Sløy Gange // Tunnelrytmer LP
Sløy Gange // Tunnelrytmer LP
¥6,580
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※7月上旬発送開始します
ノルウェーのインストバンドSløy Gangeが、2026年7月にLyskestrekk Recordsからリリースしたレコードです。
インストヒップホップ12曲を収録。
------------------------------------------------------
Shipping begins in early July.
12" black vinyl.
Tracklist:
A1 Dyp
A2 Tunnelrytmer
A3 Graver
A4 Buss For Tog
A5 Slange
A6 Neddi Jorda
B1 Luker
B2 Fjelltunnel
B3 Dub É Daare
B4 På Linja
B5 720 Kb Boogie
B6 Sleipt Føre
Artist : Sløy Gange
Label : Lyskestrekk Records
cat no : LYSK008
Release date : June 2026
※7月上旬発送開始します
ノルウェーのインストバンドSløy Gangeが、2026年7月にLyskestrekk Recordsからリリースしたレコードです。
インストヒップホップ12曲を収録。
------------------------------------------------------
Shipping begins in early July.
12" black vinyl.
Tracklist:
A1 Dyp
A2 Tunnelrytmer
A3 Graver
A4 Buss For Tog
A5 Slange
A6 Neddi Jorda
B1 Luker
B2 Fjelltunnel
B3 Dub É Daare
B4 På Linja
B5 720 Kb Boogie
B6 Sleipt Føre
Artist : Sløy Gange
Label : Lyskestrekk Records
cat no : LYSK008
Release date : June 2026
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クイックビュー
{"id":9270466609402,"title":"KiMiMi \/\/ ИМА (イマ) LP","handle":"kimimi-има-イマ-lp","description":"\u003cp\u003e日本の音楽家KiMiMiが、2026年6月にconatala x Calax Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"音楽家・大野慎矢によるソロ・プロジェクト KiMiMi が、東京・三田に位置する建築家・岡啓輔による20年のセルフビルド建築「蟻鱒鳶ル」に宿る時間の層と人々の気配を音として掬い上げ、音楽として再構築した作品『ИМА（イマ）』。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eブルガリアで学んだガイダ（バグパイプの祖先楽器）を軸に、多彩な楽器を自在に操るマルチ奏者のKiMiMiは、これまで旅先で録りためた生活の痕跡や民俗的な旋律を宅録というスケールに持ち帰り、カセットテープ作品や舞台音楽などを通して幻想的なフォークロア音響を紡いできました。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eその音楽活動の傍ら、「蟻鱒鳶ル」の建築作業にも参加し、現場で響くハンマーや鉄骨の音、昼休みの雑談、誰かが奏でた楽器の旋律、通りを走る車の音などを記録してきました。 2022年末からは、この建築を題材にしたZINE『月刊 蟻鱒鳶ル売り鱒』が始動。KiMiMiは毎号寄せる音楽作品にこれらの録音を取り入れ、ガイダをはじめ、アコーディオン、ギター、笛、ウクレレ、ピアノ、足踏みオルガン、鍵盤ハーモニカ、シロフォンなどの生楽器、そしてシンセサイザーの音を重ね合わせながら、現場の湿度や呼吸が刻まれたサウンドスケープを形にしています。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eKiMiMiの創作は、計画的な構築よりも、偶然や直感、そして時間の流れに委ねる姿勢に貫かれています。断片的な録音を重ね、時間を置き、再び掘り起こす。その繰り返しの中で、音楽が自然と形を成していきます。それはまさに、あらかじめ図面を用意せず即興的に層を重ねあわせ、つくりあげられていった蟻鱒鳶ルのプロセスと共鳴します。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『ИМА（イマ）』は、KiMiMiの音の旅の現在地であり、建築と音楽、記録と創作、個と共同体の境界を軽やかに越えていく試みです。都市の喧騒、手作業の静けさ、笑い声、蟻鱒鳶ルの現場に響くあらゆる音たちが、KiMiMiの音楽と溶け合い、人が生きる時間そのものを映し出しています。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3031408271\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Missai Odoritamae 07:15 \u003cbr\u003e2. Jarry to Aragane Strip 02:50 \u003cbr\u003e3. OD DO 09:53 \u003cbr\u003e4. Toki yo 04:39 \u003cbr\u003e5. Kehai 05:36 \u003cbr\u003e6. 5x 5x 7x 07:42\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"‘\u003cem\u003eИМА (Ima)’ is a work by KiMiMi, the solo project of a musician Shin-ya Ohno, which captures the layers of time and the presence of people inhabiting ‘Arimasuton Building’—a self-built structure created over 20 years by architect Keisuke Oka, located in Mita, Tokyo, and reconstructs them into music.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eA multi-instrumentalist who masterfully handles a diverse range of instruments, with the gaida (an ancestor of the bagpipes) – which he studied in Bulgaria – at the core of his sound, KiMiMi has previously brought traces of daily life and folk melodies recorded during his travels back to the scale of home recording, weaving fantastical folk soundscapes through cassette tape works and stage music.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAlongside his musical activities, he has participated in the construction work for ‘Arimasuton Building’, recording the sounds of hammers and steel beams echoing on site, lunchtime chatter, the melodies of instruments played by others, and the sound of cars passing by. From the end of 2022, a zine titled ‘Monthly Arimasuton Building Urimasu’, based on this construction project, was launched. KiMiMi incorporates these recordings into the musical works he contributes to each issue, layering sounds from live instruments—including the gaida, accordion, guitar, flute, ukulele, piano, foot-pump organ, melodica and xylophone—alongside a few synthesiser tones, to shape a soundscape imbued with the humidity and breath of the site.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eKiMiMi’s creative process is characterised not by planned construction, but by an attitude of entrusting the work to chance, intuition and the passage of time. Fragmented recordings are layered, set aside for a time, and then unearthed again. Through this repetition, the music naturally takes shape. This resonates perfectly with the process of ‘Arimasuton Building’, which was built up improvisationally, layer by layer, without any pre-prepared blueprints.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e‘ИМА (Ima)’ marks the current stage of KiMiMi’s sonic journey and represents an attempt to gracefully transcend the boundaries between architecture and music, documentation and creation, and the individual and the community. The clamour of the city, the tranquillity of manual labour, laughter, and every sound resonating at the Arimasuton Building site blend with KiMiMi’s music, reflecting the very passage of time in which people live.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : KiMiMi\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003econatala x Calax Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003econatala-010 \/ calax-006\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : June 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-06-21T05:02:58+09:00","created_at":"2026-06-20T12:40:38+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","monooto","new"],"price":420000,"price_min":420000,"price_max":420000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":49032410726650,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"KiMiMi \/\/ ИМА (イマ) LP","public_title":null,"options":["Default Title"],"price":420000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kim1_eda77913-6d08-49f1-b66c-3fac532c9ace.jpg?v=1781926710"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kim1_eda77913-6d08-49f1-b66c-3fac532c9ace.jpg?v=1781926710","options":["Title"],"media":[{"alt":null,"id":39765272428794,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kim1_eda77913-6d08-49f1-b66c-3fac532c9ace.jpg?v=1781926710"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kim1_eda77913-6d08-49f1-b66c-3fac532c9ace.jpg?v=1781926710","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本の音楽家KiMiMiが、2026年6月にconatala x Calax Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"音楽家・大野慎矢によるソロ・プロジェクト KiMiMi が、東京・三田に位置する建築家・岡啓輔による20年のセルフビルド建築「蟻鱒鳶ル」に宿る時間の層と人々の気配を音として掬い上げ、音楽として再構築した作品『ИМА（イマ）』。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eブルガリアで学んだガイダ（バグパイプの祖先楽器）を軸に、多彩な楽器を自在に操るマルチ奏者のKiMiMiは、これまで旅先で録りためた生活の痕跡や民俗的な旋律を宅録というスケールに持ち帰り、カセットテープ作品や舞台音楽などを通して幻想的なフォークロア音響を紡いできました。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eその音楽活動の傍ら、「蟻鱒鳶ル」の建築作業にも参加し、現場で響くハンマーや鉄骨の音、昼休みの雑談、誰かが奏でた楽器の旋律、通りを走る車の音などを記録してきました。 2022年末からは、この建築を題材にしたZINE『月刊 蟻鱒鳶ル売り鱒』が始動。KiMiMiは毎号寄せる音楽作品にこれらの録音を取り入れ、ガイダをはじめ、アコーディオン、ギター、笛、ウクレレ、ピアノ、足踏みオルガン、鍵盤ハーモニカ、シロフォンなどの生楽器、そしてシンセサイザーの音を重ね合わせながら、現場の湿度や呼吸が刻まれたサウンドスケープを形にしています。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eKiMiMiの創作は、計画的な構築よりも、偶然や直感、そして時間の流れに委ねる姿勢に貫かれています。断片的な録音を重ね、時間を置き、再び掘り起こす。その繰り返しの中で、音楽が自然と形を成していきます。それはまさに、あらかじめ図面を用意せず即興的に層を重ねあわせ、つくりあげられていった蟻鱒鳶ルのプロセスと共鳴します。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『ИМА（イマ）』は、KiMiMiの音の旅の現在地であり、建築と音楽、記録と創作、個と共同体の境界を軽やかに越えていく試みです。都市の喧騒、手作業の静けさ、笑い声、蟻鱒鳶ルの現場に響くあらゆる音たちが、KiMiMiの音楽と溶け合い、人が生きる時間そのものを映し出しています。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3031408271\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Missai Odoritamae 07:15 \u003cbr\u003e2. Jarry to Aragane Strip 02:50 \u003cbr\u003e3. OD DO 09:53 \u003cbr\u003e4. Toki yo 04:39 \u003cbr\u003e5. Kehai 05:36 \u003cbr\u003e6. 5x 5x 7x 07:42\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"‘\u003cem\u003eИМА (Ima)’ is a work by KiMiMi, the solo project of a musician Shin-ya Ohno, which captures the layers of time and the presence of people inhabiting ‘Arimasuton Building’—a self-built structure created over 20 years by architect Keisuke Oka, located in Mita, Tokyo, and reconstructs them into music.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eA multi-instrumentalist who masterfully handles a diverse range of instruments, with the gaida (an ancestor of the bagpipes) – which he studied in Bulgaria – at the core of his sound, KiMiMi has previously brought traces of daily life and folk melodies recorded during his travels back to the scale of home recording, weaving fantastical folk soundscapes through cassette tape works and stage music.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAlongside his musical activities, he has participated in the construction work for ‘Arimasuton Building’, recording the sounds of hammers and steel beams echoing on site, lunchtime chatter, the melodies of instruments played by others, and the sound of cars passing by. From the end of 2022, a zine titled ‘Monthly Arimasuton Building Urimasu’, based on this construction project, was launched. KiMiMi incorporates these recordings into the musical works he contributes to each issue, layering sounds from live instruments—including the gaida, accordion, guitar, flute, ukulele, piano, foot-pump organ, melodica and xylophone—alongside a few synthesiser tones, to shape a soundscape imbued with the humidity and breath of the site.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eKiMiMi’s creative process is characterised not by planned construction, but by an attitude of entrusting the work to chance, intuition and the passage of time. Fragmented recordings are layered, set aside for a time, and then unearthed again. Through this repetition, the music naturally takes shape. This resonates perfectly with the process of ‘Arimasuton Building’, which was built up improvisationally, layer by layer, without any pre-prepared blueprints.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e‘ИМА (Ima)’ marks the current stage of KiMiMi’s sonic journey and represents an attempt to gracefully transcend the boundaries between architecture and music, documentation and creation, and the individual and the community. The clamour of the city, the tranquillity of manual labour, laughter, and every sound resonating at the Arimasuton Building site blend with KiMiMi’s music, reflecting the very passage of time in which people live.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : KiMiMi\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003econatala x Calax Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003econatala-010 \/ calax-006\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : June 2026\u003c\/span\u003e\u003c\/p\u003e"}
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日本の音楽家KiMiMiが、2026年6月にconatala x Calax Recordsからリリースしたレコードです。 以下、レーベルによる解説です。 "音楽家・大野慎矢によるソロ・プロジェクト KiMiMi が、東京・三田に位置する建築家・岡啓輔による20年のセルフビルド建築「蟻鱒鳶ル」に宿る時間の層と人々の気配を音として掬い上げ、音楽として再構築した作品『ИМА（イマ）』。 ブルガリアで学んだガイダ（バグパイプの祖先楽器）を軸に、多彩な楽器を自在に操るマルチ奏者のKiMiMiは、これまで旅先で録りためた生活の痕跡や民俗的な旋律を宅録というスケールに持ち帰り、カセットテープ作品や舞台音楽などを通して幻想的なフォークロア音響を紡いできました。 その音楽活動の傍ら、「蟻鱒鳶ル」の建築作業にも参加し、現場で響くハンマーや鉄骨の音、昼休みの雑談、誰かが奏でた楽器の旋律、通りを走る車の音などを記録してきました。 2022年末からは、この建築を題材にしたZINE『月刊 蟻鱒鳶ル売り鱒』が始動。KiMiMiは毎号寄せる音楽作品にこれらの録音を取り入れ、ガイダをはじめ、アコーディオン、ギター、笛、ウクレレ、ピアノ、足踏みオルガン、鍵盤ハーモニカ、シロフォンなどの生楽器、そしてシンセサイザーの音を重ね合わせながら、現場の湿度や呼吸が刻まれたサウンドスケープを形にしています。 KiMiMiの創作は、計画的な構築よりも、偶然や直感、そして時間の流れに委ねる姿勢に貫かれています。断片的な録音を重ね、時間を置き、再び掘り起こす。その繰り返しの中で、音楽が自然と形を成していきます。それはまさに、あらかじめ図面を用意せず即興的に層を重ねあわせ、つくりあげられていった蟻鱒鳶ルのプロセスと共鳴します。 『ИМА（イマ）』は、KiMiMiの音の旅の現在地であり、建築と音楽、記録と創作、個と共同体の境界を軽やかに越えていく試みです。都市の喧騒、手作業の静けさ、笑い声、蟻鱒鳶ルの現場に響くあらゆる音たちが、KiMiMiの音楽と溶け合い、人が生きる時間そのものを映し出しています。"...
¥4,200
クイックビュー
{"id":9270464413946,"title":"Kiri Ra! \/\/ nen LP","handle":"kiri-ra-nen-lp","description":"\u003cp\u003eフィンランドのジャズ奏者Lau Nau (Laura Naukkarinen)とLinda Fredriksson、スウェーデンのパーカッショニストMatti ByeによるジャズトリオKiri Ra!が、2026年5月にフィンランドのジャズレーベルWe Jazzからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e穏やかな時間を演出するアンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ラウ・ナウ（ローラ・ナウッカリネン）、リンダ・フレドリクソン、マッティ・バイが、Kiri Ra!としてWe Jazz Recordsに参入し、新作アルバム『nen』（2026年5月22日発売）をリリースする。Kiri Ra!は、即興と発見のプロセスを通じて、ゆっくりと独自のサウンドを紡ぎ出すトリオだ。メンバー間の長年にわたる友情とコラボレーションを通じて紡がれるKiri Ra!の音楽は、創造と発明の喜びの証だ。彼らのサウンドは、各アーティストのこれまでの活動からインスピレーションを得つつ、新たな音の世界を切り拓いている。彼らの音楽は、手放し、自由になることにある。最もかすかなささやきや、ごく微細な音の粒子さえも取り込み、美に満ちたモザイクを完成させるのだ。Kiri Ra!は勇気を持って独自の道を歩み、手放すことがいかにして新しい世界を創り出すかを示している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e以下、作家からのメッセージです。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"この音楽は、何かになろうとはしていない。あらかじめ決められた参照点もなく、私たちは言葉によるコミュニケーションを一切交わさずにレコーディングセッションに臨む。それは、何かをしようとしているのではなく、ただ何が起こるかを見守るという心の状態に近い。私たちは、予期せぬ瞬間を創り出し、決まった方向性を持たない。何かになろうとしているわけではない。ただ共に存在しているのだ。この音楽は長い時間をかけて作られた。コーヒーや紅茶を飲み、演奏し、プッラやクッキーを楽しみ、さらに少し演奏した。会話を交わし、ゆっくりと過ごした。アルバムにふさわしい楽曲を組み合わせるのに10年かかった。急ぐことはなかった。キーワード：空気、空間、愛、時間、休息、エレクトロニック、シンセティック、オーガニック、温もり、木。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2015251613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wjzz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wjzz\"\u003ehere\u003c\/a\u003e to see more We Jazz Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. niin-så 05:21 \u003cbr\u003e2. ream 06:25 \u003cbr\u003e3. nen 05:52\u003cbr\u003e4. omewhere 07:47 \u003cbr\u003e5. oem 05:56 \u003cbr\u003e6. adad 05:04 \u003cbr\u003e7. eroplane 04:30 \u003cbr\u003e8. ahiahi 04:07\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003e\"Lau Nau (Laura Naukkarinen), Linda Fredriksson and Matti Bye enter the We Jazz Records realm as Kiri Ra! with their new album nen (out 22 May 2026). Kiri Ra! is a trio that creates their sound slowly, in a process of improvisation and discovery. Filtered through the musicians’ long-standing friendship and collaboration, Kiri Ra!’s music is a testament to the joy of creation and invention. Their sound together draws from each of the the artists’ work before, while creating new world of sound. Their music is about letting go and being free to take in the even softest whisper and the most minute sonic particle to complete a mosaic filled with beauty. Kiri Ra! follow their own path with courage, showing how letting go can create new worlds.\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrom the artist:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eThis music does not try to be anything. No pre-determined references, we get into our recording sessions without any verbal communication. It’s more like a state of mind where we are not trying anything, we just see what happens. We create a moment that is unexpected and doesn’t have any locked direction. We are not trying to be anything, We are existing together. This music was made with a lot of time. We drank coffee and tea. Played. Enjoyed\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e pulla and cookies. Played a bit more. We talked. We were slow. It took 10 years to combine the right pieces for the album. We were not in a hurry. Keywords: air, space, love, time, rest, electronic, synthetic, organic, warmth, wood.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kiri Ra!\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003ecat no : WJLP93\u003c\/p\u003e\n\u003cp\u003eRelease date : 22nd May 2026\u003c\/p\u003e","published_at":"2026-06-21T06:42:45+09:00","created_at":"2026-06-20T12:10:13+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","we jazz records"],"price":497500,"price_min":497500,"price_max":497500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":49032399421690,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kiri Ra! \/\/ nen LP","public_title":null,"options":["Default Title"],"price":497500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4062548138863","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/nen1.jpg?v=1781924927","\/\/tobirarecords.com\/cdn\/shop\/files\/nen2.jpg?v=1781924927"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/nen1.jpg?v=1781924927","options":["Title"],"media":[{"alt":null,"id":39765044789498,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nen1.jpg?v=1781924927"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nen1.jpg?v=1781924927","width":350},{"alt":null,"id":39765044822266,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nen2.jpg?v=1781924927"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nen2.jpg?v=1781924927","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランドのジャズ奏者Lau Nau (Laura Naukkarinen)とLinda Fredriksson、スウェーデンのパーカッショニストMatti ByeによるジャズトリオKiri Ra!が、2026年5月にフィンランドのジャズレーベルWe Jazzからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e穏やかな時間を演出するアンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ラウ・ナウ（ローラ・ナウッカリネン）、リンダ・フレドリクソン、マッティ・バイが、Kiri Ra!としてWe Jazz Recordsに参入し、新作アルバム『nen』（2026年5月22日発売）をリリースする。Kiri Ra!は、即興と発見のプロセスを通じて、ゆっくりと独自のサウンドを紡ぎ出すトリオだ。メンバー間の長年にわたる友情とコラボレーションを通じて紡がれるKiri Ra!の音楽は、創造と発明の喜びの証だ。彼らのサウンドは、各アーティストのこれまでの活動からインスピレーションを得つつ、新たな音の世界を切り拓いている。彼らの音楽は、手放し、自由になることにある。最もかすかなささやきや、ごく微細な音の粒子さえも取り込み、美に満ちたモザイクを完成させるのだ。Kiri Ra!は勇気を持って独自の道を歩み、手放すことがいかにして新しい世界を創り出すかを示している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e以下、作家からのメッセージです。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"この音楽は、何かになろうとはしていない。あらかじめ決められた参照点もなく、私たちは言葉によるコミュニケーションを一切交わさずにレコーディングセッションに臨む。それは、何かをしようとしているのではなく、ただ何が起こるかを見守るという心の状態に近い。私たちは、予期せぬ瞬間を創り出し、決まった方向性を持たない。何かになろうとしているわけではない。ただ共に存在しているのだ。この音楽は長い時間をかけて作られた。コーヒーや紅茶を飲み、演奏し、プッラやクッキーを楽しみ、さらに少し演奏した。会話を交わし、ゆっくりと過ごした。アルバムにふさわしい楽曲を組み合わせるのに10年かかった。急ぐことはなかった。キーワード：空気、空間、愛、時間、休息、エレクトロニック、シンセティック、オーガニック、温もり、木。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2015251613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wjzz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wjzz\"\u003ehere\u003c\/a\u003e to see more We Jazz Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. niin-så 05:21 \u003cbr\u003e2. ream 06:25 \u003cbr\u003e3. nen 05:52\u003cbr\u003e4. omewhere 07:47 \u003cbr\u003e5. oem 05:56 \u003cbr\u003e6. adad 05:04 \u003cbr\u003e7. eroplane 04:30 \u003cbr\u003e8. ahiahi 04:07\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003e\"Lau Nau (Laura Naukkarinen), Linda Fredriksson and Matti Bye enter the We Jazz Records realm as Kiri Ra! with their new album nen (out 22 May 2026). Kiri Ra! is a trio that creates their sound slowly, in a process of improvisation and discovery. Filtered through the musicians’ long-standing friendship and collaboration, Kiri Ra!’s music is a testament to the joy of creation and invention. Their sound together draws from each of the the artists’ work before, while creating new world of sound. Their music is about letting go and being free to take in the even softest whisper and the most minute sonic particle to complete a mosaic filled with beauty. Kiri Ra! follow their own path with courage, showing how letting go can create new worlds.\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrom the artist:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eThis music does not try to be anything. No pre-determined references, we get into our recording sessions without any verbal communication. It’s more like a state of mind where we are not trying anything, we just see what happens. We create a moment that is unexpected and doesn’t have any locked direction. We are not trying to be anything, We are existing together. This music was made with a lot of time. We drank coffee and tea. Played. Enjoyed\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e pulla and cookies. Played a bit more. We talked. We were slow. It took 10 years to combine the right pieces for the album. We were not in a hurry. Keywords: air, space, love, time, rest, electronic, synthetic, organic, warmth, wood.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kiri Ra!\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003ecat no : WJLP93\u003c\/p\u003e\n\u003cp\u003eRelease date : 22nd May 2026\u003c\/p\u003e"}
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フィンランドのジャズ奏者Lau Nau (Laura Naukkarinen)とLinda Fredriksson、スウェーデンのパーカッショニストMatti ByeによるジャズトリオKiri Ra!が、2026年5月にフィンランドのジャズレーベルWe Jazzからリリースしたレコードです。 穏やかな時間を演出するアンビエント・ジャズ8曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "ラウ・ナウ（ローラ・ナウッカリネン）、リンダ・フレドリクソン、マッティ・バイが、Kiri Ra!としてWe Jazz...
¥4,975
クイックビュー
{"id":9270463463674,"title":"Djrum \/\/ Portrait With Firewood 2x12inch","handle":"djrum-portrait-with-firewood-lp","description":"\u003cp\u003e\u003cspan\u003eイギリスのテクノ作家\u003c\/span\u003eDjrum aka Structionが、2022年に同国R \u0026amp; S Recordsからリリースした再発2枚組12\"です。（オリジナルは2018年リリース）\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレフトフィールド・テクノ〜ブロークンビーツ〜IDM〜ジャングル9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2405195433\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2405195433\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=545255754\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eDouble 12\" black vinyl.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Unblocked 02:00 \u003cbr\u003e2. Waters Rising 06:19 \u003cbr\u003e3. Creature Pt.1 04:43 \u003cbr\u003e4. Creature Pt.2 05:38 \u003cbr\u003e5. Sex 08:27 \u003cbr\u003e6. Blue Violet 08:40 \u003cbr\u003e7. Sparrows 04:40 \u003cbr\u003e8. Showreel Pt.3 09:34 \u003cbr\u003e9. Blood In My Mouth 03:00\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e'Portrait With Firewood' is Felix’s most personal body of work to date, the product of an emotionally turbulent 2017, capturing the range of feelings and emotions he went through in vivid sonic beauty. By putting aside his previous sampleadelic approach he returned to his childhood instrument of the piano as a core starting point.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"It's a confessional record… I realise that's a word mostly used to describe singer\/songwriter rather than (largely) instrumental music, but I think it's apt. There's a sort of emotional candour.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFelix is classically trained in the jazz tradition and influenced by the likes of Keith Jarrett and Alice Coltrane. Previously he was shy at the prospect of fans hearing his piano playing, but determined to overcome this fear he has brought forward a new honesty to his work. \"Finding the confidence to work with my own piano improvisations was a big part of that. Once I had figured out how I was going to make the music, it actually fell in to place rather quickly.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFelix's goal was to create something \"overwhelmingly beautiful\", but also to capture the \"inherent melancholy in beauty in all it's impermanance and fragility\". He took inspiration and solace from performance artist Marina Abramovic. \"She has an incredibly deep understanding of the human condition, and expresses\u003cspan class=\"bcTruncateMore\"\u003e it in such a poetic way. Many of the themes of her work had particular resonance for me over the course of 2017 as I worked on the album. I was moved to tears on several occasions watching her videos or reading about her work.”\u003cbr\u003e\u003cbr\u003eFelix collaborated with cellist Zosia Jagodzinska and vocalist Lola Empire. Jagodzinska recorded several takes of improvisations over the track 'Creature' which Felix would chop, pitch and layer into new melodic lines and seed throughout the album. \u003cbr\u003e\u003cbr\u003eFelix's new approach expanded to experimentation with field recording, contact micing his beloved piano and purchasing his first hardware synth, all in service of enriching the personal, humane quality of the record.\u003cbr\u003e\"Music helps me to communicate the sorts of things that I find almost impossible to put in to words. I think the process for this album has helped me create a more rich and emotionally complex body of work than I have managed before.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Djrum\u003c\/p\u003e\n\u003cp\u003eLabel : R\u0026amp;S Records\u003c\/p\u003e\n\u003cp\u003ecat no : RS1810\u003c\/p\u003e\n\u003cp\u003eRelease date : 17th August 2018\u003c\/p\u003e","published_at":"2026-06-21T06:33:07+09:00","created_at":"2026-06-20T11:57:25+09:00","vendor":"Tobira Records","type":"","tags":["house","lp","new","techno \/ house"],"price":586800,"price_min":586800,"price_max":586800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":49032395718906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Djrum \/\/ Portrait With Firewood 2x12inch","public_title":null,"options":["Default Title"],"price":586800,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"5055274708782","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/po1_ff0aab26-04cc-4718-8eda-6df00917ec9a.jpg?v=1781924151","\/\/tobirarecords.com\/cdn\/shop\/files\/po2_7195d81c-c106-46e7-81bd-ea8cdf779698.jpg?v=1781924152"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_ff0aab26-04cc-4718-8eda-6df00917ec9a.jpg?v=1781924151","options":["Title"],"media":[{"alt":null,"id":39764976468218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_ff0aab26-04cc-4718-8eda-6df00917ec9a.jpg?v=1781924151"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_ff0aab26-04cc-4718-8eda-6df00917ec9a.jpg?v=1781924151","width":350},{"alt":null,"id":39764976500986,"position":2,"preview_image":{"aspect_ratio":2.135,"height":562,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po2_7195d81c-c106-46e7-81bd-ea8cdf779698.jpg?v=1781924152"},"aspect_ratio":2.135,"height":562,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po2_7195d81c-c106-46e7-81bd-ea8cdf779698.jpg?v=1781924152","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eイギリスのテクノ作家\u003c\/span\u003eDjrum aka Structionが、2022年に同国R \u0026amp; S Recordsからリリースした再発2枚組12\"です。（オリジナルは2018年リリース）\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレフトフィールド・テクノ〜ブロークンビーツ〜IDM〜ジャングル9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2405195433\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2405195433\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=545255754\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eDouble 12\" black vinyl.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Unblocked 02:00 \u003cbr\u003e2. Waters Rising 06:19 \u003cbr\u003e3. Creature Pt.1 04:43 \u003cbr\u003e4. Creature Pt.2 05:38 \u003cbr\u003e5. Sex 08:27 \u003cbr\u003e6. Blue Violet 08:40 \u003cbr\u003e7. Sparrows 04:40 \u003cbr\u003e8. Showreel Pt.3 09:34 \u003cbr\u003e9. Blood In My Mouth 03:00\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e'Portrait With Firewood' is Felix’s most personal body of work to date, the product of an emotionally turbulent 2017, capturing the range of feelings and emotions he went through in vivid sonic beauty. By putting aside his previous sampleadelic approach he returned to his childhood instrument of the piano as a core starting point.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"It's a confessional record… I realise that's a word mostly used to describe singer\/songwriter rather than (largely) instrumental music, but I think it's apt. There's a sort of emotional candour.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFelix is classically trained in the jazz tradition and influenced by the likes of Keith Jarrett and Alice Coltrane. Previously he was shy at the prospect of fans hearing his piano playing, but determined to overcome this fear he has brought forward a new honesty to his work. \"Finding the confidence to work with my own piano improvisations was a big part of that. Once I had figured out how I was going to make the music, it actually fell in to place rather quickly.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFelix's goal was to create something \"overwhelmingly beautiful\", but also to capture the \"inherent melancholy in beauty in all it's impermanance and fragility\". He took inspiration and solace from performance artist Marina Abramovic. \"She has an incredibly deep understanding of the human condition, and expresses\u003cspan class=\"bcTruncateMore\"\u003e it in such a poetic way. Many of the themes of her work had particular resonance for me over the course of 2017 as I worked on the album. I was moved to tears on several occasions watching her videos or reading about her work.”\u003cbr\u003e\u003cbr\u003eFelix collaborated with cellist Zosia Jagodzinska and vocalist Lola Empire. Jagodzinska recorded several takes of improvisations over the track 'Creature' which Felix would chop, pitch and layer into new melodic lines and seed throughout the album. \u003cbr\u003e\u003cbr\u003eFelix's new approach expanded to experimentation with field recording, contact micing his beloved piano and purchasing his first hardware synth, all in service of enriching the personal, humane quality of the record.\u003cbr\u003e\"Music helps me to communicate the sorts of things that I find almost impossible to put in to words. I think the process for this album has helped me create a more rich and emotionally complex body of work than I have managed before.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Djrum\u003c\/p\u003e\n\u003cp\u003eLabel : R\u0026amp;S Records\u003c\/p\u003e\n\u003cp\u003ecat no : RS1810\u003c\/p\u003e\n\u003cp\u003eRelease date : 17th August 2018\u003c\/p\u003e"}
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イギリスのテクノ作家Djrum aka Structionが、2022年に同国R & S Recordsからリリースした再発2枚組12"です。（オリジナルは2018年リリース） レフトフィールド・テクノ〜ブロークンビーツ〜IDM〜ジャングル9曲を収録。 ------------------------------------------------ Double 12" black vinyl. Tracklist: 1....
¥5,868
クイックビュー
{"id":9270342025466,"title":"goat, Ricardo Villalobos \/\/ Without References\/Cindy van Acker (Ricardo Villalobos Variations) 12inch","handle":"goat-ricardo-villalobos-without-references-cindy-van-acker-ricardo-villalobos-variations-lp","description":"\u003cp\u003e大阪のミニマルバンドgoatとチリ／ドイツのダンス作家Ricardo Villalobosが、2026年6月にフランスのLatencyからリリースした共作12\"です。\u003c\/p\u003e\n\u003cp\u003eミニマルハウス〜ミニマルテクノ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=101645653\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ltncy\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ltncy\"\u003ehere\u003c\/a\u003e to see more Latency releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Orin (Ricardo Villalobos Variation) 09:07 \u003cbr\u003e2. Factory (Ricardo Villalobos Variation 1) 12:48\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eParisian label Latency presents \"Without References \/ Cindy van Acker (Variations)\", a new release by goat (JP) and legendary producer Ricardo Villalobos.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor this project, Villalobos reinterprets two tracks – \"Orin\" and \"Factory\" – originally composed by goat (JP) for choreographer and performance artist Cindy van Acker’s dance piece \"Without References\". The release follows Latency’s recent publication of Villalobos’ variation on percussionist Mohammad Reza Mortazavi’s \"Swamp\" (Latency, 2025), continuing the label’s exploration of reinterpretation and rhythmic dialogue.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003egoat (JP), led by Osaka-based composer Koshiro Hino (YPY, Kakuhan, Boredoms, Mark Fell), is widely regarded as a leading force in contemporary minimalist composition. In “Without References\/Cindy Van Acker”, goat (JP) transforms non-tonal rhythmic patterns into intricate, hypnotic structures with remarkable depth. In this new version, the group’s simultaneously tribal and futuristic sound is reshaped by Villalobos’ distinctive production style, which draws from both minimalist techno and Latin American rhythmic traditions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRicardo Villalobos is a pioneering figure in minimal\u003cspan class=\"bcTruncateMore\"\u003e techno, known for his hypnotic and deeply rhythmic approach to electronic music. Born in Chile and raised in Germany after his family fled Pinochet’s regime, Villalobos developed an early fascination with percussion, beginning to play congas and bongos at the age of eleven. This tactile engagement with rhythm continues to inform his production work today. Influenced by both Latin American folk traditions and the emerging house and techno scenes of late-1980s Europe, he began DJing and producing in the early 1990s and quickly gained cult status within global club culture.\u003cbr\u003e\u003cbr\u003eCindy van Acker’s dance piece \"Without References\" features scenography by visionary choreographer Romeo Castellucci. The stage environment evokes a space that shifts between a waiting room, a train station hall, and a mid-century installation. Eleven dancers interpret Van Acker’s precise yet fluid movements, interacting with goat (JP)’s percussive, stripped-down compositions to create a visceral and immersive performance.\u003cbr\u003e\u003cbr\u003eThe artwork features photographs by Magali Dougados from a staging of \"Without References\" at the Maison de la Culture de Seine-Saint-Denis.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : goat, Ricardo Villalobos \u003c\/p\u003e\n\u003cp\u003eLabel : Latency\u003c\/p\u003e\n\u003cp\u003ecat no : LTNC038LP\u003c\/p\u003e\n\u003cp\u003eRelease date : 12th June 2026\u003c\/p\u003e","published_at":"2026-06-21T05:47:20+09:00","created_at":"2026-06-20T10:11:34+09:00","vendor":"Tobira Records","type":"","tags":["house","latency","lp","new","techno \/ house"],"price":352000,"price_min":352000,"price_max":352000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":49032045756666,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"goat, Ricardo Villalobos \/\/ Without References\/Cindy van Acker (Ricardo Villalobos Variations) 12inch","public_title":null,"options":["Default Title"],"price":352000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4062548140453","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cin1_4197ae69-c14e-474d-b03b-d43e4dbc4fe5.jpg?v=1781917340","\/\/tobirarecords.com\/cdn\/shop\/files\/cin2_b0f1a7b5-e692-4145-ae88-bbc8f60c9d8f.jpg?v=1781917341"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cin1_4197ae69-c14e-474d-b03b-d43e4dbc4fe5.jpg?v=1781917340","options":["Title"],"media":[{"alt":null,"id":39763794395386,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cin1_4197ae69-c14e-474d-b03b-d43e4dbc4fe5.jpg?v=1781917340"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cin1_4197ae69-c14e-474d-b03b-d43e4dbc4fe5.jpg?v=1781917340","width":350},{"alt":null,"id":39763794428154,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cin2_b0f1a7b5-e692-4145-ae88-bbc8f60c9d8f.jpg?v=1781917341"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cin2_b0f1a7b5-e692-4145-ae88-bbc8f60c9d8f.jpg?v=1781917341","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e大阪のミニマルバンドgoatとチリ／ドイツのダンス作家Ricardo Villalobosが、2026年6月にフランスのLatencyからリリースした共作12\"です。\u003c\/p\u003e\n\u003cp\u003eミニマルハウス〜ミニマルテクノ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=101645653\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ltncy\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ltncy\"\u003ehere\u003c\/a\u003e to see more Latency releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Orin (Ricardo Villalobos Variation) 09:07 \u003cbr\u003e2. Factory (Ricardo Villalobos Variation 1) 12:48\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eParisian label Latency presents \"Without References \/ Cindy van Acker (Variations)\", a new release by goat (JP) and legendary producer Ricardo Villalobos.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor this project, Villalobos reinterprets two tracks – \"Orin\" and \"Factory\" – originally composed by goat (JP) for choreographer and performance artist Cindy van Acker’s dance piece \"Without References\". The release follows Latency’s recent publication of Villalobos’ variation on percussionist Mohammad Reza Mortazavi’s \"Swamp\" (Latency, 2025), continuing the label’s exploration of reinterpretation and rhythmic dialogue.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003egoat (JP), led by Osaka-based composer Koshiro Hino (YPY, Kakuhan, Boredoms, Mark Fell), is widely regarded as a leading force in contemporary minimalist composition. In “Without References\/Cindy Van Acker”, goat (JP) transforms non-tonal rhythmic patterns into intricate, hypnotic structures with remarkable depth. In this new version, the group’s simultaneously tribal and futuristic sound is reshaped by Villalobos’ distinctive production style, which draws from both minimalist techno and Latin American rhythmic traditions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRicardo Villalobos is a pioneering figure in minimal\u003cspan class=\"bcTruncateMore\"\u003e techno, known for his hypnotic and deeply rhythmic approach to electronic music. Born in Chile and raised in Germany after his family fled Pinochet’s regime, Villalobos developed an early fascination with percussion, beginning to play congas and bongos at the age of eleven. This tactile engagement with rhythm continues to inform his production work today. Influenced by both Latin American folk traditions and the emerging house and techno scenes of late-1980s Europe, he began DJing and producing in the early 1990s and quickly gained cult status within global club culture.\u003cbr\u003e\u003cbr\u003eCindy van Acker’s dance piece \"Without References\" features scenography by visionary choreographer Romeo Castellucci. The stage environment evokes a space that shifts between a waiting room, a train station hall, and a mid-century installation. Eleven dancers interpret Van Acker’s precise yet fluid movements, interacting with goat (JP)’s percussive, stripped-down compositions to create a visceral and immersive performance.\u003cbr\u003e\u003cbr\u003eThe artwork features photographs by Magali Dougados from a staging of \"Without References\" at the Maison de la Culture de Seine-Saint-Denis.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : goat, Ricardo Villalobos \u003c\/p\u003e\n\u003cp\u003eLabel : Latency\u003c\/p\u003e\n\u003cp\u003ecat no : LTNC038LP\u003c\/p\u003e\n\u003cp\u003eRelease date : 12th June 2026\u003c\/p\u003e"}
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大阪のミニマルバンドgoatとチリ／ドイツのダンス作家Ricardo Villalobosが、2026年6月にフランスのLatencyからリリースした共作12"です。 ミニマルハウス〜ミニマルテクノ2曲を収録。 レーベルその他作品はこちら /// Click here to see more Latency releases available at...
¥3,520