Ancient Infinity Orchestra // It's Always About Love LP

Ancient Infinity Orchestra // It's Always About Love LP

¥4,697

Write a review

Item no:
Availability:

北イングランドを拠点に活動している15人編成のスピリチュアル・ジャズバンドAncient Infinity Orchestraが、2025年9月にマンチェスターのGondwanaからリリースしたレコードです。

スピリチュアル・ジャズ8曲を収録。

レーベルその他作品はこちら /// Click here to see more Gondwana Records releases available at Tobira.

---------------------------------

12" black vinyl.

Tracklist:

1. All I Can Say of the Blossoms 05:42
2. Golden Meadow 03:59
3. Chant for Don Cherry 04:47
4. Joy of a Natural World 06:04
5. Nilgoon 05:38
6. The Seeker 07:21
7. Old Friends 04:14
8. At Yoshino Mountain 02:00

Gondwana Records:

"Based in the North of England. Ancient Infinity Orchestra is a joyous large ensemble that has communal music-making at the heart of everything they do. And that includes the melodies that flow out of their new album It’s Always About Love which blossom with uplifting improvised contributions that circle around bandleader Ozzy Moysey’s beautiful compositions; generous sonic gifts of healing and repair.

The 15-member Spiritual Jazz ensemble has a distinctive line-up: two double basses, harp, saxophones, clarinets, violin, viola, cello, oboe, flutes, mandolin, congas, piano, drum kit, with bells, shakers and other percussion instruments scattered on the floor of live sets and recording sessions, ready for members to use whenever the spirit takes them. This orchestration, and the overlap between membership and friendship, gives Ancient Infinity Orchestra a sound that is at once expansive and intimate, earthy, and cosmic, constantly shifting yet grounded in shared intention.

Ancient Infinity Orchestra can be described as melody-driven improvised music, made by people who are deep into different types of traditional music, including folk, jazz and classical. “The tunes are a vessel,” he says, “with everyone doing their thing. It exists so that my friends can be musically fulfilled.”

“There is a need for love and connectedness. You pour the love you have into the music and people listening can feel it”"

Artist : Ancient Infinity Orchestra

Label : Gondwana Records

cat no : GONDLP079

Release date : 26th September 2025

スピリチュアル・ジャズ8曲を収録。

レーベルその他作品はこちら /// Click here to see more Gondwana Records releases available at Tobira.

---------------------------------

12" black vinyl.

Tracklist:

Gondwana Records:

Artist : Ancient Infinity Orchestra

Label : Gondwana Records

cat no : GONDLP079

Release date : 26th September 2025

Related Products

クイックビュー {"id":9024668074234,"title":"Agencement \/\/ Binomial Cascades LP","handle":"agencement-binomial-cascades-lp","description":"\u003cp\u003e石川のバイオリニストAgencement aka Hideaki Shimadaが、2024年に自主リリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3800376762\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Nyx and Thanatos III 17:30\u003cbr\u003e2. Sorrow II 17:12\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI just released a new album as my solo project, Agencement. This is a follow-up album to 'Six Juxtaposed Works', which was released in 2017 on the Copenhagen label Tochnit Aleph.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt's been about 35 years since I produced 'vinyl' by myself, so it's very emotional, although since the 1990s, it has become difficult to manufacture vinyl LPs in Japan and there were no channels to outsource overseas because I was disappointed in the situation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusically, I think it's a further step in the direction of 'October Variations', released under my birth name in January 2022 on Glasgow label scatterArchive, but you may listen to it differently.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe work began in Autumn 2022 with the recording in the studio, and the final mix was completed about one year later in August 2023.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Agencement (\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHideaki Shimada) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Pico\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePico - 08\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 21st September 2023\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-10T16:18:32+09:00","created_at":"2025-12-10T12:06:54+09:00","vendor":"Tobira Records","type":"","tags":["asia","jazz","lp","new"],"price":363000,"price_min":363000,"price_max":363000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48088919965946,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Agencement \/\/ Binomial Cascades LP","public_title":null,"options":["Default Title"],"price":363000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bino1.jpg?v=1765335893","\/\/tobirarecords.com\/cdn\/shop\/files\/bino2.jpg?v=1765335893"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bino1.jpg?v=1765335893","options":["Title"],"media":[{"alt":null,"id":37742908342522,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bino1.jpg?v=1765335893"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bino1.jpg?v=1765335893","width":700},{"alt":null,"id":37742908375290,"position":2,"preview_image":{"aspect_ratio":1.397,"height":859,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bino2.jpg?v=1765335893"},"aspect_ratio":1.397,"height":859,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bino2.jpg?v=1765335893","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e石川のバイオリニストAgencement aka Hideaki Shimadaが、2024年に自主リリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3800376762\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Nyx and Thanatos III 17:30\u003cbr\u003e2. Sorrow II 17:12\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI just released a new album as my solo project, Agencement. This is a follow-up album to 'Six Juxtaposed Works', which was released in 2017 on the Copenhagen label Tochnit Aleph.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt's been about 35 years since I produced 'vinyl' by myself, so it's very emotional, although since the 1990s, it has become difficult to manufacture vinyl LPs in Japan and there were no channels to outsource overseas because I was disappointed in the situation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusically, I think it's a further step in the direction of 'October Variations', released under my birth name in January 2022 on Glasgow label scatterArchive, but you may listen to it differently.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe work began in Autumn 2022 with the recording in the studio, and the final mix was completed about one year later in August 2023.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Agencement (\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHideaki Shimada) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Pico\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePico - 08\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 21st September 2023\u003c\/span\u003e\u003c\/p\u003e"}

クイックビュー {"id":9023231131898,"title":"Charlotte Moorman \/\/ Cello Anthology 4xCD+BOOK+LP BOX","handle":"charlotte-moorman-cello-anthology-4xcd-book-lp-box","description":"\u003cp\u003e※当店限定販売です\u003c\/p\u003e\n\u003cp\u003eアメリカのチェリストCharlotte Moorman（1933-1991）が、2025年11月にイタリアの実験レーベルAlga Marghenから80部限定でリリースしたART BOXです。\u003c\/p\u003e\n\u003cp\u003e4枚組CDと154ページの本、未発表音源のレコード、16種類のフルカラーインサート付属。版元即完のため今回限りの入荷となります。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl + 4xCD + 154-page book + posters in art box.\u003cbr\u003ePreviously unreleased vinyl contains \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eanswering machine messages and rare performances. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e16 full-color inserts reproduce the original posters and programs of the Annual Avant Garde Festival of New York.\u003cbr\u003eEdition of 80 copies. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1-1 John Cage - 26' 1.1499\" For A Stringplayer 32:36\u003cbr\u003e1-2 Earle Brown – Synergy 4:04\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1-3 Giuseppe Chiari - Per Arco 3:56\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1-4 Karlheinz Stockhausen - Plus-Minus 10:07\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1-5 Terry Jennings - Piece For Cello And Saxophone 2:54\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1-6 Toshi Ichiyanagi - Duet II 11:49\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2-1 Sylvano Bussotti - Sensitivo #7 2:20\u003cbr\u003e\u003c\/span\u003e2-2 Earle Brown - December 52 6:10\u003cbr\u003e2-3 Giuseppe Chiari - Ave Maria Di Schubert 1:47\u003cbr\u003e2-4 John Cage - 26' 1.1499\" For A Stringplayer 5:25\u003cbr\u003e2-5 Nam June Paik - Cello Sonata Opus 69 3:44\u003cbr\u003e2-6 Nam June Paik - Sonata No. 1 For Adults Only 7:57\u003cbr\u003e2-7 Toshi Ichiyanagi - Duet II 12:32\u003cbr\u003e2-8 Nam June Paik - Johann Sebastian Bussotti 3:17\u003cbr\u003e2-9 Toshi Ichiyanagi - Duet II 19:16\u003cbr\u003e2-10 John Cage - 26' 1.1499\" For A Stringplayer 2:44\u003cbr\u003e3-1 Charlotte Moorman \/ Paul Garrin \/ Nam June Paik - TV Cello Duets \/ Concerto For TV Cello And Videotapes 1:12:28\u003cbr\u003e4-1 Jackson Mac Low - The Long Hot Summer 12:45\u003cbr\u003e4-2 Charlotte Moorman \/ Harvey Matusow - Charlotte Moorman Interview By Harvey Matusow 33:42\u003cbr\u003e4-3 Nam June Paik \/ Russel Connor - Waiting For Commercials 8:13\u003cbr\u003e5-1 Charlotte Moorman - Answering Machine Messages\u003cbr\u003e5-2 Charlotte Moorman - Piece For Cello And Saxophone With Terry Jennings\u003cbr\u003e5-3 Charlotte Moorman - Answering Machine Messages\u003cbr\u003e5-4 John Cage - 26`1.1499\" For A String Player\u003cbr\u003e5-5 Charlotte Moorman - Answering Machine Messages\u003cbr\u003e5-6 Charlotte Moorman - TV Cello Excerpt\u003cbr\u003e5-7 Charlotte Moorman - Answering Machine Messages\u003cbr\u003e5-8 Charlotte Moorman - TV Cello Excerpt\u003cbr\u003e5-9 Charlotte Moorman - Answering Machine Messages\u003cbr\u003e5-10 Charlotte Moorman - TV Cello Excerpt\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTracks 1-1 to 1-6 recorded in recital for Avant Garde Concert III at Judson Hall, New York on December 12, 1964. The concert was recorded by WBAI-FM.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTracks 2-1 to 2-8 recorded in recital in Aachen (Germany), Theatersaal on July 25, 1966.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-9 is an unidentified recording.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-10 recorded onto 12\" aluminium base lacquer disc 33 rpm micro groove. No recording dates or locations mentioned.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 3-1, TV Cello Concert, recorded in Chicago, Museum of Contemporary Art in September 1982.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 4-1 recorded at the Second Avantgarde Festival of New York on September 3, 1964.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 4-2 is a Charlotte Moorman interview by Harvey Matusow recorded at BBC New York Studios, October 1969.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 4-3 is a soundtrack of the videotape \"Waiting for commercials\". No recording dates or locations mentioned.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Charlotte Moorman\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eplana-M 27NMN.064\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-10T12:38:14+09:00","created_at":"2025-12-09T10:02:36+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","cd","contemporary \/ sound poetry","jazz","lp","new","recommended"],"price":1980000,"price_min":1980000,"price_max":1980000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48080663904506,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Charlotte Moorman \/\/ Cello Anthology 4xCD+BOOK+LP BOX","public_title":null,"options":["Default Title"],"price":1980000,"weight":1000,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/moormanBOXfront.jpg?v=1765241361","\/\/tobirarecords.com\/cdn\/shop\/files\/moormanBOXback.jpg?v=1765241361","\/\/tobirarecords.com\/cdn\/shop\/files\/moor.jpg?v=1765241339","\/\/tobirarecords.com\/cdn\/shop\/files\/moor3.jpg?v=1765241339","\/\/tobirarecords.com\/cdn\/shop\/files\/moor4.jpg?v=1765241399"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/moormanBOXfront.jpg?v=1765241361","options":["Title"],"media":[{"alt":null,"id":37735071318266,"position":1,"preview_image":{"aspect_ratio":1.0,"height":3661,"width":3661,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moormanBOXfront.jpg?v=1765241361"},"aspect_ratio":1.0,"height":3661,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moormanBOXfront.jpg?v=1765241361","width":3661},{"alt":null,"id":37735071285498,"position":2,"preview_image":{"aspect_ratio":1.0,"height":3661,"width":3661,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moormanBOXback.jpg?v=1765241361"},"aspect_ratio":1.0,"height":3661,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moormanBOXback.jpg?v=1765241361","width":3661},{"alt":null,"id":37735069712634,"position":3,"preview_image":{"aspect_ratio":2.199,"height":272,"width":598,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moor.jpg?v=1765241339"},"aspect_ratio":2.199,"height":272,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moor.jpg?v=1765241339","width":598},{"alt":null,"id":37735069745402,"position":4,"preview_image":{"aspect_ratio":0.988,"height":600,"width":593,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moor3.jpg?v=1765241339"},"aspect_ratio":0.988,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moor3.jpg?v=1765241339","width":593},{"alt":null,"id":37735074595066,"position":5,"preview_image":{"aspect_ratio":1.493,"height":402,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moor4.jpg?v=1765241399"},"aspect_ratio":1.493,"height":402,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moor4.jpg?v=1765241399","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e※当店限定販売です\u003c\/p\u003e\n\u003cp\u003eアメリカのチェリストCharlotte Moorman（1933-1991）が、2025年11月にイタリアの実験レーベルAlga Marghenから80部限定でリリースしたART BOXです。\u003c\/p\u003e\n\u003cp\u003e4枚組CDと154ページの本、未発表音源のレコード、16種類のフルカラーインサート付属。版元即完のため今回限りの入荷となります。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl + 4xCD + 154-page book + posters in art box.\u003cbr\u003ePreviously unreleased vinyl contains \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eanswering machine messages and rare performances. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e16 full-color inserts reproduce the original posters and programs of the Annual Avant Garde Festival of New York.\u003cbr\u003eEdition of 80 copies. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1-1 John Cage - 26' 1.1499\" For A Stringplayer 32:36\u003cbr\u003e1-2 Earle Brown – Synergy 4:04\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1-3 Giuseppe Chiari - Per Arco 3:56\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1-4 Karlheinz Stockhausen - Plus-Minus 10:07\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1-5 Terry Jennings - Piece For Cello And Saxophone 2:54\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1-6 Toshi Ichiyanagi - Duet II 11:49\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2-1 Sylvano Bussotti - Sensitivo #7 2:20\u003cbr\u003e\u003c\/span\u003e2-2 Earle Brown - December 52 6:10\u003cbr\u003e2-3 Giuseppe Chiari - Ave Maria Di Schubert 1:47\u003cbr\u003e2-4 John Cage - 26' 1.1499\" For A Stringplayer 5:25\u003cbr\u003e2-5 Nam June Paik - Cello Sonata Opus 69 3:44\u003cbr\u003e2-6 Nam June Paik - Sonata No. 1 For Adults Only 7:57\u003cbr\u003e2-7 Toshi Ichiyanagi - Duet II 12:32\u003cbr\u003e2-8 Nam June Paik - Johann Sebastian Bussotti 3:17\u003cbr\u003e2-9 Toshi Ichiyanagi - Duet II 19:16\u003cbr\u003e2-10 John Cage - 26' 1.1499\" For A Stringplayer 2:44\u003cbr\u003e3-1 Charlotte Moorman \/ Paul Garrin \/ Nam June Paik - TV Cello Duets \/ Concerto For TV Cello And Videotapes 1:12:28\u003cbr\u003e4-1 Jackson Mac Low - The Long Hot Summer 12:45\u003cbr\u003e4-2 Charlotte Moorman \/ Harvey Matusow - Charlotte Moorman Interview By Harvey Matusow 33:42\u003cbr\u003e4-3 Nam June Paik \/ Russel Connor - Waiting For Commercials 8:13\u003cbr\u003e5-1 Charlotte Moorman - Answering Machine Messages\u003cbr\u003e5-2 Charlotte Moorman - Piece For Cello And Saxophone With Terry Jennings\u003cbr\u003e5-3 Charlotte Moorman - Answering Machine Messages\u003cbr\u003e5-4 John Cage - 26`1.1499\" For A String Player\u003cbr\u003e5-5 Charlotte Moorman - Answering Machine Messages\u003cbr\u003e5-6 Charlotte Moorman - TV Cello Excerpt\u003cbr\u003e5-7 Charlotte Moorman - Answering Machine Messages\u003cbr\u003e5-8 Charlotte Moorman - TV Cello Excerpt\u003cbr\u003e5-9 Charlotte Moorman - Answering Machine Messages\u003cbr\u003e5-10 Charlotte Moorman - TV Cello Excerpt\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTracks 1-1 to 1-6 recorded in recital for Avant Garde Concert III at Judson Hall, New York on December 12, 1964. The concert was recorded by WBAI-FM.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTracks 2-1 to 2-8 recorded in recital in Aachen (Germany), Theatersaal on July 25, 1966.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-9 is an unidentified recording.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-10 recorded onto 12\" aluminium base lacquer disc 33 rpm micro groove. No recording dates or locations mentioned.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 3-1, TV Cello Concert, recorded in Chicago, Museum of Contemporary Art in September 1982.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 4-1 recorded at the Second Avantgarde Festival of New York on September 3, 1964.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 4-2 is a Charlotte Moorman interview by Harvey Matusow recorded at BBC New York Studios, October 1969.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 4-3 is a soundtrack of the videotape \"Waiting for commercials\". No recording dates or locations mentioned.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Charlotte Moorman\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eplana-M 27NMN.064\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2025\u003c\/span\u003e\u003c\/p\u003e"}

※当店限定販売ですアメリカのチェリストCharlotte Moorman（1933-1991）が、2025年11月にイタリアの実験レーベルAlga Marghenから80部限定でリリースしたART BOXです。 4枚組CDと154ページの本、未発表音源のレコード、16種類のフルカラーインサート付属。版元即完のため今回限りの入荷となります。レーベルその他作品はこちら /// Click here to see more Alga Marghen releases available...

¥19,800

クイックビュー {"id":9023093768442,"title":"Jeff Parker \/\/ Forfolks LP [BLACK]","handle":"jeff-parker-forfolks-lp-black","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eTortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年にInternational Anthemからリリースしたアルバム\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1759480046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlbum liner notes by Matthew Lux:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eYears ago when Jeff and I were in a band together, I always insisted that our records could not have any liner notes. I was enthralled with the idea that imparting any information beyond the music itself was heresy. As if whatever the sound didn't convey needed to be left to the listener. Somehow, I was able to hold this opinion while simultaneously voraciously consuming every record jacket, CD cover, cassette J card and whatever else I could get my hands on regarding any music that interested me. Many years and finally the making of my own album forced me to confront my cognitive dissonance and recognize context can help the audience find their place in the art that they enjoy. That context is especially necessary when the artist is as under-appreciated yet influential as Jeff Parker.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I met Jeff, he was the first adult (24 years old to my 18) whose musical taste was as broad as mine and my friends. He liked Eric Dolphy, De La Soul, ‘70s Miles, and Donny Hathaway. We first played together in the living room of my parents’ apartment. We agreed to each bring a friend to round out a group. He brought the amazing and criminally under-represented Sara P. Smith on trombone, and I brought my high school band mate Chad Taylor on drums. Chad\u003cspan class=\"bcTruncateMore\"\u003e and I were certainly outclassed that day, but nevertheless we all became fast friends. A few weeks later, at our regular jam session at the Bop Shop, I told my girlfriend (now wife) to pay attention to Jeff. \"He's going to be important,\" I said.\u003cbr\u003e\u003cbr\u003eThe Chicago that Parker had moved to was ripe with young musicians eager to push at the boundaries. There weren't many venues catering to these new attempts at mixing things up, but slowly a number of great bands coalesced out of a group of like-minded friends, mixing everyone's backgrounds whether punk, disco, jazz or whatever. I clearly remember going to see New Horizons Ensemble at the Hothouse with Jeff, then a few weeks later going to the Empty Bottle to see Tortoise. Within months he'd be in both those bands. He was instrumental in forging a link between players with different styles that helped define the sound of creative music in ‘90s Chicago.\u003cbr\u003e\u003cbr\u003eIt's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.\u003cbr\u003e\u003cbr\u003eHe has been ordering sound with an amazingly diverse array of artists and collaborators for the past three decades. While it's common for a professional musician to be versed in many styles, that normally means a succession of genre tropes deployed to ensure the listener knows exactly where they are and what's supposed to be happening. A guitarist, for example, might play a Nile Rogers type rhythm on Disco or Funk, a favorite B.B. King lick on a blues or a Wes Montgomery phrase over a standard. Parker rarely does anything this overt. While perfectly capable (Once, in the studio, at the behest of a musician we were working with, I heard him take a solo that could have been an outtake from a Steely Dan album), he eschews genre playing and chooses a painterly approach to coloring the music, maintaining a deeply personal voice without weighing down the music with obvious stylistic maneuverings. His unique approach fits so well into so many contexts precisely because SOUND is his main focus and concern. One can clearly hear the breadth of Black Music in Parker’s playing. He is part of a continuum of musicians extending back to antiquity.\u003cbr\u003e\u003cbr\u003eThe structures here challenge our preconceptions of background and foreground. ALL the layers are primary. We are presented with fully integrated sonic developments rather than accompaniment, melody, or \"soloing\". Often times a solo album is an excuse for an artist to display their virtuosity. The idea being, possibly, that unencumbered by other musicians, the soloist is free to ride off on flights of fancy. But a career spent in the practice of subtlety is thankfully apparent in every song here. On Forfolks, a standard of the Great American Songbook fits comfortably next to multi-layered improvisations, a Thelonious Monk tune, and several compositions of Parker’s own, dating back twenty-five years.\u003cbr\u003e\u003cbr\u003eMonk, I find to be an apt comparison. Both men were deeply involved in some of the most progressive musical movements of their respective generations, neither gaining much renown at the time, but both kept on doing things in their own quietly iconoclastic ways until the world caught up with them some twenty years later. I was fortunate enough to recognize the first time I heard Jeff Parker thirty years ago that I was witnessing something very special.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCat No : IARC0052LP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-09T05:55:06+09:00","created_at":"2025-12-09T05:54:08+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new"],"price":489000,"price_min":489000,"price_max":489000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48079955230970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jeff Parker \/\/ Forfolks LP [BLACK]","public_title":null,"options":["Default Title"],"price":489000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"075597912104","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771","options":["Title"],"media":[{"alt":null,"id":36463102591226,"position":1,"preview_image":{"aspect_ratio":0.993,"height":599,"width":595,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771"},"aspect_ratio":0.993,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771","width":595}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eTortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年にInternational Anthemからリリースしたアルバム\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1759480046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlbum liner notes by Matthew Lux:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eYears ago when Jeff and I were in a band together, I always insisted that our records could not have any liner notes. I was enthralled with the idea that imparting any information beyond the music itself was heresy. As if whatever the sound didn't convey needed to be left to the listener. Somehow, I was able to hold this opinion while simultaneously voraciously consuming every record jacket, CD cover, cassette J card and whatever else I could get my hands on regarding any music that interested me. Many years and finally the making of my own album forced me to confront my cognitive dissonance and recognize context can help the audience find their place in the art that they enjoy. That context is especially necessary when the artist is as under-appreciated yet influential as Jeff Parker.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I met Jeff, he was the first adult (24 years old to my 18) whose musical taste was as broad as mine and my friends. He liked Eric Dolphy, De La Soul, ‘70s Miles, and Donny Hathaway. We first played together in the living room of my parents’ apartment. We agreed to each bring a friend to round out a group. He brought the amazing and criminally under-represented Sara P. Smith on trombone, and I brought my high school band mate Chad Taylor on drums. Chad\u003cspan class=\"bcTruncateMore\"\u003e and I were certainly outclassed that day, but nevertheless we all became fast friends. A few weeks later, at our regular jam session at the Bop Shop, I told my girlfriend (now wife) to pay attention to Jeff. \"He's going to be important,\" I said.\u003cbr\u003e\u003cbr\u003eThe Chicago that Parker had moved to was ripe with young musicians eager to push at the boundaries. There weren't many venues catering to these new attempts at mixing things up, but slowly a number of great bands coalesced out of a group of like-minded friends, mixing everyone's backgrounds whether punk, disco, jazz or whatever. I clearly remember going to see New Horizons Ensemble at the Hothouse with Jeff, then a few weeks later going to the Empty Bottle to see Tortoise. Within months he'd be in both those bands. He was instrumental in forging a link between players with different styles that helped define the sound of creative music in ‘90s Chicago.\u003cbr\u003e\u003cbr\u003eIt's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.\u003cbr\u003e\u003cbr\u003eHe has been ordering sound with an amazingly diverse array of artists and collaborators for the past three decades. While it's common for a professional musician to be versed in many styles, that normally means a succession of genre tropes deployed to ensure the listener knows exactly where they are and what's supposed to be happening. A guitarist, for example, might play a Nile Rogers type rhythm on Disco or Funk, a favorite B.B. King lick on a blues or a Wes Montgomery phrase over a standard. Parker rarely does anything this overt. While perfectly capable (Once, in the studio, at the behest of a musician we were working with, I heard him take a solo that could have been an outtake from a Steely Dan album), he eschews genre playing and chooses a painterly approach to coloring the music, maintaining a deeply personal voice without weighing down the music with obvious stylistic maneuverings. His unique approach fits so well into so many contexts precisely because SOUND is his main focus and concern. One can clearly hear the breadth of Black Music in Parker’s playing. He is part of a continuum of musicians extending back to antiquity.\u003cbr\u003e\u003cbr\u003eThe structures here challenge our preconceptions of background and foreground. ALL the layers are primary. We are presented with fully integrated sonic developments rather than accompaniment, melody, or \"soloing\". Often times a solo album is an excuse for an artist to display their virtuosity. The idea being, possibly, that unencumbered by other musicians, the soloist is free to ride off on flights of fancy. But a career spent in the practice of subtlety is thankfully apparent in every song here. On Forfolks, a standard of the Great American Songbook fits comfortably next to multi-layered improvisations, a Thelonious Monk tune, and several compositions of Parker’s own, dating back twenty-five years.\u003cbr\u003e\u003cbr\u003eMonk, I find to be an apt comparison. Both men were deeply involved in some of the most progressive musical movements of their respective generations, neither gaining much renown at the time, but both kept on doing things in their own quietly iconoclastic ways until the world caught up with them some twenty years later. I was fortunate enough to recognize the first time I heard Jeff Parker thirty years ago that I was witnessing something very special.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCat No : IARC0052LP\u003c\/span\u003e\u003c\/p\u003e"}