sivene 05:00\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIIKKI: \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eLangt Fra Jorden\" (\"Lejos De La Tierra\", in Spanish, for the book) is the result of the dialogue between the Spanish photographer and artist Irene Zottola and the Danish musician and artist øjeRum initiated by IIKKI, between June 2024 and November 2024.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ethe complete project works in two physical imprints:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ea book and a disc (vinyl\/cd)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eit should be experienced in different ways :\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethe book read alone\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethe disc listened to alone\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethe book and the disc read and listened to together.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist bio:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"øjeRum is Copenhagen based musician and collage artist Paw Grabowski. In his øjeRum guise, he plucks and strums his treated acoustic instruments, sounding at times like church bells, at times like angelic harp, at time like drones, and suspends the listener in the magic of his\u003cspan class=\"bcTruncateMore\"\u003e melodies.\u003cbr\u003eWith a deep back-catalogue of releases since 2014 - spanning labels such as eilean rec., Room40, Line, Opal Tapes and many more - he continues exploring his minimal, textural and deeply personal style of ambient music\u003cbr\u003e____________________________\u003cbr\u003e\u003cbr\u003eIrene Zottola is a Spanish photographer and artist who explores the limits of analog photography to generate a world of dreamlike and poetic character, often accompanying her images with text.\u003cbr\u003eShe has been self-taught in Madrid in the laboratory of the Slow Photo collective since 2016. In 2017 she is a finalist in the Rfotofolio Grant.\u003cbr\u003eHer work has been exhibited in Spain, Italy and Morocco. She has published with editorials such as La Bella Varsovia and Lumen (Spain) and magazines such as She shoots film (Australia), Fisheyemagazine (France) and Vostmagazine (Korea).\u003cbr\u003eIn 2021 she received one of the Grants to Creation granted by VEGAP with which she began a new project in Paris and was part of the artistic residence ART(e)gileak of the BBK with a participatory photography project. She is one of the 33 authors of the Mission Region project organized by the Community of Madrid and is part of the platform of the National Image Centre in Spain. Winner in 2020 of the V Edition of the Photochannel Contest, she has published with Ediciones Anómalas her first photobook, \"Icarus\", which has been a finalist in PhotoEspaña and in Les Photobook Awards of Les Rencontres d'Arles 2022.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : øjeRum\u003c\/p\u003e\n\u003cp\u003eLabel : IIKKI\u003c\/p\u003e","published_at":"2025-01-31T07:14:48+09:00","created_at":"2025-01-31T07:13:05+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","IIKKI","Laaps","neo classical","new","recommended"],"price":239000,"price_min":239000,"price_max":239000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47090568265978,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"øjeRum \/\/ Langt Fra Jorden CD","public_title":null,"options":["Default Title"],"price":239000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fra1.jpg?v=1736673230","\/\/tobirarecords.com\/cdn\/shop\/files\/fra2.jpg?v=1736673230"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fra1.jpg?v=1736673230","options":["Title"],"media":[{"alt":null,"id":35409616437498,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fra1.jpg?v=1736673230"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fra1.jpg?v=1736673230","width":700},{"alt":null,"id":35409616470266,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fra2.jpg?v=1736673230"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fra2.jpg?v=1736673230","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eデンマーク・コペンハーゲンのアンビエント作家øjeRumが、2025年1月にフランスのアンビエントレーベルlaaps \/ IIKKIからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e朧げなアンビエント〜ネオクラシカル・アンビエント6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2516870789\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003ehere\u003c\/a\u003e to see more Laaps \/ IIKKI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 4-panel matte cardstock sleeve (edition of 150). \u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vi Hængte Vores Harper I Piletræerne For Enden Af Dalen 06:13\u003cbr\u003e2. Poppeltræet Med Syv Grene 05:30\u003cbr\u003e3. Træet Løftede Sine Hænder For At Byde Stilheden Velkommen 08:35\u003cbr\u003e4. I Det Smertefrie Græs 03:19\u003cbr\u003e5. Træerne I Mine Hænder 08:01\u003cbr\u003e6. … Og Tiden Strejfede Om I Sivene 05:00\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIIKKI: \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eLangt Fra Jorden\" (\"Lejos De La Tierra\", in Spanish, for the book) is the result of the dialogue between the Spanish photographer and artist Irene Zottola and the Danish musician and artist øjeRum initiated by IIKKI, between June 2024 and November 2024.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ethe complete project works in two physical imprints:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ea book and a disc (vinyl\/cd)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eit should be experienced in different ways :\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethe book read alone\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethe disc listened to alone\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethe book and the disc read and listened to together.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist bio:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"øjeRum is Copenhagen based musician and collage artist Paw Grabowski. In his øjeRum guise, he plucks and strums his treated acoustic instruments, sounding at times like church bells, at times like angelic harp, at time like drones, and suspends the listener in the magic of his\u003cspan class=\"bcTruncateMore\"\u003e melodies.\u003cbr\u003eWith a deep back-catalogue of releases since 2014 - spanning labels such as eilean rec., Room40, Line, Opal Tapes and many more - he continues exploring his minimal, textural and deeply personal style of ambient music\u003cbr\u003e____________________________\u003cbr\u003e\u003cbr\u003eIrene Zottola is a Spanish photographer and artist who explores the limits of analog photography to generate a world of dreamlike and poetic character, often accompanying her images with text.\u003cbr\u003eShe has been self-taught in Madrid in the laboratory of the Slow Photo collective since 2016. In 2017 she is a finalist in the Rfotofolio Grant.\u003cbr\u003eHer work has been exhibited in Spain, Italy and Morocco. She has published with editorials such as La Bella Varsovia and Lumen (Spain) and magazines such as She shoots film (Australia), Fisheyemagazine (France) and Vostmagazine (Korea).\u003cbr\u003eIn 2021 she received one of the Grants to Creation granted by VEGAP with which she began a new project in Paris and was part of the artistic residence ART(e)gileak of the BBK with a participatory photography project. She is one of the 33 authors of the Mission Region project organized by the Community of Madrid and is part of the platform of the National Image Centre in Spain. Winner in 2020 of the V Edition of the Photochannel Contest, she has published with Ediciones Anómalas her first photobook, \"Icarus\", which has been a finalist in PhotoEspaña and in Les Photobook Awards of Les Rencontres d'Arles 2022.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : øjeRum\u003c\/p\u003e\n\u003cp\u003eLabel : IIKKI\u003c\/p\u003e"}