Mount Eerie // No Flashlight LP [COLOR]

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アメリカ・ワシントンのインディー作家Mount Eerieが、2015年に自主リリースしたレコードです。

彼特有のポエティックなインディーフォーク15曲を収録。 DLコード付属。ゲートフォルド仕様。白盤です。

アーティストその他作品はこちら /// Click here to see more Mount Eerie releases available at Tobira.

----------------------------------------------

12" white vinyl in gatefold sleeve.

Tracklist:

1. I Know No One 02:32
2. I Hold Nothing 05:00
3. the Moan 02:53
4. In The Bat's Mouth 01:31
5. No Inside, No Out 01:48
6. (2 Lakes) 01:08
7. Stop Singing 02:59
8. No Flashlight 02:59
9. (2 Mountains) 01:19
10. the Air in the Morning 03:03
11. the Universe is Shown 01:54
12. What? 02:56
13. How? 02:24
14. No Flashlight 03:49
15. (2 Moons) 00:56

RECORDED “NOWHERE” BETWEEN OCTOBER 19TH, 2004 AND JANUARY 30TH, 2005
MOSTLY IN A SMALL ROOM UPSTAIRS AT 418 COMMERCIAL, ANACORTES
BY PHIL ELVERUM WITH GENEVIÈVE CASTRÉE AND JASON WALL
ORIGINALLY RELEASED AS “ELV005” IN LATE SUMMER 2005

Artist : Mount Eerie

Label : P.W. Elverum & Sun

Quantity

+ -

アメリカ・ワシントンのインディー作家Mount Eerieが、2015年に自主リリースしたレコードです。

彼特有のポエティックなインディーフォーク15曲を収録。 DLコード付属。ゲートフォルド仕様。白盤です。

アーティストその他作品はこちら /// Click here to see more Mount Eerie releases available at Tobira.

----------------------------------------------

12" white vinyl in gatefold sleeve.

Tracklist:

1. I Know No One 02:32
2. I Hold Nothing 05:00
3. the Moan 02:53
4. In The Bat's Mouth 01:31
5. No Inside, No Out 01:48
6. (2 Lakes) 01:08
7. Stop Singing 02:59
8. No Flashlight 02:59
9. (2 Mountains) 01:19
10. the Air in the Morning 03:03
11. the Universe is Shown 01:54
12. What? 02:56
13. How? 02:24
14. No Flashlight 03:49
15. (2 Moons) 00:56

Artist : Mount Eerie

Label : P.W. Elverum & Sun

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クイックビュー {"id":8857789923578,"title":"Briana Marela \/\/ My Inner Rest TAPE","handle":"briana-marela-my-inner-rest-tape","description":"\u003cp\u003eペルー／アメリカのアンビエント・ポップ作家Briana Marelaが、2025年6月に同国LAのオールジャンルレーベルAKPからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eドリーミーでちょっぴり切ないアンビエント・ポップ〜アンビエント12\u003c\/span\u003e曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『My Inner Rest』は、Briana Marelaがミルズ・カレッジのコンサートホールでライブ演奏した12曲のエレクトロアコースティック・ソング集である。エモーショナルなヴォーカル・パフォーマンスを中心に、彼女はミニマルでありながらみずみずしい空間を創り出し、渦を巻いて飛び交うシンセ、ヴォーカルサンプリング、ライブプロセッシングが、創造的な精神と再びつながる旅に寄り添う。自信喪失と闘いながら、芸術的実践との関係を再定義した『My Inner Rest』は、自分自身を愛し、慈しむ方法を学ぶための重要な記録である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1474914893\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1474914893\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2118712402\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003ehere\u003c\/a\u003e to see more AKP Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e \u003cbr\u003eCassette in norelco case. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 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Combating self-doubt while redefining her relationship to her artistic practice, My Inner Rest is a vital document in learning how to love and have compassion for oneself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInvoking magical realism, Marela uses a visual programming language to build custom tools and effects to process her voice and transform non-musical objects into playable instruments. A handheld mirror, when held to her face, warps and pitch shifts her words into a “voice of uncertainty.” A silver bowl of water spins back echoes of her voice within its watery metallic filter. An orange light bulb captures and plays back samples of Marela’s voice in real time while casting shadows around the room. These compositions draw from elements of experimental music, theater, performance art, and popular song. 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Selfless 04:39\u003cbr\u003e2. Vibrant Sheen 05:23\u003cbr\u003e3. Value 06:02\u003cbr\u003e4. My Inner Rest 08:05\u003cbr\u003e5. Wash Away 01:13\u003cbr\u003e6. Abandon 05:47\u003cbr\u003e7. Willful or Self-willed 07:53\u003cbr\u003e8. Golden Sun 01:34\u003cbr\u003e9. Grasshopper 06:04\u003cbr\u003e10. Brightest Star 04:06\u003cbr\u003e11. Suspended 01:42\u003cbr\u003e12. Violent Impulse 06:50\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eAKP Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eMy Inner Rest is a collection of 12 electroacoustic songs performed live by Briana Marela in the Mills College concert hall. With her emotional vocal performance as the focal point, she carves out a minimal yet lush space for swirling and skittering synths, vocal sampling, and live processing to caress and accompany her journey of reconnecting with her creative spirit. Combating self-doubt while redefining her relationship to her artistic practice, My Inner Rest is a vital document in learning how to love and have compassion for oneself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInvoking magical realism, Marela uses a visual programming language to build custom tools and effects to process her voice and transform non-musical objects into playable instruments. A handheld mirror, when held to her face, warps and pitch shifts her words into a “voice of uncertainty.” A silver bowl of water spins back echoes of her voice within its watery metallic filter. An orange light bulb captures and plays back samples of Marela’s voice in real time while casting shadows around the room. These compositions draw from elements of experimental music, theater, performance art, and popular song. She envisioned this way of approaching performance as a vocalist seeking an embodied physical experience on stage without\u003cspan class=\"bcTruncateMore\"\u003e the need to be proficient at playing a traditional instrument. She makes use of subtle movements of her body, as well as different gestural mappings using sensors, microprocessors, and training with a neural network to inform her live vocal processing. This allows her the freedom of improvisation within composed parameters to control discrete electronic and sampled sounds. Her voice acts as a storyteller and guides the audience through an embodied exploration of self in relation to creative identity.\u003cbr\u003e\u003cbr\u003eUnlike Marela’s previously released albums, My Inner Rest was written and composed to be performed live. She was set to start recording after graduating with an MFA from Mills College in 2020, however due to the pandemic and the death of her father, the album was shelved and she left the Bay Area for two years. After deciding to return to Oakland to be closer to friends and her music community, the album was eventually recorded at Littlefield Concert Hall. Former Mills technical director and friend Brendan Glasson engineered several sessions between 2022-23, capturing what would become My Inner Rest in a cathartic close to both Marela's time at Mills College, and the institution itself. The unexpected gestation period gave Marela deeper insight into the power of her creative endeavor, and crystallized the need to perform the material live. Each piece was ultimately recorded on stage, wearing a wireless headset mic and no headphones, as the singer was immersed with her sounds amplified in the room. Some songs took as many as 30 takes in order to capture her ideal performance. 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Many artists go through phases of their life where they become disconnected to their identity as an artist and their own work. In the process of struggling through this difficult time in her life, Marela’s path to reconnecting with her creative spirit again was a deeply healing and meditative undertaking. It is her hope that by letting others bear witness to her process, she can inspire other creative spirits to return to their lost vessels, to help repair the soul during times of dissonance.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Briana Marela\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : AKP Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eAKP038\u003c\/span\u003e\u003c\/p\u003e"}

ペルー／アメリカのアンビエント・ポップ作家Briana Marelaが、2025年6月に同国LAのオールジャンルレーベルAKPからリリースしたアルバムです。ドリーミーでちょっぴり切ないアンビエント・ポップ〜アンビエント12曲を収録。DLコード付属。以下、レーベルによる解説です。 "『My Inner Rest』は、Briana Marelaがミルズ・カレッジのコンサートホールでライブ演奏した12曲のエレクトロアコースティック・ソング集である。エモーショナルなヴォーカル・パフォーマンスを中心に、彼女はミニマルでありながらみずみずしい空間を創り出し、渦を巻いて飛び交うシンセ、ヴォーカルサンプリング、ライブプロセッシングが、創造的な精神と再びつながる旅に寄り添う。自信喪失と闘いながら、芸術的実践との関係を再定義した『My Inner Rest』は、自分自身を愛し、慈しむ方法を学ぶための重要な記録である。" レーベルその他作品はこちら /// Click here to see...

¥2,249

クイックビュー {"id":8857789399290,"title":"Briana Marela \/\/ My Inner Rest CD","handle":"briana-marela-my-inner-rest-cd","description":"\u003cp\u003eペルー／アメリカのアンビエント・ポップ作家Briana Marelaが、2025年6月に同国LAのオールジャンルレーベルAKPからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eドリーミーでちょっぴり切ないアンビエント・ポップ〜アンビエント12\u003c\/span\u003e曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『My Inner Rest』は、Briana Marelaがミルズ・カレッジのコンサートホールでライブ演奏した12曲のエレクトロアコースティック・ソング集である。エモーショナルなヴォーカル・パフォーマンスを中心に、彼女はミニマルでありながらみずみずしい空間を創り出し、渦を巻いて飛び交うシンセ、ヴォーカルサンプリング、ライブプロセッシングが、創造的な精神と再びつながる旅に寄り添う。自信喪失と闘いながら、芸術的実践との関係を再定義した『My Inner Rest』は、自分自身を愛し、慈しむ方法を学ぶための重要な記録である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1474914893\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1474914893\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2118712402\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003ehere\u003c\/a\u003e to see more AKP Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e \u003cbr\u003eCD.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Selfless 04:39\u003cbr\u003e2. Vibrant Sheen 05:23\u003cbr\u003e3. Value 06:02\u003cbr\u003e4. My Inner Rest 08:05\u003cbr\u003e5. Wash Away 01:13\u003cbr\u003e6. Abandon 05:47\u003cbr\u003e7. Willful or Self-willed 07:53\u003cbr\u003e8. Golden Sun 01:34\u003cbr\u003e9. Grasshopper 06:04\u003cbr\u003e10. Brightest Star 04:06\u003cbr\u003e11. Suspended 01:42\u003cbr\u003e12. Violent Impulse 06:50\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eAKP Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eMy Inner Rest is a collection of 12 electroacoustic songs performed live by Briana Marela in the Mills College concert hall. With her emotional vocal performance as the focal point, she carves out a minimal yet lush space for swirling and skittering synths, vocal sampling, and live processing to caress and accompany her journey of reconnecting with her creative spirit. Combating self-doubt while redefining her relationship to her artistic practice, My Inner Rest is a vital document in learning how to love and have compassion for oneself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInvoking magical realism, Marela uses a visual programming language to build custom tools and effects to process her voice and transform non-musical objects into playable instruments. A handheld mirror, when held to her face, warps and pitch shifts her words into a “voice of uncertainty.” A silver bowl of water spins back echoes of her voice within its watery metallic filter. An orange light bulb captures and plays back samples of Marela’s voice in real time while casting shadows around the room. These compositions draw from elements of experimental music, theater, performance art, and popular song. She envisioned this way of approaching performance as a vocalist seeking an embodied physical experience on stage without\u003cspan class=\"bcTruncateMore\"\u003e the need to be proficient at playing a traditional instrument. She makes use of subtle movements of her body, as well as different gestural mappings using sensors, microprocessors, and training with a neural network to inform her live vocal processing. This allows her the freedom of improvisation within composed parameters to control discrete electronic and sampled sounds. Her voice acts as a storyteller and guides the audience through an embodied exploration of self in relation to creative identity.\u003cbr\u003e\u003cbr\u003eUnlike Marela’s previously released albums, My Inner Rest was written and composed to be performed live. She was set to start recording after graduating with an MFA from Mills College in 2020, however due to the pandemic and the death of her father, the album was shelved and she left the Bay Area for two years. After deciding to return to Oakland to be closer to friends and her music community, the album was eventually recorded at Littlefield Concert Hall. Former Mills technical director and friend Brendan Glasson engineered several sessions between 2022-23, capturing what would become My Inner Rest in a cathartic close to both Marela's time at Mills College, and the institution itself. The unexpected gestation period gave Marela deeper insight into the power of her creative endeavor, and crystallized the need to perform the material live. Each piece was ultimately recorded on stage, wearing a wireless headset mic and no headphones, as the singer was immersed with her sounds amplified in the room. Some songs took as many as 30 takes in order to capture her ideal performance. After a year of listening and refining these recordings, Marela has yielded a cohesive and intriguing collection of songs that exist apart from the live performances, in their own time and space.\u003cbr\u003e\u003cbr\u003eThe title My Inner Rest is borrowed from an encounter with the work of outsider visual artist Madge Gill on display at the Collection de l'Art Brut in Lausanne, Switzerland. Gill believed to have been creatively guided by a spirit she called \"Myrninerest\" to complete many mediumistic works. Marela encountered Gill’s work at a time of transition, losing touch with her creative spirit after a stifling encounter with the music industry. Having signed with a big indie label in her mid twenties, the experience left her disenchanted and artistically stagnant. Marela wished to return to a mindset of being a vessel for creative spirit to flow through, and to move further away from a capitalistic mindset of branding and profit. Many artists go through phases of their life where they become disconnected to their identity as an artist and their own work. In the process of struggling through this difficult time in her life, Marela’s path to reconnecting with her creative spirit again was a deeply healing and meditative undertaking. It is her hope that by letting others bear witness to her process, she can inspire other creative spirits to return to their lost vessels, to help repair the soul during times of dissonance.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Briana Marela\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : AKP Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eAKP038\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-07-13T09:54:41+09:00","created_at":"2025-07-11T10:55:10+09:00","vendor":"Tobira Records","type":"","tags":["akp","ambient","cd","folk \/ left-field pop","new"],"price":224900,"price_min":224900,"price_max":224900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47502271676666,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Briana Marela \/\/ My Inner Rest CD","public_title":null,"options":["Default Title"],"price":224900,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/inn1_9aba4608-b6d5-4ce0-931c-577d45ebcb71.jpg?v=1752198731","\/\/tobirarecords.com\/cdn\/shop\/files\/inn2_35486a76-d8ac-459c-92c1-659cd0582157.jpg?v=1752198730"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn1_9aba4608-b6d5-4ce0-931c-577d45ebcb71.jpg?v=1752198731","options":["Title"],"media":[{"alt":null,"id":36352335577338,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn1_9aba4608-b6d5-4ce0-931c-577d45ebcb71.jpg?v=1752198731"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn1_9aba4608-b6d5-4ce0-931c-577d45ebcb71.jpg?v=1752198731","width":700},{"alt":null,"id":36352335610106,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn2_35486a76-d8ac-459c-92c1-659cd0582157.jpg?v=1752198730"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn2_35486a76-d8ac-459c-92c1-659cd0582157.jpg?v=1752198730","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eペルー／アメリカのアンビエント・ポップ作家Briana Marelaが、2025年6月に同国LAのオールジャンルレーベルAKPからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eドリーミーでちょっぴり切ないアンビエント・ポップ〜アンビエント12\u003c\/span\u003e曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『My Inner Rest』は、Briana Marelaがミルズ・カレッジのコンサートホールでライブ演奏した12曲のエレクトロアコースティック・ソング集である。エモーショナルなヴォーカル・パフォーマンスを中心に、彼女はミニマルでありながらみずみずしい空間を創り出し、渦を巻いて飛び交うシンセ、ヴォーカルサンプリング、ライブプロセッシングが、創造的な精神と再びつながる旅に寄り添う。自信喪失と闘いながら、芸術的実践との関係を再定義した『My Inner Rest』は、自分自身を愛し、慈しむ方法を学ぶための重要な記録である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1474914893\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1474914893\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2118712402\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003ehere\u003c\/a\u003e to see more AKP Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e \u003cbr\u003eCD.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Selfless 04:39\u003cbr\u003e2. Vibrant Sheen 05:23\u003cbr\u003e3. Value 06:02\u003cbr\u003e4. My Inner Rest 08:05\u003cbr\u003e5. Wash Away 01:13\u003cbr\u003e6. Abandon 05:47\u003cbr\u003e7. Willful or Self-willed 07:53\u003cbr\u003e8. Golden Sun 01:34\u003cbr\u003e9. Grasshopper 06:04\u003cbr\u003e10. Brightest Star 04:06\u003cbr\u003e11. Suspended 01:42\u003cbr\u003e12. Violent Impulse 06:50\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eAKP Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eMy Inner Rest is a collection of 12 electroacoustic songs performed live by Briana Marela in the Mills College concert hall. With her emotional vocal performance as the focal point, she carves out a minimal yet lush space for swirling and skittering synths, vocal sampling, and live processing to caress and accompany her journey of reconnecting with her creative spirit. Combating self-doubt while redefining her relationship to her artistic practice, My Inner Rest is a vital document in learning how to love and have compassion for oneself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInvoking magical realism, Marela uses a visual programming language to build custom tools and effects to process her voice and transform non-musical objects into playable instruments. A handheld mirror, when held to her face, warps and pitch shifts her words into a “voice of uncertainty.” A silver bowl of water spins back echoes of her voice within its watery metallic filter. An orange light bulb captures and plays back samples of Marela’s voice in real time while casting shadows around the room. These compositions draw from elements of experimental music, theater, performance art, and popular song. She envisioned this way of approaching performance as a vocalist seeking an embodied physical experience on stage without\u003cspan class=\"bcTruncateMore\"\u003e the need to be proficient at playing a traditional instrument. She makes use of subtle movements of her body, as well as different gestural mappings using sensors, microprocessors, and training with a neural network to inform her live vocal processing. This allows her the freedom of improvisation within composed parameters to control discrete electronic and sampled sounds. Her voice acts as a storyteller and guides the audience through an embodied exploration of self in relation to creative identity.\u003cbr\u003e\u003cbr\u003eUnlike Marela’s previously released albums, My Inner Rest was written and composed to be performed live. She was set to start recording after graduating with an MFA from Mills College in 2020, however due to the pandemic and the death of her father, the album was shelved and she left the Bay Area for two years. After deciding to return to Oakland to be closer to friends and her music community, the album was eventually recorded at Littlefield Concert Hall. Former Mills technical director and friend Brendan Glasson engineered several sessions between 2022-23, capturing what would become My Inner Rest in a cathartic close to both Marela's time at Mills College, and the institution itself. The unexpected gestation period gave Marela deeper insight into the power of her creative endeavor, and crystallized the need to perform the material live. Each piece was ultimately recorded on stage, wearing a wireless headset mic and no headphones, as the singer was immersed with her sounds amplified in the room. Some songs took as many as 30 takes in order to capture her ideal performance. After a year of listening and refining these recordings, Marela has yielded a cohesive and intriguing collection of songs that exist apart from the live performances, in their own time and space.\u003cbr\u003e\u003cbr\u003eThe title My Inner Rest is borrowed from an encounter with the work of outsider visual artist Madge Gill on display at the Collection de l'Art Brut in Lausanne, Switzerland. Gill believed to have been creatively guided by a spirit she called \"Myrninerest\" to complete many mediumistic works. Marela encountered Gill’s work at a time of transition, losing touch with her creative spirit after a stifling encounter with the music industry. Having signed with a big indie label in her mid twenties, the experience left her disenchanted and artistically stagnant. Marela wished to return to a mindset of being a vessel for creative spirit to flow through, and to move further away from a capitalistic mindset of branding and profit. Many artists go through phases of their life where they become disconnected to their identity as an artist and their own work. In the process of struggling through this difficult time in her life, Marela’s path to reconnecting with her creative spirit again was a deeply healing and meditative undertaking. It is her hope that by letting others bear witness to her process, she can inspire other creative spirits to return to their lost vessels, to help repair the soul during times of dissonance.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Briana Marela\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : AKP Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eAKP038\u003c\/span\u003e\u003c\/p\u003e"}

アメリカ・テキサスのインディーバンドChronophageが、2025年7月に同国実験／インディーレーベルPost Present Mediumからリリースした7"です。爽快なインディーロック4曲を収録。インサートと歌詞シートが付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませレーベルその他作品はこちら /// Click here to see more Post Present Medium releases available...

¥2,079

クイックビュー {"id":8857764331770,"title":"Alberto Juscamaita Gastelú \/\/ Reminiscences of Raktako: Huayno Guitar from Cuzco and Ayacucho, 1930-1940 TAPE","handle":"alberto-juscamaita-gastelu-reminiscences-of-raktako-huayno-guitar-from-cuzco-and-ayacucho-1930-1940-tape","description":"\u003cp\u003eペルーのギタリストAlberto Juscamaita Gastelúが、2025年6月にイギリス・ロンドンの発掘専門レーベルDeath Is Not The Endからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e1930-1940年に録音していた秘蔵音源11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"フアイノのルーツは植民地時代のアンデスにあり、先住民族が自分たちの音楽とヨーロッパ人入植者がもたらした影響を融合させ始めた。その過程でスパニッシュギターが自然に普及し、伝統的なアンデスハープの調弦、指使い、リズムが取り入れられた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eラクタコとして知られる故Alberto Juscamaita Gastelúは、ペルー南部アンデスのアヤクーチョを故郷とする有名なギタリストであり、作曲家であり、何世代ものギタリストの指導者であった。彼のユニークなスタイルは、スペインのリュートや、ヴァイオリンやアコーディオンといった植民地から持ち込まれた楽器のテクニックも融合している。ラクタコは1世紀以上にわたり、アヤクーチョの音楽の伝統とアンデスギターの形式を守ってきた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2022年、ラクタコの最後の弟子であるグスタボ・ヤシムラが、サウンド・オブ・ジ・アンデスのヘンケル・ベリドに、ラクタコが1930年から1940年の間に録音した一連の驚くべきホームレコーディングを公開した。わずかな機材で録音されたこれらの音源は、これまで出版されたことがなく、貴重な文化的財産である。100年以上生き、2023年にこの世を去ったギタリストは、ペルー文化省が公式に彼を文化功労者に認定するまで、ほとんど忘れられていた。ペルー音楽、特にアヤクーチョ・ギターの伝統に多大な影響を与えた彼の遺産が、ようやく認められようとしている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4098080003\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Intro \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e00:56\u003cbr\u003e2. A1 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e03:31\u003cbr\u003e3. A2 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e02:53\u003cbr\u003e4. A3 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e02:46\u003cbr\u003e5. A4 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e01:51\u003cbr\u003e6. A5 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e01:56\u003cbr\u003e7. B1 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e02:01\u003cbr\u003e8. B2 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e04:27\u003cbr\u003e9. B3 (Valicha)\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e02:44\u003cbr\u003e10. B4 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e01:39\u003cbr\u003e11. B5 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e03:12\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDeath Is Not The End:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHuayno has its roots in the Andes during the colonial era, when indigenous peoples began to blend their music with influences brought by European settlers. During this process the Spanish guitar naturally became very prevalent, incorporating the tunings, finger-style and rhythms of the traditional Andean harp along with it.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe late Alberto Juscamaita Gastelú, known as Raktako, was a renowned guitarist, composer and mentor to generations of guitarists from his home in Ayacucho, southern Peruvian Andes. His unique style also blended techniques from the Spanish lute and other instruments brought by colonisers, such as the violin and accordion. For over a century, Raktako preserved Ayacucho's musical traditions and the Andean guitar form.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 2022, the last disciple of Raktako, Gustavo Yashimura, shared with Sound of the Andes' Hánkel Bellido a series of astonishing home recordings made by Raktako between approximately 1930 and 1940. These recordings, made with the sparsest of equipment, had never been published before and represent an invaluable cultural treasure. The guitarist, who lived for over 100 years and passed away in 2023, had been largely forgotten until recently, when the Ministry of Culture of Peru officially recognised him as Meritorious Personality of Culture. His legacy, which includes a profound influence on Peruvian music, especially the Ayacucho guitar tradition, is finally being acknowledged.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alberto Juscamaita Gastelú\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e","published_at":"2025-07-11T10:43:37+09:00","created_at":"2025-07-11T09:54:53+09:00","vendor":"Tobira Records","type":"","tags":["death is not the end","field recording","folk \/ left-field pop","new","tape"],"price":285000,"price_min":285000,"price_max":285000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47502123041018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alberto Juscamaita Gastelú \/\/ Reminiscences of Raktako: Huayno Guitar from Cuzco and Ayacucho, 1930-1940 TAPE","public_title":null,"options":["Default Title"],"price":285000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"5050580852921","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/rem1_6afec5c1-eb84-4f74-b281-c3ce183a6b5a.jpg?v=1752195170","\/\/tobirarecords.com\/cdn\/shop\/files\/rem2_c6c0947f-1011-45bf-8928-a185d37adcd7.jpg?v=1752195170"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/rem1_6afec5c1-eb84-4f74-b281-c3ce183a6b5a.jpg?v=1752195170","options":["Title"],"media":[{"alt":null,"id":36352104988922,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rem1_6afec5c1-eb84-4f74-b281-c3ce183a6b5a.jpg?v=1752195170"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rem1_6afec5c1-eb84-4f74-b281-c3ce183a6b5a.jpg?v=1752195170","width":700},{"alt":null,"id":36352105021690,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rem2_c6c0947f-1011-45bf-8928-a185d37adcd7.jpg?v=1752195170"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rem2_c6c0947f-1011-45bf-8928-a185d37adcd7.jpg?v=1752195170","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eペルーのギタリストAlberto Juscamaita Gastelúが、2025年6月にイギリス・ロンドンの発掘専門レーベルDeath Is Not The Endからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e1930-1940年に録音していた秘蔵音源11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"フアイノのルーツは植民地時代のアンデスにあり、先住民族が自分たちの音楽とヨーロッパ人入植者がもたらした影響を融合させ始めた。その過程でスパニッシュギターが自然に普及し、伝統的なアンデスハープの調弦、指使い、リズムが取り入れられた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eラクタコとして知られる故Alberto Juscamaita Gastelúは、ペルー南部アンデスのアヤクーチョを故郷とする有名なギタリストであり、作曲家であり、何世代ものギタリストの指導者であった。彼のユニークなスタイルは、スペインのリュートや、ヴァイオリンやアコーディオンといった植民地から持ち込まれた楽器のテクニックも融合している。ラクタコは1世紀以上にわたり、アヤクーチョの音楽の伝統とアンデスギターの形式を守ってきた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2022年、ラクタコの最後の弟子であるグスタボ・ヤシムラが、サウンド・オブ・ジ・アンデスのヘンケル・ベリドに、ラクタコが1930年から1940年の間に録音した一連の驚くべきホームレコーディングを公開した。わずかな機材で録音されたこれらの音源は、これまで出版されたことがなく、貴重な文化的財産である。100年以上生き、2023年にこの世を去ったギタリストは、ペルー文化省が公式に彼を文化功労者に認定するまで、ほとんど忘れられていた。ペルー音楽、特にアヤクーチョ・ギターの伝統に多大な影響を与えた彼の遺産が、ようやく認められようとしている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4098080003\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Intro \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e00:56\u003cbr\u003e2. A1 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e03:31\u003cbr\u003e3. A2 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e02:53\u003cbr\u003e4. A3 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e02:46\u003cbr\u003e5. A4 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e01:51\u003cbr\u003e6. A5 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e01:56\u003cbr\u003e7. B1 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e02:01\u003cbr\u003e8. B2 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e04:27\u003cbr\u003e9. B3 (Valicha)\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e02:44\u003cbr\u003e10. B4 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e01:39\u003cbr\u003e11. B5 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e03:12\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDeath Is Not The End:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHuayno has its roots in the Andes during the colonial era, when indigenous peoples began to blend their music with influences brought by European settlers. During this process the Spanish guitar naturally became very prevalent, incorporating the tunings, finger-style and rhythms of the traditional Andean harp along with it.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe late Alberto Juscamaita Gastelú, known as Raktako, was a renowned guitarist, composer and mentor to generations of guitarists from his home in Ayacucho, southern Peruvian Andes. His unique style also blended techniques from the Spanish lute and other instruments brought by colonisers, such as the violin and accordion. For over a century, Raktako preserved Ayacucho's musical traditions and the Andean guitar form.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 2022, the last disciple of Raktako, Gustavo Yashimura, shared with Sound of the Andes' Hánkel Bellido a series of astonishing home recordings made by Raktako between approximately 1930 and 1940. These recordings, made with the sparsest of equipment, had never been published before and represent an invaluable cultural treasure. The guitarist, who lived for over 100 years and passed away in 2023, had been largely forgotten until recently, when the Ministry of Culture of Peru officially recognised him as Meritorious Personality of Culture. His legacy, which includes a profound influence on Peruvian music, especially the Ayacucho guitar tradition, is finally being acknowledged.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alberto Juscamaita Gastelú\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e"}